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When storms blow in from the coast, the tall, jagged Sierra Nevada act as a sharp fence, ripping open the bellies of the clouds and extracting the water from inside. Much of that rain lands on the western slopes, and joins creeks and rivers to run back through California and into the Pacific. But this side, the eastern side, of the mountains is in the rain shadow.

The mountains above Gardnerville, Nevada are big, and the high desert flows from the East to butt up against them.

Sage, Rabbit, Bitterbrush.

Some of the rain that falls on the mountains, and especially the snow that drapes the range all winter, some of that lands on the Eastern side of the ridge, over the divide, and instead of flowing back to the sea—it flows inland. This is the Great Basin and all water flows in, not out.

Here, wet places are rare and coveted and often appear as a vein of green quaking leaves in the crease of the hills where a creek has formed. These creeks eventually run into the sagebrush and dissipate in a desert sink or a terminal lake but first they feed the aspen groves and the meadows and the grass.

From the main street of Gardnerville, I can see those green creases of aspen on the Sierra, and then… I duck into the JT.

//

Thanks to Marie Louise, Etienne, J.B. and Anna Lekumberry along with Ryan Lamb and the whole staff at the JT for keepin it real. Thanks to Chris Barkley at Casale’s Halfway Club and Joe Canella at Ferino Distillery.

There is a new documentary called PiconLand by friend of the show Mark Maynard and Richard Bednarski. Mark helped out with some of the research and I highly recommend the film which talks to folks all over the region. Thanks to Gage Smith (Picon Drinkers of the American West) and Mike Higdon (The origin of the Picon Punch, Reno Gazette Journal) who spoke with me for the 2017 version, Ravenna Koenig, Sydney Martinez (with more Picon information in her book Finding Nevada Wild), Luka Starmer, Sierra Jickling, Mark Nesbitt and everybody who’s ever picked up a round.

Thank you for being here,

Cheers!

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You can find Matt’s work at @AllAroundCowboy_Loops on Instagram, 

and at https://bit.ly/MattBunkArtist 

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Photos and videos: https://thewind.org/episodes/how-to-make-an-aeolian-harp

•••

Name: Snake of Truth Wind Harp

Recording: Recorded on dry lake bed, Summer 2021

Construction: Designed and Built by Eleanor Qull. Large rectangular design of heavy scrap wood. Snake carved into face, intersecting circular hole. Rebar support through center, large bridge, unique hardware and ceramic bowl/bulb built into back panel.

Mix: EQ for wind noise, Hint of Reverb. Second recording same, but at half speed with slight panned phaser.

Notes: This harp was built by Eleanor Qull at the beginning of my fascination with Aeolian Harps. It originally was strung with steel, but would not sing easily. We replaced the steel string with nylon and it now is sensitive to wind, with a rich and rounded tone. It’s also quite heavy, which keeps it from blowing over.

•••

This is the final Aeolian Harp in the series. Thank you for listening.

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Link for photos and videos: https://thewind.org/episodes/how-to-make-an-aeolian-harp

•••

Name: Mary Blair Harp (Alt: Sunflower Harp)

Recording: Recorded on the edge of Snake Valley, near Baker and Great Basin National Park.

Construction: Built by Michael Corbitt. Rectangular design, larger than Eureka Harp. Sunflower shaped hole on face. Single String.

Mix: Heavily Effected - 2 additional tracks run through saturation, reverb, Pre-amp, compression

Notes: This harp featured a large interior resonating body, and is fairly sensitive. Current location: Salt Lake City, Utah.

•••

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Link for photos and videos: https://thewind.org/episodes/how-to-make-an-aeolian-harp

•••

Name: Eureka Harp

Recording: Recorded at New Pass Road, Nevada, off of Highway 50.

Construction: Rectangular with clover hole on face. Pine wood. Two Strings. Constructed with Michael Corbitt.

Mix: EQ for wind noise, Hint of Reverb.

Notes: This harp was built for my friends Luka Starmer and Michelle Rebaleati. It features a pyramidal black rock on its crown, collected from a deposit on the edge of Eureka, Nevada. Takes a decent gust to sing, but I enjoyed the 2-string tone. Current location: Reno, Nevada.

•••

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Link for photos and videos: https://thewind.org/episodes/how-to-make-an-aeolian-harp

•••

Name: Obsidian Sky Wind Harp (alt: Mountain Lion Harp)

Recording: Recorded in Sierra Nevada, Summer 2025

Construction: Triangular prism design with 3 holes in face. Pine wood. Single String. Constructed with Michael Corbitt and Eleanor Qull.

Mix: EQ for wind noise, hint of reverb.

Notes: This harp was built specifically for the episode “Those Who Feast with the Mountain Lion”. It is a fairly small body with a small interior chamber which I believe is why this harp is so quiet. It needs a strong wind to start singing, and does not resonate long when the wind ends. Stained black, referencing the dark desert skies in remote northern Nevada and the obsidian found around Peehee mu’huh.

•••

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•••

Name: Stovepipe Wind Harp

Recording: Recorded on dry lake bed, Fall 2025.

Construction: Made of a metal stovepipe: 4 strings, diamond shaped hole cut into face. Stovepipe salvaged from house fire.

Mix: Mostly Dry. EQ for wind noise, Hint of Reverb

Notes: This was my 2nd harp, and first to work well. I built it at the end of the episode “How to Build an Aeolian Harp.” Since initial construction, I added a string and have experimented with tunings. I’ve found that the sound has mellowed out over 3-4 years, sounding less distorted or ‘buzzy’. I hand cut aspen plugs to place inside the stovepipe, which is how the hardware is fastened to the body. Will sing pretty easily with a light breeze.

•••

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https://thewind.org/episodes/how-to-make-an-aeolian-harp

For the next 5 episodes, I’ll be playing audio of Aeolian harps (built by myself, Eleanor Qull and/or Michael Corbitt). The episodes will not include introductions or narration, so they’ll just be harp sound, with detailed information in the episode descriptions.

•

The first harp sound will drop tomorrow, and then they’ll drop in every day this week.

Thanks for being here, and I hope you enjoy listening to the wind harps.

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A story about lies, hoaxes, squibs and narrative foundations poured directly on top of rock-hard truth in some places, yet in others, onto the shaky ground of an earth pocked with tunnels and holes

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In the 1960s, poets Gary Snyder, Philip Whalen and Allen Ginsberg began annual circumambulations of Mt. Tamalpais in the SF bay area. Snyder learned the practice from Zen Bhuddists in Japan, and the three explained their walk as “opening of the mountain.”

Though there is at least one Tibetan group that calls for a counter-clockwise direction, most clearly denote the clockwise movement an important directional distinction, to avoid throwing order into chaos.

So as the sky illuminates to the East I head clockwise, down the mountain.

Thank you to Michael P. Branch who read the Mark Twain passage (Highly recommend his book How to Cuss in Western) Mark Maynard, Eleanor Qull, Scott Mortimore, Mike Corbitt and all of the folks who’ve helped support the show this year, there are too many to list.MUSIC:

Two tracks from Haana Lee’s new album called Textures

Emily Pratt, who makes music as Howls Road

Friend of the show Yclept Insan

and a few tracks from the Public Domain through Free Music Archive.

Further reading: The Way Around by Nicholas Triolo • The Old Ways by Robert Macfarlane • The Living Mountain by Nan Sheperd

Thank you for being here, and keep listening.

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I’ve been thinking about the radio

About the towers on the mountain

And the people far away who choose what’s on them.

Some Scared and angry and building bunkers, the men who own the ways we communicate,  all just a line item somewhere in the lowest dustiest corner of a spreadsheet.

Some of this thought path has been paved — the short postcard form of this program is now on a dozen terrestrial stations and counting. Though these are of course of the public radio variety, with different gate keepers.

Though the gates abound, it seems that swinging them open is more likely than pleasing the algorithms: the response controlled, non-human machine-learned attention-eating beasts that have snuck into our dining rooms, our living rooms our bedrooms, the place where I stack my

books.

But the place where my desk is, out in the mountains, still feels a bit untethered, even as I tether it with my presence. Likewise it is Not untouched, as there is no such thing, as it’s all touching each other all the time.

Here by default, the sound is an archive. The artisan well and all the willows that the out of place water has fostered, how the long grass it’s grown moves in the wind. The missing limbs and branches of trees long felled, the planes and cars and whirring of snow makers on distant but earshot mountains. All the story of the place in wave form

This year I’ve been digging into my own archives, examining the sounds I’ve collected, and assembling them in new ways. As the access to information feels increasingly precarious, flooded, owned, bent…I’ve been imagining new networks of distribution, looking for some that others have built; networks that flow both ways. I’ve been examining my own archive of ideas and audio and, somewhere on the edge of the landscape that the algorithms can just barely reach, I keep a folder of sounds it could never understand. What does wind —or a wind harp—or an idea that can’t quite be explained, what does that sound like to an artificial ear?

Probably nothing. But to us, it can sound like everything.

I’m Fil Corbitt

And this is year 6 of the wind

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Dear Wind Listeners. It’s the off season right now; currently working on Year 6 but I’m here to ask for a quick favor, and then play a guest episode from one of my favorite podcasts, Future Ecologies.

In this algorithmic big-tech world, it can be very difficult to find new listeners. For the last 5 years one of the ways I’ve been trying to reach new people is by turning to public radio. In addition to this long-form podcast here in the feed, I also make a 2-minute segment specifically for public radio. It’s called "Postcards from The Wind" and it airs on 7 stations now across the US, including on my home station KUNR in Reno. BUT, I’d really like to get Postcards on more stations, and that is where you come in.

I’m asking Wind Listeners to reach out to your local public radio station and request that they air Postcards from The Wind. If you’re up for helpin’ out with that, I will send a Wind Listener Patch and sticker as a thank you. Here’s how it works:

1. Email me: fil (at) thewind (dot) org

2. Use subject line “listener”, and include your mailing address.

3. I’ll send an envelope with a pre-stamped postcard and a form note to copy, plus a Wind patch + sticker enclosed. You will then copy that short form letter by hand, or write your own and address it to your local station.

4. Then drop the postcard in the mail.

That’s it. So if you’re up for helping out, send your mailing address to Fil AT thewind DOT ORG subject line listener.

---

The guest piece in this episode comes from one of my all-time favorite shows, Future Ecologies (website here) You can subscribe to them in your podcast app, or HERE. This piece is called Cosmopoetics, and it's one of their episodes that has stuck with my long after listening. Hope it'll do the same for you.

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Thank you for being here // and keep listening.

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This episode is also available as a video -- if you'd like to watch me read this piece at the desk, visit https://thewind.org or head to https://www.youtube.com/@thewind_podcast 

Thank you to everybody who made this season of The Wind possible. This episode features the voices of Irvin Jim Jr., Jennifer Runyon, Sandra Coutinho, and John Luther Adams.

This independent podcast is listener supported. If you’d like to join the community, head to www.Patreon.com/TheWind

Thank you for being here // and keep listening.

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Thank you to Dean Barlese for trusting me with this story. Also a big thank you to BC Zahn Nahtzu (a co-defendant in the case that also held a long-distance staring contest through binoculars with mine security. BC is an artist with an Etsy store here), Max Wilbert (a co-defendent who provided pictures), Olive Greenspan, Tara Tran, Ray Pang, Kate Cowie-Haskell, Taylor Wilson for talking to me about the chemical properties of Lithium and Daniel Rothberg for speaking about mining’s effect Great Basin water tables. Daniel has a newsletter called Western Water Notes which I highly recommend if you’re interested in that sort of thing. Also a shout out to the podcast Boomtown; a Uranium Story by Alec Cowan.

Tags, Topics and Mentions: Peehee Mu'huh, Thacker Pass, Thacker Pass Lithium Mine, Ox Sam Camp, Ox Sam, Protect Thacker Pass, People of Red Mountain, Snake War, Fort Mcdermitt, Nevada, Lithium, Lithium Mining, Protest against lithium mine, Dean Barlese, Pyramid Lake Paiute Reservation, Numaga, Pyramid Lake, Sand in a Whirlwind, Mountain Lion Harrah's Casino in Reno, Sagebrush, Mining, Lithium Carbonate, Winnemucca

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••

This independent podcast is made with listener support. If you like to become a patron, head to patreon.com/thewind and set up a monthly donation.

A huge thank you to all of the residents of Ag Lago for speaking with me and for hosting me over the years. Reve, Jeremy, Vita, Josh, Donnie, Storai, Theo, Arden, Sarah and Eleanor. Also a big thanks to Emily, Spoorthi, Greyson, and all the folks that were part of the puppet show and the countless folks that were part of the Ag Lago community.

Music in this episode was Timex by pas Doo, thanks to Pat Mesiti-Miller for letting me use it, Deville by friend of the show Yclept Insan and 2 songs from the public domain, Auld Lang Syne performed by the Princes Band and this song Marionette by Felix Arndt. 

The chapter markers were read by the great Cal Bannerman of the podcast Stories from The Hearth. Highly recommended.

Photos, links and more at www.thewind.org/episodes/aglago

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The National Cowboy Poetry Gathering started in 1985, becoming an annual roundup of cowboys, ranchers, poets, artists and the many combinations therein, hailing from all parts the American west and sometimes beyond. Hosted by the Western Folklife Center, the gathering is always held in January/February when folks’ ranches are dormant. Elko’s oft-snowy streets are then marked by the soles of boots, mostly of the cowboy variety, some rounded, some pointed, and most of them pointing into the Western Folklife Center’s Pioneer Saloon, or up the front steps of the Elko Convention Center.

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A song bounces from slope to slope, emerging from the valley as an echo. Just of out earshot from Spokane Falls we meet star Taiwanese yodeler, Ho Lan.

Ho Lan • Bandcamp | Website

///

Tags, Topics and Mentions: Ho Lan, Echo from Deep Valley, Yodeling, Yodel, Taiwanese Yodel, Puli, Spokane, Washington, Spokane River, Spokane Falls, Expo '74, Manito Park, Yodeling cowboys, Hawaiian yodel, Mike Hanapi, Vicente Fernandez, Josaya Hadebe, Bulawayo Blue Yodel, yodeling in nature, waterfalls, birdsong, Hsia-jung Chang, the wind, eastern washington, high desert, silent night

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|| Ephemera, change, sound. ||

This episode features a piece called:

Transformation through Repetition (feat. Jemma Rose Brown) - aired on Jazmine’s experimental audio podcast U+1F60C

Thanks to: Eleanor Qull, Jemma Rose Brown, Ray Pang, all the folks at On Air Fest.

Jazmine's album "As A..." available here

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||

Topics, Tags and Mentions: Alash Ensemble, petroglyphs, freight train, The Martin Hotel, the martin hotel winnemucca, winnemucca nevada, basque, picon punch, tuva, throat singing, xoomei, tuvan throat singing, seven troughs, ghost town, mazuma nevada, tunnel camp nevada, ghost towns, mining towns, casino cafe, the martin hotel menu, bai taiga, Sygyt, Kargyraa, Xöömei, Ezenggileer, Borbangnadyr, great basin arts and entertainment, throat singer winnemucca, winnemucca throat singing concert

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This year you'll hear more of the interviews left long form; more intact. More raw material, collected from the road.

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The second Wind listener survey!

Plus, a guest episode from our friends at Twenty Thousand Hertz.

The guest episode is called Dias Irae, and I think it works as a companion piece to Devil Music.

The Wind will be back in the fall -- thanks for listening.

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Listen in the 99pi feed, or at https://99percentinvisible.org/episode/the-los-angeles-leaf-blower-wars/

•••

If you're new to The Wind:

Start with: "Prologue"

For politics of sound: "Whip Law" // "Judas Priest on Trial"

Music: "The Demon who Eats Demons" (Nepali death metal)

Music History: "Frontier Music" (western film scores)

Fan Favs: "Coyote" // "A Hobo, a Tramp, a Bum"

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Instagram | YouTube | TikTok

•••

Year 5 of The Wind coming this Fall/Winter.

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Featuring: 

The myth of Bluesman Robert Johnson selling his soul at the crossroads.

Steven Johnson, president of the Robert Johnson Blues Foundation and grandson of Robert Johnson.

Chris Smith of the great podcast, Sounding History.

A trip to the cemetery in Compton, CA where Robert's guitar mentor Ike Zimmerman is buried.

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This season was made with support from the Google Podcasts Creator Program through PRX. And by our patrons. If you’d like to support the show, head to Patreon.com/Thewind and set up a monthly donation.

Thank you to Shawn Yazzi, Michael King, Dylan Jahr,  Iron Mountain, Little Bear, Bad Soul, and Wocus Muffin for speaking with me for this episode. And thanks to Bethany Sam, Eleanor Tullock, and to Henry Rondeau  who provided some of the audio of the drum groups. You can find him on youtube at “Yoyoyo itshendo”. He’s got a bunch of powwow videos if you wanna check them out, and I’ll post some, along with photos, links and more at TheWind.org.

Thanks for being here for Year 3 of The Wind. We’ll have a guest episode and epilogue soon. And to all of the patrons, THANK YOU. You’ve seriously made this thing much easier to sustain, and I am deeply grateful.

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If you're new to The Wind, start with the Prologue.

////

Hey, Fil Here

Just dropping in the feed real quick with an announcement. Wind episode Whip Law just aired on the podcast and national radio show Snap Judgement. We’ve got a wave of new listeners here so if you came over from Snap, WELCOME.

The Wind can be a hard show to describe, but I recommend starting with the Prologue. It's the very first episode and it’ll explain the premise of the show.

Then, feel free to click around. If you dug Whip Law you might like Rodeo Clown or a Hobo a Tramp a Bum.

And if you’re already a Wind listenerr thank you. Whip Law will be airing on Snap Judgement this week all over North America.

Catch you soon with the season finale of Year 3.

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In this episode of the Merry Monarchs, Eleanor makes an audio tour for the Monarch Butterflies, and to aid them on their migration, she constructs a series of objects and offerings. And it’s not just audio magic: she really created these offerings: butterfly-sized leather-bound books, kites, pendants and baskets…all types of really cool stuff. You can see photos of all of it at TheWind.org.

A huge thank you to Theo Rassmusen who provided all of the music in this episode. Theo is a good friend and excellent synth musician and you can his work at patterns.bandcamp.com

Thanks to Laurie Leonard of the River Fork Ranch, Dr. Chip Taylor: Founder and Director of Monarch Watch, and Storai Stanizai for speaking to us for this episode.

For a full source list and a million links, head to thewind.org!

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This episode is one part of a two part series called The Merry Monarchs. Both are from Wind contributor Eleanor Tullock. 

In this episode, Eleanor interrogates the internet in search of answers about the Monarch Butterflies. 

A huge thank you to Theo Rassmusen who provided most of the music for this episode. Theo is a good friend and excellent synth musician and you can his work at patterns.bandcamp.com - And thank you to Tsippora Sidibé from the podcast Tant Que Je Serai Noire for lending her voice.

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WEBSITE

HOWLS ROAD EP

The Wind is produced by me, Fil Corbitt.

This episode was written, read and scored by Emily Pratt. If you’d like to find her music head to Howlsroad.bandcamp.com.

This season was made with support from the Google Podcast Creator Program through PRX. and by listeners like you. If you’d like to help keep this thing going, head to patreon.com/thewind and set up a monthly donation. At $7/month, you can get access to the exclusive official Wind Listener Patch.

For photos, links, merchandise and more, we’re at Thewind.ORG

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Thanks to Cory Mcabee for speaking with me for this episode, and to Lori Leanord of the River Fork Ranch Preserve, Katrina Spade, and John Christian Phifer of the Conservation Burial Alliance.

For more information on I_Butterfly and the Red Planet Planning Commission, along with other Links, photos, Live show calendar, Merch and more, visit Thewind.org.

The music in this episode was almost entirely by Cory Mcabee, Most of it was from his album Small Star Seminar, plus that one was from his film, a space western called Stringray Sam.  The piece I played under Carl Sagan was an altered version of The Magic Flute by Mozart, The original was included by Sagan on the Golden Record, a collection of music that was present on Voyager 1 when it took that picture of our pale blue home.  Finally, Wedding of the Winds is from the public domain.

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Music from the public domain and by: Yclept Insan, Hannah Lee, Anthony Ouradnik.

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This season was made with support from the Google Podcasts Creator Program through PRX.

Links, photos, Live show calendar, and more at Thewind.org. And, if you want to support, first subscribe on your podcast app and then become a patron. Head to the brand new patreon.com/thewind or click the link on our website. You can set up a monthly donation to help me keep this thing going. 

Thank you to Michael Branch who wrote a short story on the rodeo that partially inspired my curiosity in the rodeo clown. Thanks to Geoff from In Other News Radio who interviewed Michael Bala. And Thanks to Willie and Connor for talking with me.

The music in this episode was In the Gloaming and Rovin’ Cowboy from the public domain, plus a track from friend of the show Yclept Insan.

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Hear my episode on 99% Invisible's feed or at 99pi.org

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purple swaying in the breeze.

It is also a pathway. For a bear, whose tracks have on occasion encountered my own. Surprised by each other’s quiet presence, we make eye contact before retreat.

•

On the way to my desk, I traverse a shelf more mixed than lush: Throat Forest — a half failing aspen grove, green shoots among the fallen white trunks.

• That which is pliant is a disciple of life: that which is rigid, a disciple of death. •

Throat Forest voices this point. The living trees bend and sway, while the dead hold steady and unwavering: solemn monuments, they are their own gravestones.

•

This has been a year of adjustment, a season of bending and adapting. But in so, a year of life. 

I appreciate your presence, and this show will return soon, with more findings and searchings. 

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Where I live it has replaced the weather; both conversationally and to some degree physically. Fire has become its own season.

I have not had a conversation in over a month that didn’t at least touch on the smoke.

But really, that’s only if we’re lucky. Because if we aren’t talking about the smoke, it’s because a fire has come close enough to talk about that instead. Close enough to our houses or friends houses or favorite places in the mountains that we watch slowly be eaten by a red line as the Facebook group updates the fire perimeter.

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------------------

Playlist of Western Film Scores:

SPOTIFY  | YOUTUBE

------------------

In this episode we investigate western film scores from early westerns and singing cowboys (Gene Autry, Roy Rogers, Herb Jeffries) to the John Ford Era (Tiomkin, Hageman, Steiner and Bernstein) to Ennio Morricone to Neil Young's score for Dead Man and beyond.

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