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      <itunes:title>In Muted Tone by Paul Verlaine</itunes:title>
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      <itunes:title>Night is a Cistern by Adam Zagajewski</itunes:title>
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      <itunes:duration>00:01:11</itunes:duration>
      <itunes:summary>Read by Marcus Kirwan</itunes:summary>
      <itunes:subtitle>Read by Marcus Kirwan</itunes:subtitle>
      <itunes:keywords>night is a cistern, generation of 68, past, polish poetry, refugee, polish new wave, poland, adam zagajewski, poetry, struggle</itunes:keywords>
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      <itunes:episode>18</itunes:episode>
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      <title>Thanks by W.S. Merwin</title>
      <description><![CDATA[<p>Read by Terry Casburn</p><p>'Thanks' by W. S. Merwin, explores expressions of gratitude in various challenging circumstances including aftermaths of hospitals, funerals, muggings, wars and amidst the ongoing environmental degradation. Even in the face of adversity and indifference, the recurring theme is a resilient and constant expression of thankfulness.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 23 Nov 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (ws merwin, Kevin Seaman, Terry Casburn)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p>'Thanks' by W. S. Merwin, explores expressions of gratitude in various challenging circumstances including aftermaths of hospitals, funerals, muggings, wars and amidst the ongoing environmental degradation. Even in the face of adversity and indifference, the recurring theme is a resilient and constant expression of thankfulness.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Thanks by W.S. Merwin</itunes:title>
      <itunes:author>ws merwin, Kevin Seaman, Terry Casburn</itunes:author>
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      <itunes:duration>00:02:17</itunes:duration>
      <itunes:summary>Read by Terry Casburn</itunes:summary>
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      <itunes:keywords>reflection, satire, thanks, thanksgiving, life, 20th century, ws merwin, american poetry, poetry, thankfulness, grateful</itunes:keywords>
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      <title>Beeches by David St. John</title>
      <description><![CDATA[<p>Read by Terry Casburn</p><p>In 'Beaches,' David St. John takes listeners on a meditative walk through a forest providing rich, atmospheric imagery of the beech trees and their environment. Throughout the journey, he contemplates the nature of peace, nostalgia, loss, and gratitude. The forest becomes symbolic, serving as the Sanctuary of Ghosts, just as the rhythm of walking becomes a rhythm of transcendence.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 20 Nov 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (david st. john, Kevin Seaman, Terry Casburn)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p>In 'Beaches,' David St. John takes listeners on a meditative walk through a forest providing rich, atmospheric imagery of the beech trees and their environment. Throughout the journey, he contemplates the nature of peace, nostalgia, loss, and gratitude. The forest becomes symbolic, serving as the Sanctuary of Ghosts, just as the rhythm of walking becomes a rhythm of transcendence.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Beeches by David St. John</itunes:title>
      <itunes:author>david st. john, Kevin Seaman, Terry Casburn</itunes:author>
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      <itunes:duration>00:01:48</itunes:duration>
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      <itunes:keywords>autumn, nature poetry, beeches, nostalgia, thanksgiving, memory, david st. john, fall, poetry, moment</itunes:keywords>
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      <title>Ocean of Earth by Guillaume Apollinaire</title>
      <description><![CDATA[<p>Read by Marcus Kerwin</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 16 Nov 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (GUILLAUME APOLLINAIRE, Marcus Kirwan, Kevin Seaman)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Marcus Kerwin</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Ocean of Earth by Guillaume Apollinaire</itunes:title>
      <itunes:author>GUILLAUME APOLLINAIRE, Marcus Kirwan, Kevin Seaman</itunes:author>
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      <itunes:duration>00:01:29</itunes:duration>
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      <title>Happiness by Raymond Carver</title>
      <description><![CDATA[<p>Read by Terry Casburn</p><p>'Happiness' by Raymond Carver, depicts an early morning observation of two young boys delivering newspapers. Despite the early hour and their task at hand, their camaraderie and joy in their shared task radiates. The observer considers the honest, unadulterated happiness in childhood, a happiness that's unmarred by the complexities of adult emotions such as death, ambition or even love. This moment of simple beauty against the backdrop of an early morning leaves a lasting impact.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 13 Nov 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (raymond carver, Kevin Seaman, Terry Casburn)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p>'Happiness' by Raymond Carver, depicts an early morning observation of two young boys delivering newspapers. Despite the early hour and their task at hand, their camaraderie and joy in their shared task radiates. The observer considers the honest, unadulterated happiness in childhood, a happiness that's unmarred by the complexities of adult emotions such as death, ambition or even love. This moment of simple beauty against the backdrop of an early morning leaves a lasting impact.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Happiness by Raymond Carver</itunes:title>
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      <itunes:duration>00:01:53</itunes:duration>
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      <title>A Bird in Bishopswood by John Tickhill</title>
      <description><![CDATA[<p>Read by Gary Muller</p><p>"A Bird in Bishopswood" is a short, 41-line poem written in Middle English alliterative verse in the late fourteenth century.<br />The poem was written in 1395 by English poet John Tickhill, who was a rent collector at St. Paul's Cathedral.  </p><p>The poem is about a narrator who finds himself out of tune with the season of "the merry month of May". The narrator has spent Lent in melancholia and also shares their observations and interpretations of the bird's actions, the changing nature and how it makes them feel. Also, there is an expression of longing towards the bird, expressed through a desire to keep it caged until winter, a possible metaphor for wanting to hold onto the beauty and vitality of spring as long as possible.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 9 Nov 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (John Tickhill, Kevin Seaman)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Gary Muller</p><p>"A Bird in Bishopswood" is a short, 41-line poem written in Middle English alliterative verse in the late fourteenth century.<br />The poem was written in 1395 by English poet John Tickhill, who was a rent collector at St. Paul's Cathedral.  </p><p>The poem is about a narrator who finds himself out of tune with the season of "the merry month of May". The narrator has spent Lent in melancholia and also shares their observations and interpretations of the bird's actions, the changing nature and how it makes them feel. Also, there is an expression of longing towards the bird, expressed through a desire to keep it caged until winter, a possible metaphor for wanting to hold onto the beauty and vitality of spring as long as possible.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>A Bird in Bishopswood by John Tickhill</itunes:title>
      <itunes:author>John Tickhill, Kevin Seaman</itunes:author>
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      <itunes:duration>00:03:22</itunes:duration>
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      <itunes:keywords>alliterative poetry, the canterbury tales, john tickhill, middle ages, meter, nature, 14th century, a bird in bishopswood, english poetry, poetry, olde english, moment in time</itunes:keywords>
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      <title>Bone-Flower Elegy by Robert Hayden</title>
      <description><![CDATA[<p>Read by Terry Casburn</p><p>"Bone-Flower Elegy" by Robert Hayden</p><p>The poem describes a dream journey through different vast and intimidating locations, where erotic and violent scenes unfold on a stage. The speaker also encounters a haunting funeral chamber with a dancing naked corpse and comes upon groves of enormous, bone-like flowers in a desert, embodying both terrifying and tantalizing imagery. The poem concludes with a dichotomous creature, 'beast angel/angel beast', which embodies both violence and tranquility. According to the poem, the battle between what is right or what is wrong, between grotesque and beauty, may end on earth but it continues in death, it continues in the ideas of the living.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 6 Nov 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (robert hayden, Terry Casburn, Kevin Seaman)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p>"Bone-Flower Elegy" by Robert Hayden</p><p>The poem describes a dream journey through different vast and intimidating locations, where erotic and violent scenes unfold on a stage. The speaker also encounters a haunting funeral chamber with a dancing naked corpse and comes upon groves of enormous, bone-like flowers in a desert, embodying both terrifying and tantalizing imagery. The poem concludes with a dichotomous creature, 'beast angel/angel beast', which embodies both violence and tranquility. According to the poem, the battle between what is right or what is wrong, between grotesque and beauty, may end on earth but it continues in death, it continues in the ideas of the living.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Bone-Flower Elegy by Robert Hayden</itunes:title>
      <itunes:author>robert hayden, Terry Casburn, Kevin Seaman</itunes:author>
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      <itunes:duration>00:01:55</itunes:duration>
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      <title>You Who Never Arrived by Rainer Maria Rilke</title>
      <description><![CDATA[<p>Read by Marcus Kirwan</p><p>"You, Who Never Arrived" by Rainer Maria Rilke</p><p>A deeply moving and introspective recital of Rainier Maria Rilke's poem, 'You, who never arrived'. The poem is an agonizing address to a beloved who remains ever elusive, never physically present yet continuously palpable in the narrator's world. The loss and longing for this beloved is expressed through vivid imagery, from landscapes and cityscapes to fleeting encounters, resonating a longing and a sense of loss over a lover who was 'lost from the start'. A captivating exploration of unrequited love and longing expressed through beautiful poetic language.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 2 Nov 2023 04:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Marcus Kirwan, Rainer Maria Rilke, Kevin Seaman)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Marcus Kirwan</p><p>"You, Who Never Arrived" by Rainer Maria Rilke</p><p>A deeply moving and introspective recital of Rainier Maria Rilke's poem, 'You, who never arrived'. The poem is an agonizing address to a beloved who remains ever elusive, never physically present yet continuously palpable in the narrator's world. The loss and longing for this beloved is expressed through vivid imagery, from landscapes and cityscapes to fleeting encounters, resonating a longing and a sense of loss over a lover who was 'lost from the start'. A captivating exploration of unrequited love and longing expressed through beautiful poetic language.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>You Who Never Arrived by Rainer Maria Rilke</itunes:title>
      <itunes:author>Marcus Kirwan, Rainer Maria Rilke, Kevin Seaman</itunes:author>
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      <itunes:duration>00:01:56</itunes:duration>
      <itunes:summary>Read by Marcus Kirwan</itunes:summary>
      <itunes:subtitle>Read by Marcus Kirwan</itunes:subtitle>
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      <itunes:episode>11</itunes:episode>
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      <title>For Annie by Edgar Allan Poe</title>
      <description><![CDATA[<p>Read by Marcus Kirwan</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 31 Oct 2023 04:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (marcus kirwan, Kevin Seaman, edgar allan poe)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Marcus Kirwan</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>For Annie by Edgar Allan Poe</itunes:title>
      <itunes:author>marcus kirwan, Kevin Seaman, edgar allan poe</itunes:author>
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      <itunes:duration>00:04:29</itunes:duration>
      <itunes:summary>Read by Marcus Kirwan</itunes:summary>
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      <title>Beyond the Last Lamp by Thomas Hardy</title>
      <description><![CDATA[<p>Read by Terry Casburn</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 30 Oct 2023 04:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (thomas hardy, Terry Casburn, Kevin Seaman)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Beyond the Last Lamp by Thomas Hardy</itunes:title>
      <itunes:author>thomas hardy, Terry Casburn, Kevin Seaman</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/d29c34e6-09b4-475b-b569-f812fe0d40bc/3000x3000/img-0202.jpg?aid=rss_feed"/>
      <itunes:duration>00:02:47</itunes:duration>
      <itunes:summary>Read by Terry Casburn</itunes:summary>
      <itunes:subtitle>Read by Terry Casburn</itunes:subtitle>
      <itunes:keywords>phantoms, love love, dead lovers, halloween, halloween poetry, thomas hardy, spooky, beyond the last lamp, ghosts, poetry, spirits</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:episode>9</itunes:episode>
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      <pubDate>Thu, 28 Sep 2023 04:00:00 +0000</pubDate>
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      <itunes:title>Clocked by Ron Padgett</itunes:title>
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      <itunes:title>Sonnet 89 by Pablo Neruda</itunes:title>
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      <itunes:title>Celestial Hobo by Bob Kaufman</itunes:title>
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      <itunes:title>To Harpo Marx by Jack Kerouac</itunes:title>
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      <pubDate>Thu, 27 Apr 2023 04:00:00 +0000</pubDate>
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      <itunes:title>Aboriginal Landscape by Louise Glück</itunes:title>
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      <itunes:title>How to Disappear by Rae Armantrout</itunes:title>
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      <itunes:title>Now i lay (with everywhere around) by e.e. cummings</itunes:title>
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      <itunes:title>Night of Telescopes by Emma Trelles</itunes:title>
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      <itunes:title>Dirge Without Music by Edna St. Vincent Millay</itunes:title>
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      <itunes:title>Your Night is of Lilac by Mahmoud Darwish</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <itunes:title>Never Seek to Tell thy Love by William Blake</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <pubDate>Thu, 9 Feb 2023 05:00:00 +0000</pubDate>
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      <itunes:title>Empty Dwelling Places by Kenneth Patchen</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <itunes:title>An Old Man’s Winter Night by Robert Frost</itunes:title>
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Production and Sound Design by Kevin Seaman
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Production and Sound Design by Kevin Seaman
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 30 Jan 2023 05:00:00 +0000</pubDate>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Composed upon Westminster Bridge, September 3, 1802 by William Wordsworth</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <description><![CDATA[<p>Read by Catherine Martin</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 26 Jan 2023 05:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p>Read by Catherine Martin</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
      <enclosure length="1030930" type="audio/mpeg" url="https://cdn.simplecast.com/audio/2bf3f7d2-aaa9-447d-8557-d787fc4bd016/episodes/3ae96e10-54be-417c-a916-62bdfb68f695/audio/58350822-51b7-44f0-b0e4-7ab2ce651f3f/default_tc.mp3?aid=rss_feed&amp;feed=ta75c7Ng"/>
      <itunes:title>Song (“The world is full of loss ... ”) by Muriel Rukeyser</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/22aa4f4e-3364-440f-bd9a-3eec745474c2/3000x3000/circular-wave-systems-berenice-abbott.jpg?aid=rss_feed"/>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <itunes:explicit>false</itunes:explicit>
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      <title>Rain by Raymond Carver</title>
      <description><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 23 Jan 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Kevin Seaman, Terry Casburn)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
      <enclosure length="1237402" type="audio/mpeg" url="https://cdn.simplecast.com/audio/2bf3f7d2-aaa9-447d-8557-d787fc4bd016/episodes/12ac1a24-b2f3-462e-90d4-8bfcbbc263d4/audio/299e1209-5fdb-4347-941d-0b65e3abf4f1/default_tc.mp3?aid=rss_feed&amp;feed=ta75c7Ng"/>
      <itunes:title>Rain by Raymond Carver</itunes:title>
      <itunes:author>Kevin Seaman, Terry Casburn</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/07805dc6-0c2c-4e90-8ac7-8a10e0640797/3000x3000/img-0199.jpg?aid=rss_feed"/>
      <itunes:duration>00:01:17</itunes:duration>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <description><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 19 Jan 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Kevin Seaman, Terry Casburn)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
      <enclosure length="3070571" type="audio/mpeg" url="https://cdn.simplecast.com/audio/2bf3f7d2-aaa9-447d-8557-d787fc4bd016/episodes/f718b6ee-aa02-4d34-8f5b-34fec5137e59/audio/d5a1c36e-2ba1-4cd0-b21f-431561d3fd43/default_tc.mp3?aid=rss_feed&amp;feed=ta75c7Ng"/>
      <itunes:title>Limits by Jorge Luis Borges</itunes:title>
      <itunes:author>Kevin Seaman, Terry Casburn</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/fd722d76-6a36-4ff4-8b52-66accf279d5a/3000x3000/titel-arbus.jpg?aid=rss_feed"/>
      <itunes:duration>00:03:11</itunes:duration>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <title>The Future by Julio Cortázar</title>
      <description><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 16 Jan 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
      <enclosure length="1988892" type="audio/mpeg" url="https://cdn.simplecast.com/audio/2bf3f7d2-aaa9-447d-8557-d787fc4bd016/episodes/08e31109-df82-4467-8e58-74422a8ed3f7/audio/255a7300-fa5b-4d1e-8a35-e961accba423/default_tc.mp3?aid=rss_feed&amp;feed=ta75c7Ng"/>
      <itunes:title>The Future by Julio Cortázar</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/6e701630-faaa-4828-b1b4-ad9e22551d5c/3000x3000/img-2629.jpg?aid=rss_feed"/>
      <itunes:duration>00:02:04</itunes:duration>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <title>To Fate by Charles Simic</title>
      <description><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Wed, 11 Jan 2023 22:10:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Kevin Seaman, Terry Casburn)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
      <enclosure length="1463936" type="audio/mpeg" url="https://cdn.simplecast.com/audio/2bf3f7d2-aaa9-447d-8557-d787fc4bd016/episodes/4fe39e4e-2bf6-47d4-a550-eb878881229c/audio/2d9d31f0-6bf9-4fcd-b9f1-d32539475156/default_tc.mp3?aid=rss_feed&amp;feed=ta75c7Ng"/>
      <itunes:title>To Fate by Charles Simic</itunes:title>
      <itunes:author>Kevin Seaman, Terry Casburn</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/ab16769f-48c0-449a-8ddb-61de0500d64c/3000x3000/medium-2006-0288-0002.jpg?aid=rss_feed"/>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <title>Prodigy by Charles Simic</title>
      <description><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 10 Jan 2023 17:00:39 +0000</pubDate>
      <author>fieldsound@gmail.com (Kevin Seaman, Terry Casburn)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
      <enclosure length="1601444" type="audio/mpeg" url="https://cdn.simplecast.com/audio/2bf3f7d2-aaa9-447d-8557-d787fc4bd016/episodes/a243dcb4-fbcf-45d2-a074-9298bd3c5660/audio/051c6734-1e3c-4777-ab9e-29f641d1559a/default_tc.mp3?aid=rss_feed&amp;feed=ta75c7Ng"/>
      <itunes:title>Prodigy by Charles Simic</itunes:title>
      <itunes:author>Kevin Seaman, Terry Casburn</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/e9af931f-e3b2-475b-b504-55f3d986b25d/3000x3000/w1siziisijizmdqwocjdlfsiccisimnvbnzlcnqilcitcxvhbgl0esa5mcatcmvzaxplidiwmdb4mjawmfx1mdazzsjdxq.jpg?aid=rss_feed"/>
      <itunes:duration>00:01:40</itunes:duration>
      <itunes:summary>Read by Terry Casburn

Production and Sound Design by Kevin Seaman</itunes:summary>
      <itunes:subtitle>Read by Terry Casburn

Production and Sound Design by Kevin Seaman</itunes:subtitle>
      <itunes:keywords>poem, cold war, prodigy, imagist, joseph cornell, chess, charles simic, serbian poetry, poetry</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
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      <title>Entering by Rainer Maria Rilke</title>
      <description><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 9 Jan 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Kevin Seaman, Terry Casburn)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
      <enclosure length="1369059" type="audio/mpeg" url="https://cdn.simplecast.com/audio/2bf3f7d2-aaa9-447d-8557-d787fc4bd016/episodes/78406b10-9d87-488b-b8a6-5516021596af/audio/a1b75885-236e-47e4-9c06-60d1c6fa7418/default_tc.mp3?aid=rss_feed&amp;feed=ta75c7Ng"/>
      <itunes:title>Entering by Rainer Maria Rilke</itunes:title>
      <itunes:author>Kevin Seaman, Terry Casburn</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/c7a98622-9346-4505-8638-de139367ab75/3000x3000/2011-csk-05452-0012-000-brion-gysin-untitled090437.jpg?aid=rss_feed"/>
      <itunes:duration>00:01:25</itunes:duration>
      <itunes:summary>Read by Terry Casburn

Production and Sound Design by Kevin Seaman</itunes:summary>
      <itunes:subtitle>Read by Terry Casburn

Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <itunes:explicit>false</itunes:explicit>
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      <title>Vagrants by Paul Laurence Dunbar</title>
      <description><![CDATA[<p>Read Andrew Gantz</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 5 Jan 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read Andrew Gantz</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
      <enclosure length="1546274" type="audio/mpeg" url="https://cdn.simplecast.com/audio/2bf3f7d2-aaa9-447d-8557-d787fc4bd016/episodes/49d11e9a-c3de-4990-ab21-005a3932fc2e/audio/6c92a959-fb61-4ea6-9938-7c27dc235628/default_tc.mp3?aid=rss_feed&amp;feed=ta75c7Ng"/>
      <itunes:title>Vagrants by Paul Laurence Dunbar</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/807ae515-e923-4411-b61e-bdd23a871dc4/3000x3000/srx-hobo-06.jpg?aid=rss_feed"/>
      <itunes:duration>00:01:36</itunes:duration>
      <itunes:summary>Read Andrew Gantz

Production and Sound Design by Kevin Seaman</itunes:summary>
      <itunes:subtitle>Read Andrew Gantz

Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <title>1 January 1965 by Joseph Brodsky</title>
      <description><![CDATA[<p>Read Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 2 Jan 2023 05:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Read Terry Casburn</p><p> </p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
      <enclosure length="2377176" type="audio/mpeg" url="https://cdn.simplecast.com/audio/2bf3f7d2-aaa9-447d-8557-d787fc4bd016/episodes/1347fae8-6b98-48e2-bbb2-8274ef42011f/audio/615c104a-a0a1-4d36-bfc0-01006bb8e9e5/default_tc.mp3?aid=rss_feed&amp;feed=ta75c7Ng"/>
      <itunes:title>1 January 1965 by Joseph Brodsky</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/3008dd50-8777-4abb-ad17-835d746405a0/148ace3a-0eba-4e03-9e0f-a1ae064a17ab/3000x3000/img-0407.jpg?aid=rss_feed"/>
      <itunes:duration>00:02:28</itunes:duration>
      <itunes:summary>Read Terry Casburn

Production and Sound Design by Kevin Seaman</itunes:summary>
      <itunes:subtitle>Read Terry Casburn

Production and Sound Design by Kevin Seaman</itunes:subtitle>
      <itunes:keywords>reflection, 1 january 1965, new year, russian, robert frost, time, poetry, joseph brodsky, hope</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <pubDate>Thu, 13 Oct 2022 04:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p>Production and Sound Design by Kevin Seaman</p>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <pubDate>Mon, 10 Oct 2022 04:00:00 +0000</pubDate>
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      <itunes:title>The Apparition by John Donne</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 19 Sep 2022 04:00:00 +0000</pubDate>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
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      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Romance Sonámbulo by Federico Garcia Lorca</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <description><![CDATA[<p>Read by Dave Luukkonen</p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 12 Sep 2022 04:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p>Read by Dave Luukkonen</p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Donal Og (The Grief of a Girl&apos;s Heart) By Anonymous-Translated by Lady Gregory</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
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      <author>fieldsound@gmail.com (Homemade Sounds)</author>
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      <content:encoded><![CDATA[<p>Read by Barbara Morgan</p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>An Ancient Gesture by Edna St. Vincent Millay</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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      <pubDate>Thu, 28 Jul 2022 04:00:00 +0000</pubDate>
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      <itunes:title>When I Am With You by Robert Bly</itunes:title>
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      <itunes:title>The Beach In August by Weldon Kees</itunes:title>
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      <itunes:title>Fire and Ice by Robert Frost</itunes:title>
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      <itunes:title>Love is Not All (Sonnet XXX) by Edna St. Vincent Millay</itunes:title>
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      <itunes:title>Song of a Hopeful Heart by Dorothy Parker</itunes:title>
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      <itunes:title>A Not So Good Night in the San Pedro of the World by Charles Bukowski</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <itunes:title>Jefferson&apos;s Last Public Letter (Monticello, June 24, 1826) by Thomas Jefferson</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <title>The Shadow on the Stone by Thomas Hardy</title>
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      <pubDate>Thu, 30 Jun 2022 04:00:00 +0000</pubDate>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Shadow on the Stone by Thomas Hardy</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <title>Our Conversation by Franz Wright</title>
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      <pubDate>Mon, 27 Jun 2022 04:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p>Read by Dave Luukkonen</p><p>Production and Sound Design by Kevin Seaman</p>
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      <itunes:title>Our Conversation by Franz Wright</itunes:title>
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      <pubDate>Thu, 23 Jun 2022 04:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
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      <content:encoded><![CDATA[<p>Read by Terry Casburn</p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Wynhollow and the Man from Mars by Josh Vasquez</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:02:10</itunes:duration>
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      <itunes:title>Tea at the Palaz of Hoon by Wallace Stevens</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <pubDate>Thu, 12 May 2022 04:00:00 +0000</pubDate>
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      <itunes:title>Sonnet 17 by Pablo Neruda</itunes:title>
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Production and Sound Design by Kevin Seaman
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      <pubDate>Mon, 9 May 2022 04:00:00 +0000</pubDate>
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      <itunes:title>Meditation at Lagunitas by Robert Hass</itunes:title>
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      <itunes:title>The Tide Rises, The Tide Falls by Henry Wadsworth Longfellow</itunes:title>
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      <itunes:title>The Day is Done by Henry Wadsworth Longfellow</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <itunes:title>Home is So Sad by Philip Larkin</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <pubDate>Thu, 14 Apr 2022 04:00:00 +0000</pubDate>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Voices of the Air by Katherine Mansfield</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:summary>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 11 Apr 2022 04:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
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      <content:encoded><![CDATA[<p>Read by Jared Fried</p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>To What You Said by Walt Whitman</itunes:title>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 7 Apr 2022 04:00:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
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      <content:encoded><![CDATA[<p>Read by Barbara Rosenblatt</p><p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>A Tale by Louise Bogan</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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Production and Sound Design by Kevin Seaman</itunes:subtitle>
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      <pubDate>Thu, 20 May 2021 04:00:00 +0000</pubDate>
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      <pubDate>Mon, 10 May 2021 04:00:00 +0000</pubDate>
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      <pubDate>Thu, 22 Apr 2021 04:00:00 +0000</pubDate>
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      <pubDate>Mon, 15 Mar 2021 04:00:00 +0000</pubDate>
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      <pubDate>Mon, 22 Feb 2021 05:00:00 +0000</pubDate>
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      <pubDate>Thu, 18 Feb 2021 05:00:00 +0000</pubDate>
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      <pubDate>Mon, 15 Feb 2021 05:00:00 +0000</pubDate>
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      <pubDate>Mon, 8 Feb 2021 05:00:00 +0000</pubDate>
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      <pubDate>Thu, 4 Feb 2021 05:00:00 +0000</pubDate>
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      <pubDate>Mon, 1 Feb 2021 05:00:00 +0000</pubDate>
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      <pubDate>Thu, 28 Jan 2021 05:00:00 +0000</pubDate>
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      <pubDate>Thu, 24 Dec 2020 05:00:00 +0000</pubDate>
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      <pubDate>Thu, 19 Nov 2020 05:00:00 +0000</pubDate>
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      <pubDate>Thu, 17 Sep 2020 04:00:08 +0000</pubDate>
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      <pubDate>Mon, 14 Sep 2020 18:09:55 +0000</pubDate>
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      <pubDate>Thu, 10 Sep 2020 04:00:09 +0000</pubDate>
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      <pubDate>Mon, 7 Sep 2020 01:58:33 +0000</pubDate>
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      <pubDate>Mon, 20 Jul 2020 04:00:07 +0000</pubDate>
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      <pubDate>Thu, 9 Jul 2020 00:00:14 +0000</pubDate>
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      <title>I Am! By John Clare</title>
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      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>I Am!</p><p>BY JOHN CLARE</p><p>I am—yet what I am none cares or knows;</p><p>My friends forsake me like a memory lost:</p><p>I am the self-consumer of my woes—</p><p>They rise and vanish in oblivious host,</p><p>Like shadows in love’s frenzied stifled throes</p><p>And yet I am, and live—like vapours tossed</p><p> </p><p>Into the nothingness of scorn and noise,</p><p>Into the living sea of waking dreams,</p><p>Where there is neither sense of life or joys,</p><p>But the vast shipwreck of my life’s esteems;</p><p>Even the dearest that I loved the best</p><p>Are strange—nay, rather, stranger than the rest.</p><p> </p><p>I long for scenes where man hath never trod</p><p>A place where woman never smiled or wept</p><p>There to abide with my Creator, God,</p><p>And sleep as I in childhood sweetly slept,</p><p>Untroubling and untroubled where I lie</p><p>The grass below—above the vaulted sky.</p>
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      <title>Howl By Allen Ginsberg</title>
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      <pubDate>Thu, 2 Jul 2020 17:27:52 +0000</pubDate>
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      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Fascination of What’s Difficult</p><p>BY WILLIAM BUTLER YEATS</p><p>The fascination of what's difficult</p><p>Has dried the sap out of my veins, and rent</p><p>Spontaneous joy and natural content</p><p>Out of my heart. There's something ails our colt</p><p>That must, as if it had not holy blood</p><p>Nor on Olympus leaped from cloud to cloud,</p><p>Shiver under the lash, strain, sweat and jolt</p><p>As though it dragged road metal. My curse on plays</p><p>That have to be set up in fifty ways,</p><p>On the day's war with every knave and dolt,</p><p>Theatre business, management of men.</p><p>I swear before the dawn comes round again</p><p>I'll find the stable and pull out the bolt.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Fascination of What&apos;s Difficult by W.B. Yeats</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:01:11</itunes:duration>
      <itunes:summary>Read by Alexander Fabregat</itunes:summary>
      <itunes:subtitle>Read by Alexander Fabregat</itunes:subtitle>
      <itunes:keywords>wb yeats, the fascination of what&apos;s difficult, failure, creative frustration, creativity, writers block, irish poetry, yeats, poetry</itunes:keywords>
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      <title>Little Exercise by Elizabeth Bishop</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Little Exercise</p><p>BY ELIZABETH BISHOP</p><p>for Thomas Edwards Wanning</p><p> </p><p>Think of the storm roaming the sky uneasily</p><p>like a dog looking for a place to sleep in,</p><p>listen to it growling.</p><p> </p><p>Think how they must look now, the mangrove keys</p><p>lying out there unresponsive to the lightning</p><p>in dark, coarse-fibred families,</p><p> </p><p>where occasionally a heron may undo his head,</p><p>shake up his feathers, make an uncertain comment</p><p>when the surrounding water shines.</p><p> </p><p>Think of the boulevard and the little palm trees</p><p>all stuck in rows, suddenly revealed</p><p>as fistfuls of limp fish-skeletons.</p><p> </p><p>It is raining there. The boulevard</p><p>and its broken sidewalks with weeds in every crack</p><p>are relieved to be wet, the sea to be freshened.</p><p> </p><p>Now the storm goes away again in a series</p><p>of small, badly lit battle-scenes,</p><p>each in "Another part of the field."</p><p> </p><p>Think of someone sleeping in the bottom of a row-boat</p><p>tied to a mangrove root or the pile of a bridge;</p><p>think of him as uninjured, barely disturbed.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 23 Jun 2020 01:38:50 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Little Exercise</p><p>BY ELIZABETH BISHOP</p><p>for Thomas Edwards Wanning</p><p> </p><p>Think of the storm roaming the sky uneasily</p><p>like a dog looking for a place to sleep in,</p><p>listen to it growling.</p><p> </p><p>Think how they must look now, the mangrove keys</p><p>lying out there unresponsive to the lightning</p><p>in dark, coarse-fibred families,</p><p> </p><p>where occasionally a heron may undo his head,</p><p>shake up his feathers, make an uncertain comment</p><p>when the surrounding water shines.</p><p> </p><p>Think of the boulevard and the little palm trees</p><p>all stuck in rows, suddenly revealed</p><p>as fistfuls of limp fish-skeletons.</p><p> </p><p>It is raining there. The boulevard</p><p>and its broken sidewalks with weeds in every crack</p><p>are relieved to be wet, the sea to be freshened.</p><p> </p><p>Now the storm goes away again in a series</p><p>of small, badly lit battle-scenes,</p><p>each in "Another part of the field."</p><p> </p><p>Think of someone sleeping in the bottom of a row-boat</p><p>tied to a mangrove root or the pile of a bridge;</p><p>think of him as uninjured, barely disturbed.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Little Exercise by Elizabeth Bishop</itunes:title>
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      <itunes:summary>Read by Lucie Fleming</itunes:summary>
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      <title>Misery and Splendor by Robert Hass</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Misery and Splendor</p><p>BY ROBERT HASS</p><p>Summoned by conscious recollection, she</p><p>would be smiling, they might be in a kitchen talking,</p><p>before or after dinner. But they are in this other room,</p><p>the window has many small panes, and they are on a couch</p><p>embracing. He holds her as tightly  </p><p>as he can, she buries herself in his body.</p><p>Morning, maybe it is evening, light</p><p>is flowing through the room. Outside,</p><p>the day is slowly succeeded by night,</p><p>succeeded by day. The process wobbles wildly</p><p>and accelerates: weeks, months, years. The light in the room</p><p>does not change, so it is plain what is happening.</p><p>They are trying to become one creature,</p><p>and something will not have it. They are tender</p><p>with each other, afraid</p><p>their brief, sharp cries will reconcile them to the moment</p><p>when they fall away again. So they rub against each other,</p><p>their mouths dry, then wet, then dry.</p><p>They feel themselves at the center of a powerful</p><p>and baffled will. They feel</p><p>they are an almost animal,</p><p>washed up on the shore of a world—</p><p>or huddled against the gate of a garden—</p><p>to which they can’t admit they can never be admitted.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 19 Jun 2020 04:13:38 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Misery and Splendor</p><p>BY ROBERT HASS</p><p>Summoned by conscious recollection, she</p><p>would be smiling, they might be in a kitchen talking,</p><p>before or after dinner. But they are in this other room,</p><p>the window has many small panes, and they are on a couch</p><p>embracing. He holds her as tightly  </p><p>as he can, she buries herself in his body.</p><p>Morning, maybe it is evening, light</p><p>is flowing through the room. Outside,</p><p>the day is slowly succeeded by night,</p><p>succeeded by day. The process wobbles wildly</p><p>and accelerates: weeks, months, years. The light in the room</p><p>does not change, so it is plain what is happening.</p><p>They are trying to become one creature,</p><p>and something will not have it. They are tender</p><p>with each other, afraid</p><p>their brief, sharp cries will reconcile them to the moment</p><p>when they fall away again. So they rub against each other,</p><p>their mouths dry, then wet, then dry.</p><p>They feel themselves at the center of a powerful</p><p>and baffled will. They feel</p><p>they are an almost animal,</p><p>washed up on the shore of a world—</p><p>or huddled against the gate of a garden—</p><p>to which they can’t admit they can never be admitted.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Misery and Splendor by Robert Hass</itunes:title>
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      <itunes:summary>Read by Jonathan Cotton</itunes:summary>
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      <title>The Forgotten Madmen of Ménilmontant by Frank Stanford</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Forgotten Madmen of Ménilmontant</p><p>after Jacques Prévert</p><p> </p><p>Do not look sadly at days gone by</p><p>days below days like a river running under the stars</p><p>Do not listen to the blues</p><p>or speak often with priests</p><p>Do not think the rich women enrolled in the college of nightfall</p><p>will always smell the same way</p><p> </p><p>Everytime the tree works the leaves dream</p><p> </p><p>Everytime I carve the dead wing my name</p><p>in the dark lamp of the outhouse</p><p>I said everytime I cut my name</p><p>in the old wood rotten as a tugboat</p><p>I know I am always with you</p><p> </p><p>Everytime the schoolboy’s bad moon</p><p>dowses blood from the virgin’s stone thighs</p><p>I know I am handsome and young and drunk</p><p>eternal as a weed</p><p> </p><p>It will not smell the same</p><p>Everytime I open a bottle of wine</p><p>and see a snake doctor under my bed</p><p>I know there is something coming and eternal</p><p>like taking off a white coat over the body of the dead</p><p> </p><p>Poets have done this before</p><p>Poets have made love and gathered at the cheap joints</p><p>they’ve cut their fingers toasting one another’s death</p><p> </p><p>Poets have made love</p><p>and remained thick</p><p>they’ve gotten cold feet at the crucial moments</p><p>when left alone with the students with sad eyes</p><p> </p><p>Do not die in the wintertime</p><p>for there is no okra or sailboats</p><p> </p><p>It will not smell the same</p><p>that twig of blood or the chiffonier</p><p> </p><p>Do not listen to hunting dogs in autumn</p><p>or tie yellow flies for the small lips of desperate friends</p><p> </p><p>Poets have done this before</p><p>and they’ve wandered off alone and unheard of</p><p>to bury the caul of their own stillborn</p><p> </p><p>Like a voice the odor has changed</p><p> </p><p>Dust under the hooves of a horse</p><p>running side by side with the fog</p><p>a book in the hands of a fool</p><p> </p><p>Cheese and fish and spinsters</p><p>are the body of the poet</p><p>for the poet does not eat black bread</p><p>he gives it to the poor</p><p> </p><p>Everytime a mare throws a foal in an exile’s country</p><p>I know I am with you</p><p>a gun in the hand of a fool</p><p> </p><p>The poet forgets in remembrance of you</p><p>he is the lunatic’s left hand man</p><p>on Sundays the acolyte of the moon</p><p>he is night following other nights</p><p>the eyes of the blind</p><p>the stranger your wife leaves with</p><p>when you’re still talking with your youth</p><p>stowed away on the ship of death</p><p>and it will not smell the same</p><p> </p><p>Everytime I see a young man</p><p>tuck his knife back in his vest</p><p>I want to say forget it and drink</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 16 Jun 2020 18:45:27 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Forgotten Madmen of Ménilmontant</p><p>after Jacques Prévert</p><p> </p><p>Do not look sadly at days gone by</p><p>days below days like a river running under the stars</p><p>Do not listen to the blues</p><p>or speak often with priests</p><p>Do not think the rich women enrolled in the college of nightfall</p><p>will always smell the same way</p><p> </p><p>Everytime the tree works the leaves dream</p><p> </p><p>Everytime I carve the dead wing my name</p><p>in the dark lamp of the outhouse</p><p>I said everytime I cut my name</p><p>in the old wood rotten as a tugboat</p><p>I know I am always with you</p><p> </p><p>Everytime the schoolboy’s bad moon</p><p>dowses blood from the virgin’s stone thighs</p><p>I know I am handsome and young and drunk</p><p>eternal as a weed</p><p> </p><p>It will not smell the same</p><p>Everytime I open a bottle of wine</p><p>and see a snake doctor under my bed</p><p>I know there is something coming and eternal</p><p>like taking off a white coat over the body of the dead</p><p> </p><p>Poets have done this before</p><p>Poets have made love and gathered at the cheap joints</p><p>they’ve cut their fingers toasting one another’s death</p><p> </p><p>Poets have made love</p><p>and remained thick</p><p>they’ve gotten cold feet at the crucial moments</p><p>when left alone with the students with sad eyes</p><p> </p><p>Do not die in the wintertime</p><p>for there is no okra or sailboats</p><p> </p><p>It will not smell the same</p><p>that twig of blood or the chiffonier</p><p> </p><p>Do not listen to hunting dogs in autumn</p><p>or tie yellow flies for the small lips of desperate friends</p><p> </p><p>Poets have done this before</p><p>and they’ve wandered off alone and unheard of</p><p>to bury the caul of their own stillborn</p><p> </p><p>Like a voice the odor has changed</p><p> </p><p>Dust under the hooves of a horse</p><p>running side by side with the fog</p><p>a book in the hands of a fool</p><p> </p><p>Cheese and fish and spinsters</p><p>are the body of the poet</p><p>for the poet does not eat black bread</p><p>he gives it to the poor</p><p> </p><p>Everytime a mare throws a foal in an exile’s country</p><p>I know I am with you</p><p>a gun in the hand of a fool</p><p> </p><p>The poet forgets in remembrance of you</p><p>he is the lunatic’s left hand man</p><p>on Sundays the acolyte of the moon</p><p>he is night following other nights</p><p>the eyes of the blind</p><p>the stranger your wife leaves with</p><p>when you’re still talking with your youth</p><p>stowed away on the ship of death</p><p>and it will not smell the same</p><p> </p><p>Everytime I see a young man</p><p>tuck his knife back in his vest</p><p>I want to say forget it and drink</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Forgotten Madmen of Ménilmontant by Frank Stanford</itunes:title>
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      <itunes:duration>00:04:06</itunes:duration>
      <itunes:summary>Read by Bradley McDevitt</itunes:summary>
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      <title>During A Transatlantic Call by Robert Lowell</title>
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<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 11 Jun 2020 20:15:18 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>During A Transatlantic Call by Robert Lowell</itunes:title>
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      <itunes:duration>00:01:38</itunes:duration>
      <itunes:summary>Read by Jonathan Cotton</itunes:summary>
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      <title>Phrases by Arthur Rimbaud</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Phrases</p><p>BY ARTHUR RIMBAUD</p><p>TRANSLATED BY WALLACE FOWLIE</p><p>When the world is reduced to a single dark wood for our two pairs of dazzled eyes—to a beach for two faithful children—to a musical house for our clear understanding—then I shall find you.</p><p> </p><p>     When there is only one old man on earth, lonely, peaceful, handsome, living in unsurpassed luxury, then I am at your feet.</p><p> </p><p>     When I have realized all your memories, —when I am the girl who can tie your hands,—then I will stifle you.</p><p> </p><p> </p><p> </p><p> </p><p> </p><p>     When we are very strong, who draws back? or very happy, who collapses from ridicule? When we are very bad, what can they do to us.</p><p> </p><p>     Dress up, dance, laugh. I will never be able to throw Love out of the window.</p><p> </p><p> </p><p> </p><p> </p><p> </p><p>     —Comrade of mine, beggar girl, monstrous child! How little you care about the wretched women, and the machinations and my embarrassment. Join us with your impossible voice, oh your voice! the one flatterer of this base despair.</p><p> </p><p> </p><p> </p><p> *    *    *</p><p> </p><p> </p><p> </p><p>     A dark morning in July. The taste of ashes in the air, the smell of wood sweating in the hearth, steeped flowers, the devastation of paths, drizzle over the canals in the fields, why not already playthings and incense?</p><p> </p><p> </p><p> </p><p>*    *    *</p><p> </p><p> </p><p> </p><p>      I stretched out ropes from spire to spire; garlands from window to window; golden chains from star to star, and I dance.</p><p> </p><p> </p><p> </p><p>*    *    *</p><p> </p><p> </p><p> </p><p>    The high pond is constantly streaming. What witch will rise up against the white sunset? What purple flowers are going to descend?        </p><p> </p><p> </p><p> </p><p>*    *    *</p><p> </p><p> </p><p> </p><p>While public funds disappear in brotherly celebrations, a bell of pink are rings in the clouds.</p><p> </p><p>*    *    *</p><p> </p><p> </p><p> </p><p>    Arousing a pleasant taste of Chinese ink, a black powder gently rains on my night, —I lower the jets of the chandelier, throw myself on the bed, and turning toward thedark, I see you, O my daughters and queens!</p><p> </p><p> </p><p> </p><p>*    *    *</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 9 Jun 2020 21:45:53 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Phrases</p><p>BY ARTHUR RIMBAUD</p><p>TRANSLATED BY WALLACE FOWLIE</p><p>When the world is reduced to a single dark wood for our two pairs of dazzled eyes—to a beach for two faithful children—to a musical house for our clear understanding—then I shall find you.</p><p> </p><p>     When there is only one old man on earth, lonely, peaceful, handsome, living in unsurpassed luxury, then I am at your feet.</p><p> </p><p>     When I have realized all your memories, —when I am the girl who can tie your hands,—then I will stifle you.</p><p> </p><p> </p><p> </p><p> </p><p> </p><p>     When we are very strong, who draws back? or very happy, who collapses from ridicule? When we are very bad, what can they do to us.</p><p> </p><p>     Dress up, dance, laugh. I will never be able to throw Love out of the window.</p><p> </p><p> </p><p> </p><p> </p><p> </p><p>     —Comrade of mine, beggar girl, monstrous child! How little you care about the wretched women, and the machinations and my embarrassment. Join us with your impossible voice, oh your voice! the one flatterer of this base despair.</p><p> </p><p> </p><p> </p><p> *    *    *</p><p> </p><p> </p><p> </p><p>     A dark morning in July. The taste of ashes in the air, the smell of wood sweating in the hearth, steeped flowers, the devastation of paths, drizzle over the canals in the fields, why not already playthings and incense?</p><p> </p><p> </p><p> </p><p>*    *    *</p><p> </p><p> </p><p> </p><p>      I stretched out ropes from spire to spire; garlands from window to window; golden chains from star to star, and I dance.</p><p> </p><p> </p><p> </p><p>*    *    *</p><p> </p><p> </p><p> </p><p>    The high pond is constantly streaming. What witch will rise up against the white sunset? What purple flowers are going to descend?        </p><p> </p><p> </p><p> </p><p>*    *    *</p><p> </p><p> </p><p> </p><p>While public funds disappear in brotherly celebrations, a bell of pink are rings in the clouds.</p><p> </p><p>*    *    *</p><p> </p><p> </p><p> </p><p>    Arousing a pleasant taste of Chinese ink, a black powder gently rains on my night, —I lower the jets of the chandelier, throw myself on the bed, and turning toward thedark, I see you, O my daughters and queens!</p><p> </p><p> </p><p> </p><p>*    *    *</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>The Truth the Dead Know By Anne Sexton</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Truth the Dead Know</p><p>By Anne Sexton</p><p>For my Mother, born March 1902, died March 1959</p><p>and my Father, born February 1900, died June 1959</p><p> </p><p>Gone, I say and walk from church,</p><p>refusing the stiff procession to the grave,</p><p>letting the dead ride alone in the hearse.</p><p>It is June. I am tired of being brave.</p><p> </p><p>We drive to the Cape. I cultivate</p><p>myself where the sun gutters from the sky,</p><p>where the sea swings in like an iron gate</p><p>and we touch. In another country people die.</p><p> </p><p>My darling, the wind falls in like stones</p><p>from the whitehearted water and when we touch</p><p>we enter touch entirely. No one's alone.</p><p>Men kill for this, or for as much.</p><p> </p><p>And what of the dead? They lie without shoes</p><p>in their stone boats. They are more like stone</p><p>than the sea would be if it stopped. They refuse</p><p>to be blessed, throat, eye and knucklebone.</p><p> </p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 4 Jun 2020 19:30:32 +0000</pubDate>
      <author>fieldsound@gmail.com (jaren cerf)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Truth the Dead Know</p><p>By Anne Sexton</p><p>For my Mother, born March 1902, died March 1959</p><p>and my Father, born February 1900, died June 1959</p><p> </p><p>Gone, I say and walk from church,</p><p>refusing the stiff procession to the grave,</p><p>letting the dead ride alone in the hearse.</p><p>It is June. I am tired of being brave.</p><p> </p><p>We drive to the Cape. I cultivate</p><p>myself where the sun gutters from the sky,</p><p>where the sea swings in like an iron gate</p><p>and we touch. In another country people die.</p><p> </p><p>My darling, the wind falls in like stones</p><p>from the whitehearted water and when we touch</p><p>we enter touch entirely. No one's alone.</p><p>Men kill for this, or for as much.</p><p> </p><p>And what of the dead? They lie without shoes</p><p>in their stone boats. They are more like stone</p><p>than the sea would be if it stopped. They refuse</p><p>to be blessed, throat, eye and knucklebone.</p><p> </p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Truth the Dead Know By Anne Sexton</itunes:title>
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      <title>To Elsie By William Carlos WIlliams</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>To Elsie</p><p>BY WILLIAM CARLOS WILLIAMS</p><p>The pure products of America</p><p>go crazy—</p><p>mountain folk from Kentucky</p><p> </p><p>or the ribbed north end of</p><p>Jersey</p><p>with its isolate lakes and</p><p> </p><p>valleys, its deaf-mutes, thieves</p><p>old names</p><p>and promiscuity between</p><p> </p><p>devil-may-care men who have taken</p><p>to railroading</p><p>out of sheer lust of adventure—</p><p> </p><p>and young slatterns, bathed</p><p>in filth</p><p>from Monday to Saturday</p><p> </p><p>to be tricked out that night</p><p>with gauds</p><p>from imaginations which have no</p><p> </p><p>peasant traditions to give them</p><p>character</p><p>but flutter and flaunt</p><p> </p><p>sheer rags—succumbing without</p><p>emotion</p><p>save numbed terror</p><p> </p><p>under some hedge of choke-cherry</p><p>or viburnum—</p><p>which they cannot express—</p><p> </p><p>Unless it be that marriage</p><p>perhaps</p><p>with a dash of Indian blood</p><p> </p><p>will throw up a girl so desolate</p><p>so hemmed round</p><p>with disease or murder</p><p> </p><p>that she'll be rescued by an</p><p>agent—</p><p>reared by the state and</p><p> </p><p>sent out at fifteen to work in</p><p>some hard-pressed</p><p>house in the suburbs—</p><p> </p><p>some doctor's family, some Elsie—</p><p>voluptuous water</p><p>expressing with broken</p><p> </p><p>brain the truth about us—</p><p>her great</p><p>ungainly hips and flopping breasts</p><p> </p><p>addressed to cheap</p><p>jewelry</p><p>and rich young men with fine eyes</p><p> </p><p>as if the earth under our feet</p><p>were</p><p>an excrement of some sky</p><p> </p><p>and we degraded prisoners</p><p>destined</p><p>to hunger until we eat filth</p><p> </p><p>while the imagination strains</p><p>after deer</p><p>going by fields of goldenrod in</p><p> </p><p>the stifling heat of September</p><p>Somehow</p><p>it seems to destroy us</p><p> </p><p>It is only in isolate flecks that</p><p>something</p><p>is given off</p><p> </p><p>No one</p><p>to witness</p><p>and adjust, no one to drive the car</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 4 Jun 2020 19:25:30 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>To Elsie</p><p>BY WILLIAM CARLOS WILLIAMS</p><p>The pure products of America</p><p>go crazy—</p><p>mountain folk from Kentucky</p><p> </p><p>or the ribbed north end of</p><p>Jersey</p><p>with its isolate lakes and</p><p> </p><p>valleys, its deaf-mutes, thieves</p><p>old names</p><p>and promiscuity between</p><p> </p><p>devil-may-care men who have taken</p><p>to railroading</p><p>out of sheer lust of adventure—</p><p> </p><p>and young slatterns, bathed</p><p>in filth</p><p>from Monday to Saturday</p><p> </p><p>to be tricked out that night</p><p>with gauds</p><p>from imaginations which have no</p><p> </p><p>peasant traditions to give them</p><p>character</p><p>but flutter and flaunt</p><p> </p><p>sheer rags—succumbing without</p><p>emotion</p><p>save numbed terror</p><p> </p><p>under some hedge of choke-cherry</p><p>or viburnum—</p><p>which they cannot express—</p><p> </p><p>Unless it be that marriage</p><p>perhaps</p><p>with a dash of Indian blood</p><p> </p><p>will throw up a girl so desolate</p><p>so hemmed round</p><p>with disease or murder</p><p> </p><p>that she'll be rescued by an</p><p>agent—</p><p>reared by the state and</p><p> </p><p>sent out at fifteen to work in</p><p>some hard-pressed</p><p>house in the suburbs—</p><p> </p><p>some doctor's family, some Elsie—</p><p>voluptuous water</p><p>expressing with broken</p><p> </p><p>brain the truth about us—</p><p>her great</p><p>ungainly hips and flopping breasts</p><p> </p><p>addressed to cheap</p><p>jewelry</p><p>and rich young men with fine eyes</p><p> </p><p>as if the earth under our feet</p><p>were</p><p>an excrement of some sky</p><p> </p><p>and we degraded prisoners</p><p>destined</p><p>to hunger until we eat filth</p><p> </p><p>while the imagination strains</p><p>after deer</p><p>going by fields of goldenrod in</p><p> </p><p>the stifling heat of September</p><p>Somehow</p><p>it seems to destroy us</p><p> </p><p>It is only in isolate flecks that</p><p>something</p><p>is given off</p><p> </p><p>No one</p><p>to witness</p><p>and adjust, no one to drive the car</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>Ode on Solitude by Alexander Pope</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Ode on Solitude</p><p>By Alexander Pope</p><p>Happy the man, whose wish and care</p><p>  A few paternal acres bound,</p><p>Content to breathe his native air,</p><p>                           In his own ground.</p><p> </p><p>Whose herds with milk, whose fields with bread,</p><p>  Whose flocks supply him with attire,</p><p>Whose trees in summer yield him shade,</p><p>                           In winter fire.</p><p> </p><p>Blest, who can unconcernedly find</p><p>  Hours, days, and years slide soft away,</p><p>In health of body, peace of mind,</p><p>                           Quiet by day,</p><p> </p><p>Sound sleep by night; study and ease,</p><p>  Together mixed; sweet recreation;</p><p>And innocence, which most does please,</p><p>                           With meditation.</p><p> </p><p>Thus let me live, unseen, unknown;</p><p>  Thus unlamented let me die;</p><p>Steal from the world, and not a stone</p><p>                           Tell where I lie.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 29 May 2020 21:05:52 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Ode on Solitude</p><p>By Alexander Pope</p><p>Happy the man, whose wish and care</p><p>  A few paternal acres bound,</p><p>Content to breathe his native air,</p><p>                           In his own ground.</p><p> </p><p>Whose herds with milk, whose fields with bread,</p><p>  Whose flocks supply him with attire,</p><p>Whose trees in summer yield him shade,</p><p>                           In winter fire.</p><p> </p><p>Blest, who can unconcernedly find</p><p>  Hours, days, and years slide soft away,</p><p>In health of body, peace of mind,</p><p>                           Quiet by day,</p><p> </p><p>Sound sleep by night; study and ease,</p><p>  Together mixed; sweet recreation;</p><p>And innocence, which most does please,</p><p>                           With meditation.</p><p> </p><p>Thus let me live, unseen, unknown;</p><p>  Thus unlamented let me die;</p><p>Steal from the world, and not a stone</p><p>                           Tell where I lie.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>Mystery and Solitude in Topeka by Mark Strand</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Mystery and Solitude in Topeka</p><p>BY MARK STRAND</p><p>Afternoon darkens into evening. A man falls deeper and deeper into the slow spiral of sleep, into the drift of it, the length of it, through what feels like mist, and comes at last to an open door through which he passes without knowing why, then again without knowing why goes to a room where he sits and waits while the room seems to close around him and the dark is darker than any he has known, and he feels something forming within him without being sure what it is, its hold on him growing, as if a story were about to unfold, in which two characters, Pleasure and Pain, commit the same crime, the one that is his, that he will confess to again and again, until it means nothing.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 28 May 2020 16:59:42 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Mystery and Solitude in Topeka</p><p>BY MARK STRAND</p><p>Afternoon darkens into evening. A man falls deeper and deeper into the slow spiral of sleep, into the drift of it, the length of it, through what feels like mist, and comes at last to an open door through which he passes without knowing why, then again without knowing why goes to a room where he sits and waits while the room seems to close around him and the dark is darker than any he has known, and he feels something forming within him without being sure what it is, its hold on him growing, as if a story were about to unfold, in which two characters, Pleasure and Pain, commit the same crime, the one that is his, that he will confess to again and again, until it means nothing.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>Nocturne by Louise Glück</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Nocturne</p><p>BY LOUISE GLÜCK</p><p> </p><p>Mother died last night,</p><p>Mother who never dies.</p><p> </p><p>Winter was in the air,</p><p>many months away</p><p>but in the air nevertheless.</p><p> </p><p>It was the tenth of May.</p><p>Hyacinth and apple blossom</p><p>bloomed in the back garden.</p><p> </p><p>We could hear</p><p>Maria singing songs from Czechoslovakia —</p><p> </p><p>How alone I am —</p><p>songs of that kind.</p><p> </p><p>How alone I am,</p><p>no mother, no father —</p><p>my brain seems so empty without them.</p><p> </p><p>Aromas drifted out of the earth;</p><p>the dishes were in the sink,</p><p>rinsed but not stacked.</p><p> </p><p>Under the full moon</p><p>Maria was folding the washing;</p><p>the stiff  sheets became</p><p>dry white rectangles of  moonlight.</p><p> </p><p>How alone I am, but in music</p><p>my desolation is my rejoicing.</p><p> </p><p>It was the tenth of May</p><p>as it had been the ninth, the eighth.</p><p> </p><p>Mother slept in her bed,</p><p>her arms outstretched, her head</p><p>balanced between them.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 26 May 2020 07:21:21 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Nocturne</p><p>BY LOUISE GLÜCK</p><p> </p><p>Mother died last night,</p><p>Mother who never dies.</p><p> </p><p>Winter was in the air,</p><p>many months away</p><p>but in the air nevertheless.</p><p> </p><p>It was the tenth of May.</p><p>Hyacinth and apple blossom</p><p>bloomed in the back garden.</p><p> </p><p>We could hear</p><p>Maria singing songs from Czechoslovakia —</p><p> </p><p>How alone I am —</p><p>songs of that kind.</p><p> </p><p>How alone I am,</p><p>no mother, no father —</p><p>my brain seems so empty without them.</p><p> </p><p>Aromas drifted out of the earth;</p><p>the dishes were in the sink,</p><p>rinsed but not stacked.</p><p> </p><p>Under the full moon</p><p>Maria was folding the washing;</p><p>the stiff  sheets became</p><p>dry white rectangles of  moonlight.</p><p> </p><p>How alone I am, but in music</p><p>my desolation is my rejoicing.</p><p> </p><p>It was the tenth of May</p><p>as it had been the ninth, the eighth.</p><p> </p><p>Mother slept in her bed,</p><p>her arms outstretched, her head</p><p>balanced between them.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Nocturne by Louise Glück</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:02:04</itunes:duration>
      <itunes:summary>Read by Jaren Cerf</itunes:summary>
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      <itunes:episode>44</itunes:episode>
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      <title>Soon by Joe Bolton</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Soon</p><p>by Joe Bolton</p><p>Soon, these great stadiums will be empty,</p><p>Standing coolly at twilight, lit only</p><p>By the twilight, and there will be no sound,</p><p>No echo, and no memory of sound.</p><p> </p><p>Soon, these mansions along North Boulevard</p><p>Will fall into disrepair, then will fall,</p><p>Their foundations given over to grass</p><p>Under the vaulted naves of the live oaks.</p><p>These freeways won’t dream of rush-hour traffic.</p><p>These towers won’t give you the time of day.</p><p>These storefronts won’t show the season’s fashion.</p><p>Nobody will try to take your money.</p><p>Soon, no one will remember how it was</p><p>To drive home at the end of the long day,</p><p>To hear a song you thought you’d forgotten,</p><p>To sleep and rise and not know quite what for.</p><p>And no one will remember what it was</p><p>To try to live and love and make love live</p><p>In these times we belong to but call ours,</p><p>Near the end of what looked like forever.</p><p>after Horace</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 21 May 2020 18:58:22 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Soon</p><p>by Joe Bolton</p><p>Soon, these great stadiums will be empty,</p><p>Standing coolly at twilight, lit only</p><p>By the twilight, and there will be no sound,</p><p>No echo, and no memory of sound.</p><p> </p><p>Soon, these mansions along North Boulevard</p><p>Will fall into disrepair, then will fall,</p><p>Their foundations given over to grass</p><p>Under the vaulted naves of the live oaks.</p><p>These freeways won’t dream of rush-hour traffic.</p><p>These towers won’t give you the time of day.</p><p>These storefronts won’t show the season’s fashion.</p><p>Nobody will try to take your money.</p><p>Soon, no one will remember how it was</p><p>To drive home at the end of the long day,</p><p>To hear a song you thought you’d forgotten,</p><p>To sleep and rise and not know quite what for.</p><p>And no one will remember what it was</p><p>To try to live and love and make love live</p><p>In these times we belong to but call ours,</p><p>Near the end of what looked like forever.</p><p>after Horace</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Soon by Joe Bolton</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:summary>Read by Dave Luukkonen</itunes:summary>
      <itunes:subtitle>Read by Dave Luukkonen</itunes:subtitle>
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      <title>Pillow by Jana Prikryl</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>Pillow</p><p>By Jana Prikryl</p><p>How solitary</p><p>and resolute you look in the morning.</p><p>A stoic in your cotton sleeve.</p><p>Do you dream of walking out</p><p> </p><p>rain or shine</p><p>a truffle balanced on your sternum</p><p>and passing me on the sidewalk?</p><p>Or is that a smile</p><p> </p><p>because you interpret nothing</p><p>and statelessness is where you live?</p><p>How calmly you indulge my moods.</p><p> </p><p>See you tonight, by the sovereign chartreuse</p><p>ceramics at the Met.</p><p>Let's hear what you'd do differently.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 19 May 2020 20:39:37 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>Pillow</p><p>By Jana Prikryl</p><p>How solitary</p><p>and resolute you look in the morning.</p><p>A stoic in your cotton sleeve.</p><p>Do you dream of walking out</p><p> </p><p>rain or shine</p><p>a truffle balanced on your sternum</p><p>and passing me on the sidewalk?</p><p>Or is that a smile</p><p> </p><p>because you interpret nothing</p><p>and statelessness is where you live?</p><p>How calmly you indulge my moods.</p><p> </p><p>See you tonight, by the sovereign chartreuse</p><p>ceramics at the Met.</p><p>Let's hear what you'd do differently.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Pillow by Jana Prikryl</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:summary>Read by Helena De Groot</itunes:summary>
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      <title>Smoke by Philip Levine</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>SMOKE<br />By Philip Levine<br />Can you imagine the air filled with smoke?<br />It was. The city was vanishing before noon<br />or was it earlier than that? I can't say because<br />the light came from nowhere and went nowhere.</p><p>This was years ago, before you were born, before<br />your parents met in a bus station downtown.<br />She'd come on Friday after work all the way<br />from Toledo, and he'd dressed in his only suit.</p><p>Back then we called this a date, some times<br />a blind date, though they'd written back and forth<br />for weeks. What actually took place is now lost.<br />It's become part of the mythology of a family,</p><p>the stories told by children around the dinner table.<br />No, they aren't dead, they're just treated that way,<br />as objects turned one way and then another<br />to catch the light, the light overflowing with smoke.</p><p>Go back to the beginning, you insist. Why<br />is the air filled with smoke? Simple. We had work.<br />Work was something that thrived on fire, that without<br />fire couldn't catch its breath or hang on for life.</p><p>We came out into the morning air, Bernie, Stash,<br />Williams, and I, it was late March, a new war<br />was starting up in Asia or closer to home,<br />one that meant to kill us, but for a moment</p><p>the air held still in the gray poplars and elms<br />undoing their branches. I understood the moon<br />for the very first time, why it came and went, why<br />it wasn't there that day to greet the four of us.</p><p>Before the bus came a small black bird settled<br />on the curb, fearless or hurt, and turned its beak up<br />as though questioning the day. "A baby crow,"<br />someone said. Your father knelt down on the wet cement,</p><p>his lunchbox balanced on one knee and stared quietly<br />for a long time. "A grackle far from home," he said.<br />One of the four of us mentioned tenderness,<br />a word I wasn't used to, so it wasn't me.</p><p>The bus must have arrived. I'm not there today.<br />The windows were soiled. We swayed this way and that<br />over the railroad tracks, across Woodward Avenue,<br />heading west, just like the sun, hidden in smoke.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 14 May 2020 23:55:11 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>SMOKE<br />By Philip Levine<br />Can you imagine the air filled with smoke?<br />It was. The city was vanishing before noon<br />or was it earlier than that? I can't say because<br />the light came from nowhere and went nowhere.</p><p>This was years ago, before you were born, before<br />your parents met in a bus station downtown.<br />She'd come on Friday after work all the way<br />from Toledo, and he'd dressed in his only suit.</p><p>Back then we called this a date, some times<br />a blind date, though they'd written back and forth<br />for weeks. What actually took place is now lost.<br />It's become part of the mythology of a family,</p><p>the stories told by children around the dinner table.<br />No, they aren't dead, they're just treated that way,<br />as objects turned one way and then another<br />to catch the light, the light overflowing with smoke.</p><p>Go back to the beginning, you insist. Why<br />is the air filled with smoke? Simple. We had work.<br />Work was something that thrived on fire, that without<br />fire couldn't catch its breath or hang on for life.</p><p>We came out into the morning air, Bernie, Stash,<br />Williams, and I, it was late March, a new war<br />was starting up in Asia or closer to home,<br />one that meant to kill us, but for a moment</p><p>the air held still in the gray poplars and elms<br />undoing their branches. I understood the moon<br />for the very first time, why it came and went, why<br />it wasn't there that day to greet the four of us.</p><p>Before the bus came a small black bird settled<br />on the curb, fearless or hurt, and turned its beak up<br />as though questioning the day. "A baby crow,"<br />someone said. Your father knelt down on the wet cement,</p><p>his lunchbox balanced on one knee and stared quietly<br />for a long time. "A grackle far from home," he said.<br />One of the four of us mentioned tenderness,<br />a word I wasn't used to, so it wasn't me.</p><p>The bus must have arrived. I'm not there today.<br />The windows were soiled. We swayed this way and that<br />over the railroad tracks, across Woodward Avenue,<br />heading west, just like the sun, hidden in smoke.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Smoke by Philip Levine</itunes:title>
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      <itunes:summary>Read by Jonathan Cotton</itunes:summary>
      <itunes:subtitle>Read by Jonathan Cotton</itunes:subtitle>
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      <title>4 A.M. By Kenneth Fearing</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>4 A.M.</p><p>by Kenneth Fearing</p><p>It is early evening, still, in Honolulu, and in London, now, it</p><p>must be well past dawn;</p><p>But here, in the Riviera Cafe, on a street that has been lost and</p><p>forgotten very long ago, as the clock moves steadily toward</p><p>closing time,</p><p>The spark of life is very low, if it burns at all.</p><p> </p><p> </p><p>And here we are, four lost and forgotten customers in this place</p><p>that surely will never again be found,</p><p>Sitting, at ten-foot intervals, along this lost and forgotten bar,</p><p>(Wishing the space were further still, for we are still too close</p><p>for comfort)</p><p>Knowing that the bartender, and the elk’s head, and the portrait</p><p>of F.D.R.,</p><p>(All gazing at something of interest beyond us and behind us,</p><p>but very far away)</p><p>Must somehow be aware of us, too, as we stare at the cold</p><p>interior of our lives, reflected in the mirror beneath and in</p><p>back of them.</p><p> </p><p> </p><p>Hear how lonely the radio is, as its voice talks on, and on, un-</p><p>answered;</p><p>Notice how futile is the nickel dropped in the juke-box by a</p><p>customer,</p><p>How its music proves again that one’s life is either too humdrum</p><p>or too exciting, too empty or too full, too this, too that;</p><p>Only the cat that has been sleeping in the window, now yawning</p><p>and stretching and trotting to the kitchen to sleep again --</p><p>Only this living toy knows what we feel, knows what we are,</p><p>really knows what we only think we know.</p><p> </p><p> </p><p>Soon, too soon, it will be closing time, and the door will be locked;</p><p>Each of us will be alone, soon, with something ravaging for</p><p>a name --</p><p>(Our golden, glorious futures, perhaps).</p><p>Lock the door now and put out the lights, before some terrible</p><p>stranger enters and gives, to each of us, an answer that is</p><p>the final truth.</p><p> </p><p> </p><p>They say the Matterhorn at dawn, and the Northern Lights of</p><p>the Arctic, are things that should be seen;</p><p>They say, they say --------- in time, you will hear them say anything,</p><p>and everything.</p><p>What would the elk’s head, or the remote bartender say, if they</p><p>could speak?</p><p>The booth where last night’s love affair began, the spot where</p><p>last year’s homicide occurred, are empty now, and still.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 12 May 2020 21:57:40 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>4 A.M.</p><p>by Kenneth Fearing</p><p>It is early evening, still, in Honolulu, and in London, now, it</p><p>must be well past dawn;</p><p>But here, in the Riviera Cafe, on a street that has been lost and</p><p>forgotten very long ago, as the clock moves steadily toward</p><p>closing time,</p><p>The spark of life is very low, if it burns at all.</p><p> </p><p> </p><p>And here we are, four lost and forgotten customers in this place</p><p>that surely will never again be found,</p><p>Sitting, at ten-foot intervals, along this lost and forgotten bar,</p><p>(Wishing the space were further still, for we are still too close</p><p>for comfort)</p><p>Knowing that the bartender, and the elk’s head, and the portrait</p><p>of F.D.R.,</p><p>(All gazing at something of interest beyond us and behind us,</p><p>but very far away)</p><p>Must somehow be aware of us, too, as we stare at the cold</p><p>interior of our lives, reflected in the mirror beneath and in</p><p>back of them.</p><p> </p><p> </p><p>Hear how lonely the radio is, as its voice talks on, and on, un-</p><p>answered;</p><p>Notice how futile is the nickel dropped in the juke-box by a</p><p>customer,</p><p>How its music proves again that one’s life is either too humdrum</p><p>or too exciting, too empty or too full, too this, too that;</p><p>Only the cat that has been sleeping in the window, now yawning</p><p>and stretching and trotting to the kitchen to sleep again --</p><p>Only this living toy knows what we feel, knows what we are,</p><p>really knows what we only think we know.</p><p> </p><p> </p><p>Soon, too soon, it will be closing time, and the door will be locked;</p><p>Each of us will be alone, soon, with something ravaging for</p><p>a name --</p><p>(Our golden, glorious futures, perhaps).</p><p>Lock the door now and put out the lights, before some terrible</p><p>stranger enters and gives, to each of us, an answer that is</p><p>the final truth.</p><p> </p><p> </p><p>They say the Matterhorn at dawn, and the Northern Lights of</p><p>the Arctic, are things that should be seen;</p><p>They say, they say --------- in time, you will hear them say anything,</p><p>and everything.</p><p>What would the elk’s head, or the remote bartender say, if they</p><p>could speak?</p><p>The booth where last night’s love affair began, the spot where</p><p>last year’s homicide occurred, are empty now, and still.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>4 A.M. By Kenneth Fearing</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:04:27</itunes:duration>
      <itunes:summary>Read by Jonathan Cotton</itunes:summary>
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      <itunes:keywords>modern poetry, filmnoir, 4am, new york, lost, kennethdearing, fear, isolation, depression</itunes:keywords>
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      <title>The Pomegranate by Eavan Boland</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Pomegranate</p><p>By Eavan Boland</p><p>The only legend I have ever loved is</p><p>the story of a daughter lost in hell.</p><p>And found and rescued there.</p><p>Love and blackmail are the gist of it.</p><p>Ceres and Persephone the names.</p><p>And the best thing about the legend is</p><p>I can enter it anywhere. And have.</p><p>As a child in exile in</p><p>a city of fogs and strange consonants,</p><p>I read it first and at first I was</p><p>an exiled child in the crackling dusk of</p><p>the underworld, the stars blighted. Later</p><p>I walked out in a summer twilight</p><p>searching for my daughter at bed-time.</p><p>When she came running I was ready</p><p>to make any bargain to keep her.</p><p>I carried her back past whitebeams</p><p>and wasps and honey-scented buddleias.</p><p>But I was Ceres then and I knew</p><p>winter was in store for every leaf</p><p>on every tree on that road.</p><p>Was inescapable for each one we passed. And for me.</p><p>                   It is winter</p><p>and the stars are hidden.</p><p>I climb the stairs and stand where I can see</p><p>my child asleep beside her teen magazines,</p><p>her can of Coke, her plate of uncut fruit.</p><p>The pomegranate! How did I forget it?</p><p>She could have come home and been safe</p><p>and ended the story and all</p><p>our heart-broken searching but she reached</p><p>out a hand and plucked a pomegranate.</p><p>She put out her hand and pulled down</p><p>the French sound for apple and</p><p>the noise of stone and the proof</p><p>that even in the place of death,</p><p>at the heart of legend, in the midst</p><p>of rocks full of unshed tears</p><p>ready to be diamonds by the time</p><p>the story was told, a child can be</p><p>hungry. I could warn her. There is still a chance.</p><p>The rain is cold. The road is flint-coloured.</p><p>The suburb has cars and cable television.</p><p>The veiled stars are above ground.</p><p>It is another world. But what else</p><p>can a mother give her daughter but such</p><p>beautiful rifts in time?</p><p>If I defer the grief I will diminish the gift.</p><p>The legend will be hers as well as mine.</p><p>She will enter it. As I have.</p><p>She will wake up. She will hold</p><p>the papery flushed skin in her hand.</p><p>And to her lips. I will say nothing.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 7 May 2020 21:34:57 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Pomegranate</p><p>By Eavan Boland</p><p>The only legend I have ever loved is</p><p>the story of a daughter lost in hell.</p><p>And found and rescued there.</p><p>Love and blackmail are the gist of it.</p><p>Ceres and Persephone the names.</p><p>And the best thing about the legend is</p><p>I can enter it anywhere. And have.</p><p>As a child in exile in</p><p>a city of fogs and strange consonants,</p><p>I read it first and at first I was</p><p>an exiled child in the crackling dusk of</p><p>the underworld, the stars blighted. Later</p><p>I walked out in a summer twilight</p><p>searching for my daughter at bed-time.</p><p>When she came running I was ready</p><p>to make any bargain to keep her.</p><p>I carried her back past whitebeams</p><p>and wasps and honey-scented buddleias.</p><p>But I was Ceres then and I knew</p><p>winter was in store for every leaf</p><p>on every tree on that road.</p><p>Was inescapable for each one we passed. And for me.</p><p>                   It is winter</p><p>and the stars are hidden.</p><p>I climb the stairs and stand where I can see</p><p>my child asleep beside her teen magazines,</p><p>her can of Coke, her plate of uncut fruit.</p><p>The pomegranate! How did I forget it?</p><p>She could have come home and been safe</p><p>and ended the story and all</p><p>our heart-broken searching but she reached</p><p>out a hand and plucked a pomegranate.</p><p>She put out her hand and pulled down</p><p>the French sound for apple and</p><p>the noise of stone and the proof</p><p>that even in the place of death,</p><p>at the heart of legend, in the midst</p><p>of rocks full of unshed tears</p><p>ready to be diamonds by the time</p><p>the story was told, a child can be</p><p>hungry. I could warn her. There is still a chance.</p><p>The rain is cold. The road is flint-coloured.</p><p>The suburb has cars and cable television.</p><p>The veiled stars are above ground.</p><p>It is another world. But what else</p><p>can a mother give her daughter but such</p><p>beautiful rifts in time?</p><p>If I defer the grief I will diminish the gift.</p><p>The legend will be hers as well as mine.</p><p>She will enter it. As I have.</p><p>She will wake up. She will hold</p><p>the papery flushed skin in her hand.</p><p>And to her lips. I will say nothing.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Pomegranate by Eavan Boland</itunes:title>
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      <itunes:duration>00:02:54</itunes:duration>
      <itunes:summary>Read by Lucie Fleming</itunes:summary>
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      <title>The Whole Mess...Almost by Gregory Corso</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Whole Mess ... Almost</p><p>BY GREGORY CORSO</p><p>I ran up six flights of stairs</p><p>to my small furnished room  </p><p>opened the window</p><p>and began throwing out</p><p>those things most important in life</p><p> </p><p>First to go, Truth, squealing like a fink:</p><p>“Don’t! I’ll tell awful things about you!”</p><p>“Oh yeah? Well, I’ve nothing to hide ... OUT!”</p><p>Then went God, glowering & whimpering in amazement:  </p><p>“It’s not my fault! I’m not the cause of it all!” “OUT!”  </p><p>Then Love, cooing bribes: “You’ll never know impotency!  </p><p>All the girls on Vogue covers, all yours!”</p><p>I pushed her fat ass out and screamed:</p><p>“You always end up a bummer!”</p><p>I picked up Faith Hope Charity</p><p>all three clinging together:</p><p>“Without us you’ll surely die!”</p><p>“With you I’m going nuts! Goodbye!”</p><p> </p><p>Then Beauty ... ah, Beauty—</p><p>As I led her to the window</p><p>I told her: “You I loved best in life</p><p>... but you’re a killer; Beauty kills!”  </p><p>Not really meaning to drop her</p><p>I immediately ran downstairs</p><p>getting there just in time to catch her  </p><p>“You saved me!” she cried</p><p>I put her down and told her: “Move on.”</p><p> </p><p>Went back up those six flights</p><p>went to the money</p><p>there was no money to throw out.</p><p>The only thing left in the room was Death  </p><p>hiding beneath the kitchen sink:</p><p>“I’m not real!” It cried</p><p>“I’m just a rumor spread by life ... ”  </p><p>Laughing I threw it out, kitchen sink and all  </p><p>and suddenly realized Humor</p><p>was all that was left—</p><p>All I could do with Humor was to say:  </p><p>“Out the window with the window!”</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 1 May 2020 16:55:45 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Whole Mess ... Almost</p><p>BY GREGORY CORSO</p><p>I ran up six flights of stairs</p><p>to my small furnished room  </p><p>opened the window</p><p>and began throwing out</p><p>those things most important in life</p><p> </p><p>First to go, Truth, squealing like a fink:</p><p>“Don’t! I’ll tell awful things about you!”</p><p>“Oh yeah? Well, I’ve nothing to hide ... OUT!”</p><p>Then went God, glowering & whimpering in amazement:  </p><p>“It’s not my fault! I’m not the cause of it all!” “OUT!”  </p><p>Then Love, cooing bribes: “You’ll never know impotency!  </p><p>All the girls on Vogue covers, all yours!”</p><p>I pushed her fat ass out and screamed:</p><p>“You always end up a bummer!”</p><p>I picked up Faith Hope Charity</p><p>all three clinging together:</p><p>“Without us you’ll surely die!”</p><p>“With you I’m going nuts! Goodbye!”</p><p> </p><p>Then Beauty ... ah, Beauty—</p><p>As I led her to the window</p><p>I told her: “You I loved best in life</p><p>... but you’re a killer; Beauty kills!”  </p><p>Not really meaning to drop her</p><p>I immediately ran downstairs</p><p>getting there just in time to catch her  </p><p>“You saved me!” she cried</p><p>I put her down and told her: “Move on.”</p><p> </p><p>Went back up those six flights</p><p>went to the money</p><p>there was no money to throw out.</p><p>The only thing left in the room was Death  </p><p>hiding beneath the kitchen sink:</p><p>“I’m not real!” It cried</p><p>“I’m just a rumor spread by life ... ”  </p><p>Laughing I threw it out, kitchen sink and all  </p><p>and suddenly realized Humor</p><p>was all that was left—</p><p>All I could do with Humor was to say:  </p><p>“Out the window with the window!”</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Whole Mess...Almost by Gregory Corso</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:summary>Read by Benjamin Kroger</itunes:summary>
      <itunes:subtitle>Read by Benjamin Kroger</itunes:subtitle>
      <itunes:keywords>gregory corso, fed up, mad, beat generation</itunes:keywords>
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      <title>For the Sleepwalkers by Edward Hirsch</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>For the Sleepwalkers</p><p>by Edward Hirsch</p><p> </p><p>Tonight I want to say something wonderful</p><p>for the sleepwalkers who have so much faith</p><p>in their legs, so much faith in the invisible</p><p> </p><p>arrow carved into the carpet, the worn path</p><p>that leads to the stairs instead of the window,</p><p>the gaping doorway instead of the seamless mirror.</p><p> </p><p>I love the way that sleepwalkers are willing</p><p>to step out of their bodies into the night,</p><p>to raise their arms and welcome the darkness,</p><p> </p><p>palming the blank spaces, touching everything.</p><p>Always they return home safely, like blind men</p><p>who know it is morning by feeling shadows.</p><p> </p><p>And always they wake up as themselves again.</p><p>That’s why I want to say something astonishing</p><p>like: Our hearts are leaving our bodies.</p><p> </p><p>Our hearts are thirsty black handkerchiefs</p><p>flying through the trees at night, soaking up</p><p>the darkest beams of moonlight, the music</p><p> </p><p>of owls, the motion of wind-torn branches.</p><p>And now our hearts are thick black fists</p><p>flying back to the glove of our chests.</p><p> </p><p>We have to learn to trust our hearts like that.</p><p>We have to learn the desperate faith of sleep-</p><p>walkers who rise out of their calm beds</p><p> </p><p>and walk through the skin of another life.</p><p>We have to drink the stupefying cup of darkness</p><p>and wake up to ourselves, nourished and surprised.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Wed, 29 Apr 2020 19:03:51 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>For the Sleepwalkers</p><p>by Edward Hirsch</p><p> </p><p>Tonight I want to say something wonderful</p><p>for the sleepwalkers who have so much faith</p><p>in their legs, so much faith in the invisible</p><p> </p><p>arrow carved into the carpet, the worn path</p><p>that leads to the stairs instead of the window,</p><p>the gaping doorway instead of the seamless mirror.</p><p> </p><p>I love the way that sleepwalkers are willing</p><p>to step out of their bodies into the night,</p><p>to raise their arms and welcome the darkness,</p><p> </p><p>palming the blank spaces, touching everything.</p><p>Always they return home safely, like blind men</p><p>who know it is morning by feeling shadows.</p><p> </p><p>And always they wake up as themselves again.</p><p>That’s why I want to say something astonishing</p><p>like: Our hearts are leaving our bodies.</p><p> </p><p>Our hearts are thirsty black handkerchiefs</p><p>flying through the trees at night, soaking up</p><p>the darkest beams of moonlight, the music</p><p> </p><p>of owls, the motion of wind-torn branches.</p><p>And now our hearts are thick black fists</p><p>flying back to the glove of our chests.</p><p> </p><p>We have to learn to trust our hearts like that.</p><p>We have to learn the desperate faith of sleep-</p><p>walkers who rise out of their calm beds</p><p> </p><p>and walk through the skin of another life.</p><p>We have to drink the stupefying cup of darkness</p><p>and wake up to ourselves, nourished and surprised.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>For the Sleepwalkers by Edward Hirsch</itunes:title>
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      <itunes:duration>00:01:42</itunes:duration>
      <itunes:summary>Read by Kevin Seaman</itunes:summary>
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      <itunes:keywords>modern poetry, poetry, rebirth</itunes:keywords>
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      <title>Late Spring by W.S. Merwin</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Late Spring -</p><p>By W.S. Merwin</p><p> </p><p>Coming into the high room again after years</p><p>after oceans and shadows of hills and the sounds of lies</p><p>after losses and feet on stairs</p><p> </p><p>after looking and mistakes and forgetting</p><p>turning there thinking to find</p><p>no one except those I knew</p><p>finally I saw you</p><p>sitting in white</p><p>already waiting</p><p> </p><p>you of whom I had heard</p><p>with my own ears since the beginning</p><p>for whom more than once</p><p>I have opened the door</p><p>believing you were not far</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Sun, 26 Apr 2020 16:28:51 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Late Spring -</p><p>By W.S. Merwin</p><p> </p><p>Coming into the high room again after years</p><p>after oceans and shadows of hills and the sounds of lies</p><p>after losses and feet on stairs</p><p> </p><p>after looking and mistakes and forgetting</p><p>turning there thinking to find</p><p>no one except those I knew</p><p>finally I saw you</p><p>sitting in white</p><p>already waiting</p><p> </p><p>you of whom I had heard</p><p>with my own ears since the beginning</p><p>for whom more than once</p><p>I have opened the door</p><p>believing you were not far</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Late Spring by W.S. Merwin</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:01:15</itunes:duration>
      <itunes:summary>Read by Jonathan Cotton</itunes:summary>
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      <title>In The Corridor by Saskia Hamilton</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>In the Corridor</p><p>By Saskia Hamilton</p><p>I passed through, I should have paused,</p><p>there were a hundred doors. One opened.</p><p>In there, someone whose name</p><p>is not yet known to me lived out</p><p> </p><p>his middle years in simple terms, two chairs,</p><p>one place laid for early breakfast, one plate</p><p>with dry toast and butter softening. There</p><p>his mind raced through writings</p><p> </p><p>he had memorized long ago while he tried</p><p>to get hold of himself. Once</p><p>in his youth he had studied with love</p><p>in the corners of old paintings</p><p> </p><p>matrices of fields and towns,</p><p>passages intricate and particular, wheat,</p><p>columns, figures and ground,</p><p>classically proportioned</p><p> </p><p>in lines that were meant</p><p>to meet, eventually,</p><p>at vanishing point. They continued,</p><p>nevertheless; they troubled the eye.</p><p> </p><p>He collected sets of books printed</p><p>in the nineteenth century, unyielding</p><p>pages, memoirs of the poets,</p><p>engravings of rurified private subjects</p><p> </p><p>in times of public sector unhappiness,</p><p>frescoes of human oddity in gatefold printing.</p><p>Why does it continue</p><p>to chasten me, he says to no one.</p><p> </p><p>It does. It is a painful mistaking,</p><p>this setting something down,</p><p>saying aloud, “it is nothing yet”</p><p>when he’d meant, not anything—</p><p> </p><p>but then nothing peered</p><p>through the keyhole, nothing</p><p>took possession. Snow on the roofs,</p><p>snow in traces on the ground,</p><p> </p><p>passersby with wet trouser-cuffs</p><p>looking to the pavement as the hill rises,</p><p>light gathering in the river</p><p>and gradually spreading.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 23 Apr 2020 19:47:30 +0000</pubDate>
      <author>fieldsound@gmail.com (positive creativity podcast, lauren schaffel)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>In the Corridor</p><p>By Saskia Hamilton</p><p>I passed through, I should have paused,</p><p>there were a hundred doors. One opened.</p><p>In there, someone whose name</p><p>is not yet known to me lived out</p><p> </p><p>his middle years in simple terms, two chairs,</p><p>one place laid for early breakfast, one plate</p><p>with dry toast and butter softening. There</p><p>his mind raced through writings</p><p> </p><p>he had memorized long ago while he tried</p><p>to get hold of himself. Once</p><p>in his youth he had studied with love</p><p>in the corners of old paintings</p><p> </p><p>matrices of fields and towns,</p><p>passages intricate and particular, wheat,</p><p>columns, figures and ground,</p><p>classically proportioned</p><p> </p><p>in lines that were meant</p><p>to meet, eventually,</p><p>at vanishing point. They continued,</p><p>nevertheless; they troubled the eye.</p><p> </p><p>He collected sets of books printed</p><p>in the nineteenth century, unyielding</p><p>pages, memoirs of the poets,</p><p>engravings of rurified private subjects</p><p> </p><p>in times of public sector unhappiness,</p><p>frescoes of human oddity in gatefold printing.</p><p>Why does it continue</p><p>to chasten me, he says to no one.</p><p> </p><p>It does. It is a painful mistaking,</p><p>this setting something down,</p><p>saying aloud, “it is nothing yet”</p><p>when he’d meant, not anything—</p><p> </p><p>but then nothing peered</p><p>through the keyhole, nothing</p><p>took possession. Snow on the roofs,</p><p>snow in traces on the ground,</p><p> </p><p>passersby with wet trouser-cuffs</p><p>looking to the pavement as the hill rises,</p><p>light gathering in the river</p><p>and gradually spreading.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>In The Corridor by Saskia Hamilton</itunes:title>
      <itunes:author>positive creativity podcast, lauren schaffel</itunes:author>
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      <title>A Certain Lady by Dorothy Parker</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p> </p><p>A Certain Lady</p><p>By Dorothy Parker</p><p>Oh, I can smile for you, and tilt my head,</p><p>      And drink your rushing words with eager lips,</p><p>  And paint my mouth for you a fragrant red,</p><p>      And trace your brows with tutored finger-tips.</p><p>  When you rehearse your list of loves to me,</p><p>      Oh, I can laugh and marvel, rapturous-eyed.</p><p>  And you laugh back, nor can you ever see</p><p>      The thousand little deaths my heart has died.</p><p>  And you believe, so well I know my part,</p><p>    That I am gay as morning, light as snow,</p><p>And all the straining things within my heart</p><p>    You'll never know.</p><p> </p><p>Oh, I can laugh and listen, when we meet,</p><p>    And you bring tales of fresh adventurings, —</p><p>Of ladies delicately indiscreet,</p><p>    Of lingering hands, and gently whispered things.</p><p>And you are pleased with me, and strive anew</p><p>    To sing me sagas of your late delights.</p><p>Thus do you want me — marveling, gay, and true,</p><p>    Nor do you see my staring eyes of nights.</p><p>And when, in search of novelty, you stray,</p><p>    Oh, I can kiss you blithely as you go….</p><p>And what goes on, my love, while you're away,</p><p>    You'll never know.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 17 Apr 2020 19:06:26 +0000</pubDate>
      <author>fieldsound@gmail.com (Lucie Fleming)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p> </p><p>A Certain Lady</p><p>By Dorothy Parker</p><p>Oh, I can smile for you, and tilt my head,</p><p>      And drink your rushing words with eager lips,</p><p>  And paint my mouth for you a fragrant red,</p><p>      And trace your brows with tutored finger-tips.</p><p>  When you rehearse your list of loves to me,</p><p>      Oh, I can laugh and marvel, rapturous-eyed.</p><p>  And you laugh back, nor can you ever see</p><p>      The thousand little deaths my heart has died.</p><p>  And you believe, so well I know my part,</p><p>    That I am gay as morning, light as snow,</p><p>And all the straining things within my heart</p><p>    You'll never know.</p><p> </p><p>Oh, I can laugh and listen, when we meet,</p><p>    And you bring tales of fresh adventurings, —</p><p>Of ladies delicately indiscreet,</p><p>    Of lingering hands, and gently whispered things.</p><p>And you are pleased with me, and strive anew</p><p>    To sing me sagas of your late delights.</p><p>Thus do you want me — marveling, gay, and true,</p><p>    Nor do you see my staring eyes of nights.</p><p>And when, in search of novelty, you stray,</p><p>    Oh, I can kiss you blithely as you go….</p><p>And what goes on, my love, while you're away,</p><p>    You'll never know.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>A Certain Lady by Dorothy Parker</itunes:title>
      <itunes:author>Lucie Fleming</itunes:author>
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      <title>All My Pretty Ones by Anne Sexton</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>All My Pretty Ones</p><p>By Anne Sexton</p><p>Father, this year’s jinx rides us apart</p><p>where you followed our mother to her cold slumber;</p><p>a second shock boiling its stone to your heart,  </p><p>leaving me here to shuffle and disencumber  </p><p>you from the residence you could not afford:  </p><p>a gold key, your half of a woolen mill,</p><p>twenty suits from Dunne’s, an English Ford,  </p><p>the love and legal verbiage of another will,  </p><p>boxes of pictures of people I do not know.</p><p>I touch their cardboard faces. They must go.</p><p> </p><p>But the eyes, as thick as wood in this album,  </p><p>hold me. I stop here, where a small boy</p><p>waits in a ruffled dress for someone to come ...  </p><p>for this soldier who holds his bugle like a toy  </p><p>or for this velvet lady who cannot smile.  </p><p>Is this your father’s father, this commodore</p><p>in a mailman suit? My father, time meanwhile  </p><p>has made it unimportant who you are looking for.  </p><p>I’ll never know what these faces are all about.  </p><p>I lock them into their book and throw them out.</p><p> </p><p>This is the yellow scrapbook that you began</p><p>the year I was born; as crackling now and wrinkly  </p><p>as tobacco leaves: clippings where Hoover outran  </p><p>the Democrats, wiggling his dry finger at me</p><p>and Prohibition; news where the Hindenburg went  </p><p>down and recent years where you went flush  </p><p>on war. This year, solvent but sick, you meant  </p><p>to marry that pretty widow in a one-month rush.  </p><p>But before you had that second chance, I cried  </p><p>on your fat shoulder. Three days later you died.</p><p> </p><p>These are the snapshots of marriage, stopped in places.  </p><p>Side by side at the rail toward Nassau now;</p><p>here, with the winner’s cup at the speedboat races,  </p><p>here, in tails at the Cotillion, you take a bow,</p><p>here, by our kennel of dogs with their pink eyes,  </p><p>running like show-bred pigs in their chain-link pen;  </p><p>here, at the horseshow where my sister wins a prize;  </p><p>and here, standing like a duke among groups of men.  </p><p>Now I fold you down, my drunkard, my navigator,  </p><p>my first lost keeper, to love or look at later.</p><p> </p><p>I hold a five-year diary that my mother kept  </p><p>for three years, telling all she does not say  </p><p>of your alcoholic tendency. You overslept,</p><p>she writes. My God, father, each Christmas Day  </p><p>with your blood, will I drink down your glass  </p><p>of wine? The diary of your hurly-burly years  </p><p>goes to my shelf to wait for my age to pass.  </p><p>Only in this hoarded span will love persevere.  </p><p>Whether you are pretty or not, I outlive you,</p><p>bend down my strange face to yours and forgive you.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Sun, 12 Apr 2020 19:40:04 +0000</pubDate>
      <author>fieldsound@gmail.com (alison chace, pink wisdom, anne sexton)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>All My Pretty Ones</p><p>By Anne Sexton</p><p>Father, this year’s jinx rides us apart</p><p>where you followed our mother to her cold slumber;</p><p>a second shock boiling its stone to your heart,  </p><p>leaving me here to shuffle and disencumber  </p><p>you from the residence you could not afford:  </p><p>a gold key, your half of a woolen mill,</p><p>twenty suits from Dunne’s, an English Ford,  </p><p>the love and legal verbiage of another will,  </p><p>boxes of pictures of people I do not know.</p><p>I touch their cardboard faces. They must go.</p><p> </p><p>But the eyes, as thick as wood in this album,  </p><p>hold me. I stop here, where a small boy</p><p>waits in a ruffled dress for someone to come ...  </p><p>for this soldier who holds his bugle like a toy  </p><p>or for this velvet lady who cannot smile.  </p><p>Is this your father’s father, this commodore</p><p>in a mailman suit? My father, time meanwhile  </p><p>has made it unimportant who you are looking for.  </p><p>I’ll never know what these faces are all about.  </p><p>I lock them into their book and throw them out.</p><p> </p><p>This is the yellow scrapbook that you began</p><p>the year I was born; as crackling now and wrinkly  </p><p>as tobacco leaves: clippings where Hoover outran  </p><p>the Democrats, wiggling his dry finger at me</p><p>and Prohibition; news where the Hindenburg went  </p><p>down and recent years where you went flush  </p><p>on war. This year, solvent but sick, you meant  </p><p>to marry that pretty widow in a one-month rush.  </p><p>But before you had that second chance, I cried  </p><p>on your fat shoulder. Three days later you died.</p><p> </p><p>These are the snapshots of marriage, stopped in places.  </p><p>Side by side at the rail toward Nassau now;</p><p>here, with the winner’s cup at the speedboat races,  </p><p>here, in tails at the Cotillion, you take a bow,</p><p>here, by our kennel of dogs with their pink eyes,  </p><p>running like show-bred pigs in their chain-link pen;  </p><p>here, at the horseshow where my sister wins a prize;  </p><p>and here, standing like a duke among groups of men.  </p><p>Now I fold you down, my drunkard, my navigator,  </p><p>my first lost keeper, to love or look at later.</p><p> </p><p>I hold a five-year diary that my mother kept  </p><p>for three years, telling all she does not say  </p><p>of your alcoholic tendency. You overslept,</p><p>she writes. My God, father, each Christmas Day  </p><p>with your blood, will I drink down your glass  </p><p>of wine? The diary of your hurly-burly years  </p><p>goes to my shelf to wait for my age to pass.  </p><p>Only in this hoarded span will love persevere.  </p><p>Whether you are pretty or not, I outlive you,</p><p>bend down my strange face to yours and forgive you.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>All My Pretty Ones by Anne Sexton</itunes:title>
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      <itunes:summary>Read by Alison Chace</itunes:summary>
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      <title>Waiting by Raymond Carver</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Waiting</p><p>by Raymond Carver</p><p>Left off the highway and</p><p>down the hill. At the</p><p>bottom, hang another left.</p><p>Keep bearing left. The road</p><p>will make a Y. Left again.</p><p>There’s a creek on the left.</p><p>Keep going. Just before</p><p>the road ends, there’ll be</p><p>another road. Take it</p><p>and no other. Otherwise,</p><p>your life will be ruined</p><p>forever. There’s a log house</p><p>with a shake roof, on the left.</p><p>It’s not that house. It’s</p><p>the next house, just over</p><p>a rise. The house</p><p>where trees are laden with</p><p>fruit. Where phlox, forsythia,</p><p>and marigold grow. It’s</p><p>the house where the woman</p><p>stands in the doorway</p><p>wearing the sun in her hair. The one</p><p>who’s been waiting</p><p>all this time.</p><p>The woman who loves you.</p><p>The one who can say,</p><p>“What’s kept you?”</p><p> </p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Sat, 11 Apr 2020 17:52:12 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Waiting</p><p>by Raymond Carver</p><p>Left off the highway and</p><p>down the hill. At the</p><p>bottom, hang another left.</p><p>Keep bearing left. The road</p><p>will make a Y. Left again.</p><p>There’s a creek on the left.</p><p>Keep going. Just before</p><p>the road ends, there’ll be</p><p>another road. Take it</p><p>and no other. Otherwise,</p><p>your life will be ruined</p><p>forever. There’s a log house</p><p>with a shake roof, on the left.</p><p>It’s not that house. It’s</p><p>the next house, just over</p><p>a rise. The house</p><p>where trees are laden with</p><p>fruit. Where phlox, forsythia,</p><p>and marigold grow. It’s</p><p>the house where the woman</p><p>stands in the doorway</p><p>wearing the sun in her hair. The one</p><p>who’s been waiting</p><p>all this time.</p><p>The woman who loves you.</p><p>The one who can say,</p><p>“What’s kept you?”</p><p> </p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Waiting by Raymond Carver</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:summary>Read by Jonathan Cotton</itunes:summary>
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      <title>This Morning by Charles Simic</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>This Morning</p><p>by Charles Simic </p><p>Enter without knocking, hard-working ant.</p><p>I'm just sitting here mulling over</p><p>What to do this dark, overcast day?</p><p>It was a night of the radio turned down low,</p><p>Fitful sleep, vague, troubling dreams.</p><p>I woke up lovesick and confused.</p><p>I thought I heard Estella in the garden singing</p><p>And some bird answering her,</p><p>But it was the rain. Dark tree tops swaying</p><p>And whispering. "Come to me my desire,"</p><p>I said. And she came to me by and by,</p><p>Her breath smelling of mint, her tongue</p><p>Wetting my cheek, and then she vanished.</p><p>Slowly day came, a gray streak of daylight</p><p>To bathe my hands and face in.</p><p>Hours passed, and then you crawled</p><p>Under the door, and stopped before me.</p><p>You visit the same tailors the mourners do,</p><p>Mr. Ant. I like the silence between us,</p><p>The quiet--that holy state even the rain</p><p>Knows about. Listen to her begin to fall,</p><p>As if with eyes closed,</p><p>Muting each drop in her wild-beating heart.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 9 Apr 2020 01:21:26 +0000</pubDate>
      <author>fieldsound@gmail.com (writ large, lyceum)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>This Morning</p><p>by Charles Simic </p><p>Enter without knocking, hard-working ant.</p><p>I'm just sitting here mulling over</p><p>What to do this dark, overcast day?</p><p>It was a night of the radio turned down low,</p><p>Fitful sleep, vague, troubling dreams.</p><p>I woke up lovesick and confused.</p><p>I thought I heard Estella in the garden singing</p><p>And some bird answering her,</p><p>But it was the rain. Dark tree tops swaying</p><p>And whispering. "Come to me my desire,"</p><p>I said. And she came to me by and by,</p><p>Her breath smelling of mint, her tongue</p><p>Wetting my cheek, and then she vanished.</p><p>Slowly day came, a gray streak of daylight</p><p>To bathe my hands and face in.</p><p>Hours passed, and then you crawled</p><p>Under the door, and stopped before me.</p><p>You visit the same tailors the mourners do,</p><p>Mr. Ant. I like the silence between us,</p><p>The quiet--that holy state even the rain</p><p>Knows about. Listen to her begin to fall,</p><p>As if with eyes closed,</p><p>Muting each drop in her wild-beating heart.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>This Morning by Charles Simic</itunes:title>
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      <itunes:summary>Read by Tom Lloyd</itunes:summary>
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      <title>Upon Nothing by John Wilmot Earl of Rochester</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Upon Nothing</p><p>BY JOHN WILMOT EARL OF ROCHESTER</p><p>Nothing! thou elder brother even to Shade:</p><p>That hadst a being ere the world was made,</p><p>And well fixed, art alone of ending not afraid.</p><p> </p><p>Ere Time and Place were, Time and Place were not,</p><p>When primitive Nothing Something straight begot;</p><p>Then all proceeded from the great united What.</p><p> </p><p>Something, the general attribute of all,</p><p>Severed from thee, its sole original,</p><p>Into thy boundless self must undistinguished fall;</p><p> </p><p>Yet Something did thy mighty power command,</p><p>And from fruitful Emptiness’s hand</p><p>Snatched men, beasts, birds, fire, air, and land.</p><p> </p><p>Matter the wicked’st offspring of thy race,</p><p>By Form assisted, flew from thy embrace,</p><p>And rebel Light obscured thy reverend dusky face.</p><p> </p><p>With Form and Matter, Time and Place did join;</p><p>Body, thy foe, with these did leagues combine</p><p>To spoil thy peaceful realm, and ruin all thy line;</p><p> </p><p>But turncoat Time assists the foe in vain,</p><p>And bribed by thee, destroys their short-lived reign,</p><p>And to thy hungry womb drives back thy slaves again.</p><p> </p><p>Though mysteries are barred from laic eyes,</p><p>And the divine alone with warrant pries</p><p>Into thy bosom, where truth in private lies,</p><p> </p><p>Yet this of thee the wise may truly say,</p><p>Thou from the virtuous nothing dost delay,</p><p>And to be part with thee the wicked wisely pray.</p><p> </p><p>Great Negative, how vainly would the wise</p><p>Inquire, define, distinguish, teach, devise,</p><p>Didst thou not stand to point their blind philosophies!</p><p> </p><p>Is, or Is Not, the two great ends of Fate,</p><p>And True or False, the subject of debate,</p><p>That perfect or destroy the vast designs of state—</p><p> </p><p>When they have racked the politician’s breast,</p><p>Within thy Bosom most securely rest,</p><p>And when reduced to thee, are least unsafe and best.</p><p> </p><p>But Nothing, why does Something still permit</p><p>That sacred monarchs should at council sit</p><p>With persons highly thought at best for nothing fit,</p><p> </p><p>While weighty Something modestly abstains</p><p>From princes’ coffers, and from statemen’s brains,</p><p>And Nothing there like stately Nothing reigns?</p><p> </p><p>Nothing! who dwell’st with fools in grave disguise</p><p>For whom they reverend shapes and forms devise,</p><p>Lawn sleeves, and furs, and gowns, when they like thee look wise:</p><p> </p><p>French truth, Dutch prowess, British policy,</p><p>Hibernian learning, Scotch civility,</p><p>Spaniards’ dispatch, Danes’ wit are mainly seen in thee.</p><p> </p><p>The great man’s gratitude to his best friend,</p><p>Kings’ promises, whores’ vows—towards thee may bend,</p><p>Flow swiftly into thee, and in thee ever end.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Wed, 1 Apr 2020 16:27:55 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Upon Nothing</p><p>BY JOHN WILMOT EARL OF ROCHESTER</p><p>Nothing! thou elder brother even to Shade:</p><p>That hadst a being ere the world was made,</p><p>And well fixed, art alone of ending not afraid.</p><p> </p><p>Ere Time and Place were, Time and Place were not,</p><p>When primitive Nothing Something straight begot;</p><p>Then all proceeded from the great united What.</p><p> </p><p>Something, the general attribute of all,</p><p>Severed from thee, its sole original,</p><p>Into thy boundless self must undistinguished fall;</p><p> </p><p>Yet Something did thy mighty power command,</p><p>And from fruitful Emptiness’s hand</p><p>Snatched men, beasts, birds, fire, air, and land.</p><p> </p><p>Matter the wicked’st offspring of thy race,</p><p>By Form assisted, flew from thy embrace,</p><p>And rebel Light obscured thy reverend dusky face.</p><p> </p><p>With Form and Matter, Time and Place did join;</p><p>Body, thy foe, with these did leagues combine</p><p>To spoil thy peaceful realm, and ruin all thy line;</p><p> </p><p>But turncoat Time assists the foe in vain,</p><p>And bribed by thee, destroys their short-lived reign,</p><p>And to thy hungry womb drives back thy slaves again.</p><p> </p><p>Though mysteries are barred from laic eyes,</p><p>And the divine alone with warrant pries</p><p>Into thy bosom, where truth in private lies,</p><p> </p><p>Yet this of thee the wise may truly say,</p><p>Thou from the virtuous nothing dost delay,</p><p>And to be part with thee the wicked wisely pray.</p><p> </p><p>Great Negative, how vainly would the wise</p><p>Inquire, define, distinguish, teach, devise,</p><p>Didst thou not stand to point their blind philosophies!</p><p> </p><p>Is, or Is Not, the two great ends of Fate,</p><p>And True or False, the subject of debate,</p><p>That perfect or destroy the vast designs of state—</p><p> </p><p>When they have racked the politician’s breast,</p><p>Within thy Bosom most securely rest,</p><p>And when reduced to thee, are least unsafe and best.</p><p> </p><p>But Nothing, why does Something still permit</p><p>That sacred monarchs should at council sit</p><p>With persons highly thought at best for nothing fit,</p><p> </p><p>While weighty Something modestly abstains</p><p>From princes’ coffers, and from statemen’s brains,</p><p>And Nothing there like stately Nothing reigns?</p><p> </p><p>Nothing! who dwell’st with fools in grave disguise</p><p>For whom they reverend shapes and forms devise,</p><p>Lawn sleeves, and furs, and gowns, when they like thee look wise:</p><p> </p><p>French truth, Dutch prowess, British policy,</p><p>Hibernian learning, Scotch civility,</p><p>Spaniards’ dispatch, Danes’ wit are mainly seen in thee.</p><p> </p><p>The great man’s gratitude to his best friend,</p><p>Kings’ promises, whores’ vows—towards thee may bend,</p><p>Flow swiftly into thee, and in thee ever end.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>De Profundis by Georg Trakl</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>De Profundis</p><p>by </p><p>Georg Trakl</p><p> </p><p>It is a stubble-field where black rain falls.</p><p>It is a dark-brown tree that stands alone.</p><p>It is a soughing wind that swirls round empty huts –</p><p>How dismal this evening.</p><p> </p><p>Passing the hamlet</p><p>The gentle orphan girl still gathers scanty ears of corn.</p><p>Round and golden her eyes feast on the gathering dusk,</p><p>Her lap yearning for the heavenly bridegroom.</p><p> </p><p>On their way home</p><p>The shepherds found the darling body</p><p>Rotting in the briers.</p><p> </p><p>I am a shadow far from desolate villages.</p><p>God’s silence</p><p>I drank from the springs of the grove.</p><p> </p><p>Cold metal meets my temples.</p><p>Spiders seek out my heart.</p><p>There is a light that guts in my mouth.</p><p> </p><p>At night I found myself on a heath,</p><p>Stiffening with dirt and dust from the stars.</p><p>In the thicket of hazels</p><p>Crystal angels once more sounded.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 31 Mar 2020 20:50:28 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>De Profundis</p><p>by </p><p>Georg Trakl</p><p> </p><p>It is a stubble-field where black rain falls.</p><p>It is a dark-brown tree that stands alone.</p><p>It is a soughing wind that swirls round empty huts –</p><p>How dismal this evening.</p><p> </p><p>Passing the hamlet</p><p>The gentle orphan girl still gathers scanty ears of corn.</p><p>Round and golden her eyes feast on the gathering dusk,</p><p>Her lap yearning for the heavenly bridegroom.</p><p> </p><p>On their way home</p><p>The shepherds found the darling body</p><p>Rotting in the briers.</p><p> </p><p>I am a shadow far from desolate villages.</p><p>God’s silence</p><p>I drank from the springs of the grove.</p><p> </p><p>Cold metal meets my temples.</p><p>Spiders seek out my heart.</p><p>There is a light that guts in my mouth.</p><p> </p><p>At night I found myself on a heath,</p><p>Stiffening with dirt and dust from the stars.</p><p>In the thicket of hazels</p><p>Crystal angels once more sounded.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>De Profundis by Georg Trakl</itunes:title>
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      <itunes:summary>Read by Alexander Pieter Walsh</itunes:summary>
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      <title>The Applicant by Sylvia Plath</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>The Applicant<br />BY SYLVIA PLATH<br />First, are you our sort of a person?<br />Do you wear<br />A glass eye, false teeth or a crutch,<br />A brace or a hook,<br />Rubber breasts or a rubber crotch,</p><p>Stitches to show something's missing? No, no? Then<br />How can we give you a thing?<br />Stop crying.<br />Open your hand.<br />Empty? Empty. Here is a hand</p><p>To fill it and willing<br />To bring teacups and roll away headaches<br />And do whatever you tell it.<br />Will you marry it?<br />It is guaranteed</p><p>To thumb shut your eyes at the end<br />And dissolve of sorrow.<br />We make new stock from the salt.<br />I notice you are stark naked.<br />How about this suit——</p><p>Black and stiff, but not a bad fit.<br />Will you marry it?<br />It is waterproof, shatterproof, proof<br />Against fire and bombs through the roof.<br />Believe me, they'll bury you in it.</p><p>Now your head, excuse me, is empty.<br />I have the ticket for that.<br />Come here, sweetie, out of the closet.<br />Well, what do you think of that?<br />Naked as paper to start</p><p>But in twenty-five years she'll be silver,<br />In fifty, gold.<br />A living doll, everywhere you look.<br />It can sew, it can cook,<br />It can talk, talk, talk.</p><p>It works, there is nothing wrong with it.<br />You have a hole, it's a poultice.<br />You have an eye, it's an image.<br />My boy, it's your last resort.<br />Will you marry it, marry it, marry it.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 26 Mar 2020 17:28:36 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>The Applicant<br />BY SYLVIA PLATH<br />First, are you our sort of a person?<br />Do you wear<br />A glass eye, false teeth or a crutch,<br />A brace or a hook,<br />Rubber breasts or a rubber crotch,</p><p>Stitches to show something's missing? No, no? Then<br />How can we give you a thing?<br />Stop crying.<br />Open your hand.<br />Empty? Empty. Here is a hand</p><p>To fill it and willing<br />To bring teacups and roll away headaches<br />And do whatever you tell it.<br />Will you marry it?<br />It is guaranteed</p><p>To thumb shut your eyes at the end<br />And dissolve of sorrow.<br />We make new stock from the salt.<br />I notice you are stark naked.<br />How about this suit——</p><p>Black and stiff, but not a bad fit.<br />Will you marry it?<br />It is waterproof, shatterproof, proof<br />Against fire and bombs through the roof.<br />Believe me, they'll bury you in it.</p><p>Now your head, excuse me, is empty.<br />I have the ticket for that.<br />Come here, sweetie, out of the closet.<br />Well, what do you think of that?<br />Naked as paper to start</p><p>But in twenty-five years she'll be silver,<br />In fifty, gold.<br />A living doll, everywhere you look.<br />It can sew, it can cook,<br />It can talk, talk, talk.</p><p>It works, there is nothing wrong with it.<br />You have a hole, it's a poultice.<br />You have an eye, it's an image.<br />My boy, it's your last resort.<br />Will you marry it, marry it, marry it.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>For Love by Robert Creeley</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>For Love</p><p>by Robert Creeley</p><p><i>for Bobbie</i></p><p>Yesterday I wanted to</p><p>speak of it, that sense above  </p><p>the others to me</p><p>important because all</p><p>that I know derives</p><p>from what it teaches me.  </p><p>Today, what is it that  </p><p>is finally so helpless,</p><p>different, despairs of its own  </p><p>statement, wants to</p><p>turn away, endlessly</p><p>to turn away.</p><p>If the moon did not ...</p><p>no, if you did not</p><p>I wouldn’t either, but  </p><p>what would I not</p><p>do, what prevention, what  </p><p>thing so quickly stopped.  </p><p>That is love yesterday  </p><p>or tomorrow, not</p><p>now. Can I eat</p><p>what you give me. I</p><p>have not earned it. Must  </p><p>I think of everything</p><p>as earned. Now love also  </p><p>becomes a reward so</p><p>remote from me I have</p><p>only made it with my mind.</p><p>Here is tedium,</p><p>despair, a painful</p><p>sense of isolation and  </p><p>whimsical if pompous</p><p>self-regard. But that image  </p><p>is only of the mind’s</p><p>vague structure, vague to me  </p><p>because it is my own.</p><p>Love, what do I think</p><p>to say. I cannot say it.</p><p>What have you become to ask,  </p><p>what have I made you into,</p><p>companion, good company,  </p><p>crossed legs with skirt, or  </p><p>soft body under</p><p>the bones of the bed.</p><p>Nothing says anything  </p><p>but that which it wishes  </p><p>would come true, fears  </p><p>what else might happen in</p><p>some other place, some  </p><p>other time not this one.  </p><p>A voice in my place, an  </p><p>echo of that only in yours.</p><p>Let me stumble into</p><p>not the confession but  </p><p>the obsession I begin with  </p><p>now. For you</p><p>also (also)</p><p>some time beyond place, or  </p><p>place beyond time, no  </p><p>mind left to</p><p>say anything at all,</p><p>that face gone, now.</p><p>Into the company of love  </p><p>it all returns.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 19 Mar 2020 20:27:48 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>For Love</p><p>by Robert Creeley</p><p><i>for Bobbie</i></p><p>Yesterday I wanted to</p><p>speak of it, that sense above  </p><p>the others to me</p><p>important because all</p><p>that I know derives</p><p>from what it teaches me.  </p><p>Today, what is it that  </p><p>is finally so helpless,</p><p>different, despairs of its own  </p><p>statement, wants to</p><p>turn away, endlessly</p><p>to turn away.</p><p>If the moon did not ...</p><p>no, if you did not</p><p>I wouldn’t either, but  </p><p>what would I not</p><p>do, what prevention, what  </p><p>thing so quickly stopped.  </p><p>That is love yesterday  </p><p>or tomorrow, not</p><p>now. Can I eat</p><p>what you give me. I</p><p>have not earned it. Must  </p><p>I think of everything</p><p>as earned. Now love also  </p><p>becomes a reward so</p><p>remote from me I have</p><p>only made it with my mind.</p><p>Here is tedium,</p><p>despair, a painful</p><p>sense of isolation and  </p><p>whimsical if pompous</p><p>self-regard. But that image  </p><p>is only of the mind’s</p><p>vague structure, vague to me  </p><p>because it is my own.</p><p>Love, what do I think</p><p>to say. I cannot say it.</p><p>What have you become to ask,  </p><p>what have I made you into,</p><p>companion, good company,  </p><p>crossed legs with skirt, or  </p><p>soft body under</p><p>the bones of the bed.</p><p>Nothing says anything  </p><p>but that which it wishes  </p><p>would come true, fears  </p><p>what else might happen in</p><p>some other place, some  </p><p>other time not this one.  </p><p>A voice in my place, an  </p><p>echo of that only in yours.</p><p>Let me stumble into</p><p>not the confession but  </p><p>the obsession I begin with  </p><p>now. For you</p><p>also (also)</p><p>some time beyond place, or  </p><p>place beyond time, no  </p><p>mind left to</p><p>say anything at all,</p><p>that face gone, now.</p><p>Into the company of love  </p><p>it all returns.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>All Night, All Night by Delmore Schwartz</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>All Night, All Night</p><p>by Delmore Schwartz</p><p>Rode in the train all night, in the sick light. A bird</p><p>Flew parallel with a singular will. In daydream's moods and</p><p>attitudes</p><p>The other passengers slumped, dozed, slept, read,</p><p>Waiting, and waiting for place to be displaced</p><p>On the exact track of safety or the rack of accident.</p><p> </p><p>Looked out at the night, unable to distinguish</p><p>Lights in the towns of passage from the yellow lights</p><p>Numb on the ceiling. And the bird flew parallel and still</p><p>As the train shot forth the straight line of its whistle,</p><p>Forward on the taut tracks, piercing empty, familiar --</p><p> </p><p>The bored center of this vision and condition looked and</p><p>looked</p><p>Down through the slick pages of the magazine (seeking</p><p>The seen and the unseen) and his gaze fell down the well</p><p>Of the great darkness under the slick glitter,</p><p>And he was only one among eight million riders and</p><p>readers.</p><p> </p><p>And all the while under his empty smile the shaking drum</p><p>Of the long determined passage passed through him</p><p>By his body mimicked and echoed. And then the train</p><p>Like a suddenly storming rain, began to rush and thresh--</p><p>The silent or passive night, pressing and impressing</p><p>The patients' foreheads with a tightening-like image</p><p>Of the rushing engine proceeded by a shaft of light</p><p>Piercing the dark, changing and transforming the silence</p><p>Into a violence of foam, sound, smoke and succession.</p><p> </p><p>A bored child went to get a cup of water,</p><p>And crushed the cup because the water too was</p><p>Boring and merely boredom's struggle.</p><p>The child, returning, looked over the shoulder</p><p>Of a man reading until he annoyed the shoulder.</p><p>A fat woman yawned and felt the liquid drops</p><p>Drip down the fleece of many dinners.</p><p> </p><p>And the bird flew parallel and parallel flew</p><p>The black pencil lines of telephone posts, crucified,</p><p>At regular intervals, post after post</p><p>Of thrice crossed, blue-belled, anonymous trees.</p><p> </p><p>And then the bird cried as if to all of us:</p><p> </p><p>0 your life, your lonely life</p><p>What have you ever done with it,</p><p>And done with the great gift of consciousness?</p><p>What will you ever do with your life before death's</p><p>knife</p><p>Provides the answer ultimate and appropriate?</p><p> </p><p>As I for my part felt in my heart as one who falls,</p><p>Falls in a parachute, falls endlessly, and feel the vast</p><p>Draft of the abyss sucking him down and down,</p><p>An endlessly helplessly falling and appalled clown:</p><p> </p><p>This is the way that night passes by, this</p><p>Is the overnight endless trip to the famous unfathomable</p><p>abyss.</p><p> </p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Sun, 15 Mar 2020 19:37:13 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>All Night, All Night</p><p>by Delmore Schwartz</p><p>Rode in the train all night, in the sick light. A bird</p><p>Flew parallel with a singular will. In daydream's moods and</p><p>attitudes</p><p>The other passengers slumped, dozed, slept, read,</p><p>Waiting, and waiting for place to be displaced</p><p>On the exact track of safety or the rack of accident.</p><p> </p><p>Looked out at the night, unable to distinguish</p><p>Lights in the towns of passage from the yellow lights</p><p>Numb on the ceiling. And the bird flew parallel and still</p><p>As the train shot forth the straight line of its whistle,</p><p>Forward on the taut tracks, piercing empty, familiar --</p><p> </p><p>The bored center of this vision and condition looked and</p><p>looked</p><p>Down through the slick pages of the magazine (seeking</p><p>The seen and the unseen) and his gaze fell down the well</p><p>Of the great darkness under the slick glitter,</p><p>And he was only one among eight million riders and</p><p>readers.</p><p> </p><p>And all the while under his empty smile the shaking drum</p><p>Of the long determined passage passed through him</p><p>By his body mimicked and echoed. And then the train</p><p>Like a suddenly storming rain, began to rush and thresh--</p><p>The silent or passive night, pressing and impressing</p><p>The patients' foreheads with a tightening-like image</p><p>Of the rushing engine proceeded by a shaft of light</p><p>Piercing the dark, changing and transforming the silence</p><p>Into a violence of foam, sound, smoke and succession.</p><p> </p><p>A bored child went to get a cup of water,</p><p>And crushed the cup because the water too was</p><p>Boring and merely boredom's struggle.</p><p>The child, returning, looked over the shoulder</p><p>Of a man reading until he annoyed the shoulder.</p><p>A fat woman yawned and felt the liquid drops</p><p>Drip down the fleece of many dinners.</p><p> </p><p>And the bird flew parallel and parallel flew</p><p>The black pencil lines of telephone posts, crucified,</p><p>At regular intervals, post after post</p><p>Of thrice crossed, blue-belled, anonymous trees.</p><p> </p><p>And then the bird cried as if to all of us:</p><p> </p><p>0 your life, your lonely life</p><p>What have you ever done with it,</p><p>And done with the great gift of consciousness?</p><p>What will you ever do with your life before death's</p><p>knife</p><p>Provides the answer ultimate and appropriate?</p><p> </p><p>As I for my part felt in my heart as one who falls,</p><p>Falls in a parachute, falls endlessly, and feel the vast</p><p>Draft of the abyss sucking him down and down,</p><p>An endlessly helplessly falling and appalled clown:</p><p> </p><p>This is the way that night passes by, this</p><p>Is the overnight endless trip to the famous unfathomable</p><p>abyss.</p><p> </p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>All Night, All Night by Delmore Schwartz</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:summary>Read by Charles Bryant</itunes:summary>
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      <title>The Night Where You No Longer Live by Meghan O&apos;Rourke</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Night Where You No Longer Live</p><p>by Meghan O'Rourke</p><p> </p><p>Was it like lifting a veil</p><p>And was the grass treacherous, the green grass</p><p> </p><p>Did you think of your own mother</p><p> </p><p>Was it like a virus</p><p>Did the software flicker</p><p> </p><p>And was this the beginning</p><p>Was it like that</p><p> </p><p>Was there gas station food</p><p> </p><p>and was it a long trip</p><p> </p><p> </p><p>And is there sun there</p><p>or drones</p><p>or punishment</p><p>or growth</p><p> </p><p> </p><p>Was it a blackout</p><p> </p><p>And did you still create me</p><p>And what was I like on the first day of my life</p><p> </p><p> </p><p>Were we two from the start</p><p>And was our time an entrance</p><p>or an ending</p><p> </p><p> </p><p>Did we stand in the heated room</p><p>Did we look at the painting</p><p> </p><p>Did the snow appear cold</p><p>Were our feet red with it, with the wet snow</p><p> </p><p>And then what were our names</p><p>Did you love me or did I misunderstand</p><p> </p><p>Is it terrible</p><p> </p><p> </p><p>Do you intend to come back</p><p> </p><p>Do you hear the world’s keening</p><p> </p><p>Will you stay the night</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 13 Mar 2020 01:04:44 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Night Where You No Longer Live</p><p>by Meghan O'Rourke</p><p> </p><p>Was it like lifting a veil</p><p>And was the grass treacherous, the green grass</p><p> </p><p>Did you think of your own mother</p><p> </p><p>Was it like a virus</p><p>Did the software flicker</p><p> </p><p>And was this the beginning</p><p>Was it like that</p><p> </p><p>Was there gas station food</p><p> </p><p>and was it a long trip</p><p> </p><p> </p><p>And is there sun there</p><p>or drones</p><p>or punishment</p><p>or growth</p><p> </p><p> </p><p>Was it a blackout</p><p> </p><p>And did you still create me</p><p>And what was I like on the first day of my life</p><p> </p><p> </p><p>Were we two from the start</p><p>And was our time an entrance</p><p>or an ending</p><p> </p><p> </p><p>Did we stand in the heated room</p><p>Did we look at the painting</p><p> </p><p>Did the snow appear cold</p><p>Were our feet red with it, with the wet snow</p><p> </p><p>And then what were our names</p><p>Did you love me or did I misunderstand</p><p> </p><p>Is it terrible</p><p> </p><p> </p><p>Do you intend to come back</p><p> </p><p>Do you hear the world’s keening</p><p> </p><p>Will you stay the night</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>The Night City by W.S. Graham</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>The Night City</p><p>BY W. S. GRAHAM</p><p>Unmet at Euston in a dream</p><p>Of London under Turner’s steam</p><p>Misting the iron gantries, I</p><p>Found myself running away</p><p>From Scotland into the golden city.</p><p> </p><p>I ran down Gray’s Inn Road and ran</p><p>Till I was under a black bridge.</p><p>This was me at nineteen</p><p>Late at night arriving between</p><p>The buildings of the City of London.</p><p> </p><p>And the I (O I have fallen down)</p><p>Fell in my dream beside the Bank</p><p>Of England’s wall to be, me</p><p>With my money belt of Northern ice.</p><p>I found Eliot and he said yes</p><p> </p><p>And sprang into a Holmes cab.</p><p>Boswell passed me in the fog</p><p>Going to visit Whistler who</p><p>Was with John Donne who had just seen</p><p>Paul Potts shouting on Soho Green.</p><p> </p><p>Midnight. I hear the moon</p><p>Light chiming on St Paul’s.</p><p> </p><p>The City is empty. Night</p><p>Watchmen are drinking their tea,</p><p> </p><p>The Fire had burnt out.</p><p>The Plague’s pits had closed</p><p>And gone into literature.</p><p> </p><p>Between the big buildings</p><p>I sat like a flea crouched</p><p>In the stopped works of a watch.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 6 Mar 2020 20:16:25 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>The Night City</p><p>BY W. S. GRAHAM</p><p>Unmet at Euston in a dream</p><p>Of London under Turner’s steam</p><p>Misting the iron gantries, I</p><p>Found myself running away</p><p>From Scotland into the golden city.</p><p> </p><p>I ran down Gray’s Inn Road and ran</p><p>Till I was under a black bridge.</p><p>This was me at nineteen</p><p>Late at night arriving between</p><p>The buildings of the City of London.</p><p> </p><p>And the I (O I have fallen down)</p><p>Fell in my dream beside the Bank</p><p>Of England’s wall to be, me</p><p>With my money belt of Northern ice.</p><p>I found Eliot and he said yes</p><p> </p><p>And sprang into a Holmes cab.</p><p>Boswell passed me in the fog</p><p>Going to visit Whistler who</p><p>Was with John Donne who had just seen</p><p>Paul Potts shouting on Soho Green.</p><p> </p><p>Midnight. I hear the moon</p><p>Light chiming on St Paul’s.</p><p> </p><p>The City is empty. Night</p><p>Watchmen are drinking their tea,</p><p> </p><p>The Fire had burnt out.</p><p>The Plague’s pits had closed</p><p>And gone into literature.</p><p> </p><p>Between the big buildings</p><p>I sat like a flea crouched</p><p>In the stopped works of a watch.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>Mirrors by Jorge Luis Borges</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>              Mirrors</p><p>By Jorge Luis Borges</p><p> </p><p>I have been horrified before all mirrors</p><p>not just before the impenetrable glass,</p><p>the end and the beginning of that space,</p><p>inhabited by nothing but reflections,</p><p> </p><p>but faced with specular water, mirroring</p><p>the other blue within its bottomless sky,</p><p>incised at times by the illusory flight</p><p>of inverted birds, or troubled by a ripple,</p><p> </p><p>or face to face with the unspeaking surface</p><p>of ghostly ebony whose very hardness</p><p>reflects, as if within a dream, the whiteness</p><p>of spectral marble or a spectral rose.</p><p> </p><p>Now, after so many troubling years</p><p>of wandering beneath the wavering moon,</p><p>I ask myself what accident of fortune</p><p>handed to me this terror of all mirrors–</p><p> </p><p>mirrors of metal and the shrouded mirror</p><p>of sheer mahogany which in the twilight</p><p>of its uncertain red softens the face</p><p>that watches and in turn is watched by it.</p><p> </p><p>I look on them as infinite, elemental</p><p>fulfillers of a very ancient pact</p><p>to multiply the world, as in the act</p><p>of generation, sleepless and dangerous.</p><p> </p><p>They extenuate this vain and dubious world</p><p>within the web of their own vertigo.</p><p>Sometimes at evening they are clouded over</p><p>by someone's breath, someone who is not dead.</p><p> </p><p>The glass is watching us. And if a mirror</p><p>hangs somewhere on the four walls of my room,</p><p>I am not alone. There's an other, a reflection</p><p>which in the dawn enacts its own dumb show.</p><p> </p><p>Everything happens, nothing is remembered</p><p>in those dimensioned cabinets of glass</p><p>in which, like rabbits in fantastic stories,</p><p>we read the lines of text from right to left.</p><p> </p><p>Claudius, king for an evening, king in a dream,</p><p>did not know he was a dream until the day</p><p>on which an actor mimed his felony</p><p>with silent artifice, in a tableau.</p><p> </p><p>Strange, that there are dreams, that there are mirrors.</p><p>Strange that the ordinary, worn-out ways</p><p>of every day encompass the imagined</p><p>and endless universe woven by reflections.</p><p> </p><p>God (I've begun to think) implants a promise</p><p>in all that insubstantial architecture</p><p>that makes light out of the impervious surface</p><p>of glass, and makes the shadow out of dreams.</p><p> </p><p>God has created nights well-populated</p><p>with dreams, crowded with mirror images,</p><p>so that man may feel that he is nothing more</p><p>than vain reflection. That's what frightens us.</p><p> </p><p> </p><p>                       Spanish; trans. Alastair Reid</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 28 Feb 2020 18:33:48 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>              Mirrors</p><p>By Jorge Luis Borges</p><p> </p><p>I have been horrified before all mirrors</p><p>not just before the impenetrable glass,</p><p>the end and the beginning of that space,</p><p>inhabited by nothing but reflections,</p><p> </p><p>but faced with specular water, mirroring</p><p>the other blue within its bottomless sky,</p><p>incised at times by the illusory flight</p><p>of inverted birds, or troubled by a ripple,</p><p> </p><p>or face to face with the unspeaking surface</p><p>of ghostly ebony whose very hardness</p><p>reflects, as if within a dream, the whiteness</p><p>of spectral marble or a spectral rose.</p><p> </p><p>Now, after so many troubling years</p><p>of wandering beneath the wavering moon,</p><p>I ask myself what accident of fortune</p><p>handed to me this terror of all mirrors–</p><p> </p><p>mirrors of metal and the shrouded mirror</p><p>of sheer mahogany which in the twilight</p><p>of its uncertain red softens the face</p><p>that watches and in turn is watched by it.</p><p> </p><p>I look on them as infinite, elemental</p><p>fulfillers of a very ancient pact</p><p>to multiply the world, as in the act</p><p>of generation, sleepless and dangerous.</p><p> </p><p>They extenuate this vain and dubious world</p><p>within the web of their own vertigo.</p><p>Sometimes at evening they are clouded over</p><p>by someone's breath, someone who is not dead.</p><p> </p><p>The glass is watching us. And if a mirror</p><p>hangs somewhere on the four walls of my room,</p><p>I am not alone. There's an other, a reflection</p><p>which in the dawn enacts its own dumb show.</p><p> </p><p>Everything happens, nothing is remembered</p><p>in those dimensioned cabinets of glass</p><p>in which, like rabbits in fantastic stories,</p><p>we read the lines of text from right to left.</p><p> </p><p>Claudius, king for an evening, king in a dream,</p><p>did not know he was a dream until the day</p><p>on which an actor mimed his felony</p><p>with silent artifice, in a tableau.</p><p> </p><p>Strange, that there are dreams, that there are mirrors.</p><p>Strange that the ordinary, worn-out ways</p><p>of every day encompass the imagined</p><p>and endless universe woven by reflections.</p><p> </p><p>God (I've begun to think) implants a promise</p><p>in all that insubstantial architecture</p><p>that makes light out of the impervious surface</p><p>of glass, and makes the shadow out of dreams.</p><p> </p><p>God has created nights well-populated</p><p>with dreams, crowded with mirror images,</p><p>so that man may feel that he is nothing more</p><p>than vain reflection. That's what frightens us.</p><p> </p><p> </p><p>                       Spanish; trans. Alastair Reid</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>Crossroads in the Past by John Ashbery</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Crossroads in the Past</p><p>BY JOHN ASHBERY</p><p>That night the wind stirred in the forsythia bushes,</p><p>but it was a wrong one, blowing in the wrong direction.</p><p>“That’s silly. How can there be a wrong direction?</p><p>‘It bloweth where it listeth,’ as you know, just as we do</p><p>when we make love or do something else there are no rules for.”</p><p> </p><p>I tell you, something went wrong there a while back.</p><p>Just don’t ask me what it was. Pretend I’ve dropped the subject.</p><p>No, now you’ve got me interested, I want to know</p><p>exactly what seems wrong to you, how something could</p><p> </p><p>seem wrong to you. In what way do things get to be wrong?</p><p>I’m sitting here dialing my cellphone</p><p>with one hand, digging at some obscure pebbles with my shovel</p><p>with the other. And then something like braids will stand out,</p><p> </p><p>on horsehair cushions. That armchair is really too lugubrious.</p><p>We’ve got to change all the furniture, fumigate the house,</p><p>talk our relationship back to its beginnings. Say, you know</p><p>that’s probably what’s wrong—the beginnings concept, I mean.</p><p>I aver there are no beginnings, though there were perhaps some</p><p>sometime. We’d stopped, to look at the poster the movie theater</p><p> </p><p>had placed freestanding on the sidewalk. The lobby cards</p><p>drew us in. It was afternoon, we found ourselves</p><p>sitting at the end of a row in the balcony; the theater was unexpectedly</p><p>crowded. That was the day we first realized we didn’t fully</p><p>know our names, yours or mine, and we left quietly</p><p>amid the gray snow falling. Twilight had already set in.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 21 Feb 2020 02:31:45 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Crossroads in the Past</p><p>BY JOHN ASHBERY</p><p>That night the wind stirred in the forsythia bushes,</p><p>but it was a wrong one, blowing in the wrong direction.</p><p>“That’s silly. How can there be a wrong direction?</p><p>‘It bloweth where it listeth,’ as you know, just as we do</p><p>when we make love or do something else there are no rules for.”</p><p> </p><p>I tell you, something went wrong there a while back.</p><p>Just don’t ask me what it was. Pretend I’ve dropped the subject.</p><p>No, now you’ve got me interested, I want to know</p><p>exactly what seems wrong to you, how something could</p><p> </p><p>seem wrong to you. In what way do things get to be wrong?</p><p>I’m sitting here dialing my cellphone</p><p>with one hand, digging at some obscure pebbles with my shovel</p><p>with the other. And then something like braids will stand out,</p><p> </p><p>on horsehair cushions. That armchair is really too lugubrious.</p><p>We’ve got to change all the furniture, fumigate the house,</p><p>talk our relationship back to its beginnings. Say, you know</p><p>that’s probably what’s wrong—the beginnings concept, I mean.</p><p>I aver there are no beginnings, though there were perhaps some</p><p>sometime. We’d stopped, to look at the poster the movie theater</p><p> </p><p>had placed freestanding on the sidewalk. The lobby cards</p><p>drew us in. It was afternoon, we found ourselves</p><p>sitting at the end of a row in the balcony; the theater was unexpectedly</p><p>crowded. That was the day we first realized we didn’t fully</p><p>know our names, yours or mine, and we left quietly</p><p>amid the gray snow falling. Twilight had already set in.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>Fears and Scruples by Robert Browning</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Fears and Scruples  (1876)<br />by Robert Browning<br /><br />  Here's my case. Of old I used to love him,<br />    This same unseen friend, before I knew:<br />Dream there was none like him, none above him,—<br />    Wake to hope and trust my dream was true.<br /><br />Loved I not his letters full of beauty?<br />    Not his actions famous far and wide?<br />Absent, he would know I vowed him duty;<br />    Present, he would find me at his side.<br /><br />Pleasant fancy! for I had but letters,<br />    Only knew of actions by hearsay:<br />He himself was busied with my betters;<br />    What of that? My turn must come some day.<br /><br />"Some day" proving—no day! Here's the puzzle.<br />    Passed and passed my turn is. Why complain?<br />He's so busied! If I could but muzzle<br />    People's foolish mouths that give me pain!<br /><br />"Letters?" (hear them!) "You a judge of writing?<br />    Ask the experts! How they shake the head<br />O'er these characters, your friend's inditing—<br />    Call them forgery from A to Z!<br /><br />"Actions? Where's your certain proof" (they bother)<br />    "He, of all you find so great and good,<br />He, he only, claims this, that, the other<br />    Action—claimed by men, a multitude?"<br /><br />I can simply wish I might refute you,<br />    Wish my friend would,—by a word, a wink,—<br />Bid me stop that foolish mouth,—you brute you!<br />    He keeps absent,—why, I cannot think.<br /><br />Never mind! Though foolishness may flout me,<br />    One thing's sure enough: 'tis neither frost,<br />No, nor fire, shall freeze or burn from out me<br />    Thanks for truth—though falsehood, gained—though lost.<br /><br />All my days, I'll go the softlier, sadlier,<br />    For that dream's sake! How forget the thrill<br />Through and through me as I thought "The gladlier<br />    Lives my friend because I love him still!"<br /><br />Ah, but there's a menace some one utters!<br />    "What and if your friend at home play tricks<br />Peep at hide-and-seek behind the shutters?<br />    Mean your eyes should pierce through solid bricks?<br /><br />"What and if he, frowning, wake you, dreamy?<br />    Lay on you the blame that bricks—conceal?<br />Say 'At least I saw who did not see me,<br />    Does see now, and presently shall feel'?"<br /><br />"Why, that makes your friend a monster!" say you:<br />    "Had his house no window? At first nod,<br />Would you not have hailed him?" Hush, I pray you!<br />    What if this friend happen to be—God?</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Sun, 16 Feb 2020 03:48:46 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>Fears and Scruples  (1876)<br />by Robert Browning<br /><br />  Here's my case. Of old I used to love him,<br />    This same unseen friend, before I knew:<br />Dream there was none like him, none above him,—<br />    Wake to hope and trust my dream was true.<br /><br />Loved I not his letters full of beauty?<br />    Not his actions famous far and wide?<br />Absent, he would know I vowed him duty;<br />    Present, he would find me at his side.<br /><br />Pleasant fancy! for I had but letters,<br />    Only knew of actions by hearsay:<br />He himself was busied with my betters;<br />    What of that? My turn must come some day.<br /><br />"Some day" proving—no day! Here's the puzzle.<br />    Passed and passed my turn is. Why complain?<br />He's so busied! If I could but muzzle<br />    People's foolish mouths that give me pain!<br /><br />"Letters?" (hear them!) "You a judge of writing?<br />    Ask the experts! How they shake the head<br />O'er these characters, your friend's inditing—<br />    Call them forgery from A to Z!<br /><br />"Actions? Where's your certain proof" (they bother)<br />    "He, of all you find so great and good,<br />He, he only, claims this, that, the other<br />    Action—claimed by men, a multitude?"<br /><br />I can simply wish I might refute you,<br />    Wish my friend would,—by a word, a wink,—<br />Bid me stop that foolish mouth,—you brute you!<br />    He keeps absent,—why, I cannot think.<br /><br />Never mind! Though foolishness may flout me,<br />    One thing's sure enough: 'tis neither frost,<br />No, nor fire, shall freeze or burn from out me<br />    Thanks for truth—though falsehood, gained—though lost.<br /><br />All my days, I'll go the softlier, sadlier,<br />    For that dream's sake! How forget the thrill<br />Through and through me as I thought "The gladlier<br />    Lives my friend because I love him still!"<br /><br />Ah, but there's a menace some one utters!<br />    "What and if your friend at home play tricks<br />Peep at hide-and-seek behind the shutters?<br />    Mean your eyes should pierce through solid bricks?<br /><br />"What and if he, frowning, wake you, dreamy?<br />    Lay on you the blame that bricks—conceal?<br />Say 'At least I saw who did not see me,<br />    Does see now, and presently shall feel'?"<br /><br />"Why, that makes your friend a monster!" say you:<br />    "Had his house no window? At first nod,<br />Would you not have hailed him?" Hush, I pray you!<br />    What if this friend happen to be—God?</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>Crossing Brooklyn Ferry by Walt Whitman</title>
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      <pubDate>Tue, 4 Feb 2020 21:27:29 +0000</pubDate>
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      <title>One Night in Balthazar by Fanny Howe</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>One Night in Balthazar</p><p>By Fanny Howe</p><p> </p><p>The hotel bar downstairs</p><p>was dirty and dark and almost empty</p><p>except for him whom I didn’t know</p><p> </p><p>I lost my balance</p><p>because evil is aroused by absence</p><p> </p><p> </p><p>Outside on the island</p><p>a brick city had grown up and old</p><p> </p><p>A person could only nibble on its shadows</p><p> </p><p> </p><p>Where was my beloved?</p><p> </p><p>The cornerstone was familiar</p><p>but unrecognizable</p><p>and I didn’t understand why infinity</p><p> </p><p>was seeping into my hair</p><p> </p><p> </p><p> </p><p>Somebody said:</p><p>“He’s out of his bottle”</p><p> </p><p>I guess it meant</p><p>Temporarily out of service and empty.</p><p> </p><p>But then there was Arsene</p><p>beside the last remaining cabin</p><p>wandering with his eyes on the camera</p><p> </p><p> </p><p>Dynamite in his pocket</p><p>and a piece of thread</p><p> </p><p>to trap a rabbit.</p><p> </p><p> </p><p>Evil is a growing thing</p><p>It has its own gravity</p><p>and never answers to its name</p><p>It is a hole into chaos. It is real</p><p> </p><p>Arsene held me in his arms</p><p>He was drunk as usual</p><p>and his nipple smelled of rum</p><p> </p><p>But still I loved him—</p><p>loved him madly!—</p><p>as if he was the one</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 28 Jan 2020 23:49:00 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>One Night in Balthazar</p><p>By Fanny Howe</p><p> </p><p>The hotel bar downstairs</p><p>was dirty and dark and almost empty</p><p>except for him whom I didn’t know</p><p> </p><p>I lost my balance</p><p>because evil is aroused by absence</p><p> </p><p> </p><p>Outside on the island</p><p>a brick city had grown up and old</p><p> </p><p>A person could only nibble on its shadows</p><p> </p><p> </p><p>Where was my beloved?</p><p> </p><p>The cornerstone was familiar</p><p>but unrecognizable</p><p>and I didn’t understand why infinity</p><p> </p><p>was seeping into my hair</p><p> </p><p> </p><p> </p><p>Somebody said:</p><p>“He’s out of his bottle”</p><p> </p><p>I guess it meant</p><p>Temporarily out of service and empty.</p><p> </p><p>But then there was Arsene</p><p>beside the last remaining cabin</p><p>wandering with his eyes on the camera</p><p> </p><p> </p><p>Dynamite in his pocket</p><p>and a piece of thread</p><p> </p><p>to trap a rabbit.</p><p> </p><p> </p><p>Evil is a growing thing</p><p>It has its own gravity</p><p>and never answers to its name</p><p>It is a hole into chaos. It is real</p><p> </p><p>Arsene held me in his arms</p><p>He was drunk as usual</p><p>and his nipple smelled of rum</p><p> </p><p>But still I loved him—</p><p>loved him madly!—</p><p>as if he was the one</p>
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      <title>Unlit Matches by Rye Tippett</title>
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      <pubDate>Tue, 21 Jan 2020 20:36:14 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
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      <title>A Terror is More Certain by Bob Kaufman</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><h1>A Terror is More Certain . . .</h1><p>BY <a href="https://www.poetryfoundation.org/poets/bob-kaufman">BOB KAUFMAN</a></p><p>A terror is more certain than all the rare desirable popular songs I<br />know, than even now when all of my myths have become . . . , & walk<br />around in black shiny galoshes & carry dirty laundry to & fro, & read<br />great books & don’t know criminals intimately, & publish fat books of<br />the month & have wifeys that are lousy in bed & never realize how<br />bad my writing is because i am poor & symbolize myself.<br /><br />A certain desirable is more terror to me than all that’s rare. How<br />come they don’t give an academic award to all the movie stars that<br />die? they’re still acting, ain’t they? even if they are dead, it should<br />not be held against them, after all they still have the public on their<br />side, how would you like to be a dead movie star & have people sit-<br />ting on your grave?<br /><br />A rare me is more certain than desirable, that’s all the terror, there<br />are too many basketball players in this world & too much progress<br />in the burial industry, lets have old fashioned funerals & stand<br />around & forgive & borrow wet handkerchiefs, & sneak out for<br />drinks & help load the guy into the wagon, & feel sad & make a<br />date with the widow & believe we don’t see all of the people sink-<br />ing into the subways going to basketball games & designing baby<br />sitters at Madison Square Garden.<br /><br />A certain me is desirable, what is so rare as air in a Poem, why can’t<br />i write a foreign movie like all the other boys my age, I confess to all<br />the crimes committed during the month of April, but not to save<br />my own neck, which is adjustable, & telescopes into any size noose,<br />I’m doing it to save Gertrude Stein’s reputation, who is secretly<br />flying model airplanes for the underground railroad stern gang of<br />oz, & is the favorite in all the bouts . . . not officially opened yet<br />Holland tunnel is the one who writes untrue phone numbers.<br /><br />A desirable poem is more rare than rare, & terror is certain, who<br />wants to be a poet & work a twenty four hour shift, they never ask<br />you first, who wants to listen to the radiator play string quartets all<br />night. I want to be allowed not to be, suppose a man wants to<br />swing on the kiddie swings, should people be allowed to stab him<br />with queer looks & drag him off to bed & its no fun on top of a<br />lady when her hair is full of shiny little machines & your ass<br />reflected in that television screen, who wants to be a poet if you<br />fuck on t.v. & all those cowboys watching.</p><p><br /> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 13 Jan 2020 16:33:18 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><h1>A Terror is More Certain . . .</h1><p>BY <a href="https://www.poetryfoundation.org/poets/bob-kaufman">BOB KAUFMAN</a></p><p>A terror is more certain than all the rare desirable popular songs I<br />know, than even now when all of my myths have become . . . , & walk<br />around in black shiny galoshes & carry dirty laundry to & fro, & read<br />great books & don’t know criminals intimately, & publish fat books of<br />the month & have wifeys that are lousy in bed & never realize how<br />bad my writing is because i am poor & symbolize myself.<br /><br />A certain desirable is more terror to me than all that’s rare. How<br />come they don’t give an academic award to all the movie stars that<br />die? they’re still acting, ain’t they? even if they are dead, it should<br />not be held against them, after all they still have the public on their<br />side, how would you like to be a dead movie star & have people sit-<br />ting on your grave?<br /><br />A rare me is more certain than desirable, that’s all the terror, there<br />are too many basketball players in this world & too much progress<br />in the burial industry, lets have old fashioned funerals & stand<br />around & forgive & borrow wet handkerchiefs, & sneak out for<br />drinks & help load the guy into the wagon, & feel sad & make a<br />date with the widow & believe we don’t see all of the people sink-<br />ing into the subways going to basketball games & designing baby<br />sitters at Madison Square Garden.<br /><br />A certain me is desirable, what is so rare as air in a Poem, why can’t<br />i write a foreign movie like all the other boys my age, I confess to all<br />the crimes committed during the month of April, but not to save<br />my own neck, which is adjustable, & telescopes into any size noose,<br />I’m doing it to save Gertrude Stein’s reputation, who is secretly<br />flying model airplanes for the underground railroad stern gang of<br />oz, & is the favorite in all the bouts . . . not officially opened yet<br />Holland tunnel is the one who writes untrue phone numbers.<br /><br />A desirable poem is more rare than rare, & terror is certain, who<br />wants to be a poet & work a twenty four hour shift, they never ask<br />you first, who wants to listen to the radiator play string quartets all<br />night. I want to be allowed not to be, suppose a man wants to<br />swing on the kiddie swings, should people be allowed to stab him<br />with queer looks & drag him off to bed & its no fun on top of a<br />lady when her hair is full of shiny little machines & your ass<br />reflected in that television screen, who wants to be a poet if you<br />fuck on t.v. & all those cowboys watching.</p><p><br /> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>A Terror is More Certain by Bob Kaufman</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:03:14</itunes:duration>
      <itunes:summary>Read by Andrew Pickett</itunes:summary>
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      <itunes:keywords>ginsberg, poems, america, kerouac, bob kaufman, beat poetry, a terror is more certain, city, fear, poetry</itunes:keywords>
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      <title>Aubade by Philip Larkin</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>Aubade</p><p>by Philip Larkin</p><p>I work all day, and get half-drunk at night.    </p><p>Waking at four to soundless dark, I stare.    </p><p>In time the curtain-edges will grow light.    </p><p>Till then I see what’s really always there:    </p><p>Unresting death, a whole day nearer now,    </p><p>Making all thought impossible but how    </p><p>And where and when I shall myself die.    </p><p>Arid interrogation: yet the dread</p><p>Of dying, and being dead,</p><p>Flashes afresh to hold and horrify.</p><p> </p><p>The mind blanks at the glare. Not in remorse    </p><p>—The good not done, the love not given, time    </p><p>Torn off unused—nor wretchedly because    </p><p>An only life can take so long to climb</p><p>Clear of its wrong beginnings, and may never;    </p><p>But at the total emptiness for ever,</p><p>The sure extinction that we travel to</p><p>And shall be lost in always. Not to be here,    </p><p>Not to be anywhere,</p><p>And soon; nothing more terrible, nothing more true.</p><p> </p><p>This is a special way of being afraid</p><p>No trick dispels. Religion used to try,</p><p>That vast moth-eaten musical brocade</p><p>Created to pretend we never die,</p><p>And specious stuff that says No rational being</p><p>Can fear a thing it will not feel, not seeing</p><p>That this is what we fear—no sight, no sound,    </p><p>No touch or taste or smell, nothing to think with,    </p><p>Nothing to love or link with,</p><p>The anaesthetic from which none come round.</p><p> </p><p>And so it stays just on the edge of vision,    </p><p>A small unfocused blur, a standing chill    </p><p>That slows each impulse down to indecision.    </p><p>Most things may never happen: this one will,    </p><p>And realisation of it rages out</p><p>In furnace-fear when we are caught without    </p><p>People or drink. Courage is no good:</p><p>It means not scaring others. Being brave    </p><p>Lets no one off the grave.</p><p>Death is no different whined at than withstood.</p><p> </p><p>Slowly light strengthens, and the room takes shape.    </p><p>It stands plain as a wardrobe, what we know,    </p><p>Have always known, know that we can’t escape,    </p><p>Yet can’t accept. One side will have to go.</p><p>Meanwhile telephones crouch, getting ready to ring    </p><p>In locked-up offices, and all the uncaring</p><p>Intricate rented world begins to rouse.</p><p>The sky is white as clay, with no sun.</p><p>Work has to be done.</p><p>Postmen like doctors go from house to house.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Sat, 4 Jan 2020 03:35:14 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>Aubade</p><p>by Philip Larkin</p><p>I work all day, and get half-drunk at night.    </p><p>Waking at four to soundless dark, I stare.    </p><p>In time the curtain-edges will grow light.    </p><p>Till then I see what’s really always there:    </p><p>Unresting death, a whole day nearer now,    </p><p>Making all thought impossible but how    </p><p>And where and when I shall myself die.    </p><p>Arid interrogation: yet the dread</p><p>Of dying, and being dead,</p><p>Flashes afresh to hold and horrify.</p><p> </p><p>The mind blanks at the glare. Not in remorse    </p><p>—The good not done, the love not given, time    </p><p>Torn off unused—nor wretchedly because    </p><p>An only life can take so long to climb</p><p>Clear of its wrong beginnings, and may never;    </p><p>But at the total emptiness for ever,</p><p>The sure extinction that we travel to</p><p>And shall be lost in always. Not to be here,    </p><p>Not to be anywhere,</p><p>And soon; nothing more terrible, nothing more true.</p><p> </p><p>This is a special way of being afraid</p><p>No trick dispels. Religion used to try,</p><p>That vast moth-eaten musical brocade</p><p>Created to pretend we never die,</p><p>And specious stuff that says No rational being</p><p>Can fear a thing it will not feel, not seeing</p><p>That this is what we fear—no sight, no sound,    </p><p>No touch or taste or smell, nothing to think with,    </p><p>Nothing to love or link with,</p><p>The anaesthetic from which none come round.</p><p> </p><p>And so it stays just on the edge of vision,    </p><p>A small unfocused blur, a standing chill    </p><p>That slows each impulse down to indecision.    </p><p>Most things may never happen: this one will,    </p><p>And realisation of it rages out</p><p>In furnace-fear when we are caught without    </p><p>People or drink. Courage is no good:</p><p>It means not scaring others. Being brave    </p><p>Lets no one off the grave.</p><p>Death is no different whined at than withstood.</p><p> </p><p>Slowly light strengthens, and the room takes shape.    </p><p>It stands plain as a wardrobe, what we know,    </p><p>Have always known, know that we can’t escape,    </p><p>Yet can’t accept. One side will have to go.</p><p>Meanwhile telephones crouch, getting ready to ring    </p><p>In locked-up offices, and all the uncaring</p><p>Intricate rented world begins to rouse.</p><p>The sky is white as clay, with no sun.</p><p>Work has to be done.</p><p>Postmen like doctors go from house to house.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Aubade by Philip Larkin</itunes:title>
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      <itunes:duration>00:04:03</itunes:duration>
      <itunes:summary>Read by Aaron Novak</itunes:summary>
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      <title>3 Winter Poems by W.S. Merwin, Wilhelm Müller &amp; Mark Strand</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>Poems Read:</p><p>The Solstice By W.S. Merwin</p><p>Der Leiermann by Wilhelm Müller</p><p>&</p><p>Snowfall by Mark Strand</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 23 Dec 2019 19:09:22 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>Poems Read:</p><p>The Solstice By W.S. Merwin</p><p>Der Leiermann by Wilhelm Müller</p><p>&</p><p>Snowfall by Mark Strand</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>3 Winter Poems by W.S. Merwin, Wilhelm Müller &amp; Mark Strand</itunes:title>
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      <itunes:summary>Read by Y. Owen, Roman Kollmer, Victor Vertunni, Dave Luukkonen</itunes:summary>
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      <title>WALK ON ALL FOURS: CODE IN DOG by Andrei Codrescu</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>I remember walking out of the ocean. What struggle!<br />Millions of mollusk years and shell games that hurt.<br />I remember getting up from all fours and looking down<br />on all my astonished variously shaped former friends.<br />Not one of them wanted to look up at me now I was up.<br />Bipedal and lonely until there were a bunch of others.<br />I remember the first scene in 2001 where I killed another.<br />I remember that every time I bent down to be closer<br />to the busy world of things that crawled loped or burrowed<br />I was condescending and they moved away from me.<br />I remember towering over everything that wasn’t me.<br />I remember the day I howled in pain because my back gave out.<br />That was the day I knew my body was weakly hinged<br />at the place where it first stood up, and I wanted down again.<br />Lord, help me walk on all fours again. I know that it’s late.<br />We only grow taller now like the towers we can’t stop building.<br />Since we got language not one nonhuman creature deigns<br />to speak to us though we pretend in vain to understand them.<br />Animals find it more understandable when we shoot them<br />then when we kneel down and pretend we are their friends.<br />We do kneel down often to pray not to commune but pray<br />that we won’t suffer from the back pain that is our sign of Cain.<br />I remember that I can still return to water and do flips<br />but I’m in charge now of all the things I covered over.<br />I remember kneeling to gods who were so tall I couldn’t see them.<br />Their heads were in the clouds, we barely reached their sandals.<br />Even the mono god was so tall he dropped the tablets on Moses<br />and made lightning to scare us all to the death we knew was coming.<br />In the little world I live in I sell diminishment at one dollar an inch<br />and practice quadripedal yoga every morning in my living room<br />hoping to walk one day into the street with my quadripedal brood.<br />It will be the day of no pain and of trading language for nozzling.<br />If we succeed it won’t be so hard to hope that learning screens hurts<br />less than when we first left the ocean, equally pushed by hubris.<br />Our new weak spot is memory. A bad back and a lousy memory<br />may smooth our way to becoming humble and wild again and good.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 20 Dec 2019 18:26:44 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>I remember walking out of the ocean. What struggle!<br />Millions of mollusk years and shell games that hurt.<br />I remember getting up from all fours and looking down<br />on all my astonished variously shaped former friends.<br />Not one of them wanted to look up at me now I was up.<br />Bipedal and lonely until there were a bunch of others.<br />I remember the first scene in 2001 where I killed another.<br />I remember that every time I bent down to be closer<br />to the busy world of things that crawled loped or burrowed<br />I was condescending and they moved away from me.<br />I remember towering over everything that wasn’t me.<br />I remember the day I howled in pain because my back gave out.<br />That was the day I knew my body was weakly hinged<br />at the place where it first stood up, and I wanted down again.<br />Lord, help me walk on all fours again. I know that it’s late.<br />We only grow taller now like the towers we can’t stop building.<br />Since we got language not one nonhuman creature deigns<br />to speak to us though we pretend in vain to understand them.<br />Animals find it more understandable when we shoot them<br />then when we kneel down and pretend we are their friends.<br />We do kneel down often to pray not to commune but pray<br />that we won’t suffer from the back pain that is our sign of Cain.<br />I remember that I can still return to water and do flips<br />but I’m in charge now of all the things I covered over.<br />I remember kneeling to gods who were so tall I couldn’t see them.<br />Their heads were in the clouds, we barely reached their sandals.<br />Even the mono god was so tall he dropped the tablets on Moses<br />and made lightning to scare us all to the death we knew was coming.<br />In the little world I live in I sell diminishment at one dollar an inch<br />and practice quadripedal yoga every morning in my living room<br />hoping to walk one day into the street with my quadripedal brood.<br />It will be the day of no pain and of trading language for nozzling.<br />If we succeed it won’t be so hard to hope that learning screens hurts<br />less than when we first left the ocean, equally pushed by hubris.<br />Our new weak spot is memory. A bad back and a lousy memory<br />may smooth our way to becoming humble and wild again and good.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>Three poems from Alphabet de Soleils by Gilberte H. Dallas</title>
      <description><![CDATA[<p>Three poems from Alphabet de soleils</p><p>C</p><p>The banner of your body floats in the Brandenburg wind.<br />An old woman wants to come in, I<br />can see her through the door, her red felt hand<br />pressing in vain on the latch, scraps<br />of her cries come at me like the barbaric<br />song of a violin mending the night;<br />I’m going to slip a rose under the door<br />a black-blooded rose, maybe she’ll go away?<br />And I could wallow in the bramble hammock<br />but her voice hiccups: Ophelia<br />My name is Ophelia, open the door, O-phe-lia…<br />—What do I care about her grotesque distortions<br />What lie will she bring me? Why<br />doesn’t she extend it to me through the sheets<br />of sand the way she extends her name…Ophelia<br />Ophelia, her shadow ricochets in the aura<br />of my dusk. Ophelia, her voice grates<br />like a leper’s rattle, philia, figlia…</p><p>K</p><p>Let’s catapult the conchoidal colocynth<br />Let’s catapult the choephori of the coliddors of the tifth<br />and the mitten cruncher, the tomcat cruncher, crunchers of sheep<br />note cruncher, crunch-in-your-mouth and in arms and in deaths.<br />Let’s catapult the lynx and the oriole’s cochineal mantilla<br />let’s catapult the mango<br />and the mongoose, shoo!</p><p>O</p><p>I’ve plunged my insatiable thirst into the seaweed of your body at rest on the anvil, splendid carrion, treasure of the Galapagos I’ve plunged my hands into your entrails and taken out the Black Lady’s stone dress, stones of grasses, of water and sky, stones of suns and sons.<br />I’ve plunged my hands into your womb, I’ve taken out the wooden horse, white as a star, its tulip harness.<br />I’ve plunged my hands and face into your rotting flesh and taken out your heart gnawed by a big cat, your heart that continues to beat in the pit of my hands more alive than Koh-i-Noor, more precious than the sea’s chariot.<br />I’ve embraced your stiff breasts, beautiful as permanence, and your mouth, crocus of ash said: hate.<br />Your eyes repeated it again as I raised your eyelids oh! Madeleine.<br />Then with a turn I excavated the pearl inlaid in your temple.<br />What erupted were voracious breezes that made your mind a tatter of blue.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 19 Dec 2019 19:35:21 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Three poems from Alphabet de soleils</p><p>C</p><p>The banner of your body floats in the Brandenburg wind.<br />An old woman wants to come in, I<br />can see her through the door, her red felt hand<br />pressing in vain on the latch, scraps<br />of her cries come at me like the barbaric<br />song of a violin mending the night;<br />I’m going to slip a rose under the door<br />a black-blooded rose, maybe she’ll go away?<br />And I could wallow in the bramble hammock<br />but her voice hiccups: Ophelia<br />My name is Ophelia, open the door, O-phe-lia…<br />—What do I care about her grotesque distortions<br />What lie will she bring me? Why<br />doesn’t she extend it to me through the sheets<br />of sand the way she extends her name…Ophelia<br />Ophelia, her shadow ricochets in the aura<br />of my dusk. Ophelia, her voice grates<br />like a leper’s rattle, philia, figlia…</p><p>K</p><p>Let’s catapult the conchoidal colocynth<br />Let’s catapult the choephori of the coliddors of the tifth<br />and the mitten cruncher, the tomcat cruncher, crunchers of sheep<br />note cruncher, crunch-in-your-mouth and in arms and in deaths.<br />Let’s catapult the lynx and the oriole’s cochineal mantilla<br />let’s catapult the mango<br />and the mongoose, shoo!</p><p>O</p><p>I’ve plunged my insatiable thirst into the seaweed of your body at rest on the anvil, splendid carrion, treasure of the Galapagos I’ve plunged my hands into your entrails and taken out the Black Lady’s stone dress, stones of grasses, of water and sky, stones of suns and sons.<br />I’ve plunged my hands into your womb, I’ve taken out the wooden horse, white as a star, its tulip harness.<br />I’ve plunged my hands and face into your rotting flesh and taken out your heart gnawed by a big cat, your heart that continues to beat in the pit of my hands more alive than Koh-i-Noor, more precious than the sea’s chariot.<br />I’ve embraced your stiff breasts, beautiful as permanence, and your mouth, crocus of ash said: hate.<br />Your eyes repeated it again as I raised your eyelids oh! Madeleine.<br />Then with a turn I excavated the pearl inlaid in your temple.<br />What erupted were voracious breezes that made your mind a tatter of blue.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Three poems from Alphabet de Soleils by Gilberte H. Dallas</itunes:title>
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      <itunes:summary>Read by Dominique Elliot (In french and english)</itunes:summary>
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      <itunes:keywords>woman, poems, alphabet of the sun, modern, poetry, gilberte dallas, french</itunes:keywords>
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      <title>Untitled [Do you still remember: falling stars] by Rainer Maria Rilke</title>
      <description><![CDATA[<p>Untitled [Do you still remember: falling stars]</p><p>Do you still remember: falling stars,<br />how they leapt slantwise through the sky<br />like horses over suddenly held-out hurdles<br />of our wishes—did we have so many?—<br />for stars, innumerable, leapt everywhere;<br />almost every gaze upward became<br />wedded to the swift hazard of their play,<br />and our heart felt like a single thing<br />beneath that vast disintegration of their brilliance—<br />and was whole, as if it would survive them!</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Wed, 11 Dec 2019 22:39:42 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Untitled [Do you still remember: falling stars]</p><p>Do you still remember: falling stars,<br />how they leapt slantwise through the sky<br />like horses over suddenly held-out hurdles<br />of our wishes—did we have so many?—<br />for stars, innumerable, leapt everywhere;<br />almost every gaze upward became<br />wedded to the swift hazard of their play,<br />and our heart felt like a single thing<br />beneath that vast disintegration of their brilliance—<br />and was whole, as if it would survive them!</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Untitled [Do you still remember: falling stars] by Rainer Maria Rilke</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:summary>Read by David Clubb</itunes:summary>
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      <title>The Distant Steps (Los Pasos Lejanos) by Cesar Vallejo</title>
      <description><![CDATA[<p>Production and Sound Design By Kevin Seaman</p><p>"the distant steps"</p><p>By Cesar Vallejo</p><p> </p><p>my father sleeps. his august frontispiece  </p><p>portrays a gentle heart;</p><p>it is now so placid...  </p><p>if there's something bitter, should be me.</p><p>.  </p><p>there is solitude in our home; we pray;  </p><p>there is no buzz today to share.  </p><p>my father awakes, as it resounds</p><p>the Egypt's gap, the farewell with no meaning.</p><p>.  </p><p>now it is so close;  </p><p>if there's something far on, should be me.  </p><p>then my mother walks beyond the gardens,  </p><p>enjoying this feel now already disenchanted.  </p><p>she is so delicate,  </p><p>fluid, brief and beloved.  </p><p> </p><p>the solitude in our home has no riots,  </p><p>no news, no flora, without child roots.  </p><p>and if something is broken at afternoon  </p><p>which bends and breaks  </p><p>are those two leaned old folks.  </p><p>for them my heart still stands.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 5 Dec 2019 17:30:51 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design By Kevin Seaman</p><p>"the distant steps"</p><p>By Cesar Vallejo</p><p> </p><p>my father sleeps. his august frontispiece  </p><p>portrays a gentle heart;</p><p>it is now so placid...  </p><p>if there's something bitter, should be me.</p><p>.  </p><p>there is solitude in our home; we pray;  </p><p>there is no buzz today to share.  </p><p>my father awakes, as it resounds</p><p>the Egypt's gap, the farewell with no meaning.</p><p>.  </p><p>now it is so close;  </p><p>if there's something far on, should be me.  </p><p>then my mother walks beyond the gardens,  </p><p>enjoying this feel now already disenchanted.  </p><p>she is so delicate,  </p><p>fluid, brief and beloved.  </p><p> </p><p>the solitude in our home has no riots,  </p><p>no news, no flora, without child roots.  </p><p>and if something is broken at afternoon  </p><p>which bends and breaks  </p><p>are those two leaned old folks.  </p><p>for them my heart still stands.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Distant Steps (Los Pasos Lejanos) by Cesar Vallejo</itunes:title>
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      <itunes:summary>Read by Eduardo Blancas (Spanish) &amp; Steve Chamides (English)</itunes:summary>
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      <title>The Laughing Heart by Charles Bukowski</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><h3><strong>The Laughing Heart by Charles Bukowski</strong></h3><p>your life is your life<br />don’t let it be clubbed into dank submission.<br />be on the watch.<br />there are ways out.<br />there is light somewhere.<br />it may not be much light but<br />it beats the darkness.<br />be on the watch.<br />the gods will offer you chances.<br />know them.<br />take them.<br />you can’t beat death but<br />you can beat death in life, sometimes.<br />and the more often you learn to do it,<br />the more light there will be.<br />your life is your life.<br />know it while you have it.<br />you are marvelous<br />the gods wait to delight<br />in you.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Wed, 27 Nov 2019 19:34:20 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><h3><strong>The Laughing Heart by Charles Bukowski</strong></h3><p>your life is your life<br />don’t let it be clubbed into dank submission.<br />be on the watch.<br />there are ways out.<br />there is light somewhere.<br />it may not be much light but<br />it beats the darkness.<br />be on the watch.<br />the gods will offer you chances.<br />know them.<br />take them.<br />you can’t beat death but<br />you can beat death in life, sometimes.<br />and the more often you learn to do it,<br />the more light there will be.<br />your life is your life.<br />know it while you have it.<br />you are marvelous<br />the gods wait to delight<br />in you.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Laughing Heart by Charles Bukowski</itunes:title>
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      <itunes:duration>00:01:07</itunes:duration>
      <itunes:summary>Read by Kaitlyn Hill</itunes:summary>
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      <title>Old Angel Midnight Book 1 by Jack Kerouac</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 19 Nov 2019 14:33:57 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Old Angel Midnight Book 1 by Jack Kerouac</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:03:24</itunes:duration>
      <itunes:summary>Read by Clark Coolidge</itunes:summary>
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      <title>Shadwell Stair by Wilfred Owen</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p><strong>Shadwell Stair</strong></p><p><strong>by Wilfred Owen</strong></p><p> </p><p>I am the ghost of Shadwell Stair.</p><p>      Along the wharves by the water-house,</p><p>      And through the cavernous slaughter-house,</p><p>I am the shadow that walks there.</p><p> </p><p> </p><p>Yet I have flesh both firm and cool,</p><p>      And eyes tumultuous as the gems</p><p>      Of moons and lamps in the full Thames</p><p>When dusk sails wavering down the pool.</p><p> </p><p> </p><p>Shuddering the purple street-arc burns</p><p>      Where I watch always; from the banks</p><p>      Dolorously the shipping clanks</p><p>And after me a strange tide turns.</p><p> </p><p> </p><p>I walk till the stars of London wane</p><p>      And dawn creeps up the Shadwell Stair.</p><p>      But when the crowing syrens blare</p><p>I with another ghost am lain.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 8 Nov 2019 20:11:31 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p><strong>Shadwell Stair</strong></p><p><strong>by Wilfred Owen</strong></p><p> </p><p>I am the ghost of Shadwell Stair.</p><p>      Along the wharves by the water-house,</p><p>      And through the cavernous slaughter-house,</p><p>I am the shadow that walks there.</p><p> </p><p> </p><p>Yet I have flesh both firm and cool,</p><p>      And eyes tumultuous as the gems</p><p>      Of moons and lamps in the full Thames</p><p>When dusk sails wavering down the pool.</p><p> </p><p> </p><p>Shuddering the purple street-arc burns</p><p>      Where I watch always; from the banks</p><p>      Dolorously the shipping clanks</p><p>And after me a strange tide turns.</p><p> </p><p> </p><p>I walk till the stars of London wane</p><p>      And dawn creeps up the Shadwell Stair.</p><p>      But when the crowing syrens blare</p><p>I with another ghost am lain.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>Shadwell Stair by Wilfred Owen</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:01:48</itunes:duration>
      <itunes:summary>Read by Dan Akers</itunes:summary>
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      <itunes:keywords>world war one, trauma poetry, ptsd, veterans day, shadwell stair, halloween, wilfred owen, ghosts, poetry</itunes:keywords>
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      <title>The Dance by Wendell Berry</title>
      <description><![CDATA[<p>Production, Composition and Sound Design by Kevin Seaman</p><h1>The Dance</h1><h1>by Wendell Berry</h1><p>I would have each couple turn,<br />join and unjoin, be lost<br />in the greater turning<br />of other couples, woven<br />in the circle of a dance,<br />the song of long time flowing</p><p>over them, so they may return,<br />turn again in to themselves<br />out of desire greater than their own,<br />belonging to all, to each,<br />to the dance, and to the song<br />that moves them through the night.</p><p>What is fidelity? To what<br />does it hold? The point<br />of departure, or the turning road<br />that is departure and absence<br />and the way home? What we are<br />and what we were once</p><p>are far estranged. For those<br />who would not change, time<br />is infidelity. But we are married<br />until death, and are betrothed<br />to change. By silence, so,<br />I learn my song. I earn</p><p>my sunny fields by absence, once<br />and to come. And I love you<br />as I love the dance that brings you<br />out of the multitude<br />in which you come and go.<br />Love changes, and in change is true.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Wed, 6 Nov 2019 21:34:21 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production, Composition and Sound Design by Kevin Seaman</p><h1>The Dance</h1><h1>by Wendell Berry</h1><p>I would have each couple turn,<br />join and unjoin, be lost<br />in the greater turning<br />of other couples, woven<br />in the circle of a dance,<br />the song of long time flowing</p><p>over them, so they may return,<br />turn again in to themselves<br />out of desire greater than their own,<br />belonging to all, to each,<br />to the dance, and to the song<br />that moves them through the night.</p><p>What is fidelity? To what<br />does it hold? The point<br />of departure, or the turning road<br />that is departure and absence<br />and the way home? What we are<br />and what we were once</p><p>are far estranged. For those<br />who would not change, time<br />is infidelity. But we are married<br />until death, and are betrothed<br />to change. By silence, so,<br />I learn my song. I earn</p><p>my sunny fields by absence, once<br />and to come. And I love you<br />as I love the dance that brings you<br />out of the multitude<br />in which you come and go.<br />Love changes, and in change is true.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Dance by Wendell Berry</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:summary>Read by Charlie Parker Hines</itunes:summary>
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      <title>The Hollow Men by T.S. Eliot</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>THE HOLLOW MEN<br />by T. S. Eliot<br />Mistah Kurtz-he dead.<br />A penny for the Old Guy</p><p>We are the hollow men<br />We are the stuffed men<br />Leaning together<br />Headpiece filled with straw. Alas!Our dried voices, when <br />We whisper together<br />Are quiet and meaningless<br />As wind in dry grass<br />Or rats' feet over broken glass<br />In our dry cellar <br />Shape without form shade without colour,<br />Paralyzed force, gesture without motion;</p><p>Those who have crossed<br />With direct eyes to death's other Kingdom<br />Remember us--if at all-- not as lost <br />Violent souls, but only<br />As the hollow men<br />The stuffed men.</p><p>II</p><p>Eyes I dare not meet in dreams<br />In death's dream kingdom <br />These do not appear:<br />There the eyes are<br />Sunlight on a broken column<br />There is a tree swinging</p><p>And voices are <br />In the wind's singing<br />More distant and more solemn<br />Than a fading star<br />Let me be no nearer<br />In death's dream kingdom <br />Let me also wear<br />Such deliberate disguises<br />Rat's coat, crowskin, crossed staves<br />In a field<br />Behaving as the wind behaves <br />No nearer--</p><p>Not that final meeting<br />In the twilight kingdom.</p><p>III</p><p>This is the dead land<br />this is cactus land <br />Here the stone images<br />Are raised, here they receive<br />The supplication of a dead man's hand<br />Under the twinkle of a fading star.</p><p>Is it like this <br />In death's other kingdom<br />Waking alone<br />At the hour when we are<br />Trembling with tenderness<br />Lips that would kiss <br />Form prayers to broken stone</p><p>IV</p><p>The eyes are not here<br />There are no eye here<br />In this valley of dying stars<br />In this hollow valley <br />This broken jaw of our lost kingdoms.</p><p>In this last of meeting places<br />We grope together<br />And avoid speech<br />Gathered on this beach of the tumid river. </p><p>Sightless, unless<br />The eyes reappear<br />As the perpetual star<br />Multifoliate rose<br />Of death's twilight kingdom <br />The hope only<br />Of empty men.</p><p>V</p><p>Here we go round the prickly pear<br />Prickly pear prickly pear<br />Here we go round the prickly pear <br />At five o'clock in the morning.</p><p>Between the idea<br />And the reality<br />Between the motion<br />And the act <br />Falls the Shadow<br />For Thine is the Kingdom</p><p>Between the conception<br />And the creation<br />Between the emotion <br />And the response<br />Falls the Shadow<br />Life is very long</p><p>Between the desire<br />And the spasm <br />Between the potency<br />And the existence<br />Between the essence<br />And the descent<br />Falls the Shadow <br />For Thine is the Kingdom</p><p>For Thine is<br />Life is<br />For thine is the</p><p>This is the way the way the world ends <br />This is the way the way the world ends<br />This is the way the way the world ends<br />Not with a bang but a whimper.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 28 Oct 2019 19:47:12 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>THE HOLLOW MEN<br />by T. S. Eliot<br />Mistah Kurtz-he dead.<br />A penny for the Old Guy</p><p>We are the hollow men<br />We are the stuffed men<br />Leaning together<br />Headpiece filled with straw. Alas!Our dried voices, when <br />We whisper together<br />Are quiet and meaningless<br />As wind in dry grass<br />Or rats' feet over broken glass<br />In our dry cellar <br />Shape without form shade without colour,<br />Paralyzed force, gesture without motion;</p><p>Those who have crossed<br />With direct eyes to death's other Kingdom<br />Remember us--if at all-- not as lost <br />Violent souls, but only<br />As the hollow men<br />The stuffed men.</p><p>II</p><p>Eyes I dare not meet in dreams<br />In death's dream kingdom <br />These do not appear:<br />There the eyes are<br />Sunlight on a broken column<br />There is a tree swinging</p><p>And voices are <br />In the wind's singing<br />More distant and more solemn<br />Than a fading star<br />Let me be no nearer<br />In death's dream kingdom <br />Let me also wear<br />Such deliberate disguises<br />Rat's coat, crowskin, crossed staves<br />In a field<br />Behaving as the wind behaves <br />No nearer--</p><p>Not that final meeting<br />In the twilight kingdom.</p><p>III</p><p>This is the dead land<br />this is cactus land <br />Here the stone images<br />Are raised, here they receive<br />The supplication of a dead man's hand<br />Under the twinkle of a fading star.</p><p>Is it like this <br />In death's other kingdom<br />Waking alone<br />At the hour when we are<br />Trembling with tenderness<br />Lips that would kiss <br />Form prayers to broken stone</p><p>IV</p><p>The eyes are not here<br />There are no eye here<br />In this valley of dying stars<br />In this hollow valley <br />This broken jaw of our lost kingdoms.</p><p>In this last of meeting places<br />We grope together<br />And avoid speech<br />Gathered on this beach of the tumid river. </p><p>Sightless, unless<br />The eyes reappear<br />As the perpetual star<br />Multifoliate rose<br />Of death's twilight kingdom <br />The hope only<br />Of empty men.</p><p>V</p><p>Here we go round the prickly pear<br />Prickly pear prickly pear<br />Here we go round the prickly pear <br />At five o'clock in the morning.</p><p>Between the idea<br />And the reality<br />Between the motion<br />And the act <br />Falls the Shadow<br />For Thine is the Kingdom</p><p>Between the conception<br />And the creation<br />Between the emotion <br />And the response<br />Falls the Shadow<br />Life is very long</p><p>Between the desire<br />And the spasm <br />Between the potency<br />And the existence<br />Between the essence<br />And the descent<br />Falls the Shadow <br />For Thine is the Kingdom</p><p>For Thine is<br />Life is<br />For thine is the</p><p>This is the way the way the world ends <br />This is the way the way the world ends<br />This is the way the way the world ends<br />Not with a bang but a whimper.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Hollow Men by T.S. Eliot</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:04:53</itunes:duration>
      <itunes:summary>Read by Tom O&apos;Bedlam</itunes:summary>
      <itunes:subtitle>Read by Tom O&apos;Bedlam</itunes:subtitle>
      <itunes:keywords>world war one, the hollow men, halloween, spooky, ts eliot, modern, poetry, war</itunes:keywords>
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      <title>This living hand, now warm and capable by John Keats</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>"This living hand, now warm and capable"</p><p>By John Keats</p><p>This living hand, now warm and capable</p><p>Of earnest grasping, would, if it were cold</p><p>And in the icy silence of the tomb,</p><p>So haunt thy days and chill thy dreaming nights</p><p>That thou would wish thine own heart dry of blood</p><p>So in my veins red life might stream again,</p><p>And thou be conscience-calm’d–see here it is–</p><p>I hold it towards you.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 25 Oct 2019 21:06:22 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>"This living hand, now warm and capable"</p><p>By John Keats</p><p>This living hand, now warm and capable</p><p>Of earnest grasping, would, if it were cold</p><p>And in the icy silence of the tomb,</p><p>So haunt thy days and chill thy dreaming nights</p><p>That thou would wish thine own heart dry of blood</p><p>So in my veins red life might stream again,</p><p>And thou be conscience-calm’d–see here it is–</p><p>I hold it towards you.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>This living hand, now warm and capable by John Keats</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:01:22</itunes:duration>
      <itunes:summary>Read by Eric Robert Nolan</itunes:summary>
      <itunes:subtitle>Read by Eric Robert Nolan</itunes:subtitle>
      <itunes:keywords>hands, poems, this living hand now warm and capable, halloween, john keats, romantic poetry, spooky, irish poets</itunes:keywords>
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      <title>The Haunted Palace by Edgar Allan Poe</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Haunted Palace</p><p>By Edgar Allan Poe</p><p> </p><p>In the greenest of our valleys</p><p>By good angels tenanted,</p><p>Once a fair and stately palace -</p><p>Radiant palace - reared its head.</p><p>In the monarch Thought's dominion -</p><p>It stood there!</p><p>Never seraph spread a pinion</p><p>Over fabric half so fair!</p><p> </p><p> </p><p>Banners yellow, glorious, golden,</p><p>On its roof did float and flow,</p><p>(This - all this - was in the olden</p><p>Time long ago,)</p><p>And every gentle air that dallied,</p><p>In that sweet day,</p><p>Along the ramparts plumed and pallid,</p><p>A winged odor went away.</p><p> </p><p> </p><p>Wanderers in that happy valley,</p><p>Through two luminous windows, saw</p><p>Spirits moving musically,</p><p>To a lute's well-tuned law,</p><p>Round about a throne where, sitting</p><p>(Porphyrogene!)</p><p>In state his glory well-befitting,</p><p>The ruler of the realm was seen.</p><p> </p><p> </p><p>And all with pearl and ruby glowing</p><p>Was the fair palace door,</p><p>Through which came flowing, flowing, flowing,</p><p>And sparkling evermore,</p><p>A troop of Echoes, whose sweet duty</p><p>Was but to sing,</p><p>In voices of surpassing beauty,</p><p>The wit and wisdom of their king.</p><p> </p><p> </p><p>But evil things, in robes of sorrow,</p><p>Assailed the monarch's high estate.</p><p>(Ah, let us mourn! - for never morrow</p><p>Shall dawn upon him desolate!)</p><p>And round about his home the glory</p><p>That blushed and bloomed,</p><p>Is but a dim-remembered story</p><p>Of the old time entombed.</p><p> </p><p> </p><p>And travellers, now, within that valley,</p><p>Through the red-litten windows see</p><p>Vast forms, that move fantastically</p><p>To a discordant melody,</p><p>While, like a ghastly rapid river,</p><p>Through the pale door</p><p>A hideous throng rush out forever</p><p>And laugh - but smile no more.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 15 Oct 2019 20:42:37 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><p>The Haunted Palace</p><p>By Edgar Allan Poe</p><p> </p><p>In the greenest of our valleys</p><p>By good angels tenanted,</p><p>Once a fair and stately palace -</p><p>Radiant palace - reared its head.</p><p>In the monarch Thought's dominion -</p><p>It stood there!</p><p>Never seraph spread a pinion</p><p>Over fabric half so fair!</p><p> </p><p> </p><p>Banners yellow, glorious, golden,</p><p>On its roof did float and flow,</p><p>(This - all this - was in the olden</p><p>Time long ago,)</p><p>And every gentle air that dallied,</p><p>In that sweet day,</p><p>Along the ramparts plumed and pallid,</p><p>A winged odor went away.</p><p> </p><p> </p><p>Wanderers in that happy valley,</p><p>Through two luminous windows, saw</p><p>Spirits moving musically,</p><p>To a lute's well-tuned law,</p><p>Round about a throne where, sitting</p><p>(Porphyrogene!)</p><p>In state his glory well-befitting,</p><p>The ruler of the realm was seen.</p><p> </p><p> </p><p>And all with pearl and ruby glowing</p><p>Was the fair palace door,</p><p>Through which came flowing, flowing, flowing,</p><p>And sparkling evermore,</p><p>A troop of Echoes, whose sweet duty</p><p>Was but to sing,</p><p>In voices of surpassing beauty,</p><p>The wit and wisdom of their king.</p><p> </p><p> </p><p>But evil things, in robes of sorrow,</p><p>Assailed the monarch's high estate.</p><p>(Ah, let us mourn! - for never morrow</p><p>Shall dawn upon him desolate!)</p><p>And round about his home the glory</p><p>That blushed and bloomed,</p><p>Is but a dim-remembered story</p><p>Of the old time entombed.</p><p> </p><p> </p><p>And travellers, now, within that valley,</p><p>Through the red-litten windows see</p><p>Vast forms, that move fantastically</p><p>To a discordant melody,</p><p>While, like a ghastly rapid river,</p><p>Through the pale door</p><p>A hideous throng rush out forever</p><p>And laugh - but smile no more.</p><p> </p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Haunted Palace by Edgar Allan Poe</itunes:title>
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      <itunes:summary>Read by Matthew Costello</itunes:summary>
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      <title>The Listeners by Walter De La Mere</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>The Listeners</p><p>By Walter De La Mere</p><p>‘Is there anybody there?’ said the Traveller,</p><p>Knocking on the moonlit door;</p><p>And his horse in the silence champed the grasses</p><p>Of the forest’s ferny floor:</p><p>And a bird flew up out of the turret,</p><p>Above the Traveller’s head:</p><p>And he smote upon the door again a second time;</p><p>‘Is there anybody there?’ he said.</p><p>But no one descended to the Traveller;</p><p>No head from the leaf-fringed sill</p><p>Leaned over and looked into his grey eyes,</p><p>Where he stood perplexed and still.</p><p>But only a host of phantom listeners</p><p>That dwelt in the lone house then</p><p>Stood listening in the quiet of the moonlight</p><p>To that voice from the world of men:</p><p>Stood thronging the faint moonbeams on the dark stair,</p><p>That goes down to the empty hall,</p><p>Hearkening in an air stirred and shaken</p><p>By the lonely Traveller’s call.</p><p>And he felt in his heart their strangeness,</p><p>Their stillness answering his cry,</p><p>While his horse moved, cropping the dark turf,</p><p>’Neath the starred and leafy sky;</p><p>For he suddenly smote on the door, even</p><p>Louder, and lifted his head:—</p><p>‘Tell them I came, and no one answered,</p><p>That I kept my word,’ he said.</p><p>Never the least stir made the listeners,</p><p>Though every word he spake</p><p>Fell echoing through the shadowiness of the still house</p><p>From the one man left awake:</p><p>Ay, they heard his foot upon the stirrup,</p><p>And the sound of iron on stone,</p><p>And how the silence surged softly backward,</p><p>When the plunging hoofs were gone.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Wed, 9 Oct 2019 16:20:54 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p>The Listeners</p><p>By Walter De La Mere</p><p>‘Is there anybody there?’ said the Traveller,</p><p>Knocking on the moonlit door;</p><p>And his horse in the silence champed the grasses</p><p>Of the forest’s ferny floor:</p><p>And a bird flew up out of the turret,</p><p>Above the Traveller’s head:</p><p>And he smote upon the door again a second time;</p><p>‘Is there anybody there?’ he said.</p><p>But no one descended to the Traveller;</p><p>No head from the leaf-fringed sill</p><p>Leaned over and looked into his grey eyes,</p><p>Where he stood perplexed and still.</p><p>But only a host of phantom listeners</p><p>That dwelt in the lone house then</p><p>Stood listening in the quiet of the moonlight</p><p>To that voice from the world of men:</p><p>Stood thronging the faint moonbeams on the dark stair,</p><p>That goes down to the empty hall,</p><p>Hearkening in an air stirred and shaken</p><p>By the lonely Traveller’s call.</p><p>And he felt in his heart their strangeness,</p><p>Their stillness answering his cry,</p><p>While his horse moved, cropping the dark turf,</p><p>’Neath the starred and leafy sky;</p><p>For he suddenly smote on the door, even</p><p>Louder, and lifted his head:—</p><p>‘Tell them I came, and no one answered,</p><p>That I kept my word,’ he said.</p><p>Never the least stir made the listeners,</p><p>Though every word he spake</p><p>Fell echoing through the shadowiness of the still house</p><p>From the one man left awake:</p><p>Ay, they heard his foot upon the stirrup,</p><p>And the sound of iron on stone,</p><p>And how the silence surged softly backward,</p><p>When the plunging hoofs were gone.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Listeners by Walter De La Mere</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:summary>Read by Joshua Bond</itunes:summary>
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      <itunes:keywords>creepy poems, walter de la mere, haunting, halloween, the listeners, ghost stories, poetry, english</itunes:keywords>
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      <title>October by Robert Frost</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><table><tbody><tr><th><h1><a href="https://poetryfoundation.us12.list-manage.com/track/click?u=c993b88231f5f84146565840e&id=a0cda9d5e8&e=e4634256c2" target="_blank">October</a></h1><p>BY ROBERT FROST</p></th><th><img src="https://ci5.googleusercontent.com/proxy/SCFJq6nClBR5qZw-o9GAVb-AkQ4gVzqMHivO8rt6I4tj4KH7k7bHMd5HF24V3NrAb5dhUGCmHzTjJ9iqtpxyYx90eG5FGnlHwlFAEORMblWKQI4A8V8=s0-d-e1-ft#https://www.poetryfoundation.org/email-assets/twitter-social@2x.png" alt="Share on Twitter" /><img src="https://ci3.googleusercontent.com/proxy/Uo7VCPorPBMGHQO0RBXpUyQTpsgjyN9lwdmPzcfUJ5luJWWKB4UDZlVdP1aZufgiQTuFSIBVBmqIprOF2wu79cZKTKfe4Hii6XUmIyCph-p6=s0-d-e1-ft#https://www.poetryfoundation.org/email-assets/fb-social@2x.png" alt="Share on Facebook" /><img src="https://ci5.googleusercontent.com/proxy/OdbhEGTo5f1PSpaH4a5lfR4P5nQMqafuUVZZg6XK8FIh0xlWsjMkuMWiK-WsBSXvcRTxYfFO9t6amQASIqQKJRsn74Mni0lydpcEemc7fMflSicG=s0-d-e1-ft#https://www.poetryfoundation.org/email-assets/email-social@2x.png" alt="Forward to a Friend" /></th></tr></tbody></table><table><tbody><tr><th><p>O hushed October morning mild,<br /> </p><p>Thy leaves have ripened to the fall;<br /> </p><p>Tomorrow’s wind, if it be wild,<br /> </p><p>Should waste them all.<br /> </p><p>The crows above the forest call;<br /> </p><p>Tomorrow they may form and go.<br /> </p><p>O hushed October morning mild,<br /> </p><p>Begin the hours of this day slow.<br /> </p><p>Make the day seem to us less brief.<br /> </p><p>Hearts not averse to being beguiled,<br /> </p><p>Beguile us in the way you know.<br /> </p><p>Release one leaf at break of day;<br /> </p><p>At noon release another leaf;<br /> </p><p>One from our trees, one far away.<br /> </p><p>Retard the sun with gentle mist;<br /> </p><p>Enchant the land with amethyst.<br /> </p><p>Slow, slow!<br /> </p><p>For the grapes’ sake, if they were all,<br /> </p><p>Whose leaves already are burnt with frost,<br /> </p><p>Whose clustered fruit must else be lost—<br /> </p><p>For the grapes’ sake along the wall.</p></th></tr></tbody></table>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Fri, 4 Oct 2019 15:31:45 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p> </p><table><tbody><tr><th><h1><a href="https://poetryfoundation.us12.list-manage.com/track/click?u=c993b88231f5f84146565840e&id=a0cda9d5e8&e=e4634256c2" target="_blank">October</a></h1><p>BY ROBERT FROST</p></th><th><img src="https://ci5.googleusercontent.com/proxy/SCFJq6nClBR5qZw-o9GAVb-AkQ4gVzqMHivO8rt6I4tj4KH7k7bHMd5HF24V3NrAb5dhUGCmHzTjJ9iqtpxyYx90eG5FGnlHwlFAEORMblWKQI4A8V8=s0-d-e1-ft#https://www.poetryfoundation.org/email-assets/twitter-social@2x.png" alt="Share on Twitter" /><img src="https://ci3.googleusercontent.com/proxy/Uo7VCPorPBMGHQO0RBXpUyQTpsgjyN9lwdmPzcfUJ5luJWWKB4UDZlVdP1aZufgiQTuFSIBVBmqIprOF2wu79cZKTKfe4Hii6XUmIyCph-p6=s0-d-e1-ft#https://www.poetryfoundation.org/email-assets/fb-social@2x.png" alt="Share on Facebook" /><img src="https://ci5.googleusercontent.com/proxy/OdbhEGTo5f1PSpaH4a5lfR4P5nQMqafuUVZZg6XK8FIh0xlWsjMkuMWiK-WsBSXvcRTxYfFO9t6amQASIqQKJRsn74Mni0lydpcEemc7fMflSicG=s0-d-e1-ft#https://www.poetryfoundation.org/email-assets/email-social@2x.png" alt="Forward to a Friend" /></th></tr></tbody></table><table><tbody><tr><th><p>O hushed October morning mild,<br /> </p><p>Thy leaves have ripened to the fall;<br /> </p><p>Tomorrow’s wind, if it be wild,<br /> </p><p>Should waste them all.<br /> </p><p>The crows above the forest call;<br /> </p><p>Tomorrow they may form and go.<br /> </p><p>O hushed October morning mild,<br /> </p><p>Begin the hours of this day slow.<br /> </p><p>Make the day seem to us less brief.<br /> </p><p>Hearts not averse to being beguiled,<br /> </p><p>Beguile us in the way you know.<br /> </p><p>Release one leaf at break of day;<br /> </p><p>At noon release another leaf;<br /> </p><p>One from our trees, one far away.<br /> </p><p>Retard the sun with gentle mist;<br /> </p><p>Enchant the land with amethyst.<br /> </p><p>Slow, slow!<br /> </p><p>For the grapes’ sake, if they were all,<br /> </p><p>Whose leaves already are burnt with frost,<br /> </p><p>Whose clustered fruit must else be lost—<br /> </p><p>For the grapes’ sake along the wall.</p></th></tr></tbody></table>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>October by Robert Frost</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:01:31</itunes:duration>
      <itunes:summary>Read by Zither B. Oxblood</itunes:summary>
      <itunes:subtitle>Read by Zither B. Oxblood</itunes:subtitle>
      <itunes:keywords>halloween, robert frost, national poetry day, october, american poetry, poetry</itunes:keywords>
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      <itunes:episode>2</itunes:episode>
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      <title>The Man Moth by Elizabeth Bishop</title>
      <description><![CDATA[<p>Production and Sound Design By Kevin Seaman</p><p>The Man-Moth” (written 1935, published 1936)</p><p>_Man-Moth: Newspaper misprint for “mammoth.”</p><p>Here, above, cracks in the buildings are filled with battered moonlight.</p><p>The whole shadow of Man is only as big as his hat.</p><p>It lies at his feet like a circle for a doll to stand on,</p><p>and he makes an inverted pin, the point magnetized to the moon.</p><p>He does not see the moon; he observes only her vast properties,</p><p>feeling the queer light on his hands, neither warm nor cold,</p><p>of a temperature impossible to record in thermometers.</p><p>But when the Man-Moth</p><p>pays his rare, although occasional, visits to the surface,</p><p>the moon looks rather different to him. He emerges</p><p>from an opening under the edge of one of the sidewalks</p><p>and nervously begins to scale the faces of the buildings.</p><p>He thinks the moon is a small hole at the top of the sky,</p><p>proving the sky quite useless for protection.</p><p>He trembles, but must investigate as high as he can climb.</p><p>Up the façades,</p><p>his shadow dragging like a photographer’s cloth behind him</p><p>he climbs fearfully, thinking that this time he will manage</p><p>to push his small head through that round clean opening</p><p>and be forced through, as from a tube, in black scrolls on the light.</p><p>(Man, standing below him, has no such illusions.)</p><p>But what the Man-Moth fears most he must do, although</p><p>he fails, of course, and falls back scared but quite unhurt.</p><p>Then he returns</p><p>to the pale subways of cement he calls his home. He flits,</p><p>he flutters, and cannot get aboard the silent trains</p><p>fast enough to suit him. The doors close swiftly.</p><p>The Man-Moth always seats himself facing the wrong way</p><p>and the train starts at once at its full, terrible speed,</p><p>without a shift in gears or a gradation of any sort.</p><p>He cannot tell the rate at which he travels backwards.</p><p>Each night he must</p><p>be carried through artificial tunnels and dream recurrent dreams.</p><p>Just as the ties recur beneath his train, these underlie</p><p>his rushing brain. He does not dare look out the window,</p><p>for the third rail, the unbroken draught of poison,</p><p>runs there beside him. He regards it as a disease</p><p>he has inherited the susceptibility to. He has to keep</p><p>his hands in his pockets, as others must wear mufflers.</p><p>If you catch him,</p><p>hold up a flashlight to his eye. It’s all dark pupil,</p><p>an entire night itself, whose haired horizon tightens</p><p>as he stares back, and closes up the eye. Then from the lids</p><p>one tear, his only possession, like the bee’s sting, slips.</p><p>Slyly he palms it, and if you’re not paying attention</p><p>he’ll swallow it. However, if you watch, he’ll hand it over,</p><p>cool as from underground springs and pure enough to drink.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Tue, 1 Oct 2019 14:59:55 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design By Kevin Seaman</p><p>The Man-Moth” (written 1935, published 1936)</p><p>_Man-Moth: Newspaper misprint for “mammoth.”</p><p>Here, above, cracks in the buildings are filled with battered moonlight.</p><p>The whole shadow of Man is only as big as his hat.</p><p>It lies at his feet like a circle for a doll to stand on,</p><p>and he makes an inverted pin, the point magnetized to the moon.</p><p>He does not see the moon; he observes only her vast properties,</p><p>feeling the queer light on his hands, neither warm nor cold,</p><p>of a temperature impossible to record in thermometers.</p><p>But when the Man-Moth</p><p>pays his rare, although occasional, visits to the surface,</p><p>the moon looks rather different to him. He emerges</p><p>from an opening under the edge of one of the sidewalks</p><p>and nervously begins to scale the faces of the buildings.</p><p>He thinks the moon is a small hole at the top of the sky,</p><p>proving the sky quite useless for protection.</p><p>He trembles, but must investigate as high as he can climb.</p><p>Up the façades,</p><p>his shadow dragging like a photographer’s cloth behind him</p><p>he climbs fearfully, thinking that this time he will manage</p><p>to push his small head through that round clean opening</p><p>and be forced through, as from a tube, in black scrolls on the light.</p><p>(Man, standing below him, has no such illusions.)</p><p>But what the Man-Moth fears most he must do, although</p><p>he fails, of course, and falls back scared but quite unhurt.</p><p>Then he returns</p><p>to the pale subways of cement he calls his home. He flits,</p><p>he flutters, and cannot get aboard the silent trains</p><p>fast enough to suit him. The doors close swiftly.</p><p>The Man-Moth always seats himself facing the wrong way</p><p>and the train starts at once at its full, terrible speed,</p><p>without a shift in gears or a gradation of any sort.</p><p>He cannot tell the rate at which he travels backwards.</p><p>Each night he must</p><p>be carried through artificial tunnels and dream recurrent dreams.</p><p>Just as the ties recur beneath his train, these underlie</p><p>his rushing brain. He does not dare look out the window,</p><p>for the third rail, the unbroken draught of poison,</p><p>runs there beside him. He regards it as a disease</p><p>he has inherited the susceptibility to. He has to keep</p><p>his hands in his pockets, as others must wear mufflers.</p><p>If you catch him,</p><p>hold up a flashlight to his eye. It’s all dark pupil,</p><p>an entire night itself, whose haired horizon tightens</p><p>as he stares back, and closes up the eye. Then from the lids</p><p>one tear, his only possession, like the bee’s sting, slips.</p><p>Slyly he palms it, and if you’re not paying attention</p><p>he’ll swallow it. However, if you watch, he’ll hand it over,</p><p>cool as from underground springs and pure enough to drink.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <itunes:title>The Man Moth by Elizabeth Bishop</itunes:title>
      <itunes:author>Homemade Sounds</itunes:author>
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      <itunes:duration>00:05:23</itunes:duration>
      <itunes:summary>Read by Y. Owen</itunes:summary>
      <itunes:subtitle>Read by Y. Owen</itunes:subtitle>
      <itunes:keywords>weird, modern poetry, halloween, elizabeth bishop, modern, poetry, the man moth, robert lowell</itunes:keywords>
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      <itunes:episode>1</itunes:episode>
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      <title>The Auroras of Autumn (Canto 5-10) by Wallace Stevens</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p><br /> </p><p> </p><p> </p><p>The Auroras of Autumn Canto 5-10</p><p>V</p><p>The mother invites humanity to her house</p><p>And table. The father fetches tellers of tales</p><p>And musicians who mute much, muse much, on the tales.</p><p>The father fetches negresses to dance,</p><p>Among the children, like curious ripenesses</p><p>Of pattern in the dance's ripening.</p><p>For these the musicians make insidious tones,</p><p>Clawing the sing-song of their instruments.</p><p>The children laugh and jangle a tinny time.</p><p>The father fetches pageants out of air,</p><p>Scenes of the theatre, vistas and blocks of woods</p><p>And curtains like a naive pretence of sleep.</p><p>Among these the musicians strike the instinctive poem.</p><p>The father fetches his unherded herds,</p><p>Of barbarous tongue, slavered and panting halves</p><p>Of breath, obedient to his trumpet's touch.</p><p>This then is Chatillon or as you please.</p><p>We stand in the tumult of a festival.</p><p>What festival? This loud, disordered mooch?</p><p>These hospitaliers? These brute-like guests?</p><p>These musicians dubbing at a tragedy,</p><p>A-dub, a-dub, which is made up of this:</p><p>That there are no lines to speak? There is no play.</p><p>Or, the persons act one merely by being here.</p><p>VI</p><p>It is a theatre floating through the clouds,</p><p>Itself a cloud, although of misted rock</p><p>And mountains running like water, wave on wave,</p><p>Through waves of light. It is of cloud transformed</p><p>To cloud transformed again, idly, the way</p><p>A season changes color to no end,</p><p>Except the lavishing of itself in change,</p><p>As light changes yellow into gold and gold</p><p>To its opal elements and fire's delight,</p><p>Splashed wide-wise because it likes magnificence</p><p>And the solemn pleasures of magnificent space</p><p>The cloud drifts idly through half-thought-of forms.</p><p>The theatre is filled with flying birds,</p><p>Wild wedges, as of a volcano's smoke, palm-eyed</p><p>And vanishing, a web in a corridor</p><p>Or massive portico. A capitol,</p><p>It may be, is emerging or has just</p><p>Collapsed. The denouement has to be postponed . . .</p><p>This is nothing until in a single man contained,</p><p>Nothing until this named thing nameless is</p><p>And is destroyed. He opens the door of his house</p><p>On flames. The scholar of one candle sees</p><p>An Arctic effulgence flaring on the frame</p><p>Of everything he is. And he feels afraid.</p><p>VII</p><p>Is there an imagination that sits enthroned</p><p>As grim as it is benevolent, the just</p><p>And the unjust, which in the midst of summer stops</p><p>To imagine winter? When the leaves are dead,</p><p>Does it take its place in the north and enfold itself,</p><p>Goat-leaper, crystalled and luminous, sitting</p><p>In highest night? And do these heavens adorn</p><p>And proclaim it, the white creator of black, jetted</p><p>By extinguishings, even of planets as may be,</p><p>Even of earth, even of sight, in snow,</p><p>Except as needed by way of majesty,</p><p>In the sky, as crown and diamond cabala?</p><p>It leaps through us, through all our heavens leaps,</p><p>Extinguishing our planets, one by one,</p><p>Leaving, of where we were and looked, of where</p><p>We knew each other and of each other thought,</p><p>A shivering residue, chilled and foregone,</p><p>Except for that crown and mystical cabala.</p><p>But it dare not leap by chance in its own dark.</p><p>It must change from destiny to slight caprice.</p><p>And thus its jetted tragedy, its stele</p><p>And shape and mournful making move to find</p><p>What must unmake it and, at last, what can,</p><p>Say, a flippant communication under the moon.</p><p>VIII</p><p>There may be always a time of innocence.</p><p>There is never a place. Or if there is no time,</p><p>If it is not a thing of time, nor of place,</p><p>Existing in the idea of it, alone,</p><p>In the sense against calamity, it is not</p><p>Less real. For the oldest and coldest philosopher,</p><p>There is or may be a time of innocence</p><p>As pure principle. Its nature is its end,</p><p>That it should be, and yet not be, a thing</p><p>That pinches the pity of the pitiful man,</p><p>Like a book at evening beautiful but untrue,</p><p>Like a book on rising beautiful and true.</p><p>It is like a thing of ether that exists</p><p>Almost as predicate. But it exists,</p><p>It exists, it is visible, it is, it is.</p><p>So, then, these lights are not a spell of light,</p><p>A saying out of a cloud, but innocence.</p><p>An innocence of the earth and no false sign</p><p>Or symbol of malice. That we partake thereof,</p><p>Lie down like children in this holiness,</p><p>As if, awake, we lay in the quiet of sleep,</p><p>As if the innocent mother sang in the dark</p><p>Of the room and on an accordion, half-heard,</p><p>Created the time and place in which we breathed . . .</p><p>IX</p><p>And of each other thought—in the idiom</p><p>Of the work, in the idiom of an innocent earth,</p><p>Not of the enigma of the guilty dream.</p><p>We were as Danes in Denmark all day long</p><p>And knew each other well, hale-hearted landsmen,</p><p>For whom the outlandish was another day</p><p>Of the week, queerer than Sunday. We thought alike</p><p>And that made brothers of us in a home</p><p>In which we fed on being brothers, fed</p><p>And fattened as on a decorous honeycomb.</p><p>This drama that we live—We lay sticky with sleep.</p><p>This sense of the activity of fate—</p><p>The rendezvous, when she came alone,</p><p>By her coming became a freedom of the two,</p><p>An isolation which only the two could share.</p><p>Shall we be found hanging in the trees next s pring?</p><p>Of what disaster in this the imminence:</p><p>Bare limbs, bare trees and a wind as sharp as salt?</p><p>The stars are putting on their glittering belts.</p><p>They throw around their shoulders cloaks that flash</p><p>Like a great shadow's last embellishment.</p><p>It may come tomorrow in the simplest word,</p><p>Almost as part of innocence, almost,</p><p>Almost as the tenderest and the truest part.</p><p>X</p><p>An unhappy people in a happy world—</p><p>Read, rabbi, the phases of this difference.</p><p>An unhappy people in an unhappy world—</p><p>Here are too many mirrors for misery.</p><p>A happy people in an unhappy world—</p><p>It cannot be. There's nothing there to roll</p><p>On the expressive tongue, the finding fang.</p><p>A happy people in a happy world—</p><p>Buffo! A ball, an opera, a bar.</p><p>Turn back to where we were when we began:</p><p>An unhappy people in a happy world.</p><p>Now, solemnize the secretive syllables.</p><p>Read to the congregation, for today</p><p>And for tomorrow, this extremity,</p><p>This contrivance of the spectre of the spheres,</p><p>Contriving balance to contrive a whole,</p><p>The vital, the never-failing genius,</p><p>Fulfilling his meditations, great and small.</p><p>In these unhappy he meditates a whole,</p><p>The full of fortune and the full of fate,</p><p>As if he lived all lives, that he might know,</p><p>In hall harridan, not hushful paradise,</p><p>To a haggling of wind and weather, by these lights</p><p>Like a blaze of summer straw, in winter's nick.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Mon, 23 Sep 2019 20:14:04 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
      <link>http://www.homemadesounds.com</link>
      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p><br /> </p><p> </p><p> </p><p>The Auroras of Autumn Canto 5-10</p><p>V</p><p>The mother invites humanity to her house</p><p>And table. The father fetches tellers of tales</p><p>And musicians who mute much, muse much, on the tales.</p><p>The father fetches negresses to dance,</p><p>Among the children, like curious ripenesses</p><p>Of pattern in the dance's ripening.</p><p>For these the musicians make insidious tones,</p><p>Clawing the sing-song of their instruments.</p><p>The children laugh and jangle a tinny time.</p><p>The father fetches pageants out of air,</p><p>Scenes of the theatre, vistas and blocks of woods</p><p>And curtains like a naive pretence of sleep.</p><p>Among these the musicians strike the instinctive poem.</p><p>The father fetches his unherded herds,</p><p>Of barbarous tongue, slavered and panting halves</p><p>Of breath, obedient to his trumpet's touch.</p><p>This then is Chatillon or as you please.</p><p>We stand in the tumult of a festival.</p><p>What festival? This loud, disordered mooch?</p><p>These hospitaliers? These brute-like guests?</p><p>These musicians dubbing at a tragedy,</p><p>A-dub, a-dub, which is made up of this:</p><p>That there are no lines to speak? There is no play.</p><p>Or, the persons act one merely by being here.</p><p>VI</p><p>It is a theatre floating through the clouds,</p><p>Itself a cloud, although of misted rock</p><p>And mountains running like water, wave on wave,</p><p>Through waves of light. It is of cloud transformed</p><p>To cloud transformed again, idly, the way</p><p>A season changes color to no end,</p><p>Except the lavishing of itself in change,</p><p>As light changes yellow into gold and gold</p><p>To its opal elements and fire's delight,</p><p>Splashed wide-wise because it likes magnificence</p><p>And the solemn pleasures of magnificent space</p><p>The cloud drifts idly through half-thought-of forms.</p><p>The theatre is filled with flying birds,</p><p>Wild wedges, as of a volcano's smoke, palm-eyed</p><p>And vanishing, a web in a corridor</p><p>Or massive portico. A capitol,</p><p>It may be, is emerging or has just</p><p>Collapsed. The denouement has to be postponed . . .</p><p>This is nothing until in a single man contained,</p><p>Nothing until this named thing nameless is</p><p>And is destroyed. He opens the door of his house</p><p>On flames. The scholar of one candle sees</p><p>An Arctic effulgence flaring on the frame</p><p>Of everything he is. And he feels afraid.</p><p>VII</p><p>Is there an imagination that sits enthroned</p><p>As grim as it is benevolent, the just</p><p>And the unjust, which in the midst of summer stops</p><p>To imagine winter? When the leaves are dead,</p><p>Does it take its place in the north and enfold itself,</p><p>Goat-leaper, crystalled and luminous, sitting</p><p>In highest night? And do these heavens adorn</p><p>And proclaim it, the white creator of black, jetted</p><p>By extinguishings, even of planets as may be,</p><p>Even of earth, even of sight, in snow,</p><p>Except as needed by way of majesty,</p><p>In the sky, as crown and diamond cabala?</p><p>It leaps through us, through all our heavens leaps,</p><p>Extinguishing our planets, one by one,</p><p>Leaving, of where we were and looked, of where</p><p>We knew each other and of each other thought,</p><p>A shivering residue, chilled and foregone,</p><p>Except for that crown and mystical cabala.</p><p>But it dare not leap by chance in its own dark.</p><p>It must change from destiny to slight caprice.</p><p>And thus its jetted tragedy, its stele</p><p>And shape and mournful making move to find</p><p>What must unmake it and, at last, what can,</p><p>Say, a flippant communication under the moon.</p><p>VIII</p><p>There may be always a time of innocence.</p><p>There is never a place. Or if there is no time,</p><p>If it is not a thing of time, nor of place,</p><p>Existing in the idea of it, alone,</p><p>In the sense against calamity, it is not</p><p>Less real. For the oldest and coldest philosopher,</p><p>There is or may be a time of innocence</p><p>As pure principle. Its nature is its end,</p><p>That it should be, and yet not be, a thing</p><p>That pinches the pity of the pitiful man,</p><p>Like a book at evening beautiful but untrue,</p><p>Like a book on rising beautiful and true.</p><p>It is like a thing of ether that exists</p><p>Almost as predicate. But it exists,</p><p>It exists, it is visible, it is, it is.</p><p>So, then, these lights are not a spell of light,</p><p>A saying out of a cloud, but innocence.</p><p>An innocence of the earth and no false sign</p><p>Or symbol of malice. That we partake thereof,</p><p>Lie down like children in this holiness,</p><p>As if, awake, we lay in the quiet of sleep,</p><p>As if the innocent mother sang in the dark</p><p>Of the room and on an accordion, half-heard,</p><p>Created the time and place in which we breathed . . .</p><p>IX</p><p>And of each other thought—in the idiom</p><p>Of the work, in the idiom of an innocent earth,</p><p>Not of the enigma of the guilty dream.</p><p>We were as Danes in Denmark all day long</p><p>And knew each other well, hale-hearted landsmen,</p><p>For whom the outlandish was another day</p><p>Of the week, queerer than Sunday. We thought alike</p><p>And that made brothers of us in a home</p><p>In which we fed on being brothers, fed</p><p>And fattened as on a decorous honeycomb.</p><p>This drama that we live—We lay sticky with sleep.</p><p>This sense of the activity of fate—</p><p>The rendezvous, when she came alone,</p><p>By her coming became a freedom of the two,</p><p>An isolation which only the two could share.</p><p>Shall we be found hanging in the trees next s pring?</p><p>Of what disaster in this the imminence:</p><p>Bare limbs, bare trees and a wind as sharp as salt?</p><p>The stars are putting on their glittering belts.</p><p>They throw around their shoulders cloaks that flash</p><p>Like a great shadow's last embellishment.</p><p>It may come tomorrow in the simplest word,</p><p>Almost as part of innocence, almost,</p><p>Almost as the tenderest and the truest part.</p><p>X</p><p>An unhappy people in a happy world—</p><p>Read, rabbi, the phases of this difference.</p><p>An unhappy people in an unhappy world—</p><p>Here are too many mirrors for misery.</p><p>A happy people in an unhappy world—</p><p>It cannot be. There's nothing there to roll</p><p>On the expressive tongue, the finding fang.</p><p>A happy people in a happy world—</p><p>Buffo! A ball, an opera, a bar.</p><p>Turn back to where we were when we began:</p><p>An unhappy people in a happy world.</p><p>Now, solemnize the secretive syllables.</p><p>Read to the congregation, for today</p><p>And for tomorrow, this extremity,</p><p>This contrivance of the spectre of the spheres,</p><p>Contriving balance to contrive a whole,</p><p>The vital, the never-failing genius,</p><p>Fulfilling his meditations, great and small.</p><p>In these unhappy he meditates a whole,</p><p>The full of fortune and the full of fate,</p><p>As if he lived all lives, that he might know,</p><p>In hall harridan, not hushful paradise,</p><p>To a haggling of wind and weather, by these lights</p><p>Like a blaze of summer straw, in winter's nick.</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <title>The Auroras of Autumn (Canto 1-4) by Wallace Stevens</title>
      <description><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p><br /> </p><p> </p><p> </p><p><strong>The Auroras of Autumn</strong></p><p>by Wallace Stevens</p><p>I</p><p>This is where the serpent lives, the bodiless.</p><p>His head is air. Beneath his tip at night</p><p>Eyes open and fix on us in every sky.</p><p>Or is this another wriggling out of the egg,</p><p>Another image at the end of the cave,</p><p>Another bodiless for the body's slough?</p><p>This is where the serpent lives. This is his nest,</p><p>These fields, these hills, these tinted distances,</p><p>And the pines above and along and beside the sea.</p><p>This is form gulping after formlessness,</p><p>Skin flashing to wished-for disappearances</p><p>And the serpent body flashing without the skin.</p><p>This is the height emerging and its base</p><p>These lights may finally attain a pole</p><p>In the midmost midnight and find the serpent there,</p><p>In another nest, the master of the maze</p><p>Of body and air and forms and images,</p><p>Relentlessly in possession of happiness.</p><p>This is his poison: that we should disbelieve</p><p>Even that. His meditations in the ferns,</p><p>When he moved so slightly to make sure of sun,</p><p>Made us no less as sure. We saw in his head,</p><p>Black beaded on the rock, the flecked animal,</p><p>The moving grass, the Indian in his glade.</p><p>II</p><p>Farewell to an idea . . . A cabin stands,</p><p>Deserted, on a beach. It is white,</p><p>As by a custom or according to</p><p>An ancestral theme or as a consequence</p><p>Of an infinite course. The flowers against the wall</p><p>Are white, a little dried, a kind of mark</p><p>Reminding, trying to remind, of a white</p><p>That was different, something else, last year</p><p>Or before, not the white of an aging afternoon,</p><p>Whether fresher or duller, whether of winter cloud</p><p>Or of winter sky, from horizon to horizon.</p><p>The wind is blowing the sand across the floor.</p><p>Here, being visible is being white,</p><p>Is being of the solid of white, the accomplishment</p><p>Of an extremist in an exercise . . .</p><p>The season changes. A cold wind chills the beach.</p><p>The long lines of it grow longer, emptier,</p><p>A darkness gathers though it does not fall</p><p>And the whiteness grows less vivid on the wall.</p><p>The man who is walking turns blankly on the sand.</p><p>He observes how the north is always enlarging the change,</p><p>With its frigid brilliances, its blue-red sweeps</p><p>And gusts of great enkindlings, its polar green,</p><p>The color of ice and fire and solitude.</p><p>III</p><p>Farewell to an idea . . . The mother's face,</p><p>The purpose of the poem, fills the room.</p><p>They are together, here, and it is warm,</p><p>With none of the prescience of oncoming dreams.</p><p>It is evening. The house is evening, half dissolved.</p><p>Only the half they can never possess remains,</p><p>Still-starred. It is the mother they possess,</p><p>Who gives transparence to their present peace.</p><p>She makes that gentler that can gentle be.</p><p>And yet she too is dissolved, she is destroyed.</p><p>She gives transparence. But she has grown old.</p><p>The necklace is a carving not a kiss.</p><p>The soft hands are a motion not a touch.</p><p>The house will crumble and the books will burn.</p><p>They are at ease in a shelter of the mind</p><p>And the house is of the mind and they and time,</p><p>Together, all together. Boreal night</p><p>Will look like frost as it approaches them</p><p>And to the mother as she falls asleep</p><p>And as they say good-night, good-night. Upstairs</p><p>The windows will be lighted, not the rooms.</p><p>A wind will spread its windy grandeurs round</p><p>And knock like a rifle-butt against the door.</p><p>The wind will command them with invincible sound.</p><p>IV</p><p>Farewell to an idea . . . The cancellings,</p><p>The negations are never final. The father sits</p><p>In space, wherever he sits, of bleak regard,</p><p>As one that is strong in the bushes of his eyes.</p><p>He says no to no and yes to yes. He says yes</p><p>To no; and in saying yes he says farewell.</p><p>He measures the velocities of change.</p><p>He leaps from heaven to heaven more rapidly</p><p>Than bad angels leap from heaven to hell in flam es.</p><p>But now he sits in quiet and green-a-day.</p><p>He assumes the great speeds of space and flutters them</p><p>From cloud to cloudless, cloudless to keen clear</p><p>In flights of eye and ear, the highest eye</p><p>And the lowest ear, the deep ear that discerns,</p><p>At evening, things that attend it until it hears</p><p>The supernatural preludes of its own,</p><p>At the moment when the angelic eye defines</p><p>Its actors approaching, in company, in their masks.</p><p>Master O master seated by the fire</p><p>And yet in space and motionless and yet</p><p>Of motion the ever-brightening origin,</p><p>Profound, and yet the king and yet the crown,</p><p>Look at this present throne. What company,</p><p>In masks, can choir it with the naked wind?</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></description>
      <pubDate>Thu, 12 Sep 2019 14:26:44 +0000</pubDate>
      <author>fieldsound@gmail.com (Homemade Sounds)</author>
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      <content:encoded><![CDATA[<p>Production and Sound Design by Kevin Seaman</p><p><br /> </p><p> </p><p> </p><p><strong>The Auroras of Autumn</strong></p><p>by Wallace Stevens</p><p>I</p><p>This is where the serpent lives, the bodiless.</p><p>His head is air. Beneath his tip at night</p><p>Eyes open and fix on us in every sky.</p><p>Or is this another wriggling out of the egg,</p><p>Another image at the end of the cave,</p><p>Another bodiless for the body's slough?</p><p>This is where the serpent lives. This is his nest,</p><p>These fields, these hills, these tinted distances,</p><p>And the pines above and along and beside the sea.</p><p>This is form gulping after formlessness,</p><p>Skin flashing to wished-for disappearances</p><p>And the serpent body flashing without the skin.</p><p>This is the height emerging and its base</p><p>These lights may finally attain a pole</p><p>In the midmost midnight and find the serpent there,</p><p>In another nest, the master of the maze</p><p>Of body and air and forms and images,</p><p>Relentlessly in possession of happiness.</p><p>This is his poison: that we should disbelieve</p><p>Even that. His meditations in the ferns,</p><p>When he moved so slightly to make sure of sun,</p><p>Made us no less as sure. We saw in his head,</p><p>Black beaded on the rock, the flecked animal,</p><p>The moving grass, the Indian in his glade.</p><p>II</p><p>Farewell to an idea . . . A cabin stands,</p><p>Deserted, on a beach. It is white,</p><p>As by a custom or according to</p><p>An ancestral theme or as a consequence</p><p>Of an infinite course. The flowers against the wall</p><p>Are white, a little dried, a kind of mark</p><p>Reminding, trying to remind, of a white</p><p>That was different, something else, last year</p><p>Or before, not the white of an aging afternoon,</p><p>Whether fresher or duller, whether of winter cloud</p><p>Or of winter sky, from horizon to horizon.</p><p>The wind is blowing the sand across the floor.</p><p>Here, being visible is being white,</p><p>Is being of the solid of white, the accomplishment</p><p>Of an extremist in an exercise . . .</p><p>The season changes. A cold wind chills the beach.</p><p>The long lines of it grow longer, emptier,</p><p>A darkness gathers though it does not fall</p><p>And the whiteness grows less vivid on the wall.</p><p>The man who is walking turns blankly on the sand.</p><p>He observes how the north is always enlarging the change,</p><p>With its frigid brilliances, its blue-red sweeps</p><p>And gusts of great enkindlings, its polar green,</p><p>The color of ice and fire and solitude.</p><p>III</p><p>Farewell to an idea . . . The mother's face,</p><p>The purpose of the poem, fills the room.</p><p>They are together, here, and it is warm,</p><p>With none of the prescience of oncoming dreams.</p><p>It is evening. The house is evening, half dissolved.</p><p>Only the half they can never possess remains,</p><p>Still-starred. It is the mother they possess,</p><p>Who gives transparence to their present peace.</p><p>She makes that gentler that can gentle be.</p><p>And yet she too is dissolved, she is destroyed.</p><p>She gives transparence. But she has grown old.</p><p>The necklace is a carving not a kiss.</p><p>The soft hands are a motion not a touch.</p><p>The house will crumble and the books will burn.</p><p>They are at ease in a shelter of the mind</p><p>And the house is of the mind and they and time,</p><p>Together, all together. Boreal night</p><p>Will look like frost as it approaches them</p><p>And to the mother as she falls asleep</p><p>And as they say good-night, good-night. Upstairs</p><p>The windows will be lighted, not the rooms.</p><p>A wind will spread its windy grandeurs round</p><p>And knock like a rifle-butt against the door.</p><p>The wind will command them with invincible sound.</p><p>IV</p><p>Farewell to an idea . . . The cancellings,</p><p>The negations are never final. The father sits</p><p>In space, wherever he sits, of bleak regard,</p><p>As one that is strong in the bushes of his eyes.</p><p>He says no to no and yes to yes. He says yes</p><p>To no; and in saying yes he says farewell.</p><p>He measures the velocities of change.</p><p>He leaps from heaven to heaven more rapidly</p><p>Than bad angels leap from heaven to hell in flam es.</p><p>But now he sits in quiet and green-a-day.</p><p>He assumes the great speeds of space and flutters them</p><p>From cloud to cloudless, cloudless to keen clear</p><p>In flights of eye and ear, the highest eye</p><p>And the lowest ear, the deep ear that discerns,</p><p>At evening, things that attend it until it hears</p><p>The supernatural preludes of its own,</p><p>At the moment when the angelic eye defines</p><p>Its actors approaching, in company, in their masks.</p><p>Master O master seated by the fire</p><p>And yet in space and motionless and yet</p><p>Of motion the ever-brightening origin,</p><p>Profound, and yet the king and yet the crown,</p><p>Look at this present throne. What company,</p><p>In masks, can choir it with the naked wind?</p>
<p><p>&nbsp;</p><p>Production and Sound Design by Kevin Seaman</p></p>]]></content:encoded>
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      <pubDate>Wed, 4 Sep 2019 20:01:15 +0000</pubDate>
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      <pubDate>Tue, 3 Sep 2019 18:03:25 +0000</pubDate>
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      <pubDate>Thu, 29 Aug 2019 18:54:12 +0000</pubDate>
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      <title>Cicadas And by Nathan Hoks</title>
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<p>Nathan Hoks is the author of two books of poetry, Reveilles and The Narrow Circle, which was a winner of the 2012 National Poetry Series and published by Penguin. His translations, poems, and critical writings have appeared in journals such as The Colorado Review, jubilat, Crazyhorse, Lit, Circumference, Octopus Magazine, and Verse. A graduate of the Iowa Writers’ Workshop, Hoks works as an editor and letterpress printer for Convulsive Editions, a micro-press that publishes chapbooks and broadsides.</p>
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      <pubDate>Wed, 21 Aug 2019 21:30:53 +0000</pubDate>
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<p>Nathan Hoks is the author of two books of poetry, Reveilles and The Narrow Circle, which was a winner of the 2012 National Poetry Series and published by Penguin. His translations, poems, and critical writings have appeared in journals such as The Colorado Review, jubilat, Crazyhorse, Lit, Circumference, Octopus Magazine, and Verse. A graduate of the Iowa Writers’ Workshop, Hoks works as an editor and letterpress printer for Convulsive Editions, a micro-press that publishes chapbooks and broadsides.</p>
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