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    <title>WORD for WORDcast</title>
    <description>Word for Word is a San Francisco based theater company that brings works of literature to the stage. Instead of adapting a script, they use every word of a text in a dynamic, evocative style that communicates the intended beauty of the prose or poetry. 

In this new podcast, the company brings their unique style into your home for the first time, revisiting some favorite stories from the past as well as exploring some works they haven&apos;t previously performed. Fans of Word for Word will appreciate the same aesthetic from their full theatrical productions and their Off the Page reading series.</description>
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    <pubDate>Tue, 3 Aug 2021 18:00:00 +0000</pubDate>
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    <itunes:summary>Word for Word is a San Francisco based theater company that brings works of literature to the stage. Instead of adapting a script, they use every word of a text in a dynamic, evocative style that communicates the intended beauty of the prose or poetry. 

In this new podcast, the company brings their unique style into your home for the first time, revisiting some favorite stories from the past as well as exploring some works they haven&apos;t previously performed. Fans of Word for Word will appreciate the same aesthetic from their full theatrical productions and their Off the Page reading series.</itunes:summary>
    <itunes:author>Word for Word</itunes:author>
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      <title>The Appropriation of Cultures by Percival Everett</title>
      <description><![CDATA[<p>Percival Everett has said: “Since telling the South Carolina State Legislature in 1989 that I couldn’t continue my address because of the presence of such a conspicuous sign of exclusion [the confederate flag], I have not really considered South Carolina.” This is a wickedly subversive story, about symbols and their meaning. "The Appropriation of Cultures" was written in 1996, and published in Everett's 2004 story collection, <i>Damned If I Do</i>, by Graywolf Press.</p><p>WORD for WORDcast is Word for Word Theater Company's podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. </p><p>To maximize your experience, we recommend listening with headphones or good stereo speakers.</p><p>If you've enjoyed this podcast, please consider a donation at <a href="http://www.zspace.org/pod">zspace.org/pod</a>. We are committed to paying the creative staff a profession rate for their work.</p><p><strong>Credits:</strong></p><p>Directed by Rami Margron</p><p>Cast:<br />Cassidy Brown*<br />Artis Fountaine<br />Safiya Fredericks*<br />Gwen Loeb*<br />David Everett Moore*</p><p>Composer: Marcus Shelby<br />Sound Design: Elton Bradman<br />Dramaturg, Line Producer: Lindsay Jenkins<br />Production Assistant: Kelley Ho</p><p>*Member, AEA</p><p>Performed by permission of the author.</p><p>This episode also features a conversation between director Rami Margron, composer Marcus Shelby, and dramaturg Lindsay Jenkins following the story.</p>
]]></description>
      <pubDate>Tue, 3 Aug 2021 18:00:00 +0000</pubDate>
      <author>aburmester@zspace.org (Elton Bradman, Lindsay Jenkins, Cassidy Brown, Rami Margron, Word for Word, David Everett Moore, Safiya Fredericks, Artis Fountaine, Gwen Loeb, Marcus Shelby, Kelley Ho)</author>
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      <content:encoded><![CDATA[<p>Percival Everett has said: “Since telling the South Carolina State Legislature in 1989 that I couldn’t continue my address because of the presence of such a conspicuous sign of exclusion [the confederate flag], I have not really considered South Carolina.” This is a wickedly subversive story, about symbols and their meaning. "The Appropriation of Cultures" was written in 1996, and published in Everett's 2004 story collection, <i>Damned If I Do</i>, by Graywolf Press.</p><p>WORD for WORDcast is Word for Word Theater Company's podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. </p><p>To maximize your experience, we recommend listening with headphones or good stereo speakers.</p><p>If you've enjoyed this podcast, please consider a donation at <a href="http://www.zspace.org/pod">zspace.org/pod</a>. We are committed to paying the creative staff a profession rate for their work.</p><p><strong>Credits:</strong></p><p>Directed by Rami Margron</p><p>Cast:<br />Cassidy Brown*<br />Artis Fountaine<br />Safiya Fredericks*<br />Gwen Loeb*<br />David Everett Moore*</p><p>Composer: Marcus Shelby<br />Sound Design: Elton Bradman<br />Dramaturg, Line Producer: Lindsay Jenkins<br />Production Assistant: Kelley Ho</p><p>*Member, AEA</p><p>Performed by permission of the author.</p><p>This episode also features a conversation between director Rami Margron, composer Marcus Shelby, and dramaturg Lindsay Jenkins following the story.</p>
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      <itunes:title>The Appropriation of Cultures by Percival Everett</itunes:title>
      <itunes:author>Elton Bradman, Lindsay Jenkins, Cassidy Brown, Rami Margron, Word for Word, David Everett Moore, Safiya Fredericks, Artis Fountaine, Gwen Loeb, Marcus Shelby, Kelley Ho</itunes:author>
      <itunes:duration>00:49:06</itunes:duration>
      <itunes:summary>Percival Everett has said: “Since telling the South Carolina State Legislature in 1989 that I couldn’t continue my address because of the presence of such a conspicuous sign of exclusion [the confederate flag], I have not really considered South Carolina.” This is a wickedly subversive story, about symbols and their meaning. &quot;The Appropriation of Cultures&quot; was written in 1996, and published in Everett&apos;s 2004 story collection, Damned If I Do, by Graywolf Press.

WORD for WORDcast is Word for Word Theater Company&apos;s podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. </itunes:summary>
      <itunes:subtitle>Percival Everett has said: “Since telling the South Carolina State Legislature in 1989 that I couldn’t continue my address because of the presence of such a conspicuous sign of exclusion [the confederate flag], I have not really considered South Carolina.” This is a wickedly subversive story, about symbols and their meaning. &quot;The Appropriation of Cultures&quot; was written in 1996, and published in Everett&apos;s 2004 story collection, Damned If I Do, by Graywolf Press.

WORD for WORDcast is Word for Word Theater Company&apos;s podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. </itunes:subtitle>
      <itunes:keywords>literature, marcus shelby, percival everett, drama, word for word</itunes:keywords>
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      <itunes:episode>7</itunes:episode>
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      <title>Season Two of the Word for Wordcast begins this week!</title>
      <description><![CDATA[<p>It’s our incredible pleasure to announce the upcoming second season of the WORD for WORD<i>cast</i>!</p><p>Join us on Thursday, July 22 as we release Season Two’s first episode, “The Appropriation of Cultures” by Percival Everett. It will be available on our website at<a href="http://zspace.org/pod"> zspace.org/pod</a>, as well as on Apple Podcast, Spotify, and most other major podcasting services.</p><p>This wickedly subversive story is directed by Rami Margron with a talented cast consisting of Cassidy Brown, Artis Fountaine, Safiya Frederick, Gwen Loeb, and David Everett Moore. Renowned jazz artist Marcus Shelby composes original music and the grammy-nominated Elton Bradman provides sound design. A crew of Lindsay Jenkins (Line Producer), and Kelley Ho (Production Assistant), were instrumental in bringing this work to completion.</p><p>As of now, Season Two's schedule also includes:</p><p>"A Pair of Eyeglasses" by Anna Maria Ortese - directed by Rotimi Agbabiaka - releasing in two parts on August 26 and September 2</p><p>"Home" by George Saunders - directed by Sheila Balter - releasing on October 7</p><p>"Raymond's Run" and "Blues Ain't No Mockin Bird" by Toni Cade Bambara - directed by Edris Cooper-Anifowoshe - releasing on November 4</p><p>We hope that you’ll join us as we continue to bring your favorite short stories from the stage to the airwaves (and smart phones, and home computers…)</p>
]]></description>
      <pubDate>Mon, 19 Jul 2021 20:15:10 +0000</pubDate>
      <author>aburmester@zspace.org (word for word)</author>
      <link>https://word-for-wordcast.simplecast.com/episodes/season-two-of-the-word-for-wordcast-is-coming-soon-DufT8FKN</link>
      <content:encoded><![CDATA[<p>It’s our incredible pleasure to announce the upcoming second season of the WORD for WORD<i>cast</i>!</p><p>Join us on Thursday, July 22 as we release Season Two’s first episode, “The Appropriation of Cultures” by Percival Everett. It will be available on our website at<a href="http://zspace.org/pod"> zspace.org/pod</a>, as well as on Apple Podcast, Spotify, and most other major podcasting services.</p><p>This wickedly subversive story is directed by Rami Margron with a talented cast consisting of Cassidy Brown, Artis Fountaine, Safiya Frederick, Gwen Loeb, and David Everett Moore. Renowned jazz artist Marcus Shelby composes original music and the grammy-nominated Elton Bradman provides sound design. A crew of Lindsay Jenkins (Line Producer), and Kelley Ho (Production Assistant), were instrumental in bringing this work to completion.</p><p>As of now, Season Two's schedule also includes:</p><p>"A Pair of Eyeglasses" by Anna Maria Ortese - directed by Rotimi Agbabiaka - releasing in two parts on August 26 and September 2</p><p>"Home" by George Saunders - directed by Sheila Balter - releasing on October 7</p><p>"Raymond's Run" and "Blues Ain't No Mockin Bird" by Toni Cade Bambara - directed by Edris Cooper-Anifowoshe - releasing on November 4</p><p>We hope that you’ll join us as we continue to bring your favorite short stories from the stage to the airwaves (and smart phones, and home computers…)</p>
]]></content:encoded>
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      <itunes:title>Season Two of the Word for Wordcast begins this week!</itunes:title>
      <itunes:author>word for word</itunes:author>
      <itunes:duration>00:01:28</itunes:duration>
      <itunes:summary>It’s our incredible pleasure to announce the upcoming second season of the WORD for WORDcast!

Join us on Thursday, July 22 as we release Season Two’s first episode, “The Appropriation of Cultures” by Percival Everett. Season Two continues through the rest of 2021 and features such authors as Anna Maria Ortese, George Saunders, and Toni Cade Bambara. 

We hope you’ll join us as we continue to bring your favorite short stories from the page to the airwaves (and smart phones, and home computers…)  Happy listening!
</itunes:summary>
      <itunes:subtitle>It’s our incredible pleasure to announce the upcoming second season of the WORD for WORDcast!

Join us on Thursday, July 22 as we release Season Two’s first episode, “The Appropriation of Cultures” by Percival Everett. Season Two continues through the rest of 2021 and features such authors as Anna Maria Ortese, George Saunders, and Toni Cade Bambara. 

We hope you’ll join us as we continue to bring your favorite short stories from the page to the airwaves (and smart phones, and home computers…)  Happy listening!
</itunes:subtitle>
      <itunes:keywords>literature, percival everett, plays, radio plays, z space, drama, word for word, the appropriation of cultures</itunes:keywords>
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      <title>Citizen by Greg Sarris, Pt. 2</title>
      <description><![CDATA[<p><strong>“Citizen” </strong>by author Greg Sarris, tells the story of Salvador, born in the U.S., raised in Mexico; son of an American Indian mother and a Mexican father. He has returned to California to find his mother, or rather, her grave. Working in the fields and ranches around Santa Rosa, he meets his mother's family, encountering both kindness and opportunism, as well as glimmers of hope. An American citizen, who speaks no English, Salvador procures his proof of citizenship and begins to discover his true identity, and what it means to belong.</p><p>WORD for WORDcast is Word for Word Theater Company's podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. </p><p>To maximize your experience, we recommend listening with headphones or good stereo speakers.</p><p>If you've enjoyed this podcast, please consider a donation at <a href="http://www.zspace.org/pod">zspace.org/pod</a>. We are committed to paying the creative staff a profession rate for their work.</p><p><strong>Credits:</strong></p><p>Directed by Gendell Hing-Hernández</p><p>Cast:<br />Carlos Aguirre* - Marco, Eduardo, Ensemble<br />Carolyn Dunn - Eldine<br />Marie-Claire Erdynast - Lily, Candy, Ensemble<br />Rodrigo García - Salvador<br />Edie Flores - Salvador's Father, Al, Ioncencio, Ensemble<br />Regina Morones - Catarina, Ofelia, Ensemble<br />Ryan Tasker* - Mike, Ensemble</p><p>David R. Molina: Sound Design, Original Music, Editor and Mix Engineer<br />Impuritan: Additional Original Music ("Light is Mortal Too")<br />Carlos Aguirre: Heart Beat Box<br />Ras K'Dee: Additional Original Music (“Buscando”)<br />Imani Champion*: Line Producer<br />Desirée Alcocer: Production Assistant<br />Colm McNally: Production Manager <br />Joe Moore: Sound Engineer<br />Andrew Burmester: Marketing and Distribution</p><p>*Member, AEA</p><p>Included in this podcast after the story is a conversation with Author Greg Sarris, Director Gendell Hing-Hernández and Word for Word Co-Artistic Director JoAnne Winter</p>
]]></description>
      <pubDate>Fri, 22 Jan 2021 01:00:00 +0000</pubDate>
      <author>aburmester@zspace.org (Word for Word)</author>
      <link>https://word-for-wordcast.simplecast.com/episodes/citizen-by-greg-sarris-pt2-INOl4llv</link>
      <content:encoded><![CDATA[<p><strong>“Citizen” </strong>by author Greg Sarris, tells the story of Salvador, born in the U.S., raised in Mexico; son of an American Indian mother and a Mexican father. He has returned to California to find his mother, or rather, her grave. Working in the fields and ranches around Santa Rosa, he meets his mother's family, encountering both kindness and opportunism, as well as glimmers of hope. An American citizen, who speaks no English, Salvador procures his proof of citizenship and begins to discover his true identity, and what it means to belong.</p><p>WORD for WORDcast is Word for Word Theater Company's podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. </p><p>To maximize your experience, we recommend listening with headphones or good stereo speakers.</p><p>If you've enjoyed this podcast, please consider a donation at <a href="http://www.zspace.org/pod">zspace.org/pod</a>. We are committed to paying the creative staff a profession rate for their work.</p><p><strong>Credits:</strong></p><p>Directed by Gendell Hing-Hernández</p><p>Cast:<br />Carlos Aguirre* - Marco, Eduardo, Ensemble<br />Carolyn Dunn - Eldine<br />Marie-Claire Erdynast - Lily, Candy, Ensemble<br />Rodrigo García - Salvador<br />Edie Flores - Salvador's Father, Al, Ioncencio, Ensemble<br />Regina Morones - Catarina, Ofelia, Ensemble<br />Ryan Tasker* - Mike, Ensemble</p><p>David R. Molina: Sound Design, Original Music, Editor and Mix Engineer<br />Impuritan: Additional Original Music ("Light is Mortal Too")<br />Carlos Aguirre: Heart Beat Box<br />Ras K'Dee: Additional Original Music (“Buscando”)<br />Imani Champion*: Line Producer<br />Desirée Alcocer: Production Assistant<br />Colm McNally: Production Manager <br />Joe Moore: Sound Engineer<br />Andrew Burmester: Marketing and Distribution</p><p>*Member, AEA</p><p>Included in this podcast after the story is a conversation with Author Greg Sarris, Director Gendell Hing-Hernández and Word for Word Co-Artistic Director JoAnne Winter</p>
]]></content:encoded>
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      <itunes:title>Citizen by Greg Sarris, Pt. 2</itunes:title>
      <itunes:author>Word for Word</itunes:author>
      <itunes:duration>00:59:01</itunes:duration>
      <itunes:summary>“Citizen” by author Greg Sarris, tells the story of Salvador, born in the U.S., raised in Mexico; son of an American Indian mother and a Mexican father. He has returned to California to find his mother, or rather, her grave. Working in the fields and ranches around Santa Rosa, he meets his mother&apos;s family, encountering both kindness and opportunism, as well as glimmers of hope. An American citizen, who speaks no English, Salvador procures his proof of citizenship and begins to discover his true identity, and what it means to belong.</itunes:summary>
      <itunes:subtitle>“Citizen” by author Greg Sarris, tells the story of Salvador, born in the U.S., raised in Mexico; son of an American Indian mother and a Mexican father. He has returned to California to find his mother, or rather, her grave. Working in the fields and ranches around Santa Rosa, he meets his mother&apos;s family, encountering both kindness and opportunism, as well as glimmers of hope. An American citizen, who speaks no English, Salvador procures his proof of citizenship and begins to discover his true identity, and what it means to belong.</itunes:subtitle>
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      <itunes:explicit>yes</itunes:explicit>
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      <title>Citizen by Greg Sarris, Pt. 1</title>
      <description><![CDATA[<p><strong>“Citizen” </strong>by author Greg Sarris, tells the story of Salvador, born in the U.S., raised in Mexico; son of an American Indian mother and a Mexican father. He has returned to California to find his mother, or rather, her grave. Working in the fields and ranches around Santa Rosa, he meets his mother's family, encountering both kindness and opportunism, as well as glimmers of hope. An American citizen, who speaks no English, Salvador procures his proof of citizenship and begins to discover his true identity, and what it means to belong.</p><p>WORD for WORDcast is Word for Word Theater Company's podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. </p><p>To maximize your experience, we recommend listening with headphones or good stereo speakers.</p><p>If you've enjoyed this podcast, please consider a donation at <a href="http://www.zspace.org/pod">zspace.org/pod</a>. We are committed to paying the creative staff a profession rate for their work.</p><p><strong>Credits:</strong></p><p>Directed by Gendell Hing-Hernández</p><p>Cast:<br />Carlos Aguirre* - Marco, Eduardo, Ensemble<br />Carolyn Dunn - Eldine<br />Marie-Claire Erdynast - Lily, Candy, Ensemble<br />Rodrigo García - Salvador<br />Edie Flores - Salvador's Father, Al, Ioncencio, Ensemble<br />Regina Morones - Catarina, Ofelia, Ensemble<br />Ryan Tasker* - Mike, Ensemble</p><p>David R. Molina: Sound Design, Original Music, Editor and Mix Engineer<br />Impuritan: Additional Original Music ("Light is Mortal Too")<br />Carlos Aguirre: Heart Beat Box<br />Ras K'Dee: Additional Original Music (“Buscando”)<br />Imani Champion*: Line Producer<br />Desirée Alcocer: Production Assistant<br />Colm McNally: Production Manager <br />Joe Moore: Sound Engineer<br />Andrew Burmester: Marketing and Distribution</p><p>*Member, AEA</p><p>Included in this podcast is after the story are two tracks featuring cast member Carlos Aguirre:</p><p>Tourai - Emcee Infinite and Nezbeat (collaborator and producer)<br />The Fall - Emcee Infinite, produced by Keith Pinto</p>
]]></description>
      <pubDate>Fri, 15 Jan 2021 01:00:00 +0000</pubDate>
      <author>aburmester@zspace.org (Z Space)</author>
      <link>https://word-for-wordcast.simplecast.com/episodes/citizen-by-greg-sarris-pt-1-vvUO1dtQ</link>
      <content:encoded><![CDATA[<p><strong>“Citizen” </strong>by author Greg Sarris, tells the story of Salvador, born in the U.S., raised in Mexico; son of an American Indian mother and a Mexican father. He has returned to California to find his mother, or rather, her grave. Working in the fields and ranches around Santa Rosa, he meets his mother's family, encountering both kindness and opportunism, as well as glimmers of hope. An American citizen, who speaks no English, Salvador procures his proof of citizenship and begins to discover his true identity, and what it means to belong.</p><p>WORD for WORDcast is Word for Word Theater Company's podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. </p><p>To maximize your experience, we recommend listening with headphones or good stereo speakers.</p><p>If you've enjoyed this podcast, please consider a donation at <a href="http://www.zspace.org/pod">zspace.org/pod</a>. We are committed to paying the creative staff a profession rate for their work.</p><p><strong>Credits:</strong></p><p>Directed by Gendell Hing-Hernández</p><p>Cast:<br />Carlos Aguirre* - Marco, Eduardo, Ensemble<br />Carolyn Dunn - Eldine<br />Marie-Claire Erdynast - Lily, Candy, Ensemble<br />Rodrigo García - Salvador<br />Edie Flores - Salvador's Father, Al, Ioncencio, Ensemble<br />Regina Morones - Catarina, Ofelia, Ensemble<br />Ryan Tasker* - Mike, Ensemble</p><p>David R. Molina: Sound Design, Original Music, Editor and Mix Engineer<br />Impuritan: Additional Original Music ("Light is Mortal Too")<br />Carlos Aguirre: Heart Beat Box<br />Ras K'Dee: Additional Original Music (“Buscando”)<br />Imani Champion*: Line Producer<br />Desirée Alcocer: Production Assistant<br />Colm McNally: Production Manager <br />Joe Moore: Sound Engineer<br />Andrew Burmester: Marketing and Distribution</p><p>*Member, AEA</p><p>Included in this podcast is after the story are two tracks featuring cast member Carlos Aguirre:</p><p>Tourai - Emcee Infinite and Nezbeat (collaborator and producer)<br />The Fall - Emcee Infinite, produced by Keith Pinto</p>
]]></content:encoded>
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      <itunes:title>Citizen by Greg Sarris, Pt. 1</itunes:title>
      <itunes:author>Z Space</itunes:author>
      <itunes:duration>00:59:01</itunes:duration>
      <itunes:summary>“Citizen” by author Greg Sarris, tells the story of Salvador, born in the U.S., raised in Mexico; son of an American Indian mother and a Mexican father. He has returned to California to find his mother, or rather, her grave. Working in the fields and ranches around Santa Rosa, he meets his mother&apos;s family, encountering both kindness and opportunism, as well as glimmers of hope. An American citizen, who speaks no English, Salvador procures his proof of citizenship and begins to discover his true identity, and what it means to belong.</itunes:summary>
      <itunes:subtitle>“Citizen” by author Greg Sarris, tells the story of Salvador, born in the U.S., raised in Mexico; son of an American Indian mother and a Mexican father. He has returned to California to find his mother, or rather, her grave. Working in the fields and ranches around Santa Rosa, he meets his mother&apos;s family, encountering both kindness and opportunism, as well as glimmers of hope. An American citizen, who speaks no English, Salvador procures his proof of citizenship and begins to discover his true identity, and what it means to belong.</itunes:subtitle>
      <itunes:keywords>literature, native american literature, greg sarris, word for word, theater, american indian literature</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <itunes:episode>5</itunes:episode>
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      <title>The 14 Mission by Anita Cabrera</title>
      <description><![CDATA[<p>"The 14 Mission" is a gritty Christmas story about loneliness and friendship by San Francisco writer Anita Cabrera. On Christmas Day, a man takes a crosstown bus to visit his best friend. The man remembers his own life as a drunken outcast, so troubled he was once thrown off the bus he is now riding. As the bus ride proceeds and he traverses the neighborhoods of San Francisco, he considers what he owes his friend.</p><p>WORD for WORDcast is Word for Word Theater Company's podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This is an ongoing series, upcoming stories are “Citizen” by Greg Sarris (1/14 and 1/21), and “Books and Roses” by Helen Oyeyemi (2/14, 2/21, and 2/28).</p><p>To maximize your experience, we recommend listening with headphones or good stereo speakers.</p><p>If you've enjoyed this podcast, please consider a donation at <a href="http://www.zspace.org/pod">zspace.org/pod</a>. We are committed to paying the creative staff a profession rate for their work.</p><p>Also included in this podcast is an interview with author Anita Cabrera and director Stephanie Hunt by Vanessa Flores, Word for Word Core Company Member.</p><p><strong>Credits:</strong></p><p>Directed by Stephanie Hunt</p><p>Cast:<br />Robert Ernst* ** - Ron / Gypsy<br />Rosie Hallett* - Sherri / Ensemble<br />Dorian Lockett* ** - Bus Driver / Ensemble<br />Alexander Pannullo* - Skinhead Ed / Ensemble<br />Amy Prosser* ** - Mother / Ensemble<br />Jomar Tagatac* - Melvin<br />Michael Torres* ** - Pelican Pete</p><p>Sound Design: Drew Yerys<br />Line Producer: Krys Swan<br />Production Manager: Colm McNally<br />Sound Engineer: Joe Moore<br />Marketing and Distribution: Andrew Burmester</p><p>*Member, AEA<br />**Member, SAG/AFTRA</p>
]]></description>
      <pubDate>Tue, 29 Dec 2020 01:00:00 +0000</pubDate>
      <author>aburmester@zspace.org (Z Space)</author>
      <link>https://word-for-wordcast.simplecast.com/episodes/the-14-mission-by-anita-cabrera-mTWq8tBB</link>
      <content:encoded><![CDATA[<p>"The 14 Mission" is a gritty Christmas story about loneliness and friendship by San Francisco writer Anita Cabrera. On Christmas Day, a man takes a crosstown bus to visit his best friend. The man remembers his own life as a drunken outcast, so troubled he was once thrown off the bus he is now riding. As the bus ride proceeds and he traverses the neighborhoods of San Francisco, he considers what he owes his friend.</p><p>WORD for WORDcast is Word for Word Theater Company's podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This is an ongoing series, upcoming stories are “Citizen” by Greg Sarris (1/14 and 1/21), and “Books and Roses” by Helen Oyeyemi (2/14, 2/21, and 2/28).</p><p>To maximize your experience, we recommend listening with headphones or good stereo speakers.</p><p>If you've enjoyed this podcast, please consider a donation at <a href="http://www.zspace.org/pod">zspace.org/pod</a>. We are committed to paying the creative staff a profession rate for their work.</p><p>Also included in this podcast is an interview with author Anita Cabrera and director Stephanie Hunt by Vanessa Flores, Word for Word Core Company Member.</p><p><strong>Credits:</strong></p><p>Directed by Stephanie Hunt</p><p>Cast:<br />Robert Ernst* ** - Ron / Gypsy<br />Rosie Hallett* - Sherri / Ensemble<br />Dorian Lockett* ** - Bus Driver / Ensemble<br />Alexander Pannullo* - Skinhead Ed / Ensemble<br />Amy Prosser* ** - Mother / Ensemble<br />Jomar Tagatac* - Melvin<br />Michael Torres* ** - Pelican Pete</p><p>Sound Design: Drew Yerys<br />Line Producer: Krys Swan<br />Production Manager: Colm McNally<br />Sound Engineer: Joe Moore<br />Marketing and Distribution: Andrew Burmester</p><p>*Member, AEA<br />**Member, SAG/AFTRA</p>
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      <itunes:title>The 14 Mission by Anita Cabrera</itunes:title>
      <itunes:author>Z Space</itunes:author>
      <itunes:duration>00:59:00</itunes:duration>
      <itunes:summary>The WORD for WORDcast returns with “The 14 Mission,” a gritty Christmas story about loneliness and friendship by San Francisco writer Anita Cabrera. On Christmas Day, a man takes a crosstown bus to visit his best friend. The man remembers his own life as a drunken outcast, so troubled he was once thrown off the bus he is now riding. As the bus ride proceeds and he traverses the neighborhoods of San Francisco, he considers what he owes his friend.</itunes:summary>
      <itunes:subtitle>The WORD for WORDcast returns with “The 14 Mission,” a gritty Christmas story about loneliness and friendship by San Francisco writer Anita Cabrera. On Christmas Day, a man takes a crosstown bus to visit his best friend. The man remembers his own life as a drunken outcast, so troubled he was once thrown off the bus he is now riding. As the bus ride proceeds and he traverses the neighborhoods of San Francisco, he considers what he owes his friend.</itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
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      <title>The Machine Stops by E.M. Forster, Pt. 3 - &quot;The Homeless&quot;</title>
      <description><![CDATA[<p><strong>"The Homeless" is the third and final part of E.M. Forster's "The Machine Stops." As it opens, we find Kuno threatened with Homelessness for his transgressions against The Machine.  </strong>Written in 1909, this story is a dystopian look at the future, where everyone lives underground, is controlled by "The Machine," and communicates with each other over vast distances through glowing blue plates. </p><p>WORD for WORDcast is Word for Word Theater Company's new podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This will be an ongoing series, with upcoming stories planned by Langston Hughes, James Baldwin, Alice Munro, Tobias Wolff, Helen Oyeyemi, and George Saunders (rights pending). Stay tuned for an announcement about our next story.</p><p><strong>To maximize your experience, we recommend listening with headphones or good stereo speakers.</strong></p><p><strong>If you've enjoyed this podcast, please consider a donation at </strong><a href="http://www.zspace.org/pod"><strong>zspace.org/pod</strong></a><strong>. We are committed to paying the creative staff a profession rate for their work.</strong></p><p>Credits:</p><p>Directed by Gendell Hing-Hernández</p><p>Cast:<br />Carla Gallardo - The Attendant/Ensemble<br />Susan Harloe* - Vashti<br />David Everett Moore* - Kuno<br />Brian Rivera* ** - The Speaker/Ensemble<br />Ryan Tasker* - The Machine/Ensemble</p><p>Sound Design and Original Music by David R. Molina</p><p>Sound Engineer - Joe Moore<br />Production Manager - Colm McNally<br />Stage Manager - Tyler Miller <br />Dramaturgy - Delia MacDougall<br />Marketing and Distribution - Andrew Burmester<br />Podcast volunteer - Carly Dreame Brethe</p><p>*AEA **SAG/AFTRA</p>
]]></description>
      <pubDate>Fri, 2 Oct 2020 00:00:00 +0000</pubDate>
      <author>aburmester@zspace.org (Word for Word, E.M. Forster)</author>
      <link>https://word-for-wordcast.simplecast.com/episodes/the-machine-stops-by-em-forster-pt-3-the-homeless-ZL812oOF</link>
      <content:encoded><![CDATA[<p><strong>"The Homeless" is the third and final part of E.M. Forster's "The Machine Stops." As it opens, we find Kuno threatened with Homelessness for his transgressions against The Machine.  </strong>Written in 1909, this story is a dystopian look at the future, where everyone lives underground, is controlled by "The Machine," and communicates with each other over vast distances through glowing blue plates. </p><p>WORD for WORDcast is Word for Word Theater Company's new podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This will be an ongoing series, with upcoming stories planned by Langston Hughes, James Baldwin, Alice Munro, Tobias Wolff, Helen Oyeyemi, and George Saunders (rights pending). Stay tuned for an announcement about our next story.</p><p><strong>To maximize your experience, we recommend listening with headphones or good stereo speakers.</strong></p><p><strong>If you've enjoyed this podcast, please consider a donation at </strong><a href="http://www.zspace.org/pod"><strong>zspace.org/pod</strong></a><strong>. We are committed to paying the creative staff a profession rate for their work.</strong></p><p>Credits:</p><p>Directed by Gendell Hing-Hernández</p><p>Cast:<br />Carla Gallardo - The Attendant/Ensemble<br />Susan Harloe* - Vashti<br />David Everett Moore* - Kuno<br />Brian Rivera* ** - The Speaker/Ensemble<br />Ryan Tasker* - The Machine/Ensemble</p><p>Sound Design and Original Music by David R. Molina</p><p>Sound Engineer - Joe Moore<br />Production Manager - Colm McNally<br />Stage Manager - Tyler Miller <br />Dramaturgy - Delia MacDougall<br />Marketing and Distribution - Andrew Burmester<br />Podcast volunteer - Carly Dreame Brethe</p><p>*AEA **SAG/AFTRA</p>
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      <itunes:title>The Machine Stops by E.M. Forster, Pt. 3 - &quot;The Homeless&quot;</itunes:title>
      <itunes:author>Word for Word, E.M. Forster</itunes:author>
      <itunes:duration>00:59:01</itunes:duration>
      <itunes:summary>WORD for WORDcast&apos;s final installment of E.M. Forster&apos;s &quot;The Machine Stops.&quot; Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates</itunes:summary>
      <itunes:subtitle>WORD for WORDcast&apos;s final installment of E.M. Forster&apos;s &quot;The Machine Stops.&quot; Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates</itunes:subtitle>
      <itunes:keywords>literature, e.m. forster, sound design, drama, word for word</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>The Machine Stops by E.M. Forster, Pt. 2 - &quot;The Mending Apparatus&quot;</title>
      <description><![CDATA[<p><strong>In "The Mending Apparatus," part 2 of E.M. Forster's "The Machine Stops" we find Vashti shocked by her son Kuno as they grapple with their conflicting views of The Machine.  </strong>Written in 1909, this story is a dystopian look at the future, where everyone lives underground, is controlled by "The Machine," and communicates with each other over vast distances through glowing blue plates. </p><p>WORD for WORDcast is Word for Word Theater Company's new podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This will be an ongoing series, with upcoming stories planned by Langston Hughes, James Baldwin, Alice Munro, Tobias Wolff, Helen Oyeyemi, and George Saunders (rights pending).</p><p><strong>To maximize your experience, we recommend listening with headphones or good stereo speakers. Be sure to subscribe or tune in for part three, "The Homeless," released on  10/1/20.</strong></p><p><strong>If you've enjoyed this podcast, please consider a donation at </strong><a href="http://www.zspace.org/pod"><strong>zspace.org/pod</strong></a><strong>. We are committed to paying the creative staff a profession rate for their work.</strong></p><p>Credits:</p><p>Directed by Gendell Hing-Hernández</p><p>Cast<br />Carla Gallardo - The Attendant/Ensemble<br />Susan Harloe* - Vashti<br />David Everett Moore* - Kuno<br />Brian Rivera* ** - The Speaker/Ensemble<br />Ryan Tasker* - The Machine/Ensemble</p><p>Sound Design and Original Music by David R. Molina</p><p>Sound Engineer - Joe Moore<br />Production Manager - Colm McNally<br />Stage Manager - Tyler Miller <br />Dramaturgy - Delia MacDougall<br />Marketing and Distribution - Andrew Burmester<br />Podcast volunteer - Carly Dreame Brethe</p><p>*AEA **SAG/AFTRA</p>
]]></description>
      <pubDate>Fri, 25 Sep 2020 00:00:01 +0000</pubDate>
      <author>aburmester@zspace.org (Word for Word, E.M. Forster)</author>
      <link>https://word-for-wordcast.simplecast.com/episodes/the-machine-stops-by-em-forster-pt-2-the-mending-apparatus-NzN7Q13f</link>
      <content:encoded><![CDATA[<p><strong>In "The Mending Apparatus," part 2 of E.M. Forster's "The Machine Stops" we find Vashti shocked by her son Kuno as they grapple with their conflicting views of The Machine.  </strong>Written in 1909, this story is a dystopian look at the future, where everyone lives underground, is controlled by "The Machine," and communicates with each other over vast distances through glowing blue plates. </p><p>WORD for WORDcast is Word for Word Theater Company's new podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This will be an ongoing series, with upcoming stories planned by Langston Hughes, James Baldwin, Alice Munro, Tobias Wolff, Helen Oyeyemi, and George Saunders (rights pending).</p><p><strong>To maximize your experience, we recommend listening with headphones or good stereo speakers. Be sure to subscribe or tune in for part three, "The Homeless," released on  10/1/20.</strong></p><p><strong>If you've enjoyed this podcast, please consider a donation at </strong><a href="http://www.zspace.org/pod"><strong>zspace.org/pod</strong></a><strong>. We are committed to paying the creative staff a profession rate for their work.</strong></p><p>Credits:</p><p>Directed by Gendell Hing-Hernández</p><p>Cast<br />Carla Gallardo - The Attendant/Ensemble<br />Susan Harloe* - Vashti<br />David Everett Moore* - Kuno<br />Brian Rivera* ** - The Speaker/Ensemble<br />Ryan Tasker* - The Machine/Ensemble</p><p>Sound Design and Original Music by David R. Molina</p><p>Sound Engineer - Joe Moore<br />Production Manager - Colm McNally<br />Stage Manager - Tyler Miller <br />Dramaturgy - Delia MacDougall<br />Marketing and Distribution - Andrew Burmester<br />Podcast volunteer - Carly Dreame Brethe</p><p>*AEA **SAG/AFTRA</p>
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      <itunes:title>The Machine Stops by E.M. Forster, Pt. 2 - &quot;The Mending Apparatus&quot;</itunes:title>
      <itunes:author>Word for Word, E.M. Forster</itunes:author>
      <itunes:duration>00:58:58</itunes:duration>
      <itunes:summary>WORD for WORDcast continues E.M. Forster&apos;s &quot;The Machine Stops.&quot; Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates.</itunes:summary>
      <itunes:subtitle>WORD for WORDcast continues E.M. Forster&apos;s &quot;The Machine Stops.&quot; Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates.</itunes:subtitle>
      <itunes:keywords>literature, performing arts, short stories, drama, theater company, word for word, theater</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>The Machine Stops by E.M. Forster, Pt. 1 - &quot;The Air-Ship&quot;</title>
      <description><![CDATA[<p><strong>We are thrilled to premier the WORD for WORDcast, a podcast from the Word for Word theater company. </strong>We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This podcast will be an ongoing series, with upcoming stories planned by Langston Hughes, James Baldwin, Alice Munro, Tobias Wolff, Helen Oyeyemi, and George Saunders (rights pending).</p><p><strong>Our featured story is "The Machine Stops" by E.M. Forster. </strong>Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by "The Machine," and communicates with each other over vast distances through glowing blue plates. </p><p><strong>To maximize your experience, we recommend listening with headphones or good stereo speakers. Be sure to subscribe or tune in for parts two and three, "The Mending Apparatus" (released 9/24) and "The Homeless" (released 10/1).</strong></p><p><strong>If you've enjoyed this podcast, please consider a donation at </strong><a href="http://www.zspace.org/pod"><strong>zspace.org/pod</strong></a><strong>. We are committed to paying the creative staff a profession rate for their work.</strong></p><p>Credits:</p><p>Directed by Gendell Hing-Hernández</p><p>Cast<br />Carla Gallardo - The Attendant/Ensemble<br />Susan Harloe* - Vashti<br />David Everett Moore* - Kuno<br />Brian Rivera* ** - The Speaker/Ensemble<br />Ryan Tasker* - The Machine/Ensemble</p><p>Sound Design and Original Music by David R. Molina</p><p>Sound Engineer - Joe Moore<br />Production Manager - Colm McNally<br />Stage Manager - Tyler Miller <br />Dramaturgy - Delia MacDougall<br />Marketing and Distribution - Andrew Burmester<br />Podcast volunteer - Carly Dreame Brethe</p><p>*AEA **SAG/AFTRA</p>
]]></description>
      <pubDate>Fri, 18 Sep 2020 00:00:10 +0000</pubDate>
      <author>aburmester@zspace.org (Word for Word, E.M. Forster)</author>
      <link>https://word-for-wordcast.simplecast.com/episodes/the-machine-stops-by-em-forster-pt-1-the-air-ship-nAha8AGc</link>
      <content:encoded><![CDATA[<p><strong>We are thrilled to premier the WORD for WORDcast, a podcast from the Word for Word theater company. </strong>We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. This podcast will be an ongoing series, with upcoming stories planned by Langston Hughes, James Baldwin, Alice Munro, Tobias Wolff, Helen Oyeyemi, and George Saunders (rights pending).</p><p><strong>Our featured story is "The Machine Stops" by E.M. Forster. </strong>Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by "The Machine," and communicates with each other over vast distances through glowing blue plates. </p><p><strong>To maximize your experience, we recommend listening with headphones or good stereo speakers. Be sure to subscribe or tune in for parts two and three, "The Mending Apparatus" (released 9/24) and "The Homeless" (released 10/1).</strong></p><p><strong>If you've enjoyed this podcast, please consider a donation at </strong><a href="http://www.zspace.org/pod"><strong>zspace.org/pod</strong></a><strong>. We are committed to paying the creative staff a profession rate for their work.</strong></p><p>Credits:</p><p>Directed by Gendell Hing-Hernández</p><p>Cast<br />Carla Gallardo - The Attendant/Ensemble<br />Susan Harloe* - Vashti<br />David Everett Moore* - Kuno<br />Brian Rivera* ** - The Speaker/Ensemble<br />Ryan Tasker* - The Machine/Ensemble</p><p>Sound Design and Original Music by David R. Molina</p><p>Sound Engineer - Joe Moore<br />Production Manager - Colm McNally<br />Stage Manager - Tyler Miller <br />Dramaturgy - Delia MacDougall<br />Marketing and Distribution - Andrew Burmester<br />Podcast volunteer - Carly Dreame Brethe</p><p>*AEA **SAG/AFTRA</p>
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      <itunes:title>The Machine Stops by E.M. Forster, Pt. 1 - &quot;The Air-Ship&quot;</itunes:title>
      <itunes:author>Word for Word, E.M. Forster</itunes:author>
      <itunes:duration>00:59:01</itunes:duration>
      <itunes:summary>The premier episode of the WORD for WORDcast! Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates.</itunes:summary>
      <itunes:subtitle>The premier episode of the WORD for WORDcast! Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates.</itunes:subtitle>
      <itunes:keywords>literature, e.m. forster, drama, word for word, theater</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Announcing the WORD for WORDcast!</title>
      <description><![CDATA[<p>Announcing the WORD for WORD<i>cast</i>! We are gearing up for our September 17 release. The debut episodes will feature “The Machine Stops” by E.M. Forester.</p><p>Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates.  </p><p><strong>Released in 3 parts:  </strong><br /><strong>September 17: "The Air-Ship"</strong><br /><strong>September 24: "The Mending Apparatus"</strong><br /><strong>October 1: "The Homeless"</strong></p><p>Directed by Gendell Hing-Hernández</p><p>Carla Gallardo - The Attendant/Ensemble<br />Susan Harloe* - Vashti<br />David Everett Moore* - Kuno<br />Brian Rivera* ** - The Speaker/Ensemble<br />Ryan Tasker* - The Machine/Ensemble</p><p>Sound Design and Original Music by David R. Molina<br />Sound Engineer - Joe Moore<br />Production Manager - Colm McNally<br />Stage Manager - Tyler Miller <br />Dramaturgy - Delia MacDougall<br />Director of Marketing and Distribution - Andrew Burmester<br />Podcast volunteer - Carly Dreame Brethe</p><p>*AEA **SAG/AFTRA</p><p>If you liked what you heard please consider making a donation at <a href="http://www.zspace.org/pod">zspace.org/pod </a>to help us support the artists and technicians who make this work possible.</p>
]]></description>
      <pubDate>Mon, 14 Sep 2020 17:19:11 +0000</pubDate>
      <author>aburmester@zspace.org (Z Space)</author>
      <link>https://word-for-wordcast.simplecast.com/episodes/announcing-the-word-for-wordcast-lhOGryd_</link>
      <content:encoded><![CDATA[<p>Announcing the WORD for WORD<i>cast</i>! We are gearing up for our September 17 release. The debut episodes will feature “The Machine Stops” by E.M. Forester.</p><p>Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates.  </p><p><strong>Released in 3 parts:  </strong><br /><strong>September 17: "The Air-Ship"</strong><br /><strong>September 24: "The Mending Apparatus"</strong><br /><strong>October 1: "The Homeless"</strong></p><p>Directed by Gendell Hing-Hernández</p><p>Carla Gallardo - The Attendant/Ensemble<br />Susan Harloe* - Vashti<br />David Everett Moore* - Kuno<br />Brian Rivera* ** - The Speaker/Ensemble<br />Ryan Tasker* - The Machine/Ensemble</p><p>Sound Design and Original Music by David R. Molina<br />Sound Engineer - Joe Moore<br />Production Manager - Colm McNally<br />Stage Manager - Tyler Miller <br />Dramaturgy - Delia MacDougall<br />Director of Marketing and Distribution - Andrew Burmester<br />Podcast volunteer - Carly Dreame Brethe</p><p>*AEA **SAG/AFTRA</p><p>If you liked what you heard please consider making a donation at <a href="http://www.zspace.org/pod">zspace.org/pod </a>to help us support the artists and technicians who make this work possible.</p>
]]></content:encoded>
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      <itunes:title>Announcing the WORD for WORDcast!</itunes:title>
      <itunes:author>Z Space</itunes:author>
      <itunes:duration>00:04:59</itunes:duration>
      <itunes:summary>Announcing the WORD for WORDcast! San Francisco’s Word for Word Theater Company brings works of literature to the stage. We use every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry.  The new WORD for WORDcast brings us out of the theater and onto your airwaves and smartphones! 

The debut episodes feature “The Machine Stops” by E.M. Forester. Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates. The first installment premiers on September 17, 2020.
</itunes:summary>
      <itunes:subtitle>Announcing the WORD for WORDcast! San Francisco’s Word for Word Theater Company brings works of literature to the stage. We use every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry.  The new WORD for WORDcast brings us out of the theater and onto your airwaves and smartphones! 

The debut episodes feature “The Machine Stops” by E.M. Forester. Written in 1909, this is a dystopian look at the future, where everyone lives underground, is controlled by “The Machine,” and communicates with each other over vast distances through glowing blue plates. The first installment premiers on September 17, 2020.
</itunes:subtitle>
      <itunes:keywords>literature, performing arts, stories, word for word, theater, em forster</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>trailer</itunes:episodeType>
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