https://simplecast.com New Books in Women's History This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork New Books Network en Tue, 8 Sep 2026 08:00:00 +0000 Thu, 10 Sep 2026 19:25:46 +0000 https://newbooksnetwork.com New Books in Women's History https://image.simplecastcdn.com/images/cf98ff54-7c8f-459c-910a-6fa3bd5bc620/c60b060b-987b-47cc-8dd7-a2d81c72f0b7/3000x3000/408fcda0603b5d9e2b5decf747722d4d.png?aid=rss_feed https://newbooksnetwork.com episodic This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork New Books Network false https://feeds.simplecast.com/rVobvNmz New Books Network marshallpoe@newbooksnetwork.com e9e742b0-a831-11f1-b088-1b5331f9aeb0 Erin Maglaquel "Presence: A Hidden History of the Female Body" (Astra House, 2026) Erin Maglaque's new book Presence: A Hidden History of the Female Body (Astra House, 2026), is a work of early modern history and an account of what it is like to study the past as an embodied person. Having been trained as to disregard the physical self when writing history, Maglaque's worldview completely shifted following the birth of her child. What might it mean to instead, "find a way to write that flowed from the body?" Presence is her answer. The book draws from a vast array of archival and printed sources to illustrate the realities of women's physical experiences in early modern Europe, from eating, pregnancy, abortion, birth, nursing, sleeping, working, and dying. Maglaque intersperses her historical narrative with personal accounts, demonstrating the ways in which studying the past can impact our lives today. For anyone interested in women's history, the history of labor, early modern health and medicine, or simply the purpose and potential of historical study, Presence is the book to read.

Erin Maglaque is a historian of early modern Europe and gender. She teaches at Durham University and writes for publications including the London Review of Books, The New York Review of Books, and The New York Times Book Review.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more here


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]]> Tue, 8 Sep 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Erin Maglaque's new book Presence: A Hidden History of the Female Body (Astra House, 2026), is a work of early modern history and an account of what it is like to study the past as an embodied person. Having been trained as to disregard the physical self when writing history, Maglaque's worldview completely shifted following the birth of her child. What might it mean to instead, "find a way to write that flowed from the body?" Presence is her answer. The book draws from a vast array of archival and printed sources to illustrate the realities of women's physical experiences in early modern Europe, from eating, pregnancy, abortion, birth, nursing, sleeping, working, and dying. Maglaque intersperses her historical narrative with personal accounts, demonstrating the ways in which studying the past can impact our lives today. For anyone interested in women's history, the history of labor, early modern health and medicine, or simply the purpose and potential of historical study, Presence is the book to read.

Erin Maglaque is a historian of early modern Europe and gender. She teaches at Durham University and writes for publications including the London Review of Books, The New York Review of Books, and The New York Times Book Review.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more here


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]]> Erin Maglaquel "Presence: A Hidden History of the Female Body" (Astra House, 2026) New Books Network 00:59:14 Erin Maglaque's new book Presence: A Hidden History of the Female Body (Astra House, 2026), is a work of early modern history and an account of what it is like to study the past as an embodied person. Having been trained as to disregard the physical self when writing history, Maglaque's worldview completely shifted following the birth of her child. What might it mean to instead, "find a way to write that flowed from the body?" Presence is her answer. The book draws from a vast array of archival and printed sources to illustrate the realities of women's physical experiences in early modern Europe, from eating, pregnancy, abortion, birth, nursing, sleeping, working, and dying. Maglaque intersperses her historical narrative with personal accounts, demonstrating the ways in which studying the past can impact our lives today. For anyone interested in women's history, the history of labor, early modern health and medicine, or simply the purpose and potential of historical study, Presence is the book to read. Erin Maglaque is a historian of early modern Europe and gender. She teaches at Durham University and writes for publications including the London Review of Books, The New York Review of Books, and The New York Times Book Review. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more here Erin Maglaque's new book Presence: A Hidden History of the Female Body (Astra House, 2026), is a work of early modern history and an account of what it is like to study the past as an embodied person. Having been trained as to disregard the physical self when writing history, Maglaque's worldview completely shifted following the birth of her child. What might it mean to instead, "find a way to write that flowed from the body?" Presence is her answer. The book draws from a vast array of archival and printed sources to illustrate the realities of women's physical experiences in early modern Europe, from eating, pregnancy, abortion, birth, nursing, sleeping, working, and dying. Maglaque intersperses her historical narrative with personal accounts, demonstrating the ways in which studying the past can impact our lives today. For anyone interested in women's history, the history of labor, early modern health and medicine, or simply the purpose and potential of historical study, Presence is the book to read. Erin Maglaque is a historian of early modern Europe and gender. She teaches at Durham University and writes for publications including the London Review of Books, The New York Review of Books, and The New York Times Book Review. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more here false full 1881 0b1a14e8-a76b-11f1-b8bc-bf1e094118f1 Sara McDougall, "Justice for Jehanne: The Tale of a Medieval Survivor" (Princeton UP, 2026) In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor’s orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim’s history and place in the community. At the center of Jaques’s inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques’s investigation as he uncovers one woman’s story of resilience and survival.

Applying forensic analysis to witness testimony and Jaques’s case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city’s most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.
Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms.

Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here


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]]> Mon, 7 Sep 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor’s orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim’s history and place in the community. At the center of Jaques’s inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques’s investigation as he uncovers one woman’s story of resilience and survival.

Applying forensic analysis to witness testimony and Jaques’s case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city’s most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.
Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms.

Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here


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]]> Sara McDougall, "Justice for Jehanne: The Tale of a Medieval Survivor" (Princeton UP, 2026) New Books Network 01:12:23 In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor’s orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim’s history and place in the community. At the center of Jaques’s inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques’s investigation as he uncovers one woman’s story of resilience and survival. Applying forensic analysis to witness testimony and Jaques’s case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city’s most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms. Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor’s orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim’s history and place in the community. At the center of Jaques’s inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques’s investigation as he uncovers one woman’s story of resilience and survival. Applying forensic analysis to witness testimony and Jaques’s case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city’s most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms. Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here false full 1880 bbf2d51a-a5d2-11f1-bf5c-5b56bf86de79 Autumn Lorimer Linford, "Extra! Extra! A History of America's Girl Newsies" (U Nebraska Press, 2026) American pop culture loves newsies. The children who bawled out headlines and sold newspapers on city streets in the late nineteenth and early twentieth centuries have been depicted countless times in movies, Broadway shows, books, music, and more, but somehow it’s only ever the stories of newsboys that are told. Scholarly literature too has focused mostly on boy newsies. Yet for nearly as long as there were newspapers in the United States, there were also newsgirls. Girl newsies were photographed, interviewed, studied, argued over, and eventually absorbed into the collective “newsboys” and forgotten.

Extra! Extra! A History of America's Girl Newsies (U Nebraska Press, 2026) by Dr. Autumn Lorimer Linford offers a corrective, demonstrating the importance of newsgirls as early news workers and as symbols of child labor and gender reform efforts. Sometimes younger than ten years old and from impoverished families, girl newsies were already vulnerable to exploitation from the newspaper publishing industry, which relied heavily on child labor during the “golden age” of journalism. However, the newsgirls of this period contributed much to news labor, and they were important to the discussions concerning childhood, child labor reform, and women’s changing societal roles. Properly integrating newsgirls into the history of newsies dismantles archetypes and enables a deeper understanding of child news labor.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 5 Sep 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com American pop culture loves newsies. The children who bawled out headlines and sold newspapers on city streets in the late nineteenth and early twentieth centuries have been depicted countless times in movies, Broadway shows, books, music, and more, but somehow it’s only ever the stories of newsboys that are told. Scholarly literature too has focused mostly on boy newsies. Yet for nearly as long as there were newspapers in the United States, there were also newsgirls. Girl newsies were photographed, interviewed, studied, argued over, and eventually absorbed into the collective “newsboys” and forgotten.

Extra! Extra! A History of America's Girl Newsies (U Nebraska Press, 2026) by Dr. Autumn Lorimer Linford offers a corrective, demonstrating the importance of newsgirls as early news workers and as symbols of child labor and gender reform efforts. Sometimes younger than ten years old and from impoverished families, girl newsies were already vulnerable to exploitation from the newspaper publishing industry, which relied heavily on child labor during the “golden age” of journalism. However, the newsgirls of this period contributed much to news labor, and they were important to the discussions concerning childhood, child labor reform, and women’s changing societal roles. Properly integrating newsgirls into the history of newsies dismantles archetypes and enables a deeper understanding of child news labor.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Autumn Lorimer Linford, "Extra! Extra! A History of America's Girl Newsies" (U Nebraska Press, 2026) New Books Network 00:34:38 American pop culture loves newsies. The children who bawled out headlines and sold newspapers on city streets in the late nineteenth and early twentieth centuries have been depicted countless times in movies, Broadway shows, books, music, and more, but somehow it’s only ever the stories of newsboys that are told. Scholarly literature too has focused mostly on boy newsies. Yet for nearly as long as there were newspapers in the United States, there were also newsgirls. Girl newsies were photographed, interviewed, studied, argued over, and eventually absorbed into the collective “newsboys” and forgotten. Extra! Extra! A History of America's Girl Newsies (U Nebraska Press, 2026) by Dr. Autumn Lorimer Linford offers a corrective, demonstrating the importance of newsgirls as early news workers and as symbols of child labor and gender reform efforts. Sometimes younger than ten years old and from impoverished families, girl newsies were already vulnerable to exploitation from the newspaper publishing industry, which relied heavily on child labor during the “golden age” of journalism. However, the newsgirls of this period contributed much to news labor, and they were important to the discussions concerning childhood, child labor reform, and women’s changing societal roles. Properly integrating newsgirls into the history of newsies dismantles archetypes and enables a deeper understanding of child news labor. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. American pop culture loves newsies. The children who bawled out headlines and sold newspapers on city streets in the late nineteenth and early twentieth centuries have been depicted countless times in movies, Broadway shows, books, music, and more, but somehow it’s only ever the stories of newsboys that are told. Scholarly literature too has focused mostly on boy newsies. Yet for nearly as long as there were newspapers in the United States, there were also newsgirls. Girl newsies were photographed, interviewed, studied, argued over, and eventually absorbed into the collective “newsboys” and forgotten. Extra! Extra! A History of America's Girl Newsies (U Nebraska Press, 2026) by Dr. Autumn Lorimer Linford offers a corrective, demonstrating the importance of newsgirls as early news workers and as symbols of child labor and gender reform efforts. Sometimes younger than ten years old and from impoverished families, girl newsies were already vulnerable to exploitation from the newspaper publishing industry, which relied heavily on child labor during the “golden age” of journalism. However, the newsgirls of this period contributed much to news labor, and they were important to the discussions concerning childhood, child labor reform, and women’s changing societal roles. Properly integrating newsgirls into the history of newsies dismantles archetypes and enables a deeper understanding of child news labor. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1879 4290835a-9d8c-11f1-96aa-7b7b417521ec Catherine Reyes-Housholder, "How Women Win Presidential Elections in Latin America" (Temple UP, 2026) Between 1990 and 2020, women candidates won only 6% of the world’s presidential races. How Women Win Presidential Elections in Latin America (Temple University Press, 2026) explains the factors, strategies, and perceptions that help (or hinder) women to democratically access their country’s highest political office. Dr. Catherine Reyes-Housholder introduces a theory of gendered incentives and perceived potential to reveal why a political party would break with tradition and nominate a woman. She also shows how citizens respond when women candidates are running in incumbent parties or competing to displace those in power.

Drawing on comparative research on the presidency and gender, How Women Win Presidential Elections in Latin America examines the successful campaigns of Michelle Bachelet in Chile and Dilma Rousseff in Brazil, as well as why Blanca Ovelar lost her presidential race in Paraguay. Dr. Reyes-Housholder’s findings indicate that voter sexism is not a major factor; however, women do not triumph in these elections in the same ways that men do. Rather, the central unknown factor behind women’s victories is how they become candidates of major parties—and gender profoundly influences who parties nominate.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 


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]]> Fri, 28 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Between 1990 and 2020, women candidates won only 6% of the world’s presidential races. How Women Win Presidential Elections in Latin America (Temple University Press, 2026) explains the factors, strategies, and perceptions that help (or hinder) women to democratically access their country’s highest political office. Dr. Catherine Reyes-Housholder introduces a theory of gendered incentives and perceived potential to reveal why a political party would break with tradition and nominate a woman. She also shows how citizens respond when women candidates are running in incumbent parties or competing to displace those in power.

Drawing on comparative research on the presidency and gender, How Women Win Presidential Elections in Latin America examines the successful campaigns of Michelle Bachelet in Chile and Dilma Rousseff in Brazil, as well as why Blanca Ovelar lost her presidential race in Paraguay. Dr. Reyes-Housholder’s findings indicate that voter sexism is not a major factor; however, women do not triumph in these elections in the same ways that men do. Rather, the central unknown factor behind women’s victories is how they become candidates of major parties—and gender profoundly influences who parties nominate.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 


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]]> Catherine Reyes-Housholder, "How Women Win Presidential Elections in Latin America" (Temple UP, 2026) New Books Network 00:55:50 Between 1990 and 2020, women candidates won only 6% of the world’s presidential races. How Women Win Presidential Elections in Latin America (Temple University Press, 2026) explains the factors, strategies, and perceptions that help (or hinder) women to democratically access their country’s highest political office. Dr. Catherine Reyes-Housholder introduces a theory of gendered incentives and perceived potential to reveal why a political party would break with tradition and nominate a woman. She also shows how citizens respond when women candidates are running in incumbent parties or competing to displace those in power. Drawing on comparative research on the presidency and gender, How Women Win Presidential Elections in Latin America examines the successful campaigns of Michelle Bachelet in Chile and Dilma Rousseff in Brazil, as well as why Blanca Ovelar lost her presidential race in Paraguay. Dr. Reyes-Housholder’s findings indicate that voter sexism is not a major factor; however, women do not triumph in these elections in the same ways that men do. Rather, the central unknown factor behind women’s victories is how they become candidates of major parties—and gender profoundly influences who parties nominate. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Between 1990 and 2020, women candidates won only 6% of the world’s presidential races. How Women Win Presidential Elections in Latin America (Temple University Press, 2026) explains the factors, strategies, and perceptions that help (or hinder) women to democratically access their country’s highest political office. Dr. Catherine Reyes-Housholder introduces a theory of gendered incentives and perceived potential to reveal why a political party would break with tradition and nominate a woman. She also shows how citizens respond when women candidates are running in incumbent parties or competing to displace those in power. Drawing on comparative research on the presidency and gender, How Women Win Presidential Elections in Latin America examines the successful campaigns of Michelle Bachelet in Chile and Dilma Rousseff in Brazil, as well as why Blanca Ovelar lost her presidential race in Paraguay. Dr. Reyes-Housholder’s findings indicate that voter sexism is not a major factor; however, women do not triumph in these elections in the same ways that men do. Rather, the central unknown factor behind women’s victories is how they become candidates of major parties—and gender profoundly influences who parties nominate. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  false full 1878 328d8150-9c52-11f1-a4ad-5ffb7b892a5a Shelly Lundberg "How Economics Discovered Women: Bringing Gender Economics into the Twenty-First Century" (U California Press, 2026) In the 1970s, as women started to enter the labor force in unprecedented numbers, economists began to examine their roles as economic actors. The result was the rise of gender economics, now a major subfield with powerful data and new methods comparing the economic lives of men and women. Yet despite decades of progress, many of the most consequential questions about gender inequality remain unresolved.

In How Economics Discovered Women: Bringing Gender Economics into the Twenty-First Century (U California Press, 2026), renowned economist and demographer Dr. Shelly Lundberg argues that the problem is not a lack of evidence but a failure to challenge entrenched economic models and outmoded assumptions about markets and gender that have limited what the field can explain.

Why does occupational segregation persist? Why do "women's jobs" pay less? Why are men falling behind in education? And why do policies like paternity leave fail to change behavior? Drawing on more than five decades in the field and integrating insights from other social sciences, Dr. Lundberg explains signs of recent progress and charts a path toward a more realistic, socially grounded economics capable of meeting the challenges of gender inequality today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 25 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the 1970s, as women started to enter the labor force in unprecedented numbers, economists began to examine their roles as economic actors. The result was the rise of gender economics, now a major subfield with powerful data and new methods comparing the economic lives of men and women. Yet despite decades of progress, many of the most consequential questions about gender inequality remain unresolved.

In How Economics Discovered Women: Bringing Gender Economics into the Twenty-First Century (U California Press, 2026), renowned economist and demographer Dr. Shelly Lundberg argues that the problem is not a lack of evidence but a failure to challenge entrenched economic models and outmoded assumptions about markets and gender that have limited what the field can explain.

Why does occupational segregation persist? Why do "women's jobs" pay less? Why are men falling behind in education? And why do policies like paternity leave fail to change behavior? Drawing on more than five decades in the field and integrating insights from other social sciences, Dr. Lundberg explains signs of recent progress and charts a path toward a more realistic, socially grounded economics capable of meeting the challenges of gender inequality today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Shelly Lundberg "How Economics Discovered Women: Bringing Gender Economics into the Twenty-First Century" (U California Press, 2026) New Books Network 00:45:38 In the 1970s, as women started to enter the labor force in unprecedented numbers, economists began to examine their roles as economic actors. The result was the rise of gender economics, now a major subfield with powerful data and new methods comparing the economic lives of men and women. Yet despite decades of progress, many of the most consequential questions about gender inequality remain unresolved. In How Economics Discovered Women: Bringing Gender Economics into the Twenty-First Century (U California Press, 2026), renowned economist and demographer Dr. Shelly Lundberg argues that the problem is not a lack of evidence but a failure to challenge entrenched economic models and outmoded assumptions about markets and gender that have limited what the field can explain. Why does occupational segregation persist? Why do "women's jobs" pay less? Why are men falling behind in education? And why do policies like paternity leave fail to change behavior? Drawing on more than five decades in the field and integrating insights from other social sciences, Dr. Lundberg explains signs of recent progress and charts a path toward a more realistic, socially grounded economics capable of meeting the challenges of gender inequality today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In the 1970s, as women started to enter the labor force in unprecedented numbers, economists began to examine their roles as economic actors. The result was the rise of gender economics, now a major subfield with powerful data and new methods comparing the economic lives of men and women. Yet despite decades of progress, many of the most consequential questions about gender inequality remain unresolved. In How Economics Discovered Women: Bringing Gender Economics into the Twenty-First Century (U California Press, 2026), renowned economist and demographer Dr. Shelly Lundberg argues that the problem is not a lack of evidence but a failure to challenge entrenched economic models and outmoded assumptions about markets and gender that have limited what the field can explain. Why does occupational segregation persist? Why do "women's jobs" pay less? Why are men falling behind in education? And why do policies like paternity leave fail to change behavior? Drawing on more than five decades in the field and integrating insights from other social sciences, Dr. Lundberg explains signs of recent progress and charts a path toward a more realistic, socially grounded economics capable of meeting the challenges of gender inequality today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1877 e5bce9b6-9ad4-11f1-a74a-b3b70dedd7c9 Jane Draycott, "Fulvia: The Woman Who Broke All the Rules in Ancient Rome" (Yale UP, 2025) Fulvia was born into wealth, privilege, and prestige around the year 80 BCE, yet there was nothing inherently special about her—she was not a saint, an empress, or a queen. But during the years leading up to the fall of the Roman Republic, Fulvia was moving in the most powerful social circles, and by her death in 40 BCE she had amassed a degree of political and military power unprecedented for a woman.

Fulvia’s success came at considerable cost, however. None of her three marriages to politically powerful men—most famously to Marc Antony—lasted, and three of her five children died violently. She was repeatedly ridiculed for daring to step outside the confines of the domestic sphere. The deliberate and systematic destruction of her reputation shaped her legacy for two millennia.
Ample literary, documentary, and archaeological sources for Fulvia exist, yet most contemporary depictions of her were extremely negative. In Fulvia: The Woman Who Broke All the Rules in Ancient Rome (Yale UP, 2025) historian Jane Draycott, reading between the lines of the ancient evidence, proposes a more nuanced interpretation. Using Fulvia as a guide, she invites readers to visit an unfamiliar Rome, one in which women played a crucial role during Rome’s violent transition from a republic to the dictatorship of the Roman Empire.

Jane Draycott is a historian and archaeologist, and the author of Cleopatra’s Daughter: From Roman Prisoner to African Queen. She is a senior lecturer at the University of Glasgow and co-director of the university’s Games and Gaming Lab.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here


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]]> Sat, 22 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Fulvia was born into wealth, privilege, and prestige around the year 80 BCE, yet there was nothing inherently special about her—she was not a saint, an empress, or a queen. But during the years leading up to the fall of the Roman Republic, Fulvia was moving in the most powerful social circles, and by her death in 40 BCE she had amassed a degree of political and military power unprecedented for a woman.

Fulvia’s success came at considerable cost, however. None of her three marriages to politically powerful men—most famously to Marc Antony—lasted, and three of her five children died violently. She was repeatedly ridiculed for daring to step outside the confines of the domestic sphere. The deliberate and systematic destruction of her reputation shaped her legacy for two millennia.
Ample literary, documentary, and archaeological sources for Fulvia exist, yet most contemporary depictions of her were extremely negative. In Fulvia: The Woman Who Broke All the Rules in Ancient Rome (Yale UP, 2025) historian Jane Draycott, reading between the lines of the ancient evidence, proposes a more nuanced interpretation. Using Fulvia as a guide, she invites readers to visit an unfamiliar Rome, one in which women played a crucial role during Rome’s violent transition from a republic to the dictatorship of the Roman Empire.

Jane Draycott is a historian and archaeologist, and the author of Cleopatra’s Daughter: From Roman Prisoner to African Queen. She is a senior lecturer at the University of Glasgow and co-director of the university’s Games and Gaming Lab.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here


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]]> Jane Draycott, "Fulvia: The Woman Who Broke All the Rules in Ancient Rome" (Yale UP, 2025) New Books Network 01:01:51 Fulvia was born into wealth, privilege, and prestige around the year 80 BCE, yet there was nothing inherently special about her—she was not a saint, an empress, or a queen. But during the years leading up to the fall of the Roman Republic, Fulvia was moving in the most powerful social circles, and by her death in 40 BCE she had amassed a degree of political and military power unprecedented for a woman. Fulvia’s success came at considerable cost, however. None of her three marriages to politically powerful men—most famously to Marc Antony—lasted, and three of her five children died violently. She was repeatedly ridiculed for daring to step outside the confines of the domestic sphere. The deliberate and systematic destruction of her reputation shaped her legacy for two millennia.Ample literary, documentary, and archaeological sources for Fulvia exist, yet most contemporary depictions of her were extremely negative. In Fulvia: The Woman Who Broke All the Rules in Ancient Rome (Yale UP, 2025) historian Jane Draycott, reading between the lines of the ancient evidence, proposes a more nuanced interpretation. Using Fulvia as a guide, she invites readers to visit an unfamiliar Rome, one in which women played a crucial role during Rome’s violent transition from a republic to the dictatorship of the Roman Empire. Jane Draycott is a historian and archaeologist, and the author of Cleopatra’s Daughter: From Roman Prisoner to African Queen. She is a senior lecturer at the University of Glasgow and co-director of the university’s Games and Gaming Lab. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Fulvia was born into wealth, privilege, and prestige around the year 80 BCE, yet there was nothing inherently special about her—she was not a saint, an empress, or a queen. But during the years leading up to the fall of the Roman Republic, Fulvia was moving in the most powerful social circles, and by her death in 40 BCE she had amassed a degree of political and military power unprecedented for a woman. Fulvia’s success came at considerable cost, however. None of her three marriages to politically powerful men—most famously to Marc Antony—lasted, and three of her five children died violently. She was repeatedly ridiculed for daring to step outside the confines of the domestic sphere. The deliberate and systematic destruction of her reputation shaped her legacy for two millennia.Ample literary, documentary, and archaeological sources for Fulvia exist, yet most contemporary depictions of her were extremely negative. In Fulvia: The Woman Who Broke All the Rules in Ancient Rome (Yale UP, 2025) historian Jane Draycott, reading between the lines of the ancient evidence, proposes a more nuanced interpretation. Using Fulvia as a guide, she invites readers to visit an unfamiliar Rome, one in which women played a crucial role during Rome’s violent transition from a republic to the dictatorship of the Roman Empire. Jane Draycott is a historian and archaeologist, and the author of Cleopatra’s Daughter: From Roman Prisoner to African Queen. She is a senior lecturer at the University of Glasgow and co-director of the university’s Games and Gaming Lab. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here false full 1876 1a28113c-955b-11f1-a384-930219b6db16 Rick Ramseyer, "Girl Without a Country: The Untold Story of a Landmark Fight for U.S. Citizenship" (Purdue UP, 2026) Should willingness to kill be a requirement for U.S. citizenship? Girl Without a Country: The Untold Story of a Landmark Fight for U.S. Citizenship (Purdue University Press, 2026) by Rick Ramseyer tells the compelling, confounding story of Martha Graber—a Mennonite, registered nurse, and conscientious objector who in 1929 was twice denied citizenship because she refused to say she would take up arms to defend the United States. The unexpected denials, which came despite Martha's pledge to give her life for her adopted country, caught the attention of a diverse group of peace advocates, religious leaders, lawyers, and politicians, setting up a climactic third court appearance.

Martha’s nineteen-month fight for citizenship made national news, featuring dramatic testimony, historical insights, and interesting backstories that stretched from Alsace-Lorraine in western Europe to America’s heartland. Elegantly written by Martha’s maternal grandson with never-before-published details and closely connected with a controversial Supreme Court decision, Girl Without a Country surfaces an array of topical issues, ranging from immigration and naturalization to conscientious objection and patriotism. Perhaps most importantly, Martha’s story considers what it truly means to be an American.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 15 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Should willingness to kill be a requirement for U.S. citizenship? Girl Without a Country: The Untold Story of a Landmark Fight for U.S. Citizenship (Purdue University Press, 2026) by Rick Ramseyer tells the compelling, confounding story of Martha Graber—a Mennonite, registered nurse, and conscientious objector who in 1929 was twice denied citizenship because she refused to say she would take up arms to defend the United States. The unexpected denials, which came despite Martha's pledge to give her life for her adopted country, caught the attention of a diverse group of peace advocates, religious leaders, lawyers, and politicians, setting up a climactic third court appearance.

Martha’s nineteen-month fight for citizenship made national news, featuring dramatic testimony, historical insights, and interesting backstories that stretched from Alsace-Lorraine in western Europe to America’s heartland. Elegantly written by Martha’s maternal grandson with never-before-published details and closely connected with a controversial Supreme Court decision, Girl Without a Country surfaces an array of topical issues, ranging from immigration and naturalization to conscientious objection and patriotism. Perhaps most importantly, Martha’s story considers what it truly means to be an American.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Rick Ramseyer, "Girl Without a Country: The Untold Story of a Landmark Fight for U.S. Citizenship" (Purdue UP, 2026) New Books Network 00:24:59 Should willingness to kill be a requirement for U.S. citizenship? Girl Without a Country: The Untold Story of a Landmark Fight for U.S. Citizenship (Purdue University Press, 2026) by Rick Ramseyer tells the compelling, confounding story of Martha Graber—a Mennonite, registered nurse, and conscientious objector who in 1929 was twice denied citizenship because she refused to say she would take up arms to defend the United States. The unexpected denials, which came despite Martha's pledge to give her life for her adopted country, caught the attention of a diverse group of peace advocates, religious leaders, lawyers, and politicians, setting up a climactic third court appearance. Martha’s nineteen-month fight for citizenship made national news, featuring dramatic testimony, historical insights, and interesting backstories that stretched from Alsace-Lorraine in western Europe to America’s heartland. Elegantly written by Martha’s maternal grandson with never-before-published details and closely connected with a controversial Supreme Court decision, Girl Without a Country surfaces an array of topical issues, ranging from immigration and naturalization to conscientious objection and patriotism. Perhaps most importantly, Martha’s story considers what it truly means to be an American. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Should willingness to kill be a requirement for U.S. citizenship? Girl Without a Country: The Untold Story of a Landmark Fight for U.S. Citizenship (Purdue University Press, 2026) by Rick Ramseyer tells the compelling, confounding story of Martha Graber—a Mennonite, registered nurse, and conscientious objector who in 1929 was twice denied citizenship because she refused to say she would take up arms to defend the United States. The unexpected denials, which came despite Martha's pledge to give her life for her adopted country, caught the attention of a diverse group of peace advocates, religious leaders, lawyers, and politicians, setting up a climactic third court appearance. Martha’s nineteen-month fight for citizenship made national news, featuring dramatic testimony, historical insights, and interesting backstories that stretched from Alsace-Lorraine in western Europe to America’s heartland. Elegantly written by Martha’s maternal grandson with never-before-published details and closely connected with a controversial Supreme Court decision, Girl Without a Country surfaces an array of topical issues, ranging from immigration and naturalization to conscientious objection and patriotism. Perhaps most importantly, Martha’s story considers what it truly means to be an American. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1875 8846956a-917a-11f1-bf18-db7bf05a1a5c Younus Y. Mirza, "The Islamic Mary: Maryam Through the Centuries" (Fortress Press, 2025) Mary, the mother of Jesus, has been historically revered throughout the Islamic tradition. This began already in the Qur'an, where she is called by the name "Maryam." The Islamic Mary: Maryam Through the Centuries (Fortress Press, 2025) examines the varied appearances of Maryam in different Islamic cultural and theological contexts. The chapters in this history extend from Maryam's scriptural mentions in the Qur'an and the biography of the Prophet Muhammad, her appearances in medieval debates regarding prophecy, citations of her virtuous model in Sufi discussions of piety, presentations in art and film, through to her role in modern interfaith relations.

Younus Y. Mirza is the Founding Director of the Barzinji Institute for Global Virtual Learning at Shenandoah University. He defended his dissertation in Arabic and Islamic Studies from Georgetown University and has taught at Millsaps and Allegheny Colleges. His research focuses on the relationship between the Bible and the Qur’an and the shared stories between them

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here


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]]> Wed, 12 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Mary, the mother of Jesus, has been historically revered throughout the Islamic tradition. This began already in the Qur'an, where she is called by the name "Maryam." The Islamic Mary: Maryam Through the Centuries (Fortress Press, 2025) examines the varied appearances of Maryam in different Islamic cultural and theological contexts. The chapters in this history extend from Maryam's scriptural mentions in the Qur'an and the biography of the Prophet Muhammad, her appearances in medieval debates regarding prophecy, citations of her virtuous model in Sufi discussions of piety, presentations in art and film, through to her role in modern interfaith relations.

Younus Y. Mirza is the Founding Director of the Barzinji Institute for Global Virtual Learning at Shenandoah University. He defended his dissertation in Arabic and Islamic Studies from Georgetown University and has taught at Millsaps and Allegheny Colleges. His research focuses on the relationship between the Bible and the Qur’an and the shared stories between them

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here


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]]> Younus Y. Mirza, "The Islamic Mary: Maryam Through the Centuries" (Fortress Press, 2025) New Books Network 00:47:42 Mary, the mother of Jesus, has been historically revered throughout the Islamic tradition. This began already in the Qur'an, where she is called by the name "Maryam." The Islamic Mary: Maryam Through the Centuries (Fortress Press, 2025) examines the varied appearances of Maryam in different Islamic cultural and theological contexts. The chapters in this history extend from Maryam's scriptural mentions in the Qur'an and the biography of the Prophet Muhammad, her appearances in medieval debates regarding prophecy, citations of her virtuous model in Sufi discussions of piety, presentations in art and film, through to her role in modern interfaith relations. Younus Y. Mirza is the Founding Director of the Barzinji Institute for Global Virtual Learning at Shenandoah University. He defended his dissertation in Arabic and Islamic Studies from Georgetown University and has taught at Millsaps and Allegheny Colleges. His research focuses on the relationship between the Bible and the Qur’an and the shared stories between them Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Mary, the mother of Jesus, has been historically revered throughout the Islamic tradition. This began already in the Qur'an, where she is called by the name "Maryam." The Islamic Mary: Maryam Through the Centuries (Fortress Press, 2025) examines the varied appearances of Maryam in different Islamic cultural and theological contexts. The chapters in this history extend from Maryam's scriptural mentions in the Qur'an and the biography of the Prophet Muhammad, her appearances in medieval debates regarding prophecy, citations of her virtuous model in Sufi discussions of piety, presentations in art and film, through to her role in modern interfaith relations. Younus Y. Mirza is the Founding Director of the Barzinji Institute for Global Virtual Learning at Shenandoah University. He defended his dissertation in Arabic and Islamic Studies from Georgetown University and has taught at Millsaps and Allegheny Colleges. His research focuses on the relationship between the Bible and the Qur’an and the shared stories between them Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here false full 1874 c63bc0f6-9176-11f1-ae27-33f7337fe6ec Julie Kliegman, "Finding Renée Richards: The Groundbreaking Story of Tennis’s Trans Pioneer" (HarperOne, 2026) Fifty years ago, tennis player Renée Richards made international headlines in her fight to compete in the women’s draw of the 1977 US Open—marking the first time a trans athlete sued to participate in professional sports in the gender category with which they identify. Renée eventually won her case. Though she lost in the first round of the singles tournament, she and her tennis partner made it to the finals in doubles, losing to Martina Navratilova and her partner.

Finding Renée Richards: The Groundbreaking Story of Tennis’s Trans Pioneer (HarperOne, 2026) chronicles Richards’s extraordinary life, moving from her tumultuous upbringing in Queens, New York, to her career as a successful eye surgeon; her years as a star tennis player to her role as a transgender pioneer. Now in her nineties, Renée remains a complex figure: A person who changed the sports world forever yet questions the place of trans athletes in that world today. GLAAD award-nominated sports journalist Julie Kliegman deftly probes these contradictions, drawing on intimate interviews and offering critical reflections on what is at stake for athletes, fans, and the queer community today, at a time when trans participation in sports is more hotly contested—and condemned—than ever before.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.


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]]> Tue, 11 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Fifty years ago, tennis player Renée Richards made international headlines in her fight to compete in the women’s draw of the 1977 US Open—marking the first time a trans athlete sued to participate in professional sports in the gender category with which they identify. Renée eventually won her case. Though she lost in the first round of the singles tournament, she and her tennis partner made it to the finals in doubles, losing to Martina Navratilova and her partner.

Finding Renée Richards: The Groundbreaking Story of Tennis’s Trans Pioneer (HarperOne, 2026) chronicles Richards’s extraordinary life, moving from her tumultuous upbringing in Queens, New York, to her career as a successful eye surgeon; her years as a star tennis player to her role as a transgender pioneer. Now in her nineties, Renée remains a complex figure: A person who changed the sports world forever yet questions the place of trans athletes in that world today. GLAAD award-nominated sports journalist Julie Kliegman deftly probes these contradictions, drawing on intimate interviews and offering critical reflections on what is at stake for athletes, fans, and the queer community today, at a time when trans participation in sports is more hotly contested—and condemned—than ever before.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.


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]]> Julie Kliegman, "Finding Renée Richards: The Groundbreaking Story of Tennis’s Trans Pioneer" (HarperOne, 2026) New Books Network 00:42:58 Fifty years ago, tennis player Renée Richards made international headlines in her fight to compete in the women’s draw of the 1977 US Open—marking the first time a trans athlete sued to participate in professional sports in the gender category with which they identify. Renée eventually won her case. Though she lost in the first round of the singles tournament, she and her tennis partner made it to the finals in doubles, losing to Martina Navratilova and her partner. Finding Renée Richards: The Groundbreaking Story of Tennis’s Trans Pioneer (HarperOne, 2026) chronicles Richards’s extraordinary life, moving from her tumultuous upbringing in Queens, New York, to her career as a successful eye surgeon; her years as a star tennis player to her role as a transgender pioneer. Now in her nineties, Renée remains a complex figure: A person who changed the sports world forever yet questions the place of trans athletes in that world today. GLAAD award-nominated sports journalist Julie Kliegman deftly probes these contradictions, drawing on intimate interviews and offering critical reflections on what is at stake for athletes, fans, and the queer community today, at a time when trans participation in sports is more hotly contested—and condemned—than ever before. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Fifty years ago, tennis player Renée Richards made international headlines in her fight to compete in the women’s draw of the 1977 US Open—marking the first time a trans athlete sued to participate in professional sports in the gender category with which they identify. Renée eventually won her case. Though she lost in the first round of the singles tournament, she and her tennis partner made it to the finals in doubles, losing to Martina Navratilova and her partner. Finding Renée Richards: The Groundbreaking Story of Tennis’s Trans Pioneer (HarperOne, 2026) chronicles Richards’s extraordinary life, moving from her tumultuous upbringing in Queens, New York, to her career as a successful eye surgeon; her years as a star tennis player to her role as a transgender pioneer. Now in her nineties, Renée remains a complex figure: A person who changed the sports world forever yet questions the place of trans athletes in that world today. GLAAD award-nominated sports journalist Julie Kliegman deftly probes these contradictions, drawing on intimate interviews and offering critical reflections on what is at stake for athletes, fans, and the queer community today, at a time when trans participation in sports is more hotly contested—and condemned—than ever before. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. false full 1873 65618ccc-9219-11f1-9193-0bcc8c190342 Daniel Majchrowicz, "A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910" (Indiana UP, 2025) Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England.

A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910 (Indiana University Press, 2025) provides the first full English translation of Begum Sarbuland's Urdu travel diary from this journey, of which only three original copies remain. Originally intended for circulation among friends and family and later published, her informal entries not only reveal the everyday practices of an Indian woman of her time, but also detail her impressions and reactions as she explored the world alongside her husband. As Begum Sarbuland encountered other women and Muslims during her travels, those encounters shaped her reassessment of her own identity as a Muslim woman. Her observations hold continued significance for readers interested in critical questions about gender, Islam, and identity. Daniel Majchrowicz has thoroughly annotated his translation and paired it with rich appendices, including a biographical sketch of Begum Sarbuland and excerpts from Hamidullah Khan's own accounts of their journey.

Engagingly written and enriched with years of original research, archival work, and family interviews, A Journey to Mecca and London restores the nearly forgotten narrative of one of India's first Muslim women travel writers to its rightful place in Indian and Islamic history.


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]]> Mon, 10 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England.

A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910 (Indiana University Press, 2025) provides the first full English translation of Begum Sarbuland's Urdu travel diary from this journey, of which only three original copies remain. Originally intended for circulation among friends and family and later published, her informal entries not only reveal the everyday practices of an Indian woman of her time, but also detail her impressions and reactions as she explored the world alongside her husband. As Begum Sarbuland encountered other women and Muslims during her travels, those encounters shaped her reassessment of her own identity as a Muslim woman. Her observations hold continued significance for readers interested in critical questions about gender, Islam, and identity. Daniel Majchrowicz has thoroughly annotated his translation and paired it with rich appendices, including a biographical sketch of Begum Sarbuland and excerpts from Hamidullah Khan's own accounts of their journey.

Engagingly written and enriched with years of original research, archival work, and family interviews, A Journey to Mecca and London restores the nearly forgotten narrative of one of India's first Muslim women travel writers to its rightful place in Indian and Islamic history.


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]]> Daniel Majchrowicz, "A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910" (Indiana UP, 2025) New Books Network 00:56:45 Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England. A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910 (Indiana University Press, 2025) provides the first full English translation of Begum Sarbuland's Urdu travel diary from this journey, of which only three original copies remain. Originally intended for circulation among friends and family and later published, her informal entries not only reveal the everyday practices of an Indian woman of her time, but also detail her impressions and reactions as she explored the world alongside her husband. As Begum Sarbuland encountered other women and Muslims during her travels, those encounters shaped her reassessment of her own identity as a Muslim woman. Her observations hold continued significance for readers interested in critical questions about gender, Islam, and identity. Daniel Majchrowicz has thoroughly annotated his translation and paired it with rich appendices, including a biographical sketch of Begum Sarbuland and excerpts from Hamidullah Khan's own accounts of their journey. Engagingly written and enriched with years of original research, archival work, and family interviews, A Journey to Mecca and London restores the nearly forgotten narrative of one of India's first Muslim women travel writers to its rightful place in Indian and Islamic history. Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England. A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910 (Indiana University Press, 2025) provides the first full English translation of Begum Sarbuland's Urdu travel diary from this journey, of which only three original copies remain. Originally intended for circulation among friends and family and later published, her informal entries not only reveal the everyday practices of an Indian woman of her time, but also detail her impressions and reactions as she explored the world alongside her husband. As Begum Sarbuland encountered other women and Muslims during her travels, those encounters shaped her reassessment of her own identity as a Muslim woman. Her observations hold continued significance for readers interested in critical questions about gender, Islam, and identity. Daniel Majchrowicz has thoroughly annotated his translation and paired it with rich appendices, including a biographical sketch of Begum Sarbuland and excerpts from Hamidullah Khan's own accounts of their journey. Engagingly written and enriched with years of original research, archival work, and family interviews, A Journey to Mecca and London restores the nearly forgotten narrative of one of India's first Muslim women travel writers to its rightful place in Indian and Islamic history. false full 1872 e80139c0-9138-11f1-b36f-e3ad3ea70538 Leopoldina Fortunati, "The Arcana of Reproduction: Housewives, Prostitutes, Workers and Capital" (Verso, 2025) The definitive feminist analysis of reproductive and ‘caring’ labor to emerge from Italian feminism of the 1970s.

Emerging from the great social upheavals that contested the sexual and racial divisions of labor globally in the 1970s, Leopoldina Fortunati’s classic work expands and transforms how we analyze the sphere of reproduction, redefining the value of the individual’s life and the labor performed in the home.

Released here for the first time in its unabridged form with historical notation and contemporary commentary, The Arcana of Reproduction: Housewives, Prostitutes, Workers and Capital (Verso, 2025) is a foundational text and essential contribution to today’s discussions of social reproduction and the history of Italian feminism. Fortunati’s work provides some of the earliest theorizations of ‘immaterial,’ ‘affective,’ and ‘caring’ labor, and of the role of technology in reproduction, articulated decades before their popular reception in English academic literature. Reading this work some 50 years after its original publication gives us the tools to analyze the contemporary state of capitalist development and of women’s lives today. The text remains prefigurative and essential in our era of digital labor.

Leopoldina Fortunati was a core member of Lotta Femminsta and the Wages for Housework Movement internationally. Along with Mariarosa Dalla Costa, Selma James and Silvia Federici, she composed many of the group’s core theoretical and political texts. Her early work continues to inform movements concerned with struggles over reproduction globally and in subsequent work as a theorist of media and technology, Fortunati has been at the vanguard of contemporary theory addressing the relation between gendered labor and technology.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.


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]]> Sat, 8 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The definitive feminist analysis of reproductive and ‘caring’ labor to emerge from Italian feminism of the 1970s.

Emerging from the great social upheavals that contested the sexual and racial divisions of labor globally in the 1970s, Leopoldina Fortunati’s classic work expands and transforms how we analyze the sphere of reproduction, redefining the value of the individual’s life and the labor performed in the home.

Released here for the first time in its unabridged form with historical notation and contemporary commentary, The Arcana of Reproduction: Housewives, Prostitutes, Workers and Capital (Verso, 2025) is a foundational text and essential contribution to today’s discussions of social reproduction and the history of Italian feminism. Fortunati’s work provides some of the earliest theorizations of ‘immaterial,’ ‘affective,’ and ‘caring’ labor, and of the role of technology in reproduction, articulated decades before their popular reception in English academic literature. Reading this work some 50 years after its original publication gives us the tools to analyze the contemporary state of capitalist development and of women’s lives today. The text remains prefigurative and essential in our era of digital labor.

Leopoldina Fortunati was a core member of Lotta Femminsta and the Wages for Housework Movement internationally. Along with Mariarosa Dalla Costa, Selma James and Silvia Federici, she composed many of the group’s core theoretical and political texts. Her early work continues to inform movements concerned with struggles over reproduction globally and in subsequent work as a theorist of media and technology, Fortunati has been at the vanguard of contemporary theory addressing the relation between gendered labor and technology.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.


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]]> Leopoldina Fortunati, "The Arcana of Reproduction: Housewives, Prostitutes, Workers and Capital" (Verso, 2025) New Books Network 01:16:55 The definitive feminist analysis of reproductive and ‘caring’ labor to emerge from Italian feminism of the 1970s. Emerging from the great social upheavals that contested the sexual and racial divisions of labor globally in the 1970s, Leopoldina Fortunati’s classic work expands and transforms how we analyze the sphere of reproduction, redefining the value of the individual’s life and the labor performed in the home. Released here for the first time in its unabridged form with historical notation and contemporary commentary, The Arcana of Reproduction: Housewives, Prostitutes, Workers and Capital (Verso, 2025) is a foundational text and essential contribution to today’s discussions of social reproduction and the history of Italian feminism. Fortunati’s work provides some of the earliest theorizations of ‘immaterial,’ ‘affective,’ and ‘caring’ labor, and of the role of technology in reproduction, articulated decades before their popular reception in English academic literature. Reading this work some 50 years after its original publication gives us the tools to analyze the contemporary state of capitalist development and of women’s lives today. The text remains prefigurative and essential in our era of digital labor. Leopoldina Fortunati was a core member of Lotta Femminsta and the Wages for Housework Movement internationally. Along with Mariarosa Dalla Costa, Selma James and Silvia Federici, she composed many of the group’s core theoretical and political texts. Her early work continues to inform movements concerned with struggles over reproduction globally and in subsequent work as a theorist of media and technology, Fortunati has been at the vanguard of contemporary theory addressing the relation between gendered labor and technology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. The definitive feminist analysis of reproductive and ‘caring’ labor to emerge from Italian feminism of the 1970s. Emerging from the great social upheavals that contested the sexual and racial divisions of labor globally in the 1970s, Leopoldina Fortunati’s classic work expands and transforms how we analyze the sphere of reproduction, redefining the value of the individual’s life and the labor performed in the home. Released here for the first time in its unabridged form with historical notation and contemporary commentary, The Arcana of Reproduction: Housewives, Prostitutes, Workers and Capital (Verso, 2025) is a foundational text and essential contribution to today’s discussions of social reproduction and the history of Italian feminism. Fortunati’s work provides some of the earliest theorizations of ‘immaterial,’ ‘affective,’ and ‘caring’ labor, and of the role of technology in reproduction, articulated decades before their popular reception in English academic literature. Reading this work some 50 years after its original publication gives us the tools to analyze the contemporary state of capitalist development and of women’s lives today. The text remains prefigurative and essential in our era of digital labor. Leopoldina Fortunati was a core member of Lotta Femminsta and the Wages for Housework Movement internationally. Along with Mariarosa Dalla Costa, Selma James and Silvia Federici, she composed many of the group’s core theoretical and political texts. Her early work continues to inform movements concerned with struggles over reproduction globally and in subsequent work as a theorist of media and technology, Fortunati has been at the vanguard of contemporary theory addressing the relation between gendered labor and technology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. false full 1871 e7d69eca-8d2a-11f1-b498-17065fb964fa Valena Beety, "Pink Crime: Fighting Against the Criminalization of Motherhood, Pregnancy, and Queer Identity" (New Press, 2026) A woman miscarries—and is charged with murder. A new mother tests positive for a drug her hospital administered—and loses custody of her newborn. Four women are convicted of horrific crimes against children they never touched, based on junk science and homophobia—and spend nearly twenty years in prison before being exonerated. A queer teenager takes a photo of a child’s diaper rash at work—and is sentenced to 126 years. These cases are not aberrations. They are symptoms of a system that punishes women and queer people not for what they have done, but for who they are.

In the United States, nearly three-quarters of all wrongly convicted women were convicted of crimes that never occurred at all. In Pink Crime: Fighting Against the Criminalization of Motherhood, Pregnancy, and Queer Identity (New Press, 2026), Dr. Valena Beety, co-founder of the Indiana Innocence Project and award-winning legal scholar cited by Justice Sonia Sotomayor, reveals how ordinary tragedies—a child’s sudden death, a husband who dies in his sleep—are transformed by prosecutors into murders that never happened. These “no crime” convictions disproportionately target women and queer people, whose identities are recast as evidence of guilt through bias, junk science, and entrenched stereotypes.

Drawing on devastating real-life cases, Dr. Beety exposes how prosecutorial overreach, flawed forensic science, and cultural panic converge—and how fetal personhood laws, the fall of Roe v. Wade, and anti-LGBTQ+ legislation have dramatically expanded the reach of criminal law. What emerges is a chilling portrait of a legal system that increasingly criminalizes pregnancy outcomes, motherhood, and queer identity itself.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 4 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A woman miscarries—and is charged with murder. A new mother tests positive for a drug her hospital administered—and loses custody of her newborn. Four women are convicted of horrific crimes against children they never touched, based on junk science and homophobia—and spend nearly twenty years in prison before being exonerated. A queer teenager takes a photo of a child’s diaper rash at work—and is sentenced to 126 years. These cases are not aberrations. They are symptoms of a system that punishes women and queer people not for what they have done, but for who they are.

In the United States, nearly three-quarters of all wrongly convicted women were convicted of crimes that never occurred at all. In Pink Crime: Fighting Against the Criminalization of Motherhood, Pregnancy, and Queer Identity (New Press, 2026), Dr. Valena Beety, co-founder of the Indiana Innocence Project and award-winning legal scholar cited by Justice Sonia Sotomayor, reveals how ordinary tragedies—a child’s sudden death, a husband who dies in his sleep—are transformed by prosecutors into murders that never happened. These “no crime” convictions disproportionately target women and queer people, whose identities are recast as evidence of guilt through bias, junk science, and entrenched stereotypes.

Drawing on devastating real-life cases, Dr. Beety exposes how prosecutorial overreach, flawed forensic science, and cultural panic converge—and how fetal personhood laws, the fall of Roe v. Wade, and anti-LGBTQ+ legislation have dramatically expanded the reach of criminal law. What emerges is a chilling portrait of a legal system that increasingly criminalizes pregnancy outcomes, motherhood, and queer identity itself.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Valena Beety, "Pink Crime: Fighting Against the Criminalization of Motherhood, Pregnancy, and Queer Identity" (New Press, 2026) New Books Network 00:26:01 A woman miscarries—and is charged with murder. A new mother tests positive for a drug her hospital administered—and loses custody of her newborn. Four women are convicted of horrific crimes against children they never touched, based on junk science and homophobia—and spend nearly twenty years in prison before being exonerated. A queer teenager takes a photo of a child’s diaper rash at work—and is sentenced to 126 years. These cases are not aberrations. They are symptoms of a system that punishes women and queer people not for what they have done, but for who they are. In the United States, nearly three-quarters of all wrongly convicted women were convicted of crimes that never occurred at all. In Pink Crime: Fighting Against the Criminalization of Motherhood, Pregnancy, and Queer Identity (New Press, 2026), Dr. Valena Beety, co-founder of the Indiana Innocence Project and award-winning legal scholar cited by Justice Sonia Sotomayor, reveals how ordinary tragedies—a child’s sudden death, a husband who dies in his sleep—are transformed by prosecutors into murders that never happened. These “no crime” convictions disproportionately target women and queer people, whose identities are recast as evidence of guilt through bias, junk science, and entrenched stereotypes. Drawing on devastating real-life cases, Dr. Beety exposes how prosecutorial overreach, flawed forensic science, and cultural panic converge—and how fetal personhood laws, the fall of Roe v. Wade, and anti-LGBTQ+ legislation have dramatically expanded the reach of criminal law. What emerges is a chilling portrait of a legal system that increasingly criminalizes pregnancy outcomes, motherhood, and queer identity itself. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. A woman miscarries—and is charged with murder. A new mother tests positive for a drug her hospital administered—and loses custody of her newborn. Four women are convicted of horrific crimes against children they never touched, based on junk science and homophobia—and spend nearly twenty years in prison before being exonerated. A queer teenager takes a photo of a child’s diaper rash at work—and is sentenced to 126 years. These cases are not aberrations. They are symptoms of a system that punishes women and queer people not for what they have done, but for who they are. In the United States, nearly three-quarters of all wrongly convicted women were convicted of crimes that never occurred at all. In Pink Crime: Fighting Against the Criminalization of Motherhood, Pregnancy, and Queer Identity (New Press, 2026), Dr. Valena Beety, co-founder of the Indiana Innocence Project and award-winning legal scholar cited by Justice Sonia Sotomayor, reveals how ordinary tragedies—a child’s sudden death, a husband who dies in his sleep—are transformed by prosecutors into murders that never happened. These “no crime” convictions disproportionately target women and queer people, whose identities are recast as evidence of guilt through bias, junk science, and entrenched stereotypes. Drawing on devastating real-life cases, Dr. Beety exposes how prosecutorial overreach, flawed forensic science, and cultural panic converge—and how fetal personhood laws, the fall of Roe v. Wade, and anti-LGBTQ+ legislation have dramatically expanded the reach of criminal law. What emerges is a chilling portrait of a legal system that increasingly criminalizes pregnancy outcomes, motherhood, and queer identity itself. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1870 b1ab5fa6-8a0b-11f1-872d-ff1a9d56dde3 Steven K. Green, "American Infidelity: The Gilded Age Battle Over Freethought, Free Love, and Feminism" (Oxford UP, 2026) Today I'm speaking with Steven K. Green, Fred H. Paulus Professor of Law and Affiliated Professor of History and Religious Studies at Willamette University. We are discussing his book, American Infidelity: The Gilded Age Battle Over Freethought, Free Love, and Feminism (Oxford University Press, 2026). Since the first permanent Protestant settlement in Jamestown in 1607, Protestant Christianity has waxed and waned through a series of revivals, migrations, and challenges from alternative faiths like Catholicism and Mormonism. The Gilded Age, from roughly 1870 to 1900, was a unique period for Protestantism in American history. Most Americans still subscribed to a Protestant faith, though threats began to arise not from other confessions, but rather from philosophical and scientific challengers. The so-called freethinkers represented a broad range of beliefs and ideas, being united by a mutual skepticism of religious conservatism and traditional sexual and gender mores. American Infidelity tells the story of this tug-of-war for the soul of a nation, with Christianity on one side and the legacy of thinkers like Thomas Paine on the other.

Caleb Zakarin is CEO and Publisher of the New Books Network.


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]]> Wed, 29 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today I'm speaking with Steven K. Green, Fred H. Paulus Professor of Law and Affiliated Professor of History and Religious Studies at Willamette University. We are discussing his book, American Infidelity: The Gilded Age Battle Over Freethought, Free Love, and Feminism (Oxford University Press, 2026). Since the first permanent Protestant settlement in Jamestown in 1607, Protestant Christianity has waxed and waned through a series of revivals, migrations, and challenges from alternative faiths like Catholicism and Mormonism. The Gilded Age, from roughly 1870 to 1900, was a unique period for Protestantism in American history. Most Americans still subscribed to a Protestant faith, though threats began to arise not from other confessions, but rather from philosophical and scientific challengers. The so-called freethinkers represented a broad range of beliefs and ideas, being united by a mutual skepticism of religious conservatism and traditional sexual and gender mores. American Infidelity tells the story of this tug-of-war for the soul of a nation, with Christianity on one side and the legacy of thinkers like Thomas Paine on the other.

Caleb Zakarin is CEO and Publisher of the New Books Network.


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]]> Steven K. Green, "American Infidelity: The Gilded Age Battle Over Freethought, Free Love, and Feminism" (Oxford UP, 2026) New Books Network 00:57:25 Today I'm speaking with Steven K. Green, Fred H. Paulus Professor of Law and Affiliated Professor of History and Religious Studies at Willamette University. We are discussing his book, American Infidelity: The Gilded Age Battle Over Freethought, Free Love, and Feminism (Oxford University Press, 2026). Since the first permanent Protestant settlement in Jamestown in 1607, Protestant Christianity has waxed and waned through a series of revivals, migrations, and challenges from alternative faiths like Catholicism and Mormonism. The Gilded Age, from roughly 1870 to 1900, was a unique period for Protestantism in American history. Most Americans still subscribed to a Protestant faith, though threats began to arise not from other confessions, but rather from philosophical and scientific challengers. The so-called freethinkers represented a broad range of beliefs and ideas, being united by a mutual skepticism of religious conservatism and traditional sexual and gender mores. American Infidelity tells the story of this tug-of-war for the soul of a nation, with Christianity on one side and the legacy of thinkers like Thomas Paine on the other. Caleb Zakarin is CEO and Publisher of the New Books Network. Today I'm speaking with Steven K. Green, Fred H. Paulus Professor of Law and Affiliated Professor of History and Religious Studies at Willamette University. We are discussing his book, American Infidelity: The Gilded Age Battle Over Freethought, Free Love, and Feminism (Oxford University Press, 2026). Since the first permanent Protestant settlement in Jamestown in 1607, Protestant Christianity has waxed and waned through a series of revivals, migrations, and challenges from alternative faiths like Catholicism and Mormonism. The Gilded Age, from roughly 1870 to 1900, was a unique period for Protestantism in American history. Most Americans still subscribed to a Protestant faith, though threats began to arise not from other confessions, but rather from philosophical and scientific challengers. The so-called freethinkers represented a broad range of beliefs and ideas, being united by a mutual skepticism of religious conservatism and traditional sexual and gender mores. American Infidelity tells the story of this tug-of-war for the soul of a nation, with Christianity on one side and the legacy of thinkers like Thomas Paine on the other. Caleb Zakarin is CEO and Publisher of the New Books Network. false full 1869 f4a15c42-8723-11f1-891b-8767a452ca54 Claire Hubbard-Hall, "Her Secret Service: The Forgotten Women of British Intelligence" (Weidenfeld & Nicolson, 2024) Since the inception of the Secret Service Bureau back in 1909, women have worked at the very heart of British secret intelligence - yet their contributions have been all but written out of history. Now, drawing on private and previously-classified documents, leading historian Claire Hubbard-Hall brings their gripping true stories to life in Her Secret Service: The Forgotten Women of British Intelligence (Weidenfeld & Nicolson, 2024).

From encoding orders and decrypting enemy messages to penning propaganda and infiltrating organisations, the women of British intelligence played a pivotal role in both the First and Second World Wars. Prepare to meet the true custodians of Britain's military secrets, from Kathleen Pettigrew, personal assistant to the Chief of MI6 Stewart Menzies, who late in life declared 'I was Miss Moneypenny, but with more power', to Jane Archer, the very first female MI5 officer who raised suspicions about the Soviet spy Kim Philby long before he was officially unmasked and Winifred Spink, the first female officer ever sent to Russia in 1916. In Her Secret Service, Hubbard-Hall rescues these silenced voices and those of many other fascinating women from obscurity to provide a definitive account of women's contributions to the history of the intelligence services.

The book, now in paperback, includes a postscript based on a new treasure trove of documents.

Her Secret Service won the 2025 Dr Polly Corrigan Book prize. The Prize aims to recognise scholarship within the realm of intelligence and security, written by female scholars and/or about women. It encourages scholars to go beyond traditional lines of inquiry and explore how women contributed to and participated in the making of the ‘Secret World’.


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]]> Mon, 27 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Since the inception of the Secret Service Bureau back in 1909, women have worked at the very heart of British secret intelligence - yet their contributions have been all but written out of history. Now, drawing on private and previously-classified documents, leading historian Claire Hubbard-Hall brings their gripping true stories to life in Her Secret Service: The Forgotten Women of British Intelligence (Weidenfeld & Nicolson, 2024).

From encoding orders and decrypting enemy messages to penning propaganda and infiltrating organisations, the women of British intelligence played a pivotal role in both the First and Second World Wars. Prepare to meet the true custodians of Britain's military secrets, from Kathleen Pettigrew, personal assistant to the Chief of MI6 Stewart Menzies, who late in life declared 'I was Miss Moneypenny, but with more power', to Jane Archer, the very first female MI5 officer who raised suspicions about the Soviet spy Kim Philby long before he was officially unmasked and Winifred Spink, the first female officer ever sent to Russia in 1916. In Her Secret Service, Hubbard-Hall rescues these silenced voices and those of many other fascinating women from obscurity to provide a definitive account of women's contributions to the history of the intelligence services.

The book, now in paperback, includes a postscript based on a new treasure trove of documents.

Her Secret Service won the 2025 Dr Polly Corrigan Book prize. The Prize aims to recognise scholarship within the realm of intelligence and security, written by female scholars and/or about women. It encourages scholars to go beyond traditional lines of inquiry and explore how women contributed to and participated in the making of the ‘Secret World’.


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]]> Claire Hubbard-Hall, "Her Secret Service: The Forgotten Women of British Intelligence" (Weidenfeld & Nicolson, 2024) New Books Network 01:15:14 Since the inception of the Secret Service Bureau back in 1909, women have worked at the very heart of British secret intelligence - yet their contributions have been all but written out of history. Now, drawing on private and previously-classified documents, leading historian Claire Hubbard-Hall brings their gripping true stories to life in Her Secret Service: The Forgotten Women of British Intelligence (Weidenfeld & Nicolson, 2024). From encoding orders and decrypting enemy messages to penning propaganda and infiltrating organisations, the women of British intelligence played a pivotal role in both the First and Second World Wars. Prepare to meet the true custodians of Britain's military secrets, from Kathleen Pettigrew, personal assistant to the Chief of MI6 Stewart Menzies, who late in life declared 'I was Miss Moneypenny, but with more power', to Jane Archer, the very first female MI5 officer who raised suspicions about the Soviet spy Kim Philby long before he was officially unmasked and Winifred Spink, the first female officer ever sent to Russia in 1916. In Her Secret Service, Hubbard-Hall rescues these silenced voices and those of many other fascinating women from obscurity to provide a definitive account of women's contributions to the history of the intelligence services. The book, now in paperback, includes a postscript based on a new treasure trove of documents. Her Secret Service won the 2025 Dr Polly Corrigan Book prize. The Prize aims to recognise scholarship within the realm of intelligence and security, written by female scholars and/or about women. It encourages scholars to go beyond traditional lines of inquiry and explore how women contributed to and participated in the making of the ‘Secret World’. Since the inception of the Secret Service Bureau back in 1909, women have worked at the very heart of British secret intelligence - yet their contributions have been all but written out of history. Now, drawing on private and previously-classified documents, leading historian Claire Hubbard-Hall brings their gripping true stories to life in Her Secret Service: The Forgotten Women of British Intelligence (Weidenfeld & Nicolson, 2024). From encoding orders and decrypting enemy messages to penning propaganda and infiltrating organisations, the women of British intelligence played a pivotal role in both the First and Second World Wars. Prepare to meet the true custodians of Britain's military secrets, from Kathleen Pettigrew, personal assistant to the Chief of MI6 Stewart Menzies, who late in life declared 'I was Miss Moneypenny, but with more power', to Jane Archer, the very first female MI5 officer who raised suspicions about the Soviet spy Kim Philby long before he was officially unmasked and Winifred Spink, the first female officer ever sent to Russia in 1916. In Her Secret Service, Hubbard-Hall rescues these silenced voices and those of many other fascinating women from obscurity to provide a definitive account of women's contributions to the history of the intelligence services. The book, now in paperback, includes a postscript based on a new treasure trove of documents. Her Secret Service won the 2025 Dr Polly Corrigan Book prize. The Prize aims to recognise scholarship within the realm of intelligence and security, written by female scholars and/or about women. It encourages scholars to go beyond traditional lines of inquiry and explore how women contributed to and participated in the making of the ‘Secret World’. false full 1868 90f3b98e-8713-11f1-9af2-6b1f89d2735e Elisabeth van Houts, "Empress Matilda: Queen of the Romans, Ruler of the English" (Yale UP, 2026) Born in 1102, Empress Matilda combined the blood of two dynasties: the house of Wessex and their conquerors, the dukes of Normandy. As a widowed German empress, she was named as heir successor by her father, Henry I. But, after his death in 1135, Matilda’s place on the English throne was usurped by her cousin, Stephen of Blois. Civil war followed, and she ruled the south-west of England in opposition.

In Empress Matilda: Queen of the Romans, Ruler of the English (Yale University Press, 2026), Professor Elisabeth van Houts explores the remarkable life of medieval England’s only queen regnant. Van Houts examines female rulership in the Middle Ages, from Matilda’s relationships with her husbands, to her self-identification as granddaughter of William the Conqueror. Matilda used her persuasiveness effectively with the men who surrounded her, including her father, husbands, half-brothers and cousins.

This is a fascinating account, which reveals Matilda to be an assertive, if on occasion disappointed, woman who made the best of her position with intelligence and stamina.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 25 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Born in 1102, Empress Matilda combined the blood of two dynasties: the house of Wessex and their conquerors, the dukes of Normandy. As a widowed German empress, she was named as heir successor by her father, Henry I. But, after his death in 1135, Matilda’s place on the English throne was usurped by her cousin, Stephen of Blois. Civil war followed, and she ruled the south-west of England in opposition.

In Empress Matilda: Queen of the Romans, Ruler of the English (Yale University Press, 2026), Professor Elisabeth van Houts explores the remarkable life of medieval England’s only queen regnant. Van Houts examines female rulership in the Middle Ages, from Matilda’s relationships with her husbands, to her self-identification as granddaughter of William the Conqueror. Matilda used her persuasiveness effectively with the men who surrounded her, including her father, husbands, half-brothers and cousins.

This is a fascinating account, which reveals Matilda to be an assertive, if on occasion disappointed, woman who made the best of her position with intelligence and stamina.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Elisabeth van Houts, "Empress Matilda: Queen of the Romans, Ruler of the English" (Yale UP, 2026) New Books Network 00:57:47 Born in 1102, Empress Matilda combined the blood of two dynasties: the house of Wessex and their conquerors, the dukes of Normandy. As a widowed German empress, she was named as heir successor by her father, Henry I. But, after his death in 1135, Matilda’s place on the English throne was usurped by her cousin, Stephen of Blois. Civil war followed, and she ruled the south-west of England in opposition. In Empress Matilda: Queen of the Romans, Ruler of the English (Yale University Press, 2026), Professor Elisabeth van Houts explores the remarkable life of medieval England’s only queen regnant. Van Houts examines female rulership in the Middle Ages, from Matilda’s relationships with her husbands, to her self-identification as granddaughter of William the Conqueror. Matilda used her persuasiveness effectively with the men who surrounded her, including her father, husbands, half-brothers and cousins. This is a fascinating account, which reveals Matilda to be an assertive, if on occasion disappointed, woman who made the best of her position with intelligence and stamina. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Born in 1102, Empress Matilda combined the blood of two dynasties: the house of Wessex and their conquerors, the dukes of Normandy. As a widowed German empress, she was named as heir successor by her father, Henry I. But, after his death in 1135, Matilda’s place on the English throne was usurped by her cousin, Stephen of Blois. Civil war followed, and she ruled the south-west of England in opposition. In Empress Matilda: Queen of the Romans, Ruler of the English (Yale University Press, 2026), Professor Elisabeth van Houts explores the remarkable life of medieval England’s only queen regnant. Van Houts examines female rulership in the Middle Ages, from Matilda’s relationships with her husbands, to her self-identification as granddaughter of William the Conqueror. Matilda used her persuasiveness effectively with the men who surrounded her, including her father, husbands, half-brothers and cousins. This is a fascinating account, which reveals Matilda to be an assertive, if on occasion disappointed, woman who made the best of her position with intelligence and stamina. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1867 1ff99d1e-8517-11f1-9312-1b603ef1dce6 Debolina Dutta, "A Jurisprudence of Conversations: Law, Life and Feminism in Post-colonial India" (Cambridge UP, 2026) Grounded in empirical studies, this book is both a history of the emergence of feminist jurisprudence in post-colonial India and a model of innovative legal research. The book inaugurates a creative practice of scholarly activism that engages a new way of thinking about law and feminist jurisprudence, one that is geared to acknowledge and take responsibility for the hierarchies in Indian academic practices. Its method of conversation and accountability continues the feminist tradition of taking reciprocity and the time and place of collaboration seriously. It helps make visible the specific ties between post-colonial life and law and joins the work of refusing and reimagining the hierarchical formation of legal knowledge in a caste-based Indian society. A significant contribution to the history and practice of feminist jurisprudence in post-colonial India, A Jurisprudence of Conversations: Law, Life and Feminism in Post-colonial India (Cambridge University Press, 2026) will appeal to both an academic and activist readership.

Debolina Dutta is a Research Fellow at Melbourne Law School's Centre of Excellence for the Elimination of Violence Against Women (CEVAW)

Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University


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]]> Wed, 22 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Grounded in empirical studies, this book is both a history of the emergence of feminist jurisprudence in post-colonial India and a model of innovative legal research. The book inaugurates a creative practice of scholarly activism that engages a new way of thinking about law and feminist jurisprudence, one that is geared to acknowledge and take responsibility for the hierarchies in Indian academic practices. Its method of conversation and accountability continues the feminist tradition of taking reciprocity and the time and place of collaboration seriously. It helps make visible the specific ties between post-colonial life and law and joins the work of refusing and reimagining the hierarchical formation of legal knowledge in a caste-based Indian society. A significant contribution to the history and practice of feminist jurisprudence in post-colonial India, A Jurisprudence of Conversations: Law, Life and Feminism in Post-colonial India (Cambridge University Press, 2026) will appeal to both an academic and activist readership.

Debolina Dutta is a Research Fellow at Melbourne Law School's Centre of Excellence for the Elimination of Violence Against Women (CEVAW)

Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University


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]]> Debolina Dutta, "A Jurisprudence of Conversations: Law, Life and Feminism in Post-colonial India" (Cambridge UP, 2026) New Books Network 01:55:06 Grounded in empirical studies, this book is both a history of the emergence of feminist jurisprudence in post-colonial India and a model of innovative legal research. The book inaugurates a creative practice of scholarly activism that engages a new way of thinking about law and feminist jurisprudence, one that is geared to acknowledge and take responsibility for the hierarchies in Indian academic practices. Its method of conversation and accountability continues the feminist tradition of taking reciprocity and the time and place of collaboration seriously. It helps make visible the specific ties between post-colonial life and law and joins the work of refusing and reimagining the hierarchical formation of legal knowledge in a caste-based Indian society. A significant contribution to the history and practice of feminist jurisprudence in post-colonial India, A Jurisprudence of Conversations: Law, Life and Feminism in Post-colonial India (Cambridge University Press, 2026) will appeal to both an academic and activist readership. Debolina Dutta is a Research Fellow at Melbourne Law School's Centre of Excellence for the Elimination of Violence Against Women (CEVAW) Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University Grounded in empirical studies, this book is both a history of the emergence of feminist jurisprudence in post-colonial India and a model of innovative legal research. The book inaugurates a creative practice of scholarly activism that engages a new way of thinking about law and feminist jurisprudence, one that is geared to acknowledge and take responsibility for the hierarchies in Indian academic practices. Its method of conversation and accountability continues the feminist tradition of taking reciprocity and the time and place of collaboration seriously. It helps make visible the specific ties between post-colonial life and law and joins the work of refusing and reimagining the hierarchical formation of legal knowledge in a caste-based Indian society. A significant contribution to the history and practice of feminist jurisprudence in post-colonial India, A Jurisprudence of Conversations: Law, Life and Feminism in Post-colonial India (Cambridge University Press, 2026) will appeal to both an academic and activist readership. Debolina Dutta is a Research Fellow at Melbourne Law School's Centre of Excellence for the Elimination of Violence Against Women (CEVAW) Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University false full 1866 a4d2e4d8-81f1-11f1-8082-e333173a3593 Lucy D. Curzon, "Art and Citizenship in Conflict: British Women War Artists, 1939–45" (Manchester UP, 2025) Art and Citizenship in Conflict: British Women War Artists, 1939-45 (Manchester UP, 2026) by Dr. Lucy Curzon examines the work of women war artists in order to highlight the complexity of citizenship and gender in Britain during the Second World War.

Evelyn Dunbar, Mary Kessell, Ethel Gabain, Stella Schmolle, and Laura Knight, among others, were commissioned by the War Artists' Advisory Committee (WAAC) to document the millions of women who took up sometimes unconventional roles-in agriculture, the auxiliary services, and manufacturing, among others-to support the British war effort. Indeed, their prints, drawings, and paintings were part of a broader scheme to uphold morale and promote much-needed citizen involvement on the home front. While there is growing interest, the importance of their remit in the history of the Second World War and the quality of their artistry have nonetheless not yet secured them a significant place in scholarship. Art and Citizenship in Conflict seeks to amend this gap.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Mon, 20 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Art and Citizenship in Conflict: British Women War Artists, 1939-45 (Manchester UP, 2026) by Dr. Lucy Curzon examines the work of women war artists in order to highlight the complexity of citizenship and gender in Britain during the Second World War.

Evelyn Dunbar, Mary Kessell, Ethel Gabain, Stella Schmolle, and Laura Knight, among others, were commissioned by the War Artists' Advisory Committee (WAAC) to document the millions of women who took up sometimes unconventional roles-in agriculture, the auxiliary services, and manufacturing, among others-to support the British war effort. Indeed, their prints, drawings, and paintings were part of a broader scheme to uphold morale and promote much-needed citizen involvement on the home front. While there is growing interest, the importance of their remit in the history of the Second World War and the quality of their artistry have nonetheless not yet secured them a significant place in scholarship. Art and Citizenship in Conflict seeks to amend this gap.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Lucy D. Curzon, "Art and Citizenship in Conflict: British Women War Artists, 1939–45" (Manchester UP, 2025) New Books Network 01:05:26 Art and Citizenship in Conflict: British Women War Artists, 1939-45 (Manchester UP, 2026) by Dr. Lucy Curzon examines the work of women war artists in order to highlight the complexity of citizenship and gender in Britain during the Second World War. Evelyn Dunbar, Mary Kessell, Ethel Gabain, Stella Schmolle, and Laura Knight, among others, were commissioned by the War Artists' Advisory Committee (WAAC) to document the millions of women who took up sometimes unconventional roles-in agriculture, the auxiliary services, and manufacturing, among others-to support the British war effort. Indeed, their prints, drawings, and paintings were part of a broader scheme to uphold morale and promote much-needed citizen involvement on the home front. While there is growing interest, the importance of their remit in the history of the Second World War and the quality of their artistry have nonetheless not yet secured them a significant place in scholarship. Art and Citizenship in Conflict seeks to amend this gap. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Art and Citizenship in Conflict: British Women War Artists, 1939-45 (Manchester UP, 2026) by Dr. Lucy Curzon examines the work of women war artists in order to highlight the complexity of citizenship and gender in Britain during the Second World War. Evelyn Dunbar, Mary Kessell, Ethel Gabain, Stella Schmolle, and Laura Knight, among others, were commissioned by the War Artists' Advisory Committee (WAAC) to document the millions of women who took up sometimes unconventional roles-in agriculture, the auxiliary services, and manufacturing, among others-to support the British war effort. Indeed, their prints, drawings, and paintings were part of a broader scheme to uphold morale and promote much-needed citizen involvement on the home front. While there is growing interest, the importance of their remit in the history of the Second World War and the quality of their artistry have nonetheless not yet secured them a significant place in scholarship. Art and Citizenship in Conflict seeks to amend this gap. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1865 a6b9b5a4-8130-11f1-8df7-135986fa2e29 Anja Foerschner, "Female Art and Agency in Yugoslavia, 1971–2001" (Bloomsbury, 2024) In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision.

Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time.


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]]> Sun, 19 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision.

Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time.


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]]> Anja Foerschner, "Female Art and Agency in Yugoslavia, 1971–2001" (Bloomsbury, 2024) New Books Network 00:44:20 In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. false full 1864 7d28fc4a-81f3-11f1-9427-cb1ea65a855c Molly M. Brookfield, "Watching the Girls Go By: A History of Street Harassment in the United States" (UNC Press, 2026) Molly Brookfield’s book, Watching the Girls Go By: A History of Street Harassment in the United States (University of North Carolina Press, 2026) explores the historical, legal, and cultural history of street harassment in the United States. Historically, Brookfield identified the "masher panic" (late 19th–early 20th century) when reformers and municipalities labeled male accosting of women a public problem and enacted anti-masher ordinances or applied disorderly-conduct laws. On law and policy, the book highlights primarily local legal responses against harassment, with municipal codes and reinterpretations of existing ordinances more common than coherent federal action that criminalizes mashing.

In Watching the Girls Go By, street harassment is situated on a continuum with other gendered and sexualized violence, with the argument that street harassment normalizes and underpins more extreme harms against women. The book portrays historical scholarly perspectives to street harassment including those of Cheryl Bernard and Edith Schlaffler. Also, the book builds on diverse historical sources and employs varying terms for similar behaviors. The author uses "intrusive behaviors" as a more precise analytic category while preserving period-specific terms when discussing particular historical contexts.

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links: LinkedIn, ORCID, Meta.


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]]> Sun, 19 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Molly Brookfield’s book, Watching the Girls Go By: A History of Street Harassment in the United States (University of North Carolina Press, 2026) explores the historical, legal, and cultural history of street harassment in the United States. Historically, Brookfield identified the "masher panic" (late 19th–early 20th century) when reformers and municipalities labeled male accosting of women a public problem and enacted anti-masher ordinances or applied disorderly-conduct laws. On law and policy, the book highlights primarily local legal responses against harassment, with municipal codes and reinterpretations of existing ordinances more common than coherent federal action that criminalizes mashing.

In Watching the Girls Go By, street harassment is situated on a continuum with other gendered and sexualized violence, with the argument that street harassment normalizes and underpins more extreme harms against women. The book portrays historical scholarly perspectives to street harassment including those of Cheryl Bernard and Edith Schlaffler. Also, the book builds on diverse historical sources and employs varying terms for similar behaviors. The author uses "intrusive behaviors" as a more precise analytic category while preserving period-specific terms when discussing particular historical contexts.

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links: LinkedIn, ORCID, Meta.


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]]> Molly M. Brookfield, "Watching the Girls Go By: A History of Street Harassment in the United States" (UNC Press, 2026) New Books Network 00:36:53 Molly Brookfield’s book, Watching the Girls Go By: A History of Street Harassment in the United States (University of North Carolina Press, 2026) explores the historical, legal, and cultural history of street harassment in the United States. Historically, Brookfield identified the "masher panic" (late 19th–early 20th century) when reformers and municipalities labeled male accosting of women a public problem and enacted anti-masher ordinances or applied disorderly-conduct laws. On law and policy, the book highlights primarily local legal responses against harassment, with municipal codes and reinterpretations of existing ordinances more common than coherent federal action that criminalizes mashing. In Watching the Girls Go By, street harassment is situated on a continuum with other gendered and sexualized violence, with the argument that street harassment normalizes and underpins more extreme harms against women. The book portrays historical scholarly perspectives to street harassment including those of Cheryl Bernard and Edith Schlaffler. Also, the book builds on diverse historical sources and employs varying terms for similar behaviors. The author uses "intrusive behaviors" as a more precise analytic category while preserving period-specific terms when discussing particular historical contexts. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links: LinkedIn, ORCID, Meta. Molly Brookfield’s book, Watching the Girls Go By: A History of Street Harassment in the United States (University of North Carolina Press, 2026) explores the historical, legal, and cultural history of street harassment in the United States. Historically, Brookfield identified the "masher panic" (late 19th–early 20th century) when reformers and municipalities labeled male accosting of women a public problem and enacted anti-masher ordinances or applied disorderly-conduct laws. On law and policy, the book highlights primarily local legal responses against harassment, with municipal codes and reinterpretations of existing ordinances more common than coherent federal action that criminalizes mashing. In Watching the Girls Go By, street harassment is situated on a continuum with other gendered and sexualized violence, with the argument that street harassment normalizes and underpins more extreme harms against women. The book portrays historical scholarly perspectives to street harassment including those of Cheryl Bernard and Edith Schlaffler. Also, the book builds on diverse historical sources and employs varying terms for similar behaviors. The author uses "intrusive behaviors" as a more precise analytic category while preserving period-specific terms when discussing particular historical contexts. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links: LinkedIn, ORCID, Meta. false full 1863 b98abb6c-7fcb-11f1-a510-17cbf763db4d Gayle F. Wald, "This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement" (U Chicago Press, 2025) Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children’s music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins’s life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins’s life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award.


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]]> Wed, 15 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children’s music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins’s life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins’s life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award.


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]]> Gayle F. Wald, "This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement" (U Chicago Press, 2025) New Books Network 01:01:33 Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children’s music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins’s life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins’s life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children’s music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins’s life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins’s life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. false full 1862 62cfd8f6-7fd1-11f1-89b5-dbc4045ec6f3 Nora L. Rubel, "Recipes for the Melting Pot: The Lives of the Settlement Cook Book" (Columbia UP, 2026) In 1901, Lizzie Black Kander put together a cookbook based on the classes she taught at the Milwaukee Jewish Mission. “I was trying to teach a group of young foreign girls in a crowded neighborhood how to cook simple and nutritious food, yet have it attractive and inexpensive as we prepare it in America,” she recalled. The Settlement Cook Book would go on to be the most successful charitable cookbook in American history, remaining a best-seller into the 1970s. Despite including nonkosher recipes, it became a mainstay in Jewish kitchens and an enduring touchstone of Jewish American culture.

Recipes for the Melting Pot: The Lives of The Settlement Cook Book (Columbia University Press, 2026) by Dr. Nora Rubel tells the remarkable story of The Settlement Cook Book, demonstrating how it shaped Jewish American identity—and was in turn shaped by generations of Jewish women. Dr. Rubel traces the cookbook’s evolution across forty editions over several decades, through waves of immigration, shifting gender roles, upward mobility, suburbanization, and rapid changes in Jewish life. She argues that the book celebrates pluralism, allowing it to serve at once as a tool for Americanization, a repository of tradition, and a platform for culinary innovation. Ultimately, The Settlement Cook Book is a record of American Jewish women’s history, told through the food they made and the lives they led. A cultural biography of an iconic cookbook, this lively and inviting book shares an inclusive vision of American cuisine.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 


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]]> Wed, 15 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1901, Lizzie Black Kander put together a cookbook based on the classes she taught at the Milwaukee Jewish Mission. “I was trying to teach a group of young foreign girls in a crowded neighborhood how to cook simple and nutritious food, yet have it attractive and inexpensive as we prepare it in America,” she recalled. The Settlement Cook Book would go on to be the most successful charitable cookbook in American history, remaining a best-seller into the 1970s. Despite including nonkosher recipes, it became a mainstay in Jewish kitchens and an enduring touchstone of Jewish American culture.

Recipes for the Melting Pot: The Lives of The Settlement Cook Book (Columbia University Press, 2026) by Dr. Nora Rubel tells the remarkable story of The Settlement Cook Book, demonstrating how it shaped Jewish American identity—and was in turn shaped by generations of Jewish women. Dr. Rubel traces the cookbook’s evolution across forty editions over several decades, through waves of immigration, shifting gender roles, upward mobility, suburbanization, and rapid changes in Jewish life. She argues that the book celebrates pluralism, allowing it to serve at once as a tool for Americanization, a repository of tradition, and a platform for culinary innovation. Ultimately, The Settlement Cook Book is a record of American Jewish women’s history, told through the food they made and the lives they led. A cultural biography of an iconic cookbook, this lively and inviting book shares an inclusive vision of American cuisine.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 


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]]> Nora L. Rubel, "Recipes for the Melting Pot: The Lives of the Settlement Cook Book" (Columbia UP, 2026) New Books Network 00:40:47 In 1901, Lizzie Black Kander put together a cookbook based on the classes she taught at the Milwaukee Jewish Mission. “I was trying to teach a group of young foreign girls in a crowded neighborhood how to cook simple and nutritious food, yet have it attractive and inexpensive as we prepare it in America,” she recalled. The Settlement Cook Book would go on to be the most successful charitable cookbook in American history, remaining a best-seller into the 1970s. Despite including nonkosher recipes, it became a mainstay in Jewish kitchens and an enduring touchstone of Jewish American culture. Recipes for the Melting Pot: The Lives of The Settlement Cook Book (Columbia University Press, 2026) by Dr. Nora Rubel tells the remarkable story of The Settlement Cook Book, demonstrating how it shaped Jewish American identity—and was in turn shaped by generations of Jewish women. Dr. Rubel traces the cookbook’s evolution across forty editions over several decades, through waves of immigration, shifting gender roles, upward mobility, suburbanization, and rapid changes in Jewish life. She argues that the book celebrates pluralism, allowing it to serve at once as a tool for Americanization, a repository of tradition, and a platform for culinary innovation. Ultimately, The Settlement Cook Book is a record of American Jewish women’s history, told through the food they made and the lives they led. A cultural biography of an iconic cookbook, this lively and inviting book shares an inclusive vision of American cuisine. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  In 1901, Lizzie Black Kander put together a cookbook based on the classes she taught at the Milwaukee Jewish Mission. “I was trying to teach a group of young foreign girls in a crowded neighborhood how to cook simple and nutritious food, yet have it attractive and inexpensive as we prepare it in America,” she recalled. The Settlement Cook Book would go on to be the most successful charitable cookbook in American history, remaining a best-seller into the 1970s. Despite including nonkosher recipes, it became a mainstay in Jewish kitchens and an enduring touchstone of Jewish American culture. Recipes for the Melting Pot: The Lives of The Settlement Cook Book (Columbia University Press, 2026) by Dr. Nora Rubel tells the remarkable story of The Settlement Cook Book, demonstrating how it shaped Jewish American identity—and was in turn shaped by generations of Jewish women. Dr. Rubel traces the cookbook’s evolution across forty editions over several decades, through waves of immigration, shifting gender roles, upward mobility, suburbanization, and rapid changes in Jewish life. She argues that the book celebrates pluralism, allowing it to serve at once as a tool for Americanization, a repository of tradition, and a platform for culinary innovation. Ultimately, The Settlement Cook Book is a record of American Jewish women’s history, told through the food they made and the lives they led. A cultural biography of an iconic cookbook, this lively and inviting book shares an inclusive vision of American cuisine. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  false full 1861 ac5921f2-7c08-11f1-8d6e-ebcdc59ed94d Diana Cucuz, "Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and the USSR" (U Toronto Press, 2023) In this episode, Alisa interviews Dr. Diana Cucuz about her book, Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and the USSR (University of Toronto Press, 2023) and also asks her for advice to beginner scholars studying gender and the Cold War. A bit about Dr. Cucuz’s book: throughout the Cold War, Soviet citizens had limited access to US life and culture. Amerika, a glossy Russian-language magazine similar to Life, provided a rare exception. Produced by the United States Information Agency (USIA), America’s first peacetime propaganda organization, Amerika was used to influence the Soviet public and convince women in particular that an American-style consumer culture and conservative gender norms could better their lives. Winning Women’s Hearts and Minds relies on USIA archives, issues of Amerika, and American women’s magazines such as the Ladies’ Home Journal to show how, during the postwar period, USIA officials deployed idealized images of American women as happy, fulfilled, and feminine wives, mothers, and homemakers.


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]]> Sat, 11 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In this episode, Alisa interviews Dr. Diana Cucuz about her book, Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and the USSR (University of Toronto Press, 2023) and also asks her for advice to beginner scholars studying gender and the Cold War. A bit about Dr. Cucuz’s book: throughout the Cold War, Soviet citizens had limited access to US life and culture. Amerika, a glossy Russian-language magazine similar to Life, provided a rare exception. Produced by the United States Information Agency (USIA), America’s first peacetime propaganda organization, Amerika was used to influence the Soviet public and convince women in particular that an American-style consumer culture and conservative gender norms could better their lives. Winning Women’s Hearts and Minds relies on USIA archives, issues of Amerika, and American women’s magazines such as the Ladies’ Home Journal to show how, during the postwar period, USIA officials deployed idealized images of American women as happy, fulfilled, and feminine wives, mothers, and homemakers.


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]]> Diana Cucuz, "Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and the USSR" (U Toronto Press, 2023) New Books Network 00:33:45 In this episode, Alisa interviews Dr. Diana Cucuz about her book, Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and the USSR (University of Toronto Press, 2023) and also asks her for advice to beginner scholars studying gender and the Cold War. A bit about Dr. Cucuz’s book: throughout the Cold War, Soviet citizens had limited access to US life and culture. Amerika, a glossy Russian-language magazine similar to Life, provided a rare exception. Produced by the United States Information Agency (USIA), America’s first peacetime propaganda organization, Amerika was used to influence the Soviet public and convince women in particular that an American-style consumer culture and conservative gender norms could better their lives. Winning Women’s Hearts and Minds relies on USIA archives, issues of Amerika, and American women’s magazines such as the Ladies’ Home Journal to show how, during the postwar period, USIA officials deployed idealized images of American women as happy, fulfilled, and feminine wives, mothers, and homemakers. In this episode, Alisa interviews Dr. Diana Cucuz about her book, Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and the USSR (University of Toronto Press, 2023) and also asks her for advice to beginner scholars studying gender and the Cold War. A bit about Dr. Cucuz’s book: throughout the Cold War, Soviet citizens had limited access to US life and culture. Amerika, a glossy Russian-language magazine similar to Life, provided a rare exception. Produced by the United States Information Agency (USIA), America’s first peacetime propaganda organization, Amerika was used to influence the Soviet public and convince women in particular that an American-style consumer culture and conservative gender norms could better their lives. Winning Women’s Hearts and Minds relies on USIA archives, issues of Amerika, and American women’s magazines such as the Ladies’ Home Journal to show how, during the postwar period, USIA officials deployed idealized images of American women as happy, fulfilled, and feminine wives, mothers, and homemakers. false full 1860 d549ef80-7657-11f1-ae1a-a35983cdb2f8 Meena Khandelwal, "Cookstove Chronicles: Social Life of a Women's Technology in India" (U Arizona Press, 2026) Stove improvers have been designing and promoting “clean” or “efficient” biomass cookstoves in India since the 1940s and have been frustrated to find their carefully engineered stoves abandoned in trash heaps or repurposed as storage bins, while the traditional mud chulha retains a central place in the kitchen. Why do so many Indian women continue to use wood-burning, smoke-spewing stoves when they have other options?

Based on anthropological research in Rajasthan, Cookstove Chronicles: Social Life of a Women’s Technology in India (University of Arizona Press, 2024) by Dr. Meena Khandelwal argues that the supposedly obsolete chulha persists because it offers women control over the tools needed to feed their families. Their continued use of old stoves alongside the new is not a failure to embrace new technologies but instead a strategy to maximize flexibility and autonomy. The chulha is neither the villain nor hero of this story. It produces particulate matter that harms people’s bodies, leaves soot on utensils and walls, and accelerates glacial melting and atmospheric warming. Yet it also depends on renewable biomass fuel and supports women’s autonomy as a local, do-it-yourself technology.

Dr. Khandelwal, a feminist anthropologist, describes her collaboration with engineers, archaeologists, and others. She employs critical social theory and reflections from fieldwork to bring together research from a range of fields, including history, geography, anthropology, energy and environmental studies, public health, and science and technology studies (STS). In so doing she not only demystifies multidisciplinary research but also highlights the messy reality of actual behavior.

Cookstove Chronicles critically examines why, despite extensive development efforts, use of the chulha persists. It offers an important new framework for looking at development, technology, environmental change, and human behavior.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 


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]]> Wed, 8 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Stove improvers have been designing and promoting “clean” or “efficient” biomass cookstoves in India since the 1940s and have been frustrated to find their carefully engineered stoves abandoned in trash heaps or repurposed as storage bins, while the traditional mud chulha retains a central place in the kitchen. Why do so many Indian women continue to use wood-burning, smoke-spewing stoves when they have other options?

Based on anthropological research in Rajasthan, Cookstove Chronicles: Social Life of a Women’s Technology in India (University of Arizona Press, 2024) by Dr. Meena Khandelwal argues that the supposedly obsolete chulha persists because it offers women control over the tools needed to feed their families. Their continued use of old stoves alongside the new is not a failure to embrace new technologies but instead a strategy to maximize flexibility and autonomy. The chulha is neither the villain nor hero of this story. It produces particulate matter that harms people’s bodies, leaves soot on utensils and walls, and accelerates glacial melting and atmospheric warming. Yet it also depends on renewable biomass fuel and supports women’s autonomy as a local, do-it-yourself technology.

Dr. Khandelwal, a feminist anthropologist, describes her collaboration with engineers, archaeologists, and others. She employs critical social theory and reflections from fieldwork to bring together research from a range of fields, including history, geography, anthropology, energy and environmental studies, public health, and science and technology studies (STS). In so doing she not only demystifies multidisciplinary research but also highlights the messy reality of actual behavior.

Cookstove Chronicles critically examines why, despite extensive development efforts, use of the chulha persists. It offers an important new framework for looking at development, technology, environmental change, and human behavior.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 


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]]> Meena Khandelwal, "Cookstove Chronicles: Social Life of a Women's Technology in India" (U Arizona Press, 2026) New Books Network 00:57:05 Stove improvers have been designing and promoting “clean” or “efficient” biomass cookstoves in India since the 1940s and have been frustrated to find their carefully engineered stoves abandoned in trash heaps or repurposed as storage bins, while the traditional mud chulha retains a central place in the kitchen. Why do so many Indian women continue to use wood-burning, smoke-spewing stoves when they have other options? Based on anthropological research in Rajasthan, Cookstove Chronicles: Social Life of a Women’s Technology in India (University of Arizona Press, 2024) by Dr. Meena Khandelwal argues that the supposedly obsolete chulha persists because it offers women control over the tools needed to feed their families. Their continued use of old stoves alongside the new is not a failure to embrace new technologies but instead a strategy to maximize flexibility and autonomy. The chulha is neither the villain nor hero of this story. It produces particulate matter that harms people’s bodies, leaves soot on utensils and walls, and accelerates glacial melting and atmospheric warming. Yet it also depends on renewable biomass fuel and supports women’s autonomy as a local, do-it-yourself technology. Dr. Khandelwal, a feminist anthropologist, describes her collaboration with engineers, archaeologists, and others. She employs critical social theory and reflections from fieldwork to bring together research from a range of fields, including history, geography, anthropology, energy and environmental studies, public health, and science and technology studies (STS). In so doing she not only demystifies multidisciplinary research but also highlights the messy reality of actual behavior. Cookstove Chronicles critically examines why, despite extensive development efforts, use of the chulha persists. It offers an important new framework for looking at development, technology, environmental change, and human behavior. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Stove improvers have been designing and promoting “clean” or “efficient” biomass cookstoves in India since the 1940s and have been frustrated to find their carefully engineered stoves abandoned in trash heaps or repurposed as storage bins, while the traditional mud chulha retains a central place in the kitchen. Why do so many Indian women continue to use wood-burning, smoke-spewing stoves when they have other options? Based on anthropological research in Rajasthan, Cookstove Chronicles: Social Life of a Women’s Technology in India (University of Arizona Press, 2024) by Dr. Meena Khandelwal argues that the supposedly obsolete chulha persists because it offers women control over the tools needed to feed their families. Their continued use of old stoves alongside the new is not a failure to embrace new technologies but instead a strategy to maximize flexibility and autonomy. The chulha is neither the villain nor hero of this story. It produces particulate matter that harms people’s bodies, leaves soot on utensils and walls, and accelerates glacial melting and atmospheric warming. Yet it also depends on renewable biomass fuel and supports women’s autonomy as a local, do-it-yourself technology. Dr. Khandelwal, a feminist anthropologist, describes her collaboration with engineers, archaeologists, and others. She employs critical social theory and reflections from fieldwork to bring together research from a range of fields, including history, geography, anthropology, energy and environmental studies, public health, and science and technology studies (STS). In so doing she not only demystifies multidisciplinary research but also highlights the messy reality of actual behavior. Cookstove Chronicles critically examines why, despite extensive development efforts, use of the chulha persists. It offers an important new framework for looking at development, technology, environmental change, and human behavior. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  false full 1859 cd1d144e-7513-11f1-a4d7-e39fbd21d755 Lauren Duval, "The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence" (UNC Press, 2025) What was it like to live in a city experiencing occupation by a foreign army? What did it mean when a family had to quarter an officer in their home? More specifically, how did military occupation affect the women and men who lived in those cities, and alter the gender system?

Lauren Duval’s The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence (Omohundro Institute and the University of North Carolina Press, 2025) tackles the these questions by looking at the experiences of a wide range of Americans, Black and white, in the cities occupied by the British during the American Revolution. Why the household? Because this was the primary social and economic unit of the day, a site where people during the war encountered unprecedented threats to their sense of social order. By looking at households, we gain not only an intimate view of the experience of war, but also a sweeping interpretation of the effects of war on American understandings of gender and power.

Some Americans saw military occupation as a threat, full stop. It challenged men’s senses of power and authority over their families, and the ever-present threat of rape hovered over women and girls. But because occupation could loosen some of the patriarchal control in the household, it could also offer tempting new opportunities. Free and enslaved Black people could take advantage of the disruptions to make calculated moves to gain freedom—or more freedom than they currently enjoyed. Black and white women could hope for a different kind of freedom when they forged relationships with military men. In all, The Home Front reveals entire worlds of young women, British officers, anxious patriarchs, enslaved Black women, German soldiers, and wives struggling to survive while their husbands or sons languished in prison or served in the military. And when the book turns to the postwar era, it reveals a stunning assessment of how those experiences of military occupation altered Americans’ views of household social order. As a result, Duval’s book does something unusual: it threads the needle between military history and the history of gender, women, and sexuality.

Join us for this conversation between Lauren Duval and Carolyn Eastman (The Strange Genius of Mr. O and President of the Society for Historians of the Early American Republic) and get a glimpse into the experience of living during wartime.


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]]> Mon, 6 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What was it like to live in a city experiencing occupation by a foreign army? What did it mean when a family had to quarter an officer in their home? More specifically, how did military occupation affect the women and men who lived in those cities, and alter the gender system?

Lauren Duval’s The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence (Omohundro Institute and the University of North Carolina Press, 2025) tackles the these questions by looking at the experiences of a wide range of Americans, Black and white, in the cities occupied by the British during the American Revolution. Why the household? Because this was the primary social and economic unit of the day, a site where people during the war encountered unprecedented threats to their sense of social order. By looking at households, we gain not only an intimate view of the experience of war, but also a sweeping interpretation of the effects of war on American understandings of gender and power.

Some Americans saw military occupation as a threat, full stop. It challenged men’s senses of power and authority over their families, and the ever-present threat of rape hovered over women and girls. But because occupation could loosen some of the patriarchal control in the household, it could also offer tempting new opportunities. Free and enslaved Black people could take advantage of the disruptions to make calculated moves to gain freedom—or more freedom than they currently enjoyed. Black and white women could hope for a different kind of freedom when they forged relationships with military men. In all, The Home Front reveals entire worlds of young women, British officers, anxious patriarchs, enslaved Black women, German soldiers, and wives struggling to survive while their husbands or sons languished in prison or served in the military. And when the book turns to the postwar era, it reveals a stunning assessment of how those experiences of military occupation altered Americans’ views of household social order. As a result, Duval’s book does something unusual: it threads the needle between military history and the history of gender, women, and sexuality.

Join us for this conversation between Lauren Duval and Carolyn Eastman (The Strange Genius of Mr. O and President of the Society for Historians of the Early American Republic) and get a glimpse into the experience of living during wartime.


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]]> Lauren Duval, "The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence" (UNC Press, 2025) New Books Network 00:44:01 What was it like to live in a city experiencing occupation by a foreign army? What did it mean when a family had to quarter an officer in their home? More specifically, how did military occupation affect the women and men who lived in those cities, and alter the gender system? Lauren Duval’s The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence (Omohundro Institute and the University of North Carolina Press, 2025) tackles the these questions by looking at the experiences of a wide range of Americans, Black and white, in the cities occupied by the British during the American Revolution. Why the household? Because this was the primary social and economic unit of the day, a site where people during the war encountered unprecedented threats to their sense of social order. By looking at households, we gain not only an intimate view of the experience of war, but also a sweeping interpretation of the effects of war on American understandings of gender and power. Some Americans saw military occupation as a threat, full stop. It challenged men’s senses of power and authority over their families, and the ever-present threat of rape hovered over women and girls. But because occupation could loosen some of the patriarchal control in the household, it could also offer tempting new opportunities. Free and enslaved Black people could take advantage of the disruptions to make calculated moves to gain freedom—or more freedom than they currently enjoyed. Black and white women could hope for a different kind of freedom when they forged relationships with military men. In all, The Home Front reveals entire worlds of young women, British officers, anxious patriarchs, enslaved Black women, German soldiers, and wives struggling to survive while their husbands or sons languished in prison or served in the military. And when the book turns to the postwar era, it reveals a stunning assessment of how those experiences of military occupation altered Americans’ views of household social order. As a result, Duval’s book does something unusual: it threads the needle between military history and the history of gender, women, and sexuality. Join us for this conversation between Lauren Duval and Carolyn Eastman (The Strange Genius of Mr. O and President of the Society for Historians of the Early American Republic) and get a glimpse into the experience of living during wartime. What was it like to live in a city experiencing occupation by a foreign army? What did it mean when a family had to quarter an officer in their home? More specifically, how did military occupation affect the women and men who lived in those cities, and alter the gender system? Lauren Duval’s The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence (Omohundro Institute and the University of North Carolina Press, 2025) tackles the these questions by looking at the experiences of a wide range of Americans, Black and white, in the cities occupied by the British during the American Revolution. Why the household? Because this was the primary social and economic unit of the day, a site where people during the war encountered unprecedented threats to their sense of social order. By looking at households, we gain not only an intimate view of the experience of war, but also a sweeping interpretation of the effects of war on American understandings of gender and power. Some Americans saw military occupation as a threat, full stop. It challenged men’s senses of power and authority over their families, and the ever-present threat of rape hovered over women and girls. But because occupation could loosen some of the patriarchal control in the household, it could also offer tempting new opportunities. Free and enslaved Black people could take advantage of the disruptions to make calculated moves to gain freedom—or more freedom than they currently enjoyed. Black and white women could hope for a different kind of freedom when they forged relationships with military men. In all, The Home Front reveals entire worlds of young women, British officers, anxious patriarchs, enslaved Black women, German soldiers, and wives struggling to survive while their husbands or sons languished in prison or served in the military. And when the book turns to the postwar era, it reveals a stunning assessment of how those experiences of military occupation altered Americans’ views of household social order. As a result, Duval’s book does something unusual: it threads the needle between military history and the history of gender, women, and sexuality. Join us for this conversation between Lauren Duval and Carolyn Eastman (The Strange Genius of Mr. O and President of the Society for Historians of the Early American Republic) and get a glimpse into the experience of living during wartime. false full 1858 88dc50ae-73c6-11f1-b3cd-374da158214a Rachel Silveri, "The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism" (U Chicago Press, 2026) With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.” 

Considering Tristan Tzara’s performances of Dadaist identity, Sonia Delaunay’s simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making.

Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons.


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]]> Sat, 4 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.” 

Considering Tristan Tzara’s performances of Dadaist identity, Sonia Delaunay’s simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making.

Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons.


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]]> Rachel Silveri, "The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism" (U Chicago Press, 2026) New Books Network 00:59:01 With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara’s performances of Dadaist identity, Sonia Delaunay’s simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara’s performances of Dadaist identity, Sonia Delaunay’s simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. false full 1857 086749f4-713e-11f1-9179-d3e18ff62db6 Rosa Campbell, "The Book That Taught the World to Orgasm and Then Disappeared: Shere Hite and the Hite Report" (Melville House, 2026) Despite being one of the leading thinkers of the second wave feminist movement, today Shere Hite is little known, little written about, and, unsurprisingly, little read. Her groundbreaking book, The Hite Report, was the first feminist exploration of the link between sex and male power. It sold millions of copies when first published in 1976 and revolutionised the way people thought about marriage and the female orgasm. How, then, did it, and Hite, disappear from public consciousness?

In The Book that Taught the World to Orgasm and then Disappeared: Shere Hite and The Hite Report (Melville House and New South, 2026), Australian historian Dr. Rosa Campbell combines original research and sharp cultural analysis to explore the complicated life and literary legacy of Shere Hite. Expanding on her ideas about sex – namely, that sex is sexist – the book explores Hite’s fraught childhood, struggles working in the porn industry, and eventual cancellation by the far-right Evangelical movement. All the while, Dr. Campbell holds Hite and The Hite Report to account for their own failings and absence of intersectionality.

In a post-#MeToo world, with the far-right on the march globally, Dr. Rosa Campbell’s examination of shifting ideological movements is essential to understanding the current feminist movement, as well as how conservative and reactionary efforts can silence even the most successful of women.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Thu, 2 Jul 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Despite being one of the leading thinkers of the second wave feminist movement, today Shere Hite is little known, little written about, and, unsurprisingly, little read. Her groundbreaking book, The Hite Report, was the first feminist exploration of the link between sex and male power. It sold millions of copies when first published in 1976 and revolutionised the way people thought about marriage and the female orgasm. How, then, did it, and Hite, disappear from public consciousness?

In The Book that Taught the World to Orgasm and then Disappeared: Shere Hite and The Hite Report (Melville House and New South, 2026), Australian historian Dr. Rosa Campbell combines original research and sharp cultural analysis to explore the complicated life and literary legacy of Shere Hite. Expanding on her ideas about sex – namely, that sex is sexist – the book explores Hite’s fraught childhood, struggles working in the porn industry, and eventual cancellation by the far-right Evangelical movement. All the while, Dr. Campbell holds Hite and The Hite Report to account for their own failings and absence of intersectionality.

In a post-#MeToo world, with the far-right on the march globally, Dr. Rosa Campbell’s examination of shifting ideological movements is essential to understanding the current feminist movement, as well as how conservative and reactionary efforts can silence even the most successful of women.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Rosa Campbell, "The Book That Taught the World to Orgasm and Then Disappeared: Shere Hite and the Hite Report" (Melville House, 2026) New Books Network 00:40:25 Despite being one of the leading thinkers of the second wave feminist movement, today Shere Hite is little known, little written about, and, unsurprisingly, little read. Her groundbreaking book, The Hite Report, was the first feminist exploration of the link between sex and male power. It sold millions of copies when first published in 1976 and revolutionised the way people thought about marriage and the female orgasm. How, then, did it, and Hite, disappear from public consciousness? In The Book that Taught the World to Orgasm and then Disappeared: Shere Hite and The Hite Report (Melville House and New South, 2026), Australian historian Dr. Rosa Campbell combines original research and sharp cultural analysis to explore the complicated life and literary legacy of Shere Hite. Expanding on her ideas about sex – namely, that sex is sexist – the book explores Hite’s fraught childhood, struggles working in the porn industry, and eventual cancellation by the far-right Evangelical movement. All the while, Dr. Campbell holds Hite and The Hite Report to account for their own failings and absence of intersectionality. In a post-#MeToo world, with the far-right on the march globally, Dr. Rosa Campbell’s examination of shifting ideological movements is essential to understanding the current feminist movement, as well as how conservative and reactionary efforts can silence even the most successful of women. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Despite being one of the leading thinkers of the second wave feminist movement, today Shere Hite is little known, little written about, and, unsurprisingly, little read. Her groundbreaking book, The Hite Report, was the first feminist exploration of the link between sex and male power. It sold millions of copies when first published in 1976 and revolutionised the way people thought about marriage and the female orgasm. How, then, did it, and Hite, disappear from public consciousness? In The Book that Taught the World to Orgasm and then Disappeared: Shere Hite and The Hite Report (Melville House and New South, 2026), Australian historian Dr. Rosa Campbell combines original research and sharp cultural analysis to explore the complicated life and literary legacy of Shere Hite. Expanding on her ideas about sex – namely, that sex is sexist – the book explores Hite’s fraught childhood, struggles working in the porn industry, and eventual cancellation by the far-right Evangelical movement. All the while, Dr. Campbell holds Hite and The Hite Report to account for their own failings and absence of intersectionality. In a post-#MeToo world, with the far-right on the march globally, Dr. Rosa Campbell’s examination of shifting ideological movements is essential to understanding the current feminist movement, as well as how conservative and reactionary efforts can silence even the most successful of women. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1856 5fd36fce-7071-11f1-9736-1bbdfe914866 Nancy Micklewright, "Fashion in Late Ottoman Istanbul: Photography and Identity in a Global City" (Bloomsbury, 2026) Over the 19th century, the women of Istanbul gradually transformed their appearance, adopting European dress and new modes of self-fashioning, including photographs. Fashion in Late Ottoman Istanbul: Photography and Identity in a Global City (Bloomsbury, 2026) by Dr. Nancy Micklewright reconstructs a complex fashion history, and the dramatic changes that took place in women's lives in this period, and given the diverse population of Istanbul in terms of ethnicity, class, race and religion, attends to the differing clothing habits of the women of the city. The book focuses particularly on elite women as fashion tastemakers and on the dress of enslaved and working women.
Appealing to scholars across a range of fields, including fashion history, Ottoman studies, women's and gender history, visual culture and photography history, Fashion in Late Ottoman Istanbul provides a fascinating insight into women's histories, writing and dress practices in a rapidly changing Istanbul.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 30 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Over the 19th century, the women of Istanbul gradually transformed their appearance, adopting European dress and new modes of self-fashioning, including photographs. Fashion in Late Ottoman Istanbul: Photography and Identity in a Global City (Bloomsbury, 2026) by Dr. Nancy Micklewright reconstructs a complex fashion history, and the dramatic changes that took place in women's lives in this period, and given the diverse population of Istanbul in terms of ethnicity, class, race and religion, attends to the differing clothing habits of the women of the city. The book focuses particularly on elite women as fashion tastemakers and on the dress of enslaved and working women.
Appealing to scholars across a range of fields, including fashion history, Ottoman studies, women's and gender history, visual culture and photography history, Fashion in Late Ottoman Istanbul provides a fascinating insight into women's histories, writing and dress practices in a rapidly changing Istanbul.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Nancy Micklewright, "Fashion in Late Ottoman Istanbul: Photography and Identity in a Global City" (Bloomsbury, 2026) New Books Network 00:47:23 Over the 19th century, the women of Istanbul gradually transformed their appearance, adopting European dress and new modes of self-fashioning, including photographs. Fashion in Late Ottoman Istanbul: Photography and Identity in a Global City (Bloomsbury, 2026) by Dr. Nancy Micklewright reconstructs a complex fashion history, and the dramatic changes that took place in women's lives in this period, and given the diverse population of Istanbul in terms of ethnicity, class, race and religion, attends to the differing clothing habits of the women of the city. The book focuses particularly on elite women as fashion tastemakers and on the dress of enslaved and working women.Appealing to scholars across a range of fields, including fashion history, Ottoman studies, women's and gender history, visual culture and photography history, Fashion in Late Ottoman Istanbul provides a fascinating insight into women's histories, writing and dress practices in a rapidly changing Istanbul. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Over the 19th century, the women of Istanbul gradually transformed their appearance, adopting European dress and new modes of self-fashioning, including photographs. Fashion in Late Ottoman Istanbul: Photography and Identity in a Global City (Bloomsbury, 2026) by Dr. Nancy Micklewright reconstructs a complex fashion history, and the dramatic changes that took place in women's lives in this period, and given the diverse population of Istanbul in terms of ethnicity, class, race and religion, attends to the differing clothing habits of the women of the city. The book focuses particularly on elite women as fashion tastemakers and on the dress of enslaved and working women.Appealing to scholars across a range of fields, including fashion history, Ottoman studies, women's and gender history, visual culture and photography history, Fashion in Late Ottoman Istanbul provides a fascinating insight into women's histories, writing and dress practices in a rapidly changing Istanbul. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1855 43dc85c8-706f-11f1-a681-cf7671b2631d Chiara Formichi, "Domestic Nationalism: Muslim Women, Health, and Modernity in Indonesia" (Stanford UP, 2025) In her most recent publication, Domestic Nationalism: Muslim Women, Health, and Modernity in Indonesia (Stanford UP, 2025), Chiara Formichi argues that Muslim women in Java and Sumatra, from the late 1910s to the 1950s, were central to Indonesia's progress as guardians and promoters of health and piety through gendered activities of care work. While sidelined in the Dutch colonial project of hygienic modernity, women's labor of social reproduction became increasingly visible during the Japanese Occupation and early years of independence. Women from all walks of life were called upon to fulfill domestic and motherly roles for the production and socialization of laborers, soldiers, and citizens. The medicalization of cleanliness, intersecting with multiple patriarchal orders, marginalized women's traditional influence and knowledge. However, leveraging the critical importance of infant care, cleanliness, and nutrition, women pushed against the boundaries imposed on them by the colonial and postcolonial state. Largely absent from government archives, their words and acts are evident in vernacular magazines and visual sources drawn from official outreach, news and lifestyle media, and advertisements. Women writers rearticulated scientific mothering, nationalist maternalism, and Islamic ideals of motherhood to create a public voice through gendered care work. The framework of Domestic Nationalism proposes that as the modern Indonesian nation-state took shape capitalizing on the public function of mothering, so did homemaking become a crossroads of national and international approaches to development, blurring nonaligned self-reliance and global capitalist interests.

In this episode Dr. Chiara Formichi (Cornell University) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Domestic Nationalism. We converse about feminist theory and tensions between Indonesian women and colonial establishments. We talk about food, food choices, food preparation and nutrition to reveal an intersection of hygiene, nutrition, and imperialism. And last, we discuss how imperial and colonial invocation of novel hygiene practices was a global phenomenon in the mid-twentieth century.


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]]> Tue, 30 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In her most recent publication, Domestic Nationalism: Muslim Women, Health, and Modernity in Indonesia (Stanford UP, 2025), Chiara Formichi argues that Muslim women in Java and Sumatra, from the late 1910s to the 1950s, were central to Indonesia's progress as guardians and promoters of health and piety through gendered activities of care work. While sidelined in the Dutch colonial project of hygienic modernity, women's labor of social reproduction became increasingly visible during the Japanese Occupation and early years of independence. Women from all walks of life were called upon to fulfill domestic and motherly roles for the production and socialization of laborers, soldiers, and citizens. The medicalization of cleanliness, intersecting with multiple patriarchal orders, marginalized women's traditional influence and knowledge. However, leveraging the critical importance of infant care, cleanliness, and nutrition, women pushed against the boundaries imposed on them by the colonial and postcolonial state. Largely absent from government archives, their words and acts are evident in vernacular magazines and visual sources drawn from official outreach, news and lifestyle media, and advertisements. Women writers rearticulated scientific mothering, nationalist maternalism, and Islamic ideals of motherhood to create a public voice through gendered care work. The framework of Domestic Nationalism proposes that as the modern Indonesian nation-state took shape capitalizing on the public function of mothering, so did homemaking become a crossroads of national and international approaches to development, blurring nonaligned self-reliance and global capitalist interests.

In this episode Dr. Chiara Formichi (Cornell University) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Domestic Nationalism. We converse about feminist theory and tensions between Indonesian women and colonial establishments. We talk about food, food choices, food preparation and nutrition to reveal an intersection of hygiene, nutrition, and imperialism. And last, we discuss how imperial and colonial invocation of novel hygiene practices was a global phenomenon in the mid-twentieth century.


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]]> Chiara Formichi, "Domestic Nationalism: Muslim Women, Health, and Modernity in Indonesia" (Stanford UP, 2025) New Books Network 01:08:42 In her most recent publication, Domestic Nationalism: Muslim Women, Health, and Modernity in Indonesia (Stanford UP, 2025), Chiara Formichi argues that Muslim women in Java and Sumatra, from the late 1910s to the 1950s, were central to Indonesia's progress as guardians and promoters of health and piety through gendered activities of care work. While sidelined in the Dutch colonial project of hygienic modernity, women's labor of social reproduction became increasingly visible during the Japanese Occupation and early years of independence. Women from all walks of life were called upon to fulfill domestic and motherly roles for the production and socialization of laborers, soldiers, and citizens. The medicalization of cleanliness, intersecting with multiple patriarchal orders, marginalized women's traditional influence and knowledge. However, leveraging the critical importance of infant care, cleanliness, and nutrition, women pushed against the boundaries imposed on them by the colonial and postcolonial state. Largely absent from government archives, their words and acts are evident in vernacular magazines and visual sources drawn from official outreach, news and lifestyle media, and advertisements. Women writers rearticulated scientific mothering, nationalist maternalism, and Islamic ideals of motherhood to create a public voice through gendered care work. The framework of Domestic Nationalism proposes that as the modern Indonesian nation-state took shape capitalizing on the public function of mothering, so did homemaking become a crossroads of national and international approaches to development, blurring nonaligned self-reliance and global capitalist interests. In this episode Dr. Chiara Formichi (Cornell University) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Domestic Nationalism. We converse about feminist theory and tensions between Indonesian women and colonial establishments. We talk about food, food choices, food preparation and nutrition to reveal an intersection of hygiene, nutrition, and imperialism. And last, we discuss how imperial and colonial invocation of novel hygiene practices was a global phenomenon in the mid-twentieth century. In her most recent publication, Domestic Nationalism: Muslim Women, Health, and Modernity in Indonesia (Stanford UP, 2025), Chiara Formichi argues that Muslim women in Java and Sumatra, from the late 1910s to the 1950s, were central to Indonesia's progress as guardians and promoters of health and piety through gendered activities of care work. While sidelined in the Dutch colonial project of hygienic modernity, women's labor of social reproduction became increasingly visible during the Japanese Occupation and early years of independence. Women from all walks of life were called upon to fulfill domestic and motherly roles for the production and socialization of laborers, soldiers, and citizens. The medicalization of cleanliness, intersecting with multiple patriarchal orders, marginalized women's traditional influence and knowledge. However, leveraging the critical importance of infant care, cleanliness, and nutrition, women pushed against the boundaries imposed on them by the colonial and postcolonial state. Largely absent from government archives, their words and acts are evident in vernacular magazines and visual sources drawn from official outreach, news and lifestyle media, and advertisements. Women writers rearticulated scientific mothering, nationalist maternalism, and Islamic ideals of motherhood to create a public voice through gendered care work. The framework of Domestic Nationalism proposes that as the modern Indonesian nation-state took shape capitalizing on the public function of mothering, so did homemaking become a crossroads of national and international approaches to development, blurring nonaligned self-reliance and global capitalist interests. In this episode Dr. Chiara Formichi (Cornell University) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Domestic Nationalism. We converse about feminist theory and tensions between Indonesian women and colonial establishments. We talk about food, food choices, food preparation and nutrition to reveal an intersection of hygiene, nutrition, and imperialism. And last, we discuss how imperial and colonial invocation of novel hygiene practices was a global phenomenon in the mid-twentieth century. false full 1854 ddb36026-6b5c-11f1-ad7b-7bddd229b035 Robin Dembroff, "Real Men on Top: How Patriarchy Shapes Our Reality" (Oxford UP, 2026) In Real Men on Top: How Patriarchy Shapes Our Reality (Oxford University Press, 2026), Robin Dembroff shows us that we don't just live in a patriarchal world. We live in a world that patriarchy taught us to see. Patriarchy is not simply a system where men dominate women, Dembroff argues. It is a deeper reality-shaping force that legitimizes economic exploitation, political injustice, and social cruelty by dividing all of us into the rigid categories of Man, Woman, Animal, and Child.

These categories are presented as natural truths, but Dembroff reveals them as man-made myths--ones that construct a reality in which being characterized as Woman, Animal, or Child marks moral degradation. By no coincidence, feminization, dehumanization, and infantilization are the very degradations used to make a man 'less of a man'.

But this book is more than critique; it's also a guide to transformation especially for those grappling with what it means to be a man under patriarchy. Patriarchy's myths celebrate the identity Man, but these myths are no friend to most men. Promising strength and superiority, they instead fuel isolation, emotional repression, and relentless pressure to prove oneself while propping up systems that enrich the powerful few. Rather than deliver freedom and prosperity, these myths entrap and impoverish. Real Men on Top invites readers to see through them and, in so doing, to find new possibilities for living, relating, and becoming human.

Sharp, daring, and deeply felt, Real Men on Top is a book for anyone who senses that something is deeply wrong with the way we live and wants to understand how we got here, and where we might begin the work of remaking reality.

Robin Dembroff is an Associate Professor of Philosophy at Yale University

Caleb Zakarin is CEO and Publisher of the New Books Network.


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]]> Mon, 22 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Real Men on Top: How Patriarchy Shapes Our Reality (Oxford University Press, 2026), Robin Dembroff shows us that we don't just live in a patriarchal world. We live in a world that patriarchy taught us to see. Patriarchy is not simply a system where men dominate women, Dembroff argues. It is a deeper reality-shaping force that legitimizes economic exploitation, political injustice, and social cruelty by dividing all of us into the rigid categories of Man, Woman, Animal, and Child.

These categories are presented as natural truths, but Dembroff reveals them as man-made myths--ones that construct a reality in which being characterized as Woman, Animal, or Child marks moral degradation. By no coincidence, feminization, dehumanization, and infantilization are the very degradations used to make a man 'less of a man'.

But this book is more than critique; it's also a guide to transformation especially for those grappling with what it means to be a man under patriarchy. Patriarchy's myths celebrate the identity Man, but these myths are no friend to most men. Promising strength and superiority, they instead fuel isolation, emotional repression, and relentless pressure to prove oneself while propping up systems that enrich the powerful few. Rather than deliver freedom and prosperity, these myths entrap and impoverish. Real Men on Top invites readers to see through them and, in so doing, to find new possibilities for living, relating, and becoming human.

Sharp, daring, and deeply felt, Real Men on Top is a book for anyone who senses that something is deeply wrong with the way we live and wants to understand how we got here, and where we might begin the work of remaking reality.

Robin Dembroff is an Associate Professor of Philosophy at Yale University

Caleb Zakarin is CEO and Publisher of the New Books Network.


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]]> Robin Dembroff, "Real Men on Top: How Patriarchy Shapes Our Reality" (Oxford UP, 2026) New Books Network 00:51:21 In Real Men on Top: How Patriarchy Shapes Our Reality (Oxford University Press, 2026), Robin Dembroff shows us that we don't just live in a patriarchal world. We live in a world that patriarchy taught us to see. Patriarchy is not simply a system where men dominate women, Dembroff argues. It is a deeper reality-shaping force that legitimizes economic exploitation, political injustice, and social cruelty by dividing all of us into the rigid categories of Man, Woman, Animal, and Child. These categories are presented as natural truths, but Dembroff reveals them as man-made myths--ones that construct a reality in which being characterized as Woman, Animal, or Child marks moral degradation. By no coincidence, feminization, dehumanization, and infantilization are the very degradations used to make a man 'less of a man'. But this book is more than critique; it's also a guide to transformation especially for those grappling with what it means to be a man under patriarchy. Patriarchy's myths celebrate the identity Man, but these myths are no friend to most men. Promising strength and superiority, they instead fuel isolation, emotional repression, and relentless pressure to prove oneself while propping up systems that enrich the powerful few. Rather than deliver freedom and prosperity, these myths entrap and impoverish. Real Men on Top invites readers to see through them and, in so doing, to find new possibilities for living, relating, and becoming human. Sharp, daring, and deeply felt, Real Men on Top is a book for anyone who senses that something is deeply wrong with the way we live and wants to understand how we got here, and where we might begin the work of remaking reality. Robin Dembroff is an Associate Professor of Philosophy at Yale University Caleb Zakarin is CEO and Publisher of the New Books Network. In Real Men on Top: How Patriarchy Shapes Our Reality (Oxford University Press, 2026), Robin Dembroff shows us that we don't just live in a patriarchal world. We live in a world that patriarchy taught us to see. Patriarchy is not simply a system where men dominate women, Dembroff argues. It is a deeper reality-shaping force that legitimizes economic exploitation, political injustice, and social cruelty by dividing all of us into the rigid categories of Man, Woman, Animal, and Child. These categories are presented as natural truths, but Dembroff reveals them as man-made myths--ones that construct a reality in which being characterized as Woman, Animal, or Child marks moral degradation. By no coincidence, feminization, dehumanization, and infantilization are the very degradations used to make a man 'less of a man'. But this book is more than critique; it's also a guide to transformation especially for those grappling with what it means to be a man under patriarchy. Patriarchy's myths celebrate the identity Man, but these myths are no friend to most men. Promising strength and superiority, they instead fuel isolation, emotional repression, and relentless pressure to prove oneself while propping up systems that enrich the powerful few. Rather than deliver freedom and prosperity, these myths entrap and impoverish. Real Men on Top invites readers to see through them and, in so doing, to find new possibilities for living, relating, and becoming human. Sharp, daring, and deeply felt, Real Men on Top is a book for anyone who senses that something is deeply wrong with the way we live and wants to understand how we got here, and where we might begin the work of remaking reality. Robin Dembroff is an Associate Professor of Philosophy at Yale University Caleb Zakarin is CEO and Publisher of the New Books Network. false full 1853 c94af9aa-65b2-11f1-b70a-3b73abcc6e35 Stephanie Coontz, "For Better and Worse: The Complicated Past and Challenging Future of Marriage" (Viking, 2026) Marriage rates have fallen dramatically since the 1970s. Yet far from devaluing marriage, people still overwhelmingly describe marriage as the highest commitment they can imagine. Most Americans say they want to marry eventually, and couples who do marry have a lower chance of divorce than at any time since the 1970s. Increasingly, though, people tell pollsters they “have no idea” if they actually will end up married. And unlike in the past, young women are more uncertain than young men.

In For Better and Worse: The Complicated Past and Challenging Future of Marriage (Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book Marriage, A History—unravels the roots of such paradoxical trends. Examining five critical periods of historical transformation, she reveals how shifting romantic ideals, gender expectations, sexual mores, and cultural myths have bequeathed us a welter of contradictory beliefs, dysfunctional habits, and emotional earworms that make it hard to adjust our family relationships to the social and economic challenges of twenty-first-century life.

Coontz demonstrates that today’s widespread nostalgia for a seemingly more stable past is an understandable reaction to heightened economic insecurity and eroding social solidarities. But trying to reproduce a largely imaginary golden age of marriage from the past simply locks us into a restricted future.

Current public debates about marriage are dominated by two diametrically opposed groups. One argues that marriage is the only sure route to personal happiness and social stability; the other, that marriage is inherently oppressive. Coontz puts forward a radical middle ground, pointing to surprising new research on the personal changes and the policy innovations that can help people create successful relationships, in or out of marriage.


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]]> Sun, 14 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Marriage rates have fallen dramatically since the 1970s. Yet far from devaluing marriage, people still overwhelmingly describe marriage as the highest commitment they can imagine. Most Americans say they want to marry eventually, and couples who do marry have a lower chance of divorce than at any time since the 1970s. Increasingly, though, people tell pollsters they “have no idea” if they actually will end up married. And unlike in the past, young women are more uncertain than young men.

In For Better and Worse: The Complicated Past and Challenging Future of Marriage (Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book Marriage, A History—unravels the roots of such paradoxical trends. Examining five critical periods of historical transformation, she reveals how shifting romantic ideals, gender expectations, sexual mores, and cultural myths have bequeathed us a welter of contradictory beliefs, dysfunctional habits, and emotional earworms that make it hard to adjust our family relationships to the social and economic challenges of twenty-first-century life.

Coontz demonstrates that today’s widespread nostalgia for a seemingly more stable past is an understandable reaction to heightened economic insecurity and eroding social solidarities. But trying to reproduce a largely imaginary golden age of marriage from the past simply locks us into a restricted future.

Current public debates about marriage are dominated by two diametrically opposed groups. One argues that marriage is the only sure route to personal happiness and social stability; the other, that marriage is inherently oppressive. Coontz puts forward a radical middle ground, pointing to surprising new research on the personal changes and the policy innovations that can help people create successful relationships, in or out of marriage.


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]]> Stephanie Coontz, "For Better and Worse: The Complicated Past and Challenging Future of Marriage" (Viking, 2026) New Books Network 00:44:59 Marriage rates have fallen dramatically since the 1970s. Yet far from devaluing marriage, people still overwhelmingly describe marriage as the highest commitment they can imagine. Most Americans say they want to marry eventually, and couples who do marry have a lower chance of divorce than at any time since the 1970s. Increasingly, though, people tell pollsters they “have no idea” if they actually will end up married. And unlike in the past, young women are more uncertain than young men. In For Better and Worse: The Complicated Past and Challenging Future of Marriage (Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book Marriage, A History—unravels the roots of such paradoxical trends. Examining five critical periods of historical transformation, she reveals how shifting romantic ideals, gender expectations, sexual mores, and cultural myths have bequeathed us a welter of contradictory beliefs, dysfunctional habits, and emotional earworms that make it hard to adjust our family relationships to the social and economic challenges of twenty-first-century life. Coontz demonstrates that today’s widespread nostalgia for a seemingly more stable past is an understandable reaction to heightened economic insecurity and eroding social solidarities. But trying to reproduce a largely imaginary golden age of marriage from the past simply locks us into a restricted future. Current public debates about marriage are dominated by two diametrically opposed groups. One argues that marriage is the only sure route to personal happiness and social stability; the other, that marriage is inherently oppressive. Coontz puts forward a radical middle ground, pointing to surprising new research on the personal changes and the policy innovations that can help people create successful relationships, in or out of marriage. Marriage rates have fallen dramatically since the 1970s. Yet far from devaluing marriage, people still overwhelmingly describe marriage as the highest commitment they can imagine. Most Americans say they want to marry eventually, and couples who do marry have a lower chance of divorce than at any time since the 1970s. Increasingly, though, people tell pollsters they “have no idea” if they actually will end up married. And unlike in the past, young women are more uncertain than young men. In For Better and Worse: The Complicated Past and Challenging Future of Marriage (Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book Marriage, A History—unravels the roots of such paradoxical trends. Examining five critical periods of historical transformation, she reveals how shifting romantic ideals, gender expectations, sexual mores, and cultural myths have bequeathed us a welter of contradictory beliefs, dysfunctional habits, and emotional earworms that make it hard to adjust our family relationships to the social and economic challenges of twenty-first-century life. Coontz demonstrates that today’s widespread nostalgia for a seemingly more stable past is an understandable reaction to heightened economic insecurity and eroding social solidarities. But trying to reproduce a largely imaginary golden age of marriage from the past simply locks us into a restricted future. Current public debates about marriage are dominated by two diametrically opposed groups. One argues that marriage is the only sure route to personal happiness and social stability; the other, that marriage is inherently oppressive. Coontz puts forward a radical middle ground, pointing to surprising new research on the personal changes and the policy innovations that can help people create successful relationships, in or out of marriage. false full 1852 5e085e66-63ec-11f1-8bfa-571c4ec641a4 Sarah McNamara, "Ybor City: Crucible of the Latina South" (UNC Press, 2023) Decades before Miami became Havana USA, a wave of leftist, radical, working-class women and men from prerevolutionary Cuba crossed the Florida Straits, made Ybor City the global capital of the Cuban cigar industry, and established the foundation of latinidad in the Sunshine State. Located on the eastern edge of Tampa, Ybor City was a neighborhood of cigar workers and Caribbean revolutionaries who sought refuge against the shifting tides of international political turmoil during the early half of the twentieth century.
In Ybor City: Crucible of the Latina South (University of North Carolina Press, 2023), Historian Sarah McNamara tells the story of immigrant and U.S.-born Latinas/os who organized strikes, marched against fascism, and criticized U.S. foreign policy. While many members of the immigrant generation maintained their dedication to progressive ideals for years to come, those who came of age in the wake of World War II distanced themselves from leftist politics amidst the Red Scare and the wrecking ball of urban renewal. This portrait of the political shifts that defined Ybor City highlights the underexplored role of women’s leadership within movements for social and economic justice as it illustrates how people, places, and politics become who and what they are.


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]]> Thu, 11 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Decades before Miami became Havana USA, a wave of leftist, radical, working-class women and men from prerevolutionary Cuba crossed the Florida Straits, made Ybor City the global capital of the Cuban cigar industry, and established the foundation of latinidad in the Sunshine State. Located on the eastern edge of Tampa, Ybor City was a neighborhood of cigar workers and Caribbean revolutionaries who sought refuge against the shifting tides of international political turmoil during the early half of the twentieth century.
In Ybor City: Crucible of the Latina South (University of North Carolina Press, 2023), Historian Sarah McNamara tells the story of immigrant and U.S.-born Latinas/os who organized strikes, marched against fascism, and criticized U.S. foreign policy. While many members of the immigrant generation maintained their dedication to progressive ideals for years to come, those who came of age in the wake of World War II distanced themselves from leftist politics amidst the Red Scare and the wrecking ball of urban renewal. This portrait of the political shifts that defined Ybor City highlights the underexplored role of women’s leadership within movements for social and economic justice as it illustrates how people, places, and politics become who and what they are.


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]]> Sarah McNamara, "Ybor City: Crucible of the Latina South" (UNC Press, 2023) New Books Network 01:15:56 Decades before Miami became Havana USA, a wave of leftist, radical, working-class women and men from prerevolutionary Cuba crossed the Florida Straits, made Ybor City the global capital of the Cuban cigar industry, and established the foundation of latinidad in the Sunshine State. Located on the eastern edge of Tampa, Ybor City was a neighborhood of cigar workers and Caribbean revolutionaries who sought refuge against the shifting tides of international political turmoil during the early half of the twentieth century.In Ybor City: Crucible of the Latina South (University of North Carolina Press, 2023), Historian Sarah McNamara tells the story of immigrant and U.S.-born Latinas/os who organized strikes, marched against fascism, and criticized U.S. foreign policy. While many members of the immigrant generation maintained their dedication to progressive ideals for years to come, those who came of age in the wake of World War II distanced themselves from leftist politics amidst the Red Scare and the wrecking ball of urban renewal. This portrait of the political shifts that defined Ybor City highlights the underexplored role of women’s leadership within movements for social and economic justice as it illustrates how people, places, and politics become who and what they are. Decades before Miami became Havana USA, a wave of leftist, radical, working-class women and men from prerevolutionary Cuba crossed the Florida Straits, made Ybor City the global capital of the Cuban cigar industry, and established the foundation of latinidad in the Sunshine State. Located on the eastern edge of Tampa, Ybor City was a neighborhood of cigar workers and Caribbean revolutionaries who sought refuge against the shifting tides of international political turmoil during the early half of the twentieth century.In Ybor City: Crucible of the Latina South (University of North Carolina Press, 2023), Historian Sarah McNamara tells the story of immigrant and U.S.-born Latinas/os who organized strikes, marched against fascism, and criticized U.S. foreign policy. While many members of the immigrant generation maintained their dedication to progressive ideals for years to come, those who came of age in the wake of World War II distanced themselves from leftist politics amidst the Red Scare and the wrecking ball of urban renewal. This portrait of the political shifts that defined Ybor City highlights the underexplored role of women’s leadership within movements for social and economic justice as it illustrates how people, places, and politics become who and what they are. false full 1851 d02a6c1c-635d-11f1-95e1-27196516a805 Michael Staudenmaier, "White, Black, Brown: Becoming Puerto Rican in Chicago" (UNC Press, 2026) Independent historian Michael Staudenmaier joins Michael Stauch to discuss his new book about “becoming Puerto Rican” in Chicago. Staudenmaier’s book, White, Black, Brown: Becoming Puerto Rican in Chicago (University of North Carolina Press, 2026), describes how generations of Puerto Rican organizers and activists, facing persistent exploitation, discrimination, and marginalization in the postwar United States, drew on competing versions of nationalism to challenge the racial order in one of America’s most segregated cities.

Highlights include:

  • A description of the historical process of “becoming Puerto Rican” as a racial project;
  • How class differences between activists and ordinary Puerto Ricans shaped distinct experiences of “becoming Puerto Rican”;
  • How the gendered experience of migration led one woman to collaborate with the FBI;
  • The effect of the 1966 Division Street Riot on Puerto Rican identity;
  • The rise of “panethnic Latinidad” and its possible futures.

Michael Staudenmaier is an independent historian and serves on the Board of Directors of Dr. Pedro Albizu Campos Puerto Rican High School in Chicago.

Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.


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]]> Wed, 10 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Independent historian Michael Staudenmaier joins Michael Stauch to discuss his new book about “becoming Puerto Rican” in Chicago. Staudenmaier’s book, White, Black, Brown: Becoming Puerto Rican in Chicago (University of North Carolina Press, 2026), describes how generations of Puerto Rican organizers and activists, facing persistent exploitation, discrimination, and marginalization in the postwar United States, drew on competing versions of nationalism to challenge the racial order in one of America’s most segregated cities.

Highlights include:

  • A description of the historical process of “becoming Puerto Rican” as a racial project;
  • How class differences between activists and ordinary Puerto Ricans shaped distinct experiences of “becoming Puerto Rican”;
  • How the gendered experience of migration led one woman to collaborate with the FBI;
  • The effect of the 1966 Division Street Riot on Puerto Rican identity;
  • The rise of “panethnic Latinidad” and its possible futures.

Michael Staudenmaier is an independent historian and serves on the Board of Directors of Dr. Pedro Albizu Campos Puerto Rican High School in Chicago.

Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.


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]]> Michael Staudenmaier, "White, Black, Brown: Becoming Puerto Rican in Chicago" (UNC Press, 2026) New Books Network 00:56:11 Independent historian Michael Staudenmaier joins Michael Stauch to discuss his new book about “becoming Puerto Rican” in Chicago. Staudenmaier’s book, White, Black, Brown: Becoming Puerto Rican in Chicago (University of North Carolina Press, 2026), describes how generations of Puerto Rican organizers and activists, facing persistent exploitation, discrimination, and marginalization in the postwar United States, drew on competing versions of nationalism to challenge the racial order in one of America’s most segregated cities. Highlights include: A description of the historical process of “becoming Puerto Rican” as a racial project; How class differences between activists and ordinary Puerto Ricans shaped distinct experiences of “becoming Puerto Rican”; How the gendered experience of migration led one woman to collaborate with the FBI; The effect of the 1966 Division Street Riot on Puerto Rican identity; The rise of “panethnic Latinidad” and its possible futures. Michael Staudenmaier is an independent historian and serves on the Board of Directors of Dr. Pedro Albizu Campos Puerto Rican High School in Chicago. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Independent historian Michael Staudenmaier joins Michael Stauch to discuss his new book about “becoming Puerto Rican” in Chicago. Staudenmaier’s book, White, Black, Brown: Becoming Puerto Rican in Chicago (University of North Carolina Press, 2026), describes how generations of Puerto Rican organizers and activists, facing persistent exploitation, discrimination, and marginalization in the postwar United States, drew on competing versions of nationalism to challenge the racial order in one of America’s most segregated cities. Highlights include: A description of the historical process of “becoming Puerto Rican” as a racial project; How class differences between activists and ordinary Puerto Ricans shaped distinct experiences of “becoming Puerto Rican”; How the gendered experience of migration led one woman to collaborate with the FBI; The effect of the 1966 Division Street Riot on Puerto Rican identity; The rise of “panethnic Latinidad” and its possible futures. Michael Staudenmaier is an independent historian and serves on the Board of Directors of Dr. Pedro Albizu Campos Puerto Rican High School in Chicago. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. false full 1850 804babc4-5fe4-11f1-860e-575840e48811 Bruce Dearstyne, "Revolutionary New York: 250 Years of Social Change" (SUNY Press, 2026) Revolutionary New York: 250 Years of Social Change (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution’s ideals and bring increased freedom and opportunities to marginalized populations.”

Dearstyne is the editor of this volume and the author of several books, including The Spirit of New York: Defining Events in the Empire State’s History and The Crucible of Public Policy: New York Courts in the Progressive Era.

Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu


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]]> Mon, 8 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Revolutionary New York: 250 Years of Social Change (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution’s ideals and bring increased freedom and opportunities to marginalized populations.”

Dearstyne is the editor of this volume and the author of several books, including The Spirit of New York: Defining Events in the Empire State’s History and The Crucible of Public Policy: New York Courts in the Progressive Era.

Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu


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]]> Bruce Dearstyne, "Revolutionary New York: 250 Years of Social Change" (SUNY Press, 2026) New Books Network 00:29:44 Revolutionary New York: 250 Years of Social Change (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution’s ideals and bring increased freedom and opportunities to marginalized populations.” Dearstyne is the editor of this volume and the author of several books, including The Spirit of New York: Defining Events in the Empire State’s History and The Crucible of Public Policy: New York Courts in the Progressive Era. Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu Revolutionary New York: 250 Years of Social Change (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution’s ideals and bring increased freedom and opportunities to marginalized populations.” Dearstyne is the editor of this volume and the author of several books, including The Spirit of New York: Defining Events in the Empire State’s History and The Crucible of Public Policy: New York Courts in the Progressive Era. Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu false full 1849 ecb09ae2-6019-11f1-a441-1bd9ed571211 Jane Kanarek, "Beyond Brutality: Reclaiming Female Presence in Bavli Sotah" (Brandeis UP, 2025) Beyond Brutality: Reclaiming Female Presence in Bavli Sotah (Brandeis University Press, 2025) draws on feminist analysis and gender studies to examine tractate Sotah of the Babylonian Talmud as a literary unit. By interrogating how, why, and where women are invisible within Bavli Sotah, Jane Kanarek brings to light a ubiquitous female presence throughout the text. Despite the brutality of the sotah ritual—in which the woman accused of adultery is put through a divine ordeal intended to reveal her innocence or her guilt—this book demonstrates that Bavli Sotah is not primarily concerned with describing the sotah ritual or establishing male control over women. Instead, Bavli Sotah becomes a pedagogical text in which the sotah is secondary to moral and sinning men. As the sotah herself fades into the background, the sotah ritual nevertheless overflows its boundaries and weaves its way through a range of other topics within the tractate. In the process, Bavli Sotah teaches its audience who transmits and how one transmits rabbinic culture.

Dr. Rabbi Jane Kanarek is Professor of Rabbinics at the Rabbinical School of Hebrew College, Newton, MA.

Dr. Rabbi Rachel Adelman, Professor of Bible at the Rabbinical School of Hebrew College, Newton, MA.


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]]> Sat, 6 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Beyond Brutality: Reclaiming Female Presence in Bavli Sotah (Brandeis University Press, 2025) draws on feminist analysis and gender studies to examine tractate Sotah of the Babylonian Talmud as a literary unit. By interrogating how, why, and where women are invisible within Bavli Sotah, Jane Kanarek brings to light a ubiquitous female presence throughout the text. Despite the brutality of the sotah ritual—in which the woman accused of adultery is put through a divine ordeal intended to reveal her innocence or her guilt—this book demonstrates that Bavli Sotah is not primarily concerned with describing the sotah ritual or establishing male control over women. Instead, Bavli Sotah becomes a pedagogical text in which the sotah is secondary to moral and sinning men. As the sotah herself fades into the background, the sotah ritual nevertheless overflows its boundaries and weaves its way through a range of other topics within the tractate. In the process, Bavli Sotah teaches its audience who transmits and how one transmits rabbinic culture.

Dr. Rabbi Jane Kanarek is Professor of Rabbinics at the Rabbinical School of Hebrew College, Newton, MA.

Dr. Rabbi Rachel Adelman, Professor of Bible at the Rabbinical School of Hebrew College, Newton, MA.


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]]> Jane Kanarek, "Beyond Brutality: Reclaiming Female Presence in Bavli Sotah" (Brandeis UP, 2025) New Books Network 00:58:44 Beyond Brutality: Reclaiming Female Presence in Bavli Sotah (Brandeis University Press, 2025) draws on feminist analysis and gender studies to examine tractate Sotah of the Babylonian Talmud as a literary unit. By interrogating how, why, and where women are invisible within Bavli Sotah, Jane Kanarek brings to light a ubiquitous female presence throughout the text. Despite the brutality of the sotah ritual—in which the woman accused of adultery is put through a divine ordeal intended to reveal her innocence or her guilt—this book demonstrates that Bavli Sotah is not primarily concerned with describing the sotah ritual or establishing male control over women. Instead, Bavli Sotah becomes a pedagogical text in which the sotah is secondary to moral and sinning men. As the sotah herself fades into the background, the sotah ritual nevertheless overflows its boundaries and weaves its way through a range of other topics within the tractate. In the process, Bavli Sotah teaches its audience who transmits and how one transmits rabbinic culture. Dr. Rabbi Jane Kanarek is Professor of Rabbinics at the Rabbinical School of Hebrew College, Newton, MA. Dr. Rabbi Rachel Adelman, Professor of Bible at the Rabbinical School of Hebrew College, Newton, MA. Beyond Brutality: Reclaiming Female Presence in Bavli Sotah (Brandeis University Press, 2025) draws on feminist analysis and gender studies to examine tractate Sotah of the Babylonian Talmud as a literary unit. By interrogating how, why, and where women are invisible within Bavli Sotah, Jane Kanarek brings to light a ubiquitous female presence throughout the text. Despite the brutality of the sotah ritual—in which the woman accused of adultery is put through a divine ordeal intended to reveal her innocence or her guilt—this book demonstrates that Bavli Sotah is not primarily concerned with describing the sotah ritual or establishing male control over women. Instead, Bavli Sotah becomes a pedagogical text in which the sotah is secondary to moral and sinning men. As the sotah herself fades into the background, the sotah ritual nevertheless overflows its boundaries and weaves its way through a range of other topics within the tractate. In the process, Bavli Sotah teaches its audience who transmits and how one transmits rabbinic culture. Dr. Rabbi Jane Kanarek is Professor of Rabbinics at the Rabbinical School of Hebrew College, Newton, MA. Dr. Rabbi Rachel Adelman, Professor of Bible at the Rabbinical School of Hebrew College, Newton, MA. false full 1848 5b643c2c-5f0d-11f1-91b3-1764f3b84c23 Ginger Dellenbaugh, "Maria Callas's Lyric and Coloratura Arias" (Bloomsbury, 2021) More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe.

Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification.

Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.

Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria.

Ginger Dellenbaugh’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.


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]]> Sat, 6 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe.

Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification.

Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.

Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria.

Ginger Dellenbaugh’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.


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]]> Ginger Dellenbaugh, "Maria Callas's Lyric and Coloratura Arias" (Bloomsbury, 2021) New Books Network 00:58:31 More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh’s website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh’s website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. false full 1847 6b1e2710-5e7a-11f1-8894-9f70c934b22f Lauren Duval, "The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence" (Omohundro Institute and UNC Press, 2025) Prior to the American Revolution, the urban centers of colonial North America had little direct experience of war. With the outbreak of violence, British forces occupied every major city, invading the most private of spaces: the home. By closely considering the dynamics of the household—how people moved within it, thought about it, and wielded power over it—The Home Front reveals the ways in which occupation fundamentally upended the structures of colonial society and created opportunities for unprecedented economic and social mobility. In occupied cities, British officers usurped male authority to quarter themselves with families, patriot wives governed households in their husbands' absence, daughters flirted with officers, domestic servants disappeared with soldiers, and enslaved kin absconded to British lines in pursuit of freedom. As Lauren Duval shows, the unique conditions of occupation produced an aggrieved American population bound by shared emotional distress and domestic disorder. In the wake of this deeply disorienting experience, elite Americans deliberately reconsecrated the private home as a national symbol that epitomized masculine authority. Building on a stunning wealth of primary sources, Duval vividly captures daily life during the Revolution through the eyes and ears of those who intimately experienced it, showing how men and women of all races, statuses, and states of freedom understood its implications for their lives, families, and the nascent American Republic.

In this episode Dr. Lauren Duval (University of Oklahoma) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence (Omohundro Institute and UNC Press, 2025). We begin the episode by discussing what the home meant to men and women in the revolutionary era. Next, we discuss revisionist histories and how violence has often been obscured from the revolutionary narrative. I commend Duval for her extensive archival research and she shares about the satisfying feeling of finding sources that speak to one another from across the Atlantic. Last, Duval gives us a sneak peek at her next project!


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]]> Wed, 3 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Prior to the American Revolution, the urban centers of colonial North America had little direct experience of war. With the outbreak of violence, British forces occupied every major city, invading the most private of spaces: the home. By closely considering the dynamics of the household—how people moved within it, thought about it, and wielded power over it—The Home Front reveals the ways in which occupation fundamentally upended the structures of colonial society and created opportunities for unprecedented economic and social mobility. In occupied cities, British officers usurped male authority to quarter themselves with families, patriot wives governed households in their husbands' absence, daughters flirted with officers, domestic servants disappeared with soldiers, and enslaved kin absconded to British lines in pursuit of freedom. As Lauren Duval shows, the unique conditions of occupation produced an aggrieved American population bound by shared emotional distress and domestic disorder. In the wake of this deeply disorienting experience, elite Americans deliberately reconsecrated the private home as a national symbol that epitomized masculine authority. Building on a stunning wealth of primary sources, Duval vividly captures daily life during the Revolution through the eyes and ears of those who intimately experienced it, showing how men and women of all races, statuses, and states of freedom understood its implications for their lives, families, and the nascent American Republic.

In this episode Dr. Lauren Duval (University of Oklahoma) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence (Omohundro Institute and UNC Press, 2025). We begin the episode by discussing what the home meant to men and women in the revolutionary era. Next, we discuss revisionist histories and how violence has often been obscured from the revolutionary narrative. I commend Duval for her extensive archival research and she shares about the satisfying feeling of finding sources that speak to one another from across the Atlantic. Last, Duval gives us a sneak peek at her next project!


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]]> Lauren Duval, "The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence" (Omohundro Institute and UNC Press, 2025) New Books Network 00:54:18 Prior to the American Revolution, the urban centers of colonial North America had little direct experience of war. With the outbreak of violence, British forces occupied every major city, invading the most private of spaces: the home. By closely considering the dynamics of the household—how people moved within it, thought about it, and wielded power over it—The Home Front reveals the ways in which occupation fundamentally upended the structures of colonial society and created opportunities for unprecedented economic and social mobility. In occupied cities, British officers usurped male authority to quarter themselves with families, patriot wives governed households in their husbands' absence, daughters flirted with officers, domestic servants disappeared with soldiers, and enslaved kin absconded to British lines in pursuit of freedom. As Lauren Duval shows, the unique conditions of occupation produced an aggrieved American population bound by shared emotional distress and domestic disorder. In the wake of this deeply disorienting experience, elite Americans deliberately reconsecrated the private home as a national symbol that epitomized masculine authority. Building on a stunning wealth of primary sources, Duval vividly captures daily life during the Revolution through the eyes and ears of those who intimately experienced it, showing how men and women of all races, statuses, and states of freedom understood its implications for their lives, families, and the nascent American Republic. In this episode Dr. Lauren Duval (University of Oklahoma) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence (Omohundro Institute and UNC Press, 2025). We begin the episode by discussing what the home meant to men and women in the revolutionary era. Next, we discuss revisionist histories and how violence has often been obscured from the revolutionary narrative. I commend Duval for her extensive archival research and she shares about the satisfying feeling of finding sources that speak to one another from across the Atlantic. Last, Duval gives us a sneak peek at her next project! Prior to the American Revolution, the urban centers of colonial North America had little direct experience of war. With the outbreak of violence, British forces occupied every major city, invading the most private of spaces: the home. By closely considering the dynamics of the household—how people moved within it, thought about it, and wielded power over it—The Home Front reveals the ways in which occupation fundamentally upended the structures of colonial society and created opportunities for unprecedented economic and social mobility. In occupied cities, British officers usurped male authority to quarter themselves with families, patriot wives governed households in their husbands' absence, daughters flirted with officers, domestic servants disappeared with soldiers, and enslaved kin absconded to British lines in pursuit of freedom. As Lauren Duval shows, the unique conditions of occupation produced an aggrieved American population bound by shared emotional distress and domestic disorder. In the wake of this deeply disorienting experience, elite Americans deliberately reconsecrated the private home as a national symbol that epitomized masculine authority. Building on a stunning wealth of primary sources, Duval vividly captures daily life during the Revolution through the eyes and ears of those who intimately experienced it, showing how men and women of all races, statuses, and states of freedom understood its implications for their lives, families, and the nascent American Republic. In this episode Dr. Lauren Duval (University of Oklahoma) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence (Omohundro Institute and UNC Press, 2025). We begin the episode by discussing what the home meant to men and women in the revolutionary era. Next, we discuss revisionist histories and how violence has often been obscured from the revolutionary narrative. I commend Duval for her extensive archival research and she shares about the satisfying feeling of finding sources that speak to one another from across the Atlantic. Last, Duval gives us a sneak peek at her next project! false full 1846 b7af3226-5b33-11f1-9769-97a3c947eeb6 Kenna Neitch, "A Praxis of Persistence: Central American Feminist Testimony and Sustainable Activism" (SUNY Press, 2026) A Praxis of Persistence: Central American Feminist Testimony and Sustainable Activism (SUNY Press, 2026) by Dr. Kenna Neitch establishes persistence as a framework for understanding methods of feminist activism in El Salvador, Guatemala, Honduras, and Nicaragua. Blending literary and ethnographic approaches, Dr. Neitch analyzes texts produced by activist movements from the 1980s to 2020—from collective testimonio to institutional publications (encuentros) to social media—and connects them to the movements' cultural impact and organizing practices, such as generative conflict, horizontal cross-border networks, and what she terms strategic adaptability. What these texts and practices have in common, Dr. Neitch argues, is feminist persistence—a balance of action, preservation, and creation adaptable across contexts.

A Praxis of Persistence provides one of the first scholarly accounts of #MeToo in Central America while remaining grounded in the region's lineage of activism against sexual violence. Through the framework of persistence, this book highlights the vitality of Central American women's activism and offers a repertoire of methods for reckoning with the realities of uneven progress in feminist struggle.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Mon, 1 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A Praxis of Persistence: Central American Feminist Testimony and Sustainable Activism (SUNY Press, 2026) by Dr. Kenna Neitch establishes persistence as a framework for understanding methods of feminist activism in El Salvador, Guatemala, Honduras, and Nicaragua. Blending literary and ethnographic approaches, Dr. Neitch analyzes texts produced by activist movements from the 1980s to 2020—from collective testimonio to institutional publications (encuentros) to social media—and connects them to the movements' cultural impact and organizing practices, such as generative conflict, horizontal cross-border networks, and what she terms strategic adaptability. What these texts and practices have in common, Dr. Neitch argues, is feminist persistence—a balance of action, preservation, and creation adaptable across contexts.

A Praxis of Persistence provides one of the first scholarly accounts of #MeToo in Central America while remaining grounded in the region's lineage of activism against sexual violence. Through the framework of persistence, this book highlights the vitality of Central American women's activism and offers a repertoire of methods for reckoning with the realities of uneven progress in feminist struggle.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Kenna Neitch, "A Praxis of Persistence: Central American Feminist Testimony and Sustainable Activism" (SUNY Press, 2026) New Books Network 00:45:26 A Praxis of Persistence: Central American Feminist Testimony and Sustainable Activism (SUNY Press, 2026) by Dr. Kenna Neitch establishes persistence as a framework for understanding methods of feminist activism in El Salvador, Guatemala, Honduras, and Nicaragua. Blending literary and ethnographic approaches, Dr. Neitch analyzes texts produced by activist movements from the 1980s to 2020—from collective testimonio to institutional publications (encuentros) to social media—and connects them to the movements' cultural impact and organizing practices, such as generative conflict, horizontal cross-border networks, and what she terms strategic adaptability. What these texts and practices have in common, Dr. Neitch argues, is feminist persistence—a balance of action, preservation, and creation adaptable across contexts. A Praxis of Persistence provides one of the first scholarly accounts of #MeToo in Central America while remaining grounded in the region's lineage of activism against sexual violence. Through the framework of persistence, this book highlights the vitality of Central American women's activism and offers a repertoire of methods for reckoning with the realities of uneven progress in feminist struggle. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. A Praxis of Persistence: Central American Feminist Testimony and Sustainable Activism (SUNY Press, 2026) by Dr. Kenna Neitch establishes persistence as a framework for understanding methods of feminist activism in El Salvador, Guatemala, Honduras, and Nicaragua. Blending literary and ethnographic approaches, Dr. Neitch analyzes texts produced by activist movements from the 1980s to 2020—from collective testimonio to institutional publications (encuentros) to social media—and connects them to the movements' cultural impact and organizing practices, such as generative conflict, horizontal cross-border networks, and what she terms strategic adaptability. What these texts and practices have in common, Dr. Neitch argues, is feminist persistence—a balance of action, preservation, and creation adaptable across contexts. A Praxis of Persistence provides one of the first scholarly accounts of #MeToo in Central America while remaining grounded in the region's lineage of activism against sexual violence. Through the framework of persistence, this book highlights the vitality of Central American women's activism and offers a repertoire of methods for reckoning with the realities of uneven progress in feminist struggle. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1845 2808ab9a-59e7-11f1-9326-b3907bf4720a Frances Kneupper, "Prophecy and the Battle for Spiritual Authority, 1360–1400" (Oxford UP, 2025) The end of the fourteenth century was a time of upheaval and contested authority among the traditional institutions of medieval Europe. In response to these conditions, a number of people began to claim their own authority, as prophets speaking the word of God. They came from outside of the clerical elite and were mostly women and reformers.

Prophecy and the Battle for Spiritual Authority, 1360–1400: Outsiders, Women, and Reformers (Oxford University Press, 2025) by Dr. Frances Kneupper examines the battle over authority which ensued. Prophetic women and other non-elites successfully used prophecy to exert influence and to enter the corridors of power, while educated male clerics insinuated that prophecy was the product of demonic influence and therefore a hazard to the public. Surprisingly, a third faction also emerged—an international network of clerical men who wrote in support of female prophecy. This volume traces the arguments made by these three groups, the clashes that erupted, and the long-term impacts of this battle on ideas of spiritual authority.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 28 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The end of the fourteenth century was a time of upheaval and contested authority among the traditional institutions of medieval Europe. In response to these conditions, a number of people began to claim their own authority, as prophets speaking the word of God. They came from outside of the clerical elite and were mostly women and reformers.

Prophecy and the Battle for Spiritual Authority, 1360–1400: Outsiders, Women, and Reformers (Oxford University Press, 2025) by Dr. Frances Kneupper examines the battle over authority which ensued. Prophetic women and other non-elites successfully used prophecy to exert influence and to enter the corridors of power, while educated male clerics insinuated that prophecy was the product of demonic influence and therefore a hazard to the public. Surprisingly, a third faction also emerged—an international network of clerical men who wrote in support of female prophecy. This volume traces the arguments made by these three groups, the clashes that erupted, and the long-term impacts of this battle on ideas of spiritual authority.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Frances Kneupper, "Prophecy and the Battle for Spiritual Authority, 1360–1400" (Oxford UP, 2025) New Books Network 00:53:43 The end of the fourteenth century was a time of upheaval and contested authority among the traditional institutions of medieval Europe. In response to these conditions, a number of people began to claim their own authority, as prophets speaking the word of God. They came from outside of the clerical elite and were mostly women and reformers. Prophecy and the Battle for Spiritual Authority, 1360–1400: Outsiders, Women, and Reformers (Oxford University Press, 2025) by Dr. Frances Kneupper examines the battle over authority which ensued. Prophetic women and other non-elites successfully used prophecy to exert influence and to enter the corridors of power, while educated male clerics insinuated that prophecy was the product of demonic influence and therefore a hazard to the public. Surprisingly, a third faction also emerged—an international network of clerical men who wrote in support of female prophecy. This volume traces the arguments made by these three groups, the clashes that erupted, and the long-term impacts of this battle on ideas of spiritual authority. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The end of the fourteenth century was a time of upheaval and contested authority among the traditional institutions of medieval Europe. In response to these conditions, a number of people began to claim their own authority, as prophets speaking the word of God. They came from outside of the clerical elite and were mostly women and reformers. Prophecy and the Battle for Spiritual Authority, 1360–1400: Outsiders, Women, and Reformers (Oxford University Press, 2025) by Dr. Frances Kneupper examines the battle over authority which ensued. Prophetic women and other non-elites successfully used prophecy to exert influence and to enter the corridors of power, while educated male clerics insinuated that prophecy was the product of demonic influence and therefore a hazard to the public. Surprisingly, a third faction also emerged—an international network of clerical men who wrote in support of female prophecy. This volume traces the arguments made by these three groups, the clashes that erupted, and the long-term impacts of this battle on ideas of spiritual authority. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1844 b2fa032c-5805-11f1-86b3-9724b9d83ab2 Angela Byrne, "Finding Mary: The untold story of an Inishowen murder, 1844" (Four Courts Press, 2025) During a robbery on 10 March 1844, 14-year-old servant Mary Doherty was murdered in a farmhouse near Culdaff, Co. Donegal. There was no doubt locally about the perpetrator’s identity, but there was insufficient evidence against Daniel McKeeny, and he was eventually transported for a separate offence of sheep-stealing. Based on original research, Finding Mary: The untold story of an Inishowen murder, 1844 (Four Courts Press, 2025) by Dr. Angela Byrne reconstructs the world of a north Donegal village on the eve of the Great Famine to explore the approaches to justice taken by the local community and agents of the state, and examines the survival of the murder in local folklore to reflect on memory, remembrance and whose stories get to be told.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 26 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com During a robbery on 10 March 1844, 14-year-old servant Mary Doherty was murdered in a farmhouse near Culdaff, Co. Donegal. There was no doubt locally about the perpetrator’s identity, but there was insufficient evidence against Daniel McKeeny, and he was eventually transported for a separate offence of sheep-stealing. Based on original research, Finding Mary: The untold story of an Inishowen murder, 1844 (Four Courts Press, 2025) by Dr. Angela Byrne reconstructs the world of a north Donegal village on the eve of the Great Famine to explore the approaches to justice taken by the local community and agents of the state, and examines the survival of the murder in local folklore to reflect on memory, remembrance and whose stories get to be told.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Angela Byrne, "Finding Mary: The untold story of an Inishowen murder, 1844" (Four Courts Press, 2025) New Books Network 00:39:30 During a robbery on 10 March 1844, 14-year-old servant Mary Doherty was murdered in a farmhouse near Culdaff, Co. Donegal. There was no doubt locally about the perpetrator’s identity, but there was insufficient evidence against Daniel McKeeny, and he was eventually transported for a separate offence of sheep-stealing. Based on original research, Finding Mary: The untold story of an Inishowen murder, 1844 (Four Courts Press, 2025) by Dr. Angela Byrne reconstructs the world of a north Donegal village on the eve of the Great Famine to explore the approaches to justice taken by the local community and agents of the state, and examines the survival of the murder in local folklore to reflect on memory, remembrance and whose stories get to be told. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. During a robbery on 10 March 1844, 14-year-old servant Mary Doherty was murdered in a farmhouse near Culdaff, Co. Donegal. There was no doubt locally about the perpetrator’s identity, but there was insufficient evidence against Daniel McKeeny, and he was eventually transported for a separate offence of sheep-stealing. Based on original research, Finding Mary: The untold story of an Inishowen murder, 1844 (Four Courts Press, 2025) by Dr. Angela Byrne reconstructs the world of a north Donegal village on the eve of the Great Famine to explore the approaches to justice taken by the local community and agents of the state, and examines the survival of the murder in local folklore to reflect on memory, remembrance and whose stories get to be told. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1843 e960720c-57a1-11f1-89d8-a7433f4395f3 Dalit Feminism with Thenmozhi Soundararajan This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice.

Guest bio

Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste.

References

Thenmozhi Soundararajan, The Trauma of Caste

Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority.

Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion.

Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world’s worst industrial disaster.

Reservation: India’s system of caste-based affirmative action.

Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women’s Alliance.

Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974.

Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory

Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same.

Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women’s education from Maharashtra.

Ruth King: Founder of the Mindful of Race Institute

Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness

Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism.

Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer

Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence.

Kolar Gold Fields: former gold mining region in Karnataka, India

Equality Labs: a South Asian Dalit civil rights organization.

BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation.


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]]> Mon, 25 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice.

Guest bio

Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste.

References

Thenmozhi Soundararajan, The Trauma of Caste

Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority.

Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion.

Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world’s worst industrial disaster.

Reservation: India’s system of caste-based affirmative action.

Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women’s Alliance.

Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974.

Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory

Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same.

Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women’s education from Maharashtra.

Ruth King: Founder of the Mindful of Race Institute

Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness

Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism.

Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer

Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence.

Kolar Gold Fields: former gold mining region in Karnataka, India

Equality Labs: a South Asian Dalit civil rights organization.

BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation.


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]]> Dalit Feminism with Thenmozhi Soundararajan New Books Network 00:49:18 This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice. Guest bio Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste. References Thenmozhi Soundararajan, The Trauma of Caste Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority. Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion. Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world’s worst industrial disaster. Reservation: India’s system of caste-based affirmative action. Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women’s Alliance. Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974. Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same. Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women’s education from Maharashtra. Ruth King: Founder of the Mindful of Race Institute Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism. Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence. Kolar Gold Fields: former gold mining region in Karnataka, India Equality Labs: a South Asian Dalit civil rights organization. BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation. This episode features a conversation with Thenmozhi Soundararajan, founder Equality Labs and author of The Trauma of Caste. We discussed her own coming to consciousness of caste as the child of Dalit parents who were “passing” and how her work as an organizer has involved sustained engagement with anticaste thought, Black feminism, and Indigenous epistemologies. The conversation then turned to the practice of solidarity as the building of meaningful and not just transactional relationships and the importance of recognizing the potential of political alignments that may be foreclosed at one moment, only to be given new life in another. Finally, we addressed the need, in our current moment of dying empires and failing democracies, to both work with and beyond the law in order to open new horizons of political imagination and practice. Guest bio Thenmozhi Soundararajan is founder of the Dalit feminist organization, Equality Labs, and author of The Trauma of Caste. References Thenmozhi Soundararajan, The Trauma of Caste Shramanic faiths: ancient Indian traditions focusing on asceticism, self-reliance, and liberation from the cycle of rebirth that rejected the authority of the Vedas and Brahmanical authority. Ravidassia: religion based on the teachings of Guru Ravidas, a 14th century Indian saint. It was considered a sect within Sikhism until 2009 when it was proclaimed a distinct religion. Bhopal gas tragedy: On 3 December 1984, a leak at the Union Carbide pesticide plant in Bhopal, India, resulted in what is considered the world’s worst industrial disaster. Reservation: India’s system of caste-based affirmative action. Linda Burnham: activist and writer who co-founded the Women of Color Resource Center and was a leader in the Third World Women’s Alliance. Combahee River Collective: pioneering Black lesbian feminist organization formed in Boston in 1974. Gloria Anzaldúa: American philosopher and scholar of Chicana feminism, cultural theory, and queer theory Iyothee Thass: Tamil anti-caste thinker and writer who converted to Buddhism and called upon members of his own Paraiyar caste to do the same. Jyotirao and Savitribai Phule: anti-caste social reformers and pioneers of women’s education from Maharashtra. Ruth King: Founder of the Mindful of Race Institute Rhonda Magee: Professor Emerita at University of San Francisco and teacher of mindfulness Resmaa Menakem: psychotherapist and creator of Somatic Abolitionism. Eduardo Duran: Native American clinical psychologist, scholar, teacher and healer Collective Future Fund: a philanthropic intermediary fund that works with movements mobilizing toward a collective future free from violence. Kolar Gold Fields: former gold mining region in Karnataka, India Equality Labs: a South Asian Dalit civil rights organization. BAPS: The Bochasanwasi Akshar Purushottam Swaminarayan Akshardham in Robbinsville, New Jersey is the largest modern Hindu temple outside India. It is the subject of a lawsuit filed by Dalit workers from India accusing the temple of human trafficking and labor exploitation. false full 1842 c83de622-558a-11f1-808a-3303e0cdd3d8 Mary T. Freeman, "Abolitionists and the Politics of Correspondence" (U Pennsylvania Press, 2026) Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book Abolitionists and the Politics of Correspondence (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans’ involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims.

Highlights include:

  • The inspiration behind the book’s striking title;
  • The influence of the “archival turn” on Freeman’s analysis of the materiality of letters;
  • A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism;
  • How the abolitionist movement grew alongside the rise of the post office;
  • The role of new forms of technology in shaping social movements, yesterday and today.

Guest: Mary Freeman is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the Journal of the Early Republic and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.


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]]> Sat, 23 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book Abolitionists and the Politics of Correspondence (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans’ involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims.

Highlights include:

  • The inspiration behind the book’s striking title;
  • The influence of the “archival turn” on Freeman’s analysis of the materiality of letters;
  • A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism;
  • How the abolitionist movement grew alongside the rise of the post office;
  • The role of new forms of technology in shaping social movements, yesterday and today.

Guest: Mary Freeman is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the Journal of the Early Republic and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.


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]]> Mary T. Freeman, "Abolitionists and the Politics of Correspondence" (U Pennsylvania Press, 2026) New Books Network 01:12:52 Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book Abolitionists and the Politics of Correspondence (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans’ involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims. Highlights include: The inspiration behind the book’s striking title; The influence of the “archival turn” on Freeman’s analysis of the materiality of letters; A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism; How the abolitionist movement grew alongside the rise of the post office; The role of new forms of technology in shaping social movements, yesterday and today. Guest: Mary Freeman is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the Journal of the Early Republic and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book Abolitionists and the Politics of Correspondence (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans’ involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims. Highlights include: The inspiration behind the book’s striking title; The influence of the “archival turn” on Freeman’s analysis of the materiality of letters; A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism; How the abolitionist movement grew alongside the rise of the post office; The role of new forms of technology in shaping social movements, yesterday and today. Guest: Mary Freeman is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the Journal of the Early Republic and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. false full 1841 fdc021d2-5537-11f1-a590-ab65376fdae1 Fiona Rogers, "Cut Out: A Feminist History of Photo Collage, Montage and Assemblage" (Thames & Hudson, 2026) Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art.

Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. 

At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Fri, 22 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art.

Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. 

At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Fiona Rogers, "Cut Out: A Feminist History of Photo Collage, Montage and Assemblage" (Thames & Hudson, 2026) New Books Network 00:27:17 Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage.  At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage.  At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1840 14b52cc6-502d-11f1-b62e-ab0b8afeda91 Tara Mulder, "A Womb of One's Own: Lost Histories of Childbirth in Ancient Rome" (U California Press, 2026) In the well-trod history of the Roman Empire, a pivotal moment has long gone unnoticed: It was in ancient Rome that medical men first set their sights on childbirth, the traditional domain of female midwives.
Taking us to the dawn of Western obstetrics, A Womb of One's Own: Lost Histories of Childbirth in Ancient Rome (U California Press, 2026) by Dr. Tara Mulder offers a feminist account of how, against a long tradition of midwifery, male doctors began claiming authority in reproductive matters, with an emphasis on theoretical rather than practical knowledge. Their intrusion paved the way for the later criminalization of midwives and the cloaking of childbirth in secrecy and shame.
Yet communities of Roman women continued to help each other through the journey from preconception to postpartum, guided by their own experience and the expertise of midwives. Tara Mulder recovers stories of ancient women living and resisting as they sought autonomy over their bodies and their health. Recounting their experiences in vivid, intimate detail, she reveals how old our modern conflicts about birth truly are.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sat, 16 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the well-trod history of the Roman Empire, a pivotal moment has long gone unnoticed: It was in ancient Rome that medical men first set their sights on childbirth, the traditional domain of female midwives.
Taking us to the dawn of Western obstetrics, A Womb of One's Own: Lost Histories of Childbirth in Ancient Rome (U California Press, 2026) by Dr. Tara Mulder offers a feminist account of how, against a long tradition of midwifery, male doctors began claiming authority in reproductive matters, with an emphasis on theoretical rather than practical knowledge. Their intrusion paved the way for the later criminalization of midwives and the cloaking of childbirth in secrecy and shame.
Yet communities of Roman women continued to help each other through the journey from preconception to postpartum, guided by their own experience and the expertise of midwives. Tara Mulder recovers stories of ancient women living and resisting as they sought autonomy over their bodies and their health. Recounting their experiences in vivid, intimate detail, she reveals how old our modern conflicts about birth truly are.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Tara Mulder, "A Womb of One's Own: Lost Histories of Childbirth in Ancient Rome" (U California Press, 2026) New Books Network 00:54:17 In the well-trod history of the Roman Empire, a pivotal moment has long gone unnoticed: It was in ancient Rome that medical men first set their sights on childbirth, the traditional domain of female midwives.Taking us to the dawn of Western obstetrics, A Womb of One's Own: Lost Histories of Childbirth in Ancient Rome (U California Press, 2026) by Dr. Tara Mulder offers a feminist account of how, against a long tradition of midwifery, male doctors began claiming authority in reproductive matters, with an emphasis on theoretical rather than practical knowledge. Their intrusion paved the way for the later criminalization of midwives and the cloaking of childbirth in secrecy and shame.Yet communities of Roman women continued to help each other through the journey from preconception to postpartum, guided by their own experience and the expertise of midwives. Tara Mulder recovers stories of ancient women living and resisting as they sought autonomy over their bodies and their health. Recounting their experiences in vivid, intimate detail, she reveals how old our modern conflicts about birth truly are. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In the well-trod history of the Roman Empire, a pivotal moment has long gone unnoticed: It was in ancient Rome that medical men first set their sights on childbirth, the traditional domain of female midwives.Taking us to the dawn of Western obstetrics, A Womb of One's Own: Lost Histories of Childbirth in Ancient Rome (U California Press, 2026) by Dr. Tara Mulder offers a feminist account of how, against a long tradition of midwifery, male doctors began claiming authority in reproductive matters, with an emphasis on theoretical rather than practical knowledge. Their intrusion paved the way for the later criminalization of midwives and the cloaking of childbirth in secrecy and shame.Yet communities of Roman women continued to help each other through the journey from preconception to postpartum, guided by their own experience and the expertise of midwives. Tara Mulder recovers stories of ancient women living and resisting as they sought autonomy over their bodies and their health. Recounting their experiences in vivid, intimate detail, she reveals how old our modern conflicts about birth truly are. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1839 21b739c2-4d18-11f1-aa45-37968181f93a The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town’s water supply. They also nursed the sick and taught children.

Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week).

This book talk originally took place on April 20, 2021.


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]]> Wed, 13 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town’s water supply. They also nursed the sick and taught children.

Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week).

This book talk originally took place on April 20, 2021.


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]]> The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos New Books Network 01:00:10 Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town’s water supply. They also nursed the sick and taught children. Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week). This book talk originally took place on April 20, 2021. Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town’s water supply. They also nursed the sick and taught children. Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week). This book talk originally took place on April 20, 2021. false full 1838 40fb8468-4ab2-11f1-b5b2-cb648fcc74bf Shannon McKenna Schmidt, "You Can't Catch Us: Lady Bird Johnson’s Trailblazing 1964 Campaign Train and the Women Who Rode With Her" (Sourcebooks, 2026) From the author of The First Lady of WWII comes You Can't Catch Us: Lady Bird Johnson’s Trailblazing 1964 Campaign Train and the Women Who Rode With Her (Sourcebooks, 2026), the story of Lady Bird Johnson's groundbreaking trip during the 1964 election, and the women who rode with her.

"It takes women to have guts."

Deemed “the most important campaign effort ever undertaken by the wife of an American president,” the Lady Bird Special was a whistle-stop tour of the South undertaken by Lady Bird Johnson, in a bid for her husband’s reelection in 1964. Never before had a president’s spouse taken to the campaign trail so ambitiously.

The 1,682-mile trek through the southern United States, from Washington DC to New Orleans, was a deliberate choice by Lady Bird—many in the southern states resented her husband’s championing of civil rights. But the first lady, proud of her southern heritage, wanted to appeal to her fellow southerners and bridge the divide. Despite the potential danger, she pressed forward, making speeches, shaking hands, and showing herself to be confident, capable, and impressive.

You Can't Catch Us is a story of an election campaign, but it is also a story of a women-led operation and an appeal for understanding and civility. Lady Bird Johnson's exciting journey was monumental in expanding the role of women in politics and progressing the fight for women’s rights—a fight we still continue to this day.

Hosted by Jane Scimeca, Professor of History at Brookdale Community College: website here @janescimeca.bsky.social 


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]]> Sun, 10 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From the author of The First Lady of WWII comes You Can't Catch Us: Lady Bird Johnson’s Trailblazing 1964 Campaign Train and the Women Who Rode With Her (Sourcebooks, 2026), the story of Lady Bird Johnson's groundbreaking trip during the 1964 election, and the women who rode with her.

"It takes women to have guts."

Deemed “the most important campaign effort ever undertaken by the wife of an American president,” the Lady Bird Special was a whistle-stop tour of the South undertaken by Lady Bird Johnson, in a bid for her husband’s reelection in 1964. Never before had a president’s spouse taken to the campaign trail so ambitiously.

The 1,682-mile trek through the southern United States, from Washington DC to New Orleans, was a deliberate choice by Lady Bird—many in the southern states resented her husband’s championing of civil rights. But the first lady, proud of her southern heritage, wanted to appeal to her fellow southerners and bridge the divide. Despite the potential danger, she pressed forward, making speeches, shaking hands, and showing herself to be confident, capable, and impressive.

You Can't Catch Us is a story of an election campaign, but it is also a story of a women-led operation and an appeal for understanding and civility. Lady Bird Johnson's exciting journey was monumental in expanding the role of women in politics and progressing the fight for women’s rights—a fight we still continue to this day.

Hosted by Jane Scimeca, Professor of History at Brookdale Community College: website here @janescimeca.bsky.social 


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]]> Shannon McKenna Schmidt, "You Can't Catch Us: Lady Bird Johnson’s Trailblazing 1964 Campaign Train and the Women Who Rode With Her" (Sourcebooks, 2026) New Books Network 00:33:54 From the author of The First Lady of WWII comes You Can't Catch Us: Lady Bird Johnson’s Trailblazing 1964 Campaign Train and the Women Who Rode With Her (Sourcebooks, 2026), the story of Lady Bird Johnson's groundbreaking trip during the 1964 election, and the women who rode with her. "It takes women to have guts." Deemed “the most important campaign effort ever undertaken by the wife of an American president,” the Lady Bird Special was a whistle-stop tour of the South undertaken by Lady Bird Johnson, in a bid for her husband’s reelection in 1964. Never before had a president’s spouse taken to the campaign trail so ambitiously. The 1,682-mile trek through the southern United States, from Washington DC to New Orleans, was a deliberate choice by Lady Bird—many in the southern states resented her husband’s championing of civil rights. But the first lady, proud of her southern heritage, wanted to appeal to her fellow southerners and bridge the divide. Despite the potential danger, she pressed forward, making speeches, shaking hands, and showing herself to be confident, capable, and impressive. You Can't Catch Us is a story of an election campaign, but it is also a story of a women-led operation and an appeal for understanding and civility. Lady Bird Johnson's exciting journey was monumental in expanding the role of women in politics and progressing the fight for women’s rights—a fight we still continue to this day. Hosted by Jane Scimeca, Professor of History at Brookdale Community College: website here @janescimeca.bsky.social  From the author of The First Lady of WWII comes You Can't Catch Us: Lady Bird Johnson’s Trailblazing 1964 Campaign Train and the Women Who Rode With Her (Sourcebooks, 2026), the story of Lady Bird Johnson's groundbreaking trip during the 1964 election, and the women who rode with her. "It takes women to have guts." Deemed “the most important campaign effort ever undertaken by the wife of an American president,” the Lady Bird Special was a whistle-stop tour of the South undertaken by Lady Bird Johnson, in a bid for her husband’s reelection in 1964. Never before had a president’s spouse taken to the campaign trail so ambitiously. The 1,682-mile trek through the southern United States, from Washington DC to New Orleans, was a deliberate choice by Lady Bird—many in the southern states resented her husband’s championing of civil rights. But the first lady, proud of her southern heritage, wanted to appeal to her fellow southerners and bridge the divide. Despite the potential danger, she pressed forward, making speeches, shaking hands, and showing herself to be confident, capable, and impressive. You Can't Catch Us is a story of an election campaign, but it is also a story of a women-led operation and an appeal for understanding and civility. Lady Bird Johnson's exciting journey was monumental in expanding the role of women in politics and progressing the fight for women’s rights—a fight we still continue to this day. Hosted by Jane Scimeca, Professor of History at Brookdale Community College: website here @janescimeca.bsky.social  false full 1837 0f3fc496-4906-11f1-b113-b3fcd304c873 Jewish Anarchist Women 1920–1950: The Politics of Sexuality Anarchist theory includes the belief in freedom for all - that no one person, nor group of people, should have power over any others; that individuals can best decide how to live (and love). In this presentation Elaine Leeder will discuss eight Jewish women who identified as anarchists, active during the 1920s to 1950s. Through analysis of in-depth interviews Leeder explores the complete sexual freedom that these women sought at a time when conventionality and conformity was the norm. These women attempted to create equality in the public and private spheres, some living communally and raising their children in progressive schools. They also sought to maintain complete equality of the sexes through economic independence and maintaining non-conformist sexual relationships. This talk will place a particular focus on the way that ethnicity played a role in these women’s identities, emphasizing their atheism, while still maintaining Jewish values and traditions.

This lecture originally took place on June 10, 2021.


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]]> Fri, 8 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Anarchist theory includes the belief in freedom for all - that no one person, nor group of people, should have power over any others; that individuals can best decide how to live (and love). In this presentation Elaine Leeder will discuss eight Jewish women who identified as anarchists, active during the 1920s to 1950s. Through analysis of in-depth interviews Leeder explores the complete sexual freedom that these women sought at a time when conventionality and conformity was the norm. These women attempted to create equality in the public and private spheres, some living communally and raising their children in progressive schools. They also sought to maintain complete equality of the sexes through economic independence and maintaining non-conformist sexual relationships. This talk will place a particular focus on the way that ethnicity played a role in these women’s identities, emphasizing their atheism, while still maintaining Jewish values and traditions.

This lecture originally took place on June 10, 2021.


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]]> Jewish Anarchist Women 1920–1950: The Politics of Sexuality New Books Network 01:02:28 Anarchist theory includes the belief in freedom for all - that no one person, nor group of people, should have power over any others; that individuals can best decide how to live (and love). In this presentation Elaine Leeder will discuss eight Jewish women who identified as anarchists, active during the 1920s to 1950s. Through analysis of in-depth interviews Leeder explores the complete sexual freedom that these women sought at a time when conventionality and conformity was the norm. These women attempted to create equality in the public and private spheres, some living communally and raising their children in progressive schools. They also sought to maintain complete equality of the sexes through economic independence and maintaining non-conformist sexual relationships. This talk will place a particular focus on the way that ethnicity played a role in these women’s identities, emphasizing their atheism, while still maintaining Jewish values and traditions. This lecture originally took place on June 10, 2021. Anarchist theory includes the belief in freedom for all - that no one person, nor group of people, should have power over any others; that individuals can best decide how to live (and love). In this presentation Elaine Leeder will discuss eight Jewish women who identified as anarchists, active during the 1920s to 1950s. Through analysis of in-depth interviews Leeder explores the complete sexual freedom that these women sought at a time when conventionality and conformity was the norm. These women attempted to create equality in the public and private spheres, some living communally and raising their children in progressive schools. They also sought to maintain complete equality of the sexes through economic independence and maintaining non-conformist sexual relationships. This talk will place a particular focus on the way that ethnicity played a role in these women’s identities, emphasizing their atheism, while still maintaining Jewish values and traditions. This lecture originally took place on June 10, 2021. false full 1836 4063412c-484a-11f1-9fe8-efe320f376ff Lucy Stewart, "The Japanese Garden: Ella Christie and Cowden" (Birlinn, 2026) As detailed in The Japanese Garden: Ella Christie and Cowden (Birlinn, 2026) by Lucy Stewart, at the turn of the twentieth century, Scottish adventurer Ella Christie returned home from a trip to Japan inspired to build her own Japanese garden.

As might be expected from a woman who thought nothing of travelling to the other side of the world in search of the unusual, Ella’s approach to developing the garden was trailblazing. She chose a female designer – the gifted Taki Handa – to create the seven-acre site in the grounds of Cowden Castle, near the Scottish town of Dollar. In doing so, the Japanese Garden at Cowden became the first and only garden of its size and scale to be designed by a woman. It remains a unique and utterly authentic bridge between British and Japanese culture. This book tells the remarkable story of Ella Christie, her travels and the creation of her garden, its gradual decline and triumphant restoration.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 7 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com As detailed in The Japanese Garden: Ella Christie and Cowden (Birlinn, 2026) by Lucy Stewart, at the turn of the twentieth century, Scottish adventurer Ella Christie returned home from a trip to Japan inspired to build her own Japanese garden.

As might be expected from a woman who thought nothing of travelling to the other side of the world in search of the unusual, Ella’s approach to developing the garden was trailblazing. She chose a female designer – the gifted Taki Handa – to create the seven-acre site in the grounds of Cowden Castle, near the Scottish town of Dollar. In doing so, the Japanese Garden at Cowden became the first and only garden of its size and scale to be designed by a woman. It remains a unique and utterly authentic bridge between British and Japanese culture. This book tells the remarkable story of Ella Christie, her travels and the creation of her garden, its gradual decline and triumphant restoration.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Lucy Stewart, "The Japanese Garden: Ella Christie and Cowden" (Birlinn, 2026) New Books Network 00:53:46 As detailed in The Japanese Garden: Ella Christie and Cowden (Birlinn, 2026) by Lucy Stewart, at the turn of the twentieth century, Scottish adventurer Ella Christie returned home from a trip to Japan inspired to build her own Japanese garden. As might be expected from a woman who thought nothing of travelling to the other side of the world in search of the unusual, Ella’s approach to developing the garden was trailblazing. She chose a female designer – the gifted Taki Handa – to create the seven-acre site in the grounds of Cowden Castle, near the Scottish town of Dollar. In doing so, the Japanese Garden at Cowden became the first and only garden of its size and scale to be designed by a woman. It remains a unique and utterly authentic bridge between British and Japanese culture. This book tells the remarkable story of Ella Christie, her travels and the creation of her garden, its gradual decline and triumphant restoration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. As detailed in The Japanese Garden: Ella Christie and Cowden (Birlinn, 2026) by Lucy Stewart, at the turn of the twentieth century, Scottish adventurer Ella Christie returned home from a trip to Japan inspired to build her own Japanese garden. As might be expected from a woman who thought nothing of travelling to the other side of the world in search of the unusual, Ella’s approach to developing the garden was trailblazing. She chose a female designer – the gifted Taki Handa – to create the seven-acre site in the grounds of Cowden Castle, near the Scottish town of Dollar. In doing so, the Japanese Garden at Cowden became the first and only garden of its size and scale to be designed by a woman. It remains a unique and utterly authentic bridge between British and Japanese culture. This book tells the remarkable story of Ella Christie, her travels and the creation of her garden, its gradual decline and triumphant restoration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1835 dc72fac4-4671-11f1-8053-138e6a454575 Sophie Rose, "Intimacy and Social (Dis)Order in Dutch Colonial Expansion: Regulating Sex, Marriage, and Family Life, 1600–1800" (Brill, 2025) Explosive sexual scandals, bitter domestic conflicts, and dramatic changes in fortune. Sex, marriage, and family life were matters of enormous consequence in the highly complex societies that formed across the early modern Dutch overseas empire. This was not only true for the colonial authorities that administered settlements on behalf of the Dutch East and West India Companies (VOC and WIC), but also for the people of various backgrounds and statuses that inhabited these places. Focusing primarily on the eighteenth century, this book explores how these disparate and unequally empowered groups contested the norms that governed intimate life in Dutch colonial outposts from the Indian Ocean to the Atlantic.

Sophie Rose, Ph.D. (2023), is a post-doctoral researcher at Leiden University.

This interview is conducted by Dr Lewis Wade, a Humboldt Research Fellow at the University of Bamberg. He is the author of the prize-winning Privilege, Economy and State in Old Regime France and can be found on Bluesky @wadehistory.bsky.social.


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]]> Mon, 4 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Explosive sexual scandals, bitter domestic conflicts, and dramatic changes in fortune. Sex, marriage, and family life were matters of enormous consequence in the highly complex societies that formed across the early modern Dutch overseas empire. This was not only true for the colonial authorities that administered settlements on behalf of the Dutch East and West India Companies (VOC and WIC), but also for the people of various backgrounds and statuses that inhabited these places. Focusing primarily on the eighteenth century, this book explores how these disparate and unequally empowered groups contested the norms that governed intimate life in Dutch colonial outposts from the Indian Ocean to the Atlantic.

Sophie Rose, Ph.D. (2023), is a post-doctoral researcher at Leiden University.

This interview is conducted by Dr Lewis Wade, a Humboldt Research Fellow at the University of Bamberg. He is the author of the prize-winning Privilege, Economy and State in Old Regime France and can be found on Bluesky @wadehistory.bsky.social.


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]]> Sophie Rose, "Intimacy and Social (Dis)Order in Dutch Colonial Expansion: Regulating Sex, Marriage, and Family Life, 1600–1800" (Brill, 2025) New Books Network 00:50:12 Explosive sexual scandals, bitter domestic conflicts, and dramatic changes in fortune. Sex, marriage, and family life were matters of enormous consequence in the highly complex societies that formed across the early modern Dutch overseas empire. This was not only true for the colonial authorities that administered settlements on behalf of the Dutch East and West India Companies (VOC and WIC), but also for the people of various backgrounds and statuses that inhabited these places. Focusing primarily on the eighteenth century, this book explores how these disparate and unequally empowered groups contested the norms that governed intimate life in Dutch colonial outposts from the Indian Ocean to the Atlantic. Sophie Rose, Ph.D. (2023), is a post-doctoral researcher at Leiden University. This interview is conducted by Dr Lewis Wade, a Humboldt Research Fellow at the University of Bamberg. He is the author of the prize-winning Privilege, Economy and State in Old Regime France and can be found on Bluesky @wadehistory.bsky.social. Explosive sexual scandals, bitter domestic conflicts, and dramatic changes in fortune. Sex, marriage, and family life were matters of enormous consequence in the highly complex societies that formed across the early modern Dutch overseas empire. This was not only true for the colonial authorities that administered settlements on behalf of the Dutch East and West India Companies (VOC and WIC), but also for the people of various backgrounds and statuses that inhabited these places. Focusing primarily on the eighteenth century, this book explores how these disparate and unequally empowered groups contested the norms that governed intimate life in Dutch colonial outposts from the Indian Ocean to the Atlantic. Sophie Rose, Ph.D. (2023), is a post-doctoral researcher at Leiden University. This interview is conducted by Dr Lewis Wade, a Humboldt Research Fellow at the University of Bamberg. He is the author of the prize-winning Privilege, Economy and State in Old Regime France and can be found on Bluesky @wadehistory.bsky.social. false full 1834 269f3944-438b-11f1-8caa-7718e4621fa2 Samira K. Mehta, "God Bless the Pill: The Surprising History of Contraception and Sexuality in American Religion" (UNC Press, 2026) Most people today understand contraception as central to women’s liberation, and when the birth control pill arrived in 1960, the media thought it would usher in a sexual revolution. But a surprising number of religious Americans in the mid-twentieth century also saw contraception as part of God’s plan—a tool to create happy, prosperous American families in the post–World War II era.
In God Bless the Pill: The Surprising History of Contraception and Sexuality in American Religion (UNC Press, 2026), Dr. Samira K. Mehta traces the remarkable story of how mid-twentieth-century Catholic, Protestant, and Jewish voices promoted the use of birth control and made it more accessible for many Americans. They hoped birth control methods would curb divorce rates by encouraging sexually dynamic marriages and families unstrained by “too many” children—thereby creating a postwar upwardly mobile middle class. Religious leaders also promoted this understanding of the family as tied to Cold War capitalism and encouraged neither racial nor gender equity.
But then came the backlash, both from the Right—which failed to anticipate the feminist potential of contraception—and from the Left, where women, particularly women of color, sought to ensure that birth control was a tool of liberation rather than one rooted in patriarchal and racial oppression. Ultimately, Dr. Mehta offers compelling new insights into the way religion accommodates itself to social, technological, and medical change.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 30 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Most people today understand contraception as central to women’s liberation, and when the birth control pill arrived in 1960, the media thought it would usher in a sexual revolution. But a surprising number of religious Americans in the mid-twentieth century also saw contraception as part of God’s plan—a tool to create happy, prosperous American families in the post–World War II era.
In God Bless the Pill: The Surprising History of Contraception and Sexuality in American Religion (UNC Press, 2026), Dr. Samira K. Mehta traces the remarkable story of how mid-twentieth-century Catholic, Protestant, and Jewish voices promoted the use of birth control and made it more accessible for many Americans. They hoped birth control methods would curb divorce rates by encouraging sexually dynamic marriages and families unstrained by “too many” children—thereby creating a postwar upwardly mobile middle class. Religious leaders also promoted this understanding of the family as tied to Cold War capitalism and encouraged neither racial nor gender equity.
But then came the backlash, both from the Right—which failed to anticipate the feminist potential of contraception—and from the Left, where women, particularly women of color, sought to ensure that birth control was a tool of liberation rather than one rooted in patriarchal and racial oppression. Ultimately, Dr. Mehta offers compelling new insights into the way religion accommodates itself to social, technological, and medical change.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Samira K. Mehta, "God Bless the Pill: The Surprising History of Contraception and Sexuality in American Religion" (UNC Press, 2026) New Books Network 01:13:11 Most people today understand contraception as central to women’s liberation, and when the birth control pill arrived in 1960, the media thought it would usher in a sexual revolution. But a surprising number of religious Americans in the mid-twentieth century also saw contraception as part of God’s plan—a tool to create happy, prosperous American families in the post–World War II era.In God Bless the Pill: The Surprising History of Contraception and Sexuality in American Religion (UNC Press, 2026), Dr. Samira K. Mehta traces the remarkable story of how mid-twentieth-century Catholic, Protestant, and Jewish voices promoted the use of birth control and made it more accessible for many Americans. They hoped birth control methods would curb divorce rates by encouraging sexually dynamic marriages and families unstrained by “too many” children—thereby creating a postwar upwardly mobile middle class. Religious leaders also promoted this understanding of the family as tied to Cold War capitalism and encouraged neither racial nor gender equity.But then came the backlash, both from the Right—which failed to anticipate the feminist potential of contraception—and from the Left, where women, particularly women of color, sought to ensure that birth control was a tool of liberation rather than one rooted in patriarchal and racial oppression. Ultimately, Dr. Mehta offers compelling new insights into the way religion accommodates itself to social, technological, and medical change. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Most people today understand contraception as central to women’s liberation, and when the birth control pill arrived in 1960, the media thought it would usher in a sexual revolution. But a surprising number of religious Americans in the mid-twentieth century also saw contraception as part of God’s plan—a tool to create happy, prosperous American families in the post–World War II era.In God Bless the Pill: The Surprising History of Contraception and Sexuality in American Religion (UNC Press, 2026), Dr. Samira K. Mehta traces the remarkable story of how mid-twentieth-century Catholic, Protestant, and Jewish voices promoted the use of birth control and made it more accessible for many Americans. They hoped birth control methods would curb divorce rates by encouraging sexually dynamic marriages and families unstrained by “too many” children—thereby creating a postwar upwardly mobile middle class. Religious leaders also promoted this understanding of the family as tied to Cold War capitalism and encouraged neither racial nor gender equity.But then came the backlash, both from the Right—which failed to anticipate the feminist potential of contraception—and from the Left, where women, particularly women of color, sought to ensure that birth control was a tool of liberation rather than one rooted in patriarchal and racial oppression. Ultimately, Dr. Mehta offers compelling new insights into the way religion accommodates itself to social, technological, and medical change. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1833 2ab658ac-42ad-11f1-81be-bfb59340a5e1 Mary Lisa Gavenas, "Selling Opportunity: The Story of Mary Kay" (Penguin, 2026) As detailed in Selling Opportunity: The Story of Mary Kay (Penguin, 2026) by Mary Lisa Gavenas, as the only woman in Forbes’ Greatest Business Stories of All Time and the first woman to chair a company on the New York Stock Exchange, Mary Kay Ash has a life story that reads like a Barbara Taylor Bradford novel.

Growing up in Depression-era Texas, Mary Kathlyn Wagner is a dutiful daughter and diligent student with ambition aplenty and no place to use it. Married at sixteen, she is a grandmother at thirty-four. When she is not cooking or cleaning or taking care of the kids, she peddles cleaning products to other housewives. The work has no salary and no security but she sticks with it, sure that direct selling will make her dreams come true.

In 1963, after she has been divorced three times and widowed twice, she sets up her own company, selling second chance and self-invention for the price of a skin care showcase. Soon millions know her as the little lady in the big wig who gives away pink Cadillacs. From its unpromising start in a 500-square-foot Dallas storefront, Mary Kay Inc. grows into a global phenomenon with 3.5 million reps in over 35 countries. She becomes the most famous saleswoman in the world. Maybe the most famous ever.

Based on fifteen years of research, Selling Opportunity gives us a page-turning rags-to-riches story set against the background of direct selling in all its overstated, over-the-top glory. Here, for the first time, is the definitive history of a peculiarly American industry and a mid-century mindset that ennobled extreme self-reliance, sticking to your guns, and blind faith in the American dream.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Tue, 28 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com As detailed in Selling Opportunity: The Story of Mary Kay (Penguin, 2026) by Mary Lisa Gavenas, as the only woman in Forbes’ Greatest Business Stories of All Time and the first woman to chair a company on the New York Stock Exchange, Mary Kay Ash has a life story that reads like a Barbara Taylor Bradford novel.

Growing up in Depression-era Texas, Mary Kathlyn Wagner is a dutiful daughter and diligent student with ambition aplenty and no place to use it. Married at sixteen, she is a grandmother at thirty-four. When she is not cooking or cleaning or taking care of the kids, she peddles cleaning products to other housewives. The work has no salary and no security but she sticks with it, sure that direct selling will make her dreams come true.

In 1963, after she has been divorced three times and widowed twice, she sets up her own company, selling second chance and self-invention for the price of a skin care showcase. Soon millions know her as the little lady in the big wig who gives away pink Cadillacs. From its unpromising start in a 500-square-foot Dallas storefront, Mary Kay Inc. grows into a global phenomenon with 3.5 million reps in over 35 countries. She becomes the most famous saleswoman in the world. Maybe the most famous ever.

Based on fifteen years of research, Selling Opportunity gives us a page-turning rags-to-riches story set against the background of direct selling in all its overstated, over-the-top glory. Here, for the first time, is the definitive history of a peculiarly American industry and a mid-century mindset that ennobled extreme self-reliance, sticking to your guns, and blind faith in the American dream.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Mary Lisa Gavenas, "Selling Opportunity: The Story of Mary Kay" (Penguin, 2026) New Books Network 01:00:39 As detailed in Selling Opportunity: The Story of Mary Kay (Penguin, 2026) by Mary Lisa Gavenas, as the only woman in Forbes’ Greatest Business Stories of All Time and the first woman to chair a company on the New York Stock Exchange, Mary Kay Ash has a life story that reads like a Barbara Taylor Bradford novel. Growing up in Depression-era Texas, Mary Kathlyn Wagner is a dutiful daughter and diligent student with ambition aplenty and no place to use it. Married at sixteen, she is a grandmother at thirty-four. When she is not cooking or cleaning or taking care of the kids, she peddles cleaning products to other housewives. The work has no salary and no security but she sticks with it, sure that direct selling will make her dreams come true. In 1963, after she has been divorced three times and widowed twice, she sets up her own company, selling second chance and self-invention for the price of a skin care showcase. Soon millions know her as the little lady in the big wig who gives away pink Cadillacs. From its unpromising start in a 500-square-foot Dallas storefront, Mary Kay Inc. grows into a global phenomenon with 3.5 million reps in over 35 countries. She becomes the most famous saleswoman in the world. Maybe the most famous ever. Based on fifteen years of research, Selling Opportunity gives us a page-turning rags-to-riches story set against the background of direct selling in all its overstated, over-the-top glory. Here, for the first time, is the definitive history of a peculiarly American industry and a mid-century mindset that ennobled extreme self-reliance, sticking to your guns, and blind faith in the American dream. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. As detailed in Selling Opportunity: The Story of Mary Kay (Penguin, 2026) by Mary Lisa Gavenas, as the only woman in Forbes’ Greatest Business Stories of All Time and the first woman to chair a company on the New York Stock Exchange, Mary Kay Ash has a life story that reads like a Barbara Taylor Bradford novel. Growing up in Depression-era Texas, Mary Kathlyn Wagner is a dutiful daughter and diligent student with ambition aplenty and no place to use it. Married at sixteen, she is a grandmother at thirty-four. When she is not cooking or cleaning or taking care of the kids, she peddles cleaning products to other housewives. The work has no salary and no security but she sticks with it, sure that direct selling will make her dreams come true. In 1963, after she has been divorced three times and widowed twice, she sets up her own company, selling second chance and self-invention for the price of a skin care showcase. Soon millions know her as the little lady in the big wig who gives away pink Cadillacs. From its unpromising start in a 500-square-foot Dallas storefront, Mary Kay Inc. grows into a global phenomenon with 3.5 million reps in over 35 countries. She becomes the most famous saleswoman in the world. Maybe the most famous ever. Based on fifteen years of research, Selling Opportunity gives us a page-turning rags-to-riches story set against the background of direct selling in all its overstated, over-the-top glory. Here, for the first time, is the definitive history of a peculiarly American industry and a mid-century mindset that ennobled extreme self-reliance, sticking to your guns, and blind faith in the American dream. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1832 b790d518-3e3e-11f1-937c-af6fe9be3aaf Vanda Krefft, "Expect Great Things!: How the Katharine Gibbs School Revolutionized the American Workplace for Women" (Algonquin Books, 2026) It’s a safe bet that most of the secretaries on the TV series Mad Men would have attended the Katharine Gibbs School in New York City. The iconic institution was in its heyday in the 1950 and '60s synonymous with supplying secretaries—always properly attired in heels, ladylike hats, and white gloves—to male executives. In Expect Great Things! Vanda Krefft turns the notion of a “Gibbs girl” on its head, showing us that while the school was getting women who could type 90 words per minute into the C-suite, its more subversive mission was to get them out of the secretarial pool to assume positions of power on the other side of the desk. And Gibbs graduates did just that, tackling the sexism of the era and paving the way for 21st-century women to succeed in any profession.
Katharine Gibbs was one her own success stories. She started her school when, as a 46-year-old widow, she was left near-broke with two young sons. The school taught typing and stenography but Gibbs also hired accomplished professors from elite colleges to teach academic subjects—it was a well-rounded education that produced early feminists ready to tackle the sexism of their era. "Expect great things!" was her motto and her philosophy. Within a decade she’d opened schools in three elegant locations. With nostalgic period photographs throughout, Expect Great Things! takes us back to Katie Gibbs’s life and tells the stories of the women she influenced. We meet Gibbs graduates who worked for the Walt Disney, Marilyn Monroe, and Robert F. Kennedy. Others forged pathfinding roles as an Emmy-winning television star, a women’s rights advisor to four U.S. presidents, a writer of Wonder Woman comic books, the head of the Women’s Marines, a best-selling young adult author, and a U.S. Ambassador.
For readers of The Barbizon and Come Fly the World, Expect Great Things! reveals the seismic impact the Katharine Gibbs school had on the American workplace—and on women’s opportunities today.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Fri, 24 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com It’s a safe bet that most of the secretaries on the TV series Mad Men would have attended the Katharine Gibbs School in New York City. The iconic institution was in its heyday in the 1950 and '60s synonymous with supplying secretaries—always properly attired in heels, ladylike hats, and white gloves—to male executives. In Expect Great Things! Vanda Krefft turns the notion of a “Gibbs girl” on its head, showing us that while the school was getting women who could type 90 words per minute into the C-suite, its more subversive mission was to get them out of the secretarial pool to assume positions of power on the other side of the desk. And Gibbs graduates did just that, tackling the sexism of the era and paving the way for 21st-century women to succeed in any profession.
Katharine Gibbs was one her own success stories. She started her school when, as a 46-year-old widow, she was left near-broke with two young sons. The school taught typing and stenography but Gibbs also hired accomplished professors from elite colleges to teach academic subjects—it was a well-rounded education that produced early feminists ready to tackle the sexism of their era. "Expect great things!" was her motto and her philosophy. Within a decade she’d opened schools in three elegant locations. With nostalgic period photographs throughout, Expect Great Things! takes us back to Katie Gibbs’s life and tells the stories of the women she influenced. We meet Gibbs graduates who worked for the Walt Disney, Marilyn Monroe, and Robert F. Kennedy. Others forged pathfinding roles as an Emmy-winning television star, a women’s rights advisor to four U.S. presidents, a writer of Wonder Woman comic books, the head of the Women’s Marines, a best-selling young adult author, and a U.S. Ambassador.
For readers of The Barbizon and Come Fly the World, Expect Great Things! reveals the seismic impact the Katharine Gibbs school had on the American workplace—and on women’s opportunities today.


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]]> Vanda Krefft, "Expect Great Things!: How the Katharine Gibbs School Revolutionized the American Workplace for Women" (Algonquin Books, 2026) New Books Network 00:44:02 It’s a safe bet that most of the secretaries on the TV series Mad Men would have attended the Katharine Gibbs School in New York City. The iconic institution was in its heyday in the 1950 and '60s synonymous with supplying secretaries—always properly attired in heels, ladylike hats, and white gloves—to male executives. In Expect Great Things! Vanda Krefft turns the notion of a “Gibbs girl” on its head, showing us that while the school was getting women who could type 90 words per minute into the C-suite, its more subversive mission was to get them out of the secretarial pool to assume positions of power on the other side of the desk. And Gibbs graduates did just that, tackling the sexism of the era and paving the way for 21st-century women to succeed in any profession.Katharine Gibbs was one her own success stories. She started her school when, as a 46-year-old widow, she was left near-broke with two young sons. The school taught typing and stenography but Gibbs also hired accomplished professors from elite colleges to teach academic subjects—it was a well-rounded education that produced early feminists ready to tackle the sexism of their era. "Expect great things!" was her motto and her philosophy. Within a decade she’d opened schools in three elegant locations. With nostalgic period photographs throughout, Expect Great Things! takes us back to Katie Gibbs’s life and tells the stories of the women she influenced. We meet Gibbs graduates who worked for the Walt Disney, Marilyn Monroe, and Robert F. Kennedy. Others forged pathfinding roles as an Emmy-winning television star, a women’s rights advisor to four U.S. presidents, a writer of Wonder Woman comic books, the head of the Women’s Marines, a best-selling young adult author, and a U.S. Ambassador.For readers of The Barbizon and Come Fly the World, Expect Great Things! reveals the seismic impact the Katharine Gibbs school had on the American workplace—and on women’s opportunities today. It’s a safe bet that most of the secretaries on the TV series Mad Men would have attended the Katharine Gibbs School in New York City. The iconic institution was in its heyday in the 1950 and '60s synonymous with supplying secretaries—always properly attired in heels, ladylike hats, and white gloves—to male executives. In Expect Great Things! Vanda Krefft turns the notion of a “Gibbs girl” on its head, showing us that while the school was getting women who could type 90 words per minute into the C-suite, its more subversive mission was to get them out of the secretarial pool to assume positions of power on the other side of the desk. And Gibbs graduates did just that, tackling the sexism of the era and paving the way for 21st-century women to succeed in any profession.Katharine Gibbs was one her own success stories. She started her school when, as a 46-year-old widow, she was left near-broke with two young sons. The school taught typing and stenography but Gibbs also hired accomplished professors from elite colleges to teach academic subjects—it was a well-rounded education that produced early feminists ready to tackle the sexism of their era. "Expect great things!" was her motto and her philosophy. Within a decade she’d opened schools in three elegant locations. With nostalgic period photographs throughout, Expect Great Things! takes us back to Katie Gibbs’s life and tells the stories of the women she influenced. We meet Gibbs graduates who worked for the Walt Disney, Marilyn Monroe, and Robert F. Kennedy. Others forged pathfinding roles as an Emmy-winning television star, a women’s rights advisor to four U.S. presidents, a writer of Wonder Woman comic books, the head of the Women’s Marines, a best-selling young adult author, and a U.S. Ambassador.For readers of The Barbizon and Come Fly the World, Expect Great Things! reveals the seismic impact the Katharine Gibbs school had on the American workplace—and on women’s opportunities today. false full 157 265bbd2a-3b6d-11f1-9e17-63a7263ae661 Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026) What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press.

The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored.

In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’s archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures.

Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023).


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]]> Mon, 20 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press.

The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored.

In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’s archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures.

Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023).


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]]> Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026) New Books Network 01:01:14 What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’s archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’s archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). false full 1830 1171f18e-3b6f-11f1-aeb3-e303221965d4 Eileen G'Sell, "Lipstick" (Bloomsbury, 2026) From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.
Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G’Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Mon, 20 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.
Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G’Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Eileen G'Sell, "Lipstick" (Bloomsbury, 2026) New Books Network 00:39:17 From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G’Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G’Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1829 34bbde6e-3964-11f1-a051-ff62dff8e4b7 Samuel Clowes Huneke, "I Will Not Abandon You: Queer Women in Nazi Germany" (Aevo UTP, 2026) I Will Not Abandon You: Queer Women in Nazi Germany (Aevo UTP, 2026) brings to life the unrelenting defiance of queer women in fascist Germany.

In his latest book, award-winning historian Samuel Clowes Huneke shows how love, queer resistance, and collective action survived in the harrowing circumstances of Nazi rule. Drawing on a decade of archival research, Huneke takes readers into a hidden world, from the wartime balls that lesbian activists continued to organize to the concentration camps where women accused of loving women were imprisoned. Following a diverse cast of characters, Huneke reveals both the oppression that queer women faced and how they resisted fascism in solidarity with one another. Arguing that this solidarity – which transcended race, class, and gender – offers a compelling alternative to today’s fractured identity politics, I Will Not Abandon You is a vital, new history of queer life under fascism and a call to rethink the foundations of progressive politics today.

Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.


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]]> Sat, 18 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com I Will Not Abandon You: Queer Women in Nazi Germany (Aevo UTP, 2026) brings to life the unrelenting defiance of queer women in fascist Germany.

In his latest book, award-winning historian Samuel Clowes Huneke shows how love, queer resistance, and collective action survived in the harrowing circumstances of Nazi rule. Drawing on a decade of archival research, Huneke takes readers into a hidden world, from the wartime balls that lesbian activists continued to organize to the concentration camps where women accused of loving women were imprisoned. Following a diverse cast of characters, Huneke reveals both the oppression that queer women faced and how they resisted fascism in solidarity with one another. Arguing that this solidarity – which transcended race, class, and gender – offers a compelling alternative to today’s fractured identity politics, I Will Not Abandon You is a vital, new history of queer life under fascism and a call to rethink the foundations of progressive politics today.

Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.


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]]> Samuel Clowes Huneke, "I Will Not Abandon You: Queer Women in Nazi Germany" (Aevo UTP, 2026) New Books Network 00:40:38 I Will Not Abandon You: Queer Women in Nazi Germany (Aevo UTP, 2026) brings to life the unrelenting defiance of queer women in fascist Germany. In his latest book, award-winning historian Samuel Clowes Huneke shows how love, queer resistance, and collective action survived in the harrowing circumstances of Nazi rule. Drawing on a decade of archival research, Huneke takes readers into a hidden world, from the wartime balls that lesbian activists continued to organize to the concentration camps where women accused of loving women were imprisoned. Following a diverse cast of characters, Huneke reveals both the oppression that queer women faced and how they resisted fascism in solidarity with one another. Arguing that this solidarity – which transcended race, class, and gender – offers a compelling alternative to today’s fractured identity politics, I Will Not Abandon You is a vital, new history of queer life under fascism and a call to rethink the foundations of progressive politics today. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. I Will Not Abandon You: Queer Women in Nazi Germany (Aevo UTP, 2026) brings to life the unrelenting defiance of queer women in fascist Germany. In his latest book, award-winning historian Samuel Clowes Huneke shows how love, queer resistance, and collective action survived in the harrowing circumstances of Nazi rule. Drawing on a decade of archival research, Huneke takes readers into a hidden world, from the wartime balls that lesbian activists continued to organize to the concentration camps where women accused of loving women were imprisoned. Following a diverse cast of characters, Huneke reveals both the oppression that queer women faced and how they resisted fascism in solidarity with one another. Arguing that this solidarity – which transcended race, class, and gender – offers a compelling alternative to today’s fractured identity politics, I Will Not Abandon You is a vital, new history of queer life under fascism and a call to rethink the foundations of progressive politics today. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. false full 1828 83e92d1a-3884-11f1-8a0f-0ff80061add8 Gwyneth Lonergan, "Borders, Citizenship, and Pregnancy: Migrant Women’s Experiences of Pregnancy and Maternity Care in the UK" (Bristol UP, 2025) Using the analytical framework of reproductive justice, Borders, Citizenship, and Pregnancy: Migrant Women’s Experiences of Pregnancy and Maternity Care in the UK (Bristol UP, 2025) by Dr. Gwyneth Lonergan examines migrant women’s experiences of pregnancy and maternity care within the broader context of gendered and racialised discourses and policies around health, reproduction and citizenship, austerity and an expanding border regime.

Based on interviews and focus groups with migrant mothers, third sector workers and NHS staff, this open-access book explores how immigration policies impact reproductive practices and unevenly distribute access to essential resources and support.

The book provides valuable insights into the underlying social causes behind migrant women’s relatively poor maternal outcomes and contributes significantly to scholarship on the intersections of citizenship, reproduction and expanding border controls.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Thu, 16 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Using the analytical framework of reproductive justice, Borders, Citizenship, and Pregnancy: Migrant Women’s Experiences of Pregnancy and Maternity Care in the UK (Bristol UP, 2025) by Dr. Gwyneth Lonergan examines migrant women’s experiences of pregnancy and maternity care within the broader context of gendered and racialised discourses and policies around health, reproduction and citizenship, austerity and an expanding border regime.

Based on interviews and focus groups with migrant mothers, third sector workers and NHS staff, this open-access book explores how immigration policies impact reproductive practices and unevenly distribute access to essential resources and support.

The book provides valuable insights into the underlying social causes behind migrant women’s relatively poor maternal outcomes and contributes significantly to scholarship on the intersections of citizenship, reproduction and expanding border controls.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Gwyneth Lonergan, "Borders, Citizenship, and Pregnancy: Migrant Women’s Experiences of Pregnancy and Maternity Care in the UK" (Bristol UP, 2025) New Books Network 00:33:46 Using the analytical framework of reproductive justice, Borders, Citizenship, and Pregnancy: Migrant Women’s Experiences of Pregnancy and Maternity Care in the UK (Bristol UP, 2025) by Dr. Gwyneth Lonergan examines migrant women’s experiences of pregnancy and maternity care within the broader context of gendered and racialised discourses and policies around health, reproduction and citizenship, austerity and an expanding border regime. Based on interviews and focus groups with migrant mothers, third sector workers and NHS staff, this open-access book explores how immigration policies impact reproductive practices and unevenly distribute access to essential resources and support. The book provides valuable insights into the underlying social causes behind migrant women’s relatively poor maternal outcomes and contributes significantly to scholarship on the intersections of citizenship, reproduction and expanding border controls. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Using the analytical framework of reproductive justice, Borders, Citizenship, and Pregnancy: Migrant Women’s Experiences of Pregnancy and Maternity Care in the UK (Bristol UP, 2025) by Dr. Gwyneth Lonergan examines migrant women’s experiences of pregnancy and maternity care within the broader context of gendered and racialised discourses and policies around health, reproduction and citizenship, austerity and an expanding border regime. Based on interviews and focus groups with migrant mothers, third sector workers and NHS staff, this open-access book explores how immigration policies impact reproductive practices and unevenly distribute access to essential resources and support. The book provides valuable insights into the underlying social causes behind migrant women’s relatively poor maternal outcomes and contributes significantly to scholarship on the intersections of citizenship, reproduction and expanding border controls. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1827 67de5f9a-3182-11f1-82a4-7b9d18de6ff7 Andrew Thomas Park, "Sarah Wambaugh and the Plebiscite: The Turbulent History of a Democratic Alternative to War" (Cambridge UP, 2026) In Sarah Wambaugh and the Plebiscite: The Turbulent History of a Democratic Alternative to War (Cambridge UP, 2026) Dr. Andrew Park tells the story of the rise and fall of the plebiscite, once seen as a promising democratic solution to international conflict which – more than once – became embroiled in controversy and war in the first half of the twentieth century. The book's central figure is the brilliant but largely forgotten American scholar Sarah Wambaugh, the leading expert on the plebiscite technique whose dramatic career took her to many of the world's political hotspots. The norms she developed for the technique continue to shape how self-determination and popular suffrage in international affairs are thought about and conducted today. In a world where borders are again being redrawn by force and democracy everywhere appears under strain, this book is a timely and compelling reminder that such events are not new.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 7 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Sarah Wambaugh and the Plebiscite: The Turbulent History of a Democratic Alternative to War (Cambridge UP, 2026) Dr. Andrew Park tells the story of the rise and fall of the plebiscite, once seen as a promising democratic solution to international conflict which – more than once – became embroiled in controversy and war in the first half of the twentieth century. The book's central figure is the brilliant but largely forgotten American scholar Sarah Wambaugh, the leading expert on the plebiscite technique whose dramatic career took her to many of the world's political hotspots. The norms she developed for the technique continue to shape how self-determination and popular suffrage in international affairs are thought about and conducted today. In a world where borders are again being redrawn by force and democracy everywhere appears under strain, this book is a timely and compelling reminder that such events are not new.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Andrew Thomas Park, "Sarah Wambaugh and the Plebiscite: The Turbulent History of a Democratic Alternative to War" (Cambridge UP, 2026) New Books Network 01:01:44 In Sarah Wambaugh and the Plebiscite: The Turbulent History of a Democratic Alternative to War (Cambridge UP, 2026) Dr. Andrew Park tells the story of the rise and fall of the plebiscite, once seen as a promising democratic solution to international conflict which – more than once – became embroiled in controversy and war in the first half of the twentieth century. The book's central figure is the brilliant but largely forgotten American scholar Sarah Wambaugh, the leading expert on the plebiscite technique whose dramatic career took her to many of the world's political hotspots. The norms she developed for the technique continue to shape how self-determination and popular suffrage in international affairs are thought about and conducted today. In a world where borders are again being redrawn by force and democracy everywhere appears under strain, this book is a timely and compelling reminder that such events are not new. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In Sarah Wambaugh and the Plebiscite: The Turbulent History of a Democratic Alternative to War (Cambridge UP, 2026) Dr. Andrew Park tells the story of the rise and fall of the plebiscite, once seen as a promising democratic solution to international conflict which – more than once – became embroiled in controversy and war in the first half of the twentieth century. The book's central figure is the brilliant but largely forgotten American scholar Sarah Wambaugh, the leading expert on the plebiscite technique whose dramatic career took her to many of the world's political hotspots. The norms she developed for the technique continue to shape how self-determination and popular suffrage in international affairs are thought about and conducted today. In a world where borders are again being redrawn by force and democracy everywhere appears under strain, this book is a timely and compelling reminder that such events are not new. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1826 6632e61a-2f35-11f1-b96d-9771bba5428b Hilary Matfess, "After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions" (Stanford UP, 2026) War offers opportunities for women to liberate their communities and build a better life for themselves. When women join rebel groups, they often take on new roles, cultivate new social networks, and develop new skills. These rebel women often gain the respect of rebel leaders, their comrades-in-arms, and the communities they're fighting for. When the guns are silenced, however, women have struggled to maintain the progress and prestige that they gained during war. Hilary Matfess investigates the gendered legacies of conflict and considers why it is so difficult for female veterans to defend the gains they made during war.

After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions (Stanford UP, 2026) by Dr. Hilary Matfess explores how both individual female veterans and former-rebel political parties balance the incentives to continue their wartime activities or moderate them to succeed in the postwar period. The particular balance struck—by party elites and by female veterans—shapes women's rights and representation after war. Drawing on cross-national statistics and in-depth qualitative case studies of rebel groups—from Ethiopia, Namibia, El Salvador, and Nepal—Dr. Matfess advances a theory to explain the postwar legacies of women's participation in rebellion at both the individual and the organizational levels. This book helps us understand why women that were once lauded as the backbone of the revolution are so frequently relegated to the backburner after war.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sun, 5 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com War offers opportunities for women to liberate their communities and build a better life for themselves. When women join rebel groups, they often take on new roles, cultivate new social networks, and develop new skills. These rebel women often gain the respect of rebel leaders, their comrades-in-arms, and the communities they're fighting for. When the guns are silenced, however, women have struggled to maintain the progress and prestige that they gained during war. Hilary Matfess investigates the gendered legacies of conflict and considers why it is so difficult for female veterans to defend the gains they made during war.

After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions (Stanford UP, 2026) by Dr. Hilary Matfess explores how both individual female veterans and former-rebel political parties balance the incentives to continue their wartime activities or moderate them to succeed in the postwar period. The particular balance struck—by party elites and by female veterans—shapes women's rights and representation after war. Drawing on cross-national statistics and in-depth qualitative case studies of rebel groups—from Ethiopia, Namibia, El Salvador, and Nepal—Dr. Matfess advances a theory to explain the postwar legacies of women's participation in rebellion at both the individual and the organizational levels. This book helps us understand why women that were once lauded as the backbone of the revolution are so frequently relegated to the backburner after war.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Hilary Matfess, "After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions" (Stanford UP, 2026) New Books Network 00:48:32 War offers opportunities for women to liberate their communities and build a better life for themselves. When women join rebel groups, they often take on new roles, cultivate new social networks, and develop new skills. These rebel women often gain the respect of rebel leaders, their comrades-in-arms, and the communities they're fighting for. When the guns are silenced, however, women have struggled to maintain the progress and prestige that they gained during war. Hilary Matfess investigates the gendered legacies of conflict and considers why it is so difficult for female veterans to defend the gains they made during war. After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions (Stanford UP, 2026) by Dr. Hilary Matfess explores how both individual female veterans and former-rebel political parties balance the incentives to continue their wartime activities or moderate them to succeed in the postwar period. The particular balance struck—by party elites and by female veterans—shapes women's rights and representation after war. Drawing on cross-national statistics and in-depth qualitative case studies of rebel groups—from Ethiopia, Namibia, El Salvador, and Nepal—Dr. Matfess advances a theory to explain the postwar legacies of women's participation in rebellion at both the individual and the organizational levels. This book helps us understand why women that were once lauded as the backbone of the revolution are so frequently relegated to the backburner after war. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. War offers opportunities for women to liberate their communities and build a better life for themselves. When women join rebel groups, they often take on new roles, cultivate new social networks, and develop new skills. These rebel women often gain the respect of rebel leaders, their comrades-in-arms, and the communities they're fighting for. When the guns are silenced, however, women have struggled to maintain the progress and prestige that they gained during war. Hilary Matfess investigates the gendered legacies of conflict and considers why it is so difficult for female veterans to defend the gains they made during war. After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions (Stanford UP, 2026) by Dr. Hilary Matfess explores how both individual female veterans and former-rebel political parties balance the incentives to continue their wartime activities or moderate them to succeed in the postwar period. The particular balance struck—by party elites and by female veterans—shapes women's rights and representation after war. Drawing on cross-national statistics and in-depth qualitative case studies of rebel groups—from Ethiopia, Namibia, El Salvador, and Nepal—Dr. Matfess advances a theory to explain the postwar legacies of women's participation in rebellion at both the individual and the organizational levels. This book helps us understand why women that were once lauded as the backbone of the revolution are so frequently relegated to the backburner after war. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1825 52a3c96c-2f39-11f1-b520-0fd20dab7314 Eleanor Houghton, "Charlotte Brontë's Life in Clothes" (Bloomsbury 2026) Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf

Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.
These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.
Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.
Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.
These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges.

Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton.

Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024.


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]]> Sun, 5 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf

Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.
These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.
Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.
Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.
These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges.

Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton.

Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024.


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]]> Eleanor Houghton, "Charlotte Brontë's Life in Clothes" (Bloomsbury 2026) New Books Network 00:29:54 Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. false full 1824 ac2812ea-2e58-11f1-8a39-a3bb3f303916 Susan Goodier and Karen Pastorello, "Women Will Vote: Winning Suffrage in New York State" (Cornell UP, 2017) The book, Women Will Vote: Winning Suffrage in New York State (Cornell UP, 2017) is Susan Goodier and Karen Pastorello’s efforts to account for the origins and strategies of the women's suffrage movement in the New York State. The book dwelled on evolution of the women’s suffrage movement in the progressive era and discusses the various suffragist strategies employed in quest for women’s right to franchise from early legislative petitions to more innovative marketing approaches. It explains how the women’s suffrage movement evolved over time, using various tactics like petitions, parades, and door-to-door canvassing. The book highlights the diverse groups that supported the suffrage movement, including rural women, working-class immigrants, and African American women, all united by their common interest in gaining the right to vote. The book also acknowledges the different ideologies of the suffragist groups and their approaches to activism.

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ LinkedIn | ORCID | Meta


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]]> Sat, 4 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The book, Women Will Vote: Winning Suffrage in New York State (Cornell UP, 2017) is Susan Goodier and Karen Pastorello’s efforts to account for the origins and strategies of the women's suffrage movement in the New York State. The book dwelled on evolution of the women’s suffrage movement in the progressive era and discusses the various suffragist strategies employed in quest for women’s right to franchise from early legislative petitions to more innovative marketing approaches. It explains how the women’s suffrage movement evolved over time, using various tactics like petitions, parades, and door-to-door canvassing. The book highlights the diverse groups that supported the suffrage movement, including rural women, working-class immigrants, and African American women, all united by their common interest in gaining the right to vote. The book also acknowledges the different ideologies of the suffragist groups and their approaches to activism.

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ LinkedIn | ORCID | Meta


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]]> Susan Goodier and Karen Pastorello, "Women Will Vote: Winning Suffrage in New York State" (Cornell UP, 2017) New Books Network 00:40:08 The book, Women Will Vote: Winning Suffrage in New York State (Cornell UP, 2017) is Susan Goodier and Karen Pastorello’s efforts to account for the origins and strategies of the women's suffrage movement in the New York State. The book dwelled on evolution of the women’s suffrage movement in the progressive era and discusses the various suffragist strategies employed in quest for women’s right to franchise from early legislative petitions to more innovative marketing approaches. It explains how the women’s suffrage movement evolved over time, using various tactics like petitions, parades, and door-to-door canvassing. The book highlights the diverse groups that supported the suffrage movement, including rural women, working-class immigrants, and African American women, all united by their common interest in gaining the right to vote. The book also acknowledges the different ideologies of the suffragist groups and their approaches to activism. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ LinkedIn | ORCID | Meta The book, Women Will Vote: Winning Suffrage in New York State (Cornell UP, 2017) is Susan Goodier and Karen Pastorello’s efforts to account for the origins and strategies of the women's suffrage movement in the New York State. The book dwelled on evolution of the women’s suffrage movement in the progressive era and discusses the various suffragist strategies employed in quest for women’s right to franchise from early legislative petitions to more innovative marketing approaches. It explains how the women’s suffrage movement evolved over time, using various tactics like petitions, parades, and door-to-door canvassing. The book highlights the diverse groups that supported the suffrage movement, including rural women, working-class immigrants, and African American women, all united by their common interest in gaining the right to vote. The book also acknowledges the different ideologies of the suffragist groups and their approaches to activism. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ LinkedIn | ORCID | Meta false full 1823 e46b51c8-2e4c-11f1-b9ad-cb71e230d553 Isabelle Held, "Atomic Bombshells: How Plastics Shaped Postwar Bodies" (Duke UP, 2026) Bullet bras, bazookas, bombshells, bikinis. In Atomic Bombshells: How Plastics Shaped Postwar Bodies (Duke UP, 2026), Dr. Isabelle Held challenges the usual narratives of how war technologies enter domestic use by following plastics on their journey into women’s bodies. Dr. Held explores the effects of military-industrial science and the emergence of nylon, silicone, and plastic foams on embodied and expressive configurations of gender, sexuality, and race. She focuses on the United States between the late 1930s with the launch of nylon—whose potential was widely celebrated as the world’s first fully synthetic fiber and the ideal replacement for silk stockings—and the late 1970s, when policies began addressing the dangerous health consequences of implantable plastics.

Dr. Held untangles the complex relationships between chemical companies, the US military, the Federal Drug Administration, plastic surgeons, advertising agencies, the Hollywood star system, go-go dancers, drag queens, and fashion and industrial designers. Using feminist, queer, and trans lenses, she shows that there was never just one bombshell identity. In so doing, Dr. Held complicates typical understandings of the shaping and reshaping of gender.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Fri, 3 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Bullet bras, bazookas, bombshells, bikinis. In Atomic Bombshells: How Plastics Shaped Postwar Bodies (Duke UP, 2026), Dr. Isabelle Held challenges the usual narratives of how war technologies enter domestic use by following plastics on their journey into women’s bodies. Dr. Held explores the effects of military-industrial science and the emergence of nylon, silicone, and plastic foams on embodied and expressive configurations of gender, sexuality, and race. She focuses on the United States between the late 1930s with the launch of nylon—whose potential was widely celebrated as the world’s first fully synthetic fiber and the ideal replacement for silk stockings—and the late 1970s, when policies began addressing the dangerous health consequences of implantable plastics.

Dr. Held untangles the complex relationships between chemical companies, the US military, the Federal Drug Administration, plastic surgeons, advertising agencies, the Hollywood star system, go-go dancers, drag queens, and fashion and industrial designers. Using feminist, queer, and trans lenses, she shows that there was never just one bombshell identity. In so doing, Dr. Held complicates typical understandings of the shaping and reshaping of gender.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Isabelle Held, "Atomic Bombshells: How Plastics Shaped Postwar Bodies" (Duke UP, 2026) New Books Network 00:52:32 Bullet bras, bazookas, bombshells, bikinis. In Atomic Bombshells: How Plastics Shaped Postwar Bodies (Duke UP, 2026), Dr. Isabelle Held challenges the usual narratives of how war technologies enter domestic use by following plastics on their journey into women’s bodies. Dr. Held explores the effects of military-industrial science and the emergence of nylon, silicone, and plastic foams on embodied and expressive configurations of gender, sexuality, and race. She focuses on the United States between the late 1930s with the launch of nylon—whose potential was widely celebrated as the world’s first fully synthetic fiber and the ideal replacement for silk stockings—and the late 1970s, when policies began addressing the dangerous health consequences of implantable plastics. Dr. Held untangles the complex relationships between chemical companies, the US military, the Federal Drug Administration, plastic surgeons, advertising agencies, the Hollywood star system, go-go dancers, drag queens, and fashion and industrial designers. Using feminist, queer, and trans lenses, she shows that there was never just one bombshell identity. In so doing, Dr. Held complicates typical understandings of the shaping and reshaping of gender. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Bullet bras, bazookas, bombshells, bikinis. In Atomic Bombshells: How Plastics Shaped Postwar Bodies (Duke UP, 2026), Dr. Isabelle Held challenges the usual narratives of how war technologies enter domestic use by following plastics on their journey into women’s bodies. Dr. Held explores the effects of military-industrial science and the emergence of nylon, silicone, and plastic foams on embodied and expressive configurations of gender, sexuality, and race. She focuses on the United States between the late 1930s with the launch of nylon—whose potential was widely celebrated as the world’s first fully synthetic fiber and the ideal replacement for silk stockings—and the late 1970s, when policies began addressing the dangerous health consequences of implantable plastics. Dr. Held untangles the complex relationships between chemical companies, the US military, the Federal Drug Administration, plastic surgeons, advertising agencies, the Hollywood star system, go-go dancers, drag queens, and fashion and industrial designers. Using feminist, queer, and trans lenses, she shows that there was never just one bombshell identity. In so doing, Dr. Held complicates typical understandings of the shaping and reshaping of gender. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1822 e9d49920-2d8a-11f1-b914-23163cfabfc5 The Club: Where American Artists Found Refuge in Belle Epoque Paris In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.
Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people.

A Neuroscientist's Guide to a Healthier, Happier Life

Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Thu, 2 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.
Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people.

A Neuroscientist's Guide to a Healthier, Happier Life

Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!


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]]> The Club: Where American Artists Found Refuge in Belle Epoque Paris New Books Network 00:47:35 In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! false full 1821 437a864c-28e0-11f1-b8ee-dbad3256dbc4 Megan Peiser, "British Women Novelists and the Review Periodical" (JHU Press, 2026) At the turn of the nineteenth century, British women novelists were publishing more fiction than their male counterparts, yet their place in literary history remains precarious. In British Women Novelists and the Review Periodical (Johns Hopkins University Press, 2026), Dr. Megan Peiser offers a compelling new perspective on this pivotal period by examining the overlooked power of the review periodical in shaping literary reception, authorial careers, and the novel as a genre.

Through a dynamic study of the Novels Reviewed Database, 1790–1820 (NRD)—the first dataset to systematically catalog novels reviewed as novels during the Romantic period—Dr. Peiser demonstrates how these reviews operated not as static judgments, but as an interconnected system of influence, circulation, and criticism. Periodicals functioned as central components of the literary marketplace, steering readers' tastes, framing authors' reputations, and reinforcing cultural notions of gender and genre. Examining the context of these reviews—such as Frances Burney's ambivalent negotiations with her critics and the rise and decline of Charlotte Smith's status among the "sister-queen" novelists—Dr. Peiser's analysis foregrounds the gendered dynamics of literary evaluation. By tracing the dialogue between reviewers and authors—especially in novel prefaces—she uncovers how women writers used, resisted, and responded to critical discourse. Peiser also confronts the limitations of traditional literary data by accounting for overlooked voices and diverse forms of authorship.

This fascinating literary history argues for feminist bibliographic intervention, restores the complexity of the eighteenth- and early nineteenth-century review ecosystem, and provides a vital scholarly tool to reframe how we understand women's novels and the systems that have shaped literary memory.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 28 Mar 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com At the turn of the nineteenth century, British women novelists were publishing more fiction than their male counterparts, yet their place in literary history remains precarious. In British Women Novelists and the Review Periodical (Johns Hopkins University Press, 2026), Dr. Megan Peiser offers a compelling new perspective on this pivotal period by examining the overlooked power of the review periodical in shaping literary reception, authorial careers, and the novel as a genre.

Through a dynamic study of the Novels Reviewed Database, 1790–1820 (NRD)—the first dataset to systematically catalog novels reviewed as novels during the Romantic period—Dr. Peiser demonstrates how these reviews operated not as static judgments, but as an interconnected system of influence, circulation, and criticism. Periodicals functioned as central components of the literary marketplace, steering readers' tastes, framing authors' reputations, and reinforcing cultural notions of gender and genre. Examining the context of these reviews—such as Frances Burney's ambivalent negotiations with her critics and the rise and decline of Charlotte Smith's status among the "sister-queen" novelists—Dr. Peiser's analysis foregrounds the gendered dynamics of literary evaluation. By tracing the dialogue between reviewers and authors—especially in novel prefaces—she uncovers how women writers used, resisted, and responded to critical discourse. Peiser also confronts the limitations of traditional literary data by accounting for overlooked voices and diverse forms of authorship.

This fascinating literary history argues for feminist bibliographic intervention, restores the complexity of the eighteenth- and early nineteenth-century review ecosystem, and provides a vital scholarly tool to reframe how we understand women's novels and the systems that have shaped literary memory.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Megan Peiser, "British Women Novelists and the Review Periodical" (JHU Press, 2026) New Books Network 00:33:12 At the turn of the nineteenth century, British women novelists were publishing more fiction than their male counterparts, yet their place in literary history remains precarious. In British Women Novelists and the Review Periodical (Johns Hopkins University Press, 2026), Dr. Megan Peiser offers a compelling new perspective on this pivotal period by examining the overlooked power of the review periodical in shaping literary reception, authorial careers, and the novel as a genre. Through a dynamic study of the Novels Reviewed Database, 1790–1820 (NRD)—the first dataset to systematically catalog novels reviewed as novels during the Romantic period—Dr. Peiser demonstrates how these reviews operated not as static judgments, but as an interconnected system of influence, circulation, and criticism. Periodicals functioned as central components of the literary marketplace, steering readers' tastes, framing authors' reputations, and reinforcing cultural notions of gender and genre. Examining the context of these reviews—such as Frances Burney's ambivalent negotiations with her critics and the rise and decline of Charlotte Smith's status among the "sister-queen" novelists—Dr. Peiser's analysis foregrounds the gendered dynamics of literary evaluation. By tracing the dialogue between reviewers and authors—especially in novel prefaces—she uncovers how women writers used, resisted, and responded to critical discourse. Peiser also confronts the limitations of traditional literary data by accounting for overlooked voices and diverse forms of authorship. This fascinating literary history argues for feminist bibliographic intervention, restores the complexity of the eighteenth- and early nineteenth-century review ecosystem, and provides a vital scholarly tool to reframe how we understand women's novels and the systems that have shaped literary memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. At the turn of the nineteenth century, British women novelists were publishing more fiction than their male counterparts, yet their place in literary history remains precarious. In British Women Novelists and the Review Periodical (Johns Hopkins University Press, 2026), Dr. Megan Peiser offers a compelling new perspective on this pivotal period by examining the overlooked power of the review periodical in shaping literary reception, authorial careers, and the novel as a genre. Through a dynamic study of the Novels Reviewed Database, 1790–1820 (NRD)—the first dataset to systematically catalog novels reviewed as novels during the Romantic period—Dr. Peiser demonstrates how these reviews operated not as static judgments, but as an interconnected system of influence, circulation, and criticism. Periodicals functioned as central components of the literary marketplace, steering readers' tastes, framing authors' reputations, and reinforcing cultural notions of gender and genre. Examining the context of these reviews—such as Frances Burney's ambivalent negotiations with her critics and the rise and decline of Charlotte Smith's status among the "sister-queen" novelists—Dr. Peiser's analysis foregrounds the gendered dynamics of literary evaluation. By tracing the dialogue between reviewers and authors—especially in novel prefaces—she uncovers how women writers used, resisted, and responded to critical discourse. Peiser also confronts the limitations of traditional literary data by accounting for overlooked voices and diverse forms of authorship. This fascinating literary history argues for feminist bibliographic intervention, restores the complexity of the eighteenth- and early nineteenth-century review ecosystem, and provides a vital scholarly tool to reframe how we understand women's novels and the systems that have shaped literary memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1820 1e14ef86-280a-11f1-b352-3744219c6ece Cathryn J. Prince, "For the Love of Labor: The Life of Pauline Newman" (U Illinois Press, 2026) My guest today is Cathryn J. Prince the author of For the Love of Labor: The Life of Pauline Newman (U Illinois Press, 2026). From her start as one of the youngest activists in US history, Pauline Newman helped shape the International Ladies' Garment Workers’ Union (ILGWU) into a dominant force in industrial America. Cathryn J. Prince follows Newman’s life from a youth split between Lithuania and New York City sweatshops to her work as an advisor to New Deal–era labor secretary Frances Perkins. Newman’s long hours at the Triangle Shirtwaist Factory informed her entrée into labor activism. In the following years, she tirelessly advocated for workers, ran for New York Secretary of State as a socialist, and became the first woman to serve as the ILGWU general organizer. Her interest in the health of workers led to service on the Joint Board of Sanitary Control and a decades-long term as education director of the ILGWU health center. Membership in Eleanor Roosevelt’s circle opened doors to government positions and advisory roles that continued into the postwar era. Prince also weaves in the details of Newman’s fifty-year relationship with a woman, her struggles with her sexual identity, and her final years.

Cathryn J. Prince is an adjunct professor of journalism at Fordham University. Her books include Queen of the Mountaineers: The Trailblazing Life of Fanny Bullock Workman and American Daredevil: The Extraordinary Life of Richard Halliburton, the World’s First Celebrity Travel Writer


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]]> Thu, 26 Mar 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com My guest today is Cathryn J. Prince the author of For the Love of Labor: The Life of Pauline Newman (U Illinois Press, 2026). From her start as one of the youngest activists in US history, Pauline Newman helped shape the International Ladies' Garment Workers’ Union (ILGWU) into a dominant force in industrial America. Cathryn J. Prince follows Newman’s life from a youth split between Lithuania and New York City sweatshops to her work as an advisor to New Deal–era labor secretary Frances Perkins. Newman’s long hours at the Triangle Shirtwaist Factory informed her entrée into labor activism. In the following years, she tirelessly advocated for workers, ran for New York Secretary of State as a socialist, and became the first woman to serve as the ILGWU general organizer. Her interest in the health of workers led to service on the Joint Board of Sanitary Control and a decades-long term as education director of the ILGWU health center. Membership in Eleanor Roosevelt’s circle opened doors to government positions and advisory roles that continued into the postwar era. Prince also weaves in the details of Newman’s fifty-year relationship with a woman, her struggles with her sexual identity, and her final years.

Cathryn J. Prince is an adjunct professor of journalism at Fordham University. Her books include Queen of the Mountaineers: The Trailblazing Life of Fanny Bullock Workman and American Daredevil: The Extraordinary Life of Richard Halliburton, the World’s First Celebrity Travel Writer


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]]> Cathryn J. Prince, "For the Love of Labor: The Life of Pauline Newman" (U Illinois Press, 2026) New Books Network 00:49:11 My guest today is Cathryn J. Prince the author of For the Love of Labor: The Life of Pauline Newman (U Illinois Press, 2026). From her start as one of the youngest activists in US history, Pauline Newman helped shape the International Ladies' Garment Workers’ Union (ILGWU) into a dominant force in industrial America. Cathryn J. Prince follows Newman’s life from a youth split between Lithuania and New York City sweatshops to her work as an advisor to New Deal–era labor secretary Frances Perkins. Newman’s long hours at the Triangle Shirtwaist Factory informed her entrée into labor activism. In the following years, she tirelessly advocated for workers, ran for New York Secretary of State as a socialist, and became the first woman to serve as the ILGWU general organizer. Her interest in the health of workers led to service on the Joint Board of Sanitary Control and a decades-long term as education director of the ILGWU health center. Membership in Eleanor Roosevelt’s circle opened doors to government positions and advisory roles that continued into the postwar era. Prince also weaves in the details of Newman’s fifty-year relationship with a woman, her struggles with her sexual identity, and her final years. Cathryn J. Prince is an adjunct professor of journalism at Fordham University. Her books include Queen of the Mountaineers: The Trailblazing Life of Fanny Bullock Workman and American Daredevil: The Extraordinary Life of Richard Halliburton, the World’s First Celebrity Travel Writer My guest today is Cathryn J. Prince the author of For the Love of Labor: The Life of Pauline Newman (U Illinois Press, 2026). From her start as one of the youngest activists in US history, Pauline Newman helped shape the International Ladies' Garment Workers’ Union (ILGWU) into a dominant force in industrial America. Cathryn J. Prince follows Newman’s life from a youth split between Lithuania and New York City sweatshops to her work as an advisor to New Deal–era labor secretary Frances Perkins. Newman’s long hours at the Triangle Shirtwaist Factory informed her entrée into labor activism. In the following years, she tirelessly advocated for workers, ran for New York Secretary of State as a socialist, and became the first woman to serve as the ILGWU general organizer. Her interest in the health of workers led to service on the Joint Board of Sanitary Control and a decades-long term as education director of the ILGWU health center. Membership in Eleanor Roosevelt’s circle opened doors to government positions and advisory roles that continued into the postwar era. Prince also weaves in the details of Newman’s fifty-year relationship with a woman, her struggles with her sexual identity, and her final years. Cathryn J. Prince is an adjunct professor of journalism at Fordham University. Her books include Queen of the Mountaineers: The Trailblazing Life of Fanny Bullock Workman and American Daredevil: The Extraordinary Life of Richard Halliburton, the World’s First Celebrity Travel Writer false full 1819 f0a6a1c8-2761-11f1-959f-a767e4b52593 Satya Shikha Chakraborty, "Colonial Caregivers: Ayahs and the Gendered History of Race and Caste in British India" (Cambridge UP, 2025) Colonial Caregivers: Ayahs and the Gendered History of Race and Caste in British India (Cambridge UP, 2025) offers a compelling cultural and social history of ayahs (nannies/maids), by exploring domestic intimacy and exploitation in colonial South Asia. Working for British imperial families from the mid-1700s to the mid-1900s, South Asian ayahs, as Chakraborty shows, not only provided domestic labor, but also provided important moral labor for the British Empire. The desexualized racialized ayah archetype upheld British imperial whiteness and sexual purity, and later Indian elite 'upper' caste domestic modernity. Chakraborty argues that the pervasive cultural sentimentalization of the ayah morally legitimized British colonialism, while obscuring the vulnerabilities of caregivers in real-life. Using an archive of petitions and letters from ayahs, fairytales they told to British children, court cases, and vernacular sources, Chakraborty foregrounds the precarious lives, voices, and perspectives of these women. By placing care labor at the center of colonial history, the book decolonizes the history of South Asia and the British Empire.
Satya Shikha Chakraborty is an Associate Professor of History at The College of New Jersey.
Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University


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]]> Wed, 25 Mar 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Colonial Caregivers: Ayahs and the Gendered History of Race and Caste in British India (Cambridge UP, 2025) offers a compelling cultural and social history of ayahs (nannies/maids), by exploring domestic intimacy and exploitation in colonial South Asia. Working for British imperial families from the mid-1700s to the mid-1900s, South Asian ayahs, as Chakraborty shows, not only provided domestic labor, but also provided important moral labor for the British Empire. The desexualized racialized ayah archetype upheld British imperial whiteness and sexual purity, and later Indian elite 'upper' caste domestic modernity. Chakraborty argues that the pervasive cultural sentimentalization of the ayah morally legitimized British colonialism, while obscuring the vulnerabilities of caregivers in real-life. Using an archive of petitions and letters from ayahs, fairytales they told to British children, court cases, and vernacular sources, Chakraborty foregrounds the precarious lives, voices, and perspectives of these women. By placing care labor at the center of colonial history, the book decolonizes the history of South Asia and the British Empire.
Satya Shikha Chakraborty is an Associate Professor of History at The College of New Jersey.
Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University


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]]> Satya Shikha Chakraborty, "Colonial Caregivers: Ayahs and the Gendered History of Race and Caste in British India" (Cambridge UP, 2025) New Books Network 00:59:48 Colonial Caregivers: Ayahs and the Gendered History of Race and Caste in British India (Cambridge UP, 2025) offers a compelling cultural and social history of ayahs (nannies/maids), by exploring domestic intimacy and exploitation in colonial South Asia. Working for British imperial families from the mid-1700s to the mid-1900s, South Asian ayahs, as Chakraborty shows, not only provided domestic labor, but also provided important moral labor for the British Empire. The desexualized racialized ayah archetype upheld British imperial whiteness and sexual purity, and later Indian elite 'upper' caste domestic modernity. Chakraborty argues that the pervasive cultural sentimentalization of the ayah morally legitimized British colonialism, while obscuring the vulnerabilities of caregivers in real-life. Using an archive of petitions and letters from ayahs, fairytales they told to British children, court cases, and vernacular sources, Chakraborty foregrounds the precarious lives, voices, and perspectives of these women. By placing care labor at the center of colonial history, the book decolonizes the history of South Asia and the British Empire.Satya Shikha Chakraborty is an Associate Professor of History at The College of New Jersey.Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University Colonial Caregivers: Ayahs and the Gendered History of Race and Caste in British India (Cambridge UP, 2025) offers a compelling cultural and social history of ayahs (nannies/maids), by exploring domestic intimacy and exploitation in colonial South Asia. Working for British imperial families from the mid-1700s to the mid-1900s, South Asian ayahs, as Chakraborty shows, not only provided domestic labor, but also provided important moral labor for the British Empire. The desexualized racialized ayah archetype upheld British imperial whiteness and sexual purity, and later Indian elite 'upper' caste domestic modernity. Chakraborty argues that the pervasive cultural sentimentalization of the ayah morally legitimized British colonialism, while obscuring the vulnerabilities of caregivers in real-life. Using an archive of petitions and letters from ayahs, fairytales they told to British children, court cases, and vernacular sources, Chakraborty foregrounds the precarious lives, voices, and perspectives of these women. By placing care labor at the center of colonial history, the book decolonizes the history of South Asia and the British Empire.Satya Shikha Chakraborty is an Associate Professor of History at The College of New Jersey.Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University false full 1818 d2bb8848-21d2-11f1-8a61-d7dbdeb687eb Karen McNally ed., "Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance" (U Illinois Press, 2026) The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light.
The collection begins with essays on the interplay between reality and imagination in narratives and representations of women’s experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media’s stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women’s stories. Essays in the final section address the combination of inequality and resistance that defines women’s experiences in Hollywood.

Editor of book:

Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.”

Bio note of host

Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here


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]]> Thu, 19 Mar 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light.
The collection begins with essays on the interplay between reality and imagination in narratives and representations of women’s experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media’s stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women’s stories. Essays in the final section address the combination of inequality and resistance that defines women’s experiences in Hollywood.

Editor of book:

Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.”

Bio note of host

Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here


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]]> Karen McNally ed., "Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance" (U Illinois Press, 2026) New Books Network 00:59:37 The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women’s experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media’s stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women’s stories. Essays in the final section address the combination of inequality and resistance that defines women’s experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women’s experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media’s stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women’s stories. Essays in the final section address the combination of inequality and resistance that defines women’s experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here false full 1817 b43e5e3a-21ce-11f1-8fcf-3f1ab8a82f7c Kalpana Karunakaran, "A Woman of No Consequence: Memory, Letters and Resistance in Madras" (Context, 2026) In this intimate, yet simultaneously anthropological, exploration of the life of her maternal grandmother Pankajam (1911–2007), Kalpana Karunakaran achieves the remarkable: capturing the singularity of an exceptional woman, even as it situates her in a social universe shaped by the conventions of Tamil Brahmin orthodoxy. Through A Woman of No Consequence: Memory, Letters and Resistance in Madras (Context, 2026) Karunakaran conveys with clarity how the ‘utterly ordinary’ life of a ‘woman of no consequence’ (as Pankajam writes of herself), lived out largely within the confines of family and kin, was quite far from ordinary. The book draws extensively upon letters, glimpses of Pankajam’s life narrated through her thinly-disguised semi-autobiographical short stories that allowed her to ‘say the unsayable’ about love, intimacy and conjugality, and her autobiography, which she began writing in 1949 and kept writing till her last piece in 1995. What comes together is a riveting portrait of heartbreak and violence, yearning and delight, a housewife’s quest for intellectual growth and her talent for friendships across cultures and continents. In the final reckoning, A Woman of No Consequence is about the chequered trajectories of a newly-born nation as seen through the lens of its daughters—restless women forcing home and nation to reckon with their stubborn striving for self-actualisation.


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]]> Wed, 18 Mar 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In this intimate, yet simultaneously anthropological, exploration of the life of her maternal grandmother Pankajam (1911–2007), Kalpana Karunakaran achieves the remarkable: capturing the singularity of an exceptional woman, even as it situates her in a social universe shaped by the conventions of Tamil Brahmin orthodoxy. Through A Woman of No Consequence: Memory, Letters and Resistance in Madras (Context, 2026) Karunakaran conveys with clarity how the ‘utterly ordinary’ life of a ‘woman of no consequence’ (as Pankajam writes of herself), lived out largely within the confines of family and kin, was quite far from ordinary. The book draws extensively upon letters, glimpses of Pankajam’s life narrated through her thinly-disguised semi-autobiographical short stories that allowed her to ‘say the unsayable’ about love, intimacy and conjugality, and her autobiography, which she began writing in 1949 and kept writing till her last piece in 1995. What comes together is a riveting portrait of heartbreak and violence, yearning and delight, a housewife’s quest for intellectual growth and her talent for friendships across cultures and continents. In the final reckoning, A Woman of No Consequence is about the chequered trajectories of a newly-born nation as seen through the lens of its daughters—restless women forcing home and nation to reckon with their stubborn striving for self-actualisation.


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]]> Kalpana Karunakaran, "A Woman of No Consequence: Memory, Letters and Resistance in Madras" (Context, 2026) New Books Network 00:59:11 In this intimate, yet simultaneously anthropological, exploration of the life of her maternal grandmother Pankajam (1911–2007), Kalpana Karunakaran achieves the remarkable: capturing the singularity of an exceptional woman, even as it situates her in a social universe shaped by the conventions of Tamil Brahmin orthodoxy. Through A Woman of No Consequence: Memory, Letters and Resistance in Madras (Context, 2026) Karunakaran conveys with clarity how the ‘utterly ordinary’ life of a ‘woman of no consequence’ (as Pankajam writes of herself), lived out largely within the confines of family and kin, was quite far from ordinary. The book draws extensively upon letters, glimpses of Pankajam’s life narrated through her thinly-disguised semi-autobiographical short stories that allowed her to ‘say the unsayable’ about love, intimacy and conjugality, and her autobiography, which she began writing in 1949 and kept writing till her last piece in 1995. What comes together is a riveting portrait of heartbreak and violence, yearning and delight, a housewife’s quest for intellectual growth and her talent for friendships across cultures and continents. In the final reckoning, A Woman of No Consequence is about the chequered trajectories of a newly-born nation as seen through the lens of its daughters—restless women forcing home and nation to reckon with their stubborn striving for self-actualisation. In this intimate, yet simultaneously anthropological, exploration of the life of her maternal grandmother Pankajam (1911–2007), Kalpana Karunakaran achieves the remarkable: capturing the singularity of an exceptional woman, even as it situates her in a social universe shaped by the conventions of Tamil Brahmin orthodoxy. Through A Woman of No Consequence: Memory, Letters and Resistance in Madras (Context, 2026) Karunakaran conveys with clarity how the ‘utterly ordinary’ life of a ‘woman of no consequence’ (as Pankajam writes of herself), lived out largely within the confines of family and kin, was quite far from ordinary. The book draws extensively upon letters, glimpses of Pankajam’s life narrated through her thinly-disguised semi-autobiographical short stories that allowed her to ‘say the unsayable’ about love, intimacy and conjugality, and her autobiography, which she began writing in 1949 and kept writing till her last piece in 1995. What comes together is a riveting portrait of heartbreak and violence, yearning and delight, a housewife’s quest for intellectual growth and her talent for friendships across cultures and continents. In the final reckoning, A Woman of No Consequence is about the chequered trajectories of a newly-born nation as seen through the lens of its daughters—restless women forcing home and nation to reckon with their stubborn striving for self-actualisation. false full 1816 5a1c5f70-21cd-11f1-aa86-c72a834674f1 Lisa Nakamura, "The Inattention Economy: How Women of Color Built the Internet" (U Minnesota Press, 2026) The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users.

From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism’s benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives.

Arguing for both recognition and material compensation for these women’s labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Wed, 18 Mar 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users.

From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism’s benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives.

Arguing for both recognition and material compensation for these women’s labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Lisa Nakamura, "The Inattention Economy: How Women of Color Built the Internet" (U Minnesota Press, 2026) New Books Network 00:40:52 The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users. From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism’s benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives. Arguing for both recognition and material compensation for these women’s labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and ’70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women’s instrumental roles in building new technologies and making them coherent to users. From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women’s gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism’s benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives. Arguing for both recognition and material compensation for these women’s labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1815 fa19540c-1c18-11f1-9882-cffd7821db25 Terese Svoboda, "Hitler and My Mother-In-Law" (OR Books, 2025) Hitler and My Mother-in-Law (OR Books, 2025) is a riveting memoir that explores the intersection of truth—both familial and political—through the colorful and complex life of the author's mother-in-law.

In a time like our own of intense propaganda and manipulation, the only WWII female correspondent who covered both theaters of war, Pat Hartwell identified Hitler from a pile of ashes for the US military, and the troops awarded her with a million-dollar painting from Hitler's study. Really?

She was the only woman in the CBS news room, assistant to the head of the Office of War Information, VP of one of the largest public relations companies in the world, third in command of UNICEF where she convinced Matisse to provide artwork for free, editor of her own Arizona newspaper where she hustled naïve art on the side, and eventually head of the Hawai’ian arts council, a state of extremely complex political and social stakeholders, where she left a legacy of preventing art fraud. Her story is a fascinating journey through history, art, and deception.

The memoir delves into the art of invention and the shapeshifting of memory and truth, interwoven with humorous yet profound moments. It examines the comical Soviet efforts to conceal Hitler's death, McCarthy's investigations, and the author's own struggle to compete with both her mother and her mother-in-law. Threaded throughout are insights into organizations that malign the word "mother" and, of course, plenty of mother-in-law jokes.

With meticulous research and a unique perspective, Hitler and My Mother-in-Law challenges the boundaries of narrative honesty, offering a powerful exploration of propaganda, identity, and the personal reckoning that defines the art of memoir. It's a gripping mix of history, family, humor, and a biting reflection on the politics of truth—past and present.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College

www.janescimeca.com

@janescimeca.bsky.social


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]]> Fri, 13 Mar 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Hitler and My Mother-in-Law (OR Books, 2025) is a riveting memoir that explores the intersection of truth—both familial and political—through the colorful and complex life of the author's mother-in-law.

In a time like our own of intense propaganda and manipulation, the only WWII female correspondent who covered both theaters of war, Pat Hartwell identified Hitler from a pile of ashes for the US military, and the troops awarded her with a million-dollar painting from Hitler's study. Really?

She was the only woman in the CBS news room, assistant to the head of the Office of War Information, VP of one of the largest public relations companies in the world, third in command of UNICEF where she convinced Matisse to provide artwork for free, editor of her own Arizona newspaper where she hustled naïve art on the side, and eventually head of the Hawai’ian arts council, a state of extremely complex political and social stakeholders, where she left a legacy of preventing art fraud. Her story is a fascinating journey through history, art, and deception.

The memoir delves into the art of invention and the shapeshifting of memory and truth, interwoven with humorous yet profound moments. It examines the comical Soviet efforts to conceal Hitler's death, McCarthy's investigations, and the author's own struggle to compete with both her mother and her mother-in-law. Threaded throughout are insights into organizations that malign the word "mother" and, of course, plenty of mother-in-law jokes.

With meticulous research and a unique perspective, Hitler and My Mother-in-Law challenges the boundaries of narrative honesty, offering a powerful exploration of propaganda, identity, and the personal reckoning that defines the art of memoir. It's a gripping mix of history, family, humor, and a biting reflection on the politics of truth—past and present.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College

www.janescimeca.com

@janescimeca.bsky.social


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]]> Terese Svoboda, "Hitler and My Mother-In-Law" (OR Books, 2025) New Books Network 00:44:36 Hitler and My Mother-in-Law (OR Books, 2025) is a riveting memoir that explores the intersection of truth—both familial and political—through the colorful and complex life of the author's mother-in-law. In a time like our own of intense propaganda and manipulation, the only WWII female correspondent who covered both theaters of war, Pat Hartwell identified Hitler from a pile of ashes for the US military, and the troops awarded her with a million-dollar painting from Hitler's study. Really? She was the only woman in the CBS news room, assistant to the head of the Office of War Information, VP of one of the largest public relations companies in the world, third in command of UNICEF where she convinced Matisse to provide artwork for free, editor of her own Arizona newspaper where she hustled naïve art on the side, and eventually head of the Hawai’ian arts council, a state of extremely complex political and social stakeholders, where she left a legacy of preventing art fraud. Her story is a fascinating journey through history, art, and deception. The memoir delves into the art of invention and the shapeshifting of memory and truth, interwoven with humorous yet profound moments. It examines the comical Soviet efforts to conceal Hitler's death, McCarthy's investigations, and the author's own struggle to compete with both her mother and her mother-in-law. Threaded throughout are insights into organizations that malign the word "mother" and, of course, plenty of mother-in-law jokes. With meticulous research and a unique perspective, Hitler and My Mother-in-Law challenges the boundaries of narrative honesty, offering a powerful exploration of propaganda, identity, and the personal reckoning that defines the art of memoir. It's a gripping mix of history, family, humor, and a biting reflection on the politics of truth—past and present. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College www.janescimeca.com @janescimeca.bsky.social Hitler and My Mother-in-Law (OR Books, 2025) is a riveting memoir that explores the intersection of truth—both familial and political—through the colorful and complex life of the author's mother-in-law. In a time like our own of intense propaganda and manipulation, the only WWII female correspondent who covered both theaters of war, Pat Hartwell identified Hitler from a pile of ashes for the US military, and the troops awarded her with a million-dollar painting from Hitler's study. Really? She was the only woman in the CBS news room, assistant to the head of the Office of War Information, VP of one of the largest public relations companies in the world, third in command of UNICEF where she convinced Matisse to provide artwork for free, editor of her own Arizona newspaper where she hustled naïve art on the side, and eventually head of the Hawai’ian arts council, a state of extremely complex political and social stakeholders, where she left a legacy of preventing art fraud. Her story is a fascinating journey through history, art, and deception. The memoir delves into the art of invention and the shapeshifting of memory and truth, interwoven with humorous yet profound moments. It examines the comical Soviet efforts to conceal Hitler's death, McCarthy's investigations, and the author's own struggle to compete with both her mother and her mother-in-law. Threaded throughout are insights into organizations that malign the word "mother" and, of course, plenty of mother-in-law jokes. With meticulous research and a unique perspective, Hitler and My Mother-in-Law challenges the boundaries of narrative honesty, offering a powerful exploration of propaganda, identity, and the personal reckoning that defines the art of memoir. It's a gripping mix of history, family, humor, and a biting reflection on the politics of truth—past and present. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College www.janescimeca.com @janescimeca.bsky.social false full 1814 3f2f75c2-1920-11f1-8905-334cdb6d4850 Maud Anne Bracke, "Reproductive Rights in Modern France: Reproductive Rights in Modern France: Feminism, Contraception, and Abortion, 1950-1980 (Oxford UP, 2025) The introduction of the principle of women's reproductive liberty in France, tentatively by the family planning movement after 1960 and explicitly by the women's liberation movement after 1970, marked a deep shift, transforming public discourses. Yet this principle remained fiercely contested, and moderate and conservative actors responded by foregrounding notions of 'reproductive responsibility', or the expectation that individuals perform the 'right' sexual and family-making behaviour, benefiting not only themselves and their families, but the nation at large. Such responsibilisation underpinned the legal reforms of the 1960s-70s, framing a notion of reproductive citizenship based on a tension between individual rights and social norms. Reproductive Rights in Modern France: Feminism, Contraception, and Abortion, 1950-1980 (Oxford UP, 2025) breaks new ground by taking an intersectional approach to the defining moments of this period: the legalisation of contraception (the laws of 1967 and 1974) and the liberalisation of abortion (1975, 1979). Drawing on a wide range of sources and actors - including feminist and family planning movements, government actors, demographers, medical-professional organisations, disability rights groups, and key actors in the overseas departments - Maud Bracke demonstrates how the discourse of responsibilisation allowed actors to distinguish between citizens 'worthy' of reproductive rights and those seen as less worthy. Bracke analyses the distinct regulations regarding contraception in the overseas departments of Guadeloupe and Martinique, framed by racialised anti-natalism. The book also demonstrates that disability rights organisations contributed to the discrediting of the notion of 'eugenic abortion', used among experts and policy-makers until the early 1970s. Furthermore, Bracke goes on to highlight the silence in the feminist movement around both disability rights and race as part of its universalisation of women's conditions of oppression, and analyses the emergence of Black Feminism in late-1970s France. In so doing, the book offers a major contribution to the history of sex, gender, family life, healthcare, demography, and political debate in post-war France, and more generally.

Guest Dr. Maud Bracke is Professor of Modern European History at the University of Glasgow, and is also the author of Which Socialism? Whose Detente? West European Communism and the Czechoslovak Crisis of 1968 in 2007 and Women and the Reinvention of the Political: Feminism in Italy (1968-1983) in 2014, as well as the co-editor of Translating Feminism: Interdisciplinary Approaches to Text, Place and Agency in 2021. In addition to authoring numerous journal articles and book chapters and co-editing several special issues of academic journalsb she is also an editor at the Journal of Modern European History and sits on various other editorial boards. 

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.


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]]> Mon, 9 Mar 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The introduction of the principle of women's reproductive liberty in France, tentatively by the family planning movement after 1960 and explicitly by the women's liberation movement after 1970, marked a deep shift, transforming public discourses. Yet this principle remained fiercely contested, and moderate and conservative actors responded by foregrounding notions of 'reproductive responsibility', or the expectation that individuals perform the 'right' sexual and family-making behaviour, benefiting not only themselves and their families, but the nation at large. Such responsibilisation underpinned the legal reforms of the 1960s-70s, framing a notion of reproductive citizenship based on a tension between individual rights and social norms. Reproductive Rights in Modern France: Feminism, Contraception, and Abortion, 1950-1980 (Oxford UP, 2025) breaks new ground by taking an intersectional approach to the defining moments of this period: the legalisation of contraception (the laws of 1967 and 1974) and the liberalisation of abortion (1975, 1979). Drawing on a wide range of sources and actors - including feminist and family planning movements, government actors, demographers, medical-professional organisations, disability rights groups, and key actors in the overseas departments - Maud Bracke demonstrates how the discourse of responsibilisation allowed actors to distinguish between citizens 'worthy' of reproductive rights and those seen as less worthy. Bracke analyses the distinct regulations regarding contraception in the overseas departments of Guadeloupe and Martinique, framed by racialised anti-natalism. The book also demonstrates that disability rights organisations contributed to the discrediting of the notion of 'eugenic abortion', used among experts and policy-makers until the early 1970s. Furthermore, Bracke goes on to highlight the silence in the feminist movement around both disability rights and race as part of its universalisation of women's conditions of oppression, and analyses the emergence of Black Feminism in late-1970s France. In so doing, the book offers a major contribution to the history of sex, gender, family life, healthcare, demography, and political debate in post-war France, and more generally.

Guest Dr. Maud Bracke is Professor of Modern European History at the University of Glasgow, and is also the author of Which Socialism? Whose Detente? West European Communism and the Czechoslovak Crisis of 1968 in 2007 and Women and the Reinvention of the Political: Feminism in Italy (1968-1983) in 2014, as well as the co-editor of Translating Feminism: Interdisciplinary Approaches to Text, Place and Agency in 2021. In addition to authoring numerous journal articles and book chapters and co-editing several special issues of academic journalsb she is also an editor at the Journal of Modern European History and sits on various other editorial boards. 

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.


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]]> Maud Anne Bracke, "Reproductive Rights in Modern France: Reproductive Rights in Modern France: Feminism, Contraception, and Abortion, 1950-1980 (Oxford UP, 2025) New Books Network 01:07:40 The introduction of the principle of women's reproductive liberty in France, tentatively by the family planning movement after 1960 and explicitly by the women's liberation movement after 1970, marked a deep shift, transforming public discourses. Yet this principle remained fiercely contested, and moderate and conservative actors responded by foregrounding notions of 'reproductive responsibility', or the expectation that individuals perform the 'right' sexual and family-making behaviour, benefiting not only themselves and their families, but the nation at large. Such responsibilisation underpinned the legal reforms of the 1960s-70s, framing a notion of reproductive citizenship based on a tension between individual rights and social norms. Reproductive Rights in Modern France: Feminism, Contraception, and Abortion, 1950-1980 (Oxford UP, 2025) breaks new ground by taking an intersectional approach to the defining moments of this period: the legalisation of contraception (the laws of 1967 and 1974) and the liberalisation of abortion (1975, 1979). Drawing on a wide range of sources and actors - including feminist and family planning movements, government actors, demographers, medical-professional organisations, disability rights groups, and key actors in the overseas departments - Maud Bracke demonstrates how the discourse of responsibilisation allowed actors to distinguish between citizens 'worthy' of reproductive rights and those seen as less worthy. Bracke analyses the distinct regulations regarding contraception in the overseas departments of Guadeloupe and Martinique, framed by racialised anti-natalism. The book also demonstrates that disability rights organisations contributed to the discrediting of the notion of 'eugenic abortion', used among experts and policy-makers until the early 1970s. Furthermore, Bracke goes on to highlight the silence in the feminist movement around both disability rights and race as part of its universalisation of women's conditions of oppression, and analyses the emergence of Black Feminism in late-1970s France. In so doing, the book offers a major contribution to the history of sex, gender, family life, healthcare, demography, and political debate in post-war France, and more generally. Guest Dr. Maud Bracke is Professor of Modern European History at the University of Glasgow, and is also the author of Which Socialism? Whose Detente? West European Communism and the Czechoslovak Crisis of 1968 in 2007 and Women and the Reinvention of the Political: Feminism in Italy (1968-1983) in 2014, as well as the co-editor of Translating Feminism: Interdisciplinary Approaches to Text, Place and Agency in 2021. In addition to authoring numerous journal articles and book chapters and co-editing several special issues of academic journalsb she is also an editor at the Journal of Modern European History and sits on various other editorial boards.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. The introduction of the principle of women's reproductive liberty in France, tentatively by the family planning movement after 1960 and explicitly by the women's liberation movement after 1970, marked a deep shift, transforming public discourses. Yet this principle remained fiercely contested, and moderate and conservative actors responded by foregrounding notions of 'reproductive responsibility', or the expectation that individuals perform the 'right' sexual and family-making behaviour, benefiting not only themselves and their families, but the nation at large. Such responsibilisation underpinned the legal reforms of the 1960s-70s, framing a notion of reproductive citizenship based on a tension between individual rights and social norms. Reproductive Rights in Modern France: Feminism, Contraception, and Abortion, 1950-1980 (Oxford UP, 2025) breaks new ground by taking an intersectional approach to the defining moments of this period: the legalisation of contraception (the laws of 1967 and 1974) and the liberalisation of abortion (1975, 1979). Drawing on a wide range of sources and actors - including feminist and family planning movements, government actors, demographers, medical-professional organisations, disability rights groups, and key actors in the overseas departments - Maud Bracke demonstrates how the discourse of responsibilisation allowed actors to distinguish between citizens 'worthy' of reproductive rights and those seen as less worthy. Bracke analyses the distinct regulations regarding contraception in the overseas departments of Guadeloupe and Martinique, framed by racialised anti-natalism. The book also demonstrates that disability rights organisations contributed to the discrediting of the notion of 'eugenic abortion', used among experts and policy-makers until the early 1970s. Furthermore, Bracke goes on to highlight the silence in the feminist movement around both disability rights and race as part of its universalisation of women's conditions of oppression, and analyses the emergence of Black Feminism in late-1970s France. In so doing, the book offers a major contribution to the history of sex, gender, family life, healthcare, demography, and political debate in post-war France, and more generally. Guest Dr. Maud Bracke is Professor of Modern European History at the University of Glasgow, and is also the author of Which Socialism? Whose Detente? West European Communism and the Czechoslovak Crisis of 1968 in 2007 and Women and the Reinvention of the Political: Feminism in Italy (1968-1983) in 2014, as well as the co-editor of Translating Feminism: Interdisciplinary Approaches to Text, Place and Agency in 2021. In addition to authoring numerous journal articles and book chapters and co-editing several special issues of academic journalsb she is also an editor at the Journal of Modern European History and sits on various other editorial boards.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. false full 1813 2d8c6426-178e-11f1-b0fa-ffad812d82a9 Amy Littlefield, "Killers of Roe: My Investigation Into the Mysterious Death of Abortion Rights" (Legacy Lit, 2026) In Killers of Roe: My Investigation Into the Mysterious Death of Abortion Rights (Legacy Lit, 2026) reporter Amy Littlefield investigates the secret killers and hidden motives behind the death of abortion rights. They are going to kill people, investigative reporter for The Nation Littlefield knew, when the Supreme Court overturned Roe v. Wade. As a journalist covering abortion for more than a decade, she had already chronicled many near-death experiences caused by anti-abortion policy. After the anti-abortion movement's staggering defeat of Roe, she became fascinated with their victory and why they seemed so much better organized than the pro-choice movement. She set out to investigate the murderers of Roe. Killers of Roe chronicles Littlefield's journey into the unexplored corners of the most successful social movement of our time. As in every good murder mystery, the killers turn out to be the people you least suspect, like a disgraced former Congressman obsessed with offshore tax evasion and an unknown suburban bureaucrat who wrote America's most diabolical anti-abortion policy. She reports from a sweaty presidential tour bus in DC, a chaotic Michigan courtroom where a former fetus thief is on trial, and a Texas town that rejects an abortion travel ban. She encounters surprising characters who shed light on how we got to this moment of authoritarian rule: from the pro-choice superfans she meets at the Reagan library to the Senator who couldn't stop kissing every woman he met. Along the way, Amy draws upon the stories of women who have died from anti-abortion policies and on her own experience as a mother to reveal the life-and-death stakes of America's abortion wars. At once clever and poignant reportage, this abortion whodunnit uncovers the deeper story of how we lost Roe--and how we can win back so much more.


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]]> Fri, 6 Mar 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Killers of Roe: My Investigation Into the Mysterious Death of Abortion Rights (Legacy Lit, 2026) reporter Amy Littlefield investigates the secret killers and hidden motives behind the death of abortion rights. They are going to kill people, investigative reporter for The Nation Littlefield knew, when the Supreme Court overturned Roe v. Wade. As a journalist covering abortion for more than a decade, she had already chronicled many near-death experiences caused by anti-abortion policy. After the anti-abortion movement's staggering defeat of Roe, she became fascinated with their victory and why they seemed so much better organized than the pro-choice movement. She set out to investigate the murderers of Roe. Killers of Roe chronicles Littlefield's journey into the unexplored corners of the most successful social movement of our time. As in every good murder mystery, the killers turn out to be the people you least suspect, like a disgraced former Congressman obsessed with offshore tax evasion and an unknown suburban bureaucrat who wrote America's most diabolical anti-abortion policy. She reports from a sweaty presidential tour bus in DC, a chaotic Michigan courtroom where a former fetus thief is on trial, and a Texas town that rejects an abortion travel ban. She encounters surprising characters who shed light on how we got to this moment of authoritarian rule: from the pro-choice superfans she meets at the Reagan library to the Senator who couldn't stop kissing every woman he met. Along the way, Amy draws upon the stories of women who have died from anti-abortion policies and on her own experience as a mother to reveal the life-and-death stakes of America's abortion wars. At once clever and poignant reportage, this abortion whodunnit uncovers the deeper story of how we lost Roe--and how we can win back so much more.


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]]> Amy Littlefield, "Killers of Roe: My Investigation Into the Mysterious Death of Abortion Rights" (Legacy Lit, 2026) New Books Network 00:50:22 In Killers of Roe: My Investigation Into the Mysterious Death of Abortion Rights (Legacy Lit, 2026) reporter Amy Littlefield investigates the secret killers and hidden motives behind the death of abortion rights. They are going to kill people, investigative reporter for The Nation Littlefield knew, when the Supreme Court overturned Roe v. Wade. As a journalist covering abortion for more than a decade, she had already chronicled many near-death experiences caused by anti-abortion policy. After the anti-abortion movement's staggering defeat of Roe, she became fascinated with their victory and why they seemed so much better organized than the pro-choice movement. She set out to investigate the murderers of Roe. Killers of Roe chronicles Littlefield's journey into the unexplored corners of the most successful social movement of our time. As in every good murder mystery, the killers turn out to be the people you least suspect, like a disgraced former Congressman obsessed with offshore tax evasion and an unknown suburban bureaucrat who wrote America's most diabolical anti-abortion policy. She reports from a sweaty presidential tour bus in DC, a chaotic Michigan courtroom where a former fetus thief is on trial, and a Texas town that rejects an abortion travel ban. She encounters surprising characters who shed light on how we got to this moment of authoritarian rule: from the pro-choice superfans she meets at the Reagan library to the Senator who couldn't stop kissing every woman he met. Along the way, Amy draws upon the stories of women who have died from anti-abortion policies and on her own experience as a mother to reveal the life-and-death stakes of America's abortion wars. At once clever and poignant reportage, this abortion whodunnit uncovers the deeper story of how we lost Roe--and how we can win back so much more. In Killers of Roe: My Investigation Into the Mysterious Death of Abortion Rights (Legacy Lit, 2026) reporter Amy Littlefield investigates the secret killers and hidden motives behind the death of abortion rights. They are going to kill people, investigative reporter for The Nation Littlefield knew, when the Supreme Court overturned Roe v. Wade. As a journalist covering abortion for more than a decade, she had already chronicled many near-death experiences caused by anti-abortion policy. After the anti-abortion movement's staggering defeat of Roe, she became fascinated with their victory and why they seemed so much better organized than the pro-choice movement. She set out to investigate the murderers of Roe. Killers of Roe chronicles Littlefield's journey into the unexplored corners of the most successful social movement of our time. As in every good murder mystery, the killers turn out to be the people you least suspect, like a disgraced former Congressman obsessed with offshore tax evasion and an unknown suburban bureaucrat who wrote America's most diabolical anti-abortion policy. She reports from a sweaty presidential tour bus in DC, a chaotic Michigan courtroom where a former fetus thief is on trial, and a Texas town that rejects an abortion travel ban. She encounters surprising characters who shed light on how we got to this moment of authoritarian rule: from the pro-choice superfans she meets at the Reagan library to the Senator who couldn't stop kissing every woman he met. Along the way, Amy draws upon the stories of women who have died from anti-abortion policies and on her own experience as a mother to reveal the life-and-death stakes of America's abortion wars. At once clever and poignant reportage, this abortion whodunnit uncovers the deeper story of how we lost Roe--and how we can win back so much more. false full 1812 5b0eecca-16d5-11f1-a299-7377434cad86 Jennifer Randles, "Living Diaper to Diaper: The Hidden Crisis of Poverty and Motherhood" (U California Press, 2026) Many of us take diapers for granted. Yet diaper insecurity is a common, often hidden consequence of poverty in the US, where nearly half of American families with young children struggle to get enough diapers.

Drawing on interviews with mothers dealing with this overlooked issue, in Living Diaper to Diaper: The Hidden Crisis of Poverty and Motherhood (U California Press, 2026) Dr. Jennifer Randles shows how diapers have unique practical and symbolic significance for the well-being of families. Tracing the social history of diapering, Randles unravels a complex story of caregiving inequalities, the environmental impacts of child-rearing, and responsibility for meeting children’s basic needs. Yet it is also a hopeful story: the book chronicles the work of people who manage diaper banks as well as the growing diaper distribution movement.

A hard-nosed yet nuanced tale of parenting, Living Diaper to Diaper is an eye-opening examination of inequality and poverty in America.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 5 Mar 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Many of us take diapers for granted. Yet diaper insecurity is a common, often hidden consequence of poverty in the US, where nearly half of American families with young children struggle to get enough diapers.

Drawing on interviews with mothers dealing with this overlooked issue, in Living Diaper to Diaper: The Hidden Crisis of Poverty and Motherhood (U California Press, 2026) Dr. Jennifer Randles shows how diapers have unique practical and symbolic significance for the well-being of families. Tracing the social history of diapering, Randles unravels a complex story of caregiving inequalities, the environmental impacts of child-rearing, and responsibility for meeting children’s basic needs. Yet it is also a hopeful story: the book chronicles the work of people who manage diaper banks as well as the growing diaper distribution movement.

A hard-nosed yet nuanced tale of parenting, Living Diaper to Diaper is an eye-opening examination of inequality and poverty in America.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Jennifer Randles, "Living Diaper to Diaper: The Hidden Crisis of Poverty and Motherhood" (U California Press, 2026) New Books Network 00:38:42 Many of us take diapers for granted. Yet diaper insecurity is a common, often hidden consequence of poverty in the US, where nearly half of American families with young children struggle to get enough diapers. Drawing on interviews with mothers dealing with this overlooked issue, in Living Diaper to Diaper: The Hidden Crisis of Poverty and Motherhood (U California Press, 2026) Dr. Jennifer Randles shows how diapers have unique practical and symbolic significance for the well-being of families. Tracing the social history of diapering, Randles unravels a complex story of caregiving inequalities, the environmental impacts of child-rearing, and responsibility for meeting children’s basic needs. Yet it is also a hopeful story: the book chronicles the work of people who manage diaper banks as well as the growing diaper distribution movement. A hard-nosed yet nuanced tale of parenting, Living Diaper to Diaper is an eye-opening examination of inequality and poverty in America. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Many of us take diapers for granted. Yet diaper insecurity is a common, often hidden consequence of poverty in the US, where nearly half of American families with young children struggle to get enough diapers. Drawing on interviews with mothers dealing with this overlooked issue, in Living Diaper to Diaper: The Hidden Crisis of Poverty and Motherhood (U California Press, 2026) Dr. Jennifer Randles shows how diapers have unique practical and symbolic significance for the well-being of families. Tracing the social history of diapering, Randles unravels a complex story of caregiving inequalities, the environmental impacts of child-rearing, and responsibility for meeting children’s basic needs. Yet it is also a hopeful story: the book chronicles the work of people who manage diaper banks as well as the growing diaper distribution movement. A hard-nosed yet nuanced tale of parenting, Living Diaper to Diaper is an eye-opening examination of inequality and poverty in America. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1811 32586b72-16d4-11f1-a3a5-431222f0c9e6 Eleanor Gordon, "Working-Class Courtship, Marriage, and Divorce in Scotland, 1855–1939" (Oxford UP, 2025) Working-Class Courtship, Marriage, and Divorce in Scotland, 1855–1939 (Oxford UP, 2025) by Professor Eleanor Gordon, Professor Katie Barclay, and Dr. Jeff Meeks is the first book-length study of the history of working-class courtship and marriage in Scotland, from the establishment of civil registration to the introduction in 1939 of legislation which abolished irregular marriage and introduced civil marriage. Adopting a 'life course' approach, the book explores the social, economic, and cultural contexts of romantic partnerships, from courtship through to marital or family dissolution.
Drawing from a wide range of sources that capture official accounts and discourses on the one hand, and the testimony and experience of working-class people on the other, the book offers a uniquely broad and textured view of courtship and marriage in this period. In so doing, it advances recent historiographical debates surrounding marriage in the Anglophone world, particularly the mutability of 'love', and whether the late nineteenth and early twentieth centuries constituted a social and cultural 'turning point' for the working classes in terms of choice of marriage partner, the nature of the marital relationship, and the parent-child relationship. The book also engages with debates about extra-marital sexual activity in the nineteenth and early twentieth centuries, whether the family was more or less 'stable' than the contemporary family, and the different ways that marriages broke down before the advent of divorce reform. This has important implications for wider European and North American historiography, and raises timely questions about the primacy of the 'traditional family' in policy and public discourse.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Thu, 5 Mar 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Working-Class Courtship, Marriage, and Divorce in Scotland, 1855–1939 (Oxford UP, 2025) by Professor Eleanor Gordon, Professor Katie Barclay, and Dr. Jeff Meeks is the first book-length study of the history of working-class courtship and marriage in Scotland, from the establishment of civil registration to the introduction in 1939 of legislation which abolished irregular marriage and introduced civil marriage. Adopting a 'life course' approach, the book explores the social, economic, and cultural contexts of romantic partnerships, from courtship through to marital or family dissolution.
Drawing from a wide range of sources that capture official accounts and discourses on the one hand, and the testimony and experience of working-class people on the other, the book offers a uniquely broad and textured view of courtship and marriage in this period. In so doing, it advances recent historiographical debates surrounding marriage in the Anglophone world, particularly the mutability of 'love', and whether the late nineteenth and early twentieth centuries constituted a social and cultural 'turning point' for the working classes in terms of choice of marriage partner, the nature of the marital relationship, and the parent-child relationship. The book also engages with debates about extra-marital sexual activity in the nineteenth and early twentieth centuries, whether the family was more or less 'stable' than the contemporary family, and the different ways that marriages broke down before the advent of divorce reform. This has important implications for wider European and North American historiography, and raises timely questions about the primacy of the 'traditional family' in policy and public discourse.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Eleanor Gordon, "Working-Class Courtship, Marriage, and Divorce in Scotland, 1855–1939" (Oxford UP, 2025) New Books Network 01:00:31 Working-Class Courtship, Marriage, and Divorce in Scotland, 1855–1939 (Oxford UP, 2025) by Professor Eleanor Gordon, Professor Katie Barclay, and Dr. Jeff Meeks is the first book-length study of the history of working-class courtship and marriage in Scotland, from the establishment of civil registration to the introduction in 1939 of legislation which abolished irregular marriage and introduced civil marriage. Adopting a 'life course' approach, the book explores the social, economic, and cultural contexts of romantic partnerships, from courtship through to marital or family dissolution.Drawing from a wide range of sources that capture official accounts and discourses on the one hand, and the testimony and experience of working-class people on the other, the book offers a uniquely broad and textured view of courtship and marriage in this period. In so doing, it advances recent historiographical debates surrounding marriage in the Anglophone world, particularly the mutability of 'love', and whether the late nineteenth and early twentieth centuries constituted a social and cultural 'turning point' for the working classes in terms of choice of marriage partner, the nature of the marital relationship, and the parent-child relationship. The book also engages with debates about extra-marital sexual activity in the nineteenth and early twentieth centuries, whether the family was more or less 'stable' than the contemporary family, and the different ways that marriages broke down before the advent of divorce reform. This has important implications for wider European and North American historiography, and raises timely questions about the primacy of the 'traditional family' in policy and public discourse. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Working-Class Courtship, Marriage, and Divorce in Scotland, 1855–1939 (Oxford UP, 2025) by Professor Eleanor Gordon, Professor Katie Barclay, and Dr. Jeff Meeks is the first book-length study of the history of working-class courtship and marriage in Scotland, from the establishment of civil registration to the introduction in 1939 of legislation which abolished irregular marriage and introduced civil marriage. Adopting a 'life course' approach, the book explores the social, economic, and cultural contexts of romantic partnerships, from courtship through to marital or family dissolution.Drawing from a wide range of sources that capture official accounts and discourses on the one hand, and the testimony and experience of working-class people on the other, the book offers a uniquely broad and textured view of courtship and marriage in this period. In so doing, it advances recent historiographical debates surrounding marriage in the Anglophone world, particularly the mutability of 'love', and whether the late nineteenth and early twentieth centuries constituted a social and cultural 'turning point' for the working classes in terms of choice of marriage partner, the nature of the marital relationship, and the parent-child relationship. The book also engages with debates about extra-marital sexual activity in the nineteenth and early twentieth centuries, whether the family was more or less 'stable' than the contemporary family, and the different ways that marriages broke down before the advent of divorce reform. This has important implications for wider European and North American historiography, and raises timely questions about the primacy of the 'traditional family' in policy and public discourse. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1810 172295ce-16c7-11f1-9458-a7b62c41e029 Lorraine Grimes, "Single Mothers in Twentieth-century Ireland and Britain: Pregnancy, Migration and Institutionalization" (Bloomsbury, 2025) Throughout the twentieth century, many women in Ireland and Britain endured shame and institutionalisation for becoming pregnant outside of marriage. In Single Mothers in Twentieth-century Ireland and Britain: Pregnancy, Migration and Institutionalization (Bloomsbury, 2025), Dr. Lorraine Grimes examines the journeys made by hundreds of pregnant Irish women to Britain as they fled to escape their local communities.

Their experiences in Britain, however, were not free of stigma and Dr. Grimes's book analyses the nuances of the institutional networks both in Britain and Ireland which these women utilised.

Single Mothers in Twentieth Century Ireland and Britain focuses on the experiences of women from 1926-1973 in cities with high Irish emigrant populations, including London, Liverpool, Birmingham and Glasgow. Unlike official narratives such as Ireland's Commission of Investigation into the Mother and Baby Homes, this book prioritises the experiences of the survivors and ensures that women's experiences are central to the narrative. It also incorporates original interviews with children born in institutions and for the first time, interviews with religious and medical staff are also included in the historiography.

From extensive archival research, this book reveals cases of Irish single mothers seeking assistance in Britain as well as cases of rape, incest and domestic violence within the institutional records. In addition, archival cases expose prejudice towards women from other colonial countries in institutions in Britain, particularly from the 1960s.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Wed, 4 Mar 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Throughout the twentieth century, many women in Ireland and Britain endured shame and institutionalisation for becoming pregnant outside of marriage. In Single Mothers in Twentieth-century Ireland and Britain: Pregnancy, Migration and Institutionalization (Bloomsbury, 2025), Dr. Lorraine Grimes examines the journeys made by hundreds of pregnant Irish women to Britain as they fled to escape their local communities.

Their experiences in Britain, however, were not free of stigma and Dr. Grimes's book analyses the nuances of the institutional networks both in Britain and Ireland which these women utilised.

Single Mothers in Twentieth Century Ireland and Britain focuses on the experiences of women from 1926-1973 in cities with high Irish emigrant populations, including London, Liverpool, Birmingham and Glasgow. Unlike official narratives such as Ireland's Commission of Investigation into the Mother and Baby Homes, this book prioritises the experiences of the survivors and ensures that women's experiences are central to the narrative. It also incorporates original interviews with children born in institutions and for the first time, interviews with religious and medical staff are also included in the historiography.

From extensive archival research, this book reveals cases of Irish single mothers seeking assistance in Britain as well as cases of rape, incest and domestic violence within the institutional records. In addition, archival cases expose prejudice towards women from other colonial countries in institutions in Britain, particularly from the 1960s.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Lorraine Grimes, "Single Mothers in Twentieth-century Ireland and Britain: Pregnancy, Migration and Institutionalization" (Bloomsbury, 2025) New Books Network 00:44:34 Throughout the twentieth century, many women in Ireland and Britain endured shame and institutionalisation for becoming pregnant outside of marriage. In Single Mothers in Twentieth-century Ireland and Britain: Pregnancy, Migration and Institutionalization (Bloomsbury, 2025), Dr. Lorraine Grimes examines the journeys made by hundreds of pregnant Irish women to Britain as they fled to escape their local communities. Their experiences in Britain, however, were not free of stigma and Dr. Grimes's book analyses the nuances of the institutional networks both in Britain and Ireland which these women utilised. Single Mothers in Twentieth Century Ireland and Britain focuses on the experiences of women from 1926-1973 in cities with high Irish emigrant populations, including London, Liverpool, Birmingham and Glasgow. Unlike official narratives such as Ireland's Commission of Investigation into the Mother and Baby Homes, this book prioritises the experiences of the survivors and ensures that women's experiences are central to the narrative. It also incorporates original interviews with children born in institutions and for the first time, interviews with religious and medical staff are also included in the historiography. From extensive archival research, this book reveals cases of Irish single mothers seeking assistance in Britain as well as cases of rape, incest and domestic violence within the institutional records. In addition, archival cases expose prejudice towards women from other colonial countries in institutions in Britain, particularly from the 1960s. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Throughout the twentieth century, many women in Ireland and Britain endured shame and institutionalisation for becoming pregnant outside of marriage. In Single Mothers in Twentieth-century Ireland and Britain: Pregnancy, Migration and Institutionalization (Bloomsbury, 2025), Dr. Lorraine Grimes examines the journeys made by hundreds of pregnant Irish women to Britain as they fled to escape their local communities. Their experiences in Britain, however, were not free of stigma and Dr. Grimes's book analyses the nuances of the institutional networks both in Britain and Ireland which these women utilised. Single Mothers in Twentieth Century Ireland and Britain focuses on the experiences of women from 1926-1973 in cities with high Irish emigrant populations, including London, Liverpool, Birmingham and Glasgow. Unlike official narratives such as Ireland's Commission of Investigation into the Mother and Baby Homes, this book prioritises the experiences of the survivors and ensures that women's experiences are central to the narrative. It also incorporates original interviews with children born in institutions and for the first time, interviews with religious and medical staff are also included in the historiography. From extensive archival research, this book reveals cases of Irish single mothers seeking assistance in Britain as well as cases of rape, incest and domestic violence within the institutional records. In addition, archival cases expose prejudice towards women from other colonial countries in institutions in Britain, particularly from the 1960s. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1809 479f9c22-14b7-11f1-a14e-074b5672f654 E. T. Dailey, "Radegund: The Trials and Triumphs of a Merovingian Queen" (Oxford UP, 2023) A princess born to the Thuringian royal house. A captive in war, forced to marry the Frankish king who killed her family. A queen, who renounced her position, received consecration as a deaconess, and took monastic vows. A religious leader, who acquired a fragment of the Cross of the Crucifixion for her convent of Holy Cross in Poitiers. And, lastly, a saint, remembered for her healings, exorcisms, and extreme self-mortification. Such was Radegund, a woman who lived through an era defined by headlong change. Honored as a "mother" by subsequent Frankish kings and as a holy woman by her nuns and devotees, Radegund enjoyed a reputation for righteousness that spread throughout the whole of medieval Europe, with later queens emulating her pious achievements. For generations, she defined medieval queenship, female monastic practice, and the expectations associated with holy women. Today, she is often envisioned as a pan-European saint.

Radegund: The Trials and Triumphs of a Merovingian Queen (Oxford University Press, 2023) by Dr. E. T. Dailey presents a new interpretation of this remarkable woman, examining her vibrant life and legacy. Dr. Dailey shows how she succeeded in establishing a place for herself within this difficult and dangerous world, despite the trials she faced. He also demonstrates how Radegund achieved a position of prominence as a woman in a foreign land without resorting to the violence and intrigue that characterized the lives of other prominent women during this period. Based on a wealth of English, French, and German scholarship, this book will equip experts and lay readers with a concise, authoritative, and accessible portrait of Radegund.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Mon, 2 Mar 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A princess born to the Thuringian royal house. A captive in war, forced to marry the Frankish king who killed her family. A queen, who renounced her position, received consecration as a deaconess, and took monastic vows. A religious leader, who acquired a fragment of the Cross of the Crucifixion for her convent of Holy Cross in Poitiers. And, lastly, a saint, remembered for her healings, exorcisms, and extreme self-mortification. Such was Radegund, a woman who lived through an era defined by headlong change. Honored as a "mother" by subsequent Frankish kings and as a holy woman by her nuns and devotees, Radegund enjoyed a reputation for righteousness that spread throughout the whole of medieval Europe, with later queens emulating her pious achievements. For generations, she defined medieval queenship, female monastic practice, and the expectations associated with holy women. Today, she is often envisioned as a pan-European saint.

Radegund: The Trials and Triumphs of a Merovingian Queen (Oxford University Press, 2023) by Dr. E. T. Dailey presents a new interpretation of this remarkable woman, examining her vibrant life and legacy. Dr. Dailey shows how she succeeded in establishing a place for herself within this difficult and dangerous world, despite the trials she faced. He also demonstrates how Radegund achieved a position of prominence as a woman in a foreign land without resorting to the violence and intrigue that characterized the lives of other prominent women during this period. Based on a wealth of English, French, and German scholarship, this book will equip experts and lay readers with a concise, authoritative, and accessible portrait of Radegund.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> E. T. Dailey, "Radegund: The Trials and Triumphs of a Merovingian Queen" (Oxford UP, 2023) New Books Network 01:03:15 A princess born to the Thuringian royal house. A captive in war, forced to marry the Frankish king who killed her family. A queen, who renounced her position, received consecration as a deaconess, and took monastic vows. A religious leader, who acquired a fragment of the Cross of the Crucifixion for her convent of Holy Cross in Poitiers. And, lastly, a saint, remembered for her healings, exorcisms, and extreme self-mortification. Such was Radegund, a woman who lived through an era defined by headlong change. Honored as a "mother" by subsequent Frankish kings and as a holy woman by her nuns and devotees, Radegund enjoyed a reputation for righteousness that spread throughout the whole of medieval Europe, with later queens emulating her pious achievements. For generations, she defined medieval queenship, female monastic practice, and the expectations associated with holy women. Today, she is often envisioned as a pan-European saint. Radegund: The Trials and Triumphs of a Merovingian Queen (Oxford University Press, 2023) by Dr. E. T. Dailey presents a new interpretation of this remarkable woman, examining her vibrant life and legacy. Dr. Dailey shows how she succeeded in establishing a place for herself within this difficult and dangerous world, despite the trials she faced. He also demonstrates how Radegund achieved a position of prominence as a woman in a foreign land without resorting to the violence and intrigue that characterized the lives of other prominent women during this period. Based on a wealth of English, French, and German scholarship, this book will equip experts and lay readers with a concise, authoritative, and accessible portrait of Radegund. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. A princess born to the Thuringian royal house. A captive in war, forced to marry the Frankish king who killed her family. A queen, who renounced her position, received consecration as a deaconess, and took monastic vows. A religious leader, who acquired a fragment of the Cross of the Crucifixion for her convent of Holy Cross in Poitiers. And, lastly, a saint, remembered for her healings, exorcisms, and extreme self-mortification. Such was Radegund, a woman who lived through an era defined by headlong change. Honored as a "mother" by subsequent Frankish kings and as a holy woman by her nuns and devotees, Radegund enjoyed a reputation for righteousness that spread throughout the whole of medieval Europe, with later queens emulating her pious achievements. For generations, she defined medieval queenship, female monastic practice, and the expectations associated with holy women. Today, she is often envisioned as a pan-European saint. Radegund: The Trials and Triumphs of a Merovingian Queen (Oxford University Press, 2023) by Dr. E. T. Dailey presents a new interpretation of this remarkable woman, examining her vibrant life and legacy. Dr. Dailey shows how she succeeded in establishing a place for herself within this difficult and dangerous world, despite the trials she faced. He also demonstrates how Radegund achieved a position of prominence as a woman in a foreign land without resorting to the violence and intrigue that characterized the lives of other prominent women during this period. Based on a wealth of English, French, and German scholarship, this book will equip experts and lay readers with a concise, authoritative, and accessible portrait of Radegund. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 56 66242c0c-12dd-11f1-b354-8f33b9737872 Joanna Bourke, "Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker" (Reaktion, 2026) Why do certain women become icons of evil? Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker (Reaktion, 2026) by Professor Joanna Bourke offers the first comparative, non-sensationalist account of five of the most reviled women in the modern Anglophone world: Myra Hindley, Rosemary West, Aileen Wuornos, Karla Homolka and Karla Faye Tucker. It examines their lives, crimes and cultural reception in the UK, USA and Canada, asking how violence committed by women is understood, judged and remembered. Going beyond moral outrage or tabloid headlines, the book explores how concepts of 'evil' are shaped by history, belief systems and social context. Through historical and ethical reflections, it offers a deeper, more critical engagement with female violence, and considers how society should respond to those who commit acts of unimaginable harm.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sun, 1 Mar 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Why do certain women become icons of evil? Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker (Reaktion, 2026) by Professor Joanna Bourke offers the first comparative, non-sensationalist account of five of the most reviled women in the modern Anglophone world: Myra Hindley, Rosemary West, Aileen Wuornos, Karla Homolka and Karla Faye Tucker. It examines their lives, crimes and cultural reception in the UK, USA and Canada, asking how violence committed by women is understood, judged and remembered. Going beyond moral outrage or tabloid headlines, the book explores how concepts of 'evil' are shaped by history, belief systems and social context. Through historical and ethical reflections, it offers a deeper, more critical engagement with female violence, and considers how society should respond to those who commit acts of unimaginable harm.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Joanna Bourke, "Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker" (Reaktion, 2026) New Books Network 00:57:24 Why do certain women become icons of evil? Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker (Reaktion, 2026) by Professor Joanna Bourke offers the first comparative, non-sensationalist account of five of the most reviled women in the modern Anglophone world: Myra Hindley, Rosemary West, Aileen Wuornos, Karla Homolka and Karla Faye Tucker. It examines their lives, crimes and cultural reception in the UK, USA and Canada, asking how violence committed by women is understood, judged and remembered. Going beyond moral outrage or tabloid headlines, the book explores how concepts of 'evil' are shaped by history, belief systems and social context. Through historical and ethical reflections, it offers a deeper, more critical engagement with female violence, and considers how society should respond to those who commit acts of unimaginable harm. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Why do certain women become icons of evil? Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker (Reaktion, 2026) by Professor Joanna Bourke offers the first comparative, non-sensationalist account of five of the most reviled women in the modern Anglophone world: Myra Hindley, Rosemary West, Aileen Wuornos, Karla Homolka and Karla Faye Tucker. It examines their lives, crimes and cultural reception in the UK, USA and Canada, asking how violence committed by women is understood, judged and remembered. Going beyond moral outrage or tabloid headlines, the book explores how concepts of 'evil' are shaped by history, belief systems and social context. Through historical and ethical reflections, it offers a deeper, more critical engagement with female violence, and considers how society should respond to those who commit acts of unimaginable harm. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1807 8f785926-12d2-11f1-82a8-7bd7d25ca4f3 Sarah Jones Weicksel, "A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era" (UNC Press, 2026) During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.
In A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Fri, 27 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.
In A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sarah Jones Weicksel, "A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era" (UNC Press, 2026) New Books Network 00:53:37 During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.In A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.In A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1806 277bc8e4-115b-11f1-8148-e710a0ce15ea Leah Astbury, "Making Babies in Early Modern England" (Cambridge UP, 2025) Leah Astbury's new book, Making Babies in Early Modern England (Cambridge UP, 2025), explores the ideals and realities that governed generation in the sixteenth and seventeenth centuries. Astbury uses the family as her unit of study to understand how people approached fertility, pregnancy, preparing for birth, delivery, and the recovery process, as well as early infant care. As she argues, making babies was a family concern, one in which both women and men had a stake. Drawing on a wide range of manuscript and print sources, Making Babies is a lively read and sure to appeal to anyone interested in the history of the family, medicine, birth, or gender in early modern England.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Profile here


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]]> Thu, 26 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Leah Astbury's new book, Making Babies in Early Modern England (Cambridge UP, 2025), explores the ideals and realities that governed generation in the sixteenth and seventeenth centuries. Astbury uses the family as her unit of study to understand how people approached fertility, pregnancy, preparing for birth, delivery, and the recovery process, as well as early infant care. As she argues, making babies was a family concern, one in which both women and men had a stake. Drawing on a wide range of manuscript and print sources, Making Babies is a lively read and sure to appeal to anyone interested in the history of the family, medicine, birth, or gender in early modern England.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Profile here


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]]> Leah Astbury, "Making Babies in Early Modern England" (Cambridge UP, 2025) New Books Network 00:56:46 Leah Astbury's new book, Making Babies in Early Modern England (Cambridge UP, 2025), explores the ideals and realities that governed generation in the sixteenth and seventeenth centuries. Astbury uses the family as her unit of study to understand how people approached fertility, pregnancy, preparing for birth, delivery, and the recovery process, as well as early infant care. As she argues, making babies was a family concern, one in which both women and men had a stake. Drawing on a wide range of manuscript and print sources, Making Babies is a lively read and sure to appeal to anyone interested in the history of the family, medicine, birth, or gender in early modern England. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Profile here Leah Astbury's new book, Making Babies in Early Modern England (Cambridge UP, 2025), explores the ideals and realities that governed generation in the sixteenth and seventeenth centuries. Astbury uses the family as her unit of study to understand how people approached fertility, pregnancy, preparing for birth, delivery, and the recovery process, as well as early infant care. As she argues, making babies was a family concern, one in which both women and men had a stake. Drawing on a wide range of manuscript and print sources, Making Babies is a lively read and sure to appeal to anyone interested in the history of the family, medicine, birth, or gender in early modern England. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Profile here false full 1805 f4abfd08-108d-11f1-8e3b-8b301be450a0 Andrea Mansker, "Matchmaking and the Marriage Market in Postrevolutionary France" (Cornell UP, 2024) Matchmaking and the Marriage Market in Postrevolutionary France (Cornell UP, 2024) gives an historical account of the evolution of the matchmaking business during the Second Empire in France. The book explores how the matchmaking industry at the Postrevolutionary France was shaped by commodified stories of hope and fantasy, including democratization of the matchmaking business, which aroused the interest of democratized French audience, including lower-middle-class individuals, through exaggerated advertisements in the media productions. The book also gives an exposition on the period of French Revolution and how it significantly altered family legislation and marriage practices, leading to increased freedom in spouse selection and the rise of professional matchmakers like Claude Viome. The book highlights how the revolutionary reforms impact on marriage of the French populace, including the age reduction policy for the majority and lifting of parental consent for marriage, as well as introducing divorce by mutual consent in 1792.

According to Andrea Mansker, the changes in age and divorce policy, combined with increased mobility and changing social patterns in Paris, encouraged young people across classes to demand more freedom in spouse selection, leading Claude Viome to market his services as a way to bypass traditional family negotiations in courtship. The book relates the1804 Civil Code, explaining how it preserved revolutionary reforms like equality before the law but restored traditional family structures by treating married women and children as legal minors under their husband's authority. It exposes how divorce became less common and eventually outlawed in 1816, and detailed the French Supreme Court's 1855 ruling against matchmaker contracts, which viewed marriage as a sacred agreement distinct from commercial transactions. 

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ | LinkedIn here | ORCID here | Meta here |


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]]> Tue, 24 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Matchmaking and the Marriage Market in Postrevolutionary France (Cornell UP, 2024) gives an historical account of the evolution of the matchmaking business during the Second Empire in France. The book explores how the matchmaking industry at the Postrevolutionary France was shaped by commodified stories of hope and fantasy, including democratization of the matchmaking business, which aroused the interest of democratized French audience, including lower-middle-class individuals, through exaggerated advertisements in the media productions. The book also gives an exposition on the period of French Revolution and how it significantly altered family legislation and marriage practices, leading to increased freedom in spouse selection and the rise of professional matchmakers like Claude Viome. The book highlights how the revolutionary reforms impact on marriage of the French populace, including the age reduction policy for the majority and lifting of parental consent for marriage, as well as introducing divorce by mutual consent in 1792.

According to Andrea Mansker, the changes in age and divorce policy, combined with increased mobility and changing social patterns in Paris, encouraged young people across classes to demand more freedom in spouse selection, leading Claude Viome to market his services as a way to bypass traditional family negotiations in courtship. The book relates the1804 Civil Code, explaining how it preserved revolutionary reforms like equality before the law but restored traditional family structures by treating married women and children as legal minors under their husband's authority. It exposes how divorce became less common and eventually outlawed in 1816, and detailed the French Supreme Court's 1855 ruling against matchmaker contracts, which viewed marriage as a sacred agreement distinct from commercial transactions. 

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ | LinkedIn here | ORCID here | Meta here |


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]]> Andrea Mansker, "Matchmaking and the Marriage Market in Postrevolutionary France" (Cornell UP, 2024) New Books Network 00:46:22 Matchmaking and the Marriage Market in Postrevolutionary France (Cornell UP, 2024) gives an historical account of the evolution of the matchmaking business during the Second Empire in France. The book explores how the matchmaking industry at the Postrevolutionary France was shaped by commodified stories of hope and fantasy, including democratization of the matchmaking business, which aroused the interest of democratized French audience, including lower-middle-class individuals, through exaggerated advertisements in the media productions. The book also gives an exposition on the period of French Revolution and how it significantly altered family legislation and marriage practices, leading to increased freedom in spouse selection and the rise of professional matchmakers like Claude Viome. The book highlights how the revolutionary reforms impact on marriage of the French populace, including the age reduction policy for the majority and lifting of parental consent for marriage, as well as introducing divorce by mutual consent in 1792. According to Andrea Mansker, the changes in age and divorce policy, combined with increased mobility and changing social patterns in Paris, encouraged young people across classes to demand more freedom in spouse selection, leading Claude Viome to market his services as a way to bypass traditional family negotiations in courtship. The book relates the1804 Civil Code, explaining how it preserved revolutionary reforms like equality before the law but restored traditional family structures by treating married women and children as legal minors under their husband's authority. It exposes how divorce became less common and eventually outlawed in 1816, and detailed the French Supreme Court's 1855 ruling against matchmaker contracts, which viewed marriage as a sacred agreement distinct from commercial transactions.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ | LinkedIn here | ORCID here | Meta here | Matchmaking and the Marriage Market in Postrevolutionary France (Cornell UP, 2024) gives an historical account of the evolution of the matchmaking business during the Second Empire in France. The book explores how the matchmaking industry at the Postrevolutionary France was shaped by commodified stories of hope and fantasy, including democratization of the matchmaking business, which aroused the interest of democratized French audience, including lower-middle-class individuals, through exaggerated advertisements in the media productions. The book also gives an exposition on the period of French Revolution and how it significantly altered family legislation and marriage practices, leading to increased freedom in spouse selection and the rise of professional matchmakers like Claude Viome. The book highlights how the revolutionary reforms impact on marriage of the French populace, including the age reduction policy for the majority and lifting of parental consent for marriage, as well as introducing divorce by mutual consent in 1792. According to Andrea Mansker, the changes in age and divorce policy, combined with increased mobility and changing social patterns in Paris, encouraged young people across classes to demand more freedom in spouse selection, leading Claude Viome to market his services as a way to bypass traditional family negotiations in courtship. The book relates the1804 Civil Code, explaining how it preserved revolutionary reforms like equality before the law but restored traditional family structures by treating married women and children as legal minors under their husband's authority. It exposes how divorce became less common and eventually outlawed in 1816, and detailed the French Supreme Court's 1855 ruling against matchmaker contracts, which viewed marriage as a sacred agreement distinct from commercial transactions.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ | LinkedIn here | ORCID here | Meta here | false full 1804 aed171ee-108a-11f1-8c3c-67ab69508059 Gail D. Zona, "Dearest Clara: The Correspondence of the Nichols Sisters, 1858-1898" (Palmetto, 2025) Meet the Nichols sisters-Clara, Alice, and Cornelia "Nell"-and discover the thoughts and sentiments of three commonplace, working-class women through their never-before-published correspondence. Clara, the eldest and most responsible sister, whose ambitions are thwarted by her gender; Alice, the middle sister, dependable and independent minded, who finds herself living far from Michigan on the Kansas frontier; and Nell, the youngest and most headstrong of the three, whom we come to know the best. Her letters from 1858 to 1898 show her evolution from an opinionated eighteen-year-old young woman to middle-aged wife and mother, determined despite legal and cultural obstacles to maintain her dignity in a troubled marriage and difficult family.

In Dearest Clara: The Correspondence of the Nichols Sisters, 1858-1898 (Palmetto, 2025) through their letters, we witness how the sisters navigate personal struggles, family responsibilities, and economic hardships. We are privy to the depth of their affection for one another, their shared confidences, and the dynamics of their sometimes complicated relationship. The sisters give us a glimpse into a time when clothing was handmade, when childhood diseases were rampant, when women rarely had autonomy or agency, when distances were measured not in hours but in days, and when family was paramount.

Family letters are an enormous, untapped resource for historians and genealogists alike. In Dearest Clara, independent researcher Gail D. Zona analyzes the Nichols sisters' correspondence individually and as a whole. Women have been overlooked by history, and ordinary women have been overlooked to an even greater extent. While the Nichols sisters' writings reveal their characters and individuality, their letters also shed light on the common values and norms by which their generation lived. The very ordinariness of the Nichols sisters makes their letters remarkable.


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]]> Tue, 24 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Meet the Nichols sisters-Clara, Alice, and Cornelia "Nell"-and discover the thoughts and sentiments of three commonplace, working-class women through their never-before-published correspondence. Clara, the eldest and most responsible sister, whose ambitions are thwarted by her gender; Alice, the middle sister, dependable and independent minded, who finds herself living far from Michigan on the Kansas frontier; and Nell, the youngest and most headstrong of the three, whom we come to know the best. Her letters from 1858 to 1898 show her evolution from an opinionated eighteen-year-old young woman to middle-aged wife and mother, determined despite legal and cultural obstacles to maintain her dignity in a troubled marriage and difficult family.

In Dearest Clara: The Correspondence of the Nichols Sisters, 1858-1898 (Palmetto, 2025) through their letters, we witness how the sisters navigate personal struggles, family responsibilities, and economic hardships. We are privy to the depth of their affection for one another, their shared confidences, and the dynamics of their sometimes complicated relationship. The sisters give us a glimpse into a time when clothing was handmade, when childhood diseases were rampant, when women rarely had autonomy or agency, when distances were measured not in hours but in days, and when family was paramount.

Family letters are an enormous, untapped resource for historians and genealogists alike. In Dearest Clara, independent researcher Gail D. Zona analyzes the Nichols sisters' correspondence individually and as a whole. Women have been overlooked by history, and ordinary women have been overlooked to an even greater extent. While the Nichols sisters' writings reveal their characters and individuality, their letters also shed light on the common values and norms by which their generation lived. The very ordinariness of the Nichols sisters makes their letters remarkable.


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]]> Gail D. Zona, "Dearest Clara: The Correspondence of the Nichols Sisters, 1858-1898" (Palmetto, 2025) New Books Network 00:48:11 Meet the Nichols sisters-Clara, Alice, and Cornelia "Nell"-and discover the thoughts and sentiments of three commonplace, working-class women through their never-before-published correspondence. Clara, the eldest and most responsible sister, whose ambitions are thwarted by her gender; Alice, the middle sister, dependable and independent minded, who finds herself living far from Michigan on the Kansas frontier; and Nell, the youngest and most headstrong of the three, whom we come to know the best. Her letters from 1858 to 1898 show her evolution from an opinionated eighteen-year-old young woman to middle-aged wife and mother, determined despite legal and cultural obstacles to maintain her dignity in a troubled marriage and difficult family. In Dearest Clara: The Correspondence of the Nichols Sisters, 1858-1898 (Palmetto, 2025) through their letters, we witness how the sisters navigate personal struggles, family responsibilities, and economic hardships. We are privy to the depth of their affection for one another, their shared confidences, and the dynamics of their sometimes complicated relationship. The sisters give us a glimpse into a time when clothing was handmade, when childhood diseases were rampant, when women rarely had autonomy or agency, when distances were measured not in hours but in days, and when family was paramount. Family letters are an enormous, untapped resource for historians and genealogists alike. In Dearest Clara, independent researcher Gail D. Zona analyzes the Nichols sisters' correspondence individually and as a whole. Women have been overlooked by history, and ordinary women have been overlooked to an even greater extent. While the Nichols sisters' writings reveal their characters and individuality, their letters also shed light on the common values and norms by which their generation lived. The very ordinariness of the Nichols sisters makes their letters remarkable. Meet the Nichols sisters-Clara, Alice, and Cornelia "Nell"-and discover the thoughts and sentiments of three commonplace, working-class women through their never-before-published correspondence. Clara, the eldest and most responsible sister, whose ambitions are thwarted by her gender; Alice, the middle sister, dependable and independent minded, who finds herself living far from Michigan on the Kansas frontier; and Nell, the youngest and most headstrong of the three, whom we come to know the best. Her letters from 1858 to 1898 show her evolution from an opinionated eighteen-year-old young woman to middle-aged wife and mother, determined despite legal and cultural obstacles to maintain her dignity in a troubled marriage and difficult family. In Dearest Clara: The Correspondence of the Nichols Sisters, 1858-1898 (Palmetto, 2025) through their letters, we witness how the sisters navigate personal struggles, family responsibilities, and economic hardships. We are privy to the depth of their affection for one another, their shared confidences, and the dynamics of their sometimes complicated relationship. The sisters give us a glimpse into a time when clothing was handmade, when childhood diseases were rampant, when women rarely had autonomy or agency, when distances were measured not in hours but in days, and when family was paramount. Family letters are an enormous, untapped resource for historians and genealogists alike. In Dearest Clara, independent researcher Gail D. Zona analyzes the Nichols sisters' correspondence individually and as a whole. Women have been overlooked by history, and ordinary women have been overlooked to an even greater extent. While the Nichols sisters' writings reveal their characters and individuality, their letters also shed light on the common values and norms by which their generation lived. The very ordinariness of the Nichols sisters makes their letters remarkable. false full 1803 b8d73f34-0b0d-11f1-a433-27710c73bb9d Carla Kaplan, "Troublemaker: The Fierce, Unruly Life of Jessica Mitford" (Harper, 2025) My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel’s life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan’s passionate biography beautifully illuminates how Decca’s hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today.

Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod.


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]]> Wed, 18 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel’s life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan’s passionate biography beautifully illuminates how Decca’s hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today.

Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod.


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]]> Carla Kaplan, "Troublemaker: The Fierce, Unruly Life of Jessica Mitford" (Harper, 2025) New Books Network 01:05:52 My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel’s life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan’s passionate biography beautifully illuminates how Decca’s hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today. Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. My guest today is Carla Kaplan, the author of Troublemaker: The Fierce, Unruly Life of Jessica Mitford (Harper, 2025). In Troublemaker, Kaplan tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death. This biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Decca ran away to America to forge a rebel’s life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan’s passionate biography beautifully illuminates how Decca’s hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today. Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She has published seven books, including Zora Neale Hurston: A Life in Letters and Miss Anne in Harlem: The White Women of the Black Renaissance, both New York Times Notable Books. A recipient of Guggenheim and National Endowment for the Humanities “Public Scholar” fellowships, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. Du Bois Research Institute; is a fellow of the Society of American Historians; and serves on the board of Biographers International. She divides her time between Boston and Cape Cod. false full 1802 d4f606f4-0afa-11f1-93bd-175845cfabfb Shelley Puhak, "The Blood Countess: Murder, Betrayal, and the Making of a Monster" (Bloomsbury, 2026) There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her.

Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim- of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, in The Blood Countess: Murder, Betrayal, and the Making of a Monster (Bloomsbury, 2026) Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 17 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her.

Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim- of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, in The Blood Countess: Murder, Betrayal, and the Making of a Monster (Bloomsbury, 2026) Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Shelley Puhak, "The Blood Countess: Murder, Betrayal, and the Making of a Monster" (Bloomsbury, 2026) New Books Network 00:48:16 There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her. Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim- of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, in The Blood Countess: Murder, Betrayal, and the Making of a Monster (Bloomsbury, 2026) Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her. Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim- of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, in The Blood Countess: Murder, Betrayal, and the Making of a Monster (Bloomsbury, 2026) Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1801 bae336c4-0ab4-11f1-905b-6ffcb2845429 Feminism and Critical Hindu Studies with Shreena Gandhi, Harshita Kamath, Sailaja Krishnamurt, and Shana Sippy This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law.

Guests:

Shreena Gandhi: Professor of Religious Studies, Michigan State University

Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University

Sailaja Krishnamurti: Professor of Gender Studies, Queen’s University

Shana Sippy, Professor of Religion, Centre College

Mentioned in the episode:

Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation

Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance

Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora.

Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai’i Press, 207-226, 2020.

Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992.

Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming.

Thenmozhi Soundarajan, The Trauma of Caste

Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others

Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation”

Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America”

Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists”

Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism”

Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress

Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus"

Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism

Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy”

Equality Labs is a South Asian Dalit civil rights organization.


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]]> Mon, 16 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law.

Guests:

Shreena Gandhi: Professor of Religious Studies, Michigan State University

Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University

Sailaja Krishnamurti: Professor of Gender Studies, Queen’s University

Shana Sippy, Professor of Religion, Centre College

Mentioned in the episode:

Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation

Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance

Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora.

Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai’i Press, 207-226, 2020.

Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992.

Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming.

Thenmozhi Soundarajan, The Trauma of Caste

Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others

Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation”

Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America”

Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists”

Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism”

Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress

Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus"

Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism

Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy”

Equality Labs is a South Asian Dalit civil rights organization.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Feminism and Critical Hindu Studies with Shreena Gandhi, Harshita Kamath, Sailaja Krishnamurt, and Shana Sippy New Books Network 00:59:28 This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law. Guests: Shreena Gandhi: Professor of Religious Studies, Michigan State University Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University Sailaja Krishnamurti: Professor of Gender Studies, Queen’s University Shana Sippy, Professor of Religion, Centre College Mentioned in the episode: Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora. Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai’i Press, 207-226, 2020. Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992. Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming. Thenmozhi Soundarajan, The Trauma of Caste Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation” Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America” Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists” Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism” Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus" Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy” Equality Labs is a South Asian Dalit civil rights organization. This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law. Guests: Shreena Gandhi: Professor of Religious Studies, Michigan State University Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University Sailaja Krishnamurti: Professor of Gender Studies, Queen’s University Shana Sippy, Professor of Religion, Centre College Mentioned in the episode: Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora. Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai’i Press, 207-226, 2020. Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992. Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming. Thenmozhi Soundarajan, The Trauma of Caste Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation” Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America” Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists” Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism” Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus" Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy” Equality Labs is a South Asian Dalit civil rights organization. false full 1800 ad64bc6c-0720-11f1-930d-87600e113daa The Power of the State: Madres de la Plaza de Mayo, and Minneapolis When young people began disappearing in Argentina, their mothers searched for answers. Despite laws prohibiting protests and political gatherings, the women still met to walk the Plaza de Mayo, a central square in Buenos Aires near the president’s residence. The government worked to deny their reports of the missing, to discredit the women, and to erode their standing among their peers. But the Madres de la Plaza de Mayo persisted.

Dr. Laura Tedesco joins us to share about her own childhood in Argentina during the military junta of the 1970s, her expertise on the Madres de la Plaza de Mayo, and what authoritarianism then and now looks like, as we take a deep dive into her article “How Government Killings and Kidnappings in Argentina drove mothers to resist and revolt – and eventually win,” published in The Conversation on January 27, 2026.

This episode explores: features of authoritarianism, liberation theology, the death flights, Nunca Mas, human rights, fear, mothers’ activism, and how a society can react to state terrorism.

Our guest is: Dr. Laura Tedesco, who is an Associate Professor of Political Science and International Relations. She specializes in Latin American Politics, Political Leadership, Political Corruption, and the dynamics of Authoritarianism and Democracy. From 2016 to 2024, she led a research grant funded by the National Endowment for Democracy (NED), focusing on the political role of the Fuerzas Armadas Revolucionarias (FAR) in Cuba. Additionally, from 2009 to 2021, she directed a research project sponsored by the Open Society Institute, examining political leadership in Latin America. Since 2024, Dr. Tedesco has served as the Associate Dean for Humanities and Social Sciences at Saint Louis University's Madrid campus.

Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 12 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When young people began disappearing in Argentina, their mothers searched for answers. Despite laws prohibiting protests and political gatherings, the women still met to walk the Plaza de Mayo, a central square in Buenos Aires near the president’s residence. The government worked to deny their reports of the missing, to discredit the women, and to erode their standing among their peers. But the Madres de la Plaza de Mayo persisted.

Dr. Laura Tedesco joins us to share about her own childhood in Argentina during the military junta of the 1970s, her expertise on the Madres de la Plaza de Mayo, and what authoritarianism then and now looks like, as we take a deep dive into her article “How Government Killings and Kidnappings in Argentina drove mothers to resist and revolt – and eventually win,” published in The Conversation on January 27, 2026.

This episode explores: features of authoritarianism, liberation theology, the death flights, Nunca Mas, human rights, fear, mothers’ activism, and how a society can react to state terrorism.

Our guest is: Dr. Laura Tedesco, who is an Associate Professor of Political Science and International Relations. She specializes in Latin American Politics, Political Leadership, Political Corruption, and the dynamics of Authoritarianism and Democracy. From 2016 to 2024, she led a research grant funded by the National Endowment for Democracy (NED), focusing on the political role of the Fuerzas Armadas Revolucionarias (FAR) in Cuba. Additionally, from 2009 to 2021, she directed a research project sponsored by the Open Society Institute, examining political leadership in Latin America. Since 2024, Dr. Tedesco has served as the Associate Dean for Humanities and Social Sciences at Saint Louis University's Madrid campus.

Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> The Power of the State: Madres de la Plaza de Mayo, and Minneapolis New Books Network 00:48:42 When young people began disappearing in Argentina, their mothers searched for answers. Despite laws prohibiting protests and political gatherings, the women still met to walk the Plaza de Mayo, a central square in Buenos Aires near the president’s residence. The government worked to deny their reports of the missing, to discredit the women, and to erode their standing among their peers. But the Madres de la Plaza de Mayo persisted. Dr. Laura Tedesco joins us to share about her own childhood in Argentina during the military junta of the 1970s, her expertise on the Madres de la Plaza de Mayo, and what authoritarianism then and now looks like, as we take a deep dive into her article “How Government Killings and Kidnappings in Argentina drove mothers to resist and revolt – and eventually win,” published in The Conversation on January 27, 2026. This episode explores: features of authoritarianism, liberation theology, the death flights, Nunca Mas, human rights, fear, mothers’ activism, and how a society can react to state terrorism. Our guest is: Dr. Laura Tedesco, who is an Associate Professor of Political Science and International Relations. She specializes in Latin American Politics, Political Leadership, Political Corruption, and the dynamics of Authoritarianism and Democracy. From 2016 to 2024, she led a research grant funded by the National Endowment for Democracy (NED), focusing on the political role of the Fuerzas Armadas Revolucionarias (FAR) in Cuba. Additionally, from 2009 to 2021, she directed a research project sponsored by the Open Society Institute, examining political leadership in Latin America. Since 2024, Dr. Tedesco has served as the Associate Dean for Humanities and Social Sciences at Saint Louis University's Madrid campus. Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: The First and Last King of Haiti A Brief History of the World in 47 Borders Thanks To Life Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany Secret Harvests Preparing for War Living Right The Library of Lost Maps Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! When young people began disappearing in Argentina, their mothers searched for answers. Despite laws prohibiting protests and political gatherings, the women still met to walk the Plaza de Mayo, a central square in Buenos Aires near the president’s residence. The government worked to deny their reports of the missing, to discredit the women, and to erode their standing among their peers. But the Madres de la Plaza de Mayo persisted. Dr. Laura Tedesco joins us to share about her own childhood in Argentina during the military junta of the 1970s, her expertise on the Madres de la Plaza de Mayo, and what authoritarianism then and now looks like, as we take a deep dive into her article “How Government Killings and Kidnappings in Argentina drove mothers to resist and revolt – and eventually win,” published in The Conversation on January 27, 2026. This episode explores: features of authoritarianism, liberation theology, the death flights, Nunca Mas, human rights, fear, mothers’ activism, and how a society can react to state terrorism. Our guest is: Dr. Laura Tedesco, who is an Associate Professor of Political Science and International Relations. She specializes in Latin American Politics, Political Leadership, Political Corruption, and the dynamics of Authoritarianism and Democracy. From 2016 to 2024, she led a research grant funded by the National Endowment for Democracy (NED), focusing on the political role of the Fuerzas Armadas Revolucionarias (FAR) in Cuba. Additionally, from 2009 to 2021, she directed a research project sponsored by the Open Society Institute, examining political leadership in Latin America. Since 2024, Dr. Tedesco has served as the Associate Dean for Humanities and Social Sciences at Saint Louis University's Madrid campus. Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: The First and Last King of Haiti A Brief History of the World in 47 Borders Thanks To Life Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany Secret Harvests Preparing for War Living Right The Library of Lost Maps Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! false full 1799 9c76f28a-0720-11f1-b31f-1764fade4a02 The Power of the State: Madres de la Plaza de Mayo, and Minneapolis When young people began disappearing in Argentina, their mothers searched for answers. Despite laws prohibiting protests and political gatherings, the women still met to walk the Plaza de Mayo, a central square in Buenos Aires near the president’s residence. The government worked to deny their reports of the missing, to discredit the women, and to erode their standing among their peers. But the Madres de la Plaza de Mayo persisted.

Dr. Laura Tedesco joins us to share about her own childhood in Argentina during the military junta of the 1970s, her expertise on the Madres de la Plaza de Mayo, and what authoritarianism then and now looks like, as we take a deep dive into her article “How Government Killings and Kidnappings in Argentina drove mothers to resist and revolt – and eventually win,” published in The Conversation on January 27, 2026.

This episode explores: features of authoritarianism, liberation theology, the death flights, Nunca Mas, human rights, fear, mothers’ activism, and how a society can react to state terrorism.

Our guest is: Dr. Laura Tedesco, who is an Associate Professor of Political Science and International Relations. She specializes in Latin American Politics, Political Leadership, Political Corruption, and the dynamics of Authoritarianism and Democracy. From 2016 to 2024, she led a research grant funded by the National Endowment for Democracy (NED), focusing on the political role of the Fuerzas Armadas Revolucionarias (FAR) in Cuba. Additionally, from 2009 to 2021, she directed a research project sponsored by the Open Society Institute, examining political leadership in Latin America. Since 2024, Dr. Tedesco has served as the Associate Dean for Humanities and Social Sciences at Saint Louis University's Madrid campus.

Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 12 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When young people began disappearing in Argentina, their mothers searched for answers. Despite laws prohibiting protests and political gatherings, the women still met to walk the Plaza de Mayo, a central square in Buenos Aires near the president’s residence. The government worked to deny their reports of the missing, to discredit the women, and to erode their standing among their peers. But the Madres de la Plaza de Mayo persisted.

Dr. Laura Tedesco joins us to share about her own childhood in Argentina during the military junta of the 1970s, her expertise on the Madres de la Plaza de Mayo, and what authoritarianism then and now looks like, as we take a deep dive into her article “How Government Killings and Kidnappings in Argentina drove mothers to resist and revolt – and eventually win,” published in The Conversation on January 27, 2026.

This episode explores: features of authoritarianism, liberation theology, the death flights, Nunca Mas, human rights, fear, mothers’ activism, and how a society can react to state terrorism.

Our guest is: Dr. Laura Tedesco, who is an Associate Professor of Political Science and International Relations. She specializes in Latin American Politics, Political Leadership, Political Corruption, and the dynamics of Authoritarianism and Democracy. From 2016 to 2024, she led a research grant funded by the National Endowment for Democracy (NED), focusing on the political role of the Fuerzas Armadas Revolucionarias (FAR) in Cuba. Additionally, from 2009 to 2021, she directed a research project sponsored by the Open Society Institute, examining political leadership in Latin America. Since 2024, Dr. Tedesco has served as the Associate Dean for Humanities and Social Sciences at Saint Louis University's Madrid campus.

Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> The Power of the State: Madres de la Plaza de Mayo, and Minneapolis New Books Network 00:48:42 When young people began disappearing in Argentina, their mothers searched for answers. Despite laws prohibiting protests and political gatherings, the women still met to walk the Plaza de Mayo, a central square in Buenos Aires near the president’s residence. The government worked to deny their reports of the missing, to discredit the women, and to erode their standing among their peers. But the Madres de la Plaza de Mayo persisted. Dr. Laura Tedesco joins us to share about her own childhood in Argentina during the military junta of the 1970s, her expertise on the Madres de la Plaza de Mayo, and what authoritarianism then and now looks like, as we take a deep dive into her article “How Government Killings and Kidnappings in Argentina drove mothers to resist and revolt – and eventually win,” published in The Conversation on January 27, 2026. This episode explores: features of authoritarianism, liberation theology, the death flights, Nunca Mas, human rights, fear, mothers’ activism, and how a society can react to state terrorism. Our guest is: Dr. Laura Tedesco, who is an Associate Professor of Political Science and International Relations. She specializes in Latin American Politics, Political Leadership, Political Corruption, and the dynamics of Authoritarianism and Democracy. From 2016 to 2024, she led a research grant funded by the National Endowment for Democracy (NED), focusing on the political role of the Fuerzas Armadas Revolucionarias (FAR) in Cuba. Additionally, from 2009 to 2021, she directed a research project sponsored by the Open Society Institute, examining political leadership in Latin America. Since 2024, Dr. Tedesco has served as the Associate Dean for Humanities and Social Sciences at Saint Louis University's Madrid campus. Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: The First and Last King of Haiti A Brief History of the World in 47 Borders Thanks To Life Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany Secret Harvests Preparing for War Living Right The Library of Lost Maps Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! When young people began disappearing in Argentina, their mothers searched for answers. Despite laws prohibiting protests and political gatherings, the women still met to walk the Plaza de Mayo, a central square in Buenos Aires near the president’s residence. The government worked to deny their reports of the missing, to discredit the women, and to erode their standing among their peers. But the Madres de la Plaza de Mayo persisted. Dr. Laura Tedesco joins us to share about her own childhood in Argentina during the military junta of the 1970s, her expertise on the Madres de la Plaza de Mayo, and what authoritarianism then and now looks like, as we take a deep dive into her article “How Government Killings and Kidnappings in Argentina drove mothers to resist and revolt – and eventually win,” published in The Conversation on January 27, 2026. This episode explores: features of authoritarianism, liberation theology, the death flights, Nunca Mas, human rights, fear, mothers’ activism, and how a society can react to state terrorism. Our guest is: Dr. Laura Tedesco, who is an Associate Professor of Political Science and International Relations. She specializes in Latin American Politics, Political Leadership, Political Corruption, and the dynamics of Authoritarianism and Democracy. From 2016 to 2024, she led a research grant funded by the National Endowment for Democracy (NED), focusing on the political role of the Fuerzas Armadas Revolucionarias (FAR) in Cuba. Additionally, from 2009 to 2021, she directed a research project sponsored by the Open Society Institute, examining political leadership in Latin America. Since 2024, Dr. Tedesco has served as the Associate Dean for Humanities and Social Sciences at Saint Louis University's Madrid campus. Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the creator and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: The First and Last King of Haiti A Brief History of the World in 47 Borders Thanks To Life Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany Secret Harvests Preparing for War Living Right The Library of Lost Maps Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! false full 1798 5f3a23f4-064b-11f1-aa5a-dfda3197d1d5 Elizabeth A. DeWolfe, "Alias Agnes: The Notorious Tale of a Gilded Age Spy" (UP of Kentucky, 2025) Jane Armstrong Tucker was a Boston stenographer scrabbling to get by as a single woman in the Gilded Age, until she was offered a once-in-a-lifetime chance. Madeleine Pollard was a Kentuckian with humble roots who had used charisma to work her way into the parlors of the Washington, DC, elite. Tucker hid behind an alias―Agnes Parker―but Pollard had a secret, too.

Alias Agnes: The Notorious Tale of a Gilded Age Spy (UP of Kentucky, 2025) details the story of Jane Tucker, who took a job as an undercover detective with a ten-week mission. Her target: Madeleine Pollard, former mistress of Congressman William C. P. Breckinridge, whom she had sued for breach of promise when he failed to marry her. Exploring the intricacies of this trial and a scandal that captivated the nation, author Elizabeth A. DeWolfe demonstrates that a shared lack of power did not always lead to alliances among women. DeWolfe uncovers the strategies women used to make their way in the world, drawing parallels between the previously forgotten and incomplete tales of Tucker, Pollard, and the women who testified in the trial―from formerly enslaved persons, to white socialites, to single government clerks, to divorced physicians.
Written in engaging prose with all the intrigue and suspense of a detective tale, Alias Agnes chronicles the lives of women at the cusp of the twentieth century―the opportunities that beckoned them and the challenges that thwarted their dreams.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College

Website here

@janescimeca.bsky.social 


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Wed, 11 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Jane Armstrong Tucker was a Boston stenographer scrabbling to get by as a single woman in the Gilded Age, until she was offered a once-in-a-lifetime chance. Madeleine Pollard was a Kentuckian with humble roots who had used charisma to work her way into the parlors of the Washington, DC, elite. Tucker hid behind an alias―Agnes Parker―but Pollard had a secret, too.

Alias Agnes: The Notorious Tale of a Gilded Age Spy (UP of Kentucky, 2025) details the story of Jane Tucker, who took a job as an undercover detective with a ten-week mission. Her target: Madeleine Pollard, former mistress of Congressman William C. P. Breckinridge, whom she had sued for breach of promise when he failed to marry her. Exploring the intricacies of this trial and a scandal that captivated the nation, author Elizabeth A. DeWolfe demonstrates that a shared lack of power did not always lead to alliances among women. DeWolfe uncovers the strategies women used to make their way in the world, drawing parallels between the previously forgotten and incomplete tales of Tucker, Pollard, and the women who testified in the trial―from formerly enslaved persons, to white socialites, to single government clerks, to divorced physicians.
Written in engaging prose with all the intrigue and suspense of a detective tale, Alias Agnes chronicles the lives of women at the cusp of the twentieth century―the opportunities that beckoned them and the challenges that thwarted their dreams.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College

Website here

@janescimeca.bsky.social 


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Elizabeth A. DeWolfe, "Alias Agnes: The Notorious Tale of a Gilded Age Spy" (UP of Kentucky, 2025) New Books Network 00:45:34 Jane Armstrong Tucker was a Boston stenographer scrabbling to get by as a single woman in the Gilded Age, until she was offered a once-in-a-lifetime chance. Madeleine Pollard was a Kentuckian with humble roots who had used charisma to work her way into the parlors of the Washington, DC, elite. Tucker hid behind an alias―Agnes Parker―but Pollard had a secret, too. Alias Agnes: The Notorious Tale of a Gilded Age Spy (UP of Kentucky, 2025) details the story of Jane Tucker, who took a job as an undercover detective with a ten-week mission. Her target: Madeleine Pollard, former mistress of Congressman William C. P. Breckinridge, whom she had sued for breach of promise when he failed to marry her. Exploring the intricacies of this trial and a scandal that captivated the nation, author Elizabeth A. DeWolfe demonstrates that a shared lack of power did not always lead to alliances among women. DeWolfe uncovers the strategies women used to make their way in the world, drawing parallels between the previously forgotten and incomplete tales of Tucker, Pollard, and the women who testified in the trial―from formerly enslaved persons, to white socialites, to single government clerks, to divorced physicians.Written in engaging prose with all the intrigue and suspense of a detective tale, Alias Agnes chronicles the lives of women at the cusp of the twentieth century―the opportunities that beckoned them and the challenges that thwarted their dreams. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social  Jane Armstrong Tucker was a Boston stenographer scrabbling to get by as a single woman in the Gilded Age, until she was offered a once-in-a-lifetime chance. Madeleine Pollard was a Kentuckian with humble roots who had used charisma to work her way into the parlors of the Washington, DC, elite. Tucker hid behind an alias―Agnes Parker―but Pollard had a secret, too. Alias Agnes: The Notorious Tale of a Gilded Age Spy (UP of Kentucky, 2025) details the story of Jane Tucker, who took a job as an undercover detective with a ten-week mission. Her target: Madeleine Pollard, former mistress of Congressman William C. P. Breckinridge, whom she had sued for breach of promise when he failed to marry her. Exploring the intricacies of this trial and a scandal that captivated the nation, author Elizabeth A. DeWolfe demonstrates that a shared lack of power did not always lead to alliances among women. DeWolfe uncovers the strategies women used to make their way in the world, drawing parallels between the previously forgotten and incomplete tales of Tucker, Pollard, and the women who testified in the trial―from formerly enslaved persons, to white socialites, to single government clerks, to divorced physicians.Written in engaging prose with all the intrigue and suspense of a detective tale, Alias Agnes chronicles the lives of women at the cusp of the twentieth century―the opportunities that beckoned them and the challenges that thwarted their dreams. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social  false full 1797 f480ae36-01f2-11f1-8c2a-cb60be622bec Linda Connolly and Tina O’Toole, "Documenting Irish Feminisms: The Second Wave" (Arlen House, 2022) Linda Connolly is a professor of sociology at Maynooth University, with research focusing on gender, Irish society, family studies, migration, and Irish studies. Dr Tina O'Toole is a literary scholar with research expertise in Irish and diasporic writing, gender studies, and the history of sexualities; she is a senior lecturer at the University of Limerick.

In this interview, they discuss their well-known text Documenting Irish Feminisms, first published in 2005 and now re-released.

Documenting Irish Feminisms: The Second Wave (Arlen House, 2022) is a wide-ranging volume that traces the development of second-wave feminism in Ireland. The work draws upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O’Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women’s studies.

Aidan Beatty is a historian at the Honors College of the University of Pittsburgh.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sun, 8 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Linda Connolly is a professor of sociology at Maynooth University, with research focusing on gender, Irish society, family studies, migration, and Irish studies. Dr Tina O'Toole is a literary scholar with research expertise in Irish and diasporic writing, gender studies, and the history of sexualities; she is a senior lecturer at the University of Limerick.

In this interview, they discuss their well-known text Documenting Irish Feminisms, first published in 2005 and now re-released.

Documenting Irish Feminisms: The Second Wave (Arlen House, 2022) is a wide-ranging volume that traces the development of second-wave feminism in Ireland. The work draws upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O’Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women’s studies.

Aidan Beatty is a historian at the Honors College of the University of Pittsburgh.


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]]> Linda Connolly and Tina O’Toole, "Documenting Irish Feminisms: The Second Wave" (Arlen House, 2022) New Books Network 00:56:13 Linda Connolly is a professor of sociology at Maynooth University, with research focusing on gender, Irish society, family studies, migration, and Irish studies. Dr Tina O'Toole is a literary scholar with research expertise in Irish and diasporic writing, gender studies, and the history of sexualities; she is a senior lecturer at the University of Limerick. In this interview, they discuss their well-known text Documenting Irish Feminisms, first published in 2005 and now re-released. Documenting Irish Feminisms: The Second Wave (Arlen House, 2022) is a wide-ranging volume that traces the development of second-wave feminism in Ireland. The work draws upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O’Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women’s studies. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh. Linda Connolly is a professor of sociology at Maynooth University, with research focusing on gender, Irish society, family studies, migration, and Irish studies. Dr Tina O'Toole is a literary scholar with research expertise in Irish and diasporic writing, gender studies, and the history of sexualities; she is a senior lecturer at the University of Limerick. In this interview, they discuss their well-known text Documenting Irish Feminisms, first published in 2005 and now re-released. Documenting Irish Feminisms: The Second Wave (Arlen House, 2022) is a wide-ranging volume that traces the development of second-wave feminism in Ireland. The work draws upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O’Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women’s studies. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh. false full 22 209ffa22-00d5-11f1-b5ae-479dea17b567 Dianna N. Watkins-Dickerson, "A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris" (UP of Mississippi) Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically.

Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division.

The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words.

You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack.


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]]> Wed, 4 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically.

Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division.

The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words.

You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack.


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]]> Dianna N. Watkins-Dickerson, "A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris" (UP of Mississippi) New Books Network 00:58:01 Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically. Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division. The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words. You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically. Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division. The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words. You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. false full 1795 5db793e4-ffa3-11f0-a7ce-03a979ded070 Jessica Lake, "Special Damage: The Slander of Women and the Gendered History of Defamation Law" (Stanford UP, 2025) In 1788, Mary Smith was ruined and banished from "civilised" society when her neighbor accused her of carrying a bastard child. To silence the ruinous rumors and vindicate her name, Smith sued him for defamation. But in court, she faced the onerous burden, entrenched within English law of sexual slander, of proving "special damage." Smith should have lost her case, but her action set off a remarkable reform movement.

In Special Damage: The Slander of Women and the Gendered History of Defamation Law (Stanford University Press, 2025), Dr. Jessica Lake offers a comparative legal history of gendered hate speech, verbal abuse, and sexual harassment across 19th-century America, Australia, and England. Drawing upon original archival material, she tracks the creation of the Slander of Women reforms that made it easier for women to sue when called "whores." Dr. Lake reveals, for the first time, the cases brought by women that spurred and benefitted from these reforms. In doing so, she details how debates about women, speech, and reputation circulated through transnational common law networks, connecting countries, colonies, and continents.

The Slander of Women movement furthered legal protections for women, but also created links between ideas of whiteness, femininity, chastity, and civilization. Special Damage tells a compelling story that questions the costs and compromises of legal progress in a patriarchal and unequal "civilised" New World.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Mon, 2 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1788, Mary Smith was ruined and banished from "civilised" society when her neighbor accused her of carrying a bastard child. To silence the ruinous rumors and vindicate her name, Smith sued him for defamation. But in court, she faced the onerous burden, entrenched within English law of sexual slander, of proving "special damage." Smith should have lost her case, but her action set off a remarkable reform movement.

In Special Damage: The Slander of Women and the Gendered History of Defamation Law (Stanford University Press, 2025), Dr. Jessica Lake offers a comparative legal history of gendered hate speech, verbal abuse, and sexual harassment across 19th-century America, Australia, and England. Drawing upon original archival material, she tracks the creation of the Slander of Women reforms that made it easier for women to sue when called "whores." Dr. Lake reveals, for the first time, the cases brought by women that spurred and benefitted from these reforms. In doing so, she details how debates about women, speech, and reputation circulated through transnational common law networks, connecting countries, colonies, and continents.

The Slander of Women movement furthered legal protections for women, but also created links between ideas of whiteness, femininity, chastity, and civilization. Special Damage tells a compelling story that questions the costs and compromises of legal progress in a patriarchal and unequal "civilised" New World.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Jessica Lake, "Special Damage: The Slander of Women and the Gendered History of Defamation Law" (Stanford UP, 2025) New Books Network 00:54:28 In 1788, Mary Smith was ruined and banished from "civilised" society when her neighbor accused her of carrying a bastard child. To silence the ruinous rumors and vindicate her name, Smith sued him for defamation. But in court, she faced the onerous burden, entrenched within English law of sexual slander, of proving "special damage." Smith should have lost her case, but her action set off a remarkable reform movement. In Special Damage: The Slander of Women and the Gendered History of Defamation Law (Stanford University Press, 2025), Dr. Jessica Lake offers a comparative legal history of gendered hate speech, verbal abuse, and sexual harassment across 19th-century America, Australia, and England. Drawing upon original archival material, she tracks the creation of the Slander of Women reforms that made it easier for women to sue when called "whores." Dr. Lake reveals, for the first time, the cases brought by women that spurred and benefitted from these reforms. In doing so, she details how debates about women, speech, and reputation circulated through transnational common law networks, connecting countries, colonies, and continents. The Slander of Women movement furthered legal protections for women, but also created links between ideas of whiteness, femininity, chastity, and civilization. Special Damage tells a compelling story that questions the costs and compromises of legal progress in a patriarchal and unequal "civilised" New World. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In 1788, Mary Smith was ruined and banished from "civilised" society when her neighbor accused her of carrying a bastard child. To silence the ruinous rumors and vindicate her name, Smith sued him for defamation. But in court, she faced the onerous burden, entrenched within English law of sexual slander, of proving "special damage." Smith should have lost her case, but her action set off a remarkable reform movement. In Special Damage: The Slander of Women and the Gendered History of Defamation Law (Stanford University Press, 2025), Dr. Jessica Lake offers a comparative legal history of gendered hate speech, verbal abuse, and sexual harassment across 19th-century America, Australia, and England. Drawing upon original archival material, she tracks the creation of the Slander of Women reforms that made it easier for women to sue when called "whores." Dr. Lake reveals, for the first time, the cases brought by women that spurred and benefitted from these reforms. In doing so, she details how debates about women, speech, and reputation circulated through transnational common law networks, connecting countries, colonies, and continents. The Slander of Women movement furthered legal protections for women, but also created links between ideas of whiteness, femininity, chastity, and civilization. Special Damage tells a compelling story that questions the costs and compromises of legal progress in a patriarchal and unequal "civilised" New World. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1794 70518346-faff-11f0-8e90-c39918d6a20c Vanessa R. Sasson, "The Gathering: A Story of the First Buddhist Women" (Equinox, 2023) Vanessa R. Sasson's book The Gathering: A Story of the First Buddhist Women (Equinox, 2023) is a retelling of the story of the first Buddhist women's request for ordination. Inspired by the Therigatha and building on years of research and experience in the field, Sasson follows Vimala, Patachara, Bhadda Kundalakesa, and many others as they walk through the forest to request full access to the tradition. 

The Buddha's response to this request is famously complicated; he eventually accepts women into the Order, but specific and controversial conditions are attached. Sasson invites us to think about who these first Buddhist women might have been, what they might have hoped to achieve, and what these conditions might have meant to them thereafter. By shaping her research into a story, Sasson invites readers to imagine a world that continues to inspire and complicate Buddhist narrative to this day.

Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University.


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]]> Sun, 1 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Vanessa R. Sasson's book The Gathering: A Story of the First Buddhist Women (Equinox, 2023) is a retelling of the story of the first Buddhist women's request for ordination. Inspired by the Therigatha and building on years of research and experience in the field, Sasson follows Vimala, Patachara, Bhadda Kundalakesa, and many others as they walk through the forest to request full access to the tradition. 

The Buddha's response to this request is famously complicated; he eventually accepts women into the Order, but specific and controversial conditions are attached. Sasson invites us to think about who these first Buddhist women might have been, what they might have hoped to achieve, and what these conditions might have meant to them thereafter. By shaping her research into a story, Sasson invites readers to imagine a world that continues to inspire and complicate Buddhist narrative to this day.

Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University.


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]]> Vanessa R. Sasson, "The Gathering: A Story of the First Buddhist Women" (Equinox, 2023) New Books Network 00:51:08 Vanessa R. Sasson's book The Gathering: A Story of the First Buddhist Women (Equinox, 2023) is a retelling of the story of the first Buddhist women's request for ordination. Inspired by the Therigatha and building on years of research and experience in the field, Sasson follows Vimala, Patachara, Bhadda Kundalakesa, and many others as they walk through the forest to request full access to the tradition.  The Buddha's response to this request is famously complicated; he eventually accepts women into the Order, but specific and controversial conditions are attached. Sasson invites us to think about who these first Buddhist women might have been, what they might have hoped to achieve, and what these conditions might have meant to them thereafter. By shaping her research into a story, Sasson invites readers to imagine a world that continues to inspire and complicate Buddhist narrative to this day. Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University. Vanessa R. Sasson's book The Gathering: A Story of the First Buddhist Women (Equinox, 2023) is a retelling of the story of the first Buddhist women's request for ordination. Inspired by the Therigatha and building on years of research and experience in the field, Sasson follows Vimala, Patachara, Bhadda Kundalakesa, and many others as they walk through the forest to request full access to the tradition.  The Buddha's response to this request is famously complicated; he eventually accepts women into the Order, but specific and controversial conditions are attached. Sasson invites us to think about who these first Buddhist women might have been, what they might have hoped to achieve, and what these conditions might have meant to them thereafter. By shaping her research into a story, Sasson invites readers to imagine a world that continues to inspire and complicate Buddhist narrative to this day. Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University. false full 111 9be05afe-fc13-11f0-9926-d3c4a413d010 Debra Kaplan and Elisheva Carlebach, "A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe" (Princeton UP, 2025) In small villages, bustling cities, and crowded ghettos across early modern Europe, Jewish women were increasingly active participants in the daily life of their communities, managing homes and professions, leading institutions and sororities, and crafting objects and texts of exquisite beauty. In their book, A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe (Princeton UP, 2025), Debra Kaplan and Elisheva Carlebach marshal a dazzling array of previously untapped archival sources to tell the stories of these woman for the first time.
Kaplan and Carlebach focus their lens on the kehillah, a lively and thriving form of communal life that sustained European Jews for three centuries. They paint vibrant portraits of Jewish women of all walks of life, from those who wielded their wealth and influence in and out of their communities to the poorest maidservants and vagrants, from single and married women to the widowed and divorced. We follow them into their homes and learn about the possessions they valued and used, the books they read, and the writings they composed. Speaking to us in their own voices, these women reveal tremendous economic initiative in the rural marketplace and the princely court, and they express their profound spirituality in the home as well as the synagogue.
Beautifully illustrated, A Woman Is Responsible for Everything lifts the veil of silence that has obscured the lives of these women for too long, contributing a new chapter to the history of Jewish women and a new understanding of the Jewish past.

Interviewees: Debra Kaplan is the Samuel Braun Chair for the History of the Jews in Germany at Bar-Ilan University. Elisheva Carlebach is Salo Wittmayer Baron Professor of Jewish History, Culture, and Society, at Columbia University.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.


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]]> Thu, 29 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In small villages, bustling cities, and crowded ghettos across early modern Europe, Jewish women were increasingly active participants in the daily life of their communities, managing homes and professions, leading institutions and sororities, and crafting objects and texts of exquisite beauty. In their book, A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe (Princeton UP, 2025), Debra Kaplan and Elisheva Carlebach marshal a dazzling array of previously untapped archival sources to tell the stories of these woman for the first time.
Kaplan and Carlebach focus their lens on the kehillah, a lively and thriving form of communal life that sustained European Jews for three centuries. They paint vibrant portraits of Jewish women of all walks of life, from those who wielded their wealth and influence in and out of their communities to the poorest maidservants and vagrants, from single and married women to the widowed and divorced. We follow them into their homes and learn about the possessions they valued and used, the books they read, and the writings they composed. Speaking to us in their own voices, these women reveal tremendous economic initiative in the rural marketplace and the princely court, and they express their profound spirituality in the home as well as the synagogue.
Beautifully illustrated, A Woman Is Responsible for Everything lifts the veil of silence that has obscured the lives of these women for too long, contributing a new chapter to the history of Jewish women and a new understanding of the Jewish past.

Interviewees: Debra Kaplan is the Samuel Braun Chair for the History of the Jews in Germany at Bar-Ilan University. Elisheva Carlebach is Salo Wittmayer Baron Professor of Jewish History, Culture, and Society, at Columbia University.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.


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]]> Debra Kaplan and Elisheva Carlebach, "A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe" (Princeton UP, 2025) New Books Network 00:56:26 In small villages, bustling cities, and crowded ghettos across early modern Europe, Jewish women were increasingly active participants in the daily life of their communities, managing homes and professions, leading institutions and sororities, and crafting objects and texts of exquisite beauty. In their book, A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe (Princeton UP, 2025), Debra Kaplan and Elisheva Carlebach marshal a dazzling array of previously untapped archival sources to tell the stories of these woman for the first time.Kaplan and Carlebach focus their lens on the kehillah, a lively and thriving form of communal life that sustained European Jews for three centuries. They paint vibrant portraits of Jewish women of all walks of life, from those who wielded their wealth and influence in and out of their communities to the poorest maidservants and vagrants, from single and married women to the widowed and divorced. We follow them into their homes and learn about the possessions they valued and used, the books they read, and the writings they composed. Speaking to us in their own voices, these women reveal tremendous economic initiative in the rural marketplace and the princely court, and they express their profound spirituality in the home as well as the synagogue.Beautifully illustrated, A Woman Is Responsible for Everything lifts the veil of silence that has obscured the lives of these women for too long, contributing a new chapter to the history of Jewish women and a new understanding of the Jewish past. Interviewees: Debra Kaplan is the Samuel Braun Chair for the History of the Jews in Germany at Bar-Ilan University. Elisheva Carlebach is Salo Wittmayer Baron Professor of Jewish History, Culture, and Society, at Columbia University. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. In small villages, bustling cities, and crowded ghettos across early modern Europe, Jewish women were increasingly active participants in the daily life of their communities, managing homes and professions, leading institutions and sororities, and crafting objects and texts of exquisite beauty. In their book, A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe (Princeton UP, 2025), Debra Kaplan and Elisheva Carlebach marshal a dazzling array of previously untapped archival sources to tell the stories of these woman for the first time.Kaplan and Carlebach focus their lens on the kehillah, a lively and thriving form of communal life that sustained European Jews for three centuries. They paint vibrant portraits of Jewish women of all walks of life, from those who wielded their wealth and influence in and out of their communities to the poorest maidservants and vagrants, from single and married women to the widowed and divorced. We follow them into their homes and learn about the possessions they valued and used, the books they read, and the writings they composed. Speaking to us in their own voices, these women reveal tremendous economic initiative in the rural marketplace and the princely court, and they express their profound spirituality in the home as well as the synagogue.Beautifully illustrated, A Woman Is Responsible for Everything lifts the veil of silence that has obscured the lives of these women for too long, contributing a new chapter to the history of Jewish women and a new understanding of the Jewish past. Interviewees: Debra Kaplan is the Samuel Braun Chair for the History of the Jews in Germany at Bar-Ilan University. Elisheva Carlebach is Salo Wittmayer Baron Professor of Jewish History, Culture, and Society, at Columbia University. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. false full 1792 08decbe6-fb05-11f0-b0b1-43b3c7949417 Betty Boyd Caroli, "A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing" (Oxford UP, 2026) Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing.

A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant.

Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College).

Caleb Zakarin is CEO and Publisher of the New Books Network. 


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]]> Wed, 28 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing.

A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant.

Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College).

Caleb Zakarin is CEO and Publisher of the New Books Network. 


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]]> Betty Boyd Caroli, "A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing" (Oxford UP, 2026) New Books Network 00:59:33 Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing. A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant. Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College). Caleb Zakarin is CEO and Publisher of the New Books Network.  Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing. A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant. Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College). Caleb Zakarin is CEO and Publisher of the New Books Network.  false full 1791 d4814e76-fa89-11f0-ac9a-23efe88d1444 Misty L. Heggeness, "Swiftynomics: How Women Mastermind and Redefine Our Economy" (U California Press, 2026) A feminist romp through pop culture that illuminates how women influence and shape the economy.

Taylor Swift isn't just a pop megastar. She is a working woman whose astounding accomplishments defy patriarchal norms. And while not all women can be Beyoncé or Dolly Parton or Reese Witherspoon, the successes of these trailblazing stars help us understand the central role of women in today's economy.

Swiftynomics: How Women Mastermind and Redefine Our Economy (U California Press, 2026) assesses the complex economic lives of everyday American women through the stories of groundbreakers like Taylor Swift, Misty L. Heggeness digs into the data, revealing women's hidden contributions and aspirations—the unexamined value they create by pursuing their own ambitions. She highlights the abundance of productive activity in their daily lives and acknowledges the barriers they still face.

Exploring critical reforms regarding caregiving and gendered labor, this book offers advice for women to thrive in an economy that was not built for them.

More about the author: Misty L. Heggeness is co-director of the Kansas Population Center, Associate Professor of Economics and Public Affairs at the University of Kansas, and former Principal Economist and Senior Advisor at the US Census Bureau. She is also creator of The Care Board, a dashboard of economic statistics built by and for caregivers that brings their economic contributions into the fold.

Learn more about Swifynomics: here

Learn more about Misty: here

More about the host: Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a freelance publicist part-time.


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]]> Tue, 27 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A feminist romp through pop culture that illuminates how women influence and shape the economy.

Taylor Swift isn't just a pop megastar. She is a working woman whose astounding accomplishments defy patriarchal norms. And while not all women can be Beyoncé or Dolly Parton or Reese Witherspoon, the successes of these trailblazing stars help us understand the central role of women in today's economy.

Swiftynomics: How Women Mastermind and Redefine Our Economy (U California Press, 2026) assesses the complex economic lives of everyday American women through the stories of groundbreakers like Taylor Swift, Misty L. Heggeness digs into the data, revealing women's hidden contributions and aspirations—the unexamined value they create by pursuing their own ambitions. She highlights the abundance of productive activity in their daily lives and acknowledges the barriers they still face.

Exploring critical reforms regarding caregiving and gendered labor, this book offers advice for women to thrive in an economy that was not built for them.

More about the author: Misty L. Heggeness is co-director of the Kansas Population Center, Associate Professor of Economics and Public Affairs at the University of Kansas, and former Principal Economist and Senior Advisor at the US Census Bureau. She is also creator of The Care Board, a dashboard of economic statistics built by and for caregivers that brings their economic contributions into the fold.

Learn more about Swifynomics: here

Learn more about Misty: here

More about the host: Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a freelance publicist part-time.


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]]> Misty L. Heggeness, "Swiftynomics: How Women Mastermind and Redefine Our Economy" (U California Press, 2026) New Books Network 00:45:49 A feminist romp through pop culture that illuminates how women influence and shape the economy. Taylor Swift isn't just a pop megastar. She is a working woman whose astounding accomplishments defy patriarchal norms. And while not all women can be Beyoncé or Dolly Parton or Reese Witherspoon, the successes of these trailblazing stars help us understand the central role of women in today's economy. Swiftynomics: How Women Mastermind and Redefine Our Economy (U California Press, 2026) assesses the complex economic lives of everyday American women through the stories of groundbreakers like Taylor Swift, Misty L. Heggeness digs into the data, revealing women's hidden contributions and aspirations—the unexamined value they create by pursuing their own ambitions. She highlights the abundance of productive activity in their daily lives and acknowledges the barriers they still face. Exploring critical reforms regarding caregiving and gendered labor, this book offers advice for women to thrive in an economy that was not built for them. More about the author: Misty L. Heggeness is co-director of the Kansas Population Center, Associate Professor of Economics and Public Affairs at the University of Kansas, and former Principal Economist and Senior Advisor at the US Census Bureau. She is also creator of The Care Board, a dashboard of economic statistics built by and for caregivers that brings their economic contributions into the fold. Learn more about Swifynomics: here Learn more about Misty: here More about the host: Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a freelance publicist part-time. A feminist romp through pop culture that illuminates how women influence and shape the economy. Taylor Swift isn't just a pop megastar. She is a working woman whose astounding accomplishments defy patriarchal norms. And while not all women can be Beyoncé or Dolly Parton or Reese Witherspoon, the successes of these trailblazing stars help us understand the central role of women in today's economy. Swiftynomics: How Women Mastermind and Redefine Our Economy (U California Press, 2026) assesses the complex economic lives of everyday American women through the stories of groundbreakers like Taylor Swift, Misty L. Heggeness digs into the data, revealing women's hidden contributions and aspirations—the unexamined value they create by pursuing their own ambitions. She highlights the abundance of productive activity in their daily lives and acknowledges the barriers they still face. Exploring critical reforms regarding caregiving and gendered labor, this book offers advice for women to thrive in an economy that was not built for them. More about the author: Misty L. Heggeness is co-director of the Kansas Population Center, Associate Professor of Economics and Public Affairs at the University of Kansas, and former Principal Economist and Senior Advisor at the US Census Bureau. She is also creator of The Care Board, a dashboard of economic statistics built by and for caregivers that brings their economic contributions into the fold. Learn more about Swifynomics: here Learn more about Misty: here More about the host: Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston’s Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a freelance publicist part-time. false full 1790 052be2c4-fa81-11f0-977b-dbb5c6de39e4 Toby Green, "The Heretic of Cacheu: Crispina Peres and the Struggle over Life in Seventeenth-Century West Africa" (U Chicago Press, 2025) The Heretic of Cacheu: Crispina Peres and the Struggle over Life in Seventeenth-Century West Africa (U Chicago Press, 2025) by Professor Toby Green tells the extraordinary story of seventeenth-century West African slave trader Crispina Peres to explore the shifting, sophisticated world in which she lived.

In 1665, Crispina Peres, the most powerful trader in the West African slave-trafficking port of Cacheu, was arrested by the Portuguese Inquisition. Her enemies had conspired to denounce her for taking treatments prescribed by Senegambian healers, the djabakós. But who was Peres? And why was the Inquisition so concerned with policing the faith of a West African woman in today’s Guinea-Bissau?

In The Heretic of Cacheu, award-winning historian Dr. Green takes us to the heart of this conundrum, immersing us in the atmosphere of an otherwise distant setting. We learn how people in seventeenth-century Cacheu built their houses; styled their clothes; healed themselves from illness; and worshipped, worked, and played. Green renders the haunting realities of the growing slave trade and the rise of European empires in shocking detail. By the 1650s, the relationships between Europe, West Africa, and the Americas were already old and tangled, with slaving ports, colonies, and military bases having intermingled over many generations. But Cacheu also profoundly troubled this dynamic. It was globally connected to places ranging from China and India to Brazil and Colombia, and women such as Crispina Peres ran the town and challenged the patriarchy of empire.

For the first time, through surviving documents recording Peres’s case, The Heretic of Cacheu lets readers experience the reality of this unique place and time through a remarkable act of historical recovery.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 27 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Heretic of Cacheu: Crispina Peres and the Struggle over Life in Seventeenth-Century West Africa (U Chicago Press, 2025) by Professor Toby Green tells the extraordinary story of seventeenth-century West African slave trader Crispina Peres to explore the shifting, sophisticated world in which she lived.

In 1665, Crispina Peres, the most powerful trader in the West African slave-trafficking port of Cacheu, was arrested by the Portuguese Inquisition. Her enemies had conspired to denounce her for taking treatments prescribed by Senegambian healers, the djabakós. But who was Peres? And why was the Inquisition so concerned with policing the faith of a West African woman in today’s Guinea-Bissau?

In The Heretic of Cacheu, award-winning historian Dr. Green takes us to the heart of this conundrum, immersing us in the atmosphere of an otherwise distant setting. We learn how people in seventeenth-century Cacheu built their houses; styled their clothes; healed themselves from illness; and worshipped, worked, and played. Green renders the haunting realities of the growing slave trade and the rise of European empires in shocking detail. By the 1650s, the relationships between Europe, West Africa, and the Americas were already old and tangled, with slaving ports, colonies, and military bases having intermingled over many generations. But Cacheu also profoundly troubled this dynamic. It was globally connected to places ranging from China and India to Brazil and Colombia, and women such as Crispina Peres ran the town and challenged the patriarchy of empire.

For the first time, through surviving documents recording Peres’s case, The Heretic of Cacheu lets readers experience the reality of this unique place and time through a remarkable act of historical recovery.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Toby Green, "The Heretic of Cacheu: Crispina Peres and the Struggle over Life in Seventeenth-Century West Africa" (U Chicago Press, 2025) New Books Network 00:43:08 The Heretic of Cacheu: Crispina Peres and the Struggle over Life in Seventeenth-Century West Africa (U Chicago Press, 2025) by Professor Toby Green tells the extraordinary story of seventeenth-century West African slave trader Crispina Peres to explore the shifting, sophisticated world in which she lived. In 1665, Crispina Peres, the most powerful trader in the West African slave-trafficking port of Cacheu, was arrested by the Portuguese Inquisition. Her enemies had conspired to denounce her for taking treatments prescribed by Senegambian healers, the djabakós. But who was Peres? And why was the Inquisition so concerned with policing the faith of a West African woman in today’s Guinea-Bissau? In The Heretic of Cacheu, award-winning historian Dr. Green takes us to the heart of this conundrum, immersing us in the atmosphere of an otherwise distant setting. We learn how people in seventeenth-century Cacheu built their houses; styled their clothes; healed themselves from illness; and worshipped, worked, and played. Green renders the haunting realities of the growing slave trade and the rise of European empires in shocking detail. By the 1650s, the relationships between Europe, West Africa, and the Americas were already old and tangled, with slaving ports, colonies, and military bases having intermingled over many generations. But Cacheu also profoundly troubled this dynamic. It was globally connected to places ranging from China and India to Brazil and Colombia, and women such as Crispina Peres ran the town and challenged the patriarchy of empire. For the first time, through surviving documents recording Peres’s case, The Heretic of Cacheu lets readers experience the reality of this unique place and time through a remarkable act of historical recovery. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The Heretic of Cacheu: Crispina Peres and the Struggle over Life in Seventeenth-Century West Africa (U Chicago Press, 2025) by Professor Toby Green tells the extraordinary story of seventeenth-century West African slave trader Crispina Peres to explore the shifting, sophisticated world in which she lived. In 1665, Crispina Peres, the most powerful trader in the West African slave-trafficking port of Cacheu, was arrested by the Portuguese Inquisition. Her enemies had conspired to denounce her for taking treatments prescribed by Senegambian healers, the djabakós. But who was Peres? And why was the Inquisition so concerned with policing the faith of a West African woman in today’s Guinea-Bissau? In The Heretic of Cacheu, award-winning historian Dr. Green takes us to the heart of this conundrum, immersing us in the atmosphere of an otherwise distant setting. We learn how people in seventeenth-century Cacheu built their houses; styled their clothes; healed themselves from illness; and worshipped, worked, and played. Green renders the haunting realities of the growing slave trade and the rise of European empires in shocking detail. By the 1650s, the relationships between Europe, West Africa, and the Americas were already old and tangled, with slaving ports, colonies, and military bases having intermingled over many generations. But Cacheu also profoundly troubled this dynamic. It was globally connected to places ranging from China and India to Brazil and Colombia, and women such as Crispina Peres ran the town and challenged the patriarchy of empire. For the first time, through surviving documents recording Peres’s case, The Heretic of Cacheu lets readers experience the reality of this unique place and time through a remarkable act of historical recovery. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1789 42d30942-f82c-11f0-acce-3bd7980d786d Nena Vandeweerdt, "Women and Work Through a Comparative Lens: Gender and the Urban Labor Markets of Premodern Brabant and Biscay" (Leuven UP, 2025) Women and Work Through a Comparative Lens: Gender and the Urban Labor Markets of Premodern Brabant and Biscay explores women's economic roles in late medieval and early modern Europe, particularly through the lens of craft guilds and regional comparisons with the aim emphasising the visibility of women’s economic activities in premodern Europe. The book explains the nature of guilds at this period, emphasising their male-dominated nature that limited women's formal participation while still allowing them to play significant roles within household economies. Among other topical issues examined in the book are the institutional factors that shaped women's economic roles in the 16th century, with details on how households in Brabant functioned as economic units with women managing income and administration. Also, the book explained how institutions such as guilds, households, informal markets, and town governments shaped women's economic opportunities in the 16th century.

Through a comparative approach, the book allows for a deeper understanding of women's visibility and economic conditions, particularly through the analysis of taxation registers and the public versus private nature of women’s work in different trades. The book contains a more nuanced comparison between specific regions in Europe, including Brabant and Biscay, to provide explanation on the North-South divide. The adoption of a comparative approach in the book enables a detailed analysis of women's labor opportunities including the fish trade, bread trade, itinerant informal trading, merchant activity and artisan work by examining two distinct regions. This comparative method reveals the complexities of women's economic positions and the varying factors that shaped their experiences cutting across town policy which placed restrictions due to guild influences.

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta


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]]> Sun, 25 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women and Work Through a Comparative Lens: Gender and the Urban Labor Markets of Premodern Brabant and Biscay explores women's economic roles in late medieval and early modern Europe, particularly through the lens of craft guilds and regional comparisons with the aim emphasising the visibility of women’s economic activities in premodern Europe. The book explains the nature of guilds at this period, emphasising their male-dominated nature that limited women's formal participation while still allowing them to play significant roles within household economies. Among other topical issues examined in the book are the institutional factors that shaped women's economic roles in the 16th century, with details on how households in Brabant functioned as economic units with women managing income and administration. Also, the book explained how institutions such as guilds, households, informal markets, and town governments shaped women's economic opportunities in the 16th century.

Through a comparative approach, the book allows for a deeper understanding of women's visibility and economic conditions, particularly through the analysis of taxation registers and the public versus private nature of women’s work in different trades. The book contains a more nuanced comparison between specific regions in Europe, including Brabant and Biscay, to provide explanation on the North-South divide. The adoption of a comparative approach in the book enables a detailed analysis of women's labor opportunities including the fish trade, bread trade, itinerant informal trading, merchant activity and artisan work by examining two distinct regions. This comparative method reveals the complexities of women's economic positions and the varying factors that shaped their experiences cutting across town policy which placed restrictions due to guild influences.

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta


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]]> Nena Vandeweerdt, "Women and Work Through a Comparative Lens: Gender and the Urban Labor Markets of Premodern Brabant and Biscay" (Leuven UP, 2025) New Books Network 00:39:25 Women and Work Through a Comparative Lens: Gender and the Urban Labor Markets of Premodern Brabant and Biscay explores women's economic roles in late medieval and early modern Europe, particularly through the lens of craft guilds and regional comparisons with the aim emphasising the visibility of women’s economic activities in premodern Europe. The book explains the nature of guilds at this period, emphasising their male-dominated nature that limited women's formal participation while still allowing them to play significant roles within household economies. Among other topical issues examined in the book are the institutional factors that shaped women's economic roles in the 16th century, with details on how households in Brabant functioned as economic units with women managing income and administration. Also, the book explained how institutions such as guilds, households, informal markets, and town governments shaped women's economic opportunities in the 16th century. Through a comparative approach, the book allows for a deeper understanding of women's visibility and economic conditions, particularly through the analysis of taxation registers and the public versus private nature of women’s work in different trades. The book contains a more nuanced comparison between specific regions in Europe, including Brabant and Biscay, to provide explanation on the North-South divide. The adoption of a comparative approach in the book enables a detailed analysis of women's labor opportunities including the fish trade, bread trade, itinerant informal trading, merchant activity and artisan work by examining two distinct regions. This comparative method reveals the complexities of women's economic positions and the varying factors that shaped their experiences cutting across town policy which placed restrictions due to guild influences. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Women and Work Through a Comparative Lens: Gender and the Urban Labor Markets of Premodern Brabant and Biscay explores women's economic roles in late medieval and early modern Europe, particularly through the lens of craft guilds and regional comparisons with the aim emphasising the visibility of women’s economic activities in premodern Europe. The book explains the nature of guilds at this period, emphasising their male-dominated nature that limited women's formal participation while still allowing them to play significant roles within household economies. Among other topical issues examined in the book are the institutional factors that shaped women's economic roles in the 16th century, with details on how households in Brabant functioned as economic units with women managing income and administration. Also, the book explained how institutions such as guilds, households, informal markets, and town governments shaped women's economic opportunities in the 16th century. Through a comparative approach, the book allows for a deeper understanding of women's visibility and economic conditions, particularly through the analysis of taxation registers and the public versus private nature of women’s work in different trades. The book contains a more nuanced comparison between specific regions in Europe, including Brabant and Biscay, to provide explanation on the North-South divide. The adoption of a comparative approach in the book enables a detailed analysis of women's labor opportunities including the fish trade, bread trade, itinerant informal trading, merchant activity and artisan work by examining two distinct regions. This comparative method reveals the complexities of women's economic positions and the varying factors that shaped their experiences cutting across town policy which placed restrictions due to guild influences. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta false full 1788 0cd2bdea-f82e-11f0-8208-876234209d2b Erika Quinn, "This Horrible Uncertainty: A German Woman Writes War, 1939-1948" (Berghahn Books, 2024) Through the diaries and personal papers of a German woman, Vera Conrad, This Horrible Uncertainty: A German Woman Writes War, 1939-1948 (Berghahn Books, 2024) documents her wartime experiences and deepens our understanding of the complex experiences of trauma and grief that National Socialist supporters experienced. Building on scholarship about mourning and widowhood that largely focuses on state policies and public discourses, This Horrible Uncertainty provides an interpretive framework of people’s perceptions of events and their capacity to respond to them. Using a history of emotions approach, Erika Quinn establishes that keeping the diary allowed Conrad to develop different selves in response to her responsibilities, fear, and grief after her husband was declared missing in 1943.
Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. 


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]]> Sun, 25 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Through the diaries and personal papers of a German woman, Vera Conrad, This Horrible Uncertainty: A German Woman Writes War, 1939-1948 (Berghahn Books, 2024) documents her wartime experiences and deepens our understanding of the complex experiences of trauma and grief that National Socialist supporters experienced. Building on scholarship about mourning and widowhood that largely focuses on state policies and public discourses, This Horrible Uncertainty provides an interpretive framework of people’s perceptions of events and their capacity to respond to them. Using a history of emotions approach, Erika Quinn establishes that keeping the diary allowed Conrad to develop different selves in response to her responsibilities, fear, and grief after her husband was declared missing in 1943.
Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. 


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]]> Erika Quinn, "This Horrible Uncertainty: A German Woman Writes War, 1939-1948" (Berghahn Books, 2024) New Books Network 00:33:51 Through the diaries and personal papers of a German woman, Vera Conrad, This Horrible Uncertainty: A German Woman Writes War, 1939-1948 (Berghahn Books, 2024) documents her wartime experiences and deepens our understanding of the complex experiences of trauma and grief that National Socialist supporters experienced. Building on scholarship about mourning and widowhood that largely focuses on state policies and public discourses, This Horrible Uncertainty provides an interpretive framework of people’s perceptions of events and their capacity to respond to them. Using a history of emotions approach, Erika Quinn establishes that keeping the diary allowed Conrad to develop different selves in response to her responsibilities, fear, and grief after her husband was declared missing in 1943.Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.  Through the diaries and personal papers of a German woman, Vera Conrad, This Horrible Uncertainty: A German Woman Writes War, 1939-1948 (Berghahn Books, 2024) documents her wartime experiences and deepens our understanding of the complex experiences of trauma and grief that National Socialist supporters experienced. Building on scholarship about mourning and widowhood that largely focuses on state policies and public discourses, This Horrible Uncertainty provides an interpretive framework of people’s perceptions of events and their capacity to respond to them. Using a history of emotions approach, Erika Quinn establishes that keeping the diary allowed Conrad to develop different selves in response to her responsibilities, fear, and grief after her husband was declared missing in 1943.Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.  false full 1787 144031ee-f7ce-11f0-9d92-a3b81741342d Lindsay Sarah Krasnoff, "Basketball Empire: France and the Making of a Global NBA and WNBA" (Bloomsbury, 2023) Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA.

Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball’s success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon.

In Basketball Empire, Krasnoff’s first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men’s silver and a women’s bronze in 2020/21.

Basketball Empire’s second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff’s ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States.

In the final section, Krasnoff considers why the French have been so successful at producing high quality men’s and women’s basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad.

Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.


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]]> Sat, 24 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA.

Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball’s success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon.

In Basketball Empire, Krasnoff’s first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men’s silver and a women’s bronze in 2020/21.

Basketball Empire’s second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff’s ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States.

In the final section, Krasnoff considers why the French have been so successful at producing high quality men’s and women’s basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad.

Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.


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]]> Lindsay Sarah Krasnoff, "Basketball Empire: France and the Making of a Global NBA and WNBA" (Bloomsbury, 2023) New Books Network 01:04:13 Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball’s success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff’s first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men’s silver and a women’s bronze in 2020/21. Basketball Empire’s second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff’s ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men’s and women’s basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball’s success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff’s first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men’s silver and a women’s bronze in 2020/21. Basketball Empire’s second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff’s ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men’s and women’s basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. false full 265 e8103ed8-f689-11f0-8461-dfe1acee5ea5 Susannah Wilson, "A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France" (Cornell UP, 2025) Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism.


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]]> Fri, 23 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism.


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]]> Susannah Wilson, "A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France" (Cornell UP, 2025) New Books Network 00:43:50 Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. false full 1785 b4130362-f5b3-11f0-bb6f-0fe1a0231b1b Abortion and Reproductive Justice: An Essential Guide for Resistance Overturning Roe unleashed a wave of urgent threats to abortion and bodily autonomy, fueled by overt white supremacy, racial and anti-immigrant hatred, and support for traditional gender roles and sexual identities. But the resistance is fierce, led by a new generation of activists of color dedicated to building an inclusive movement. In Abortion and Reproductive Justice: An Essential Guide for Resistance, widely recognized movement leaders Marlene Gerber Fried and Loretta J. Ross provide a history of abortion politics through a reproductive justice framework that centers those most vulnerable.
The book emphasizes that the right to have and raise children is as important for reproductive choice as the right not to. This critical approach—originating in Black feminism—provides grounding for radical abortion advocacy. Calling on us to join in, the book highlights abortion stories from individuals and organizations who are putting this analysis into action on the front lines, in the United States and beyond. By linking abortion rights to broader social justice initiatives, including Black Lives Matter, immigrant and refugee rights, disability justice, and LGBTQ+ rights, the authors expand the conversation at a critical moment.

Our guest is: Dr. Marlene Gerber Fried, who is professor emerita at Hampshire College. Her scholarship and teaching focuses on abortion rights and access, reproductive and sexual rights and health, and legal theory. Her honors include the Felicia Stewart Advocacy Award, and the Warrior Women Award from SisterSong Women of Color Reproductive Justice Collective.

Our guest is: Dr. Loretta J. Ross, who is an activist, public intellectual, and Associate Professor of the Study of Women & Gender at Smith College. Her co-authored books include Calling In, Abortion and Reproductive Justice, and Women Who Change the World. She has also published numerous articles and book chapters. Find more here: Loretta Ross Papers.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast, and writes the show’s newsletter at ChristinaGessler.Substack.com.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Thu, 22 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Overturning Roe unleashed a wave of urgent threats to abortion and bodily autonomy, fueled by overt white supremacy, racial and anti-immigrant hatred, and support for traditional gender roles and sexual identities. But the resistance is fierce, led by a new generation of activists of color dedicated to building an inclusive movement. In Abortion and Reproductive Justice: An Essential Guide for Resistance, widely recognized movement leaders Marlene Gerber Fried and Loretta J. Ross provide a history of abortion politics through a reproductive justice framework that centers those most vulnerable.
The book emphasizes that the right to have and raise children is as important for reproductive choice as the right not to. This critical approach—originating in Black feminism—provides grounding for radical abortion advocacy. Calling on us to join in, the book highlights abortion stories from individuals and organizations who are putting this analysis into action on the front lines, in the United States and beyond. By linking abortion rights to broader social justice initiatives, including Black Lives Matter, immigrant and refugee rights, disability justice, and LGBTQ+ rights, the authors expand the conversation at a critical moment.

Our guest is: Dr. Marlene Gerber Fried, who is professor emerita at Hampshire College. Her scholarship and teaching focuses on abortion rights and access, reproductive and sexual rights and health, and legal theory. Her honors include the Felicia Stewart Advocacy Award, and the Warrior Women Award from SisterSong Women of Color Reproductive Justice Collective.

Our guest is: Dr. Loretta J. Ross, who is an activist, public intellectual, and Associate Professor of the Study of Women & Gender at Smith College. Her co-authored books include Calling In, Abortion and Reproductive Justice, and Women Who Change the World. She has also published numerous articles and book chapters. Find more here: Loretta Ross Papers.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast, and writes the show’s newsletter at ChristinaGessler.Substack.com.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Abortion and Reproductive Justice: An Essential Guide for Resistance New Books Network 00:57:48 Overturning Roe unleashed a wave of urgent threats to abortion and bodily autonomy, fueled by overt white supremacy, racial and anti-immigrant hatred, and support for traditional gender roles and sexual identities. But the resistance is fierce, led by a new generation of activists of color dedicated to building an inclusive movement. In Abortion and Reproductive Justice: An Essential Guide for Resistance, widely recognized movement leaders Marlene Gerber Fried and Loretta J. Ross provide a history of abortion politics through a reproductive justice framework that centers those most vulnerable.The book emphasizes that the right to have and raise children is as important for reproductive choice as the right not to. This critical approach—originating in Black feminism—provides grounding for radical abortion advocacy. Calling on us to join in, the book highlights abortion stories from individuals and organizations who are putting this analysis into action on the front lines, in the United States and beyond. By linking abortion rights to broader social justice initiatives, including Black Lives Matter, immigrant and refugee rights, disability justice, and LGBTQ+ rights, the authors expand the conversation at a critical moment. Our guest is: Dr. Marlene Gerber Fried, who is professor emerita at Hampshire College. Her scholarship and teaching focuses on abortion rights and access, reproductive and sexual rights and health, and legal theory. Her honors include the Felicia Stewart Advocacy Award, and the Warrior Women Award from SisterSong Women of Color Reproductive Justice Collective. Our guest is: Dr. Loretta J. Ross, who is an activist, public intellectual, and Associate Professor of the Study of Women & Gender at Smith College. Her co-authored books include Calling In, Abortion and Reproductive Justice, and Women Who Change the World. She has also published numerous articles and book chapters. Find more here: Loretta Ross Papers. Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast, and writes the show’s newsletter at ChristinaGessler.Substack.com. Playlist for listeners: The Turnaway Study You're Doing It Wrong Womanist Bioethics How to Organize Inclusive Events and Conferences How We Show Up Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Overturning Roe unleashed a wave of urgent threats to abortion and bodily autonomy, fueled by overt white supremacy, racial and anti-immigrant hatred, and support for traditional gender roles and sexual identities. But the resistance is fierce, led by a new generation of activists of color dedicated to building an inclusive movement. In Abortion and Reproductive Justice: An Essential Guide for Resistance, widely recognized movement leaders Marlene Gerber Fried and Loretta J. Ross provide a history of abortion politics through a reproductive justice framework that centers those most vulnerable.The book emphasizes that the right to have and raise children is as important for reproductive choice as the right not to. This critical approach—originating in Black feminism—provides grounding for radical abortion advocacy. Calling on us to join in, the book highlights abortion stories from individuals and organizations who are putting this analysis into action on the front lines, in the United States and beyond. By linking abortion rights to broader social justice initiatives, including Black Lives Matter, immigrant and refugee rights, disability justice, and LGBTQ+ rights, the authors expand the conversation at a critical moment. Our guest is: Dr. Marlene Gerber Fried, who is professor emerita at Hampshire College. Her scholarship and teaching focuses on abortion rights and access, reproductive and sexual rights and health, and legal theory. Her honors include the Felicia Stewart Advocacy Award, and the Warrior Women Award from SisterSong Women of Color Reproductive Justice Collective. Our guest is: Dr. Loretta J. Ross, who is an activist, public intellectual, and Associate Professor of the Study of Women & Gender at Smith College. Her co-authored books include Calling In, Abortion and Reproductive Justice, and Women Who Change the World. She has also published numerous articles and book chapters. Find more here: Loretta Ross Papers. Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast, and writes the show’s newsletter at ChristinaGessler.Substack.com. Playlist for listeners: The Turnaway Study You're Doing It Wrong Womanist Bioethics How to Organize Inclusive Events and Conferences How We Show Up Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! false full 1784 314e5588-f682-11f0-9165-4f197b4a6e51 Lauren D. Sawyer, "Growing Up Pure: White Girls, Queer Teens, and the Racial Foundations of Purity Culture" (NYU Press, 2025) Gaining mass popularity in the mid-1990s with the True Love Waits rally on the Washington Mall, purity culture began as an urge from evangelical conservatives for Christian adolescents to publicly commit to practicing abstinence until marriage. Throughout this decade and the next, millions of evangelical teenagers performed their commitment to sexual purity by signing pledges and wearing purity rings.

Growing Up Pure: White Girls, Queer Teens, and the Racial Foundations of Purity Culture (NYU Press, 2025) by Dr. Lauren D. Sawyer examines the shaping of purity culture in the United States, looking specifically at the experiences of white youth. It shows that white girls and white queer youth were vulnerable to the purity movement, but that they were also complicit in its white supremacist oppressive structure. It makes the case that purity culture follows in the footsteps of other purity movements in the United States, and is very much tied to centuries of anti-Black racism and xenophobia in US social history, seeing white youth as in need of protection, usually from a racialized, sexualized other.
While other works have focused on the ways in which purity culture has victimized young people, Dr. Sawyer argues that their perceived status as victims lets them too easily off the hook. White youth have been afforded the privilege of participating in purity culture’s harmful behaviors without being called to account. Closely reading adolescents’ stories of growing up in purity culture, she uncovers youth as agents, participants, and beneficiaries of its white supremacist framing, even as they were still vulnerable to its harmful teachings.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Thu, 22 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Gaining mass popularity in the mid-1990s with the True Love Waits rally on the Washington Mall, purity culture began as an urge from evangelical conservatives for Christian adolescents to publicly commit to practicing abstinence until marriage. Throughout this decade and the next, millions of evangelical teenagers performed their commitment to sexual purity by signing pledges and wearing purity rings.

Growing Up Pure: White Girls, Queer Teens, and the Racial Foundations of Purity Culture (NYU Press, 2025) by Dr. Lauren D. Sawyer examines the shaping of purity culture in the United States, looking specifically at the experiences of white youth. It shows that white girls and white queer youth were vulnerable to the purity movement, but that they were also complicit in its white supremacist oppressive structure. It makes the case that purity culture follows in the footsteps of other purity movements in the United States, and is very much tied to centuries of anti-Black racism and xenophobia in US social history, seeing white youth as in need of protection, usually from a racialized, sexualized other.
While other works have focused on the ways in which purity culture has victimized young people, Dr. Sawyer argues that their perceived status as victims lets them too easily off the hook. White youth have been afforded the privilege of participating in purity culture’s harmful behaviors without being called to account. Closely reading adolescents’ stories of growing up in purity culture, she uncovers youth as agents, participants, and beneficiaries of its white supremacist framing, even as they were still vulnerable to its harmful teachings.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Lauren D. Sawyer, "Growing Up Pure: White Girls, Queer Teens, and the Racial Foundations of Purity Culture" (NYU Press, 2025) New Books Network 00:41:20 Gaining mass popularity in the mid-1990s with the True Love Waits rally on the Washington Mall, purity culture began as an urge from evangelical conservatives for Christian adolescents to publicly commit to practicing abstinence until marriage. Throughout this decade and the next, millions of evangelical teenagers performed their commitment to sexual purity by signing pledges and wearing purity rings. Growing Up Pure: White Girls, Queer Teens, and the Racial Foundations of Purity Culture (NYU Press, 2025) by Dr. Lauren D. Sawyer examines the shaping of purity culture in the United States, looking specifically at the experiences of white youth. It shows that white girls and white queer youth were vulnerable to the purity movement, but that they were also complicit in its white supremacist oppressive structure. It makes the case that purity culture follows in the footsteps of other purity movements in the United States, and is very much tied to centuries of anti-Black racism and xenophobia in US social history, seeing white youth as in need of protection, usually from a racialized, sexualized other.While other works have focused on the ways in which purity culture has victimized young people, Dr. Sawyer argues that their perceived status as victims lets them too easily off the hook. White youth have been afforded the privilege of participating in purity culture’s harmful behaviors without being called to account. Closely reading adolescents’ stories of growing up in purity culture, she uncovers youth as agents, participants, and beneficiaries of its white supremacist framing, even as they were still vulnerable to its harmful teachings. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Gaining mass popularity in the mid-1990s with the True Love Waits rally on the Washington Mall, purity culture began as an urge from evangelical conservatives for Christian adolescents to publicly commit to practicing abstinence until marriage. Throughout this decade and the next, millions of evangelical teenagers performed their commitment to sexual purity by signing pledges and wearing purity rings. Growing Up Pure: White Girls, Queer Teens, and the Racial Foundations of Purity Culture (NYU Press, 2025) by Dr. Lauren D. Sawyer examines the shaping of purity culture in the United States, looking specifically at the experiences of white youth. It shows that white girls and white queer youth were vulnerable to the purity movement, but that they were also complicit in its white supremacist oppressive structure. It makes the case that purity culture follows in the footsteps of other purity movements in the United States, and is very much tied to centuries of anti-Black racism and xenophobia in US social history, seeing white youth as in need of protection, usually from a racialized, sexualized other.While other works have focused on the ways in which purity culture has victimized young people, Dr. Sawyer argues that their perceived status as victims lets them too easily off the hook. White youth have been afforded the privilege of participating in purity culture’s harmful behaviors without being called to account. Closely reading adolescents’ stories of growing up in purity culture, she uncovers youth as agents, participants, and beneficiaries of its white supremacist framing, even as they were still vulnerable to its harmful teachings. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1783 27b94bc2-f506-11f0-8a81-d361fcc3ab31 Alison Rowlands, "Witchcraft Narratives in Germany: Rothenburg, 1561-1652" (Manchester UP, 2026) Alison Rowlands, professor of Early Modern European History at the University of Essex, joins Jana Byars to talk about her classic book, Witchcraft Narratives in Germany, Rothenberg, 1561- 1652, out Manchester UP 2003. This conversation took place on the occasion of a new edition, this time a paperback release, in January 2026 Witchcraft Narratives in Germany: Rothenburg, 1561-1652 (Manchester UP, 2026). This meticulously-researched book relies on copious, detailed archival documents concerning people accused of witchcraft in  the German city of Rothenburg ob der Tauber between 1561 and 1652. This city experienced a very restrained pattern of witch-trials and just one execution for witchcraft during that time, unlike some other places in German lands and Europe more broadly. This book explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft and offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. It also includes analysis on the role of gender. Find the open source of the original edition here.


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]]> Wed, 21 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Alison Rowlands, professor of Early Modern European History at the University of Essex, joins Jana Byars to talk about her classic book, Witchcraft Narratives in Germany, Rothenberg, 1561- 1652, out Manchester UP 2003. This conversation took place on the occasion of a new edition, this time a paperback release, in January 2026 Witchcraft Narratives in Germany: Rothenburg, 1561-1652 (Manchester UP, 2026). This meticulously-researched book relies on copious, detailed archival documents concerning people accused of witchcraft in  the German city of Rothenburg ob der Tauber between 1561 and 1652. This city experienced a very restrained pattern of witch-trials and just one execution for witchcraft during that time, unlike some other places in German lands and Europe more broadly. This book explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft and offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. It also includes analysis on the role of gender. Find the open source of the original edition here.


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]]> Alison Rowlands, "Witchcraft Narratives in Germany: Rothenburg, 1561-1652" (Manchester UP, 2026) New Books Network 00:53:41 Alison Rowlands, professor of Early Modern European History at the University of Essex, joins Jana Byars to talk about her classic book, Witchcraft Narratives in Germany, Rothenberg, 1561- 1652, out Manchester UP 2003. This conversation took place on the occasion of a new edition, this time a paperback release, in January 2026 Witchcraft Narratives in Germany: Rothenburg, 1561-1652 (Manchester UP, 2026). This meticulously-researched book relies on copious, detailed archival documents concerning people accused of witchcraft in  the German city of Rothenburg ob der Tauber between 1561 and 1652. This city experienced a very restrained pattern of witch-trials and just one execution for witchcraft during that time, unlike some other places in German lands and Europe more broadly. This book explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft and offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. It also includes analysis on the role of gender. Find the open source of the original edition here. Alison Rowlands, professor of Early Modern European History at the University of Essex, joins Jana Byars to talk about her classic book, Witchcraft Narratives in Germany, Rothenberg, 1561- 1652, out Manchester UP 2003. This conversation took place on the occasion of a new edition, this time a paperback release, in January 2026 Witchcraft Narratives in Germany: Rothenburg, 1561-1652 (Manchester UP, 2026). This meticulously-researched book relies on copious, detailed archival documents concerning people accused of witchcraft in  the German city of Rothenburg ob der Tauber between 1561 and 1652. This city experienced a very restrained pattern of witch-trials and just one execution for witchcraft during that time, unlike some other places in German lands and Europe more broadly. This book explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft and offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. It also includes analysis on the role of gender. Find the open source of the original edition here. false full 1782 41734854-f3a5-11f0-a55e-17925f056d6b Sara Petrosillo, "Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture" (Ohio State UP, 2023) Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers. 

Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.


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]]> Mon, 19 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers. 

Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.


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]]> Sara Petrosillo, "Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture" (Ohio State UP, 2023) New Books Network 00:47:57 Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. false full 25 9758b986-f312-11f0-9915-f34353a23f6b Oline Eaton, "Finding Jackie: The Second Act of America's First Lady" (Diversion Books, 2023) In her new book, Finding Jackie: A Life Reinvented (Diversion Books, 2023), scholar and writer Oline Eaton examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis?

Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today.


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]]> Sun, 18 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In her new book, Finding Jackie: A Life Reinvented (Diversion Books, 2023), scholar and writer Oline Eaton examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis?

Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today.


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]]> Oline Eaton, "Finding Jackie: The Second Act of America's First Lady" (Diversion Books, 2023) New Books Network 00:57:22 In her new book, Finding Jackie: A Life Reinvented (Diversion Books, 2023), scholar and writer Oline Eaton examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis? Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today. In her new book, Finding Jackie: A Life Reinvented (Diversion Books, 2023), scholar and writer Oline Eaton examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis? Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today. false full 145 04b51d9e-f1c4-11f0-87dd-2f5dd3a8873b Lottie Whalen, "Radicals & Rogues: The Women Who Made New York Modern" (Reaktion, 2023) Radicals & Rogues: The Women Who Made New York Modern (Reaktion, 2023) is the story of a group of women whose experiments in art and life set the tone for the rise of New York as the twentieth-century capital of modern culture. Across the 1910s and ’20s, through provocative creative acts, shocking fashion, political activism, and dynamic social networks, these women reimagined modern life and fought for the chance to realize their visions. Taking the reader on a journey through the city’s salons and bohemian hangouts, Radicals and Rogues celebrates the tastemakers, collectors, curators, artists, and poets at the forefront of the early avant-garde scene. Focusing on these trailblazers at the center of artistic innovation—including Beatrice Wood, Mina Loy, the Stettheimer sisters, Clara Tice, the Baroness Elsa von Freytag Loringhoven, Gertrude Vanderbilt Whitney, Marguerite Zorach, and Louise Arensberg—Lottie Whalen offers a lively new history of remarkable women in early twentieth-century New York City.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College website

@janescimeca.bsky.social 


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]]> Fri, 16 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Radicals & Rogues: The Women Who Made New York Modern (Reaktion, 2023) is the story of a group of women whose experiments in art and life set the tone for the rise of New York as the twentieth-century capital of modern culture. Across the 1910s and ’20s, through provocative creative acts, shocking fashion, political activism, and dynamic social networks, these women reimagined modern life and fought for the chance to realize their visions. Taking the reader on a journey through the city’s salons and bohemian hangouts, Radicals and Rogues celebrates the tastemakers, collectors, curators, artists, and poets at the forefront of the early avant-garde scene. Focusing on these trailblazers at the center of artistic innovation—including Beatrice Wood, Mina Loy, the Stettheimer sisters, Clara Tice, the Baroness Elsa von Freytag Loringhoven, Gertrude Vanderbilt Whitney, Marguerite Zorach, and Louise Arensberg—Lottie Whalen offers a lively new history of remarkable women in early twentieth-century New York City.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College website

@janescimeca.bsky.social 


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]]> Lottie Whalen, "Radicals & Rogues: The Women Who Made New York Modern" (Reaktion, 2023) New Books Network 00:35:27 Radicals & Rogues: The Women Who Made New York Modern (Reaktion, 2023) is the story of a group of women whose experiments in art and life set the tone for the rise of New York as the twentieth-century capital of modern culture. Across the 1910s and ’20s, through provocative creative acts, shocking fashion, political activism, and dynamic social networks, these women reimagined modern life and fought for the chance to realize their visions. Taking the reader on a journey through the city’s salons and bohemian hangouts, Radicals and Rogues celebrates the tastemakers, collectors, curators, artists, and poets at the forefront of the early avant-garde scene. Focusing on these trailblazers at the center of artistic innovation—including Beatrice Wood, Mina Loy, the Stettheimer sisters, Clara Tice, the Baroness Elsa von Freytag Loringhoven, Gertrude Vanderbilt Whitney, Marguerite Zorach, and Louise Arensberg—Lottie Whalen offers a lively new history of remarkable women in early twentieth-century New York City. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College website @janescimeca.bsky.social  Radicals & Rogues: The Women Who Made New York Modern (Reaktion, 2023) is the story of a group of women whose experiments in art and life set the tone for the rise of New York as the twentieth-century capital of modern culture. Across the 1910s and ’20s, through provocative creative acts, shocking fashion, political activism, and dynamic social networks, these women reimagined modern life and fought for the chance to realize their visions. Taking the reader on a journey through the city’s salons and bohemian hangouts, Radicals and Rogues celebrates the tastemakers, collectors, curators, artists, and poets at the forefront of the early avant-garde scene. Focusing on these trailblazers at the center of artistic innovation—including Beatrice Wood, Mina Loy, the Stettheimer sisters, Clara Tice, the Baroness Elsa von Freytag Loringhoven, Gertrude Vanderbilt Whitney, Marguerite Zorach, and Louise Arensberg—Lottie Whalen offers a lively new history of remarkable women in early twentieth-century New York City. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College website @janescimeca.bsky.social  false full 1779 a75eeeaa-f10e-11f0-85d6-1b52db2848f7 Sam Fullerton, "Sexual Politics in Revolutionary England" (Manchester UP, 2026) Samuel Fullerton joins Jana Byars to talk about Sexual Politics in Revolutionary England (Manchester UP 2024) to celebrate its paperback release. It recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.


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]]> Thu, 15 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Samuel Fullerton joins Jana Byars to talk about Sexual Politics in Revolutionary England (Manchester UP 2024) to celebrate its paperback release. It recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.


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]]> Sam Fullerton, "Sexual Politics in Revolutionary England" (Manchester UP, 2026) New Books Network 00:54:03 Samuel Fullerton joins Jana Byars to talk about Sexual Politics in Revolutionary England (Manchester UP 2024) to celebrate its paperback release. It recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture. Samuel Fullerton joins Jana Byars to talk about Sexual Politics in Revolutionary England (Manchester UP 2024) to celebrate its paperback release. It recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture. false full 1778 9243d05a-f116-11f0-9420-1b96b1414a7d Zoë McGee, "Courting Disaster: Reading Between the Lines of the Regency Novel" (Manchester UP, 2025) What do #MeToo and Jane Austen have in common? More than you might think.

Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. Dr Zoë McGee reveals how Jane Austen, Frances Burney and their now-overlooked contemporaries used their stories to try to change society's mind about rape culture - and to reassure survivors they were not alone.

Courting Disaster: Reading Between the Lines of the Regency Novel (Manchester UP, 2025) takes a timely deep-dive into a series of classic novels, comparing them with both historic court records and current events to show that our arguments about consent are not a new phenomenon. With the wit and wryness of a courtship novel, McGee reads between the lines to unveil a quiet feminist movement that still resonates today. Because every novel about marriage is also a novel about consent.

In an era that's clamouring for a return to the values of the past, Courting Disaster asks what that would really mean, and whether anyone actually liked it back then anyway.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 15 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What do #MeToo and Jane Austen have in common? More than you might think.

Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. Dr Zoë McGee reveals how Jane Austen, Frances Burney and their now-overlooked contemporaries used their stories to try to change society's mind about rape culture - and to reassure survivors they were not alone.

Courting Disaster: Reading Between the Lines of the Regency Novel (Manchester UP, 2025) takes a timely deep-dive into a series of classic novels, comparing them with both historic court records and current events to show that our arguments about consent are not a new phenomenon. With the wit and wryness of a courtship novel, McGee reads between the lines to unveil a quiet feminist movement that still resonates today. Because every novel about marriage is also a novel about consent.

In an era that's clamouring for a return to the values of the past, Courting Disaster asks what that would really mean, and whether anyone actually liked it back then anyway.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Zoë McGee, "Courting Disaster: Reading Between the Lines of the Regency Novel" (Manchester UP, 2025) New Books Network 01:05:43 What do #MeToo and Jane Austen have in common? More than you might think. Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. Dr Zoë McGee reveals how Jane Austen, Frances Burney and their now-overlooked contemporaries used their stories to try to change society's mind about rape culture - and to reassure survivors they were not alone. Courting Disaster: Reading Between the Lines of the Regency Novel (Manchester UP, 2025) takes a timely deep-dive into a series of classic novels, comparing them with both historic court records and current events to show that our arguments about consent are not a new phenomenon. With the wit and wryness of a courtship novel, McGee reads between the lines to unveil a quiet feminist movement that still resonates today. Because every novel about marriage is also a novel about consent. In an era that's clamouring for a return to the values of the past, Courting Disaster asks what that would really mean, and whether anyone actually liked it back then anyway. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. What do #MeToo and Jane Austen have in common? More than you might think. Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. Dr Zoë McGee reveals how Jane Austen, Frances Burney and their now-overlooked contemporaries used their stories to try to change society's mind about rape culture - and to reassure survivors they were not alone. Courting Disaster: Reading Between the Lines of the Regency Novel (Manchester UP, 2025) takes a timely deep-dive into a series of classic novels, comparing them with both historic court records and current events to show that our arguments about consent are not a new phenomenon. With the wit and wryness of a courtship novel, McGee reads between the lines to unveil a quiet feminist movement that still resonates today. Because every novel about marriage is also a novel about consent. In an era that's clamouring for a return to the values of the past, Courting Disaster asks what that would really mean, and whether anyone actually liked it back then anyway. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1777 fd6f1542-ee1e-11f0-a2d4-a738c58a750f Heather Smith-Cannoy et al., "Sex Trafficking and Human Rights: The Status of Women and State Responses" (Georgetown UP, 2022) Human trafficking for the sex trade is a form of modern-day slavery that ensnares thousands of victims each year, disproportionately affecting women and girls. While the international community has developed an impressive edifice of human rights law, these laws are not equally recognized or enforced by all countries. Sex Trafficking and Human Rights demonstrates that state responsiveness to human trafficking is shaped by the political, social, cultural, and economic rights afforded to women in that state. While combatting human trafficking is a multiscalar problem with a host of conflating variables, this book shows that a common theme in the effectiveness of state response is the degree to which women and girls are perceived as, and actually are, full citizens. By analyzing human trafficking cases in India, Thailand, Russia, Nigeria, and Brazil, they shed light on the factors that make some women and girls more susceptible to traffickers than others.

Heather Smith-Cannoy (PhD, UC San Diego, 2007) is a Professor of Political Science/Social Justice and Human Rights at the New College of Interdisciplinary Arts and Sciences at Arizona State University. She is currently serving as the Interim Director of the School of Social and Behavioral Sciences. Her work explores when and under what conditions international law impacts the human rights of the most marginalized populations, focusing on both the opportunities and the challenges associated with this body of law. She has also focused on the role that international law can play in advancing the legal rights of sex trafficking victims. She has published 4 books and more than 15 articles and book chapters.

Patricia C. Rodda is the Assistant Professor of Political Science at Carroll University in Waukesha, Wisconsin. She teaches international relations, comparative politics, international law, conflict and security and political theory. Her research often focuses on vulnerable populations and the challenges they face seeking human rights protections. She is currently working on a new book project that investigates the institutions and interests that facilitate or obstruct the adoption of women’s rights in Muslim-majority states.

Charles “Tony” Smith is a Professor in Political Science and Law at the University of California-Irvine (PhD UCSD 2004; JD UF 1987). His research concerns how institutions and the strategic interactions of political actors relate to the contestation over rights, law, and democracy. He has authored or co-authored eight books including Sex Trafficking and Human Rights: The Status of Women and State Responses (Georgetown University Press 2022) and The Politics of Perverts: The Political Attitudes and Actions of Non-Traditional Sexual Minorities (NYU Press 2024) and published over 40 articles and chapters. He is currently the Editor in Chief of Political Research Quarterly.

Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu


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]]> Sun, 11 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Human trafficking for the sex trade is a form of modern-day slavery that ensnares thousands of victims each year, disproportionately affecting women and girls. While the international community has developed an impressive edifice of human rights law, these laws are not equally recognized or enforced by all countries. Sex Trafficking and Human Rights demonstrates that state responsiveness to human trafficking is shaped by the political, social, cultural, and economic rights afforded to women in that state. While combatting human trafficking is a multiscalar problem with a host of conflating variables, this book shows that a common theme in the effectiveness of state response is the degree to which women and girls are perceived as, and actually are, full citizens. By analyzing human trafficking cases in India, Thailand, Russia, Nigeria, and Brazil, they shed light on the factors that make some women and girls more susceptible to traffickers than others.

Heather Smith-Cannoy (PhD, UC San Diego, 2007) is a Professor of Political Science/Social Justice and Human Rights at the New College of Interdisciplinary Arts and Sciences at Arizona State University. She is currently serving as the Interim Director of the School of Social and Behavioral Sciences. Her work explores when and under what conditions international law impacts the human rights of the most marginalized populations, focusing on both the opportunities and the challenges associated with this body of law. She has also focused on the role that international law can play in advancing the legal rights of sex trafficking victims. She has published 4 books and more than 15 articles and book chapters.

Patricia C. Rodda is the Assistant Professor of Political Science at Carroll University in Waukesha, Wisconsin. She teaches international relations, comparative politics, international law, conflict and security and political theory. Her research often focuses on vulnerable populations and the challenges they face seeking human rights protections. She is currently working on a new book project that investigates the institutions and interests that facilitate or obstruct the adoption of women’s rights in Muslim-majority states.

Charles “Tony” Smith is a Professor in Political Science and Law at the University of California-Irvine (PhD UCSD 2004; JD UF 1987). His research concerns how institutions and the strategic interactions of political actors relate to the contestation over rights, law, and democracy. He has authored or co-authored eight books including Sex Trafficking and Human Rights: The Status of Women and State Responses (Georgetown University Press 2022) and The Politics of Perverts: The Political Attitudes and Actions of Non-Traditional Sexual Minorities (NYU Press 2024) and published over 40 articles and chapters. He is currently the Editor in Chief of Political Research Quarterly.

Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu


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]]> Heather Smith-Cannoy et al., "Sex Trafficking and Human Rights: The Status of Women and State Responses" (Georgetown UP, 2022) New Books Network 00:55:31 Human trafficking for the sex trade is a form of modern-day slavery that ensnares thousands of victims each year, disproportionately affecting women and girls. While the international community has developed an impressive edifice of human rights law, these laws are not equally recognized or enforced by all countries. Sex Trafficking and Human Rights demonstrates that state responsiveness to human trafficking is shaped by the political, social, cultural, and economic rights afforded to women in that state. While combatting human trafficking is a multiscalar problem with a host of conflating variables, this book shows that a common theme in the effectiveness of state response is the degree to which women and girls are perceived as, and actually are, full citizens. By analyzing human trafficking cases in India, Thailand, Russia, Nigeria, and Brazil, they shed light on the factors that make some women and girls more susceptible to traffickers than others. Heather Smith-Cannoy (PhD, UC San Diego, 2007) is a Professor of Political Science/Social Justice and Human Rights at the New College of Interdisciplinary Arts and Sciences at Arizona State University. She is currently serving as the Interim Director of the School of Social and Behavioral Sciences. Her work explores when and under what conditions international law impacts the human rights of the most marginalized populations, focusing on both the opportunities and the challenges associated with this body of law. She has also focused on the role that international law can play in advancing the legal rights of sex trafficking victims. She has published 4 books and more than 15 articles and book chapters. Patricia C. Rodda is the Assistant Professor of Political Science at Carroll University in Waukesha, Wisconsin. She teaches international relations, comparative politics, international law, conflict and security and political theory. Her research often focuses on vulnerable populations and the challenges they face seeking human rights protections. She is currently working on a new book project that investigates the institutions and interests that facilitate or obstruct the adoption of women’s rights in Muslim-majority states. Charles “Tony” Smith is a Professor in Political Science and Law at the University of California-Irvine (PhD UCSD 2004; JD UF 1987). His research concerns how institutions and the strategic interactions of political actors relate to the contestation over rights, law, and democracy. He has authored or co-authored eight books including Sex Trafficking and Human Rights: The Status of Women and State Responses (Georgetown University Press 2022) and The Politics of Perverts: The Political Attitudes and Actions of Non-Traditional Sexual Minorities (NYU Press 2024) and published over 40 articles and chapters. He is currently the Editor in Chief of Political Research Quarterly. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu Human trafficking for the sex trade is a form of modern-day slavery that ensnares thousands of victims each year, disproportionately affecting women and girls. While the international community has developed an impressive edifice of human rights law, these laws are not equally recognized or enforced by all countries. Sex Trafficking and Human Rights demonstrates that state responsiveness to human trafficking is shaped by the political, social, cultural, and economic rights afforded to women in that state. While combatting human trafficking is a multiscalar problem with a host of conflating variables, this book shows that a common theme in the effectiveness of state response is the degree to which women and girls are perceived as, and actually are, full citizens. By analyzing human trafficking cases in India, Thailand, Russia, Nigeria, and Brazil, they shed light on the factors that make some women and girls more susceptible to traffickers than others. Heather Smith-Cannoy (PhD, UC San Diego, 2007) is a Professor of Political Science/Social Justice and Human Rights at the New College of Interdisciplinary Arts and Sciences at Arizona State University. She is currently serving as the Interim Director of the School of Social and Behavioral Sciences. Her work explores when and under what conditions international law impacts the human rights of the most marginalized populations, focusing on both the opportunities and the challenges associated with this body of law. She has also focused on the role that international law can play in advancing the legal rights of sex trafficking victims. She has published 4 books and more than 15 articles and book chapters. Patricia C. Rodda is the Assistant Professor of Political Science at Carroll University in Waukesha, Wisconsin. She teaches international relations, comparative politics, international law, conflict and security and political theory. Her research often focuses on vulnerable populations and the challenges they face seeking human rights protections. She is currently working on a new book project that investigates the institutions and interests that facilitate or obstruct the adoption of women’s rights in Muslim-majority states. Charles “Tony” Smith is a Professor in Political Science and Law at the University of California-Irvine (PhD UCSD 2004; JD UF 1987). His research concerns how institutions and the strategic interactions of political actors relate to the contestation over rights, law, and democracy. He has authored or co-authored eight books including Sex Trafficking and Human Rights: The Status of Women and State Responses (Georgetown University Press 2022) and The Politics of Perverts: The Political Attitudes and Actions of Non-Traditional Sexual Minorities (NYU Press 2024) and published over 40 articles and chapters. He is currently the Editor in Chief of Political Research Quarterly. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu false full 686 f8e90850-ee20-11f0-bf7a-f75e1add821f Linda Eckert, "Enough: Because We Can Stop Cervical Cancer" (Cambridge UP, 2024) Cervical cancer kills almost 350,000 women each year. What's more horrifying, is that millions have died of this disease that's nearly 100% preventable. It's no secret that healthcare is full of inequities, with a severe lack of accessible screening programs. But women's health care is also impeded by cultural, gender, and political barriers, issues that have combined to create devastating consequences. 

In Enough: Because We Can Stop Cervical Cancer (Cambridge UP, 2024), Dr Linda Eckert takes her years of experience and weaves it together with the voices of the courageous women who use their own experience of cervical cancer to advocate for change. This heart-breaking, yet hopeful, book takes you through the world of cervical cancer with evidence-based information, personal stories and actionable outcomes. Society flourishes when women have access to safe and affordable healthcare. Together we can make this need a reality and eliminate the world's most preventable cancer.


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]]> Sun, 11 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Cervical cancer kills almost 350,000 women each year. What's more horrifying, is that millions have died of this disease that's nearly 100% preventable. It's no secret that healthcare is full of inequities, with a severe lack of accessible screening programs. But women's health care is also impeded by cultural, gender, and political barriers, issues that have combined to create devastating consequences. 

In Enough: Because We Can Stop Cervical Cancer (Cambridge UP, 2024), Dr Linda Eckert takes her years of experience and weaves it together with the voices of the courageous women who use their own experience of cervical cancer to advocate for change. This heart-breaking, yet hopeful, book takes you through the world of cervical cancer with evidence-based information, personal stories and actionable outcomes. Society flourishes when women have access to safe and affordable healthcare. Together we can make this need a reality and eliminate the world's most preventable cancer.


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]]> Linda Eckert, "Enough: Because We Can Stop Cervical Cancer" (Cambridge UP, 2024) New Books Network 00:24:53 Cervical cancer kills almost 350,000 women each year. What's more horrifying, is that millions have died of this disease that's nearly 100% preventable. It's no secret that healthcare is full of inequities, with a severe lack of accessible screening programs. But women's health care is also impeded by cultural, gender, and political barriers, issues that have combined to create devastating consequences.  In Enough: Because We Can Stop Cervical Cancer (Cambridge UP, 2024), Dr Linda Eckert takes her years of experience and weaves it together with the voices of the courageous women who use their own experience of cervical cancer to advocate for change. This heart-breaking, yet hopeful, book takes you through the world of cervical cancer with evidence-based information, personal stories and actionable outcomes. Society flourishes when women have access to safe and affordable healthcare. Together we can make this need a reality and eliminate the world's most preventable cancer. Cervical cancer kills almost 350,000 women each year. What's more horrifying, is that millions have died of this disease that's nearly 100% preventable. It's no secret that healthcare is full of inequities, with a severe lack of accessible screening programs. But women's health care is also impeded by cultural, gender, and political barriers, issues that have combined to create devastating consequences.  In Enough: Because We Can Stop Cervical Cancer (Cambridge UP, 2024), Dr Linda Eckert takes her years of experience and weaves it together with the voices of the courageous women who use their own experience of cervical cancer to advocate for change. This heart-breaking, yet hopeful, book takes you through the world of cervical cancer with evidence-based information, personal stories and actionable outcomes. Society flourishes when women have access to safe and affordable healthcare. Together we can make this need a reality and eliminate the world's most preventable cancer. false full 12 903763ee-ee23-11f0-b4b6-df58acaa9d39 Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024) In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress.

Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century.

Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time.

Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and


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]]> Sun, 11 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress.

Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century.

Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time.

Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and


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]]> Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024) New Books Network 01:03:43 In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and false full 184 8958b138-ec9b-11f0-9f66-53e9d87226eb Re-examining the Women’s Movement in Cold War South Korea and Beyond In the past decade, feminism has become one of the heated topics in public debate in South Korea. Feminism is embraced by activists, attacked in election campaigns, and increasingly framed as the source of conflict between men and women. In this episode, Outi Luova talks to Katri Kauhanen to trace the historicity behind the contemporary debates and to ask why the history of the women’s movement still matters today.

Drawing on insights from Kauhanen’s recently published dissertation, titled Re-examining the Women’s Movement in Cold War South Korea and Beyond: The History of the Korean National Council of Women, we discuss the history of the women’s movement in authoritarian era South Korea through the lens of the Council, conceptualize Cold War feminism and consider how the Cold War era archives of the international women’s movement can also serve the research on Asian women’s activism.

Our guest, Katri Kauhanen from the Center of East Asian Studies, University of Turku, is a Doctor of Social Sciences whose work explores Korean history, history of the women’s movements and the transnational networks and discourses through which women organized, collaborated, and articulated agency during the Cold War.

Outi Luova is a senior university lecturer at the Center of East Asian Studies, University of Turku, Finland.

Link to the thesis

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland) and Centre for East and South-East Asian Studies, Lund University (Sweden) and Norwegian Network for Asian Studies.

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.


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]]> Fri, 9 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the past decade, feminism has become one of the heated topics in public debate in South Korea. Feminism is embraced by activists, attacked in election campaigns, and increasingly framed as the source of conflict between men and women. In this episode, Outi Luova talks to Katri Kauhanen to trace the historicity behind the contemporary debates and to ask why the history of the women’s movement still matters today.

Drawing on insights from Kauhanen’s recently published dissertation, titled Re-examining the Women’s Movement in Cold War South Korea and Beyond: The History of the Korean National Council of Women, we discuss the history of the women’s movement in authoritarian era South Korea through the lens of the Council, conceptualize Cold War feminism and consider how the Cold War era archives of the international women’s movement can also serve the research on Asian women’s activism.

Our guest, Katri Kauhanen from the Center of East Asian Studies, University of Turku, is a Doctor of Social Sciences whose work explores Korean history, history of the women’s movements and the transnational networks and discourses through which women organized, collaborated, and articulated agency during the Cold War.

Outi Luova is a senior university lecturer at the Center of East Asian Studies, University of Turku, Finland.

Link to the thesis

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland) and Centre for East and South-East Asian Studies, Lund University (Sweden) and Norwegian Network for Asian Studies.

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.


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]]> Re-examining the Women’s Movement in Cold War South Korea and Beyond New Books Network 00:26:29 In the past decade, feminism has become one of the heated topics in public debate in South Korea. Feminism is embraced by activists, attacked in election campaigns, and increasingly framed as the source of conflict between men and women. In this episode, Outi Luova talks to Katri Kauhanen to trace the historicity behind the contemporary debates and to ask why the history of the women’s movement still matters today. Drawing on insights from Kauhanen’s recently published dissertation, titled Re-examining the Women’s Movement in Cold War South Korea and Beyond: The History of the Korean National Council of Women, we discuss the history of the women’s movement in authoritarian era South Korea through the lens of the Council, conceptualize Cold War feminism and consider how the Cold War era archives of the international women’s movement can also serve the research on Asian women’s activism. Our guest, Katri Kauhanen from the Center of East Asian Studies, University of Turku, is a Doctor of Social Sciences whose work explores Korean history, history of the women’s movements and the transnational networks and discourses through which women organized, collaborated, and articulated agency during the Cold War. Outi Luova is a senior university lecturer at the Center of East Asian Studies, University of Turku, Finland. Link to the thesis The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland) and Centre for East and South-East Asian Studies, Lund University (Sweden) and Norwegian Network for Asian Studies. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. In the past decade, feminism has become one of the heated topics in public debate in South Korea. Feminism is embraced by activists, attacked in election campaigns, and increasingly framed as the source of conflict between men and women. In this episode, Outi Luova talks to Katri Kauhanen to trace the historicity behind the contemporary debates and to ask why the history of the women’s movement still matters today. Drawing on insights from Kauhanen’s recently published dissertation, titled Re-examining the Women’s Movement in Cold War South Korea and Beyond: The History of the Korean National Council of Women, we discuss the history of the women’s movement in authoritarian era South Korea through the lens of the Council, conceptualize Cold War feminism and consider how the Cold War era archives of the international women’s movement can also serve the research on Asian women’s activism. Our guest, Katri Kauhanen from the Center of East Asian Studies, University of Turku, is a Doctor of Social Sciences whose work explores Korean history, history of the women’s movements and the transnational networks and discourses through which women organized, collaborated, and articulated agency during the Cold War. Outi Luova is a senior university lecturer at the Center of East Asian Studies, University of Turku, Finland. Link to the thesis The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland) and Centre for East and South-East Asian Studies, Lund University (Sweden) and Norwegian Network for Asian Studies. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. false full 265 8b2ff9fe-ec0e-11f0-91f8-07067ccf9689 Barbara Jane Brickman, "Suffering Sappho! Lesbian Camp in American Popular Culture" (Rutgers UP, 2023) An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.

In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.


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]]> Thu, 8 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.

In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.


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]]> Barbara Jane Brickman, "Suffering Sappho! Lesbian Camp in American Popular Culture" (Rutgers UP, 2023) New Books Network 01:12:18 An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire. In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy. An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire. In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy. false full 142 13369516-ea6a-11f0-a3c8-675084bc5b07 Helen J. Nicholson, "Women and the Crusades" (Oxford UP, 2023) The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration.

Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups.

Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190).


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Tue, 6 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration.

Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups.

Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190).


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Helen J. Nicholson, "Women and the Crusades" (Oxford UP, 2023) New Books Network 00:32:45 The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration. Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups. Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration. Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups. Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. false full 68 d6b5fe72-e74b-11f0-b8ff-9b755d52bf90 Ashley Brown, "Serving Herself: The Life and Times of Althea Gibson" (Oxford UP, 2023) From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open.

In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race. 

An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings.

A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes.


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]]> Sat, 3 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open.

In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race. 

An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings.

A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes.


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]]> Ashley Brown, "Serving Herself: The Life and Times of Althea Gibson" (Oxford UP, 2023) New Books Network 00:45:42 From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open. In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race.  An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings. A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes. From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open. In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race.  An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings. A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes. false full 14 2fde01bc-3f82-11ee-a15e-436cf56a1e10 Brooke Kroeger, "Undaunted: How Women Changed American Journalism" (Knopf, 2023) Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault.

As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities.

Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Fri, 2 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault.

As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities.

Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Brooke Kroeger, "Undaunted: How Women Changed American Journalism" (Knopf, 2023) New Books Network 00:42:28 Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 false full 63 26aaf0b4-e5bb-11f0-baa1-9f8b158b0b1e Alison Stone, "Women Philosophers in Nineteenth-Century Britain" (Oxford UP, 2023) Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today.

The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women.

Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK.


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.


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]]> Wed, 31 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today.

The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women.

Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK.


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.


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]]> Alison Stone, "Women Philosophers in Nineteenth-Century Britain" (Oxford UP, 2023) New Books Network 00:54:39 Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. false full 79 63c78da4-e27d-11f0-9af3-5bb573614f81 Kate Clancy, "Period: The Real Story of Menstruation" (Princeton UP, 2023) Menstruation is something half the world does for a week at a time, for months and years on end, yet it remains largely misunderstood. Scientists once thought of an individual's period as useless, and some doctors still believe it's unsafe for a menstruating person to swim in the ocean wearing a tampon. Period: The Real Story of Menstruation (Princeton UP, 2023) counters the false theories that have long defined the study of the uterus, exposing the eugenic history of gynecology while providing an intersectional feminist perspective on menstruation science.

Blending interviews and personal experience with engaging stories from her own pioneering research, Kate Clancy challenges a host of myths and false assumptions. There is no such a thing as a "normal" menstrual cycle. In fact, menstrual cycles are incredibly variable and highly responsive to environmental and psychological stressors. Clancy takes up a host of timely issues surrounding menstruation, from bodily autonomy, menstrual hygiene, and the COVID-19 vaccine to the ways racism, sexism, and medical betrayal warp public perceptions of menstruation and erase it from public life.

Offering a revelatory new perspective on one of the most captivating biological processes in the human body, Period will change the way you think about the past, present, and future of periods.


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]]> Tue, 30 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Menstruation is something half the world does for a week at a time, for months and years on end, yet it remains largely misunderstood. Scientists once thought of an individual's period as useless, and some doctors still believe it's unsafe for a menstruating person to swim in the ocean wearing a tampon. Period: The Real Story of Menstruation (Princeton UP, 2023) counters the false theories that have long defined the study of the uterus, exposing the eugenic history of gynecology while providing an intersectional feminist perspective on menstruation science.

Blending interviews and personal experience with engaging stories from her own pioneering research, Kate Clancy challenges a host of myths and false assumptions. There is no such a thing as a "normal" menstrual cycle. In fact, menstrual cycles are incredibly variable and highly responsive to environmental and psychological stressors. Clancy takes up a host of timely issues surrounding menstruation, from bodily autonomy, menstrual hygiene, and the COVID-19 vaccine to the ways racism, sexism, and medical betrayal warp public perceptions of menstruation and erase it from public life.

Offering a revelatory new perspective on one of the most captivating biological processes in the human body, Period will change the way you think about the past, present, and future of periods.


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]]> Kate Clancy, "Period: The Real Story of Menstruation" (Princeton UP, 2023) New Books Network 00:28:21 Menstruation is something half the world does for a week at a time, for months and years on end, yet it remains largely misunderstood. Scientists once thought of an individual's period as useless, and some doctors still believe it's unsafe for a menstruating person to swim in the ocean wearing a tampon. Period: The Real Story of Menstruation (Princeton UP, 2023) counters the false theories that have long defined the study of the uterus, exposing the eugenic history of gynecology while providing an intersectional feminist perspective on menstruation science. Blending interviews and personal experience with engaging stories from her own pioneering research, Kate Clancy challenges a host of myths and false assumptions. There is no such a thing as a "normal" menstrual cycle. In fact, menstrual cycles are incredibly variable and highly responsive to environmental and psychological stressors. Clancy takes up a host of timely issues surrounding menstruation, from bodily autonomy, menstrual hygiene, and the COVID-19 vaccine to the ways racism, sexism, and medical betrayal warp public perceptions of menstruation and erase it from public life. Offering a revelatory new perspective on one of the most captivating biological processes in the human body, Period will change the way you think about the past, present, and future of periods. Menstruation is something half the world does for a week at a time, for months and years on end, yet it remains largely misunderstood. Scientists once thought of an individual's period as useless, and some doctors still believe it's unsafe for a menstruating person to swim in the ocean wearing a tampon. Period: The Real Story of Menstruation (Princeton UP, 2023) counters the false theories that have long defined the study of the uterus, exposing the eugenic history of gynecology while providing an intersectional feminist perspective on menstruation science. Blending interviews and personal experience with engaging stories from her own pioneering research, Kate Clancy challenges a host of myths and false assumptions. There is no such a thing as a "normal" menstrual cycle. In fact, menstrual cycles are incredibly variable and highly responsive to environmental and psychological stressors. Clancy takes up a host of timely issues surrounding menstruation, from bodily autonomy, menstrual hygiene, and the COVID-19 vaccine to the ways racism, sexism, and medical betrayal warp public perceptions of menstruation and erase it from public life. Offering a revelatory new perspective on one of the most captivating biological processes in the human body, Period will change the way you think about the past, present, and future of periods. false full 63 2c022fca-e285-11f0-af57-cbcbeeb66f97 Marion Gibson, "Witchcraft: A History in Thirteen Trials" (Scribner, 2023) Witchfinder General, Salem, Malleus Maleficarum. The world of witch-hunts and witch trials sounds archaic and fanciful, these terms relics of an unenlightened, brutal age. However, we often hear ‘witch-hunt’ in today’s media, and the misogyny that shaped witch trials is all too familiar. Three women were prosecuted under a version of the 1735 Witchcraft Act as recently as 2018.

In Witchcraft: A History in Thirteen Trials (Simon & Schuster, 2023), Professor Marion Gibson uses thirteen significant trials to tell the global history of witchcraft and witch-hunts. As well as exploring the origins of witch-hunts through some of the most famous trials from the Middle Ages to the eighteenth century, it takes us in new and surprising directions. It shows us how witchcraft was reimagined by lawyers and radical historians in France, how suspicions of sorcery led to murder in Jazz Age Pennsylvania, the effects of colonialism and Christian missionary zeal on ‘witches’ in Africa, and how even today a witch trial can come in many guises.

Professor Gibson also tells the stories of the ‘witches’ – mostly women like Helena Scheuberin, Anny Sampson and Joan Wright, whose stories have too often been overshadowed by those of the powerful men, such as King James I and ‘Witchfinder General’ Matthew Hopkins, who hounded them.

Once a tool invented by demonologists to hurt and silence their enemies, witch trials have been twisted and transformed over the course of history and the lines between witch and witch-hunter blurred. For the fortunate, a witch-hunt is just a metaphor, but, as this book makes clear, witches are truly still on trial.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Tue, 30 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Witchfinder General, Salem, Malleus Maleficarum. The world of witch-hunts and witch trials sounds archaic and fanciful, these terms relics of an unenlightened, brutal age. However, we often hear ‘witch-hunt’ in today’s media, and the misogyny that shaped witch trials is all too familiar. Three women were prosecuted under a version of the 1735 Witchcraft Act as recently as 2018.

In Witchcraft: A History in Thirteen Trials (Simon & Schuster, 2023), Professor Marion Gibson uses thirteen significant trials to tell the global history of witchcraft and witch-hunts. As well as exploring the origins of witch-hunts through some of the most famous trials from the Middle Ages to the eighteenth century, it takes us in new and surprising directions. It shows us how witchcraft was reimagined by lawyers and radical historians in France, how suspicions of sorcery led to murder in Jazz Age Pennsylvania, the effects of colonialism and Christian missionary zeal on ‘witches’ in Africa, and how even today a witch trial can come in many guises.

Professor Gibson also tells the stories of the ‘witches’ – mostly women like Helena Scheuberin, Anny Sampson and Joan Wright, whose stories have too often been overshadowed by those of the powerful men, such as King James I and ‘Witchfinder General’ Matthew Hopkins, who hounded them.

Once a tool invented by demonologists to hurt and silence their enemies, witch trials have been twisted and transformed over the course of history and the lines between witch and witch-hunter blurred. For the fortunate, a witch-hunt is just a metaphor, but, as this book makes clear, witches are truly still on trial.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Marion Gibson, "Witchcraft: A History in Thirteen Trials" (Scribner, 2023) New Books Network 00:46:41 Witchfinder General, Salem, Malleus Maleficarum. The world of witch-hunts and witch trials sounds archaic and fanciful, these terms relics of an unenlightened, brutal age. However, we often hear ‘witch-hunt’ in today’s media, and the misogyny that shaped witch trials is all too familiar. Three women were prosecuted under a version of the 1735 Witchcraft Act as recently as 2018. In Witchcraft: A History in Thirteen Trials (Simon & Schuster, 2023), Professor Marion Gibson uses thirteen significant trials to tell the global history of witchcraft and witch-hunts. As well as exploring the origins of witch-hunts through some of the most famous trials from the Middle Ages to the eighteenth century, it takes us in new and surprising directions. It shows us how witchcraft was reimagined by lawyers and radical historians in France, how suspicions of sorcery led to murder in Jazz Age Pennsylvania, the effects of colonialism and Christian missionary zeal on ‘witches’ in Africa, and how even today a witch trial can come in many guises. Professor Gibson also tells the stories of the ‘witches’ – mostly women like Helena Scheuberin, Anny Sampson and Joan Wright, whose stories have too often been overshadowed by those of the powerful men, such as King James I and ‘Witchfinder General’ Matthew Hopkins, who hounded them. Once a tool invented by demonologists to hurt and silence their enemies, witch trials have been twisted and transformed over the course of history and the lines between witch and witch-hunter blurred. For the fortunate, a witch-hunt is just a metaphor, but, as this book makes clear, witches are truly still on trial. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Witchfinder General, Salem, Malleus Maleficarum. The world of witch-hunts and witch trials sounds archaic and fanciful, these terms relics of an unenlightened, brutal age. However, we often hear ‘witch-hunt’ in today’s media, and the misogyny that shaped witch trials is all too familiar. Three women were prosecuted under a version of the 1735 Witchcraft Act as recently as 2018. In Witchcraft: A History in Thirteen Trials (Simon & Schuster, 2023), Professor Marion Gibson uses thirteen significant trials to tell the global history of witchcraft and witch-hunts. As well as exploring the origins of witch-hunts through some of the most famous trials from the Middle Ages to the eighteenth century, it takes us in new and surprising directions. It shows us how witchcraft was reimagined by lawyers and radical historians in France, how suspicions of sorcery led to murder in Jazz Age Pennsylvania, the effects of colonialism and Christian missionary zeal on ‘witches’ in Africa, and how even today a witch trial can come in many guises. Professor Gibson also tells the stories of the ‘witches’ – mostly women like Helena Scheuberin, Anny Sampson and Joan Wright, whose stories have too often been overshadowed by those of the powerful men, such as King James I and ‘Witchfinder General’ Matthew Hopkins, who hounded them. Once a tool invented by demonologists to hurt and silence their enemies, witch trials have been twisted and transformed over the course of history and the lines between witch and witch-hunter blurred. For the fortunate, a witch-hunt is just a metaphor, but, as this book makes clear, witches are truly still on trial. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 1364 4d95e876-e270-11f0-ad3f-17bf80bf359e Donna J. Drucker, "Fertility Technology" (MIT Press, 2023) A concise overview of fertility technology—its history, practical applications, and ethical and social implications around the world. In the late 1850s, a physician in New York City used a syringe and glass tube to inject half a drop of sperm into a woman’s uterus, marking the first recorded instance of artificial insemination. From that day forward, doctors and scientists have turned to technology in ever more innovative ways to facilitate conception. Fertility Technology (MIT Press, 2023) surveys this history in all its medical, practical, and ethical complexity, and offers a look at state-of-the-art fertility technology in various social and political contexts around the world. Donna J. Drucker’s concise and eminently readable account introduces the five principal types of fertility technologies used in human reproduction—artificial insemination; ovulation timing; sperm, egg, and embryo freezing; in vitro fertilization; and IVF in uterine transplants—discussing the development, manufacture, dispersion, and use of each. Geographically, it focuses on countries where innovations have emerged and countries where these technologies most profoundly affect individuals and population policies. Drucker’s wide-ranging perspective reveals how these technologies, used for birth control as well as conception in many cases, have been critical in shaping the moral, practical, and political meaning of human life, kinship, and family in different nations and cultures since the mid-nineteenth century.

Donna J. Drucker is Assistant Director of Scholarship and Research Development at the Columbia University School of Nursing.

Caleb Zakarin is the Assistant Editor of the New Books Network.


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]]> Mon, 29 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A concise overview of fertility technology—its history, practical applications, and ethical and social implications around the world. In the late 1850s, a physician in New York City used a syringe and glass tube to inject half a drop of sperm into a woman’s uterus, marking the first recorded instance of artificial insemination. From that day forward, doctors and scientists have turned to technology in ever more innovative ways to facilitate conception. Fertility Technology (MIT Press, 2023) surveys this history in all its medical, practical, and ethical complexity, and offers a look at state-of-the-art fertility technology in various social and political contexts around the world. Donna J. Drucker’s concise and eminently readable account introduces the five principal types of fertility technologies used in human reproduction—artificial insemination; ovulation timing; sperm, egg, and embryo freezing; in vitro fertilization; and IVF in uterine transplants—discussing the development, manufacture, dispersion, and use of each. Geographically, it focuses on countries where innovations have emerged and countries where these technologies most profoundly affect individuals and population policies. Drucker’s wide-ranging perspective reveals how these technologies, used for birth control as well as conception in many cases, have been critical in shaping the moral, practical, and political meaning of human life, kinship, and family in different nations and cultures since the mid-nineteenth century.

Donna J. Drucker is Assistant Director of Scholarship and Research Development at the Columbia University School of Nursing.

Caleb Zakarin is the Assistant Editor of the New Books Network.


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]]> Donna J. Drucker, "Fertility Technology" (MIT Press, 2023) New Books Network 00:30:36 A concise overview of fertility technology—its history, practical applications, and ethical and social implications around the world. In the late 1850s, a physician in New York City used a syringe and glass tube to inject half a drop of sperm into a woman’s uterus, marking the first recorded instance of artificial insemination. From that day forward, doctors and scientists have turned to technology in ever more innovative ways to facilitate conception. Fertility Technology (MIT Press, 2023) surveys this history in all its medical, practical, and ethical complexity, and offers a look at state-of-the-art fertility technology in various social and political contexts around the world. Donna J. Drucker’s concise and eminently readable account introduces the five principal types of fertility technologies used in human reproduction—artificial insemination; ovulation timing; sperm, egg, and embryo freezing; in vitro fertilization; and IVF in uterine transplants—discussing the development, manufacture, dispersion, and use of each. Geographically, it focuses on countries where innovations have emerged and countries where these technologies most profoundly affect individuals and population policies. Drucker’s wide-ranging perspective reveals how these technologies, used for birth control as well as conception in many cases, have been critical in shaping the moral, practical, and political meaning of human life, kinship, and family in different nations and cultures since the mid-nineteenth century. Donna J. Drucker is Assistant Director of Scholarship and Research Development at the Columbia University School of Nursing. Caleb Zakarin is the Assistant Editor of the New Books Network. A concise overview of fertility technology—its history, practical applications, and ethical and social implications around the world. In the late 1850s, a physician in New York City used a syringe and glass tube to inject half a drop of sperm into a woman’s uterus, marking the first recorded instance of artificial insemination. From that day forward, doctors and scientists have turned to technology in ever more innovative ways to facilitate conception. Fertility Technology (MIT Press, 2023) surveys this history in all its medical, practical, and ethical complexity, and offers a look at state-of-the-art fertility technology in various social and political contexts around the world. Donna J. Drucker’s concise and eminently readable account introduces the five principal types of fertility technologies used in human reproduction—artificial insemination; ovulation timing; sperm, egg, and embryo freezing; in vitro fertilization; and IVF in uterine transplants—discussing the development, manufacture, dispersion, and use of each. Geographically, it focuses on countries where innovations have emerged and countries where these technologies most profoundly affect individuals and population policies. Drucker’s wide-ranging perspective reveals how these technologies, used for birth control as well as conception in many cases, have been critical in shaping the moral, practical, and political meaning of human life, kinship, and family in different nations and cultures since the mid-nineteenth century. Donna J. Drucker is Assistant Director of Scholarship and Research Development at the Columbia University School of Nursing. Caleb Zakarin is the Assistant Editor of the New Books Network. false full 353 6879520a-df04-11f0-9339-3766b64a057f Ruby Oram, "Home Work: Gender, Child Labor, and Education for Girls in Urban America, 1870-1930" (U Chicago Press, 2025) In Home Work: Gender, Child Labor, and Education for Girls in Urban America, 1870-1930 (U Chicago Press, 2025) historian Ruby Oram tells the story of how middle-class, white women reformers lobbied the state to implement various public education reforms to shape the lives of girls and women in industrial cities between 1870 and 1930. Women such as Jane Addams and Florence Kelley used education reform to target working-class communities and advocate for their middle-class ideals of girlhood and femininity, which could vary depending on the racial or socio-economic backgrounds of the girls. For example, reformers generally encouraged white girls to care for their future families, while pushing Black girls toward becoming domestic workers in others’ homes. Using Chicago as a case study, Oram also explores how many of the reforms sought by white women were in response to evolving anxieties about immigration, health, and sexual delinquency.
An illuminating addition to the history of urban education in America, Home Work enriches our understanding of educational inequality in twentieth-century schools.

Allie Morris (aemorris5@wisc.edu) is a joint Ph.D. student in Educational Policy Studies and History at the University of Wisconsin—Madison. She broadly studies gender, age, and education in the late 20th-century United States. Her current research focuses on the political history of girlhood from the 1960s to the 1990s, examining girls’ culture and activism in the American high school.


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]]> Sat, 27 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Home Work: Gender, Child Labor, and Education for Girls in Urban America, 1870-1930 (U Chicago Press, 2025) historian Ruby Oram tells the story of how middle-class, white women reformers lobbied the state to implement various public education reforms to shape the lives of girls and women in industrial cities between 1870 and 1930. Women such as Jane Addams and Florence Kelley used education reform to target working-class communities and advocate for their middle-class ideals of girlhood and femininity, which could vary depending on the racial or socio-economic backgrounds of the girls. For example, reformers generally encouraged white girls to care for their future families, while pushing Black girls toward becoming domestic workers in others’ homes. Using Chicago as a case study, Oram also explores how many of the reforms sought by white women were in response to evolving anxieties about immigration, health, and sexual delinquency.
An illuminating addition to the history of urban education in America, Home Work enriches our understanding of educational inequality in twentieth-century schools.

Allie Morris (aemorris5@wisc.edu) is a joint Ph.D. student in Educational Policy Studies and History at the University of Wisconsin—Madison. She broadly studies gender, age, and education in the late 20th-century United States. Her current research focuses on the political history of girlhood from the 1960s to the 1990s, examining girls’ culture and activism in the American high school.


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]]> Ruby Oram, "Home Work: Gender, Child Labor, and Education for Girls in Urban America, 1870-1930" (U Chicago Press, 2025) New Books Network 00:54:09 In Home Work: Gender, Child Labor, and Education for Girls in Urban America, 1870-1930 (U Chicago Press, 2025) historian Ruby Oram tells the story of how middle-class, white women reformers lobbied the state to implement various public education reforms to shape the lives of girls and women in industrial cities between 1870 and 1930. Women such as Jane Addams and Florence Kelley used education reform to target working-class communities and advocate for their middle-class ideals of girlhood and femininity, which could vary depending on the racial or socio-economic backgrounds of the girls. For example, reformers generally encouraged white girls to care for their future families, while pushing Black girls toward becoming domestic workers in others’ homes. Using Chicago as a case study, Oram also explores how many of the reforms sought by white women were in response to evolving anxieties about immigration, health, and sexual delinquency.An illuminating addition to the history of urban education in America, Home Work enriches our understanding of educational inequality in twentieth-century schools. Allie Morris (aemorris5@wisc.edu) is a joint Ph.D. student in Educational Policy Studies and History at the University of Wisconsin—Madison. She broadly studies gender, age, and education in the late 20th-century United States. Her current research focuses on the political history of girlhood from the 1960s to the 1990s, examining girls’ culture and activism in the American high school. In Home Work: Gender, Child Labor, and Education for Girls in Urban America, 1870-1930 (U Chicago Press, 2025) historian Ruby Oram tells the story of how middle-class, white women reformers lobbied the state to implement various public education reforms to shape the lives of girls and women in industrial cities between 1870 and 1930. Women such as Jane Addams and Florence Kelley used education reform to target working-class communities and advocate for their middle-class ideals of girlhood and femininity, which could vary depending on the racial or socio-economic backgrounds of the girls. For example, reformers generally encouraged white girls to care for their future families, while pushing Black girls toward becoming domestic workers in others’ homes. Using Chicago as a case study, Oram also explores how many of the reforms sought by white women were in response to evolving anxieties about immigration, health, and sexual delinquency.An illuminating addition to the history of urban education in America, Home Work enriches our understanding of educational inequality in twentieth-century schools. Allie Morris (aemorris5@wisc.edu) is a joint Ph.D. student in Educational Policy Studies and History at the University of Wisconsin—Madison. She broadly studies gender, age, and education in the late 20th-century United States. Her current research focuses on the political history of girlhood from the 1960s to the 1990s, examining girls’ culture and activism in the American high school. false full 1764 496c3200-dc08-11f0-9450-db287e6b47a8 Tracey Norman and Mark Norman, "Devon's Forgotten Witches: 1860–1910" (The History Press, 2025) Witchcraft and witches throughout history have long captured the imagination, yet hidden away in archives are records of long forgotten cases. Many of these are tragic, some are unusual – perhaps even inexplicable – but all are fascinating in their own right.

Devon’s Forgotten Witches 1860–1910 (The History Press, 2025) by Mark Norman and Tracey Norman takes a deep dive through these records, bringing to the surface accusations of witchcraft in the county that have languished, unacknowledged, in the British Newspaper Archive for decades. These are the stories of ordinary people whose lives were touched in some way by witchcraft.

Tracey Norman and Mark Norman examine these cases within their historical context, pulling together details from various news reports to explore what might really have happened. This work provides an intriguing snapshot of press coverage in the Victorian and Edwardian eras, showing how the public were urged to view those who still put their faith in ‘incredible superstition’. Most importantly, the retelling of these stories gives a new voice to those whom the historical record has silenced.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 23 Dec 2025 10:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Witchcraft and witches throughout history have long captured the imagination, yet hidden away in archives are records of long forgotten cases. Many of these are tragic, some are unusual – perhaps even inexplicable – but all are fascinating in their own right.

Devon’s Forgotten Witches 1860–1910 (The History Press, 2025) by Mark Norman and Tracey Norman takes a deep dive through these records, bringing to the surface accusations of witchcraft in the county that have languished, unacknowledged, in the British Newspaper Archive for decades. These are the stories of ordinary people whose lives were touched in some way by witchcraft.

Tracey Norman and Mark Norman examine these cases within their historical context, pulling together details from various news reports to explore what might really have happened. This work provides an intriguing snapshot of press coverage in the Victorian and Edwardian eras, showing how the public were urged to view those who still put their faith in ‘incredible superstition’. Most importantly, the retelling of these stories gives a new voice to those whom the historical record has silenced.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tracey Norman and Mark Norman, "Devon's Forgotten Witches: 1860–1910" (The History Press, 2025) New Books Network 00:54:57 Witchcraft and witches throughout history have long captured the imagination, yet hidden away in archives are records of long forgotten cases. Many of these are tragic, some are unusual – perhaps even inexplicable – but all are fascinating in their own right. Devon’s Forgotten Witches 1860–1910 (The History Press, 2025) by Mark Norman and Tracey Norman takes a deep dive through these records, bringing to the surface accusations of witchcraft in the county that have languished, unacknowledged, in the British Newspaper Archive for decades. These are the stories of ordinary people whose lives were touched in some way by witchcraft. Tracey Norman and Mark Norman examine these cases within their historical context, pulling together details from various news reports to explore what might really have happened. This work provides an intriguing snapshot of press coverage in the Victorian and Edwardian eras, showing how the public were urged to view those who still put their faith in ‘incredible superstition’. Most importantly, the retelling of these stories gives a new voice to those whom the historical record has silenced. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Witchcraft and witches throughout history have long captured the imagination, yet hidden away in archives are records of long forgotten cases. Many of these are tragic, some are unusual – perhaps even inexplicable – but all are fascinating in their own right. Devon’s Forgotten Witches 1860–1910 (The History Press, 2025) by Mark Norman and Tracey Norman takes a deep dive through these records, bringing to the surface accusations of witchcraft in the county that have languished, unacknowledged, in the British Newspaper Archive for decades. These are the stories of ordinary people whose lives were touched in some way by witchcraft. Tracey Norman and Mark Norman examine these cases within their historical context, pulling together details from various news reports to explore what might really have happened. This work provides an intriguing snapshot of press coverage in the Victorian and Edwardian eras, showing how the public were urged to view those who still put their faith in ‘incredible superstition’. Most importantly, the retelling of these stories gives a new voice to those whom the historical record has silenced. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 59 79477e14-dc47-11f0-add4-8b03a3f8b054 Liberation & the Literature of the Women’s Movement with Bess Wohl and Honor Moore Wednesday, December 17—“The best play I’ve seen this season,” says New York Magazine’s Sara Holdren about Liberation, Bess Wohl’s moving exploration of the women’s movement through the story of an Ohio consciousness-raising group in the early 1970s and a daughter who yearns to understand her mother’s life and her own.
To discuss this timely play and the movement’s powerful literary roots, Wohl joins memoirist Honor Moore, co-editor of Library of America’s Women’s Liberation! Feminist Writings that Inspired a Revolution and Still Can, for a conversation about freedom, feminism, and visions for a better future, then and now.
LOA LIVE programs are made possible by contributions from friends like you, and we encourage you to consider making a donation to support future presentations.

Max Rudin is President & Publisher of Library of America.


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]]> Tue, 23 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Wednesday, December 17—“The best play I’ve seen this season,” says New York Magazine’s Sara Holdren about Liberation, Bess Wohl’s moving exploration of the women’s movement through the story of an Ohio consciousness-raising group in the early 1970s and a daughter who yearns to understand her mother’s life and her own.
To discuss this timely play and the movement’s powerful literary roots, Wohl joins memoirist Honor Moore, co-editor of Library of America’s Women’s Liberation! Feminist Writings that Inspired a Revolution and Still Can, for a conversation about freedom, feminism, and visions for a better future, then and now.
LOA LIVE programs are made possible by contributions from friends like you, and we encourage you to consider making a donation to support future presentations.

Max Rudin is President & Publisher of Library of America.


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]]> Liberation & the Literature of the Women’s Movement with Bess Wohl and Honor Moore New Books Network 00:56:18 Wednesday, December 17—“The best play I’ve seen this season,” says New York Magazine’s Sara Holdren about Liberation, Bess Wohl’s moving exploration of the women’s movement through the story of an Ohio consciousness-raising group in the early 1970s and a daughter who yearns to understand her mother’s life and her own.To discuss this timely play and the movement’s powerful literary roots, Wohl joins memoirist Honor Moore, co-editor of Library of America’s Women’s Liberation! Feminist Writings that Inspired a Revolution and Still Can, for a conversation about freedom, feminism, and visions for a better future, then and now.LOA LIVE programs are made possible by contributions from friends like you, and we encourage you to consider making a donation to support future presentations. Max Rudin is President & Publisher of Library of America. Wednesday, December 17—“The best play I’ve seen this season,” says New York Magazine’s Sara Holdren about Liberation, Bess Wohl’s moving exploration of the women’s movement through the story of an Ohio consciousness-raising group in the early 1970s and a daughter who yearns to understand her mother’s life and her own.To discuss this timely play and the movement’s powerful literary roots, Wohl joins memoirist Honor Moore, co-editor of Library of America’s Women’s Liberation! Feminist Writings that Inspired a Revolution and Still Can, for a conversation about freedom, feminism, and visions for a better future, then and now.LOA LIVE programs are made possible by contributions from friends like you, and we encourage you to consider making a donation to support future presentations. Max Rudin is President & Publisher of Library of America. false full 1762 5195144e-db7f-11f0-9699-8b2ba304d6f3 Molly-Claire Gillett, "Irish Lacemaking: Art, Industry and Cultural Practice" (Bloomsbury, 2025) Following the career of the Irish lace designer and inspector Emily Anderson (1856-1948), Irish Lacemaking: Art, Industry and Cultural Practice (Bloomsbury, 2025) by Dr. Molly-Claire Gillett traces a network of designers, makers, organizations and institutions involved in the late-19th and early-20th-century Irish lace industry and explores their contemporary relevance.
Dr. Gillett maps the Irish lace industry's connection to stakeholders such as the British Department of Science and Art, the Cork School of Art, The Irish Agricultural Organisation Society and the Irish Department of Agriculture and Technical Instruction, pairing a close study of patterns and techniques with an investigation of broader issues in design education, philanthropy and women's professionalization. Concluding with a consideration of contemporary Irish lacemaking – now proudly claimed as an element of Ireland's intangible cultural heritage – Gillett tells the story of a 20th-century shift in the conception of lace design as 'art for industry', and lacemaking as an economic necessity to both practices as expressions of identity, creativity and community-building.
Richly illustrated and framed within the narrative of Anderson's life and career as a woman designer and civil servant during a pivotal moment in Irish history, Irish Lacemaking is an essential resource for students and researchers in craft, women's history and Irish Studies.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sun, 21 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Following the career of the Irish lace designer and inspector Emily Anderson (1856-1948), Irish Lacemaking: Art, Industry and Cultural Practice (Bloomsbury, 2025) by Dr. Molly-Claire Gillett traces a network of designers, makers, organizations and institutions involved in the late-19th and early-20th-century Irish lace industry and explores their contemporary relevance.
Dr. Gillett maps the Irish lace industry's connection to stakeholders such as the British Department of Science and Art, the Cork School of Art, The Irish Agricultural Organisation Society and the Irish Department of Agriculture and Technical Instruction, pairing a close study of patterns and techniques with an investigation of broader issues in design education, philanthropy and women's professionalization. Concluding with a consideration of contemporary Irish lacemaking – now proudly claimed as an element of Ireland's intangible cultural heritage – Gillett tells the story of a 20th-century shift in the conception of lace design as 'art for industry', and lacemaking as an economic necessity to both practices as expressions of identity, creativity and community-building.
Richly illustrated and framed within the narrative of Anderson's life and career as a woman designer and civil servant during a pivotal moment in Irish history, Irish Lacemaking is an essential resource for students and researchers in craft, women's history and Irish Studies.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Molly-Claire Gillett, "Irish Lacemaking: Art, Industry and Cultural Practice" (Bloomsbury, 2025) New Books Network 01:02:26 Following the career of the Irish lace designer and inspector Emily Anderson (1856-1948), Irish Lacemaking: Art, Industry and Cultural Practice (Bloomsbury, 2025) by Dr. Molly-Claire Gillett traces a network of designers, makers, organizations and institutions involved in the late-19th and early-20th-century Irish lace industry and explores their contemporary relevance.Dr. Gillett maps the Irish lace industry's connection to stakeholders such as the British Department of Science and Art, the Cork School of Art, The Irish Agricultural Organisation Society and the Irish Department of Agriculture and Technical Instruction, pairing a close study of patterns and techniques with an investigation of broader issues in design education, philanthropy and women's professionalization. Concluding with a consideration of contemporary Irish lacemaking – now proudly claimed as an element of Ireland's intangible cultural heritage – Gillett tells the story of a 20th-century shift in the conception of lace design as 'art for industry', and lacemaking as an economic necessity to both practices as expressions of identity, creativity and community-building.Richly illustrated and framed within the narrative of Anderson's life and career as a woman designer and civil servant during a pivotal moment in Irish history, Irish Lacemaking is an essential resource for students and researchers in craft, women's history and Irish Studies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Following the career of the Irish lace designer and inspector Emily Anderson (1856-1948), Irish Lacemaking: Art, Industry and Cultural Practice (Bloomsbury, 2025) by Dr. Molly-Claire Gillett traces a network of designers, makers, organizations and institutions involved in the late-19th and early-20th-century Irish lace industry and explores their contemporary relevance.Dr. Gillett maps the Irish lace industry's connection to stakeholders such as the British Department of Science and Art, the Cork School of Art, The Irish Agricultural Organisation Society and the Irish Department of Agriculture and Technical Instruction, pairing a close study of patterns and techniques with an investigation of broader issues in design education, philanthropy and women's professionalization. Concluding with a consideration of contemporary Irish lacemaking – now proudly claimed as an element of Ireland's intangible cultural heritage – Gillett tells the story of a 20th-century shift in the conception of lace design as 'art for industry', and lacemaking as an economic necessity to both practices as expressions of identity, creativity and community-building.Richly illustrated and framed within the narrative of Anderson's life and career as a woman designer and civil servant during a pivotal moment in Irish history, Irish Lacemaking is an essential resource for students and researchers in craft, women's history and Irish Studies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 94 f890240e-da6d-11f0-aa6b-f756fb092bd2 Alexandra Ghiț, "Welfare Work Without Welfare: Women and Austerity in Interwar Bucharest" (De Gruyter Oldenbourg, 2025) Welfare Work Without Welfare: Women and Austerity in Interwar Bucharest (De Gruyter Oldenbourg, 2025) argues that women activists, wage workers, and homemakers in the Romanian capital Bucharest became de facto social workers in the interwar period through their "austerity welfare work". Revealing links and tensions between the performers of different types of underpaid or unpaid austerity welfare work, each empirical chapter focuses on a key domain: - knowledge production about social problems by "women welfare activist" (professional social workers, lay experts, left wing militants); - municipal-level social assistance policy, with emphasis on a pioneering generation of women local politicians in shaping welfare practices; - paid household work by underpaid servants; - unpaid household work by homemakers or precariously employed women in working class communities. The book offers a novel interpretation of state-society relations after the First World War, showing that unpaid labor and gender relations were crucial in responding to economic crisis in an Eastern European urban setting and beyond. At once a local and transnational history of women's work, Welfare Work Without Welfare contributes to the historicization of social reproduction work and to the rethinking of the history of welfare states.


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]]> Thu, 18 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Welfare Work Without Welfare: Women and Austerity in Interwar Bucharest (De Gruyter Oldenbourg, 2025) argues that women activists, wage workers, and homemakers in the Romanian capital Bucharest became de facto social workers in the interwar period through their "austerity welfare work". Revealing links and tensions between the performers of different types of underpaid or unpaid austerity welfare work, each empirical chapter focuses on a key domain: - knowledge production about social problems by "women welfare activist" (professional social workers, lay experts, left wing militants); - municipal-level social assistance policy, with emphasis on a pioneering generation of women local politicians in shaping welfare practices; - paid household work by underpaid servants; - unpaid household work by homemakers or precariously employed women in working class communities. The book offers a novel interpretation of state-society relations after the First World War, showing that unpaid labor and gender relations were crucial in responding to economic crisis in an Eastern European urban setting and beyond. At once a local and transnational history of women's work, Welfare Work Without Welfare contributes to the historicization of social reproduction work and to the rethinking of the history of welfare states.


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]]> Alexandra Ghiț, "Welfare Work Without Welfare: Women and Austerity in Interwar Bucharest" (De Gruyter Oldenbourg, 2025) New Books Network 00:42:00 Welfare Work Without Welfare: Women and Austerity in Interwar Bucharest (De Gruyter Oldenbourg, 2025) argues that women activists, wage workers, and homemakers in the Romanian capital Bucharest became de facto social workers in the interwar period through their "austerity welfare work". Revealing links and tensions between the performers of different types of underpaid or unpaid austerity welfare work, each empirical chapter focuses on a key domain: - knowledge production about social problems by "women welfare activist" (professional social workers, lay experts, left wing militants); - municipal-level social assistance policy, with emphasis on a pioneering generation of women local politicians in shaping welfare practices; - paid household work by underpaid servants; - unpaid household work by homemakers or precariously employed women in working class communities. The book offers a novel interpretation of state-society relations after the First World War, showing that unpaid labor and gender relations were crucial in responding to economic crisis in an Eastern European urban setting and beyond. At once a local and transnational history of women's work, Welfare Work Without Welfare contributes to the historicization of social reproduction work and to the rethinking of the history of welfare states. Welfare Work Without Welfare: Women and Austerity in Interwar Bucharest (De Gruyter Oldenbourg, 2025) argues that women activists, wage workers, and homemakers in the Romanian capital Bucharest became de facto social workers in the interwar period through their "austerity welfare work". Revealing links and tensions between the performers of different types of underpaid or unpaid austerity welfare work, each empirical chapter focuses on a key domain: - knowledge production about social problems by "women welfare activist" (professional social workers, lay experts, left wing militants); - municipal-level social assistance policy, with emphasis on a pioneering generation of women local politicians in shaping welfare practices; - paid household work by underpaid servants; - unpaid household work by homemakers or precariously employed women in working class communities. The book offers a novel interpretation of state-society relations after the First World War, showing that unpaid labor and gender relations were crucial in responding to economic crisis in an Eastern European urban setting and beyond. At once a local and transnational history of women's work, Welfare Work Without Welfare contributes to the historicization of social reproduction work and to the rethinking of the history of welfare states. false full 1760 464b1a78-dab9-11f0-9efa-2311e8138ae6 Amy Erdman Farrell, "Intrepid Girls: The Complicated History of the Girl Scouts of the USA" (UNC Press, 2025) When eight-year-old Amy Erdman Farrell moved with her family to Akron, Ohio, in 1972, she found herself adrift in a sea of taunting boys and mean girls. Shy by nature, she dreaded her long, unhappy days at school. But a few years later, Farrell found an escape from bullying, the promise of sisterhood, a rising sense of confidence, adventure, and—best of all—lifelong friendship when she joined a Girl Scout troop. Decades later, award-winning author Dr. Farrell returns to those formative experiences to explore the complicated and surprising history of the Girl Scouts of the USA.
Drawing from extensive archival research, visits to iconic Girl Scout sites around the world, and vivid personal reflections, in Intrepid Girls: The Complicated History of the Girl Scouts of the USA (University of North Carolina Press, 2025) Dr. Farrell uncovers the Girl Scouts intricate history, revealing how the organization has shaped the lives of more than 50 million girls and women since its founding in 1912. With Dr. Farrell as our own intrepid guide, we travel to American Indian boarding schools, Japanese American incarceration centers, segregated African American communities, middle-class white neighborhoods, and outposts throughout the globe. Intrepid Girls unpacks how the Girl Scouts navigated tensions over feminism, race, class, and political differences, carving out extraordinary opportunities for girls and women—even as it participated in the very discrimination it promised to transcend.
For anyone who has ever worn a uniform or wondered about the hidden history behind this iconic American institution, Intrepid Girls will surprise, inspire, and challenge what we think we know about the Girl Scouts.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Thu, 18 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When eight-year-old Amy Erdman Farrell moved with her family to Akron, Ohio, in 1972, she found herself adrift in a sea of taunting boys and mean girls. Shy by nature, she dreaded her long, unhappy days at school. But a few years later, Farrell found an escape from bullying, the promise of sisterhood, a rising sense of confidence, adventure, and—best of all—lifelong friendship when she joined a Girl Scout troop. Decades later, award-winning author Dr. Farrell returns to those formative experiences to explore the complicated and surprising history of the Girl Scouts of the USA.
Drawing from extensive archival research, visits to iconic Girl Scout sites around the world, and vivid personal reflections, in Intrepid Girls: The Complicated History of the Girl Scouts of the USA (University of North Carolina Press, 2025) Dr. Farrell uncovers the Girl Scouts intricate history, revealing how the organization has shaped the lives of more than 50 million girls and women since its founding in 1912. With Dr. Farrell as our own intrepid guide, we travel to American Indian boarding schools, Japanese American incarceration centers, segregated African American communities, middle-class white neighborhoods, and outposts throughout the globe. Intrepid Girls unpacks how the Girl Scouts navigated tensions over feminism, race, class, and political differences, carving out extraordinary opportunities for girls and women—even as it participated in the very discrimination it promised to transcend.
For anyone who has ever worn a uniform or wondered about the hidden history behind this iconic American institution, Intrepid Girls will surprise, inspire, and challenge what we think we know about the Girl Scouts.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Amy Erdman Farrell, "Intrepid Girls: The Complicated History of the Girl Scouts of the USA" (UNC Press, 2025) New Books Network 00:55:07 When eight-year-old Amy Erdman Farrell moved with her family to Akron, Ohio, in 1972, she found herself adrift in a sea of taunting boys and mean girls. Shy by nature, she dreaded her long, unhappy days at school. But a few years later, Farrell found an escape from bullying, the promise of sisterhood, a rising sense of confidence, adventure, and—best of all—lifelong friendship when she joined a Girl Scout troop. Decades later, award-winning author Dr. Farrell returns to those formative experiences to explore the complicated and surprising history of the Girl Scouts of the USA.Drawing from extensive archival research, visits to iconic Girl Scout sites around the world, and vivid personal reflections, in Intrepid Girls: The Complicated History of the Girl Scouts of the USA (University of North Carolina Press, 2025) Dr. Farrell uncovers the Girl Scouts intricate history, revealing how the organization has shaped the lives of more than 50 million girls and women since its founding in 1912. With Dr. Farrell as our own intrepid guide, we travel to American Indian boarding schools, Japanese American incarceration centers, segregated African American communities, middle-class white neighborhoods, and outposts throughout the globe. Intrepid Girls unpacks how the Girl Scouts navigated tensions over feminism, race, class, and political differences, carving out extraordinary opportunities for girls and women—even as it participated in the very discrimination it promised to transcend.For anyone who has ever worn a uniform or wondered about the hidden history behind this iconic American institution, Intrepid Girls will surprise, inspire, and challenge what we think we know about the Girl Scouts. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. When eight-year-old Amy Erdman Farrell moved with her family to Akron, Ohio, in 1972, she found herself adrift in a sea of taunting boys and mean girls. Shy by nature, she dreaded her long, unhappy days at school. But a few years later, Farrell found an escape from bullying, the promise of sisterhood, a rising sense of confidence, adventure, and—best of all—lifelong friendship when she joined a Girl Scout troop. Decades later, award-winning author Dr. Farrell returns to those formative experiences to explore the complicated and surprising history of the Girl Scouts of the USA.Drawing from extensive archival research, visits to iconic Girl Scout sites around the world, and vivid personal reflections, in Intrepid Girls: The Complicated History of the Girl Scouts of the USA (University of North Carolina Press, 2025) Dr. Farrell uncovers the Girl Scouts intricate history, revealing how the organization has shaped the lives of more than 50 million girls and women since its founding in 1912. With Dr. Farrell as our own intrepid guide, we travel to American Indian boarding schools, Japanese American incarceration centers, segregated African American communities, middle-class white neighborhoods, and outposts throughout the globe. Intrepid Girls unpacks how the Girl Scouts navigated tensions over feminism, race, class, and political differences, carving out extraordinary opportunities for girls and women—even as it participated in the very discrimination it promised to transcend.For anyone who has ever worn a uniform or wondered about the hidden history behind this iconic American institution, Intrepid Girls will surprise, inspire, and challenge what we think we know about the Girl Scouts. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 140 ced6cdf8-d57b-11f0-8f53-13089023e6b8 Caitlin Wiesner, "Between the Street and the State: Black Women’s Anti-Rape Activism Amid the War on Crime" (U Pennsylvania, 2025) Beginning in the 1970s, a series of government agencies established to carry out the federal “war on crime” offered financial and ideological support to the fledgling feminist movement against sexual violence. These entities promoted the carceral tactics of policing, prosecution, and punishment as the only viable means of controlling rape, and they expected anti-rape organizers to embrace them. Yet Black women anti-rape organizers viewed police as a source of violence within their communities, not a solution to it.

Between the Street and the State: Black Women’s Anti-Rape Activism amid the War on Crime (U Pennsylvania, 2025) examines how Black anti-rape organizers critically engaged both the feminist movement against sexual violence and the federal War on Crime between 1974 and 1994. In Philadelphia, Washington, DC, the San Francisco Bay Area, Chicago, and Atlanta, activists inflected Black women’s longstanding tradition of community-based caring labor with the Black feminist condemnation of patriarchal and state violence. Their multifaceted and adaptable brand of anti-rape advocacy was premised on sustaining the survival of Black women and girls individually and Black communities more broadly. In this way, Black anti-rape activists countered the growing emphasis within the feminist movement on controlling rape through carceral collaborations. They acted subversively, redirecting state funds and state-funded research premised on rape control to projects that offered care to Black victims. In public education, social welfare, and public health, they instituted preventative education and emotional healing as modes of justice. At times, they outspokenly resisted carceral legislation that displaced their caring labor with punitive programs of rape control.

Spotlighting Black anti-rape organizers’ enduring commitment to care work shows that the cooptation of the feminist movement against sexual violence by law enforcement entities was never total. Between the Street and the State deepens our historical understanding of Black women’s tradition of anti-rape activism by attending to how their tactics shifted in response to the political realignments of the post–civil rights era.


Guest: Caitlin Wiesner is an assistant professor of history at Mercy University who specializes in the history of gender, sexuality, race and crime control policy in the 20th century United States. She is also the author of “The War on Crime and the War on Rape: The LEAA and Philadelphia WOAR, 1974-1984," which appeared in the journal, Modern American History, in March 2024, as well as numerous book chapters and reviews. When she is not writing or in the classroom, Dr. Wiesner enjoys cooking (and eating) new foods and exploring the natural and historic wonders of her native New Jersey.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.


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]]> Thu, 11 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Beginning in the 1970s, a series of government agencies established to carry out the federal “war on crime” offered financial and ideological support to the fledgling feminist movement against sexual violence. These entities promoted the carceral tactics of policing, prosecution, and punishment as the only viable means of controlling rape, and they expected anti-rape organizers to embrace them. Yet Black women anti-rape organizers viewed police as a source of violence within their communities, not a solution to it.

Between the Street and the State: Black Women’s Anti-Rape Activism amid the War on Crime (U Pennsylvania, 2025) examines how Black anti-rape organizers critically engaged both the feminist movement against sexual violence and the federal War on Crime between 1974 and 1994. In Philadelphia, Washington, DC, the San Francisco Bay Area, Chicago, and Atlanta, activists inflected Black women’s longstanding tradition of community-based caring labor with the Black feminist condemnation of patriarchal and state violence. Their multifaceted and adaptable brand of anti-rape advocacy was premised on sustaining the survival of Black women and girls individually and Black communities more broadly. In this way, Black anti-rape activists countered the growing emphasis within the feminist movement on controlling rape through carceral collaborations. They acted subversively, redirecting state funds and state-funded research premised on rape control to projects that offered care to Black victims. In public education, social welfare, and public health, they instituted preventative education and emotional healing as modes of justice. At times, they outspokenly resisted carceral legislation that displaced their caring labor with punitive programs of rape control.

Spotlighting Black anti-rape organizers’ enduring commitment to care work shows that the cooptation of the feminist movement against sexual violence by law enforcement entities was never total. Between the Street and the State deepens our historical understanding of Black women’s tradition of anti-rape activism by attending to how their tactics shifted in response to the political realignments of the post–civil rights era.


Guest: Caitlin Wiesner is an assistant professor of history at Mercy University who specializes in the history of gender, sexuality, race and crime control policy in the 20th century United States. She is also the author of “The War on Crime and the War on Rape: The LEAA and Philadelphia WOAR, 1974-1984," which appeared in the journal, Modern American History, in March 2024, as well as numerous book chapters and reviews. When she is not writing or in the classroom, Dr. Wiesner enjoys cooking (and eating) new foods and exploring the natural and historic wonders of her native New Jersey.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.


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]]> Caitlin Wiesner, "Between the Street and the State: Black Women’s Anti-Rape Activism Amid the War on Crime" (U Pennsylvania, 2025) New Books Network 01:12:22 Beginning in the 1970s, a series of government agencies established to carry out the federal “war on crime” offered financial and ideological support to the fledgling feminist movement against sexual violence. These entities promoted the carceral tactics of policing, prosecution, and punishment as the only viable means of controlling rape, and they expected anti-rape organizers to embrace them. Yet Black women anti-rape organizers viewed police as a source of violence within their communities, not a solution to it. Between the Street and the State: Black Women’s Anti-Rape Activism amid the War on Crime (U Pennsylvania, 2025) examines how Black anti-rape organizers critically engaged both the feminist movement against sexual violence and the federal War on Crime between 1974 and 1994. In Philadelphia, Washington, DC, the San Francisco Bay Area, Chicago, and Atlanta, activists inflected Black women’s longstanding tradition of community-based caring labor with the Black feminist condemnation of patriarchal and state violence. Their multifaceted and adaptable brand of anti-rape advocacy was premised on sustaining the survival of Black women and girls individually and Black communities more broadly. In this way, Black anti-rape activists countered the growing emphasis within the feminist movement on controlling rape through carceral collaborations. They acted subversively, redirecting state funds and state-funded research premised on rape control to projects that offered care to Black victims. In public education, social welfare, and public health, they instituted preventative education and emotional healing as modes of justice. At times, they outspokenly resisted carceral legislation that displaced their caring labor with punitive programs of rape control. Spotlighting Black anti-rape organizers’ enduring commitment to care work shows that the cooptation of the feminist movement against sexual violence by law enforcement entities was never total. Between the Street and the State deepens our historical understanding of Black women’s tradition of anti-rape activism by attending to how their tactics shifted in response to the political realignments of the post–civil rights era. Guest: Caitlin Wiesner is an assistant professor of history at Mercy University who specializes in the history of gender, sexuality, race and crime control policy in the 20th century United States. She is also the author of “The War on Crime and the War on Rape: The LEAA and Philadelphia WOAR, 1974-1984," which appeared in the journal, Modern American History, in March 2024, as well as numerous book chapters and reviews. When she is not writing or in the classroom, Dr. Wiesner enjoys cooking (and eating) new foods and exploring the natural and historic wonders of her native New Jersey. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Beginning in the 1970s, a series of government agencies established to carry out the federal “war on crime” offered financial and ideological support to the fledgling feminist movement against sexual violence. These entities promoted the carceral tactics of policing, prosecution, and punishment as the only viable means of controlling rape, and they expected anti-rape organizers to embrace them. Yet Black women anti-rape organizers viewed police as a source of violence within their communities, not a solution to it. Between the Street and the State: Black Women’s Anti-Rape Activism amid the War on Crime (U Pennsylvania, 2025) examines how Black anti-rape organizers critically engaged both the feminist movement against sexual violence and the federal War on Crime between 1974 and 1994. In Philadelphia, Washington, DC, the San Francisco Bay Area, Chicago, and Atlanta, activists inflected Black women’s longstanding tradition of community-based caring labor with the Black feminist condemnation of patriarchal and state violence. Their multifaceted and adaptable brand of anti-rape advocacy was premised on sustaining the survival of Black women and girls individually and Black communities more broadly. In this way, Black anti-rape activists countered the growing emphasis within the feminist movement on controlling rape through carceral collaborations. They acted subversively, redirecting state funds and state-funded research premised on rape control to projects that offered care to Black victims. In public education, social welfare, and public health, they instituted preventative education and emotional healing as modes of justice. At times, they outspokenly resisted carceral legislation that displaced their caring labor with punitive programs of rape control. Spotlighting Black anti-rape organizers’ enduring commitment to care work shows that the cooptation of the feminist movement against sexual violence by law enforcement entities was never total. Between the Street and the State deepens our historical understanding of Black women’s tradition of anti-rape activism by attending to how their tactics shifted in response to the political realignments of the post–civil rights era. Guest: Caitlin Wiesner is an assistant professor of history at Mercy University who specializes in the history of gender, sexuality, race and crime control policy in the 20th century United States. She is also the author of “The War on Crime and the War on Rape: The LEAA and Philadelphia WOAR, 1974-1984," which appeared in the journal, Modern American History, in March 2024, as well as numerous book chapters and reviews. When she is not writing or in the classroom, Dr. Wiesner enjoys cooking (and eating) new foods and exploring the natural and historic wonders of her native New Jersey. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. false full 1758 2b33ae9a-d400-11f0-b520-9b8ed1da117b Susan Ashbrook Harvey, "Ministries of Song: Women’s Voices in Ancient Syriac Christianity" (U California Press, 2025) Ministries of Song: Women’s Voices in Ancient Syriac Christianity (U California Press, 2025) is an open access tour-de-force study of the power of women's liturgical singing in late antique Syriac Christianity. Extending women's religious participation beyond the familiar roles of female saints and nobles, Syriac churches cultivated a flourishing but often-overlooked tradition of women's sacred song. Susan Ashbrook Harvey brings this music to life as she uncovers the ways these now-nameless women performed a boldly sung teaching ministry and invited congregations to respond aloud. By exploring their ritual agency, Harvey demonstrates how these choirs helped to shape the formative ethical and moral ideals of their congregations and communities. Women's voices, both real and imagined, enriched the ritual and devotional lives of Syriac Christians daily and weekly, on ecclesial and civic special occasions, in sorrow or joy, with authoritative theological significance and social and political resonance. Arguing for the importance of liturgy as social history, Harvey shows us how and why women's voices mattered for ancient Syriac Christianity and why they matter still.

New books in Late Antiquity is presented by Ancient Jew Review

Susan Ashbrook Harvey is Willard Prescott and Annie McClelland Smith Professor of History and Religion

Michael Motia teaches Classics and Religious Studies at UMass Boston


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]]> Tue, 9 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Ministries of Song: Women’s Voices in Ancient Syriac Christianity (U California Press, 2025) is an open access tour-de-force study of the power of women's liturgical singing in late antique Syriac Christianity. Extending women's religious participation beyond the familiar roles of female saints and nobles, Syriac churches cultivated a flourishing but often-overlooked tradition of women's sacred song. Susan Ashbrook Harvey brings this music to life as she uncovers the ways these now-nameless women performed a boldly sung teaching ministry and invited congregations to respond aloud. By exploring their ritual agency, Harvey demonstrates how these choirs helped to shape the formative ethical and moral ideals of their congregations and communities. Women's voices, both real and imagined, enriched the ritual and devotional lives of Syriac Christians daily and weekly, on ecclesial and civic special occasions, in sorrow or joy, with authoritative theological significance and social and political resonance. Arguing for the importance of liturgy as social history, Harvey shows us how and why women's voices mattered for ancient Syriac Christianity and why they matter still.

New books in Late Antiquity is presented by Ancient Jew Review

Susan Ashbrook Harvey is Willard Prescott and Annie McClelland Smith Professor of History and Religion

Michael Motia teaches Classics and Religious Studies at UMass Boston


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]]> Susan Ashbrook Harvey, "Ministries of Song: Women’s Voices in Ancient Syriac Christianity" (U California Press, 2025) New Books Network 01:23:46 Ministries of Song: Women’s Voices in Ancient Syriac Christianity (U California Press, 2025) is an open access tour-de-force study of the power of women's liturgical singing in late antique Syriac Christianity. Extending women's religious participation beyond the familiar roles of female saints and nobles, Syriac churches cultivated a flourishing but often-overlooked tradition of women's sacred song. Susan Ashbrook Harvey brings this music to life as she uncovers the ways these now-nameless women performed a boldly sung teaching ministry and invited congregations to respond aloud. By exploring their ritual agency, Harvey demonstrates how these choirs helped to shape the formative ethical and moral ideals of their congregations and communities. Women's voices, both real and imagined, enriched the ritual and devotional lives of Syriac Christians daily and weekly, on ecclesial and civic special occasions, in sorrow or joy, with authoritative theological significance and social and political resonance. Arguing for the importance of liturgy as social history, Harvey shows us how and why women's voices mattered for ancient Syriac Christianity and why they matter still. New books in Late Antiquity is presented by Ancient Jew Review Susan Ashbrook Harvey is Willard Prescott and Annie McClelland Smith Professor of History and Religion Michael Motia teaches Classics and Religious Studies at UMass Boston Ministries of Song: Women’s Voices in Ancient Syriac Christianity (U California Press, 2025) is an open access tour-de-force study of the power of women's liturgical singing in late antique Syriac Christianity. Extending women's religious participation beyond the familiar roles of female saints and nobles, Syriac churches cultivated a flourishing but often-overlooked tradition of women's sacred song. Susan Ashbrook Harvey brings this music to life as she uncovers the ways these now-nameless women performed a boldly sung teaching ministry and invited congregations to respond aloud. By exploring their ritual agency, Harvey demonstrates how these choirs helped to shape the formative ethical and moral ideals of their congregations and communities. Women's voices, both real and imagined, enriched the ritual and devotional lives of Syriac Christians daily and weekly, on ecclesial and civic special occasions, in sorrow or joy, with authoritative theological significance and social and political resonance. Arguing for the importance of liturgy as social history, Harvey shows us how and why women's voices mattered for ancient Syriac Christianity and why they matter still. New books in Late Antiquity is presented by Ancient Jew Review Susan Ashbrook Harvey is Willard Prescott and Annie McClelland Smith Professor of History and Religion Michael Motia teaches Classics and Religious Studies at UMass Boston false full 1757 55ada554-d3a1-11f0-a803-4be1a990f254 Peace A. Medie, "Global Norms and Local Action: The Campaigns to End Violence Against Women in Africa" (Oxford UP, 2020) In Global Norms and Local Action: The Campaigns to End Violence against Women in Africa (Oxford UP, 2020), Peace A. Medie studies the domestic implementation of international norms by examining how and why two post-conflict states in Africa, Liberia and Côte d'Ivoire, have differed in their responses to rape and domestic violence. Specifically, she looks at the roles of the United Nations and women's movements in the establishment of specialized criminal justice sector agencies, and the referral of cases for prosecution. She argues that variation in implementation in Liberia and Côte d'Ivoire can be explained by the levels of international and domestic pressures that states face and by the favorability of domestic political and institutional conditions. Medie's study is based on interviews with over 300 policymakers, bureaucrats, staff at the UN and NGOs, police officers, and survivors of domestic violence and rape — an unprecedented depth of research into women's rights and gender violence norm implementation in post-conflict countries. Furthermore, through her interviews with survivors of violence, Medie explains not only how states implement anti-rape and anti-domestic violence norms, but also how women experience and are affected by these norms. She draws on this research to recommend that states adopt a holistic approach to addressing violence against women.

Peace A. Medie is an award-winning scholar and a writer. She is associate professor in politics at the University of Bristol. She studies state and non-state actors’ responses to gender-based violence and other forms of insecurity in countries in Africa. She is author of ‘Global Norms and Local Action: The Campaigns to End Violence Against Women in Africa’ (OUP 2020). Her debut novel, His Only Wife, was a New York Times Notable Book of 2020 and a Time Magazine Must-Read Book of 2020. Her second novel, Nightbloom, will be published in June 2023.

Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty.


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]]> Mon, 8 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Global Norms and Local Action: The Campaigns to End Violence against Women in Africa (Oxford UP, 2020), Peace A. Medie studies the domestic implementation of international norms by examining how and why two post-conflict states in Africa, Liberia and Côte d'Ivoire, have differed in their responses to rape and domestic violence. Specifically, she looks at the roles of the United Nations and women's movements in the establishment of specialized criminal justice sector agencies, and the referral of cases for prosecution. She argues that variation in implementation in Liberia and Côte d'Ivoire can be explained by the levels of international and domestic pressures that states face and by the favorability of domestic political and institutional conditions. Medie's study is based on interviews with over 300 policymakers, bureaucrats, staff at the UN and NGOs, police officers, and survivors of domestic violence and rape — an unprecedented depth of research into women's rights and gender violence norm implementation in post-conflict countries. Furthermore, through her interviews with survivors of violence, Medie explains not only how states implement anti-rape and anti-domestic violence norms, but also how women experience and are affected by these norms. She draws on this research to recommend that states adopt a holistic approach to addressing violence against women.

Peace A. Medie is an award-winning scholar and a writer. She is associate professor in politics at the University of Bristol. She studies state and non-state actors’ responses to gender-based violence and other forms of insecurity in countries in Africa. She is author of ‘Global Norms and Local Action: The Campaigns to End Violence Against Women in Africa’ (OUP 2020). Her debut novel, His Only Wife, was a New York Times Notable Book of 2020 and a Time Magazine Must-Read Book of 2020. Her second novel, Nightbloom, will be published in June 2023.

Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty.


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]]> Peace A. Medie, "Global Norms and Local Action: The Campaigns to End Violence Against Women in Africa" (Oxford UP, 2020) New Books Network 00:59:21 In Global Norms and Local Action: The Campaigns to End Violence against Women in Africa (Oxford UP, 2020), Peace A. Medie studies the domestic implementation of international norms by examining how and why two post-conflict states in Africa, Liberia and Côte d'Ivoire, have differed in their responses to rape and domestic violence. Specifically, she looks at the roles of the United Nations and women's movements in the establishment of specialized criminal justice sector agencies, and the referral of cases for prosecution. She argues that variation in implementation in Liberia and Côte d'Ivoire can be explained by the levels of international and domestic pressures that states face and by the favorability of domestic political and institutional conditions. Medie's study is based on interviews with over 300 policymakers, bureaucrats, staff at the UN and NGOs, police officers, and survivors of domestic violence and rape — an unprecedented depth of research into women's rights and gender violence norm implementation in post-conflict countries. Furthermore, through her interviews with survivors of violence, Medie explains not only how states implement anti-rape and anti-domestic violence norms, but also how women experience and are affected by these norms. She draws on this research to recommend that states adopt a holistic approach to addressing violence against women. Peace A. Medie is an award-winning scholar and a writer. She is associate professor in politics at the University of Bristol. She studies state and non-state actors’ responses to gender-based violence and other forms of insecurity in countries in Africa. She is author of ‘Global Norms and Local Action: The Campaigns to End Violence Against Women in Africa’ (OUP 2020). Her debut novel, His Only Wife, was a New York Times Notable Book of 2020 and a Time Magazine Must-Read Book of 2020. Her second novel, Nightbloom, will be published in June 2023. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty. In Global Norms and Local Action: The Campaigns to End Violence against Women in Africa (Oxford UP, 2020), Peace A. Medie studies the domestic implementation of international norms by examining how and why two post-conflict states in Africa, Liberia and Côte d'Ivoire, have differed in their responses to rape and domestic violence. Specifically, she looks at the roles of the United Nations and women's movements in the establishment of specialized criminal justice sector agencies, and the referral of cases for prosecution. She argues that variation in implementation in Liberia and Côte d'Ivoire can be explained by the levels of international and domestic pressures that states face and by the favorability of domestic political and institutional conditions. Medie's study is based on interviews with over 300 policymakers, bureaucrats, staff at the UN and NGOs, police officers, and survivors of domestic violence and rape — an unprecedented depth of research into women's rights and gender violence norm implementation in post-conflict countries. Furthermore, through her interviews with survivors of violence, Medie explains not only how states implement anti-rape and anti-domestic violence norms, but also how women experience and are affected by these norms. She draws on this research to recommend that states adopt a holistic approach to addressing violence against women. Peace A. Medie is an award-winning scholar and a writer. She is associate professor in politics at the University of Bristol. She studies state and non-state actors’ responses to gender-based violence and other forms of insecurity in countries in Africa. She is author of ‘Global Norms and Local Action: The Campaigns to End Violence Against Women in Africa’ (OUP 2020). Her debut novel, His Only Wife, was a New York Times Notable Book of 2020 and a Time Magazine Must-Read Book of 2020. Her second novel, Nightbloom, will be published in June 2023. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty. false full 625 80fc3c90-d0de-11f0-988f-d3d3ecd7aef0 The Nursing Clio Editorial Collective, "The Nursing Clio Reader: Histories of Sex, Reproduction, and Justice" (Rutgers UP, 2025) The Nursing Clio Reader: Histories of Sex, Reproduction, and Justice (Rutgers UP, 2025) brings together essays that examine reproductive health through historical research and personal experience. Featuring both new and classic pieces from the Nursing Clio blog, leading historians of reproductive health, librarians, archivists, public health professionals and midwives provide insights that connect past struggles with today’s ongoing battles over bodies, reproductive rights, and health care. This collection offers intimate, urgent scholarship that speaks to the present moment.

In this episode two representatives of the Nursing Clio Editorial Staff and one essay contributor discuss The Nursing Clio Reader. Sarah Handley-Cousins (University of Buffalo), Laura Ansley (American Historical Association), and Ayah Nuriddin (Yale School of Medicine) join Leah Cargin (University of Oklahoma and Journal of Women’s History) to talk about the recent publication, the origins of Nursing Clio, writing for public audiences, and the peer support fostered by the Nursing Clio feminist community.


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]]> Sat, 6 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Nursing Clio Reader: Histories of Sex, Reproduction, and Justice (Rutgers UP, 2025) brings together essays that examine reproductive health through historical research and personal experience. Featuring both new and classic pieces from the Nursing Clio blog, leading historians of reproductive health, librarians, archivists, public health professionals and midwives provide insights that connect past struggles with today’s ongoing battles over bodies, reproductive rights, and health care. This collection offers intimate, urgent scholarship that speaks to the present moment.

In this episode two representatives of the Nursing Clio Editorial Staff and one essay contributor discuss The Nursing Clio Reader. Sarah Handley-Cousins (University of Buffalo), Laura Ansley (American Historical Association), and Ayah Nuriddin (Yale School of Medicine) join Leah Cargin (University of Oklahoma and Journal of Women’s History) to talk about the recent publication, the origins of Nursing Clio, writing for public audiences, and the peer support fostered by the Nursing Clio feminist community.


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]]> The Nursing Clio Editorial Collective, "The Nursing Clio Reader: Histories of Sex, Reproduction, and Justice" (Rutgers UP, 2025) New Books Network 00:46:46 The Nursing Clio Reader: Histories of Sex, Reproduction, and Justice (Rutgers UP, 2025) brings together essays that examine reproductive health through historical research and personal experience. Featuring both new and classic pieces from the Nursing Clio blog, leading historians of reproductive health, librarians, archivists, public health professionals and midwives provide insights that connect past struggles with today’s ongoing battles over bodies, reproductive rights, and health care. This collection offers intimate, urgent scholarship that speaks to the present moment. In this episode two representatives of the Nursing Clio Editorial Staff and one essay contributor discuss The Nursing Clio Reader. Sarah Handley-Cousins (University of Buffalo), Laura Ansley (American Historical Association), and Ayah Nuriddin (Yale School of Medicine) join Leah Cargin (University of Oklahoma and Journal of Women’s History) to talk about the recent publication, the origins of Nursing Clio, writing for public audiences, and the peer support fostered by the Nursing Clio feminist community. The Nursing Clio Reader: Histories of Sex, Reproduction, and Justice (Rutgers UP, 2025) brings together essays that examine reproductive health through historical research and personal experience. Featuring both new and classic pieces from the Nursing Clio blog, leading historians of reproductive health, librarians, archivists, public health professionals and midwives provide insights that connect past struggles with today’s ongoing battles over bodies, reproductive rights, and health care. This collection offers intimate, urgent scholarship that speaks to the present moment. In this episode two representatives of the Nursing Clio Editorial Staff and one essay contributor discuss The Nursing Clio Reader. Sarah Handley-Cousins (University of Buffalo), Laura Ansley (American Historical Association), and Ayah Nuriddin (Yale School of Medicine) join Leah Cargin (University of Oklahoma and Journal of Women’s History) to talk about the recent publication, the origins of Nursing Clio, writing for public audiences, and the peer support fostered by the Nursing Clio feminist community. false full 1755 fe43d2b4-d000-11f0-8e28-db9cf9dbbb57 Grace Kessler Overbeke, "First Lady of Laughs: The Forgotten Story of Jean Carroll" (NYU Press, 2024) Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all.

First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.
Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.
Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, First Lady of Laughs restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance.

Jane Scimeca, Professor of History at Brookdale Community College

Website here

@janescimeca.bsky.social


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]]> Fri, 5 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all.

First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.
Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.
Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, First Lady of Laughs restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance.

Jane Scimeca, Professor of History at Brookdale Community College

Website here

@janescimeca.bsky.social


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]]> Grace Kessler Overbeke, "First Lady of Laughs: The Forgotten Story of Jean Carroll" (NYU Press, 2024) New Books Network 00:41:27 Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, First Lady of Laughs restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all. First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, First Lady of Laughs restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance. Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social false full 1754 69ebe41c-d000-11f0-9622-034449af4bf4 Anny Gaul, "Nile Nightshade: An Egyptian Culinary History of the Tomato" (U California Press, 2025) By the end of the twentieth century, the tomato—indigenous to the Americas—had become Egypt's top horticultural crop and a staple of Egyptian cuisine. The tomato brought together domestic consumers, cookbook readers, and home cooks through a shared culinary culture that sometimes transcended differences of class, region, gender, and ethnicity—and sometimes reinforced them.

In Nile Nightshade: An Egyptian Culinary History of the Tomato (U California Press, 2025), Dr. Anny Gaul shows how Egyptians' embrace of the tomato and the emergence of Egypt's modern national identity were both driven by the modernization of the country's food system. Drawing from cookbooks, archival materials, oral histories, and vernacular culture, Dr. Gaul follows this commonplace food into the realms of domestic policy and labor through the hands of Egypt's overwhelmingly female home cooks. As they wrote recipes and cooked meals, these women forged key aspects of public culture that defined how Egyptians recognized themselves and one another as Egyptian.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Thu, 4 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com By the end of the twentieth century, the tomato—indigenous to the Americas—had become Egypt's top horticultural crop and a staple of Egyptian cuisine. The tomato brought together domestic consumers, cookbook readers, and home cooks through a shared culinary culture that sometimes transcended differences of class, region, gender, and ethnicity—and sometimes reinforced them.

In Nile Nightshade: An Egyptian Culinary History of the Tomato (U California Press, 2025), Dr. Anny Gaul shows how Egyptians' embrace of the tomato and the emergence of Egypt's modern national identity were both driven by the modernization of the country's food system. Drawing from cookbooks, archival materials, oral histories, and vernacular culture, Dr. Gaul follows this commonplace food into the realms of domestic policy and labor through the hands of Egypt's overwhelmingly female home cooks. As they wrote recipes and cooked meals, these women forged key aspects of public culture that defined how Egyptians recognized themselves and one another as Egyptian.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Anny Gaul, "Nile Nightshade: An Egyptian Culinary History of the Tomato" (U California Press, 2025) New Books Network 00:56:40 By the end of the twentieth century, the tomato—indigenous to the Americas—had become Egypt's top horticultural crop and a staple of Egyptian cuisine. The tomato brought together domestic consumers, cookbook readers, and home cooks through a shared culinary culture that sometimes transcended differences of class, region, gender, and ethnicity—and sometimes reinforced them. In Nile Nightshade: An Egyptian Culinary History of the Tomato (U California Press, 2025), Dr. Anny Gaul shows how Egyptians' embrace of the tomato and the emergence of Egypt's modern national identity were both driven by the modernization of the country's food system. Drawing from cookbooks, archival materials, oral histories, and vernacular culture, Dr. Gaul follows this commonplace food into the realms of domestic policy and labor through the hands of Egypt's overwhelmingly female home cooks. As they wrote recipes and cooked meals, these women forged key aspects of public culture that defined how Egyptians recognized themselves and one another as Egyptian. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. By the end of the twentieth century, the tomato—indigenous to the Americas—had become Egypt's top horticultural crop and a staple of Egyptian cuisine. The tomato brought together domestic consumers, cookbook readers, and home cooks through a shared culinary culture that sometimes transcended differences of class, region, gender, and ethnicity—and sometimes reinforced them. In Nile Nightshade: An Egyptian Culinary History of the Tomato (U California Press, 2025), Dr. Anny Gaul shows how Egyptians' embrace of the tomato and the emergence of Egypt's modern national identity were both driven by the modernization of the country's food system. Drawing from cookbooks, archival materials, oral histories, and vernacular culture, Dr. Gaul follows this commonplace food into the realms of domestic policy and labor through the hands of Egypt's overwhelmingly female home cooks. As they wrote recipes and cooked meals, these women forged key aspects of public culture that defined how Egyptians recognized themselves and one another as Egyptian. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1753 09b8e830-ce0a-11f0-bb71-776fc31d44c0 Carolyn J. Eichner, "Feminism's Empire" (Cornell UP, 2022) Feminism's Empire (Cornell UP, 2022) investigates the complex relationships between imperialisms and feminisms in the late nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed—yet employed—approaches to empire in writing, speaking, and publishing. In differing ways, they ultimately tied forms of imperialism to gender liberation. Among the era's first anti-imperialists, French feminists were enmeshed in the hierarchies and epistemologies of empire. They likened their gender-based marginalization to imperialist oppressions. Imperialism and colonialism's gendered and sexualized racial hierarchies established categories of inclusion and exclusion that rested in both universalism and ideas of "nature" that presented colonized people with theoretical, yet impossible, paths to integration. Feminists faced similar barriers to full incorporation due to the gendered contradictions inherent in universalism. The system presumed citizenship to be male and thus positioned women as outsiders. Feminism's Empire connects this critical struggle to hierarchical power shifts in racial and national status that created uneasy linkages between French feminists and imperial authorities.

Dr. Carolyn J. Eichner about is a Professor of History and Women’s and Gender Studies at the University of Wisconsin, Milwaukee. Feminism’s Empire is her third book. Surmounting the Barricades: Women in the Paris Commune came out in 2004 and The Paris Commune: A Brief History came out in 2022. Surmounting the Barricades: Women in the Paris Commune was published in French as Franchir les barricades: les femmes dans la Commune de Paris (Éditions de la Sorbonne, 2020). Translated by Bastien Craipain, it was a finalist for the Prix Augustin Thierry in 2021, an award from the city of Paris for a historical study concerning the period between Antiquity and the late 19th century. In 2022-2023 she will be a Fulbright Research scholar in France and will be in residence at the Camargo Foundation in Cassis.

Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.


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]]> Mon, 1 Dec 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Feminism's Empire (Cornell UP, 2022) investigates the complex relationships between imperialisms and feminisms in the late nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed—yet employed—approaches to empire in writing, speaking, and publishing. In differing ways, they ultimately tied forms of imperialism to gender liberation. Among the era's first anti-imperialists, French feminists were enmeshed in the hierarchies and epistemologies of empire. They likened their gender-based marginalization to imperialist oppressions. Imperialism and colonialism's gendered and sexualized racial hierarchies established categories of inclusion and exclusion that rested in both universalism and ideas of "nature" that presented colonized people with theoretical, yet impossible, paths to integration. Feminists faced similar barriers to full incorporation due to the gendered contradictions inherent in universalism. The system presumed citizenship to be male and thus positioned women as outsiders. Feminism's Empire connects this critical struggle to hierarchical power shifts in racial and national status that created uneasy linkages between French feminists and imperial authorities.

Dr. Carolyn J. Eichner about is a Professor of History and Women’s and Gender Studies at the University of Wisconsin, Milwaukee. Feminism’s Empire is her third book. Surmounting the Barricades: Women in the Paris Commune came out in 2004 and The Paris Commune: A Brief History came out in 2022. Surmounting the Barricades: Women in the Paris Commune was published in French as Franchir les barricades: les femmes dans la Commune de Paris (Éditions de la Sorbonne, 2020). Translated by Bastien Craipain, it was a finalist for the Prix Augustin Thierry in 2021, an award from the city of Paris for a historical study concerning the period between Antiquity and the late 19th century. In 2022-2023 she will be a Fulbright Research scholar in France and will be in residence at the Camargo Foundation in Cassis.

Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.


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]]> Carolyn J. Eichner, "Feminism's Empire" (Cornell UP, 2022) New Books Network 01:19:58 Feminism's Empire (Cornell UP, 2022) investigates the complex relationships between imperialisms and feminisms in the late nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed—yet employed—approaches to empire in writing, speaking, and publishing. In differing ways, they ultimately tied forms of imperialism to gender liberation. Among the era's first anti-imperialists, French feminists were enmeshed in the hierarchies and epistemologies of empire. They likened their gender-based marginalization to imperialist oppressions. Imperialism and colonialism's gendered and sexualized racial hierarchies established categories of inclusion and exclusion that rested in both universalism and ideas of "nature" that presented colonized people with theoretical, yet impossible, paths to integration. Feminists faced similar barriers to full incorporation due to the gendered contradictions inherent in universalism. The system presumed citizenship to be male and thus positioned women as outsiders. Feminism's Empire connects this critical struggle to hierarchical power shifts in racial and national status that created uneasy linkages between French feminists and imperial authorities. Dr. Carolyn J. Eichner about is a Professor of History and Women’s and Gender Studies at the University of Wisconsin, Milwaukee. Feminism’s Empire is her third book. Surmounting the Barricades: Women in the Paris Commune came out in 2004 and The Paris Commune: A Brief History came out in 2022. Surmounting the Barricades: Women in the Paris Commune was published in French as Franchir les barricades: les femmes dans la Commune de Paris (Éditions de la Sorbonne, 2020). Translated by Bastien Craipain, it was a finalist for the Prix Augustin Thierry in 2021, an award from the city of Paris for a historical study concerning the period between Antiquity and the late 19th century. In 2022-2023 she will be a Fulbright Research scholar in France and will be in residence at the Camargo Foundation in Cassis. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Feminism's Empire (Cornell UP, 2022) investigates the complex relationships between imperialisms and feminisms in the late nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed—yet employed—approaches to empire in writing, speaking, and publishing. In differing ways, they ultimately tied forms of imperialism to gender liberation. Among the era's first anti-imperialists, French feminists were enmeshed in the hierarchies and epistemologies of empire. They likened their gender-based marginalization to imperialist oppressions. Imperialism and colonialism's gendered and sexualized racial hierarchies established categories of inclusion and exclusion that rested in both universalism and ideas of "nature" that presented colonized people with theoretical, yet impossible, paths to integration. Feminists faced similar barriers to full incorporation due to the gendered contradictions inherent in universalism. The system presumed citizenship to be male and thus positioned women as outsiders. Feminism's Empire connects this critical struggle to hierarchical power shifts in racial and national status that created uneasy linkages between French feminists and imperial authorities. Dr. Carolyn J. Eichner about is a Professor of History and Women’s and Gender Studies at the University of Wisconsin, Milwaukee. Feminism’s Empire is her third book. Surmounting the Barricades: Women in the Paris Commune came out in 2004 and The Paris Commune: A Brief History came out in 2022. Surmounting the Barricades: Women in the Paris Commune was published in French as Franchir les barricades: les femmes dans la Commune de Paris (Éditions de la Sorbonne, 2020). Translated by Bastien Craipain, it was a finalist for the Prix Augustin Thierry in 2021, an award from the city of Paris for a historical study concerning the period between Antiquity and the late 19th century. In 2022-2023 she will be a Fulbright Research scholar in France and will be in residence at the Camargo Foundation in Cassis. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. false full 1247 be88acb6-cad4-11f0-af43-43f682a7e38a Amanda Parrish Morgan, "Stroller" (Bloomsbury, 2022) Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers.

There are sleek jogging strollers for serious athletes, impossibly compact strollers for parents determined to travel internationally with pre-ambulatory children, and those featuring a ride-on kick board or second, less “babyish” seat, designed with older siblings in mind. Despite the many models available, we are all familiar with the image of a harried mother struggling to use a stroller of any kind in a public space that does not accommodate it. There are anti-stroller evangelists, fervently preaching the gospel of baby wearing and attachment parenting. All of these attitudes, seemingly about an object, are also revealing of how we believe parents and children ought to move through the world.

Amanda Parrish Morgan's book Stroller (Bloomsbury, 2022) is part Object Lessons, a series of short, beautifully designed books about the hidden lives of ordinary things.


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]]> Sun, 30 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers.

There are sleek jogging strollers for serious athletes, impossibly compact strollers for parents determined to travel internationally with pre-ambulatory children, and those featuring a ride-on kick board or second, less “babyish” seat, designed with older siblings in mind. Despite the many models available, we are all familiar with the image of a harried mother struggling to use a stroller of any kind in a public space that does not accommodate it. There are anti-stroller evangelists, fervently preaching the gospel of baby wearing and attachment parenting. All of these attitudes, seemingly about an object, are also revealing of how we believe parents and children ought to move through the world.

Amanda Parrish Morgan's book Stroller (Bloomsbury, 2022) is part Object Lessons, a series of short, beautifully designed books about the hidden lives of ordinary things.


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]]> Amanda Parrish Morgan, "Stroller" (Bloomsbury, 2022) New Books Network 00:48:34 Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers. There are sleek jogging strollers for serious athletes, impossibly compact strollers for parents determined to travel internationally with pre-ambulatory children, and those featuring a ride-on kick board or second, less “babyish” seat, designed with older siblings in mind. Despite the many models available, we are all familiar with the image of a harried mother struggling to use a stroller of any kind in a public space that does not accommodate it. There are anti-stroller evangelists, fervently preaching the gospel of baby wearing and attachment parenting. All of these attitudes, seemingly about an object, are also revealing of how we believe parents and children ought to move through the world. Amanda Parrish Morgan's book Stroller (Bloomsbury, 2022) is part Object Lessons, a series of short, beautifully designed books about the hidden lives of ordinary things. Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers. There are sleek jogging strollers for serious athletes, impossibly compact strollers for parents determined to travel internationally with pre-ambulatory children, and those featuring a ride-on kick board or second, less “babyish” seat, designed with older siblings in mind. Despite the many models available, we are all familiar with the image of a harried mother struggling to use a stroller of any kind in a public space that does not accommodate it. There are anti-stroller evangelists, fervently preaching the gospel of baby wearing and attachment parenting. All of these attitudes, seemingly about an object, are also revealing of how we believe parents and children ought to move through the world. Amanda Parrish Morgan's book Stroller (Bloomsbury, 2022) is part Object Lessons, a series of short, beautifully designed books about the hidden lives of ordinary things. false full 340 6d573658-caae-11f0-babc-13194d50ceba Patricia Anne Simpson, "Early Modern Women's Work: Kinship, Community, and Social Justice" (Routledge, 2025) Patricia Anne Simpson joins Jana Byars to talk about Early Modern Women's Work: Kinship, Community, and Social Justice (Routledge, 2025). The book examines the contributions of female writers, artists, scientists, religious leaders, and patrons who engaged in entrepreneurial, intellectual, and emotional labor in German-speaking Europe. Through individual and collective authorship, the women analyzed in this study assert a claim to kinship and community, often beyond the hegemonic, heteronormative relationships to family, religion, and monarch. The contributions of early modern women to the construction of productive work spaces and the establishment of intellectual and actual communities are often overlooked or underestimated in scholarship on this period. This book serves as a cultural corrective to suppositions of gender-coded work, because alongside the dominant history of the private sphere as a feminine domain, a counter-narrative emerges with collective authorship. Despite the disparities in their biographies, the women whose work Simpson foregrounds highlight a range of early modern concerns, primarily but not exclusively in German-speaking Europe. These include debates about women's education and erudition; migration and displacement in search of religious or professional freedom; a persistent but varied discourse about female authorship and creative agency; and the assertion of subjectivity against the violent, fractious history of the Thirty Years' War and beyond. This book will be an ideal resource for students, scholars, and all those interested in German and European studies, women and gender studies, and the history of early modern work.


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]]> Sun, 30 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Patricia Anne Simpson joins Jana Byars to talk about Early Modern Women's Work: Kinship, Community, and Social Justice (Routledge, 2025). The book examines the contributions of female writers, artists, scientists, religious leaders, and patrons who engaged in entrepreneurial, intellectual, and emotional labor in German-speaking Europe. Through individual and collective authorship, the women analyzed in this study assert a claim to kinship and community, often beyond the hegemonic, heteronormative relationships to family, religion, and monarch. The contributions of early modern women to the construction of productive work spaces and the establishment of intellectual and actual communities are often overlooked or underestimated in scholarship on this period. This book serves as a cultural corrective to suppositions of gender-coded work, because alongside the dominant history of the private sphere as a feminine domain, a counter-narrative emerges with collective authorship. Despite the disparities in their biographies, the women whose work Simpson foregrounds highlight a range of early modern concerns, primarily but not exclusively in German-speaking Europe. These include debates about women's education and erudition; migration and displacement in search of religious or professional freedom; a persistent but varied discourse about female authorship and creative agency; and the assertion of subjectivity against the violent, fractious history of the Thirty Years' War and beyond. This book will be an ideal resource for students, scholars, and all those interested in German and European studies, women and gender studies, and the history of early modern work.


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]]> Patricia Anne Simpson, "Early Modern Women's Work: Kinship, Community, and Social Justice" (Routledge, 2025) New Books Network 00:59:39 Patricia Anne Simpson joins Jana Byars to talk about Early Modern Women's Work: Kinship, Community, and Social Justice (Routledge, 2025). The book examines the contributions of female writers, artists, scientists, religious leaders, and patrons who engaged in entrepreneurial, intellectual, and emotional labor in German-speaking Europe. Through individual and collective authorship, the women analyzed in this study assert a claim to kinship and community, often beyond the hegemonic, heteronormative relationships to family, religion, and monarch. The contributions of early modern women to the construction of productive work spaces and the establishment of intellectual and actual communities are often overlooked or underestimated in scholarship on this period. This book serves as a cultural corrective to suppositions of gender-coded work, because alongside the dominant history of the private sphere as a feminine domain, a counter-narrative emerges with collective authorship. Despite the disparities in their biographies, the women whose work Simpson foregrounds highlight a range of early modern concerns, primarily but not exclusively in German-speaking Europe. These include debates about women's education and erudition; migration and displacement in search of religious or professional freedom; a persistent but varied discourse about female authorship and creative agency; and the assertion of subjectivity against the violent, fractious history of the Thirty Years' War and beyond. This book will be an ideal resource for students, scholars, and all those interested in German and European studies, women and gender studies, and the history of early modern work. Patricia Anne Simpson joins Jana Byars to talk about Early Modern Women's Work: Kinship, Community, and Social Justice (Routledge, 2025). The book examines the contributions of female writers, artists, scientists, religious leaders, and patrons who engaged in entrepreneurial, intellectual, and emotional labor in German-speaking Europe. Through individual and collective authorship, the women analyzed in this study assert a claim to kinship and community, often beyond the hegemonic, heteronormative relationships to family, religion, and monarch. The contributions of early modern women to the construction of productive work spaces and the establishment of intellectual and actual communities are often overlooked or underestimated in scholarship on this period. This book serves as a cultural corrective to suppositions of gender-coded work, because alongside the dominant history of the private sphere as a feminine domain, a counter-narrative emerges with collective authorship. Despite the disparities in their biographies, the women whose work Simpson foregrounds highlight a range of early modern concerns, primarily but not exclusively in German-speaking Europe. These include debates about women's education and erudition; migration and displacement in search of religious or professional freedom; a persistent but varied discourse about female authorship and creative agency; and the assertion of subjectivity against the violent, fractious history of the Thirty Years' War and beyond. This book will be an ideal resource for students, scholars, and all those interested in German and European studies, women and gender studies, and the history of early modern work. false full 1750 e2320a4c-c9ab-11f0-b85b-77fe57eee3a5 Natalie Porter, "Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders" (ECW Press, 2025) A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again.

Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South.


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]]> Thu, 27 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again.

Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South.


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]]> Natalie Porter, "Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders" (ECW Press, 2025) New Books Network 00:42:39 A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides: A History of Badass Women Skateboarders (ECW Press, 2025) celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game. Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. false full 1749 c5bc1436-ca2b-11f0-9c39-e77af6c1a887 Marion Turner, "The Wife of Bath: A Biography" (Princeton UP, 2023) Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.

A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.

Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.


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]]> Thu, 27 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.

A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.

Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.


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]]> Marion Turner, "The Wife of Bath: A Biography" (Princeton UP, 2023) New Books Network 00:46:09 Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers. Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers. Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers. false full 143 09ec08f8-ca29-11f0-ad74-efba0614cbe2 Karen Weingarten, "Pregnancy Test" (Bloomsbury, 2023) In the 1970s, the invention of the home pregnancy test changed what it means to be pregnant. For the first time, women could use a technology in the privacy of their own homes that gave them a yes or no answer. That answer had the power to change the course of their reproductive lives, and it chipped away at a paternalistic culture that gave gynecologists-the majority of whom were men-control over information about women's bodies.

However, while science so often promises clear-cut answers, the reality of pregnancy is often much messier. Pregnancy Test (Bloomsbury, 2023) explores how the pregnancy test has not always lived up to the fantasy that more information equals more knowledge. Karen Weingarten examines the history and cultural representation of the pregnancy test to show how this object radically changed sex and pregnancy in the late 20th and early 21st centuries.

Jana Byars is an independent scholar located in Amsterdam.


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]]> Thu, 27 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the 1970s, the invention of the home pregnancy test changed what it means to be pregnant. For the first time, women could use a technology in the privacy of their own homes that gave them a yes or no answer. That answer had the power to change the course of their reproductive lives, and it chipped away at a paternalistic culture that gave gynecologists-the majority of whom were men-control over information about women's bodies.

However, while science so often promises clear-cut answers, the reality of pregnancy is often much messier. Pregnancy Test (Bloomsbury, 2023) explores how the pregnancy test has not always lived up to the fantasy that more information equals more knowledge. Karen Weingarten examines the history and cultural representation of the pregnancy test to show how this object radically changed sex and pregnancy in the late 20th and early 21st centuries.

Jana Byars is an independent scholar located in Amsterdam.


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]]> Karen Weingarten, "Pregnancy Test" (Bloomsbury, 2023) New Books Network 00:40:17 In the 1970s, the invention of the home pregnancy test changed what it means to be pregnant. For the first time, women could use a technology in the privacy of their own homes that gave them a yes or no answer. That answer had the power to change the course of their reproductive lives, and it chipped away at a paternalistic culture that gave gynecologists-the majority of whom were men-control over information about women's bodies. However, while science so often promises clear-cut answers, the reality of pregnancy is often much messier. Pregnancy Test (Bloomsbury, 2023) explores how the pregnancy test has not always lived up to the fantasy that more information equals more knowledge. Karen Weingarten examines the history and cultural representation of the pregnancy test to show how this object radically changed sex and pregnancy in the late 20th and early 21st centuries. Jana Byars is an independent scholar located in Amsterdam. In the 1970s, the invention of the home pregnancy test changed what it means to be pregnant. For the first time, women could use a technology in the privacy of their own homes that gave them a yes or no answer. That answer had the power to change the course of their reproductive lives, and it chipped away at a paternalistic culture that gave gynecologists-the majority of whom were men-control over information about women's bodies. However, while science so often promises clear-cut answers, the reality of pregnancy is often much messier. Pregnancy Test (Bloomsbury, 2023) explores how the pregnancy test has not always lived up to the fantasy that more information equals more knowledge. Karen Weingarten examines the history and cultural representation of the pregnancy test to show how this object radically changed sex and pregnancy in the late 20th and early 21st centuries. Jana Byars is an independent scholar located in Amsterdam. false full 38 f20166ec-c7e5-11f0-9491-479e281c0a0f Yolanda Aixelà-Cabré, "African Women’s Histories in European Narratives: The Afropolitan Krio Fernandino Diaspora (1850-1996)" (Leuven UP, 2025) Little is known about the African women who came to Europe from the 1870s onwards, nor do we dare to imagine them as wealthy, elegantly dressed individuals with refined tastes and fluent in several languages. The Krio Fernandino represented a multisited, multilocal, transnational, transcontinental and Afropolitan community that lived between Africa and Europe from the late 19th century onwards. African Women’s Histories in European Narratives: The Afropolitan Krio Fernandino Diaspora (1850-1996) (Leuven University Press, 2025) explains how the Krio Fernandino, and particularly their women, transcended the barriers of race and gender in colonial Africa and in Spain.

Aixelà-Cabré highlights a fascinating journey across cultures and continents, unearthing a compelling narrative of African women's empowerment in their home continent and in Catalonia. This research highlights a women's history that resonates on regional, national and transcontinental levels; a genuine Euro-African and Afro-European legacy to be preserved for future generations.

This book will be made open access within three years of publication thanks to JSTOR's Path to Open pilot.

Yolanda Aixelà-Cabré is Senior Researcher in Anthropology at the IMF center of the Spanish Council for Scientific Research-CSIC.

Caleb Zakarin is editor of the New Books Network.


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]]> Mon, 24 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Little is known about the African women who came to Europe from the 1870s onwards, nor do we dare to imagine them as wealthy, elegantly dressed individuals with refined tastes and fluent in several languages. The Krio Fernandino represented a multisited, multilocal, transnational, transcontinental and Afropolitan community that lived between Africa and Europe from the late 19th century onwards. African Women’s Histories in European Narratives: The Afropolitan Krio Fernandino Diaspora (1850-1996) (Leuven University Press, 2025) explains how the Krio Fernandino, and particularly their women, transcended the barriers of race and gender in colonial Africa and in Spain.

Aixelà-Cabré highlights a fascinating journey across cultures and continents, unearthing a compelling narrative of African women's empowerment in their home continent and in Catalonia. This research highlights a women's history that resonates on regional, national and transcontinental levels; a genuine Euro-African and Afro-European legacy to be preserved for future generations.

This book will be made open access within three years of publication thanks to JSTOR's Path to Open pilot.

Yolanda Aixelà-Cabré is Senior Researcher in Anthropology at the IMF center of the Spanish Council for Scientific Research-CSIC.

Caleb Zakarin is editor of the New Books Network.


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]]> Yolanda Aixelà-Cabré, "African Women’s Histories in European Narratives: The Afropolitan Krio Fernandino Diaspora (1850-1996)" (Leuven UP, 2025) New Books Network 00:44:16 Little is known about the African women who came to Europe from the 1870s onwards, nor do we dare to imagine them as wealthy, elegantly dressed individuals with refined tastes and fluent in several languages. The Krio Fernandino represented a multisited, multilocal, transnational, transcontinental and Afropolitan community that lived between Africa and Europe from the late 19th century onwards. African Women’s Histories in European Narratives: The Afropolitan Krio Fernandino Diaspora (1850-1996) (Leuven University Press, 2025) explains how the Krio Fernandino, and particularly their women, transcended the barriers of race and gender in colonial Africa and in Spain. Aixelà-Cabré highlights a fascinating journey across cultures and continents, unearthing a compelling narrative of African women's empowerment in their home continent and in Catalonia. This research highlights a women's history that resonates on regional, national and transcontinental levels; a genuine Euro-African and Afro-European legacy to be preserved for future generations. This book will be made open access within three years of publication thanks to JSTOR's Path to Open pilot. Yolanda Aixelà-Cabré is Senior Researcher in Anthropology at the IMF center of the Spanish Council for Scientific Research-CSIC. Caleb Zakarin is editor of the New Books Network. Little is known about the African women who came to Europe from the 1870s onwards, nor do we dare to imagine them as wealthy, elegantly dressed individuals with refined tastes and fluent in several languages. The Krio Fernandino represented a multisited, multilocal, transnational, transcontinental and Afropolitan community that lived between Africa and Europe from the late 19th century onwards. African Women’s Histories in European Narratives: The Afropolitan Krio Fernandino Diaspora (1850-1996) (Leuven University Press, 2025) explains how the Krio Fernandino, and particularly their women, transcended the barriers of race and gender in colonial Africa and in Spain. Aixelà-Cabré highlights a fascinating journey across cultures and continents, unearthing a compelling narrative of African women's empowerment in their home continent and in Catalonia. This research highlights a women's history that resonates on regional, national and transcontinental levels; a genuine Euro-African and Afro-European legacy to be preserved for future generations. This book will be made open access within three years of publication thanks to JSTOR's Path to Open pilot. Yolanda Aixelà-Cabré is Senior Researcher in Anthropology at the IMF center of the Spanish Council for Scientific Research-CSIC. Caleb Zakarin is editor of the New Books Network. false full 1746 21178374-c6a3-11f0-8037-e3398462a2d5 Sarah Hoiland, "Righteous Sisterhood: The Politics and Power of an All-Women's Motorcycle Club" (Temple UP, 2025) A righteous sister identifies herself as a biker. She might wrench, or maintain, her own bike, and she prefers to ride with other righteous sisters. Righteous Sisterhood: The Politics and Power of an All-Women's Motorcycle Club (Temple UP, 2025) is Dr. Sarah Hoiland’s insightful ethnography about an all-women motorcycle club (MC). She recounts stories of women bikers for whom riding in an MC is “an act of rebellion” and “liberating” even as it constrains—a reactionary populist version of the American Dream dipped in “girl power.”

Granted unprecedented access to the MC’s initiation rituals, annual ceremonies, and the extensive socialization process, Dr. Hoiland investigates this fascinating subculture, why women choose to join, and why, in some cases, they exit or become exiled.

Righteous Sisterhood also reveals complex and contradictory gender and political dynamics within the club and within the larger subculture. The MC provides a unique, liberatory, womanist space within the larger male-dominated MC social world, but these women remain outsiders, with political voices that are lost in the misogyny of alt-right spaces. As Dr. Hoiland emphasizes, the quest for righteous sisterhood is about finding individual excellence and camaraderie while seeking recognition and immortality within the MC.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sun, 23 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A righteous sister identifies herself as a biker. She might wrench, or maintain, her own bike, and she prefers to ride with other righteous sisters. Righteous Sisterhood: The Politics and Power of an All-Women's Motorcycle Club (Temple UP, 2025) is Dr. Sarah Hoiland’s insightful ethnography about an all-women motorcycle club (MC). She recounts stories of women bikers for whom riding in an MC is “an act of rebellion” and “liberating” even as it constrains—a reactionary populist version of the American Dream dipped in “girl power.”

Granted unprecedented access to the MC’s initiation rituals, annual ceremonies, and the extensive socialization process, Dr. Hoiland investigates this fascinating subculture, why women choose to join, and why, in some cases, they exit or become exiled.

Righteous Sisterhood also reveals complex and contradictory gender and political dynamics within the club and within the larger subculture. The MC provides a unique, liberatory, womanist space within the larger male-dominated MC social world, but these women remain outsiders, with political voices that are lost in the misogyny of alt-right spaces. As Dr. Hoiland emphasizes, the quest for righteous sisterhood is about finding individual excellence and camaraderie while seeking recognition and immortality within the MC.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sarah Hoiland, "Righteous Sisterhood: The Politics and Power of an All-Women's Motorcycle Club" (Temple UP, 2025) New Books Network 00:42:08 A righteous sister identifies herself as a biker. She might wrench, or maintain, her own bike, and she prefers to ride with other righteous sisters. Righteous Sisterhood: The Politics and Power of an All-Women's Motorcycle Club (Temple UP, 2025) is Dr. Sarah Hoiland’s insightful ethnography about an all-women motorcycle club (MC). She recounts stories of women bikers for whom riding in an MC is “an act of rebellion” and “liberating” even as it constrains—a reactionary populist version of the American Dream dipped in “girl power.” Granted unprecedented access to the MC’s initiation rituals, annual ceremonies, and the extensive socialization process, Dr. Hoiland investigates this fascinating subculture, why women choose to join, and why, in some cases, they exit or become exiled. Righteous Sisterhood also reveals complex and contradictory gender and political dynamics within the club and within the larger subculture. The MC provides a unique, liberatory, womanist space within the larger male-dominated MC social world, but these women remain outsiders, with political voices that are lost in the misogyny of alt-right spaces. As Dr. Hoiland emphasizes, the quest for righteous sisterhood is about finding individual excellence and camaraderie while seeking recognition and immortality within the MC. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. A righteous sister identifies herself as a biker. She might wrench, or maintain, her own bike, and she prefers to ride with other righteous sisters. Righteous Sisterhood: The Politics and Power of an All-Women's Motorcycle Club (Temple UP, 2025) is Dr. Sarah Hoiland’s insightful ethnography about an all-women motorcycle club (MC). She recounts stories of women bikers for whom riding in an MC is “an act of rebellion” and “liberating” even as it constrains—a reactionary populist version of the American Dream dipped in “girl power.” Granted unprecedented access to the MC’s initiation rituals, annual ceremonies, and the extensive socialization process, Dr. Hoiland investigates this fascinating subculture, why women choose to join, and why, in some cases, they exit or become exiled. Righteous Sisterhood also reveals complex and contradictory gender and political dynamics within the club and within the larger subculture. The MC provides a unique, liberatory, womanist space within the larger male-dominated MC social world, but these women remain outsiders, with political voices that are lost in the misogyny of alt-right spaces. As Dr. Hoiland emphasizes, the quest for righteous sisterhood is about finding individual excellence and camaraderie while seeking recognition and immortality within the MC. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1745 adbbc89a-c69d-11f0-baca-736df3e5664b Julie Dobrow, "Love and Loss After Wounded Knee: A Biography of an Extraordinary Interracial Marriage" (NYU Press, 2025) Like any set of star-crossed lovers, Elaine and Charles came from different worlds. Elaine, an acclaimed childhood poet from a remote corner of the Massachusetts Berkshires, traveled to the Dakota Territories to teach Native American students, undaunted by society’s admonitions. Charles, a Dakota Sioux from Minnesota, educated at Dartmouth and Boston University Medical School, was considered by his Euro-American mentors the epitome of an assimilated Indian. But when they met just ahead of the Wounded Knee Massacre in 1890, the magnetic pull of love brought them together despite the tremendous odds stacked against them.
Love and Loss After Wounded Knee: A Biography of an Extraordinary Interracial Marriage (NYU Press, 2025) by Dr. Julie Dobrow offers a dual biography of Elaine Goodale and Ohíye’Sa, (Dr. Charles Alexander Eastman), exploring their individual lives as well as their highly publicized interracial marriage. Both well-known in their own time– Elaine as a poet, journalist, and advocate for Indian education and Charles as writer, public speaker, and ardent activist for Indian rights– their marriage started with a shared vision to work on behalf of Indians. In the face of extreme prejudice, financial burden, and personal tragedy however, the marriage began to unravel.
Dr. Dobrow paints an intimate, emotional portrait of the Eastmans’ lives drawn from Elaine and Charles’s letters, papers, and hundreds of accounts of the Eastmans’ lives from newspapers. Along the way, she skillfully illuminates the shifting late 19th and early 20th century definitions of Indigenous identity, and reveals how the Eastmans’ legacies reflect changing American attitudes toward gender, interracial relationships and biracial children. The result is a compelling new history that weds the private and the political, and Native America and the United States of America– entwined yet separated, inextricable yet never fully joined, just like Elaine and Charles themselves.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 22 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Like any set of star-crossed lovers, Elaine and Charles came from different worlds. Elaine, an acclaimed childhood poet from a remote corner of the Massachusetts Berkshires, traveled to the Dakota Territories to teach Native American students, undaunted by society’s admonitions. Charles, a Dakota Sioux from Minnesota, educated at Dartmouth and Boston University Medical School, was considered by his Euro-American mentors the epitome of an assimilated Indian. But when they met just ahead of the Wounded Knee Massacre in 1890, the magnetic pull of love brought them together despite the tremendous odds stacked against them.
Love and Loss After Wounded Knee: A Biography of an Extraordinary Interracial Marriage (NYU Press, 2025) by Dr. Julie Dobrow offers a dual biography of Elaine Goodale and Ohíye’Sa, (Dr. Charles Alexander Eastman), exploring their individual lives as well as their highly publicized interracial marriage. Both well-known in their own time– Elaine as a poet, journalist, and advocate for Indian education and Charles as writer, public speaker, and ardent activist for Indian rights– their marriage started with a shared vision to work on behalf of Indians. In the face of extreme prejudice, financial burden, and personal tragedy however, the marriage began to unravel.
Dr. Dobrow paints an intimate, emotional portrait of the Eastmans’ lives drawn from Elaine and Charles’s letters, papers, and hundreds of accounts of the Eastmans’ lives from newspapers. Along the way, she skillfully illuminates the shifting late 19th and early 20th century definitions of Indigenous identity, and reveals how the Eastmans’ legacies reflect changing American attitudes toward gender, interracial relationships and biracial children. The result is a compelling new history that weds the private and the political, and Native America and the United States of America– entwined yet separated, inextricable yet never fully joined, just like Elaine and Charles themselves.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Julie Dobrow, "Love and Loss After Wounded Knee: A Biography of an Extraordinary Interracial Marriage" (NYU Press, 2025) New Books Network 00:42:43 Like any set of star-crossed lovers, Elaine and Charles came from different worlds. Elaine, an acclaimed childhood poet from a remote corner of the Massachusetts Berkshires, traveled to the Dakota Territories to teach Native American students, undaunted by society’s admonitions. Charles, a Dakota Sioux from Minnesota, educated at Dartmouth and Boston University Medical School, was considered by his Euro-American mentors the epitome of an assimilated Indian. But when they met just ahead of the Wounded Knee Massacre in 1890, the magnetic pull of love brought them together despite the tremendous odds stacked against them.Love and Loss After Wounded Knee: A Biography of an Extraordinary Interracial Marriage (NYU Press, 2025) by Dr. Julie Dobrow offers a dual biography of Elaine Goodale and Ohíye’Sa, (Dr. Charles Alexander Eastman), exploring their individual lives as well as their highly publicized interracial marriage. Both well-known in their own time– Elaine as a poet, journalist, and advocate for Indian education and Charles as writer, public speaker, and ardent activist for Indian rights– their marriage started with a shared vision to work on behalf of Indians. In the face of extreme prejudice, financial burden, and personal tragedy however, the marriage began to unravel.Dr. Dobrow paints an intimate, emotional portrait of the Eastmans’ lives drawn from Elaine and Charles’s letters, papers, and hundreds of accounts of the Eastmans’ lives from newspapers. Along the way, she skillfully illuminates the shifting late 19th and early 20th century definitions of Indigenous identity, and reveals how the Eastmans’ legacies reflect changing American attitudes toward gender, interracial relationships and biracial children. The result is a compelling new history that weds the private and the political, and Native America and the United States of America– entwined yet separated, inextricable yet never fully joined, just like Elaine and Charles themselves. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Like any set of star-crossed lovers, Elaine and Charles came from different worlds. Elaine, an acclaimed childhood poet from a remote corner of the Massachusetts Berkshires, traveled to the Dakota Territories to teach Native American students, undaunted by society’s admonitions. Charles, a Dakota Sioux from Minnesota, educated at Dartmouth and Boston University Medical School, was considered by his Euro-American mentors the epitome of an assimilated Indian. But when they met just ahead of the Wounded Knee Massacre in 1890, the magnetic pull of love brought them together despite the tremendous odds stacked against them.Love and Loss After Wounded Knee: A Biography of an Extraordinary Interracial Marriage (NYU Press, 2025) by Dr. Julie Dobrow offers a dual biography of Elaine Goodale and Ohíye’Sa, (Dr. Charles Alexander Eastman), exploring their individual lives as well as their highly publicized interracial marriage. Both well-known in their own time– Elaine as a poet, journalist, and advocate for Indian education and Charles as writer, public speaker, and ardent activist for Indian rights– their marriage started with a shared vision to work on behalf of Indians. In the face of extreme prejudice, financial burden, and personal tragedy however, the marriage began to unravel.Dr. Dobrow paints an intimate, emotional portrait of the Eastmans’ lives drawn from Elaine and Charles’s letters, papers, and hundreds of accounts of the Eastmans’ lives from newspapers. Along the way, she skillfully illuminates the shifting late 19th and early 20th century definitions of Indigenous identity, and reveals how the Eastmans’ legacies reflect changing American attitudes toward gender, interracial relationships and biracial children. The result is a compelling new history that weds the private and the political, and Native America and the United States of America– entwined yet separated, inextricable yet never fully joined, just like Elaine and Charles themselves. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1744 9b2c7f7c-c69c-11f0-8110-234bc2bf0983 Shatema Threadcraft, "Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy" (Oxford UP, 2025) Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025)

Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University.

Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation.


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]]> Sat, 22 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025)

Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University.

Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation.


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]]> Shatema Threadcraft, "Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy" (Oxford UP, 2025) New Books Network 00:56:56 Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. false full 1743 897afc84-c51d-11f0-adbd-9b135ff7a24a Emily Callaci, "Wages for Housework: The Feminist Fight Against Unpaid Labor" (Seal Press, 2025) Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise.

 In Wages for Housework: The Story of a Movement, an Idea, a Promise (Penguin/Seal Press 2025), historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators – Selma James, Mariarosa Dalla Costa, Silvia Federici, Wilmette Brown, and Margaret Prescod - tracing their wildly creative political vision over the past five decades. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism – and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?


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]]> Thu, 20 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise.

 In Wages for Housework: The Story of a Movement, an Idea, a Promise (Penguin/Seal Press 2025), historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators – Selma James, Mariarosa Dalla Costa, Silvia Federici, Wilmette Brown, and Margaret Prescod - tracing their wildly creative political vision over the past five decades. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism – and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?


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]]> Emily Callaci, "Wages for Housework: The Feminist Fight Against Unpaid Labor" (Seal Press, 2025) New Books Network 00:43:22 Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise.  In Wages for Housework: The Story of a Movement, an Idea, a Promise (Penguin/Seal Press 2025), historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators – Selma James, Mariarosa Dalla Costa, Silvia Federici, Wilmette Brown, and Margaret Prescod - tracing their wildly creative political vision over the past five decades. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism – and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time? Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise.  In Wages for Housework: The Story of a Movement, an Idea, a Promise (Penguin/Seal Press 2025), historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators – Selma James, Mariarosa Dalla Costa, Silvia Federici, Wilmette Brown, and Margaret Prescod - tracing their wildly creative political vision over the past five decades. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism – and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time? false full 1742 5f4f602e-c4de-11f0-bc79-0f6cbd74cfb1 Can Feminism be African?: A Conversation with Minna Salami Transcript of the interview

Minna Salami is a writer, social critic, and thought leader on feminism, knowledge production, and the aesthetics and structures of power. She formerly served as Programme Chair and Senior Fellow at THE NEW INSTITUTE, where she led the Black Feminism and the Polycrisis programme. Her work sits at the intersection of ideas, culture, and systems thinking, with a commitment to making complex theories accessible through books, essays, public speaking, and creative projects.

She is the author of Can Feminism Be African? (Harper Collins, 2025) and Sensuous Knowledge: A Black Feminist Approach for Everyone (Bloomsbury, 2020), which has been translated into multiple languages. Her writing also appears in numerous anthologies and educational publications exploring feminism, African philosophy, media, and cultural criticism.

Her work has featured in The Guardian, The Financial Times, The Ideas Letter, Project Syndicate, and The Philosopher, and she has delivered talks at global institutions including TEDx, the Institute of Arts and Ideas, the European Commission, the Oxford and Cambridge Unions, Yale, and Singularity University at NASA.

Salami was the creative director of the short film Black Feminism and the Polycrisis, which won the Silver Award for Public Service and Activism at the 2024 Lovie Awards.

From 2019 to 2022, she co-directed Activate, an intersectional feminist movement that supported minoritised women in politics and community organising through visibility campaigns, mentoring, and fundraising. The initiative played a key role in shifting narratives and resources toward a more inclusive political landscape in the UK.

She has also worked as a Research Associate and Editor at Perspectiva, advised governments on gender equality, developed national school curricula, and curated cultural events at institutions such as the Victoria & Albert Museum in London.

Her blog, MsAfropolitan, launched in 2010, has reached over a million readers and remains a platform for exploring feminist and African-centred approaches to contemporary life.

Salami is a Full Member of the Club of Rome, a BMW Foundation Responsible Leader, and serves on the advisory boards of the African Feminist Initiative at Penn State University and Public Humanities at Cambridge University Press, as well as the council of the British Royal Institute of Philosophy.

Links to References:
Apart Together – essay on Leopold Senghor and Aimé Césaire’s radical vision for the world

Africa’s Populist Trap for The Ideas Letter

The Niger River and the Dearth of History: Deconstructing the Myths of Mungo Park by Ezenwa E. Olumba


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]]> Thu, 20 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Transcript of the interview

Minna Salami is a writer, social critic, and thought leader on feminism, knowledge production, and the aesthetics and structures of power. She formerly served as Programme Chair and Senior Fellow at THE NEW INSTITUTE, where she led the Black Feminism and the Polycrisis programme. Her work sits at the intersection of ideas, culture, and systems thinking, with a commitment to making complex theories accessible through books, essays, public speaking, and creative projects.

She is the author of Can Feminism Be African? (Harper Collins, 2025) and Sensuous Knowledge: A Black Feminist Approach for Everyone (Bloomsbury, 2020), which has been translated into multiple languages. Her writing also appears in numerous anthologies and educational publications exploring feminism, African philosophy, media, and cultural criticism.

Her work has featured in The Guardian, The Financial Times, The Ideas Letter, Project Syndicate, and The Philosopher, and she has delivered talks at global institutions including TEDx, the Institute of Arts and Ideas, the European Commission, the Oxford and Cambridge Unions, Yale, and Singularity University at NASA.

Salami was the creative director of the short film Black Feminism and the Polycrisis, which won the Silver Award for Public Service and Activism at the 2024 Lovie Awards.

From 2019 to 2022, she co-directed Activate, an intersectional feminist movement that supported minoritised women in politics and community organising through visibility campaigns, mentoring, and fundraising. The initiative played a key role in shifting narratives and resources toward a more inclusive political landscape in the UK.

She has also worked as a Research Associate and Editor at Perspectiva, advised governments on gender equality, developed national school curricula, and curated cultural events at institutions such as the Victoria & Albert Museum in London.

Her blog, MsAfropolitan, launched in 2010, has reached over a million readers and remains a platform for exploring feminist and African-centred approaches to contemporary life.

Salami is a Full Member of the Club of Rome, a BMW Foundation Responsible Leader, and serves on the advisory boards of the African Feminist Initiative at Penn State University and Public Humanities at Cambridge University Press, as well as the council of the British Royal Institute of Philosophy.

Links to References:
Apart Together – essay on Leopold Senghor and Aimé Césaire’s radical vision for the world

Africa’s Populist Trap for The Ideas Letter

The Niger River and the Dearth of History: Deconstructing the Myths of Mungo Park by Ezenwa E. Olumba


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]]> Can Feminism be African?: A Conversation with Minna Salami New Books Network 00:34:01 Transcript of the interview Minna Salami is a writer, social critic, and thought leader on feminism, knowledge production, and the aesthetics and structures of power. She formerly served as Programme Chair and Senior Fellow at THE NEW INSTITUTE, where she led the Black Feminism and the Polycrisis programme. Her work sits at the intersection of ideas, culture, and systems thinking, with a commitment to making complex theories accessible through books, essays, public speaking, and creative projects. She is the author of Can Feminism Be African? (Harper Collins, 2025) and Sensuous Knowledge: A Black Feminist Approach for Everyone (Bloomsbury, 2020), which has been translated into multiple languages. Her writing also appears in numerous anthologies and educational publications exploring feminism, African philosophy, media, and cultural criticism. Her work has featured in The Guardian, The Financial Times, The Ideas Letter, Project Syndicate, and The Philosopher, and she has delivered talks at global institutions including TEDx, the Institute of Arts and Ideas, the European Commission, the Oxford and Cambridge Unions, Yale, and Singularity University at NASA. Salami was the creative director of the short film Black Feminism and the Polycrisis, which won the Silver Award for Public Service and Activism at the 2024 Lovie Awards. From 2019 to 2022, she co-directed Activate, an intersectional feminist movement that supported minoritised women in politics and community organising through visibility campaigns, mentoring, and fundraising. The initiative played a key role in shifting narratives and resources toward a more inclusive political landscape in the UK. She has also worked as a Research Associate and Editor at Perspectiva, advised governments on gender equality, developed national school curricula, and curated cultural events at institutions such as the Victoria & Albert Museum in London. Her blog, MsAfropolitan, launched in 2010, has reached over a million readers and remains a platform for exploring feminist and African-centred approaches to contemporary life. Salami is a Full Member of the Club of Rome, a BMW Foundation Responsible Leader, and serves on the advisory boards of the African Feminist Initiative at Penn State University and Public Humanities at Cambridge University Press, as well as the council of the British Royal Institute of Philosophy. Links to References:Apart Together – essay on Leopold Senghor and Aimé Césaire’s radical vision for the world Africa’s Populist Trap for The Ideas Letter The Niger River and the Dearth of History: Deconstructing the Myths of Mungo Park by Ezenwa E. Olumba Transcript of the interview Minna Salami is a writer, social critic, and thought leader on feminism, knowledge production, and the aesthetics and structures of power. She formerly served as Programme Chair and Senior Fellow at THE NEW INSTITUTE, where she led the Black Feminism and the Polycrisis programme. Her work sits at the intersection of ideas, culture, and systems thinking, with a commitment to making complex theories accessible through books, essays, public speaking, and creative projects. She is the author of Can Feminism Be African? (Harper Collins, 2025) and Sensuous Knowledge: A Black Feminist Approach for Everyone (Bloomsbury, 2020), which has been translated into multiple languages. Her writing also appears in numerous anthologies and educational publications exploring feminism, African philosophy, media, and cultural criticism. Her work has featured in The Guardian, The Financial Times, The Ideas Letter, Project Syndicate, and The Philosopher, and she has delivered talks at global institutions including TEDx, the Institute of Arts and Ideas, the European Commission, the Oxford and Cambridge Unions, Yale, and Singularity University at NASA. Salami was the creative director of the short film Black Feminism and the Polycrisis, which won the Silver Award for Public Service and Activism at the 2024 Lovie Awards. From 2019 to 2022, she co-directed Activate, an intersectional feminist movement that supported minoritised women in politics and community organising through visibility campaigns, mentoring, and fundraising. The initiative played a key role in shifting narratives and resources toward a more inclusive political landscape in the UK. She has also worked as a Research Associate and Editor at Perspectiva, advised governments on gender equality, developed national school curricula, and curated cultural events at institutions such as the Victoria & Albert Museum in London. Her blog, MsAfropolitan, launched in 2010, has reached over a million readers and remains a platform for exploring feminist and African-centred approaches to contemporary life. Salami is a Full Member of the Club of Rome, a BMW Foundation Responsible Leader, and serves on the advisory boards of the African Feminist Initiative at Penn State University and Public Humanities at Cambridge University Press, as well as the council of the British Royal Institute of Philosophy. Links to References:Apart Together – essay on Leopold Senghor and Aimé Césaire’s radical vision for the world Africa’s Populist Trap for The Ideas Letter The Niger River and the Dearth of History: Deconstructing the Myths of Mungo Park by Ezenwa E. Olumba false full 1741 8eba1164-c45d-11f0-89c3-cbbd70f21a91 Emily Winderman, "Back-Alley Abortion: A Rhetorical History (JHU Press, 2025) How did three words come to carry the weight of America's abortion debates? In Back-Alley Abortion: A Rhetorical History (JHU Press, 2025), Dr. Emily Winderman examines how this phrase shaped American reproductive politics and health care standards across generations. Drawing on extensive archival research, the book traces the unexpected origins of this rhetoric in urban reform movements, showing how early associations of alleys with sanitation, morality, and criminality created lasting impressions that would later influence abortion discourse.

Dr. Winderman demonstrates how "back-alley abortion" was always more than just descriptive language—it has shaped perceptions of medical legitimacy and clinical spaces. The book reveals how this phrase emerged from racialized and gendered intersections of urban planning, public health, and social reform movements before becoming a rhetoric that anticipated pre–Roe v. Wade criminalized medical encounters. After Roe, back-alley abortion molded public memory through high-profile cases and later became a weaponized tool of anti-abortion activists to restrict access under the guise of sanitary clinical care.

From nineteenth-century urban reformers to contemporary Supreme Court decisions, this study illuminates how three words came to carry the weight of America's most contentious health care debate. In our post-Dobbs era, as states grapple with new restrictions on reproductive rights, understanding the complex history and rhetorical power of "back-alley abortion" has never been more crucial. Drawing on rhetorical theory, reproductive justice theory, and the history of medicine, Back-Alley Abortion offers vital insights into how rhetoric shapes our understanding of medical legitimacy, clinical standards, and health care justice in the United States.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Wed, 19 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How did three words come to carry the weight of America's abortion debates? In Back-Alley Abortion: A Rhetorical History (JHU Press, 2025), Dr. Emily Winderman examines how this phrase shaped American reproductive politics and health care standards across generations. Drawing on extensive archival research, the book traces the unexpected origins of this rhetoric in urban reform movements, showing how early associations of alleys with sanitation, morality, and criminality created lasting impressions that would later influence abortion discourse.

Dr. Winderman demonstrates how "back-alley abortion" was always more than just descriptive language—it has shaped perceptions of medical legitimacy and clinical spaces. The book reveals how this phrase emerged from racialized and gendered intersections of urban planning, public health, and social reform movements before becoming a rhetoric that anticipated pre–Roe v. Wade criminalized medical encounters. After Roe, back-alley abortion molded public memory through high-profile cases and later became a weaponized tool of anti-abortion activists to restrict access under the guise of sanitary clinical care.

From nineteenth-century urban reformers to contemporary Supreme Court decisions, this study illuminates how three words came to carry the weight of America's most contentious health care debate. In our post-Dobbs era, as states grapple with new restrictions on reproductive rights, understanding the complex history and rhetorical power of "back-alley abortion" has never been more crucial. Drawing on rhetorical theory, reproductive justice theory, and the history of medicine, Back-Alley Abortion offers vital insights into how rhetoric shapes our understanding of medical legitimacy, clinical standards, and health care justice in the United States.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Emily Winderman, "Back-Alley Abortion: A Rhetorical History (JHU Press, 2025) New Books Network 00:30:12 How did three words come to carry the weight of America's abortion debates? In Back-Alley Abortion: A Rhetorical History (JHU Press, 2025), Dr. Emily Winderman examines how this phrase shaped American reproductive politics and health care standards across generations. Drawing on extensive archival research, the book traces the unexpected origins of this rhetoric in urban reform movements, showing how early associations of alleys with sanitation, morality, and criminality created lasting impressions that would later influence abortion discourse. Dr. Winderman demonstrates how "back-alley abortion" was always more than just descriptive language—it has shaped perceptions of medical legitimacy and clinical spaces. The book reveals how this phrase emerged from racialized and gendered intersections of urban planning, public health, and social reform movements before becoming a rhetoric that anticipated pre–Roe v. Wade criminalized medical encounters. After Roe, back-alley abortion molded public memory through high-profile cases and later became a weaponized tool of anti-abortion activists to restrict access under the guise of sanitary clinical care. From nineteenth-century urban reformers to contemporary Supreme Court decisions, this study illuminates how three words came to carry the weight of America's most contentious health care debate. In our post-Dobbs era, as states grapple with new restrictions on reproductive rights, understanding the complex history and rhetorical power of "back-alley abortion" has never been more crucial. Drawing on rhetorical theory, reproductive justice theory, and the history of medicine, Back-Alley Abortion offers vital insights into how rhetoric shapes our understanding of medical legitimacy, clinical standards, and health care justice in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. How did three words come to carry the weight of America's abortion debates? In Back-Alley Abortion: A Rhetorical History (JHU Press, 2025), Dr. Emily Winderman examines how this phrase shaped American reproductive politics and health care standards across generations. Drawing on extensive archival research, the book traces the unexpected origins of this rhetoric in urban reform movements, showing how early associations of alleys with sanitation, morality, and criminality created lasting impressions that would later influence abortion discourse. Dr. Winderman demonstrates how "back-alley abortion" was always more than just descriptive language—it has shaped perceptions of medical legitimacy and clinical spaces. The book reveals how this phrase emerged from racialized and gendered intersections of urban planning, public health, and social reform movements before becoming a rhetoric that anticipated pre–Roe v. Wade criminalized medical encounters. After Roe, back-alley abortion molded public memory through high-profile cases and later became a weaponized tool of anti-abortion activists to restrict access under the guise of sanitary clinical care. From nineteenth-century urban reformers to contemporary Supreme Court decisions, this study illuminates how three words came to carry the weight of America's most contentious health care debate. In our post-Dobbs era, as states grapple with new restrictions on reproductive rights, understanding the complex history and rhetorical power of "back-alley abortion" has never been more crucial. Drawing on rhetorical theory, reproductive justice theory, and the history of medicine, Back-Alley Abortion offers vital insights into how rhetoric shapes our understanding of medical legitimacy, clinical standards, and health care justice in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1740 b26ec4e6-c2f6-11f0-843c-cb6cf6f823a9 Philip Nash, "Clare Boothe Luce: American Renaissance Woman" (Routledge, 2022) Philip Nash's book Clare Boothe Luce: American Renaissance Woman (Routledge, 2022) is a concise and highly readable political biography that examines the life of one of the most accomplished American women of the 20th century.

Wife and mother, author, editor, playwright, political activist, war journalist, Congresswoman, ambassador, pundit, and feminist—Luce did it all. Carefully placing Luce in a series of shifting historical contexts, this book offers the reader an insight into mid-century American political, cultural, gender, and foreign relations history. Eleven primary sources follow the text, including excerpts from Luce’s diary, letters, speeches, and published works, as well as a TV talk-show appearance and a critic’s diary entry describing an evening with her, helping readers to understand her fascinating life. Together, the narrative and documents afford readers a brief yet in-depth look at Luce with all her complications: glamorous intellectual, acid-tongued diplomat, and feminist conservative, she was a deeply flawed high-achiever who repeatedly challenged the entrenched sexism of her age to become a significant actor in the rise of the “American Century.”

Addressing the neglect suffered by women in foreign relations history, this will be of interest to students and scholars of US foreign relations, 20th-century US history, and US women’s history.

Victoria Phillips is a Visiting Fellow at the London School of Economics in the Department of International History.


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]]> Mon, 17 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Philip Nash's book Clare Boothe Luce: American Renaissance Woman (Routledge, 2022) is a concise and highly readable political biography that examines the life of one of the most accomplished American women of the 20th century.

Wife and mother, author, editor, playwright, political activist, war journalist, Congresswoman, ambassador, pundit, and feminist—Luce did it all. Carefully placing Luce in a series of shifting historical contexts, this book offers the reader an insight into mid-century American political, cultural, gender, and foreign relations history. Eleven primary sources follow the text, including excerpts from Luce’s diary, letters, speeches, and published works, as well as a TV talk-show appearance and a critic’s diary entry describing an evening with her, helping readers to understand her fascinating life. Together, the narrative and documents afford readers a brief yet in-depth look at Luce with all her complications: glamorous intellectual, acid-tongued diplomat, and feminist conservative, she was a deeply flawed high-achiever who repeatedly challenged the entrenched sexism of her age to become a significant actor in the rise of the “American Century.”

Addressing the neglect suffered by women in foreign relations history, this will be of interest to students and scholars of US foreign relations, 20th-century US history, and US women’s history.

Victoria Phillips is a Visiting Fellow at the London School of Economics in the Department of International History.


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]]> Philip Nash, "Clare Boothe Luce: American Renaissance Woman" (Routledge, 2022) New Books Network 01:05:56 Philip Nash's book Clare Boothe Luce: American Renaissance Woman (Routledge, 2022) is a concise and highly readable political biography that examines the life of one of the most accomplished American women of the 20th century. Wife and mother, author, editor, playwright, political activist, war journalist, Congresswoman, ambassador, pundit, and feminist—Luce did it all. Carefully placing Luce in a series of shifting historical contexts, this book offers the reader an insight into mid-century American political, cultural, gender, and foreign relations history. Eleven primary sources follow the text, including excerpts from Luce’s diary, letters, speeches, and published works, as well as a TV talk-show appearance and a critic’s diary entry describing an evening with her, helping readers to understand her fascinating life. Together, the narrative and documents afford readers a brief yet in-depth look at Luce with all her complications: glamorous intellectual, acid-tongued diplomat, and feminist conservative, she was a deeply flawed high-achiever who repeatedly challenged the entrenched sexism of her age to become a significant actor in the rise of the “American Century.” Addressing the neglect suffered by women in foreign relations history, this will be of interest to students and scholars of US foreign relations, 20th-century US history, and US women’s history. Victoria Phillips is a Visiting Fellow at the London School of Economics in the Department of International History. Philip Nash's book Clare Boothe Luce: American Renaissance Woman (Routledge, 2022) is a concise and highly readable political biography that examines the life of one of the most accomplished American women of the 20th century. Wife and mother, author, editor, playwright, political activist, war journalist, Congresswoman, ambassador, pundit, and feminist—Luce did it all. Carefully placing Luce in a series of shifting historical contexts, this book offers the reader an insight into mid-century American political, cultural, gender, and foreign relations history. Eleven primary sources follow the text, including excerpts from Luce’s diary, letters, speeches, and published works, as well as a TV talk-show appearance and a critic’s diary entry describing an evening with her, helping readers to understand her fascinating life. Together, the narrative and documents afford readers a brief yet in-depth look at Luce with all her complications: glamorous intellectual, acid-tongued diplomat, and feminist conservative, she was a deeply flawed high-achiever who repeatedly challenged the entrenched sexism of her age to become a significant actor in the rise of the “American Century.” Addressing the neglect suffered by women in foreign relations history, this will be of interest to students and scholars of US foreign relations, 20th-century US history, and US women’s history. Victoria Phillips is a Visiting Fellow at the London School of Economics in the Department of International History. false full 12 8684d0b2-c136-11f0-8e64-b3a4bbcf4bf5 Nayma Qayum, "Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh" (Rutgers UP, 2021) Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.

Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).


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]]> Sun, 16 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.

Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).


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]]> Nayma Qayum, "Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh" (Rutgers UP, 2021) New Books Network 00:59:01 Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving. Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018). Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving. Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018). false full 196 56e1e25a-c131-11f0-b76b-275348a25f7b Christina Lane, "Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock" (Chicago Review Press, 2020) A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock’s right-hand woman—that is, to the extent that she is known at all.

Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV’s Alfred Hitchcock Presents (1955-1962).

In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison’s career and how she adapted her research for a broader readership.

Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies.


Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.


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]]> Sun, 16 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock’s right-hand woman—that is, to the extent that she is known at all.

Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV’s Alfred Hitchcock Presents (1955-1962).

In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison’s career and how she adapted her research for a broader readership.

Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies.


Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.


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]]> Christina Lane, "Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock" (Chicago Review Press, 2020) New Books Network 00:57:51 A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock’s right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV’s Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison’s career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock’s right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV’s Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison’s career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. false full 90 29dc6de2-bb92-11f0-bacd-2f3c7951fb01 Michelle Christine Smith, "Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age" (Southern Illinois UP, 2021) Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age (Southern Illinois UP, 2021) focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women’s work. Author Michelle C. Smith seeks in the communities’ rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members.

This feminist history captures the utopian reconfiguration of women’s bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community’s material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women’s lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor.

An impressive and diverse array of archival and material research grounds each chapter’s examination of women’s professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible.

Jeannette Cockroft is an associate professor of history and political science at Schreiner University.


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]]> Sun, 9 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age (Southern Illinois UP, 2021) focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women’s work. Author Michelle C. Smith seeks in the communities’ rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members.

This feminist history captures the utopian reconfiguration of women’s bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community’s material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women’s lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor.

An impressive and diverse array of archival and material research grounds each chapter’s examination of women’s professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible.

Jeannette Cockroft is an associate professor of history and political science at Schreiner University.


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]]> Michelle Christine Smith, "Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age" (Southern Illinois UP, 2021) New Books Network 00:56:35 Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age (Southern Illinois UP, 2021) focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women’s work. Author Michelle C. Smith seeks in the communities’ rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members. This feminist history captures the utopian reconfiguration of women’s bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community’s material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women’s lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor. An impressive and diverse array of archival and material research grounds each chapter’s examination of women’s professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age (Southern Illinois UP, 2021) focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women’s work. Author Michelle C. Smith seeks in the communities’ rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members. This feminist history captures the utopian reconfiguration of women’s bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community’s material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women’s lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor. An impressive and diverse array of archival and material research grounds each chapter’s examination of women’s professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. false full 1151 4ceaf938-bad5-11f0-b25a-5f0486e38439 Naomi Baker, "Voices of Thunder: Radical Religious Women of the Seventeenth Century" (Reaktion Books, 2025) Naomi Bakes joins Jana Byars to talk about Voices of Thunder: Radical Religious Women of the Seventeenth Century (Reaktion Books, 2025), a book that explores the stories of early modern Protestant women, including Rose Thurgood, Anna Trapnel, and Jane Lead, who defied the religious authority of their age. Voices of Thunder illuminates the stories and beliefs of a dozen seventeenth-century radical Protestant women, including a Colchester woman who feared that her four children would starve to death and a former maidservant from Yorkshire who was granted an audience with the sultan of the Ottoman Empire. Their belief in spiritual equality empowered them to resist the status quo, questioning the authority of those who sought to lord it over them. From mostly humble backgrounds, they found ways to make their voices heard, creating some of the earliest autobiographical accounts in English and allowing us a rare and precious glimpse of the lives and experiences of women in the early modern era.


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]]> Fri, 7 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Naomi Bakes joins Jana Byars to talk about Voices of Thunder: Radical Religious Women of the Seventeenth Century (Reaktion Books, 2025), a book that explores the stories of early modern Protestant women, including Rose Thurgood, Anna Trapnel, and Jane Lead, who defied the religious authority of their age. Voices of Thunder illuminates the stories and beliefs of a dozen seventeenth-century radical Protestant women, including a Colchester woman who feared that her four children would starve to death and a former maidservant from Yorkshire who was granted an audience with the sultan of the Ottoman Empire. Their belief in spiritual equality empowered them to resist the status quo, questioning the authority of those who sought to lord it over them. From mostly humble backgrounds, they found ways to make their voices heard, creating some of the earliest autobiographical accounts in English and allowing us a rare and precious glimpse of the lives and experiences of women in the early modern era.


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]]> Naomi Baker, "Voices of Thunder: Radical Religious Women of the Seventeenth Century" (Reaktion Books, 2025) New Books Network 00:51:39 Naomi Bakes joins Jana Byars to talk about Voices of Thunder: Radical Religious Women of the Seventeenth Century (Reaktion Books, 2025), a book that explores the stories of early modern Protestant women, including Rose Thurgood, Anna Trapnel, and Jane Lead, who defied the religious authority of their age. Voices of Thunder illuminates the stories and beliefs of a dozen seventeenth-century radical Protestant women, including a Colchester woman who feared that her four children would starve to death and a former maidservant from Yorkshire who was granted an audience with the sultan of the Ottoman Empire. Their belief in spiritual equality empowered them to resist the status quo, questioning the authority of those who sought to lord it over them. From mostly humble backgrounds, they found ways to make their voices heard, creating some of the earliest autobiographical accounts in English and allowing us a rare and precious glimpse of the lives and experiences of women in the early modern era. Naomi Bakes joins Jana Byars to talk about Voices of Thunder: Radical Religious Women of the Seventeenth Century (Reaktion Books, 2025), a book that explores the stories of early modern Protestant women, including Rose Thurgood, Anna Trapnel, and Jane Lead, who defied the religious authority of their age. Voices of Thunder illuminates the stories and beliefs of a dozen seventeenth-century radical Protestant women, including a Colchester woman who feared that her four children would starve to death and a former maidservant from Yorkshire who was granted an audience with the sultan of the Ottoman Empire. Their belief in spiritual equality empowered them to resist the status quo, questioning the authority of those who sought to lord it over them. From mostly humble backgrounds, they found ways to make their voices heard, creating some of the earliest autobiographical accounts in English and allowing us a rare and precious glimpse of the lives and experiences of women in the early modern era. false full 1735 613330fe-b9a9-11f0-815d-7333fac38f4e Carol Mason, "From the Clinics to the Capitol: How Opposing Abortion Became Insurrectionary" (U California Press, 2025) Antiabortion stories, images, and policies have primed Americans to embrace attitudes and politics once deemed extreme. Abroad, US antiabortion tactics, personnel, and funds have contributed to a global rise of the Right.
From the Clinics to the Capitol: How Opposing Abortion Became Insurrectionary (University of California Press, 2025) is a scholar’s story of why and how abortion foes join other militants in waging war against the federal government. Reflecting on her thirty years of analyzing the intersections of race, reproduction, and right-wing movements, Carol Mason examines primary antiabortion sources that influenced political currents of the last fifty years. From Cold War conspiracism and apocalyptic fundamentalism to anti-statist terrorism, Tea Party populism, and MAGA insurrection, opposing abortion has come to imperil democracy worldwide.


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]]> Wed, 5 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Antiabortion stories, images, and policies have primed Americans to embrace attitudes and politics once deemed extreme. Abroad, US antiabortion tactics, personnel, and funds have contributed to a global rise of the Right.
From the Clinics to the Capitol: How Opposing Abortion Became Insurrectionary (University of California Press, 2025) is a scholar’s story of why and how abortion foes join other militants in waging war against the federal government. Reflecting on her thirty years of analyzing the intersections of race, reproduction, and right-wing movements, Carol Mason examines primary antiabortion sources that influenced political currents of the last fifty years. From Cold War conspiracism and apocalyptic fundamentalism to anti-statist terrorism, Tea Party populism, and MAGA insurrection, opposing abortion has come to imperil democracy worldwide.


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]]> Carol Mason, "From the Clinics to the Capitol: How Opposing Abortion Became Insurrectionary" (U California Press, 2025) New Books Network 00:54:36 Antiabortion stories, images, and policies have primed Americans to embrace attitudes and politics once deemed extreme. Abroad, US antiabortion tactics, personnel, and funds have contributed to a global rise of the Right.From the Clinics to the Capitol: How Opposing Abortion Became Insurrectionary (University of California Press, 2025) is a scholar’s story of why and how abortion foes join other militants in waging war against the federal government. Reflecting on her thirty years of analyzing the intersections of race, reproduction, and right-wing movements, Carol Mason examines primary antiabortion sources that influenced political currents of the last fifty years. From Cold War conspiracism and apocalyptic fundamentalism to anti-statist terrorism, Tea Party populism, and MAGA insurrection, opposing abortion has come to imperil democracy worldwide. Antiabortion stories, images, and policies have primed Americans to embrace attitudes and politics once deemed extreme. Abroad, US antiabortion tactics, personnel, and funds have contributed to a global rise of the Right.From the Clinics to the Capitol: How Opposing Abortion Became Insurrectionary (University of California Press, 2025) is a scholar’s story of why and how abortion foes join other militants in waging war against the federal government. Reflecting on her thirty years of analyzing the intersections of race, reproduction, and right-wing movements, Carol Mason examines primary antiabortion sources that influenced political currents of the last fifty years. From Cold War conspiracism and apocalyptic fundamentalism to anti-statist terrorism, Tea Party populism, and MAGA insurrection, opposing abortion has come to imperil democracy worldwide. false full 1734 5b53e614-b8e2-11f0-8bed-7fa7cdc3a432 Mimi Abramovitz, "Regulating the Lives of Women: Social Welfare Policy from Colonial Times to the Present" (Routledge, 2025) In the fourth edition of Regulating the Lives of Women: Social Welfare Policy from Colonial Times to the Present, drawing on important feminist concepts -- social reproduction, the gender division of labor, and patriarchy -- Mimi Abramovitz exposes the gendered and racialized myths and stereotypes built into welfare state programs. The book explains the contextual conditions that contributed to the precursors of the modern welfare state, its rise and expansion after World War II, and the recent neoliberal effort to dismantle the cash assistance programs most likely to lift women out of poverty. This edition marks the most extensive overhaul to date. It revises the conceptual and background chapters, discusses cash assistance programs, and considers emerging ideas such as the role of economic crises in the development of the US welfare state. It also considers the future of the welfare state under the second Trump Presidency. Regulating the Lives of Women is an essential resource for all students of social work, sociology, history, political science, public policy, and gender studies.


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]]> Tue, 4 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the fourth edition of Regulating the Lives of Women: Social Welfare Policy from Colonial Times to the Present, drawing on important feminist concepts -- social reproduction, the gender division of labor, and patriarchy -- Mimi Abramovitz exposes the gendered and racialized myths and stereotypes built into welfare state programs. The book explains the contextual conditions that contributed to the precursors of the modern welfare state, its rise and expansion after World War II, and the recent neoliberal effort to dismantle the cash assistance programs most likely to lift women out of poverty. This edition marks the most extensive overhaul to date. It revises the conceptual and background chapters, discusses cash assistance programs, and considers emerging ideas such as the role of economic crises in the development of the US welfare state. It also considers the future of the welfare state under the second Trump Presidency. Regulating the Lives of Women is an essential resource for all students of social work, sociology, history, political science, public policy, and gender studies.


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]]> Mimi Abramovitz, "Regulating the Lives of Women: Social Welfare Policy from Colonial Times to the Present" (Routledge, 2025) New Books Network 00:27:43 In the fourth edition of Regulating the Lives of Women: Social Welfare Policy from Colonial Times to the Present, drawing on important feminist concepts -- social reproduction, the gender division of labor, and patriarchy -- Mimi Abramovitz exposes the gendered and racialized myths and stereotypes built into welfare state programs. The book explains the contextual conditions that contributed to the precursors of the modern welfare state, its rise and expansion after World War II, and the recent neoliberal effort to dismantle the cash assistance programs most likely to lift women out of poverty. This edition marks the most extensive overhaul to date. It revises the conceptual and background chapters, discusses cash assistance programs, and considers emerging ideas such as the role of economic crises in the development of the US welfare state. It also considers the future of the welfare state under the second Trump Presidency. Regulating the Lives of Women is an essential resource for all students of social work, sociology, history, political science, public policy, and gender studies. In the fourth edition of Regulating the Lives of Women: Social Welfare Policy from Colonial Times to the Present, drawing on important feminist concepts -- social reproduction, the gender division of labor, and patriarchy -- Mimi Abramovitz exposes the gendered and racialized myths and stereotypes built into welfare state programs. The book explains the contextual conditions that contributed to the precursors of the modern welfare state, its rise and expansion after World War II, and the recent neoliberal effort to dismantle the cash assistance programs most likely to lift women out of poverty. This edition marks the most extensive overhaul to date. It revises the conceptual and background chapters, discusses cash assistance programs, and considers emerging ideas such as the role of economic crises in the development of the US welfare state. It also considers the future of the welfare state under the second Trump Presidency. Regulating the Lives of Women is an essential resource for all students of social work, sociology, history, political science, public policy, and gender studies. false full 223 6ae7ef58-b82e-11f0-bfb3-7f02d44c3cac Rebecca L. Davis, "Fierce Desires: A New History of Sex and Sexuality in America" (Norton, 2024) One of The New Yorker’s Best Books of the Year A Washington Post Notable Book of the Year A Kirkus Reviews Best Book of the Year From an esteemed scholar, a richly textured, authoritative history of sex and sexuality in America—the first major account in three decades. Our era is one of sexual upheaval. Roe v. Wade was overturned in the summer of 2022, school systems across the country are banning books with LGBTQ+ themes, and the notion of a “tradwife” is gaining adherents on the right while polyamory wins converts on the left. It may seem as though debates over sex are more intense than ever, but as acclaimed historian Rebecca L. Davis demonstrates in Fierce Desires, we should not be too surprised, because Americans have been arguing over which kinds of sex are “acceptable”—and which are not—since before the founding itself. 

From the public floggings of fornicators in early New England to passionate same-sex love affairs in the 1800s and the crackdown on abortion providers in the 1870s, and from the movements for sexual liberation to the recent restrictions on access to gender affirming care, Davis presents a sweeping, engrossing, illuminating four-hundred-year account of this nation’s sexual past. Drawing on a wealth of sources, including legal records, erotica, and eighteenth-century romance novels, she recasts important episodes—Anthony Comstock’s crusade against smut among them—and, at the same time, unearths stories of little-remembered pioneers and iconoclasts, such as an indentured servant in colonial Virginia named Thomas/Thomasine Hall, Gay Liberation Front cofounder Kiyoshi Kuromiya, and postwar female pleasure activist Betty Dodson. 

At the heart of the book is Davis’s argument that the concept of sexual identity is relatively novel, first appearing in the nineteenth century. Over the centuries, Americans have shifted from understanding sexual behaviors as reflections of personal preferences or values, such as those rooted in faith or culture, to defining sexuality as an essential part of what makes a person who they are. And at every step, legislators, police, activists, and bureaucrats attempted to regulate new sexual behaviors, transforming government in the process. The most comprehensive account of America’s sexual past since John D’Emilio and Estelle Freedman’s 1988 classic, Intimate Matters, Davis’s magisterial work seeks to help us understand the turmoil of the present. It demonstrates how fiercely we have always valued our desires, and how far we are willing to go to defend them.

Rebecca L. Davis is professor of History and of Women and Gender Studies at the University of Delaware where she held the Miller Family Endowed Early Career Professorship. She is the author of several books including Public Confessions: The Religious Conversions that Changed American Politics and More Perfect Unions: The American Search for Marital Bliss and is one of the co-founders and co-hosts of the podcast This is Probably a Weird Question about bodies, sexuality, health and history.


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]]> Mon, 3 Nov 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com One of The New Yorker’s Best Books of the Year A Washington Post Notable Book of the Year A Kirkus Reviews Best Book of the Year From an esteemed scholar, a richly textured, authoritative history of sex and sexuality in America—the first major account in three decades. Our era is one of sexual upheaval. Roe v. Wade was overturned in the summer of 2022, school systems across the country are banning books with LGBTQ+ themes, and the notion of a “tradwife” is gaining adherents on the right while polyamory wins converts on the left. It may seem as though debates over sex are more intense than ever, but as acclaimed historian Rebecca L. Davis demonstrates in Fierce Desires, we should not be too surprised, because Americans have been arguing over which kinds of sex are “acceptable”—and which are not—since before the founding itself. 

From the public floggings of fornicators in early New England to passionate same-sex love affairs in the 1800s and the crackdown on abortion providers in the 1870s, and from the movements for sexual liberation to the recent restrictions on access to gender affirming care, Davis presents a sweeping, engrossing, illuminating four-hundred-year account of this nation’s sexual past. Drawing on a wealth of sources, including legal records, erotica, and eighteenth-century romance novels, she recasts important episodes—Anthony Comstock’s crusade against smut among them—and, at the same time, unearths stories of little-remembered pioneers and iconoclasts, such as an indentured servant in colonial Virginia named Thomas/Thomasine Hall, Gay Liberation Front cofounder Kiyoshi Kuromiya, and postwar female pleasure activist Betty Dodson. 

At the heart of the book is Davis’s argument that the concept of sexual identity is relatively novel, first appearing in the nineteenth century. Over the centuries, Americans have shifted from understanding sexual behaviors as reflections of personal preferences or values, such as those rooted in faith or culture, to defining sexuality as an essential part of what makes a person who they are. And at every step, legislators, police, activists, and bureaucrats attempted to regulate new sexual behaviors, transforming government in the process. The most comprehensive account of America’s sexual past since John D’Emilio and Estelle Freedman’s 1988 classic, Intimate Matters, Davis’s magisterial work seeks to help us understand the turmoil of the present. It demonstrates how fiercely we have always valued our desires, and how far we are willing to go to defend them.

Rebecca L. Davis is professor of History and of Women and Gender Studies at the University of Delaware where she held the Miller Family Endowed Early Career Professorship. She is the author of several books including Public Confessions: The Religious Conversions that Changed American Politics and More Perfect Unions: The American Search for Marital Bliss and is one of the co-founders and co-hosts of the podcast This is Probably a Weird Question about bodies, sexuality, health and history.


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]]> Rebecca L. Davis, "Fierce Desires: A New History of Sex and Sexuality in America" (Norton, 2024) New Books Network 00:58:58 One of The New Yorker’s Best Books of the Year A Washington Post Notable Book of the Year A Kirkus Reviews Best Book of the Year From an esteemed scholar, a richly textured, authoritative history of sex and sexuality in America—the first major account in three decades. Our era is one of sexual upheaval. Roe v. Wade was overturned in the summer of 2022, school systems across the country are banning books with LGBTQ+ themes, and the notion of a “tradwife” is gaining adherents on the right while polyamory wins converts on the left. It may seem as though debates over sex are more intense than ever, but as acclaimed historian Rebecca L. Davis demonstrates in Fierce Desires, we should not be too surprised, because Americans have been arguing over which kinds of sex are “acceptable”—and which are not—since before the founding itself.  From the public floggings of fornicators in early New England to passionate same-sex love affairs in the 1800s and the crackdown on abortion providers in the 1870s, and from the movements for sexual liberation to the recent restrictions on access to gender affirming care, Davis presents a sweeping, engrossing, illuminating four-hundred-year account of this nation’s sexual past. Drawing on a wealth of sources, including legal records, erotica, and eighteenth-century romance novels, she recasts important episodes—Anthony Comstock’s crusade against smut among them—and, at the same time, unearths stories of little-remembered pioneers and iconoclasts, such as an indentured servant in colonial Virginia named Thomas/Thomasine Hall, Gay Liberation Front cofounder Kiyoshi Kuromiya, and postwar female pleasure activist Betty Dodson.  At the heart of the book is Davis’s argument that the concept of sexual identity is relatively novel, first appearing in the nineteenth century. Over the centuries, Americans have shifted from understanding sexual behaviors as reflections of personal preferences or values, such as those rooted in faith or culture, to defining sexuality as an essential part of what makes a person who they are. And at every step, legislators, police, activists, and bureaucrats attempted to regulate new sexual behaviors, transforming government in the process. The most comprehensive account of America’s sexual past since John D’Emilio and Estelle Freedman’s 1988 classic, Intimate Matters, Davis’s magisterial work seeks to help us understand the turmoil of the present. It demonstrates how fiercely we have always valued our desires, and how far we are willing to go to defend them. Rebecca L. Davis is professor of History and of Women and Gender Studies at the University of Delaware where she held the Miller Family Endowed Early Career Professorship. She is the author of several books including Public Confessions: The Religious Conversions that Changed American Politics and More Perfect Unions: The American Search for Marital Bliss and is one of the co-founders and co-hosts of the podcast This is Probably a Weird Question about bodies, sexuality, health and history. One of The New Yorker’s Best Books of the Year A Washington Post Notable Book of the Year A Kirkus Reviews Best Book of the Year From an esteemed scholar, a richly textured, authoritative history of sex and sexuality in America—the first major account in three decades. Our era is one of sexual upheaval. Roe v. Wade was overturned in the summer of 2022, school systems across the country are banning books with LGBTQ+ themes, and the notion of a “tradwife” is gaining adherents on the right while polyamory wins converts on the left. It may seem as though debates over sex are more intense than ever, but as acclaimed historian Rebecca L. Davis demonstrates in Fierce Desires, we should not be too surprised, because Americans have been arguing over which kinds of sex are “acceptable”—and which are not—since before the founding itself.  From the public floggings of fornicators in early New England to passionate same-sex love affairs in the 1800s and the crackdown on abortion providers in the 1870s, and from the movements for sexual liberation to the recent restrictions on access to gender affirming care, Davis presents a sweeping, engrossing, illuminating four-hundred-year account of this nation’s sexual past. Drawing on a wealth of sources, including legal records, erotica, and eighteenth-century romance novels, she recasts important episodes—Anthony Comstock’s crusade against smut among them—and, at the same time, unearths stories of little-remembered pioneers and iconoclasts, such as an indentured servant in colonial Virginia named Thomas/Thomasine Hall, Gay Liberation Front cofounder Kiyoshi Kuromiya, and postwar female pleasure activist Betty Dodson.  At the heart of the book is Davis’s argument that the concept of sexual identity is relatively novel, first appearing in the nineteenth century. Over the centuries, Americans have shifted from understanding sexual behaviors as reflections of personal preferences or values, such as those rooted in faith or culture, to defining sexuality as an essential part of what makes a person who they are. And at every step, legislators, police, activists, and bureaucrats attempted to regulate new sexual behaviors, transforming government in the process. The most comprehensive account of America’s sexual past since John D’Emilio and Estelle Freedman’s 1988 classic, Intimate Matters, Davis’s magisterial work seeks to help us understand the turmoil of the present. It demonstrates how fiercely we have always valued our desires, and how far we are willing to go to defend them. Rebecca L. Davis is professor of History and of Women and Gender Studies at the University of Delaware where she held the Miller Family Endowed Early Career Professorship. She is the author of several books including Public Confessions: The Religious Conversions that Changed American Politics and More Perfect Unions: The American Search for Marital Bliss and is one of the co-founders and co-hosts of the podcast This is Probably a Weird Question about bodies, sexuality, health and history. false full 1732 1a2e3f82-b562-11f0-ab4a-0baff02d3d0f Jessica Campbell, "The Brontës and the Fairy Tale" (Ohio UP, 2024) The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës’ engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës’ works as plot and character models, commentaries on gender, and signifiers of national identity.
Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.
The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell’s book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës’ works but also the status of fairy tales in the Victorian period.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 1 Nov 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës’ engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës’ works as plot and character models, commentaries on gender, and signifiers of national identity.
Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.
The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell’s book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës’ works but also the status of fairy tales in the Victorian period.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Jessica Campbell, "The Brontës and the Fairy Tale" (Ohio UP, 2024) New Books Network 00:55:20 The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës’ engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës’ works as plot and character models, commentaries on gender, and signifiers of national identity.Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell’s book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës’ works but also the status of fairy tales in the Victorian period. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës’ engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës’ works as plot and character models, commentaries on gender, and signifiers of national identity.Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell’s book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës’ works but also the status of fairy tales in the Victorian period. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1731 7a8ca1d8-b3d8-11f0-a146-eb876e343edf Theresa Muñoz, "Archivum" (Pavillion Poetry at Liverpool UP, 2025) Archivum (Pavillion Poetry at Liverpool UP, 2025) by Dr. Theresa Muñoz is a book – wise, funny and inventive by turn – that explores what it means to look at artefacts in an archive, and how these objects resonate with events in our lives. Imagined as a walk across Edinburgh, landmarks such as the Balmoral clock, National Library of Scotland, Meadows, Canongate Kirkyard and Water of Leith provide a meditative backdrop to the poems.

The archives - in particular the archive of the writer Muriel Spark – are used to create a space to come to terms with the complexities of a life and how we in turn tell stories about ourselves: the depths of our familial relationships, relationship breakdowns and the death of a parent. What’s found in the archive’s boxes -- including recipes, telegrams, letters -- stirs and amplifies feelings of belonging, disorientation, triumph and grief.

With a focus on women writers and interracial relationships, the book explores objects belonging to significant figures in the poet’s imaginary: along with Spark, the actor Maggie Smith, poet Elizabeth Bishop, the 19th century slave owner’s daughter Eliza Junor and psychotherapist Marie Battle Singer.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Wed, 29 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Archivum (Pavillion Poetry at Liverpool UP, 2025) by Dr. Theresa Muñoz is a book – wise, funny and inventive by turn – that explores what it means to look at artefacts in an archive, and how these objects resonate with events in our lives. Imagined as a walk across Edinburgh, landmarks such as the Balmoral clock, National Library of Scotland, Meadows, Canongate Kirkyard and Water of Leith provide a meditative backdrop to the poems.

The archives - in particular the archive of the writer Muriel Spark – are used to create a space to come to terms with the complexities of a life and how we in turn tell stories about ourselves: the depths of our familial relationships, relationship breakdowns and the death of a parent. What’s found in the archive’s boxes -- including recipes, telegrams, letters -- stirs and amplifies feelings of belonging, disorientation, triumph and grief.

With a focus on women writers and interracial relationships, the book explores objects belonging to significant figures in the poet’s imaginary: along with Spark, the actor Maggie Smith, poet Elizabeth Bishop, the 19th century slave owner’s daughter Eliza Junor and psychotherapist Marie Battle Singer.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Theresa Muñoz, "Archivum" (Pavillion Poetry at Liverpool UP, 2025) New Books Network 00:39:48 Archivum (Pavillion Poetry at Liverpool UP, 2025) by Dr. Theresa Muñoz is a book – wise, funny and inventive by turn – that explores what it means to look at artefacts in an archive, and how these objects resonate with events in our lives. Imagined as a walk across Edinburgh, landmarks such as the Balmoral clock, National Library of Scotland, Meadows, Canongate Kirkyard and Water of Leith provide a meditative backdrop to the poems. The archives - in particular the archive of the writer Muriel Spark – are used to create a space to come to terms with the complexities of a life and how we in turn tell stories about ourselves: the depths of our familial relationships, relationship breakdowns and the death of a parent. What’s found in the archive’s boxes -- including recipes, telegrams, letters -- stirs and amplifies feelings of belonging, disorientation, triumph and grief. With a focus on women writers and interracial relationships, the book explores objects belonging to significant figures in the poet’s imaginary: along with Spark, the actor Maggie Smith, poet Elizabeth Bishop, the 19th century slave owner’s daughter Eliza Junor and psychotherapist Marie Battle Singer. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Archivum (Pavillion Poetry at Liverpool UP, 2025) by Dr. Theresa Muñoz is a book – wise, funny and inventive by turn – that explores what it means to look at artefacts in an archive, and how these objects resonate with events in our lives. Imagined as a walk across Edinburgh, landmarks such as the Balmoral clock, National Library of Scotland, Meadows, Canongate Kirkyard and Water of Leith provide a meditative backdrop to the poems. The archives - in particular the archive of the writer Muriel Spark – are used to create a space to come to terms with the complexities of a life and how we in turn tell stories about ourselves: the depths of our familial relationships, relationship breakdowns and the death of a parent. What’s found in the archive’s boxes -- including recipes, telegrams, letters -- stirs and amplifies feelings of belonging, disorientation, triumph and grief. With a focus on women writers and interracial relationships, the book explores objects belonging to significant figures in the poet’s imaginary: along with Spark, the actor Maggie Smith, poet Elizabeth Bishop, the 19th century slave owner’s daughter Eliza Junor and psychotherapist Marie Battle Singer. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1730 8d9f5e20-b273-11f0-bd46-eb16b9e5f9e3 Jennifer Barry, "Gender Violence in Late Antiquity: Male Fantasies and the Christian Imagination" (U California Press, 2025) Gender Violence in Late Antiquity: Male Fantasies and the Christian Imagination (University of California Press, 2025) by Dr. Jennifer Barry confronts the violent ideological frameworks underpinning the early Christian imagination, arguing that gender-based violence is not peripheral but is fundamental to understanding early Christian history.

By analyzing hagiographical and doctrinal writings, Dr. Barry reveals how male authors used portrayals of feminized suffering to shape ideals of sanctity and power, exploiting themes of domestic abuse, martyrdom, and sexualized violence to reinforce their visions of piety. The study first traces the roots of gendered violence within the Greco-Roman and early Christian imagination, and then explores the disturbing role of male fantasies and dreams in hagiographical traditions. Dr. Barry draws on womanist scholarship and engages with trauma studies and feminist horror theory in order to challenge traditional readings of Christian texts, offering new perspectives for understanding how narratives of violence continue to shape contemporary interpretations of gender and power.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Mon, 27 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Gender Violence in Late Antiquity: Male Fantasies and the Christian Imagination (University of California Press, 2025) by Dr. Jennifer Barry confronts the violent ideological frameworks underpinning the early Christian imagination, arguing that gender-based violence is not peripheral but is fundamental to understanding early Christian history.

By analyzing hagiographical and doctrinal writings, Dr. Barry reveals how male authors used portrayals of feminized suffering to shape ideals of sanctity and power, exploiting themes of domestic abuse, martyrdom, and sexualized violence to reinforce their visions of piety. The study first traces the roots of gendered violence within the Greco-Roman and early Christian imagination, and then explores the disturbing role of male fantasies and dreams in hagiographical traditions. Dr. Barry draws on womanist scholarship and engages with trauma studies and feminist horror theory in order to challenge traditional readings of Christian texts, offering new perspectives for understanding how narratives of violence continue to shape contemporary interpretations of gender and power.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Jennifer Barry, "Gender Violence in Late Antiquity: Male Fantasies and the Christian Imagination" (U California Press, 2025) New Books Network 00:29:29 Gender Violence in Late Antiquity: Male Fantasies and the Christian Imagination (University of California Press, 2025) by Dr. Jennifer Barry confronts the violent ideological frameworks underpinning the early Christian imagination, arguing that gender-based violence is not peripheral but is fundamental to understanding early Christian history. By analyzing hagiographical and doctrinal writings, Dr. Barry reveals how male authors used portrayals of feminized suffering to shape ideals of sanctity and power, exploiting themes of domestic abuse, martyrdom, and sexualized violence to reinforce their visions of piety. The study first traces the roots of gendered violence within the Greco-Roman and early Christian imagination, and then explores the disturbing role of male fantasies and dreams in hagiographical traditions. Dr. Barry draws on womanist scholarship and engages with trauma studies and feminist horror theory in order to challenge traditional readings of Christian texts, offering new perspectives for understanding how narratives of violence continue to shape contemporary interpretations of gender and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Gender Violence in Late Antiquity: Male Fantasies and the Christian Imagination (University of California Press, 2025) by Dr. Jennifer Barry confronts the violent ideological frameworks underpinning the early Christian imagination, arguing that gender-based violence is not peripheral but is fundamental to understanding early Christian history. By analyzing hagiographical and doctrinal writings, Dr. Barry reveals how male authors used portrayals of feminized suffering to shape ideals of sanctity and power, exploiting themes of domestic abuse, martyrdom, and sexualized violence to reinforce their visions of piety. The study first traces the roots of gendered violence within the Greco-Roman and early Christian imagination, and then explores the disturbing role of male fantasies and dreams in hagiographical traditions. Dr. Barry draws on womanist scholarship and engages with trauma studies and feminist horror theory in order to challenge traditional readings of Christian texts, offering new perspectives for understanding how narratives of violence continue to shape contemporary interpretations of gender and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1729 26d88a64-ad81-11f0-b426-fbada7a38f23 Carl Rollyson, "The Making of Sylvia Plath (UP Mississippi, 2024) Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.

Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography The Making of Sylvia Plath (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon’s seminal work, Psychology and the Promethean Will, which Plath devoured in her quest for self-discovery and understanding. Through Plath’s intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.
Through Sheldon as well as Plath’s other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.  

Jane Scimeca, Professor of History at Brookdale Community College Website here

@janescimeca.bsky.social


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]]> Tue, 21 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.

Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography The Making of Sylvia Plath (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon’s seminal work, Psychology and the Promethean Will, which Plath devoured in her quest for self-discovery and understanding. Through Plath’s intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.
Through Sheldon as well as Plath’s other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.  

Jane Scimeca, Professor of History at Brookdale Community College Website here

@janescimeca.bsky.social


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]]> Carl Rollyson, "The Making of Sylvia Plath (UP Mississippi, 2024) New Books Network 00:51:18 Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer. Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography The Making of Sylvia Plath (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon’s seminal work, Psychology and the Promethean Will, which Plath devoured in her quest for self-discovery and understanding. Through Plath’s intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.Through Sheldon as well as Plath’s other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.   Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer. Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography The Making of Sylvia Plath (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon’s seminal work, Psychology and the Promethean Will, which Plath devoured in her quest for self-discovery and understanding. Through Plath’s intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.Through Sheldon as well as Plath’s other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.   Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social false full 1728 754fae78-ac34-11f0-803d-37297c98416a Anthony Valerio, "Semmelweis: The Women's Doctor" (Zantedeschi Books, 2019) Though his advice has saved the lives of millions of people, the name Ignaz Semmelweis is not one commonly known today. In his book Anthony Valerio’s Semmelweis: The Women's Doctor (Zantedeschi Books, 2019). Valerio details the many struggles Semmelweis faced in winning acceptance for his advice on antiseptic procedures. The son of a Buda spice merchant, Semmelweis started his studies in law before a chance attendance at a medical lecture sparked his interest in becoming a doctor. After earning his degree he decided to specialize in obstetrics, a choice that soon brought him to confront the problem of childbed fever. Deducing that exposure to cadavers was a factor, Semmelweis devised a regimen of hand washing that dramatically reduced the morality rate at the maternity clinic where he worked. Though Semmelweis’s treatment was simple, his ideas faced considerable resistance from leading figures in the Western medical community, with the stress from his campaigns to promote his ideas contributing to the institutionalization that led to his death in 1865.


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]]> Mon, 20 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Though his advice has saved the lives of millions of people, the name Ignaz Semmelweis is not one commonly known today. In his book Anthony Valerio’s Semmelweis: The Women's Doctor (Zantedeschi Books, 2019). Valerio details the many struggles Semmelweis faced in winning acceptance for his advice on antiseptic procedures. The son of a Buda spice merchant, Semmelweis started his studies in law before a chance attendance at a medical lecture sparked his interest in becoming a doctor. After earning his degree he decided to specialize in obstetrics, a choice that soon brought him to confront the problem of childbed fever. Deducing that exposure to cadavers was a factor, Semmelweis devised a regimen of hand washing that dramatically reduced the morality rate at the maternity clinic where he worked. Though Semmelweis’s treatment was simple, his ideas faced considerable resistance from leading figures in the Western medical community, with the stress from his campaigns to promote his ideas contributing to the institutionalization that led to his death in 1865.


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]]> Anthony Valerio, "Semmelweis: The Women's Doctor" (Zantedeschi Books, 2019) New Books Network 01:00:56 Though his advice has saved the lives of millions of people, the name Ignaz Semmelweis is not one commonly known today. In his book Anthony Valerio’s Semmelweis: The Women's Doctor (Zantedeschi Books, 2019). Valerio details the many struggles Semmelweis faced in winning acceptance for his advice on antiseptic procedures. The son of a Buda spice merchant, Semmelweis started his studies in law before a chance attendance at a medical lecture sparked his interest in becoming a doctor. After earning his degree he decided to specialize in obstetrics, a choice that soon brought him to confront the problem of childbed fever. Deducing that exposure to cadavers was a factor, Semmelweis devised a regimen of hand washing that dramatically reduced the morality rate at the maternity clinic where he worked. Though Semmelweis’s treatment was simple, his ideas faced considerable resistance from leading figures in the Western medical community, with the stress from his campaigns to promote his ideas contributing to the institutionalization that led to his death in 1865. Though his advice has saved the lives of millions of people, the name Ignaz Semmelweis is not one commonly known today. In his book Anthony Valerio’s Semmelweis: The Women's Doctor (Zantedeschi Books, 2019). Valerio details the many struggles Semmelweis faced in winning acceptance for his advice on antiseptic procedures. The son of a Buda spice merchant, Semmelweis started his studies in law before a chance attendance at a medical lecture sparked his interest in becoming a doctor. After earning his degree he decided to specialize in obstetrics, a choice that soon brought him to confront the problem of childbed fever. Deducing that exposure to cadavers was a factor, Semmelweis devised a regimen of hand washing that dramatically reduced the morality rate at the maternity clinic where he worked. Though Semmelweis’s treatment was simple, his ideas faced considerable resistance from leading figures in the Western medical community, with the stress from his campaigns to promote his ideas contributing to the institutionalization that led to his death in 1865. false full 170 dee33480-aa73-11f0-b71c-b35c25f629de Hilary Holladay, "The Power of Adrienne Rich: A Biography" (Princeton UP, 2025) A major American writer, thinker, and activist, Adrienne Rich (1929-2012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich's correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations in The Power of Adrienne Rich: A Biography (Princeton UP, 2025).


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]]> Fri, 17 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A major American writer, thinker, and activist, Adrienne Rich (1929-2012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich's correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations in The Power of Adrienne Rich: A Biography (Princeton UP, 2025).


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]]> Hilary Holladay, "The Power of Adrienne Rich: A Biography" (Princeton UP, 2025) New Books Network 00:54:14 A major American writer, thinker, and activist, Adrienne Rich (1929-2012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich's correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations in The Power of Adrienne Rich: A Biography (Princeton UP, 2025). A major American writer, thinker, and activist, Adrienne Rich (1929-2012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich's correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations in The Power of Adrienne Rich: A Biography (Princeton UP, 2025). false full 1726 75336fa6-a8c9-11f0-9c4b-9bac6bdc8764 Martin Austin Nesvig, "The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico" (Cambridge UP, 2025) The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico’s national archive.

This episode is hosted by Leah Cargin


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]]> Wed, 15 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico’s national archive.

This episode is hosted by Leah Cargin


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]]> Martin Austin Nesvig, "The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico" (Cambridge UP, 2025) New Books Network 00:57:02 The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico’s national archive. This episode is hosted by Leah Cargin The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico’s national archive. This episode is hosted by Leah Cargin false full 1725 1db1ddbe-a877-11f0-bca7-4b450ca8dfd0 Emily Gee, "Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman" (Liverpool UP, 2025) Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman (Liverpool University Press, 2025) by Emily Gee is the first comprehensive study of the campaigns to house a new generation of working women, the specialised design of the buildings and the women whose lives were changed by this architectural movement. After 1900, the rapid rise of women working as clerks, secretaries or typists, in London and other cities, created an urgent need for affordable and respectable accommodation. Building on models of elegant Victorian ladies’ residential chambers and the vast working men’s lodging houses, a new type of single working women’s hostel emerged.

The handsome, if occasionally austere, façades blended into the Edwardian streetscape. However, architectural plans, literary descriptions and historic photographs reveal distinctive interiors. The hostels featured efficiently planned tiny private spaces alongside generous communal dining and sitting rooms, as well as libraries, music rooms and bicycle stores. Emphatically not charitable or municipal affairs, these were business-minded enterprises, established and advocated by other Edwardian women. In turn, these little-known buildings supported, enabled and empowered a new generation of intrepid working women. This book brings the buildings, and the residents, to vivid life through previously untapped sources.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Wed, 15 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman (Liverpool University Press, 2025) by Emily Gee is the first comprehensive study of the campaigns to house a new generation of working women, the specialised design of the buildings and the women whose lives were changed by this architectural movement. After 1900, the rapid rise of women working as clerks, secretaries or typists, in London and other cities, created an urgent need for affordable and respectable accommodation. Building on models of elegant Victorian ladies’ residential chambers and the vast working men’s lodging houses, a new type of single working women’s hostel emerged.

The handsome, if occasionally austere, façades blended into the Edwardian streetscape. However, architectural plans, literary descriptions and historic photographs reveal distinctive interiors. The hostels featured efficiently planned tiny private spaces alongside generous communal dining and sitting rooms, as well as libraries, music rooms and bicycle stores. Emphatically not charitable or municipal affairs, these were business-minded enterprises, established and advocated by other Edwardian women. In turn, these little-known buildings supported, enabled and empowered a new generation of intrepid working women. This book brings the buildings, and the residents, to vivid life through previously untapped sources.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Emily Gee, "Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman" (Liverpool UP, 2025) New Books Network 00:46:22 Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman (Liverpool University Press, 2025) by Emily Gee is the first comprehensive study of the campaigns to house a new generation of working women, the specialised design of the buildings and the women whose lives were changed by this architectural movement. After 1900, the rapid rise of women working as clerks, secretaries or typists, in London and other cities, created an urgent need for affordable and respectable accommodation. Building on models of elegant Victorian ladies’ residential chambers and the vast working men’s lodging houses, a new type of single working women’s hostel emerged. The handsome, if occasionally austere, façades blended into the Edwardian streetscape. However, architectural plans, literary descriptions and historic photographs reveal distinctive interiors. The hostels featured efficiently planned tiny private spaces alongside generous communal dining and sitting rooms, as well as libraries, music rooms and bicycle stores. Emphatically not charitable or municipal affairs, these were business-minded enterprises, established and advocated by other Edwardian women. In turn, these little-known buildings supported, enabled and empowered a new generation of intrepid working women. This book brings the buildings, and the residents, to vivid life through previously untapped sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman (Liverpool University Press, 2025) by Emily Gee is the first comprehensive study of the campaigns to house a new generation of working women, the specialised design of the buildings and the women whose lives were changed by this architectural movement. After 1900, the rapid rise of women working as clerks, secretaries or typists, in London and other cities, created an urgent need for affordable and respectable accommodation. Building on models of elegant Victorian ladies’ residential chambers and the vast working men’s lodging houses, a new type of single working women’s hostel emerged. The handsome, if occasionally austere, façades blended into the Edwardian streetscape. However, architectural plans, literary descriptions and historic photographs reveal distinctive interiors. The hostels featured efficiently planned tiny private spaces alongside generous communal dining and sitting rooms, as well as libraries, music rooms and bicycle stores. Emphatically not charitable or municipal affairs, these were business-minded enterprises, established and advocated by other Edwardian women. In turn, these little-known buildings supported, enabled and empowered a new generation of intrepid working women. This book brings the buildings, and the residents, to vivid life through previously untapped sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1724 34f723d0-a921-11f0-8dd7-8bc8c52de894 Signal Award Re-Release: Lost Women of Disco We're thrilled to announce that our episode “S2.E2. Lost Women of Disco” has been named a finalist in the Best Indie Podcast category at the 2025 Signal Awards! This powerful episode dives deep into the untold stories of the trailblazing women who shaped the culture we now call “disco”, but were overshadowed by history. We are re-releasing this episode, which originally aired on July 22, 2025, to highlight this recognition and to celebrate the forgotten legacy of these groundbreaking artists. Thank you to our listeners and the Signal Awards for this incredible honor. If you haven't tuned in yet, now’s the perfect time to discover the voices that helped define a generation.

*** ***

Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues to celebrate the women who built the foundations of club culture.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Tue, 14 Oct 2025 16:45:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com We're thrilled to announce that our episode “S2.E2. Lost Women of Disco” has been named a finalist in the Best Indie Podcast category at the 2025 Signal Awards! This powerful episode dives deep into the untold stories of the trailblazing women who shaped the culture we now call “disco”, but were overshadowed by history. We are re-releasing this episode, which originally aired on July 22, 2025, to highlight this recognition and to celebrate the forgotten legacy of these groundbreaking artists. Thank you to our listeners and the Signal Awards for this incredible honor. If you haven't tuned in yet, now’s the perfect time to discover the voices that helped define a generation.

*** ***

Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues to celebrate the women who built the foundations of club culture.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Signal Award Re-Release: Lost Women of Disco New Books Network 00:48:48 We're thrilled to announce that our episode “S2.E2. Lost Women of Disco” has been named a finalist in the Best Indie Podcast category at the 2025 Signal Awards! This powerful episode dives deep into the untold stories of the trailblazing women who shaped the culture we now call “disco”, but were overshadowed by history. We are re-releasing this episode, which originally aired on July 22, 2025, to highlight this recognition and to celebrate the forgotten legacy of these groundbreaking artists. Thank you to our listeners and the Signal Awards for this incredible honor. If you haven't tuned in yet, now’s the perfect time to discover the voices that helped define a generation. *** *** Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues to celebrate the women who built the foundations of club culture. We're thrilled to announce that our episode “S2.E2. Lost Women of Disco” has been named a finalist in the Best Indie Podcast category at the 2025 Signal Awards! This powerful episode dives deep into the untold stories of the trailblazing women who shaped the culture we now call “disco”, but were overshadowed by history. We are re-releasing this episode, which originally aired on July 22, 2025, to highlight this recognition and to celebrate the forgotten legacy of these groundbreaking artists. Thank you to our listeners and the Signal Awards for this incredible honor. If you haven't tuned in yet, now’s the perfect time to discover the voices that helped define a generation. *** *** Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues to celebrate the women who built the foundations of club culture. false full 1723 03f081a6-a28b-11f0-b173-dbe6b7e4f8e6 Zara Anishanslin, "The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution" (Harvard UP, 2025) The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.

Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.

Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Tue, 7 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.

Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.

Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Zara Anishanslin, "The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution" (Harvard UP, 2025) New Books Network 00:51:15 The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence. Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy. Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence. Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy. Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1722 f811fc40-a125-11f0-963f-8bc6b5f42682 Katherine J. Parkin, "The Abortion Market: Buying and Selling Access in the Era Before Roe" (U Pennsylvania Press, 2025) The abortion market was a powerful economic force in American life. Before legalization lowered the cost, one million women each year collectively paid upward of $750 million for abortions. In The Abortion Market: Buying and Selling Access in the Era Before Roe (University of Pennsylvania Press, 2025), Dr. Katherine Parkin reveals the strength of a massive consumer market that involved loans, advertising, and travel, as well as the costs associated with the procedure itself.


Laying the foundation for the emergence of a public market that facilitated the buying and selling of abortions, wealthy population control ideologues encouraged positive public discourse on abortion, funded medical studies, and waged legal battles. White, middle- and upper-class women sought out abortions and paid exorbitantly for them. Male entrepreneurs emerged to capitalize on the booming market and profit from the incredible demand. Advertising on billboards and in college newspapers, men profited by providing the phone number, getting kickbacks for delivering patients, and arranging for women’s travel to Mexico, Puerto Rico, England, and Japan. Students demanded abortion access and organized when it came at a steep cost, especially to the poorest among them. Abortion providers in Kansas, California, and Washington, D.C. attracted out-of-state consumers, with some women aided by their universities or by medical insurance. Between 1970 and 1973, entrepreneurs, providers, and hundreds of thousands of women seeking to buy abortions headed to New York City, heralded by some as the “abortion capital of the world.”


While we may have imagined that securing an abortion was best understood as a hidden, woman-only experience, The Abortion Market reveals the extent to which businesses and businessmen openly selling abortion access shaped the experience of buying abortions for millions of women.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.



Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Mon, 6 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The abortion market was a powerful economic force in American life. Before legalization lowered the cost, one million women each year collectively paid upward of $750 million for abortions. In The Abortion Market: Buying and Selling Access in the Era Before Roe (University of Pennsylvania Press, 2025), Dr. Katherine Parkin reveals the strength of a massive consumer market that involved loans, advertising, and travel, as well as the costs associated with the procedure itself.


Laying the foundation for the emergence of a public market that facilitated the buying and selling of abortions, wealthy population control ideologues encouraged positive public discourse on abortion, funded medical studies, and waged legal battles. White, middle- and upper-class women sought out abortions and paid exorbitantly for them. Male entrepreneurs emerged to capitalize on the booming market and profit from the incredible demand. Advertising on billboards and in college newspapers, men profited by providing the phone number, getting kickbacks for delivering patients, and arranging for women’s travel to Mexico, Puerto Rico, England, and Japan. Students demanded abortion access and organized when it came at a steep cost, especially to the poorest among them. Abortion providers in Kansas, California, and Washington, D.C. attracted out-of-state consumers, with some women aided by their universities or by medical insurance. Between 1970 and 1973, entrepreneurs, providers, and hundreds of thousands of women seeking to buy abortions headed to New York City, heralded by some as the “abortion capital of the world.”


While we may have imagined that securing an abortion was best understood as a hidden, woman-only experience, The Abortion Market reveals the extent to which businesses and businessmen openly selling abortion access shaped the experience of buying abortions for millions of women.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.



Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Katherine J. Parkin, "The Abortion Market: Buying and Selling Access in the Era Before Roe" (U Pennsylvania Press, 2025) New Books Network 00:39:30 The abortion market was a powerful economic force in American life. Before legalization lowered the cost, one million women each year collectively paid upward of $750 million for abortions. In The Abortion Market: Buying and Selling Access in the Era Before Roe (University of Pennsylvania Press, 2025), Dr. Katherine Parkin reveals the strength of a massive consumer market that involved loans, advertising, and travel, as well as the costs associated with the procedure itself. Laying the foundation for the emergence of a public market that facilitated the buying and selling of abortions, wealthy population control ideologues encouraged positive public discourse on abortion, funded medical studies, and waged legal battles. White, middle- and upper-class women sought out abortions and paid exorbitantly for them. Male entrepreneurs emerged to capitalize on the booming market and profit from the incredible demand. Advertising on billboards and in college newspapers, men profited by providing the phone number, getting kickbacks for delivering patients, and arranging for women’s travel to Mexico, Puerto Rico, England, and Japan. Students demanded abortion access and organized when it came at a steep cost, especially to the poorest among them. Abortion providers in Kansas, California, and Washington, D.C. attracted out-of-state consumers, with some women aided by their universities or by medical insurance. Between 1970 and 1973, entrepreneurs, providers, and hundreds of thousands of women seeking to buy abortions headed to New York City, heralded by some as the “abortion capital of the world.” While we may have imagined that securing an abortion was best understood as a hidden, woman-only experience, The Abortion Market reveals the extent to which businesses and businessmen openly selling abortion access shaped the experience of buying abortions for millions of women. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The abortion market was a powerful economic force in American life. Before legalization lowered the cost, one million women each year collectively paid upward of $750 million for abortions. In The Abortion Market: Buying and Selling Access in the Era Before Roe (University of Pennsylvania Press, 2025), Dr. Katherine Parkin reveals the strength of a massive consumer market that involved loans, advertising, and travel, as well as the costs associated with the procedure itself. Laying the foundation for the emergence of a public market that facilitated the buying and selling of abortions, wealthy population control ideologues encouraged positive public discourse on abortion, funded medical studies, and waged legal battles. White, middle- and upper-class women sought out abortions and paid exorbitantly for them. Male entrepreneurs emerged to capitalize on the booming market and profit from the incredible demand. Advertising on billboards and in college newspapers, men profited by providing the phone number, getting kickbacks for delivering patients, and arranging for women’s travel to Mexico, Puerto Rico, England, and Japan. Students demanded abortion access and organized when it came at a steep cost, especially to the poorest among them. Abortion providers in Kansas, California, and Washington, D.C. attracted out-of-state consumers, with some women aided by their universities or by medical insurance. Between 1970 and 1973, entrepreneurs, providers, and hundreds of thousands of women seeking to buy abortions headed to New York City, heralded by some as the “abortion capital of the world.” While we may have imagined that securing an abortion was best understood as a hidden, woman-only experience, The Abortion Market reveals the extent to which businesses and businessmen openly selling abortion access shaped the experience of buying abortions for millions of women. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1721 002da840-a1ec-11f0-89be-ab54620756eb Justine De Young, "The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris" (Bloomsbury, 2025) Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.
French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.
This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Mon, 6 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.
French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.
This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Justine De Young, "The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris" (Bloomsbury, 2025) New Books Network 01:12:33 Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1720 25f0ab9c-a12c-11f0-895f-d7667536d0bd Jill Elaine Hasday, "We the Men: How Forgetting Women's Struggles for Equality Perpetuates Inequality" (Oxford UP, 2025) In a nation whose Constitution purports to speak for "We the People", too many of the stories that powerful Americans tell about law and society include only We the Men. A long line of judges, politicians, and other influential voices have ignored women's struggles for equality or distorted them beyond recognition by wildly exaggerating American progress. Even as sexism continues to warp constitutional law, political decision making, and everyday life, prominent Americans have spent more than a century proclaiming that the United States has already left sex discrimination behind.
Professor Jill Elaine Hasday's We the Men: How Forgetting Women's Struggles for Equality Perpetuates Inequality (Oxford University Press, 2025) is the first book to explore how forgetting women's struggles for equality—and forgetting the work America still has to do—perpetuates injustice, promotes complacency, and denies how generations of women have had to come together to fight for reform and against regression. Professor Hasday argues that remembering women's stories more often and more accurately can help the nation advance toward sex equality. These stories highlight the persistence of women's inequality and make clear that real progress has always required women to disrupt the status quo, demand change, and duel with determined opponents.
America needs more conflict over women's status rather than less. Conflict has the power to generate forward momentum. Patiently awaiting men's spontaneous enlightenment does not. Transforming America's dominant stories about itself can reorient our understanding of how women's progress takes place, focus our attention on the battles that are still unwon, and fortify our determination to push for a more equal future.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sun, 5 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In a nation whose Constitution purports to speak for "We the People", too many of the stories that powerful Americans tell about law and society include only We the Men. A long line of judges, politicians, and other influential voices have ignored women's struggles for equality or distorted them beyond recognition by wildly exaggerating American progress. Even as sexism continues to warp constitutional law, political decision making, and everyday life, prominent Americans have spent more than a century proclaiming that the United States has already left sex discrimination behind.
Professor Jill Elaine Hasday's We the Men: How Forgetting Women's Struggles for Equality Perpetuates Inequality (Oxford University Press, 2025) is the first book to explore how forgetting women's struggles for equality—and forgetting the work America still has to do—perpetuates injustice, promotes complacency, and denies how generations of women have had to come together to fight for reform and against regression. Professor Hasday argues that remembering women's stories more often and more accurately can help the nation advance toward sex equality. These stories highlight the persistence of women's inequality and make clear that real progress has always required women to disrupt the status quo, demand change, and duel with determined opponents.
America needs more conflict over women's status rather than less. Conflict has the power to generate forward momentum. Patiently awaiting men's spontaneous enlightenment does not. Transforming America's dominant stories about itself can reorient our understanding of how women's progress takes place, focus our attention on the battles that are still unwon, and fortify our determination to push for a more equal future.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Jill Elaine Hasday, "We the Men: How Forgetting Women's Struggles for Equality Perpetuates Inequality" (Oxford UP, 2025) New Books Network 00:23:04 In a nation whose Constitution purports to speak for "We the People", too many of the stories that powerful Americans tell about law and society include only We the Men. A long line of judges, politicians, and other influential voices have ignored women's struggles for equality or distorted them beyond recognition by wildly exaggerating American progress. Even as sexism continues to warp constitutional law, political decision making, and everyday life, prominent Americans have spent more than a century proclaiming that the United States has already left sex discrimination behind.Professor Jill Elaine Hasday's We the Men: How Forgetting Women's Struggles for Equality Perpetuates Inequality (Oxford University Press, 2025) is the first book to explore how forgetting women's struggles for equality—and forgetting the work America still has to do—perpetuates injustice, promotes complacency, and denies how generations of women have had to come together to fight for reform and against regression. Professor Hasday argues that remembering women's stories more often and more accurately can help the nation advance toward sex equality. These stories highlight the persistence of women's inequality and make clear that real progress has always required women to disrupt the status quo, demand change, and duel with determined opponents.America needs more conflict over women's status rather than less. Conflict has the power to generate forward momentum. Patiently awaiting men's spontaneous enlightenment does not. Transforming America's dominant stories about itself can reorient our understanding of how women's progress takes place, focus our attention on the battles that are still unwon, and fortify our determination to push for a more equal future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In a nation whose Constitution purports to speak for "We the People", too many of the stories that powerful Americans tell about law and society include only We the Men. A long line of judges, politicians, and other influential voices have ignored women's struggles for equality or distorted them beyond recognition by wildly exaggerating American progress. Even as sexism continues to warp constitutional law, political decision making, and everyday life, prominent Americans have spent more than a century proclaiming that the United States has already left sex discrimination behind.Professor Jill Elaine Hasday's We the Men: How Forgetting Women's Struggles for Equality Perpetuates Inequality (Oxford University Press, 2025) is the first book to explore how forgetting women's struggles for equality—and forgetting the work America still has to do—perpetuates injustice, promotes complacency, and denies how generations of women have had to come together to fight for reform and against regression. Professor Hasday argues that remembering women's stories more often and more accurately can help the nation advance toward sex equality. These stories highlight the persistence of women's inequality and make clear that real progress has always required women to disrupt the status quo, demand change, and duel with determined opponents.America needs more conflict over women's status rather than less. Conflict has the power to generate forward momentum. Patiently awaiting men's spontaneous enlightenment does not. Transforming America's dominant stories about itself can reorient our understanding of how women's progress takes place, focus our attention on the battles that are still unwon, and fortify our determination to push for a more equal future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 131 4f148ee8-9ea8-11f0-98c1-7333bedceaf0 Kathleen B. Casey, "The Things She Carried: A Cultural History of the Purse in America" (Oxford UP, 2025) Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.


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]]> Thu, 2 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.


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]]> Kathleen B. Casey, "The Things She Carried: A Cultural History of the Purse in America" (Oxford UP, 2025) New Books Network 00:48:46 Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. false full 1718 78881436-9dca-11f0-a10f-c308f512b950 Eibhear Walshe and Eleanor Fitzsimons, "Speranza: Poems by Jane Wilde" (Liverpool UP, 2025) Speranza: Poems by Jane Wilde (Liverpool UP, 2025) by Dr. Eibhear Walshe and Dr. Eleanor Fitzsimons is the first contemporary edition of the poetry of Jane Wilde, née Elgee, who also wrote as Speranza. Speranza was, in her time, renowned worldwide, with essays, poetry and translated work published in Ireland, England, America and beyond. She was a key figure in the nationalist Young Ireland movement of the 1840s, and her poetry records the hardship experienced by the Irish people - famine and migration in particular. She was also an early advocate for women’s rights, who campaigned for the admission of women to higher education.

This edition, which contains several previously unpublished poems, will make the poetry of this emblematic figure in nineteenth-century Irish writing accessible to a contemporary audience for the first time.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Wed, 1 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Speranza: Poems by Jane Wilde (Liverpool UP, 2025) by Dr. Eibhear Walshe and Dr. Eleanor Fitzsimons is the first contemporary edition of the poetry of Jane Wilde, née Elgee, who also wrote as Speranza. Speranza was, in her time, renowned worldwide, with essays, poetry and translated work published in Ireland, England, America and beyond. She was a key figure in the nationalist Young Ireland movement of the 1840s, and her poetry records the hardship experienced by the Irish people - famine and migration in particular. She was also an early advocate for women’s rights, who campaigned for the admission of women to higher education.

This edition, which contains several previously unpublished poems, will make the poetry of this emblematic figure in nineteenth-century Irish writing accessible to a contemporary audience for the first time.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Eibhear Walshe and Eleanor Fitzsimons, "Speranza: Poems by Jane Wilde" (Liverpool UP, 2025) New Books Network 00:38:00 Speranza: Poems by Jane Wilde (Liverpool UP, 2025) by Dr. Eibhear Walshe and Dr. Eleanor Fitzsimons is the first contemporary edition of the poetry of Jane Wilde, née Elgee, who also wrote as Speranza. Speranza was, in her time, renowned worldwide, with essays, poetry and translated work published in Ireland, England, America and beyond. She was a key figure in the nationalist Young Ireland movement of the 1840s, and her poetry records the hardship experienced by the Irish people - famine and migration in particular. She was also an early advocate for women’s rights, who campaigned for the admission of women to higher education. This edition, which contains several previously unpublished poems, will make the poetry of this emblematic figure in nineteenth-century Irish writing accessible to a contemporary audience for the first time. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Speranza: Poems by Jane Wilde (Liverpool UP, 2025) by Dr. Eibhear Walshe and Dr. Eleanor Fitzsimons is the first contemporary edition of the poetry of Jane Wilde, née Elgee, who also wrote as Speranza. Speranza was, in her time, renowned worldwide, with essays, poetry and translated work published in Ireland, England, America and beyond. She was a key figure in the nationalist Young Ireland movement of the 1840s, and her poetry records the hardship experienced by the Irish people - famine and migration in particular. She was also an early advocate for women’s rights, who campaigned for the admission of women to higher education. This edition, which contains several previously unpublished poems, will make the poetry of this emblematic figure in nineteenth-century Irish writing accessible to a contemporary audience for the first time. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1717 ae3c6624-9d0f-11f0-8df4-6b33b96fd627 Branka Bogdan, "The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia" (Indiana UP, 2025) From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation.

The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds.

Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world.

Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke here

Linktree here


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]]> Tue, 30 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation.

The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds.

Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world.

Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke here

Linktree here


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]]> Branka Bogdan, "The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia" (Indiana UP, 2025) New Books Network 00:47:02 From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here false full 1716 8fbbc8ba-9bb2-11f0-809a-838f2d2cb243 Rosemary Admiral, "Living Law: Women and Legality in Marinid Morocco" (Syracuse UP, 2025) Dr. Rosemary Admiral provides a groundbreaking history of women’s legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women’s relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics.

Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs.

Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women’s engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women’s agency and power.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 30 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Dr. Rosemary Admiral provides a groundbreaking history of women’s legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women’s relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics.

Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs.

Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women’s engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women’s agency and power.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Rosemary Admiral, "Living Law: Women and Legality in Marinid Morocco" (Syracuse UP, 2025) New Books Network 00:46:15 Dr. Rosemary Admiral provides a groundbreaking history of women’s legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women’s relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women’s engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women’s agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Dr. Rosemary Admiral provides a groundbreaking history of women’s legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women’s relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women’s engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women’s agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 100 60da9296-9ba9-11f0-8f6a-2f8fe0a43519 Gina Vale, "The Unforgotten Women of the Islamic State" (Oxford UP, 2024) The Unforgotten Women of the Islamic State (Oxford University Press, 2024) by Dr. Gina Vale explores the governance of the Islamic State (IS) terrorist organization through the lives and words of local Iraqi, Syrian, and Kurdish women. While the roles and activities of foreign (predominantly Western), pro-IS women have garnered significant attention, the experiences and insights of local civilian populations have been largely overlooked.

Drawing on the testimonies of 63 local Sunni Muslim and Yazidi women, Dr. Vale exposes the group's intra-gender stratified system of governance. Eligibility for the group's protection, security, 'citizenship', and entrance into the (semi-)public sphere were not universal, but required convergence with the gender norms of IS, through permanent erasure or at least temporary disguise of certain markers of difference. In some cases, this was directed by a pre-meditated 'divide and conquer' strategy, while in others, it manifested as unregulated violences at the hands of individual group members, including women.

The structure follows the trajectory of IS's increasing control over its 'citizens' and captive populations: its militarization of society; imposition of law and order; provision of goods and services; and intervention in civilians' private lives. Analysis of diverse first-hand accounts and the group's documentation reveals that the presence, exclusion, and victimization of local civilian women were necessary to the functioning and legitimation of IS's 'caliphate' project, and the supremacy of affiliated men - and women. As a fledgling proto-state, IS needed local Iraqi, Syrian, and Kurdish women. Though far from represented or protected, they were by no means forgotten.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Mon, 29 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Unforgotten Women of the Islamic State (Oxford University Press, 2024) by Dr. Gina Vale explores the governance of the Islamic State (IS) terrorist organization through the lives and words of local Iraqi, Syrian, and Kurdish women. While the roles and activities of foreign (predominantly Western), pro-IS women have garnered significant attention, the experiences and insights of local civilian populations have been largely overlooked.

Drawing on the testimonies of 63 local Sunni Muslim and Yazidi women, Dr. Vale exposes the group's intra-gender stratified system of governance. Eligibility for the group's protection, security, 'citizenship', and entrance into the (semi-)public sphere were not universal, but required convergence with the gender norms of IS, through permanent erasure or at least temporary disguise of certain markers of difference. In some cases, this was directed by a pre-meditated 'divide and conquer' strategy, while in others, it manifested as unregulated violences at the hands of individual group members, including women.

The structure follows the trajectory of IS's increasing control over its 'citizens' and captive populations: its militarization of society; imposition of law and order; provision of goods and services; and intervention in civilians' private lives. Analysis of diverse first-hand accounts and the group's documentation reveals that the presence, exclusion, and victimization of local civilian women were necessary to the functioning and legitimation of IS's 'caliphate' project, and the supremacy of affiliated men - and women. As a fledgling proto-state, IS needed local Iraqi, Syrian, and Kurdish women. Though far from represented or protected, they were by no means forgotten.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Gina Vale, "The Unforgotten Women of the Islamic State" (Oxford UP, 2024) New Books Network 00:55:39 The Unforgotten Women of the Islamic State (Oxford University Press, 2024) by Dr. Gina Vale explores the governance of the Islamic State (IS) terrorist organization through the lives and words of local Iraqi, Syrian, and Kurdish women. While the roles and activities of foreign (predominantly Western), pro-IS women have garnered significant attention, the experiences and insights of local civilian populations have been largely overlooked. Drawing on the testimonies of 63 local Sunni Muslim and Yazidi women, Dr. Vale exposes the group's intra-gender stratified system of governance. Eligibility for the group's protection, security, 'citizenship', and entrance into the (semi-)public sphere were not universal, but required convergence with the gender norms of IS, through permanent erasure or at least temporary disguise of certain markers of difference. In some cases, this was directed by a pre-meditated 'divide and conquer' strategy, while in others, it manifested as unregulated violences at the hands of individual group members, including women. The structure follows the trajectory of IS's increasing control over its 'citizens' and captive populations: its militarization of society; imposition of law and order; provision of goods and services; and intervention in civilians' private lives. Analysis of diverse first-hand accounts and the group's documentation reveals that the presence, exclusion, and victimization of local civilian women were necessary to the functioning and legitimation of IS's 'caliphate' project, and the supremacy of affiliated men - and women. As a fledgling proto-state, IS needed local Iraqi, Syrian, and Kurdish women. Though far from represented or protected, they were by no means forgotten. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The Unforgotten Women of the Islamic State (Oxford University Press, 2024) by Dr. Gina Vale explores the governance of the Islamic State (IS) terrorist organization through the lives and words of local Iraqi, Syrian, and Kurdish women. While the roles and activities of foreign (predominantly Western), pro-IS women have garnered significant attention, the experiences and insights of local civilian populations have been largely overlooked. Drawing on the testimonies of 63 local Sunni Muslim and Yazidi women, Dr. Vale exposes the group's intra-gender stratified system of governance. Eligibility for the group's protection, security, 'citizenship', and entrance into the (semi-)public sphere were not universal, but required convergence with the gender norms of IS, through permanent erasure or at least temporary disguise of certain markers of difference. In some cases, this was directed by a pre-meditated 'divide and conquer' strategy, while in others, it manifested as unregulated violences at the hands of individual group members, including women. The structure follows the trajectory of IS's increasing control over its 'citizens' and captive populations: its militarization of society; imposition of law and order; provision of goods and services; and intervention in civilians' private lives. Analysis of diverse first-hand accounts and the group's documentation reveals that the presence, exclusion, and victimization of local civilian women were necessary to the functioning and legitimation of IS's 'caliphate' project, and the supremacy of affiliated men - and women. As a fledgling proto-state, IS needed local Iraqi, Syrian, and Kurdish women. Though far from represented or protected, they were by no means forgotten. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 364 e9847c80-9b20-11f0-a55f-4bb4019ceec0 Karen Stollznow, "Bitch: The Journey of a Word" (Cambridge UP, 2024) Bitch is a bitch of a word. It used to be a straightforward insult, but today – after so many variations and efforts to reject or reclaim the word – it's not always entirely clear what it means. Bitch is a chameleon. There are good bitches and bad bitches; sexy bitches and psycho bitches; boss bitches and even perfect bitches.

Bitch: The Journey of a Word (Cambridge University Press, 2024) by Dr. Karen Stollznow presents an eye-opening deep-dive account that takes us on a journey spanning a millennium, from its humble beginnings as a word for a female dog through to its myriad meanings today, proving that sometimes you can teach an old dog new tricks. It traces the colorful history and ever-changing meaning of this powerful and controversial word, and its relevance within broader issues of feminism, gender, race, and sexuality. Despite centuries of censorship and attempts to ban it, bitch has stood the test of time. You may wonder: is the word going away anytime soon? Bitch, please.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sun, 28 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Bitch is a bitch of a word. It used to be a straightforward insult, but today – after so many variations and efforts to reject or reclaim the word – it's not always entirely clear what it means. Bitch is a chameleon. There are good bitches and bad bitches; sexy bitches and psycho bitches; boss bitches and even perfect bitches.

Bitch: The Journey of a Word (Cambridge University Press, 2024) by Dr. Karen Stollznow presents an eye-opening deep-dive account that takes us on a journey spanning a millennium, from its humble beginnings as a word for a female dog through to its myriad meanings today, proving that sometimes you can teach an old dog new tricks. It traces the colorful history and ever-changing meaning of this powerful and controversial word, and its relevance within broader issues of feminism, gender, race, and sexuality. Despite centuries of censorship and attempts to ban it, bitch has stood the test of time. You may wonder: is the word going away anytime soon? Bitch, please.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Karen Stollznow, "Bitch: The Journey of a Word" (Cambridge UP, 2024) New Books Network 00:28:01 Bitch is a bitch of a word. It used to be a straightforward insult, but today – after so many variations and efforts to reject or reclaim the word – it's not always entirely clear what it means. Bitch is a chameleon. There are good bitches and bad bitches; sexy bitches and psycho bitches; boss bitches and even perfect bitches. Bitch: The Journey of a Word (Cambridge University Press, 2024) by Dr. Karen Stollznow presents an eye-opening deep-dive account that takes us on a journey spanning a millennium, from its humble beginnings as a word for a female dog through to its myriad meanings today, proving that sometimes you can teach an old dog new tricks. It traces the colorful history and ever-changing meaning of this powerful and controversial word, and its relevance within broader issues of feminism, gender, race, and sexuality. Despite centuries of censorship and attempts to ban it, bitch has stood the test of time. You may wonder: is the word going away anytime soon? Bitch, please. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Bitch is a bitch of a word. It used to be a straightforward insult, but today – after so many variations and efforts to reject or reclaim the word – it's not always entirely clear what it means. Bitch is a chameleon. There are good bitches and bad bitches; sexy bitches and psycho bitches; boss bitches and even perfect bitches. Bitch: The Journey of a Word (Cambridge University Press, 2024) by Dr. Karen Stollznow presents an eye-opening deep-dive account that takes us on a journey spanning a millennium, from its humble beginnings as a word for a female dog through to its myriad meanings today, proving that sometimes you can teach an old dog new tricks. It traces the colorful history and ever-changing meaning of this powerful and controversial word, and its relevance within broader issues of feminism, gender, race, and sexuality. Despite centuries of censorship and attempts to ban it, bitch has stood the test of time. You may wonder: is the word going away anytime soon? Bitch, please. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1713 934c17e6-9aa4-11f0-bb45-ffd975f47862 Caroline McCaffrey-Howarth, "Lady Charlotte Schreiber, Extraordinary Art Collector" (Lund Humphries, 2025) Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks.

Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 27 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks.

Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Caroline McCaffrey-Howarth, "Lady Charlotte Schreiber, Extraordinary Art Collector" (Lund Humphries, 2025) New Books Network 01:03:48 Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks. Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks. Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1712 a7cbcebe-98fb-11f0-a845-1370d799aa10 Debra Michals, "She's the Boss: The Rise of Women’s Entrepreneurship since World War II" (Rutgers UP, 2025) In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies.

She's the Boss: The Rise of Women’s Entrepreneurship since World War II (Rutgers UP, 2025) by Dr. Debra Michals chronicles the forces that made entrepreneurship attractive to women. In rich detail, Dr. Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 25 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies.

She's the Boss: The Rise of Women’s Entrepreneurship since World War II (Rutgers UP, 2025) by Dr. Debra Michals chronicles the forces that made entrepreneurship attractive to women. In rich detail, Dr. Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Debra Michals, "She's the Boss: The Rise of Women’s Entrepreneurship since World War II" (Rutgers UP, 2025) New Books Network 00:41:10 In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies. She's the Boss: The Rise of Women’s Entrepreneurship since World War II (Rutgers UP, 2025) by Dr. Debra Michals chronicles the forces that made entrepreneurship attractive to women. In rich detail, Dr. Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies. She's the Boss: The Rise of Women’s Entrepreneurship since World War II (Rutgers UP, 2025) by Dr. Debra Michals chronicles the forces that made entrepreneurship attractive to women. In rich detail, Dr. Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1711 4d04cb48-9900-11f0-b273-bbe4af91af75 Fiona J. Mackenzie, "The Cadence of a Song: The Life of Margaret Fay Shaw" (Birlinn, 2025) The American-born folklorist and musician Margaret Fay Shaw’s passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell.

Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells’ house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing.

The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 25 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The American-born folklorist and musician Margaret Fay Shaw’s passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell.

Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells’ house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing.

The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Fiona J. Mackenzie, "The Cadence of a Song: The Life of Margaret Fay Shaw" (Birlinn, 2025) New Books Network 00:43:23 The American-born folklorist and musician Margaret Fay Shaw’s passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell. Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells’ house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing. The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The American-born folklorist and musician Margaret Fay Shaw’s passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell. Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells’ house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing. The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1710 6687f18c-9782-11f0-8a39-af588976681e Kate Haulman, "The Mother of Washington in Nineteenth-Century America" (Oxford UP, 2025) In May 1894, President Grover Cleveland gave a speech thanking those who gathered “to worship at this national shrine.” He was not referring to the battlefields at Gettysburg or Antietam, nor to Mount Vernon, but to the gravesite of Mary Ball Washington, mother of George. While dedicating the new monument that marked it in Fredericksburg, Virginia, Cleveland honored “the woman who gave our Nation its greatest and best citizen.” There could be no clearer valorization of eighteenth-century republican motherhood and its centrality to the nation's origin story.
The Mother of Washington in Nineteenth-Century America (Oxford UP, 2025) by Dr. Kate Haulman examines the role of motherhood in the commemoration of the American Revolution by tracing the creation and evolution of the Mother of Washington figure. Dr. Haulman explores the nineteenth-century memory of an eighteenth-century woman known for and through her famous son, the nation's first president. Underpinned by a canon of stories about Mary that often involved George, the monument and the figure it memorialized overlapped, sometimes in surprising and even paradoxical ways. In print, in images, and on the landscape, memorializing Mary foregrounded maternal ideals based in traditional gender roles and ancestry in the public memory of the nation's founding. As some women framed their engagement with the state in maternal terms, other men and women used the Mother of Washington to link the virtues she represented to the nation's origins. Women memorialists finally took up the cause to complete the monument, finishing what elite men had begun decades earlier.
Then as now, groups used the past to construct American motherhood, as well as using motherhood to engage with the founding past. The Mother of Washington in Nineteenth-Century America offers fresh arguments about gender, race, and the politics of Revolutionary history and memory still contested 250 years later.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Tue, 23 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In May 1894, President Grover Cleveland gave a speech thanking those who gathered “to worship at this national shrine.” He was not referring to the battlefields at Gettysburg or Antietam, nor to Mount Vernon, but to the gravesite of Mary Ball Washington, mother of George. While dedicating the new monument that marked it in Fredericksburg, Virginia, Cleveland honored “the woman who gave our Nation its greatest and best citizen.” There could be no clearer valorization of eighteenth-century republican motherhood and its centrality to the nation's origin story.
The Mother of Washington in Nineteenth-Century America (Oxford UP, 2025) by Dr. Kate Haulman examines the role of motherhood in the commemoration of the American Revolution by tracing the creation and evolution of the Mother of Washington figure. Dr. Haulman explores the nineteenth-century memory of an eighteenth-century woman known for and through her famous son, the nation's first president. Underpinned by a canon of stories about Mary that often involved George, the monument and the figure it memorialized overlapped, sometimes in surprising and even paradoxical ways. In print, in images, and on the landscape, memorializing Mary foregrounded maternal ideals based in traditional gender roles and ancestry in the public memory of the nation's founding. As some women framed their engagement with the state in maternal terms, other men and women used the Mother of Washington to link the virtues she represented to the nation's origins. Women memorialists finally took up the cause to complete the monument, finishing what elite men had begun decades earlier.
Then as now, groups used the past to construct American motherhood, as well as using motherhood to engage with the founding past. The Mother of Washington in Nineteenth-Century America offers fresh arguments about gender, race, and the politics of Revolutionary history and memory still contested 250 years later.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Kate Haulman, "The Mother of Washington in Nineteenth-Century America" (Oxford UP, 2025) New Books Network 00:37:12 In May 1894, President Grover Cleveland gave a speech thanking those who gathered “to worship at this national shrine.” He was not referring to the battlefields at Gettysburg or Antietam, nor to Mount Vernon, but to the gravesite of Mary Ball Washington, mother of George. While dedicating the new monument that marked it in Fredericksburg, Virginia, Cleveland honored “the woman who gave our Nation its greatest and best citizen.” There could be no clearer valorization of eighteenth-century republican motherhood and its centrality to the nation's origin story.The Mother of Washington in Nineteenth-Century America (Oxford UP, 2025) by Dr. Kate Haulman examines the role of motherhood in the commemoration of the American Revolution by tracing the creation and evolution of the Mother of Washington figure. Dr. Haulman explores the nineteenth-century memory of an eighteenth-century woman known for and through her famous son, the nation's first president. Underpinned by a canon of stories about Mary that often involved George, the monument and the figure it memorialized overlapped, sometimes in surprising and even paradoxical ways. In print, in images, and on the landscape, memorializing Mary foregrounded maternal ideals based in traditional gender roles and ancestry in the public memory of the nation's founding. As some women framed their engagement with the state in maternal terms, other men and women used the Mother of Washington to link the virtues she represented to the nation's origins. Women memorialists finally took up the cause to complete the monument, finishing what elite men had begun decades earlier.Then as now, groups used the past to construct American motherhood, as well as using motherhood to engage with the founding past. The Mother of Washington in Nineteenth-Century America offers fresh arguments about gender, race, and the politics of Revolutionary history and memory still contested 250 years later. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In May 1894, President Grover Cleveland gave a speech thanking those who gathered “to worship at this national shrine.” He was not referring to the battlefields at Gettysburg or Antietam, nor to Mount Vernon, but to the gravesite of Mary Ball Washington, mother of George. While dedicating the new monument that marked it in Fredericksburg, Virginia, Cleveland honored “the woman who gave our Nation its greatest and best citizen.” There could be no clearer valorization of eighteenth-century republican motherhood and its centrality to the nation's origin story.The Mother of Washington in Nineteenth-Century America (Oxford UP, 2025) by Dr. Kate Haulman examines the role of motherhood in the commemoration of the American Revolution by tracing the creation and evolution of the Mother of Washington figure. Dr. Haulman explores the nineteenth-century memory of an eighteenth-century woman known for and through her famous son, the nation's first president. Underpinned by a canon of stories about Mary that often involved George, the monument and the figure it memorialized overlapped, sometimes in surprising and even paradoxical ways. In print, in images, and on the landscape, memorializing Mary foregrounded maternal ideals based in traditional gender roles and ancestry in the public memory of the nation's founding. As some women framed their engagement with the state in maternal terms, other men and women used the Mother of Washington to link the virtues she represented to the nation's origins. Women memorialists finally took up the cause to complete the monument, finishing what elite men had begun decades earlier.Then as now, groups used the past to construct American motherhood, as well as using motherhood to engage with the founding past. The Mother of Washington in Nineteenth-Century America offers fresh arguments about gender, race, and the politics of Revolutionary history and memory still contested 250 years later. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1709 9ea0f690-9638-11f0-a054-d7f7059810af Kenja McCray, "Essential Soldiers: Women Activists and Black Power Movement Leadership" (NYU Press, 2025) Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.
Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies.

This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates.

Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Mon, 22 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.
Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies.

This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates.

Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation.


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]]> Kenja McCray, "Essential Soldiers: Women Activists and Black Power Movement Leadership" (NYU Press, 2025) New Books Network 01:06:09 Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies. This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates. Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation. Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies. This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates. Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation. false full 1708 ebd80286-9445-11f0-87c0-1bc687338bb9 Susan D. Stewart. "On the Rocks: Straight Talk about Women and Drinking" (Rowman & Littlefield, 2022) Existing portrayals of women who drink typically fall into two categories: disturbing stories of women hitting “rock bottom,” resulting in ruined careers, families, and futures, or amusing stories of fun and harmless “girls’ nights out,” with women drinking and overindulging as a temporary escape from a never-ending list of work and family demands. Drawing on original research and extensive interviews with a diverse group of women, author Susan Stewart challenges these stereotypes, revealing women’s complex relationships with alcohol and factors associated with its use.

In On the Rocks: Straight Talk about Women and Drinking (Rowman & Littlefield, 2022), Susan Stewart asks a question others might prefer stay buried: what about women's lives have changed such that they drink more alcohol? Stewart’s participants share stories of the many social forces that encourage women to drink: increased marketing of alcohol to women, the growing presence of alcohol in the workplace, pressure to drink from friends and family, and that drinking provides an easy “time-out” from children and housework. Stewarts' unvarnished examination of women and drinking challenges readers to think through its implications to individuals, families, and society.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sat, 20 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Existing portrayals of women who drink typically fall into two categories: disturbing stories of women hitting “rock bottom,” resulting in ruined careers, families, and futures, or amusing stories of fun and harmless “girls’ nights out,” with women drinking and overindulging as a temporary escape from a never-ending list of work and family demands. Drawing on original research and extensive interviews with a diverse group of women, author Susan Stewart challenges these stereotypes, revealing women’s complex relationships with alcohol and factors associated with its use.

In On the Rocks: Straight Talk about Women and Drinking (Rowman & Littlefield, 2022), Susan Stewart asks a question others might prefer stay buried: what about women's lives have changed such that they drink more alcohol? Stewart’s participants share stories of the many social forces that encourage women to drink: increased marketing of alcohol to women, the growing presence of alcohol in the workplace, pressure to drink from friends and family, and that drinking provides an easy “time-out” from children and housework. Stewarts' unvarnished examination of women and drinking challenges readers to think through its implications to individuals, families, and society.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email.


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]]> Susan D. Stewart. "On the Rocks: Straight Talk about Women and Drinking" (Rowman & Littlefield, 2022) New Books Network 00:25:33 Existing portrayals of women who drink typically fall into two categories: disturbing stories of women hitting “rock bottom,” resulting in ruined careers, families, and futures, or amusing stories of fun and harmless “girls’ nights out,” with women drinking and overindulging as a temporary escape from a never-ending list of work and family demands. Drawing on original research and extensive interviews with a diverse group of women, author Susan Stewart challenges these stereotypes, revealing women’s complex relationships with alcohol and factors associated with its use. In On the Rocks: Straight Talk about Women and Drinking (Rowman & Littlefield, 2022), Susan Stewart asks a question others might prefer stay buried: what about women's lives have changed such that they drink more alcohol? Stewart’s participants share stories of the many social forces that encourage women to drink: increased marketing of alcohol to women, the growing presence of alcohol in the workplace, pressure to drink from friends and family, and that drinking provides an easy “time-out” from children and housework. Stewarts' unvarnished examination of women and drinking challenges readers to think through its implications to individuals, families, and society. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email. Existing portrayals of women who drink typically fall into two categories: disturbing stories of women hitting “rock bottom,” resulting in ruined careers, families, and futures, or amusing stories of fun and harmless “girls’ nights out,” with women drinking and overindulging as a temporary escape from a never-ending list of work and family demands. Drawing on original research and extensive interviews with a diverse group of women, author Susan Stewart challenges these stereotypes, revealing women’s complex relationships with alcohol and factors associated with its use. In On the Rocks: Straight Talk about Women and Drinking (Rowman & Littlefield, 2022), Susan Stewart asks a question others might prefer stay buried: what about women's lives have changed such that they drink more alcohol? Stewart’s participants share stories of the many social forces that encourage women to drink: increased marketing of alcohol to women, the growing presence of alcohol in the workplace, pressure to drink from friends and family, and that drinking provides an easy “time-out” from children and housework. Stewarts' unvarnished examination of women and drinking challenges readers to think through its implications to individuals, families, and society. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email. false full 1707 be250cd8-950f-11f0-9ab3-5f601afa2532 Victoria Bateman, "Economica: A Global History of Women, Wealth and Power" (Seal Press, 2025) How many female entrepreneurs, economic revolutionaries, merchants, and industrialists can you name? You would be forgiven for thinking that, until very recently, there were none at all.

But what about Phryne, the richest woman in ancient Athens, who offered to pay to rebuild the walls of Thebes after the city was razed by Alexander the Great? Or what about Priscilla Wakefield, the writer who set up the first English bank for women and children? And, just as important, what about the everyday women who, paid only a pittance, labored for the profit of others?

From the most successful women of their day to those who struggled to make ends meet, Economica: A Global History of Women, Wealth, and Power (Seal Press, 2025) by Dr. Victoria Bateman takes you on a journey that begins in the Stone Age and ends in the twenty-first century, spanning the world’s historic centers of prosperity: Egypt, Mesopotamia, Peru, the Indus Valley, the Roman Empire, the Islamic Empire, China, Europe, and the United States. By shining a light on the women whose contributions to the economy have been hidden for far too long, Economica is more than a history of women—it is a more accurate economic history of us all.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 20 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How many female entrepreneurs, economic revolutionaries, merchants, and industrialists can you name? You would be forgiven for thinking that, until very recently, there were none at all.

But what about Phryne, the richest woman in ancient Athens, who offered to pay to rebuild the walls of Thebes after the city was razed by Alexander the Great? Or what about Priscilla Wakefield, the writer who set up the first English bank for women and children? And, just as important, what about the everyday women who, paid only a pittance, labored for the profit of others?

From the most successful women of their day to those who struggled to make ends meet, Economica: A Global History of Women, Wealth, and Power (Seal Press, 2025) by Dr. Victoria Bateman takes you on a journey that begins in the Stone Age and ends in the twenty-first century, spanning the world’s historic centers of prosperity: Egypt, Mesopotamia, Peru, the Indus Valley, the Roman Empire, the Islamic Empire, China, Europe, and the United States. By shining a light on the women whose contributions to the economy have been hidden for far too long, Economica is more than a history of women—it is a more accurate economic history of us all.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Victoria Bateman, "Economica: A Global History of Women, Wealth and Power" (Seal Press, 2025) New Books Network 00:52:58 How many female entrepreneurs, economic revolutionaries, merchants, and industrialists can you name? You would be forgiven for thinking that, until very recently, there were none at all. But what about Phryne, the richest woman in ancient Athens, who offered to pay to rebuild the walls of Thebes after the city was razed by Alexander the Great? Or what about Priscilla Wakefield, the writer who set up the first English bank for women and children? And, just as important, what about the everyday women who, paid only a pittance, labored for the profit of others? From the most successful women of their day to those who struggled to make ends meet, Economica: A Global History of Women, Wealth, and Power (Seal Press, 2025) by Dr. Victoria Bateman takes you on a journey that begins in the Stone Age and ends in the twenty-first century, spanning the world’s historic centers of prosperity: Egypt, Mesopotamia, Peru, the Indus Valley, the Roman Empire, the Islamic Empire, China, Europe, and the United States. By shining a light on the women whose contributions to the economy have been hidden for far too long, Economica is more than a history of women—it is a more accurate economic history of us all. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. How many female entrepreneurs, economic revolutionaries, merchants, and industrialists can you name? You would be forgiven for thinking that, until very recently, there were none at all. But what about Phryne, the richest woman in ancient Athens, who offered to pay to rebuild the walls of Thebes after the city was razed by Alexander the Great? Or what about Priscilla Wakefield, the writer who set up the first English bank for women and children? And, just as important, what about the everyday women who, paid only a pittance, labored for the profit of others? From the most successful women of their day to those who struggled to make ends meet, Economica: A Global History of Women, Wealth, and Power (Seal Press, 2025) by Dr. Victoria Bateman takes you on a journey that begins in the Stone Age and ends in the twenty-first century, spanning the world’s historic centers of prosperity: Egypt, Mesopotamia, Peru, the Indus Valley, the Roman Empire, the Islamic Empire, China, Europe, and the United States. By shining a light on the women whose contributions to the economy have been hidden for far too long, Economica is more than a history of women—it is a more accurate economic history of us all. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1706 47823cec-920b-11f0-901e-03ecaf18fb98 Celene Reynolds, "Unlawful Advances: How Feminists Transformed Title IX" (Princeton UP, 2025) When the US Congress enacted Title IX of the Education Amendments of 1972, no one expected it to become a prominent tool for confronting sexual harassment in schools. Title IX is the civil rights law that prohibits education programs from discriminating “on the basis of sex.” At the time, however, the term “sexual harassment” was not yet in use; this kind of misconduct was simply accepted as part of life for girls and women at schools and universities. In Unlawful Advances: How Feminists Transformed Title IX (Princeton UP, 2025), Celene Reynolds shows how the women claiming protection under Title IX made sexual harassment into a form of sex discrimination barred by the law. Working together, feminist students and lawyers fundamentally changed the right to equal opportunity in education and schools’ obligations to ensure it.

Drawing on meticulously documented case studies, Reynolds explains how Title IX was applied to sexual harassment, linking the actions of feminists at Cornell, Yale, and Berkeley. Through analyses of key lawsuits and an original dataset of federal Title IX complaints, she traces the evolution of sexual harassment policy in education—from the early applications at elite universities to the growing sexual harassment bureaucracies on campuses today—and how the work of these feminists has forever shaped the law, university governance, and gender relations on campus. Reynolds argues that our political and interpretive struggle over this application of Title IX is far from finished. Her account illuminates this ongoing effort, as well as the more general process by which citizens can transform not only the laws that govern us, but also the very meaning of equality under American law.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College, website here

@janescimeca.bsky.social


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]]> Tue, 16 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When the US Congress enacted Title IX of the Education Amendments of 1972, no one expected it to become a prominent tool for confronting sexual harassment in schools. Title IX is the civil rights law that prohibits education programs from discriminating “on the basis of sex.” At the time, however, the term “sexual harassment” was not yet in use; this kind of misconduct was simply accepted as part of life for girls and women at schools and universities. In Unlawful Advances: How Feminists Transformed Title IX (Princeton UP, 2025), Celene Reynolds shows how the women claiming protection under Title IX made sexual harassment into a form of sex discrimination barred by the law. Working together, feminist students and lawyers fundamentally changed the right to equal opportunity in education and schools’ obligations to ensure it.

Drawing on meticulously documented case studies, Reynolds explains how Title IX was applied to sexual harassment, linking the actions of feminists at Cornell, Yale, and Berkeley. Through analyses of key lawsuits and an original dataset of federal Title IX complaints, she traces the evolution of sexual harassment policy in education—from the early applications at elite universities to the growing sexual harassment bureaucracies on campuses today—and how the work of these feminists has forever shaped the law, university governance, and gender relations on campus. Reynolds argues that our political and interpretive struggle over this application of Title IX is far from finished. Her account illuminates this ongoing effort, as well as the more general process by which citizens can transform not only the laws that govern us, but also the very meaning of equality under American law.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College, website here

@janescimeca.bsky.social


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]]> Celene Reynolds, "Unlawful Advances: How Feminists Transformed Title IX" (Princeton UP, 2025) New Books Network 00:42:35 When the US Congress enacted Title IX of the Education Amendments of 1972, no one expected it to become a prominent tool for confronting sexual harassment in schools. Title IX is the civil rights law that prohibits education programs from discriminating “on the basis of sex.” At the time, however, the term “sexual harassment” was not yet in use; this kind of misconduct was simply accepted as part of life for girls and women at schools and universities. In Unlawful Advances: How Feminists Transformed Title IX (Princeton UP, 2025), Celene Reynolds shows how the women claiming protection under Title IX made sexual harassment into a form of sex discrimination barred by the law. Working together, feminist students and lawyers fundamentally changed the right to equal opportunity in education and schools’ obligations to ensure it. Drawing on meticulously documented case studies, Reynolds explains how Title IX was applied to sexual harassment, linking the actions of feminists at Cornell, Yale, and Berkeley. Through analyses of key lawsuits and an original dataset of federal Title IX complaints, she traces the evolution of sexual harassment policy in education—from the early applications at elite universities to the growing sexual harassment bureaucracies on campuses today—and how the work of these feminists has forever shaped the law, university governance, and gender relations on campus. Reynolds argues that our political and interpretive struggle over this application of Title IX is far from finished. Her account illuminates this ongoing effort, as well as the more general process by which citizens can transform not only the laws that govern us, but also the very meaning of equality under American law. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College, website here @janescimeca.bsky.social When the US Congress enacted Title IX of the Education Amendments of 1972, no one expected it to become a prominent tool for confronting sexual harassment in schools. Title IX is the civil rights law that prohibits education programs from discriminating “on the basis of sex.” At the time, however, the term “sexual harassment” was not yet in use; this kind of misconduct was simply accepted as part of life for girls and women at schools and universities. In Unlawful Advances: How Feminists Transformed Title IX (Princeton UP, 2025), Celene Reynolds shows how the women claiming protection under Title IX made sexual harassment into a form of sex discrimination barred by the law. Working together, feminist students and lawyers fundamentally changed the right to equal opportunity in education and schools’ obligations to ensure it. Drawing on meticulously documented case studies, Reynolds explains how Title IX was applied to sexual harassment, linking the actions of feminists at Cornell, Yale, and Berkeley. Through analyses of key lawsuits and an original dataset of federal Title IX complaints, she traces the evolution of sexual harassment policy in education—from the early applications at elite universities to the growing sexual harassment bureaucracies on campuses today—and how the work of these feminists has forever shaped the law, university governance, and gender relations on campus. Reynolds argues that our political and interpretive struggle over this application of Title IX is far from finished. Her account illuminates this ongoing effort, as well as the more general process by which citizens can transform not only the laws that govern us, but also the very meaning of equality under American law. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College, website here @janescimeca.bsky.social false full 1705 80a19f26-91da-11f0-9927-d310307f3a9e Katherine Eva Maich, "Bringing Law Home: Gender, Race, and Household Labor Rights" (Stanford UP, 2025) The personal nature of domestic labor, and its location in the privacy of the employer's home, means that domestic workers have long struggled for equitable and consistent labor rights. The dominant discourse regards the home as separate from work, so envisioning what its legal regulation would look like is remarkably challenging.

In Bringing Law Home: Gender, Race, and Household Labor Rights (Stanford University Press, 2025), Dr. Katherine Eva Maich offers a uniquely comparative and historical study of labor struggles for domestic workers in New York City and Lima, Peru. She argues that if the home is to be a place of work then it must also be captured in the legal infrastructures that regulate work. Yet, even progressive labor laws for domestic workers in each city are stifled by historically entrenched patterns of gendered racialization and labor informality. Peruvian law extends to household workers only half of the labor protections afforded to other occupations. In New York City, the law grants negligible protections and deliberately eschews language around immigration. Dr. Maich finds that coloniality is deeply embedded in contemporary relations of service, revealing important distinctions in how we understand power, domination, and inequality in the home and the workplace.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Mon, 15 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The personal nature of domestic labor, and its location in the privacy of the employer's home, means that domestic workers have long struggled for equitable and consistent labor rights. The dominant discourse regards the home as separate from work, so envisioning what its legal regulation would look like is remarkably challenging.

In Bringing Law Home: Gender, Race, and Household Labor Rights (Stanford University Press, 2025), Dr. Katherine Eva Maich offers a uniquely comparative and historical study of labor struggles for domestic workers in New York City and Lima, Peru. She argues that if the home is to be a place of work then it must also be captured in the legal infrastructures that regulate work. Yet, even progressive labor laws for domestic workers in each city are stifled by historically entrenched patterns of gendered racialization and labor informality. Peruvian law extends to household workers only half of the labor protections afforded to other occupations. In New York City, the law grants negligible protections and deliberately eschews language around immigration. Dr. Maich finds that coloniality is deeply embedded in contemporary relations of service, revealing important distinctions in how we understand power, domination, and inequality in the home and the workplace.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Katherine Eva Maich, "Bringing Law Home: Gender, Race, and Household Labor Rights" (Stanford UP, 2025) New Books Network 00:44:55 The personal nature of domestic labor, and its location in the privacy of the employer's home, means that domestic workers have long struggled for equitable and consistent labor rights. The dominant discourse regards the home as separate from work, so envisioning what its legal regulation would look like is remarkably challenging. In Bringing Law Home: Gender, Race, and Household Labor Rights (Stanford University Press, 2025), Dr. Katherine Eva Maich offers a uniquely comparative and historical study of labor struggles for domestic workers in New York City and Lima, Peru. She argues that if the home is to be a place of work then it must also be captured in the legal infrastructures that regulate work. Yet, even progressive labor laws for domestic workers in each city are stifled by historically entrenched patterns of gendered racialization and labor informality. Peruvian law extends to household workers only half of the labor protections afforded to other occupations. In New York City, the law grants negligible protections and deliberately eschews language around immigration. Dr. Maich finds that coloniality is deeply embedded in contemporary relations of service, revealing important distinctions in how we understand power, domination, and inequality in the home and the workplace. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The personal nature of domestic labor, and its location in the privacy of the employer's home, means that domestic workers have long struggled for equitable and consistent labor rights. The dominant discourse regards the home as separate from work, so envisioning what its legal regulation would look like is remarkably challenging. In Bringing Law Home: Gender, Race, and Household Labor Rights (Stanford University Press, 2025), Dr. Katherine Eva Maich offers a uniquely comparative and historical study of labor struggles for domestic workers in New York City and Lima, Peru. She argues that if the home is to be a place of work then it must also be captured in the legal infrastructures that regulate work. Yet, even progressive labor laws for domestic workers in each city are stifled by historically entrenched patterns of gendered racialization and labor informality. Peruvian law extends to household workers only half of the labor protections afforded to other occupations. In New York City, the law grants negligible protections and deliberately eschews language around immigration. Dr. Maich finds that coloniality is deeply embedded in contemporary relations of service, revealing important distinctions in how we understand power, domination, and inequality in the home and the workplace. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1704 8629f19c-8f8b-11f0-8a2b-07d0097b8d83 Keisha N. Blain, "Without Fear: Black Women and the Making of Human Rights" (W.W. Norton, 2025) Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world.

Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power.

By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice.

Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.


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]]> Sun, 14 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world.

Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power.

By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice.

Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.


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]]> Keisha N. Blain, "Without Fear: Black Women and the Making of Human Rights" (W.W. Norton, 2025) New Books Network 00:38:14 Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. false full 1703 39fd5e48-8f87-11f0-a9e6-5f638686ec6d Martin Austin Nesvig, "The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico" (Cambridge UP, 2025) The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sun, 14 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Martin Austin Nesvig, "The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico" (Cambridge UP, 2025) New Books Network 01:01:04 The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1702 24a88132-8dfa-11f0-8873-7f9b45768d50 Deirdre F. Brady, "Literary Coteries and the Irish Women Writers' Club (1933-1958)" (Liverpool UP, 2021) In this interview, Dr. Deirdre Brady discusses her recent book, Literary Coteries and the Irish Women Writers’ Club (1933-1958) (Liverpool UP, 2021). Literary Coteries, which was released in paperback in 2024 is centered around the activities of the Irish Women Writers’ Club, a twentieth-century women’s only coterie that helped to establish a network of professional women writers. 

As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading practices, and the various political philosophies shared by members of the Club. It reveals how professional women writers deployed their networks and influence to carve out a space for their writing in the cultural marketplace, collaborating with other artistic groups to fight for creative freedoms and the right to earn a living by the pen. The book paints a vivid portrait of the Women Writers’ Club, showcasing their achievements and challenging existing orthodoxy on the role of women in Irish literary life.

Dr. Deirdre Brady is Assistant Professor at Mary Immaculate College, University of Limerick. She is author of Literary Coteries and the Irish Women Writers' Club (1933-1958), published by the Liverpool University Press. She has published widely on Irish writers’ groups of the mid-twentieth century, including the Women Writers Club and Irish PEN, and her work has featured in peer reviewed international journals, cultural magazines, and in The Irish Times. She writes creatively, and her poetry is published by Arlen Press. Her most research publications explore the interconnections between art and commerce and the global reach of influence of Irish women writers.


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]]> Thu, 11 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In this interview, Dr. Deirdre Brady discusses her recent book, Literary Coteries and the Irish Women Writers’ Club (1933-1958) (Liverpool UP, 2021). Literary Coteries, which was released in paperback in 2024 is centered around the activities of the Irish Women Writers’ Club, a twentieth-century women’s only coterie that helped to establish a network of professional women writers. 

As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading practices, and the various political philosophies shared by members of the Club. It reveals how professional women writers deployed their networks and influence to carve out a space for their writing in the cultural marketplace, collaborating with other artistic groups to fight for creative freedoms and the right to earn a living by the pen. The book paints a vivid portrait of the Women Writers’ Club, showcasing their achievements and challenging existing orthodoxy on the role of women in Irish literary life.

Dr. Deirdre Brady is Assistant Professor at Mary Immaculate College, University of Limerick. She is author of Literary Coteries and the Irish Women Writers' Club (1933-1958), published by the Liverpool University Press. She has published widely on Irish writers’ groups of the mid-twentieth century, including the Women Writers Club and Irish PEN, and her work has featured in peer reviewed international journals, cultural magazines, and in The Irish Times. She writes creatively, and her poetry is published by Arlen Press. Her most research publications explore the interconnections between art and commerce and the global reach of influence of Irish women writers.


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]]> Deirdre F. Brady, "Literary Coteries and the Irish Women Writers' Club (1933-1958)" (Liverpool UP, 2021) New Books Network 00:55:06 In this interview, Dr. Deirdre Brady discusses her recent book, Literary Coteries and the Irish Women Writers’ Club (1933-1958) (Liverpool UP, 2021). Literary Coteries, which was released in paperback in 2024 is centered around the activities of the Irish Women Writers’ Club, a twentieth-century women’s only coterie that helped to establish a network of professional women writers.  As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading practices, and the various political philosophies shared by members of the Club. It reveals how professional women writers deployed their networks and influence to carve out a space for their writing in the cultural marketplace, collaborating with other artistic groups to fight for creative freedoms and the right to earn a living by the pen. The book paints a vivid portrait of the Women Writers’ Club, showcasing their achievements and challenging existing orthodoxy on the role of women in Irish literary life. Dr. Deirdre Brady is Assistant Professor at Mary Immaculate College, University of Limerick. She is author of Literary Coteries and the Irish Women Writers' Club (1933-1958), published by the Liverpool University Press. She has published widely on Irish writers’ groups of the mid-twentieth century, including the Women Writers Club and Irish PEN, and her work has featured in peer reviewed international journals, cultural magazines, and in The Irish Times. She writes creatively, and her poetry is published by Arlen Press. Her most research publications explore the interconnections between art and commerce and the global reach of influence of Irish women writers. In this interview, Dr. Deirdre Brady discusses her recent book, Literary Coteries and the Irish Women Writers’ Club (1933-1958) (Liverpool UP, 2021). Literary Coteries, which was released in paperback in 2024 is centered around the activities of the Irish Women Writers’ Club, a twentieth-century women’s only coterie that helped to establish a network of professional women writers.  As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading practices, and the various political philosophies shared by members of the Club. It reveals how professional women writers deployed their networks and influence to carve out a space for their writing in the cultural marketplace, collaborating with other artistic groups to fight for creative freedoms and the right to earn a living by the pen. The book paints a vivid portrait of the Women Writers’ Club, showcasing their achievements and challenging existing orthodoxy on the role of women in Irish literary life. Dr. Deirdre Brady is Assistant Professor at Mary Immaculate College, University of Limerick. She is author of Literary Coteries and the Irish Women Writers' Club (1933-1958), published by the Liverpool University Press. She has published widely on Irish writers’ groups of the mid-twentieth century, including the Women Writers Club and Irish PEN, and her work has featured in peer reviewed international journals, cultural magazines, and in The Irish Times. She writes creatively, and her poetry is published by Arlen Press. Her most research publications explore the interconnections between art and commerce and the global reach of influence of Irish women writers. false full 1701 a18238d8-8689-11f0-8e4d-c77f07c3e26e Jumping Through Hoops: Performing Gender in the 19th Century Circus Jumping Through Hoops: Performing Gender in the 19th Century Circus, by Betsy Golden Kellem, reveals the hidden history of early female circus performers: boundary-breaking women like Lavinia Warren, known as the Queen of Beauty; to Millie-Christine McKoy, the Two-Headed Nightingale; to Patty Astley, the mother of the modern circus. These astounding female and gender-nonconforming artists wrestled snakes, performed magic tricks with electricity, and walked across waterfalls on tightropes, shattering taboos by performing in public. Betsy deftly explores how major forces in the long nineteenth century combined to create the uniquely American spectacle of the traveling circus. During the transformation of the circus from scrappy “mud shows” to a major international business, these extraordinary women challenged contemporary ideas of femininity, creating new possibilities for women far beyond the big top.

Our guest is: Betsy Golden Kellem, who is a scholar of the unusual. She has served on the boards of the Barnum Museum and the Circus Historical Society, is the Emmy-winning host and writer of the Showman’s Shorts video series on P.T. Barnum, and writes for JSTOR Daily. An expert media and intellectual property attorney, she has taught at Yale and the University of Connecticut, and regularly speaks on the weirder corners of history and law.

Our host is: Dr. Christina Gessler, who is a dissertation and writing coach, and a developmental editor for scholars in the humanities. She is the producer of the Academic Life podcast.

Women’s History playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Tue, 9 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Jumping Through Hoops: Performing Gender in the 19th Century Circus, by Betsy Golden Kellem, reveals the hidden history of early female circus performers: boundary-breaking women like Lavinia Warren, known as the Queen of Beauty; to Millie-Christine McKoy, the Two-Headed Nightingale; to Patty Astley, the mother of the modern circus. These astounding female and gender-nonconforming artists wrestled snakes, performed magic tricks with electricity, and walked across waterfalls on tightropes, shattering taboos by performing in public. Betsy deftly explores how major forces in the long nineteenth century combined to create the uniquely American spectacle of the traveling circus. During the transformation of the circus from scrappy “mud shows” to a major international business, these extraordinary women challenged contemporary ideas of femininity, creating new possibilities for women far beyond the big top.

Our guest is: Betsy Golden Kellem, who is a scholar of the unusual. She has served on the boards of the Barnum Museum and the Circus Historical Society, is the Emmy-winning host and writer of the Showman’s Shorts video series on P.T. Barnum, and writes for JSTOR Daily. An expert media and intellectual property attorney, she has taught at Yale and the University of Connecticut, and regularly speaks on the weirder corners of history and law.

Our host is: Dr. Christina Gessler, who is a dissertation and writing coach, and a developmental editor for scholars in the humanities. She is the producer of the Academic Life podcast.

Women’s History playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Jumping Through Hoops: Performing Gender in the 19th Century Circus New Books Network 00:31:58 Jumping Through Hoops: Performing Gender in the 19th Century Circus, by Betsy Golden Kellem, reveals the hidden history of early female circus performers: boundary-breaking women like Lavinia Warren, known as the Queen of Beauty; to Millie-Christine McKoy, the Two-Headed Nightingale; to Patty Astley, the mother of the modern circus. These astounding female and gender-nonconforming artists wrestled snakes, performed magic tricks with electricity, and walked across waterfalls on tightropes, shattering taboos by performing in public. Betsy deftly explores how major forces in the long nineteenth century combined to create the uniquely American spectacle of the traveling circus. During the transformation of the circus from scrappy “mud shows” to a major international business, these extraordinary women challenged contemporary ideas of femininity, creating new possibilities for women far beyond the big top. Our guest is: Betsy Golden Kellem, who is a scholar of the unusual. She has served on the boards of the Barnum Museum and the Circus Historical Society, is the Emmy-winning host and writer of the Showman’s Shorts video series on P.T. Barnum, and writes for JSTOR Daily. An expert media and intellectual property attorney, she has taught at Yale and the University of Connecticut, and regularly speaks on the weirder corners of history and law. Our host is: Dr. Christina Gessler, who is a dissertation and writing coach, and a developmental editor for scholars in the humanities. She is the producer of the Academic Life podcast. Women’s History playlist for listeners: The World She Edited Witchcraft: A History in 13 Trials We Refuse Tomboy Dear Miss Perkins The Lost Journals of Sacajewea The Untold Life of Julia Chinn Smithsonian American Women Share And Share Alike The House on Henry Street Speaking While Female Sophonisba Breckinridge Remembering Lucille Never Caught Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Jumping Through Hoops: Performing Gender in the 19th Century Circus, by Betsy Golden Kellem, reveals the hidden history of early female circus performers: boundary-breaking women like Lavinia Warren, known as the Queen of Beauty; to Millie-Christine McKoy, the Two-Headed Nightingale; to Patty Astley, the mother of the modern circus. These astounding female and gender-nonconforming artists wrestled snakes, performed magic tricks with electricity, and walked across waterfalls on tightropes, shattering taboos by performing in public. Betsy deftly explores how major forces in the long nineteenth century combined to create the uniquely American spectacle of the traveling circus. During the transformation of the circus from scrappy “mud shows” to a major international business, these extraordinary women challenged contemporary ideas of femininity, creating new possibilities for women far beyond the big top. Our guest is: Betsy Golden Kellem, who is a scholar of the unusual. She has served on the boards of the Barnum Museum and the Circus Historical Society, is the Emmy-winning host and writer of the Showman’s Shorts video series on P.T. Barnum, and writes for JSTOR Daily. An expert media and intellectual property attorney, she has taught at Yale and the University of Connecticut, and regularly speaks on the weirder corners of history and law. Our host is: Dr. Christina Gessler, who is a dissertation and writing coach, and a developmental editor for scholars in the humanities. She is the producer of the Academic Life podcast. Women’s History playlist for listeners: The World She Edited Witchcraft: A History in 13 Trials We Refuse Tomboy Dear Miss Perkins The Lost Journals of Sacajewea The Untold Life of Julia Chinn Smithsonian American Women Share And Share Alike The House on Henry Street Speaking While Female Sophonisba Breckinridge Remembering Lucille Never Caught Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! false full 286 a937c030-8944-11f0-aef8-d3a24b874a6d Elizabeth Evitts Dickinson, "Claire McCardell: The Designer Who Set Women Free" (Simon & Schuster, 2025) Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.”

After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.”

Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon & Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Fri, 5 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.”

After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.”

Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon & Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Elizabeth Evitts Dickinson, "Claire McCardell: The Designer Who Set Women Free" (Simon & Schuster, 2025) New Books Network 00:34:41 Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.” After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.” Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon & Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.” After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.” Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon & Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1699 405b6fd4-87b5-11f0-a990-430edfea61cc Steven Veerapen, "Witches: A King's Obsession" (Birlin, 2025) Witches – whether broomstick-riding spell-casters or Wiccan earth-worshippers – have been culturally relevant for centuries. For centuries, too, belief in the potency of witchcraft has been debated, accused witches have been hunted and punished, and film and TV productions have brought the witch and the witch-hunter to big and small screens.

But where did our perception of witches – good and bad – come from? What motivated wide-scale panics about witchcraft during certain periods? How were alleged witches identified, accused, and variously tortured and punished?

In Witches: a King’s Obsession (Birlinn, 2025) Dr. Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century. Based on documents and the latest historical research, he explores what motivated widespread belief in demonic witchcraft throughout Britain as well as in continental Europe, what caused mass panics about alleged witches, and what led, ultimately, to the relegation of the witch – and the witch-hunter – to the realm of fantasy and the fringes of society.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts


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]]> Wed, 3 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Witches – whether broomstick-riding spell-casters or Wiccan earth-worshippers – have been culturally relevant for centuries. For centuries, too, belief in the potency of witchcraft has been debated, accused witches have been hunted and punished, and film and TV productions have brought the witch and the witch-hunter to big and small screens.

But where did our perception of witches – good and bad – come from? What motivated wide-scale panics about witchcraft during certain periods? How were alleged witches identified, accused, and variously tortured and punished?

In Witches: a King’s Obsession (Birlinn, 2025) Dr. Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century. Based on documents and the latest historical research, he explores what motivated widespread belief in demonic witchcraft throughout Britain as well as in continental Europe, what caused mass panics about alleged witches, and what led, ultimately, to the relegation of the witch – and the witch-hunter – to the realm of fantasy and the fringes of society.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts


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]]> Steven Veerapen, "Witches: A King's Obsession" (Birlin, 2025) New Books Network 00:40:21 Witches – whether broomstick-riding spell-casters or Wiccan earth-worshippers – have been culturally relevant for centuries. For centuries, too, belief in the potency of witchcraft has been debated, accused witches have been hunted and punished, and film and TV productions have brought the witch and the witch-hunter to big and small screens. But where did our perception of witches – good and bad – come from? What motivated wide-scale panics about witchcraft during certain periods? How were alleged witches identified, accused, and variously tortured and punished? In Witches: a King’s Obsession (Birlinn, 2025) Dr. Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century. Based on documents and the latest historical research, he explores what motivated widespread belief in demonic witchcraft throughout Britain as well as in continental Europe, what caused mass panics about alleged witches, and what led, ultimately, to the relegation of the witch – and the witch-hunter – to the realm of fantasy and the fringes of society. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts Witches – whether broomstick-riding spell-casters or Wiccan earth-worshippers – have been culturally relevant for centuries. For centuries, too, belief in the potency of witchcraft has been debated, accused witches have been hunted and punished, and film and TV productions have brought the witch and the witch-hunter to big and small screens. But where did our perception of witches – good and bad – come from? What motivated wide-scale panics about witchcraft during certain periods? How were alleged witches identified, accused, and variously tortured and punished? In Witches: a King’s Obsession (Birlinn, 2025) Dr. Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century. Based on documents and the latest historical research, he explores what motivated widespread belief in demonic witchcraft throughout Britain as well as in continental Europe, what caused mass panics about alleged witches, and what led, ultimately, to the relegation of the witch – and the witch-hunter – to the realm of fantasy and the fringes of society. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts false full 1698 369ab346-87cf-11f0-9e49-af1a538e9732 Nicole Nehrig, "With Her Own Hands: Women Weaving Their Stories" (W.W. Norton, 2025) In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment.

Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women’s work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in.

Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women’s postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest.

Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience.


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]]> Wed, 3 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment.

Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women’s work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in.

Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women’s postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest.

Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience.


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]]> Nicole Nehrig, "With Her Own Hands: Women Weaving Their Stories" (W.W. Norton, 2025) New Books Network 00:36:55 In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment. Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women’s work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in. Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women’s postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest. Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience. In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment. Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women’s work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in. Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women’s postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest. Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience. false full 1697 057308d2-86de-11f0-9a50-3b6e96374a52 Cordelia Fine, "Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work" (W.W. Norton, 2025) Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.
With perceptive and razor-sharp insight, in Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society

Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 


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]]> Mon, 1 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.
With perceptive and razor-sharp insight, in Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society

Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 


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]]> Cordelia Fine, "Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work" (W.W. Norton, 2025) New Books Network 01:10:47 Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.With perceptive and razor-sharp insight, in Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here  Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.With perceptive and razor-sharp insight, in Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here  false full 1696 4e9ddf44-8415-11f0-9938-7f961216e398 Lucy Delap, "Feminisms: A Global History" (U Chicago Press, 2020) Today Jana Byars talks to Lucy Delap, Reader in Modern British and Gender History at Murray Edwards College, Cambridge University, about her new book Feminisms: A Global History (University of Chicago Press, 2020).

This outstanding work, available later this year, takes a thematic approach to the topic of global feminist history to provide a unified vision that maintains appropriate nuance. Delap is a gender historian, writ large. Her first book, The Feminist Avant Garde (Cambridge 2007), examined the development of feminism in the Anglo-American context, tracing the ideas as developed in trans-Atlantic discourse. She then directed her gaze back to her homeland in subsequent publications, including Knowing their Place: Domestic Service in Twentieth Century Britain (Oxford 2011) and the 2013 Palgrave release, Men, Masculinities and Religious Change in Britain since 1890, Delap explore another expression of gender altogether. The breadth of her scholarship – women and men, intellectual elites and domestic servants, adults and children – prepared her to write this broad but fairly concise work of history. Enjoy our lively discussion!


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]]> Sun, 31 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today Jana Byars talks to Lucy Delap, Reader in Modern British and Gender History at Murray Edwards College, Cambridge University, about her new book Feminisms: A Global History (University of Chicago Press, 2020).

This outstanding work, available later this year, takes a thematic approach to the topic of global feminist history to provide a unified vision that maintains appropriate nuance. Delap is a gender historian, writ large. Her first book, The Feminist Avant Garde (Cambridge 2007), examined the development of feminism in the Anglo-American context, tracing the ideas as developed in trans-Atlantic discourse. She then directed her gaze back to her homeland in subsequent publications, including Knowing their Place: Domestic Service in Twentieth Century Britain (Oxford 2011) and the 2013 Palgrave release, Men, Masculinities and Religious Change in Britain since 1890, Delap explore another expression of gender altogether. The breadth of her scholarship – women and men, intellectual elites and domestic servants, adults and children – prepared her to write this broad but fairly concise work of history. Enjoy our lively discussion!


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]]> Lucy Delap, "Feminisms: A Global History" (U Chicago Press, 2020) New Books Network 00:49:44 Today Jana Byars talks to Lucy Delap, Reader in Modern British and Gender History at Murray Edwards College, Cambridge University, about her new book Feminisms: A Global History (University of Chicago Press, 2020). This outstanding work, available later this year, takes a thematic approach to the topic of global feminist history to provide a unified vision that maintains appropriate nuance. Delap is a gender historian, writ large. Her first book, The Feminist Avant Garde (Cambridge 2007), examined the development of feminism in the Anglo-American context, tracing the ideas as developed in trans-Atlantic discourse. She then directed her gaze back to her homeland in subsequent publications, including Knowing their Place: Domestic Service in Twentieth Century Britain (Oxford 2011) and the 2013 Palgrave release, Men, Masculinities and Religious Change in Britain since 1890, Delap explore another expression of gender altogether. The breadth of her scholarship – women and men, intellectual elites and domestic servants, adults and children – prepared her to write this broad but fairly concise work of history. Enjoy our lively discussion! Today Jana Byars talks to Lucy Delap, Reader in Modern British and Gender History at Murray Edwards College, Cambridge University, about her new book Feminisms: A Global History (University of Chicago Press, 2020). This outstanding work, available later this year, takes a thematic approach to the topic of global feminist history to provide a unified vision that maintains appropriate nuance. Delap is a gender historian, writ large. Her first book, The Feminist Avant Garde (Cambridge 2007), examined the development of feminism in the Anglo-American context, tracing the ideas as developed in trans-Atlantic discourse. She then directed her gaze back to her homeland in subsequent publications, including Knowing their Place: Domestic Service in Twentieth Century Britain (Oxford 2011) and the 2013 Palgrave release, Men, Masculinities and Religious Change in Britain since 1890, Delap explore another expression of gender altogether. The breadth of her scholarship – women and men, intellectual elites and domestic servants, adults and children – prepared her to write this broad but fairly concise work of history. Enjoy our lively discussion! false full 743 0d4446d0-8444-11f0-aa55-2f16b4622008 Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020) Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books.

A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.


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]]> Sun, 31 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books.

A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.


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]]> Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020) New Books Network 00:35:50 Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. false full 165 88749b74-8391-11f0-acd0-1fab5a77cf6c Kathleen B. Casey, "The Things She Carried: A Cultural History of the Purse in America" (Oxford UP, 2025) For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality.

The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality.

Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.

Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina.

Caleb Zakarin is editor of the New Books Network.


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]]> Fri, 29 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality.

The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality.

Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.

Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina.

Caleb Zakarin is editor of the New Books Network.


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]]> Kathleen B. Casey, "The Things She Carried: A Cultural History of the Purse in America" (Oxford UP, 2025) New Books Network 00:34:38 For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. Caleb Zakarin is editor of the New Books Network. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. Caleb Zakarin is editor of the New Books Network. false full 1693 5f3bb32c-822f-11f0-9e20-2b9ba242a19d Amy Von Lintel and Bonnie Roos, "Three Women Artists: Expanding Abstract Expressionism in the American West" (Texas A&M UP, 2022) Offering a fresh perspective on the influence of the American southwest—and particularly West Texas—on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West (Texas A&M UP, 2022) aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States.

The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a “decentered” modernism—demanding that we look beyond our received truths about Abstract Expressionism.

Authors Amy Von Lintel and Bonnie Roos demonstrate that these women’s New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists’ aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.

Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.


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]]> Wed, 27 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Offering a fresh perspective on the influence of the American southwest—and particularly West Texas—on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West (Texas A&M UP, 2022) aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States.

The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a “decentered” modernism—demanding that we look beyond our received truths about Abstract Expressionism.

Authors Amy Von Lintel and Bonnie Roos demonstrate that these women’s New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists’ aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.

Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.


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]]> Amy Von Lintel and Bonnie Roos, "Three Women Artists: Expanding Abstract Expressionism in the American West" (Texas A&M UP, 2022) New Books Network 00:42:11 Offering a fresh perspective on the influence of the American southwest—and particularly West Texas—on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West (Texas A&M UP, 2022) aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a “decentered” modernism—demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women’s New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists’ aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Offering a fresh perspective on the influence of the American southwest—and particularly West Texas—on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West (Texas A&M UP, 2022) aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a “decentered” modernism—demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women’s New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists’ aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. false full 113 419ed390-816b-11f0-875e-73fb58fd553d Vanessa Diaz, "Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood" (Duke UP, 2020) While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it.

Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University.

Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.


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]]> Tue, 26 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it.

Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University.

Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.


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]]> Vanessa Diaz, "Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood" (Duke UP, 2020) New Books Network 00:47:16 While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it. Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it. Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. false full 83 92497012-8016-11f0-a886-2340f9968e7e LaShawn Harris, "Tell Her Story: Eleanor Bumpurs & the Police Killing That Galvanized New York City" (Beacon, 2025) On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.
Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.
So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now.

Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.


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]]> Mon, 25 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.
Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.
So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now.

Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.


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]]> LaShawn Harris, "Tell Her Story: Eleanor Bumpurs & the Police Killing That Galvanized New York City" (Beacon, 2025) New Books Network 01:08:09 On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now. Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now. Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. false full 519 b0e1a404-7f53-11f0-9e20-f3f9db71149b Bill Dedman and Paul Clark Newell, Jr., "Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune" (Ballantine, 2013) Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development.

As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter’s instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune.

Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate.

Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family’s 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur.

And yet, in stark contrast, Huguette later chose seclusion.

For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return.

What makes Huguette’s story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse’s son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her.

Her choices were so unusual that distant relatives, left out of her will, seized on Huguette’s eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue...

Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft.

"It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue.


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]]> Sun, 24 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development.

As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter’s instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune.

Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate.

Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family’s 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur.

And yet, in stark contrast, Huguette later chose seclusion.

For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return.

What makes Huguette’s story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse’s son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her.

Her choices were so unusual that distant relatives, left out of her will, seized on Huguette’s eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue...

Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft.

"It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Bill Dedman and Paul Clark Newell, Jr., "Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune" (Ballantine, 2013) New Books Network 00:55:48 Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter’s instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family’s 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette’s story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse’s son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette’s eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter’s instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family’s 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette’s story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse’s son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette’s eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. false full 84 7ac7e8e8-7f2a-11f0-b0d6-07a46b04bd81 Lucia Sorbera, "Biography of a Revolution: The Feminist Roots of Human Rights in Egypt" (U of California Press, 2025) It is not Egypt's 2011 revolution that opened a space for women's and feminist activism, but—as Biography of a Revolution: The Feminist Roots of Human Rights in Egypt (U of California Press, 2025) shows—the long history of women's activism that created the intellectual and political background for revolution. By centering the experiences and ideas of multiple generations of women activists and intellectuals, Lucia Sorbera traces the feminist genealogies of Egypt's nationalist, student, Marxist, labor, human rights, and democratic social movements. Biography of a Revolution gathers a series of interrelated intimate and relational stories, charting in vivid detail the entanglements between women's aspirations across a century of politics and friendships. This historical analysis innovatively deploys decolonial and indigenous feminist epistemologies, bringing women's, gender, and feminist history into the center of Egypt's political, social, and intellectual history. More than a decade after the 2013 military coup, women's intellectual and political activism remains crucial to keeping the embers of revolution aglow.

Lucia Sorbera is Associate Professor and Chair of Arabic Language and Cultures at the University of Sydney.


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]]> Sat, 23 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com It is not Egypt's 2011 revolution that opened a space for women's and feminist activism, but—as Biography of a Revolution: The Feminist Roots of Human Rights in Egypt (U of California Press, 2025) shows—the long history of women's activism that created the intellectual and political background for revolution. By centering the experiences and ideas of multiple generations of women activists and intellectuals, Lucia Sorbera traces the feminist genealogies of Egypt's nationalist, student, Marxist, labor, human rights, and democratic social movements. Biography of a Revolution gathers a series of interrelated intimate and relational stories, charting in vivid detail the entanglements between women's aspirations across a century of politics and friendships. This historical analysis innovatively deploys decolonial and indigenous feminist epistemologies, bringing women's, gender, and feminist history into the center of Egypt's political, social, and intellectual history. More than a decade after the 2013 military coup, women's intellectual and political activism remains crucial to keeping the embers of revolution aglow.

Lucia Sorbera is Associate Professor and Chair of Arabic Language and Cultures at the University of Sydney.


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]]> Lucia Sorbera, "Biography of a Revolution: The Feminist Roots of Human Rights in Egypt" (U of California Press, 2025) New Books Network 00:40:33 It is not Egypt's 2011 revolution that opened a space for women's and feminist activism, but—as Biography of a Revolution: The Feminist Roots of Human Rights in Egypt (U of California Press, 2025) shows—the long history of women's activism that created the intellectual and political background for revolution. By centering the experiences and ideas of multiple generations of women activists and intellectuals, Lucia Sorbera traces the feminist genealogies of Egypt's nationalist, student, Marxist, labor, human rights, and democratic social movements. Biography of a Revolution gathers a series of interrelated intimate and relational stories, charting in vivid detail the entanglements between women's aspirations across a century of politics and friendships. This historical analysis innovatively deploys decolonial and indigenous feminist epistemologies, bringing women's, gender, and feminist history into the center of Egypt's political, social, and intellectual history. More than a decade after the 2013 military coup, women's intellectual and political activism remains crucial to keeping the embers of revolution aglow. Lucia Sorbera is Associate Professor and Chair of Arabic Language and Cultures at the University of Sydney. It is not Egypt's 2011 revolution that opened a space for women's and feminist activism, but—as Biography of a Revolution: The Feminist Roots of Human Rights in Egypt (U of California Press, 2025) shows—the long history of women's activism that created the intellectual and political background for revolution. By centering the experiences and ideas of multiple generations of women activists and intellectuals, Lucia Sorbera traces the feminist genealogies of Egypt's nationalist, student, Marxist, labor, human rights, and democratic social movements. Biography of a Revolution gathers a series of interrelated intimate and relational stories, charting in vivid detail the entanglements between women's aspirations across a century of politics and friendships. This historical analysis innovatively deploys decolonial and indigenous feminist epistemologies, bringing women's, gender, and feminist history into the center of Egypt's political, social, and intellectual history. More than a decade after the 2013 military coup, women's intellectual and political activism remains crucial to keeping the embers of revolution aglow. Lucia Sorbera is Associate Professor and Chair of Arabic Language and Cultures at the University of Sydney. false full 1688 651d145c-7ec9-11f0-bda7-fb84e14904f0 Gill Plain, "Agatha Christie: A Very Short Introduction" (Oxford UP, 2025) Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context.

Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time.

Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013).

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network.


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]]> Fri, 22 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context.

Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time.

Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013).

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network.


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]]> Gill Plain, "Agatha Christie: A Very Short Introduction" (Oxford UP, 2025) New Books Network 00:59:14 Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. false full 1687 2cd0fbcc-7ccb-11f0-a83d-5b0c685aa440 Shennette Garrett-Scott, "Banking on Freedom: Black Women in U.S. Finance Before the New Deal" (Columbia UP, 2019) Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  Shennette Garrett-Scott's new book, Banking on Freedom: Black Women in U.S. Finance Before the New Deal (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn't take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading.

Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com



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]]> Wed, 20 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  Shennette Garrett-Scott's new book, Banking on Freedom: Black Women in U.S. Finance Before the New Deal (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn't take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading.

Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com



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]]> Shennette Garrett-Scott, "Banking on Freedom: Black Women in U.S. Finance Before the New Deal" (Columbia UP, 2019) New Books Network 00:39:13 Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  Shennette Garrett-Scott's new book, Banking on Freedom: Black Women in U.S. Finance Before the New Deal (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn't take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading. Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  Shennette Garrett-Scott's new book, Banking on Freedom: Black Women in U.S. Finance Before the New Deal (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn't take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading. Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com false full 9 374dbe48-7c38-11f0-a1c0-bb918a6976f8 Marlee S. Bunch, "Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era" In Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era (University of Illinois Press, 2025), Dr. Marlee Bunch shared her research on Black female educators in Mississippi during the Civil Rights era and discussed how their experiences and wisdom continue to inform contemporary teaching practices and diversity initiatives. The conversation explored the importance of preserving and unearthing hidden histories through various forms of cultural expression, while examining the role of educators in creating inclusive learning environments. Marlee's work extends to her teaching philosophy and upcoming projects, including a National Academy of Education postdoc award project that will expand her oral history research to include Black male educators and explore the power of storytelling across generations.

Despite significant challenges and powerful opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Bunch draws on a rich fund of oral histories to reveal the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights-era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the Brown v. Board of Education decision and whites’ massive resistance to desegregation. The educators explain the importance of the Black community and Black homes while discussing their part in priming students for success and creating community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. A section of images and poetry compliments the text. Inspiring and immersive, Unlearning the Hush combines memory with Civil Rights history to document Black women’s role in education during a tumultuous time.

Bunch is an interdisciplinary educator, scholar, author, and preserver of oral histories dedicated to illuminating untold stories and fostering human-centered, inclusive learning spaces. With over a decade of teaching experience across secondary and post-secondary classrooms, she has consistently championed equitable, rigorous, and reflective education that honors the lived experiences of students and educators alike.

A passionate advocate for justice-centered education, Bunch earned her doctoral degree in Education, Policy, Organization, and Leadership with an emphasis in Diversity and Equity from the University of Illinois. She also holds an M.Ed. in Secondary Education from DePaul University, an M.S. in Gifted Education, and an ESL certification — a testament to her commitment to meeting the diverse needs of learners. She is a National Academy of Education/Spencer Postdoctoral Fellow.

At the heart of Bunch’s work is the belief that history and storytelling hold transformative power. Her research centers on the oral histories of Black female educators in Mississippi who taught during the Civil Rights era (1954–1970), preserving their narratives as both historical record and source of contemporary wisdom. Through this work, she invites reflection on resistance and the enduring importance of educators as community leaders and cultural stewards.
Her other publications include The Magnitude of Us (Teachers College Press, 2024), and Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12, co-authored with Brittany R. Collins (Routledge, 2025).

Whether through scholarship, storytelling, or advocacy, Bunch continues to elevate voices too often left at the margins, reminding us that the most meaningful learning happens when we center humanity, history, and hope.


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]]> Tue, 19 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era (University of Illinois Press, 2025), Dr. Marlee Bunch shared her research on Black female educators in Mississippi during the Civil Rights era and discussed how their experiences and wisdom continue to inform contemporary teaching practices and diversity initiatives. The conversation explored the importance of preserving and unearthing hidden histories through various forms of cultural expression, while examining the role of educators in creating inclusive learning environments. Marlee's work extends to her teaching philosophy and upcoming projects, including a National Academy of Education postdoc award project that will expand her oral history research to include Black male educators and explore the power of storytelling across generations.

Despite significant challenges and powerful opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Bunch draws on a rich fund of oral histories to reveal the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights-era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the Brown v. Board of Education decision and whites’ massive resistance to desegregation. The educators explain the importance of the Black community and Black homes while discussing their part in priming students for success and creating community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. A section of images and poetry compliments the text. Inspiring and immersive, Unlearning the Hush combines memory with Civil Rights history to document Black women’s role in education during a tumultuous time.

Bunch is an interdisciplinary educator, scholar, author, and preserver of oral histories dedicated to illuminating untold stories and fostering human-centered, inclusive learning spaces. With over a decade of teaching experience across secondary and post-secondary classrooms, she has consistently championed equitable, rigorous, and reflective education that honors the lived experiences of students and educators alike.

A passionate advocate for justice-centered education, Bunch earned her doctoral degree in Education, Policy, Organization, and Leadership with an emphasis in Diversity and Equity from the University of Illinois. She also holds an M.Ed. in Secondary Education from DePaul University, an M.S. in Gifted Education, and an ESL certification — a testament to her commitment to meeting the diverse needs of learners. She is a National Academy of Education/Spencer Postdoctoral Fellow.

At the heart of Bunch’s work is the belief that history and storytelling hold transformative power. Her research centers on the oral histories of Black female educators in Mississippi who taught during the Civil Rights era (1954–1970), preserving their narratives as both historical record and source of contemporary wisdom. Through this work, she invites reflection on resistance and the enduring importance of educators as community leaders and cultural stewards.
Her other publications include The Magnitude of Us (Teachers College Press, 2024), and Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12, co-authored with Brittany R. Collins (Routledge, 2025).

Whether through scholarship, storytelling, or advocacy, Bunch continues to elevate voices too often left at the margins, reminding us that the most meaningful learning happens when we center humanity, history, and hope.


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]]> Marlee S. Bunch, "Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era" New Books Network 01:05:37 In Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era (University of Illinois Press, 2025), Dr. Marlee Bunch shared her research on Black female educators in Mississippi during the Civil Rights era and discussed how their experiences and wisdom continue to inform contemporary teaching practices and diversity initiatives. The conversation explored the importance of preserving and unearthing hidden histories through various forms of cultural expression, while examining the role of educators in creating inclusive learning environments. Marlee's work extends to her teaching philosophy and upcoming projects, including a National Academy of Education postdoc award project that will expand her oral history research to include Black male educators and explore the power of storytelling across generations. Despite significant challenges and powerful opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Bunch draws on a rich fund of oral histories to reveal the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights-era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the Brown v. Board of Education decision and whites’ massive resistance to desegregation. The educators explain the importance of the Black community and Black homes while discussing their part in priming students for success and creating community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. A section of images and poetry compliments the text. Inspiring and immersive, Unlearning the Hush combines memory with Civil Rights history to document Black women’s role in education during a tumultuous time. Bunch is an interdisciplinary educator, scholar, author, and preserver of oral histories dedicated to illuminating untold stories and fostering human-centered, inclusive learning spaces. With over a decade of teaching experience across secondary and post-secondary classrooms, she has consistently championed equitable, rigorous, and reflective education that honors the lived experiences of students and educators alike. A passionate advocate for justice-centered education, Bunch earned her doctoral degree in Education, Policy, Organization, and Leadership with an emphasis in Diversity and Equity from the University of Illinois. She also holds an M.Ed. in Secondary Education from DePaul University, an M.S. in Gifted Education, and an ESL certification — a testament to her commitment to meeting the diverse needs of learners. She is a National Academy of Education/Spencer Postdoctoral Fellow. At the heart of Bunch’s work is the belief that history and storytelling hold transformative power. Her research centers on the oral histories of Black female educators in Mississippi who taught during the Civil Rights era (1954–1970), preserving their narratives as both historical record and source of contemporary wisdom. Through this work, she invites reflection on resistance and the enduring importance of educators as community leaders and cultural stewards.Her other publications include The Magnitude of Us (Teachers College Press, 2024), and Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12, co-authored with Brittany R. Collins (Routledge, 2025). Whether through scholarship, storytelling, or advocacy, Bunch continues to elevate voices too often left at the margins, reminding us that the most meaningful learning happens when we center humanity, history, and hope. In Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era (University of Illinois Press, 2025), Dr. Marlee Bunch shared her research on Black female educators in Mississippi during the Civil Rights era and discussed how their experiences and wisdom continue to inform contemporary teaching practices and diversity initiatives. The conversation explored the importance of preserving and unearthing hidden histories through various forms of cultural expression, while examining the role of educators in creating inclusive learning environments. Marlee's work extends to her teaching philosophy and upcoming projects, including a National Academy of Education postdoc award project that will expand her oral history research to include Black male educators and explore the power of storytelling across generations. Despite significant challenges and powerful opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Bunch draws on a rich fund of oral histories to reveal the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights-era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the Brown v. Board of Education decision and whites’ massive resistance to desegregation. The educators explain the importance of the Black community and Black homes while discussing their part in priming students for success and creating community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. A section of images and poetry compliments the text. Inspiring and immersive, Unlearning the Hush combines memory with Civil Rights history to document Black women’s role in education during a tumultuous time. Bunch is an interdisciplinary educator, scholar, author, and preserver of oral histories dedicated to illuminating untold stories and fostering human-centered, inclusive learning spaces. With over a decade of teaching experience across secondary and post-secondary classrooms, she has consistently championed equitable, rigorous, and reflective education that honors the lived experiences of students and educators alike. A passionate advocate for justice-centered education, Bunch earned her doctoral degree in Education, Policy, Organization, and Leadership with an emphasis in Diversity and Equity from the University of Illinois. She also holds an M.Ed. in Secondary Education from DePaul University, an M.S. in Gifted Education, and an ESL certification — a testament to her commitment to meeting the diverse needs of learners. She is a National Academy of Education/Spencer Postdoctoral Fellow. At the heart of Bunch’s work is the belief that history and storytelling hold transformative power. Her research centers on the oral histories of Black female educators in Mississippi who taught during the Civil Rights era (1954–1970), preserving their narratives as both historical record and source of contemporary wisdom. Through this work, she invites reflection on resistance and the enduring importance of educators as community leaders and cultural stewards.Her other publications include The Magnitude of Us (Teachers College Press, 2024), and Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12, co-authored with Brittany R. Collins (Routledge, 2025). Whether through scholarship, storytelling, or advocacy, Bunch continues to elevate voices too often left at the margins, reminding us that the most meaningful learning happens when we center humanity, history, and hope. false full 1685 589be184-79fd-11f0-befb-d3e969f339db Harriet Jacobs, "Incidents in the Life of a Slave Girl" (Norton, 2025) Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom.

Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history.

In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley.

Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.


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]]> Sat, 16 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom.

Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history.

In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley.

Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.


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]]> Harriet Jacobs, "Incidents in the Life of a Slave Girl" (Norton, 2025) New Books Network 01:12:56 Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom. Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history. In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley. Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom. Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history. In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley. Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram. You can find host Sullivan Summer at her website, on Instagram, and on Substack. false full 515 b6a46076-7827-11f0-8d36-870c19c07a22 Sandra Hempel, "Controlling Women: The Untold Story of Britain's First Female Police Force" (Hurst, 2025) Violence against women is out of control. Conviction rates for rape are so low that most survivors think it pointless to report, or later regret doing so. Ruthless trafficking gangs run the sex trade. Women have no confidence in the Metropolitan Police. The year is 1914.

As the First World War began, a group of British campaigners founded the Women Police Volunteers, hoping to protect the vulnerable both from crime and from patriarchal policing and justice. The movement’s pioneers included a militant suffragette who’d spent time behind bars, a moral purity activist, a blue-blooded radical, and a court reporter born in the workhouse to a single mother. In Controlling Women: The Untold Story of Britain’s First Female Police Force (Hurst, 2025) Sandra Hempel follows their astonishing journey, through all of its troubling turns.

Controlling Women is a vivid snapshot of rapid national change, and a rich tapestry of ethics and emotions among its fascinating characters. Reconciling political ideals with institutional compromise, these bold, complex women made history, despite establishment opposition and destructive infighting. They show us just how far we have to go in the fight for women’s justice.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Fri, 15 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Violence against women is out of control. Conviction rates for rape are so low that most survivors think it pointless to report, or later regret doing so. Ruthless trafficking gangs run the sex trade. Women have no confidence in the Metropolitan Police. The year is 1914.

As the First World War began, a group of British campaigners founded the Women Police Volunteers, hoping to protect the vulnerable both from crime and from patriarchal policing and justice. The movement’s pioneers included a militant suffragette who’d spent time behind bars, a moral purity activist, a blue-blooded radical, and a court reporter born in the workhouse to a single mother. In Controlling Women: The Untold Story of Britain’s First Female Police Force (Hurst, 2025) Sandra Hempel follows their astonishing journey, through all of its troubling turns.

Controlling Women is a vivid snapshot of rapid national change, and a rich tapestry of ethics and emotions among its fascinating characters. Reconciling political ideals with institutional compromise, these bold, complex women made history, despite establishment opposition and destructive infighting. They show us just how far we have to go in the fight for women’s justice.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sandra Hempel, "Controlling Women: The Untold Story of Britain's First Female Police Force" (Hurst, 2025) New Books Network 00:37:07 Violence against women is out of control. Conviction rates for rape are so low that most survivors think it pointless to report, or later regret doing so. Ruthless trafficking gangs run the sex trade. Women have no confidence in the Metropolitan Police. The year is 1914. As the First World War began, a group of British campaigners founded the Women Police Volunteers, hoping to protect the vulnerable both from crime and from patriarchal policing and justice. The movement’s pioneers included a militant suffragette who’d spent time behind bars, a moral purity activist, a blue-blooded radical, and a court reporter born in the workhouse to a single mother. In Controlling Women: The Untold Story of Britain’s First Female Police Force (Hurst, 2025) Sandra Hempel follows their astonishing journey, through all of its troubling turns. Controlling Women is a vivid snapshot of rapid national change, and a rich tapestry of ethics and emotions among its fascinating characters. Reconciling political ideals with institutional compromise, these bold, complex women made history, despite establishment opposition and destructive infighting. They show us just how far we have to go in the fight for women’s justice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Violence against women is out of control. Conviction rates for rape are so low that most survivors think it pointless to report, or later regret doing so. Ruthless trafficking gangs run the sex trade. Women have no confidence in the Metropolitan Police. The year is 1914. As the First World War began, a group of British campaigners founded the Women Police Volunteers, hoping to protect the vulnerable both from crime and from patriarchal policing and justice. The movement’s pioneers included a militant suffragette who’d spent time behind bars, a moral purity activist, a blue-blooded radical, and a court reporter born in the workhouse to a single mother. In Controlling Women: The Untold Story of Britain’s First Female Police Force (Hurst, 2025) Sandra Hempel follows their astonishing journey, through all of its troubling turns. Controlling Women is a vivid snapshot of rapid national change, and a rich tapestry of ethics and emotions among its fascinating characters. Reconciling political ideals with institutional compromise, these bold, complex women made history, despite establishment opposition and destructive infighting. They show us just how far we have to go in the fight for women’s justice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1683 1338c844-768a-11f0-8a5c-f32da964cb79 Domale Dube, "Ogoni Women's Activism: The Transnational Struggle for Justice" (University of Illinois Press, 2025) ­A Glimpse of Ogoni Women’s Activism: The Transnational Struggle for Justice (University of Illinois Press, 2025) with Mariam Olugbodi

“Ogoni Women’s Activism” is a democratic feminist movement, and a nonviolent struggle against oil spills and environmental destruction in the Niger-Delta Nigeria in the 90s. The Federation of Ogoni Women Activists (FOWA) emerges to charge forward the course of sovereignty for both humans and the Niger-Delta ecosystem. The nonviolent resistance of the Ogoni Women through prayer meetings, fasting, and singing for community mobilisation epitomises a "love in action" (Dube, 2025) strategy to identity negotiation in the face of dehumanisation.

The book, Ogoni Women’s Activism: The Transnational Struggle for Justice, is a voyage into the history of the Ogoni tribes of the Niger-Delta, their lives, their ordeals of racism in their home nation with highlights of experiences of African immigrant women, the racialised refugees abroad, who fled from their home nation to seek sovereignty. The book builds on contemporary frameworks and adopts interdisciplinary approaches to unveil the outstanding revolutionary efforts of the Ogoni women in the Niger-Delta.

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is assessesible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta


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]]> Tue, 12 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com ­A Glimpse of Ogoni Women’s Activism: The Transnational Struggle for Justice (University of Illinois Press, 2025) with Mariam Olugbodi

“Ogoni Women’s Activism” is a democratic feminist movement, and a nonviolent struggle against oil spills and environmental destruction in the Niger-Delta Nigeria in the 90s. The Federation of Ogoni Women Activists (FOWA) emerges to charge forward the course of sovereignty for both humans and the Niger-Delta ecosystem. The nonviolent resistance of the Ogoni Women through prayer meetings, fasting, and singing for community mobilisation epitomises a "love in action" (Dube, 2025) strategy to identity negotiation in the face of dehumanisation.

The book, Ogoni Women’s Activism: The Transnational Struggle for Justice, is a voyage into the history of the Ogoni tribes of the Niger-Delta, their lives, their ordeals of racism in their home nation with highlights of experiences of African immigrant women, the racialised refugees abroad, who fled from their home nation to seek sovereignty. The book builds on contemporary frameworks and adopts interdisciplinary approaches to unveil the outstanding revolutionary efforts of the Ogoni women in the Niger-Delta.

Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is assessesible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta


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]]> Domale Dube, "Ogoni Women's Activism: The Transnational Struggle for Justice" (University of Illinois Press, 2025) New Books Network 00:34:31 ­A Glimpse of Ogoni Women’s Activism: The Transnational Struggle for Justice (University of Illinois Press, 2025) with Mariam Olugbodi “Ogoni Women’s Activism” is a democratic feminist movement, and a nonviolent struggle against oil spills and environmental destruction in the Niger-Delta Nigeria in the 90s. The Federation of Ogoni Women Activists (FOWA) emerges to charge forward the course of sovereignty for both humans and the Niger-Delta ecosystem. The nonviolent resistance of the Ogoni Women through prayer meetings, fasting, and singing for community mobilisation epitomises a "love in action" (Dube, 2025) strategy to identity negotiation in the face of dehumanisation. The book, Ogoni Women’s Activism: The Transnational Struggle for Justice, is a voyage into the history of the Ogoni tribes of the Niger-Delta, their lives, their ordeals of racism in their home nation with highlights of experiences of African immigrant women, the racialised refugees abroad, who fled from their home nation to seek sovereignty. The book builds on contemporary frameworks and adopts interdisciplinary approaches to unveil the outstanding revolutionary efforts of the Ogoni women in the Niger-Delta. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is assessesible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta ­A Glimpse of Ogoni Women’s Activism: The Transnational Struggle for Justice (University of Illinois Press, 2025) with Mariam Olugbodi “Ogoni Women’s Activism” is a democratic feminist movement, and a nonviolent struggle against oil spills and environmental destruction in the Niger-Delta Nigeria in the 90s. The Federation of Ogoni Women Activists (FOWA) emerges to charge forward the course of sovereignty for both humans and the Niger-Delta ecosystem. The nonviolent resistance of the Ogoni Women through prayer meetings, fasting, and singing for community mobilisation epitomises a "love in action" (Dube, 2025) strategy to identity negotiation in the face of dehumanisation. The book, Ogoni Women’s Activism: The Transnational Struggle for Justice, is a voyage into the history of the Ogoni tribes of the Niger-Delta, their lives, their ordeals of racism in their home nation with highlights of experiences of African immigrant women, the racialised refugees abroad, who fled from their home nation to seek sovereignty. The book builds on contemporary frameworks and adopts interdisciplinary approaches to unveil the outstanding revolutionary efforts of the Ogoni women in the Niger-Delta. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is assessesible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta false full 1682 e0d3fcd6-73d0-11f0-a1b9-57a00c0d6d2f Stephanie McCurry, "Women's War: Fighting and Surviving the Civil War" (Harvard UP, 2019) In Women's War: Fighting and Surviving the Civil War (Harvard UP, 2019), the award-winning author of Confederate Reckoning challenges the idea that women are outside of war, through a trio of dramatic stories revealing women's transformative role in the American Civil War. We think of war as a man's world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. 

Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union's response was to classify fugitive black women as "soldiers' wives," regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war's aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women's War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars.

Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers.


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]]> Sat, 9 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Women's War: Fighting and Surviving the Civil War (Harvard UP, 2019), the award-winning author of Confederate Reckoning challenges the idea that women are outside of war, through a trio of dramatic stories revealing women's transformative role in the American Civil War. We think of war as a man's world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. 

Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union's response was to classify fugitive black women as "soldiers' wives," regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war's aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women's War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars.

Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers.


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]]> Stephanie McCurry, "Women's War: Fighting and Surviving the Civil War" (Harvard UP, 2019) New Books Network 01:12:03 In Women's War: Fighting and Surviving the Civil War (Harvard UP, 2019), the award-winning author of Confederate Reckoning challenges the idea that women are outside of war, through a trio of dramatic stories revealing women's transformative role in the American Civil War. We think of war as a man's world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief.  Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union's response was to classify fugitive black women as "soldiers' wives," regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war's aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women's War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars. Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers. In Women's War: Fighting and Surviving the Civil War (Harvard UP, 2019), the award-winning author of Confederate Reckoning challenges the idea that women are outside of war, through a trio of dramatic stories revealing women's transformative role in the American Civil War. We think of war as a man's world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief.  Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union's response was to classify fugitive black women as "soldiers' wives," regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war's aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women's War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars. Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers. false full 233 f271ef4c-7214-11f0-9742-8745b8eab721 Melody Glenn, "Mother of Methadone: A Doctor's Quest, a Forgotten History, and a Modern-Day Crisis" (Beacon Press, 2025) Dr. Melody Glenn was a burned-out emergency physician who had grown to resent the large population of opioid dependent patients passing through her ER. While working at a methadone clinic, she realized how effective harm reduction treatments could be and set out to discover why they weren’t used more broadly. That’s when she found Dr. Marie Nyswander.
In the 1960s, Nyswander defied the DEA and medical establishment to co-develop methadone maintenance as a treatment for heroin addiction. According to some addiction specialists, its discovery could be considered as monumental as the discovery of penicillin. Yet, it still carries a stigma today.
Deftly weaving together interviews, media coverage, and historical documents, Glenn recovers Nyswander’s important legacy and reveals how the forces of racism, fearmongering politicians, and misinformation colluded to set us back decades in our understandings of opioids.
With Nyswander as her guide, Glenn also shares her journey through addiction medicine as she confronts her own personal and philosophical quandaries around bias, ambition, and saviorism in the medical field.
As the US continues to struggle with opioid and fentanyl use in communities, Mother of Methadone is a powerful reminder of the ways biases have prevented doctors from saving countless lives.

Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her second book, Addiction, Inc.: Medication-Assisted Treatment and America’s Forgotten War on Drugs, will be released in 2026.


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]]> Wed, 6 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Dr. Melody Glenn was a burned-out emergency physician who had grown to resent the large population of opioid dependent patients passing through her ER. While working at a methadone clinic, she realized how effective harm reduction treatments could be and set out to discover why they weren’t used more broadly. That’s when she found Dr. Marie Nyswander.
In the 1960s, Nyswander defied the DEA and medical establishment to co-develop methadone maintenance as a treatment for heroin addiction. According to some addiction specialists, its discovery could be considered as monumental as the discovery of penicillin. Yet, it still carries a stigma today.
Deftly weaving together interviews, media coverage, and historical documents, Glenn recovers Nyswander’s important legacy and reveals how the forces of racism, fearmongering politicians, and misinformation colluded to set us back decades in our understandings of opioids.
With Nyswander as her guide, Glenn also shares her journey through addiction medicine as she confronts her own personal and philosophical quandaries around bias, ambition, and saviorism in the medical field.
As the US continues to struggle with opioid and fentanyl use in communities, Mother of Methadone is a powerful reminder of the ways biases have prevented doctors from saving countless lives.

Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her second book, Addiction, Inc.: Medication-Assisted Treatment and America’s Forgotten War on Drugs, will be released in 2026.


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]]> Melody Glenn, "Mother of Methadone: A Doctor's Quest, a Forgotten History, and a Modern-Day Crisis" (Beacon Press, 2025) New Books Network 00:40:50 Dr. Melody Glenn was a burned-out emergency physician who had grown to resent the large population of opioid dependent patients passing through her ER. While working at a methadone clinic, she realized how effective harm reduction treatments could be and set out to discover why they weren’t used more broadly. That’s when she found Dr. Marie Nyswander.In the 1960s, Nyswander defied the DEA and medical establishment to co-develop methadone maintenance as a treatment for heroin addiction. According to some addiction specialists, its discovery could be considered as monumental as the discovery of penicillin. Yet, it still carries a stigma today.Deftly weaving together interviews, media coverage, and historical documents, Glenn recovers Nyswander’s important legacy and reveals how the forces of racism, fearmongering politicians, and misinformation colluded to set us back decades in our understandings of opioids.With Nyswander as her guide, Glenn also shares her journey through addiction medicine as she confronts her own personal and philosophical quandaries around bias, ambition, and saviorism in the medical field.As the US continues to struggle with opioid and fentanyl use in communities, Mother of Methadone is a powerful reminder of the ways biases have prevented doctors from saving countless lives. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her second book, Addiction, Inc.: Medication-Assisted Treatment and America’s Forgotten War on Drugs, will be released in 2026. Dr. Melody Glenn was a burned-out emergency physician who had grown to resent the large population of opioid dependent patients passing through her ER. While working at a methadone clinic, she realized how effective harm reduction treatments could be and set out to discover why they weren’t used more broadly. That’s when she found Dr. Marie Nyswander.In the 1960s, Nyswander defied the DEA and medical establishment to co-develop methadone maintenance as a treatment for heroin addiction. According to some addiction specialists, its discovery could be considered as monumental as the discovery of penicillin. Yet, it still carries a stigma today.Deftly weaving together interviews, media coverage, and historical documents, Glenn recovers Nyswander’s important legacy and reveals how the forces of racism, fearmongering politicians, and misinformation colluded to set us back decades in our understandings of opioids.With Nyswander as her guide, Glenn also shares her journey through addiction medicine as she confronts her own personal and philosophical quandaries around bias, ambition, and saviorism in the medical field.As the US continues to struggle with opioid and fentanyl use in communities, Mother of Methadone is a powerful reminder of the ways biases have prevented doctors from saving countless lives. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her second book, Addiction, Inc.: Medication-Assisted Treatment and America’s Forgotten War on Drugs, will be released in 2026. false full 66 1d51ee68-6e2f-11f0-bf14-3bda95dd0a6a Hannah Charnock, "Teenage intimacies: Young Women, Sex and Social Life in England, 1950-80" (Manchester UP, 2025) Teenage Intimacies offers a new account of the ‘sexual revolution’ in mid-twentieth century England. Rather than focusing on ‘Swinging London’, the book reveals the transformations in social life that took place in school playgrounds, local cinemas, and suburban bedrooms. Based on over 300 personal testimonies, Teenage Intimacies traces the everyday experiences of teenage girls, illuminating how romance, sex and intimacy shaped their young lives. The book shows how sex became embedded in ideas about ‘growing up’ and explores how heterosexuality influenced young women’s social lives and vice versa. It offers new explanations of why sexual mores shifted in this period, revealing the pivotal role that young women played in changing sexual values, cultures and practices in the 1950s, 1960s and 1970s.


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]]> Sun, 3 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Teenage Intimacies offers a new account of the ‘sexual revolution’ in mid-twentieth century England. Rather than focusing on ‘Swinging London’, the book reveals the transformations in social life that took place in school playgrounds, local cinemas, and suburban bedrooms. Based on over 300 personal testimonies, Teenage Intimacies traces the everyday experiences of teenage girls, illuminating how romance, sex and intimacy shaped their young lives. The book shows how sex became embedded in ideas about ‘growing up’ and explores how heterosexuality influenced young women’s social lives and vice versa. It offers new explanations of why sexual mores shifted in this period, revealing the pivotal role that young women played in changing sexual values, cultures and practices in the 1950s, 1960s and 1970s.


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]]> Hannah Charnock, "Teenage intimacies: Young Women, Sex and Social Life in England, 1950-80" (Manchester UP, 2025) New Books Network 00:41:24 Teenage Intimacies offers a new account of the ‘sexual revolution’ in mid-twentieth century England. Rather than focusing on ‘Swinging London’, the book reveals the transformations in social life that took place in school playgrounds, local cinemas, and suburban bedrooms. Based on over 300 personal testimonies, Teenage Intimacies traces the everyday experiences of teenage girls, illuminating how romance, sex and intimacy shaped their young lives. The book shows how sex became embedded in ideas about ‘growing up’ and explores how heterosexuality influenced young women’s social lives and vice versa. It offers new explanations of why sexual mores shifted in this period, revealing the pivotal role that young women played in changing sexual values, cultures and practices in the 1950s, 1960s and 1970s. Teenage Intimacies offers a new account of the ‘sexual revolution’ in mid-twentieth century England. Rather than focusing on ‘Swinging London’, the book reveals the transformations in social life that took place in school playgrounds, local cinemas, and suburban bedrooms. Based on over 300 personal testimonies, Teenage Intimacies traces the everyday experiences of teenage girls, illuminating how romance, sex and intimacy shaped their young lives. The book shows how sex became embedded in ideas about ‘growing up’ and explores how heterosexuality influenced young women’s social lives and vice versa. It offers new explanations of why sexual mores shifted in this period, revealing the pivotal role that young women played in changing sexual values, cultures and practices in the 1950s, 1960s and 1970s. false full 1679 c6b996de-6e45-11f0-81fe-cbb5e286363b Camilla Fitzsimons, "Rethinking Feminism in Ireland" (Bloomsbury, 2025) Camilla Fitzsimons teaches at Maynooth University and is the author of Community Education and Neoliberalism in 2017 as well as Repealed: Ireland's Unfinished Fight for Reproductive Rights in 2021 which won the American Conference for Irish Studies James S Donnelly Sr book award for History and Social Science – she talked to us in January 2022 about that book. In this interview, she discusses her new book Rethinking Feminism in Ireland

Rethinking Feminism in Ireland offers a radical approach that sees feminism as a practical philosophy that seeks to combat all forms of oppression. Exploring a number of topics including political activism, the world of work, queer and trans-rights activism, gender-based violence, and reproductive rights, this open access book sets out a fresh approach to the future of feminism using case studies in Ireland to to illustrate global issues. Including interviews with 30 people involved in feminist activism in Ireland, this book uses Irish history and political developments to create a collaborative, collective feminist effort with a global outlook. Rethinking Feminism in Ireland articulates a vision for the future that encourages solidarity across lines of difference and that makes the case for a politically charged, praxis-oriented approach that refuses to strip feminism of its substance and potential to contribute to radical change.

Rethinking Feminism in Ireland is published with Bloomsbury and is also available as a free open access e-book

Aidan Beatty is a lecturer in history at Carnegie Mellon University


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]]> Sat, 2 Aug 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Camilla Fitzsimons teaches at Maynooth University and is the author of Community Education and Neoliberalism in 2017 as well as Repealed: Ireland's Unfinished Fight for Reproductive Rights in 2021 which won the American Conference for Irish Studies James S Donnelly Sr book award for History and Social Science – she talked to us in January 2022 about that book. In this interview, she discusses her new book Rethinking Feminism in Ireland

Rethinking Feminism in Ireland offers a radical approach that sees feminism as a practical philosophy that seeks to combat all forms of oppression. Exploring a number of topics including political activism, the world of work, queer and trans-rights activism, gender-based violence, and reproductive rights, this open access book sets out a fresh approach to the future of feminism using case studies in Ireland to to illustrate global issues. Including interviews with 30 people involved in feminist activism in Ireland, this book uses Irish history and political developments to create a collaborative, collective feminist effort with a global outlook. Rethinking Feminism in Ireland articulates a vision for the future that encourages solidarity across lines of difference and that makes the case for a politically charged, praxis-oriented approach that refuses to strip feminism of its substance and potential to contribute to radical change.

Rethinking Feminism in Ireland is published with Bloomsbury and is also available as a free open access e-book

Aidan Beatty is a lecturer in history at Carnegie Mellon University


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]]> Camilla Fitzsimons, "Rethinking Feminism in Ireland" (Bloomsbury, 2025) New Books Network 00:31:57 Camilla Fitzsimons teaches at Maynooth University and is the author of Community Education and Neoliberalism in 2017 as well as Repealed: Ireland's Unfinished Fight for Reproductive Rights in 2021 which won the American Conference for Irish Studies James S Donnelly Sr book award for History and Social Science – she talked to us in January 2022 about that book. In this interview, she discusses her new book Rethinking Feminism in Ireland Rethinking Feminism in Ireland offers a radical approach that sees feminism as a practical philosophy that seeks to combat all forms of oppression. Exploring a number of topics including political activism, the world of work, queer and trans-rights activism, gender-based violence, and reproductive rights, this open access book sets out a fresh approach to the future of feminism using case studies in Ireland to to illustrate global issues. Including interviews with 30 people involved in feminist activism in Ireland, this book uses Irish history and political developments to create a collaborative, collective feminist effort with a global outlook. Rethinking Feminism in Ireland articulates a vision for the future that encourages solidarity across lines of difference and that makes the case for a politically charged, praxis-oriented approach that refuses to strip feminism of its substance and potential to contribute to radical change. Rethinking Feminism in Ireland is published with Bloomsbury and is also available as a free open access e-book Aidan Beatty is a lecturer in history at Carnegie Mellon University Camilla Fitzsimons teaches at Maynooth University and is the author of Community Education and Neoliberalism in 2017 as well as Repealed: Ireland's Unfinished Fight for Reproductive Rights in 2021 which won the American Conference for Irish Studies James S Donnelly Sr book award for History and Social Science – she talked to us in January 2022 about that book. In this interview, she discusses her new book Rethinking Feminism in Ireland Rethinking Feminism in Ireland offers a radical approach that sees feminism as a practical philosophy that seeks to combat all forms of oppression. Exploring a number of topics including political activism, the world of work, queer and trans-rights activism, gender-based violence, and reproductive rights, this open access book sets out a fresh approach to the future of feminism using case studies in Ireland to to illustrate global issues. Including interviews with 30 people involved in feminist activism in Ireland, this book uses Irish history and political developments to create a collaborative, collective feminist effort with a global outlook. Rethinking Feminism in Ireland articulates a vision for the future that encourages solidarity across lines of difference and that makes the case for a politically charged, praxis-oriented approach that refuses to strip feminism of its substance and potential to contribute to radical change. Rethinking Feminism in Ireland is published with Bloomsbury and is also available as a free open access e-book Aidan Beatty is a lecturer in history at Carnegie Mellon University false full 53 8faa4d68-6b17-11f0-9b91-4f33e1b43efa Christa Kuljian, "Our Science, Ourselves: How Gender, Race, and Social Movements Shaped the Study of Science" (U Massachusetts Press, 2024) When Christa Kuljian arrived on the Harvard College campus as a first-year student in the fall of 1980 with copies of Our Bodies, Ourselves and Ms. magazine, she was concerned that the women's movement had peaked in the previous decade. She soon learned, however, that there was a long way to go in terms of achieving equality for women and that social movements would continue to be a critical force in society. She began researching the history of science and gender biases in science, and how they intersect with race, class, and sexuality. In Our Science, Ourselves: How Gender, Race, and Social Movements Shaped the Study of Science (University of Massachusetts Press, 2024), Kuljian tells the origin story of feminist science studies by focusing on the life histories of six key figures--Ruth Hubbard, Rita Arditti, Evelyn Fox Keller, Evelynn Hammonds, Anne Fausto-Sterling, and Banu Subramaniam. These women were part of a trailblazing network of female scientists in the 1970s, 80s, and 90s who were drawn to the Boston area--to Harvard, MIT, and other universities--to study science, to network with other scientists, or to take a job. Inspired by the social and political activism of the women's movement and organizations such as Science for the People, the Genes and Gender Collective, and the Combahee River Collective, they began to write and teach about women in science, gender and science, and sexist and racist bias and exclusion. They would lead the critiques of E. O. Wilson's sociobiology in 1975 and Larry Summers' comments about women in science thirty years later. Drawing on a rich array of sources that combines published journal articles and books with archival materials and interviews with major luminaries of feminist science studies, Kuljian chronicles and celebrates the contributions that these women have made to our collective scientific knowledge and view of the world.

Christa Kuljian grew up in the Boston area, and has lived in Johannesburg, South Africa for the past thirty years. She is a science writer and the author of Sanctuary and Darwin's Hunch: Science, Race and the Search for Human Origins, which was short listed for the Sunday Times Alan Paton Award for Non-Fiction. Currently a Research Associate at the Wits Institute for Social and Economic Research (WiSER) at Wits University, she is also a fellow with the Consortium for History of Science, Medicine and Technology (CHSMT) in Philadelphia.

Caleb Zakarin is editor of the New Books Network.


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]]> Wed, 30 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When Christa Kuljian arrived on the Harvard College campus as a first-year student in the fall of 1980 with copies of Our Bodies, Ourselves and Ms. magazine, she was concerned that the women's movement had peaked in the previous decade. She soon learned, however, that there was a long way to go in terms of achieving equality for women and that social movements would continue to be a critical force in society. She began researching the history of science and gender biases in science, and how they intersect with race, class, and sexuality. In Our Science, Ourselves: How Gender, Race, and Social Movements Shaped the Study of Science (University of Massachusetts Press, 2024), Kuljian tells the origin story of feminist science studies by focusing on the life histories of six key figures--Ruth Hubbard, Rita Arditti, Evelyn Fox Keller, Evelynn Hammonds, Anne Fausto-Sterling, and Banu Subramaniam. These women were part of a trailblazing network of female scientists in the 1970s, 80s, and 90s who were drawn to the Boston area--to Harvard, MIT, and other universities--to study science, to network with other scientists, or to take a job. Inspired by the social and political activism of the women's movement and organizations such as Science for the People, the Genes and Gender Collective, and the Combahee River Collective, they began to write and teach about women in science, gender and science, and sexist and racist bias and exclusion. They would lead the critiques of E. O. Wilson's sociobiology in 1975 and Larry Summers' comments about women in science thirty years later. Drawing on a rich array of sources that combines published journal articles and books with archival materials and interviews with major luminaries of feminist science studies, Kuljian chronicles and celebrates the contributions that these women have made to our collective scientific knowledge and view of the world.

Christa Kuljian grew up in the Boston area, and has lived in Johannesburg, South Africa for the past thirty years. She is a science writer and the author of Sanctuary and Darwin's Hunch: Science, Race and the Search for Human Origins, which was short listed for the Sunday Times Alan Paton Award for Non-Fiction. Currently a Research Associate at the Wits Institute for Social and Economic Research (WiSER) at Wits University, she is also a fellow with the Consortium for History of Science, Medicine and Technology (CHSMT) in Philadelphia.

Caleb Zakarin is editor of the New Books Network.


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]]> Christa Kuljian, "Our Science, Ourselves: How Gender, Race, and Social Movements Shaped the Study of Science" (U Massachusetts Press, 2024) New Books Network 01:02:08 When Christa Kuljian arrived on the Harvard College campus as a first-year student in the fall of 1980 with copies of Our Bodies, Ourselves and Ms. magazine, she was concerned that the women's movement had peaked in the previous decade. She soon learned, however, that there was a long way to go in terms of achieving equality for women and that social movements would continue to be a critical force in society. She began researching the history of science and gender biases in science, and how they intersect with race, class, and sexuality. In Our Science, Ourselves: How Gender, Race, and Social Movements Shaped the Study of Science (University of Massachusetts Press, 2024), Kuljian tells the origin story of feminist science studies by focusing on the life histories of six key figures--Ruth Hubbard, Rita Arditti, Evelyn Fox Keller, Evelynn Hammonds, Anne Fausto-Sterling, and Banu Subramaniam. These women were part of a trailblazing network of female scientists in the 1970s, 80s, and 90s who were drawn to the Boston area--to Harvard, MIT, and other universities--to study science, to network with other scientists, or to take a job. Inspired by the social and political activism of the women's movement and organizations such as Science for the People, the Genes and Gender Collective, and the Combahee River Collective, they began to write and teach about women in science, gender and science, and sexist and racist bias and exclusion. They would lead the critiques of E. O. Wilson's sociobiology in 1975 and Larry Summers' comments about women in science thirty years later. Drawing on a rich array of sources that combines published journal articles and books with archival materials and interviews with major luminaries of feminist science studies, Kuljian chronicles and celebrates the contributions that these women have made to our collective scientific knowledge and view of the world. Christa Kuljian grew up in the Boston area, and has lived in Johannesburg, South Africa for the past thirty years. She is a science writer and the author of Sanctuary and Darwin's Hunch: Science, Race and the Search for Human Origins, which was short listed for the Sunday Times Alan Paton Award for Non-Fiction. Currently a Research Associate at the Wits Institute for Social and Economic Research (WiSER) at Wits University, she is also a fellow with the Consortium for History of Science, Medicine and Technology (CHSMT) in Philadelphia. Caleb Zakarin is editor of the New Books Network. When Christa Kuljian arrived on the Harvard College campus as a first-year student in the fall of 1980 with copies of Our Bodies, Ourselves and Ms. magazine, she was concerned that the women's movement had peaked in the previous decade. She soon learned, however, that there was a long way to go in terms of achieving equality for women and that social movements would continue to be a critical force in society. She began researching the history of science and gender biases in science, and how they intersect with race, class, and sexuality. In Our Science, Ourselves: How Gender, Race, and Social Movements Shaped the Study of Science (University of Massachusetts Press, 2024), Kuljian tells the origin story of feminist science studies by focusing on the life histories of six key figures--Ruth Hubbard, Rita Arditti, Evelyn Fox Keller, Evelynn Hammonds, Anne Fausto-Sterling, and Banu Subramaniam. These women were part of a trailblazing network of female scientists in the 1970s, 80s, and 90s who were drawn to the Boston area--to Harvard, MIT, and other universities--to study science, to network with other scientists, or to take a job. Inspired by the social and political activism of the women's movement and organizations such as Science for the People, the Genes and Gender Collective, and the Combahee River Collective, they began to write and teach about women in science, gender and science, and sexist and racist bias and exclusion. They would lead the critiques of E. O. Wilson's sociobiology in 1975 and Larry Summers' comments about women in science thirty years later. Drawing on a rich array of sources that combines published journal articles and books with archival materials and interviews with major luminaries of feminist science studies, Kuljian chronicles and celebrates the contributions that these women have made to our collective scientific knowledge and view of the world. Christa Kuljian grew up in the Boston area, and has lived in Johannesburg, South Africa for the past thirty years. She is a science writer and the author of Sanctuary and Darwin's Hunch: Science, Race and the Search for Human Origins, which was short listed for the Sunday Times Alan Paton Award for Non-Fiction. Currently a Research Associate at the Wits Institute for Social and Economic Research (WiSER) at Wits University, she is also a fellow with the Consortium for History of Science, Medicine and Technology (CHSMT) in Philadelphia. Caleb Zakarin is editor of the New Books Network. false full 1677 85426e64-6b08-11f0-9a88-6f249c7a081b Foluke Taylor, "Unruly Therapeutic: Black Feminist Writings and Practices in Living Room" (Norton, 2023) In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following:

“The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women’s psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.”

Almost 50 years later, we have a book that responds to this important group’s felt need.

Foluke Taylor’s Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum.

The book depends in part on the author’s personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous.

Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions.

The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth.

Taylor’s voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does.

The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement.

Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY.


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]]> Tue, 29 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following:

“The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women’s psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.”

Almost 50 years later, we have a book that responds to this important group’s felt need.

Foluke Taylor’s Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum.

The book depends in part on the author’s personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous.

Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions.

The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth.

Taylor’s voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does.

The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement.

Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY.


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]]> Foluke Taylor, "Unruly Therapeutic: Black Feminist Writings and Practices in Living Room" (Norton, 2023) New Books Network 01:00:48 In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women’s psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group’s felt need. Foluke Taylor’s Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author’s personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor’s voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women’s psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group’s felt need. Foluke Taylor’s Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author’s personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor’s voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. false full 272 b8cc47ec-68c3-11f0-85aa-0350c8f53618 Marion Bower, "The Life and Work of Joan Riviere: Freud, Klein and Female Sexuality" (Routledge, 2018) Joan Riviere (1883-1962) is best known for her role in promoting the ideas of others. She came to prominence in the world of psychoanalysis as Freud’s favorite translator and Melanie Klein’s earliest and most loyal supporter.

In her new book The Life and Work of Joan Riviere: Freud, Klein and Female Sexuality (Routledge, 2018), Marion Bower puts Joan Riviere herself, the woman and the psychoanalyst, in the spotlight. She shows how Riviere made use of the latest psychoanalytic ideas in a highly creative and original way, expressing herself with clarity and emotional depth in seminal works about the inner life of female sexuality and treatment impasses. She was able to draw from a lifetime of challenging and fruitful experiences. After a childhood rife with emotional neglect, she stepped into the rich ferment of the dying Victorian era and came in touch with major progressive forces of the time like the suffragettes and the Society for Psychical Research. As a dressmaker’s apprentice, she was among the first wave of women entering the work force. When the shifting soil of her childhood proved unstable, she entered analysis with Ernest Jones and, after becoming an analyst, with Freud himself. This personal connection proved fortuitous to the newly formed British Psychoanalytic Society, as it provided a solid anchor against the dividing drift between Anna Freud and Melanie Klein.

Bower paints an intimate portrait of a woman with a stern and sometimes vitriolic public persona and a shy and fragile personality that was saved by her involvement in psychoanalysis. In her best moments she was able to bridge that gap in her psychoanalytic writing, revealing herself through her theoretical musings.

Marion Bower has trained as a teacher, social worker and psychoanalytic psychotherapist. She has worked for many years in the child mental health services, including the Tavistock Clinic, and has edited and co-edited four books on various applications of psychoanalysis. She is currently co-editing a book on sexual exploitation.

Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.


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]]> Sun, 27 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Joan Riviere (1883-1962) is best known for her role in promoting the ideas of others. She came to prominence in the world of psychoanalysis as Freud’s favorite translator and Melanie Klein’s earliest and most loyal supporter.

In her new book The Life and Work of Joan Riviere: Freud, Klein and Female Sexuality (Routledge, 2018), Marion Bower puts Joan Riviere herself, the woman and the psychoanalyst, in the spotlight. She shows how Riviere made use of the latest psychoanalytic ideas in a highly creative and original way, expressing herself with clarity and emotional depth in seminal works about the inner life of female sexuality and treatment impasses. She was able to draw from a lifetime of challenging and fruitful experiences. After a childhood rife with emotional neglect, she stepped into the rich ferment of the dying Victorian era and came in touch with major progressive forces of the time like the suffragettes and the Society for Psychical Research. As a dressmaker’s apprentice, she was among the first wave of women entering the work force. When the shifting soil of her childhood proved unstable, she entered analysis with Ernest Jones and, after becoming an analyst, with Freud himself. This personal connection proved fortuitous to the newly formed British Psychoanalytic Society, as it provided a solid anchor against the dividing drift between Anna Freud and Melanie Klein.

Bower paints an intimate portrait of a woman with a stern and sometimes vitriolic public persona and a shy and fragile personality that was saved by her involvement in psychoanalysis. In her best moments she was able to bridge that gap in her psychoanalytic writing, revealing herself through her theoretical musings.

Marion Bower has trained as a teacher, social worker and psychoanalytic psychotherapist. She has worked for many years in the child mental health services, including the Tavistock Clinic, and has edited and co-edited four books on various applications of psychoanalysis. She is currently co-editing a book on sexual exploitation.

Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.


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]]> Marion Bower, "The Life and Work of Joan Riviere: Freud, Klein and Female Sexuality" (Routledge, 2018) New Books Network 00:54:23 Joan Riviere (1883-1962) is best known for her role in promoting the ideas of others. She came to prominence in the world of psychoanalysis as Freud’s favorite translator and Melanie Klein’s earliest and most loyal supporter. In her new book The Life and Work of Joan Riviere: Freud, Klein and Female Sexuality (Routledge, 2018), Marion Bower puts Joan Riviere herself, the woman and the psychoanalyst, in the spotlight. She shows how Riviere made use of the latest psychoanalytic ideas in a highly creative and original way, expressing herself with clarity and emotional depth in seminal works about the inner life of female sexuality and treatment impasses. She was able to draw from a lifetime of challenging and fruitful experiences. After a childhood rife with emotional neglect, she stepped into the rich ferment of the dying Victorian era and came in touch with major progressive forces of the time like the suffragettes and the Society for Psychical Research. As a dressmaker’s apprentice, she was among the first wave of women entering the work force. When the shifting soil of her childhood proved unstable, she entered analysis with Ernest Jones and, after becoming an analyst, with Freud himself. This personal connection proved fortuitous to the newly formed British Psychoanalytic Society, as it provided a solid anchor against the dividing drift between Anna Freud and Melanie Klein. Bower paints an intimate portrait of a woman with a stern and sometimes vitriolic public persona and a shy and fragile personality that was saved by her involvement in psychoanalysis. In her best moments she was able to bridge that gap in her psychoanalytic writing, revealing herself through her theoretical musings. Marion Bower has trained as a teacher, social worker and psychoanalytic psychotherapist. She has worked for many years in the child mental health services, including the Tavistock Clinic, and has edited and co-edited four books on various applications of psychoanalysis. She is currently co-editing a book on sexual exploitation. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Joan Riviere (1883-1962) is best known for her role in promoting the ideas of others. She came to prominence in the world of psychoanalysis as Freud’s favorite translator and Melanie Klein’s earliest and most loyal supporter. In her new book The Life and Work of Joan Riviere: Freud, Klein and Female Sexuality (Routledge, 2018), Marion Bower puts Joan Riviere herself, the woman and the psychoanalyst, in the spotlight. She shows how Riviere made use of the latest psychoanalytic ideas in a highly creative and original way, expressing herself with clarity and emotional depth in seminal works about the inner life of female sexuality and treatment impasses. She was able to draw from a lifetime of challenging and fruitful experiences. After a childhood rife with emotional neglect, she stepped into the rich ferment of the dying Victorian era and came in touch with major progressive forces of the time like the suffragettes and the Society for Psychical Research. As a dressmaker’s apprentice, she was among the first wave of women entering the work force. When the shifting soil of her childhood proved unstable, she entered analysis with Ernest Jones and, after becoming an analyst, with Freud himself. This personal connection proved fortuitous to the newly formed British Psychoanalytic Society, as it provided a solid anchor against the dividing drift between Anna Freud and Melanie Klein. Bower paints an intimate portrait of a woman with a stern and sometimes vitriolic public persona and a shy and fragile personality that was saved by her involvement in psychoanalysis. In her best moments she was able to bridge that gap in her psychoanalytic writing, revealing herself through her theoretical musings. Marion Bower has trained as a teacher, social worker and psychoanalytic psychotherapist. She has worked for many years in the child mental health services, including the Tavistock Clinic, and has edited and co-edited four books on various applications of psychoanalysis. She is currently co-editing a book on sexual exploitation. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. false full 139 3a4dd31e-66fb-11f0-b564-ab6cb59fa42a Regina Kazyulina, "Women Under Suspicion: Fraternization, Espionage, and Punishment in the Soviet Union During World War II" (U Wisconsin Press, 2025) Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation.

Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: https://scholars.duke.edu/pers...

Linktree: https://linktr.ee/jennapittman


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]]> Wed, 23 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation.

Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: https://scholars.duke.edu/pers...

Linktree: https://linktr.ee/jennapittman


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]]> Regina Kazyulina, "Women Under Suspicion: Fraternization, Espionage, and Punishment in the Soviet Union During World War II" (U Wisconsin Press, 2025) New Books Network 00:47:19 Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman false full 311 b16cfe34-6697-11f0-ac24-37ef089054fe Lost Women of Disco Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture.

Contact Soundscapes NYC Here

Support the show


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]]> Tue, 22 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture.

Contact Soundscapes NYC Here

Support the show


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]]> Lost Women of Disco New Books Network 00:48:02 Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture. Contact Soundscapes NYC Here Support the show Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture. Contact Soundscapes NYC Here Support the show false full 1673 87965d30-657f-11f0-8e3e-9fe6f80138c3 Ela Przybylo, "Ungendering Menstruation" (U Minnesota Press, 2025) Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place.


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]]> Mon, 21 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place.


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]]> Ela Przybylo, "Ungendering Menstruation" (U Minnesota Press, 2025) New Books Network 00:37:50 Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place. Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place. false full 259 4c64a0c0-635c-11f0-b84a-cfa35efba79a How ClioVis is Transforming Education and Historical Research  Today I’m speaking with Marcus Golding, historian and Director of Educational Operations at ClioVis. ClioVis is an incredible software and learning tool that allows educators and studies to create digital timelines, network visualizations, and interactive presentations. Founded by UT Austin history professor Erika Bsumek, ClioVis is made for professors and teachers by current professors and scholars. I’m thrilled to get the chance today to speak with Marcus about this software to share with our listeners how they can enhance their own work and teaching.


Visit ClioVis' website to learn more: Click Here


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]]> Sat, 19 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com  Today I’m speaking with Marcus Golding, historian and Director of Educational Operations at ClioVis. ClioVis is an incredible software and learning tool that allows educators and studies to create digital timelines, network visualizations, and interactive presentations. Founded by UT Austin history professor Erika Bsumek, ClioVis is made for professors and teachers by current professors and scholars. I’m thrilled to get the chance today to speak with Marcus about this software to share with our listeners how they can enhance their own work and teaching.


Visit ClioVis' website to learn more: Click Here


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]]> How ClioVis is Transforming Education and Historical Research New Books Network 00:20:29  Today I’m speaking with Marcus Golding, historian and Director of Educational Operations at ClioVis. ClioVis is an incredible software and learning tool that allows educators and studies to create digital timelines, network visualizations, and interactive presentations. Founded by UT Austin history professor Erika Bsumek, ClioVis is made for professors and teachers by current professors and scholars. I’m thrilled to get the chance today to speak with Marcus about this software to share with our listeners how they can enhance their own work and teaching. Visit ClioVis' website to learn more: Click Here  Today I’m speaking with Marcus Golding, historian and Director of Educational Operations at ClioVis. ClioVis is an incredible software and learning tool that allows educators and studies to create digital timelines, network visualizations, and interactive presentations. Founded by UT Austin history professor Erika Bsumek, ClioVis is made for professors and teachers by current professors and scholars. I’m thrilled to get the chance today to speak with Marcus about this software to share with our listeners how they can enhance their own work and teaching. Visit ClioVis' website to learn more: Click Here false full 1671 b2c68026-6231-11f0-8928-6f855a5984b3 Haley Cohen Gilliland, "A Flower Traveled in My Blood: The Incredible True Story of the Grandmothers Who Fought to Find a Stolen Generation of Children" (Simon & Schuster, 2025) In the early hours of March 24, 1976, the streets of Buenos Aires rumble with tanks as soldiers seize the presidential palace and topple Argentina’s leader. The country is now under the control of a military junta, with army chief Jorge Rafael Videla at the helm. With quiet support from the United States and tacit approval from much of Argentina’s people, who are tired of constant bombings and gunfights, the junta swiftly launches the National Reorganization Process or El Proceso—a bland name masking their ruthless campaign to crush the political left and instill the country with “Western, Christian” values. The junta holds power until 1983 and decimates a generation.

One of the military’s most diabolical acts is kidnapping hundreds of pregnant women. After giving birth in captivity, the women are “disappeared,” and their babies secretly given to other families—many of them headed by police or military officers. For mothers of pregnant daughters and daughters-in-law, the source of their grief is twofold—the disappearances of their children, and the theft of their grandchildren. A group of fierce grandmothers forms the Abuelas de Plaza de Mayo, dedicated to finding the stolen infants and seeking justice from a nation that betrayed them. At a time when speaking out could mean death, the Abuelas confront military officers and launch protests to reach international diplomats and journalists. They become detectives, adopting disguises to observe suspected grandchildren, and even work alongside a renowned American scientist to pioneer groundbreaking genetic tests.

A Flower Traveled in My Blood: The Incredible True Story of the Grandmothers Who Fought to Find a Stolen Generation of Children (Simon & Schuster, 2025) by Haley Cohen Gilliland is the rarest of nonfiction that reads like a novel and puts your heart in your throat. It is the product of years of extensive archival research and meticulous, original reporting. It marks the arrival of a blazing new talent in narrative journalism. In these pages, a regime tries to terrorize a country, but love prevails. The grandmothers’ stunning stories reveal new truths about memory, identity, and family.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Wed, 16 Jul 2025 11:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the early hours of March 24, 1976, the streets of Buenos Aires rumble with tanks as soldiers seize the presidential palace and topple Argentina’s leader. The country is now under the control of a military junta, with army chief Jorge Rafael Videla at the helm. With quiet support from the United States and tacit approval from much of Argentina’s people, who are tired of constant bombings and gunfights, the junta swiftly launches the National Reorganization Process or El Proceso—a bland name masking their ruthless campaign to crush the political left and instill the country with “Western, Christian” values. The junta holds power until 1983 and decimates a generation.

One of the military’s most diabolical acts is kidnapping hundreds of pregnant women. After giving birth in captivity, the women are “disappeared,” and their babies secretly given to other families—many of them headed by police or military officers. For mothers of pregnant daughters and daughters-in-law, the source of their grief is twofold—the disappearances of their children, and the theft of their grandchildren. A group of fierce grandmothers forms the Abuelas de Plaza de Mayo, dedicated to finding the stolen infants and seeking justice from a nation that betrayed them. At a time when speaking out could mean death, the Abuelas confront military officers and launch protests to reach international diplomats and journalists. They become detectives, adopting disguises to observe suspected grandchildren, and even work alongside a renowned American scientist to pioneer groundbreaking genetic tests.

A Flower Traveled in My Blood: The Incredible True Story of the Grandmothers Who Fought to Find a Stolen Generation of Children (Simon & Schuster, 2025) by Haley Cohen Gilliland is the rarest of nonfiction that reads like a novel and puts your heart in your throat. It is the product of years of extensive archival research and meticulous, original reporting. It marks the arrival of a blazing new talent in narrative journalism. In these pages, a regime tries to terrorize a country, but love prevails. The grandmothers’ stunning stories reveal new truths about memory, identity, and family.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Haley Cohen Gilliland, "A Flower Traveled in My Blood: The Incredible True Story of the Grandmothers Who Fought to Find a Stolen Generation of Children" (Simon & Schuster, 2025) New Books Network 00:47:01 In the early hours of March 24, 1976, the streets of Buenos Aires rumble with tanks as soldiers seize the presidential palace and topple Argentina’s leader. The country is now under the control of a military junta, with army chief Jorge Rafael Videla at the helm. With quiet support from the United States and tacit approval from much of Argentina’s people, who are tired of constant bombings and gunfights, the junta swiftly launches the National Reorganization Process or El Proceso—a bland name masking their ruthless campaign to crush the political left and instill the country with “Western, Christian” values. The junta holds power until 1983 and decimates a generation. One of the military’s most diabolical acts is kidnapping hundreds of pregnant women. After giving birth in captivity, the women are “disappeared,” and their babies secretly given to other families—many of them headed by police or military officers. For mothers of pregnant daughters and daughters-in-law, the source of their grief is twofold—the disappearances of their children, and the theft of their grandchildren. A group of fierce grandmothers forms the Abuelas de Plaza de Mayo, dedicated to finding the stolen infants and seeking justice from a nation that betrayed them. At a time when speaking out could mean death, the Abuelas confront military officers and launch protests to reach international diplomats and journalists. They become detectives, adopting disguises to observe suspected grandchildren, and even work alongside a renowned American scientist to pioneer groundbreaking genetic tests. A Flower Traveled in My Blood: The Incredible True Story of the Grandmothers Who Fought to Find a Stolen Generation of Children (Simon & Schuster, 2025) by Haley Cohen Gilliland is the rarest of nonfiction that reads like a novel and puts your heart in your throat. It is the product of years of extensive archival research and meticulous, original reporting. It marks the arrival of a blazing new talent in narrative journalism. In these pages, a regime tries to terrorize a country, but love prevails. The grandmothers’ stunning stories reveal new truths about memory, identity, and family. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In the early hours of March 24, 1976, the streets of Buenos Aires rumble with tanks as soldiers seize the presidential palace and topple Argentina’s leader. The country is now under the control of a military junta, with army chief Jorge Rafael Videla at the helm. With quiet support from the United States and tacit approval from much of Argentina’s people, who are tired of constant bombings and gunfights, the junta swiftly launches the National Reorganization Process or El Proceso—a bland name masking their ruthless campaign to crush the political left and instill the country with “Western, Christian” values. The junta holds power until 1983 and decimates a generation. One of the military’s most diabolical acts is kidnapping hundreds of pregnant women. After giving birth in captivity, the women are “disappeared,” and their babies secretly given to other families—many of them headed by police or military officers. For mothers of pregnant daughters and daughters-in-law, the source of their grief is twofold—the disappearances of their children, and the theft of their grandchildren. A group of fierce grandmothers forms the Abuelas de Plaza de Mayo, dedicated to finding the stolen infants and seeking justice from a nation that betrayed them. At a time when speaking out could mean death, the Abuelas confront military officers and launch protests to reach international diplomats and journalists. They become detectives, adopting disguises to observe suspected grandchildren, and even work alongside a renowned American scientist to pioneer groundbreaking genetic tests. A Flower Traveled in My Blood: The Incredible True Story of the Grandmothers Who Fought to Find a Stolen Generation of Children (Simon & Schuster, 2025) by Haley Cohen Gilliland is the rarest of nonfiction that reads like a novel and puts your heart in your throat. It is the product of years of extensive archival research and meticulous, original reporting. It marks the arrival of a blazing new talent in narrative journalism. In these pages, a regime tries to terrorize a country, but love prevails. The grandmothers’ stunning stories reveal new truths about memory, identity, and family. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1670 aeebba04-6162-11f0-b7be-0bb85f45d230 Volha Bartash, Tomasz Kamusella, and Viktor Shapoval eds., "Papusza/Bronislawa Wajs. Tears of Blood: A Poet's Witness Account of the Nazi Genocide of Roma" (Brill, 2024) Papusza / Bronisława Wajs. Tears of Blood: A Poet’s Witness Account of the Nazi Genocide of Roma (Brill, 2024) is nothing less of an academic, literary, and historical miracle. It is dedicated to a key figure of Romani literature, Bronisława Wajs, also known as Papusza. This book offers—for the very first time in history—the full version of Papusza’s key work, Tears of Blood, which was considered lost for seventy years and circulated only in a highly reduced copy. This poem is a unique account by a woman about the Roma Holocaust in Eastern Europe during WWII. Beyond this important historical and literary document, the book also provides literary translations of this manuscript into several languages, including English, and has chapters written by leading researchers of Romani Studies who comment on the history of this text and the challenges behind making it available to the broader public. It took the team over three decades to locate the manuscript, transcribe it, translate it, and fill in the gaps in its history.

Volha Bartash is a postdoctoral researcher at the University of Münster in Germany and a co-convenor of the network “Margins of Memory: Cultures and Politics of Non-Hegemonic Remembrance.” 

Tomasz Kamusella is Reader in Modern Central and Eastern European History at the University of St Andrews, whose work focuses on language politics and nationalism.

Host: Tatiana Klepikova is a Freigeist Fellow of the Volkswagen Foundation and leads a research group on queer literatures and cultures under socialism at the University of Regensburg.



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]]> Wed, 16 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Papusza / Bronisława Wajs. Tears of Blood: A Poet’s Witness Account of the Nazi Genocide of Roma (Brill, 2024) is nothing less of an academic, literary, and historical miracle. It is dedicated to a key figure of Romani literature, Bronisława Wajs, also known as Papusza. This book offers—for the very first time in history—the full version of Papusza’s key work, Tears of Blood, which was considered lost for seventy years and circulated only in a highly reduced copy. This poem is a unique account by a woman about the Roma Holocaust in Eastern Europe during WWII. Beyond this important historical and literary document, the book also provides literary translations of this manuscript into several languages, including English, and has chapters written by leading researchers of Romani Studies who comment on the history of this text and the challenges behind making it available to the broader public. It took the team over three decades to locate the manuscript, transcribe it, translate it, and fill in the gaps in its history.

Volha Bartash is a postdoctoral researcher at the University of Münster in Germany and a co-convenor of the network “Margins of Memory: Cultures and Politics of Non-Hegemonic Remembrance.” 

Tomasz Kamusella is Reader in Modern Central and Eastern European History at the University of St Andrews, whose work focuses on language politics and nationalism.

Host: Tatiana Klepikova is a Freigeist Fellow of the Volkswagen Foundation and leads a research group on queer literatures and cultures under socialism at the University of Regensburg.



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]]> Volha Bartash, Tomasz Kamusella, and Viktor Shapoval eds., "Papusza/Bronislawa Wajs. Tears of Blood: A Poet's Witness Account of the Nazi Genocide of Roma" (Brill, 2024) New Books Network 01:01:35 Papusza / Bronisława Wajs. Tears of Blood: A Poet’s Witness Account of the Nazi Genocide of Roma (Brill, 2024) is nothing less of an academic, literary, and historical miracle. It is dedicated to a key figure of Romani literature, Bronisława Wajs, also known as Papusza. This book offers—for the very first time in history—the full version of Papusza’s key work, Tears of Blood, which was considered lost for seventy years and circulated only in a highly reduced copy. This poem is a unique account by a woman about the Roma Holocaust in Eastern Europe during WWII. Beyond this important historical and literary document, the book also provides literary translations of this manuscript into several languages, including English, and has chapters written by leading researchers of Romani Studies who comment on the history of this text and the challenges behind making it available to the broader public. It took the team over three decades to locate the manuscript, transcribe it, translate it, and fill in the gaps in its history. Volha Bartash is a postdoctoral researcher at the University of Münster in Germany and a co-convenor of the network “Margins of Memory: Cultures and Politics of Non-Hegemonic Remembrance.”  Tomasz Kamusella is Reader in Modern Central and Eastern European History at the University of St Andrews, whose work focuses on language politics and nationalism. Host: Tatiana Klepikova is a Freigeist Fellow of the Volkswagen Foundation and leads a research group on queer literatures and cultures under socialism at the University of Regensburg. Papusza / Bronisława Wajs. Tears of Blood: A Poet’s Witness Account of the Nazi Genocide of Roma (Brill, 2024) is nothing less of an academic, literary, and historical miracle. It is dedicated to a key figure of Romani literature, Bronisława Wajs, also known as Papusza. This book offers—for the very first time in history—the full version of Papusza’s key work, Tears of Blood, which was considered lost for seventy years and circulated only in a highly reduced copy. This poem is a unique account by a woman about the Roma Holocaust in Eastern Europe during WWII. Beyond this important historical and literary document, the book also provides literary translations of this manuscript into several languages, including English, and has chapters written by leading researchers of Romani Studies who comment on the history of this text and the challenges behind making it available to the broader public. It took the team over three decades to locate the manuscript, transcribe it, translate it, and fill in the gaps in its history. Volha Bartash is a postdoctoral researcher at the University of Münster in Germany and a co-convenor of the network “Margins of Memory: Cultures and Politics of Non-Hegemonic Remembrance.”  Tomasz Kamusella is Reader in Modern Central and Eastern European History at the University of St Andrews, whose work focuses on language politics and nationalism. Host: Tatiana Klepikova is a Freigeist Fellow of the Volkswagen Foundation and leads a research group on queer literatures and cultures under socialism at the University of Regensburg. false full 1669 ad6044b4-60d3-11f0-b65e-9f4cb826aa01 Sonia C. Gomez, "Picture Bride, War Bride: The Role of Marriage in Shaping Japanese America" (NYU Press, 2024) Picture Bride, War Bride examines how the institution of marriage created pockets of legal and social inclusion for Japanese women during the period of Japanese exclusion. Gomez’s work joins together an analysis of picture brides, or Japanese women who migrated to the United States to join husbands whom they married [in absentia] in the early 20th century, with war brides, or Japanese women who married American military servicemen after World War II. By combining the analysis of these two categories, Gomez centralizes the overlapping and conflicting logics to either racially exclude Japanese or facilitate their inclusion via immigration legislation that privileged wives and mothers. In short, the book tells a story of how the interplay between societal norms and political interests can both harness and contradict the interconnected frameworks of race, gender, and sexuality.

Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln.


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]]> Tue, 15 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Picture Bride, War Bride examines how the institution of marriage created pockets of legal and social inclusion for Japanese women during the period of Japanese exclusion. Gomez’s work joins together an analysis of picture brides, or Japanese women who migrated to the United States to join husbands whom they married [in absentia] in the early 20th century, with war brides, or Japanese women who married American military servicemen after World War II. By combining the analysis of these two categories, Gomez centralizes the overlapping and conflicting logics to either racially exclude Japanese or facilitate their inclusion via immigration legislation that privileged wives and mothers. In short, the book tells a story of how the interplay between societal norms and political interests can both harness and contradict the interconnected frameworks of race, gender, and sexuality.

Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln.


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]]> Sonia C. Gomez, "Picture Bride, War Bride: The Role of Marriage in Shaping Japanese America" (NYU Press, 2024) New Books Network 00:58:01 Picture Bride, War Bride examines how the institution of marriage created pockets of legal and social inclusion for Japanese women during the period of Japanese exclusion. Gomez’s work joins together an analysis of picture brides, or Japanese women who migrated to the United States to join husbands whom they married [in absentia] in the early 20th century, with war brides, or Japanese women who married American military servicemen after World War II. By combining the analysis of these two categories, Gomez centralizes the overlapping and conflicting logics to either racially exclude Japanese or facilitate their inclusion via immigration legislation that privileged wives and mothers. In short, the book tells a story of how the interplay between societal norms and political interests can both harness and contradict the interconnected frameworks of race, gender, and sexuality. Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln. Picture Bride, War Bride examines how the institution of marriage created pockets of legal and social inclusion for Japanese women during the period of Japanese exclusion. Gomez’s work joins together an analysis of picture brides, or Japanese women who migrated to the United States to join husbands whom they married [in absentia] in the early 20th century, with war brides, or Japanese women who married American military servicemen after World War II. By combining the analysis of these two categories, Gomez centralizes the overlapping and conflicting logics to either racially exclude Japanese or facilitate their inclusion via immigration legislation that privileged wives and mothers. In short, the book tells a story of how the interplay between societal norms and political interests can both harness and contradict the interconnected frameworks of race, gender, and sexuality. Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln. false full 90 3d3bb644-6003-11f0-9ebd-1788c4633d57 Andréa Becker, "Get It Out: On the Politics of Hysterectomy" (NYU Press, 2025) At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.
Get It Out: On the Politics of Hysterectomy (NYU Press, 2025) by Dr. Andréa Becker weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Dr. Becker reveals how America’s healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.
Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Mon, 14 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.
Get It Out: On the Politics of Hysterectomy (NYU Press, 2025) by Dr. Andréa Becker weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Dr. Becker reveals how America’s healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.
Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Andréa Becker, "Get It Out: On the Politics of Hysterectomy" (NYU Press, 2025) New Books Network 00:26:14 At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.Get It Out: On the Politics of Hysterectomy (NYU Press, 2025) by Dr. Andréa Becker weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Dr. Becker reveals how America’s healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.Get It Out: On the Politics of Hysterectomy (NYU Press, 2025) by Dr. Andréa Becker weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Dr. Becker reveals how America’s healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1667 660dd708-5dc1-11f0-910f-1ba8b5b4d566 Rosemary Goring, "Exile: The Captive Years of Mary, Queen of Scots" (Berlinn, 2025) From the moment Mary, Queen of Scots set foot on English soil in 1568 until her execution at Fotheringhay Castle on 8 February 1587, she was the prisoner of her cousin, Elizabeth I. Unlike Mary’s time on the Scottish throne, the dramatic events of these years – almost half her life – took place while she was a captive. But while trouble was perpetually simmering beyond her prison walls, within them Mary was constantly plotting. Only towards the end did she lose faith in returning to her homeland as rightful ruler.

Exile: The Captive Years of Mary, Queen of Scots (Birlinn, 2025) by Rosemary Goring is the story of Mary’s tumultuous later years, told through the many atmospheric locations where she was confined. Drawing on the latest research, including a treasure trove of recently decoded letters, Exile sheds fascinating new light on her captivity and the charged political climate of the period. Reading like a 16th-century thriller, this account of treachery, deceit, hope and despair is a penetrating and enthralling psychological portrait of one of history’s endlessly fascinating queens.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sat, 12 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From the moment Mary, Queen of Scots set foot on English soil in 1568 until her execution at Fotheringhay Castle on 8 February 1587, she was the prisoner of her cousin, Elizabeth I. Unlike Mary’s time on the Scottish throne, the dramatic events of these years – almost half her life – took place while she was a captive. But while trouble was perpetually simmering beyond her prison walls, within them Mary was constantly plotting. Only towards the end did she lose faith in returning to her homeland as rightful ruler.

Exile: The Captive Years of Mary, Queen of Scots (Birlinn, 2025) by Rosemary Goring is the story of Mary’s tumultuous later years, told through the many atmospheric locations where she was confined. Drawing on the latest research, including a treasure trove of recently decoded letters, Exile sheds fascinating new light on her captivity and the charged political climate of the period. Reading like a 16th-century thriller, this account of treachery, deceit, hope and despair is a penetrating and enthralling psychological portrait of one of history’s endlessly fascinating queens.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Rosemary Goring, "Exile: The Captive Years of Mary, Queen of Scots" (Berlinn, 2025) New Books Network 00:33:59 From the moment Mary, Queen of Scots set foot on English soil in 1568 until her execution at Fotheringhay Castle on 8 February 1587, she was the prisoner of her cousin, Elizabeth I. Unlike Mary’s time on the Scottish throne, the dramatic events of these years – almost half her life – took place while she was a captive. But while trouble was perpetually simmering beyond her prison walls, within them Mary was constantly plotting. Only towards the end did she lose faith in returning to her homeland as rightful ruler. Exile: The Captive Years of Mary, Queen of Scots (Birlinn, 2025) by Rosemary Goring is the story of Mary’s tumultuous later years, told through the many atmospheric locations where she was confined. Drawing on the latest research, including a treasure trove of recently decoded letters, Exile sheds fascinating new light on her captivity and the charged political climate of the period. Reading like a 16th-century thriller, this account of treachery, deceit, hope and despair is a penetrating and enthralling psychological portrait of one of history’s endlessly fascinating queens. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. From the moment Mary, Queen of Scots set foot on English soil in 1568 until her execution at Fotheringhay Castle on 8 February 1587, she was the prisoner of her cousin, Elizabeth I. Unlike Mary’s time on the Scottish throne, the dramatic events of these years – almost half her life – took place while she was a captive. But while trouble was perpetually simmering beyond her prison walls, within them Mary was constantly plotting. Only towards the end did she lose faith in returning to her homeland as rightful ruler. Exile: The Captive Years of Mary, Queen of Scots (Birlinn, 2025) by Rosemary Goring is the story of Mary’s tumultuous later years, told through the many atmospheric locations where she was confined. Drawing on the latest research, including a treasure trove of recently decoded letters, Exile sheds fascinating new light on her captivity and the charged political climate of the period. Reading like a 16th-century thriller, this account of treachery, deceit, hope and despair is a penetrating and enthralling psychological portrait of one of history’s endlessly fascinating queens. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1666 6dd93bf0-5da6-11f0-8eee-9b426ea738c8 Phil Tiemeyer, "Women and the Jet Age: A Global History of Aviation and Flight Attendants" (Cornell UP, 2025) Women and the Jet Age: A Global History of Aviation and Flight Attendants (Cornell University Press, 2025) is a global history of postwar aviation that examines how states nurtured airlines for competing political and economic goals during the Cold War. While previous histories almost exclusively stress US and Western European aviation progress, Dr. Phil Tiemeyer examines how smaller, poorer states in socialist Eastern Europe and in the postcolonial Global South utilized airlines of their own to forge rival pathways to modernization.

Part of this modernization involved norms for working women. Stewardesses at airlines around the globe encountered novel threats to their dignity as the Jet Age approached. By the late 1960s, stewardesses endured harsh objectification: High hemlines, tight uniforms, and raunchy marketing were touted as modern and liberated. These women, whether from the West, East, or South, forged their own pathways to achieve greater dignity at work. In Women and the Jet Age, Dr. Tiemeyer's global account of the rise of air travel and of early feminist strivings among stewardesses is one of the first histories to place such developments—political, economic, and feminist—in dialogue with each other.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Fri, 11 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women and the Jet Age: A Global History of Aviation and Flight Attendants (Cornell University Press, 2025) is a global history of postwar aviation that examines how states nurtured airlines for competing political and economic goals during the Cold War. While previous histories almost exclusively stress US and Western European aviation progress, Dr. Phil Tiemeyer examines how smaller, poorer states in socialist Eastern Europe and in the postcolonial Global South utilized airlines of their own to forge rival pathways to modernization.

Part of this modernization involved norms for working women. Stewardesses at airlines around the globe encountered novel threats to their dignity as the Jet Age approached. By the late 1960s, stewardesses endured harsh objectification: High hemlines, tight uniforms, and raunchy marketing were touted as modern and liberated. These women, whether from the West, East, or South, forged their own pathways to achieve greater dignity at work. In Women and the Jet Age, Dr. Tiemeyer's global account of the rise of air travel and of early feminist strivings among stewardesses is one of the first histories to place such developments—political, economic, and feminist—in dialogue with each other.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Phil Tiemeyer, "Women and the Jet Age: A Global History of Aviation and Flight Attendants" (Cornell UP, 2025) New Books Network 00:47:49 Women and the Jet Age: A Global History of Aviation and Flight Attendants (Cornell University Press, 2025) is a global history of postwar aviation that examines how states nurtured airlines for competing political and economic goals during the Cold War. While previous histories almost exclusively stress US and Western European aviation progress, Dr. Phil Tiemeyer examines how smaller, poorer states in socialist Eastern Europe and in the postcolonial Global South utilized airlines of their own to forge rival pathways to modernization. Part of this modernization involved norms for working women. Stewardesses at airlines around the globe encountered novel threats to their dignity as the Jet Age approached. By the late 1960s, stewardesses endured harsh objectification: High hemlines, tight uniforms, and raunchy marketing were touted as modern and liberated. These women, whether from the West, East, or South, forged their own pathways to achieve greater dignity at work. In Women and the Jet Age, Dr. Tiemeyer's global account of the rise of air travel and of early feminist strivings among stewardesses is one of the first histories to place such developments—political, economic, and feminist—in dialogue with each other. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Women and the Jet Age: A Global History of Aviation and Flight Attendants (Cornell University Press, 2025) is a global history of postwar aviation that examines how states nurtured airlines for competing political and economic goals during the Cold War. While previous histories almost exclusively stress US and Western European aviation progress, Dr. Phil Tiemeyer examines how smaller, poorer states in socialist Eastern Europe and in the postcolonial Global South utilized airlines of their own to forge rival pathways to modernization. Part of this modernization involved norms for working women. Stewardesses at airlines around the globe encountered novel threats to their dignity as the Jet Age approached. By the late 1960s, stewardesses endured harsh objectification: High hemlines, tight uniforms, and raunchy marketing were touted as modern and liberated. These women, whether from the West, East, or South, forged their own pathways to achieve greater dignity at work. In Women and the Jet Age, Dr. Tiemeyer's global account of the rise of air travel and of early feminist strivings among stewardesses is one of the first histories to place such developments—political, economic, and feminist—in dialogue with each other. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1665 1717213a-5bc4-11f0-bd9c-d32087dd22ac Kirstie Macleod, "The Red Dress: Conversations in Stitch" (Quickthorn, 2025) The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma.

This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Wed, 9 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma.

This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Kirstie Macleod, "The Red Dress: Conversations in Stitch" (Quickthorn, 2025) New Books Network 00:27:46 The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma. This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma. This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1664 1844cd0c-588e-11f0-ad65-e748bcfe6161 Margaret Cook Andersen, "Fertile Expectations: The Politics of Involuntary Childlessness in Twentieth-Century France" (Manchester UP, 2025) An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sun, 6 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Margaret Cook Andersen, "Fertile Expectations: The Politics of Involuntary Childlessness in Twentieth-Century France" (Manchester UP, 2025) New Books Network 00:39:50 An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1663 c5eadc38-56bf-11f0-9d3b-875b4652683c Angela Katrina Lewis-Maddox ed., "Disrupting Political Science: Black Women Reimagining the Discipline" (SUNY Press, 2025) Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research.

Disrupting Political Science: Black Women Reimagining the Discipline (SUNY Press, 2025) is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century.

Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social


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]]> Thu, 3 Jul 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research.

Disrupting Political Science: Black Women Reimagining the Discipline (SUNY Press, 2025) is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century.

Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social


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]]> Angela Katrina Lewis-Maddox ed., "Disrupting Political Science: Black Women Reimagining the Discipline" (SUNY Press, 2025) New Books Network 00:47:19 Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research. Disrupting Political Science: Black Women Reimagining the Discipline (SUNY Press, 2025) is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century. Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research. Disrupting Political Science: Black Women Reimagining the Discipline (SUNY Press, 2025) is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century. Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social false full 1662 421459d6-532a-11f0-9455-47cfa114d7bb Sarah Gold McBride "Whiskerology: The Culture of Hair in Nineteenth-Century America" (Harvard UP, 2025) Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in Whiskerology: The Culture of Hair in Nineteenth-Century America (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide.

As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities.

A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sun, 29 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in Whiskerology: The Culture of Hair in Nineteenth-Century America (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide.

As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities.

A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sarah Gold McBride "Whiskerology: The Culture of Hair in Nineteenth-Century America" (Harvard UP, 2025) New Books Network 01:05:35 Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in Whiskerology: The Culture of Hair in Nineteenth-Century America (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide. As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities. A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in Whiskerology: The Culture of Hair in Nineteenth-Century America (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide. As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities. A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1661 510f3660-4fcc-11f0-89d2-cf33959ebe9c Wendy Doniger, "An American Girl in India: Letters and Recollections, 1963-64" (SUNY Press, 2023) Wendy Doniger’s An American Girl in India: Letters and Recollections, 1963–64 (SUNY Press, 2023) is a memoir-style collection of letters and reflections from her first trip to India as a young scholar. It offers a rare glimpse into the formative experiences that shaped her future career in Indology. The personal letters of her younger self are in conversation with reflections of her older self. Using this work as a launchpad, this interview broaches Doniger's personal and professional life learning through the course of her prominent career, spanning over five decades. This conversation commemorates Raj Balkaran's 400th New Books Network interview. 

Wendy Doniger is Mircea Eliade Distinguished Service Professor of the History of Religions in the Divinity School, University of Chicago.


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]]> Mon, 23 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Wendy Doniger’s An American Girl in India: Letters and Recollections, 1963–64 (SUNY Press, 2023) is a memoir-style collection of letters and reflections from her first trip to India as a young scholar. It offers a rare glimpse into the formative experiences that shaped her future career in Indology. The personal letters of her younger self are in conversation with reflections of her older self. Using this work as a launchpad, this interview broaches Doniger's personal and professional life learning through the course of her prominent career, spanning over five decades. This conversation commemorates Raj Balkaran's 400th New Books Network interview. 

Wendy Doniger is Mircea Eliade Distinguished Service Professor of the History of Religions in the Divinity School, University of Chicago.


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]]> Wendy Doniger, "An American Girl in India: Letters and Recollections, 1963-64" (SUNY Press, 2023) New Books Network 01:44:30 Wendy Doniger’s An American Girl in India: Letters and Recollections, 1963–64 (SUNY Press, 2023) is a memoir-style collection of letters and reflections from her first trip to India as a young scholar. It offers a rare glimpse into the formative experiences that shaped her future career in Indology. The personal letters of her younger self are in conversation with reflections of her older self. Using this work as a launchpad, this interview broaches Doniger's personal and professional life learning through the course of her prominent career, spanning over five decades. This conversation commemorates Raj Balkaran's 400th New Books Network interview.  Wendy Doniger is Mircea Eliade Distinguished Service Professor of the History of Religions in the Divinity School, University of Chicago. Wendy Doniger’s An American Girl in India: Letters and Recollections, 1963–64 (SUNY Press, 2023) is a memoir-style collection of letters and reflections from her first trip to India as a young scholar. It offers a rare glimpse into the formative experiences that shaped her future career in Indology. The personal letters of her younger self are in conversation with reflections of her older self. Using this work as a launchpad, this interview broaches Doniger's personal and professional life learning through the course of her prominent career, spanning over five decades. This conversation commemorates Raj Balkaran's 400th New Books Network interview.  Wendy Doniger is Mircea Eliade Distinguished Service Professor of the History of Religions in the Divinity School, University of Chicago. false full 1660 5cf270f8-4da8-11f0-8c8b-8f177c7c525a Kathryn L. Beasley, "The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money" (University of Georgia Press, 2025) The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money (University of Georgia Press, 2025) examines how rural white and African American women in Alabama and Florida used the Cooperative Extension Service's home demonstration programming between 1914 and 1929 as a means to earn extra income. Kathryn L. Beasley explores an area of rural women's history that has not been closely examined--that is, how rural American women involved with home demonstration used the skills they learned as a way to better themselves economically. Furthermore, Beasley traces how this extra income allowed these women to shape their own producing and consuming habits. While most home demonstration programming during the Progressive Era and 1920s focused on ways to save money--among other objectives--rural women in Alabama and Florida used different strategies to earn more money and gain some economic independence. Beasley's research shows how Alabama and Florida's rural women exercised their own determination and resourcefulness to create ways to economically sustain themselves by using food, tangible items, handicrafts, small businesses, and more to their advantage. However, while there were similarities in how these rural women earned extra money, the states in which they lived differed in important agricultural ways. Florida offered a wider variety of growing and environmental seasons and, as a result, a larger diversity of crops. By taking a comparative approach--both Florida versus Alabama and Black versus white--Beasley details the unique and innovative ways that rural southern women applied their considerable agricultural and domestic skills to improve their lives and the lives of their families. In so doing, she also reveals how disposable income helped establish ideas of empowerment and financial independence in the years before the economic struggles of the 1930s.


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]]> Sun, 22 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money (University of Georgia Press, 2025) examines how rural white and African American women in Alabama and Florida used the Cooperative Extension Service's home demonstration programming between 1914 and 1929 as a means to earn extra income. Kathryn L. Beasley explores an area of rural women's history that has not been closely examined--that is, how rural American women involved with home demonstration used the skills they learned as a way to better themselves economically. Furthermore, Beasley traces how this extra income allowed these women to shape their own producing and consuming habits. While most home demonstration programming during the Progressive Era and 1920s focused on ways to save money--among other objectives--rural women in Alabama and Florida used different strategies to earn more money and gain some economic independence. Beasley's research shows how Alabama and Florida's rural women exercised their own determination and resourcefulness to create ways to economically sustain themselves by using food, tangible items, handicrafts, small businesses, and more to their advantage. However, while there were similarities in how these rural women earned extra money, the states in which they lived differed in important agricultural ways. Florida offered a wider variety of growing and environmental seasons and, as a result, a larger diversity of crops. By taking a comparative approach--both Florida versus Alabama and Black versus white--Beasley details the unique and innovative ways that rural southern women applied their considerable agricultural and domestic skills to improve their lives and the lives of their families. In so doing, she also reveals how disposable income helped establish ideas of empowerment and financial independence in the years before the economic struggles of the 1930s.


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]]> Kathryn L. Beasley, "The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money" (University of Georgia Press, 2025) New Books Network 01:11:26 The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money (University of Georgia Press, 2025) examines how rural white and African American women in Alabama and Florida used the Cooperative Extension Service's home demonstration programming between 1914 and 1929 as a means to earn extra income. Kathryn L. Beasley explores an area of rural women's history that has not been closely examined--that is, how rural American women involved with home demonstration used the skills they learned as a way to better themselves economically. Furthermore, Beasley traces how this extra income allowed these women to shape their own producing and consuming habits. While most home demonstration programming during the Progressive Era and 1920s focused on ways to save money--among other objectives--rural women in Alabama and Florida used different strategies to earn more money and gain some economic independence. Beasley's research shows how Alabama and Florida's rural women exercised their own determination and resourcefulness to create ways to economically sustain themselves by using food, tangible items, handicrafts, small businesses, and more to their advantage. However, while there were similarities in how these rural women earned extra money, the states in which they lived differed in important agricultural ways. Florida offered a wider variety of growing and environmental seasons and, as a result, a larger diversity of crops. By taking a comparative approach--both Florida versus Alabama and Black versus white--Beasley details the unique and innovative ways that rural southern women applied their considerable agricultural and domestic skills to improve their lives and the lives of their families. In so doing, she also reveals how disposable income helped establish ideas of empowerment and financial independence in the years before the economic struggles of the 1930s. The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money (University of Georgia Press, 2025) examines how rural white and African American women in Alabama and Florida used the Cooperative Extension Service's home demonstration programming between 1914 and 1929 as a means to earn extra income. Kathryn L. Beasley explores an area of rural women's history that has not been closely examined--that is, how rural American women involved with home demonstration used the skills they learned as a way to better themselves economically. Furthermore, Beasley traces how this extra income allowed these women to shape their own producing and consuming habits. While most home demonstration programming during the Progressive Era and 1920s focused on ways to save money--among other objectives--rural women in Alabama and Florida used different strategies to earn more money and gain some economic independence. Beasley's research shows how Alabama and Florida's rural women exercised their own determination and resourcefulness to create ways to economically sustain themselves by using food, tangible items, handicrafts, small businesses, and more to their advantage. However, while there were similarities in how these rural women earned extra money, the states in which they lived differed in important agricultural ways. Florida offered a wider variety of growing and environmental seasons and, as a result, a larger diversity of crops. By taking a comparative approach--both Florida versus Alabama and Black versus white--Beasley details the unique and innovative ways that rural southern women applied their considerable agricultural and domestic skills to improve their lives and the lives of their families. In so doing, she also reveals how disposable income helped establish ideas of empowerment and financial independence in the years before the economic struggles of the 1930s. false full 1659 f3e5a7d0-4cd3-11f0-bbc2-cbeba48aec3f Claire Pierson, "Women's Troubles: Gender and Feminist Politics in Post-Agreement Northern Ireland" (Manchester University Press, 2025) How do feminist movements develop and organise in ethno-nationally divided societies? How does this challenge our understandings of contemporary fourth wave feminism? Women's Troubles: Gender and Feminist Politics in Post-Agreement Northern Ireland (Manchester University Press, 2025) by Dr. Claire Pierson sets out to answer these questions using rich empirical data and analysis in an examination of feminist activism after the Northern Irish peace agreement.

Utilising feminist frameworks and debates on movement building, policymaking, abortion rights, gender-based violence and the UN women, peace and security agenda, Dr. Pierson interrogates the opportunities and challenges in articulating a feminist voice and creating feminist spaces in the conflict transformational politics and society. Capturing the complexities of contemporary feminist movement building in a divided society, Women's Troubles contributes to ongoing analysis of contemporary global feminisms.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 21 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How do feminist movements develop and organise in ethno-nationally divided societies? How does this challenge our understandings of contemporary fourth wave feminism? Women's Troubles: Gender and Feminist Politics in Post-Agreement Northern Ireland (Manchester University Press, 2025) by Dr. Claire Pierson sets out to answer these questions using rich empirical data and analysis in an examination of feminist activism after the Northern Irish peace agreement.

Utilising feminist frameworks and debates on movement building, policymaking, abortion rights, gender-based violence and the UN women, peace and security agenda, Dr. Pierson interrogates the opportunities and challenges in articulating a feminist voice and creating feminist spaces in the conflict transformational politics and society. Capturing the complexities of contemporary feminist movement building in a divided society, Women's Troubles contributes to ongoing analysis of contemporary global feminisms.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Claire Pierson, "Women's Troubles: Gender and Feminist Politics in Post-Agreement Northern Ireland" (Manchester University Press, 2025) New Books Network 00:53:43 How do feminist movements develop and organise in ethno-nationally divided societies? How does this challenge our understandings of contemporary fourth wave feminism? Women's Troubles: Gender and Feminist Politics in Post-Agreement Northern Ireland (Manchester University Press, 2025) by Dr. Claire Pierson sets out to answer these questions using rich empirical data and analysis in an examination of feminist activism after the Northern Irish peace agreement. Utilising feminist frameworks and debates on movement building, policymaking, abortion rights, gender-based violence and the UN women, peace and security agenda, Dr. Pierson interrogates the opportunities and challenges in articulating a feminist voice and creating feminist spaces in the conflict transformational politics and society. Capturing the complexities of contemporary feminist movement building in a divided society, Women's Troubles contributes to ongoing analysis of contemporary global feminisms. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. How do feminist movements develop and organise in ethno-nationally divided societies? How does this challenge our understandings of contemporary fourth wave feminism? Women's Troubles: Gender and Feminist Politics in Post-Agreement Northern Ireland (Manchester University Press, 2025) by Dr. Claire Pierson sets out to answer these questions using rich empirical data and analysis in an examination of feminist activism after the Northern Irish peace agreement. Utilising feminist frameworks and debates on movement building, policymaking, abortion rights, gender-based violence and the UN women, peace and security agenda, Dr. Pierson interrogates the opportunities and challenges in articulating a feminist voice and creating feminist spaces in the conflict transformational politics and society. Capturing the complexities of contemporary feminist movement building in a divided society, Women's Troubles contributes to ongoing analysis of contemporary global feminisms. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1658 14ad5bba-4ca3-11f0-8ff6-ff88c1911460 Honorée Fanonne Jeffers, "Misbehaving at the Crossroads: Essays and Writings" (Harper, 2025) The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack.

Host Sullivan Summer can be found at her website, Instagram, and Substack.


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]]> Fri, 20 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack.

Host Sullivan Summer can be found at her website, Instagram, and Substack.


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]]> Honorée Fanonne Jeffers, "Misbehaving at the Crossroads: Essays and Writings" (Harper, 2025) New Books Network 00:40:02 The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. false full 1657 c6d551dc-4c10-11f0-8303-13871c22ccc4 Emily Hauser, "Penelope’s Bones: A New History of Homer’s World through the Women Written Out of It" (Univ of Chicago Press, 2025) Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long.

In Penelope’s Bones: A New History of Homer’s World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer’s heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer’s world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women’s work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean.

Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Thu, 19 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long.

In Penelope’s Bones: A New History of Homer’s World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer’s heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer’s world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women’s work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean.

Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Emily Hauser, "Penelope’s Bones: A New History of Homer’s World through the Women Written Out of It" (Univ of Chicago Press, 2025) New Books Network 00:47:54 Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long. In Penelope’s Bones: A New History of Homer’s World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer’s heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer’s world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women’s work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long. In Penelope’s Bones: A New History of Homer’s World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer’s heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer’s world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women’s work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 1656 96cf87c8-4b2f-11f0-bbfd-d728e5dab2b7 Soma Chaudhuri and Jane Ward, "The Witch Studies Reader" (Duke UP, 2025) Soma Chaudhuri and Jane Ward, eds. The Witch Studies Reader. (Duke University Press, 2025). Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches and/or embedded in communities of witchcraft practitioners. The Witch Studies Reader brings together a diverse group of scholars, practitioners, and scholar-practitioners who examine witchcraft from a critical decolonial feminist perspective that decenters Europe and departs from exoticizing and pathologizing writing on witchcraft in the global South. The authors show how witches are keepers of suppressed knowledges, builders of new futures, exemplars of praxis, and theorists in their own right. Throughout, they account for the vastly different national, political-economic, and cultural contexts in which “the witch” is currently being claimed and repudiated. Offering a pathbreaking transnational feminist examination of witches and witchcraft that upends white supremacist, colonial, patriarchal knowledge regimes, this volume brings into being the interdisciplinary field of feminist witch studies. Contributors. Maria Amir, Ruth Asiimwe, Bernadette Barton, Ethel Brooks, Shelina Brown, Ruth Charnock, Soma Chaudhuri, Carolyn Chernoff, Saira Chhibber, Simon Clay, Krystal Cleary, Adrianna L. Ernstberger, Tina Escaja, Laurie Essig, Marcelitte Failla, D Ferrett, Marion Goldman, Jaime Hartless, Margaretha Haughwout, Patricia Humura, Apoorvaa Joshi, Govind Kelkar, Oliver Kellhammer, Ayça Kurtoğlu, Helen Macdonald, Isabel Machado, Brandy Renee McCann, Dev Nathan, Mary Jo Neitz, Amy Nichols-Belo, Allison (or AP) Pierce, Emma Quilty, Anna Rogel, Karen Schaller, Jacquelyn Marie Shannon, Shashank Shekhar Sinha, Gabriella V. Smith, Nathan Snaza, Shannon Hughes Spence, Eric Steinhart, Morena Tartari, Nicole Trigg, Katie Von Wald, Tushabe wa Tushabe, Jane Ward


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]]> Wed, 18 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Soma Chaudhuri and Jane Ward, eds. The Witch Studies Reader. (Duke University Press, 2025). Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches and/or embedded in communities of witchcraft practitioners. The Witch Studies Reader brings together a diverse group of scholars, practitioners, and scholar-practitioners who examine witchcraft from a critical decolonial feminist perspective that decenters Europe and departs from exoticizing and pathologizing writing on witchcraft in the global South. The authors show how witches are keepers of suppressed knowledges, builders of new futures, exemplars of praxis, and theorists in their own right. Throughout, they account for the vastly different national, political-economic, and cultural contexts in which “the witch” is currently being claimed and repudiated. Offering a pathbreaking transnational feminist examination of witches and witchcraft that upends white supremacist, colonial, patriarchal knowledge regimes, this volume brings into being the interdisciplinary field of feminist witch studies. Contributors. Maria Amir, Ruth Asiimwe, Bernadette Barton, Ethel Brooks, Shelina Brown, Ruth Charnock, Soma Chaudhuri, Carolyn Chernoff, Saira Chhibber, Simon Clay, Krystal Cleary, Adrianna L. Ernstberger, Tina Escaja, Laurie Essig, Marcelitte Failla, D Ferrett, Marion Goldman, Jaime Hartless, Margaretha Haughwout, Patricia Humura, Apoorvaa Joshi, Govind Kelkar, Oliver Kellhammer, Ayça Kurtoğlu, Helen Macdonald, Isabel Machado, Brandy Renee McCann, Dev Nathan, Mary Jo Neitz, Amy Nichols-Belo, Allison (or AP) Pierce, Emma Quilty, Anna Rogel, Karen Schaller, Jacquelyn Marie Shannon, Shashank Shekhar Sinha, Gabriella V. Smith, Nathan Snaza, Shannon Hughes Spence, Eric Steinhart, Morena Tartari, Nicole Trigg, Katie Von Wald, Tushabe wa Tushabe, Jane Ward


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]]> Soma Chaudhuri and Jane Ward, "The Witch Studies Reader" (Duke UP, 2025) New Books Network 00:44:14 Soma Chaudhuri and Jane Ward, eds. The Witch Studies Reader. (Duke University Press, 2025). Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches and/or embedded in communities of witchcraft practitioners. The Witch Studies Reader brings together a diverse group of scholars, practitioners, and scholar-practitioners who examine witchcraft from a critical decolonial feminist perspective that decenters Europe and departs from exoticizing and pathologizing writing on witchcraft in the global South. The authors show how witches are keepers of suppressed knowledges, builders of new futures, exemplars of praxis, and theorists in their own right. Throughout, they account for the vastly different national, political-economic, and cultural contexts in which “the witch” is currently being claimed and repudiated. Offering a pathbreaking transnational feminist examination of witches and witchcraft that upends white supremacist, colonial, patriarchal knowledge regimes, this volume brings into being the interdisciplinary field of feminist witch studies. Contributors. Maria Amir, Ruth Asiimwe, Bernadette Barton, Ethel Brooks, Shelina Brown, Ruth Charnock, Soma Chaudhuri, Carolyn Chernoff, Saira Chhibber, Simon Clay, Krystal Cleary, Adrianna L. Ernstberger, Tina Escaja, Laurie Essig, Marcelitte Failla, D Ferrett, Marion Goldman, Jaime Hartless, Margaretha Haughwout, Patricia Humura, Apoorvaa Joshi, Govind Kelkar, Oliver Kellhammer, Ayça Kurtoğlu, Helen Macdonald, Isabel Machado, Brandy Renee McCann, Dev Nathan, Mary Jo Neitz, Amy Nichols-Belo, Allison (or AP) Pierce, Emma Quilty, Anna Rogel, Karen Schaller, Jacquelyn Marie Shannon, Shashank Shekhar Sinha, Gabriella V. Smith, Nathan Snaza, Shannon Hughes Spence, Eric Steinhart, Morena Tartari, Nicole Trigg, Katie Von Wald, Tushabe wa Tushabe, Jane Ward Soma Chaudhuri and Jane Ward, eds. The Witch Studies Reader. (Duke University Press, 2025). Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches and/or embedded in communities of witchcraft practitioners. The Witch Studies Reader brings together a diverse group of scholars, practitioners, and scholar-practitioners who examine witchcraft from a critical decolonial feminist perspective that decenters Europe and departs from exoticizing and pathologizing writing on witchcraft in the global South. The authors show how witches are keepers of suppressed knowledges, builders of new futures, exemplars of praxis, and theorists in their own right. Throughout, they account for the vastly different national, political-economic, and cultural contexts in which “the witch” is currently being claimed and repudiated. Offering a pathbreaking transnational feminist examination of witches and witchcraft that upends white supremacist, colonial, patriarchal knowledge regimes, this volume brings into being the interdisciplinary field of feminist witch studies. Contributors. Maria Amir, Ruth Asiimwe, Bernadette Barton, Ethel Brooks, Shelina Brown, Ruth Charnock, Soma Chaudhuri, Carolyn Chernoff, Saira Chhibber, Simon Clay, Krystal Cleary, Adrianna L. Ernstberger, Tina Escaja, Laurie Essig, Marcelitte Failla, D Ferrett, Marion Goldman, Jaime Hartless, Margaretha Haughwout, Patricia Humura, Apoorvaa Joshi, Govind Kelkar, Oliver Kellhammer, Ayça Kurtoğlu, Helen Macdonald, Isabel Machado, Brandy Renee McCann, Dev Nathan, Mary Jo Neitz, Amy Nichols-Belo, Allison (or AP) Pierce, Emma Quilty, Anna Rogel, Karen Schaller, Jacquelyn Marie Shannon, Shashank Shekhar Sinha, Gabriella V. Smith, Nathan Snaza, Shannon Hughes Spence, Eric Steinhart, Morena Tartari, Nicole Trigg, Katie Von Wald, Tushabe wa Tushabe, Jane Ward false full 1655 c08d8530-45c9-11f0-a2ed-b74902d5d3ab Alexandria Russell, "Black Women Legacies: Public History Sites Seen and Unseen" (University of Illinois Press, 2024) From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans.

Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States.

Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation.


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]]> Wed, 11 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans.

Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States.

Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation.


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]]> Alexandria Russell, "Black Women Legacies: Public History Sites Seen and Unseen" (University of Illinois Press, 2024) New Books Network 01:11:25 From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. false full 1654 67e3071c-40ff-11f0-985c-4feec642d53c Questions: A Discussion with Leslie Butler and Holly Case BOOKS UNDER DISCUSSION:

Leslie Butler, Consistent Democracy: The "Woman Question" and Self-Government in Nineteenth-Century America (Oxford University Press, 2023).

Holly Case, The Age of Questions: Or, A First Attempt at an Aggregate History of the Eastern, Social, Woman, American, Jewish, Polish, Bullion, Tuberculosis, and Many Other Questions over the Nineteenth Century, and Beyond by Holly Case (Princeton University Press, 2018)

Civilizations have faced challenges and debated how to manage them probably as long as civilization has existed. In our era we talk about these challenges as issues, or crises when perceived as more urgent. In the nineteenth century, what we now call issues or problems tended to be spoken of as questions. In this sprawling conversation, ranging from nineteenth-century “trolls” to the scalability of democracy in a various media ecosystems, Leslie Butler and Holly Case talk not only about the 19th-century questions that have captivated them as scholars, but also how, where, by whom, and to what ends these questions were discussed. When did posing questions serve to bring rationality and even-handedness to debates and when was it a rhetorical strategy intended to steer towards a particular end? Butler’s analysis of the “Woman Question” in America’s pursuit of “consistent democracy” distinguished between public opinion and published opinion while Case implicates the internationalization of the public sphere in the emergence of an “Age of Questions.” Have a listen as these erudite scholars contemplate the ways historians might navigate between the Scylla of cynicism and Charybdis of overly earnest naiveté in analyzing the past as well as in our current moment.

Leslie Butler is a Professor of History at Dartmouth College in Hanover, NH. She is an American intellectual and cultural historian, with an emphasis on the nineteenth century.

Holly Case is a historian of modern Europe at Brown University in Providence, RI. Her work focuses on the relationship between foreign policy, social policy, science, and literature in the European state system of the nineteenth and twentieth centuries.


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]]> Fri, 6 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com BOOKS UNDER DISCUSSION:

Leslie Butler, Consistent Democracy: The "Woman Question" and Self-Government in Nineteenth-Century America (Oxford University Press, 2023).

Holly Case, The Age of Questions: Or, A First Attempt at an Aggregate History of the Eastern, Social, Woman, American, Jewish, Polish, Bullion, Tuberculosis, and Many Other Questions over the Nineteenth Century, and Beyond by Holly Case (Princeton University Press, 2018)

Civilizations have faced challenges and debated how to manage them probably as long as civilization has existed. In our era we talk about these challenges as issues, or crises when perceived as more urgent. In the nineteenth century, what we now call issues or problems tended to be spoken of as questions. In this sprawling conversation, ranging from nineteenth-century “trolls” to the scalability of democracy in a various media ecosystems, Leslie Butler and Holly Case talk not only about the 19th-century questions that have captivated them as scholars, but also how, where, by whom, and to what ends these questions were discussed. When did posing questions serve to bring rationality and even-handedness to debates and when was it a rhetorical strategy intended to steer towards a particular end? Butler’s analysis of the “Woman Question” in America’s pursuit of “consistent democracy” distinguished between public opinion and published opinion while Case implicates the internationalization of the public sphere in the emergence of an “Age of Questions.” Have a listen as these erudite scholars contemplate the ways historians might navigate between the Scylla of cynicism and Charybdis of overly earnest naiveté in analyzing the past as well as in our current moment.

Leslie Butler is a Professor of History at Dartmouth College in Hanover, NH. She is an American intellectual and cultural historian, with an emphasis on the nineteenth century.

Holly Case is a historian of modern Europe at Brown University in Providence, RI. Her work focuses on the relationship between foreign policy, social policy, science, and literature in the European state system of the nineteenth and twentieth centuries.


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]]> Questions: A Discussion with Leslie Butler and Holly Case New Books Network 01:28:54 BOOKS UNDER DISCUSSION: Leslie Butler, Consistent Democracy: The "Woman Question" and Self-Government in Nineteenth-Century America (Oxford University Press, 2023). Holly Case, The Age of Questions: Or, A First Attempt at an Aggregate History of the Eastern, Social, Woman, American, Jewish, Polish, Bullion, Tuberculosis, and Many Other Questions over the Nineteenth Century, and Beyond by Holly Case (Princeton University Press, 2018) Civilizations have faced challenges and debated how to manage them probably as long as civilization has existed. In our era we talk about these challenges as issues, or crises when perceived as more urgent. In the nineteenth century, what we now call issues or problems tended to be spoken of as questions. In this sprawling conversation, ranging from nineteenth-century “trolls” to the scalability of democracy in a various media ecosystems, Leslie Butler and Holly Case talk not only about the 19th-century questions that have captivated them as scholars, but also how, where, by whom, and to what ends these questions were discussed. When did posing questions serve to bring rationality and even-handedness to debates and when was it a rhetorical strategy intended to steer towards a particular end? Butler’s analysis of the “Woman Question” in America’s pursuit of “consistent democracy” distinguished between public opinion and published opinion while Case implicates the internationalization of the public sphere in the emergence of an “Age of Questions.” Have a listen as these erudite scholars contemplate the ways historians might navigate between the Scylla of cynicism and Charybdis of overly earnest naiveté in analyzing the past as well as in our current moment. Leslie Butler is a Professor of History at Dartmouth College in Hanover, NH. She is an American intellectual and cultural historian, with an emphasis on the nineteenth century. Holly Case is a historian of modern Europe at Brown University in Providence, RI. Her work focuses on the relationship between foreign policy, social policy, science, and literature in the European state system of the nineteenth and twentieth centuries. BOOKS UNDER DISCUSSION: Leslie Butler, Consistent Democracy: The "Woman Question" and Self-Government in Nineteenth-Century America (Oxford University Press, 2023). Holly Case, The Age of Questions: Or, A First Attempt at an Aggregate History of the Eastern, Social, Woman, American, Jewish, Polish, Bullion, Tuberculosis, and Many Other Questions over the Nineteenth Century, and Beyond by Holly Case (Princeton University Press, 2018) Civilizations have faced challenges and debated how to manage them probably as long as civilization has existed. In our era we talk about these challenges as issues, or crises when perceived as more urgent. In the nineteenth century, what we now call issues or problems tended to be spoken of as questions. In this sprawling conversation, ranging from nineteenth-century “trolls” to the scalability of democracy in a various media ecosystems, Leslie Butler and Holly Case talk not only about the 19th-century questions that have captivated them as scholars, but also how, where, by whom, and to what ends these questions were discussed. When did posing questions serve to bring rationality and even-handedness to debates and when was it a rhetorical strategy intended to steer towards a particular end? Butler’s analysis of the “Woman Question” in America’s pursuit of “consistent democracy” distinguished between public opinion and published opinion while Case implicates the internationalization of the public sphere in the emergence of an “Age of Questions.” Have a listen as these erudite scholars contemplate the ways historians might navigate between the Scylla of cynicism and Charybdis of overly earnest naiveté in analyzing the past as well as in our current moment. Leslie Butler is a Professor of History at Dartmouth College in Hanover, NH. She is an American intellectual and cultural historian, with an emphasis on the nineteenth century. Holly Case is a historian of modern Europe at Brown University in Providence, RI. Her work focuses on the relationship between foreign policy, social policy, science, and literature in the European state system of the nineteenth and twentieth centuries. false full 1653 2a4b8692-2848-11f0-aef7-938bf68fe914 Bonnie Yochelson, "Too Good to Get Married: The Life and Photographs of Miss Alice Austen" (Fordham UP, 2025) In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York’s leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.
Alice Austen (1866–1952) lived at Clear Comfort, her grandparent’s Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.
When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men’s clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.
Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen’s photographs, Yochelson illuminates the history of American photography and the history of sexuality.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Tue, 3 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York’s leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.
Alice Austen (1866–1952) lived at Clear Comfort, her grandparent’s Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.
When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men’s clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.
Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen’s photographs, Yochelson illuminates the history of American photography and the history of sexuality.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Bonnie Yochelson, "Too Good to Get Married: The Life and Photographs of Miss Alice Austen" (Fordham UP, 2025) New Books Network 01:01:36 In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York’s leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent’s Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men’s clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen’s photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York’s leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent’s Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men’s clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen’s photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 283 0b077864-3d05-11f0-8c61-93a7e56b3128 Victoria Bynum, "Deep Roots, Broken Branches: A History and Memoir" (UP of Mississippi, 2025) Historian Victoria Bynum turns now to her own history in this multigenerational American saga spanning from 1840 to 1979. Through meticulous historical research, personal letters, diaries, and the unpublished memoir of Mary Daniel Huckenpoehler, the author’s maternal grandmother, Bynum examines five generations within the broader context of the nation’s history, navigating pivotal events such as First Wave immigration, the Civil War, the Gilded Age, the Great Depression, two world wars, the Cold War, and beyond.

Child of a mother from Waconia, Minnesota, and father from Jones County, Mississippi, Bynum blends a historian’s voice with personal experiences, intertwining her grandmother’s unpublished memoir and letters with her own role as a diarist and historian. She explores class, race, ethnicity, and gender dynamics. From the rise of Welsh immigrant ancestors in the Upper Midwest and the Gilded Age privileges of her grandmother’s upbringing to Bynum’s own tumultuous childhood in the 1950s and early 1960s as she is shuttled between Georgia, Mississippi, Minnesota, Florida, and California, Bynum grapples with numerous dangers of being raised in a volatile environment marked by alcohol-fueled violence, sexual degradation, and neglect. Against the backdrop of racial segregation, civil rights movements, and the Cold War, Deep Roots, Broken Branches: A History and Memoir (UP of Mississippi, 2025) traces the author’s coming-of-age journey, and the profound influence of her grandmother.

Revealed through the lens and tensions of an Air Force family, Deep Roots, Broken Branches explores Bynum’s intellectual curiosity, voracious reading habits, and turbulent path through early motherhood, divorce, and higher education in California. Throughout, her grandmother remains a stabilizing force, offering inspiration and guidance. This book paints a vivid portrait of a southern identity’s growth amid personal challenges and broader societal shifts.



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]]> Sun, 1 Jun 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Historian Victoria Bynum turns now to her own history in this multigenerational American saga spanning from 1840 to 1979. Through meticulous historical research, personal letters, diaries, and the unpublished memoir of Mary Daniel Huckenpoehler, the author’s maternal grandmother, Bynum examines five generations within the broader context of the nation’s history, navigating pivotal events such as First Wave immigration, the Civil War, the Gilded Age, the Great Depression, two world wars, the Cold War, and beyond.

Child of a mother from Waconia, Minnesota, and father from Jones County, Mississippi, Bynum blends a historian’s voice with personal experiences, intertwining her grandmother’s unpublished memoir and letters with her own role as a diarist and historian. She explores class, race, ethnicity, and gender dynamics. From the rise of Welsh immigrant ancestors in the Upper Midwest and the Gilded Age privileges of her grandmother’s upbringing to Bynum’s own tumultuous childhood in the 1950s and early 1960s as she is shuttled between Georgia, Mississippi, Minnesota, Florida, and California, Bynum grapples with numerous dangers of being raised in a volatile environment marked by alcohol-fueled violence, sexual degradation, and neglect. Against the backdrop of racial segregation, civil rights movements, and the Cold War, Deep Roots, Broken Branches: A History and Memoir (UP of Mississippi, 2025) traces the author’s coming-of-age journey, and the profound influence of her grandmother.

Revealed through the lens and tensions of an Air Force family, Deep Roots, Broken Branches explores Bynum’s intellectual curiosity, voracious reading habits, and turbulent path through early motherhood, divorce, and higher education in California. Throughout, her grandmother remains a stabilizing force, offering inspiration and guidance. This book paints a vivid portrait of a southern identity’s growth amid personal challenges and broader societal shifts.



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]]> Victoria Bynum, "Deep Roots, Broken Branches: A History and Memoir" (UP of Mississippi, 2025) New Books Network 00:50:41 Historian Victoria Bynum turns now to her own history in this multigenerational American saga spanning from 1840 to 1979. Through meticulous historical research, personal letters, diaries, and the unpublished memoir of Mary Daniel Huckenpoehler, the author’s maternal grandmother, Bynum examines five generations within the broader context of the nation’s history, navigating pivotal events such as First Wave immigration, the Civil War, the Gilded Age, the Great Depression, two world wars, the Cold War, and beyond. Child of a mother from Waconia, Minnesota, and father from Jones County, Mississippi, Bynum blends a historian’s voice with personal experiences, intertwining her grandmother’s unpublished memoir and letters with her own role as a diarist and historian. She explores class, race, ethnicity, and gender dynamics. From the rise of Welsh immigrant ancestors in the Upper Midwest and the Gilded Age privileges of her grandmother’s upbringing to Bynum’s own tumultuous childhood in the 1950s and early 1960s as she is shuttled between Georgia, Mississippi, Minnesota, Florida, and California, Bynum grapples with numerous dangers of being raised in a volatile environment marked by alcohol-fueled violence, sexual degradation, and neglect. Against the backdrop of racial segregation, civil rights movements, and the Cold War, Deep Roots, Broken Branches: A History and Memoir (UP of Mississippi, 2025) traces the author’s coming-of-age journey, and the profound influence of her grandmother. Revealed through the lens and tensions of an Air Force family, Deep Roots, Broken Branches explores Bynum’s intellectual curiosity, voracious reading habits, and turbulent path through early motherhood, divorce, and higher education in California. Throughout, her grandmother remains a stabilizing force, offering inspiration and guidance. This book paints a vivid portrait of a southern identity’s growth amid personal challenges and broader societal shifts. Historian Victoria Bynum turns now to her own history in this multigenerational American saga spanning from 1840 to 1979. Through meticulous historical research, personal letters, diaries, and the unpublished memoir of Mary Daniel Huckenpoehler, the author’s maternal grandmother, Bynum examines five generations within the broader context of the nation’s history, navigating pivotal events such as First Wave immigration, the Civil War, the Gilded Age, the Great Depression, two world wars, the Cold War, and beyond. Child of a mother from Waconia, Minnesota, and father from Jones County, Mississippi, Bynum blends a historian’s voice with personal experiences, intertwining her grandmother’s unpublished memoir and letters with her own role as a diarist and historian. She explores class, race, ethnicity, and gender dynamics. From the rise of Welsh immigrant ancestors in the Upper Midwest and the Gilded Age privileges of her grandmother’s upbringing to Bynum’s own tumultuous childhood in the 1950s and early 1960s as she is shuttled between Georgia, Mississippi, Minnesota, Florida, and California, Bynum grapples with numerous dangers of being raised in a volatile environment marked by alcohol-fueled violence, sexual degradation, and neglect. Against the backdrop of racial segregation, civil rights movements, and the Cold War, Deep Roots, Broken Branches: A History and Memoir (UP of Mississippi, 2025) traces the author’s coming-of-age journey, and the profound influence of her grandmother. Revealed through the lens and tensions of an Air Force family, Deep Roots, Broken Branches explores Bynum’s intellectual curiosity, voracious reading habits, and turbulent path through early motherhood, divorce, and higher education in California. Throughout, her grandmother remains a stabilizing force, offering inspiration and guidance. This book paints a vivid portrait of a southern identity’s growth amid personal challenges and broader societal shifts. false full 1651 4cfb7f5c-3c67-11f0-bed0-d7366deb6c3b Nneka D. Dennie, "Mary Ann Shadd Cary: Essential Writings of a Nineteenth Century Black Radical Feminist" (Oxford UP, 2023) In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”

Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom.

Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation.


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]]> Fri, 30 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”

Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom.

Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation.


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]]> Nneka D. Dennie, "Mary Ann Shadd Cary: Essential Writings of a Nineteenth Century Black Radical Feminist" (Oxford UP, 2023) New Books Network 00:54:47 In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.” Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom. Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation. In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.” Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom. Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation. false full 1650 372076a6-3b18-11f0-9fe2-4bc5795d2976 Jane Elizabeth Dougherty, "Narrating Irish Female Development, 1916-2018" (Edinburgh UP, 2024) Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce’s bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce’s work.

  • Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O’Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O’Brien, Dervla Murphy, Clare Boylan, Nuala O’Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel
  • Examines the form, narration, and content of fictional, non-fictional, and national narratives
  • Develops a feminist psychoanalytic narratology
  • Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development

Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale.

Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France).


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]]> Wed, 28 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce’s bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce’s work.

  • Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O’Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O’Brien, Dervla Murphy, Clare Boylan, Nuala O’Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel
  • Examines the form, narration, and content of fictional, non-fictional, and national narratives
  • Develops a feminist psychoanalytic narratology
  • Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development

Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale.

Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France).


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]]> Jane Elizabeth Dougherty, "Narrating Irish Female Development, 1916-2018" (Edinburgh UP, 2024) New Books Network 00:46:54 Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce’s bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce’s work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O’Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O’Brien, Dervla Murphy, Clare Boylan, Nuala O’Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce’s bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce’s work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O’Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O’Brien, Dervla Murphy, Clare Boylan, Nuala O’Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). false full 1649 70c3ee16-367b-11f0-b79d-7b96e43b56e6 Hannah Jeans, "Reading, Gender and Identity in Seventeenth-Century England" (U London Press, 2025) In Reading, Gender and Identity in Seventeenth-Century England (University of London Press, 2025), Hannah Jeans explores the reading habits of early modern women and the ways in which their reading became a site of identity formation and promotion. Jeans studies both contemporary prescriptions around women's reading, particularly their consumption of religious and romance texts, as well the actual activity of women. Additionally, Reading, Gender and Identity covers some less-well known genres with which women engaged, such as news media and scientific texts. Drawing on a range of sources, like annotations, inscriptions, commonplace books, and self-writing, Jeans presents a fascinating account of the broad range of readings that early modern women participated in, and the multifaceted identities they crafted from these activities. It is an excellent read for anyone interested in the history of reading, print and manuscript culture, self-fashioning, or gender in early modern England.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.


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]]> Tue, 27 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Reading, Gender and Identity in Seventeenth-Century England (University of London Press, 2025), Hannah Jeans explores the reading habits of early modern women and the ways in which their reading became a site of identity formation and promotion. Jeans studies both contemporary prescriptions around women's reading, particularly their consumption of religious and romance texts, as well the actual activity of women. Additionally, Reading, Gender and Identity covers some less-well known genres with which women engaged, such as news media and scientific texts. Drawing on a range of sources, like annotations, inscriptions, commonplace books, and self-writing, Jeans presents a fascinating account of the broad range of readings that early modern women participated in, and the multifaceted identities they crafted from these activities. It is an excellent read for anyone interested in the history of reading, print and manuscript culture, self-fashioning, or gender in early modern England.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.


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]]> Hannah Jeans, "Reading, Gender and Identity in Seventeenth-Century England" (U London Press, 2025) New Books Network 00:45:59 In Reading, Gender and Identity in Seventeenth-Century England (University of London Press, 2025), Hannah Jeans explores the reading habits of early modern women and the ways in which their reading became a site of identity formation and promotion. Jeans studies both contemporary prescriptions around women's reading, particularly their consumption of religious and romance texts, as well the actual activity of women. Additionally, Reading, Gender and Identity covers some less-well known genres with which women engaged, such as news media and scientific texts. Drawing on a range of sources, like annotations, inscriptions, commonplace books, and self-writing, Jeans presents a fascinating account of the broad range of readings that early modern women participated in, and the multifaceted identities they crafted from these activities. It is an excellent read for anyone interested in the history of reading, print and manuscript culture, self-fashioning, or gender in early modern England. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. In Reading, Gender and Identity in Seventeenth-Century England (University of London Press, 2025), Hannah Jeans explores the reading habits of early modern women and the ways in which their reading became a site of identity formation and promotion. Jeans studies both contemporary prescriptions around women's reading, particularly their consumption of religious and romance texts, as well the actual activity of women. Additionally, Reading, Gender and Identity covers some less-well known genres with which women engaged, such as news media and scientific texts. Drawing on a range of sources, like annotations, inscriptions, commonplace books, and self-writing, Jeans presents a fascinating account of the broad range of readings that early modern women participated in, and the multifaceted identities they crafted from these activities. It is an excellent read for anyone interested in the history of reading, print and manuscript culture, self-fashioning, or gender in early modern England. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. false full 109 3b3b1656-35af-11f0-b4ff-6fd1f056e917 Lori Jo Marso, "Feminism and the Cinema of Experience" (Duke UP, 2024) Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman’s work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman’s work but also the ways in which Ackerman’s work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman’s cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman’s work attends to and notices women’s experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso’s analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect.

Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman’s work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig’s Barbie movie into the discussion as well.

This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social


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]]> Mon, 26 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman’s work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman’s work but also the ways in which Ackerman’s work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman’s cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman’s work attends to and notices women’s experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso’s analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect.

Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman’s work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig’s Barbie movie into the discussion as well.

This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social


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]]> Lori Jo Marso, "Feminism and the Cinema of Experience" (Duke UP, 2024) New Books Network 00:48:26 Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman’s work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman’s work but also the ways in which Ackerman’s work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman’s cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman’s work attends to and notices women’s experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso’s analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman’s work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig’s Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman’s work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman’s work but also the ways in which Ackerman’s work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman’s cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman’s work attends to and notices women’s experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso’s analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman’s work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig’s Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social false full 770 733f4636-324d-11f0-8c5a-9b21efa8efdc Emily Colbert Cairns and Nieves Romero-Diaz, "Early Modern Maternities in the Iberian Atlantic" (Amsterdam UP, 2024) Emily Colbert Cairns of Salve Regina University and Nieves Romero-Díaz of Mount Holyoke join Jana Byars to talk about Early Modern Maternities in the Iberian Atlantic (Amsterdam University Press, 2024). It is the first volume to emphasize women's personal experiences and their life trajectories as mothers within the Peninsula and across the Atlantic. Although an official discourse that defined the conditions of motherhood emerged in the eighteenth century, before this period there were many different articulations of motherhood through which women negotiated hierarchical relationships, power struggles and alliances. While the individual experiences were unique and depended upon the positionality of race and class, the complexities of being a mother were universal. The wide variety of written and visual documents included in this volume highlight women's voices in the first person along with more subtle references to motherhood as well as silences. This collection broadens our understanding of the complexities of motherhood, addressing the pressures of becoming a mother, miscarriage, the acts of giving birth and lactation and the ordeals of raising children.


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]]> Sun, 25 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Emily Colbert Cairns of Salve Regina University and Nieves Romero-Díaz of Mount Holyoke join Jana Byars to talk about Early Modern Maternities in the Iberian Atlantic (Amsterdam University Press, 2024). It is the first volume to emphasize women's personal experiences and their life trajectories as mothers within the Peninsula and across the Atlantic. Although an official discourse that defined the conditions of motherhood emerged in the eighteenth century, before this period there were many different articulations of motherhood through which women negotiated hierarchical relationships, power struggles and alliances. While the individual experiences were unique and depended upon the positionality of race and class, the complexities of being a mother were universal. The wide variety of written and visual documents included in this volume highlight women's voices in the first person along with more subtle references to motherhood as well as silences. This collection broadens our understanding of the complexities of motherhood, addressing the pressures of becoming a mother, miscarriage, the acts of giving birth and lactation and the ordeals of raising children.


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]]> Emily Colbert Cairns and Nieves Romero-Diaz, "Early Modern Maternities in the Iberian Atlantic" (Amsterdam UP, 2024) New Books Network 00:43:04 Emily Colbert Cairns of Salve Regina University and Nieves Romero-Díaz of Mount Holyoke join Jana Byars to talk about Early Modern Maternities in the Iberian Atlantic (Amsterdam University Press, 2024). It is the first volume to emphasize women's personal experiences and their life trajectories as mothers within the Peninsula and across the Atlantic. Although an official discourse that defined the conditions of motherhood emerged in the eighteenth century, before this period there were many different articulations of motherhood through which women negotiated hierarchical relationships, power struggles and alliances. While the individual experiences were unique and depended upon the positionality of race and class, the complexities of being a mother were universal. The wide variety of written and visual documents included in this volume highlight women's voices in the first person along with more subtle references to motherhood as well as silences. This collection broadens our understanding of the complexities of motherhood, addressing the pressures of becoming a mother, miscarriage, the acts of giving birth and lactation and the ordeals of raising children. Emily Colbert Cairns of Salve Regina University and Nieves Romero-Díaz of Mount Holyoke join Jana Byars to talk about Early Modern Maternities in the Iberian Atlantic (Amsterdam University Press, 2024). It is the first volume to emphasize women's personal experiences and their life trajectories as mothers within the Peninsula and across the Atlantic. Although an official discourse that defined the conditions of motherhood emerged in the eighteenth century, before this period there were many different articulations of motherhood through which women negotiated hierarchical relationships, power struggles and alliances. While the individual experiences were unique and depended upon the positionality of race and class, the complexities of being a mother were universal. The wide variety of written and visual documents included in this volume highlight women's voices in the first person along with more subtle references to motherhood as well as silences. This collection broadens our understanding of the complexities of motherhood, addressing the pressures of becoming a mother, miscarriage, the acts of giving birth and lactation and the ordeals of raising children. false full 107 38f33fe8-31a6-11f0-ada2-4f5d4f55cf41 Carrie Helms Tippen, "Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks" (UP of Mississippi, 2025) The cookbook genre is highly conventional with an orientation toward celebration and success. From glossy photographs to heartwarming stories and adjective-rich ingredient lists, the cookbook tradition primes readers for pleasure. Yet the overarching narrative of the region is often one of pain, loss, privation, exploitation, poverty, and suffering of various kinds. While some cookbook writers go to great lengths to avoid reminding readers of this painful past, others invoke that pain as a marker of southern authenticity. Still others use stories of southern suffering as an opportunity to make space for reconciliation, reparation, or apology for past wrongs.

In Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks (UP of Mississippi, 2025), author Carrie Helms Tippen attempts to understand the unique rhetorical situation of the southern cookbook as it negotiates a tension between the expectations of the genre and the prevailing metanarratives of the southern experience, one focused on pleasure and the other rooted in pain. Through an analysis of commercially published “southern” cookbooks from the 1990s to the present, Tippen examines the range of rhetorical purposes and strategies writers have employed, some of which undermine the reality of a painful past and cause harm or violence, and others which serve as tools for truth and reconciliation.


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]]> Sat, 24 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The cookbook genre is highly conventional with an orientation toward celebration and success. From glossy photographs to heartwarming stories and adjective-rich ingredient lists, the cookbook tradition primes readers for pleasure. Yet the overarching narrative of the region is often one of pain, loss, privation, exploitation, poverty, and suffering of various kinds. While some cookbook writers go to great lengths to avoid reminding readers of this painful past, others invoke that pain as a marker of southern authenticity. Still others use stories of southern suffering as an opportunity to make space for reconciliation, reparation, or apology for past wrongs.

In Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks (UP of Mississippi, 2025), author Carrie Helms Tippen attempts to understand the unique rhetorical situation of the southern cookbook as it negotiates a tension between the expectations of the genre and the prevailing metanarratives of the southern experience, one focused on pleasure and the other rooted in pain. Through an analysis of commercially published “southern” cookbooks from the 1990s to the present, Tippen examines the range of rhetorical purposes and strategies writers have employed, some of which undermine the reality of a painful past and cause harm or violence, and others which serve as tools for truth and reconciliation.


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]]> Carrie Helms Tippen, "Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks" (UP of Mississippi, 2025) New Books Network 01:13:26 The cookbook genre is highly conventional with an orientation toward celebration and success. From glossy photographs to heartwarming stories and adjective-rich ingredient lists, the cookbook tradition primes readers for pleasure. Yet the overarching narrative of the region is often one of pain, loss, privation, exploitation, poverty, and suffering of various kinds. While some cookbook writers go to great lengths to avoid reminding readers of this painful past, others invoke that pain as a marker of southern authenticity. Still others use stories of southern suffering as an opportunity to make space for reconciliation, reparation, or apology for past wrongs. In Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks (UP of Mississippi, 2025), author Carrie Helms Tippen attempts to understand the unique rhetorical situation of the southern cookbook as it negotiates a tension between the expectations of the genre and the prevailing metanarratives of the southern experience, one focused on pleasure and the other rooted in pain. Through an analysis of commercially published “southern” cookbooks from the 1990s to the present, Tippen examines the range of rhetorical purposes and strategies writers have employed, some of which undermine the reality of a painful past and cause harm or violence, and others which serve as tools for truth and reconciliation. The cookbook genre is highly conventional with an orientation toward celebration and success. From glossy photographs to heartwarming stories and adjective-rich ingredient lists, the cookbook tradition primes readers for pleasure. Yet the overarching narrative of the region is often one of pain, loss, privation, exploitation, poverty, and suffering of various kinds. While some cookbook writers go to great lengths to avoid reminding readers of this painful past, others invoke that pain as a marker of southern authenticity. Still others use stories of southern suffering as an opportunity to make space for reconciliation, reparation, or apology for past wrongs. In Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks (UP of Mississippi, 2025), author Carrie Helms Tippen attempts to understand the unique rhetorical situation of the southern cookbook as it negotiates a tension between the expectations of the genre and the prevailing metanarratives of the southern experience, one focused on pleasure and the other rooted in pain. Through an analysis of commercially published “southern” cookbooks from the 1990s to the present, Tippen examines the range of rhetorical purposes and strategies writers have employed, some of which undermine the reality of a painful past and cause harm or violence, and others which serve as tools for truth and reconciliation. false full 174 fdb40a0c-3196-11f0-8531-93e7a275fe9d Jennifer Lynn Gross, "Sisterhood of the Lost Cause: Confederate Widows in the New South" (LSU Press, 2025) Historians have thoroughly documented the vast devastation of the Civil War. In the attention they have paid to aspects of that destruction, however, one of the most obvious ramifications appears routinely overlooked—Confederate widowhood. Dr. Jennifer Lynn Gross’s Sisterhood of the Lost Cause: Confederate Widows in the New South (LSU Press, 2025) helps rectify that historical omission by supplying a sweeping analysis of women whose husbands perished in the war.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Fri, 23 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Historians have thoroughly documented the vast devastation of the Civil War. In the attention they have paid to aspects of that destruction, however, one of the most obvious ramifications appears routinely overlooked—Confederate widowhood. Dr. Jennifer Lynn Gross’s Sisterhood of the Lost Cause: Confederate Widows in the New South (LSU Press, 2025) helps rectify that historical omission by supplying a sweeping analysis of women whose husbands perished in the war.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Jennifer Lynn Gross, "Sisterhood of the Lost Cause: Confederate Widows in the New South" (LSU Press, 2025) New Books Network 00:53:49 Historians have thoroughly documented the vast devastation of the Civil War. In the attention they have paid to aspects of that destruction, however, one of the most obvious ramifications appears routinely overlooked—Confederate widowhood. Dr. Jennifer Lynn Gross’s Sisterhood of the Lost Cause: Confederate Widows in the New South (LSU Press, 2025) helps rectify that historical omission by supplying a sweeping analysis of women whose husbands perished in the war. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Historians have thoroughly documented the vast devastation of the Civil War. In the attention they have paid to aspects of that destruction, however, one of the most obvious ramifications appears routinely overlooked—Confederate widowhood. Dr. Jennifer Lynn Gross’s Sisterhood of the Lost Cause: Confederate Widows in the New South (LSU Press, 2025) helps rectify that historical omission by supplying a sweeping analysis of women whose husbands perished in the war. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 70 513b80e0-1880-11f0-9ffb-275683799718 Kevin Smokler, "Break the Frame: Conversations with Women Filmmakers" (Oxford UP, 2025) In the twenty-first century alone, women filmmakers have succeeded at directing every size, genre, and style of motion picture. Their movies have won Oscars (Free Solo), made actors into household names (Jennifer Lawrence in Winter's Bone), received induction into the Library of Congress's National Film Registry (Real Women Have Curves), and become worldwide box office phenomena (Captain Marvel, Deep Impact). Nevertheless in 2023, the year of Barbie, women directed only 12% of the top 250 movies in America. demonstrating how far moviemaking remains from gender parity. When women filmmakers succeed, they do so against these odds.


Break the Frame (Oxford UP, 2025) is a collection of 24 career-spanning interviews with America's celebrated, reigning, and rising women filmmakers. Each conversation considers the director's complete filmography as a map of their evolving artistry and evidence of their unassailable contributions to a historically misogynist industry. Author Kevin Smokler listens as women filmmakers speak to the struggle and triumphs of developing and directing movies that are shaping how the film business sees women in the director's chair, and how their audiences see themselves and each other. This book is both an opportunity and invitation to devote one's time, admiration and enthusiasm to movies directed by women.


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]]> Thu, 22 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the twenty-first century alone, women filmmakers have succeeded at directing every size, genre, and style of motion picture. Their movies have won Oscars (Free Solo), made actors into household names (Jennifer Lawrence in Winter's Bone), received induction into the Library of Congress's National Film Registry (Real Women Have Curves), and become worldwide box office phenomena (Captain Marvel, Deep Impact). Nevertheless in 2023, the year of Barbie, women directed only 12% of the top 250 movies in America. demonstrating how far moviemaking remains from gender parity. When women filmmakers succeed, they do so against these odds.


Break the Frame (Oxford UP, 2025) is a collection of 24 career-spanning interviews with America's celebrated, reigning, and rising women filmmakers. Each conversation considers the director's complete filmography as a map of their evolving artistry and evidence of their unassailable contributions to a historically misogynist industry. Author Kevin Smokler listens as women filmmakers speak to the struggle and triumphs of developing and directing movies that are shaping how the film business sees women in the director's chair, and how their audiences see themselves and each other. This book is both an opportunity and invitation to devote one's time, admiration and enthusiasm to movies directed by women.


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]]> Kevin Smokler, "Break the Frame: Conversations with Women Filmmakers" (Oxford UP, 2025) New Books Network 00:51:23 In the twenty-first century alone, women filmmakers have succeeded at directing every size, genre, and style of motion picture. Their movies have won Oscars (Free Solo), made actors into household names (Jennifer Lawrence in Winter's Bone), received induction into the Library of Congress's National Film Registry (Real Women Have Curves), and become worldwide box office phenomena (Captain Marvel, Deep Impact). Nevertheless in 2023, the year of Barbie, women directed only 12% of the top 250 movies in America. demonstrating how far moviemaking remains from gender parity. When women filmmakers succeed, they do so against these odds. Break the Frame (Oxford UP, 2025) is a collection of 24 career-spanning interviews with America's celebrated, reigning, and rising women filmmakers. Each conversation considers the director's complete filmography as a map of their evolving artistry and evidence of their unassailable contributions to a historically misogynist industry. Author Kevin Smokler listens as women filmmakers speak to the struggle and triumphs of developing and directing movies that are shaping how the film business sees women in the director's chair, and how their audiences see themselves and each other. This book is both an opportunity and invitation to devote one's time, admiration and enthusiasm to movies directed by women. In the twenty-first century alone, women filmmakers have succeeded at directing every size, genre, and style of motion picture. Their movies have won Oscars (Free Solo), made actors into household names (Jennifer Lawrence in Winter's Bone), received induction into the Library of Congress's National Film Registry (Real Women Have Curves), and become worldwide box office phenomena (Captain Marvel, Deep Impact). Nevertheless in 2023, the year of Barbie, women directed only 12% of the top 250 movies in America. demonstrating how far moviemaking remains from gender parity. When women filmmakers succeed, they do so against these odds. Break the Frame (Oxford UP, 2025) is a collection of 24 career-spanning interviews with America's celebrated, reigning, and rising women filmmakers. Each conversation considers the director's complete filmography as a map of their evolving artistry and evidence of their unassailable contributions to a historically misogynist industry. Author Kevin Smokler listens as women filmmakers speak to the struggle and triumphs of developing and directing movies that are shaping how the film business sees women in the director's chair, and how their audiences see themselves and each other. This book is both an opportunity and invitation to devote one's time, admiration and enthusiasm to movies directed by women. false full 214 5df4db26-3101-11f0-a649-af10d7c00e19 Lucia Soriano, "Embodying Normalcy: Women's Work in Neoliberal Times" (Lexington Books, 2024) Embodying Normalcy: Women’s Work in Neoliberal Times (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day.

Author Lucia Soriano is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College.

The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz.


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]]> Wed, 21 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Embodying Normalcy: Women’s Work in Neoliberal Times (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day.

Author Lucia Soriano is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College.

The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz.


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]]> Lucia Soriano, "Embodying Normalcy: Women's Work in Neoliberal Times" (Lexington Books, 2024) New Books Network 00:49:36 Embodying Normalcy: Women’s Work in Neoliberal Times (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day. Author Lucia Soriano is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College. The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Embodying Normalcy: Women’s Work in Neoliberal Times (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day. Author Lucia Soriano is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College. The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. false full 251 cd6d949a-30dc-11f0-905a-cf1c56d735c1 Mayukh Sen, "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star" (Norton, 2025) In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn’t the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry.

But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She’d hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth.

Mayukh Sen tackles Oberon’s life in Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Tue, 20 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn’t the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry.

But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She’d hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth.

Mayukh Sen tackles Oberon’s life in Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Mayukh Sen, "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star" (Norton, 2025) New Books Network 00:51:30 In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn’t the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She’d hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon’s life in Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn’t the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She’d hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon’s life in Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. false full 238 c90f6ada-30d8-11f0-8232-637661688f9d Guo Quan Seng, "Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia" (SAPP, 2023) In Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia (SAPP, 2023), Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942).

At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java.

Departing from male-centered narratives of overseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia.


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]]> Mon, 19 May 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia (SAPP, 2023), Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942).

At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java.

Departing from male-centered narratives of overseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia.


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]]> Guo Quan Seng, "Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia" (SAPP, 2023) New Books Network 00:51:08 In Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia (SAPP, 2023), Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942). At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java. Departing from male-centered narratives of overseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia. In Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia (SAPP, 2023), Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942). At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java. Departing from male-centered narratives of overseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia. false full 161 8835a92a-30d8-11f0-aaa4-47b9ef454b86 Guo Quan Seng, "Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia" (SAPP, 2023) In Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia (SAPP, 2023), Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942).

At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java.

Departing from male-centered narratives of overseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia.


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]]> Sun, 18 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia (SAPP, 2023), Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942).

At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java.

Departing from male-centered narratives of overseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia.


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]]> Guo Quan Seng, "Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia" (SAPP, 2023) New Books Network 00:50:08 In Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia (SAPP, 2023), Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942). At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java. Departing from male-centered narratives of overseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia. In Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia (SAPP, 2023), Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942). At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java. Departing from male-centered narratives of overseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia. false full 161 762c0150-3035-11f0-88c8-0f9e9a018b66 Rochelle Rojas, "Bad Christians and Hanging Toads: Witch Crafting in Northern Spain, 1525–1675" (Cornell UP, 2025) Bad Christians and Hanging Toads: Witch Crafting in Northern Spain, 1525–1675 (Cornell University Press, 2025) by Dr. Rochelle Rojas tells riveting stories of witchcraft in everyday life in early modern Navarra. Belief in witchcraft not only emerged in moments of mass panic but was woven into the fabric of village life. Some villagers believed witches sickened crops and cows with poisonous powders, others thought they engaged in diabolism and perverted sex, and still others believed they lovingly raised toads used to commit evil deeds. Most villagers, however, simply saw witches as those with reputations of being mala cristianas—bad Christians. Dr. Rojas illuminates the social webs of accusations and the pathways of village gossip that created the conditions for the witch beliefs and trials of the period.

While studies of witchcraft in Spain tend to focus on the inquisitorial trials and witch panic of 1609–14, Bad Christians and Hanging Toads turns to witch trials conducted by the region's secular judiciary, Navarra's royal tribunals, tracing the prosecution of accused witches over 150 years. Using detailed evidence from trial records and neighbors' testimonies, Dr. Rojas vividly brings to life the women and men crafted as witches by their neighbors and the authorities and guides readers through the judicial process, from accusations and the examination of the evidence to sentencing and punishment.

By privileging the voices of villagers throughout, Bad Christians and Hanging Toads demonstrates that the inner logic of early modern European witchcraft trials can be understood only by examining of the local, everyday aspects of witch belief.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 17 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Bad Christians and Hanging Toads: Witch Crafting in Northern Spain, 1525–1675 (Cornell University Press, 2025) by Dr. Rochelle Rojas tells riveting stories of witchcraft in everyday life in early modern Navarra. Belief in witchcraft not only emerged in moments of mass panic but was woven into the fabric of village life. Some villagers believed witches sickened crops and cows with poisonous powders, others thought they engaged in diabolism and perverted sex, and still others believed they lovingly raised toads used to commit evil deeds. Most villagers, however, simply saw witches as those with reputations of being mala cristianas—bad Christians. Dr. Rojas illuminates the social webs of accusations and the pathways of village gossip that created the conditions for the witch beliefs and trials of the period.

While studies of witchcraft in Spain tend to focus on the inquisitorial trials and witch panic of 1609–14, Bad Christians and Hanging Toads turns to witch trials conducted by the region's secular judiciary, Navarra's royal tribunals, tracing the prosecution of accused witches over 150 years. Using detailed evidence from trial records and neighbors' testimonies, Dr. Rojas vividly brings to life the women and men crafted as witches by their neighbors and the authorities and guides readers through the judicial process, from accusations and the examination of the evidence to sentencing and punishment.

By privileging the voices of villagers throughout, Bad Christians and Hanging Toads demonstrates that the inner logic of early modern European witchcraft trials can be understood only by examining of the local, everyday aspects of witch belief.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Rochelle Rojas, "Bad Christians and Hanging Toads: Witch Crafting in Northern Spain, 1525–1675" (Cornell UP, 2025) New Books Network 00:39:24 Bad Christians and Hanging Toads: Witch Crafting in Northern Spain, 1525–1675 (Cornell University Press, 2025) by Dr. Rochelle Rojas tells riveting stories of witchcraft in everyday life in early modern Navarra. Belief in witchcraft not only emerged in moments of mass panic but was woven into the fabric of village life. Some villagers believed witches sickened crops and cows with poisonous powders, others thought they engaged in diabolism and perverted sex, and still others believed they lovingly raised toads used to commit evil deeds. Most villagers, however, simply saw witches as those with reputations of being mala cristianas—bad Christians. Dr. Rojas illuminates the social webs of accusations and the pathways of village gossip that created the conditions for the witch beliefs and trials of the period. While studies of witchcraft in Spain tend to focus on the inquisitorial trials and witch panic of 1609–14, Bad Christians and Hanging Toads turns to witch trials conducted by the region's secular judiciary, Navarra's royal tribunals, tracing the prosecution of accused witches over 150 years. Using detailed evidence from trial records and neighbors' testimonies, Dr. Rojas vividly brings to life the women and men crafted as witches by their neighbors and the authorities and guides readers through the judicial process, from accusations and the examination of the evidence to sentencing and punishment. By privileging the voices of villagers throughout, Bad Christians and Hanging Toads demonstrates that the inner logic of early modern European witchcraft trials can be understood only by examining of the local, everyday aspects of witch belief. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Bad Christians and Hanging Toads: Witch Crafting in Northern Spain, 1525–1675 (Cornell University Press, 2025) by Dr. Rochelle Rojas tells riveting stories of witchcraft in everyday life in early modern Navarra. Belief in witchcraft not only emerged in moments of mass panic but was woven into the fabric of village life. Some villagers believed witches sickened crops and cows with poisonous powders, others thought they engaged in diabolism and perverted sex, and still others believed they lovingly raised toads used to commit evil deeds. Most villagers, however, simply saw witches as those with reputations of being mala cristianas—bad Christians. Dr. Rojas illuminates the social webs of accusations and the pathways of village gossip that created the conditions for the witch beliefs and trials of the period. While studies of witchcraft in Spain tend to focus on the inquisitorial trials and witch panic of 1609–14, Bad Christians and Hanging Toads turns to witch trials conducted by the region's secular judiciary, Navarra's royal tribunals, tracing the prosecution of accused witches over 150 years. Using detailed evidence from trial records and neighbors' testimonies, Dr. Rojas vividly brings to life the women and men crafted as witches by their neighbors and the authorities and guides readers through the judicial process, from accusations and the examination of the evidence to sentencing and punishment. By privileging the voices of villagers throughout, Bad Christians and Hanging Toads demonstrates that the inner logic of early modern European witchcraft trials can be understood only by examining of the local, everyday aspects of witch belief. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 18 939c55bc-3019-11f0-a79b-8faa51b1e2e1 Annie Zaleski, "I Got You Babe: A Celebration of Cher" (Running Press Adult, 2025) Covering her life and sixty-year career from Sonny & Cher to show-stopping solo performer, award-winning actress, fashion icon, and beyond, this is a glorious retrospective of one of the world's most enduring entertainers, Cher. Featuring a foreword by Cyndi Lauper!

Commemorating six decades since her first #1 hit in 1965, I Got You Babe (Running Press, 2025) captures Cher's one-of-a-kind life. Written by award-winning writer and editor Annie Zaleski, this celebration of the fearless, down-to-earth "Goddess of Pop" explores key moments in her life and career in words and photos.


Amid these moments are photo after photo of some of the most eye-popping outfits ever worn in life and on stage. As an avid clothes horse who wasn't afraid to wear a see-through dress to the Met Gala in 1974, Cher's many looks will be given their due in this engaging, career-spanning retrospective.

Annie Zaleski is an award-winning writer and editor who's contributed to NPR Music, Salon, Rolling Stone, and The Guardian. She's also the author of multiple books, including an extensive look at Duran Duran's Rio for Bloomsbury's prestigious 33 1/3 series, and biographies of pop stars Lady Gaga and P!nk. She interviewed Cher ahead of her 2016 Las Vegas residency and praised the icon in a career-spanning 2021 Salon piece; additionally, she wrote about the intriguing backstory of Sonny & Cher's "I Got You Babe" in Running Press's forthcoming book We Found Love, Song by Song.

Annie Zaleski on Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Bluesky.


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]]> Fri, 16 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Covering her life and sixty-year career from Sonny & Cher to show-stopping solo performer, award-winning actress, fashion icon, and beyond, this is a glorious retrospective of one of the world's most enduring entertainers, Cher. Featuring a foreword by Cyndi Lauper!

Commemorating six decades since her first #1 hit in 1965, I Got You Babe (Running Press, 2025) captures Cher's one-of-a-kind life. Written by award-winning writer and editor Annie Zaleski, this celebration of the fearless, down-to-earth "Goddess of Pop" explores key moments in her life and career in words and photos.


Amid these moments are photo after photo of some of the most eye-popping outfits ever worn in life and on stage. As an avid clothes horse who wasn't afraid to wear a see-through dress to the Met Gala in 1974, Cher's many looks will be given their due in this engaging, career-spanning retrospective.

Annie Zaleski is an award-winning writer and editor who's contributed to NPR Music, Salon, Rolling Stone, and The Guardian. She's also the author of multiple books, including an extensive look at Duran Duran's Rio for Bloomsbury's prestigious 33 1/3 series, and biographies of pop stars Lady Gaga and P!nk. She interviewed Cher ahead of her 2016 Las Vegas residency and praised the icon in a career-spanning 2021 Salon piece; additionally, she wrote about the intriguing backstory of Sonny & Cher's "I Got You Babe" in Running Press's forthcoming book We Found Love, Song by Song.

Annie Zaleski on Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Bluesky.


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]]> Annie Zaleski, "I Got You Babe: A Celebration of Cher" (Running Press Adult, 2025) New Books Network 00:51:47 Covering her life and sixty-year career from Sonny & Cher to show-stopping solo performer, award-winning actress, fashion icon, and beyond, this is a glorious retrospective of one of the world's most enduring entertainers, Cher. Featuring a foreword by Cyndi Lauper! Commemorating six decades since her first #1 hit in 1965, I Got You Babe (Running Press, 2025) captures Cher's one-of-a-kind life. Written by award-winning writer and editor Annie Zaleski, this celebration of the fearless, down-to-earth "Goddess of Pop" explores key moments in her life and career in words and photos. Amid these moments are photo after photo of some of the most eye-popping outfits ever worn in life and on stage. As an avid clothes horse who wasn't afraid to wear a see-through dress to the Met Gala in 1974, Cher's many looks will be given their due in this engaging, career-spanning retrospective. Annie Zaleski is an award-winning writer and editor who's contributed to NPR Music, Salon, Rolling Stone, and The Guardian. She's also the author of multiple books, including an extensive look at Duran Duran's Rio for Bloomsbury's prestigious 33 1/3 series, and biographies of pop stars Lady Gaga and P!nk. She interviewed Cher ahead of her 2016 Las Vegas residency and praised the icon in a career-spanning 2021 Salon piece; additionally, she wrote about the intriguing backstory of Sonny & Cher's "I Got You Babe" in Running Press's forthcoming book We Found Love, Song by Song. Annie Zaleski on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Bluesky. Covering her life and sixty-year career from Sonny & Cher to show-stopping solo performer, award-winning actress, fashion icon, and beyond, this is a glorious retrospective of one of the world's most enduring entertainers, Cher. Featuring a foreword by Cyndi Lauper! Commemorating six decades since her first #1 hit in 1965, I Got You Babe (Running Press, 2025) captures Cher's one-of-a-kind life. Written by award-winning writer and editor Annie Zaleski, this celebration of the fearless, down-to-earth "Goddess of Pop" explores key moments in her life and career in words and photos. Amid these moments are photo after photo of some of the most eye-popping outfits ever worn in life and on stage. As an avid clothes horse who wasn't afraid to wear a see-through dress to the Met Gala in 1974, Cher's many looks will be given their due in this engaging, career-spanning retrospective. Annie Zaleski is an award-winning writer and editor who's contributed to NPR Music, Salon, Rolling Stone, and The Guardian. She's also the author of multiple books, including an extensive look at Duran Duran's Rio for Bloomsbury's prestigious 33 1/3 series, and biographies of pop stars Lady Gaga and P!nk. She interviewed Cher ahead of her 2016 Las Vegas residency and praised the icon in a career-spanning 2021 Salon piece; additionally, she wrote about the intriguing backstory of Sonny & Cher's "I Got You Babe" in Running Press's forthcoming book We Found Love, Song by Song. Annie Zaleski on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Bluesky. false full 1637 8cc1b1bc-2f68-11f0-9c89-2f5619a1f23d Vincent L Stephens, "Broads, Sisters, Exes: Feminist Millennial Television" (Wayne State UP, 2025) This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives. 

Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television.


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]]> Thu, 15 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives. 

Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television.


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]]> Vincent L Stephens, "Broads, Sisters, Exes: Feminist Millennial Television" (Wayne State UP, 2025) New Books Network 01:06:57 This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives.  Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. false full 158 c6ef46ea-0279-11f0-bbb7-1ff880668c89 Anna Wainwright, "Widow City: Gender, Emotion, and Community in the Italian Renaissance" (U Delaware Press, 2025) Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance.


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]]> Wed, 14 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance.


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]]> Anna Wainwright, "Widow City: Gender, Emotion, and Community in the Italian Renaissance" (U Delaware Press, 2025) New Books Network 00:51:27 Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. false full 98 67c94fd0-2f60-11f0-bb27-6f5cf7bc9846 Claire McNulty, "Edinburgh's Unruly Women: Gender, Discipline, and Power, 1560-1660" (Routledge, 2024) Edinburgh's Unruly Women: Gender, Discipline, and Power, 1560-1660 (Routledge, 2024) examines experiences of church discipline across parish communities through Edinburgh and its environs. The book argues that experiences of discipline were not universal, varying according to any number of factors such as age, gender, marital status, and social rank.

Adopting a case study approach, the book illuminates the voices of ordinary women as they appeared before their local kirk session (church court) where they navigated the church court system to settle neighbourly disputes, negotiate marriage contracts, or free their husbands from allegations of adultery. Edinburgh's Unruly Women argues that in the context of a deeply patriarchal society, experiences of discipline could not have been universal, but that in creating this strict culture of self-monitoring, the Church created opportunities for women to express power over one another, and indeed, over their male contemporaries.

By placing female parishioners at the heart of the book, filled with individual case studies, Edinburgh's Unruly Women appeals to students and scholars of early modern women, religion, and gender more broadly, and to those with more specialist interest in both ecclesiastical discipline and the history of early modern Scotland in the localities.


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]]> Tue, 13 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Edinburgh's Unruly Women: Gender, Discipline, and Power, 1560-1660 (Routledge, 2024) examines experiences of church discipline across parish communities through Edinburgh and its environs. The book argues that experiences of discipline were not universal, varying according to any number of factors such as age, gender, marital status, and social rank.

Adopting a case study approach, the book illuminates the voices of ordinary women as they appeared before their local kirk session (church court) where they navigated the church court system to settle neighbourly disputes, negotiate marriage contracts, or free their husbands from allegations of adultery. Edinburgh's Unruly Women argues that in the context of a deeply patriarchal society, experiences of discipline could not have been universal, but that in creating this strict culture of self-monitoring, the Church created opportunities for women to express power over one another, and indeed, over their male contemporaries.

By placing female parishioners at the heart of the book, filled with individual case studies, Edinburgh's Unruly Women appeals to students and scholars of early modern women, religion, and gender more broadly, and to those with more specialist interest in both ecclesiastical discipline and the history of early modern Scotland in the localities.


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]]> Claire McNulty, "Edinburgh's Unruly Women: Gender, Discipline, and Power, 1560-1660" (Routledge, 2024) New Books Network 00:33:44 Edinburgh's Unruly Women: Gender, Discipline, and Power, 1560-1660 (Routledge, 2024) examines experiences of church discipline across parish communities through Edinburgh and its environs. The book argues that experiences of discipline were not universal, varying according to any number of factors such as age, gender, marital status, and social rank. Adopting a case study approach, the book illuminates the voices of ordinary women as they appeared before their local kirk session (church court) where they navigated the church court system to settle neighbourly disputes, negotiate marriage contracts, or free their husbands from allegations of adultery. Edinburgh's Unruly Women argues that in the context of a deeply patriarchal society, experiences of discipline could not have been universal, but that in creating this strict culture of self-monitoring, the Church created opportunities for women to express power over one another, and indeed, over their male contemporaries. By placing female parishioners at the heart of the book, filled with individual case studies, Edinburgh's Unruly Women appeals to students and scholars of early modern women, religion, and gender more broadly, and to those with more specialist interest in both ecclesiastical discipline and the history of early modern Scotland in the localities. Edinburgh's Unruly Women: Gender, Discipline, and Power, 1560-1660 (Routledge, 2024) examines experiences of church discipline across parish communities through Edinburgh and its environs. The book argues that experiences of discipline were not universal, varying according to any number of factors such as age, gender, marital status, and social rank. Adopting a case study approach, the book illuminates the voices of ordinary women as they appeared before their local kirk session (church court) where they navigated the church court system to settle neighbourly disputes, negotiate marriage contracts, or free their husbands from allegations of adultery. Edinburgh's Unruly Women argues that in the context of a deeply patriarchal society, experiences of discipline could not have been universal, but that in creating this strict culture of self-monitoring, the Church created opportunities for women to express power over one another, and indeed, over their male contemporaries. By placing female parishioners at the heart of the book, filled with individual case studies, Edinburgh's Unruly Women appeals to students and scholars of early modern women, religion, and gender more broadly, and to those with more specialist interest in both ecclesiastical discipline and the history of early modern Scotland in the localities. false full 106 6ed9fa32-2c49-11f0-8e80-bf4407ab79db Courtney M. Cox, "Double Crossover: Gender, Media, and Politics in Global Basketball" (U Illinois Press, 2025) As they compete in leagues around the world, elite women’s basketball players continually adjust to new cultures, rules, and contracts.

Courtney M. Cox follows athletes, coaches, journalists, and advocates of women’s basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women’s basketball illuminate new forms of navigating the global sports-media complex.

Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women’s basketball to shed light on the struggles, triumphs, and contributions of today’s players and those around them.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Sat, 10 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com As they compete in leagues around the world, elite women’s basketball players continually adjust to new cultures, rules, and contracts.

Courtney M. Cox follows athletes, coaches, journalists, and advocates of women’s basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women’s basketball illuminate new forms of navigating the global sports-media complex.

Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women’s basketball to shed light on the struggles, triumphs, and contributions of today’s players and those around them.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Courtney M. Cox, "Double Crossover: Gender, Media, and Politics in Global Basketball" (U Illinois Press, 2025) New Books Network 01:04:22 As they compete in leagues around the world, elite women’s basketball players continually adjust to new cultures, rules, and contracts. Courtney M. Cox follows athletes, coaches, journalists, and advocates of women’s basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women’s basketball illuminate new forms of navigating the global sports-media complex. Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women’s basketball to shed light on the struggles, triumphs, and contributions of today’s players and those around them. Peter C. Kunze is an assistant professor of communication at Tulane University. As they compete in leagues around the world, elite women’s basketball players continually adjust to new cultures, rules, and contracts. Courtney M. Cox follows athletes, coaches, journalists, and advocates of women’s basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women’s basketball illuminate new forms of navigating the global sports-media complex. Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women’s basketball to shed light on the struggles, triumphs, and contributions of today’s players and those around them. Peter C. Kunze is an assistant professor of communication at Tulane University. false full 156 fa5929ec-2b3c-11f0-aa04-1bb7e4eb6e9f Becky Aikman, "Spitfires: The American Women Who Flew in the Face of Danger during World War II" (Bloomsbury, 2025) They were crop dusters and debutantes, college girls and performers in flying circuses-all of them trained as pilots. Because they were women, they were denied the opportunity to fly for their country when the United States entered the Second World War. But Great Britain, desperately fighting for survival, would let anyone-even Americans, even women-transport warplanes. Thus, twenty-five daring young aviators bolted for England in 1942, becoming the first American women to command military aircraft.

In a faraway land, these "spitfires" lived like women decades ahead of their time. Risking their lives in one of the deadliest jobs of the war, they ferried new, barely tested fighters and bombers to air bases and returned shot-up wrecks for repair, never knowing what might go wrong until they were high in the sky. Many ferry pilots died in crashes or made spectacular saves. It was exciting, often terrifying work. The pilots broke new ground off duty as well, shocking their hosts with thoroughly modern behavior.

With cinematic sweep, in Spitfires: The American Women Who Flew in the Face of Danger during World War II (Bloomsbury, 2025) Becky Aikman follows the stories of nine of the women who served, drawing on unpublished diaries, letters, and records, along with her own interviews, to bring these forgotten heroines fully to life. Spitfires is a vivid, richly detailed account of war, ambition, and a group of remarkable women whose lives were as unconventional as their dreams.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Wed, 7 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com They were crop dusters and debutantes, college girls and performers in flying circuses-all of them trained as pilots. Because they were women, they were denied the opportunity to fly for their country when the United States entered the Second World War. But Great Britain, desperately fighting for survival, would let anyone-even Americans, even women-transport warplanes. Thus, twenty-five daring young aviators bolted for England in 1942, becoming the first American women to command military aircraft.

In a faraway land, these "spitfires" lived like women decades ahead of their time. Risking their lives in one of the deadliest jobs of the war, they ferried new, barely tested fighters and bombers to air bases and returned shot-up wrecks for repair, never knowing what might go wrong until they were high in the sky. Many ferry pilots died in crashes or made spectacular saves. It was exciting, often terrifying work. The pilots broke new ground off duty as well, shocking their hosts with thoroughly modern behavior.

With cinematic sweep, in Spitfires: The American Women Who Flew in the Face of Danger during World War II (Bloomsbury, 2025) Becky Aikman follows the stories of nine of the women who served, drawing on unpublished diaries, letters, and records, along with her own interviews, to bring these forgotten heroines fully to life. Spitfires is a vivid, richly detailed account of war, ambition, and a group of remarkable women whose lives were as unconventional as their dreams.


This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Becky Aikman, "Spitfires: The American Women Who Flew in the Face of Danger during World War II" (Bloomsbury, 2025) New Books Network 00:30:56 They were crop dusters and debutantes, college girls and performers in flying circuses-all of them trained as pilots. Because they were women, they were denied the opportunity to fly for their country when the United States entered the Second World War. But Great Britain, desperately fighting for survival, would let anyone-even Americans, even women-transport warplanes. Thus, twenty-five daring young aviators bolted for England in 1942, becoming the first American women to command military aircraft. In a faraway land, these "spitfires" lived like women decades ahead of their time. Risking their lives in one of the deadliest jobs of the war, they ferried new, barely tested fighters and bombers to air bases and returned shot-up wrecks for repair, never knowing what might go wrong until they were high in the sky. Many ferry pilots died in crashes or made spectacular saves. It was exciting, often terrifying work. The pilots broke new ground off duty as well, shocking their hosts with thoroughly modern behavior. With cinematic sweep, in Spitfires: The American Women Who Flew in the Face of Danger during World War II (Bloomsbury, 2025) Becky Aikman follows the stories of nine of the women who served, drawing on unpublished diaries, letters, and records, along with her own interviews, to bring these forgotten heroines fully to life. Spitfires is a vivid, richly detailed account of war, ambition, and a group of remarkable women whose lives were as unconventional as their dreams. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. They were crop dusters and debutantes, college girls and performers in flying circuses-all of them trained as pilots. Because they were women, they were denied the opportunity to fly for their country when the United States entered the Second World War. But Great Britain, desperately fighting for survival, would let anyone-even Americans, even women-transport warplanes. Thus, twenty-five daring young aviators bolted for England in 1942, becoming the first American women to command military aircraft. In a faraway land, these "spitfires" lived like women decades ahead of their time. Risking their lives in one of the deadliest jobs of the war, they ferried new, barely tested fighters and bombers to air bases and returned shot-up wrecks for repair, never knowing what might go wrong until they were high in the sky. Many ferry pilots died in crashes or made spectacular saves. It was exciting, often terrifying work. The pilots broke new ground off duty as well, shocking their hosts with thoroughly modern behavior. With cinematic sweep, in Spitfires: The American Women Who Flew in the Face of Danger during World War II (Bloomsbury, 2025) Becky Aikman follows the stories of nine of the women who served, drawing on unpublished diaries, letters, and records, along with her own interviews, to bring these forgotten heroines fully to life. Spitfires is a vivid, richly detailed account of war, ambition, and a group of remarkable women whose lives were as unconventional as their dreams. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 117 18a45674-2818-11f0-ad60-87790639f8a7 Nechama Birnbaum, "The Redhead of Auschwitz: A True Story" (Amsterdam Publishers, 2021) Rosie was always told her red hair was a curse, but she never believed it. She often dreamed what it would look like under a white veil with the man of her dreams by her side. However, her life takes a harrowing turn in 1944 when she is forced out of her home and sent to the most gruesome of places: Auschwitz.

Upon arrival, Rosie's head is shaved and along with the loss of her beautiful hair, she loses the life she once cherished. Among the chaos and surrounded by hopelessness, Rosie realizes the only thing the Nazis cannot take away from her is the fierce redhead resilience in her spirit. When all of her friends conclude they are going to heaven from Auschwitz, she remains determined to get home. She summons all of her courage, through death camps and death marches to do just that.

The Redhead of Auschwitz: A True Story (Amsterdam Publishers, 2021), written by Nechama Birnbaum in honor of her grandmother, is as full of life as it is of death. It is about the intricacies of Jewish culture that still exist today and the tender experiences that are universal to all humanity. It is a story about what happens when we choose hate over love.


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]]> Wed, 7 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Rosie was always told her red hair was a curse, but she never believed it. She often dreamed what it would look like under a white veil with the man of her dreams by her side. However, her life takes a harrowing turn in 1944 when she is forced out of her home and sent to the most gruesome of places: Auschwitz.

Upon arrival, Rosie's head is shaved and along with the loss of her beautiful hair, she loses the life she once cherished. Among the chaos and surrounded by hopelessness, Rosie realizes the only thing the Nazis cannot take away from her is the fierce redhead resilience in her spirit. When all of her friends conclude they are going to heaven from Auschwitz, she remains determined to get home. She summons all of her courage, through death camps and death marches to do just that.

The Redhead of Auschwitz: A True Story (Amsterdam Publishers, 2021), written by Nechama Birnbaum in honor of her grandmother, is as full of life as it is of death. It is about the intricacies of Jewish culture that still exist today and the tender experiences that are universal to all humanity. It is a story about what happens when we choose hate over love.


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]]> Nechama Birnbaum, "The Redhead of Auschwitz: A True Story" (Amsterdam Publishers, 2021) New Books Network 00:48:08 Rosie was always told her red hair was a curse, but she never believed it. She often dreamed what it would look like under a white veil with the man of her dreams by her side. However, her life takes a harrowing turn in 1944 when she is forced out of her home and sent to the most gruesome of places: Auschwitz. Upon arrival, Rosie's head is shaved and along with the loss of her beautiful hair, she loses the life she once cherished. Among the chaos and surrounded by hopelessness, Rosie realizes the only thing the Nazis cannot take away from her is the fierce redhead resilience in her spirit. When all of her friends conclude they are going to heaven from Auschwitz, she remains determined to get home. She summons all of her courage, through death camps and death marches to do just that. The Redhead of Auschwitz: A True Story (Amsterdam Publishers, 2021), written by Nechama Birnbaum in honor of her grandmother, is as full of life as it is of death. It is about the intricacies of Jewish culture that still exist today and the tender experiences that are universal to all humanity. It is a story about what happens when we choose hate over love. Rosie was always told her red hair was a curse, but she never believed it. She often dreamed what it would look like under a white veil with the man of her dreams by her side. However, her life takes a harrowing turn in 1944 when she is forced out of her home and sent to the most gruesome of places: Auschwitz. Upon arrival, Rosie's head is shaved and along with the loss of her beautiful hair, she loses the life she once cherished. Among the chaos and surrounded by hopelessness, Rosie realizes the only thing the Nazis cannot take away from her is the fierce redhead resilience in her spirit. When all of her friends conclude they are going to heaven from Auschwitz, she remains determined to get home. She summons all of her courage, through death camps and death marches to do just that. The Redhead of Auschwitz: A True Story (Amsterdam Publishers, 2021), written by Nechama Birnbaum in honor of her grandmother, is as full of life as it is of death. It is about the intricacies of Jewish culture that still exist today and the tender experiences that are universal to all humanity. It is a story about what happens when we choose hate over love. false full 638 4d93e96a-2761-11f0-a6c2-3ff86cfcde93 Cynthia Enloe, "Twelve Feminist Lessons of War" (U California Press, 2023) Women's wars are not men's wars. This is the first lesson of Cynthias Enloe’s Twelve Feminist Lessons of War (U California Press, 2023): the lack of attention paid to women during war not only obscures their experiences but also prevents a full understanding of war and its effects. Wartime shapes women's lives and also the gendered politics of issues such as domestic relationships and childcare, labor and economic mobility, political rights and participation, violence, and much more. By paying attention to the lives of women during war, Enloe shows what women can teach us about war. And in Twelve Feminists Lessons of War it's not just the lessons about war themselves are feminist. 

This book also tells lessons from feminist activists and how they have responded to war, whether it is being fought in their backyard or by their state's military tens of thousands of miles away. Drawn from insights gained during her long career researching and writing about women during war and the gendered politics of war, Enloe presents a dozen lessons to be learned about women's lives during war and how we can shorten or even prevent wars by paying attention to women's experiences.

Cynthia Enloe is Research Professor in the Department of International Development, Community and Environment at Clark University where she also has affiliations in the Women's and Gender Studies and Political Science departments. Professor Enloe researches, writes, and teaches about the politics of gender in the US and globally.

Resources mentioned during the episode:


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]]> Tue, 6 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women's wars are not men's wars. This is the first lesson of Cynthias Enloe’s Twelve Feminist Lessons of War (U California Press, 2023): the lack of attention paid to women during war not only obscures their experiences but also prevents a full understanding of war and its effects. Wartime shapes women's lives and also the gendered politics of issues such as domestic relationships and childcare, labor and economic mobility, political rights and participation, violence, and much more. By paying attention to the lives of women during war, Enloe shows what women can teach us about war. And in Twelve Feminists Lessons of War it's not just the lessons about war themselves are feminist. 

This book also tells lessons from feminist activists and how they have responded to war, whether it is being fought in their backyard or by their state's military tens of thousands of miles away. Drawn from insights gained during her long career researching and writing about women during war and the gendered politics of war, Enloe presents a dozen lessons to be learned about women's lives during war and how we can shorten or even prevent wars by paying attention to women's experiences.

Cynthia Enloe is Research Professor in the Department of International Development, Community and Environment at Clark University where she also has affiliations in the Women's and Gender Studies and Political Science departments. Professor Enloe researches, writes, and teaches about the politics of gender in the US and globally.

Resources mentioned during the episode:


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]]> Cynthia Enloe, "Twelve Feminist Lessons of War" (U California Press, 2023) New Books Network 01:06:47 Women's wars are not men's wars. This is the first lesson of Cynthias Enloe’s Twelve Feminist Lessons of War (U California Press, 2023): the lack of attention paid to women during war not only obscures their experiences but also prevents a full understanding of war and its effects. Wartime shapes women's lives and also the gendered politics of issues such as domestic relationships and childcare, labor and economic mobility, political rights and participation, violence, and much more. By paying attention to the lives of women during war, Enloe shows what women can teach us about war. And in Twelve Feminists Lessons of War it's not just the lessons about war themselves are feminist.  This book also tells lessons from feminist activists and how they have responded to war, whether it is being fought in their backyard or by their state's military tens of thousands of miles away. Drawn from insights gained during her long career researching and writing about women during war and the gendered politics of war, Enloe presents a dozen lessons to be learned about women's lives during war and how we can shorten or even prevent wars by paying attention to women's experiences. Cynthia Enloe is Research Professor in the Department of International Development, Community and Environment at Clark University where she also has affiliations in the Women's and Gender Studies and Political Science departments. Professor Enloe researches, writes, and teaches about the politics of gender in the US and globally. Resources mentioned during the episode: Brown University's “Costs of War” Project No Job for a Woman: The Women Who Fought to Cover WWII Sudanese Feminist Reading List Women's wars are not men's wars. This is the first lesson of Cynthias Enloe’s Twelve Feminist Lessons of War (U California Press, 2023): the lack of attention paid to women during war not only obscures their experiences but also prevents a full understanding of war and its effects. Wartime shapes women's lives and also the gendered politics of issues such as domestic relationships and childcare, labor and economic mobility, political rights and participation, violence, and much more. By paying attention to the lives of women during war, Enloe shows what women can teach us about war. And in Twelve Feminists Lessons of War it's not just the lessons about war themselves are feminist.  This book also tells lessons from feminist activists and how they have responded to war, whether it is being fought in their backyard or by their state's military tens of thousands of miles away. Drawn from insights gained during her long career researching and writing about women during war and the gendered politics of war, Enloe presents a dozen lessons to be learned about women's lives during war and how we can shorten or even prevent wars by paying attention to women's experiences. Cynthia Enloe is Research Professor in the Department of International Development, Community and Environment at Clark University where she also has affiliations in the Women's and Gender Studies and Political Science departments. Professor Enloe researches, writes, and teaches about the politics of gender in the US and globally. Resources mentioned during the episode: Brown University's “Costs of War” Project No Job for a Woman: The Women Who Fought to Cover WWII Sudanese Feminist Reading List false full 208 33260226-2751-11f0-8c80-a7be63bdb1f3 Lucy Adlington, "The Dressmakers of Auschwitz: The True Story of the Women Who Sewed to Survive" (HarperCollins, 2021) At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers.

This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust.

Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz (Harper Collins, 2021) follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.


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]]> Mon, 5 May 2025 04:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers.

This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust.

Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz (Harper Collins, 2021) follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.


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]]> Lucy Adlington, "The Dressmakers of Auschwitz: The True Story of the Women Who Sewed to Survive" (HarperCollins, 2021) New Books Network 01:03:49 At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust. Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz (Harper Collins, 2021) follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust. At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust. Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz (Harper Collins, 2021) follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust. false full 637 062f4f44-2769-11f0-9ce2-43ecdaabce2d Andrea Pappas, "Embroidering the Landscape: Women, Art and the Environment in British North America, 1740-1770" (Lund Humphries, 2023) Linking histories of women, relationships to the natural environment, material culture and art, in Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 (Lund Humphries, 2023) Dr. Andrea Pappas presents a new, multi-dimensional view of eighteenth-century American culture from a unique perspective. This book investigates how and why women pictured the landscape in their needlework. It explores the ways their embroidered landscapes address the tumultuous environmental history of the period; how their depictions of nature differ from those made by men; and what women’s choices of motifs can tell us about their lives and their relationships to nature.

Embroidering the Landscape situates these pastoral and georgic needleworks (c. 1740-1775) at the intersection of environmental and social histories, interpreting them through ecocritical and social lenses. Dr. Pappas’ investigation draws out connections between women’s depicted landscapes and environmental and cultural history at a time when nature itself was a charged arena for changes in agriculture, husbandry, gardening, and the emerging discourses of botany and natural history. Her insights change our understanding of the relationship between culture and the environment in this period and raise new questions about the unrecognized extent of women’s engagement with nature and natural science.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sun, 4 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Linking histories of women, relationships to the natural environment, material culture and art, in Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 (Lund Humphries, 2023) Dr. Andrea Pappas presents a new, multi-dimensional view of eighteenth-century American culture from a unique perspective. This book investigates how and why women pictured the landscape in their needlework. It explores the ways their embroidered landscapes address the tumultuous environmental history of the period; how their depictions of nature differ from those made by men; and what women’s choices of motifs can tell us about their lives and their relationships to nature.

Embroidering the Landscape situates these pastoral and georgic needleworks (c. 1740-1775) at the intersection of environmental and social histories, interpreting them through ecocritical and social lenses. Dr. Pappas’ investigation draws out connections between women’s depicted landscapes and environmental and cultural history at a time when nature itself was a charged arena for changes in agriculture, husbandry, gardening, and the emerging discourses of botany and natural history. Her insights change our understanding of the relationship between culture and the environment in this period and raise new questions about the unrecognized extent of women’s engagement with nature and natural science.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Andrea Pappas, "Embroidering the Landscape: Women, Art and the Environment in British North America, 1740-1770" (Lund Humphries, 2023) New Books Network 00:42:20 Linking histories of women, relationships to the natural environment, material culture and art, in Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 (Lund Humphries, 2023) Dr. Andrea Pappas presents a new, multi-dimensional view of eighteenth-century American culture from a unique perspective. This book investigates how and why women pictured the landscape in their needlework. It explores the ways their embroidered landscapes address the tumultuous environmental history of the period; how their depictions of nature differ from those made by men; and what women’s choices of motifs can tell us about their lives and their relationships to nature. Embroidering the Landscape situates these pastoral and georgic needleworks (c. 1740-1775) at the intersection of environmental and social histories, interpreting them through ecocritical and social lenses. Dr. Pappas’ investigation draws out connections between women’s depicted landscapes and environmental and cultural history at a time when nature itself was a charged arena for changes in agriculture, husbandry, gardening, and the emerging discourses of botany and natural history. Her insights change our understanding of the relationship between culture and the environment in this period and raise new questions about the unrecognized extent of women’s engagement with nature and natural science. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Linking histories of women, relationships to the natural environment, material culture and art, in Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 (Lund Humphries, 2023) Dr. Andrea Pappas presents a new, multi-dimensional view of eighteenth-century American culture from a unique perspective. This book investigates how and why women pictured the landscape in their needlework. It explores the ways their embroidered landscapes address the tumultuous environmental history of the period; how their depictions of nature differ from those made by men; and what women’s choices of motifs can tell us about their lives and their relationships to nature. Embroidering the Landscape situates these pastoral and georgic needleworks (c. 1740-1775) at the intersection of environmental and social histories, interpreting them through ecocritical and social lenses. Dr. Pappas’ investigation draws out connections between women’s depicted landscapes and environmental and cultural history at a time when nature itself was a charged arena for changes in agriculture, husbandry, gardening, and the emerging discourses of botany and natural history. Her insights change our understanding of the relationship between culture and the environment in this period and raise new questions about the unrecognized extent of women’s engagement with nature and natural science. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 116 0ba7ac38-274a-11f0-b953-0311652ce260 "I have not Finished...": Rokahya Diallo on being Black, Muslim, and frequently interrupted (Emilie Diouf, JP) Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal’s literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart.

The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity.

Mentioned in the Episode

Read and Listen to the episode here.


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]]> Fri, 2 May 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal’s literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart.

The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity.

Mentioned in the Episode

Read and Listen to the episode here.


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]]> "I have not Finished...": Rokahya Diallo on being Black, Muslim, and frequently interrupted (Emilie Diouf, JP) New Books Network 00:42:54 Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal’s literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l’aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don’t try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover’s Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y’a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo’s own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo’s film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal’s literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l’aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don’t try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover’s Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y’a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo’s own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo’s film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. false full 1627 86c03550-2535-11f0-8a1e-0bf745e578d6 Vanessa Priya Daniel, "Unrig the Game: What Women of Color Can Teach Everyone About Winning" (Random House, 2025) In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?
Unrig the Game: What Women of Color Can Teach Everyone About Winning (Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.
For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve.


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]]> Thu, 1 May 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?
Unrig the Game: What Women of Color Can Teach Everyone About Winning (Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.
For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve.


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]]> Vanessa Priya Daniel, "Unrig the Game: What Women of Color Can Teach Everyone About Winning" (Random House, 2025) New Books Network 00:49:01 In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?Unrig the Game: What Women of Color Can Teach Everyone About Winning (Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve. In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?Unrig the Game: What Women of Color Can Teach Everyone About Winning (Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve. false full 1626 743e81e4-2377-11f0-99ec-47b3212a070b Caitlin Killian, "Understanding Reproduction in Social Contexts" (Bloomsbury, 2025) In today's post-Roe v. Wade world, U.S. maternal mortality is on the rise and laws regarding contraception, involuntary sterilization, access to reproductive health services, and criminalization of people who are gestating are changing by the minute. Today I’m joined by Dr. Caitlin Killian, the editor of and one of the contributors to a new book from Bloomsbury Academic, Understanding Reproduction in Social Contexts: A Reader. I’m also pleased to host two of the chapter authors, Drs. Nancy Hiemstra and Jaya Keaney.

Using a reproductive justice framework, Understanding Reproduction in Social Contexts walks students through the social landscape around reproduction through the life course. Chapters by cutting-edge reproductive scholars, practitioners, and advocates address the social control of fertility and pregnancy, the promises and perils of assisted reproductive technologies, experiences of pregnancy, miscarriage, abortion, and birth, and how individuals make sense of and respond to the cultural, social, and political forces that condition their reproductive lives. The book takes an intersectional approach and considers how gender, sexuality, fatness, disability, class, race, and immigration status impact both an individual's health and the healthcare they receive. The reader includes timely topics such as increased legal limitations on abortion, transpeople and reproduction, and new developments in assisted reproduction and family formation. The book can support undergraduate and graduate courses on families, gender, public health, reproduction, and sexuality – and I’m pleased to have contributed a chapter.

Dr. Caitlin Killian is a Professor of Sociology at Drew University specializing in gender, families, reproduction, and immigration. We featured her book, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity 2023) previously on New Books Network. Her articles have appeared in Contexts magazine and The Conversation, as well as numerous academic journals, and she has done work for the United Nations on sexual and reproductive health and rights and on Syrian refugee women

Dr. Nancy Hiemstra is a political, cultural, and feminist geographer and Associate Professor in the Department of Women's, Gender, and Sexuality Studies at Stony Brook University. Her scholarship focuses on how border and immigration policies shape patterns and consequences of human mobility. Her 2019 book Detain and Deport: The Chaotic U.S. Immigration Enforcement Regime examined the U.S. detention and deportation system, and her forthcoming book (with Deirdre Conlon) Immigration Detention Inc: The Big Business of Locking Up Migrants scrutinizes how profit making goals drive the expanding use of detention.

Dr Jaya Keaney is Lecturer in Gender Studies in the School of Social and Political Sciences at the University of Melbourne. She writes, researches, and teaches in the fields of feminist technoscience, queer and feminist theory, and cultural studies. Her research across these fields explores reproduction, racism, and queer feminist practices of embodiment and inheritance. Jaya is the author of Making Gaybies: Queer Reproduction and Multiracial Feeling (Duke University Press, 2023), which was a finalist for the 2024 Rachel Carson Prize. Her writing has also appeared in journals such as Body and Society, Science Technology & Human Values, and the Duke University Press edited collection Long Term: Essays on Queer Commitment (2021).

Mentioned:


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]]> Mon, 28 Apr 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In today's post-Roe v. Wade world, U.S. maternal mortality is on the rise and laws regarding contraception, involuntary sterilization, access to reproductive health services, and criminalization of people who are gestating are changing by the minute. Today I’m joined by Dr. Caitlin Killian, the editor of and one of the contributors to a new book from Bloomsbury Academic, Understanding Reproduction in Social Contexts: A Reader. I’m also pleased to host two of the chapter authors, Drs. Nancy Hiemstra and Jaya Keaney.

Using a reproductive justice framework, Understanding Reproduction in Social Contexts walks students through the social landscape around reproduction through the life course. Chapters by cutting-edge reproductive scholars, practitioners, and advocates address the social control of fertility and pregnancy, the promises and perils of assisted reproductive technologies, experiences of pregnancy, miscarriage, abortion, and birth, and how individuals make sense of and respond to the cultural, social, and political forces that condition their reproductive lives. The book takes an intersectional approach and considers how gender, sexuality, fatness, disability, class, race, and immigration status impact both an individual's health and the healthcare they receive. The reader includes timely topics such as increased legal limitations on abortion, transpeople and reproduction, and new developments in assisted reproduction and family formation. The book can support undergraduate and graduate courses on families, gender, public health, reproduction, and sexuality – and I’m pleased to have contributed a chapter.

Dr. Caitlin Killian is a Professor of Sociology at Drew University specializing in gender, families, reproduction, and immigration. We featured her book, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity 2023) previously on New Books Network. Her articles have appeared in Contexts magazine and The Conversation, as well as numerous academic journals, and she has done work for the United Nations on sexual and reproductive health and rights and on Syrian refugee women

Dr. Nancy Hiemstra is a political, cultural, and feminist geographer and Associate Professor in the Department of Women's, Gender, and Sexuality Studies at Stony Brook University. Her scholarship focuses on how border and immigration policies shape patterns and consequences of human mobility. Her 2019 book Detain and Deport: The Chaotic U.S. Immigration Enforcement Regime examined the U.S. detention and deportation system, and her forthcoming book (with Deirdre Conlon) Immigration Detention Inc: The Big Business of Locking Up Migrants scrutinizes how profit making goals drive the expanding use of detention.

Dr Jaya Keaney is Lecturer in Gender Studies in the School of Social and Political Sciences at the University of Melbourne. She writes, researches, and teaches in the fields of feminist technoscience, queer and feminist theory, and cultural studies. Her research across these fields explores reproduction, racism, and queer feminist practices of embodiment and inheritance. Jaya is the author of Making Gaybies: Queer Reproduction and Multiracial Feeling (Duke University Press, 2023), which was a finalist for the 2024 Rachel Carson Prize. Her writing has also appeared in journals such as Body and Society, Science Technology & Human Values, and the Duke University Press edited collection Long Term: Essays on Queer Commitment (2021).

Mentioned:


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]]> Caitlin Killian, "Understanding Reproduction in Social Contexts" (Bloomsbury, 2025) New Books Network 01:00:07 In today's post-Roe v. Wade world, U.S. maternal mortality is on the rise and laws regarding contraception, involuntary sterilization, access to reproductive health services, and criminalization of people who are gestating are changing by the minute. Today I’m joined by Dr. Caitlin Killian, the editor of and one of the contributors to a new book from Bloomsbury Academic, Understanding Reproduction in Social Contexts: A Reader. I’m also pleased to host two of the chapter authors, Drs. Nancy Hiemstra and Jaya Keaney. Using a reproductive justice framework, Understanding Reproduction in Social Contexts walks students through the social landscape around reproduction through the life course. Chapters by cutting-edge reproductive scholars, practitioners, and advocates address the social control of fertility and pregnancy, the promises and perils of assisted reproductive technologies, experiences of pregnancy, miscarriage, abortion, and birth, and how individuals make sense of and respond to the cultural, social, and political forces that condition their reproductive lives. The book takes an intersectional approach and considers how gender, sexuality, fatness, disability, class, race, and immigration status impact both an individual's health and the healthcare they receive. The reader includes timely topics such as increased legal limitations on abortion, transpeople and reproduction, and new developments in assisted reproduction and family formation. The book can support undergraduate and graduate courses on families, gender, public health, reproduction, and sexuality – and I’m pleased to have contributed a chapter. Dr. Caitlin Killian is a Professor of Sociology at Drew University specializing in gender, families, reproduction, and immigration. We featured her book, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity 2023) previously on New Books Network. Her articles have appeared in Contexts magazine and The Conversation, as well as numerous academic journals, and she has done work for the United Nations on sexual and reproductive health and rights and on Syrian refugee women Dr. Nancy Hiemstra is a political, cultural, and feminist geographer and Associate Professor in the Department of Women's, Gender, and Sexuality Studies at Stony Brook University. Her scholarship focuses on how border and immigration policies shape patterns and consequences of human mobility. Her 2019 book Detain and Deport: The Chaotic U.S. Immigration Enforcement Regime examined the U.S. detention and deportation system, and her forthcoming book (with Deirdre Conlon) Immigration Detention Inc: The Big Business of Locking Up Migrants scrutinizes how profit making goals drive the expanding use of detention. Dr Jaya Keaney is Lecturer in Gender Studies in the School of Social and Political Sciences at the University of Melbourne. She writes, researches, and teaches in the fields of feminist technoscience, queer and feminist theory, and cultural studies. Her research across these fields explores reproduction, racism, and queer feminist practices of embodiment and inheritance. Jaya is the author of Making Gaybies: Queer Reproduction and Multiracial Feeling (Duke University Press, 2023), which was a finalist for the 2024 Rachel Carson Prize. Her writing has also appeared in journals such as Body and Society, Science Technology & Human Values, and the Duke University Press edited collection Long Term: Essays on Queer Commitment (2021). Mentioned: Susan’s interview with Caitlin on Failing Moms: The Social Condemnation and Criminalization of Mothers (Polity, 2024). In today's post-Roe v. Wade world, U.S. maternal mortality is on the rise and laws regarding contraception, involuntary sterilization, access to reproductive health services, and criminalization of people who are gestating are changing by the minute. Today I’m joined by Dr. Caitlin Killian, the editor of and one of the contributors to a new book from Bloomsbury Academic, Understanding Reproduction in Social Contexts: A Reader. I’m also pleased to host two of the chapter authors, Drs. Nancy Hiemstra and Jaya Keaney. Using a reproductive justice framework, Understanding Reproduction in Social Contexts walks students through the social landscape around reproduction through the life course. Chapters by cutting-edge reproductive scholars, practitioners, and advocates address the social control of fertility and pregnancy, the promises and perils of assisted reproductive technologies, experiences of pregnancy, miscarriage, abortion, and birth, and how individuals make sense of and respond to the cultural, social, and political forces that condition their reproductive lives. The book takes an intersectional approach and considers how gender, sexuality, fatness, disability, class, race, and immigration status impact both an individual's health and the healthcare they receive. The reader includes timely topics such as increased legal limitations on abortion, transpeople and reproduction, and new developments in assisted reproduction and family formation. The book can support undergraduate and graduate courses on families, gender, public health, reproduction, and sexuality – and I’m pleased to have contributed a chapter. Dr. Caitlin Killian is a Professor of Sociology at Drew University specializing in gender, families, reproduction, and immigration. We featured her book, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity 2023) previously on New Books Network. Her articles have appeared in Contexts magazine and The Conversation, as well as numerous academic journals, and she has done work for the United Nations on sexual and reproductive health and rights and on Syrian refugee women Dr. Nancy Hiemstra is a political, cultural, and feminist geographer and Associate Professor in the Department of Women's, Gender, and Sexuality Studies at Stony Brook University. Her scholarship focuses on how border and immigration policies shape patterns and consequences of human mobility. Her 2019 book Detain and Deport: The Chaotic U.S. Immigration Enforcement Regime examined the U.S. detention and deportation system, and her forthcoming book (with Deirdre Conlon) Immigration Detention Inc: The Big Business of Locking Up Migrants scrutinizes how profit making goals drive the expanding use of detention. Dr Jaya Keaney is Lecturer in Gender Studies in the School of Social and Political Sciences at the University of Melbourne. She writes, researches, and teaches in the fields of feminist technoscience, queer and feminist theory, and cultural studies. Her research across these fields explores reproduction, racism, and queer feminist practices of embodiment and inheritance. Jaya is the author of Making Gaybies: Queer Reproduction and Multiracial Feeling (Duke University Press, 2023), which was a finalist for the 2024 Rachel Carson Prize. Her writing has also appeared in journals such as Body and Society, Science Technology & Human Values, and the Duke University Press edited collection Long Term: Essays on Queer Commitment (2021). Mentioned: Susan’s interview with Caitlin on Failing Moms: The Social Condemnation and Criminalization of Mothers (Polity, 2024). false full 767 63177cd0-21e8-11f0-9798-036d9ad77272 Emma Casey, "The Return of the Housewife: Why Women Are Still Cleaning Up" (Manchester UP, 2025) How has the rise of digital platforms changed domestic labour? In The Return of the Housewife: Why Women Are Still Cleaning Up (Manchester UP, 2025), Emma Casey, a Reader in Sociology at the University of York, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society.


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]]> Sat, 26 Apr 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How has the rise of digital platforms changed domestic labour? In The Return of the Housewife: Why Women Are Still Cleaning Up (Manchester UP, 2025), Emma Casey, a Reader in Sociology at the University of York, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society.


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]]> Emma Casey, "The Return of the Housewife: Why Women Are Still Cleaning Up" (Manchester UP, 2025) New Books Network 00:35:47 How has the rise of digital platforms changed domestic labour? In The Return of the Housewife: Why Women Are Still Cleaning Up (Manchester UP, 2025), Emma Casey, a Reader in Sociology at the University of York, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society. How has the rise of digital platforms changed domestic labour? In The Return of the Housewife: Why Women Are Still Cleaning Up (Manchester UP, 2025), Emma Casey, a Reader in Sociology at the University of York, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society. false full 525 7f09b054-2146-11f0-a3e2-3b935efdc1b7 Alexander Stoffel, "Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States" (Stanford UP, 2025) The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom.

Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present.

In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Fri, 25 Apr 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom.

Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present.

In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Alexander Stoffel, "Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States" (Stanford UP, 2025) New Books Network 00:59:19 The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom. Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present. In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom. Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present. In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. false full 43 1a7728d6-1fae-11f0-ab32-0ffeb2866cde Tadashi Ishikawa, "Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan" (Cambridge UP., 2024) In Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan (Cambridge University Press, 2024) Dr. Tadashi Ishikawa traces perceptions and practices of gender in the Japanese empire on the occasion of Japan's colonisation of Taiwan from 1895. In the 1910s, metropolitan and colonial authorities attempted social reform in ways which particularly impacted on family traditions and, therefore, gender relations, paving the way for the politics of comparison within and beyond the empire. In Geographies of Gender, Dr. Ishikawa delves into a variety of diplomatic issues, colonial and anticolonial discourses, and judicial cases, finding marriage gifts, daughter adoption, and premarital sexual relationships to be sites of tension between norms and ideals among both elite and ordinary men and women. He explores how the Japanese empire became a gendered space from the 1910s through the outbreak of the Second Sino-Japanese War in 1937, arguing that gender norms were both unsettled and reinforced in ways which highlight the instability of metropole-colony relations.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.


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Learn how to make the most of our library.


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]]> Wed, 23 Apr 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan (Cambridge University Press, 2024) Dr. Tadashi Ishikawa traces perceptions and practices of gender in the Japanese empire on the occasion of Japan's colonisation of Taiwan from 1895. In the 1910s, metropolitan and colonial authorities attempted social reform in ways which particularly impacted on family traditions and, therefore, gender relations, paving the way for the politics of comparison within and beyond the empire. In Geographies of Gender, Dr. Ishikawa delves into a variety of diplomatic issues, colonial and anticolonial discourses, and judicial cases, finding marriage gifts, daughter adoption, and premarital sexual relationships to be sites of tension between norms and ideals among both elite and ordinary men and women. He explores how the Japanese empire became a gendered space from the 1910s through the outbreak of the Second Sino-Japanese War in 1937, arguing that gender norms were both unsettled and reinforced in ways which highlight the instability of metropole-colony relations.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.


Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter.


150 million lifetime downloads. Advertise on the New Books Network. Watch our promotional video.


Learn how to make the most of our library.


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]]> Tadashi Ishikawa, "Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan" (Cambridge UP., 2024) New Books Network 01:01:00 In Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan (Cambridge University Press, 2024) Dr. Tadashi Ishikawa traces perceptions and practices of gender in the Japanese empire on the occasion of Japan's colonisation of Taiwan from 1895. In the 1910s, metropolitan and colonial authorities attempted social reform in ways which particularly impacted on family traditions and, therefore, gender relations, paving the way for the politics of comparison within and beyond the empire. In Geographies of Gender, Dr. Ishikawa delves into a variety of diplomatic issues, colonial and anticolonial discourses, and judicial cases, finding marriage gifts, daughter adoption, and premarital sexual relationships to be sites of tension between norms and ideals among both elite and ordinary men and women. He explores how the Japanese empire became a gendered space from the 1910s through the outbreak of the Second Sino-Japanese War in 1937, arguing that gender norms were both unsettled and reinforced in ways which highlight the instability of metropole-colony relations. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. 150 million lifetime downloads. Advertise on the New Books Network. Watch our promotional video. Learn how to make the most of our library. In Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan (Cambridge University Press, 2024) Dr. Tadashi Ishikawa traces perceptions and practices of gender in the Japanese empire on the occasion of Japan's colonisation of Taiwan from 1895. In the 1910s, metropolitan and colonial authorities attempted social reform in ways which particularly impacted on family traditions and, therefore, gender relations, paving the way for the politics of comparison within and beyond the empire. In Geographies of Gender, Dr. Ishikawa delves into a variety of diplomatic issues, colonial and anticolonial discourses, and judicial cases, finding marriage gifts, daughter adoption, and premarital sexual relationships to be sites of tension between norms and ideals among both elite and ordinary men and women. He explores how the Japanese empire became a gendered space from the 1910s through the outbreak of the Second Sino-Japanese War in 1937, arguing that gender norms were both unsettled and reinforced in ways which highlight the instability of metropole-colony relations. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. 150 million lifetime downloads. Advertise on the New Books Network. Watch our promotional video. Learn how to make the most of our library. false full 170 f509be30-1af6-11f0-ad7c-cb2e0c321806 Akiko Takenaka, "Mothers Against War: Gender, Motherhood, and Peace Activism in Cold War Japan" (U Hawaii Press, 2025) Mothers Against War: Gender, Motherhood, and Peace Activism in Cold War Japan (U Hawaii Press, 2025) examines the shifting relationships among motherhood, peace activism, and women's rights in the decades following Japan's defeat in 1945. With a focus on the concept of bosei, generally understood to be the "motherly" qualities that are supposedly inherent to women, the book illuminates how popular perceptions of the mother, the child, and the mother-child relationship gradually evolved to create the image that mothers, more than anyone else, protect children from war. This image did not result simply from a mothers' desire to keep their children safe, nor was it the outcome of the Japanese experience of the Asia-Pacific War in which many mothers became widowed or lost their children. 

Through the examination of five instances of peace activism that took place between 1945 and 1980, Akiko Takenaka argues that the maternal focus of Japanese women's peace activism emerged from a convergence of various interests, including the security alliance between Japan and the United States, Japan's Cold War-era political strategies, and Japanese women's fight for increased rights. Mothers Against War demonstrates how Japanese women's attempts to activate the concept of bosei to gain more rights also worked to confine them into domesticity. This is the first scholarly monograph to make this connection between Japan's matricentric peace activism and the fight for women's rights.


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]]> Fri, 18 Apr 2025 04:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Mothers Against War: Gender, Motherhood, and Peace Activism in Cold War Japan (U Hawaii Press, 2025) examines the shifting relationships among motherhood, peace activism, and women's rights in the decades following Japan's defeat in 1945. With a focus on the concept of bosei, generally understood to be the "motherly" qualities that are supposedly inherent to women, the book illuminates how popular perceptions of the mother, the child, and the mother-child relationship gradually evolved to create the image that mothers, more than anyone else, protect children from war. This image did not result simply from a mothers' desire to keep their children safe, nor was it the outcome of the Japanese experience of the Asia-Pacific War in which many mothers became widowed or lost their children. 

Through the examination of five instances of peace activism that took place between 1945 and 1980, Akiko Takenaka argues that the maternal focus of Japanese women's peace activism emerged from a convergence of various interests, including the security alliance between Japan and the United States, Japan's Cold War-era political strategies, and Japanese women's fight for increased rights. Mothers Against War demonstrates how Japanese women's attempts to activate the concept of bosei to gain more rights also worked to confine them into domesticity. This is the first scholarly monograph to make this connection between Japan's matricentric peace activism and the fight for women's rights.


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]]> Akiko Takenaka, "Mothers Against War: Gender, Motherhood, and Peace Activism in Cold War Japan" (U Hawaii Press, 2025) New Books Network 00:56:06 Mothers Against War: Gender, Motherhood, and Peace Activism in Cold War Japan (U Hawaii Press, 2025) examines the shifting relationships among motherhood, peace activism, and women's rights in the decades following Japan's defeat in 1945. With a focus on the concept of bosei, generally understood to be the "motherly" qualities that are supposedly inherent to women, the book illuminates how popular perceptions of the mother, the child, and the mother-child relationship gradually evolved to create the image that mothers, more than anyone else, protect children from war. This image did not result simply from a mothers' desire to keep their children safe, nor was it the outcome of the Japanese experience of the Asia-Pacific War in which many mothers became widowed or lost their children.  Through the examination of five instances of peace activism that took place between 1945 and 1980, Akiko Takenaka argues that the maternal focus of Japanese women's peace activism emerged from a convergence of various interests, including the security alliance between Japan and the United States, Japan's Cold War-era political strategies, and Japanese women's fight for increased rights. Mothers Against War demonstrates how Japanese women's attempts to activate the concept of bosei to gain more rights also worked to confine them into domesticity. This is the first scholarly monograph to make this connection between Japan's matricentric peace activism and the fight for women's rights. Mothers Against War: Gender, Motherhood, and Peace Activism in Cold War Japan (U Hawaii Press, 2025) examines the shifting relationships among motherhood, peace activism, and women's rights in the decades following Japan's defeat in 1945. With a focus on the concept of bosei, generally understood to be the "motherly" qualities that are supposedly inherent to women, the book illuminates how popular perceptions of the mother, the child, and the mother-child relationship gradually evolved to create the image that mothers, more than anyone else, protect children from war. This image did not result simply from a mothers' desire to keep their children safe, nor was it the outcome of the Japanese experience of the Asia-Pacific War in which many mothers became widowed or lost their children.  Through the examination of five instances of peace activism that took place between 1945 and 1980, Akiko Takenaka argues that the maternal focus of Japanese women's peace activism emerged from a convergence of various interests, including the security alliance between Japan and the United States, Japan's Cold War-era political strategies, and Japanese women's fight for increased rights. Mothers Against War demonstrates how Japanese women's attempts to activate the concept of bosei to gain more rights also worked to confine them into domesticity. This is the first scholarly monograph to make this connection between Japan's matricentric peace activism and the fight for women's rights. false full 170 ee0cd142-1a17-11f0-8913-db1a7ea0fa28 Martha A. Sandweiss, "The Girl in the Middle: A Recovered History of the American West" (Princeton UP, 2025) A haunting image of an unnamed Native child and a recovered story of the American West In 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified. 

As The Girl in the Middle: A Recovered History of the American West (Princeton University Press, 2025) goes in search of her, it draws readers into the entangled lives of the photographer and his subjects. Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations. Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War.

Martha A. Sandweiss is professor emerita of history at Princeton University, where she is founding director of the Princeton & Slavery Project.

Caleb Zakarin is editor at the New Books Network.


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]]> Tue, 15 Apr 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A haunting image of an unnamed Native child and a recovered story of the American West In 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified. 

As The Girl in the Middle: A Recovered History of the American West (Princeton University Press, 2025) goes in search of her, it draws readers into the entangled lives of the photographer and his subjects. Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations. Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War.

Martha A. Sandweiss is professor emerita of history at Princeton University, where she is founding director of the Princeton & Slavery Project.

Caleb Zakarin is editor at the New Books Network.


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]]> Martha A. Sandweiss, "The Girl in the Middle: A Recovered History of the American West" (Princeton UP, 2025) New Books Network 00:50:10 A haunting image of an unnamed Native child and a recovered story of the American West In 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified.  As The Girl in the Middle: A Recovered History of the American West (Princeton University Press, 2025) goes in search of her, it draws readers into the entangled lives of the photographer and his subjects. Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations. Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War. Martha A. Sandweiss is professor emerita of history at Princeton University, where she is founding director of the Princeton & Slavery Project. Caleb Zakarin is editor at the New Books Network. A haunting image of an unnamed Native child and a recovered story of the American West In 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified.  As The Girl in the Middle: A Recovered History of the American West (Princeton University Press, 2025) goes in search of her, it draws readers into the entangled lives of the photographer and his subjects. Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations. Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War. Martha A. Sandweiss is professor emerita of history at Princeton University, where she is founding director of the Princeton & Slavery Project. Caleb Zakarin is editor at the New Books Network. false full 117 0d99d7f6-1218-11f0-a0f4-c704ba9a0ef4 Loretta Vandi, "Eufrasia Burlamacchi" (Getty Publications, 2025) Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions.

This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sun, 6 Apr 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions.

This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Loretta Vandi, "Eufrasia Burlamacchi" (Getty Publications, 2025) New Books Network 00:45:14 Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions. This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions. This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. false full 169 b551ef3e-0f2e-11f0-818f-a3d6213d5fb6 Sally King, "Menstrual Myth Busting: The Case of the Hormonal Female" (Policy Press, 2025) In Menstrual Myth Busting: The Case of the Hormonal Female (Policy Press, 2025), Dr. Sally King interrogates the diagnostic label of premenstrual syndrome (PMS) to expose and challenge sexist assumptions within medical research and practice. She powerfully demonstrates how the concept of the ‘hormonal’ premenstrual woman is merely the latest iteration of the ‘hysterical’ female myth. By blaming the healthy reproductive body (first our wombs, now our hormones) for the female-prevalence of emotional distress and physical pain, gender myths appear to have trumped all empirical evidence to the contrary.

The book also provides a primer on menstrual physiology beyond hormones, and a short history of how hormonal metaphors came to dominate medical and popular discourses. The author calls for clinicians, researchers, educators and activists to help improve women’s health without unintentionally reproducing damaging stereotypes.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Wed, 2 Apr 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Menstrual Myth Busting: The Case of the Hormonal Female (Policy Press, 2025), Dr. Sally King interrogates the diagnostic label of premenstrual syndrome (PMS) to expose and challenge sexist assumptions within medical research and practice. She powerfully demonstrates how the concept of the ‘hormonal’ premenstrual woman is merely the latest iteration of the ‘hysterical’ female myth. By blaming the healthy reproductive body (first our wombs, now our hormones) for the female-prevalence of emotional distress and physical pain, gender myths appear to have trumped all empirical evidence to the contrary.

The book also provides a primer on menstrual physiology beyond hormones, and a short history of how hormonal metaphors came to dominate medical and popular discourses. The author calls for clinicians, researchers, educators and activists to help improve women’s health without unintentionally reproducing damaging stereotypes.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sally King, "Menstrual Myth Busting: The Case of the Hormonal Female" (Policy Press, 2025) New Books Network 00:41:48 In Menstrual Myth Busting: The Case of the Hormonal Female (Policy Press, 2025), Dr. Sally King interrogates the diagnostic label of premenstrual syndrome (PMS) to expose and challenge sexist assumptions within medical research and practice. She powerfully demonstrates how the concept of the ‘hormonal’ premenstrual woman is merely the latest iteration of the ‘hysterical’ female myth. By blaming the healthy reproductive body (first our wombs, now our hormones) for the female-prevalence of emotional distress and physical pain, gender myths appear to have trumped all empirical evidence to the contrary. The book also provides a primer on menstrual physiology beyond hormones, and a short history of how hormonal metaphors came to dominate medical and popular discourses. The author calls for clinicians, researchers, educators and activists to help improve women’s health without unintentionally reproducing damaging stereotypes. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. In Menstrual Myth Busting: The Case of the Hormonal Female (Policy Press, 2025), Dr. Sally King interrogates the diagnostic label of premenstrual syndrome (PMS) to expose and challenge sexist assumptions within medical research and practice. She powerfully demonstrates how the concept of the ‘hormonal’ premenstrual woman is merely the latest iteration of the ‘hysterical’ female myth. By blaming the healthy reproductive body (first our wombs, now our hormones) for the female-prevalence of emotional distress and physical pain, gender myths appear to have trumped all empirical evidence to the contrary. The book also provides a primer on menstrual physiology beyond hormones, and a short history of how hormonal metaphors came to dominate medical and popular discourses. The author calls for clinicians, researchers, educators and activists to help improve women’s health without unintentionally reproducing damaging stereotypes. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. false full 230 f88f69e8-0bfa-11f0-87e1-3f8d62063109 D. D. Miller, "Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby" (Wolsak and Wynn, 2016) NBN host Hollay Ghadery chats with author D. D. Miller about the fascinating sport of roller derby. As the Derby Nerd, Miller covered roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it has become.

Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby (Wolsak and Wynn, 2016) is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport.

About D.D. Miller

D. D. Miller is originally from Nova Scotia but has lived, worked and studied all across the country. His work has appeared in a number of journals and anthologies including the Malahat Review, the Fiddlehead, Eleven Eleven: Journal of Literature and Art and Dinosaur Porn. As the Derby Nerd, Miller is known around North America for his writing and commentary on roller derby, one of the world’s fastest growing sports.

A graduate of Mount Allison University, the University of Victoria and the University of Guelph (where he completed his MFA), Miller currently lives in Toronto where he works as a college English instructor. He also announced at both the 2011 and 2014 Roller Derby World Cups and was part of the ESPN's broadcast crew for the 2015 WFTDA Championships.

About Hollay Ghadery:

Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.


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]]> Sun, 30 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com NBN host Hollay Ghadery chats with author D. D. Miller about the fascinating sport of roller derby. As the Derby Nerd, Miller covered roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it has become.

Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby (Wolsak and Wynn, 2016) is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport.

About D.D. Miller

D. D. Miller is originally from Nova Scotia but has lived, worked and studied all across the country. His work has appeared in a number of journals and anthologies including the Malahat Review, the Fiddlehead, Eleven Eleven: Journal of Literature and Art and Dinosaur Porn. As the Derby Nerd, Miller is known around North America for his writing and commentary on roller derby, one of the world’s fastest growing sports.

A graduate of Mount Allison University, the University of Victoria and the University of Guelph (where he completed his MFA), Miller currently lives in Toronto where he works as a college English instructor. He also announced at both the 2011 and 2014 Roller Derby World Cups and was part of the ESPN's broadcast crew for the 2015 WFTDA Championships.

About Hollay Ghadery:

Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.


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]]> D. D. Miller, "Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby" (Wolsak and Wynn, 2016) New Books Network 00:56:32 NBN host Hollay Ghadery chats with author D. D. Miller about the fascinating sport of roller derby. As the Derby Nerd, Miller covered roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it has become. Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby (Wolsak and Wynn, 2016) is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport. About D.D. Miller D. D. Miller is originally from Nova Scotia but has lived, worked and studied all across the country. His work has appeared in a number of journals and anthologies including the Malahat Review, the Fiddlehead, Eleven Eleven: Journal of Literature and Art and Dinosaur Porn. As the Derby Nerd, Miller is known around North America for his writing and commentary on roller derby, one of the world’s fastest growing sports. A graduate of Mount Allison University, the University of Victoria and the University of Guelph (where he completed his MFA), Miller currently lives in Toronto where he works as a college English instructor. He also announced at both the 2011 and 2014 Roller Derby World Cups and was part of the ESPN's broadcast crew for the 2015 WFTDA Championships. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. NBN host Hollay Ghadery chats with author D. D. Miller about the fascinating sport of roller derby. As the Derby Nerd, Miller covered roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it has become. Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby (Wolsak and Wynn, 2016) is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport. About D.D. Miller D. D. Miller is originally from Nova Scotia but has lived, worked and studied all across the country. His work has appeared in a number of journals and anthologies including the Malahat Review, the Fiddlehead, Eleven Eleven: Journal of Literature and Art and Dinosaur Porn. As the Derby Nerd, Miller is known around North America for his writing and commentary on roller derby, one of the world’s fastest growing sports. A graduate of Mount Allison University, the University of Victoria and the University of Guelph (where he completed his MFA), Miller currently lives in Toronto where he works as a college English instructor. He also announced at both the 2011 and 2014 Roller Derby World Cups and was part of the ESPN's broadcast crew for the 2015 WFTDA Championships. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. false full 285 521582ea-0a6b-11f0-b420-6bc99b1dd986 Bruce L. Vernarde, "The Miracles of Mary in Twelfth-Century France" (Cornell UP, 2024) Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English.

The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past.


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]]> Fri, 28 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English.

The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past.


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]]> Bruce L. Vernarde, "The Miracles of Mary in Twelfth-Century France" (Cornell UP, 2024) New Books Network 01:02:11 Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. false full 95 9c39d95c-09b7-11f0-a85d-1704435409b6 Lucy Adlington, "Four Red Sweaters: Powerful True Stories of Women and the Holocaust" (HarperCollins, 2025) The New York Times bestselling author of The Dressmakers of Auschwitz tells the stories of four Jewish girls during the Holocaust, strangers whose lives were unknowingly linked by everyday garments, revealing how the ordinary can connect us in extraordinary ways.

Jock Heidenstein, Anita Lasker, Chana Zumerkorn, and Regina Feldman all faced the Holocaust in different ways. While they did not know each other—in fact had never met—each had a red sweater that would play a major part in their lives. In this absorbing and deeply moving account, award-winning clothes historian Lucy Adlington documents their stories, knitting together the experiences that fragmented their families and their lives.

Adlington immortalizes these young women whose resilience, skills, strength, and kindness accompanied them through the darkest events in human history. A powerful reminder of the suffering they endured and a celebration of courage, love, and tenacity, this moving and original work illuminates moments long lost to history, now pieced back together by a simple garment.

Four Red Sweaters is illustrated with more than two dozen black-and-white images throughout.


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]]> Thu, 27 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The New York Times bestselling author of The Dressmakers of Auschwitz tells the stories of four Jewish girls during the Holocaust, strangers whose lives were unknowingly linked by everyday garments, revealing how the ordinary can connect us in extraordinary ways.

Jock Heidenstein, Anita Lasker, Chana Zumerkorn, and Regina Feldman all faced the Holocaust in different ways. While they did not know each other—in fact had never met—each had a red sweater that would play a major part in their lives. In this absorbing and deeply moving account, award-winning clothes historian Lucy Adlington documents their stories, knitting together the experiences that fragmented their families and their lives.

Adlington immortalizes these young women whose resilience, skills, strength, and kindness accompanied them through the darkest events in human history. A powerful reminder of the suffering they endured and a celebration of courage, love, and tenacity, this moving and original work illuminates moments long lost to history, now pieced back together by a simple garment.

Four Red Sweaters is illustrated with more than two dozen black-and-white images throughout.


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]]> Lucy Adlington, "Four Red Sweaters: Powerful True Stories of Women and the Holocaust" (HarperCollins, 2025) New Books Network 00:58:58 The New York Times bestselling author of The Dressmakers of Auschwitz tells the stories of four Jewish girls during the Holocaust, strangers whose lives were unknowingly linked by everyday garments, revealing how the ordinary can connect us in extraordinary ways. Jock Heidenstein, Anita Lasker, Chana Zumerkorn, and Regina Feldman all faced the Holocaust in different ways. While they did not know each other—in fact had never met—each had a red sweater that would play a major part in their lives. In this absorbing and deeply moving account, award-winning clothes historian Lucy Adlington documents their stories, knitting together the experiences that fragmented their families and their lives. Adlington immortalizes these young women whose resilience, skills, strength, and kindness accompanied them through the darkest events in human history. A powerful reminder of the suffering they endured and a celebration of courage, love, and tenacity, this moving and original work illuminates moments long lost to history, now pieced back together by a simple garment. Four Red Sweaters is illustrated with more than two dozen black-and-white images throughout. The New York Times bestselling author of The Dressmakers of Auschwitz tells the stories of four Jewish girls during the Holocaust, strangers whose lives were unknowingly linked by everyday garments, revealing how the ordinary can connect us in extraordinary ways. Jock Heidenstein, Anita Lasker, Chana Zumerkorn, and Regina Feldman all faced the Holocaust in different ways. While they did not know each other—in fact had never met—each had a red sweater that would play a major part in their lives. In this absorbing and deeply moving account, award-winning clothes historian Lucy Adlington documents their stories, knitting together the experiences that fragmented their families and their lives. Adlington immortalizes these young women whose resilience, skills, strength, and kindness accompanied them through the darkest events in human history. A powerful reminder of the suffering they endured and a celebration of courage, love, and tenacity, this moving and original work illuminates moments long lost to history, now pieced back together by a simple garment. Four Red Sweaters is illustrated with more than two dozen black-and-white images throughout. false full 623 c75684dc-09ad-11f0-9041-2bf8bcfd9957 Farah Ahamed, "Period Matters: Menstruation in South Asia" (Pan Macmillan, 2022) Period Matters is a groundbreaking anthology edited by Farah Ahamed that explores the cultural, social, and political dimensions of menstruation in South Asia. Through a diverse collection of essays, personal narratives, poetry, and artwork, the book sheds light on the stigma, myths, and challenges surrounding periods. Featuring contributions from writers, activists, academics, and artists, it examines issues such as menstrual health, period poverty, gender inequality, and sustainable solutions. By amplifying voices that are oft excluded mainstream discussions, Period Matters challenges taboos and calls for greater awareness, education, and policy change in the region.

Farah Ahamed is the editor of Period Matters: Menstruation in South Asia, published by Pan Macmillan India in 2022 (periodmattersbook.com). The book has been described as ‘an essential book about the female body that dispels misconceptions,’ by Book Riot. In 2022, Farah was selected as the Financial Times's Woman of the Year for her work in breaking the stigma around menstruation.

Farah and her sisters run a charity in Kenya called Panties with Purpose, which is helping to raise awareness of period poverty, menstrual health, and also supports underprivileged schoolgirls. Since 2011 they have distributed over 70,000 pairs of underpants to more than 16,000 girls across Kenya.

Farah is a Kenyan lawyer with a background in human rights. She lives in London.

This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana


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]]> Wed, 26 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Period Matters is a groundbreaking anthology edited by Farah Ahamed that explores the cultural, social, and political dimensions of menstruation in South Asia. Through a diverse collection of essays, personal narratives, poetry, and artwork, the book sheds light on the stigma, myths, and challenges surrounding periods. Featuring contributions from writers, activists, academics, and artists, it examines issues such as menstrual health, period poverty, gender inequality, and sustainable solutions. By amplifying voices that are oft excluded mainstream discussions, Period Matters challenges taboos and calls for greater awareness, education, and policy change in the region.

Farah Ahamed is the editor of Period Matters: Menstruation in South Asia, published by Pan Macmillan India in 2022 (periodmattersbook.com). The book has been described as ‘an essential book about the female body that dispels misconceptions,’ by Book Riot. In 2022, Farah was selected as the Financial Times's Woman of the Year for her work in breaking the stigma around menstruation.

Farah and her sisters run a charity in Kenya called Panties with Purpose, which is helping to raise awareness of period poverty, menstrual health, and also supports underprivileged schoolgirls. Since 2011 they have distributed over 70,000 pairs of underpants to more than 16,000 girls across Kenya.

Farah is a Kenyan lawyer with a background in human rights. She lives in London.

This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana


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]]> Farah Ahamed, "Period Matters: Menstruation in South Asia" (Pan Macmillan, 2022) New Books Network 00:43:39 Period Matters is a groundbreaking anthology edited by Farah Ahamed that explores the cultural, social, and political dimensions of menstruation in South Asia. Through a diverse collection of essays, personal narratives, poetry, and artwork, the book sheds light on the stigma, myths, and challenges surrounding periods. Featuring contributions from writers, activists, academics, and artists, it examines issues such as menstrual health, period poverty, gender inequality, and sustainable solutions. By amplifying voices that are oft excluded mainstream discussions, Period Matters challenges taboos and calls for greater awareness, education, and policy change in the region. Farah Ahamed is the editor of Period Matters: Menstruation in South Asia, published by Pan Macmillan India in 2022 (periodmattersbook.com). The book has been described as ‘an essential book about the female body that dispels misconceptions,’ by Book Riot. In 2022, Farah was selected as the Financial Times's Woman of the Year for her work in breaking the stigma around menstruation. Farah and her sisters run a charity in Kenya called Panties with Purpose, which is helping to raise awareness of period poverty, menstrual health, and also supports underprivileged schoolgirls. Since 2011 they have distributed over 70,000 pairs of underpants to more than 16,000 girls across Kenya. Farah is a Kenyan lawyer with a background in human rights. She lives in London. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Period Matters is a groundbreaking anthology edited by Farah Ahamed that explores the cultural, social, and political dimensions of menstruation in South Asia. Through a diverse collection of essays, personal narratives, poetry, and artwork, the book sheds light on the stigma, myths, and challenges surrounding periods. Featuring contributions from writers, activists, academics, and artists, it examines issues such as menstrual health, period poverty, gender inequality, and sustainable solutions. By amplifying voices that are oft excluded mainstream discussions, Period Matters challenges taboos and calls for greater awareness, education, and policy change in the region. Farah Ahamed is the editor of Period Matters: Menstruation in South Asia, published by Pan Macmillan India in 2022 (periodmattersbook.com). The book has been described as ‘an essential book about the female body that dispels misconceptions,’ by Book Riot. In 2022, Farah was selected as the Financial Times's Woman of the Year for her work in breaking the stigma around menstruation. Farah and her sisters run a charity in Kenya called Panties with Purpose, which is helping to raise awareness of period poverty, menstrual health, and also supports underprivileged schoolgirls. Since 2011 they have distributed over 70,000 pairs of underpants to more than 16,000 girls across Kenya. Farah is a Kenyan lawyer with a background in human rights. She lives in London. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana false full 273 efd11380-0716-11f0-9bca-1bc48ab4fe51 Mary Anne Hunting and Kevin D. Murphy, "Women Architects at Work: Making American Modernism" (Princeton UP, 2025) In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work: Making American Modernism (Princeton University Press, 2025) by Dr. Mary Anne Hunting and Dr. Kevin D. Murphy tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States.


Dr. Hunting and Dr. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Dr. Hunting and Dr. Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists.


With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Mon, 24 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work: Making American Modernism (Princeton University Press, 2025) by Dr. Mary Anne Hunting and Dr. Kevin D. Murphy tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States.


Dr. Hunting and Dr. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Dr. Hunting and Dr. Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists.


With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Mary Anne Hunting and Kevin D. Murphy, "Women Architects at Work: Making American Modernism" (Princeton UP, 2025) New Books Network 00:57:59 In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work: Making American Modernism (Princeton University Press, 2025) by Dr. Mary Anne Hunting and Dr. Kevin D. Murphy tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States. Dr. Hunting and Dr. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Dr. Hunting and Dr. Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists. With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work: Making American Modernism (Princeton University Press, 2025) by Dr. Mary Anne Hunting and Dr. Kevin D. Murphy tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States. Dr. Hunting and Dr. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Dr. Hunting and Dr. Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists. With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. false full 93 af6dcb3a-064e-11f0-86a0-df53642f0d58 Heather Akou, "Afterthought: A Family Story" (Indiana U Libraries, 2025) Afterthought: A Family Story (Indiana University Bloomington Libraries Publishing, 2025) by Dr. Heather Akou focuses on the life of her grandmother, Lila Slaback, who grew up in a dysfunctional, working-class family in La Crosse, Wisconsin, in the 1930s. In her short adult life, she gave birth to seven children with at least four different men and died in 1958 at age thirty-six. She was a real person, but her family was not proud of her story. This book is my best attempt to recover it.

This work of historical fiction can be read like a memoir. With extensive notes and resources, it can also be read as inspiration for researching and writing historical fiction, especially in the United States. As an educational text, it would be appropriate for courses on fashion history, American history, gender roles, family, poverty, healthcare, and generational trauma.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Sat, 22 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Afterthought: A Family Story (Indiana University Bloomington Libraries Publishing, 2025) by Dr. Heather Akou focuses on the life of her grandmother, Lila Slaback, who grew up in a dysfunctional, working-class family in La Crosse, Wisconsin, in the 1930s. In her short adult life, she gave birth to seven children with at least four different men and died in 1958 at age thirty-six. She was a real person, but her family was not proud of her story. This book is my best attempt to recover it.

This work of historical fiction can be read like a memoir. With extensive notes and resources, it can also be read as inspiration for researching and writing historical fiction, especially in the United States. As an educational text, it would be appropriate for courses on fashion history, American history, gender roles, family, poverty, healthcare, and generational trauma.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Heather Akou, "Afterthought: A Family Story" (Indiana U Libraries, 2025) New Books Network 00:53:45 Afterthought: A Family Story (Indiana University Bloomington Libraries Publishing, 2025) by Dr. Heather Akou focuses on the life of her grandmother, Lila Slaback, who grew up in a dysfunctional, working-class family in La Crosse, Wisconsin, in the 1930s. In her short adult life, she gave birth to seven children with at least four different men and died in 1958 at age thirty-six. She was a real person, but her family was not proud of her story. This book is my best attempt to recover it. This work of historical fiction can be read like a memoir. With extensive notes and resources, it can also be read as inspiration for researching and writing historical fiction, especially in the United States. As an educational text, it would be appropriate for courses on fashion history, American history, gender roles, family, poverty, healthcare, and generational trauma. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Afterthought: A Family Story (Indiana University Bloomington Libraries Publishing, 2025) by Dr. Heather Akou focuses on the life of her grandmother, Lila Slaback, who grew up in a dysfunctional, working-class family in La Crosse, Wisconsin, in the 1930s. In her short adult life, she gave birth to seven children with at least four different men and died in 1958 at age thirty-six. She was a real person, but her family was not proud of her story. This book is my best attempt to recover it. This work of historical fiction can be read like a memoir. With extensive notes and resources, it can also be read as inspiration for researching and writing historical fiction, especially in the United States. As an educational text, it would be appropriate for courses on fashion history, American history, gender roles, family, poverty, healthcare, and generational trauma. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. false full 1612 a810a3b2-04f5-11f0-a90e-7f9a0b4df617 Amy Cox Hall, "The Taste of Nostalgia: Women, Race, and Culinary Longing in Peru" (U Texas Press, 2025) From the late 1940s to the mid 1960s, Peru’s rapid industrialization and anti-communist authoritarianism coincided with the rise of mass-produced cookbooks, the first televised cooking shows, glossy lifestyle magazines, and imported domestic appliances and foodstuffs. Amy Cox Hall’s The Taste of Nostalgia (U Texas Press, 2025) uses taste as a thematic and analytic thread to examine the ways that women, race, and the kitchen were foundational to Peruvian longings for modernity, both during the Cold War and today.

Drawing on interviews, personal stories, media images, and archival and ethnographic research, Cox Hall considers how elite, European-descended women and the urban home were central to Peru’s modernizing project and finds that all women who labored within the deeply racialized and gendered world of food helped set the stage for a Peruvian food nationalism that is now global in the twenty-first century. Cox Hall skillfully connects how the sometimes-unsavory tastes of the past are served again in today’s profitable and pervasive gastronostalgia that helps sell Peru and its cuisine both at home and abroad.

Dr. Amy Cox Hall is Associate Dean of the Bard Prison Initiative at Bard College, and a writer and cultural anthropologist who specializes in Peru and the U.S. with research focused on science, race, photography, national heritage, and most recently, food. She is the author of Framing a Lost City: Science, Photography and the Making of Machu Picchu (published by University of Texas Press in 2017),editor of The Camera as Actor: Photography and the Embodiment of Technology (published by Routledge in 2020), and A Taste of Nostalgia: Women, Race, and Culinary Longing in Peru (published by UT Press in 2024).

Dr. Scott Catey is CEO of The Catey Group, LLC. and Executive Publisher of Rising Justice Publishing, a full-service multimedia publishing enterprise. Visit https://scottcatey.com/ for more information.


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]]> Fri, 21 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From the late 1940s to the mid 1960s, Peru’s rapid industrialization and anti-communist authoritarianism coincided with the rise of mass-produced cookbooks, the first televised cooking shows, glossy lifestyle magazines, and imported domestic appliances and foodstuffs. Amy Cox Hall’s The Taste of Nostalgia (U Texas Press, 2025) uses taste as a thematic and analytic thread to examine the ways that women, race, and the kitchen were foundational to Peruvian longings for modernity, both during the Cold War and today.

Drawing on interviews, personal stories, media images, and archival and ethnographic research, Cox Hall considers how elite, European-descended women and the urban home were central to Peru’s modernizing project and finds that all women who labored within the deeply racialized and gendered world of food helped set the stage for a Peruvian food nationalism that is now global in the twenty-first century. Cox Hall skillfully connects how the sometimes-unsavory tastes of the past are served again in today’s profitable and pervasive gastronostalgia that helps sell Peru and its cuisine both at home and abroad.

Dr. Amy Cox Hall is Associate Dean of the Bard Prison Initiative at Bard College, and a writer and cultural anthropologist who specializes in Peru and the U.S. with research focused on science, race, photography, national heritage, and most recently, food. She is the author of Framing a Lost City: Science, Photography and the Making of Machu Picchu (published by University of Texas Press in 2017),editor of The Camera as Actor: Photography and the Embodiment of Technology (published by Routledge in 2020), and A Taste of Nostalgia: Women, Race, and Culinary Longing in Peru (published by UT Press in 2024).

Dr. Scott Catey is CEO of The Catey Group, LLC. and Executive Publisher of Rising Justice Publishing, a full-service multimedia publishing enterprise. Visit https://scottcatey.com/ for more information.


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]]> Amy Cox Hall, "The Taste of Nostalgia: Women, Race, and Culinary Longing in Peru" (U Texas Press, 2025) New Books Network 00:51:06 From the late 1940s to the mid 1960s, Peru’s rapid industrialization and anti-communist authoritarianism coincided with the rise of mass-produced cookbooks, the first televised cooking shows, glossy lifestyle magazines, and imported domestic appliances and foodstuffs. Amy Cox Hall’s The Taste of Nostalgia (U Texas Press, 2025) uses taste as a thematic and analytic thread to examine the ways that women, race, and the kitchen were foundational to Peruvian longings for modernity, both during the Cold War and today. Drawing on interviews, personal stories, media images, and archival and ethnographic research, Cox Hall considers how elite, European-descended women and the urban home were central to Peru’s modernizing project and finds that all women who labored within the deeply racialized and gendered world of food helped set the stage for a Peruvian food nationalism that is now global in the twenty-first century. Cox Hall skillfully connects how the sometimes-unsavory tastes of the past are served again in today’s profitable and pervasive gastronostalgia that helps sell Peru and its cuisine both at home and abroad. Dr. Amy Cox Hall is Associate Dean of the Bard Prison Initiative at Bard College, and a writer and cultural anthropologist who specializes in Peru and the U.S. with research focused on science, race, photography, national heritage, and most recently, food. She is the author of Framing a Lost City: Science, Photography and the Making of Machu Picchu (published by University of Texas Press in 2017),editor of The Camera as Actor: Photography and the Embodiment of Technology (published by Routledge in 2020), and A Taste of Nostalgia: Women, Race, and Culinary Longing in Peru (published by UT Press in 2024). Dr. Scott Catey is CEO of The Catey Group, LLC. and Executive Publisher of Rising Justice Publishing, a full-service multimedia publishing enterprise. Visit https://scottcatey.com/ for more information. From the late 1940s to the mid 1960s, Peru’s rapid industrialization and anti-communist authoritarianism coincided with the rise of mass-produced cookbooks, the first televised cooking shows, glossy lifestyle magazines, and imported domestic appliances and foodstuffs. Amy Cox Hall’s The Taste of Nostalgia (U Texas Press, 2025) uses taste as a thematic and analytic thread to examine the ways that women, race, and the kitchen were foundational to Peruvian longings for modernity, both during the Cold War and today. Drawing on interviews, personal stories, media images, and archival and ethnographic research, Cox Hall considers how elite, European-descended women and the urban home were central to Peru’s modernizing project and finds that all women who labored within the deeply racialized and gendered world of food helped set the stage for a Peruvian food nationalism that is now global in the twenty-first century. Cox Hall skillfully connects how the sometimes-unsavory tastes of the past are served again in today’s profitable and pervasive gastronostalgia that helps sell Peru and its cuisine both at home and abroad. Dr. Amy Cox Hall is Associate Dean of the Bard Prison Initiative at Bard College, and a writer and cultural anthropologist who specializes in Peru and the U.S. with research focused on science, race, photography, national heritage, and most recently, food. She is the author of Framing a Lost City: Science, Photography and the Making of Machu Picchu (published by University of Texas Press in 2017),editor of The Camera as Actor: Photography and the Embodiment of Technology (published by Routledge in 2020), and A Taste of Nostalgia: Women, Race, and Culinary Longing in Peru (published by UT Press in 2024). Dr. Scott Catey is CEO of The Catey Group, LLC. and Executive Publisher of Rising Justice Publishing, a full-service multimedia publishing enterprise. Visit https://scottcatey.com/ for more information. false full 231 3a93813c-0433-11f0-800f-173af673a53c Holly Grout, "Playing Cleopatra: Inventing the Female Celebrity in Third Republic France" (LSU Press, 2024) Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood?


In the context of late nineteenth-century Egyptomania, Cleopatra’s eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine’s mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II.


Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


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]]> Wed, 19 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood?


In the context of late nineteenth-century Egyptomania, Cleopatra’s eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine’s mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II.


Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Holly Grout, "Playing Cleopatra: Inventing the Female Celebrity in Third Republic France" (LSU Press, 2024) New Books Network 00:43:44 Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra’s eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine’s mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra’s eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine’s mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. false full 1610 fb9d2484-0116-11f0-be42-6ba32246978b Andrew Janiak, "The Enlightenment's Most Dangerous Woman: Émilie Du Châtelet and the Making of Modern Philosophy" (Oxford UP, 2024) The Enlightenment's Most Dangerous Woman: Émilie du Châtelet and the Making of Modern Philosophy (Oxford UP, 2024) introduces the work and legacy of philosopher Émilie Du Châtelet. As the Enlightenment gained momentum throughout Europe, Châtelet broke through the many barriers facing women at the time and published a major philosophical treatise in French. Due to her proclamation that a true philosopher must remain an independent thinker rather than a disciple of some supposedly great man like Isaac Newton or René Descartes, Châtelet posed a threat to an emerging consensus in the Enlightenment. The Enlightenment's Most Dangerous Woman highlights the exclusion of women from colleges and academies in Europe and the fear of rupturing the gender-based order.

Andrew Janiak is Professor of Philosophy and Bass Fellow at Duke University.

Caleb Zakarin is editor at the New Books Network.


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]]> Tue, 18 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Enlightenment's Most Dangerous Woman: Émilie du Châtelet and the Making of Modern Philosophy (Oxford UP, 2024) introduces the work and legacy of philosopher Émilie Du Châtelet. As the Enlightenment gained momentum throughout Europe, Châtelet broke through the many barriers facing women at the time and published a major philosophical treatise in French. Due to her proclamation that a true philosopher must remain an independent thinker rather than a disciple of some supposedly great man like Isaac Newton or René Descartes, Châtelet posed a threat to an emerging consensus in the Enlightenment. The Enlightenment's Most Dangerous Woman highlights the exclusion of women from colleges and academies in Europe and the fear of rupturing the gender-based order.

Andrew Janiak is Professor of Philosophy and Bass Fellow at Duke University.

Caleb Zakarin is editor at the New Books Network.


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]]> Andrew Janiak, "The Enlightenment's Most Dangerous Woman: Émilie Du Châtelet and the Making of Modern Philosophy" (Oxford UP, 2024) New Books Network 00:45:42 The Enlightenment's Most Dangerous Woman: Émilie du Châtelet and the Making of Modern Philosophy (Oxford UP, 2024) introduces the work and legacy of philosopher Émilie Du Châtelet. As the Enlightenment gained momentum throughout Europe, Châtelet broke through the many barriers facing women at the time and published a major philosophical treatise in French. Due to her proclamation that a true philosopher must remain an independent thinker rather than a disciple of some supposedly great man like Isaac Newton or René Descartes, Châtelet posed a threat to an emerging consensus in the Enlightenment. The Enlightenment's Most Dangerous Woman highlights the exclusion of women from colleges and academies in Europe and the fear of rupturing the gender-based order. Andrew Janiak is Professor of Philosophy and Bass Fellow at Duke University. Caleb Zakarin is editor at the New Books Network. The Enlightenment's Most Dangerous Woman: Émilie du Châtelet and the Making of Modern Philosophy (Oxford UP, 2024) introduces the work and legacy of philosopher Émilie Du Châtelet. As the Enlightenment gained momentum throughout Europe, Châtelet broke through the many barriers facing women at the time and published a major philosophical treatise in French. Due to her proclamation that a true philosopher must remain an independent thinker rather than a disciple of some supposedly great man like Isaac Newton or René Descartes, Châtelet posed a threat to an emerging consensus in the Enlightenment. The Enlightenment's Most Dangerous Woman highlights the exclusion of women from colleges and academies in Europe and the fear of rupturing the gender-based order. Andrew Janiak is Professor of Philosophy and Bass Fellow at Duke University. Caleb Zakarin is editor at the New Books Network. false full 28 d262995c-01be-11f0-a0bc-c70ce900c90e Ellen Scheible, "Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland'" (Bloomsbury, 2025) Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland.

Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century.

Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction.


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]]> Mon, 17 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland.

Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century.

Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction.


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]]> Ellen Scheible, "Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland'" (Bloomsbury, 2025) New Books Network 01:21:44 Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland. Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century. Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction. Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland. Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century. Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction. false full 79 134ee9be-0194-11f0-90ab-37b67bb970fc Alexandra Verini, "English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood" (Palgrave Macmillan, 2022) English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women’s utopianism that extends back to medieval women’s monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. 

The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women’s literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women’s intellectual work and expands the concept of utopia itself.


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]]> Sun, 16 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women’s utopianism that extends back to medieval women’s monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. 

The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women’s literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women’s intellectual work and expands the concept of utopia itself.


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]]> Alexandra Verini, "English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood" (Palgrave Macmillan, 2022) New Books Network 00:26:46 English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women’s utopianism that extends back to medieval women’s monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures.  The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women’s literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women’s intellectual work and expands the concept of utopia itself. English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women’s utopianism that extends back to medieval women’s monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures.  The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women’s literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women’s intellectual work and expands the concept of utopia itself. false full 115 26b426aa-fe96-11ef-b81d-8ffb4e355723 Chiara Faggella, "Becoming Couture: The Italian Fashion Industry after the Second World War" (Manchester UP, 2024) Becoming couture: The Italian fashion industry after the Second World War (Manchester University Press, 2024) by Dr. Chiara Faggella is the first book to examine the history of the Italian fashion industry during the global transition brought about by the Second World War. It draws on a wide range of primary sources, some of them newly unearthed, to demonstrate that the Italian fashion industry in the Republican era continued to rely on business practices and professionals established during Fascism. Analysing changes in promotional discourses and press coverage, the book traces the shift that occurred when manufacturers were encouraged to expand their exports of accessories to include sportswear, knitwear and moda boutique. This ultimately led to the legitimisation of Italian dressmaking as creatively independent of French influences and therefore worthy of the label 'couture'.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 15 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Becoming couture: The Italian fashion industry after the Second World War (Manchester University Press, 2024) by Dr. Chiara Faggella is the first book to examine the history of the Italian fashion industry during the global transition brought about by the Second World War. It draws on a wide range of primary sources, some of them newly unearthed, to demonstrate that the Italian fashion industry in the Republican era continued to rely on business practices and professionals established during Fascism. Analysing changes in promotional discourses and press coverage, the book traces the shift that occurred when manufacturers were encouraged to expand their exports of accessories to include sportswear, knitwear and moda boutique. This ultimately led to the legitimisation of Italian dressmaking as creatively independent of French influences and therefore worthy of the label 'couture'.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Chiara Faggella, "Becoming Couture: The Italian Fashion Industry after the Second World War" (Manchester UP, 2024) New Books Network 00:41:17 Becoming couture: The Italian fashion industry after the Second World War (Manchester University Press, 2024) by Dr. Chiara Faggella is the first book to examine the history of the Italian fashion industry during the global transition brought about by the Second World War. It draws on a wide range of primary sources, some of them newly unearthed, to demonstrate that the Italian fashion industry in the Republican era continued to rely on business practices and professionals established during Fascism. Analysing changes in promotional discourses and press coverage, the book traces the shift that occurred when manufacturers were encouraged to expand their exports of accessories to include sportswear, knitwear and moda boutique. This ultimately led to the legitimisation of Italian dressmaking as creatively independent of French influences and therefore worthy of the label 'couture'. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Becoming couture: The Italian fashion industry after the Second World War (Manchester University Press, 2024) by Dr. Chiara Faggella is the first book to examine the history of the Italian fashion industry during the global transition brought about by the Second World War. It draws on a wide range of primary sources, some of them newly unearthed, to demonstrate that the Italian fashion industry in the Republican era continued to rely on business practices and professionals established during Fascism. Analysing changes in promotional discourses and press coverage, the book traces the shift that occurred when manufacturers were encouraged to expand their exports of accessories to include sportswear, knitwear and moda boutique. This ultimately led to the legitimisation of Italian dressmaking as creatively independent of French influences and therefore worthy of the label 'couture'. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 33 5990c2e2-ff6b-11ef-aeac-1b8aa3db825d Fiona Handyside, "Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures" (Edinburgh UP, 2025) Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times?

Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction.

It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 14 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times?

Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction.

It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fiona Handyside, "Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures" (Edinburgh UP, 2025) New Books Network 01:05:16 Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times? Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction. It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times? Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction. It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 147 429df9a8-eba5-11ef-a11c-7fab773c2b1d Patrick Beldio, "The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga" (Lexington Books, 2024) The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga (Lexington Books, 2024) analyzes the contributions of the Mother (née Mirra Alfassa, 1878-1973) to the Integral Yoga that she and Sri Aurobindo (né Aurobindo Ghose, 1872-1950) co-created for his ashram. Scholars have ignored Mirra for Aurobindo, which prevents a full understanding of their spiritual practice. Scholars have also avoided examining work Aurobindo produced after they began their partnership in 1920 until his death in 1950, and privilege the written output in his journal Arya from 1914 to 1921. In this initial fertile period, he put forth his innovative teaching about what he called the “Supermind,” an emergent human faculty that he said would manifest a new humanity and a new earth through Mirra’s body. Mirra claimed that after his death in 1956 this manifestation happened as he foretold. Mirra’s work in the ashram from his death until hers in 1973 reveals important ways that she both fulfilled and changed Aurobindo’s initial vision. These developments are chiefly based on her experiences of mental dissolution while her body gained a new supramental form and consciousness.


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]]> Thu, 13 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga (Lexington Books, 2024) analyzes the contributions of the Mother (née Mirra Alfassa, 1878-1973) to the Integral Yoga that she and Sri Aurobindo (né Aurobindo Ghose, 1872-1950) co-created for his ashram. Scholars have ignored Mirra for Aurobindo, which prevents a full understanding of their spiritual practice. Scholars have also avoided examining work Aurobindo produced after they began their partnership in 1920 until his death in 1950, and privilege the written output in his journal Arya from 1914 to 1921. In this initial fertile period, he put forth his innovative teaching about what he called the “Supermind,” an emergent human faculty that he said would manifest a new humanity and a new earth through Mirra’s body. Mirra claimed that after his death in 1956 this manifestation happened as he foretold. Mirra’s work in the ashram from his death until hers in 1973 reveals important ways that she both fulfilled and changed Aurobindo’s initial vision. These developments are chiefly based on her experiences of mental dissolution while her body gained a new supramental form and consciousness.


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]]> Patrick Beldio, "The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga" (Lexington Books, 2024) New Books Network 00:43:21 The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga (Lexington Books, 2024) analyzes the contributions of the Mother (née Mirra Alfassa, 1878-1973) to the Integral Yoga that she and Sri Aurobindo (né Aurobindo Ghose, 1872-1950) co-created for his ashram. Scholars have ignored Mirra for Aurobindo, which prevents a full understanding of their spiritual practice. Scholars have also avoided examining work Aurobindo produced after they began their partnership in 1920 until his death in 1950, and privilege the written output in his journal Arya from 1914 to 1921. In this initial fertile period, he put forth his innovative teaching about what he called the “Supermind,” an emergent human faculty that he said would manifest a new humanity and a new earth through Mirra’s body. Mirra claimed that after his death in 1956 this manifestation happened as he foretold. Mirra’s work in the ashram from his death until hers in 1973 reveals important ways that she both fulfilled and changed Aurobindo’s initial vision. These developments are chiefly based on her experiences of mental dissolution while her body gained a new supramental form and consciousness. The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga (Lexington Books, 2024) analyzes the contributions of the Mother (née Mirra Alfassa, 1878-1973) to the Integral Yoga that she and Sri Aurobindo (né Aurobindo Ghose, 1872-1950) co-created for his ashram. Scholars have ignored Mirra for Aurobindo, which prevents a full understanding of their spiritual practice. Scholars have also avoided examining work Aurobindo produced after they began their partnership in 1920 until his death in 1950, and privilege the written output in his journal Arya from 1914 to 1921. In this initial fertile period, he put forth his innovative teaching about what he called the “Supermind,” an emergent human faculty that he said would manifest a new humanity and a new earth through Mirra’s body. Mirra claimed that after his death in 1956 this manifestation happened as he foretold. Mirra’s work in the ashram from his death until hers in 1973 reveals important ways that she both fulfilled and changed Aurobindo’s initial vision. These developments are chiefly based on her experiences of mental dissolution while her body gained a new supramental form and consciousness. false full 580 494fd4f8-fdc3-11ef-a415-33a4eeb4f7f8 Jennifer L. Freeman Marshall, "Ain't I an Anthropologist: Zora Neale Hurston Beyond the Literary Icon" (U Illinois Press, 2023) Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life.


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]]> Tue, 11 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life.


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]]> Jennifer L. Freeman Marshall, "Ain't I an Anthropologist: Zora Neale Hurston Beyond the Literary Icon" (U Illinois Press, 2023) New Books Network 01:07:58 Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. false full 351 c3a6a18e-fc2c-11ef-833a-db50c8cc9190 Lina-Maria Murillo, "Fighting for Control: Power, Reproductive Care, and Race in the US-Mexico Borderlands" (UNC Press, 2025) The first birth control clinic in El Paso, Texas, opened in 1937. Since then, Mexican-origin women living in the border cities of El Paso and Ciudad Juárez have confronted various interest groups determined to control their reproductive lives, including a heavily funded international population control campaign led by Planned Parenthood Federation of America as well as the Catholic Church and Mexican American activists. Uncovering nearly one hundred years of struggle, Lina-Maria Murillo reveals how Mexican-origin women on both sides of the border fought to reclaim autonomy and care for themselves and their communities.

Faced with a family planning movement steeped in eugenic ideology, working-class Mexican-origin women strategically demanded additional health services and then formed their own clinics to provide care on their own terms. Along the way, they developed what Murillo calls reproductive care— quotidian acts of community solidarity—as activists organized for better housing, education, wages, as well as access to birth control, abortion, and more. In Fighting for Control: Power, Reproductive Care, and Race in the US-Mexico Borderlands (UNC Press, 2025), Murillo lays bare Mexican-origin women's long battle for human dignity and power in the borderlands as reproductive freedom in Texas once again hangs in the balance.


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]]> Sun, 9 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The first birth control clinic in El Paso, Texas, opened in 1937. Since then, Mexican-origin women living in the border cities of El Paso and Ciudad Juárez have confronted various interest groups determined to control their reproductive lives, including a heavily funded international population control campaign led by Planned Parenthood Federation of America as well as the Catholic Church and Mexican American activists. Uncovering nearly one hundred years of struggle, Lina-Maria Murillo reveals how Mexican-origin women on both sides of the border fought to reclaim autonomy and care for themselves and their communities.

Faced with a family planning movement steeped in eugenic ideology, working-class Mexican-origin women strategically demanded additional health services and then formed their own clinics to provide care on their own terms. Along the way, they developed what Murillo calls reproductive care— quotidian acts of community solidarity—as activists organized for better housing, education, wages, as well as access to birth control, abortion, and more. In Fighting for Control: Power, Reproductive Care, and Race in the US-Mexico Borderlands (UNC Press, 2025), Murillo lays bare Mexican-origin women's long battle for human dignity and power in the borderlands as reproductive freedom in Texas once again hangs in the balance.


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]]> Lina-Maria Murillo, "Fighting for Control: Power, Reproductive Care, and Race in the US-Mexico Borderlands" (UNC Press, 2025) New Books Network 01:06:12 The first birth control clinic in El Paso, Texas, opened in 1937. Since then, Mexican-origin women living in the border cities of El Paso and Ciudad Juárez have confronted various interest groups determined to control their reproductive lives, including a heavily funded international population control campaign led by Planned Parenthood Federation of America as well as the Catholic Church and Mexican American activists. Uncovering nearly one hundred years of struggle, Lina-Maria Murillo reveals how Mexican-origin women on both sides of the border fought to reclaim autonomy and care for themselves and their communities. Faced with a family planning movement steeped in eugenic ideology, working-class Mexican-origin women strategically demanded additional health services and then formed their own clinics to provide care on their own terms. Along the way, they developed what Murillo calls reproductive care— quotidian acts of community solidarity—as activists organized for better housing, education, wages, as well as access to birth control, abortion, and more. In Fighting for Control: Power, Reproductive Care, and Race in the US-Mexico Borderlands (UNC Press, 2025), Murillo lays bare Mexican-origin women's long battle for human dignity and power in the borderlands as reproductive freedom in Texas once again hangs in the balance. The first birth control clinic in El Paso, Texas, opened in 1937. Since then, Mexican-origin women living in the border cities of El Paso and Ciudad Juárez have confronted various interest groups determined to control their reproductive lives, including a heavily funded international population control campaign led by Planned Parenthood Federation of America as well as the Catholic Church and Mexican American activists. Uncovering nearly one hundred years of struggle, Lina-Maria Murillo reveals how Mexican-origin women on both sides of the border fought to reclaim autonomy and care for themselves and their communities. Faced with a family planning movement steeped in eugenic ideology, working-class Mexican-origin women strategically demanded additional health services and then formed their own clinics to provide care on their own terms. Along the way, they developed what Murillo calls reproductive care— quotidian acts of community solidarity—as activists organized for better housing, education, wages, as well as access to birth control, abortion, and more. In Fighting for Control: Power, Reproductive Care, and Race in the US-Mexico Borderlands (UNC Press, 2025), Murillo lays bare Mexican-origin women's long battle for human dignity and power in the borderlands as reproductive freedom in Texas once again hangs in the balance. false full 121 90eea8b4-fb72-11ef-a4d6-17f1713a9622 Madalina Armie and Veronica Membrive, "Trauma, Memory and Silence of the Irish Woman in Contemporary Literature" (Routledge, 2023) Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.


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]]> Sun, 9 Mar 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.


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]]> Madalina Armie and Veronica Membrive, "Trauma, Memory and Silence of the Irish Woman in Contemporary Literature" (Routledge, 2023) New Books Network 01:05:14 Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. false full 78 297ab5f8-fa03-11ef-9ee0-23ce2138a2ff Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024) Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice.

O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18.

Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (I Do Not Want What I Haven't Got) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights.


Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career.


The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey.

Ariane Sherine’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025).

Bradley on Bluesky.


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]]> Sat, 8 Mar 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice.

O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18.

Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (I Do Not Want What I Haven't Got) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights.


Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career.


The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey.

Ariane Sherine’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025).

Bradley on Bluesky.


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]]> Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024) New Books Network 00:48:45 Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice. O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18. Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (I Do Not Want What I Haven't Got) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights. Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career. The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey. Ariane Sherine’s website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley on Bluesky. Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice. O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18. Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (I Do Not Want What I Haven't Got) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights. Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career. The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey. Ariane Sherine’s website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley on Bluesky. false full 273 bb780430-f9ed-11ef-8592-339df254e6ae Rachelle Bergstein, "The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us" (Atria, 2024) Everyone knows Judy Blume.

Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century?

In The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us (Atria, 2024), her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence.

Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever.

Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref


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]]> Fri, 7 Mar 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Everyone knows Judy Blume.

Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century?

In The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us (Atria, 2024), her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence.

Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever.

Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref


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]]> Rachelle Bergstein, "The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us" (Atria, 2024) New Books Network 00:42:48 Everyone knows Judy Blume. Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century? In The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us (Atria, 2024), her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence. Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref Everyone knows Judy Blume. Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century? In The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us (Atria, 2024), her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence. Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref false full 275 cfbf2164-ed34-11ef-bcb0-4ba3eb582292 Teaching With Positive Psychology Skills Studies show that students who have a positive outlook on their lives outperform students who don’t. Is positive thinking a skill? Can it be taught?

Our article is: “Teaching Positive Psychology Skills at school may be one way to help student mental health and happiness,” by Dr. Kai Zhuang Shum, published in The Conversation, which explores how the components of happiness and connection can be applied to classroom settings around the world. Amid the reduced access to mental health services for many students, and the rising rates of student stress and depression, researchers are finding that positive psychology interventions make a real difference. “Students who’ve been introduced to science-based ideas about happiness,” Dr. Shum writes, “feel more satisfied with life.” She joins us for this episode to explain more.

Our guest is: Dr. Kai Zhuang Shum, who is a Nationally Certified School Psychologist (NCSP) and a Licensed Psychologist. She serves as an assistant professor at the University of Tennessee Knoxville School Psychology Program. She specializes in positive psychology, motivation, anxiety (including OCD), attention, time management, and well-being (happiness).

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.

Listeners may enjoy this playlist:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Thu, 6 Mar 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Studies show that students who have a positive outlook on their lives outperform students who don’t. Is positive thinking a skill? Can it be taught?

Our article is: “Teaching Positive Psychology Skills at school may be one way to help student mental health and happiness,” by Dr. Kai Zhuang Shum, published in The Conversation, which explores how the components of happiness and connection can be applied to classroom settings around the world. Amid the reduced access to mental health services for many students, and the rising rates of student stress and depression, researchers are finding that positive psychology interventions make a real difference. “Students who’ve been introduced to science-based ideas about happiness,” Dr. Shum writes, “feel more satisfied with life.” She joins us for this episode to explain more.

Our guest is: Dr. Kai Zhuang Shum, who is a Nationally Certified School Psychologist (NCSP) and a Licensed Psychologist. She serves as an assistant professor at the University of Tennessee Knoxville School Psychology Program. She specializes in positive psychology, motivation, anxiety (including OCD), attention, time management, and well-being (happiness).

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.

Listeners may enjoy this playlist:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Teaching With Positive Psychology Skills New Books Network 00:48:57 Studies show that students who have a positive outlook on their lives outperform students who don’t. Is positive thinking a skill? Can it be taught? Our article is: “Teaching Positive Psychology Skills at school may be one way to help student mental health and happiness,” by Dr. Kai Zhuang Shum, published in The Conversation, which explores how the components of happiness and connection can be applied to classroom settings around the world. Amid the reduced access to mental health services for many students, and the rising rates of student stress and depression, researchers are finding that positive psychology interventions make a real difference. “Students who’ve been introduced to science-based ideas about happiness,” Dr. Shum writes, “feel more satisfied with life.” She joins us for this episode to explain more. Our guest is: Dr. Kai Zhuang Shum, who is a Nationally Certified School Psychologist (NCSP) and a Licensed Psychologist. She serves as an assistant professor at the University of Tennessee Knoxville School Psychology Program. She specializes in positive psychology, motivation, anxiety (including OCD), attention, time management, and well-being (happiness). Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Mindfulness The Well-Gardened Mind Inside Look at Campus Mental Wellness Services You Will Get Through This Belonging: The Science of Creating Connection Managing Your Mental Health During Your PhD Make a Meaningful Life Meditation Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Studies show that students who have a positive outlook on their lives outperform students who don’t. Is positive thinking a skill? Can it be taught? Our article is: “Teaching Positive Psychology Skills at school may be one way to help student mental health and happiness,” by Dr. Kai Zhuang Shum, published in The Conversation, which explores how the components of happiness and connection can be applied to classroom settings around the world. Amid the reduced access to mental health services for many students, and the rising rates of student stress and depression, researchers are finding that positive psychology interventions make a real difference. “Students who’ve been introduced to science-based ideas about happiness,” Dr. Shum writes, “feel more satisfied with life.” She joins us for this episode to explain more. Our guest is: Dr. Kai Zhuang Shum, who is a Nationally Certified School Psychologist (NCSP) and a Licensed Psychologist. She serves as an assistant professor at the University of Tennessee Knoxville School Psychology Program. She specializes in positive psychology, motivation, anxiety (including OCD), attention, time management, and well-being (happiness). Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Mindfulness The Well-Gardened Mind Inside Look at Campus Mental Wellness Services You Will Get Through This Belonging: The Science of Creating Connection Managing Your Mental Health During Your PhD Make a Meaningful Life Meditation Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! false full 253 3fdf6ca6-e196-11ef-8abf-5b9bf948cf9d Isabel Moreira, "Balthild of Francia: Anglo-Saxon Slave, Merovingian Queen, and Abolitionist Saint" (Oxford UP, 2024) This book tells the remarkable life of Balthild of Francia (c. 633-80), a seventh-century Anglo-Saxon slave who became a queen of France. Described in contemporary sources as beautiful and intelligent, she rose to power through her marriage to the short-lived King Clovis II. As regent for her young son, she promoted social and political reforms in Francia that included the rescue and rehousing of Christian slaves who, like Balthild herself, had been caught up in the human-trafficking practices of the mid-seventh century.

Implicated in the violent politics of the era, Balthild spent the remainder of her life in the convent of Chelles where a unique cache of surviving relics and personal items, including her hair, were protected and dispersed as relics over the following centuries. In the nineteenth century, Balthild's anti-slave trade policies were recalled for new audiences when she was adopted as an icon for the cause of the abolition of the slave trade and installed as one of the twenty illustrious women whose statues are situated in the Luxembourg Gardens in Paris.

Although critical to her age, because of the remote time period and the specialized nature of the sources, Balthild is little known today. Balthild of Francia: Anglo-Saxon Slave, Merovingian Queen, and Abolitionist Saint (Oxford UP, 2024) will correct this oversight by shining a light on a fascinating and courageous figure whose legacy long outlived the era to which she belonged.

New Books in Late Antiquity is Presented by Ancient Jew Review

Isabel Moreira is Distinguished Professor in the Department of History at the University of Utah

Michael Motia teaches in the classics and religious studies department at UMass Boston


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]]> Mon, 3 Mar 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com This book tells the remarkable life of Balthild of Francia (c. 633-80), a seventh-century Anglo-Saxon slave who became a queen of France. Described in contemporary sources as beautiful and intelligent, she rose to power through her marriage to the short-lived King Clovis II. As regent for her young son, she promoted social and political reforms in Francia that included the rescue and rehousing of Christian slaves who, like Balthild herself, had been caught up in the human-trafficking practices of the mid-seventh century.

Implicated in the violent politics of the era, Balthild spent the remainder of her life in the convent of Chelles where a unique cache of surviving relics and personal items, including her hair, were protected and dispersed as relics over the following centuries. In the nineteenth century, Balthild's anti-slave trade policies were recalled for new audiences when she was adopted as an icon for the cause of the abolition of the slave trade and installed as one of the twenty illustrious women whose statues are situated in the Luxembourg Gardens in Paris.

Although critical to her age, because of the remote time period and the specialized nature of the sources, Balthild is little known today. Balthild of Francia: Anglo-Saxon Slave, Merovingian Queen, and Abolitionist Saint (Oxford UP, 2024) will correct this oversight by shining a light on a fascinating and courageous figure whose legacy long outlived the era to which she belonged.

New Books in Late Antiquity is Presented by Ancient Jew Review

Isabel Moreira is Distinguished Professor in the Department of History at the University of Utah

Michael Motia teaches in the classics and religious studies department at UMass Boston


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]]> Isabel Moreira, "Balthild of Francia: Anglo-Saxon Slave, Merovingian Queen, and Abolitionist Saint" (Oxford UP, 2024) New Books Network 00:57:47 This book tells the remarkable life of Balthild of Francia (c. 633-80), a seventh-century Anglo-Saxon slave who became a queen of France. Described in contemporary sources as beautiful and intelligent, she rose to power through her marriage to the short-lived King Clovis II. As regent for her young son, she promoted social and political reforms in Francia that included the rescue and rehousing of Christian slaves who, like Balthild herself, had been caught up in the human-trafficking practices of the mid-seventh century. Implicated in the violent politics of the era, Balthild spent the remainder of her life in the convent of Chelles where a unique cache of surviving relics and personal items, including her hair, were protected and dispersed as relics over the following centuries. In the nineteenth century, Balthild's anti-slave trade policies were recalled for new audiences when she was adopted as an icon for the cause of the abolition of the slave trade and installed as one of the twenty illustrious women whose statues are situated in the Luxembourg Gardens in Paris. Although critical to her age, because of the remote time period and the specialized nature of the sources, Balthild is little known today. Balthild of Francia: Anglo-Saxon Slave, Merovingian Queen, and Abolitionist Saint (Oxford UP, 2024) will correct this oversight by shining a light on a fascinating and courageous figure whose legacy long outlived the era to which she belonged. New Books in Late Antiquity is Presented by Ancient Jew Review Isabel Moreira is Distinguished Professor in the Department of History at the University of Utah Michael Motia teaches in the classics and religious studies department at UMass Boston This book tells the remarkable life of Balthild of Francia (c. 633-80), a seventh-century Anglo-Saxon slave who became a queen of France. Described in contemporary sources as beautiful and intelligent, she rose to power through her marriage to the short-lived King Clovis II. As regent for her young son, she promoted social and political reforms in Francia that included the rescue and rehousing of Christian slaves who, like Balthild herself, had been caught up in the human-trafficking practices of the mid-seventh century. Implicated in the violent politics of the era, Balthild spent the remainder of her life in the convent of Chelles where a unique cache of surviving relics and personal items, including her hair, were protected and dispersed as relics over the following centuries. In the nineteenth century, Balthild's anti-slave trade policies were recalled for new audiences when she was adopted as an icon for the cause of the abolition of the slave trade and installed as one of the twenty illustrious women whose statues are situated in the Luxembourg Gardens in Paris. Although critical to her age, because of the remote time period and the specialized nature of the sources, Balthild is little known today. Balthild of Francia: Anglo-Saxon Slave, Merovingian Queen, and Abolitionist Saint (Oxford UP, 2024) will correct this oversight by shining a light on a fascinating and courageous figure whose legacy long outlived the era to which she belonged. New Books in Late Antiquity is Presented by Ancient Jew Review Isabel Moreira is Distinguished Professor in the Department of History at the University of Utah Michael Motia teaches in the classics and religious studies department at UMass Boston false full 39 4ddbc7ac-f472-11ef-8f9e-23152f2a06e8 Caroline Dunn, "Ladies-in-waiting in Medieval England" (Cambridge UP, 2024) Caroline Dunn joins Jana Byars to talk about her new book, Ladies-in-Waiting in Medieval England (Cambridge UP, 2025), which examines female attendants who served queens and aristocratic women during the late medieval period. Using a unique set of primary source–based statistics, Caroline Dunn reveals that the lady-in-waiting was far more than a pretty girl sewing in the queen’s chamber while seeking to catch the eye of an eligible bachelor. Ladies-in-waiting witnessed major historical events of the era and were sophisticated players who earned significant rewards. They had both family and personal interests to advance – through employment they linked kin and court, and through marriage they built bridges between families. Whether royal or aristocratic, ladies-in-waiting worked within gendered spaces, building female-dominated social networks, while also operating within a masculine milieu that offered courtiers of both sexes access to power. Working from a range of sources wider than the subjective anecdote, Dunn presents the first scholarly treatment of medieval English ladies-in-waiting.


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]]> Sun, 2 Mar 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Caroline Dunn joins Jana Byars to talk about her new book, Ladies-in-Waiting in Medieval England (Cambridge UP, 2025), which examines female attendants who served queens and aristocratic women during the late medieval period. Using a unique set of primary source–based statistics, Caroline Dunn reveals that the lady-in-waiting was far more than a pretty girl sewing in the queen’s chamber while seeking to catch the eye of an eligible bachelor. Ladies-in-waiting witnessed major historical events of the era and were sophisticated players who earned significant rewards. They had both family and personal interests to advance – through employment they linked kin and court, and through marriage they built bridges between families. Whether royal or aristocratic, ladies-in-waiting worked within gendered spaces, building female-dominated social networks, while also operating within a masculine milieu that offered courtiers of both sexes access to power. Working from a range of sources wider than the subjective anecdote, Dunn presents the first scholarly treatment of medieval English ladies-in-waiting.


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]]> Caroline Dunn, "Ladies-in-waiting in Medieval England" (Cambridge UP, 2024) New Books Network 00:36:38 Caroline Dunn joins Jana Byars to talk about her new book, Ladies-in-Waiting in Medieval England (Cambridge UP, 2025), which examines female attendants who served queens and aristocratic women during the late medieval period. Using a unique set of primary source–based statistics, Caroline Dunn reveals that the lady-in-waiting was far more than a pretty girl sewing in the queen’s chamber while seeking to catch the eye of an eligible bachelor. Ladies-in-waiting witnessed major historical events of the era and were sophisticated players who earned significant rewards. They had both family and personal interests to advance – through employment they linked kin and court, and through marriage they built bridges between families. Whether royal or aristocratic, ladies-in-waiting worked within gendered spaces, building female-dominated social networks, while also operating within a masculine milieu that offered courtiers of both sexes access to power. Working from a range of sources wider than the subjective anecdote, Dunn presents the first scholarly treatment of medieval English ladies-in-waiting. Caroline Dunn joins Jana Byars to talk about her new book, Ladies-in-Waiting in Medieval England (Cambridge UP, 2025), which examines female attendants who served queens and aristocratic women during the late medieval period. Using a unique set of primary source–based statistics, Caroline Dunn reveals that the lady-in-waiting was far more than a pretty girl sewing in the queen’s chamber while seeking to catch the eye of an eligible bachelor. Ladies-in-waiting witnessed major historical events of the era and were sophisticated players who earned significant rewards. They had both family and personal interests to advance – through employment they linked kin and court, and through marriage they built bridges between families. Whether royal or aristocratic, ladies-in-waiting worked within gendered spaces, building female-dominated social networks, while also operating within a masculine milieu that offered courtiers of both sexes access to power. Working from a range of sources wider than the subjective anecdote, Dunn presents the first scholarly treatment of medieval English ladies-in-waiting. false full 91 0d2773a8-f54b-11ef-8ad6-e3e2537f48a4 Hallie Franks, "Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy" (Bloomsbury, 2025) Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks.

Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 2 Mar 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks.

Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Hallie Franks, "Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy" (Bloomsbury, 2025) New Books Network 00:53:56 Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks. Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks. Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 114 8fe1e7fc-f455-11ef-92de-af4746b514a5 Esha Niyogi De, "Women's Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia" (U Illinois Press, 2024) Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? 

In Women’s Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.

Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011).

The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz.


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]]> Sat, 1 Mar 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? 

In Women’s Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.

Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011).

The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz.


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]]> Esha Niyogi De, "Women's Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia" (U Illinois Press, 2024) New Books Network 01:08:59 Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region?  In Women’s Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011). The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region?  In Women’s Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011). The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. false full 228 8fbc2456-f2e6-11ef-93bd-1f4078b70f0b Gemma Hollman, "Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens" (Abbeville Press, 2024) Medieval women ruled over kingdoms, abbeys, and households; produced stunning works of art and craft; and did the hard work that kept ordinary families fed and clothed. Though women’s contributions were often diminished or completely ignored in written accounts, art tells a different story: women appear everywhere, from the margins of illuminated manuscripts to grand tapestries. In Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens (Abbeville Press, 2024), historian Gemma Hollman uses the visual as well as the written record to uncover the real lives of medieval European women.

Hollman traces the lives of women across society, dedicating chapters to nuns like Hildegard of Bingen, abbess, mystic, and polymath; courtiers like Christine de Pisan, author of pioneering works on women’s role in society; warriors like Joan of Arc; and the everyday women whose names are lost to history. Illustrated with nearly 200 varied and fascinating works of medieval art, Women in the Middle Ages offers a new perspective on the lives and contributions of medieval women and how they were portrayed. This book is a treasure for anyone interested in the Middle Ages or women’s history.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Wed, 26 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Medieval women ruled over kingdoms, abbeys, and households; produced stunning works of art and craft; and did the hard work that kept ordinary families fed and clothed. Though women’s contributions were often diminished or completely ignored in written accounts, art tells a different story: women appear everywhere, from the margins of illuminated manuscripts to grand tapestries. In Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens (Abbeville Press, 2024), historian Gemma Hollman uses the visual as well as the written record to uncover the real lives of medieval European women.

Hollman traces the lives of women across society, dedicating chapters to nuns like Hildegard of Bingen, abbess, mystic, and polymath; courtiers like Christine de Pisan, author of pioneering works on women’s role in society; warriors like Joan of Arc; and the everyday women whose names are lost to history. Illustrated with nearly 200 varied and fascinating works of medieval art, Women in the Middle Ages offers a new perspective on the lives and contributions of medieval women and how they were portrayed. This book is a treasure for anyone interested in the Middle Ages or women’s history.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Gemma Hollman, "Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens" (Abbeville Press, 2024) New Books Network 01:03:07 Medieval women ruled over kingdoms, abbeys, and households; produced stunning works of art and craft; and did the hard work that kept ordinary families fed and clothed. Though women’s contributions were often diminished or completely ignored in written accounts, art tells a different story: women appear everywhere, from the margins of illuminated manuscripts to grand tapestries. In Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens (Abbeville Press, 2024), historian Gemma Hollman uses the visual as well as the written record to uncover the real lives of medieval European women. Hollman traces the lives of women across society, dedicating chapters to nuns like Hildegard of Bingen, abbess, mystic, and polymath; courtiers like Christine de Pisan, author of pioneering works on women’s role in society; warriors like Joan of Arc; and the everyday women whose names are lost to history. Illustrated with nearly 200 varied and fascinating works of medieval art, Women in the Middle Ages offers a new perspective on the lives and contributions of medieval women and how they were portrayed. This book is a treasure for anyone interested in the Middle Ages or women’s history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Medieval women ruled over kingdoms, abbeys, and households; produced stunning works of art and craft; and did the hard work that kept ordinary families fed and clothed. Though women’s contributions were often diminished or completely ignored in written accounts, art tells a different story: women appear everywhere, from the margins of illuminated manuscripts to grand tapestries. In Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens (Abbeville Press, 2024), historian Gemma Hollman uses the visual as well as the written record to uncover the real lives of medieval European women. Hollman traces the lives of women across society, dedicating chapters to nuns like Hildegard of Bingen, abbess, mystic, and polymath; courtiers like Christine de Pisan, author of pioneering works on women’s role in society; warriors like Joan of Arc; and the everyday women whose names are lost to history. Illustrated with nearly 200 varied and fascinating works of medieval art, Women in the Middle Ages offers a new perspective on the lives and contributions of medieval women and how they were portrayed. This book is a treasure for anyone interested in the Middle Ages or women’s history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 89 4e6564da-f13e-11ef-94c8-eba76beb8ff3 Florence Martin, "Farida Benlyazid and Moroccan Cinema" (Palgrave Macmillan, 2023) Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film.

A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen.


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]]> Tue, 25 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film.

A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen.


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]]> Florence Martin, "Farida Benlyazid and Moroccan Cinema" (Palgrave Macmillan, 2023) New Books Network 01:17:47 Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. false full 142 4397c17a-eef9-11ef-ada1-f7ded5933005 Blanche Bendahan, "Mazaltob: A Novel" (Brandeis UP, 2024) Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan’s nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization.

Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author’s original notes.

Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l’eau, in 1926 and then her first novel, Mazaltob, in 1930.

Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco.

Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education.

Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture.

Mentioned in the podcast:

• Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L’Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5.

• Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996)

• Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In 



French Mediterraneans, edited by P. Lorcin and T. Shepard (2016)

• Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927)

• Edward W. Said, Orientalism, 25th anniversary edition (1994)

• Female teachers of the Alliance israélite universelle

• Jewish figures in the literature of The Tharaud Brothers

• Archives of the Alliance israélite universelle (AIU)


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]]> Mon, 24 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan’s nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization.

Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author’s original notes.

Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l’eau, in 1926 and then her first novel, Mazaltob, in 1930.

Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco.

Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education.

Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture.

Mentioned in the podcast:

• Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L’Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5.

• Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996)

• Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In 



French Mediterraneans, edited by P. Lorcin and T. Shepard (2016)

• Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927)

• Edward W. Said, Orientalism, 25th anniversary edition (1994)

• Female teachers of the Alliance israélite universelle

• Jewish figures in the literature of The Tharaud Brothers

• Archives of the Alliance israélite universelle (AIU)


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]]> Blanche Bendahan, "Mazaltob: A Novel" (Brandeis UP, 2024) New Books Network 01:00:27 Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan’s nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author’s original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l’eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L’Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan’s nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author’s original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l’eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L’Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) false full 612 57cf1c4a-f05e-11ef-89c4-171f87686e06 Megan Moran, "Gender and Family Networks in Early Modern Italy" (Amsterdam UP, 2024) Women from the Ricasoli and Spinelli families formed a wide variety of social networks within and beyond Florence through their letters as they negotiated interpersonal relationships and lineage concerns to actively contribute to their families in early modern Italy. Women were located at the center of social networks through their work in bridging their natal and marital families, cultivating commercial contacts, negotiating family obligations and the demands of religious institutions, facilitating introductions for family and friends, and forming political patronage ties. 

Gender and Family Networks in Early Modern Italy (Amsterdam UP, 2025) argues that a network model offers a framework of analysis in which to deconstruct patriarchy as a single system of institutionalized dominance in early modern Italy. Networks account for female agency as an interactive force that shaped the kinships ties, affective relationships, material connections, and political positions of these elite families as women constructed their own narratives and negotiated their own positions in family life.


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]]> Sun, 23 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women from the Ricasoli and Spinelli families formed a wide variety of social networks within and beyond Florence through their letters as they negotiated interpersonal relationships and lineage concerns to actively contribute to their families in early modern Italy. Women were located at the center of social networks through their work in bridging their natal and marital families, cultivating commercial contacts, negotiating family obligations and the demands of religious institutions, facilitating introductions for family and friends, and forming political patronage ties. 

Gender and Family Networks in Early Modern Italy (Amsterdam UP, 2025) argues that a network model offers a framework of analysis in which to deconstruct patriarchy as a single system of institutionalized dominance in early modern Italy. Networks account for female agency as an interactive force that shaped the kinships ties, affective relationships, material connections, and political positions of these elite families as women constructed their own narratives and negotiated their own positions in family life.


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]]> Megan Moran, "Gender and Family Networks in Early Modern Italy" (Amsterdam UP, 2024) New Books Network 00:47:11 Women from the Ricasoli and Spinelli families formed a wide variety of social networks within and beyond Florence through their letters as they negotiated interpersonal relationships and lineage concerns to actively contribute to their families in early modern Italy. Women were located at the center of social networks through their work in bridging their natal and marital families, cultivating commercial contacts, negotiating family obligations and the demands of religious institutions, facilitating introductions for family and friends, and forming political patronage ties.  Gender and Family Networks in Early Modern Italy (Amsterdam UP, 2025) argues that a network model offers a framework of analysis in which to deconstruct patriarchy as a single system of institutionalized dominance in early modern Italy. Networks account for female agency as an interactive force that shaped the kinships ties, affective relationships, material connections, and political positions of these elite families as women constructed their own narratives and negotiated their own positions in family life. Women from the Ricasoli and Spinelli families formed a wide variety of social networks within and beyond Florence through their letters as they negotiated interpersonal relationships and lineage concerns to actively contribute to their families in early modern Italy. Women were located at the center of social networks through their work in bridging their natal and marital families, cultivating commercial contacts, negotiating family obligations and the demands of religious institutions, facilitating introductions for family and friends, and forming political patronage ties.  Gender and Family Networks in Early Modern Italy (Amsterdam UP, 2025) argues that a network model offers a framework of analysis in which to deconstruct patriarchy as a single system of institutionalized dominance in early modern Italy. Networks account for female agency as an interactive force that shaped the kinships ties, affective relationships, material connections, and political positions of these elite families as women constructed their own narratives and negotiated their own positions in family life. false full 95 2ec2e634-f062-11ef-ba63-5303b6acde92 Jenny Shaw, "The Women of Rendezvous: A Transatlantic Story of Family and Slavery" (UNC Press, 2024) The Women of Rendezvous: A Transatlantic Story of Family and Slavery (UNC Press, 2024) is a dramatic transatlantic story about five women who birthed children by the same prominent Barbados politician and enslaver. Two of the women were his wives, two he enslaved, and one was a servant in his household. All were determined to make their way in a world that vastly and differentially circumscribed their life choices. From a Barbados plantation to the center of England’s empire in London, Hester Tomkyns, Frances Knights, Susannah Mingo, Elizabeth Ashcroft, and Dorothy Spendlove built remarkable lives for themselves and their children in spite of, not because of, the man who linked them together.

Mining seventeenth- and eighteenth-century court records, deeds, wills, church registers, and estate inventories, Jenny Shaw centers the experiences of the women and their children, intertwining the microlevel relationships of family and the macrolevel political machinations of empire to show how white supremacy and racism developed in England and the colonies. Shaw also explores England’s first slave society in North America, provides a glimpse into Black Britain long before the Windrush generation of the twentieth century, and demonstrates that England itself was a society with slaves in the early modern era.


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]]> Sun, 23 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Women of Rendezvous: A Transatlantic Story of Family and Slavery (UNC Press, 2024) is a dramatic transatlantic story about five women who birthed children by the same prominent Barbados politician and enslaver. Two of the women were his wives, two he enslaved, and one was a servant in his household. All were determined to make their way in a world that vastly and differentially circumscribed their life choices. From a Barbados plantation to the center of England’s empire in London, Hester Tomkyns, Frances Knights, Susannah Mingo, Elizabeth Ashcroft, and Dorothy Spendlove built remarkable lives for themselves and their children in spite of, not because of, the man who linked them together.

Mining seventeenth- and eighteenth-century court records, deeds, wills, church registers, and estate inventories, Jenny Shaw centers the experiences of the women and their children, intertwining the microlevel relationships of family and the macrolevel political machinations of empire to show how white supremacy and racism developed in England and the colonies. Shaw also explores England’s first slave society in North America, provides a glimpse into Black Britain long before the Windrush generation of the twentieth century, and demonstrates that England itself was a society with slaves in the early modern era.


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]]> Jenny Shaw, "The Women of Rendezvous: A Transatlantic Story of Family and Slavery" (UNC Press, 2024) New Books Network 00:48:35 The Women of Rendezvous: A Transatlantic Story of Family and Slavery (UNC Press, 2024) is a dramatic transatlantic story about five women who birthed children by the same prominent Barbados politician and enslaver. Two of the women were his wives, two he enslaved, and one was a servant in his household. All were determined to make their way in a world that vastly and differentially circumscribed their life choices. From a Barbados plantation to the center of England’s empire in London, Hester Tomkyns, Frances Knights, Susannah Mingo, Elizabeth Ashcroft, and Dorothy Spendlove built remarkable lives for themselves and their children in spite of, not because of, the man who linked them together. Mining seventeenth- and eighteenth-century court records, deeds, wills, church registers, and estate inventories, Jenny Shaw centers the experiences of the women and their children, intertwining the microlevel relationships of family and the macrolevel political machinations of empire to show how white supremacy and racism developed in England and the colonies. Shaw also explores England’s first slave society in North America, provides a glimpse into Black Britain long before the Windrush generation of the twentieth century, and demonstrates that England itself was a society with slaves in the early modern era. The Women of Rendezvous: A Transatlantic Story of Family and Slavery (UNC Press, 2024) is a dramatic transatlantic story about five women who birthed children by the same prominent Barbados politician and enslaver. Two of the women were his wives, two he enslaved, and one was a servant in his household. All were determined to make their way in a world that vastly and differentially circumscribed their life choices. From a Barbados plantation to the center of England’s empire in London, Hester Tomkyns, Frances Knights, Susannah Mingo, Elizabeth Ashcroft, and Dorothy Spendlove built remarkable lives for themselves and their children in spite of, not because of, the man who linked them together. Mining seventeenth- and eighteenth-century court records, deeds, wills, church registers, and estate inventories, Jenny Shaw centers the experiences of the women and their children, intertwining the microlevel relationships of family and the macrolevel political machinations of empire to show how white supremacy and racism developed in England and the colonies. Shaw also explores England’s first slave society in North America, provides a glimpse into Black Britain long before the Windrush generation of the twentieth century, and demonstrates that England itself was a society with slaves in the early modern era. false full 113 64a64fee-edfa-11ef-bcee-9f938f6371b3 Susan Tate Ankeny, "American Flygirl" (Citadel Press, 2024) In 1931, Hazel Ying Lee, a nineteen-year-old American daughter of Chinese immigrants, sat in on a friend’s flight lesson. It changed her life. In less than a year, a girl with a wicked sense of humor, a newfound love of flying, and a tough can-do attitude earned her pilot’s license and headed for China to help against invading Japanese forces. In time, Hazel would become the first Asian American to fly with the Women Airforce Service Pilots. As thrilling as it may have been, it wasn’t easy.

In America, Hazel felt the oppression and discrimination of the Chinese Exclusion Act. In China’s field of male-dominated aviation she was dismissed for being a woman, and for being an American. But in service to her country, Hazel refused to be limited by gender, race, and impossible dreams. Frustrated but undeterred she forged ahead, married Clifford Louie, a devoted and unconventional husband who cheered his wife on, and gave her all for the cause achieving more in her short remarkable life than even she imagined possible.

American Flygirl (Citadel Press, 2024) is the untold account of a spirited fighter and an indomitable hidden figure in American history. She broke every common belief about women. She challenged every social restriction to endure and to succeed. And against seemingly insurmountable obstacles, Hazel Ying Lee reached for the skies and made her mark as a universal and unsung hero whose time has come.


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]]> Thu, 20 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1931, Hazel Ying Lee, a nineteen-year-old American daughter of Chinese immigrants, sat in on a friend’s flight lesson. It changed her life. In less than a year, a girl with a wicked sense of humor, a newfound love of flying, and a tough can-do attitude earned her pilot’s license and headed for China to help against invading Japanese forces. In time, Hazel would become the first Asian American to fly with the Women Airforce Service Pilots. As thrilling as it may have been, it wasn’t easy.

In America, Hazel felt the oppression and discrimination of the Chinese Exclusion Act. In China’s field of male-dominated aviation she was dismissed for being a woman, and for being an American. But in service to her country, Hazel refused to be limited by gender, race, and impossible dreams. Frustrated but undeterred she forged ahead, married Clifford Louie, a devoted and unconventional husband who cheered his wife on, and gave her all for the cause achieving more in her short remarkable life than even she imagined possible.

American Flygirl (Citadel Press, 2024) is the untold account of a spirited fighter and an indomitable hidden figure in American history. She broke every common belief about women. She challenged every social restriction to endure and to succeed. And against seemingly insurmountable obstacles, Hazel Ying Lee reached for the skies and made her mark as a universal and unsung hero whose time has come.


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]]> Susan Tate Ankeny, "American Flygirl" (Citadel Press, 2024) New Books Network 00:25:55 In 1931, Hazel Ying Lee, a nineteen-year-old American daughter of Chinese immigrants, sat in on a friend’s flight lesson. It changed her life. In less than a year, a girl with a wicked sense of humor, a newfound love of flying, and a tough can-do attitude earned her pilot’s license and headed for China to help against invading Japanese forces. In time, Hazel would become the first Asian American to fly with the Women Airforce Service Pilots. As thrilling as it may have been, it wasn’t easy. In America, Hazel felt the oppression and discrimination of the Chinese Exclusion Act. In China’s field of male-dominated aviation she was dismissed for being a woman, and for being an American. But in service to her country, Hazel refused to be limited by gender, race, and impossible dreams. Frustrated but undeterred she forged ahead, married Clifford Louie, a devoted and unconventional husband who cheered his wife on, and gave her all for the cause achieving more in her short remarkable life than even she imagined possible. American Flygirl (Citadel Press, 2024) is the untold account of a spirited fighter and an indomitable hidden figure in American history. She broke every common belief about women. She challenged every social restriction to endure and to succeed. And against seemingly insurmountable obstacles, Hazel Ying Lee reached for the skies and made her mark as a universal and unsung hero whose time has come. In 1931, Hazel Ying Lee, a nineteen-year-old American daughter of Chinese immigrants, sat in on a friend’s flight lesson. It changed her life. In less than a year, a girl with a wicked sense of humor, a newfound love of flying, and a tough can-do attitude earned her pilot’s license and headed for China to help against invading Japanese forces. In time, Hazel would become the first Asian American to fly with the Women Airforce Service Pilots. As thrilling as it may have been, it wasn’t easy. In America, Hazel felt the oppression and discrimination of the Chinese Exclusion Act. In China’s field of male-dominated aviation she was dismissed for being a woman, and for being an American. But in service to her country, Hazel refused to be limited by gender, race, and impossible dreams. Frustrated but undeterred she forged ahead, married Clifford Louie, a devoted and unconventional husband who cheered his wife on, and gave her all for the cause achieving more in her short remarkable life than even she imagined possible. American Flygirl (Citadel Press, 2024) is the untold account of a spirited fighter and an indomitable hidden figure in American history. She broke every common belief about women. She challenged every social restriction to endure and to succeed. And against seemingly insurmountable obstacles, Hazel Ying Lee reached for the skies and made her mark as a universal and unsung hero whose time has come. false full 112 550d8784-ed30-11ef-85b2-0f4bf8851a27 Xian Wang, "Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs" (U Michigan Press, 2025) Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history. 

This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture.

Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame.

Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College.


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]]> Wed, 19 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history. 

This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture.

Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame.

Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College.


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]]> Xian Wang, "Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs" (U Michigan Press, 2025) New Books Network 01:02:23 Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history.  This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture. Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame. Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College. Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history.  This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture. Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame. Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College. false full 555 2a0024dc-ebb1-11ef-9dab-37c60437ca04 Mary Frances Phillips, "Black Panther Woman: The Political and Spiritual Life of Ericka Huggins" (NYU Press, 2025) In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot.

Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins's political journey, shedding light on Ericka's use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement.

Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman: The Political and Spiritual Life of Ericka Huggins (NYU Press, 2025) offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.


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]]> Mon, 17 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot.

Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins's political journey, shedding light on Ericka's use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement.

Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman: The Political and Spiritual Life of Ericka Huggins (NYU Press, 2025) offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.


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]]> Mary Frances Phillips, "Black Panther Woman: The Political and Spiritual Life of Ericka Huggins" (NYU Press, 2025) New Books Network 00:33:43 In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot. Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins's political journey, shedding light on Ericka's use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement. Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman: The Political and Spiritual Life of Ericka Huggins (NYU Press, 2025) offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world. In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot. Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins's political journey, shedding light on Ericka's use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement. Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman: The Political and Spiritual Life of Ericka Huggins (NYU Press, 2025) offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world. false full 494 c88c57f0-eb08-11ef-a526-7bb8d11d8360 Jessica A. Brockmole, "Pink Cars and Pocketbooks: How American Women Bought Their Way Into the Driver's Seat" (Johns Hopkins UP, 2025) Since the commercial introduction of the automobile, US automakers have always sought women as customers and advertised accordingly. How, then, did car culture become so masculine? In Pink Cars and Pocketbooks: How American Women Bought Their Way into the Driver's Seat (Johns Hopkins University Press, 2025), Dr. Jessica Brockmole shares the untold history of women's relationship with automobiles: a journey marked by struggle, empowerment, and the relentless pursuit of independence.

This groundbreaking work explores the evolution of women's automotive participation and the cultural shifts that have redefined their roles as drivers, mechanics, and consumers. Dr. Brockmole traces the rise of gendered marketing of automobiles over the course of the twentieth century. Auto companies created ads that conformed to commonly held ideas about women's relationships with automobiles. As the century progressed, marketing to women became less informative and even more gendered: the automotive industry portrayed women as passengers, props, or reluctant drivers, interested primarily in aesthetics. And yet, by the 1970s, female drivers were communicating directly with each other, forming clubs, and teaching each other through women-focused repair manuals.

By examining market research studies, advertising archives, trade journals, women's magazines, newspapers, driving handbooks, and repair manuals, this book shows how women bought their way into the automobile and masculine car culture. Brockmole uncovers the stories of pioneering women who defied conventions, such as trailblazer Alice Ramsey, the first woman to drive across the United States in 1909, and Barb Wyatt, whose contributions to automotive manuals broke new ground. Women have always been users of technology, and this book illustrates how the auto industry evolved—as well as how it chose not to evolve—in response.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 16 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Since the commercial introduction of the automobile, US automakers have always sought women as customers and advertised accordingly. How, then, did car culture become so masculine? In Pink Cars and Pocketbooks: How American Women Bought Their Way into the Driver's Seat (Johns Hopkins University Press, 2025), Dr. Jessica Brockmole shares the untold history of women's relationship with automobiles: a journey marked by struggle, empowerment, and the relentless pursuit of independence.

This groundbreaking work explores the evolution of women's automotive participation and the cultural shifts that have redefined their roles as drivers, mechanics, and consumers. Dr. Brockmole traces the rise of gendered marketing of automobiles over the course of the twentieth century. Auto companies created ads that conformed to commonly held ideas about women's relationships with automobiles. As the century progressed, marketing to women became less informative and even more gendered: the automotive industry portrayed women as passengers, props, or reluctant drivers, interested primarily in aesthetics. And yet, by the 1970s, female drivers were communicating directly with each other, forming clubs, and teaching each other through women-focused repair manuals.

By examining market research studies, advertising archives, trade journals, women's magazines, newspapers, driving handbooks, and repair manuals, this book shows how women bought their way into the automobile and masculine car culture. Brockmole uncovers the stories of pioneering women who defied conventions, such as trailblazer Alice Ramsey, the first woman to drive across the United States in 1909, and Barb Wyatt, whose contributions to automotive manuals broke new ground. Women have always been users of technology, and this book illustrates how the auto industry evolved—as well as how it chose not to evolve—in response.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Jessica A. Brockmole, "Pink Cars and Pocketbooks: How American Women Bought Their Way Into the Driver's Seat" (Johns Hopkins UP, 2025) New Books Network 00:59:13 Since the commercial introduction of the automobile, US automakers have always sought women as customers and advertised accordingly. How, then, did car culture become so masculine? In Pink Cars and Pocketbooks: How American Women Bought Their Way into the Driver's Seat (Johns Hopkins University Press, 2025), Dr. Jessica Brockmole shares the untold history of women's relationship with automobiles: a journey marked by struggle, empowerment, and the relentless pursuit of independence. This groundbreaking work explores the evolution of women's automotive participation and the cultural shifts that have redefined their roles as drivers, mechanics, and consumers. Dr. Brockmole traces the rise of gendered marketing of automobiles over the course of the twentieth century. Auto companies created ads that conformed to commonly held ideas about women's relationships with automobiles. As the century progressed, marketing to women became less informative and even more gendered: the automotive industry portrayed women as passengers, props, or reluctant drivers, interested primarily in aesthetics. And yet, by the 1970s, female drivers were communicating directly with each other, forming clubs, and teaching each other through women-focused repair manuals. By examining market research studies, advertising archives, trade journals, women's magazines, newspapers, driving handbooks, and repair manuals, this book shows how women bought their way into the automobile and masculine car culture. Brockmole uncovers the stories of pioneering women who defied conventions, such as trailblazer Alice Ramsey, the first woman to drive across the United States in 1909, and Barb Wyatt, whose contributions to automotive manuals broke new ground. Women have always been users of technology, and this book illustrates how the auto industry evolved—as well as how it chose not to evolve—in response. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Since the commercial introduction of the automobile, US automakers have always sought women as customers and advertised accordingly. How, then, did car culture become so masculine? In Pink Cars and Pocketbooks: How American Women Bought Their Way into the Driver's Seat (Johns Hopkins University Press, 2025), Dr. Jessica Brockmole shares the untold history of women's relationship with automobiles: a journey marked by struggle, empowerment, and the relentless pursuit of independence. This groundbreaking work explores the evolution of women's automotive participation and the cultural shifts that have redefined their roles as drivers, mechanics, and consumers. Dr. Brockmole traces the rise of gendered marketing of automobiles over the course of the twentieth century. Auto companies created ads that conformed to commonly held ideas about women's relationships with automobiles. As the century progressed, marketing to women became less informative and even more gendered: the automotive industry portrayed women as passengers, props, or reluctant drivers, interested primarily in aesthetics. And yet, by the 1970s, female drivers were communicating directly with each other, forming clubs, and teaching each other through women-focused repair manuals. By examining market research studies, advertising archives, trade journals, women's magazines, newspapers, driving handbooks, and repair manuals, this book shows how women bought their way into the automobile and masculine car culture. Brockmole uncovers the stories of pioneering women who defied conventions, such as trailblazer Alice Ramsey, the first woman to drive across the United States in 1909, and Barb Wyatt, whose contributions to automotive manuals broke new ground. Women have always been users of technology, and this book illustrates how the auto industry evolved—as well as how it chose not to evolve—in response. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 111 a87eb6e2-e969-11ef-adc4-57e1d825eceb Adam Pennington, "Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty" (Pen and Sword History, 2024) The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain’s national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII’s life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family.

Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created.

The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it’s possible to be soon emerges.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 15 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain’s national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII’s life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family.

Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created.

The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it’s possible to be soon emerges.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Adam Pennington, "Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty" (Pen and Sword History, 2024) New Books Network 00:43:39 The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain’s national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII’s life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it’s possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain’s national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII’s life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it’s possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 154 911c1f3c-e7f0-11ef-ba11-0b9bcf01312d Pamela Allen Brown, "The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata" (Oxford UP, 2021) Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. 

By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. 

Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways.


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]]> Fri, 14 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. 

By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. 

Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways.


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]]> Pamela Allen Brown, "The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata" (Oxford UP, 2021) New Books Network 00:57:34 Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.  By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.  Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. false full 93 fae46820-e7cd-11ef-a2f4-6f5cd284ca23 Randall Fuller, "Bright Circle: Five Remarkable Women in the Age of Transcendentalism" (Oxford UP, 2024) In November 1839, a group of young women in Boston formed a conversation society "to answer the great questions" of special importance to women: "What are we born to do? How shall we do it?" The lives and works of the five women who discussed these questions are at the center of Bright Circle, a group biography of remarkable thinkers and artists who played pathbreaking roles in the transcendentalist movement.

Transcendentalism remains the most important literary and philosophical movement to have originated in the United States. Most accounts of it, however, trace its emergence to a group of young intellectuals (primarily Ralph Waldo Emerson and Henry David Thoreau) dissatisfied with their religious, literary, and social culture. Yet there is a forgotten history of transcendentalism--a submerged counternarrative--that features a network of fiercely intelligent women who were central to the development of the movement even as they found themselves silenced by their culturally-assigned roles as women.

Bright Circle: Five Remarkable Women in the Age of Transcendentalism (Oxford UP, 2024) is intended to reorient our understanding of transcendentalism: to help us see the movement as a far more collaborative and interactive project between women and men than is commonly understood. It recounts the lives of Mary Moody Emerson, Elizabeth Palmer Peabody, Sophia Peabody Hawthorne, Lydia Jackson Emerson, and Margaret Fuller as they developed crucial ideas about the self, nature, and feeling even as they pushed their male counterparts to consider the rights of enslaved people of color and women.

Many ideas once considered original to Emerson and Thoreau are shown to have originated with women who had little opportunity of publicly expressing them. Together, the five women of Bright Circle helped form the foundations of American feminism.


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]]> Thu, 13 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In November 1839, a group of young women in Boston formed a conversation society "to answer the great questions" of special importance to women: "What are we born to do? How shall we do it?" The lives and works of the five women who discussed these questions are at the center of Bright Circle, a group biography of remarkable thinkers and artists who played pathbreaking roles in the transcendentalist movement.

Transcendentalism remains the most important literary and philosophical movement to have originated in the United States. Most accounts of it, however, trace its emergence to a group of young intellectuals (primarily Ralph Waldo Emerson and Henry David Thoreau) dissatisfied with their religious, literary, and social culture. Yet there is a forgotten history of transcendentalism--a submerged counternarrative--that features a network of fiercely intelligent women who were central to the development of the movement even as they found themselves silenced by their culturally-assigned roles as women.

Bright Circle: Five Remarkable Women in the Age of Transcendentalism (Oxford UP, 2024) is intended to reorient our understanding of transcendentalism: to help us see the movement as a far more collaborative and interactive project between women and men than is commonly understood. It recounts the lives of Mary Moody Emerson, Elizabeth Palmer Peabody, Sophia Peabody Hawthorne, Lydia Jackson Emerson, and Margaret Fuller as they developed crucial ideas about the self, nature, and feeling even as they pushed their male counterparts to consider the rights of enslaved people of color and women.

Many ideas once considered original to Emerson and Thoreau are shown to have originated with women who had little opportunity of publicly expressing them. Together, the five women of Bright Circle helped form the foundations of American feminism.


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]]> Randall Fuller, "Bright Circle: Five Remarkable Women in the Age of Transcendentalism" (Oxford UP, 2024) New Books Network 00:55:36 In November 1839, a group of young women in Boston formed a conversation society "to answer the great questions" of special importance to women: "What are we born to do? How shall we do it?" The lives and works of the five women who discussed these questions are at the center of Bright Circle, a group biography of remarkable thinkers and artists who played pathbreaking roles in the transcendentalist movement. Transcendentalism remains the most important literary and philosophical movement to have originated in the United States. Most accounts of it, however, trace its emergence to a group of young intellectuals (primarily Ralph Waldo Emerson and Henry David Thoreau) dissatisfied with their religious, literary, and social culture. Yet there is a forgotten history of transcendentalism--a submerged counternarrative--that features a network of fiercely intelligent women who were central to the development of the movement even as they found themselves silenced by their culturally-assigned roles as women. Bright Circle: Five Remarkable Women in the Age of Transcendentalism (Oxford UP, 2024) is intended to reorient our understanding of transcendentalism: to help us see the movement as a far more collaborative and interactive project between women and men than is commonly understood. It recounts the lives of Mary Moody Emerson, Elizabeth Palmer Peabody, Sophia Peabody Hawthorne, Lydia Jackson Emerson, and Margaret Fuller as they developed crucial ideas about the self, nature, and feeling even as they pushed their male counterparts to consider the rights of enslaved people of color and women. Many ideas once considered original to Emerson and Thoreau are shown to have originated with women who had little opportunity of publicly expressing them. Together, the five women of Bright Circle helped form the foundations of American feminism. In November 1839, a group of young women in Boston formed a conversation society "to answer the great questions" of special importance to women: "What are we born to do? How shall we do it?" The lives and works of the five women who discussed these questions are at the center of Bright Circle, a group biography of remarkable thinkers and artists who played pathbreaking roles in the transcendentalist movement. Transcendentalism remains the most important literary and philosophical movement to have originated in the United States. Most accounts of it, however, trace its emergence to a group of young intellectuals (primarily Ralph Waldo Emerson and Henry David Thoreau) dissatisfied with their religious, literary, and social culture. Yet there is a forgotten history of transcendentalism--a submerged counternarrative--that features a network of fiercely intelligent women who were central to the development of the movement even as they found themselves silenced by their culturally-assigned roles as women. Bright Circle: Five Remarkable Women in the Age of Transcendentalism (Oxford UP, 2024) is intended to reorient our understanding of transcendentalism: to help us see the movement as a far more collaborative and interactive project between women and men than is commonly understood. It recounts the lives of Mary Moody Emerson, Elizabeth Palmer Peabody, Sophia Peabody Hawthorne, Lydia Jackson Emerson, and Margaret Fuller as they developed crucial ideas about the self, nature, and feeling even as they pushed their male counterparts to consider the rights of enslaved people of color and women. Many ideas once considered original to Emerson and Thoreau are shown to have originated with women who had little opportunity of publicly expressing them. Together, the five women of Bright Circle helped form the foundations of American feminism. false full 25 79ae5ac6-e6ed-11ef-998e-e7cb7ac44970 The Vice President's Black Wife: The Untold Life of Julia Chinn Our book is: The Vice President's Black Wife: The Untold Life of Julia Chinn (University of North Carolina Press, 2023) by award-winning historian Dr. Amrita Chakrabarti Myers. Dr. Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson. Johnson was the owner of Blue Spring Farm, a veteran of the War of 1812, and the US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring's slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple's world. Chinn's relationship with Johnson was unlikely to have been consensual since she was never manumitted. What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career but as Dr. Myers compellingly demonstrates, it wasn't interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.

Our guest is: Dr. Amrita Chakrabarti Myers, who is the Ruth N. Halls Associate Professor of History and gender studies at Indiana University Bloomington. She is the author of Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston, and The Vice President's Black Wife: The Untold Life of Julia Chinn.

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.

Listeners may enjoy this playlist:


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Thu, 13 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Our book is: The Vice President's Black Wife: The Untold Life of Julia Chinn (University of North Carolina Press, 2023) by award-winning historian Dr. Amrita Chakrabarti Myers. Dr. Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson. Johnson was the owner of Blue Spring Farm, a veteran of the War of 1812, and the US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring's slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple's world. Chinn's relationship with Johnson was unlikely to have been consensual since she was never manumitted. What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career but as Dr. Myers compellingly demonstrates, it wasn't interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.

Our guest is: Dr. Amrita Chakrabarti Myers, who is the Ruth N. Halls Associate Professor of History and gender studies at Indiana University Bloomington. She is the author of Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston, and The Vice President's Black Wife: The Untold Life of Julia Chinn.

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.

Listeners may enjoy this playlist:


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> The Vice President's Black Wife: The Untold Life of Julia Chinn New Books Network 01:04:32 Our book is: The Vice President's Black Wife: The Untold Life of Julia Chinn (University of North Carolina Press, 2023) by award-winning historian Dr. Amrita Chakrabarti Myers. Dr. Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson. Johnson was the owner of Blue Spring Farm, a veteran of the War of 1812, and the US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring's slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple's world. Chinn's relationship with Johnson was unlikely to have been consensual since she was never manumitted. What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career but as Dr. Myers compellingly demonstrates, it wasn't interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors. Our guest is: Dr. Amrita Chakrabarti Myers, who is the Ruth N. Halls Associate Professor of History and gender studies at Indiana University Bloomington. She is the author of Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston, and The Vice President's Black Wife: The Untold Life of Julia Chinn. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Never Caught The Story of President Lincoln, from No Way They Were Gay We Refuse: A Forceful History of Black Resistance Running From Bondage How Girls Achieve Remembering Lucille Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Our book is: The Vice President's Black Wife: The Untold Life of Julia Chinn (University of North Carolina Press, 2023) by award-winning historian Dr. Amrita Chakrabarti Myers. Dr. Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson. Johnson was the owner of Blue Spring Farm, a veteran of the War of 1812, and the US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring's slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple's world. Chinn's relationship with Johnson was unlikely to have been consensual since she was never manumitted. What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career but as Dr. Myers compellingly demonstrates, it wasn't interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors. Our guest is: Dr. Amrita Chakrabarti Myers, who is the Ruth N. Halls Associate Professor of History and gender studies at Indiana University Bloomington. She is the author of Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston, and The Vice President's Black Wife: The Untold Life of Julia Chinn. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Never Caught The Story of President Lincoln, from No Way They Were Gay We Refuse: A Forceful History of Black Resistance Running From Bondage How Girls Achieve Remembering Lucille Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! false full 253 587cbf6a-e7b4-11ef-a54e-ab061eba21f9 Patricia Owens, "Erased: A History of International Thought Without Men" (Princeton UP, 2025) The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field. In Erased: A History of International Thought Without Men (Princeton University Press, 2025), Professor Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations. Indeed, women were among the leading international thinkers of the era, shaping the development of the field as scholars, journalists, and public intellectuals—and as heterosexual spouses and intimate same-sex partners.

Drawing on a wide range of archival sources, and weaving together personal, institutional, and intellectual narratives, Dr. Owens documents key moments and locations in the effort to forge international relations as a separate academic discipline in Britain. She finds that women’s ideas and influence were first marginalised and later devalued, ignored, and erased. Examining the roles played by some of the most important women thinkers in the field, including Margery Perham, Merze Tate, Eileen Power, Margaret Cleeve, Coral Bell, and Susan Strange, Dr. Owens traces the intellectual and institutional legacies of misogyny and racism. She argues that the creation of international relations was a highly gendered and racialised project that failed to understand plurality on a worldwide scale. Acknowledging this intellectual failure, and recovering the history of women in the field, points to possible sources for its renewal.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Thu, 13 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field. In Erased: A History of International Thought Without Men (Princeton University Press, 2025), Professor Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations. Indeed, women were among the leading international thinkers of the era, shaping the development of the field as scholars, journalists, and public intellectuals—and as heterosexual spouses and intimate same-sex partners.

Drawing on a wide range of archival sources, and weaving together personal, institutional, and intellectual narratives, Dr. Owens documents key moments and locations in the effort to forge international relations as a separate academic discipline in Britain. She finds that women’s ideas and influence were first marginalised and later devalued, ignored, and erased. Examining the roles played by some of the most important women thinkers in the field, including Margery Perham, Merze Tate, Eileen Power, Margaret Cleeve, Coral Bell, and Susan Strange, Dr. Owens traces the intellectual and institutional legacies of misogyny and racism. She argues that the creation of international relations was a highly gendered and racialised project that failed to understand plurality on a worldwide scale. Acknowledging this intellectual failure, and recovering the history of women in the field, points to possible sources for its renewal.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Patricia Owens, "Erased: A History of International Thought Without Men" (Princeton UP, 2025) New Books Network 01:00:59 The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field. In Erased: A History of International Thought Without Men (Princeton University Press, 2025), Professor Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations. Indeed, women were among the leading international thinkers of the era, shaping the development of the field as scholars, journalists, and public intellectuals—and as heterosexual spouses and intimate same-sex partners. Drawing on a wide range of archival sources, and weaving together personal, institutional, and intellectual narratives, Dr. Owens documents key moments and locations in the effort to forge international relations as a separate academic discipline in Britain. She finds that women’s ideas and influence were first marginalised and later devalued, ignored, and erased. Examining the roles played by some of the most important women thinkers in the field, including Margery Perham, Merze Tate, Eileen Power, Margaret Cleeve, Coral Bell, and Susan Strange, Dr. Owens traces the intellectual and institutional legacies of misogyny and racism. She argues that the creation of international relations was a highly gendered and racialised project that failed to understand plurality on a worldwide scale. Acknowledging this intellectual failure, and recovering the history of women in the field, points to possible sources for its renewal. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field. In Erased: A History of International Thought Without Men (Princeton University Press, 2025), Professor Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations. Indeed, women were among the leading international thinkers of the era, shaping the development of the field as scholars, journalists, and public intellectuals—and as heterosexual spouses and intimate same-sex partners. Drawing on a wide range of archival sources, and weaving together personal, institutional, and intellectual narratives, Dr. Owens documents key moments and locations in the effort to forge international relations as a separate academic discipline in Britain. She finds that women’s ideas and influence were first marginalised and later devalued, ignored, and erased. Examining the roles played by some of the most important women thinkers in the field, including Margery Perham, Merze Tate, Eileen Power, Margaret Cleeve, Coral Bell, and Susan Strange, Dr. Owens traces the intellectual and institutional legacies of misogyny and racism. She argues that the creation of international relations was a highly gendered and racialised project that failed to understand plurality on a worldwide scale. Acknowledging this intellectual failure, and recovering the history of women in the field, points to possible sources for its renewal. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 239 f6e922bc-e61d-11ef-8cfe-736c21656f02 Laurel Victoria Gray, "Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road" (Bloomsbury, 2024) Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road (Bloomsbury, 2024) is the first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.


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]]> Mon, 10 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road (Bloomsbury, 2024) is the first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.


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]]> Laurel Victoria Gray, "Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road" (Bloomsbury, 2024) New Books Network 00:32:32 Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road (Bloomsbury, 2024) is the first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance. Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road (Bloomsbury, 2024) is the first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance. false full 41 64518ad0-e18f-11ef-b798-73748aeeb6c8 Thanks to Life: A Biography of Violeta Parra Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain.

Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms.

CW: suicide

Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra.

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.

Listeners may enjoy this playlist:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Thu, 6 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain.

Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms.

CW: suicide

Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra.

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.

Listeners may enjoy this playlist:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Thanks to Life: A Biography of Violeta Parra New Books Network 00:59:59 Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! false full 252 da82da76-e19c-11ef-aaa8-f379f27d0b4b Alexis Wolf, "Transnational Women Writers in the Wilmot Coterie, 1798-1840" (Boydell Press, 2024) What were two Irish sisters doing in Russia during the early years of the nineteenth century, editing the French-language memoirs of a princess who had been a close confidante of Catherine the Great? Author Alexis Wolf is in conversation with Duncan McCargo about a remarkable transnational story she has unearthed through meticulous archival research. 

Transnational Women Writers in the Wilmot Coterie, 1798-1840 (Boydell Press, 2024) highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century. The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However, in their accounts of these key European events, the Wilmots' manuscripts, and published work, showcase their participation in a startling range of self-educating activities, including travel writing, biography, antiquarianism, early ethnographic observation, language acquisition, translation practices and editorial work. Taking an interdisciplinary approach, this book explores the collaborative relationships formed by women participating in cosmopolitan networks beyond the typical locations of the Grand Tour. Across their travels, the sisters met, engaged with, and learned from numerous key women of the time, including Princess Ekaterina Dashkova, Margaret King, Lady Mount Cashell and Helen Maria Williams. In this first full-length study to focus on the literary and cultural exchanges surrounding the Wilmot sisters, Wolf showcases how manuscript circulation, coterie engagement and transnational travel provided avenues for women to engage with the intellectual discourses from which they were often excluded.

Alexis Wolf is an independent scholar of eighteenth and nineteenth century literature.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English (by courtesy) at Nanyang Technological University, Singapore. 


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]]> Mon, 3 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What were two Irish sisters doing in Russia during the early years of the nineteenth century, editing the French-language memoirs of a princess who had been a close confidante of Catherine the Great? Author Alexis Wolf is in conversation with Duncan McCargo about a remarkable transnational story she has unearthed through meticulous archival research. 

Transnational Women Writers in the Wilmot Coterie, 1798-1840 (Boydell Press, 2024) highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century. The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However, in their accounts of these key European events, the Wilmots' manuscripts, and published work, showcase their participation in a startling range of self-educating activities, including travel writing, biography, antiquarianism, early ethnographic observation, language acquisition, translation practices and editorial work. Taking an interdisciplinary approach, this book explores the collaborative relationships formed by women participating in cosmopolitan networks beyond the typical locations of the Grand Tour. Across their travels, the sisters met, engaged with, and learned from numerous key women of the time, including Princess Ekaterina Dashkova, Margaret King, Lady Mount Cashell and Helen Maria Williams. In this first full-length study to focus on the literary and cultural exchanges surrounding the Wilmot sisters, Wolf showcases how manuscript circulation, coterie engagement and transnational travel provided avenues for women to engage with the intellectual discourses from which they were often excluded.

Alexis Wolf is an independent scholar of eighteenth and nineteenth century literature.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English (by courtesy) at Nanyang Technological University, Singapore. 


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]]> Alexis Wolf, "Transnational Women Writers in the Wilmot Coterie, 1798-1840" (Boydell Press, 2024) New Books Network 00:36:48 What were two Irish sisters doing in Russia during the early years of the nineteenth century, editing the French-language memoirs of a princess who had been a close confidante of Catherine the Great? Author Alexis Wolf is in conversation with Duncan McCargo about a remarkable transnational story she has unearthed through meticulous archival research.  Transnational Women Writers in the Wilmot Coterie, 1798-1840 (Boydell Press, 2024) highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century. The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However, in their accounts of these key European events, the Wilmots' manuscripts, and published work, showcase their participation in a startling range of self-educating activities, including travel writing, biography, antiquarianism, early ethnographic observation, language acquisition, translation practices and editorial work. Taking an interdisciplinary approach, this book explores the collaborative relationships formed by women participating in cosmopolitan networks beyond the typical locations of the Grand Tour. Across their travels, the sisters met, engaged with, and learned from numerous key women of the time, including Princess Ekaterina Dashkova, Margaret King, Lady Mount Cashell and Helen Maria Williams. In this first full-length study to focus on the literary and cultural exchanges surrounding the Wilmot sisters, Wolf showcases how manuscript circulation, coterie engagement and transnational travel provided avenues for women to engage with the intellectual discourses from which they were often excluded. Alexis Wolf is an independent scholar of eighteenth and nineteenth century literature. Duncan McCargo is President's Chair in Global Affairs and a Professor of English (by courtesy) at Nanyang Technological University, Singapore.  What were two Irish sisters doing in Russia during the early years of the nineteenth century, editing the French-language memoirs of a princess who had been a close confidante of Catherine the Great? Author Alexis Wolf is in conversation with Duncan McCargo about a remarkable transnational story she has unearthed through meticulous archival research.  Transnational Women Writers in the Wilmot Coterie, 1798-1840 (Boydell Press, 2024) highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century. The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However, in their accounts of these key European events, the Wilmots' manuscripts, and published work, showcase their participation in a startling range of self-educating activities, including travel writing, biography, antiquarianism, early ethnographic observation, language acquisition, translation practices and editorial work. Taking an interdisciplinary approach, this book explores the collaborative relationships formed by women participating in cosmopolitan networks beyond the typical locations of the Grand Tour. Across their travels, the sisters met, engaged with, and learned from numerous key women of the time, including Princess Ekaterina Dashkova, Margaret King, Lady Mount Cashell and Helen Maria Williams. In this first full-length study to focus on the literary and cultural exchanges surrounding the Wilmot sisters, Wolf showcases how manuscript circulation, coterie engagement and transnational travel provided avenues for women to engage with the intellectual discourses from which they were often excluded. Alexis Wolf is an independent scholar of eighteenth and nineteenth century literature. Duncan McCargo is President's Chair in Global Affairs and a Professor of English (by courtesy) at Nanyang Technological University, Singapore.  false full 333 9af96d50-dfeb-11ef-9087-ab644476dc1b Blessin Adams, "Thou Savage Woman: Female Killers in Early Modern Britain" (HarperCollins, 2025) Early Modern Britain was awash with pamphlets, ballads, woodcuts broadcasting bloodthirsty tales of traitorous wives, greedy mistresses, cunning female poisoning lacing the supper with deadly substances; of child killers and spiteful witches, stories of women wholly and unnaturally wicked. These were printed or sung, tacked the walls of alehouses, sold in the streets for pennies and read voraciously to thrill all. But why? When the vast majority of murders then (and now) are committed by men.

In this bold, page-turning new history Thou Savage Woman: Female Killers in Early Modern Britain (HarperCollins, 2025), former police officer and historian Dr. Blessin Adams tells stories of women whose violent crimes shattered the narrow confines of their gender – and whose notoriety revealed a society that was at once repulsed by and attracted to murderous female rebellion. Based on detailed research in court archives, each chapter explores murders that thrilled and terrified the British public; the crimes that caused the most concern and provoked the most debate. Women in this period killed rarely, and when they did it was usually within the context of extreme provocation or domestic violence. Adams has the ability of the best crime novelists in recreating the setting in which each case occurred as well as the motivations of each perpetrator.

Thou Savage Woman reminds us that women in the past had voices, that they sought to control their bodies and their environments and that they also had the capacity for committing acts of unspeakable violence.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 2 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Early Modern Britain was awash with pamphlets, ballads, woodcuts broadcasting bloodthirsty tales of traitorous wives, greedy mistresses, cunning female poisoning lacing the supper with deadly substances; of child killers and spiteful witches, stories of women wholly and unnaturally wicked. These were printed or sung, tacked the walls of alehouses, sold in the streets for pennies and read voraciously to thrill all. But why? When the vast majority of murders then (and now) are committed by men.

In this bold, page-turning new history Thou Savage Woman: Female Killers in Early Modern Britain (HarperCollins, 2025), former police officer and historian Dr. Blessin Adams tells stories of women whose violent crimes shattered the narrow confines of their gender – and whose notoriety revealed a society that was at once repulsed by and attracted to murderous female rebellion. Based on detailed research in court archives, each chapter explores murders that thrilled and terrified the British public; the crimes that caused the most concern and provoked the most debate. Women in this period killed rarely, and when they did it was usually within the context of extreme provocation or domestic violence. Adams has the ability of the best crime novelists in recreating the setting in which each case occurred as well as the motivations of each perpetrator.

Thou Savage Woman reminds us that women in the past had voices, that they sought to control their bodies and their environments and that they also had the capacity for committing acts of unspeakable violence.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Blessin Adams, "Thou Savage Woman: Female Killers in Early Modern Britain" (HarperCollins, 2025) New Books Network 00:28:39 Early Modern Britain was awash with pamphlets, ballads, woodcuts broadcasting bloodthirsty tales of traitorous wives, greedy mistresses, cunning female poisoning lacing the supper with deadly substances; of child killers and spiteful witches, stories of women wholly and unnaturally wicked. These were printed or sung, tacked the walls of alehouses, sold in the streets for pennies and read voraciously to thrill all. But why? When the vast majority of murders then (and now) are committed by men. In this bold, page-turning new history Thou Savage Woman: Female Killers in Early Modern Britain (HarperCollins, 2025), former police officer and historian Dr. Blessin Adams tells stories of women whose violent crimes shattered the narrow confines of their gender – and whose notoriety revealed a society that was at once repulsed by and attracted to murderous female rebellion. Based on detailed research in court archives, each chapter explores murders that thrilled and terrified the British public; the crimes that caused the most concern and provoked the most debate. Women in this period killed rarely, and when they did it was usually within the context of extreme provocation or domestic violence. Adams has the ability of the best crime novelists in recreating the setting in which each case occurred as well as the motivations of each perpetrator. Thou Savage Woman reminds us that women in the past had voices, that they sought to control their bodies and their environments and that they also had the capacity for committing acts of unspeakable violence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Early Modern Britain was awash with pamphlets, ballads, woodcuts broadcasting bloodthirsty tales of traitorous wives, greedy mistresses, cunning female poisoning lacing the supper with deadly substances; of child killers and spiteful witches, stories of women wholly and unnaturally wicked. These were printed or sung, tacked the walls of alehouses, sold in the streets for pennies and read voraciously to thrill all. But why? When the vast majority of murders then (and now) are committed by men. In this bold, page-turning new history Thou Savage Woman: Female Killers in Early Modern Britain (HarperCollins, 2025), former police officer and historian Dr. Blessin Adams tells stories of women whose violent crimes shattered the narrow confines of their gender – and whose notoriety revealed a society that was at once repulsed by and attracted to murderous female rebellion. Based on detailed research in court archives, each chapter explores murders that thrilled and terrified the British public; the crimes that caused the most concern and provoked the most debate. Women in this period killed rarely, and when they did it was usually within the context of extreme provocation or domestic violence. Adams has the ability of the best crime novelists in recreating the setting in which each case occurred as well as the motivations of each perpetrator. Thou Savage Woman reminds us that women in the past had voices, that they sought to control their bodies and their environments and that they also had the capacity for committing acts of unspeakable violence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 29 b61d64e6-ddb7-11ef-97c1-7389251c19c2 About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain Today I talked to Ben Baer and Smaran Dayal about About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain. 

Pioneering Indian Muslim feminist Rokeya Sakhawat Hossain wrote speculative fiction, manifestoes, radical reportage, and incisive essays that transformed her experience of enforced segregation into unique interventions against gender oppression everywhere. Her radical imagination links the realities of living in a British colony to the technological and scientific breakthroughs of her time, the effects of hauntingly pervasive systems of sexual domination, and collective dreams of the future, forging a visionary, experimental body of work. Alongside Rokeya’s pathbreaking feminist science fiction story “Sultana’s Dream,” this volume features fresh and exciting new translations of her key Bengali writings and a superbly informative introduction to her life and work. If her contemporary B. R. Ambedkar urged the “annihilation of caste,” Rokeya demands nothing less than the annihilation of sexism, with education as the primary instrument of this revolution. Her brilliant wit and creativity reflect profoundly on the complexities of undoing deep-seated gender supremacy and summon her readers to imagine hitherto undreamed freedoms.


ROKEYA SAKHAWAT HOSSAIN (1880–1932) was born in present-day Bangladesh, then part of colonial India. Despite being deprived of formal education, she became a prominent writer, activist, and educator. The web of her life spanned from the minutiae of running a girls’ school in Kolkata to struggles for women’s emancipation on the national and world stage.

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.


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]]> Thu, 30 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today I talked to Ben Baer and Smaran Dayal about About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain. 

Pioneering Indian Muslim feminist Rokeya Sakhawat Hossain wrote speculative fiction, manifestoes, radical reportage, and incisive essays that transformed her experience of enforced segregation into unique interventions against gender oppression everywhere. Her radical imagination links the realities of living in a British colony to the technological and scientific breakthroughs of her time, the effects of hauntingly pervasive systems of sexual domination, and collective dreams of the future, forging a visionary, experimental body of work. Alongside Rokeya’s pathbreaking feminist science fiction story “Sultana’s Dream,” this volume features fresh and exciting new translations of her key Bengali writings and a superbly informative introduction to her life and work. If her contemporary B. R. Ambedkar urged the “annihilation of caste,” Rokeya demands nothing less than the annihilation of sexism, with education as the primary instrument of this revolution. Her brilliant wit and creativity reflect profoundly on the complexities of undoing deep-seated gender supremacy and summon her readers to imagine hitherto undreamed freedoms.


ROKEYA SAKHAWAT HOSSAIN (1880–1932) was born in present-day Bangladesh, then part of colonial India. Despite being deprived of formal education, she became a prominent writer, activist, and educator. The web of her life spanned from the minutiae of running a girls’ school in Kolkata to struggles for women’s emancipation on the national and world stage.

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.


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]]> About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain New Books Network 01:03:18 Today I talked to Ben Baer and Smaran Dayal about About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain.  Pioneering Indian Muslim feminist Rokeya Sakhawat Hossain wrote speculative fiction, manifestoes, radical reportage, and incisive essays that transformed her experience of enforced segregation into unique interventions against gender oppression everywhere. Her radical imagination links the realities of living in a British colony to the technological and scientific breakthroughs of her time, the effects of hauntingly pervasive systems of sexual domination, and collective dreams of the future, forging a visionary, experimental body of work. Alongside Rokeya’s pathbreaking feminist science fiction story “Sultana’s Dream,” this volume features fresh and exciting new translations of her key Bengali writings and a superbly informative introduction to her life and work. If her contemporary B. R. Ambedkar urged the “annihilation of caste,” Rokeya demands nothing less than the annihilation of sexism, with education as the primary instrument of this revolution. Her brilliant wit and creativity reflect profoundly on the complexities of undoing deep-seated gender supremacy and summon her readers to imagine hitherto undreamed freedoms. ROKEYA SAKHAWAT HOSSAIN (1880–1932) was born in present-day Bangladesh, then part of colonial India. Despite being deprived of formal education, she became a prominent writer, activist, and educator. The web of her life spanned from the minutiae of running a girls’ school in Kolkata to struggles for women’s emancipation on the national and world stage. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Today I talked to Ben Baer and Smaran Dayal about About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain.  Pioneering Indian Muslim feminist Rokeya Sakhawat Hossain wrote speculative fiction, manifestoes, radical reportage, and incisive essays that transformed her experience of enforced segregation into unique interventions against gender oppression everywhere. Her radical imagination links the realities of living in a British colony to the technological and scientific breakthroughs of her time, the effects of hauntingly pervasive systems of sexual domination, and collective dreams of the future, forging a visionary, experimental body of work. Alongside Rokeya’s pathbreaking feminist science fiction story “Sultana’s Dream,” this volume features fresh and exciting new translations of her key Bengali writings and a superbly informative introduction to her life and work. If her contemporary B. R. Ambedkar urged the “annihilation of caste,” Rokeya demands nothing less than the annihilation of sexism, with education as the primary instrument of this revolution. Her brilliant wit and creativity reflect profoundly on the complexities of undoing deep-seated gender supremacy and summon her readers to imagine hitherto undreamed freedoms. ROKEYA SAKHAWAT HOSSAIN (1880–1932) was born in present-day Bangladesh, then part of colonial India. Despite being deprived of formal education, she became a prominent writer, activist, and educator. The web of her life spanned from the minutiae of running a girls’ school in Kolkata to struggles for women’s emancipation on the national and world stage. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. false full 330 d6a461c8-d5ac-11ef-adfa-ef15f0394360 Monica A. Hershberger, "Women in American Operas of The 1950s: Undoing Gendered Archetypes" (U Rochester Press, 2023) The 1950s looks placid from the outside, but underneath that calm post-war exterior roiled the intellectual and activist beginnings of the political movements that tore through the 1960s and 1970s. In Women in American Operas of the 1950s: Undoing Gendered Archetypes (University of Rochester Press, 2023), Monica A. Hershberger considers the main female characters in four operas written in the 1950s: The Ballad of Baby Doe, Lizzie Borden, The Tender Land, and Susannah. For each work, Hershberger analyzes the historical context and musical treatment of these four characters, who are all stereotyped as the virgin or the whore, or sometimes even both. In an unusual and productive analytical choice, Hershberger also includes the interpretive decisions and perspectives of the sopranos who originated or popularized these four roles, rather than focusing exclusively on the scores and the views of the male creative teams that wrote the works. Several of the operas include instances of emotional abuse as well as gendered and sexual violence that have long been ignored or downplayed by opera scholars, but Hershberger does not shy away from these disturbing subjects in the book.


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]]> Mon, 20 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The 1950s looks placid from the outside, but underneath that calm post-war exterior roiled the intellectual and activist beginnings of the political movements that tore through the 1960s and 1970s. In Women in American Operas of the 1950s: Undoing Gendered Archetypes (University of Rochester Press, 2023), Monica A. Hershberger considers the main female characters in four operas written in the 1950s: The Ballad of Baby Doe, Lizzie Borden, The Tender Land, and Susannah. For each work, Hershberger analyzes the historical context and musical treatment of these four characters, who are all stereotyped as the virgin or the whore, or sometimes even both. In an unusual and productive analytical choice, Hershberger also includes the interpretive decisions and perspectives of the sopranos who originated or popularized these four roles, rather than focusing exclusively on the scores and the views of the male creative teams that wrote the works. Several of the operas include instances of emotional abuse as well as gendered and sexual violence that have long been ignored or downplayed by opera scholars, but Hershberger does not shy away from these disturbing subjects in the book.


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]]> Monica A. Hershberger, "Women in American Operas of The 1950s: Undoing Gendered Archetypes" (U Rochester Press, 2023) New Books Network 01:03:17 The 1950s looks placid from the outside, but underneath that calm post-war exterior roiled the intellectual and activist beginnings of the political movements that tore through the 1960s and 1970s. In Women in American Operas of the 1950s: Undoing Gendered Archetypes (University of Rochester Press, 2023), Monica A. Hershberger considers the main female characters in four operas written in the 1950s: The Ballad of Baby Doe, Lizzie Borden, The Tender Land, and Susannah. For each work, Hershberger analyzes the historical context and musical treatment of these four characters, who are all stereotyped as the virgin or the whore, or sometimes even both. In an unusual and productive analytical choice, Hershberger also includes the interpretive decisions and perspectives of the sopranos who originated or popularized these four roles, rather than focusing exclusively on the scores and the views of the male creative teams that wrote the works. Several of the operas include instances of emotional abuse as well as gendered and sexual violence that have long been ignored or downplayed by opera scholars, but Hershberger does not shy away from these disturbing subjects in the book. The 1950s looks placid from the outside, but underneath that calm post-war exterior roiled the intellectual and activist beginnings of the political movements that tore through the 1960s and 1970s. In Women in American Operas of the 1950s: Undoing Gendered Archetypes (University of Rochester Press, 2023), Monica A. Hershberger considers the main female characters in four operas written in the 1950s: The Ballad of Baby Doe, Lizzie Borden, The Tender Land, and Susannah. For each work, Hershberger analyzes the historical context and musical treatment of these four characters, who are all stereotyped as the virgin or the whore, or sometimes even both. In an unusual and productive analytical choice, Hershberger also includes the interpretive decisions and perspectives of the sopranos who originated or popularized these four roles, rather than focusing exclusively on the scores and the views of the male creative teams that wrote the works. Several of the operas include instances of emotional abuse as well as gendered and sexual violence that have long been ignored or downplayed by opera scholars, but Hershberger does not shy away from these disturbing subjects in the book. false full 265 02ce7b04-d5a7-11ef-89b4-4b914053bf35 Carol Cleaveland and Michele Waslin. "Private Violence: Latin American Women and the Struggle for Asylum" (NYU Press, 2024) How the US asylum process fails to protect against claims of gender-based violence.

Through eyewitness accounts of closed-court proceedings and powerful testimony from women who have sought asylum in the United States because of severe assaults and death threats by intimate partners and/or gang members, Private Violence: Latin American Women and the Struggle for Asylum (NYU Press, 2024) examines how immigration laws and policies shape the lives of Latin American women who seek safety in the United States. Carol Cleaveland and Michele Waslin describe the women's histories prior to crossing the border, and the legal strategies they use to convince Immigration Judges that rape and other forms of "private violence" should merit asylum - despite laws built on Cold War era assumptions that persecution occurs in the public sphere by state actors.

Private Violence provides much-needed recommendations for incorporating a gender-based lens in the asylum process. The authors demonstrate how policy changes across Presidential administrations have made it difficult for survivors of "private violence" to qualify for asylum. Private Violence paints a damning portrait of America's broken asylum system. This volume illustrates the difficulties experienced by Latin American women who rely on this broken system for protection in the United States. It also illuminates women's resilience and the determination of immigration attorneys to reshape asylum law.


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]]> Mon, 20 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How the US asylum process fails to protect against claims of gender-based violence.

Through eyewitness accounts of closed-court proceedings and powerful testimony from women who have sought asylum in the United States because of severe assaults and death threats by intimate partners and/or gang members, Private Violence: Latin American Women and the Struggle for Asylum (NYU Press, 2024) examines how immigration laws and policies shape the lives of Latin American women who seek safety in the United States. Carol Cleaveland and Michele Waslin describe the women's histories prior to crossing the border, and the legal strategies they use to convince Immigration Judges that rape and other forms of "private violence" should merit asylum - despite laws built on Cold War era assumptions that persecution occurs in the public sphere by state actors.

Private Violence provides much-needed recommendations for incorporating a gender-based lens in the asylum process. The authors demonstrate how policy changes across Presidential administrations have made it difficult for survivors of "private violence" to qualify for asylum. Private Violence paints a damning portrait of America's broken asylum system. This volume illustrates the difficulties experienced by Latin American women who rely on this broken system for protection in the United States. It also illuminates women's resilience and the determination of immigration attorneys to reshape asylum law.


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]]> Carol Cleaveland and Michele Waslin. "Private Violence: Latin American Women and the Struggle for Asylum" (NYU Press, 2024) New Books Network 00:36:34 How the US asylum process fails to protect against claims of gender-based violence. Through eyewitness accounts of closed-court proceedings and powerful testimony from women who have sought asylum in the United States because of severe assaults and death threats by intimate partners and/or gang members, Private Violence: Latin American Women and the Struggle for Asylum (NYU Press, 2024) examines how immigration laws and policies shape the lives of Latin American women who seek safety in the United States. Carol Cleaveland and Michele Waslin describe the women's histories prior to crossing the border, and the legal strategies they use to convince Immigration Judges that rape and other forms of "private violence" should merit asylum - despite laws built on Cold War era assumptions that persecution occurs in the public sphere by state actors. Private Violence provides much-needed recommendations for incorporating a gender-based lens in the asylum process. The authors demonstrate how policy changes across Presidential administrations have made it difficult for survivors of "private violence" to qualify for asylum. Private Violence paints a damning portrait of America's broken asylum system. This volume illustrates the difficulties experienced by Latin American women who rely on this broken system for protection in the United States. It also illuminates women's resilience and the determination of immigration attorneys to reshape asylum law. How the US asylum process fails to protect against claims of gender-based violence. Through eyewitness accounts of closed-court proceedings and powerful testimony from women who have sought asylum in the United States because of severe assaults and death threats by intimate partners and/or gang members, Private Violence: Latin American Women and the Struggle for Asylum (NYU Press, 2024) examines how immigration laws and policies shape the lives of Latin American women who seek safety in the United States. Carol Cleaveland and Michele Waslin describe the women's histories prior to crossing the border, and the legal strategies they use to convince Immigration Judges that rape and other forms of "private violence" should merit asylum - despite laws built on Cold War era assumptions that persecution occurs in the public sphere by state actors. Private Violence provides much-needed recommendations for incorporating a gender-based lens in the asylum process. The authors demonstrate how policy changes across Presidential administrations have made it difficult for survivors of "private violence" to qualify for asylum. Private Violence paints a damning portrait of America's broken asylum system. This volume illustrates the difficulties experienced by Latin American women who rely on this broken system for protection in the United States. It also illuminates women's resilience and the determination of immigration attorneys to reshape asylum law. false full 229 3ff0ea6a-d4fa-11ef-b6c1-ff16cf9dfd30 Katharine E. McGregor, "Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia" (U Wisconsin Press, 2023) The system of prostitution imposed and enforced by the Japanese military during its wartime occupation of several countries in East and Southeast Asia is today well-known and uniformly condemned. Transnational activist movements have sought to recognize and redress survivors of this World War II-era system, euphemistically known as "comfort women," for decades, with a major wave beginning in the 1990s. However, Indonesian survivors, and even the system's history in Indonesia to begin with, have largely been sidelined, even within the country itself.

In Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia (U Wisconsin Press, 2023), Katharine E. McGregor not only untangles the history of the system during the war, but also unpacks the context surrounding the slow and faltering efforts to address it. With careful attention to the historical, social, and political conditions surrounding sexual violence in Indonesia, supported by exhaustive research and archival diligence, she uncovers a critical piece of Indonesian history and the ongoing efforts to bring it to the public eye. Critically, she establishes that the transnational part of activism surrounding victims of the system is both necessary and fraught, a complexity of geopolitics and international relationships on one hand and a question of personal networks, linguistic differences, and cultural challenges on the other.


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]]> Sun, 19 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The system of prostitution imposed and enforced by the Japanese military during its wartime occupation of several countries in East and Southeast Asia is today well-known and uniformly condemned. Transnational activist movements have sought to recognize and redress survivors of this World War II-era system, euphemistically known as "comfort women," for decades, with a major wave beginning in the 1990s. However, Indonesian survivors, and even the system's history in Indonesia to begin with, have largely been sidelined, even within the country itself.

In Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia (U Wisconsin Press, 2023), Katharine E. McGregor not only untangles the history of the system during the war, but also unpacks the context surrounding the slow and faltering efforts to address it. With careful attention to the historical, social, and political conditions surrounding sexual violence in Indonesia, supported by exhaustive research and archival diligence, she uncovers a critical piece of Indonesian history and the ongoing efforts to bring it to the public eye. Critically, she establishes that the transnational part of activism surrounding victims of the system is both necessary and fraught, a complexity of geopolitics and international relationships on one hand and a question of personal networks, linguistic differences, and cultural challenges on the other.


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]]> Katharine E. McGregor, "Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia" (U Wisconsin Press, 2023) New Books Network 00:47:09 The system of prostitution imposed and enforced by the Japanese military during its wartime occupation of several countries in East and Southeast Asia is today well-known and uniformly condemned. Transnational activist movements have sought to recognize and redress survivors of this World War II-era system, euphemistically known as "comfort women," for decades, with a major wave beginning in the 1990s. However, Indonesian survivors, and even the system's history in Indonesia to begin with, have largely been sidelined, even within the country itself. In Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia (U Wisconsin Press, 2023), Katharine E. McGregor not only untangles the history of the system during the war, but also unpacks the context surrounding the slow and faltering efforts to address it. With careful attention to the historical, social, and political conditions surrounding sexual violence in Indonesia, supported by exhaustive research and archival diligence, she uncovers a critical piece of Indonesian history and the ongoing efforts to bring it to the public eye. Critically, she establishes that the transnational part of activism surrounding victims of the system is both necessary and fraught, a complexity of geopolitics and international relationships on one hand and a question of personal networks, linguistic differences, and cultural challenges on the other. The system of prostitution imposed and enforced by the Japanese military during its wartime occupation of several countries in East and Southeast Asia is today well-known and uniformly condemned. Transnational activist movements have sought to recognize and redress survivors of this World War II-era system, euphemistically known as "comfort women," for decades, with a major wave beginning in the 1990s. However, Indonesian survivors, and even the system's history in Indonesia to begin with, have largely been sidelined, even within the country itself. In Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia (U Wisconsin Press, 2023), Katharine E. McGregor not only untangles the history of the system during the war, but also unpacks the context surrounding the slow and faltering efforts to address it. With careful attention to the historical, social, and political conditions surrounding sexual violence in Indonesia, supported by exhaustive research and archival diligence, she uncovers a critical piece of Indonesian history and the ongoing efforts to bring it to the public eye. Critically, she establishes that the transnational part of activism surrounding victims of the system is both necessary and fraught, a complexity of geopolitics and international relationships on one hand and a question of personal networks, linguistic differences, and cultural challenges on the other. false full 154 8d13eb08-d437-11ef-a265-c70a79e150fd Amrita Narayanan, "Women's Sexuality and Modern India: In a Rapture of Distress" (Oxford UP, 2022) Amrita Narayanan is a practicing Clinical Psychologist (Psy.D. 2007) and Psychoanalyst (Indian Psychoanalytic Society, 2019). She is the author of Women's Sexuality and Modern India: In a Rapture of Distress (Oxford University Press, 2023). She was the Editor of and essayist in The Parrots of Desire: 3000 years of Erotica in India (Aleph Books, 2018) a collection of poems, short prose and fiction in translation from Indian languages, linked by an introductory essay on the central themes in Indian erotic literature. She was an essayist for Pha(bu)llus: a cultural history of the Phallus (Harper Collins, 2020). Amrita is currently visiting faculty at Ashoka University where she teaches classes at the undergraduate and masters level.

Amrita's research interests are in cultural factors in psychotherapy and psychoanalysis, the psychodynamics of women's sexual agency, and how cultural factors shape the aesthetics of women's sexual agency. Her writing has appeared in academic journals such as Psychodynamic Practice and Psychoanalytic Review; newspapers such as The Hindu and The Indian Express; and popular press periodicals such as Outlook, Open Magazine India Today and The Deccan Herald. Amrita has received the Sudhir Kakar Prize for psychoanalytic writing, the Taylor and Francis Prize for Psychoanalytic writing, and the Homi Bhabha Fellowship.

The interviewer is Psychoanalyst and Writer, Ashis Roy, New Delhi.


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]]> Sat, 18 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Amrita Narayanan is a practicing Clinical Psychologist (Psy.D. 2007) and Psychoanalyst (Indian Psychoanalytic Society, 2019). She is the author of Women's Sexuality and Modern India: In a Rapture of Distress (Oxford University Press, 2023). She was the Editor of and essayist in The Parrots of Desire: 3000 years of Erotica in India (Aleph Books, 2018) a collection of poems, short prose and fiction in translation from Indian languages, linked by an introductory essay on the central themes in Indian erotic literature. She was an essayist for Pha(bu)llus: a cultural history of the Phallus (Harper Collins, 2020). Amrita is currently visiting faculty at Ashoka University where she teaches classes at the undergraduate and masters level.

Amrita's research interests are in cultural factors in psychotherapy and psychoanalysis, the psychodynamics of women's sexual agency, and how cultural factors shape the aesthetics of women's sexual agency. Her writing has appeared in academic journals such as Psychodynamic Practice and Psychoanalytic Review; newspapers such as The Hindu and The Indian Express; and popular press periodicals such as Outlook, Open Magazine India Today and The Deccan Herald. Amrita has received the Sudhir Kakar Prize for psychoanalytic writing, the Taylor and Francis Prize for Psychoanalytic writing, and the Homi Bhabha Fellowship.

The interviewer is Psychoanalyst and Writer, Ashis Roy, New Delhi.


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]]> Amrita Narayanan, "Women's Sexuality and Modern India: In a Rapture of Distress" (Oxford UP, 2022) New Books Network 00:50:01 Amrita Narayanan is a practicing Clinical Psychologist (Psy.D. 2007) and Psychoanalyst (Indian Psychoanalytic Society, 2019). She is the author of Women's Sexuality and Modern India: In a Rapture of Distress (Oxford University Press, 2023). She was the Editor of and essayist in The Parrots of Desire: 3000 years of Erotica in India (Aleph Books, 2018) a collection of poems, short prose and fiction in translation from Indian languages, linked by an introductory essay on the central themes in Indian erotic literature. She was an essayist for Pha(bu)llus: a cultural history of the Phallus (Harper Collins, 2020). Amrita is currently visiting faculty at Ashoka University where she teaches classes at the undergraduate and masters level. Amrita's research interests are in cultural factors in psychotherapy and psychoanalysis, the psychodynamics of women's sexual agency, and how cultural factors shape the aesthetics of women's sexual agency. Her writing has appeared in academic journals such as Psychodynamic Practice and Psychoanalytic Review; newspapers such as The Hindu and The Indian Express; and popular press periodicals such as Outlook, Open Magazine India Today and The Deccan Herald. Amrita has received the Sudhir Kakar Prize for psychoanalytic writing, the Taylor and Francis Prize for Psychoanalytic writing, and the Homi Bhabha Fellowship. The interviewer is Psychoanalyst and Writer, Ashis Roy, New Delhi. Amrita Narayanan is a practicing Clinical Psychologist (Psy.D. 2007) and Psychoanalyst (Indian Psychoanalytic Society, 2019). She is the author of Women's Sexuality and Modern India: In a Rapture of Distress (Oxford University Press, 2023). She was the Editor of and essayist in The Parrots of Desire: 3000 years of Erotica in India (Aleph Books, 2018) a collection of poems, short prose and fiction in translation from Indian languages, linked by an introductory essay on the central themes in Indian erotic literature. She was an essayist for Pha(bu)llus: a cultural history of the Phallus (Harper Collins, 2020). Amrita is currently visiting faculty at Ashoka University where she teaches classes at the undergraduate and masters level. Amrita's research interests are in cultural factors in psychotherapy and psychoanalysis, the psychodynamics of women's sexual agency, and how cultural factors shape the aesthetics of women's sexual agency. Her writing has appeared in academic journals such as Psychodynamic Practice and Psychoanalytic Review; newspapers such as The Hindu and The Indian Express; and popular press periodicals such as Outlook, Open Magazine India Today and The Deccan Herald. Amrita has received the Sudhir Kakar Prize for psychoanalytic writing, the Taylor and Francis Prize for Psychoanalytic writing, and the Homi Bhabha Fellowship. The interviewer is Psychoanalyst and Writer, Ashis Roy, New Delhi. false full 250 bc1ca120-d41d-11ef-82e2-2b4bd03f3590 Elizabeth L. Block, "Beyond Vanity: The History and Power of Hairdressing" (MIT Press, 2024) In the nineteenth century, the complex cultural meaning of hair was not only significant—it could affect one’s place in society. After the Civil War, hairdressing was a growing profession and the hair industry a mainstay of local, national, and international commerce.

In Beyond Vanity: The History and Power of Hairdressing (MIT Press, 2024), Elizabeth L. Block expands the nascent field of hair studies by restoring women’s hair as a cultural site of meaning in the early United States. With a special focus on the places and spaces in which the industry operated, Block argues that the importance of hair has been overlooked due to its ephemerality as well as its misguided association with frivolity and triviality. Using methods of visual and material culture studies informed by concepts of cultural geography, Block identifies multiple substantive categories of place and space within which hair had pronounced impact. These include the preparatory places of the bedroom, hair salon, and enslaved peoples’ quarters, as well as the presentation spaces of parties, fairs, stages, and workplaces.

Here are also the untold stories of business owners, many of whom were women of color, and the creators of trendsetting styles such as the pompadour and Gibson Girl bouffant. Block’s groundbreaking study examines how race and racism affected who participated in the presentation and business of hair, and according to which standards. The result of looking closely at the places and spaces of hair is a reconfiguration that allows a new understanding of its immense cultural power.

Block reveals many shocking and illuminating truths about hairdressing—including that men’s pomades in the early 19th Century were often made with bear’s grease, lard, or mutton fat; or that plant-based hair dyes in the same time period were often supplemented with lead or sulphuric acid.

Despite the shocking nature of some of these previous practices, Block displays throughout Beyond Vanity that hairdressing was anything but frivolous. Rather, it reveals “the salient ways the practices, labor, maintenance, and presentation of hairstyles claimed substantial amounts of place, space, and time.”


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]]> Fri, 17 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the nineteenth century, the complex cultural meaning of hair was not only significant—it could affect one’s place in society. After the Civil War, hairdressing was a growing profession and the hair industry a mainstay of local, national, and international commerce.

In Beyond Vanity: The History and Power of Hairdressing (MIT Press, 2024), Elizabeth L. Block expands the nascent field of hair studies by restoring women’s hair as a cultural site of meaning in the early United States. With a special focus on the places and spaces in which the industry operated, Block argues that the importance of hair has been overlooked due to its ephemerality as well as its misguided association with frivolity and triviality. Using methods of visual and material culture studies informed by concepts of cultural geography, Block identifies multiple substantive categories of place and space within which hair had pronounced impact. These include the preparatory places of the bedroom, hair salon, and enslaved peoples’ quarters, as well as the presentation spaces of parties, fairs, stages, and workplaces.

Here are also the untold stories of business owners, many of whom were women of color, and the creators of trendsetting styles such as the pompadour and Gibson Girl bouffant. Block’s groundbreaking study examines how race and racism affected who participated in the presentation and business of hair, and according to which standards. The result of looking closely at the places and spaces of hair is a reconfiguration that allows a new understanding of its immense cultural power.

Block reveals many shocking and illuminating truths about hairdressing—including that men’s pomades in the early 19th Century were often made with bear’s grease, lard, or mutton fat; or that plant-based hair dyes in the same time period were often supplemented with lead or sulphuric acid.

Despite the shocking nature of some of these previous practices, Block displays throughout Beyond Vanity that hairdressing was anything but frivolous. Rather, it reveals “the salient ways the practices, labor, maintenance, and presentation of hairstyles claimed substantial amounts of place, space, and time.”


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]]> Elizabeth L. Block, "Beyond Vanity: The History and Power of Hairdressing" (MIT Press, 2024) New Books Network 00:34:03 In the nineteenth century, the complex cultural meaning of hair was not only significant—it could affect one’s place in society. After the Civil War, hairdressing was a growing profession and the hair industry a mainstay of local, national, and international commerce. In Beyond Vanity: The History and Power of Hairdressing (MIT Press, 2024), Elizabeth L. Block expands the nascent field of hair studies by restoring women’s hair as a cultural site of meaning in the early United States. With a special focus on the places and spaces in which the industry operated, Block argues that the importance of hair has been overlooked due to its ephemerality as well as its misguided association with frivolity and triviality. Using methods of visual and material culture studies informed by concepts of cultural geography, Block identifies multiple substantive categories of place and space within which hair had pronounced impact. These include the preparatory places of the bedroom, hair salon, and enslaved peoples’ quarters, as well as the presentation spaces of parties, fairs, stages, and workplaces. Here are also the untold stories of business owners, many of whom were women of color, and the creators of trendsetting styles such as the pompadour and Gibson Girl bouffant. Block’s groundbreaking study examines how race and racism affected who participated in the presentation and business of hair, and according to which standards. The result of looking closely at the places and spaces of hair is a reconfiguration that allows a new understanding of its immense cultural power. Block reveals many shocking and illuminating truths about hairdressing—including that men’s pomades in the early 19th Century were often made with bear’s grease, lard, or mutton fat; or that plant-based hair dyes in the same time period were often supplemented with lead or sulphuric acid. Despite the shocking nature of some of these previous practices, Block displays throughout Beyond Vanity that hairdressing was anything but frivolous. Rather, it reveals “the salient ways the practices, labor, maintenance, and presentation of hairstyles claimed substantial amounts of place, space, and time.” In the nineteenth century, the complex cultural meaning of hair was not only significant—it could affect one’s place in society. After the Civil War, hairdressing was a growing profession and the hair industry a mainstay of local, national, and international commerce. In Beyond Vanity: The History and Power of Hairdressing (MIT Press, 2024), Elizabeth L. Block expands the nascent field of hair studies by restoring women’s hair as a cultural site of meaning in the early United States. With a special focus on the places and spaces in which the industry operated, Block argues that the importance of hair has been overlooked due to its ephemerality as well as its misguided association with frivolity and triviality. Using methods of visual and material culture studies informed by concepts of cultural geography, Block identifies multiple substantive categories of place and space within which hair had pronounced impact. These include the preparatory places of the bedroom, hair salon, and enslaved peoples’ quarters, as well as the presentation spaces of parties, fairs, stages, and workplaces. Here are also the untold stories of business owners, many of whom were women of color, and the creators of trendsetting styles such as the pompadour and Gibson Girl bouffant. Block’s groundbreaking study examines how race and racism affected who participated in the presentation and business of hair, and according to which standards. The result of looking closely at the places and spaces of hair is a reconfiguration that allows a new understanding of its immense cultural power. Block reveals many shocking and illuminating truths about hairdressing—including that men’s pomades in the early 19th Century were often made with bear’s grease, lard, or mutton fat; or that plant-based hair dyes in the same time period were often supplemented with lead or sulphuric acid. Despite the shocking nature of some of these previous practices, Block displays throughout Beyond Vanity that hairdressing was anything but frivolous. Rather, it reveals “the salient ways the practices, labor, maintenance, and presentation of hairstyles claimed substantial amounts of place, space, and time.” false full 1531 707d14aa-d343-11ef-9467-df8d51462f8d Valentina N. Glajar, "The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance" (Camden House, 2023) "Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain.

The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself.


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]]> Fri, 17 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com "Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain.

The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself.


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]]> Valentina N. Glajar, "The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance" (Camden House, 2023) New Books Network 01:37:57 "Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain. The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself. "Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain. The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself. false full 217 5f27d51a-d0f9-11ef-9dd6-13832087bbde Emily Murdoch Perkins, "Regina: The Queens Who Could Have Been" (The History Press, 2024) What queens would England have had if firstborn daughters, not firstborn sons, had inherited the throne? In Regina: The Queens Who Could Have Been (The History Press, 2024), Emily Murdoch Perkins investigates.

We may think of princesses as dutiful and elegant, wearing long flowing dresses, but the eldest daughters of England’s kings have been very different. Political intriguers. Abducted nuns who demanded divorces. Murderers.

It’s time we rediscovered the politicians we lost, the masterminds we see negotiating nunneries not armies, the personalities shining brilliantly even hundreds of years later: the queens who should have been.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Tue, 14 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What queens would England have had if firstborn daughters, not firstborn sons, had inherited the throne? In Regina: The Queens Who Could Have Been (The History Press, 2024), Emily Murdoch Perkins investigates.

We may think of princesses as dutiful and elegant, wearing long flowing dresses, but the eldest daughters of England’s kings have been very different. Political intriguers. Abducted nuns who demanded divorces. Murderers.

It’s time we rediscovered the politicians we lost, the masterminds we see negotiating nunneries not armies, the personalities shining brilliantly even hundreds of years later: the queens who should have been.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Emily Murdoch Perkins, "Regina: The Queens Who Could Have Been" (The History Press, 2024) New Books Network 00:48:47 What queens would England have had if firstborn daughters, not firstborn sons, had inherited the throne? In Regina: The Queens Who Could Have Been (The History Press, 2024), Emily Murdoch Perkins investigates. We may think of princesses as dutiful and elegant, wearing long flowing dresses, but the eldest daughters of England’s kings have been very different. Political intriguers. Abducted nuns who demanded divorces. Murderers. It’s time we rediscovered the politicians we lost, the masterminds we see negotiating nunneries not armies, the personalities shining brilliantly even hundreds of years later: the queens who should have been. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. What queens would England have had if firstborn daughters, not firstborn sons, had inherited the throne? In Regina: The Queens Who Could Have Been (The History Press, 2024), Emily Murdoch Perkins investigates. We may think of princesses as dutiful and elegant, wearing long flowing dresses, but the eldest daughters of England’s kings have been very different. Political intriguers. Abducted nuns who demanded divorces. Murderers. It’s time we rediscovered the politicians we lost, the masterminds we see negotiating nunneries not armies, the personalities shining brilliantly even hundreds of years later: the queens who should have been. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 8 165bb346-d046-11ef-a6ec-5b549a0abcb7 Nancy Reddy, "The Good Mother Myth: Unlearning Our Bad Ideas About How to Be a Good Mom" (St. Martin's Press, 2025) Timely and thought-provoking, Nancy Reddy's The Good Mother Myth: Unlearning Our Bad Ideas About How to Be a Good Mom unpacks and debunks the bad ideas that have for too long defined what it means to be a "good" mom. When Nancy Reddy had her first child, she found herself suddenly confronted with the ideal of a perfect mother—a woman who was constantly available, endlessly patient, and immediately invested in her child to the exclusion of all else. Reddy had been raised by a single working mother, considered herself a feminist, and was well on her way to a PhD. Why did doing motherhood "right" feel so wrong? 

For answers, Reddy turned to the mid-20th century social scientists and psychologists whose work still forms the basis of so much of what we believe about parenting. It seems ludicrous to imagine modern moms taking advice from midcentury researchers. Yet, their bad ideas about so-called “good” motherhood have seeped so pervasively into our cultural norms. In The Good Mother Myth, Reddy debunks the flawed lab studies, sloppy research, and straightforward misogyny of researchers from Harry Harlow, who claimed to have discovered love by observing monkeys in his lab, to the famous Dr. Spock, whose bestselling parenting guide included just one (1!) illustration of a father interacting with his child. This timely and thought-provoking book will make you laugh, cry, and want to scream (sometimes all at once). Blending history of science, cultural criticism, and memoir, The Good Mother Myth pulls back the curtain on the flawed social science behind our contemporary understanding of what makes a good mom.

This interview was conducted by Dr. Shui-yin Sharon Yam, author of the new book Doing Gender Justice: Queering Reproduction, Kin, and Care (Johns Hopkins University Press). 


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]]> Mon, 13 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Timely and thought-provoking, Nancy Reddy's The Good Mother Myth: Unlearning Our Bad Ideas About How to Be a Good Mom unpacks and debunks the bad ideas that have for too long defined what it means to be a "good" mom. When Nancy Reddy had her first child, she found herself suddenly confronted with the ideal of a perfect mother—a woman who was constantly available, endlessly patient, and immediately invested in her child to the exclusion of all else. Reddy had been raised by a single working mother, considered herself a feminist, and was well on her way to a PhD. Why did doing motherhood "right" feel so wrong? 

For answers, Reddy turned to the mid-20th century social scientists and psychologists whose work still forms the basis of so much of what we believe about parenting. It seems ludicrous to imagine modern moms taking advice from midcentury researchers. Yet, their bad ideas about so-called “good” motherhood have seeped so pervasively into our cultural norms. In The Good Mother Myth, Reddy debunks the flawed lab studies, sloppy research, and straightforward misogyny of researchers from Harry Harlow, who claimed to have discovered love by observing monkeys in his lab, to the famous Dr. Spock, whose bestselling parenting guide included just one (1!) illustration of a father interacting with his child. This timely and thought-provoking book will make you laugh, cry, and want to scream (sometimes all at once). Blending history of science, cultural criticism, and memoir, The Good Mother Myth pulls back the curtain on the flawed social science behind our contemporary understanding of what makes a good mom.

This interview was conducted by Dr. Shui-yin Sharon Yam, author of the new book Doing Gender Justice: Queering Reproduction, Kin, and Care (Johns Hopkins University Press). 


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]]> Nancy Reddy, "The Good Mother Myth: Unlearning Our Bad Ideas About How to Be a Good Mom" (St. Martin's Press, 2025) New Books Network 00:46:10 Timely and thought-provoking, Nancy Reddy's The Good Mother Myth: Unlearning Our Bad Ideas About How to Be a Good Mom unpacks and debunks the bad ideas that have for too long defined what it means to be a "good" mom. When Nancy Reddy had her first child, she found herself suddenly confronted with the ideal of a perfect mother—a woman who was constantly available, endlessly patient, and immediately invested in her child to the exclusion of all else. Reddy had been raised by a single working mother, considered herself a feminist, and was well on her way to a PhD. Why did doing motherhood "right" feel so wrong?  For answers, Reddy turned to the mid-20th century social scientists and psychologists whose work still forms the basis of so much of what we believe about parenting. It seems ludicrous to imagine modern moms taking advice from midcentury researchers. Yet, their bad ideas about so-called “good” motherhood have seeped so pervasively into our cultural norms. In The Good Mother Myth, Reddy debunks the flawed lab studies, sloppy research, and straightforward misogyny of researchers from Harry Harlow, who claimed to have discovered love by observing monkeys in his lab, to the famous Dr. Spock, whose bestselling parenting guide included just one (1!) illustration of a father interacting with his child. This timely and thought-provoking book will make you laugh, cry, and want to scream (sometimes all at once). Blending history of science, cultural criticism, and memoir, The Good Mother Myth pulls back the curtain on the flawed social science behind our contemporary understanding of what makes a good mom. This interview was conducted by Dr. Shui-yin Sharon Yam, author of the new book Doing Gender Justice: Queering Reproduction, Kin, and Care (Johns Hopkins University Press).  Timely and thought-provoking, Nancy Reddy's The Good Mother Myth: Unlearning Our Bad Ideas About How to Be a Good Mom unpacks and debunks the bad ideas that have for too long defined what it means to be a "good" mom. When Nancy Reddy had her first child, she found herself suddenly confronted with the ideal of a perfect mother—a woman who was constantly available, endlessly patient, and immediately invested in her child to the exclusion of all else. Reddy had been raised by a single working mother, considered herself a feminist, and was well on her way to a PhD. Why did doing motherhood "right" feel so wrong?  For answers, Reddy turned to the mid-20th century social scientists and psychologists whose work still forms the basis of so much of what we believe about parenting. It seems ludicrous to imagine modern moms taking advice from midcentury researchers. Yet, their bad ideas about so-called “good” motherhood have seeped so pervasively into our cultural norms. In The Good Mother Myth, Reddy debunks the flawed lab studies, sloppy research, and straightforward misogyny of researchers from Harry Harlow, who claimed to have discovered love by observing monkeys in his lab, to the famous Dr. Spock, whose bestselling parenting guide included just one (1!) illustration of a father interacting with his child. This timely and thought-provoking book will make you laugh, cry, and want to scream (sometimes all at once). Blending history of science, cultural criticism, and memoir, The Good Mother Myth pulls back the curtain on the flawed social science behind our contemporary understanding of what makes a good mom. This interview was conducted by Dr. Shui-yin Sharon Yam, author of the new book Doing Gender Justice: Queering Reproduction, Kin, and Care (Johns Hopkins University Press).  false full 249 464dab9a-cf6f-11ef-a323-2753afb37e00 Jennifer Greenburg, "At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War" (Cornell UP, 2023) At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War (Cornell University Press, 2023) by Jennifer Greenburg reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality.

Dr. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 11 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War (Cornell University Press, 2023) by Jennifer Greenburg reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality.

Dr. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Jennifer Greenburg, "At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War" (Cornell UP, 2023) New Books Network 00:40:20 At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War (Cornell University Press, 2023) by Jennifer Greenburg reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality. Dr. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War (Cornell University Press, 2023) by Jennifer Greenburg reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality. Dr. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 3 3c02be9a-ce9e-11ef-b489-3fda5097a9ef Sandy Ng, "Portrayals of Women in Early Twentieth-Century China" (Amsterdam UP, 2024) The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. 

Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. 

Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.”


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]]> Fri, 10 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. 

Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. 

Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.”


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]]> Sandy Ng, "Portrayals of Women in Early Twentieth-Century China" (Amsterdam UP, 2024) New Books Network 00:48:07 The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” false full 549 1217fb94-cde6-11ef-a392-334ab53572e5 Dear Miss Perkins: A Story of Frances Perkins's Efforts to Aid Refugees from Nazi Germany Our book is: Dear Miss Perkins: A Story of Frances Perkins’s Efforts To Aid Refugees from Nazi Germany (Citadel Press, 2025)  by Dr. Rebecca Brenner Graham, which is an inspiring new narrative of the first woman to serve in a president’s cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. In March 1933, at the height of the Great Depression, Frances Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .” Perkins’s early experiences working in Chicago’s famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act.

Our guest is: Dr Rebecca Brenner Graham who is a postdoctoral research associate at Brown University. Previously, she taught at the Madeira School and American University. She has a PhD in history and an MA in public history from American University, and a BA in history and philosophy from Mount Holyoke College. In 2023, she was awarded a Cokie Roberts Fellowship from the National Archives Foundation and a Rubenstein Center Research Fellowship from the White House Historical Association. Her writing has been published in The Washington Post, Time, Slate, the Los Angeles Review of Books, and elsewhere.

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.

Listeners may enjoy this playlist:


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Thu, 9 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Our book is: Dear Miss Perkins: A Story of Frances Perkins’s Efforts To Aid Refugees from Nazi Germany (Citadel Press, 2025)  by Dr. Rebecca Brenner Graham, which is an inspiring new narrative of the first woman to serve in a president’s cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. In March 1933, at the height of the Great Depression, Frances Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .” Perkins’s early experiences working in Chicago’s famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act.

Our guest is: Dr Rebecca Brenner Graham who is a postdoctoral research associate at Brown University. Previously, she taught at the Madeira School and American University. She has a PhD in history and an MA in public history from American University, and a BA in history and philosophy from Mount Holyoke College. In 2023, she was awarded a Cokie Roberts Fellowship from the National Archives Foundation and a Rubenstein Center Research Fellowship from the White House Historical Association. Her writing has been published in The Washington Post, Time, Slate, the Los Angeles Review of Books, and elsewhere.

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.

Listeners may enjoy this playlist:


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Dear Miss Perkins: A Story of Frances Perkins's Efforts to Aid Refugees from Nazi Germany New Books Network 00:51:34 Our book is: Dear Miss Perkins: A Story of Frances Perkins’s Efforts To Aid Refugees from Nazi Germany (Citadel Press, 2025)  by Dr. Rebecca Brenner Graham, which is an inspiring new narrative of the first woman to serve in a president’s cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. In March 1933, at the height of the Great Depression, Frances Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .” Perkins’s early experiences working in Chicago’s famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act. Our guest is: Dr Rebecca Brenner Graham who is a postdoctoral research associate at Brown University. Previously, she taught at the Madeira School and American University. She has a PhD in history and an MA in public history from American University, and a BA in history and philosophy from Mount Holyoke College. In 2023, she was awarded a Cokie Roberts Fellowship from the National Archives Foundation and a Rubenstein Center Research Fellowship from the White House Historical Association. Her writing has been published in The Washington Post, Time, Slate, the Los Angeles Review of Books, and elsewhere. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Secret Harvests Who Gets Believed Women's Activism and Sophonisba Breckinridge The House on Henry Street Leading from the Margins Hope for the Humanities PhD Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Our book is: Dear Miss Perkins: A Story of Frances Perkins’s Efforts To Aid Refugees from Nazi Germany (Citadel Press, 2025)  by Dr. Rebecca Brenner Graham, which is an inspiring new narrative of the first woman to serve in a president’s cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. In March 1933, at the height of the Great Depression, Frances Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .” Perkins’s early experiences working in Chicago’s famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act. Our guest is: Dr Rebecca Brenner Graham who is a postdoctoral research associate at Brown University. Previously, she taught at the Madeira School and American University. She has a PhD in history and an MA in public history from American University, and a BA in history and philosophy from Mount Holyoke College. In 2023, she was awarded a Cokie Roberts Fellowship from the National Archives Foundation and a Rubenstein Center Research Fellowship from the White House Historical Association. Her writing has been published in The Washington Post, Time, Slate, the Los Angeles Review of Books, and elsewhere. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Secret Harvests Who Gets Believed Women's Activism and Sophonisba Breckinridge The House on Henry Street Leading from the Margins Hope for the Humanities PhD Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! false full 248 2e642e12-cb9d-11ef-a39d-b7043895faf3 Sarah B. Rodriguez, "The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation" (Rutgers UP, 2020) Dr. James Burt believed women’s bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process.

It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that’s not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt’s heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn’t he obliged to get informed consent from his patients? And why did it take his peers so long to take action?

The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation.

Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice.

Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.


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]]> Tue, 7 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Dr. James Burt believed women’s bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process.

It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that’s not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt’s heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn’t he obliged to get informed consent from his patients? And why did it take his peers so long to take action?

The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation.

Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice.

Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.


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]]> Sarah B. Rodriguez, "The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation" (Rutgers UP, 2020) New Books Network 00:41:30 Dr. James Burt believed women’s bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process. It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that’s not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt’s heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn’t he obliged to get informed consent from his patients? And why did it take his peers so long to take action? The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation. Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Dr. James Burt believed women’s bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process. It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that’s not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt’s heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn’t he obliged to get informed consent from his patients? And why did it take his peers so long to take action? The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation. Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. false full 78 http://newbooksnetwork.com/?p=68202 Judith Giesberg, “Sex and the Civil War: Soldiers, Pornography, and the Making of American Morality” (UNC Press, 2017) Judith Giesberg, an expert on the history of women and gender during the Civil War, is professor and director of graduate studies in the history department at Villanova University and Editor of The Journal of the Civil War Era. Two of her previous books include Civil War Sisterhood: The United States Sanitary Commission and Women’s Politics in Transition (2000), which is about the understudied roles of women in relief efforts during the war, and “Army at Home”: Women and the Civil War on the Northern Home Front (2009), which concerns the experiences of working class women in the north. She is also the principal editor of Emilie Davis’s Civil War: The Diaries of a Free Black Woman in Philadelphia (2014).

Her latest book, and the subject of our discussion, is Sex and the Civil War: Soldiers, Pornography, and the Making of an American Morality (University of North Carolina Press, 2017). Giesberg argues that the Civil War is the turning point for the influential rise of postwar anti-pornography laws and a genesis for the related network of anti-vice campaigns, which included laws against contraceptives and abortion, newly entrenched legal regulations of marriage, and ever broader social purity initiatives around sexuality.

We discuss how crucial, and yet understudied, questions of sex and desire are to the Civil War era and how silence around them has affected the ways we talk about and regulate social relations today. Much of our conversation focuses on how a small group of men created new regulations around pornography, the constitution of which was always up for debate, to hold onto the political and social power that they felt to be threatened by men of a lower class or of a different race. Prominent among this group of regulators, and a leading face of the postwar anti-vice campaigns, was Anthony Comstock. After serving in a largely inactive regiment during the war, and feeling left out of the camaraderie generated by the sharing of pornography among his fellow soldiers, Comstock fashioned for himself a largely illusory legal fraternity of moral crusaders. For pornography was hardly the main issue for those who associated themselves with his cause. Geisberg writes and talks about how other men in power negotiated the place of newly freed slaves by tightening the regulatory role that marriage played in their “free” lives. Doctors jumped at the opportunity to regulate abortion and contraception as a way to further professionalize themselves after postwar advances in medicine. Both of these groups became part of an omnibus of social reform that affects the country to this day. As you will hear over the course of our conversation, the importance of Giesberg’s account is in showing the connections between these issues and how they come together in the Civil War. Sexual abuse was at the center of social systems, including slavery. But the legal articulations of sexual crimes after the war created more easily regulated vices that distracted attention aw...


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]]> Mon, 6 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Judith Giesberg, an expert on the history of women and gender during the Civil War, is professor and director of graduate studies in the history department at Villanova University and Editor of The Journal of the Civil War Era. Two of her previous books include Civil War Sisterhood: The United States Sanitary Commission and Women’s Politics in Transition (2000), which is about the understudied roles of women in relief efforts during the war, and “Army at Home”: Women and the Civil War on the Northern Home Front (2009), which concerns the experiences of working class women in the north. She is also the principal editor of Emilie Davis’s Civil War: The Diaries of a Free Black Woman in Philadelphia (2014).

Her latest book, and the subject of our discussion, is Sex and the Civil War: Soldiers, Pornography, and the Making of an American Morality (University of North Carolina Press, 2017). Giesberg argues that the Civil War is the turning point for the influential rise of postwar anti-pornography laws and a genesis for the related network of anti-vice campaigns, which included laws against contraceptives and abortion, newly entrenched legal regulations of marriage, and ever broader social purity initiatives around sexuality.

We discuss how crucial, and yet understudied, questions of sex and desire are to the Civil War era and how silence around them has affected the ways we talk about and regulate social relations today. Much of our conversation focuses on how a small group of men created new regulations around pornography, the constitution of which was always up for debate, to hold onto the political and social power that they felt to be threatened by men of a lower class or of a different race. Prominent among this group of regulators, and a leading face of the postwar anti-vice campaigns, was Anthony Comstock. After serving in a largely inactive regiment during the war, and feeling left out of the camaraderie generated by the sharing of pornography among his fellow soldiers, Comstock fashioned for himself a largely illusory legal fraternity of moral crusaders. For pornography was hardly the main issue for those who associated themselves with his cause. Geisberg writes and talks about how other men in power negotiated the place of newly freed slaves by tightening the regulatory role that marriage played in their “free” lives. Doctors jumped at the opportunity to regulate abortion and contraception as a way to further professionalize themselves after postwar advances in medicine. Both of these groups became part of an omnibus of social reform that affects the country to this day. As you will hear over the course of our conversation, the importance of Giesberg’s account is in showing the connections between these issues and how they come together in the Civil War. Sexual abuse was at the center of social systems, including slavery. But the legal articulations of sexual crimes after the war created more easily regulated vices that distracted attention aw...


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]]> Judith Giesberg, “Sex and the Civil War: Soldiers, Pornography, and the Making of American Morality” (UNC Press, 2017) New Books Network 01:00:03 Judith Giesberg, an expert on the history of women and gender during the Civil War, is professor and director of graduate studies in the history department at Villanova University and Editor of The Journal of the Civil War Era. Two of her previous books include Civil War Sisterhood: The United States Sanitary Commission and Women’s Politics in Transition (2000), which is about the understudied roles of women in relief efforts during the war, and “Army at Home”: Women and the Civil War on the Northern Home Front (2009), which concerns the experiences of working class women in the north. She is also the principal editor of Emilie Davis’s Civil War: The Diaries of a Free Black Woman in Philadelphia (2014). Her latest book, and the subject of our discussion, is Sex and the Civil War: Soldiers, Pornography, and the Making of an American Morality (University of North Carolina Press, 2017). Giesberg argues that the Civil War is the turning point for the influential rise of postwar anti-pornography laws and a genesis for the related network of anti-vice campaigns, which included laws against contraceptives and abortion, newly entrenched legal regulations of marriage, and ever broader social purity initiatives around sexuality. We discuss how crucial, and yet understudied, questions of sex and desire are to the Civil War era and how silence around them has affected the ways we talk about and regulate social relations today. Much of our conversation focuses on how a small group of men created new regulations around pornography, the constitution of which was always up for debate, to hold onto the political and social power that they felt to be threatened by men of a lower class or of a different race. Prominent among this group of regulators, and a leading face of the postwar anti-vice campaigns, was Anthony Comstock. After serving in a largely inactive regiment during the war, and feeling left out of the camaraderie generated by the sharing of pornography among his fellow soldiers, Comstock fashioned for himself a largely illusory legal fraternity of moral crusaders. For pornography was hardly the main issue for those who associated themselves with his cause. Geisberg writes and talks about how other men in power negotiated the place of newly freed slaves by tightening the regulatory role that marriage played in their “free” lives. Doctors jumped at the opportunity to regulate abortion and contraception as a way to further professionalize themselves after postwar advances in medicine. Both of these groups became part of an omnibus of social reform that affects the country to this day. As you will hear over the course of our conversation, the importance of Giesberg’s account is in showing the connections between these issues and how they come together in the Civil War. Sexual abuse was at the center of social systems, including slavery. But the legal articulations of sexual crimes after the war created more easily regulated vices that distracted attention aw... Judith Giesberg, an expert on the history of women and gender during the Civil War, is professor and director of graduate studies in the history department at Villanova University and Editor of The Journal of the Civil War Era. Two of her previous books include Civil War Sisterhood: The United States Sanitary Commission and Women’s Politics in Transition (2000), which is about the understudied roles of women in relief efforts during the war, and “Army at Home”: Women and the Civil War on the Northern Home Front (2009), which concerns the experiences of working class women in the north. She is also the principal editor of Emilie Davis’s Civil War: The Diaries of a Free Black Woman in Philadelphia (2014). Her latest book, and the subject of our discussion, is Sex and the Civil War: Soldiers, Pornography, and the Making of an American Morality (University of North Carolina Press, 2017). Giesberg argues that the Civil War is the turning point for the influential rise of postwar anti-pornography laws and a genesis for the related network of anti-vice campaigns, which included laws against contraceptives and abortion, newly entrenched legal regulations of marriage, and ever broader social purity initiatives around sexuality. We discuss how crucial, and yet understudied, questions of sex and desire are to the Civil War era and how silence around them has affected the ways we talk about and regulate social relations today. Much of our conversation focuses on how a small group of men created new regulations around pornography, the constitution of which was always up for debate, to hold onto the political and social power that they felt to be threatened by men of a lower class or of a different race. Prominent among this group of regulators, and a leading face of the postwar anti-vice campaigns, was Anthony Comstock. After serving in a largely inactive regiment during the war, and feeling left out of the camaraderie generated by the sharing of pornography among his fellow soldiers, Comstock fashioned for himself a largely illusory legal fraternity of moral crusaders. For pornography was hardly the main issue for those who associated themselves with his cause. Geisberg writes and talks about how other men in power negotiated the place of newly freed slaves by tightening the regulatory role that marriage played in their “free” lives. Doctors jumped at the opportunity to regulate abortion and contraception as a way to further professionalize themselves after postwar advances in medicine. Both of these groups became part of an omnibus of social reform that affects the country to this day. As you will hear over the course of our conversation, the importance of Giesberg’s account is in showing the connections between these issues and how they come together in the Civil War. Sexual abuse was at the center of social systems, including slavery. But the legal articulations of sexual crimes after the war created more easily regulated vices that distracted attention aw... false full 86 f36b2aae-caa7-11ef-a15b-b72b06c76687 Lisa Doggett, "Up the Down Escalator: Medicine, Motherhood, and Multiple Sclerosis" (Health Communications, 2023) Lisa Doggett, MD, MPH is a family and lifestyle medicine physician and an award-winning author based in Austin, Texas. In 2009, she was diagnosed with multiple sclerosis. At that time, her daughters were 2 and 4 years old, and she was the director of a clinic for people without private health insurance.

Multiple sclerosis (MS) is a chronic disease of the central nervous system (brain and spinal cord) that often affects young adults. It can manifest with many different symptoms, and its impact varies from very mild to very severe. While there's no cure yet, medications to manage the disease and slow its progression have improved tremendously in the last three decades. There has also been a lot of research investigating the connection between lifestyle factors (like exercise and diet) and the disease's progression.

In 2023, Lisa published a memoir about her journey with MS: Up the Down Escalator: Medicine, Motherhood, and Multiple Sclerosis (Health Communications, 2023). The book (available as a paperback, e-book, and audiobook) depicts episodes from various facets of her life in the years following the diagnosis: her attempts to tackle the symptoms of MS, parenting challenges and milestones, and big personal goals, like running a marathon. Lisa also shares the stories of several patients and the everyday struggles of running a community clinic. As both a physician and patient, Lisa has a unique view of the health care system. She often contrasts her experience with the experience of her low-income patients.

Up the Down Escalator tells an impressive and often humorous story starting with an episode from Lisa's medical residency and ending with her first marathon. At the same time, the chapters can also be read as independent and thought-provoking essays. In the interview, we also hear about Lisa's journey as a writer: about her journaling habit, her op-ed pieces, and how a growing number of blog posts and articles slowly turned into this book.

A big part of our conversation discusses Lisa's recent career shift into lifestyle medicine. She has always been a "health nut", who exercises every day and follows a healthy diet. Through her MS, she has learned a lot about lifestyle's role in chronic conditions. In her work as a family physician, she often observed the complex interactions between medical, socioeconomic, and lifestyle factors.

All these interests and experiences have motivated her to explore the emerging field of lifestyle medicine. It's an evidence-based field focusing on the prevention, treatment, and reversal of chronic diseases via therapeutic lifestyle interventions. It's relatively new (the board certification was introduced in 2017), but it incorporates decades of research. Its six tenants include: a predominantly plant-based diet, regular exercise, restorative sleep, avoidance of unhealthy substances, stress management, and connection with others.

In 2023, Lisa obtained board certification in lifestyle medicine. Since then, she's been working at the Multiple Sclerosis and Neuroimmunology Center at the University of Texas at Austin. She supports MS patients in setting personal goals and adopting healthier habits. Lisa tells us how she partners with neurologists and other specialists at the center, and how medication and lifestyle factors work together to increase the chances of a better outcome and manage symptoms.

Links: 


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]]> Sun, 5 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Lisa Doggett, MD, MPH is a family and lifestyle medicine physician and an award-winning author based in Austin, Texas. In 2009, she was diagnosed with multiple sclerosis. At that time, her daughters were 2 and 4 years old, and she was the director of a clinic for people without private health insurance.

Multiple sclerosis (MS) is a chronic disease of the central nervous system (brain and spinal cord) that often affects young adults. It can manifest with many different symptoms, and its impact varies from very mild to very severe. While there's no cure yet, medications to manage the disease and slow its progression have improved tremendously in the last three decades. There has also been a lot of research investigating the connection between lifestyle factors (like exercise and diet) and the disease's progression.

In 2023, Lisa published a memoir about her journey with MS: Up the Down Escalator: Medicine, Motherhood, and Multiple Sclerosis (Health Communications, 2023). The book (available as a paperback, e-book, and audiobook) depicts episodes from various facets of her life in the years following the diagnosis: her attempts to tackle the symptoms of MS, parenting challenges and milestones, and big personal goals, like running a marathon. Lisa also shares the stories of several patients and the everyday struggles of running a community clinic. As both a physician and patient, Lisa has a unique view of the health care system. She often contrasts her experience with the experience of her low-income patients.

Up the Down Escalator tells an impressive and often humorous story starting with an episode from Lisa's medical residency and ending with her first marathon. At the same time, the chapters can also be read as independent and thought-provoking essays. In the interview, we also hear about Lisa's journey as a writer: about her journaling habit, her op-ed pieces, and how a growing number of blog posts and articles slowly turned into this book.

A big part of our conversation discusses Lisa's recent career shift into lifestyle medicine. She has always been a "health nut", who exercises every day and follows a healthy diet. Through her MS, she has learned a lot about lifestyle's role in chronic conditions. In her work as a family physician, she often observed the complex interactions between medical, socioeconomic, and lifestyle factors.

All these interests and experiences have motivated her to explore the emerging field of lifestyle medicine. It's an evidence-based field focusing on the prevention, treatment, and reversal of chronic diseases via therapeutic lifestyle interventions. It's relatively new (the board certification was introduced in 2017), but it incorporates decades of research. Its six tenants include: a predominantly plant-based diet, regular exercise, restorative sleep, avoidance of unhealthy substances, stress management, and connection with others.

In 2023, Lisa obtained board certification in lifestyle medicine. Since then, she's been working at the Multiple Sclerosis and Neuroimmunology Center at the University of Texas at Austin. She supports MS patients in setting personal goals and adopting healthier habits. Lisa tells us how she partners with neurologists and other specialists at the center, and how medication and lifestyle factors work together to increase the chances of a better outcome and manage symptoms.

Links: 


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]]> Lisa Doggett, "Up the Down Escalator: Medicine, Motherhood, and Multiple Sclerosis" (Health Communications, 2023) New Books Network 00:30:32 Lisa Doggett, MD, MPH is a family and lifestyle medicine physician and an award-winning author based in Austin, Texas. In 2009, she was diagnosed with multiple sclerosis. At that time, her daughters were 2 and 4 years old, and she was the director of a clinic for people without private health insurance. Multiple sclerosis (MS) is a chronic disease of the central nervous system (brain and spinal cord) that often affects young adults. It can manifest with many different symptoms, and its impact varies from very mild to very severe. While there's no cure yet, medications to manage the disease and slow its progression have improved tremendously in the last three decades. There has also been a lot of research investigating the connection between lifestyle factors (like exercise and diet) and the disease's progression. In 2023, Lisa published a memoir about her journey with MS: Up the Down Escalator: Medicine, Motherhood, and Multiple Sclerosis (Health Communications, 2023). The book (available as a paperback, e-book, and audiobook) depicts episodes from various facets of her life in the years following the diagnosis: her attempts to tackle the symptoms of MS, parenting challenges and milestones, and big personal goals, like running a marathon. Lisa also shares the stories of several patients and the everyday struggles of running a community clinic. As both a physician and patient, Lisa has a unique view of the health care system. She often contrasts her experience with the experience of her low-income patients. Up the Down Escalator tells an impressive and often humorous story starting with an episode from Lisa's medical residency and ending with her first marathon. At the same time, the chapters can also be read as independent and thought-provoking essays. In the interview, we also hear about Lisa's journey as a writer: about her journaling habit, her op-ed pieces, and how a growing number of blog posts and articles slowly turned into this book. A big part of our conversation discusses Lisa's recent career shift into lifestyle medicine. She has always been a "health nut", who exercises every day and follows a healthy diet. Through her MS, she has learned a lot about lifestyle's role in chronic conditions. In her work as a family physician, she often observed the complex interactions between medical, socioeconomic, and lifestyle factors. All these interests and experiences have motivated her to explore the emerging field of lifestyle medicine. It's an evidence-based field focusing on the prevention, treatment, and reversal of chronic diseases via therapeutic lifestyle interventions. It's relatively new (the board certification was introduced in 2017), but it incorporates decades of research. Its six tenants include: a predominantly plant-based diet, regular exercise, restorative sleep, avoidance of unhealthy substances, stress management, and connection with others. In 2023, Lisa obtained board certification in lifestyle medicine. Since then, she's been working at the Multiple Sclerosis and Neuroimmunology Center at the University of Texas at Austin. She supports MS patients in setting personal goals and adopting healthier habits. Lisa tells us how she partners with neurologists and other specialists at the center, and how medication and lifestyle factors work together to increase the chances of a better outcome and manage symptoms. Links:   Lisa's website American College of Lifestyle Medicine Texas MS 150 Bike Ride Lisa Doggett, MD, MPH is a family and lifestyle medicine physician and an award-winning author based in Austin, Texas. In 2009, she was diagnosed with multiple sclerosis. At that time, her daughters were 2 and 4 years old, and she was the director of a clinic for people without private health insurance. Multiple sclerosis (MS) is a chronic disease of the central nervous system (brain and spinal cord) that often affects young adults. It can manifest with many different symptoms, and its impact varies from very mild to very severe. While there's no cure yet, medications to manage the disease and slow its progression have improved tremendously in the last three decades. There has also been a lot of research investigating the connection between lifestyle factors (like exercise and diet) and the disease's progression. In 2023, Lisa published a memoir about her journey with MS: Up the Down Escalator: Medicine, Motherhood, and Multiple Sclerosis (Health Communications, 2023). The book (available as a paperback, e-book, and audiobook) depicts episodes from various facets of her life in the years following the diagnosis: her attempts to tackle the symptoms of MS, parenting challenges and milestones, and big personal goals, like running a marathon. Lisa also shares the stories of several patients and the everyday struggles of running a community clinic. As both a physician and patient, Lisa has a unique view of the health care system. She often contrasts her experience with the experience of her low-income patients. Up the Down Escalator tells an impressive and often humorous story starting with an episode from Lisa's medical residency and ending with her first marathon. At the same time, the chapters can also be read as independent and thought-provoking essays. In the interview, we also hear about Lisa's journey as a writer: about her journaling habit, her op-ed pieces, and how a growing number of blog posts and articles slowly turned into this book. A big part of our conversation discusses Lisa's recent career shift into lifestyle medicine. She has always been a "health nut", who exercises every day and follows a healthy diet. Through her MS, she has learned a lot about lifestyle's role in chronic conditions. In her work as a family physician, she often observed the complex interactions between medical, socioeconomic, and lifestyle factors. All these interests and experiences have motivated her to explore the emerging field of lifestyle medicine. It's an evidence-based field focusing on the prevention, treatment, and reversal of chronic diseases via therapeutic lifestyle interventions. It's relatively new (the board certification was introduced in 2017), but it incorporates decades of research. Its six tenants include: a predominantly plant-based diet, regular exercise, restorative sleep, avoidance of unhealthy substances, stress management, and connection with others. In 2023, Lisa obtained board certification in lifestyle medicine. Since then, she's been working at the Multiple Sclerosis and Neuroimmunology Center at the University of Texas at Austin. She supports MS patients in setting personal goals and adopting healthier habits. Lisa tells us how she partners with neurologists and other specialists at the center, and how medication and lifestyle factors work together to increase the chances of a better outcome and manage symptoms. Links:   Lisa's website American College of Lifestyle Medicine Texas MS 150 Bike Ride false full 229 15c7f938-cab2-11ef-83ff-274858530f3d Amy Aronson, "Chrystal Eastman: A Revolutionary Life" (Oxford UP, 2019) Amy Aronson is an Associate Professor of Journalism and Media Studies at Fordham University and former editor at Working Woman and Ms. magazines. Her biography Chrystal Eastman: A Revolutionary Life (Oxford University Press, 2019) gives us the life of a women’s rights activist, labor lawyer, radical pacifist, writer and co-founder of what became the Civil Liberties Union. Her life was shaped by key relationships including with her mother Annis Ford Eastman and a close relationship with her brother Max Eastman, editor of the socialist magazine The Masses. Subsequently with her brother, she would launch The Liberator. Eastman spoke and wrote about a variety of social and political problems and was threatened by censorship and economic hardship. One of her chief concerns was how women could combine meaningful work with family life based on egalitarian ideals of independence and freedom. She attempted to live out her feminist ideals by redefining her marriage, motherhood and career. Chrystal Eastman: A Revolutionary Life offers a vivid portrait of a modern feminist navigating the hazards of private and public life as it unfolded in the progressive era.

Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the cultural history of feminist thought seen through the emblematic life and work of Simone de Beauvoir.


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]]> Sun, 5 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Amy Aronson is an Associate Professor of Journalism and Media Studies at Fordham University and former editor at Working Woman and Ms. magazines. Her biography Chrystal Eastman: A Revolutionary Life (Oxford University Press, 2019) gives us the life of a women’s rights activist, labor lawyer, radical pacifist, writer and co-founder of what became the Civil Liberties Union. Her life was shaped by key relationships including with her mother Annis Ford Eastman and a close relationship with her brother Max Eastman, editor of the socialist magazine The Masses. Subsequently with her brother, she would launch The Liberator. Eastman spoke and wrote about a variety of social and political problems and was threatened by censorship and economic hardship. One of her chief concerns was how women could combine meaningful work with family life based on egalitarian ideals of independence and freedom. She attempted to live out her feminist ideals by redefining her marriage, motherhood and career. Chrystal Eastman: A Revolutionary Life offers a vivid portrait of a modern feminist navigating the hazards of private and public life as it unfolded in the progressive era.

Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the cultural history of feminist thought seen through the emblematic life and work of Simone de Beauvoir.


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]]> Amy Aronson, "Chrystal Eastman: A Revolutionary Life" (Oxford UP, 2019) New Books Network 00:57:09 Amy Aronson is an Associate Professor of Journalism and Media Studies at Fordham University and former editor at Working Woman and Ms. magazines. Her biography Chrystal Eastman: A Revolutionary Life (Oxford University Press, 2019) gives us the life of a women’s rights activist, labor lawyer, radical pacifist, writer and co-founder of what became the Civil Liberties Union. Her life was shaped by key relationships including with her mother Annis Ford Eastman and a close relationship with her brother Max Eastman, editor of the socialist magazine The Masses. Subsequently with her brother, she would launch The Liberator. Eastman spoke and wrote about a variety of social and political problems and was threatened by censorship and economic hardship. One of her chief concerns was how women could combine meaningful work with family life based on egalitarian ideals of independence and freedom. She attempted to live out her feminist ideals by redefining her marriage, motherhood and career. Chrystal Eastman: A Revolutionary Life offers a vivid portrait of a modern feminist navigating the hazards of private and public life as it unfolded in the progressive era. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the cultural history of feminist thought seen through the emblematic life and work of Simone de Beauvoir. Amy Aronson is an Associate Professor of Journalism and Media Studies at Fordham University and former editor at Working Woman and Ms. magazines. Her biography Chrystal Eastman: A Revolutionary Life (Oxford University Press, 2019) gives us the life of a women’s rights activist, labor lawyer, radical pacifist, writer and co-founder of what became the Civil Liberties Union. Her life was shaped by key relationships including with her mother Annis Ford Eastman and a close relationship with her brother Max Eastman, editor of the socialist magazine The Masses. Subsequently with her brother, she would launch The Liberator. Eastman spoke and wrote about a variety of social and political problems and was threatened by censorship and economic hardship. One of her chief concerns was how women could combine meaningful work with family life based on egalitarian ideals of independence and freedom. She attempted to live out her feminist ideals by redefining her marriage, motherhood and career. Chrystal Eastman: A Revolutionary Life offers a vivid portrait of a modern feminist navigating the hazards of private and public life as it unfolded in the progressive era. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the cultural history of feminist thought seen through the emblematic life and work of Simone de Beauvoir. false full 105 784ae2d4-c939-11ef-8cd5-bb576809bf53 Swethaa S. Ballakrishnen, "Accidental Feminism: Gender Parity and Selective Mobility Among India’s Professional Elite" (Princeton UP, 2021) In India, elite law firms offer a surprising oasis for women within a hostile, predominantly male industry. Less than 10 percent of the country's lawyers are female, but women in the most prestigious firms are significantly represented both at entry and partnership. Elite workspaces are notorious for being unfriendly to new actors, so what allows for aberration in certain workspaces?

Drawing from observations and interviews with more than 130 elite professionals, Accidental Feminism: Gender Parity and Selective Mobility Among India’s Professional Elite (Princeton UP, 2021) examines how a range of underlying mechanisms-gendered socialization and essentialism, family structures and dynamics, and firm and regulatory histories-afford certain professionals egalitarian outcomes that are not available to their local and global peers. Juxtaposing findings on the legal profession with those on elite consulting firms, Swethaa Ballakrishnen reveals that parity arises not from a commitment to create feminist organizations, but from structural factors that incidentally come together to do gender differently. Simultaneously, their research offers notes of caution: while conditional convergence may create equality in ways that more targeted endeavors fail to achieve, "accidental" developments are hard to replicate, and are, in this case, buttressed by embedded inequalities. Ballakrishnen examines whether gender parity produced without institutional sanction should still be considered feminist.

In offering new ways to think about equality movements and outcomes, Accidental Feminism forces readers to critically consider the work of intention in progress narratives.

Noopur Raval is a postdoctoral researcher working at the intersection of Information Studies, STS, Media Studies and Anthropology.


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]]> Fri, 3 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In India, elite law firms offer a surprising oasis for women within a hostile, predominantly male industry. Less than 10 percent of the country's lawyers are female, but women in the most prestigious firms are significantly represented both at entry and partnership. Elite workspaces are notorious for being unfriendly to new actors, so what allows for aberration in certain workspaces?

Drawing from observations and interviews with more than 130 elite professionals, Accidental Feminism: Gender Parity and Selective Mobility Among India’s Professional Elite (Princeton UP, 2021) examines how a range of underlying mechanisms-gendered socialization and essentialism, family structures and dynamics, and firm and regulatory histories-afford certain professionals egalitarian outcomes that are not available to their local and global peers. Juxtaposing findings on the legal profession with those on elite consulting firms, Swethaa Ballakrishnen reveals that parity arises not from a commitment to create feminist organizations, but from structural factors that incidentally come together to do gender differently. Simultaneously, their research offers notes of caution: while conditional convergence may create equality in ways that more targeted endeavors fail to achieve, "accidental" developments are hard to replicate, and are, in this case, buttressed by embedded inequalities. Ballakrishnen examines whether gender parity produced without institutional sanction should still be considered feminist.

In offering new ways to think about equality movements and outcomes, Accidental Feminism forces readers to critically consider the work of intention in progress narratives.

Noopur Raval is a postdoctoral researcher working at the intersection of Information Studies, STS, Media Studies and Anthropology.


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]]> Swethaa S. Ballakrishnen, "Accidental Feminism: Gender Parity and Selective Mobility Among India’s Professional Elite" (Princeton UP, 2021) New Books Network 01:04:36 In India, elite law firms offer a surprising oasis for women within a hostile, predominantly male industry. Less than 10 percent of the country's lawyers are female, but women in the most prestigious firms are significantly represented both at entry and partnership. Elite workspaces are notorious for being unfriendly to new actors, so what allows for aberration in certain workspaces? Drawing from observations and interviews with more than 130 elite professionals, Accidental Feminism: Gender Parity and Selective Mobility Among India’s Professional Elite (Princeton UP, 2021) examines how a range of underlying mechanisms-gendered socialization and essentialism, family structures and dynamics, and firm and regulatory histories-afford certain professionals egalitarian outcomes that are not available to their local and global peers. Juxtaposing findings on the legal profession with those on elite consulting firms, Swethaa Ballakrishnen reveals that parity arises not from a commitment to create feminist organizations, but from structural factors that incidentally come together to do gender differently. Simultaneously, their research offers notes of caution: while conditional convergence may create equality in ways that more targeted endeavors fail to achieve, "accidental" developments are hard to replicate, and are, in this case, buttressed by embedded inequalities. Ballakrishnen examines whether gender parity produced without institutional sanction should still be considered feminist. In offering new ways to think about equality movements and outcomes, Accidental Feminism forces readers to critically consider the work of intention in progress narratives. Noopur Raval is a postdoctoral researcher working at the intersection of Information Studies, STS, Media Studies and Anthropology. In India, elite law firms offer a surprising oasis for women within a hostile, predominantly male industry. Less than 10 percent of the country's lawyers are female, but women in the most prestigious firms are significantly represented both at entry and partnership. Elite workspaces are notorious for being unfriendly to new actors, so what allows for aberration in certain workspaces? Drawing from observations and interviews with more than 130 elite professionals, Accidental Feminism: Gender Parity and Selective Mobility Among India’s Professional Elite (Princeton UP, 2021) examines how a range of underlying mechanisms-gendered socialization and essentialism, family structures and dynamics, and firm and regulatory histories-afford certain professionals egalitarian outcomes that are not available to their local and global peers. Juxtaposing findings on the legal profession with those on elite consulting firms, Swethaa Ballakrishnen reveals that parity arises not from a commitment to create feminist organizations, but from structural factors that incidentally come together to do gender differently. Simultaneously, their research offers notes of caution: while conditional convergence may create equality in ways that more targeted endeavors fail to achieve, "accidental" developments are hard to replicate, and are, in this case, buttressed by embedded inequalities. Ballakrishnen examines whether gender parity produced without institutional sanction should still be considered feminist. In offering new ways to think about equality movements and outcomes, Accidental Feminism forces readers to critically consider the work of intention in progress narratives. Noopur Raval is a postdoctoral researcher working at the intersection of Information Studies, STS, Media Studies and Anthropology. false full 123 a117b57e-c61a-11ef-8184-bb9ba48825d0 Rachel Louise Moran, "Blue: A History of Postpartum Depression in America" (U Chicago Press, 2024) New motherhood is often seen as a joyful moment in a woman’s life; for some women, it is also their lowest moment. For much of the twentieth century, popular and medical voices blamed women who had emotional and mental distress after childbirth for their own suffering. By the end of the century, though, women with postpartum mental illnesses sought to take charge of this narrative. 

In Blue: A History of Postpartum Depression in America (U Chicago Press, 2024), Rachel Louise Moran explores the history of the naming and mainstreaming of postpartum depression. Coalitions of maverick psychiatrists, psychologists, and women who themselves had survived substantial postpartum distress fought to legitimize and normalize women’s experiences. They argued that postpartum depression is an objective and real illness and fought to avoid it being politicized alongside other fraught medical and political battles over women’s health.


Based on insightful oral histories and in-depth archival research, Blue reveals a secret history of American motherhood, women’s political activism, and the rise of postpartum depression advocacy amid an often-censorious conservative culture. By breaking new ground with the first book-length history of postpartum mental illness in the twentieth century, Moran brings mothers’ battles with postpartum depression out of the shadows and into the light.


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]]> Thu, 2 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com New motherhood is often seen as a joyful moment in a woman’s life; for some women, it is also their lowest moment. For much of the twentieth century, popular and medical voices blamed women who had emotional and mental distress after childbirth for their own suffering. By the end of the century, though, women with postpartum mental illnesses sought to take charge of this narrative. 

In Blue: A History of Postpartum Depression in America (U Chicago Press, 2024), Rachel Louise Moran explores the history of the naming and mainstreaming of postpartum depression. Coalitions of maverick psychiatrists, psychologists, and women who themselves had survived substantial postpartum distress fought to legitimize and normalize women’s experiences. They argued that postpartum depression is an objective and real illness and fought to avoid it being politicized alongside other fraught medical and political battles over women’s health.


Based on insightful oral histories and in-depth archival research, Blue reveals a secret history of American motherhood, women’s political activism, and the rise of postpartum depression advocacy amid an often-censorious conservative culture. By breaking new ground with the first book-length history of postpartum mental illness in the twentieth century, Moran brings mothers’ battles with postpartum depression out of the shadows and into the light.


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]]> Rachel Louise Moran, "Blue: A History of Postpartum Depression in America" (U Chicago Press, 2024) New Books Network 00:51:27 New motherhood is often seen as a joyful moment in a woman’s life; for some women, it is also their lowest moment. For much of the twentieth century, popular and medical voices blamed women who had emotional and mental distress after childbirth for their own suffering. By the end of the century, though, women with postpartum mental illnesses sought to take charge of this narrative.  In Blue: A History of Postpartum Depression in America (U Chicago Press, 2024), Rachel Louise Moran explores the history of the naming and mainstreaming of postpartum depression. Coalitions of maverick psychiatrists, psychologists, and women who themselves had survived substantial postpartum distress fought to legitimize and normalize women’s experiences. They argued that postpartum depression is an objective and real illness and fought to avoid it being politicized alongside other fraught medical and political battles over women’s health. Based on insightful oral histories and in-depth archival research, Blue reveals a secret history of American motherhood, women’s political activism, and the rise of postpartum depression advocacy amid an often-censorious conservative culture. By breaking new ground with the first book-length history of postpartum mental illness in the twentieth century, Moran brings mothers’ battles with postpartum depression out of the shadows and into the light. New motherhood is often seen as a joyful moment in a woman’s life; for some women, it is also their lowest moment. For much of the twentieth century, popular and medical voices blamed women who had emotional and mental distress after childbirth for their own suffering. By the end of the century, though, women with postpartum mental illnesses sought to take charge of this narrative.  In Blue: A History of Postpartum Depression in America (U Chicago Press, 2024), Rachel Louise Moran explores the history of the naming and mainstreaming of postpartum depression. Coalitions of maverick psychiatrists, psychologists, and women who themselves had survived substantial postpartum distress fought to legitimize and normalize women’s experiences. They argued that postpartum depression is an objective and real illness and fought to avoid it being politicized alongside other fraught medical and political battles over women’s health. Based on insightful oral histories and in-depth archival research, Blue reveals a secret history of American motherhood, women’s political activism, and the rise of postpartum depression advocacy amid an often-censorious conservative culture. By breaking new ground with the first book-length history of postpartum mental illness in the twentieth century, Moran brings mothers’ battles with postpartum depression out of the shadows and into the light. false full 110 182980c8-c618-11ef-81f8-479fa5fdf466 Donna Tesiero, "A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North" (McFarland, 2024) At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America's leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people.

After leaving her enslaver's family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines. A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North (McFarland, 2024) details Elizabeth Freeman's life and the far-reaching influence of her battle for freedom.


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]]> Wed, 1 Jan 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America's leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people.

After leaving her enslaver's family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines. A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North (McFarland, 2024) details Elizabeth Freeman's life and the far-reaching influence of her battle for freedom.


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]]> Donna Tesiero, "A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North" (McFarland, 2024) New Books Network 01:26:57 At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America's leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people. After leaving her enslaver's family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines. A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North (McFarland, 2024) details Elizabeth Freeman's life and the far-reaching influence of her battle for freedom. At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America's leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people. After leaving her enslaver's family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines. A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North (McFarland, 2024) details Elizabeth Freeman's life and the far-reaching influence of her battle for freedom. false full 487 e81e1e40-c610-11ef-9de9-a769bdbdbacd Caitlin Davies, "Queens of the Underworld: A Journey into the Lives of Female Crooks" (The History Press, 2021) Queens of the Underworld: A Journey into the Lives of Female Crooks (The History Press, 2021) tells the incredible story of Britain's female gangsters from the seventeenth century to the present day.

Robin Hood, Dick Turpin, Ronnie Biggs, the Krays ... All have become folk heroes, glamorized and romanticized, even when they killed. But where are their female equivalents? Where are the street robbers, gang leaders, diamond thieves, gold smugglers and bank robbers?

Queens of the Underworld reveals the incredible story of female crooks from the seventeenth century to the present. From Moll Cutpurse to the Black Boy Alley Ladies, from jewel thief Emily Lawrence to bandit leader Elsie Carey and burglar Zoe Progl, these were charismatic women at the top of their game. But female criminals have long been dismissed as either not 'real women' or not 'real criminals', and in the process their stories have been lost.

Caitlin Davies unravels the myths, confronts the lies and tracks down modern-day descendants in order to tell the truth about their lives for the first time.


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]]> Mon, 30 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Queens of the Underworld: A Journey into the Lives of Female Crooks (The History Press, 2021) tells the incredible story of Britain's female gangsters from the seventeenth century to the present day.

Robin Hood, Dick Turpin, Ronnie Biggs, the Krays ... All have become folk heroes, glamorized and romanticized, even when they killed. But where are their female equivalents? Where are the street robbers, gang leaders, diamond thieves, gold smugglers and bank robbers?

Queens of the Underworld reveals the incredible story of female crooks from the seventeenth century to the present. From Moll Cutpurse to the Black Boy Alley Ladies, from jewel thief Emily Lawrence to bandit leader Elsie Carey and burglar Zoe Progl, these were charismatic women at the top of their game. But female criminals have long been dismissed as either not 'real women' or not 'real criminals', and in the process their stories have been lost.

Caitlin Davies unravels the myths, confronts the lies and tracks down modern-day descendants in order to tell the truth about their lives for the first time.


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]]> Caitlin Davies, "Queens of the Underworld: A Journey into the Lives of Female Crooks" (The History Press, 2021) New Books Network 00:55:41 Queens of the Underworld: A Journey into the Lives of Female Crooks (The History Press, 2021) tells the incredible story of Britain's female gangsters from the seventeenth century to the present day. Robin Hood, Dick Turpin, Ronnie Biggs, the Krays ... All have become folk heroes, glamorized and romanticized, even when they killed. But where are their female equivalents? Where are the street robbers, gang leaders, diamond thieves, gold smugglers and bank robbers? Queens of the Underworld reveals the incredible story of female crooks from the seventeenth century to the present. From Moll Cutpurse to the Black Boy Alley Ladies, from jewel thief Emily Lawrence to bandit leader Elsie Carey and burglar Zoe Progl, these were charismatic women at the top of their game. But female criminals have long been dismissed as either not 'real women' or not 'real criminals', and in the process their stories have been lost. Caitlin Davies unravels the myths, confronts the lies and tracks down modern-day descendants in order to tell the truth about their lives for the first time. Queens of the Underworld: A Journey into the Lives of Female Crooks (The History Press, 2021) tells the incredible story of Britain's female gangsters from the seventeenth century to the present day. Robin Hood, Dick Turpin, Ronnie Biggs, the Krays ... All have become folk heroes, glamorized and romanticized, even when they killed. But where are their female equivalents? Where are the street robbers, gang leaders, diamond thieves, gold smugglers and bank robbers? Queens of the Underworld reveals the incredible story of female crooks from the seventeenth century to the present. From Moll Cutpurse to the Black Boy Alley Ladies, from jewel thief Emily Lawrence to bandit leader Elsie Carey and burglar Zoe Progl, these were charismatic women at the top of their game. But female criminals have long been dismissed as either not 'real women' or not 'real criminals', and in the process their stories have been lost. Caitlin Davies unravels the myths, confronts the lies and tracks down modern-day descendants in order to tell the truth about their lives for the first time. false full 110 19ac2916-c45e-11ef-a07e-4bff94952ba4 Sara Lodge, "The Mysterious Case of the Victorian Female Detective" (Yale UP, 2024) In The Mysterious Case of the Victorian Female Detective (Yale UP, 2024), Sara Lodge tells stories of women who brought 19th century criminals to justice, in real life and popular culture, as unacknowledged crime-fighters and feminist icons. 

On stage and in fiction, women detectives were sensational figures who fascinated the public with cross-dressing, fist-swinging heroines who captured thieves, flushed out cheats, and solved murders.

Few people realize that these characters were based on real women who were active as detectives in private agencies and in the Victorian police force. Far from the mythology of an all-male world, women were a daily presence in police activity, although often underpaid and overlooked. They did important and dangerous work in a variety of roles both openly and as undercover agents. 

While the fictional characters were heroic figures who always saved the day, these morally ambiguous real women were sometimes paid to betray, deceive, or entrap in the murky underworld of Victorian society. 

Related resources:

The interest in Victorian women detectives continues into the present with dozens of contemporary novels, film, and tv featuring Victorian female detectives. 

Miss Scarlet on PBS is an original series by Rachael New. The Enola Holmes and Enola Holmes 2 films on Netflix are based on the original Enola Holmes books written by Nancy Springer.

More Sherlock Holmes adjacent charaters are Mary Russell by Laurie R. King and Lady Sherlock by Sherry Thomas.

While many actual female detectives were working class, fictional portrayals often feature upper class heroines as private detectives such as Lady Darby by Anna Lee Huber, Lady Emily by Tasha Alexander, and both Veronica Speedwell and Lady Julia Grey by Deanna Raybourn. 

Author recommended reading

A Flat Place by Noreen Masud

Hosted by Meghan Cochran 


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]]> Sun, 29 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In The Mysterious Case of the Victorian Female Detective (Yale UP, 2024), Sara Lodge tells stories of women who brought 19th century criminals to justice, in real life and popular culture, as unacknowledged crime-fighters and feminist icons. 

On stage and in fiction, women detectives were sensational figures who fascinated the public with cross-dressing, fist-swinging heroines who captured thieves, flushed out cheats, and solved murders.

Few people realize that these characters were based on real women who were active as detectives in private agencies and in the Victorian police force. Far from the mythology of an all-male world, women were a daily presence in police activity, although often underpaid and overlooked. They did important and dangerous work in a variety of roles both openly and as undercover agents. 

While the fictional characters were heroic figures who always saved the day, these morally ambiguous real women were sometimes paid to betray, deceive, or entrap in the murky underworld of Victorian society. 

Related resources:

The interest in Victorian women detectives continues into the present with dozens of contemporary novels, film, and tv featuring Victorian female detectives. 

Miss Scarlet on PBS is an original series by Rachael New. The Enola Holmes and Enola Holmes 2 films on Netflix are based on the original Enola Holmes books written by Nancy Springer.

More Sherlock Holmes adjacent charaters are Mary Russell by Laurie R. King and Lady Sherlock by Sherry Thomas.

While many actual female detectives were working class, fictional portrayals often feature upper class heroines as private detectives such as Lady Darby by Anna Lee Huber, Lady Emily by Tasha Alexander, and both Veronica Speedwell and Lady Julia Grey by Deanna Raybourn. 

Author recommended reading

A Flat Place by Noreen Masud

Hosted by Meghan Cochran 


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sara Lodge, "The Mysterious Case of the Victorian Female Detective" (Yale UP, 2024) New Books Network 00:39:59 In The Mysterious Case of the Victorian Female Detective (Yale UP, 2024), Sara Lodge tells stories of women who brought 19th century criminals to justice, in real life and popular culture, as unacknowledged crime-fighters and feminist icons.  On stage and in fiction, women detectives were sensational figures who fascinated the public with cross-dressing, fist-swinging heroines who captured thieves, flushed out cheats, and solved murders. Few people realize that these characters were based on real women who were active as detectives in private agencies and in the Victorian police force. Far from the mythology of an all-male world, women were a daily presence in police activity, although often underpaid and overlooked. They did important and dangerous work in a variety of roles both openly and as undercover agents.  While the fictional characters were heroic figures who always saved the day, these morally ambiguous real women were sometimes paid to betray, deceive, or entrap in the murky underworld of Victorian society.  Related resources: The interest in Victorian women detectives continues into the present with dozens of contemporary novels, film, and tv featuring Victorian female detectives.  Miss Scarlet on PBS is an original series by Rachael New. The Enola Holmes and Enola Holmes 2 films on Netflix are based on the original Enola Holmes books written by Nancy Springer. More Sherlock Holmes adjacent charaters are Mary Russell by Laurie R. King and Lady Sherlock by Sherry Thomas. While many actual female detectives were working class, fictional portrayals often feature upper class heroines as private detectives such as Lady Darby by Anna Lee Huber, Lady Emily by Tasha Alexander, and both Veronica Speedwell and Lady Julia Grey by Deanna Raybourn.  Author recommended reading A Flat Place by Noreen Masud Hosted by Meghan Cochran  In The Mysterious Case of the Victorian Female Detective (Yale UP, 2024), Sara Lodge tells stories of women who brought 19th century criminals to justice, in real life and popular culture, as unacknowledged crime-fighters and feminist icons.  On stage and in fiction, women detectives were sensational figures who fascinated the public with cross-dressing, fist-swinging heroines who captured thieves, flushed out cheats, and solved murders. Few people realize that these characters were based on real women who were active as detectives in private agencies and in the Victorian police force. Far from the mythology of an all-male world, women were a daily presence in police activity, although often underpaid and overlooked. They did important and dangerous work in a variety of roles both openly and as undercover agents.  While the fictional characters were heroic figures who always saved the day, these morally ambiguous real women were sometimes paid to betray, deceive, or entrap in the murky underworld of Victorian society.  Related resources: The interest in Victorian women detectives continues into the present with dozens of contemporary novels, film, and tv featuring Victorian female detectives.  Miss Scarlet on PBS is an original series by Rachael New. The Enola Holmes and Enola Holmes 2 films on Netflix are based on the original Enola Holmes books written by Nancy Springer. More Sherlock Holmes adjacent charaters are Mary Russell by Laurie R. King and Lady Sherlock by Sherry Thomas. While many actual female detectives were working class, fictional portrayals often feature upper class heroines as private detectives such as Lady Darby by Anna Lee Huber, Lady Emily by Tasha Alexander, and both Veronica Speedwell and Lady Julia Grey by Deanna Raybourn.  Author recommended reading A Flat Place by Noreen Masud Hosted by Meghan Cochran  false full 109 0b17ac1e-c2c8-11ef-8619-834104bde1e8 James Welker, "Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans" (U Hawaii Press, 2024) Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo 


manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan.

Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals.

Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border.


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]]> Sat, 28 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo 


manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan.

Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals.

Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border.


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]]> James Welker, "Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans" (U Hawaii Press, 2024) New Books Network 00:50:22 Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. false full 165 13d3250a-b4c6-11ef-b834-933b8d2a2c2a Antoinette Denapoli and June McDaniel, "Gurus, Priestesses, Saints, Mediums and Yoginis: Holy Women as Influencers in Hindu Culture" (MDPI, 2024) Applying the "influencer" concept to the study of religion, Gurus, Priestesses, Saints, Mediums and Yoginis: Holy Women as Influencers in Hindu Culture (MDPI, 2024) explores the varieties of strategies that holy women use for gaining and expressing power in diverse roles. It examines different concepts of holiness and leadership for men and women, the role of charisma, and the arenas of activity and accomplishment for holy women in India and abroad. By relating a new idea-that of the 'influencer'-to the study of women and religious authority, the Issue contributes fresh and refined analyses and explanatory models toward a greater understanding of women's evolving relationship to the Hindu tradition. 

This book is available open-access here. 


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]]> Thu, 26 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Applying the "influencer" concept to the study of religion, Gurus, Priestesses, Saints, Mediums and Yoginis: Holy Women as Influencers in Hindu Culture (MDPI, 2024) explores the varieties of strategies that holy women use for gaining and expressing power in diverse roles. It examines different concepts of holiness and leadership for men and women, the role of charisma, and the arenas of activity and accomplishment for holy women in India and abroad. By relating a new idea-that of the 'influencer'-to the study of women and religious authority, the Issue contributes fresh and refined analyses and explanatory models toward a greater understanding of women's evolving relationship to the Hindu tradition. 

This book is available open-access here. 


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]]> Antoinette Denapoli and June McDaniel, "Gurus, Priestesses, Saints, Mediums and Yoginis: Holy Women as Influencers in Hindu Culture" (MDPI, 2024) New Books Network 00:48:50 Applying the "influencer" concept to the study of religion, Gurus, Priestesses, Saints, Mediums and Yoginis: Holy Women as Influencers in Hindu Culture (MDPI, 2024) explores the varieties of strategies that holy women use for gaining and expressing power in diverse roles. It examines different concepts of holiness and leadership for men and women, the role of charisma, and the arenas of activity and accomplishment for holy women in India and abroad. By relating a new idea-that of the 'influencer'-to the study of women and religious authority, the Issue contributes fresh and refined analyses and explanatory models toward a greater understanding of women's evolving relationship to the Hindu tradition.  This book is available open-access here.  Applying the "influencer" concept to the study of religion, Gurus, Priestesses, Saints, Mediums and Yoginis: Holy Women as Influencers in Hindu Culture (MDPI, 2024) explores the varieties of strategies that holy women use for gaining and expressing power in diverse roles. It examines different concepts of holiness and leadership for men and women, the role of charisma, and the arenas of activity and accomplishment for holy women in India and abroad. By relating a new idea-that of the 'influencer'-to the study of women and religious authority, the Issue contributes fresh and refined analyses and explanatory models toward a greater understanding of women's evolving relationship to the Hindu tradition.  This book is available open-access here.  false full 370 02409ad4-c06a-11ef-980d-3fd12001c5d0 Jennifer C. Nash, "How We Write Now: Living with Black Feminist Theory" (Duke UP, 2024) In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.


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]]> Wed, 25 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.


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]]> Jennifer C. Nash, "How We Write Now: Living with Black Feminist Theory" (Duke UP, 2024) New Books Network 00:40:22 In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture. In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture. false full 483 fa93ec8c-be48-11ef-a502-9b2c785c31b7 Linda M. Clemmons, "Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876" (SDHS Press, 2023) For much of her life, Angelique Renville had decisions made for her. Where to live, who to live with, where to attend school, what to do with her land. That changed in 1863 when she made a plan and successfully hatched her plan to escape, living the end of her life on her own terms. This is the story Dr. Linda Clemmons tells in Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876 (South Dakota State Historical Society Press, 2023). 

Hers is a story, yes, of defeat and loss, but also so much more than that. Of a young woman carving her own path through a world in flux, and finding space to make choices even when those choices are limited. And it's a story with afterlives, as the web of connections created by Renville during her life continued even after her untimely death in 1876. As a work of biography, Unrepentant Dakota Woman does not pretend to speak for all Dakota women, or even all 19th century Dakota women born into fur trade families, but does show how one life can both embody the historical forces that shape our stories, and how our choices can overcome even the strongest headwinds.


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]]> Sun, 22 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com For much of her life, Angelique Renville had decisions made for her. Where to live, who to live with, where to attend school, what to do with her land. That changed in 1863 when she made a plan and successfully hatched her plan to escape, living the end of her life on her own terms. This is the story Dr. Linda Clemmons tells in Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876 (South Dakota State Historical Society Press, 2023). 

Hers is a story, yes, of defeat and loss, but also so much more than that. Of a young woman carving her own path through a world in flux, and finding space to make choices even when those choices are limited. And it's a story with afterlives, as the web of connections created by Renville during her life continued even after her untimely death in 1876. As a work of biography, Unrepentant Dakota Woman does not pretend to speak for all Dakota women, or even all 19th century Dakota women born into fur trade families, but does show how one life can both embody the historical forces that shape our stories, and how our choices can overcome even the strongest headwinds.


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]]> Linda M. Clemmons, "Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876" (SDHS Press, 2023) New Books Network 00:49:40 For much of her life, Angelique Renville had decisions made for her. Where to live, who to live with, where to attend school, what to do with her land. That changed in 1863 when she made a plan and successfully hatched her plan to escape, living the end of her life on her own terms. This is the story Dr. Linda Clemmons tells in Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876 (South Dakota State Historical Society Press, 2023).  Hers is a story, yes, of defeat and loss, but also so much more than that. Of a young woman carving her own path through a world in flux, and finding space to make choices even when those choices are limited. And it's a story with afterlives, as the web of connections created by Renville during her life continued even after her untimely death in 1876. As a work of biography, Unrepentant Dakota Woman does not pretend to speak for all Dakota women, or even all 19th century Dakota women born into fur trade families, but does show how one life can both embody the historical forces that shape our stories, and how our choices can overcome even the strongest headwinds. For much of her life, Angelique Renville had decisions made for her. Where to live, who to live with, where to attend school, what to do with her land. That changed in 1863 when she made a plan and successfully hatched her plan to escape, living the end of her life on her own terms. This is the story Dr. Linda Clemmons tells in Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876 (South Dakota State Historical Society Press, 2023).  Hers is a story, yes, of defeat and loss, but also so much more than that. Of a young woman carving her own path through a world in flux, and finding space to make choices even when those choices are limited. And it's a story with afterlives, as the web of connections created by Renville during her life continued even after her untimely death in 1876. As a work of biography, Unrepentant Dakota Woman does not pretend to speak for all Dakota women, or even all 19th century Dakota women born into fur trade families, but does show how one life can both embody the historical forces that shape our stories, and how our choices can overcome even the strongest headwinds. false full 174 d65728ca-bbd7-11ef-8ef2-a362ecc41824 Paul French, "Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson" (St. Martin's Press, 2024) When defenders of the British royal family scrounged around for dirt on Wallis Simpson, the divorced U.S.-born fiancee of King Edward VIII, they often highlighted her year spent in China—often sharing scurrilous, and poorly-sourced–if not entirely unfounded–details of her time there.

China historian Paul French tries to set the record straight with Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson (St. Martins: 2024). Simpson managed to have a jam-packed year, with time spent in Hong Kong, Guangzhou, Shanghai and Beijing, as different warlords fought for control of China.

Paul French was born in London and lived and worked in Shanghai for many years. His book Midnight in Peking was a New York Times Bestseller and a BBC Radio 4 Book of the Week. He received the Mystery Writers’ of America Edgar award for Best Fact Crime and a Crime Writers’ Association (UK) Dagger award for non-fiction. Both Midnight in Peking and his latest book City of Devils: A Shanghai Noir are currently in development for film.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Her Lotus Year. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Thu, 19 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When defenders of the British royal family scrounged around for dirt on Wallis Simpson, the divorced U.S.-born fiancee of King Edward VIII, they often highlighted her year spent in China—often sharing scurrilous, and poorly-sourced–if not entirely unfounded–details of her time there.

China historian Paul French tries to set the record straight with Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson (St. Martins: 2024). Simpson managed to have a jam-packed year, with time spent in Hong Kong, Guangzhou, Shanghai and Beijing, as different warlords fought for control of China.

Paul French was born in London and lived and worked in Shanghai for many years. His book Midnight in Peking was a New York Times Bestseller and a BBC Radio 4 Book of the Week. He received the Mystery Writers’ of America Edgar award for Best Fact Crime and a Crime Writers’ Association (UK) Dagger award for non-fiction. Both Midnight in Peking and his latest book City of Devils: A Shanghai Noir are currently in development for film.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Her Lotus Year. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Paul French, "Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson" (St. Martin's Press, 2024) New Books Network 00:42:15 When defenders of the British royal family scrounged around for dirt on Wallis Simpson, the divorced U.S.-born fiancee of King Edward VIII, they often highlighted her year spent in China—often sharing scurrilous, and poorly-sourced–if not entirely unfounded–details of her time there. China historian Paul French tries to set the record straight with Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson (St. Martins: 2024). Simpson managed to have a jam-packed year, with time spent in Hong Kong, Guangzhou, Shanghai and Beijing, as different warlords fought for control of China. Paul French was born in London and lived and worked in Shanghai for many years. His book Midnight in Peking was a New York Times Bestseller and a BBC Radio 4 Book of the Week. He received the Mystery Writers’ of America Edgar award for Best Fact Crime and a Crime Writers’ Association (UK) Dagger award for non-fiction. Both Midnight in Peking and his latest book City of Devils: A Shanghai Noir are currently in development for film. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Her Lotus Year. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. When defenders of the British royal family scrounged around for dirt on Wallis Simpson, the divorced U.S.-born fiancee of King Edward VIII, they often highlighted her year spent in China—often sharing scurrilous, and poorly-sourced–if not entirely unfounded–details of her time there. China historian Paul French tries to set the record straight with Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson (St. Martins: 2024). Simpson managed to have a jam-packed year, with time spent in Hong Kong, Guangzhou, Shanghai and Beijing, as different warlords fought for control of China. Paul French was born in London and lived and worked in Shanghai for many years. His book Midnight in Peking was a New York Times Bestseller and a BBC Radio 4 Book of the Week. He received the Mystery Writers’ of America Edgar award for Best Fact Crime and a Crime Writers’ Association (UK) Dagger award for non-fiction. Both Midnight in Peking and his latest book City of Devils: A Shanghai Noir are currently in development for film. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Her Lotus Year. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. false full 217 c4a02b7e-b955-11ef-85e9-f74d5c791235 Dianne Ashton and Melissa R. Klapper, "The Civil War Diary of Emma Mordecai" (NYU Press, 2024) Emma Mordecai lived an unusual life. She was Jewish when Jews comprised less than 1 percent of the population of the Old South, and unmarried in a culture that offered women few options other than marriage. She was American born when most American Jews were immigrants. She affirmed and maintained her dedication to Jewish religious practice and Jewish faith while many family members embraced Christianity. Yet she also lived well within the social parameters established for Southern white women, espoused Southern values, and owned enslaved African Americans.

The Civil War Diary of Emma Mordecai is one of the few surviving Civil War diaries by a Jewish woman in the antebellum South. It charts her daily life and her evolving perspective on Confederate nationalism and Southern identity, Jewishness, women's roles in wartime, gendered domestic roles in slave-owning households, and the centrality of family relationships. While never losing sight of the racist social and political structures that shaped Emma Mordecai's world, the book chronicles her experiences with dislocation and the loss of her home.

Bringing to life the hospital visits, food shortages, local sociability, Jewish observances, sounds and sights of nearby battles, and the very personal ramifications of emancipation and its aftermath for her household and family, The Civil War Diary of Emma Mordecai offers a valuable and distinct look at a unique historical figure from the waning years of the Civil War South.

Dianne Ashton was Professor Emeritus of Philosophy and World Religions at Rowan University. She is the author and editor of a number of books, including Hanukkah in America: A History and Rebecca Gratz: Women and Judaism in Antebellum America.

Melissa R. Klapper is Professor of History and Director of Women's and Gender Studies at Rowan University. She is the author of Jewish Girls Coming of Age in America, 1860-1920; Ballots, Babies, and Banners of Peace: American Jewish Women's Activism, 1890-1940; Small Strangers: The Experiences of Immigrant Children in the United States, 1880-1925; and Ballet Class: An American History.

Caleb Zakarin is editor at the New Books Network.


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]]> Sun, 15 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Emma Mordecai lived an unusual life. She was Jewish when Jews comprised less than 1 percent of the population of the Old South, and unmarried in a culture that offered women few options other than marriage. She was American born when most American Jews were immigrants. She affirmed and maintained her dedication to Jewish religious practice and Jewish faith while many family members embraced Christianity. Yet she also lived well within the social parameters established for Southern white women, espoused Southern values, and owned enslaved African Americans.

The Civil War Diary of Emma Mordecai is one of the few surviving Civil War diaries by a Jewish woman in the antebellum South. It charts her daily life and her evolving perspective on Confederate nationalism and Southern identity, Jewishness, women's roles in wartime, gendered domestic roles in slave-owning households, and the centrality of family relationships. While never losing sight of the racist social and political structures that shaped Emma Mordecai's world, the book chronicles her experiences with dislocation and the loss of her home.

Bringing to life the hospital visits, food shortages, local sociability, Jewish observances, sounds and sights of nearby battles, and the very personal ramifications of emancipation and its aftermath for her household and family, The Civil War Diary of Emma Mordecai offers a valuable and distinct look at a unique historical figure from the waning years of the Civil War South.

Dianne Ashton was Professor Emeritus of Philosophy and World Religions at Rowan University. She is the author and editor of a number of books, including Hanukkah in America: A History and Rebecca Gratz: Women and Judaism in Antebellum America.

Melissa R. Klapper is Professor of History and Director of Women's and Gender Studies at Rowan University. She is the author of Jewish Girls Coming of Age in America, 1860-1920; Ballots, Babies, and Banners of Peace: American Jewish Women's Activism, 1890-1940; Small Strangers: The Experiences of Immigrant Children in the United States, 1880-1925; and Ballet Class: An American History.

Caleb Zakarin is editor at the New Books Network.


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]]> Dianne Ashton and Melissa R. Klapper, "The Civil War Diary of Emma Mordecai" (NYU Press, 2024) New Books Network 00:57:24 Emma Mordecai lived an unusual life. She was Jewish when Jews comprised less than 1 percent of the population of the Old South, and unmarried in a culture that offered women few options other than marriage. She was American born when most American Jews were immigrants. She affirmed and maintained her dedication to Jewish religious practice and Jewish faith while many family members embraced Christianity. Yet she also lived well within the social parameters established for Southern white women, espoused Southern values, and owned enslaved African Americans. The Civil War Diary of Emma Mordecai is one of the few surviving Civil War diaries by a Jewish woman in the antebellum South. It charts her daily life and her evolving perspective on Confederate nationalism and Southern identity, Jewishness, women's roles in wartime, gendered domestic roles in slave-owning households, and the centrality of family relationships. While never losing sight of the racist social and political structures that shaped Emma Mordecai's world, the book chronicles her experiences with dislocation and the loss of her home. Bringing to life the hospital visits, food shortages, local sociability, Jewish observances, sounds and sights of nearby battles, and the very personal ramifications of emancipation and its aftermath for her household and family, The Civil War Diary of Emma Mordecai offers a valuable and distinct look at a unique historical figure from the waning years of the Civil War South. Dianne Ashton was Professor Emeritus of Philosophy and World Religions at Rowan University. She is the author and editor of a number of books, including Hanukkah in America: A History and Rebecca Gratz: Women and Judaism in Antebellum America. Melissa R. Klapper is Professor of History and Director of Women's and Gender Studies at Rowan University. She is the author of Jewish Girls Coming of Age in America, 1860-1920; Ballots, Babies, and Banners of Peace: American Jewish Women's Activism, 1890-1940; Small Strangers: The Experiences of Immigrant Children in the United States, 1880-1925; and Ballet Class: An American History. Caleb Zakarin is editor at the New Books Network. Emma Mordecai lived an unusual life. She was Jewish when Jews comprised less than 1 percent of the population of the Old South, and unmarried in a culture that offered women few options other than marriage. She was American born when most American Jews were immigrants. She affirmed and maintained her dedication to Jewish religious practice and Jewish faith while many family members embraced Christianity. Yet she also lived well within the social parameters established for Southern white women, espoused Southern values, and owned enslaved African Americans. The Civil War Diary of Emma Mordecai is one of the few surviving Civil War diaries by a Jewish woman in the antebellum South. It charts her daily life and her evolving perspective on Confederate nationalism and Southern identity, Jewishness, women's roles in wartime, gendered domestic roles in slave-owning households, and the centrality of family relationships. While never losing sight of the racist social and political structures that shaped Emma Mordecai's world, the book chronicles her experiences with dislocation and the loss of her home. Bringing to life the hospital visits, food shortages, local sociability, Jewish observances, sounds and sights of nearby battles, and the very personal ramifications of emancipation and its aftermath for her household and family, The Civil War Diary of Emma Mordecai offers a valuable and distinct look at a unique historical figure from the waning years of the Civil War South. Dianne Ashton was Professor Emeritus of Philosophy and World Religions at Rowan University. She is the author and editor of a number of books, including Hanukkah in America: A History and Rebecca Gratz: Women and Judaism in Antebellum America. Melissa R. Klapper is Professor of History and Director of Women's and Gender Studies at Rowan University. She is the author of Jewish Girls Coming of Age in America, 1860-1920; Ballots, Babies, and Banners of Peace: American Jewish Women's Activism, 1890-1940; Small Strangers: The Experiences of Immigrant Children in the United States, 1880-1925; and Ballet Class: An American History. Caleb Zakarin is editor at the New Books Network. false full 269 9e206922-b979-11ef-8813-33b01aaea4ee Antoinette Burton, "Gender History: A Very Short Introduction" (Oxford UP, 2024) Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s.

Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire.

As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction.

Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press.

Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here.

Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.


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]]> Sun, 15 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s.

Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire.

As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction.

Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press.

Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here.

Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.


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]]> Antoinette Burton, "Gender History: A Very Short Introduction" (Oxford UP, 2024) New Books Network 00:35:33 Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s. Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire. As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction. Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press. Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s. Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire. As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction. Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press. Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. false full 19 73947f38-b968-11ef-ad1a-dff6366e6404 Alissa Klots, "Domestic Service in the Soviet Union; Women's Emancipation and the Gendered Hierarchy of Labor" (Cambridge UP, 2024) Domestic Service in the Soviet Union: Women's Emancipation and the Gendered Hierarchy of Labor (Cambridge University Press, 2024) by Dr. Alissa Klots is the first to explore the evolution of domestic service in the Soviet Union, set against the background of changing discourses on women, labour, and socialist living. Even though domestic service conflicted with the Bolsheviks' egalitarian message, the regime embraced paid domestic labor as a temporary solution to the problem of housework.

Analyzing sources ranging from court cases to oral interviews, Dr. Klots demonstrates how the regime both facilitated and thwarted domestic workers' efforts to reinvent themselves as equal members of Soviet society. Here, a desire to make maids and nannies equal participants in the building of socialism clashed with a gendered ideology where housework was women's work. This book serves not only as a window into class and gender inequality under socialism, but as a vantage point to examine the power of state initiatives to improve the lives of household workers in the modern world.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 15 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Domestic Service in the Soviet Union: Women's Emancipation and the Gendered Hierarchy of Labor (Cambridge University Press, 2024) by Dr. Alissa Klots is the first to explore the evolution of domestic service in the Soviet Union, set against the background of changing discourses on women, labour, and socialist living. Even though domestic service conflicted with the Bolsheviks' egalitarian message, the regime embraced paid domestic labor as a temporary solution to the problem of housework.

Analyzing sources ranging from court cases to oral interviews, Dr. Klots demonstrates how the regime both facilitated and thwarted domestic workers' efforts to reinvent themselves as equal members of Soviet society. Here, a desire to make maids and nannies equal participants in the building of socialism clashed with a gendered ideology where housework was women's work. This book serves not only as a window into class and gender inequality under socialism, but as a vantage point to examine the power of state initiatives to improve the lives of household workers in the modern world.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Alissa Klots, "Domestic Service in the Soviet Union; Women's Emancipation and the Gendered Hierarchy of Labor" (Cambridge UP, 2024) New Books Network 01:03:47 Domestic Service in the Soviet Union: Women's Emancipation and the Gendered Hierarchy of Labor (Cambridge University Press, 2024) by Dr. Alissa Klots is the first to explore the evolution of domestic service in the Soviet Union, set against the background of changing discourses on women, labour, and socialist living. Even though domestic service conflicted with the Bolsheviks' egalitarian message, the regime embraced paid domestic labor as a temporary solution to the problem of housework. Analyzing sources ranging from court cases to oral interviews, Dr. Klots demonstrates how the regime both facilitated and thwarted domestic workers' efforts to reinvent themselves as equal members of Soviet society. Here, a desire to make maids and nannies equal participants in the building of socialism clashed with a gendered ideology where housework was women's work. This book serves not only as a window into class and gender inequality under socialism, but as a vantage point to examine the power of state initiatives to improve the lives of household workers in the modern world. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Domestic Service in the Soviet Union: Women's Emancipation and the Gendered Hierarchy of Labor (Cambridge University Press, 2024) by Dr. Alissa Klots is the first to explore the evolution of domestic service in the Soviet Union, set against the background of changing discourses on women, labour, and socialist living. Even though domestic service conflicted with the Bolsheviks' egalitarian message, the regime embraced paid domestic labor as a temporary solution to the problem of housework. Analyzing sources ranging from court cases to oral interviews, Dr. Klots demonstrates how the regime both facilitated and thwarted domestic workers' efforts to reinvent themselves as equal members of Soviet society. Here, a desire to make maids and nannies equal participants in the building of socialism clashed with a gendered ideology where housework was women's work. This book serves not only as a window into class and gender inequality under socialism, but as a vantage point to examine the power of state initiatives to improve the lives of household workers in the modern world. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 289 26d47484-b8bc-11ef-b8d8-4b877f3ce020 Katya Motyl, "Embodied Histories: New Womanhood in Vienna, 1894–1934" (U Chicago Press, 2024) In Embodied Histories: New Womanhood in Vienna, 1894–1934 (University of Chicago Press, 2024) historian Dr. Katya Motyl explores the everyday acts of defiance that formed the basis for new, unconventional forms of womanhood in early twentieth-century Vienna. The figures Dr. Motyl brings back to life defied gender conformity, dressed in new ways, behaved brashly, and expressed themselves freely, overturning assumptions about what it meant to exist as a woman.

Dr. Motyl delves into how these women inhabited and reshaped the urban landscape of Vienna, an increasingly modern, cosmopolitan city. Specifically, she focuses on the ways that easily overlooked quotidian practices such as loitering outside cafés and wandering through city streets helped create novel conceptions of gender. Exploring the emergence of a new womanhood, Embodied Histories presents a new account of how gender, the body, and the city merge with and transform each other, showing how our modes of being are radically intertwined with the spaces we inhabit.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 14 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Embodied Histories: New Womanhood in Vienna, 1894–1934 (University of Chicago Press, 2024) historian Dr. Katya Motyl explores the everyday acts of defiance that formed the basis for new, unconventional forms of womanhood in early twentieth-century Vienna. The figures Dr. Motyl brings back to life defied gender conformity, dressed in new ways, behaved brashly, and expressed themselves freely, overturning assumptions about what it meant to exist as a woman.

Dr. Motyl delves into how these women inhabited and reshaped the urban landscape of Vienna, an increasingly modern, cosmopolitan city. Specifically, she focuses on the ways that easily overlooked quotidian practices such as loitering outside cafés and wandering through city streets helped create novel conceptions of gender. Exploring the emergence of a new womanhood, Embodied Histories presents a new account of how gender, the body, and the city merge with and transform each other, showing how our modes of being are radically intertwined with the spaces we inhabit.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Katya Motyl, "Embodied Histories: New Womanhood in Vienna, 1894–1934" (U Chicago Press, 2024) New Books Network 00:48:12 In Embodied Histories: New Womanhood in Vienna, 1894–1934 (University of Chicago Press, 2024) historian Dr. Katya Motyl explores the everyday acts of defiance that formed the basis for new, unconventional forms of womanhood in early twentieth-century Vienna. The figures Dr. Motyl brings back to life defied gender conformity, dressed in new ways, behaved brashly, and expressed themselves freely, overturning assumptions about what it meant to exist as a woman. Dr. Motyl delves into how these women inhabited and reshaped the urban landscape of Vienna, an increasingly modern, cosmopolitan city. Specifically, she focuses on the ways that easily overlooked quotidian practices such as loitering outside cafés and wandering through city streets helped create novel conceptions of gender. Exploring the emergence of a new womanhood, Embodied Histories presents a new account of how gender, the body, and the city merge with and transform each other, showing how our modes of being are radically intertwined with the spaces we inhabit. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. In Embodied Histories: New Womanhood in Vienna, 1894–1934 (University of Chicago Press, 2024) historian Dr. Katya Motyl explores the everyday acts of defiance that formed the basis for new, unconventional forms of womanhood in early twentieth-century Vienna. The figures Dr. Motyl brings back to life defied gender conformity, dressed in new ways, behaved brashly, and expressed themselves freely, overturning assumptions about what it meant to exist as a woman. Dr. Motyl delves into how these women inhabited and reshaped the urban landscape of Vienna, an increasingly modern, cosmopolitan city. Specifically, she focuses on the ways that easily overlooked quotidian practices such as loitering outside cafés and wandering through city streets helped create novel conceptions of gender. Exploring the emergence of a new womanhood, Embodied Histories presents a new account of how gender, the body, and the city merge with and transform each other, showing how our modes of being are radically intertwined with the spaces we inhabit. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 1520 1931a79e-b8a7-11ef-90b6-8bd23176db75 Meanings of Identity of the Post-2000s Inland Tibet Class What identity does the post-2000s Inland Tibet Class (ITC) generation mean? How do Sinophone-Tibetan films articulate the expression of such identity? How does affective visuality mediate the cultural, political, and gender identity formation of female artists of the post-2000s ITC generation?

Jinyan Zeng, a researcher at the Centre for East and South-East Asian Studies, Lund University, Sweden, introduces her research in this podcast episode of the Nordic Asia Podcast, hosted by Ning Ao, PhD student at the Centre. The episode is produced by Lisa Sihvonen, student intern at the Centre. China has introduced a policy of Inland Tibet Class (ITC) to educate talented Tibetan pupils from Tibetan Autonomous Region (TAR) in Chinese language boarding schools since 1985. Jinyan Zeng’s recent article Visualising the Post-2000s Inland Tibet Class Generation focuses on the experiences of female artists, filmmakers, and writers of the ITC who were born in the 1990s and early 2000s.

Following the experience of the Sinophone-Tibetan filmmaker Kangdrun in a Chinese language education environment, her films, and Tibetan cultural communities, Jinyan Zeng’s research contributes to a fresh understanding of modern Tibetan authors’ generational relationships; the expressive styles of female Sinophone-Tibetan authors.

Her gender analysis of the ITC generation critically contributes to Tibetan studies and China studies both theoretically and methodologically. A new volume titled Feminist Activism in the Post-2010s Sinosphere (Bloomsbury Academic), co-edited by Jinyan Zeng with Elisabeth Lund Engebretsen came out in December 2024.

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners:

  • Asia Centre, University of Tartu (Estonia)
  • Asian studies, University of Helsinki (Finland)
  • Centre for Asian Studies, Vytautas Magnus University (Lithuania)
  • Centre for East and South-East Asian Studies, Lund University (Sweden)
  • Centre for East Asian Studies, University of Turku (Finland)
  • Norwegian Network for Asian Studies

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]]> Fri, 13 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What identity does the post-2000s Inland Tibet Class (ITC) generation mean? How do Sinophone-Tibetan films articulate the expression of such identity? How does affective visuality mediate the cultural, political, and gender identity formation of female artists of the post-2000s ITC generation?

Jinyan Zeng, a researcher at the Centre for East and South-East Asian Studies, Lund University, Sweden, introduces her research in this podcast episode of the Nordic Asia Podcast, hosted by Ning Ao, PhD student at the Centre. The episode is produced by Lisa Sihvonen, student intern at the Centre. China has introduced a policy of Inland Tibet Class (ITC) to educate talented Tibetan pupils from Tibetan Autonomous Region (TAR) in Chinese language boarding schools since 1985. Jinyan Zeng’s recent article Visualising the Post-2000s Inland Tibet Class Generation focuses on the experiences of female artists, filmmakers, and writers of the ITC who were born in the 1990s and early 2000s.

Following the experience of the Sinophone-Tibetan filmmaker Kangdrun in a Chinese language education environment, her films, and Tibetan cultural communities, Jinyan Zeng’s research contributes to a fresh understanding of modern Tibetan authors’ generational relationships; the expressive styles of female Sinophone-Tibetan authors.

Her gender analysis of the ITC generation critically contributes to Tibetan studies and China studies both theoretically and methodologically. A new volume titled Feminist Activism in the Post-2010s Sinosphere (Bloomsbury Academic), co-edited by Jinyan Zeng with Elisabeth Lund Engebretsen came out in December 2024.

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners:

  • Asia Centre, University of Tartu (Estonia)
  • Asian studies, University of Helsinki (Finland)
  • Centre for Asian Studies, Vytautas Magnus University (Lithuania)
  • Centre for East and South-East Asian Studies, Lund University (Sweden)
  • Centre for East Asian Studies, University of Turku (Finland)
  • Norwegian Network for Asian Studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Meanings of Identity of the Post-2000s Inland Tibet Class New Books Network 00:26:37 What identity does the post-2000s Inland Tibet Class (ITC) generation mean? How do Sinophone-Tibetan films articulate the expression of such identity? How does affective visuality mediate the cultural, political, and gender identity formation of female artists of the post-2000s ITC generation? Jinyan Zeng, a researcher at the Centre for East and South-East Asian Studies, Lund University, Sweden, introduces her research in this podcast episode of the Nordic Asia Podcast, hosted by Ning Ao, PhD student at the Centre. The episode is produced by Lisa Sihvonen, student intern at the Centre. China has introduced a policy of Inland Tibet Class (ITC) to educate talented Tibetan pupils from Tibetan Autonomous Region (TAR) in Chinese language boarding schools since 1985. Jinyan Zeng’s recent article Visualising the Post-2000s Inland Tibet Class Generation focuses on the experiences of female artists, filmmakers, and writers of the ITC who were born in the 1990s and early 2000s. Following the experience of the Sinophone-Tibetan filmmaker Kangdrun in a Chinese language education environment, her films, and Tibetan cultural communities, Jinyan Zeng’s research contributes to a fresh understanding of modern Tibetan authors’ generational relationships; the expressive styles of female Sinophone-Tibetan authors. Her gender analysis of the ITC generation critically contributes to Tibetan studies and China studies both theoretically and methodologically. A new volume titled Feminist Activism in the Post-2010s Sinosphere (Bloomsbury Academic), co-edited by Jinyan Zeng with Elisabeth Lund Engebretsen came out in December 2024. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia) Asian studies, University of Helsinki (Finland) Centre for Asian Studies, Vytautas Magnus University (Lithuania) Centre for East and South-East Asian Studies, Lund University (Sweden) Centre for East Asian Studies, University of Turku (Finland) Norwegian Network for Asian Studies What identity does the post-2000s Inland Tibet Class (ITC) generation mean? How do Sinophone-Tibetan films articulate the expression of such identity? How does affective visuality mediate the cultural, political, and gender identity formation of female artists of the post-2000s ITC generation? Jinyan Zeng, a researcher at the Centre for East and South-East Asian Studies, Lund University, Sweden, introduces her research in this podcast episode of the Nordic Asia Podcast, hosted by Ning Ao, PhD student at the Centre. The episode is produced by Lisa Sihvonen, student intern at the Centre. China has introduced a policy of Inland Tibet Class (ITC) to educate talented Tibetan pupils from Tibetan Autonomous Region (TAR) in Chinese language boarding schools since 1985. Jinyan Zeng’s recent article Visualising the Post-2000s Inland Tibet Class Generation focuses on the experiences of female artists, filmmakers, and writers of the ITC who were born in the 1990s and early 2000s. Following the experience of the Sinophone-Tibetan filmmaker Kangdrun in a Chinese language education environment, her films, and Tibetan cultural communities, Jinyan Zeng’s research contributes to a fresh understanding of modern Tibetan authors’ generational relationships; the expressive styles of female Sinophone-Tibetan authors. Her gender analysis of the ITC generation critically contributes to Tibetan studies and China studies both theoretically and methodologically. A new volume titled Feminist Activism in the Post-2010s Sinosphere (Bloomsbury Academic), co-edited by Jinyan Zeng with Elisabeth Lund Engebretsen came out in December 2024. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia) Asian studies, University of Helsinki (Finland) Centre for Asian Studies, Vytautas Magnus University (Lithuania) Centre for East and South-East Asian Studies, Lund University (Sweden) Centre for East Asian Studies, University of Turku (Finland) Norwegian Network for Asian Studies false full 232 43877aba-b739-11ef-9576-03ed43bdb7ff Witchcraft: A History in Thirteen Trials Today’s book is: Witchcraft: A History in 13 Trials (Scribner, 2024), by Dr. Marion Gibson, which explores the global history of witch trials across Europe, Africa, and the Americas, told through thirteen distinct trials that illuminate a pattern of demonization and conspiratorial thinking that has profoundly shaped human history. Some of them are famous like the Salem witch trials, and some lesser-known, like the 1620s witch trial on Vardø island, Norway, where an indigenous Sami woman was accused of murder; the last witch trial in France in 1731, where a young woman was pitted against her confessor and cult leader; and a trial in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized, and then reimagined as gendered persecution, Witchcraft takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance. Offering a striking, dramatic journey unspooling over centuries and across continents, Witchcraft offers insights into some of the cruelest moments in history, reclaims voices that have been silenced, and asks us to seriously consider how we will create a future without further witch trials.

Our guest is: Dr. Marion Gibson, who is Professor of Renaissance and Magical Literatures at the University of Exeter, UK. She is the author of numerous scholarly articles, and seven academic books on witches in history and literature. She is General Editor of the series Elements in Magic for Cambridge University Press. Witchcraft: A History in Thirteen Trials is her most recent book.

Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.

Listeners may enjoy this playlist:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Thu, 12 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today’s book is: Witchcraft: A History in 13 Trials (Scribner, 2024), by Dr. Marion Gibson, which explores the global history of witch trials across Europe, Africa, and the Americas, told through thirteen distinct trials that illuminate a pattern of demonization and conspiratorial thinking that has profoundly shaped human history. Some of them are famous like the Salem witch trials, and some lesser-known, like the 1620s witch trial on Vardø island, Norway, where an indigenous Sami woman was accused of murder; the last witch trial in France in 1731, where a young woman was pitted against her confessor and cult leader; and a trial in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized, and then reimagined as gendered persecution, Witchcraft takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance. Offering a striking, dramatic journey unspooling over centuries and across continents, Witchcraft offers insights into some of the cruelest moments in history, reclaims voices that have been silenced, and asks us to seriously consider how we will create a future without further witch trials.

Our guest is: Dr. Marion Gibson, who is Professor of Renaissance and Magical Literatures at the University of Exeter, UK. She is the author of numerous scholarly articles, and seven academic books on witches in history and literature. She is General Editor of the series Elements in Magic for Cambridge University Press. Witchcraft: A History in Thirteen Trials is her most recent book.

Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.

Listeners may enjoy this playlist:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Witchcraft: A History in Thirteen Trials New Books Network 00:49:40 Today’s book is: Witchcraft: A History in 13 Trials (Scribner, 2024), by Dr. Marion Gibson, which explores the global history of witch trials across Europe, Africa, and the Americas, told through thirteen distinct trials that illuminate a pattern of demonization and conspiratorial thinking that has profoundly shaped human history. Some of them are famous like the Salem witch trials, and some lesser-known, like the 1620s witch trial on Vardø island, Norway, where an indigenous Sami woman was accused of murder; the last witch trial in France in 1731, where a young woman was pitted against her confessor and cult leader; and a trial in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized, and then reimagined as gendered persecution, Witchcraft takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance. Offering a striking, dramatic journey unspooling over centuries and across continents, Witchcraft offers insights into some of the cruelest moments in history, reclaims voices that have been silenced, and asks us to seriously consider how we will create a future without further witch trials. Our guest is: Dr. Marion Gibson, who is Professor of Renaissance and Magical Literatures at the University of Exeter, UK. She is the author of numerous scholarly articles, and seven academic books on witches in history and literature. She is General Editor of the series Elements in Magic for Cambridge University Press. Witchcraft: A History in Thirteen Trials is her most recent book. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Listeners may enjoy this playlist: Fierce We Refuse You're Doing It Wrong Gender-Creative Parenting Reinventing Her Life The Turnaway Study Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening! Today’s book is: Witchcraft: A History in 13 Trials (Scribner, 2024), by Dr. Marion Gibson, which explores the global history of witch trials across Europe, Africa, and the Americas, told through thirteen distinct trials that illuminate a pattern of demonization and conspiratorial thinking that has profoundly shaped human history. Some of them are famous like the Salem witch trials, and some lesser-known, like the 1620s witch trial on Vardø island, Norway, where an indigenous Sami woman was accused of murder; the last witch trial in France in 1731, where a young woman was pitted against her confessor and cult leader; and a trial in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized, and then reimagined as gendered persecution, Witchcraft takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance. Offering a striking, dramatic journey unspooling over centuries and across continents, Witchcraft offers insights into some of the cruelest moments in history, reclaims voices that have been silenced, and asks us to seriously consider how we will create a future without further witch trials. Our guest is: Dr. Marion Gibson, who is Professor of Renaissance and Magical Literatures at the University of Exeter, UK. She is the author of numerous scholarly articles, and seven academic books on witches in history and literature. She is General Editor of the series Elements in Magic for Cambridge University Press. Witchcraft: A History in Thirteen Trials is her most recent book. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Listeners may enjoy this playlist: Fierce We Refuse You're Doing It Wrong Gender-Creative Parenting Reinventing Her Life The Turnaway Study Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening! false full 242 be6ec8a0-b4d7-11ef-a0c7-d7ed4b1acf98 Mie Nakachi, "Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union" (Oxford UP, 2021) Today I talked to Mie Nakachi about Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union (Oxford UP, 2021)

In 1920, the Soviet Union became the first country in the world to legalize abortion on demand. But in 1936, the Soviet leadership criminalized abortion: the collectivization of the early 1930s was followed by famine that took the lives of millions of people, and the government grew eager to recover the population. Drawing on an amazing wealth of archival material, Nakachi traces the dynamic of Soviet reproductive policies that were invariably guided by pronatalist goals but almost always had damaging consequences. The 1944 Family Law, aimed at making up for the enormous human losses of World War II (27 million people died, 20 million of them men), relieved men of parental responsibilities, legal or financial, thereby encouraging them to father children out of wedlock. Given the devastation of the war and inadequate levels of government support, many women sought to avoid such births. Their only recourse was abortion, which remained illegal and, as a result, often led to grave medical complications or even death—on top of being criminally punishable. Doctors were generally sympathetic to the women’s plight but they could not challenge the system. It was only in the mid-1950s that abortion was decriminalized, but until the end of the Soviet Union, modern contraception was barely available and abortion remained the primary method of birth control.


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]]> Tue, 10 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today I talked to Mie Nakachi about Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union (Oxford UP, 2021)

In 1920, the Soviet Union became the first country in the world to legalize abortion on demand. But in 1936, the Soviet leadership criminalized abortion: the collectivization of the early 1930s was followed by famine that took the lives of millions of people, and the government grew eager to recover the population. Drawing on an amazing wealth of archival material, Nakachi traces the dynamic of Soviet reproductive policies that were invariably guided by pronatalist goals but almost always had damaging consequences. The 1944 Family Law, aimed at making up for the enormous human losses of World War II (27 million people died, 20 million of them men), relieved men of parental responsibilities, legal or financial, thereby encouraging them to father children out of wedlock. Given the devastation of the war and inadequate levels of government support, many women sought to avoid such births. Their only recourse was abortion, which remained illegal and, as a result, often led to grave medical complications or even death—on top of being criminally punishable. Doctors were generally sympathetic to the women’s plight but they could not challenge the system. It was only in the mid-1950s that abortion was decriminalized, but until the end of the Soviet Union, modern contraception was barely available and abortion remained the primary method of birth control.


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]]> Mie Nakachi, "Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union" (Oxford UP, 2021) New Books Network 01:09:45 Today I talked to Mie Nakachi about Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union (Oxford UP, 2021) In 1920, the Soviet Union became the first country in the world to legalize abortion on demand. But in 1936, the Soviet leadership criminalized abortion: the collectivization of the early 1930s was followed by famine that took the lives of millions of people, and the government grew eager to recover the population. Drawing on an amazing wealth of archival material, Nakachi traces the dynamic of Soviet reproductive policies that were invariably guided by pronatalist goals but almost always had damaging consequences. The 1944 Family Law, aimed at making up for the enormous human losses of World War II (27 million people died, 20 million of them men), relieved men of parental responsibilities, legal or financial, thereby encouraging them to father children out of wedlock. Given the devastation of the war and inadequate levels of government support, many women sought to avoid such births. Their only recourse was abortion, which remained illegal and, as a result, often led to grave medical complications or even death—on top of being criminally punishable. Doctors were generally sympathetic to the women’s plight but they could not challenge the system. It was only in the mid-1950s that abortion was decriminalized, but until the end of the Soviet Union, modern contraception was barely available and abortion remained the primary method of birth control. Today I talked to Mie Nakachi about Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union (Oxford UP, 2021) In 1920, the Soviet Union became the first country in the world to legalize abortion on demand. But in 1936, the Soviet leadership criminalized abortion: the collectivization of the early 1930s was followed by famine that took the lives of millions of people, and the government grew eager to recover the population. Drawing on an amazing wealth of archival material, Nakachi traces the dynamic of Soviet reproductive policies that were invariably guided by pronatalist goals but almost always had damaging consequences. The 1944 Family Law, aimed at making up for the enormous human losses of World War II (27 million people died, 20 million of them men), relieved men of parental responsibilities, legal or financial, thereby encouraging them to father children out of wedlock. Given the devastation of the war and inadequate levels of government support, many women sought to avoid such births. Their only recourse was abortion, which remained illegal and, as a result, often led to grave medical complications or even death—on top of being criminally punishable. Doctors were generally sympathetic to the women’s plight but they could not challenge the system. It was only in the mid-1950s that abortion was decriminalized, but until the end of the Soviet Union, modern contraception was barely available and abortion remained the primary method of birth control. false full 288 6d1684bc-b567-11ef-be09-8704c6dc93e0 Reem Hilu, "Digitizing Domesticity in the 1980s: The Intimate Life of Computers" (U Minnesota Press, 2024) Digitizing Domesticity in the 1980s: The Intimate Life of Computers (U Minnesota Press, 2024) shows how the widespread introduction of home computers in the 1980s was purposefully geared toward helping sustain heteronormative middle-class families by shaping relationships between users. Moving beyond the story of male-dominated computer culture, this book emphasizes the neglected history of the influence of women’s culture and feminist critique on the development of personal computing despite women’s underrepresentation in the industry.

Proposing the notion of “companionate computing,” Reem Hilu reimagines the spread of computers into American homes as the history of an interpersonal, romantic, and familial medium. She details the integration of computing into family relationships—from helping couples have better sex and offering thoughtful simulations of masculine seduction to animating cute robot companions and giving voice to dolls that could talk to lonely children—underscoring how these computer applications directly responded to the companionate needs of their users as a way to ease growing pressures on home life.

The Intimate Life of Computers is a vital contribution to feminist media history, highlighting how the emergence of personal computing dovetailed with changing gender roles and other social and cultural shifts. Eschewing the emphasis on technologies and institutions typically foregrounded in personal-computer histories, Hilu uncovers the surprising ways that domesticity and family life guided the earlier stages of our all-pervasive digital culture.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Tue, 10 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Digitizing Domesticity in the 1980s: The Intimate Life of Computers (U Minnesota Press, 2024) shows how the widespread introduction of home computers in the 1980s was purposefully geared toward helping sustain heteronormative middle-class families by shaping relationships between users. Moving beyond the story of male-dominated computer culture, this book emphasizes the neglected history of the influence of women’s culture and feminist critique on the development of personal computing despite women’s underrepresentation in the industry.

Proposing the notion of “companionate computing,” Reem Hilu reimagines the spread of computers into American homes as the history of an interpersonal, romantic, and familial medium. She details the integration of computing into family relationships—from helping couples have better sex and offering thoughtful simulations of masculine seduction to animating cute robot companions and giving voice to dolls that could talk to lonely children—underscoring how these computer applications directly responded to the companionate needs of their users as a way to ease growing pressures on home life.

The Intimate Life of Computers is a vital contribution to feminist media history, highlighting how the emergence of personal computing dovetailed with changing gender roles and other social and cultural shifts. Eschewing the emphasis on technologies and institutions typically foregrounded in personal-computer histories, Hilu uncovers the surprising ways that domesticity and family life guided the earlier stages of our all-pervasive digital culture.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Reem Hilu, "Digitizing Domesticity in the 1980s: The Intimate Life of Computers" (U Minnesota Press, 2024) New Books Network 00:29:24 Digitizing Domesticity in the 1980s: The Intimate Life of Computers (U Minnesota Press, 2024) shows how the widespread introduction of home computers in the 1980s was purposefully geared toward helping sustain heteronormative middle-class families by shaping relationships between users. Moving beyond the story of male-dominated computer culture, this book emphasizes the neglected history of the influence of women’s culture and feminist critique on the development of personal computing despite women’s underrepresentation in the industry. Proposing the notion of “companionate computing,” Reem Hilu reimagines the spread of computers into American homes as the history of an interpersonal, romantic, and familial medium. She details the integration of computing into family relationships—from helping couples have better sex and offering thoughtful simulations of masculine seduction to animating cute robot companions and giving voice to dolls that could talk to lonely children—underscoring how these computer applications directly responded to the companionate needs of their users as a way to ease growing pressures on home life. The Intimate Life of Computers is a vital contribution to feminist media history, highlighting how the emergence of personal computing dovetailed with changing gender roles and other social and cultural shifts. Eschewing the emphasis on technologies and institutions typically foregrounded in personal-computer histories, Hilu uncovers the surprising ways that domesticity and family life guided the earlier stages of our all-pervasive digital culture. Peter C. Kunze is an assistant professor of communication at Tulane University. Digitizing Domesticity in the 1980s: The Intimate Life of Computers (U Minnesota Press, 2024) shows how the widespread introduction of home computers in the 1980s was purposefully geared toward helping sustain heteronormative middle-class families by shaping relationships between users. Moving beyond the story of male-dominated computer culture, this book emphasizes the neglected history of the influence of women’s culture and feminist critique on the development of personal computing despite women’s underrepresentation in the industry. Proposing the notion of “companionate computing,” Reem Hilu reimagines the spread of computers into American homes as the history of an interpersonal, romantic, and familial medium. She details the integration of computing into family relationships—from helping couples have better sex and offering thoughtful simulations of masculine seduction to animating cute robot companions and giving voice to dolls that could talk to lonely children—underscoring how these computer applications directly responded to the companionate needs of their users as a way to ease growing pressures on home life. The Intimate Life of Computers is a vital contribution to feminist media history, highlighting how the emergence of personal computing dovetailed with changing gender roles and other social and cultural shifts. Eschewing the emphasis on technologies and institutions typically foregrounded in personal-computer histories, Hilu uncovers the surprising ways that domesticity and family life guided the earlier stages of our all-pervasive digital culture. Peter C. Kunze is an assistant professor of communication at Tulane University. false full 143 0e655a42-b4d1-11ef-ab69-2ba3da431394 Rebecca Brenner Graham, "Dear Miss Perkins: A Story of Frances Perkins's Efforts to Aid Refugees from Nazi Germany" (Citadel Press, 2025) She was the first woman to serve in a presidential cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. Yet beyond these celebrated accomplishments there is another dimension to Frances Perkins’s story. Without fanfare, and despite powerful opposition, Perkins helped save the lives of countless Jewish refugees fleeing Nazi Germany.

“Immigration problems usually have to be decided in a few days. They involve human lives. There can be no delaying,” Perkins wrote in her memoir, The Roosevelt I Knew. In March 1933, at the height of the Great Depression, Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .”

Perkins’s early experiences working in Chicago’s famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act.

Based on extensive research, including thousands of letters housed in the National Archives, Dear Miss Perkins: A Story of Frances Perkins's Efforts to Aid Refugees from Nazi Germany (Citadel Press, 2025) adds new dimension to an already extraordinary life story, revealing at last how one woman tried to steer the nation to a better, more righteous course.


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]]> Tue, 10 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com She was the first woman to serve in a presidential cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. Yet beyond these celebrated accomplishments there is another dimension to Frances Perkins’s story. Without fanfare, and despite powerful opposition, Perkins helped save the lives of countless Jewish refugees fleeing Nazi Germany.

“Immigration problems usually have to be decided in a few days. They involve human lives. There can be no delaying,” Perkins wrote in her memoir, The Roosevelt I Knew. In March 1933, at the height of the Great Depression, Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .”

Perkins’s early experiences working in Chicago’s famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act.

Based on extensive research, including thousands of letters housed in the National Archives, Dear Miss Perkins: A Story of Frances Perkins's Efforts to Aid Refugees from Nazi Germany (Citadel Press, 2025) adds new dimension to an already extraordinary life story, revealing at last how one woman tried to steer the nation to a better, more righteous course.


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]]> Rebecca Brenner Graham, "Dear Miss Perkins: A Story of Frances Perkins's Efforts to Aid Refugees from Nazi Germany" (Citadel Press, 2025) New Books Network 00:40:13 She was the first woman to serve in a presidential cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. Yet beyond these celebrated accomplishments there is another dimension to Frances Perkins’s story. Without fanfare, and despite powerful opposition, Perkins helped save the lives of countless Jewish refugees fleeing Nazi Germany. “Immigration problems usually have to be decided in a few days. They involve human lives. There can be no delaying,” Perkins wrote in her memoir, The Roosevelt I Knew. In March 1933, at the height of the Great Depression, Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .” Perkins’s early experiences working in Chicago’s famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act. Based on extensive research, including thousands of letters housed in the National Archives, Dear Miss Perkins: A Story of Frances Perkins's Efforts to Aid Refugees from Nazi Germany (Citadel Press, 2025) adds new dimension to an already extraordinary life story, revealing at last how one woman tried to steer the nation to a better, more righteous course. She was the first woman to serve in a presidential cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. Yet beyond these celebrated accomplishments there is another dimension to Frances Perkins’s story. Without fanfare, and despite powerful opposition, Perkins helped save the lives of countless Jewish refugees fleeing Nazi Germany. “Immigration problems usually have to be decided in a few days. They involve human lives. There can be no delaying,” Perkins wrote in her memoir, The Roosevelt I Knew. In March 1933, at the height of the Great Depression, Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .” Perkins’s early experiences working in Chicago’s famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act. Based on extensive research, including thousands of letters housed in the National Archives, Dear Miss Perkins: A Story of Frances Perkins's Efforts to Aid Refugees from Nazi Germany (Citadel Press, 2025) adds new dimension to an already extraordinary life story, revealing at last how one woman tried to steer the nation to a better, more righteous course. false full 108 d6aac1e4-b4c8-11ef-94a3-ef2e85fe70e8 F. K. Clementi, "South of My Dreams: Finding My American Home, A Memoir" (U South Carolina Press, 2024) South of My Dreams: Finding My American Home, A Memoir (U South Carolina Press, 2024) by F. K. Clementi follows the adventures and misadventures of Fania, a quixotic heroine, who dreamed all her life of making it big in New York City. Growing up in 1970s Italy, she felt constrained by a stale environment, a corrupt society, and a national culture hostile to women's independence. In pursuit of her childhood fantasy, and heavily influenced by Hollywood films, she leaves everything behind to begin her new life in New York, where she thinks her American Dream awaits. Instead, her American nightmare begins. 

South of My Dreams, published in 2024 by the University of South Carolina Press, is a story of irreparable trauma graced by intense love, faithful friendships, and inspiring mentors. Simultaneously merciless and humorous, Clementi's memoir is an inspiring account of a woman's disillusionment and personal rebirth in the polyglot neighborhoods of New York City, enriched by her portraits of life, love and work. South of My Dreams will resonate with all who fight hard for what they want and refuse to put aside their childhood dreams.

Hosted by Robert W. Snyder, Manhattan Borough Historian and professor emeritus of journalism and American Studies at Rutgers University. Email: rwsnyder@rutgers.edu.


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]]> Mon, 9 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com South of My Dreams: Finding My American Home, A Memoir (U South Carolina Press, 2024) by F. K. Clementi follows the adventures and misadventures of Fania, a quixotic heroine, who dreamed all her life of making it big in New York City. Growing up in 1970s Italy, she felt constrained by a stale environment, a corrupt society, and a national culture hostile to women's independence. In pursuit of her childhood fantasy, and heavily influenced by Hollywood films, she leaves everything behind to begin her new life in New York, where she thinks her American Dream awaits. Instead, her American nightmare begins. 

South of My Dreams, published in 2024 by the University of South Carolina Press, is a story of irreparable trauma graced by intense love, faithful friendships, and inspiring mentors. Simultaneously merciless and humorous, Clementi's memoir is an inspiring account of a woman's disillusionment and personal rebirth in the polyglot neighborhoods of New York City, enriched by her portraits of life, love and work. South of My Dreams will resonate with all who fight hard for what they want and refuse to put aside their childhood dreams.

Hosted by Robert W. Snyder, Manhattan Borough Historian and professor emeritus of journalism and American Studies at Rutgers University. Email: rwsnyder@rutgers.edu.


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]]> F. K. Clementi, "South of My Dreams: Finding My American Home, A Memoir" (U South Carolina Press, 2024) New Books Network 00:54:55 South of My Dreams: Finding My American Home, A Memoir (U South Carolina Press, 2024) by F. K. Clementi follows the adventures and misadventures of Fania, a quixotic heroine, who dreamed all her life of making it big in New York City. Growing up in 1970s Italy, she felt constrained by a stale environment, a corrupt society, and a national culture hostile to women's independence. In pursuit of her childhood fantasy, and heavily influenced by Hollywood films, she leaves everything behind to begin her new life in New York, where she thinks her American Dream awaits. Instead, her American nightmare begins.  South of My Dreams, published in 2024 by the University of South Carolina Press, is a story of irreparable trauma graced by intense love, faithful friendships, and inspiring mentors. Simultaneously merciless and humorous, Clementi's memoir is an inspiring account of a woman's disillusionment and personal rebirth in the polyglot neighborhoods of New York City, enriched by her portraits of life, love and work. South of My Dreams will resonate with all who fight hard for what they want and refuse to put aside their childhood dreams. Hosted by Robert W. Snyder, Manhattan Borough Historian and professor emeritus of journalism and American Studies at Rutgers University. Email: rwsnyder@rutgers.edu. South of My Dreams: Finding My American Home, A Memoir (U South Carolina Press, 2024) by F. K. Clementi follows the adventures and misadventures of Fania, a quixotic heroine, who dreamed all her life of making it big in New York City. Growing up in 1970s Italy, she felt constrained by a stale environment, a corrupt society, and a national culture hostile to women's independence. In pursuit of her childhood fantasy, and heavily influenced by Hollywood films, she leaves everything behind to begin her new life in New York, where she thinks her American Dream awaits. Instead, her American nightmare begins.  South of My Dreams, published in 2024 by the University of South Carolina Press, is a story of irreparable trauma graced by intense love, faithful friendships, and inspiring mentors. Simultaneously merciless and humorous, Clementi's memoir is an inspiring account of a woman's disillusionment and personal rebirth in the polyglot neighborhoods of New York City, enriched by her portraits of life, love and work. South of My Dreams will resonate with all who fight hard for what they want and refuse to put aside their childhood dreams. Hosted by Robert W. Snyder, Manhattan Borough Historian and professor emeritus of journalism and American Studies at Rutgers University. Email: rwsnyder@rutgers.edu. false full 268 b62dc230-b415-11ef-afe8-4bdc3e5fd43f Victoria Sturtevant, "It's All in the Delivery: Pregnancy in American Film and Television Comedy" (U Texas Press, 2024) Victoria Sturtevant's It’s All in the Delivery: Pregnancy in American Film and Television Comedy (University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights.

Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra.

In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now.

Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Sun, 8 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Victoria Sturtevant's It’s All in the Delivery: Pregnancy in American Film and Television Comedy (University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights.

Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra.

In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now.

Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Victoria Sturtevant, "It's All in the Delivery: Pregnancy in American Film and Television Comedy" (U Texas Press, 2024) New Books Network 00:48:30 Victoria Sturtevant's It’s All in the Delivery: Pregnancy in American Film and Television Comedy (University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights. Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra. In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now. Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US. Peter C. Kunze is an assistant professor of communication at Tulane University. Victoria Sturtevant's It’s All in the Delivery: Pregnancy in American Film and Television Comedy (University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights. Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra. In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now. Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US. Peter C. Kunze is an assistant professor of communication at Tulane University. false full 224 3f2ba034-b321-11ef-940c-eb90968a0d1f Elyse Ona Singer, "Lawful Sins: Abortion Rights and Reproductive Governance in Mexico" (Stanford UP, 2022) Mexico is at the center of the global battle over abortion. In 2007, a watershed reform legalized the procedure in the national capital, making it one of just three places across Latin America where it was permitted at the time. Abortion care is now available on demand and free of cost through a pioneering program of the Mexico City Ministry of Health, which has served hundreds of thousands of women. At the same time, abortion laws have grown harsher in several states outside the capital as part of a coordinated national backlash.

In Lawful Sins: Abortion Rights and Reproductive Governance in Mexico (Stanford University Press, 2022), Dr. Elyse Ona Singer argues that while pregnant women in Mexico today have options that were unavailable just over a decade ago, they are also subject to the expanded reach of the Mexican state and the Catholic Church over their bodies and reproductive lives. By analyzing the moral politics of clinical encounters in Mexico City's public abortion program, Lawful Sins offers a critical account of the relationship among reproductive rights, gendered citizenship, and public healthcare. With timely insights on global struggles for reproductive justice, Dr. Singer reorients prevailing perspectives that approach abortion rights as a hallmark of women's citizenship in liberal societies.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 6 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Mexico is at the center of the global battle over abortion. In 2007, a watershed reform legalized the procedure in the national capital, making it one of just three places across Latin America where it was permitted at the time. Abortion care is now available on demand and free of cost through a pioneering program of the Mexico City Ministry of Health, which has served hundreds of thousands of women. At the same time, abortion laws have grown harsher in several states outside the capital as part of a coordinated national backlash.

In Lawful Sins: Abortion Rights and Reproductive Governance in Mexico (Stanford University Press, 2022), Dr. Elyse Ona Singer argues that while pregnant women in Mexico today have options that were unavailable just over a decade ago, they are also subject to the expanded reach of the Mexican state and the Catholic Church over their bodies and reproductive lives. By analyzing the moral politics of clinical encounters in Mexico City's public abortion program, Lawful Sins offers a critical account of the relationship among reproductive rights, gendered citizenship, and public healthcare. With timely insights on global struggles for reproductive justice, Dr. Singer reorients prevailing perspectives that approach abortion rights as a hallmark of women's citizenship in liberal societies.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Elyse Ona Singer, "Lawful Sins: Abortion Rights and Reproductive Governance in Mexico" (Stanford UP, 2022) New Books Network 00:44:45 Mexico is at the center of the global battle over abortion. In 2007, a watershed reform legalized the procedure in the national capital, making it one of just three places across Latin America where it was permitted at the time. Abortion care is now available on demand and free of cost through a pioneering program of the Mexico City Ministry of Health, which has served hundreds of thousands of women. At the same time, abortion laws have grown harsher in several states outside the capital as part of a coordinated national backlash. In Lawful Sins: Abortion Rights and Reproductive Governance in Mexico (Stanford University Press, 2022), Dr. Elyse Ona Singer argues that while pregnant women in Mexico today have options that were unavailable just over a decade ago, they are also subject to the expanded reach of the Mexican state and the Catholic Church over their bodies and reproductive lives. By analyzing the moral politics of clinical encounters in Mexico City's public abortion program, Lawful Sins offers a critical account of the relationship among reproductive rights, gendered citizenship, and public healthcare. With timely insights on global struggles for reproductive justice, Dr. Singer reorients prevailing perspectives that approach abortion rights as a hallmark of women's citizenship in liberal societies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Mexico is at the center of the global battle over abortion. In 2007, a watershed reform legalized the procedure in the national capital, making it one of just three places across Latin America where it was permitted at the time. Abortion care is now available on demand and free of cost through a pioneering program of the Mexico City Ministry of Health, which has served hundreds of thousands of women. At the same time, abortion laws have grown harsher in several states outside the capital as part of a coordinated national backlash. In Lawful Sins: Abortion Rights and Reproductive Governance in Mexico (Stanford University Press, 2022), Dr. Elyse Ona Singer argues that while pregnant women in Mexico today have options that were unavailable just over a decade ago, they are also subject to the expanded reach of the Mexican state and the Catholic Church over their bodies and reproductive lives. By analyzing the moral politics of clinical encounters in Mexico City's public abortion program, Lawful Sins offers a critical account of the relationship among reproductive rights, gendered citizenship, and public healthcare. With timely insights on global struggles for reproductive justice, Dr. Singer reorients prevailing perspectives that approach abortion rights as a hallmark of women's citizenship in liberal societies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 6 3e912bb6-b27d-11ef-a13c-7f8d6cdd9632 Merry E. Wiesner-Hanks, "Women and the Reformations: A Global History" (Yale UP, 2024) The Reformations, both Protestant and Catholic, have long been told as stories of men. But women were central to the transformations that took place in Europe and beyond. What was life like for them in this turbulent period? How did their actions and ideas shape Christianity and influence societies around the world?

In Women and the Reformations: A Global History (Yale University Press, 2024), renowned scholar Dr. Merry E. Wiesner-Hanks explores the history of women and the Reformations in full for the first time. Dr. Wiesner-Hanks travels the globe, examining well-known figures like Teresa of Avila, Elizabeth I, and Anne Hutchinson, as well as women whose stories are only now emerging. Along the way, we meet converts in Japan, Spanish nuns in the Philippines, and saints in Ethiopia and America. Dr. Wiesner-Hanks explores women’s experiences as monarchs, mothers, migrants, martyrs, mystics, and missionaries, revealing that the story of the Reformations is no longer simply European—and that women played a vital role.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 6 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Reformations, both Protestant and Catholic, have long been told as stories of men. But women were central to the transformations that took place in Europe and beyond. What was life like for them in this turbulent period? How did their actions and ideas shape Christianity and influence societies around the world?

In Women and the Reformations: A Global History (Yale University Press, 2024), renowned scholar Dr. Merry E. Wiesner-Hanks explores the history of women and the Reformations in full for the first time. Dr. Wiesner-Hanks travels the globe, examining well-known figures like Teresa of Avila, Elizabeth I, and Anne Hutchinson, as well as women whose stories are only now emerging. Along the way, we meet converts in Japan, Spanish nuns in the Philippines, and saints in Ethiopia and America. Dr. Wiesner-Hanks explores women’s experiences as monarchs, mothers, migrants, martyrs, mystics, and missionaries, revealing that the story of the Reformations is no longer simply European—and that women played a vital role.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Merry E. Wiesner-Hanks, "Women and the Reformations: A Global History" (Yale UP, 2024) New Books Network 01:06:56 The Reformations, both Protestant and Catholic, have long been told as stories of men. But women were central to the transformations that took place in Europe and beyond. What was life like for them in this turbulent period? How did their actions and ideas shape Christianity and influence societies around the world? In Women and the Reformations: A Global History (Yale University Press, 2024), renowned scholar Dr. Merry E. Wiesner-Hanks explores the history of women and the Reformations in full for the first time. Dr. Wiesner-Hanks travels the globe, examining well-known figures like Teresa of Avila, Elizabeth I, and Anne Hutchinson, as well as women whose stories are only now emerging. Along the way, we meet converts in Japan, Spanish nuns in the Philippines, and saints in Ethiopia and America. Dr. Wiesner-Hanks explores women’s experiences as monarchs, mothers, migrants, martyrs, mystics, and missionaries, revealing that the story of the Reformations is no longer simply European—and that women played a vital role. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. The Reformations, both Protestant and Catholic, have long been told as stories of men. But women were central to the transformations that took place in Europe and beyond. What was life like for them in this turbulent period? How did their actions and ideas shape Christianity and influence societies around the world? In Women and the Reformations: A Global History (Yale University Press, 2024), renowned scholar Dr. Merry E. Wiesner-Hanks explores the history of women and the Reformations in full for the first time. Dr. Wiesner-Hanks travels the globe, examining well-known figures like Teresa of Avila, Elizabeth I, and Anne Hutchinson, as well as women whose stories are only now emerging. Along the way, we meet converts in Japan, Spanish nuns in the Philippines, and saints in Ethiopia and America. Dr. Wiesner-Hanks explores women’s experiences as monarchs, mothers, migrants, martyrs, mystics, and missionaries, revealing that the story of the Reformations is no longer simply European—and that women played a vital role. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 107 faf24164-b007-11ef-b354-639642e3f58c Jane Austen's Darkness: A Conversation with Julia Yost In this episode of Madison's Notes, we sit down with Julia Yost, senior editor at First Things and author of the new book Jane Austen's Darkness (Wiseblood Books, 2024). Yost offers a fresh and provocative perspective on the beloved novelist, exploring the moral complexities, spiritual struggles, and often-overlooked shadows in Austen’s works. From the subtle critiques of social conventions to the darker undercurrents of human nature woven into her stories, Yost invites us to see Austen not just as a romantic but as a profound moral thinker. Join us for a rich conversation that will deepen your appreciation of Jane Austen’s timeless genius and challenge how we understand her legacy.

Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.

Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.


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]]> Wed, 4 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In this episode of Madison's Notes, we sit down with Julia Yost, senior editor at First Things and author of the new book Jane Austen's Darkness (Wiseblood Books, 2024). Yost offers a fresh and provocative perspective on the beloved novelist, exploring the moral complexities, spiritual struggles, and often-overlooked shadows in Austen’s works. From the subtle critiques of social conventions to the darker undercurrents of human nature woven into her stories, Yost invites us to see Austen not just as a romantic but as a profound moral thinker. Join us for a rich conversation that will deepen your appreciation of Jane Austen’s timeless genius and challenge how we understand her legacy.

Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.

Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.


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]]> Jane Austen's Darkness: A Conversation with Julia Yost New Books Network 00:52:24 In this episode of Madison's Notes, we sit down with Julia Yost, senior editor at First Things and author of the new book Jane Austen's Darkness (Wiseblood Books, 2024). Yost offers a fresh and provocative perspective on the beloved novelist, exploring the moral complexities, spiritual struggles, and often-overlooked shadows in Austen’s works. From the subtle critiques of social conventions to the darker undercurrents of human nature woven into her stories, Yost invites us to see Austen not just as a romantic but as a profound moral thinker. Join us for a rich conversation that will deepen your appreciation of Jane Austen’s timeless genius and challenge how we understand her legacy. Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented. In this episode of Madison's Notes, we sit down with Julia Yost, senior editor at First Things and author of the new book Jane Austen's Darkness (Wiseblood Books, 2024). Yost offers a fresh and provocative perspective on the beloved novelist, exploring the moral complexities, spiritual struggles, and often-overlooked shadows in Austen’s works. From the subtle critiques of social conventions to the darker undercurrents of human nature woven into her stories, Yost invites us to see Austen not just as a romantic but as a profound moral thinker. Join us for a rich conversation that will deepen your appreciation of Jane Austen’s timeless genius and challenge how we understand her legacy. Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented. false full 128 eb831550-afe4-11ef-933d-fb9cb8982c0b Carrie N. Baker, "Abortion Pills: US History and Politics" (Amherst College Press, 2024) In this compelling and informative interview, Carrie N. Baker discusses her newest book, Abortion Pills: US History and Politics (Amherst College Press, 2024). This book is the first comprehensive history of abortion pills in the United States, and Baker examines the actions of scientists, policy-makers, pharmaceutical companies, pro-abortion rights activists and anti-abortion forces as the abortion pill was developed in France in 1980, and subsequently brought to market in the United States. She carefully investigates the fight for FDA approval of the abortion pill, and reproductive rights advocates’ work to expand access. She pays particular attention to the critical period of 2020-2024 when in the midst of the COVID-19 pandemic telemedicine abortion became a possibility. Baker ends exploring attempts to restrict abortion pills and self-managed abortions in the wake of the Dobbs v. Jackson Women's Health Organization Supreme Court decision. In this thoroughly researched history, Baker draws on interviews with over 80 activists, abortion providers, researchers, and people who have used abortion pills to demonstrate the range of actors involved in efforts to expand access to abortion pills. In addition, she analyzes medical research, government records, legal cases, and the archives of several reproductive health organizations.

Abortion Pills: US History and Politics is available open-access starting December 3, 2024. Click the following link to see a PDF of the book

Carrie N. Baker holds a B.A. in Philosophy from Yale University, a J.D. from Emory University School of Law, and an M.A. and Ph.D. from Emory’s Institute of Women’s, Gender, and Sexuality Studies. She is the Sylvia Dlugasch Bauman Chair of American Studies and Professor of the Study of Women, Gender and Sexuality Studies at Smith College where, as a legal and social movement scholar, she teaches courses on gender, law and public policy; feminist social movements; and feminist public writing. In addition to publishing peer-reviewed academic scholarship, Baker also serves as a regular writer and contributing editor for Ms. Magazine, has a monthly column in the Daily Hampshire Gazette, and hosts Feminist Futures, a radio program on WHMP 101.5 FM in Northampton, Massachusetts.

Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.


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]]> Tue, 3 Dec 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In this compelling and informative interview, Carrie N. Baker discusses her newest book, Abortion Pills: US History and Politics (Amherst College Press, 2024). This book is the first comprehensive history of abortion pills in the United States, and Baker examines the actions of scientists, policy-makers, pharmaceutical companies, pro-abortion rights activists and anti-abortion forces as the abortion pill was developed in France in 1980, and subsequently brought to market in the United States. She carefully investigates the fight for FDA approval of the abortion pill, and reproductive rights advocates’ work to expand access. She pays particular attention to the critical period of 2020-2024 when in the midst of the COVID-19 pandemic telemedicine abortion became a possibility. Baker ends exploring attempts to restrict abortion pills and self-managed abortions in the wake of the Dobbs v. Jackson Women's Health Organization Supreme Court decision. In this thoroughly researched history, Baker draws on interviews with over 80 activists, abortion providers, researchers, and people who have used abortion pills to demonstrate the range of actors involved in efforts to expand access to abortion pills. In addition, she analyzes medical research, government records, legal cases, and the archives of several reproductive health organizations.

Abortion Pills: US History and Politics is available open-access starting December 3, 2024. Click the following link to see a PDF of the book

Carrie N. Baker holds a B.A. in Philosophy from Yale University, a J.D. from Emory University School of Law, and an M.A. and Ph.D. from Emory’s Institute of Women’s, Gender, and Sexuality Studies. She is the Sylvia Dlugasch Bauman Chair of American Studies and Professor of the Study of Women, Gender and Sexuality Studies at Smith College where, as a legal and social movement scholar, she teaches courses on gender, law and public policy; feminist social movements; and feminist public writing. In addition to publishing peer-reviewed academic scholarship, Baker also serves as a regular writer and contributing editor for Ms. Magazine, has a monthly column in the Daily Hampshire Gazette, and hosts Feminist Futures, a radio program on WHMP 101.5 FM in Northampton, Massachusetts.

Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.


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]]> Carrie N. Baker, "Abortion Pills: US History and Politics" (Amherst College Press, 2024) New Books Network 01:03:44 In this compelling and informative interview, Carrie N. Baker discusses her newest book, Abortion Pills: US History and Politics (Amherst College Press, 2024). This book is the first comprehensive history of abortion pills in the United States, and Baker examines the actions of scientists, policy-makers, pharmaceutical companies, pro-abortion rights activists and anti-abortion forces as the abortion pill was developed in France in 1980, and subsequently brought to market in the United States. She carefully investigates the fight for FDA approval of the abortion pill, and reproductive rights advocates’ work to expand access. She pays particular attention to the critical period of 2020-2024 when in the midst of the COVID-19 pandemic telemedicine abortion became a possibility. Baker ends exploring attempts to restrict abortion pills and self-managed abortions in the wake of the Dobbs v. Jackson Women's Health Organization Supreme Court decision. In this thoroughly researched history, Baker draws on interviews with over 80 activists, abortion providers, researchers, and people who have used abortion pills to demonstrate the range of actors involved in efforts to expand access to abortion pills. In addition, she analyzes medical research, government records, legal cases, and the archives of several reproductive health organizations. Abortion Pills: US History and Politics is available open-access starting December 3, 2024. Click the following link to see a PDF of the book Carrie N. Baker holds a B.A. in Philosophy from Yale University, a J.D. from Emory University School of Law, and an M.A. and Ph.D. from Emory’s Institute of Women’s, Gender, and Sexuality Studies. She is the Sylvia Dlugasch Bauman Chair of American Studies and Professor of the Study of Women, Gender and Sexuality Studies at Smith College where, as a legal and social movement scholar, she teaches courses on gender, law and public policy; feminist social movements; and feminist public writing. In addition to publishing peer-reviewed academic scholarship, Baker also serves as a regular writer and contributing editor for Ms. Magazine, has a monthly column in the Daily Hampshire Gazette, and hosts Feminist Futures, a radio program on WHMP 101.5 FM in Northampton, Massachusetts. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. In this compelling and informative interview, Carrie N. Baker discusses her newest book, Abortion Pills: US History and Politics (Amherst College Press, 2024). This book is the first comprehensive history of abortion pills in the United States, and Baker examines the actions of scientists, policy-makers, pharmaceutical companies, pro-abortion rights activists and anti-abortion forces as the abortion pill was developed in France in 1980, and subsequently brought to market in the United States. She carefully investigates the fight for FDA approval of the abortion pill, and reproductive rights advocates’ work to expand access. She pays particular attention to the critical period of 2020-2024 when in the midst of the COVID-19 pandemic telemedicine abortion became a possibility. Baker ends exploring attempts to restrict abortion pills and self-managed abortions in the wake of the Dobbs v. Jackson Women's Health Organization Supreme Court decision. In this thoroughly researched history, Baker draws on interviews with over 80 activists, abortion providers, researchers, and people who have used abortion pills to demonstrate the range of actors involved in efforts to expand access to abortion pills. In addition, she analyzes medical research, government records, legal cases, and the archives of several reproductive health organizations. Abortion Pills: US History and Politics is available open-access starting December 3, 2024. Click the following link to see a PDF of the book Carrie N. Baker holds a B.A. in Philosophy from Yale University, a J.D. from Emory University School of Law, and an M.A. and Ph.D. from Emory’s Institute of Women’s, Gender, and Sexuality Studies. She is the Sylvia Dlugasch Bauman Chair of American Studies and Professor of the Study of Women, Gender and Sexuality Studies at Smith College where, as a legal and social movement scholar, she teaches courses on gender, law and public policy; feminist social movements; and feminist public writing. In addition to publishing peer-reviewed academic scholarship, Baker also serves as a regular writer and contributing editor for Ms. Magazine, has a monthly column in the Daily Hampshire Gazette, and hosts Feminist Futures, a radio program on WHMP 101.5 FM in Northampton, Massachusetts. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. false full 284 f48805f6-ad92-11ef-a7ca-fb1777b07b08 Elliot R. Wolfson, "Nocturnal Seeing: Hopelessness of Hope and Philosophical Gnosis in Susan Taubes, Gillian Rose, and Edith Wyschogrod" (Stanford UP, 2024) In Nocturnal Seeing: Hopelessness of Hope and Philosophical Gnosis in Susan Taubes, Gillian Rose, and Edith Wyschogrod (Stanford UP, 2024), Elliot R. Wolfson explores philosophical gnosis in the writings of Susan Taubes, Gillian Rose, and Edith Wyschogrod. The juxtaposition of these three extraordinary, albeit relatively neglected, philosophers provides a prism through which Wolfson scrutinizes the interplay of ethics, politics, and theology. 

The bond that ties together the diverse and multifaceted worldviews promulgated by Taubes, Rose, and Wyschogrod is the mutual recognition of the need to enunciate a response to the calamities of the twentieth century based on an incontrovertible acknowledgment of the decadence and malevolence of human beings, without, however, succumbing to acrimony and despair. The speculation of each of these philosophers on melancholia and the tragicomedy of being is unquestionably intricate, exhibiting subtle variations and idiosyncrasies, but we can nevertheless identify a common denominator in their attempt to find the midpoint positioned between hope and hopelessness. As Wolfson articulates, Taubes, Rose, and Wyschogrod exemplify a philosophical sensibility informed by a nocturnal seeing, which is not merely a seeing in the night but rather a seeing of the night. Ultimately, the book reveals the potential for these thinkers' ideas to enhance our moral sensitivity and to encourage participation in the ongoing struggle for meaning and decency in the present.


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]]> Sat, 30 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Nocturnal Seeing: Hopelessness of Hope and Philosophical Gnosis in Susan Taubes, Gillian Rose, and Edith Wyschogrod (Stanford UP, 2024), Elliot R. Wolfson explores philosophical gnosis in the writings of Susan Taubes, Gillian Rose, and Edith Wyschogrod. The juxtaposition of these three extraordinary, albeit relatively neglected, philosophers provides a prism through which Wolfson scrutinizes the interplay of ethics, politics, and theology. 

The bond that ties together the diverse and multifaceted worldviews promulgated by Taubes, Rose, and Wyschogrod is the mutual recognition of the need to enunciate a response to the calamities of the twentieth century based on an incontrovertible acknowledgment of the decadence and malevolence of human beings, without, however, succumbing to acrimony and despair. The speculation of each of these philosophers on melancholia and the tragicomedy of being is unquestionably intricate, exhibiting subtle variations and idiosyncrasies, but we can nevertheless identify a common denominator in their attempt to find the midpoint positioned between hope and hopelessness. As Wolfson articulates, Taubes, Rose, and Wyschogrod exemplify a philosophical sensibility informed by a nocturnal seeing, which is not merely a seeing in the night but rather a seeing of the night. Ultimately, the book reveals the potential for these thinkers' ideas to enhance our moral sensitivity and to encourage participation in the ongoing struggle for meaning and decency in the present.


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]]> Elliot R. Wolfson, "Nocturnal Seeing: Hopelessness of Hope and Philosophical Gnosis in Susan Taubes, Gillian Rose, and Edith Wyschogrod" (Stanford UP, 2024) New Books Network 00:40:14 In Nocturnal Seeing: Hopelessness of Hope and Philosophical Gnosis in Susan Taubes, Gillian Rose, and Edith Wyschogrod (Stanford UP, 2024), Elliot R. Wolfson explores philosophical gnosis in the writings of Susan Taubes, Gillian Rose, and Edith Wyschogrod. The juxtaposition of these three extraordinary, albeit relatively neglected, philosophers provides a prism through which Wolfson scrutinizes the interplay of ethics, politics, and theology.  The bond that ties together the diverse and multifaceted worldviews promulgated by Taubes, Rose, and Wyschogrod is the mutual recognition of the need to enunciate a response to the calamities of the twentieth century based on an incontrovertible acknowledgment of the decadence and malevolence of human beings, without, however, succumbing to acrimony and despair. The speculation of each of these philosophers on melancholia and the tragicomedy of being is unquestionably intricate, exhibiting subtle variations and idiosyncrasies, but we can nevertheless identify a common denominator in their attempt to find the midpoint positioned between hope and hopelessness. As Wolfson articulates, Taubes, Rose, and Wyschogrod exemplify a philosophical sensibility informed by a nocturnal seeing, which is not merely a seeing in the night but rather a seeing of the night. Ultimately, the book reveals the potential for these thinkers' ideas to enhance our moral sensitivity and to encourage participation in the ongoing struggle for meaning and decency in the present. In Nocturnal Seeing: Hopelessness of Hope and Philosophical Gnosis in Susan Taubes, Gillian Rose, and Edith Wyschogrod (Stanford UP, 2024), Elliot R. Wolfson explores philosophical gnosis in the writings of Susan Taubes, Gillian Rose, and Edith Wyschogrod. The juxtaposition of these three extraordinary, albeit relatively neglected, philosophers provides a prism through which Wolfson scrutinizes the interplay of ethics, politics, and theology.  The bond that ties together the diverse and multifaceted worldviews promulgated by Taubes, Rose, and Wyschogrod is the mutual recognition of the need to enunciate a response to the calamities of the twentieth century based on an incontrovertible acknowledgment of the decadence and malevolence of human beings, without, however, succumbing to acrimony and despair. The speculation of each of these philosophers on melancholia and the tragicomedy of being is unquestionably intricate, exhibiting subtle variations and idiosyncrasies, but we can nevertheless identify a common denominator in their attempt to find the midpoint positioned between hope and hopelessness. As Wolfson articulates, Taubes, Rose, and Wyschogrod exemplify a philosophical sensibility informed by a nocturnal seeing, which is not merely a seeing in the night but rather a seeing of the night. Ultimately, the book reveals the potential for these thinkers' ideas to enhance our moral sensitivity and to encourage participation in the ongoing struggle for meaning and decency in the present. false full 580 58441352-acf6-11ef-8053-83e75d1a0a9f Karen Lystra, "Love and the Working Class: The Inner Worlds of Nineteenth Century Americans" (Oxford UP, 2024) Love and the Working Class: The Inner Worlds of Nineteenth Century Americans (Oxford University Press, 2024) by Dr. Karen Lystra is a unique look at the emotions of hard-living, nineteenth-century Americans who were often on the cusp of literacy. These laboring folk highly valued letters and, however difficult it was, wrote to stay connected to those they loved. This book displays the personal expression of factory hands, manual laborers, peddlers, coopers, carpenters, lumbermen, miners, tanners, haulers, tailors, seamstresses, laundresses, domestics, sharecroppers, independent farmers, and common soldiers and their wives. Entering the “anonymous corners” of these people's lives through letters, we can see their humor, grit, hope, heartache, and endurance, and grasp what they believed and felt about themselves, their kinfolk, and their friends.

As much as possible, these working-class Americans living in the nineteenth century speak to contemporary readers in their own words. Often armed with only a third or fourth grade education, they could read but had limited instruction in writing. Yet they sat down to compose a letter, often spurred by a range of experience including the Gold Rush, westward expansion, slavery, the Emancipation Proclamation, and what was arguably the most important event in nineteenth-century America, the Civil War. During the war, poor, undereducated soldiers and their families wrote letters in a quantity never before seen in American history.

Using letters written to parents, siblings, husbands, wives, friends, and potential mates between 1830 and 1880, Dr. Lystra identifies the shared conceptions of love and practices of courtship and marriage within a racially diverse population of free working-class people born in America. Readers can listen to their voices as they flirt, act as intermediaries in hometown courtships, express non-romantic love to their mates, tease each other, and voice their hopes for the future. Through these personal letters, poor, minimally schooled Americans show us how they felt about love and how they created meaningful attachments in their uncertain lives.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 30 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Love and the Working Class: The Inner Worlds of Nineteenth Century Americans (Oxford University Press, 2024) by Dr. Karen Lystra is a unique look at the emotions of hard-living, nineteenth-century Americans who were often on the cusp of literacy. These laboring folk highly valued letters and, however difficult it was, wrote to stay connected to those they loved. This book displays the personal expression of factory hands, manual laborers, peddlers, coopers, carpenters, lumbermen, miners, tanners, haulers, tailors, seamstresses, laundresses, domestics, sharecroppers, independent farmers, and common soldiers and their wives. Entering the “anonymous corners” of these people's lives through letters, we can see their humor, grit, hope, heartache, and endurance, and grasp what they believed and felt about themselves, their kinfolk, and their friends.

As much as possible, these working-class Americans living in the nineteenth century speak to contemporary readers in their own words. Often armed with only a third or fourth grade education, they could read but had limited instruction in writing. Yet they sat down to compose a letter, often spurred by a range of experience including the Gold Rush, westward expansion, slavery, the Emancipation Proclamation, and what was arguably the most important event in nineteenth-century America, the Civil War. During the war, poor, undereducated soldiers and their families wrote letters in a quantity never before seen in American history.

Using letters written to parents, siblings, husbands, wives, friends, and potential mates between 1830 and 1880, Dr. Lystra identifies the shared conceptions of love and practices of courtship and marriage within a racially diverse population of free working-class people born in America. Readers can listen to their voices as they flirt, act as intermediaries in hometown courtships, express non-romantic love to their mates, tease each other, and voice their hopes for the future. Through these personal letters, poor, minimally schooled Americans show us how they felt about love and how they created meaningful attachments in their uncertain lives.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Karen Lystra, "Love and the Working Class: The Inner Worlds of Nineteenth Century Americans" (Oxford UP, 2024) New Books Network 01:04:25 Love and the Working Class: The Inner Worlds of Nineteenth Century Americans (Oxford University Press, 2024) by Dr. Karen Lystra is a unique look at the emotions of hard-living, nineteenth-century Americans who were often on the cusp of literacy. These laboring folk highly valued letters and, however difficult it was, wrote to stay connected to those they loved. This book displays the personal expression of factory hands, manual laborers, peddlers, coopers, carpenters, lumbermen, miners, tanners, haulers, tailors, seamstresses, laundresses, domestics, sharecroppers, independent farmers, and common soldiers and their wives. Entering the “anonymous corners” of these people's lives through letters, we can see their humor, grit, hope, heartache, and endurance, and grasp what they believed and felt about themselves, their kinfolk, and their friends. As much as possible, these working-class Americans living in the nineteenth century speak to contemporary readers in their own words. Often armed with only a third or fourth grade education, they could read but had limited instruction in writing. Yet they sat down to compose a letter, often spurred by a range of experience including the Gold Rush, westward expansion, slavery, the Emancipation Proclamation, and what was arguably the most important event in nineteenth-century America, the Civil War. During the war, poor, undereducated soldiers and their families wrote letters in a quantity never before seen in American history. Using letters written to parents, siblings, husbands, wives, friends, and potential mates between 1830 and 1880, Dr. Lystra identifies the shared conceptions of love and practices of courtship and marriage within a racially diverse population of free working-class people born in America. Readers can listen to their voices as they flirt, act as intermediaries in hometown courtships, express non-romantic love to their mates, tease each other, and voice their hopes for the future. Through these personal letters, poor, minimally schooled Americans show us how they felt about love and how they created meaningful attachments in their uncertain lives. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Love and the Working Class: The Inner Worlds of Nineteenth Century Americans (Oxford University Press, 2024) by Dr. Karen Lystra is a unique look at the emotions of hard-living, nineteenth-century Americans who were often on the cusp of literacy. These laboring folk highly valued letters and, however difficult it was, wrote to stay connected to those they loved. This book displays the personal expression of factory hands, manual laborers, peddlers, coopers, carpenters, lumbermen, miners, tanners, haulers, tailors, seamstresses, laundresses, domestics, sharecroppers, independent farmers, and common soldiers and their wives. Entering the “anonymous corners” of these people's lives through letters, we can see their humor, grit, hope, heartache, and endurance, and grasp what they believed and felt about themselves, their kinfolk, and their friends. As much as possible, these working-class Americans living in the nineteenth century speak to contemporary readers in their own words. Often armed with only a third or fourth grade education, they could read but had limited instruction in writing. Yet they sat down to compose a letter, often spurred by a range of experience including the Gold Rush, westward expansion, slavery, the Emancipation Proclamation, and what was arguably the most important event in nineteenth-century America, the Civil War. During the war, poor, undereducated soldiers and their families wrote letters in a quantity never before seen in American history. Using letters written to parents, siblings, husbands, wives, friends, and potential mates between 1830 and 1880, Dr. Lystra identifies the shared conceptions of love and practices of courtship and marriage within a racially diverse population of free working-class people born in America. Readers can listen to their voices as they flirt, act as intermediaries in hometown courtships, express non-romantic love to their mates, tease each other, and voice their hopes for the future. Through these personal letters, poor, minimally schooled Americans show us how they felt about love and how they created meaningful attachments in their uncertain lives. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 282 25897210-ad99-11ef-b097-27906a5c0733 Sam Langsdale, "Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics" (U Texas Press, 2024) It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts.

Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sat, 30 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts.

Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sam Langsdale, "Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics" (U Texas Press, 2024) New Books Network 00:51:01 It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts. Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts. Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 20 b00e1bca-ac3b-11ef-b631-eb9f7bc3ded7 Caroline Séquin, "Desiring Whiteness: A Racial History of Prostitution in France and Colonial Senegal, 1848-1950" (Cornell UP, 2024) Since the French Revolution of 1789, the absence of laws banning interracial marriages has served to reinforce two myths about modern France--first, that it is a sexual democracy and second, it is a color-blind nation where all French citizens can freely marry whomever they wish regardless of their race. Caroline Séquin challenges the narrative of French exceptionalism by revealing the role of prostitution regulation in policing intimate relationships across racial and colonial boundaries in the century following the abolition of slavery.

Desiring Whiteness: A Racial History of Prostitution in France and Colonial Senegal, 1848-1950 (Cornell UP, 2024) traces the rise and fall of the "French model" of prostitution policing in the "contact zones" of port cities and garrison towns across France and in Dakar, Senegal, the main maritime entry point of French West Africa. Séquin describes how the regulation of prostitution covertly policed racial relations and contributed to the making of white French identity in an imperial nation-state that claimed to be race-blind. She also examines how sex industry workers exploited, reinforced, or transgressed the racial boundaries of colonial rule.

Brothels served as "gatekeepers of whiteness" in two arenas. In colonial Senegal, white-only brothels helped deter French colonists from entering unions with African women and producing mixed-race children, thus consolidating white minority rule. In the metropole, brothels condoned interracial sex with white sex workers while dissuading colonial men from forming long-term attachments with white French women. Ultimately, brothels followed a similar racial logic that contributed to upholding white supremacy.

Dr. Séquin earned a BA and MA in English and American Studies at Université Nancy 2, an MA in Women and Gender Studies at Université Paris 8, and her Ph.D. at the University of Chicago. She has won a number of awards from a range of institutions including Best Paper Prize from the Council for European Studies’ Gender and Sexuality Research Network for the article “Marie Piquemal, the ‘Colonial Madam’: Brothel Prostitution, Migration, and the Making of Whiteness in Interwar Dakar”. But I want to call attention to her Edward T. Gargan Prize for the best graduate student paper presented on post-1800 history at the annual conference of the Western Society for French History. Since 2019 she has been an Assistant Professor of Modern European History at Lafayette College.


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]]> Fri, 29 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Since the French Revolution of 1789, the absence of laws banning interracial marriages has served to reinforce two myths about modern France--first, that it is a sexual democracy and second, it is a color-blind nation where all French citizens can freely marry whomever they wish regardless of their race. Caroline Séquin challenges the narrative of French exceptionalism by revealing the role of prostitution regulation in policing intimate relationships across racial and colonial boundaries in the century following the abolition of slavery.

Desiring Whiteness: A Racial History of Prostitution in France and Colonial Senegal, 1848-1950 (Cornell UP, 2024) traces the rise and fall of the "French model" of prostitution policing in the "contact zones" of port cities and garrison towns across France and in Dakar, Senegal, the main maritime entry point of French West Africa. Séquin describes how the regulation of prostitution covertly policed racial relations and contributed to the making of white French identity in an imperial nation-state that claimed to be race-blind. She also examines how sex industry workers exploited, reinforced, or transgressed the racial boundaries of colonial rule.

Brothels served as "gatekeepers of whiteness" in two arenas. In colonial Senegal, white-only brothels helped deter French colonists from entering unions with African women and producing mixed-race children, thus consolidating white minority rule. In the metropole, brothels condoned interracial sex with white sex workers while dissuading colonial men from forming long-term attachments with white French women. Ultimately, brothels followed a similar racial logic that contributed to upholding white supremacy.

Dr. Séquin earned a BA and MA in English and American Studies at Université Nancy 2, an MA in Women and Gender Studies at Université Paris 8, and her Ph.D. at the University of Chicago. She has won a number of awards from a range of institutions including Best Paper Prize from the Council for European Studies’ Gender and Sexuality Research Network for the article “Marie Piquemal, the ‘Colonial Madam’: Brothel Prostitution, Migration, and the Making of Whiteness in Interwar Dakar”. But I want to call attention to her Edward T. Gargan Prize for the best graduate student paper presented on post-1800 history at the annual conference of the Western Society for French History. Since 2019 she has been an Assistant Professor of Modern European History at Lafayette College.


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]]> Caroline Séquin, "Desiring Whiteness: A Racial History of Prostitution in France and Colonial Senegal, 1848-1950" (Cornell UP, 2024) New Books Network 01:32:36 Since the French Revolution of 1789, the absence of laws banning interracial marriages has served to reinforce two myths about modern France--first, that it is a sexual democracy and second, it is a color-blind nation where all French citizens can freely marry whomever they wish regardless of their race. Caroline Séquin challenges the narrative of French exceptionalism by revealing the role of prostitution regulation in policing intimate relationships across racial and colonial boundaries in the century following the abolition of slavery. Desiring Whiteness: A Racial History of Prostitution in France and Colonial Senegal, 1848-1950 (Cornell UP, 2024) traces the rise and fall of the "French model" of prostitution policing in the "contact zones" of port cities and garrison towns across France and in Dakar, Senegal, the main maritime entry point of French West Africa. Séquin describes how the regulation of prostitution covertly policed racial relations and contributed to the making of white French identity in an imperial nation-state that claimed to be race-blind. She also examines how sex industry workers exploited, reinforced, or transgressed the racial boundaries of colonial rule. Brothels served as "gatekeepers of whiteness" in two arenas. In colonial Senegal, white-only brothels helped deter French colonists from entering unions with African women and producing mixed-race children, thus consolidating white minority rule. In the metropole, brothels condoned interracial sex with white sex workers while dissuading colonial men from forming long-term attachments with white French women. Ultimately, brothels followed a similar racial logic that contributed to upholding white supremacy. Dr. Séquin earned a BA and MA in English and American Studies at Université Nancy 2, an MA in Women and Gender Studies at Université Paris 8, and her Ph.D. at the University of Chicago. She has won a number of awards from a range of institutions including Best Paper Prize from the Council for European Studies’ Gender and Sexuality Research Network for the article “Marie Piquemal, the ‘Colonial Madam’: Brothel Prostitution, Migration, and the Making of Whiteness in Interwar Dakar”. But I want to call attention to her Edward T. Gargan Prize for the best graduate student paper presented on post-1800 history at the annual conference of the Western Society for French History. Since 2019 she has been an Assistant Professor of Modern European History at Lafayette College. Since the French Revolution of 1789, the absence of laws banning interracial marriages has served to reinforce two myths about modern France--first, that it is a sexual democracy and second, it is a color-blind nation where all French citizens can freely marry whomever they wish regardless of their race. Caroline Séquin challenges the narrative of French exceptionalism by revealing the role of prostitution regulation in policing intimate relationships across racial and colonial boundaries in the century following the abolition of slavery. Desiring Whiteness: A Racial History of Prostitution in France and Colonial Senegal, 1848-1950 (Cornell UP, 2024) traces the rise and fall of the "French model" of prostitution policing in the "contact zones" of port cities and garrison towns across France and in Dakar, Senegal, the main maritime entry point of French West Africa. Séquin describes how the regulation of prostitution covertly policed racial relations and contributed to the making of white French identity in an imperial nation-state that claimed to be race-blind. She also examines how sex industry workers exploited, reinforced, or transgressed the racial boundaries of colonial rule. Brothels served as "gatekeepers of whiteness" in two arenas. In colonial Senegal, white-only brothels helped deter French colonists from entering unions with African women and producing mixed-race children, thus consolidating white minority rule. In the metropole, brothels condoned interracial sex with white sex workers while dissuading colonial men from forming long-term attachments with white French women. Ultimately, brothels followed a similar racial logic that contributed to upholding white supremacy. Dr. Séquin earned a BA and MA in English and American Studies at Université Nancy 2, an MA in Women and Gender Studies at Université Paris 8, and her Ph.D. at the University of Chicago. She has won a number of awards from a range of institutions including Best Paper Prize from the Council for European Studies’ Gender and Sexuality Research Network for the article “Marie Piquemal, the ‘Colonial Madam’: Brothel Prostitution, Migration, and the Making of Whiteness in Interwar Dakar”. But I want to call attention to her Edward T. Gargan Prize for the best graduate student paper presented on post-1800 history at the annual conference of the Western Society for French History. Since 2019 she has been an Assistant Professor of Modern European History at Lafayette College. false full 1509 c24f1d18-ac25-11ef-9322-9771715b5b87 Mary Ellen Curtin, "She Changed the Nation: Barbara Jordan's Life and Legacy in Black Politics" (U Pennsylvania Press, 2024) During her keynote speech at the 1976 Democratic Party convention, Barbara Jordan of Texas stood before a rapt audience and reflected on where Americans stood in that bicentennial year. "Are we to be one people bound together by a common spirit, sharing in a common endeavor, or will we become a divided nation? For all of its uncertainty, we cannot flee the future." The civil rights movement had changed American politics by opening up elected office to a new generation of Black leaders, including Jordan, the first Black woman from the South to serve in Congress. Though her life in elected politics lasted only twelve years, in that short time, Jordan changed the nation by showing that Black women could lead their party and legislate on behalf of what she called "the common good."

In She Changed the Nation: Barbara Jordan's Life and Legacy in Black Politics (U Pennsylvania Press, 2024), biographer Mary Ellen Curtin offers a new portrait of Jordan and her journey from segregated Houston, Texas, to Washington, DC, where she made her mark during the Watergate crisis by eloquently calling for the impeachment of President Nixon. Recognized as one of the greatest orators of modern America, Jordan inspired millions, and Black women became her most ardent supporters. Many assumed Jordan would rise higher and become a US senator, Speaker of the House, or a Supreme Court justice. But illness and disability, along with the obstacles she faced as a Black woman, led to Jordan's untimely retirement from elected office--though not from public life. Until her death at the age of fifty-nine, Jordan remained engaged with the cause of justice and creating common ground, proving that Black women could lead the country through challenging times.

No change in the law alone could guarantee the election of Black leaders. It took courage and ambition for Barbara Jordan to break into politics. This important new biography explores the personal and the political dimensions of Jordan's life, showing how she navigated the extraordinary pressures of office while seeking to use persuasion, governance, and popular politics as instruments of social change and betterment.


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]]> Thu, 28 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com During her keynote speech at the 1976 Democratic Party convention, Barbara Jordan of Texas stood before a rapt audience and reflected on where Americans stood in that bicentennial year. "Are we to be one people bound together by a common spirit, sharing in a common endeavor, or will we become a divided nation? For all of its uncertainty, we cannot flee the future." The civil rights movement had changed American politics by opening up elected office to a new generation of Black leaders, including Jordan, the first Black woman from the South to serve in Congress. Though her life in elected politics lasted only twelve years, in that short time, Jordan changed the nation by showing that Black women could lead their party and legislate on behalf of what she called "the common good."

In She Changed the Nation: Barbara Jordan's Life and Legacy in Black Politics (U Pennsylvania Press, 2024), biographer Mary Ellen Curtin offers a new portrait of Jordan and her journey from segregated Houston, Texas, to Washington, DC, where she made her mark during the Watergate crisis by eloquently calling for the impeachment of President Nixon. Recognized as one of the greatest orators of modern America, Jordan inspired millions, and Black women became her most ardent supporters. Many assumed Jordan would rise higher and become a US senator, Speaker of the House, or a Supreme Court justice. But illness and disability, along with the obstacles she faced as a Black woman, led to Jordan's untimely retirement from elected office--though not from public life. Until her death at the age of fifty-nine, Jordan remained engaged with the cause of justice and creating common ground, proving that Black women could lead the country through challenging times.

No change in the law alone could guarantee the election of Black leaders. It took courage and ambition for Barbara Jordan to break into politics. This important new biography explores the personal and the political dimensions of Jordan's life, showing how she navigated the extraordinary pressures of office while seeking to use persuasion, governance, and popular politics as instruments of social change and betterment.


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]]> Mary Ellen Curtin, "She Changed the Nation: Barbara Jordan's Life and Legacy in Black Politics" (U Pennsylvania Press, 2024) New Books Network 01:06:21 During her keynote speech at the 1976 Democratic Party convention, Barbara Jordan of Texas stood before a rapt audience and reflected on where Americans stood in that bicentennial year. "Are we to be one people bound together by a common spirit, sharing in a common endeavor, or will we become a divided nation? For all of its uncertainty, we cannot flee the future." The civil rights movement had changed American politics by opening up elected office to a new generation of Black leaders, including Jordan, the first Black woman from the South to serve in Congress. Though her life in elected politics lasted only twelve years, in that short time, Jordan changed the nation by showing that Black women could lead their party and legislate on behalf of what she called "the common good." In She Changed the Nation: Barbara Jordan's Life and Legacy in Black Politics (U Pennsylvania Press, 2024), biographer Mary Ellen Curtin offers a new portrait of Jordan and her journey from segregated Houston, Texas, to Washington, DC, where she made her mark during the Watergate crisis by eloquently calling for the impeachment of President Nixon. Recognized as one of the greatest orators of modern America, Jordan inspired millions, and Black women became her most ardent supporters. Many assumed Jordan would rise higher and become a US senator, Speaker of the House, or a Supreme Court justice. But illness and disability, along with the obstacles she faced as a Black woman, led to Jordan's untimely retirement from elected office--though not from public life. Until her death at the age of fifty-nine, Jordan remained engaged with the cause of justice and creating common ground, proving that Black women could lead the country through challenging times. No change in the law alone could guarantee the election of Black leaders. It took courage and ambition for Barbara Jordan to break into politics. This important new biography explores the personal and the political dimensions of Jordan's life, showing how she navigated the extraordinary pressures of office while seeking to use persuasion, governance, and popular politics as instruments of social change and betterment. During her keynote speech at the 1976 Democratic Party convention, Barbara Jordan of Texas stood before a rapt audience and reflected on where Americans stood in that bicentennial year. "Are we to be one people bound together by a common spirit, sharing in a common endeavor, or will we become a divided nation? For all of its uncertainty, we cannot flee the future." The civil rights movement had changed American politics by opening up elected office to a new generation of Black leaders, including Jordan, the first Black woman from the South to serve in Congress. Though her life in elected politics lasted only twelve years, in that short time, Jordan changed the nation by showing that Black women could lead their party and legislate on behalf of what she called "the common good." In She Changed the Nation: Barbara Jordan's Life and Legacy in Black Politics (U Pennsylvania Press, 2024), biographer Mary Ellen Curtin offers a new portrait of Jordan and her journey from segregated Houston, Texas, to Washington, DC, where she made her mark during the Watergate crisis by eloquently calling for the impeachment of President Nixon. Recognized as one of the greatest orators of modern America, Jordan inspired millions, and Black women became her most ardent supporters. Many assumed Jordan would rise higher and become a US senator, Speaker of the House, or a Supreme Court justice. But illness and disability, along with the obstacles she faced as a Black woman, led to Jordan's untimely retirement from elected office--though not from public life. Until her death at the age of fifty-nine, Jordan remained engaged with the cause of justice and creating common ground, proving that Black women could lead the country through challenging times. No change in the law alone could guarantee the election of Black leaders. It took courage and ambition for Barbara Jordan to break into politics. This important new biography explores the personal and the political dimensions of Jordan's life, showing how she navigated the extraordinary pressures of office while seeking to use persuasion, governance, and popular politics as instruments of social change and betterment. false full 266 5fb64806-ab4a-11ef-86f2-7b92f7612a53 Sabrina Strings, "The End of Love: Racism, Sexism, and the Death of Romance" (Beacon Press, 2024) More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.

Connecting the past to the present, in The End of Love: Racism, Sexism, and the Death of Romance (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.

Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Wed, 27 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.

Connecting the past to the present, in The End of Love: Racism, Sexism, and the Death of Romance (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.

Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sabrina Strings, "The End of Love: Racism, Sexism, and the Death of Romance" (Beacon Press, 2024) New Books Network 00:31:58 More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness. Connecting the past to the present, in The End of Love: Racism, Sexism, and the Death of Romance (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces. Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness. Connecting the past to the present, in The End of Love: Racism, Sexism, and the Death of Romance (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces. Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 43 b92833be-9393-11ef-bf3a-9bd599f70a4a Julia Kelto Lillis, "Virgin Territory: Configuring Female Virginity in Early Christianity" (U California Press, 2022) Women's virginity held tremendous significance in early Christianity and the Mediterranean world. Early Christian thinkers developed diverse definitions of virginity and understood its bodily aspects in surprising, often nonanatomical ways. Eventually Christians took part in a cross-cultural shift toward viewing virginity as something that could be perceived in women's sex organs. Treating virginity as anatomical brought both benefits and costs. By charting this change and situating it in the larger landscape of ancient thought, Virgin Territory: Configuring Female Virginity in Early Christianity (University of California Press, 2022) illuminates unrecognized differences among early Christian sources and historicizes problematic ideas about women's bodies that still persist today.

New Books in Late Antiquity is presented by Ancient Jew Review

Julia Kelto Lillis is Assistant Professor of Early Church History at Union Theological Seminary

Michael Motia teaches in Classics and Religious Studies at UMass Boston


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]]> Mon, 25 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women's virginity held tremendous significance in early Christianity and the Mediterranean world. Early Christian thinkers developed diverse definitions of virginity and understood its bodily aspects in surprising, often nonanatomical ways. Eventually Christians took part in a cross-cultural shift toward viewing virginity as something that could be perceived in women's sex organs. Treating virginity as anatomical brought both benefits and costs. By charting this change and situating it in the larger landscape of ancient thought, Virgin Territory: Configuring Female Virginity in Early Christianity (University of California Press, 2022) illuminates unrecognized differences among early Christian sources and historicizes problematic ideas about women's bodies that still persist today.

New Books in Late Antiquity is presented by Ancient Jew Review

Julia Kelto Lillis is Assistant Professor of Early Church History at Union Theological Seminary

Michael Motia teaches in Classics and Religious Studies at UMass Boston


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]]> Julia Kelto Lillis, "Virgin Territory: Configuring Female Virginity in Early Christianity" (U California Press, 2022) New Books Network 01:00:37 Women's virginity held tremendous significance in early Christianity and the Mediterranean world. Early Christian thinkers developed diverse definitions of virginity and understood its bodily aspects in surprising, often nonanatomical ways. Eventually Christians took part in a cross-cultural shift toward viewing virginity as something that could be perceived in women's sex organs. Treating virginity as anatomical brought both benefits and costs. By charting this change and situating it in the larger landscape of ancient thought, Virgin Territory: Configuring Female Virginity in Early Christianity (University of California Press, 2022) illuminates unrecognized differences among early Christian sources and historicizes problematic ideas about women's bodies that still persist today. New Books in Late Antiquity is presented by Ancient Jew Review Julia Kelto Lillis is Assistant Professor of Early Church History at Union Theological Seminary Michael Motia teaches in Classics and Religious Studies at UMass Boston Women's virginity held tremendous significance in early Christianity and the Mediterranean world. Early Christian thinkers developed diverse definitions of virginity and understood its bodily aspects in surprising, often nonanatomical ways. Eventually Christians took part in a cross-cultural shift toward viewing virginity as something that could be perceived in women's sex organs. Treating virginity as anatomical brought both benefits and costs. By charting this change and situating it in the larger landscape of ancient thought, Virgin Territory: Configuring Female Virginity in Early Christianity (University of California Press, 2022) illuminates unrecognized differences among early Christian sources and historicizes problematic ideas about women's bodies that still persist today. New Books in Late Antiquity is presented by Ancient Jew Review Julia Kelto Lillis is Assistant Professor of Early Church History at Union Theological Seminary Michael Motia teaches in Classics and Religious Studies at UMass Boston false full 282 0c24a796-a9d8-11ef-aa72-dfbf0c25c0ca Steve J. Shone, "Dangerous Anarchist Strikers" (Brill, 2023) Dangerous Anarchist Strikers (Brill, 2023) explores the ideas of three largely forgotten radical women who participated in labor union strikes in Argentina and Uruguay, Canada, and the United States: Virginia Bolten (c.1876-1960), one of the most militant anarchists of southern South America; Helen Armstrong (1875-1947), a major leader of the Winnipeg General Strike of 1919, whose involvement in that important event in Canadian history was, for a long time, obscured by accounts that emphasized the accomplishments of men; and Elizabeth Gurley Flynn (1890-1964), the Wobbly leader who directed many industrial strikes throughout the United States, and was one of the founders of the American Civil Liberties Union, who eventually became the leader of the Communist Party, USA. It also examines the contributions of two similarly neglected anarchist men who participated in labor union strikes and industrial action in New Zealand, Australia, Chile, Argentina, and Japan. Tom Barker (1887-1970) was an anarchist who eventually became a socialist who worked to promote labor unionism on four continents and who tried to create a global One Big Union for sailors. Kōtoku, Shūsui (1871-1911) was a liberal who became a socialist and finally an anarchist. An opponent of governmental imperialism and ecological mismanagement, he studied and translated the works of Western thinkers and sought to apply what he learned from other cultures to the development of Japan.

Steve J. Shone is Lecturer in Political Science at Texas A&M University-Kingsville. He received his Ph.D. (1992) in political science from the University of California-Riverside. He has taught at Winona State University, Gonzaga University, and the University of Texas-Rio Grande Valley. He is the author of Lysander Spooner: American Anarchist(Lexington Books, 2010), American Anarchism (Brill, 2013), Women of Liberty (Brill, 2019), and Rose Summerfield: Australian Radical (Lexington Books, 2022).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Mon, 25 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Dangerous Anarchist Strikers (Brill, 2023) explores the ideas of three largely forgotten radical women who participated in labor union strikes in Argentina and Uruguay, Canada, and the United States: Virginia Bolten (c.1876-1960), one of the most militant anarchists of southern South America; Helen Armstrong (1875-1947), a major leader of the Winnipeg General Strike of 1919, whose involvement in that important event in Canadian history was, for a long time, obscured by accounts that emphasized the accomplishments of men; and Elizabeth Gurley Flynn (1890-1964), the Wobbly leader who directed many industrial strikes throughout the United States, and was one of the founders of the American Civil Liberties Union, who eventually became the leader of the Communist Party, USA. It also examines the contributions of two similarly neglected anarchist men who participated in labor union strikes and industrial action in New Zealand, Australia, Chile, Argentina, and Japan. Tom Barker (1887-1970) was an anarchist who eventually became a socialist who worked to promote labor unionism on four continents and who tried to create a global One Big Union for sailors. Kōtoku, Shūsui (1871-1911) was a liberal who became a socialist and finally an anarchist. An opponent of governmental imperialism and ecological mismanagement, he studied and translated the works of Western thinkers and sought to apply what he learned from other cultures to the development of Japan.

Steve J. Shone is Lecturer in Political Science at Texas A&M University-Kingsville. He received his Ph.D. (1992) in political science from the University of California-Riverside. He has taught at Winona State University, Gonzaga University, and the University of Texas-Rio Grande Valley. He is the author of Lysander Spooner: American Anarchist(Lexington Books, 2010), American Anarchism (Brill, 2013), Women of Liberty (Brill, 2019), and Rose Summerfield: Australian Radical (Lexington Books, 2022).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Steve J. Shone, "Dangerous Anarchist Strikers" (Brill, 2023) New Books Network 00:42:08 Dangerous Anarchist Strikers (Brill, 2023) explores the ideas of three largely forgotten radical women who participated in labor union strikes in Argentina and Uruguay, Canada, and the United States: Virginia Bolten (c.1876-1960), one of the most militant anarchists of southern South America; Helen Armstrong (1875-1947), a major leader of the Winnipeg General Strike of 1919, whose involvement in that important event in Canadian history was, for a long time, obscured by accounts that emphasized the accomplishments of men; and Elizabeth Gurley Flynn (1890-1964), the Wobbly leader who directed many industrial strikes throughout the United States, and was one of the founders of the American Civil Liberties Union, who eventually became the leader of the Communist Party, USA. It also examines the contributions of two similarly neglected anarchist men who participated in labor union strikes and industrial action in New Zealand, Australia, Chile, Argentina, and Japan. Tom Barker (1887-1970) was an anarchist who eventually became a socialist who worked to promote labor unionism on four continents and who tried to create a global One Big Union for sailors. Kōtoku, Shūsui (1871-1911) was a liberal who became a socialist and finally an anarchist. An opponent of governmental imperialism and ecological mismanagement, he studied and translated the works of Western thinkers and sought to apply what he learned from other cultures to the development of Japan. Steve J. Shone is Lecturer in Political Science at Texas A&M University-Kingsville. He received his Ph.D. (1992) in political science from the University of California-Riverside. He has taught at Winona State University, Gonzaga University, and the University of Texas-Rio Grande Valley. He is the author of Lysander Spooner: American Anarchist(Lexington Books, 2010), American Anarchism (Brill, 2013), Women of Liberty (Brill, 2019), and Rose Summerfield: Australian Radical (Lexington Books, 2022). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Dangerous Anarchist Strikers (Brill, 2023) explores the ideas of three largely forgotten radical women who participated in labor union strikes in Argentina and Uruguay, Canada, and the United States: Virginia Bolten (c.1876-1960), one of the most militant anarchists of southern South America; Helen Armstrong (1875-1947), a major leader of the Winnipeg General Strike of 1919, whose involvement in that important event in Canadian history was, for a long time, obscured by accounts that emphasized the accomplishments of men; and Elizabeth Gurley Flynn (1890-1964), the Wobbly leader who directed many industrial strikes throughout the United States, and was one of the founders of the American Civil Liberties Union, who eventually became the leader of the Communist Party, USA. It also examines the contributions of two similarly neglected anarchist men who participated in labor union strikes and industrial action in New Zealand, Australia, Chile, Argentina, and Japan. Tom Barker (1887-1970) was an anarchist who eventually became a socialist who worked to promote labor unionism on four continents and who tried to create a global One Big Union for sailors. Kōtoku, Shūsui (1871-1911) was a liberal who became a socialist and finally an anarchist. An opponent of governmental imperialism and ecological mismanagement, he studied and translated the works of Western thinkers and sought to apply what he learned from other cultures to the development of Japan. Steve J. Shone is Lecturer in Political Science at Texas A&M University-Kingsville. He received his Ph.D. (1992) in political science from the University of California-Riverside. He has taught at Winona State University, Gonzaga University, and the University of Texas-Rio Grande Valley. He is the author of Lysander Spooner: American Anarchist(Lexington Books, 2010), American Anarchism (Brill, 2013), Women of Liberty (Brill, 2019), and Rose Summerfield: Australian Radical (Lexington Books, 2022). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. false full 106 1cf7eecc-a8f0-11ef-9717-cf323930d4c9 Elizabeth Garner Masarik, "The Sentimental State: How Women-Led Reform Built the American Welfare State" (U Georgia Press, 2024) With The Sentimental State: How Women-Led Reform Built the American Welfare State (University of Georgia Press, 2024), Dr. Elizabeth Garner Masarik shows how middle-class women, both white and Black, harnessed the nineteenth-century “culture of sentiment” to generate political action in the Progressive Era. While eighteenth-century rationalism had relied upon the development of the analytic mind as the basis for acquiring truth, nineteenth-century sentimentalism hinged upon human emotional responses and the public’s capacity to feel sympathy to establish morally based truth and build support for improving the welfare of women and children.


Sentimentalism marched right alongside women’s steps into the public sphere of political action. The concerns over infant mortality and the “fall” of young women intertwined with sentimentalism to elicit public action in the formation of the American welfare state. The work of voluntary and paid female reformers during the late-nineteenth and early-twentieth centuries shaped what would become lasting collaborations between grassroots voluntary organizations and the national government.


Women saw a social need, filled it, and cobbled together a network of voluntary organizations that tapped state funding and support when available. Their work provided safeguards for women and children and created a network of female-oriented programs that both aided and policed women of child-bearing age at the turn of the twentieth century. Through an examination of these reform programs, Dr. Masarik demonstrates the strong connection between nineteenth-century sentimental culture and female political action, advocating government support for infant and maternal welfare, in the twentieth century.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 24 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com With The Sentimental State: How Women-Led Reform Built the American Welfare State (University of Georgia Press, 2024), Dr. Elizabeth Garner Masarik shows how middle-class women, both white and Black, harnessed the nineteenth-century “culture of sentiment” to generate political action in the Progressive Era. While eighteenth-century rationalism had relied upon the development of the analytic mind as the basis for acquiring truth, nineteenth-century sentimentalism hinged upon human emotional responses and the public’s capacity to feel sympathy to establish morally based truth and build support for improving the welfare of women and children.


Sentimentalism marched right alongside women’s steps into the public sphere of political action. The concerns over infant mortality and the “fall” of young women intertwined with sentimentalism to elicit public action in the formation of the American welfare state. The work of voluntary and paid female reformers during the late-nineteenth and early-twentieth centuries shaped what would become lasting collaborations between grassroots voluntary organizations and the national government.


Women saw a social need, filled it, and cobbled together a network of voluntary organizations that tapped state funding and support when available. Their work provided safeguards for women and children and created a network of female-oriented programs that both aided and policed women of child-bearing age at the turn of the twentieth century. Through an examination of these reform programs, Dr. Masarik demonstrates the strong connection between nineteenth-century sentimental culture and female political action, advocating government support for infant and maternal welfare, in the twentieth century.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Elizabeth Garner Masarik, "The Sentimental State: How Women-Led Reform Built the American Welfare State" (U Georgia Press, 2024) New Books Network 01:00:37 With The Sentimental State: How Women-Led Reform Built the American Welfare State (University of Georgia Press, 2024), Dr. Elizabeth Garner Masarik shows how middle-class women, both white and Black, harnessed the nineteenth-century “culture of sentiment” to generate political action in the Progressive Era. While eighteenth-century rationalism had relied upon the development of the analytic mind as the basis for acquiring truth, nineteenth-century sentimentalism hinged upon human emotional responses and the public’s capacity to feel sympathy to establish morally based truth and build support for improving the welfare of women and children. Sentimentalism marched right alongside women’s steps into the public sphere of political action. The concerns over infant mortality and the “fall” of young women intertwined with sentimentalism to elicit public action in the formation of the American welfare state. The work of voluntary and paid female reformers during the late-nineteenth and early-twentieth centuries shaped what would become lasting collaborations between grassroots voluntary organizations and the national government. Women saw a social need, filled it, and cobbled together a network of voluntary organizations that tapped state funding and support when available. Their work provided safeguards for women and children and created a network of female-oriented programs that both aided and policed women of child-bearing age at the turn of the twentieth century. Through an examination of these reform programs, Dr. Masarik demonstrates the strong connection between nineteenth-century sentimental culture and female political action, advocating government support for infant and maternal welfare, in the twentieth century. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. With The Sentimental State: How Women-Led Reform Built the American Welfare State (University of Georgia Press, 2024), Dr. Elizabeth Garner Masarik shows how middle-class women, both white and Black, harnessed the nineteenth-century “culture of sentiment” to generate political action in the Progressive Era. While eighteenth-century rationalism had relied upon the development of the analytic mind as the basis for acquiring truth, nineteenth-century sentimentalism hinged upon human emotional responses and the public’s capacity to feel sympathy to establish morally based truth and build support for improving the welfare of women and children. Sentimentalism marched right alongside women’s steps into the public sphere of political action. The concerns over infant mortality and the “fall” of young women intertwined with sentimentalism to elicit public action in the formation of the American welfare state. The work of voluntary and paid female reformers during the late-nineteenth and early-twentieth centuries shaped what would become lasting collaborations between grassroots voluntary organizations and the national government. Women saw a social need, filled it, and cobbled together a network of voluntary organizations that tapped state funding and support when available. Their work provided safeguards for women and children and created a network of female-oriented programs that both aided and policed women of child-bearing age at the turn of the twentieth century. Through an examination of these reform programs, Dr. Masarik demonstrates the strong connection between nineteenth-century sentimental culture and female political action, advocating government support for infant and maternal welfare, in the twentieth century. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 1504 6fcddb36-a763-11ef-b7f9-5b647f919802 Robin Phillips and Joshua Pauling, "Are We All Cyborgs Now?: Reclaiming Our Humanity from the Machine" (Basilian Media, 2024) All We All Cyborgs Now? (Basilian Media, 2024) is a series of 32 short essay-length reflections on "Reclaiming Our Humanity from the Machine." Now is an excellent time to be thinking about our relationship with technologies, digital and non-digital alike. Written from a Christian perspective, this book engages prior works on technology, and offers its own useful perspective on key problems of the technological moment in which we find ourselves.

Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT.


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]]> Fri, 22 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com All We All Cyborgs Now? (Basilian Media, 2024) is a series of 32 short essay-length reflections on "Reclaiming Our Humanity from the Machine." Now is an excellent time to be thinking about our relationship with technologies, digital and non-digital alike. Written from a Christian perspective, this book engages prior works on technology, and offers its own useful perspective on key problems of the technological moment in which we find ourselves.

Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT.


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]]> Robin Phillips and Joshua Pauling, "Are We All Cyborgs Now?: Reclaiming Our Humanity from the Machine" (Basilian Media, 2024) New Books Network 00:55:24 All We All Cyborgs Now? (Basilian Media, 2024) is a series of 32 short essay-length reflections on "Reclaiming Our Humanity from the Machine." Now is an excellent time to be thinking about our relationship with technologies, digital and non-digital alike. Written from a Christian perspective, this book engages prior works on technology, and offers its own useful perspective on key problems of the technological moment in which we find ourselves. Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. All We All Cyborgs Now? (Basilian Media, 2024) is a series of 32 short essay-length reflections on "Reclaiming Our Humanity from the Machine." Now is an excellent time to be thinking about our relationship with technologies, digital and non-digital alike. Written from a Christian perspective, this book engages prior works on technology, and offers its own useful perspective on key problems of the technological moment in which we find ourselves. Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. false full 194 94c9f370-a763-11ef-909b-e3e41bb1de70 Serene Khader, "Faux Feminism: Why We Fall for White Feminism and How We Can Stop" (Beacon Press, 2024) After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism: Why We Fall for White Feminism and How We Can Stop (Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future.

A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about:

–The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality.

–The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations.

–The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation.

–The Restriction Myth: The flawed belief that feminism is a fight against social restrictions.

–The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women.

In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn.

Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community.

Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center.

Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY.


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]]> Thu, 21 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism: Why We Fall for White Feminism and How We Can Stop (Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future.

A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about:

–The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality.

–The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations.

–The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation.

–The Restriction Myth: The flawed belief that feminism is a fight against social restrictions.

–The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women.

In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn.

Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community.

Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center.

Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY.


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]]> Serene Khader, "Faux Feminism: Why We Fall for White Feminism and How We Can Stop" (Beacon Press, 2024) New Books Network 00:58:48 After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism: Why We Fall for White Feminism and How We Can Stop (Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future. A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about: –The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality. –The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations. –The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation. –The Restriction Myth: The flawed belief that feminism is a fight against social restrictions. –The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women. In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn. Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community. Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center. Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY. After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism: Why We Fall for White Feminism and How We Can Stop (Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future. A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about: –The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality. –The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations. –The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation. –The Restriction Myth: The flawed belief that feminism is a fight against social restrictions. –The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women. In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn. Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community. Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center. Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY. false full 195 2a9ffade-a520-11ef-aefb-3f3830c493a3 Ramie Targoff, "Shakespeare's Sisters: Four Women Who Wrote the Renaissance" (Knopf, 2024) In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare

In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles.

These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Wed, 20 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare

In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles.

These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Ramie Targoff, "Shakespeare's Sisters: Four Women Who Wrote the Renaissance" (Knopf, 2024) New Books Network 00:33:27 In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. In Shakespeare's Sisters: Four Women Who Wrote the Renaissance (Knopf, 2024) by Dr. Ramie Targoff, discover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of Shakespeare In an innovative and engaging narrative of everyday life in Shakespeare's England, Dr. Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Dr. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 103 153a2792-a4f7-11ef-96a6-432282bbb708 Park Jeong-Mi, "The State's Sexuality: Prostitution and Postcolonial Nation Building in South Korea" (U California Press, 2024) The State's Sexuality: Prostitution and Postcolonial Nation Building in South Korea (University of California Press, 2024) by Dr. Park Jeong-Mi uncovers how the lives and work of women engaged in prostitution, long considered the most abased members of society, have been strategically intertwined with the lofty purpose of building South Korea's postcolonial nation-state.

Through a complicated, contradictory patchwork of laws and regulations, which Dr. Park conceptualizes as a "toleration-regulation regime," the South Korean state did not merely exclude sex workers from ordinary citizenship; it also mobilized them for national security, national development, and the making of a gendered citizenry. In the process, the newly independent state was constructed, augmented, and consolidated. Sex workers often protested such draconian policies and sometimes utilized state apparatuses to get recognition as citizens. Based on expansive, meticulous archival research and sophisticated interpretation of historical records and women's voices, Dr. Park rewrites the dynamic history of South Korea from 1945 to the present through the lens of prostitution.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Tue, 19 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The State's Sexuality: Prostitution and Postcolonial Nation Building in South Korea (University of California Press, 2024) by Dr. Park Jeong-Mi uncovers how the lives and work of women engaged in prostitution, long considered the most abased members of society, have been strategically intertwined with the lofty purpose of building South Korea's postcolonial nation-state.

Through a complicated, contradictory patchwork of laws and regulations, which Dr. Park conceptualizes as a "toleration-regulation regime," the South Korean state did not merely exclude sex workers from ordinary citizenship; it also mobilized them for national security, national development, and the making of a gendered citizenry. In the process, the newly independent state was constructed, augmented, and consolidated. Sex workers often protested such draconian policies and sometimes utilized state apparatuses to get recognition as citizens. Based on expansive, meticulous archival research and sophisticated interpretation of historical records and women's voices, Dr. Park rewrites the dynamic history of South Korea from 1945 to the present through the lens of prostitution.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Park Jeong-Mi, "The State's Sexuality: Prostitution and Postcolonial Nation Building in South Korea" (U California Press, 2024) New Books Network 00:57:45 The State's Sexuality: Prostitution and Postcolonial Nation Building in South Korea (University of California Press, 2024) by Dr. Park Jeong-Mi uncovers how the lives and work of women engaged in prostitution, long considered the most abased members of society, have been strategically intertwined with the lofty purpose of building South Korea's postcolonial nation-state. Through a complicated, contradictory patchwork of laws and regulations, which Dr. Park conceptualizes as a "toleration-regulation regime," the South Korean state did not merely exclude sex workers from ordinary citizenship; it also mobilized them for national security, national development, and the making of a gendered citizenry. In the process, the newly independent state was constructed, augmented, and consolidated. Sex workers often protested such draconian policies and sometimes utilized state apparatuses to get recognition as citizens. Based on expansive, meticulous archival research and sophisticated interpretation of historical records and women's voices, Dr. Park rewrites the dynamic history of South Korea from 1945 to the present through the lens of prostitution. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. The State's Sexuality: Prostitution and Postcolonial Nation Building in South Korea (University of California Press, 2024) by Dr. Park Jeong-Mi uncovers how the lives and work of women engaged in prostitution, long considered the most abased members of society, have been strategically intertwined with the lofty purpose of building South Korea's postcolonial nation-state. Through a complicated, contradictory patchwork of laws and regulations, which Dr. Park conceptualizes as a "toleration-regulation regime," the South Korean state did not merely exclude sex workers from ordinary citizenship; it also mobilized them for national security, national development, and the making of a gendered citizenry. In the process, the newly independent state was constructed, augmented, and consolidated. Sex workers often protested such draconian policies and sometimes utilized state apparatuses to get recognition as citizens. Based on expansive, meticulous archival research and sophisticated interpretation of historical records and women's voices, Dr. Park rewrites the dynamic history of South Korea from 1945 to the present through the lens of prostitution. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 12 df449420-a455-11ef-a0e4-8b2c6e45698e Connie DeNave, "The Image Maker: Shattering Rock and Roll's Glass" (2023) In The Image Maker: Shattering Rock and Roll's Glass Ceiling (2023), Connie DeNave shares her experiences in the public relations world during the British Invasion and the beginning of rock-n-roll marketing. Born in Brooklyn, New York, DeNave graduated from Hunter College and found herself with no job skills. Throughout the mid-1950s to the 1980s, DeNave was rock and roll's first female press agent powerhouse. She revolutionized the public relations business at a time when it was an old boys' club. And she did this all with her—previously unheard of—all female staff. She crashed through the glass ceiling of the music business and represented some of the most influential and popular artists of their time. Her portfolio includes The Rolling Stones, Faces, Herman's Hermits, Dick Clark, Chubby Checker, Nat King Cole, Bobby Darin, and Dusty Springfield. DeNave's memoir examines what it meant to be a women in business at a time when women couldn't even get a credit card. She shares her experiences in the entertainment business and the importance of press agents and public relations in creating a star. 


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]]> Mon, 18 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In The Image Maker: Shattering Rock and Roll's Glass Ceiling (2023), Connie DeNave shares her experiences in the public relations world during the British Invasion and the beginning of rock-n-roll marketing. Born in Brooklyn, New York, DeNave graduated from Hunter College and found herself with no job skills. Throughout the mid-1950s to the 1980s, DeNave was rock and roll's first female press agent powerhouse. She revolutionized the public relations business at a time when it was an old boys' club. And she did this all with her—previously unheard of—all female staff. She crashed through the glass ceiling of the music business and represented some of the most influential and popular artists of their time. Her portfolio includes The Rolling Stones, Faces, Herman's Hermits, Dick Clark, Chubby Checker, Nat King Cole, Bobby Darin, and Dusty Springfield. DeNave's memoir examines what it meant to be a women in business at a time when women couldn't even get a credit card. She shares her experiences in the entertainment business and the importance of press agents and public relations in creating a star. 


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]]> Connie DeNave, "The Image Maker: Shattering Rock and Roll's Glass" (2023) New Books Network 00:54:00 In The Image Maker: Shattering Rock and Roll's Glass Ceiling (2023), Connie DeNave shares her experiences in the public relations world during the British Invasion and the beginning of rock-n-roll marketing. Born in Brooklyn, New York, DeNave graduated from Hunter College and found herself with no job skills. Throughout the mid-1950s to the 1980s, DeNave was rock and roll's first female press agent powerhouse. She revolutionized the public relations business at a time when it was an old boys' club. And she did this all with her—previously unheard of—all female staff. She crashed through the glass ceiling of the music business and represented some of the most influential and popular artists of their time. Her portfolio includes The Rolling Stones, Faces, Herman's Hermits, Dick Clark, Chubby Checker, Nat King Cole, Bobby Darin, and Dusty Springfield. DeNave's memoir examines what it meant to be a women in business at a time when women couldn't even get a credit card. She shares her experiences in the entertainment business and the importance of press agents and public relations in creating a star.  In The Image Maker: Shattering Rock and Roll's Glass Ceiling (2023), Connie DeNave shares her experiences in the public relations world during the British Invasion and the beginning of rock-n-roll marketing. Born in Brooklyn, New York, DeNave graduated from Hunter College and found herself with no job skills. Throughout the mid-1950s to the 1980s, DeNave was rock and roll's first female press agent powerhouse. She revolutionized the public relations business at a time when it was an old boys' club. And she did this all with her—previously unheard of—all female staff. She crashed through the glass ceiling of the music business and represented some of the most influential and popular artists of their time. Her portfolio includes The Rolling Stones, Faces, Herman's Hermits, Dick Clark, Chubby Checker, Nat King Cole, Bobby Darin, and Dusty Springfield. DeNave's memoir examines what it meant to be a women in business at a time when women couldn't even get a credit card. She shares her experiences in the entertainment business and the importance of press agents and public relations in creating a star.  false full 201 a1365164-a44b-11ef-a6c4-8b551f58674d Laura F. Edwards, "Only the Clothes on Her Back: Clothing and the Hidden History of Power in the Nineteenth-Century United States" (Oxford UP, 2022) What can dresses, bedlinens, waistcoats, pantaloons, shoes, and kerchiefs tell us about the legal status of the least powerful members of American society? In the hands of eminent historian Laura F. Edwards, these textiles tell a revealing story of ordinary people and how they made use of their material goods' economic and legal value in the period between the Revolution and the Civil War.

Only the Clothes on Her Back: Clothing and the Hidden History of Power in the Nineteenth-Century United States (Oxford University Press, 2022) by Dr. Laura F. Edwards uncovers practices, commonly known then, but now long forgotten, which made textiles—clothing, cloth, bedding, and accessories, such as shoes and hats—a unique form of property that people without rights could own and exchange. The value of textiles depended on law, and it was law that turned these goods into a secure form of property for marginalized people, who not only used these textiles as currency, credit, and capital, but also as entree into the new republic's economy and governing institutions. Dr. Edwards grounds the laws relating to textiles in engaging stories from the lives of everyday Americans. Wives wove linen and kept the proceeds, enslaved people traded coats and shoes, and poor people invested in fabrics, which they carefully preserved in trunks. Dr. Edwards shows that these stories are about far more than cloth and clothing; they reshape our understanding of law and the economy in America.

Based on painstaking archival research from fifteen states, Only the Clothes on Her Back reconstructs this hidden history of power, tracing it from the governing order of the early republic in which textiles' legal principles flourished to the textiles' legal downfall in the mid-nineteenth century when they were crowded out by the rising power of rights.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Mon, 18 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What can dresses, bedlinens, waistcoats, pantaloons, shoes, and kerchiefs tell us about the legal status of the least powerful members of American society? In the hands of eminent historian Laura F. Edwards, these textiles tell a revealing story of ordinary people and how they made use of their material goods' economic and legal value in the period between the Revolution and the Civil War.

Only the Clothes on Her Back: Clothing and the Hidden History of Power in the Nineteenth-Century United States (Oxford University Press, 2022) by Dr. Laura F. Edwards uncovers practices, commonly known then, but now long forgotten, which made textiles—clothing, cloth, bedding, and accessories, such as shoes and hats—a unique form of property that people without rights could own and exchange. The value of textiles depended on law, and it was law that turned these goods into a secure form of property for marginalized people, who not only used these textiles as currency, credit, and capital, but also as entree into the new republic's economy and governing institutions. Dr. Edwards grounds the laws relating to textiles in engaging stories from the lives of everyday Americans. Wives wove linen and kept the proceeds, enslaved people traded coats and shoes, and poor people invested in fabrics, which they carefully preserved in trunks. Dr. Edwards shows that these stories are about far more than cloth and clothing; they reshape our understanding of law and the economy in America.

Based on painstaking archival research from fifteen states, Only the Clothes on Her Back reconstructs this hidden history of power, tracing it from the governing order of the early republic in which textiles' legal principles flourished to the textiles' legal downfall in the mid-nineteenth century when they were crowded out by the rising power of rights.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Laura F. Edwards, "Only the Clothes on Her Back: Clothing and the Hidden History of Power in the Nineteenth-Century United States" (Oxford UP, 2022) New Books Network 00:54:30 What can dresses, bedlinens, waistcoats, pantaloons, shoes, and kerchiefs tell us about the legal status of the least powerful members of American society? In the hands of eminent historian Laura F. Edwards, these textiles tell a revealing story of ordinary people and how they made use of their material goods' economic and legal value in the period between the Revolution and the Civil War. Only the Clothes on Her Back: Clothing and the Hidden History of Power in the Nineteenth-Century United States (Oxford University Press, 2022) by Dr. Laura F. Edwards uncovers practices, commonly known then, but now long forgotten, which made textiles—clothing, cloth, bedding, and accessories, such as shoes and hats—a unique form of property that people without rights could own and exchange. The value of textiles depended on law, and it was law that turned these goods into a secure form of property for marginalized people, who not only used these textiles as currency, credit, and capital, but also as entree into the new republic's economy and governing institutions. Dr. Edwards grounds the laws relating to textiles in engaging stories from the lives of everyday Americans. Wives wove linen and kept the proceeds, enslaved people traded coats and shoes, and poor people invested in fabrics, which they carefully preserved in trunks. Dr. Edwards shows that these stories are about far more than cloth and clothing; they reshape our understanding of law and the economy in America. Based on painstaking archival research from fifteen states, Only the Clothes on Her Back reconstructs this hidden history of power, tracing it from the governing order of the early republic in which textiles' legal principles flourished to the textiles' legal downfall in the mid-nineteenth century when they were crowded out by the rising power of rights. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. What can dresses, bedlinens, waistcoats, pantaloons, shoes, and kerchiefs tell us about the legal status of the least powerful members of American society? In the hands of eminent historian Laura F. Edwards, these textiles tell a revealing story of ordinary people and how they made use of their material goods' economic and legal value in the period between the Revolution and the Civil War. Only the Clothes on Her Back: Clothing and the Hidden History of Power in the Nineteenth-Century United States (Oxford University Press, 2022) by Dr. Laura F. Edwards uncovers practices, commonly known then, but now long forgotten, which made textiles—clothing, cloth, bedding, and accessories, such as shoes and hats—a unique form of property that people without rights could own and exchange. The value of textiles depended on law, and it was law that turned these goods into a secure form of property for marginalized people, who not only used these textiles as currency, credit, and capital, but also as entree into the new republic's economy and governing institutions. Dr. Edwards grounds the laws relating to textiles in engaging stories from the lives of everyday Americans. Wives wove linen and kept the proceeds, enslaved people traded coats and shoes, and poor people invested in fabrics, which they carefully preserved in trunks. Dr. Edwards shows that these stories are about far more than cloth and clothing; they reshape our understanding of law and the economy in America. Based on painstaking archival research from fifteen states, Only the Clothes on Her Back reconstructs this hidden history of power, tracing it from the governing order of the early republic in which textiles' legal principles flourished to the textiles' legal downfall in the mid-nineteenth century when they were crowded out by the rising power of rights. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 280 f94b9a60-a434-11ef-bc09-1729fcd657de A. D. Bergin, "The Wicked of the Earth" (Northodox, 2024) October, 1650, traumatised Parliamentarian spy James Archer returns north seeking his sister Meg, missing in the aftermath of Newcastle’s recent witch trials.

Aloof, enigmatic Elizabeth Thompson draws him to investigate the ongoing killing of women who had worked to free the accused. But when Elizabeth herself becomes hunted, the only chance of escape lies in Archer setting himself as bait.

Telling the true story of England’s largest witch trial, and the extraordinary all-female campaign to free the accused, The Wicked of the Earth (Northodox, 2024) by A. D Bergin is perfect for readers of Andrew Taylor, S. G. MacLean, S. J. Parris, or C. J. Sansom.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 17 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com October, 1650, traumatised Parliamentarian spy James Archer returns north seeking his sister Meg, missing in the aftermath of Newcastle’s recent witch trials.

Aloof, enigmatic Elizabeth Thompson draws him to investigate the ongoing killing of women who had worked to free the accused. But when Elizabeth herself becomes hunted, the only chance of escape lies in Archer setting himself as bait.

Telling the true story of England’s largest witch trial, and the extraordinary all-female campaign to free the accused, The Wicked of the Earth (Northodox, 2024) by A. D Bergin is perfect for readers of Andrew Taylor, S. G. MacLean, S. J. Parris, or C. J. Sansom.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> A. D. Bergin, "The Wicked of the Earth" (Northodox, 2024) New Books Network 00:32:33 October, 1650, traumatised Parliamentarian spy James Archer returns north seeking his sister Meg, missing in the aftermath of Newcastle’s recent witch trials. Aloof, enigmatic Elizabeth Thompson draws him to investigate the ongoing killing of women who had worked to free the accused. But when Elizabeth herself becomes hunted, the only chance of escape lies in Archer setting himself as bait. Telling the true story of England’s largest witch trial, and the extraordinary all-female campaign to free the accused, The Wicked of the Earth (Northodox, 2024) by A. D Bergin is perfect for readers of Andrew Taylor, S. G. MacLean, S. J. Parris, or C. J. Sansom. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. October, 1650, traumatised Parliamentarian spy James Archer returns north seeking his sister Meg, missing in the aftermath of Newcastle’s recent witch trials. Aloof, enigmatic Elizabeth Thompson draws him to investigate the ongoing killing of women who had worked to free the accused. But when Elizabeth herself becomes hunted, the only chance of escape lies in Archer setting himself as bait. Telling the true story of England’s largest witch trial, and the extraordinary all-female campaign to free the accused, The Wicked of the Earth (Northodox, 2024) by A. D Bergin is perfect for readers of Andrew Taylor, S. G. MacLean, S. J. Parris, or C. J. Sansom. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 191 3b1c6a8c-a43f-11ef-981b-5ba717686550 Karen M. Dunak, "Our Jackie: Public Claims on a Private Life" (NYU Press, 2024) When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today.

Drawing on a range of sources– from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film– Our Jackie: Public Claims on a Private Life (NYU Press, 2024) evaluates how media coverage of Jacqueline Kennedy Onassis changed over the course of her very public life. Jackie’s interactions with and framing by the American media reflect the changing attitudes toward American womanhood. Over the course of four decades, Jackie was alternatively praised for her service to others, and pilloried for her perceived self-interest. In Our Jackie, Karen M. Dunak argues that whether she was portrayed as a campaign wife, a loyal widow, a selfish jetsetter, or a mature career woman, the history of Jackie’s highly publicized life demonstrates the ways in which news, entertainment, politics, and celebrity evolved and intertwined over the second half of the twentieth century.

Examining the intimate chronicles of this famous First Lady’s life, Our Jackie suggests that media coverage of this enigmatic public figure revealed as much about the prevailing views of women in America– how they should behave and whom they should serve– as it did about Jacqueline Kennedy Onassis as an individual.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Sun, 17 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today.

Drawing on a range of sources– from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film– Our Jackie: Public Claims on a Private Life (NYU Press, 2024) evaluates how media coverage of Jacqueline Kennedy Onassis changed over the course of her very public life. Jackie’s interactions with and framing by the American media reflect the changing attitudes toward American womanhood. Over the course of four decades, Jackie was alternatively praised for her service to others, and pilloried for her perceived self-interest. In Our Jackie, Karen M. Dunak argues that whether she was portrayed as a campaign wife, a loyal widow, a selfish jetsetter, or a mature career woman, the history of Jackie’s highly publicized life demonstrates the ways in which news, entertainment, politics, and celebrity evolved and intertwined over the second half of the twentieth century.

Examining the intimate chronicles of this famous First Lady’s life, Our Jackie suggests that media coverage of this enigmatic public figure revealed as much about the prevailing views of women in America– how they should behave and whom they should serve– as it did about Jacqueline Kennedy Onassis as an individual.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Karen M. Dunak, "Our Jackie: Public Claims on a Private Life" (NYU Press, 2024) New Books Network 00:32:14 When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today. Drawing on a range of sources– from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film– Our Jackie: Public Claims on a Private Life (NYU Press, 2024) evaluates how media coverage of Jacqueline Kennedy Onassis changed over the course of her very public life. Jackie’s interactions with and framing by the American media reflect the changing attitudes toward American womanhood. Over the course of four decades, Jackie was alternatively praised for her service to others, and pilloried for her perceived self-interest. In Our Jackie, Karen M. Dunak argues that whether she was portrayed as a campaign wife, a loyal widow, a selfish jetsetter, or a mature career woman, the history of Jackie’s highly publicized life demonstrates the ways in which news, entertainment, politics, and celebrity evolved and intertwined over the second half of the twentieth century. Examining the intimate chronicles of this famous First Lady’s life, Our Jackie suggests that media coverage of this enigmatic public figure revealed as much about the prevailing views of women in America– how they should behave and whom they should serve– as it did about Jacqueline Kennedy Onassis as an individual. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today. Drawing on a range of sources– from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film– Our Jackie: Public Claims on a Private Life (NYU Press, 2024) evaluates how media coverage of Jacqueline Kennedy Onassis changed over the course of her very public life. Jackie’s interactions with and framing by the American media reflect the changing attitudes toward American womanhood. Over the course of four decades, Jackie was alternatively praised for her service to others, and pilloried for her perceived self-interest. In Our Jackie, Karen M. Dunak argues that whether she was portrayed as a campaign wife, a loyal widow, a selfish jetsetter, or a mature career woman, the history of Jackie’s highly publicized life demonstrates the ways in which news, entertainment, politics, and celebrity evolved and intertwined over the second half of the twentieth century. Examining the intimate chronicles of this famous First Lady’s life, Our Jackie suggests that media coverage of this enigmatic public figure revealed as much about the prevailing views of women in America– how they should behave and whom they should serve– as it did about Jacqueline Kennedy Onassis as an individual. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 false full 104 33ebd854-a374-11ef-beda-63634dd9cfee Deborah Parker, "Becoming Belle Da Costa Greene: A Visionary Librarian Through Her Letters" (Villa I Tatti, 2024) In Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters (Harvard University Press, October 2024), Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large.

Deborah Parker is Professor of Italian at the University of Virginia, and her books include Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet, and Michelangelo and the Art of Letter Writing. Her writings also appear in the exhibition catalog for the Morgan Library & Museum’s centenary exhibition, Belle da Costa Greene: A Librarian’s Legacy.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.


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]]> Sat, 16 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters (Harvard University Press, October 2024), Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large.

Deborah Parker is Professor of Italian at the University of Virginia, and her books include Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet, and Michelangelo and the Art of Letter Writing. Her writings also appear in the exhibition catalog for the Morgan Library & Museum’s centenary exhibition, Belle da Costa Greene: A Librarian’s Legacy.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.


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]]> Deborah Parker, "Becoming Belle Da Costa Greene: A Visionary Librarian Through Her Letters" (Villa I Tatti, 2024) New Books Network 00:56:43 In Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters (Harvard University Press, October 2024), Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large. Deborah Parker is Professor of Italian at the University of Virginia, and her books include Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet, and Michelangelo and the Art of Letter Writing. Her writings also appear in the exhibition catalog for the Morgan Library & Museum’s centenary exhibition, Belle da Costa Greene: A Librarian’s Legacy. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. In Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters (Harvard University Press, October 2024), Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large. Deborah Parker is Professor of Italian at the University of Virginia, and her books include Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet, and Michelangelo and the Art of Letter Writing. Her writings also appear in the exhibition catalog for the Morgan Library & Museum’s centenary exhibition, Belle da Costa Greene: A Librarian’s Legacy. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. false full 77 0f22ed32-9618-11ef-9df1-ef0b469f55fd Lucian Staiano-Daniels, "The War People: A Social History of Common Soldiers during the Era of the Thirty Years War" (Cambridge UP, 2024) In The War People: A Social History of Common Soldiers during the Era of the Thirty Years War (Cambridge UP, 2024), Lucian Staino-Daniles uses the transnational story of a single regiment to examine how ordinary soldiers, military women, and officers negotiated their lives within the chaos and uncertainty of the seventeenth century. Raised in Saxony by Wolf von Mansfeld in spring 1625 in the service of the King of Spain, the Mansfeld Regiment fought for one and a half years in northern Italy before collapsing, leaving behind a trail of dead civilians, murder, internal lawsuits...and copious amounts of paperwork. Their story reveals the intricate social world of seventeenth-century mercenaries and how this influenced how they lived and fought. Through this rich microhistorical case study, Lucian Staiano-Daniels sheds new light on key seventeenth-century developments like the military revolution and the fiscal-military state, which is supported by statistical analysis drawn from hundreds of records from the Thirty Years War. This pathbreaking book unifies the study of war and conflict with social history.


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]]> Fri, 15 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In The War People: A Social History of Common Soldiers during the Era of the Thirty Years War (Cambridge UP, 2024), Lucian Staino-Daniles uses the transnational story of a single regiment to examine how ordinary soldiers, military women, and officers negotiated their lives within the chaos and uncertainty of the seventeenth century. Raised in Saxony by Wolf von Mansfeld in spring 1625 in the service of the King of Spain, the Mansfeld Regiment fought for one and a half years in northern Italy before collapsing, leaving behind a trail of dead civilians, murder, internal lawsuits...and copious amounts of paperwork. Their story reveals the intricate social world of seventeenth-century mercenaries and how this influenced how they lived and fought. Through this rich microhistorical case study, Lucian Staiano-Daniels sheds new light on key seventeenth-century developments like the military revolution and the fiscal-military state, which is supported by statistical analysis drawn from hundreds of records from the Thirty Years War. This pathbreaking book unifies the study of war and conflict with social history.


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]]> Lucian Staiano-Daniels, "The War People: A Social History of Common Soldiers during the Era of the Thirty Years War" (Cambridge UP, 2024) New Books Network 00:48:30 In The War People: A Social History of Common Soldiers during the Era of the Thirty Years War (Cambridge UP, 2024), Lucian Staino-Daniles uses the transnational story of a single regiment to examine how ordinary soldiers, military women, and officers negotiated their lives within the chaos and uncertainty of the seventeenth century. Raised in Saxony by Wolf von Mansfeld in spring 1625 in the service of the King of Spain, the Mansfeld Regiment fought for one and a half years in northern Italy before collapsing, leaving behind a trail of dead civilians, murder, internal lawsuits...and copious amounts of paperwork. Their story reveals the intricate social world of seventeenth-century mercenaries and how this influenced how they lived and fought. Through this rich microhistorical case study, Lucian Staiano-Daniels sheds new light on key seventeenth-century developments like the military revolution and the fiscal-military state, which is supported by statistical analysis drawn from hundreds of records from the Thirty Years War. This pathbreaking book unifies the study of war and conflict with social history. In The War People: A Social History of Common Soldiers during the Era of the Thirty Years War (Cambridge UP, 2024), Lucian Staino-Daniles uses the transnational story of a single regiment to examine how ordinary soldiers, military women, and officers negotiated their lives within the chaos and uncertainty of the seventeenth century. Raised in Saxony by Wolf von Mansfeld in spring 1625 in the service of the King of Spain, the Mansfeld Regiment fought for one and a half years in northern Italy before collapsing, leaving behind a trail of dead civilians, murder, internal lawsuits...and copious amounts of paperwork. Their story reveals the intricate social world of seventeenth-century mercenaries and how this influenced how they lived and fought. Through this rich microhistorical case study, Lucian Staiano-Daniels sheds new light on key seventeenth-century developments like the military revolution and the fiscal-military state, which is supported by statistical analysis drawn from hundreds of records from the Thirty Years War. This pathbreaking book unifies the study of war and conflict with social history. false full 78 f7535354-a1ed-11ef-b4ec-43de0437f7a5 We Refuse: A Forceful History of Black Resistance Today’s book is: We Refuse: A Forceful History of Black Resistance (Seal Press, 2024) by Dr. Kellie Carter Jackson.

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Dr. Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Dr. Kellie Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

Our guest is: Dr. Kellie Carter Jackson, who is the Michael and Denise Kellen ’68 Associate Professor and Chair of Africana Studies at Wellesley College. Her book Force and Freedom was a finalist for the Frederick Douglass Book Prize and the Museum of African American History Stone Book Award. She is the cohost of the Radiotopia podcast “This Day in Esoteric Political History.” She lives outside of Boston with her husband and three children.

Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Playlist for listeners:


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here.


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]]> Thu, 14 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today’s book is: We Refuse: A Forceful History of Black Resistance (Seal Press, 2024) by Dr. Kellie Carter Jackson.

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Dr. Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Dr. Kellie Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

Our guest is: Dr. Kellie Carter Jackson, who is the Michael and Denise Kellen ’68 Associate Professor and Chair of Africana Studies at Wellesley College. Her book Force and Freedom was a finalist for the Frederick Douglass Book Prize and the Museum of African American History Stone Book Award. She is the cohost of the Radiotopia podcast “This Day in Esoteric Political History.” She lives outside of Boston with her husband and three children.

Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Playlist for listeners:


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> We Refuse: A Forceful History of Black Resistance New Books Network 00:49:35 Today’s book is: We Refuse: A Forceful History of Black Resistance (Seal Press, 2024) by Dr. Kellie Carter Jackson. Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Dr. Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Dr. Kellie Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation. Our guest is: Dr. Kellie Carter Jackson, who is the Michael and Denise Kellen ’68 Associate Professor and Chair of Africana Studies at Wellesley College. Her book Force and Freedom was a finalist for the Frederick Douglass Book Prize and the Museum of African American History Stone Book Award. She is the cohost of the Radiotopia podcast “This Day in Esoteric Political History.” She lives outside of Boston with her husband and three children. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: This discussion of the book Remembering Lucille with Dr. Polly Bugros McLean This discussion of the book Running From Bondage The Social Constructions of Race: A Discussion with Dr. Brigette Fielder This discussion of the book Never Caught with Dr. Erica Armstrong Dunbar This discussion of the book Black Woman on Board with Dr. Nicol Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here. Today’s book is: We Refuse: A Forceful History of Black Resistance (Seal Press, 2024) by Dr. Kellie Carter Jackson. Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Dr. Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Dr. Kellie Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation. Our guest is: Dr. Kellie Carter Jackson, who is the Michael and Denise Kellen ’68 Associate Professor and Chair of Africana Studies at Wellesley College. Her book Force and Freedom was a finalist for the Frederick Douglass Book Prize and the Museum of African American History Stone Book Award. She is the cohost of the Radiotopia podcast “This Day in Esoteric Political History.” She lives outside of Boston with her husband and three children. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: This discussion of the book Remembering Lucille with Dr. Polly Bugros McLean This discussion of the book Running From Bondage The Social Constructions of Race: A Discussion with Dr. Brigette Fielder This discussion of the book Never Caught with Dr. Erica Armstrong Dunbar This discussion of the book Black Woman on Board with Dr. Nicol Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here. false full 241 e5ada13a-a1da-11ef-a22d-c3c2b3ab3199 Anastasia Berg and Rachel Wiseman, "What Are Children For?: On Ambivalence and Choice" (St. Martin's Press, 2024) Anastasia Berg and Rachel Wiseman's book What Are Children For?: On Ambivalence and Choice (St. Martin's Press, 2024) presents a modern argument, grounded in philosophy and cultural criticism, about childbearing ambivalence and how to overcome it.


Becoming a parent, once the expected outcome of adulthood, is increasingly viewed as a potential threat to the most basic goals and aspirations of modern life. We seek self-fulfillment; we want to liberate women to find meaning and self-worth outside the home; and we wish to protect the planet from the ravages of climate change. Weighing the pros and cons of having children, Millennials and Zoomers are finding it increasingly difficult to judge in its favor.


With lucid argument and passionate prose, Anastasia Berg and Rachel Wiseman offer the guidance necessary to move beyond uncertainty. The decision whether or not to have children, they argue, is not just a women’s issue but a basic human one. And at a time when climate change worries threaten the very legitimacy of human reproduction, Berg and Wiseman conclude that neither our personal nor collective failures ought to prevent us from embracing the fundamental goodness of human life—not only in the present but, in choosing to have children, in the future.


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]]> Tue, 12 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Anastasia Berg and Rachel Wiseman's book What Are Children For?: On Ambivalence and Choice (St. Martin's Press, 2024) presents a modern argument, grounded in philosophy and cultural criticism, about childbearing ambivalence and how to overcome it.


Becoming a parent, once the expected outcome of adulthood, is increasingly viewed as a potential threat to the most basic goals and aspirations of modern life. We seek self-fulfillment; we want to liberate women to find meaning and self-worth outside the home; and we wish to protect the planet from the ravages of climate change. Weighing the pros and cons of having children, Millennials and Zoomers are finding it increasingly difficult to judge in its favor.


With lucid argument and passionate prose, Anastasia Berg and Rachel Wiseman offer the guidance necessary to move beyond uncertainty. The decision whether or not to have children, they argue, is not just a women’s issue but a basic human one. And at a time when climate change worries threaten the very legitimacy of human reproduction, Berg and Wiseman conclude that neither our personal nor collective failures ought to prevent us from embracing the fundamental goodness of human life—not only in the present but, in choosing to have children, in the future.


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]]> Anastasia Berg and Rachel Wiseman, "What Are Children For?: On Ambivalence and Choice" (St. Martin's Press, 2024) New Books Network 00:34:36 Anastasia Berg and Rachel Wiseman's book What Are Children For?: On Ambivalence and Choice (St. Martin's Press, 2024) presents a modern argument, grounded in philosophy and cultural criticism, about childbearing ambivalence and how to overcome it. Becoming a parent, once the expected outcome of adulthood, is increasingly viewed as a potential threat to the most basic goals and aspirations of modern life. We seek self-fulfillment; we want to liberate women to find meaning and self-worth outside the home; and we wish to protect the planet from the ravages of climate change. Weighing the pros and cons of having children, Millennials and Zoomers are finding it increasingly difficult to judge in its favor. With lucid argument and passionate prose, Anastasia Berg and Rachel Wiseman offer the guidance necessary to move beyond uncertainty. The decision whether or not to have children, they argue, is not just a women’s issue but a basic human one. And at a time when climate change worries threaten the very legitimacy of human reproduction, Berg and Wiseman conclude that neither our personal nor collective failures ought to prevent us from embracing the fundamental goodness of human life—not only in the present but, in choosing to have children, in the future. Anastasia Berg and Rachel Wiseman's book What Are Children For?: On Ambivalence and Choice (St. Martin's Press, 2024) presents a modern argument, grounded in philosophy and cultural criticism, about childbearing ambivalence and how to overcome it. Becoming a parent, once the expected outcome of adulthood, is increasingly viewed as a potential threat to the most basic goals and aspirations of modern life. We seek self-fulfillment; we want to liberate women to find meaning and self-worth outside the home; and we wish to protect the planet from the ravages of climate change. Weighing the pros and cons of having children, Millennials and Zoomers are finding it increasingly difficult to judge in its favor. With lucid argument and passionate prose, Anastasia Berg and Rachel Wiseman offer the guidance necessary to move beyond uncertainty. The decision whether or not to have children, they argue, is not just a women’s issue but a basic human one. And at a time when climate change worries threaten the very legitimacy of human reproduction, Berg and Wiseman conclude that neither our personal nor collective failures ought to prevent us from embracing the fundamental goodness of human life—not only in the present but, in choosing to have children, in the future. false full 131 25da4cf2-a1d8-11ef-a9c6-2304e984b1ce Alison Stone, "Women on Philosophy of Art: Britain 1770-1900" (Oxford UP, 2024) Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. 

Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art.

Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK.


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Tue, 12 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. 

Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art.

Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK.


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Alison Stone, "Women on Philosophy of Art: Britain 1770-1900" (Oxford UP, 2024) New Books Network 00:57:10 Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled.  Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled.  Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. false full 161 0367a0e6-a29d-11ef-8528-af87d7f7b602 Roxani Krystalli, "Good Victims: The Political as a Feminist Question" (Oxford UP, 2024) In the latest edition of Ethnographic Marginalia, we talk with Roxani Krystalli about her new book Good Victims: The Political as a Feminist Question (Oxford UP, 2024). Roxani describes the dilemmas she faced in her research on encounters between those recognized as victims of the Colombian conflict and the state agencies that attend them. She also explains what makes this a feminist book—not because of a focus on gender, but a feminist sensibility that questions categories like politics and victimhood and how they influence each other. Finally, she ends by describing the books that inspired her and telling us about her new project focused on love.


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]]> Mon, 11 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the latest edition of Ethnographic Marginalia, we talk with Roxani Krystalli about her new book Good Victims: The Political as a Feminist Question (Oxford UP, 2024). Roxani describes the dilemmas she faced in her research on encounters between those recognized as victims of the Colombian conflict and the state agencies that attend them. She also explains what makes this a feminist book—not because of a focus on gender, but a feminist sensibility that questions categories like politics and victimhood and how they influence each other. Finally, she ends by describing the books that inspired her and telling us about her new project focused on love.


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]]> Roxani Krystalli, "Good Victims: The Political as a Feminist Question" (Oxford UP, 2024) New Books Network 00:54:36 In the latest edition of Ethnographic Marginalia, we talk with Roxani Krystalli about her new book Good Victims: The Political as a Feminist Question (Oxford UP, 2024). Roxani describes the dilemmas she faced in her research on encounters between those recognized as victims of the Colombian conflict and the state agencies that attend them. She also explains what makes this a feminist book—not because of a focus on gender, but a feminist sensibility that questions categories like politics and victimhood and how they influence each other. Finally, she ends by describing the books that inspired her and telling us about her new project focused on love. In the latest edition of Ethnographic Marginalia, we talk with Roxani Krystalli about her new book Good Victims: The Political as a Feminist Question (Oxford UP, 2024). Roxani describes the dilemmas she faced in her research on encounters between those recognized as victims of the Colombian conflict and the state agencies that attend them. She also explains what makes this a feminist book—not because of a focus on gender, but a feminist sensibility that questions categories like politics and victimhood and how they influence each other. Finally, she ends by describing the books that inspired her and telling us about her new project focused on love. false full 22 ae54757c-930e-11ef-9bc1-034b54f6bbd7 Eve Dunbar, "Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation" (U Minnesota Press, 2024) Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation (U Minnesota Press, 2024) offers new and insightful readings of African American women's writings in the 1930s-1950s, illustrating how these writers centered Black women's satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging.

Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers' dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women's capacity to locate satisfaction within the domestic and interpersonal.

While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people's quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women's completeness, joy, and happiness outside the bounds of normative racial inclusion.


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]]> Sun, 27 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation (U Minnesota Press, 2024) offers new and insightful readings of African American women's writings in the 1930s-1950s, illustrating how these writers centered Black women's satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging.

Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers' dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women's capacity to locate satisfaction within the domestic and interpersonal.

While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people's quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women's completeness, joy, and happiness outside the bounds of normative racial inclusion.


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]]> Eve Dunbar, "Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation" (U Minnesota Press, 2024) New Books Network 00:42:10 Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation (U Minnesota Press, 2024) offers new and insightful readings of African American women's writings in the 1930s-1950s, illustrating how these writers centered Black women's satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging. Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers' dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women's capacity to locate satisfaction within the domestic and interpersonal. While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people's quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women's completeness, joy, and happiness outside the bounds of normative racial inclusion. Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation (U Minnesota Press, 2024) offers new and insightful readings of African American women's writings in the 1930s-1950s, illustrating how these writers centered Black women's satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging. Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers' dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women's capacity to locate satisfaction within the domestic and interpersonal. While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people's quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women's completeness, joy, and happiness outside the bounds of normative racial inclusion. false full 480 8706af38-92f2-11ef-ba27-cf22605a3679 Margarette Lincoln, "Perfection: 400 Years of Women's Quest for Beauty" (Yale UP, 2024) A colourful account of women's health, beauty, and cosmetic aids, from stays and corsets to today's viral trends.

Victorian women ate arsenic to achieve an ideal, pale complexion, while in the 1790s balloon corsets were all the rage, designed to make the wearer appear pregnant. Women of the eighteenth century applied blood from a black cat's tail to problem skin, while doctors in the 1880s promoted woollen underwear to keep colds at bay. Beautification and the pursuit of health may seem all-consuming today, but their history is long and fantastically varied.

Ranging across the last four hundred years, Margarette Lincoln examines women's health and beauty in fascinating detail. Through first-hand accounts and reports of physicians, quacks, and advertising, Lincoln captures women's lived experience of consuming beauty products, and the excitement--and trauma--of adopting the latest fashion trends.

Considering everything from body sculpture, diet, and exercise to skin, teeth, and hair, Perfection: 400 Years of Women's Quest for Beauty (Yale UP, 2024) is a vibrant account of women's body-fashioning--and shows how intimately these practices are related to community and identity throughout history.


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]]> Sat, 26 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A colourful account of women's health, beauty, and cosmetic aids, from stays and corsets to today's viral trends.

Victorian women ate arsenic to achieve an ideal, pale complexion, while in the 1790s balloon corsets were all the rage, designed to make the wearer appear pregnant. Women of the eighteenth century applied blood from a black cat's tail to problem skin, while doctors in the 1880s promoted woollen underwear to keep colds at bay. Beautification and the pursuit of health may seem all-consuming today, but their history is long and fantastically varied.

Ranging across the last four hundred years, Margarette Lincoln examines women's health and beauty in fascinating detail. Through first-hand accounts and reports of physicians, quacks, and advertising, Lincoln captures women's lived experience of consuming beauty products, and the excitement--and trauma--of adopting the latest fashion trends.

Considering everything from body sculpture, diet, and exercise to skin, teeth, and hair, Perfection: 400 Years of Women's Quest for Beauty (Yale UP, 2024) is a vibrant account of women's body-fashioning--and shows how intimately these practices are related to community and identity throughout history.


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]]> Margarette Lincoln, "Perfection: 400 Years of Women's Quest for Beauty" (Yale UP, 2024) New Books Network 00:25:10 A colourful account of women's health, beauty, and cosmetic aids, from stays and corsets to today's viral trends. Victorian women ate arsenic to achieve an ideal, pale complexion, while in the 1790s balloon corsets were all the rage, designed to make the wearer appear pregnant. Women of the eighteenth century applied blood from a black cat's tail to problem skin, while doctors in the 1880s promoted woollen underwear to keep colds at bay. Beautification and the pursuit of health may seem all-consuming today, but their history is long and fantastically varied. Ranging across the last four hundred years, Margarette Lincoln examines women's health and beauty in fascinating detail. Through first-hand accounts and reports of physicians, quacks, and advertising, Lincoln captures women's lived experience of consuming beauty products, and the excitement--and trauma--of adopting the latest fashion trends. Considering everything from body sculpture, diet, and exercise to skin, teeth, and hair, Perfection: 400 Years of Women's Quest for Beauty (Yale UP, 2024) is a vibrant account of women's body-fashioning--and shows how intimately these practices are related to community and identity throughout history. A colourful account of women's health, beauty, and cosmetic aids, from stays and corsets to today's viral trends. Victorian women ate arsenic to achieve an ideal, pale complexion, while in the 1790s balloon corsets were all the rage, designed to make the wearer appear pregnant. Women of the eighteenth century applied blood from a black cat's tail to problem skin, while doctors in the 1880s promoted woollen underwear to keep colds at bay. Beautification and the pursuit of health may seem all-consuming today, but their history is long and fantastically varied. Ranging across the last four hundred years, Margarette Lincoln examines women's health and beauty in fascinating detail. Through first-hand accounts and reports of physicians, quacks, and advertising, Lincoln captures women's lived experience of consuming beauty products, and the excitement--and trauma--of adopting the latest fashion trends. Considering everything from body sculpture, diet, and exercise to skin, teeth, and hair, Perfection: 400 Years of Women's Quest for Beauty (Yale UP, 2024) is a vibrant account of women's body-fashioning--and shows how intimately these practices are related to community and identity throughout history. false full 103 70c488ac-90af-11ef-be28-6f6c50819239 Alexis Peri, "Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women" (Harvard UP, 2024) In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies.

In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided.

Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents.

A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides.


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]]> Thu, 24 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies.

In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided.

Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents.

A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides.


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]]> Alexis Peri, "Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women" (Harvard UP, 2024) New Books Network 01:12:45 In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies. In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided. Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents. A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides. In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies. In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided. Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents. A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides. false full 282 24435dba-9072-11ef-bba8-e7e61f7c9168 Arash Azizi, "What Iranians Want: Women, Life, Freedom" (Oneworld, 2024) On Tuesday 13 September 2022, all Mahsa Amini has planned is a day shopping in Tehran. Her birthday is next week. But she is arrested as she comes out of the subway – the Guidance Patrol deem her hijab inadequate. On Friday she is pronounced dead. By Sunday, women have taken to the streets across Iran, setting their headscarves on fire and cursing the Supreme Leader. Months later, workers down their tools and businesses close. The battle cry everywhere: Women, Life, Freedom. This isn’t a passing protest wave; something has changed irrevocably. 

Arash Azizi guides us through Iran ablaze, history being made in real time. From an International Women’s Day celebrated inside Iran’s most notorious prison to mass strikes in Kurdistan, ordinary Iranians are taking risks to fight for a better future. Even as the regime spills blood in retaliation, Iranians have not given up. Today one thing’s clear: no Supreme Leader can turn the clock back. A different Iran is within sight; Azizi shows us what it might look like in What Iranians Want: Women, Life, Freedom (ONEWorld Publications, 2024).

Arash Azizi is an historian, visiting fellow at Boston University, and a contributing writer at The Atlantic.

Caleb Zakarin is editor at the New Books Network.


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]]> Wed, 23 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com On Tuesday 13 September 2022, all Mahsa Amini has planned is a day shopping in Tehran. Her birthday is next week. But she is arrested as she comes out of the subway – the Guidance Patrol deem her hijab inadequate. On Friday she is pronounced dead. By Sunday, women have taken to the streets across Iran, setting their headscarves on fire and cursing the Supreme Leader. Months later, workers down their tools and businesses close. The battle cry everywhere: Women, Life, Freedom. This isn’t a passing protest wave; something has changed irrevocably. 

Arash Azizi guides us through Iran ablaze, history being made in real time. From an International Women’s Day celebrated inside Iran’s most notorious prison to mass strikes in Kurdistan, ordinary Iranians are taking risks to fight for a better future. Even as the regime spills blood in retaliation, Iranians have not given up. Today one thing’s clear: no Supreme Leader can turn the clock back. A different Iran is within sight; Azizi shows us what it might look like in What Iranians Want: Women, Life, Freedom (ONEWorld Publications, 2024).

Arash Azizi is an historian, visiting fellow at Boston University, and a contributing writer at The Atlantic.

Caleb Zakarin is editor at the New Books Network.


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]]> Arash Azizi, "What Iranians Want: Women, Life, Freedom" (Oneworld, 2024) New Books Network 00:54:39 On Tuesday 13 September 2022, all Mahsa Amini has planned is a day shopping in Tehran. Her birthday is next week. But she is arrested as she comes out of the subway – the Guidance Patrol deem her hijab inadequate. On Friday she is pronounced dead. By Sunday, women have taken to the streets across Iran, setting their headscarves on fire and cursing the Supreme Leader. Months later, workers down their tools and businesses close. The battle cry everywhere: Women, Life, Freedom. This isn’t a passing protest wave; something has changed irrevocably.  Arash Azizi guides us through Iran ablaze, history being made in real time. From an International Women’s Day celebrated inside Iran’s most notorious prison to mass strikes in Kurdistan, ordinary Iranians are taking risks to fight for a better future. Even as the regime spills blood in retaliation, Iranians have not given up. Today one thing’s clear: no Supreme Leader can turn the clock back. A different Iran is within sight; Azizi shows us what it might look like in What Iranians Want: Women, Life, Freedom (ONEWorld Publications, 2024). Arash Azizi is an historian, visiting fellow at Boston University, and a contributing writer at The Atlantic. Caleb Zakarin is editor at the New Books Network. On Tuesday 13 September 2022, all Mahsa Amini has planned is a day shopping in Tehran. Her birthday is next week. But she is arrested as she comes out of the subway – the Guidance Patrol deem her hijab inadequate. On Friday she is pronounced dead. By Sunday, women have taken to the streets across Iran, setting their headscarves on fire and cursing the Supreme Leader. Months later, workers down their tools and businesses close. The battle cry everywhere: Women, Life, Freedom. This isn’t a passing protest wave; something has changed irrevocably.  Arash Azizi guides us through Iran ablaze, history being made in real time. From an International Women’s Day celebrated inside Iran’s most notorious prison to mass strikes in Kurdistan, ordinary Iranians are taking risks to fight for a better future. Even as the regime spills blood in retaliation, Iranians have not given up. Today one thing’s clear: no Supreme Leader can turn the clock back. A different Iran is within sight; Azizi shows us what it might look like in What Iranians Want: Women, Life, Freedom (ONEWorld Publications, 2024). Arash Azizi is an historian, visiting fellow at Boston University, and a contributing writer at The Atlantic. Caleb Zakarin is editor at the New Books Network. false full 1 c332069a-8d81-11ef-8d04-97fbf98e8fc9 Li-Hsiang Lisa Rosenlee, "Confucian Feminism: A Practical Ethic for Life" (Bloomsbury, 2024) In Confucian Feminism: A Practical Ethic for Life (Bloomsbury, 2024), Li-Hsiang Lisa Rosenlee expands the theoretical horizons of feminism by using characteristic Confucian terms, methods, and concerns to interrogate the issue of gender oppression and liberation.

With its theoretical roots in the Confucian textual tradition, this is the first re-imagining of Confucianism that enriches, and is enriched by, feminism.

Incorporating distinctive Confucian conceptual tools such as ren (benevolent governance), xiao (filial care), you (friendship), li (ritual), and datong (great community), Rosenlee creates an ethic of care that is feminist and Confucian. At the same time she confronts the issue of gender inequity in Confucian thought. Her hybrid feminist theory not only broadens the range of feminist understandings of the roots of gender oppression, but opens up what we believe constitutes gender liberation for women transnationally and transculturally.

Here is a practical ethic that uses Confucianism to navigate the contours of inequality in everyday life.

Readers interested in the book referenced during our interview please check here: Beyond Individualism by Rupp.


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]]> Sun, 20 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Confucian Feminism: A Practical Ethic for Life (Bloomsbury, 2024), Li-Hsiang Lisa Rosenlee expands the theoretical horizons of feminism by using characteristic Confucian terms, methods, and concerns to interrogate the issue of gender oppression and liberation.

With its theoretical roots in the Confucian textual tradition, this is the first re-imagining of Confucianism that enriches, and is enriched by, feminism.

Incorporating distinctive Confucian conceptual tools such as ren (benevolent governance), xiao (filial care), you (friendship), li (ritual), and datong (great community), Rosenlee creates an ethic of care that is feminist and Confucian. At the same time she confronts the issue of gender inequity in Confucian thought. Her hybrid feminist theory not only broadens the range of feminist understandings of the roots of gender oppression, but opens up what we believe constitutes gender liberation for women transnationally and transculturally.

Here is a practical ethic that uses Confucianism to navigate the contours of inequality in everyday life.

Readers interested in the book referenced during our interview please check here: Beyond Individualism by Rupp.


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]]> Li-Hsiang Lisa Rosenlee, "Confucian Feminism: A Practical Ethic for Life" (Bloomsbury, 2024) New Books Network 00:52:46 In Confucian Feminism: A Practical Ethic for Life (Bloomsbury, 2024), Li-Hsiang Lisa Rosenlee expands the theoretical horizons of feminism by using characteristic Confucian terms, methods, and concerns to interrogate the issue of gender oppression and liberation. With its theoretical roots in the Confucian textual tradition, this is the first re-imagining of Confucianism that enriches, and is enriched by, feminism. Incorporating distinctive Confucian conceptual tools such as ren (benevolent governance), xiao (filial care), you (friendship), li (ritual), and datong (great community), Rosenlee creates an ethic of care that is feminist and Confucian. At the same time she confronts the issue of gender inequity in Confucian thought. Her hybrid feminist theory not only broadens the range of feminist understandings of the roots of gender oppression, but opens up what we believe constitutes gender liberation for women transnationally and transculturally. Here is a practical ethic that uses Confucianism to navigate the contours of inequality in everyday life. Readers interested in the book referenced during our interview please check here: Beyond Individualism by Rupp. In Confucian Feminism: A Practical Ethic for Life (Bloomsbury, 2024), Li-Hsiang Lisa Rosenlee expands the theoretical horizons of feminism by using characteristic Confucian terms, methods, and concerns to interrogate the issue of gender oppression and liberation. With its theoretical roots in the Confucian textual tradition, this is the first re-imagining of Confucianism that enriches, and is enriched by, feminism. Incorporating distinctive Confucian conceptual tools such as ren (benevolent governance), xiao (filial care), you (friendship), li (ritual), and datong (great community), Rosenlee creates an ethic of care that is feminist and Confucian. At the same time she confronts the issue of gender inequity in Confucian thought. Her hybrid feminist theory not only broadens the range of feminist understandings of the roots of gender oppression, but opens up what we believe constitutes gender liberation for women transnationally and transculturally. Here is a practical ethic that uses Confucianism to navigate the contours of inequality in everyday life. Readers interested in the book referenced during our interview please check here: Beyond Individualism by Rupp. false full 243 0ce3de44-8cbf-11ef-a5fe-5f0dc782147e Susan Grant, "Soviet Nightingales: Care Under Communism" (Cornell UP, 2022) In Soviet Nightingales: Care under Communism (Cornell UP, 2022), Susan Grant examines the history of nursing care in the Soviet Union from its nineteenth-century origins in Russia through the end of the Soviet state. With the advent of the USSR, nurses were instrumental in helping to build the New Soviet Person and in constructing a socialist society. In the interview, we explore Susan's approach to navigating an extensive timeline, the significance of care as a central concept within the female-dominated nursing profession, and the importance of flexibility when working with a diverse range of sources, some of which can be challenging to locate.

Alisa Kuzmina is a PhD Candidate at the University of Minnesota, specializing in Cultural Cold War history, with a focus on Soviet and American marriage policies and the social-cultural norms surrounding them.


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]]> Sat, 19 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Soviet Nightingales: Care under Communism (Cornell UP, 2022), Susan Grant examines the history of nursing care in the Soviet Union from its nineteenth-century origins in Russia through the end of the Soviet state. With the advent of the USSR, nurses were instrumental in helping to build the New Soviet Person and in constructing a socialist society. In the interview, we explore Susan's approach to navigating an extensive timeline, the significance of care as a central concept within the female-dominated nursing profession, and the importance of flexibility when working with a diverse range of sources, some of which can be challenging to locate.

Alisa Kuzmina is a PhD Candidate at the University of Minnesota, specializing in Cultural Cold War history, with a focus on Soviet and American marriage policies and the social-cultural norms surrounding them.


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]]> Susan Grant, "Soviet Nightingales: Care Under Communism" (Cornell UP, 2022) New Books Network 00:50:37 In Soviet Nightingales: Care under Communism (Cornell UP, 2022), Susan Grant examines the history of nursing care in the Soviet Union from its nineteenth-century origins in Russia through the end of the Soviet state. With the advent of the USSR, nurses were instrumental in helping to build the New Soviet Person and in constructing a socialist society. In the interview, we explore Susan's approach to navigating an extensive timeline, the significance of care as a central concept within the female-dominated nursing profession, and the importance of flexibility when working with a diverse range of sources, some of which can be challenging to locate. Alisa Kuzmina is a PhD Candidate at the University of Minnesota, specializing in Cultural Cold War history, with a focus on Soviet and American marriage policies and the social-cultural norms surrounding them. In Soviet Nightingales: Care under Communism (Cornell UP, 2022), Susan Grant examines the history of nursing care in the Soviet Union from its nineteenth-century origins in Russia through the end of the Soviet state. With the advent of the USSR, nurses were instrumental in helping to build the New Soviet Person and in constructing a socialist society. In the interview, we explore Susan's approach to navigating an extensive timeline, the significance of care as a central concept within the female-dominated nursing profession, and the importance of flexibility when working with a diverse range of sources, some of which can be challenging to locate. Alisa Kuzmina is a PhD Candidate at the University of Minnesota, specializing in Cultural Cold War history, with a focus on Soviet and American marriage policies and the social-cultural norms surrounding them. false full 281 e201e140-8be6-11ef-a062-73c8913aaa92 Amy Reading, "The World She Edited: Katharine S. White at The New Yorker" (Mariner Books, 2024) In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker's midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse.

The World She Edited: Katharine S. White at The New Yorker (Mariner Books, 2024) brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words.

White's biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker--Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life.

Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor--through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White--and reveals how she transformed our understanding of literary culture and community.

Amy Reading is the recipient of fellowships from the National Endowment of the Humanities and the New York Public Library. She is the author of The Mark Inside: A Perfect Swindle, A Cunning Revenge, and A Small History of the Big Con. She lives in upstate New York, where she has served on the executive board of Buffalo Street Books, an indie cooperative bookstore, since 2018.

Recommended Books:



Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.


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]]> Fri, 18 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker's midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse.

The World She Edited: Katharine S. White at The New Yorker (Mariner Books, 2024) brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words.

White's biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker--Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life.

Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor--through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White--and reveals how she transformed our understanding of literary culture and community.

Amy Reading is the recipient of fellowships from the National Endowment of the Humanities and the New York Public Library. She is the author of The Mark Inside: A Perfect Swindle, A Cunning Revenge, and A Small History of the Big Con. She lives in upstate New York, where she has served on the executive board of Buffalo Street Books, an indie cooperative bookstore, since 2018.

Recommended Books:



Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.


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]]> Amy Reading, "The World She Edited: Katharine S. White at The New Yorker" (Mariner Books, 2024) New Books Network 00:50:50 In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker's midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse. The World She Edited: Katharine S. White at The New Yorker (Mariner Books, 2024) brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words. White's biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker--Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life. Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor--through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White--and reveals how she transformed our understanding of literary culture and community. Amy Reading is the recipient of fellowships from the National Endowment of the Humanities and the New York Public Library. She is the author of The Mark Inside: A Perfect Swindle, A Cunning Revenge, and A Small History of the Big Con. She lives in upstate New York, where she has served on the executive board of Buffalo Street Books, an indie cooperative bookstore, since 2018. Recommended Books: Catherine Lacey, Biography of X Clara Bingham, The Movement Maggie Dougherty, The Equivalents  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker's midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse. The World She Edited: Katharine S. White at The New Yorker (Mariner Books, 2024) brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words. White's biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker--Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life. Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor--through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White--and reveals how she transformed our understanding of literary culture and community. Amy Reading is the recipient of fellowships from the National Endowment of the Humanities and the New York Public Library. She is the author of The Mark Inside: A Perfect Swindle, A Cunning Revenge, and A Small History of the Big Con. She lives in upstate New York, where she has served on the executive board of Buffalo Street Books, an indie cooperative bookstore, since 2018. Recommended Books: Catherine Lacey, Biography of X Clara Bingham, The Movement Maggie Dougherty, The Equivalents  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. false full 144 9be8113e-8af1-11ef-b066-932961d40f3f Anne Higonnet, "Liberty Equality Fashion: The Women Who Styled the French Revolution" (Norton, 2024) Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty.

The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance.

As Dr. Anne Higonnet shows in Liberty, Equality, Fashion: The Women Who Styled the French Revolution (Norton, 2024), new evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 18 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty.

The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance.

As Dr. Anne Higonnet shows in Liberty, Equality, Fashion: The Women Who Styled the French Revolution (Norton, 2024), new evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Anne Higonnet, "Liberty Equality Fashion: The Women Who Styled the French Revolution" (Norton, 2024) New Books Network 00:41:19 Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty. The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance. As Dr. Anne Higonnet shows in Liberty, Equality, Fashion: The Women Who Styled the French Revolution (Norton, 2024), new evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty. The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance. As Dr. Anne Higonnet shows in Liberty, Equality, Fashion: The Women Who Styled the French Revolution (Norton, 2024), new evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 102 69d5f8a0-8b0f-11ef-b6ba-57b654705ee4 Jennifer Lang, "Landed: A Yogi's Memoir in Pieces & Poses" (Vine Leaves Press, 2024) In her latest memoir, Landed: A Yogi's Memoir of Places & Poses (2024, Vine Leaves Press),  American-born Jennifer traces her journey-both on and off the yoga mat-reckoning with her adopted country (Israel), midlife hormones (merciless), cross-cultural marriage (to a Frenchman) and their imminent empty nest (a mixed blessing), eventually realizing the words her yoga teachers had been offering for the past twenty-three years: root down into the ground and stay true to yourself. Finally, she understands that home is about who you are, not where you live. Written in experimental chapterettes, Landed spans seven years (and then some), each punctuated with chakra wisdom from nationally-acclaimed Rodney Yee, her first teacher.


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]]> Thu, 17 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In her latest memoir, Landed: A Yogi's Memoir of Places & Poses (2024, Vine Leaves Press),  American-born Jennifer traces her journey-both on and off the yoga mat-reckoning with her adopted country (Israel), midlife hormones (merciless), cross-cultural marriage (to a Frenchman) and their imminent empty nest (a mixed blessing), eventually realizing the words her yoga teachers had been offering for the past twenty-three years: root down into the ground and stay true to yourself. Finally, she understands that home is about who you are, not where you live. Written in experimental chapterettes, Landed spans seven years (and then some), each punctuated with chakra wisdom from nationally-acclaimed Rodney Yee, her first teacher.


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]]> Jennifer Lang, "Landed: A Yogi's Memoir in Pieces & Poses" (Vine Leaves Press, 2024) New Books Network 00:44:27 In her latest memoir, Landed: A Yogi's Memoir of Places & Poses (2024, Vine Leaves Press),  American-born Jennifer traces her journey-both on and off the yoga mat-reckoning with her adopted country (Israel), midlife hormones (merciless), cross-cultural marriage (to a Frenchman) and their imminent empty nest (a mixed blessing), eventually realizing the words her yoga teachers had been offering for the past twenty-three years: root down into the ground and stay true to yourself. Finally, she understands that home is about who you are, not where you live. Written in experimental chapterettes, Landed spans seven years (and then some), each punctuated with chakra wisdom from nationally-acclaimed Rodney Yee, her first teacher. In her latest memoir, Landed: A Yogi's Memoir of Places & Poses (2024, Vine Leaves Press),  American-born Jennifer traces her journey-both on and off the yoga mat-reckoning with her adopted country (Israel), midlife hormones (merciless), cross-cultural marriage (to a Frenchman) and their imminent empty nest (a mixed blessing), eventually realizing the words her yoga teachers had been offering for the past twenty-three years: root down into the ground and stay true to yourself. Finally, she understands that home is about who you are, not where you live. Written in experimental chapterettes, Landed spans seven years (and then some), each punctuated with chakra wisdom from nationally-acclaimed Rodney Yee, her first teacher. false full 262 da4e3a6c-88bb-11ef-b95d-9bc04fb704bb Meghana Joshi, "Children are Everywhere: Conspicuous Reproduction and Childlessness in Reunified Berlin" (Berghahn, 2024) Children are Everywhere: Conspicuous Reproduction and Childlessness in Reunified Berlin (Berghahn Books, 2024) by Dr. Meghana Joshi engages with how demographic anxieties and reproductive regimes emerge as forms of social inclusion and exclusion in a low fertility Western European context.

This book explores everyday experiences of parenting and childlessness of ‘ethnic’ Germans in Berlin, who came of age around the fall of the Berlin Wall, and brings them into conversation with theories on parenting, waithood, non-biological intimacies, and masculinities. This is the first ethnographic work by a South Asian author on demographic anxieties and reproduction in Germany and reverses the anthropological gaze to study Europe as the ‘Other.’

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Tue, 15 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Children are Everywhere: Conspicuous Reproduction and Childlessness in Reunified Berlin (Berghahn Books, 2024) by Dr. Meghana Joshi engages with how demographic anxieties and reproductive regimes emerge as forms of social inclusion and exclusion in a low fertility Western European context.

This book explores everyday experiences of parenting and childlessness of ‘ethnic’ Germans in Berlin, who came of age around the fall of the Berlin Wall, and brings them into conversation with theories on parenting, waithood, non-biological intimacies, and masculinities. This is the first ethnographic work by a South Asian author on demographic anxieties and reproduction in Germany and reverses the anthropological gaze to study Europe as the ‘Other.’

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Meghana Joshi, "Children are Everywhere: Conspicuous Reproduction and Childlessness in Reunified Berlin" (Berghahn, 2024) New Books Network 00:58:57 Children are Everywhere: Conspicuous Reproduction and Childlessness in Reunified Berlin (Berghahn Books, 2024) by Dr. Meghana Joshi engages with how demographic anxieties and reproductive regimes emerge as forms of social inclusion and exclusion in a low fertility Western European context. This book explores everyday experiences of parenting and childlessness of ‘ethnic’ Germans in Berlin, who came of age around the fall of the Berlin Wall, and brings them into conversation with theories on parenting, waithood, non-biological intimacies, and masculinities. This is the first ethnographic work by a South Asian author on demographic anxieties and reproduction in Germany and reverses the anthropological gaze to study Europe as the ‘Other.’ This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Children are Everywhere: Conspicuous Reproduction and Childlessness in Reunified Berlin (Berghahn Books, 2024) by Dr. Meghana Joshi engages with how demographic anxieties and reproductive regimes emerge as forms of social inclusion and exclusion in a low fertility Western European context. This book explores everyday experiences of parenting and childlessness of ‘ethnic’ Germans in Berlin, who came of age around the fall of the Berlin Wall, and brings them into conversation with theories on parenting, waithood, non-biological intimacies, and masculinities. This is the first ethnographic work by a South Asian author on demographic anxieties and reproduction in Germany and reverses the anthropological gaze to study Europe as the ‘Other.’ This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 164 18e832da-8896-11ef-94f3-7b8c00bdf5a6 Jackie Wang, "Alien Daughters Walk Into the Sun: An Almanac of Extreme Girlhood" (Semiotext(e), 2023) Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police.

Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang’s trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot’s Fool, with a leap of faith.


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]]> Mon, 14 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police.

Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang’s trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot’s Fool, with a leap of faith.


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]]> Jackie Wang, "Alien Daughters Walk Into the Sun: An Almanac of Extreme Girlhood" (Semiotext(e), 2023) New Books Network 01:17:59 Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police. Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang’s trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot’s Fool, with a leap of faith. Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police. Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang’s trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot’s Fool, with a leap of faith. false full 261 7671caf8-880d-11ef-a3db-9fc77e7e8e53 Helena Taylor, "Women Writing Antiquity: Gender and Learning in Early Modern France" (Oxford UP, 2024) Women Writing Antiquity: Gender and Learning in Early Modern France (Oxford UP, 2024) recounts women authors' struggle to define the female intellectual through their engagement with the classical world in early modern France. Bringing together the fields of classical reception and women writers, Helena Taylor looks at various female novelists, translators, poets, playwrights, and essayists to see how they both reacted to and in turn shaped cultural discourses, especially around learned women and the Quarrel between Ancients and Moderns. From Marie de Gournay's polemic translations to the conteuses fairy tales, Greco-Roman culture provided inspiration, authorization, and means of self-fashioning for a wide range of women writers.

Women Writing Antiquity is perfect for readers interested in classical reception, women's writers, authorial strategies, gender history, and French literature.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.


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]]> Sun, 13 Oct 2024 04:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women Writing Antiquity: Gender and Learning in Early Modern France (Oxford UP, 2024) recounts women authors' struggle to define the female intellectual through their engagement with the classical world in early modern France. Bringing together the fields of classical reception and women writers, Helena Taylor looks at various female novelists, translators, poets, playwrights, and essayists to see how they both reacted to and in turn shaped cultural discourses, especially around learned women and the Quarrel between Ancients and Moderns. From Marie de Gournay's polemic translations to the conteuses fairy tales, Greco-Roman culture provided inspiration, authorization, and means of self-fashioning for a wide range of women writers.

Women Writing Antiquity is perfect for readers interested in classical reception, women's writers, authorial strategies, gender history, and French literature.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.


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]]> Helena Taylor, "Women Writing Antiquity: Gender and Learning in Early Modern France" (Oxford UP, 2024) New Books Network 00:57:40 Women Writing Antiquity: Gender and Learning in Early Modern France (Oxford UP, 2024) recounts women authors' struggle to define the female intellectual through their engagement with the classical world in early modern France. Bringing together the fields of classical reception and women writers, Helena Taylor looks at various female novelists, translators, poets, playwrights, and essayists to see how they both reacted to and in turn shaped cultural discourses, especially around learned women and the Quarrel between Ancients and Moderns. From Marie de Gournay's polemic translations to the conteuses fairy tales, Greco-Roman culture provided inspiration, authorization, and means of self-fashioning for a wide range of women writers. Women Writing Antiquity is perfect for readers interested in classical reception, women's writers, authorial strategies, gender history, and French literature. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Women Writing Antiquity: Gender and Learning in Early Modern France (Oxford UP, 2024) recounts women authors' struggle to define the female intellectual through their engagement with the classical world in early modern France. Bringing together the fields of classical reception and women writers, Helena Taylor looks at various female novelists, translators, poets, playwrights, and essayists to see how they both reacted to and in turn shaped cultural discourses, especially around learned women and the Quarrel between Ancients and Moderns. From Marie de Gournay's polemic translations to the conteuses fairy tales, Greco-Roman culture provided inspiration, authorization, and means of self-fashioning for a wide range of women writers. Women Writing Antiquity is perfect for readers interested in classical reception, women's writers, authorial strategies, gender history, and French literature. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. false full 82 37862218-8802-11ef-ac40-23dd39affdf3 Gretchen Sisson, "Relinquished: The Politics of Adoption and the Privilege of American Motherhood" (St. Martin's Press, 2024) Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely.

With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice. 

Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care. 


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]]> Sat, 12 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely.

With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice. 

Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care. 


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]]> Gretchen Sisson, "Relinquished: The Politics of Adoption and the Privilege of American Motherhood" (St. Martin's Press, 2024) New Books Network 01:03:29 Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  false full 242 f26c7244-867c-11ef-b663-5379bca286c4 Virginia Nicholson, "All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960" (Pegasus Books, 2024) In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period.

Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.

Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.

Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 11 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period.

Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.

Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.

Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Virginia Nicholson, "All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960" (Pegasus Books, 2024) New Books Network 01:03:55 In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 101 100df6e0-85b7-11ef-85dc-b7161341e7f6 Aviva Dove-Viebahn, "There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises" (Rutgers UP, 2023) There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises (Rutgers UP, 2023) interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart, There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Thu, 10 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises (Rutgers UP, 2023) interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart, There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Aviva Dove-Viebahn, "There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises" (Rutgers UP, 2023) New Books Network 01:00:10 There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises (Rutgers UP, 2023) interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart, There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power. Peter C. Kunze is an assistant professor of communication at Tulane University. There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises (Rutgers UP, 2023) interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart, There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power. Peter C. Kunze is an assistant professor of communication at Tulane University. false full 216 dd421f52-8318-11ef-8f79-cb10df58d04f Iris Jamahl Dunkle, "Riding Like the Wind: The Life of Sanora Babb" (U California Press, 2024) In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb.

Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 6 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb.

Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Iris Jamahl Dunkle, "Riding Like the Wind: The Life of Sanora Babb" (U California Press, 2024) New Books Network 00:51:54 In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 260 13827e16-832f-11ef-b6a2-7f4b83f4dfd6 Christopher Paul Clohessy, "Half of My Heart: The Narratives of Zaynab, Daughter of Alî" (Gorgias Press, 2020) Today I talked to Christopher Paul Clohessy about Half of My Heart: The Narratives of Zaynab, Daughter of Alî (Gorgias Press, 2020).

As Abû ʿAbd Allâh al-Ḥusayn, son of ʿAlî and Fâṭima and grandson of Muḥammad, moved inexorably towards death on the field of Karbalâʾ, his sister Zaynab was drawn ever closer to the centre of the family of Muḥammad, the 'people of the house' (ahl al-bayt). There she would remain for a few historic days, challenging the wickedness of the Islamic leadership, defending the actions of her brother, initiating the commemorative rituals, protecting and nurturing the new Imâm, al-Ḥusayn's son ʿAlî b. al-Ḥusayn b. ʿAlî b. Abî Ṭâlib, until he could take his rightful place. This is her story.


Adam Bobeck received his PhD in Sociocultural Anthropology from the University of Leipzig. His PhD was entitled “Object-Oriented ʿAzâdâri: Ontology and Ritual Theory”.


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]]> Sun, 6 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today I talked to Christopher Paul Clohessy about Half of My Heart: The Narratives of Zaynab, Daughter of Alî (Gorgias Press, 2020).

As Abû ʿAbd Allâh al-Ḥusayn, son of ʿAlî and Fâṭima and grandson of Muḥammad, moved inexorably towards death on the field of Karbalâʾ, his sister Zaynab was drawn ever closer to the centre of the family of Muḥammad, the 'people of the house' (ahl al-bayt). There she would remain for a few historic days, challenging the wickedness of the Islamic leadership, defending the actions of her brother, initiating the commemorative rituals, protecting and nurturing the new Imâm, al-Ḥusayn's son ʿAlî b. al-Ḥusayn b. ʿAlî b. Abî Ṭâlib, until he could take his rightful place. This is her story.


Adam Bobeck received his PhD in Sociocultural Anthropology from the University of Leipzig. His PhD was entitled “Object-Oriented ʿAzâdâri: Ontology and Ritual Theory”.


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]]> Christopher Paul Clohessy, "Half of My Heart: The Narratives of Zaynab, Daughter of Alî" (Gorgias Press, 2020) New Books Network 00:38:00 Today I talked to Christopher Paul Clohessy about Half of My Heart: The Narratives of Zaynab, Daughter of Alî (Gorgias Press, 2020). As Abû ʿAbd Allâh al-Ḥusayn, son of ʿAlî and Fâṭima and grandson of Muḥammad, moved inexorably towards death on the field of Karbalâʾ, his sister Zaynab was drawn ever closer to the centre of the family of Muḥammad, the 'people of the house' (ahl al-bayt). There she would remain for a few historic days, challenging the wickedness of the Islamic leadership, defending the actions of her brother, initiating the commemorative rituals, protecting and nurturing the new Imâm, al-Ḥusayn's son ʿAlî b. al-Ḥusayn b. ʿAlî b. Abî Ṭâlib, until he could take his rightful place. This is her story. Adam Bobeck received his PhD in Sociocultural Anthropology from the University of Leipzig. His PhD was entitled “Object-Oriented ʿAzâdâri: Ontology and Ritual Theory”. Today I talked to Christopher Paul Clohessy about Half of My Heart: The Narratives of Zaynab, Daughter of Alî (Gorgias Press, 2020). As Abû ʿAbd Allâh al-Ḥusayn, son of ʿAlî and Fâṭima and grandson of Muḥammad, moved inexorably towards death on the field of Karbalâʾ, his sister Zaynab was drawn ever closer to the centre of the family of Muḥammad, the 'people of the house' (ahl al-bayt). There she would remain for a few historic days, challenging the wickedness of the Islamic leadership, defending the actions of her brother, initiating the commemorative rituals, protecting and nurturing the new Imâm, al-Ḥusayn's son ʿAlî b. al-Ḥusayn b. ʿAlî b. Abî Ṭâlib, until he could take his rightful place. This is her story. Adam Bobeck received his PhD in Sociocultural Anthropology from the University of Leipzig. His PhD was entitled “Object-Oriented ʿAzâdâri: Ontology and Ritual Theory”. false full 342 81083e5e-6d1c-11ef-9ecf-e3da22132e83 Deepa Das Acevedo, "The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India" (Oxford UP, 2024) The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India (Oxford UP, 2024) tells the story of one of contemporary India’s most contentious disputes: a long-running struggle over women’s access to the Hindu temple at Sabarimala. In 2018, the Indian Supreme Court ruled that the temple, which had traditionally been forbidden to women aged ten to fifty because their presence offended the presiding deity, was required to open its doors to all Hindus. The decision in Indian Younger Lawyers Association rocked the nation: protests were launched around India and throughout the diaspora, a record-setting human chain called the ‘Women’s Wall’ was coordinated, and dozens of petitions were filed asking the Supreme Court to review, and potentially reverse, its landmark opinion. 

Perhaps most significantly, IYLA led the Court to openly reconsider the Essential Practices Doctrine that has been a mainstay of Indian religious freedom jurisprudence since 1954. In this first monograph-length study of the dispute, legal anthropologist Deepa Das Acevedo draws on ethnographic fieldwork, legal analysis, and media archives to tell a multifaceted narrative about the ‘ban on women’. Reaching as far back as the eighteenth century, when the relationship between temple deities and the government was transformed by an ambitious precolonial ruler, and coming up to the litigation delays caused by the coronavirus pandemic, Das Acevedo reveals the complexities of the dispute and the constitutional framework that defines it. That framework, Das Acevedo argues, reflects two distinct conceptions of religion-state relations, both of which have emerged at various stages in the—still unresolved—battle for Sabarimala.


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]]> Thu, 3 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India (Oxford UP, 2024) tells the story of one of contemporary India’s most contentious disputes: a long-running struggle over women’s access to the Hindu temple at Sabarimala. In 2018, the Indian Supreme Court ruled that the temple, which had traditionally been forbidden to women aged ten to fifty because their presence offended the presiding deity, was required to open its doors to all Hindus. The decision in Indian Younger Lawyers Association rocked the nation: protests were launched around India and throughout the diaspora, a record-setting human chain called the ‘Women’s Wall’ was coordinated, and dozens of petitions were filed asking the Supreme Court to review, and potentially reverse, its landmark opinion. 

Perhaps most significantly, IYLA led the Court to openly reconsider the Essential Practices Doctrine that has been a mainstay of Indian religious freedom jurisprudence since 1954. In this first monograph-length study of the dispute, legal anthropologist Deepa Das Acevedo draws on ethnographic fieldwork, legal analysis, and media archives to tell a multifaceted narrative about the ‘ban on women’. Reaching as far back as the eighteenth century, when the relationship between temple deities and the government was transformed by an ambitious precolonial ruler, and coming up to the litigation delays caused by the coronavirus pandemic, Das Acevedo reveals the complexities of the dispute and the constitutional framework that defines it. That framework, Das Acevedo argues, reflects two distinct conceptions of religion-state relations, both of which have emerged at various stages in the—still unresolved—battle for Sabarimala.


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]]> Deepa Das Acevedo, "The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India" (Oxford UP, 2024) New Books Network 00:29:53 The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India (Oxford UP, 2024) tells the story of one of contemporary India’s most contentious disputes: a long-running struggle over women’s access to the Hindu temple at Sabarimala. In 2018, the Indian Supreme Court ruled that the temple, which had traditionally been forbidden to women aged ten to fifty because their presence offended the presiding deity, was required to open its doors to all Hindus. The decision in Indian Younger Lawyers Association rocked the nation: protests were launched around India and throughout the diaspora, a record-setting human chain called the ‘Women’s Wall’ was coordinated, and dozens of petitions were filed asking the Supreme Court to review, and potentially reverse, its landmark opinion.  Perhaps most significantly, IYLA led the Court to openly reconsider the Essential Practices Doctrine that has been a mainstay of Indian religious freedom jurisprudence since 1954. In this first monograph-length study of the dispute, legal anthropologist Deepa Das Acevedo draws on ethnographic fieldwork, legal analysis, and media archives to tell a multifaceted narrative about the ‘ban on women’. Reaching as far back as the eighteenth century, when the relationship between temple deities and the government was transformed by an ambitious precolonial ruler, and coming up to the litigation delays caused by the coronavirus pandemic, Das Acevedo reveals the complexities of the dispute and the constitutional framework that defines it. That framework, Das Acevedo argues, reflects two distinct conceptions of religion-state relations, both of which have emerged at various stages in the—still unresolved—battle for Sabarimala. The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India (Oxford UP, 2024) tells the story of one of contemporary India’s most contentious disputes: a long-running struggle over women’s access to the Hindu temple at Sabarimala. In 2018, the Indian Supreme Court ruled that the temple, which had traditionally been forbidden to women aged ten to fifty because their presence offended the presiding deity, was required to open its doors to all Hindus. The decision in Indian Younger Lawyers Association rocked the nation: protests were launched around India and throughout the diaspora, a record-setting human chain called the ‘Women’s Wall’ was coordinated, and dozens of petitions were filed asking the Supreme Court to review, and potentially reverse, its landmark opinion.  Perhaps most significantly, IYLA led the Court to openly reconsider the Essential Practices Doctrine that has been a mainstay of Indian religious freedom jurisprudence since 1954. In this first monograph-length study of the dispute, legal anthropologist Deepa Das Acevedo draws on ethnographic fieldwork, legal analysis, and media archives to tell a multifaceted narrative about the ‘ban on women’. Reaching as far back as the eighteenth century, when the relationship between temple deities and the government was transformed by an ambitious precolonial ruler, and coming up to the litigation delays caused by the coronavirus pandemic, Das Acevedo reveals the complexities of the dispute and the constitutional framework that defines it. That framework, Das Acevedo argues, reflects two distinct conceptions of religion-state relations, both of which have emerged at various stages in the—still unresolved—battle for Sabarimala. false full 356 2b64ad4a-80cf-11ef-9fc0-5ba150d076a0 Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action Today’s book is: Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action (University of Rochester Press, 2024) by Dr. Donna J. Nicol, which examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Black Woman on Board tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974–94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Dr. Nicol argues that Hampton enacted "sly civility" to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates. Black Woman on Board explores how Hampton methodically "played the game of boardsmanship," using the soft power she cultivated amongst her peers to remove barriers that might have impeded the implementation and expansion of affirmative action policies and programs. In illuminating the ways that Hampton transformed the CSU as the "affirmative action trustee," this remarkable book makes an important contribution to the history of higher education and to the historiography of Black women's educational leadership in the post-Civil Rights era.

Our guest is: Dr. Donna J. Nicol, who is the Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.

Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast.

Listeners may enjoy this playlist:


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Thu, 3 Oct 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today’s book is: Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action (University of Rochester Press, 2024) by Dr. Donna J. Nicol, which examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Black Woman on Board tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974–94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Dr. Nicol argues that Hampton enacted "sly civility" to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates. Black Woman on Board explores how Hampton methodically "played the game of boardsmanship," using the soft power she cultivated amongst her peers to remove barriers that might have impeded the implementation and expansion of affirmative action policies and programs. In illuminating the ways that Hampton transformed the CSU as the "affirmative action trustee," this remarkable book makes an important contribution to the history of higher education and to the historiography of Black women's educational leadership in the post-Civil Rights era.

Our guest is: Dr. Donna J. Nicol, who is the Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA.

Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast.

Listeners may enjoy this playlist:


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening!


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]]> Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action New Books Network 00:53:50 Today’s book is: Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action (University of Rochester Press, 2024) by Dr. Donna J. Nicol, which examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Black Woman on Board tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974–94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Dr. Nicol argues that Hampton enacted "sly civility" to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates. Black Woman on Board explores how Hampton methodically "played the game of boardsmanship," using the soft power she cultivated amongst her peers to remove barriers that might have impeded the implementation and expansion of affirmative action policies and programs. In illuminating the ways that Hampton transformed the CSU as the "affirmative action trustee," this remarkable book makes an important contribution to the history of higher education and to the historiography of Black women's educational leadership in the post-Civil Rights era. Our guest is: Dr. Donna J. Nicol, who is the Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA. Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast. Listeners may enjoy this playlist: Black Women, Ivory Tower Leading from the Margins Presumed Incompetent PhDing While Parenting Is Grad School For Me? How Girls Achieve Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening! Today’s book is: Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action (University of Rochester Press, 2024) by Dr. Donna J. Nicol, which examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Black Woman on Board tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974–94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Dr. Nicol argues that Hampton enacted "sly civility" to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates. Black Woman on Board explores how Hampton methodically "played the game of boardsmanship," using the soft power she cultivated amongst her peers to remove barriers that might have impeded the implementation and expansion of affirmative action policies and programs. In illuminating the ways that Hampton transformed the CSU as the "affirmative action trustee," this remarkable book makes an important contribution to the history of higher education and to the historiography of Black women's educational leadership in the post-Civil Rights era. Our guest is: Dr. Donna J. Nicol, who is the Associate Dean in the College of Liberal Arts at California State University, Long Beach, CA. Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast. Listeners may enjoy this playlist: Black Women, Ivory Tower Leading from the Margins Presumed Incompetent PhDing While Parenting Is Grad School For Me? How Girls Achieve Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening! false full 232 afe608a4-7d03-11ef-8fd9-1723ceeb8bde Inger Sigrun Bredkjær Brodey, "Jane Austen and the Price of Happiness" (Johns Hopkins UP, 2024) How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance? 

In Jane Austen and the Price of Happiness (Johns Hopkins University Press, 2024), Austen scholar Dr. Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings. Through a careful exploration of Austen's own writings and those of the authors she read during her lifetime—as well as recent cultural reception and adaptations of her novels—Brodey examines the contradictions that surround this queen of romance.

Dr. Brodey argues that Austen's surprising choices in her endings are an essential aspect of the writer's own sense of the novel and its purpose. Austen's fiercely independent and deeply humanistic ideals led her to develop a style of ending all her own. Writing in a culture that set a monetary value on success in marriage and equated matrimony with happiness, Austen questions these cultural norms and makes her readers work for their comic conclusions, carefully anticipating and shaping her readers' emotional involvement in her novels.

Providing innovative and engaging readings of Austen's novels, Jane Austen and the Price of Happiness traces her development as an author and her convictions about authorship, novels, and the purpose of domestic fiction. In a review of modern film adaptions of Austen's work, the book also offers new interpretations while illustrating how contemporary ideas of marriage and happiness have shaped Austen's popular currency in the Anglophone world and beyond.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 28 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance? 

In Jane Austen and the Price of Happiness (Johns Hopkins University Press, 2024), Austen scholar Dr. Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings. Through a careful exploration of Austen's own writings and those of the authors she read during her lifetime—as well as recent cultural reception and adaptations of her novels—Brodey examines the contradictions that surround this queen of romance.

Dr. Brodey argues that Austen's surprising choices in her endings are an essential aspect of the writer's own sense of the novel and its purpose. Austen's fiercely independent and deeply humanistic ideals led her to develop a style of ending all her own. Writing in a culture that set a monetary value on success in marriage and equated matrimony with happiness, Austen questions these cultural norms and makes her readers work for their comic conclusions, carefully anticipating and shaping her readers' emotional involvement in her novels.

Providing innovative and engaging readings of Austen's novels, Jane Austen and the Price of Happiness traces her development as an author and her convictions about authorship, novels, and the purpose of domestic fiction. In a review of modern film adaptions of Austen's work, the book also offers new interpretations while illustrating how contemporary ideas of marriage and happiness have shaped Austen's popular currency in the Anglophone world and beyond.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Inger Sigrun Bredkjær Brodey, "Jane Austen and the Price of Happiness" (Johns Hopkins UP, 2024) New Books Network 00:45:21 How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance?  In Jane Austen and the Price of Happiness (Johns Hopkins University Press, 2024), Austen scholar Dr. Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings. Through a careful exploration of Austen's own writings and those of the authors she read during her lifetime—as well as recent cultural reception and adaptations of her novels—Brodey examines the contradictions that surround this queen of romance. Dr. Brodey argues that Austen's surprising choices in her endings are an essential aspect of the writer's own sense of the novel and its purpose. Austen's fiercely independent and deeply humanistic ideals led her to develop a style of ending all her own. Writing in a culture that set a monetary value on success in marriage and equated matrimony with happiness, Austen questions these cultural norms and makes her readers work for their comic conclusions, carefully anticipating and shaping her readers' emotional involvement in her novels. Providing innovative and engaging readings of Austen's novels, Jane Austen and the Price of Happiness traces her development as an author and her convictions about authorship, novels, and the purpose of domestic fiction. In a review of modern film adaptions of Austen's work, the book also offers new interpretations while illustrating how contemporary ideas of marriage and happiness have shaped Austen's popular currency in the Anglophone world and beyond. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance?  In Jane Austen and the Price of Happiness (Johns Hopkins University Press, 2024), Austen scholar Dr. Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings. Through a careful exploration of Austen's own writings and those of the authors she read during her lifetime—as well as recent cultural reception and adaptations of her novels—Brodey examines the contradictions that surround this queen of romance. Dr. Brodey argues that Austen's surprising choices in her endings are an essential aspect of the writer's own sense of the novel and its purpose. Austen's fiercely independent and deeply humanistic ideals led her to develop a style of ending all her own. Writing in a culture that set a monetary value on success in marriage and equated matrimony with happiness, Austen questions these cultural norms and makes her readers work for their comic conclusions, carefully anticipating and shaping her readers' emotional involvement in her novels. Providing innovative and engaging readings of Austen's novels, Jane Austen and the Price of Happiness traces her development as an author and her convictions about authorship, novels, and the purpose of domestic fiction. In a review of modern film adaptions of Austen's work, the book also offers new interpretations while illustrating how contemporary ideas of marriage and happiness have shaped Austen's popular currency in the Anglophone world and beyond. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 317 692f2d6e-7ce5-11ef-99c6-c7be48dcade3 Jennifer Mooney, "Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction" (Routledge, 2022) Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent. 

This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality.


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]]> Sat, 28 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent. 

This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality.


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]]> Jennifer Mooney, "Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction" (Routledge, 2022) New Books Network 00:57:02 Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. false full 71 c6cd9e8a-7b67-11ef-83b2-83c9fb643108 Karen Bauer and Feras Hamza, "Women, Households, and the Hereafter in the Qur'an: A Patronage of Piety" (Oxford UP/Institute of Ismaili Studies, 2023) In their book Women, Households, and the Hereafter in the Qur’an: A Patronage of Piety (Oxford UP/Institute of Ismaili Studies, 2024), Karen Bauer and Feras Hamza make a compelling and thought-provoking argument about the role of everyday life in the Qur’an. They aptly demonstrate that the idea of households and women is integral to the salvific message of the Qur’an, to the Qur’an’s understanding of piety and morality, and to Islamic theology. By doing this, the book also makes an important case for the limitations of applying modern ideals and frameworks to the Qur’an, given the 7th century context that sets the stage for the social structures in the text. For instance, the social arrangement of the 7th century community, of the broader society, was reciprocal and inherently set up certain people to be disadvantaged. But that set-up necessitated a focus on piety and morality that would ensure that the privileged protect the marginalized. Yet, the equality component is significant: as Feras Hamza explains in this interview, in the patronage of piety, currency is piety “and the payout is the reward in the afterlife, and once the currency is piety, not material, then everyone can participate.” In other words, since piety is available to everyone, it becomes emancipatory for everyone.


What’s unique about this book isn’t simply that the authors make discoveries about the Qur’an’s transformative and emancipatory message about people and communities who are marginalized and vulnerable, which many other scholars have already highlighted; but the main contribution of this book is the way that it shows the equal moral agency of women and men by narrating the developmental story of the Qur’an. Women aren’t simply a separate subject, aside from the Qur’an, but are integral to the developmental story of the Qur’an. For instance, the authors highlight some of the major developments from the early to later Meccan surahs, where women become pious subjects in their own right, to early and later Medinan surahs, where women’s moral agency comes to its fruition, as seen in linguistics shifts. This idea of the developmental narrative of the Qur’an is a key point in the book and in the interview: Bauer and Hamza consistently show that the moral thread of the Qur’an stays the same, which is that life is a moral test, but its specifics change, evolving from being less nuanced in early Meccan surahs to more so in Medinan ones. Women are related to the theology, to Muhammad, to morality, to ethics, to law. As the authors point out, the Qur’an’s purpose of including so many verses on marriage and women is that these issues are clearly connected to larger questions of morality and especially moral agency. The subject of women and the everyday life therefore cannot be isolated from these other categories. The Qur’an is all daily life, and daily life is connected to the hereafter.

In this interview, we discuss dissonances between the tradition and the Qur’an and the harms of taking Qur’anic verses in isolation. The authors explain why they believe that households and daily life haven’t really been associated with Qur’anic piety and the sacred realm in the study of the Qur’an before. They discuss in detail the idea of the developmental narrative that emerges from their study. We end with the authors’ idea that, to quote them, “women’s agency did not undermine the Qur’anic patriarchy but was constructed from within it” (p 359), as they explain what this might mean for our world today.


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]]> Thu, 26 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In their book Women, Households, and the Hereafter in the Qur’an: A Patronage of Piety (Oxford UP/Institute of Ismaili Studies, 2024), Karen Bauer and Feras Hamza make a compelling and thought-provoking argument about the role of everyday life in the Qur’an. They aptly demonstrate that the idea of households and women is integral to the salvific message of the Qur’an, to the Qur’an’s understanding of piety and morality, and to Islamic theology. By doing this, the book also makes an important case for the limitations of applying modern ideals and frameworks to the Qur’an, given the 7th century context that sets the stage for the social structures in the text. For instance, the social arrangement of the 7th century community, of the broader society, was reciprocal and inherently set up certain people to be disadvantaged. But that set-up necessitated a focus on piety and morality that would ensure that the privileged protect the marginalized. Yet, the equality component is significant: as Feras Hamza explains in this interview, in the patronage of piety, currency is piety “and the payout is the reward in the afterlife, and once the currency is piety, not material, then everyone can participate.” In other words, since piety is available to everyone, it becomes emancipatory for everyone.


What’s unique about this book isn’t simply that the authors make discoveries about the Qur’an’s transformative and emancipatory message about people and communities who are marginalized and vulnerable, which many other scholars have already highlighted; but the main contribution of this book is the way that it shows the equal moral agency of women and men by narrating the developmental story of the Qur’an. Women aren’t simply a separate subject, aside from the Qur’an, but are integral to the developmental story of the Qur’an. For instance, the authors highlight some of the major developments from the early to later Meccan surahs, where women become pious subjects in their own right, to early and later Medinan surahs, where women’s moral agency comes to its fruition, as seen in linguistics shifts. This idea of the developmental narrative of the Qur’an is a key point in the book and in the interview: Bauer and Hamza consistently show that the moral thread of the Qur’an stays the same, which is that life is a moral test, but its specifics change, evolving from being less nuanced in early Meccan surahs to more so in Medinan ones. Women are related to the theology, to Muhammad, to morality, to ethics, to law. As the authors point out, the Qur’an’s purpose of including so many verses on marriage and women is that these issues are clearly connected to larger questions of morality and especially moral agency. The subject of women and the everyday life therefore cannot be isolated from these other categories. The Qur’an is all daily life, and daily life is connected to the hereafter.

In this interview, we discuss dissonances between the tradition and the Qur’an and the harms of taking Qur’anic verses in isolation. The authors explain why they believe that households and daily life haven’t really been associated with Qur’anic piety and the sacred realm in the study of the Qur’an before. They discuss in detail the idea of the developmental narrative that emerges from their study. We end with the authors’ idea that, to quote them, “women’s agency did not undermine the Qur’anic patriarchy but was constructed from within it” (p 359), as they explain what this might mean for our world today.


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]]> Karen Bauer and Feras Hamza, "Women, Households, and the Hereafter in the Qur'an: A Patronage of Piety" (Oxford UP/Institute of Ismaili Studies, 2023) New Books Network 01:22:20 In their book Women, Households, and the Hereafter in the Qur’an: A Patronage of Piety (Oxford UP/Institute of Ismaili Studies, 2024), Karen Bauer and Feras Hamza make a compelling and thought-provoking argument about the role of everyday life in the Qur’an. They aptly demonstrate that the idea of households and women is integral to the salvific message of the Qur’an, to the Qur’an’s understanding of piety and morality, and to Islamic theology. By doing this, the book also makes an important case for the limitations of applying modern ideals and frameworks to the Qur’an, given the 7th century context that sets the stage for the social structures in the text. For instance, the social arrangement of the 7th century community, of the broader society, was reciprocal and inherently set up certain people to be disadvantaged. But that set-up necessitated a focus on piety and morality that would ensure that the privileged protect the marginalized. Yet, the equality component is significant: as Feras Hamza explains in this interview, in the patronage of piety, currency is piety “and the payout is the reward in the afterlife, and once the currency is piety, not material, then everyone can participate.” In other words, since piety is available to everyone, it becomes emancipatory for everyone. What’s unique about this book isn’t simply that the authors make discoveries about the Qur’an’s transformative and emancipatory message about people and communities who are marginalized and vulnerable, which many other scholars have already highlighted; but the main contribution of this book is the way that it shows the equal moral agency of women and men by narrating the developmental story of the Qur’an. Women aren’t simply a separate subject, aside from the Qur’an, but are integral to the developmental story of the Qur’an. For instance, the authors highlight some of the major developments from the early to later Meccan surahs, where women become pious subjects in their own right, to early and later Medinan surahs, where women’s moral agency comes to its fruition, as seen in linguistics shifts. This idea of the developmental narrative of the Qur’an is a key point in the book and in the interview: Bauer and Hamza consistently show that the moral thread of the Qur’an stays the same, which is that life is a moral test, but its specifics change, evolving from being less nuanced in early Meccan surahs to more so in Medinan ones. Women are related to the theology, to Muhammad, to morality, to ethics, to law. As the authors point out, the Qur’an’s purpose of including so many verses on marriage and women is that these issues are clearly connected to larger questions of morality and especially moral agency. The subject of women and the everyday life therefore cannot be isolated from these other categories. The Qur’an is all daily life, and daily life is connected to the hereafter. In this interview, we discuss dissonances between the tradition and the Qur’an and the harms of taking Qur’anic verses in isolation. The authors explain why they believe that households and daily life haven’t really been associated with Qur’anic piety and the sacred realm in the study of the Qur’an before. They discuss in detail the idea of the developmental narrative that emerges from their study. We end with the authors’ idea that, to quote them, “women’s agency did not undermine the Qur’anic patriarchy but was constructed from within it” (p 359), as they explain what this might mean for our world today. In their book Women, Households, and the Hereafter in the Qur’an: A Patronage of Piety (Oxford UP/Institute of Ismaili Studies, 2024), Karen Bauer and Feras Hamza make a compelling and thought-provoking argument about the role of everyday life in the Qur’an. They aptly demonstrate that the idea of households and women is integral to the salvific message of the Qur’an, to the Qur’an’s understanding of piety and morality, and to Islamic theology. By doing this, the book also makes an important case for the limitations of applying modern ideals and frameworks to the Qur’an, given the 7th century context that sets the stage for the social structures in the text. For instance, the social arrangement of the 7th century community, of the broader society, was reciprocal and inherently set up certain people to be disadvantaged. But that set-up necessitated a focus on piety and morality that would ensure that the privileged protect the marginalized. Yet, the equality component is significant: as Feras Hamza explains in this interview, in the patronage of piety, currency is piety “and the payout is the reward in the afterlife, and once the currency is piety, not material, then everyone can participate.” In other words, since piety is available to everyone, it becomes emancipatory for everyone. What’s unique about this book isn’t simply that the authors make discoveries about the Qur’an’s transformative and emancipatory message about people and communities who are marginalized and vulnerable, which many other scholars have already highlighted; but the main contribution of this book is the way that it shows the equal moral agency of women and men by narrating the developmental story of the Qur’an. Women aren’t simply a separate subject, aside from the Qur’an, but are integral to the developmental story of the Qur’an. For instance, the authors highlight some of the major developments from the early to later Meccan surahs, where women become pious subjects in their own right, to early and later Medinan surahs, where women’s moral agency comes to its fruition, as seen in linguistics shifts. This idea of the developmental narrative of the Qur’an is a key point in the book and in the interview: Bauer and Hamza consistently show that the moral thread of the Qur’an stays the same, which is that life is a moral test, but its specifics change, evolving from being less nuanced in early Meccan surahs to more so in Medinan ones. Women are related to the theology, to Muhammad, to morality, to ethics, to law. As the authors point out, the Qur’an’s purpose of including so many verses on marriage and women is that these issues are clearly connected to larger questions of morality and especially moral agency. The subject of women and the everyday life therefore cannot be isolated from these other categories. The Qur’an is all daily life, and daily life is connected to the hereafter. In this interview, we discuss dissonances between the tradition and the Qur’an and the harms of taking Qur’anic verses in isolation. The authors explain why they believe that households and daily life haven’t really been associated with Qur’anic piety and the sacred realm in the study of the Qur’an before. They discuss in detail the idea of the developmental narrative that emerges from their study. We end with the authors’ idea that, to quote them, “women’s agency did not undermine the Qur’anic patriarchy but was constructed from within it” (p 359), as they explain what this might mean for our world today. false full 340 3e0cbece-7b4d-11ef-a5e9-57bbcdaebace Charmian Mansell, "Female Servants in Early Modern England" (Oxford UP, 2024) Charmian Mansell joins Jana Byars to talk about Female Servants in Early Modern England (Oxford University Press, 2024). 

What was it like to be a woman in service in early modern England? Drawing on evidence recorded in church court testimony, Mansell excavates experiences of over a thousand female servants between 1532 and 1649. Intervening in histories of labour, gender, freedom, law, migration, youth, and community, Female Servants in Early Modern England rethinks traditional scholarship of servant institution. De-coupling 'household' and 'service', it highlights the importance of female servants' labour to the wider economy and their key role in broader social networks and communities, despite their high mobility. Moving beyond regulatory codes of service prescribed by law and conduct literature, Mansell reveals the varied experiences of these women in service, both fluid and contingent: in early modern England, service (and the freedoms it allowed) was in flux.

This book is available open access here. 


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]]> Thu, 26 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Charmian Mansell joins Jana Byars to talk about Female Servants in Early Modern England (Oxford University Press, 2024). 

What was it like to be a woman in service in early modern England? Drawing on evidence recorded in church court testimony, Mansell excavates experiences of over a thousand female servants between 1532 and 1649. Intervening in histories of labour, gender, freedom, law, migration, youth, and community, Female Servants in Early Modern England rethinks traditional scholarship of servant institution. De-coupling 'household' and 'service', it highlights the importance of female servants' labour to the wider economy and their key role in broader social networks and communities, despite their high mobility. Moving beyond regulatory codes of service prescribed by law and conduct literature, Mansell reveals the varied experiences of these women in service, both fluid and contingent: in early modern England, service (and the freedoms it allowed) was in flux.

This book is available open access here. 


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]]> Charmian Mansell, "Female Servants in Early Modern England" (Oxford UP, 2024) New Books Network 00:47:44 Charmian Mansell joins Jana Byars to talk about Female Servants in Early Modern England (Oxford University Press, 2024).  What was it like to be a woman in service in early modern England? Drawing on evidence recorded in church court testimony, Mansell excavates experiences of over a thousand female servants between 1532 and 1649. Intervening in histories of labour, gender, freedom, law, migration, youth, and community, Female Servants in Early Modern England rethinks traditional scholarship of servant institution. De-coupling 'household' and 'service', it highlights the importance of female servants' labour to the wider economy and their key role in broader social networks and communities, despite their high mobility. Moving beyond regulatory codes of service prescribed by law and conduct literature, Mansell reveals the varied experiences of these women in service, both fluid and contingent: in early modern England, service (and the freedoms it allowed) was in flux. This book is available open access here.  Charmian Mansell joins Jana Byars to talk about Female Servants in Early Modern England (Oxford University Press, 2024).  What was it like to be a woman in service in early modern England? Drawing on evidence recorded in church court testimony, Mansell excavates experiences of over a thousand female servants between 1532 and 1649. Intervening in histories of labour, gender, freedom, law, migration, youth, and community, Female Servants in Early Modern England rethinks traditional scholarship of servant institution. De-coupling 'household' and 'service', it highlights the importance of female servants' labour to the wider economy and their key role in broader social networks and communities, despite their high mobility. Moving beyond regulatory codes of service prescribed by law and conduct literature, Mansell reveals the varied experiences of these women in service, both fluid and contingent: in early modern England, service (and the freedoms it allowed) was in flux. This book is available open access here.  false full 79 66262cec-78fa-11ef-86f6-4f096916d8f7 Jane Little Botkin, "The Pink Dress: A Memoir of a Reluctant Beauty Queen" (She Writes Press, 2024) Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off.

A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs.

The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author.


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]]> Tue, 24 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off.

A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs.

The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author.


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]]> Jane Little Botkin, "The Pink Dress: A Memoir of a Reluctant Beauty Queen" (She Writes Press, 2024) New Books Network 00:33:56 Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off. A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs. The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author. Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off. A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs. The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author. false full 100 cbbdbb30-78e4-11ef-bdbc-eb1ec3062863 Francis Stevens, "The Heads of Cerberus and Other Stories" (MIT Press, 2024) When three people in Philadelphia inhale dust developed by a scientist who has discovered parallel universes, they are transported into an interdimensional no-man's-land that is populated by supernatural beings. From there, they go on to an alternate-future version of Philadelphia—a frightening dystopian nation-state in which citizens are numbered, not named. How will they escape? In The Heads of Cerberus and Other Stories (MIT Press, 2024), introduced by Dr. Lisa Yaszek, you will find this world-bending story as well as five others written by Francis Stevens, the pseudonym of Gertrude Barrows Bennett, a pioneering science fiction and fantasy adventure writer from Minneapolis who made her literary debut at the precocious age of 17.

Often celebrated as “the woman who invented dark fantasy,” Bennett possessed incredible range; her groundbreaking stories—produced largely between 1904 and 1919—suggest that she is better understood as the mother of modern genre fiction writ large. Bennett's work has anticipated everything from the work of Philip K. Dick to Superman comics to The Hunger Games, making it as relevant now as it ever was.

Francis Stevens (Gertrude Barrows Bennett, 1884-1948) was the first American woman to publish widely in fantasy and science fiction. Her five short stories and seven longer works of fiction, all of which appeared in pulp magazines such as Argosy, All-Story Weekly, and Weird Tales, would influence everyone from H.P Lovecraft to C.L. Moore.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Mon, 23 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When three people in Philadelphia inhale dust developed by a scientist who has discovered parallel universes, they are transported into an interdimensional no-man's-land that is populated by supernatural beings. From there, they go on to an alternate-future version of Philadelphia—a frightening dystopian nation-state in which citizens are numbered, not named. How will they escape? In The Heads of Cerberus and Other Stories (MIT Press, 2024), introduced by Dr. Lisa Yaszek, you will find this world-bending story as well as five others written by Francis Stevens, the pseudonym of Gertrude Barrows Bennett, a pioneering science fiction and fantasy adventure writer from Minneapolis who made her literary debut at the precocious age of 17.

Often celebrated as “the woman who invented dark fantasy,” Bennett possessed incredible range; her groundbreaking stories—produced largely between 1904 and 1919—suggest that she is better understood as the mother of modern genre fiction writ large. Bennett's work has anticipated everything from the work of Philip K. Dick to Superman comics to The Hunger Games, making it as relevant now as it ever was.

Francis Stevens (Gertrude Barrows Bennett, 1884-1948) was the first American woman to publish widely in fantasy and science fiction. Her five short stories and seven longer works of fiction, all of which appeared in pulp magazines such as Argosy, All-Story Weekly, and Weird Tales, would influence everyone from H.P Lovecraft to C.L. Moore.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Francis Stevens, "The Heads of Cerberus and Other Stories" (MIT Press, 2024) New Books Network 00:34:58 When three people in Philadelphia inhale dust developed by a scientist who has discovered parallel universes, they are transported into an interdimensional no-man's-land that is populated by supernatural beings. From there, they go on to an alternate-future version of Philadelphia—a frightening dystopian nation-state in which citizens are numbered, not named. How will they escape? In The Heads of Cerberus and Other Stories (MIT Press, 2024), introduced by Dr. Lisa Yaszek, you will find this world-bending story as well as five others written by Francis Stevens, the pseudonym of Gertrude Barrows Bennett, a pioneering science fiction and fantasy adventure writer from Minneapolis who made her literary debut at the precocious age of 17. Often celebrated as “the woman who invented dark fantasy,” Bennett possessed incredible range; her groundbreaking stories—produced largely between 1904 and 1919—suggest that she is better understood as the mother of modern genre fiction writ large. Bennett's work has anticipated everything from the work of Philip K. Dick to Superman comics to The Hunger Games, making it as relevant now as it ever was. Francis Stevens (Gertrude Barrows Bennett, 1884-1948) was the first American woman to publish widely in fantasy and science fiction. Her five short stories and seven longer works of fiction, all of which appeared in pulp magazines such as Argosy, All-Story Weekly, and Weird Tales, would influence everyone from H.P Lovecraft to C.L. Moore. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. When three people in Philadelphia inhale dust developed by a scientist who has discovered parallel universes, they are transported into an interdimensional no-man's-land that is populated by supernatural beings. From there, they go on to an alternate-future version of Philadelphia—a frightening dystopian nation-state in which citizens are numbered, not named. How will they escape? In The Heads of Cerberus and Other Stories (MIT Press, 2024), introduced by Dr. Lisa Yaszek, you will find this world-bending story as well as five others written by Francis Stevens, the pseudonym of Gertrude Barrows Bennett, a pioneering science fiction and fantasy adventure writer from Minneapolis who made her literary debut at the precocious age of 17. Often celebrated as “the woman who invented dark fantasy,” Bennett possessed incredible range; her groundbreaking stories—produced largely between 1904 and 1919—suggest that she is better understood as the mother of modern genre fiction writ large. Bennett's work has anticipated everything from the work of Philip K. Dick to Superman comics to The Hunger Games, making it as relevant now as it ever was. Francis Stevens (Gertrude Barrows Bennett, 1884-1948) was the first American woman to publish widely in fantasy and science fiction. Her five short stories and seven longer works of fiction, all of which appeared in pulp magazines such as Argosy, All-Story Weekly, and Weird Tales, would influence everyone from H.P Lovecraft to C.L. Moore. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 426 0f414c1e-78e0-11ef-b084-0bc76e8332f8 Emily Carman, "Independent Stardom: Freelance Women in the Hollywood Studio System" (U Texas Press, 2016) During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.

Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Mon, 23 Sep 2024 04:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.

Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.

Peter C. Kunze is an assistant professor of communication at Tulane University.


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]]> Emily Carman, "Independent Stardom: Freelance Women in the Hollywood Studio System" (U Texas Press, 2016) New Books Network 01:09:23 During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. false full 214 430df2fa-7772-11ef-8ba7-633d1a418891 Felia Allum, "Women of the Mafia: Power and Influence in the Neapolitan Camorra" (Cornell UP, 2024) Women of the Mafia: Power and Influence in the Neapolitan Camorra (Cornell UP, 2024) by Dr. Felia Allum dives into the Neapolitan criminal underworld of the Camorra as seen and lived by the women who inhabit it. It tells their life stories and unpacks the gender dynamics by examining their participation as active agents in the organisation as leaders, managers, foot soldiers, and enablers. Felia Allum shows that these women are true partners in crime.

The author offers an innovative interdisciplinary analysis that demystifies the notion that the Camorra is a sexist, male-centric organisation. She links her analysis of Camorra culture within the wider Neapolitan context to show how mothers and women act and are treated in the private sphere of the household and how the family helps explain the power women have found in the Neapolitan Camorra.

It is civil society and law enforcement agencies that continue to see the Camorra using traditional gender assumptions which render women irrelevant and lacking independent agency in the criminal underworld. In Women of the Mafia, Allum debunks these assumptions by revealing the power and influence of women in the Camorra.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 21 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women of the Mafia: Power and Influence in the Neapolitan Camorra (Cornell UP, 2024) by Dr. Felia Allum dives into the Neapolitan criminal underworld of the Camorra as seen and lived by the women who inhabit it. It tells their life stories and unpacks the gender dynamics by examining their participation as active agents in the organisation as leaders, managers, foot soldiers, and enablers. Felia Allum shows that these women are true partners in crime.

The author offers an innovative interdisciplinary analysis that demystifies the notion that the Camorra is a sexist, male-centric organisation. She links her analysis of Camorra culture within the wider Neapolitan context to show how mothers and women act and are treated in the private sphere of the household and how the family helps explain the power women have found in the Neapolitan Camorra.

It is civil society and law enforcement agencies that continue to see the Camorra using traditional gender assumptions which render women irrelevant and lacking independent agency in the criminal underworld. In Women of the Mafia, Allum debunks these assumptions by revealing the power and influence of women in the Camorra.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Felia Allum, "Women of the Mafia: Power and Influence in the Neapolitan Camorra" (Cornell UP, 2024) New Books Network 00:47:35 Women of the Mafia: Power and Influence in the Neapolitan Camorra (Cornell UP, 2024) by Dr. Felia Allum dives into the Neapolitan criminal underworld of the Camorra as seen and lived by the women who inhabit it. It tells their life stories and unpacks the gender dynamics by examining their participation as active agents in the organisation as leaders, managers, foot soldiers, and enablers. Felia Allum shows that these women are true partners in crime. The author offers an innovative interdisciplinary analysis that demystifies the notion that the Camorra is a sexist, male-centric organisation. She links her analysis of Camorra culture within the wider Neapolitan context to show how mothers and women act and are treated in the private sphere of the household and how the family helps explain the power women have found in the Neapolitan Camorra. It is civil society and law enforcement agencies that continue to see the Camorra using traditional gender assumptions which render women irrelevant and lacking independent agency in the criminal underworld. In Women of the Mafia, Allum debunks these assumptions by revealing the power and influence of women in the Camorra. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Women of the Mafia: Power and Influence in the Neapolitan Camorra (Cornell UP, 2024) by Dr. Felia Allum dives into the Neapolitan criminal underworld of the Camorra as seen and lived by the women who inhabit it. It tells their life stories and unpacks the gender dynamics by examining their participation as active agents in the organisation as leaders, managers, foot soldiers, and enablers. Felia Allum shows that these women are true partners in crime. The author offers an innovative interdisciplinary analysis that demystifies the notion that the Camorra is a sexist, male-centric organisation. She links her analysis of Camorra culture within the wider Neapolitan context to show how mothers and women act and are treated in the private sphere of the household and how the family helps explain the power women have found in the Neapolitan Camorra. It is civil society and law enforcement agencies that continue to see the Camorra using traditional gender assumptions which render women irrelevant and lacking independent agency in the criminal underworld. In Women of the Mafia, Allum debunks these assumptions by revealing the power and influence of women in the Camorra. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 31 28c7d868-7775-11ef-a409-87de196a7566 Aideen O’Shaughnessy, "Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism" (Bristol UP, 2024) Dr. Aideen O'Shaughnessy is a Senior Lecturer in Sociology at the University of Lincoln. She has a PhD in Sociology from the University of Cambridge, an MA in Gender Studies Research from Utrecht University and a BA in Sociology and French at Trinity College Dublin. Her research focuses on gender, health, and social movements and she is particularly interested in the study of reproductive health, rights, and justice. She has published widely in journals including Body and Society, the European Journal of Women's Studies, and the BMJ Sexual and Reproductive Health.

Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism (Bristol UP, 2024) explores the lived, embodied and affective experiences of reproductive rights activists living under, and mobilizing against, Ireland’s constitutional abortion ban.

Through qualitative research and in-depth interviews with activists, the author exposes the subtle influence of the 8th Amendment on Irish women and their (reproductive) bodies, whether or not they have ever attempted to access a clandestine abortion.

It explains how the everyday embodied practices, bodily labours and affective experiences of women and gestating people were shaped by the 8th amendment and through the need to ‘prepare’ for crisis pregnancies. In addition, it reveals the integral role of women’s bodies and emotions in changing the political and social landscape in Ireland, through the historical transformation of the country’s abortion laws.


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]]> Sat, 21 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Dr. Aideen O'Shaughnessy is a Senior Lecturer in Sociology at the University of Lincoln. She has a PhD in Sociology from the University of Cambridge, an MA in Gender Studies Research from Utrecht University and a BA in Sociology and French at Trinity College Dublin. Her research focuses on gender, health, and social movements and she is particularly interested in the study of reproductive health, rights, and justice. She has published widely in journals including Body and Society, the European Journal of Women's Studies, and the BMJ Sexual and Reproductive Health.

Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism (Bristol UP, 2024) explores the lived, embodied and affective experiences of reproductive rights activists living under, and mobilizing against, Ireland’s constitutional abortion ban.

Through qualitative research and in-depth interviews with activists, the author exposes the subtle influence of the 8th Amendment on Irish women and their (reproductive) bodies, whether or not they have ever attempted to access a clandestine abortion.

It explains how the everyday embodied practices, bodily labours and affective experiences of women and gestating people were shaped by the 8th amendment and through the need to ‘prepare’ for crisis pregnancies. In addition, it reveals the integral role of women’s bodies and emotions in changing the political and social landscape in Ireland, through the historical transformation of the country’s abortion laws.


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]]> Aideen O’Shaughnessy, "Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism" (Bristol UP, 2024) New Books Network 00:44:41 Dr. Aideen O'Shaughnessy is a Senior Lecturer in Sociology at the University of Lincoln. She has a PhD in Sociology from the University of Cambridge, an MA in Gender Studies Research from Utrecht University and a BA in Sociology and French at Trinity College Dublin. Her research focuses on gender, health, and social movements and she is particularly interested in the study of reproductive health, rights, and justice. She has published widely in journals including Body and Society, the European Journal of Women's Studies, and the BMJ Sexual and Reproductive Health. Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism (Bristol UP, 2024) explores the lived, embodied and affective experiences of reproductive rights activists living under, and mobilizing against, Ireland’s constitutional abortion ban. Through qualitative research and in-depth interviews with activists, the author exposes the subtle influence of the 8th Amendment on Irish women and their (reproductive) bodies, whether or not they have ever attempted to access a clandestine abortion. It explains how the everyday embodied practices, bodily labours and affective experiences of women and gestating people were shaped by the 8th amendment and through the need to ‘prepare’ for crisis pregnancies. In addition, it reveals the integral role of women’s bodies and emotions in changing the political and social landscape in Ireland, through the historical transformation of the country’s abortion laws. Dr. Aideen O'Shaughnessy is a Senior Lecturer in Sociology at the University of Lincoln. She has a PhD in Sociology from the University of Cambridge, an MA in Gender Studies Research from Utrecht University and a BA in Sociology and French at Trinity College Dublin. Her research focuses on gender, health, and social movements and she is particularly interested in the study of reproductive health, rights, and justice. She has published widely in journals including Body and Society, the European Journal of Women's Studies, and the BMJ Sexual and Reproductive Health. Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism (Bristol UP, 2024) explores the lived, embodied and affective experiences of reproductive rights activists living under, and mobilizing against, Ireland’s constitutional abortion ban. Through qualitative research and in-depth interviews with activists, the author exposes the subtle influence of the 8th Amendment on Irish women and their (reproductive) bodies, whether or not they have ever attempted to access a clandestine abortion. It explains how the everyday embodied practices, bodily labours and affective experiences of women and gestating people were shaped by the 8th amendment and through the need to ‘prepare’ for crisis pregnancies. In addition, it reveals the integral role of women’s bodies and emotions in changing the political and social landscape in Ireland, through the historical transformation of the country’s abortion laws. false full 1484 c7beba42-75f7-11ef-9184-4b8f7130552a Joanna Allan, "Silenced Resistance: Women, Dictatorships, and Genderwashing in Western Sahara and Equatorial Guinea" (U Wisconsin Press, 2019) Spain's former African colonies-Equatorial Guinea and Western Sahara-share similar histories. Both are under the thumbs of heavy-handed, postcolonial regimes, and are known by human rights organizations as being among the worst places in the world with regard to oppression and lack of civil liberties. Yet the resistance movement in one is dominated by women, the other by men. 

In Silenced Resistance: Women, Dictatorships, and Genderwashing in Western Sahara and Equatorial Guinea (U Wisconsin Press, 2029), Joanna Allan demonstrates why we should foreground gender as key for understanding both authoritarian power projection and resistance. She brings an ethnographic component to a subject that has often been looked at through the lens of literary studies to examine how concerns for equality and women's rights can be co-opted for authoritarian projects. She reveals how Moroccan and Equatoguinean regimes, in partnership with Western states and corporations, conjure a mirage of promoting equality while simultaneously undermining women's rights in a bid to cash in on oil, minerals, and other natural resources. This genderwashing, along with historical local, indigenous, and colonially imposed gender norms mixed with Western misconceptions about African and Arab gender roles, plays an integral role in determining the shape and composition of public resistance to authoritarian regimes.


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]]> Fri, 20 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Spain's former African colonies-Equatorial Guinea and Western Sahara-share similar histories. Both are under the thumbs of heavy-handed, postcolonial regimes, and are known by human rights organizations as being among the worst places in the world with regard to oppression and lack of civil liberties. Yet the resistance movement in one is dominated by women, the other by men. 

In Silenced Resistance: Women, Dictatorships, and Genderwashing in Western Sahara and Equatorial Guinea (U Wisconsin Press, 2029), Joanna Allan demonstrates why we should foreground gender as key for understanding both authoritarian power projection and resistance. She brings an ethnographic component to a subject that has often been looked at through the lens of literary studies to examine how concerns for equality and women's rights can be co-opted for authoritarian projects. She reveals how Moroccan and Equatoguinean regimes, in partnership with Western states and corporations, conjure a mirage of promoting equality while simultaneously undermining women's rights in a bid to cash in on oil, minerals, and other natural resources. This genderwashing, along with historical local, indigenous, and colonially imposed gender norms mixed with Western misconceptions about African and Arab gender roles, plays an integral role in determining the shape and composition of public resistance to authoritarian regimes.


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]]> Joanna Allan, "Silenced Resistance: Women, Dictatorships, and Genderwashing in Western Sahara and Equatorial Guinea" (U Wisconsin Press, 2019) New Books Network 00:58:22 Spain's former African colonies-Equatorial Guinea and Western Sahara-share similar histories. Both are under the thumbs of heavy-handed, postcolonial regimes, and are known by human rights organizations as being among the worst places in the world with regard to oppression and lack of civil liberties. Yet the resistance movement in one is dominated by women, the other by men.  In Silenced Resistance: Women, Dictatorships, and Genderwashing in Western Sahara and Equatorial Guinea (U Wisconsin Press, 2029), Joanna Allan demonstrates why we should foreground gender as key for understanding both authoritarian power projection and resistance. She brings an ethnographic component to a subject that has often been looked at through the lens of literary studies to examine how concerns for equality and women's rights can be co-opted for authoritarian projects. She reveals how Moroccan and Equatoguinean regimes, in partnership with Western states and corporations, conjure a mirage of promoting equality while simultaneously undermining women's rights in a bid to cash in on oil, minerals, and other natural resources. This genderwashing, along with historical local, indigenous, and colonially imposed gender norms mixed with Western misconceptions about African and Arab gender roles, plays an integral role in determining the shape and composition of public resistance to authoritarian regimes. Spain's former African colonies-Equatorial Guinea and Western Sahara-share similar histories. Both are under the thumbs of heavy-handed, postcolonial regimes, and are known by human rights organizations as being among the worst places in the world with regard to oppression and lack of civil liberties. Yet the resistance movement in one is dominated by women, the other by men.  In Silenced Resistance: Women, Dictatorships, and Genderwashing in Western Sahara and Equatorial Guinea (U Wisconsin Press, 2029), Joanna Allan demonstrates why we should foreground gender as key for understanding both authoritarian power projection and resistance. She brings an ethnographic component to a subject that has often been looked at through the lens of literary studies to examine how concerns for equality and women's rights can be co-opted for authoritarian projects. She reveals how Moroccan and Equatoguinean regimes, in partnership with Western states and corporations, conjure a mirage of promoting equality while simultaneously undermining women's rights in a bid to cash in on oil, minerals, and other natural resources. This genderwashing, along with historical local, indigenous, and colonially imposed gender norms mixed with Western misconceptions about African and Arab gender roles, plays an integral role in determining the shape and composition of public resistance to authoritarian regimes. false full 198 7fd4dda6-75fc-11ef-861e-836604fda6af Alexis Pauline Gumbs, "Survival Is a Promise: The Eternal Life of Audre Lorde" (FSG, 2024) We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today.

Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.

In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.


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]]> Thu, 19 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today.

Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.

In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.


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]]> Alexis Pauline Gumbs, "Survival Is a Promise: The Eternal Life of Audre Lorde" (FSG, 2024) New Books Network 00:54:23 We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today. Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands. In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth. We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today. Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands. In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth. false full 476 59336bbc-6dec-11ef-93a1-2be4d5ec3be1 Kaitlin Sidorsky, "All Roads Lead to Power: The Appointed and Elected Paths to Public Office for US Women" (UP Kansas, 2019) Kaitlin Sidorsky’s new book, All Roads Lead to Power: The Appointed and Elected Paths to Public Office for US Women (University Press of Kansas, 2019), is an extremely well written and important analysis of women in public life and public service. This book combines qualitative and quantitative research to examine appointed and elected state positions, particularly in regard to gender, and concludes that there are quite a few women in appointed positions, an area not usually the focus of research and analysis of women and power. Sidorsky notes that women in appointed positions on boards and commissions at the state and local level see themselves not in political positions but instead working in capacities to accomplish goals, serve the public, and continue along their career paths. In the way many of these women conceptualize their work in these positions, this is not necessarily about political ambition, as Sidorsky’s research discovers, but because this public work is usually connected to the individual office holder’s personal or professional life. This research will be of particular interest to those who study women and politics, political representation, and questions of politics and power. This is an excellent study and analysis, enlightening in both the data compiled and the assessment of the data within our understanding of appointed and elected positions, politics, and power.

Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-editor of Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). You can follow her on twitter @gorenlj


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]]> Mon, 9 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Kaitlin Sidorsky’s new book, All Roads Lead to Power: The Appointed and Elected Paths to Public Office for US Women (University Press of Kansas, 2019), is an extremely well written and important analysis of women in public life and public service. This book combines qualitative and quantitative research to examine appointed and elected state positions, particularly in regard to gender, and concludes that there are quite a few women in appointed positions, an area not usually the focus of research and analysis of women and power. Sidorsky notes that women in appointed positions on boards and commissions at the state and local level see themselves not in political positions but instead working in capacities to accomplish goals, serve the public, and continue along their career paths. In the way many of these women conceptualize their work in these positions, this is not necessarily about political ambition, as Sidorsky’s research discovers, but because this public work is usually connected to the individual office holder’s personal or professional life. This research will be of particular interest to those who study women and politics, political representation, and questions of politics and power. This is an excellent study and analysis, enlightening in both the data compiled and the assessment of the data within our understanding of appointed and elected positions, politics, and power.

Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-editor of Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). You can follow her on twitter @gorenlj


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]]> Kaitlin Sidorsky, "All Roads Lead to Power: The Appointed and Elected Paths to Public Office for US Women" (UP Kansas, 2019) New Books Network 00:46:27 Kaitlin Sidorsky’s new book, All Roads Lead to Power: The Appointed and Elected Paths to Public Office for US Women (University Press of Kansas, 2019), is an extremely well written and important analysis of women in public life and public service. This book combines qualitative and quantitative research to examine appointed and elected state positions, particularly in regard to gender, and concludes that there are quite a few women in appointed positions, an area not usually the focus of research and analysis of women and power. Sidorsky notes that women in appointed positions on boards and commissions at the state and local level see themselves not in political positions but instead working in capacities to accomplish goals, serve the public, and continue along their career paths. In the way many of these women conceptualize their work in these positions, this is not necessarily about political ambition, as Sidorsky’s research discovers, but because this public work is usually connected to the individual office holder’s personal or professional life. This research will be of particular interest to those who study women and politics, political representation, and questions of politics and power. This is an excellent study and analysis, enlightening in both the data compiled and the assessment of the data within our understanding of appointed and elected positions, politics, and power. Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-editor of Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). You can follow her on twitter @gorenlj Kaitlin Sidorsky’s new book, All Roads Lead to Power: The Appointed and Elected Paths to Public Office for US Women (University Press of Kansas, 2019), is an extremely well written and important analysis of women in public life and public service. This book combines qualitative and quantitative research to examine appointed and elected state positions, particularly in regard to gender, and concludes that there are quite a few women in appointed positions, an area not usually the focus of research and analysis of women and power. Sidorsky notes that women in appointed positions on boards and commissions at the state and local level see themselves not in political positions but instead working in capacities to accomplish goals, serve the public, and continue along their career paths. In the way many of these women conceptualize their work in these positions, this is not necessarily about political ambition, as Sidorsky’s research discovers, but because this public work is usually connected to the individual office holder’s personal or professional life. This research will be of particular interest to those who study women and politics, political representation, and questions of politics and power. This is an excellent study and analysis, enlightening in both the data compiled and the assessment of the data within our understanding of appointed and elected positions, politics, and power. Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-editor of Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). You can follow her on twitter @gorenlj false full 366 50fbae64-6df1-11ef-a250-8bb812715525 Martha Rampton, "Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000" (Cornell UP, 2021) Martha Rampton, Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000 (Cornell University Press, 2021) explores how magic was perceived, practiced, and prohibited in western Europe during the first millennium CE. Through the overlapping frameworks of religion, ritual, and gender, Martha Rampton connects early Christian reckonings with pagan magic to later doctrines and dogmas. Challenging established views on the role of women in ritual magic during this period, Rampton provides a new narrative of the ways in which magic was embedded within the foundational assumptions of western European society, informing how people understood the cosmos, divinity, and their own Christian faith.

As Rampton shows, throughout the first Christian millennium, magic was thought to play a natural role within the functioning of the universe and existed within a rational cosmos hierarchically arranged according to a "great chain of being." Trafficking with the "demons of the lower air" was the essence of magic. Interactions with those demons occurred both in highly formalistic, ritual settings and on a routine and casual basis. Rampton tracks the competition between pagan magic and Christian belief from the first century CE, when it was fiercest, through the early Middle Ages, as atavistic forms of magic mutated and found sanctuary in the daily habits of the converted peoples and new paganisms entered Europe with their own forms of magic. By the year 1000, she concludes, many forms of magic had been tamed and were, by the reckoning of the elite, essentially ineffective, as were the women who practiced it and the rituals that attended it.

Martha Rampton is full of energy and excitement about her book and she and Jana Byars have a wonderful, spirited chat. 

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.


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]]> Mon, 9 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Martha Rampton, Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000 (Cornell University Press, 2021) explores how magic was perceived, practiced, and prohibited in western Europe during the first millennium CE. Through the overlapping frameworks of religion, ritual, and gender, Martha Rampton connects early Christian reckonings with pagan magic to later doctrines and dogmas. Challenging established views on the role of women in ritual magic during this period, Rampton provides a new narrative of the ways in which magic was embedded within the foundational assumptions of western European society, informing how people understood the cosmos, divinity, and their own Christian faith.

As Rampton shows, throughout the first Christian millennium, magic was thought to play a natural role within the functioning of the universe and existed within a rational cosmos hierarchically arranged according to a "great chain of being." Trafficking with the "demons of the lower air" was the essence of magic. Interactions with those demons occurred both in highly formalistic, ritual settings and on a routine and casual basis. Rampton tracks the competition between pagan magic and Christian belief from the first century CE, when it was fiercest, through the early Middle Ages, as atavistic forms of magic mutated and found sanctuary in the daily habits of the converted peoples and new paganisms entered Europe with their own forms of magic. By the year 1000, she concludes, many forms of magic had been tamed and were, by the reckoning of the elite, essentially ineffective, as were the women who practiced it and the rituals that attended it.

Martha Rampton is full of energy and excitement about her book and she and Jana Byars have a wonderful, spirited chat. 

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.


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]]> Martha Rampton, "Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000" (Cornell UP, 2021) New Books Network 00:50:51 Martha Rampton, Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000 (Cornell University Press, 2021) explores how magic was perceived, practiced, and prohibited in western Europe during the first millennium CE. Through the overlapping frameworks of religion, ritual, and gender, Martha Rampton connects early Christian reckonings with pagan magic to later doctrines and dogmas. Challenging established views on the role of women in ritual magic during this period, Rampton provides a new narrative of the ways in which magic was embedded within the foundational assumptions of western European society, informing how people understood the cosmos, divinity, and their own Christian faith. As Rampton shows, throughout the first Christian millennium, magic was thought to play a natural role within the functioning of the universe and existed within a rational cosmos hierarchically arranged according to a "great chain of being." Trafficking with the "demons of the lower air" was the essence of magic. Interactions with those demons occurred both in highly formalistic, ritual settings and on a routine and casual basis. Rampton tracks the competition between pagan magic and Christian belief from the first century CE, when it was fiercest, through the early Middle Ages, as atavistic forms of magic mutated and found sanctuary in the daily habits of the converted peoples and new paganisms entered Europe with their own forms of magic. By the year 1000, she concludes, many forms of magic had been tamed and were, by the reckoning of the elite, essentially ineffective, as were the women who practiced it and the rituals that attended it. Martha Rampton is full of energy and excitement about her book and she and Jana Byars have a wonderful, spirited chat.  Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Martha Rampton, Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000 (Cornell University Press, 2021) explores how magic was perceived, practiced, and prohibited in western Europe during the first millennium CE. Through the overlapping frameworks of religion, ritual, and gender, Martha Rampton connects early Christian reckonings with pagan magic to later doctrines and dogmas. Challenging established views on the role of women in ritual magic during this period, Rampton provides a new narrative of the ways in which magic was embedded within the foundational assumptions of western European society, informing how people understood the cosmos, divinity, and their own Christian faith. As Rampton shows, throughout the first Christian millennium, magic was thought to play a natural role within the functioning of the universe and existed within a rational cosmos hierarchically arranged according to a "great chain of being." Trafficking with the "demons of the lower air" was the essence of magic. Interactions with those demons occurred both in highly formalistic, ritual settings and on a routine and casual basis. Rampton tracks the competition between pagan magic and Christian belief from the first century CE, when it was fiercest, through the early Middle Ages, as atavistic forms of magic mutated and found sanctuary in the daily habits of the converted peoples and new paganisms entered Europe with their own forms of magic. By the year 1000, she concludes, many forms of magic had been tamed and were, by the reckoning of the elite, essentially ineffective, as were the women who practiced it and the rituals that attended it. Martha Rampton is full of energy and excitement about her book and she and Jana Byars have a wonderful, spirited chat.  Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. false full 12 https://newbooksnetwork.com/?p=79410 Tracy Fessenden, “Religion Around Billie Holiday” (Penn State UP, 2018) Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician’s life, and the mytho-poetic nature of Holiday’s iconicity.


Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.


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]]> Sun, 8 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician’s life, and the mytho-poetic nature of Holiday’s iconicity.


Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.


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]]> Tracy Fessenden, “Religion Around Billie Holiday” (Penn State UP, 2018) New Books Network 01:00:19 Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician’s life, and the mytho-poetic nature of Holiday’s iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some Southerners, the cinematic representation of a musician’s life, and the mytho-poetic nature of Holiday’s iconicity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. false full 100 d1d7bc8c-6d59-11ef-8284-6b7875d9b805 Ana Stevenson, "The Woman as Slave in Nineteenth-Century American Social Movements" (Palgrave Macmillan, 2019) In The Woman as Slave in Nineteenth-Century American Social Movements (Palgrave Macmillan, 2019), Ana Stevenson explores the ubiquity of what she terms the “woman-slave analogy” in nineteenth-century US feminist discourse. Using examples from the women’s suffrage, abolition, dress-reform, and labor movements, among others, Steveson reconstructs the creation of this theoretical framework that imagined women’s subjugation as similar to, and sometimes even worse than, the plight of enslaved Americans. Although the women-slave analogy sometimes appeared tone-deaf, Stevenson demonstrates the many different ways that reformers--men and women, black and white--embraced the concept to fight for women’s political, legal, and economic rights. Crucially, Stevenson’s book encourages us to rethink the intellectual foundations of modern feminism and to critically evaluate the legacy of the women-as-slave worldview.

Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.    

 


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]]> Sun, 8 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In The Woman as Slave in Nineteenth-Century American Social Movements (Palgrave Macmillan, 2019), Ana Stevenson explores the ubiquity of what she terms the “woman-slave analogy” in nineteenth-century US feminist discourse. Using examples from the women’s suffrage, abolition, dress-reform, and labor movements, among others, Steveson reconstructs the creation of this theoretical framework that imagined women’s subjugation as similar to, and sometimes even worse than, the plight of enslaved Americans. Although the women-slave analogy sometimes appeared tone-deaf, Stevenson demonstrates the many different ways that reformers--men and women, black and white--embraced the concept to fight for women’s political, legal, and economic rights. Crucially, Stevenson’s book encourages us to rethink the intellectual foundations of modern feminism and to critically evaluate the legacy of the women-as-slave worldview.

Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.    

 


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]]> Ana Stevenson, "The Woman as Slave in Nineteenth-Century American Social Movements" (Palgrave Macmillan, 2019) New Books Network 00:48:38 In The Woman as Slave in Nineteenth-Century American Social Movements (Palgrave Macmillan, 2019), Ana Stevenson explores the ubiquity of what she terms the “woman-slave analogy” in nineteenth-century US feminist discourse. Using examples from the women’s suffrage, abolition, dress-reform, and labor movements, among others, Steveson reconstructs the creation of this theoretical framework that imagined women’s subjugation as similar to, and sometimes even worse than, the plight of enslaved Americans. Although the women-slave analogy sometimes appeared tone-deaf, Stevenson demonstrates the many different ways that reformers--men and women, black and white--embraced the concept to fight for women’s political, legal, and economic rights. Crucially, Stevenson’s book encourages us to rethink the intellectual foundations of modern feminism and to critically evaluate the legacy of the women-as-slave worldview. Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.       In The Woman as Slave in Nineteenth-Century American Social Movements (Palgrave Macmillan, 2019), Ana Stevenson explores the ubiquity of what she terms the “woman-slave analogy” in nineteenth-century US feminist discourse. Using examples from the women’s suffrage, abolition, dress-reform, and labor movements, among others, Steveson reconstructs the creation of this theoretical framework that imagined women’s subjugation as similar to, and sometimes even worse than, the plight of enslaved Americans. Although the women-slave analogy sometimes appeared tone-deaf, Stevenson demonstrates the many different ways that reformers--men and women, black and white--embraced the concept to fight for women’s political, legal, and economic rights. Crucially, Stevenson’s book encourages us to rethink the intellectual foundations of modern feminism and to critically evaluate the legacy of the women-as-slave worldview. Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.       false full 114 57391e70-6c79-11ef-a20f-ab1ab46c7ac7 Alison Fragale, "Likeable Badass: The New Science of Successful Women" (Doubleday Books, 2024) Behavioral scientist Alison Fragale offers powerful new insights and a practical playbook for women to advance in any workplace, full of tips, tricks, and strategies to help secure that elusive corner office.

Over decades of research, speaking engagements, and mentorship, psychologist and professor Alison Fragale encountered recurring questions from high powered and early career women alike: How do women thread the needle of kindness and competence in the workplace? How can women earn credit for their accomplishments, negotiate better, and navigate complex office politics without losing the goodwill of their peers?

Fragale investigated and determined that many women's workplace issues boil down to what psychologists call status: the perception of them by others. No amount of power-- no degree, title, or paycheck-- will raise a woman's workplace stature unless it also affects how others see her. Acknowledging this roadblock, Fragale pulls back the curtain on how we can change how others see us by developing our standing as a "likeable badass." By cultivating perceptions of warmth and assertiveness, women can achieve the kind of reputation that leads to a seat at the table and a fulfilling career path.

Likeable Badass: The New Science of Successful Women (Doubleday Books, 2024) is equal parts behavioral science and life hacks, weaving together rigorous research with actionable advice and impactful stories from a diverse array of women. This is a warm, heartening book written for women, their allies, and anyone who struggles to rise, and wants evidence-based, practical strategies for success, served with a side of inspiration and humor.


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]]> Sat, 7 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Behavioral scientist Alison Fragale offers powerful new insights and a practical playbook for women to advance in any workplace, full of tips, tricks, and strategies to help secure that elusive corner office.

Over decades of research, speaking engagements, and mentorship, psychologist and professor Alison Fragale encountered recurring questions from high powered and early career women alike: How do women thread the needle of kindness and competence in the workplace? How can women earn credit for their accomplishments, negotiate better, and navigate complex office politics without losing the goodwill of their peers?

Fragale investigated and determined that many women's workplace issues boil down to what psychologists call status: the perception of them by others. No amount of power-- no degree, title, or paycheck-- will raise a woman's workplace stature unless it also affects how others see her. Acknowledging this roadblock, Fragale pulls back the curtain on how we can change how others see us by developing our standing as a "likeable badass." By cultivating perceptions of warmth and assertiveness, women can achieve the kind of reputation that leads to a seat at the table and a fulfilling career path.

Likeable Badass: The New Science of Successful Women (Doubleday Books, 2024) is equal parts behavioral science and life hacks, weaving together rigorous research with actionable advice and impactful stories from a diverse array of women. This is a warm, heartening book written for women, their allies, and anyone who struggles to rise, and wants evidence-based, practical strategies for success, served with a side of inspiration and humor.


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]]> Alison Fragale, "Likeable Badass: The New Science of Successful Women" (Doubleday Books, 2024) New Books Network 00:40:38 Behavioral scientist Alison Fragale offers powerful new insights and a practical playbook for women to advance in any workplace, full of tips, tricks, and strategies to help secure that elusive corner office. Over decades of research, speaking engagements, and mentorship, psychologist and professor Alison Fragale encountered recurring questions from high powered and early career women alike: How do women thread the needle of kindness and competence in the workplace? How can women earn credit for their accomplishments, negotiate better, and navigate complex office politics without losing the goodwill of their peers? Fragale investigated and determined that many women's workplace issues boil down to what psychologists call status: the perception of them by others. No amount of power-- no degree, title, or paycheck-- will raise a woman's workplace stature unless it also affects how others see her. Acknowledging this roadblock, Fragale pulls back the curtain on how we can change how others see us by developing our standing as a "likeable badass." By cultivating perceptions of warmth and assertiveness, women can achieve the kind of reputation that leads to a seat at the table and a fulfilling career path. Likeable Badass: The New Science of Successful Women (Doubleday Books, 2024) is equal parts behavioral science and life hacks, weaving together rigorous research with actionable advice and impactful stories from a diverse array of women. This is a warm, heartening book written for women, their allies, and anyone who struggles to rise, and wants evidence-based, practical strategies for success, served with a side of inspiration and humor. Behavioral scientist Alison Fragale offers powerful new insights and a practical playbook for women to advance in any workplace, full of tips, tricks, and strategies to help secure that elusive corner office. Over decades of research, speaking engagements, and mentorship, psychologist and professor Alison Fragale encountered recurring questions from high powered and early career women alike: How do women thread the needle of kindness and competence in the workplace? How can women earn credit for their accomplishments, negotiate better, and navigate complex office politics without losing the goodwill of their peers? Fragale investigated and determined that many women's workplace issues boil down to what psychologists call status: the perception of them by others. No amount of power-- no degree, title, or paycheck-- will raise a woman's workplace stature unless it also affects how others see her. Acknowledging this roadblock, Fragale pulls back the curtain on how we can change how others see us by developing our standing as a "likeable badass." By cultivating perceptions of warmth and assertiveness, women can achieve the kind of reputation that leads to a seat at the table and a fulfilling career path. Likeable Badass: The New Science of Successful Women (Doubleday Books, 2024) is equal parts behavioral science and life hacks, weaving together rigorous research with actionable advice and impactful stories from a diverse array of women. This is a warm, heartening book written for women, their allies, and anyone who struggles to rise, and wants evidence-based, practical strategies for success, served with a side of inspiration and humor. false full 241 acc29b04-67bb-11ef-b2c9-872150380bb0 Colette Brull-Ulmann et al., "Through the Morgue Door: One Woman’s Story of Survival and Saving Children in German-Occupied Paris" (U Pennsylvania Press, 2024) Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman’s Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024)

n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment.

Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945.

In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option.


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]]> Sun, 1 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman’s Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024)

n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment.

Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945.

In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option.


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]]> Colette Brull-Ulmann et al., "Through the Morgue Door: One Woman’s Story of Survival and Saving Children in German-Occupied Paris" (U Pennsylvania Press, 2024) New Books Network 03:03:00 Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman’s Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024) n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment. Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945. In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option. Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman’s Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024) n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment. Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945. In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option. false full 1476 63a23b2c-67cb-11ef-b9ce-f31299d2c383 Karen Ordahl Kupperman, "Pocahontas and the English Boys: Caught Between Cultures in Early Virginia" (NYU Press, 2019) In Pocahontas and the English Boys: Caught Between Cultures in Early Virginia(New York University Press, 2019), Karen Ordahl Kupperman, Silver Professor of History Emerita at New York University, shifts the lens on the well-known narrative of Virginia’s founding to reveal the previously untold and utterly compelling story of the youths who, often unwillingly, entered into cross-cultural relationships—and became essential for the colony’s survival. Their story gives us unprecedented access to both sides of early Virginia. Here for the first time outside scholarly texts is an accurate portrayal of Pocahontas, who, from the age of ten, acted as emissary for her father, who ruled over the local tribes, alongside the never-before-told intertwined stories of Thomas Savage, Henry Spelman, and Robert Poole, young English boys who were forced to live with powerful Indian leaders to act as intermediaries. As Pocahontas, Thomas, Henry, and Robert collaborated and conspired in carrying messages and trying to smooth out difficulties, they never knew when they might be caught in the firing line of developing hostilities. While their knowledge and role in controlling communication gave them status and a degree of power, their relationships with both sides meant that no one trusted them completely.

Written by an expert in sixteenth- and seventeenth-century Atlantic history, Pocahontas and the English Boys unearths gems from the archives—Henry Spelman’s memoir, travel accounts, letters, and official reports and records of meetings of the governor and council in Virginia—and draws on recent archaeology to share the stories of the young people who were key influencers of their day and who are now set to transform our understanding of early Virginia.

Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University.


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]]> Sun, 1 Sep 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Pocahontas and the English Boys: Caught Between Cultures in Early Virginia(New York University Press, 2019), Karen Ordahl Kupperman, Silver Professor of History Emerita at New York University, shifts the lens on the well-known narrative of Virginia’s founding to reveal the previously untold and utterly compelling story of the youths who, often unwillingly, entered into cross-cultural relationships—and became essential for the colony’s survival. Their story gives us unprecedented access to both sides of early Virginia. Here for the first time outside scholarly texts is an accurate portrayal of Pocahontas, who, from the age of ten, acted as emissary for her father, who ruled over the local tribes, alongside the never-before-told intertwined stories of Thomas Savage, Henry Spelman, and Robert Poole, young English boys who were forced to live with powerful Indian leaders to act as intermediaries. As Pocahontas, Thomas, Henry, and Robert collaborated and conspired in carrying messages and trying to smooth out difficulties, they never knew when they might be caught in the firing line of developing hostilities. While their knowledge and role in controlling communication gave them status and a degree of power, their relationships with both sides meant that no one trusted them completely.

Written by an expert in sixteenth- and seventeenth-century Atlantic history, Pocahontas and the English Boys unearths gems from the archives—Henry Spelman’s memoir, travel accounts, letters, and official reports and records of meetings of the governor and council in Virginia—and draws on recent archaeology to share the stories of the young people who were key influencers of their day and who are now set to transform our understanding of early Virginia.

Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University.


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]]> Karen Ordahl Kupperman, "Pocahontas and the English Boys: Caught Between Cultures in Early Virginia" (NYU Press, 2019) New Books Network 00:50:04 In Pocahontas and the English Boys: Caught Between Cultures in Early Virginia(New York University Press, 2019), Karen Ordahl Kupperman, Silver Professor of History Emerita at New York University, shifts the lens on the well-known narrative of Virginia’s founding to reveal the previously untold and utterly compelling story of the youths who, often unwillingly, entered into cross-cultural relationships—and became essential for the colony’s survival. Their story gives us unprecedented access to both sides of early Virginia. Here for the first time outside scholarly texts is an accurate portrayal of Pocahontas, who, from the age of ten, acted as emissary for her father, who ruled over the local tribes, alongside the never-before-told intertwined stories of Thomas Savage, Henry Spelman, and Robert Poole, young English boys who were forced to live with powerful Indian leaders to act as intermediaries. As Pocahontas, Thomas, Henry, and Robert collaborated and conspired in carrying messages and trying to smooth out difficulties, they never knew when they might be caught in the firing line of developing hostilities. While their knowledge and role in controlling communication gave them status and a degree of power, their relationships with both sides meant that no one trusted them completely. Written by an expert in sixteenth- and seventeenth-century Atlantic history, Pocahontas and the English Boys unearths gems from the archives—Henry Spelman’s memoir, travel accounts, letters, and official reports and records of meetings of the governor and council in Virginia—and draws on recent archaeology to share the stories of the young people who were key influencers of their day and who are now set to transform our understanding of early Virginia. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. In Pocahontas and the English Boys: Caught Between Cultures in Early Virginia(New York University Press, 2019), Karen Ordahl Kupperman, Silver Professor of History Emerita at New York University, shifts the lens on the well-known narrative of Virginia’s founding to reveal the previously untold and utterly compelling story of the youths who, often unwillingly, entered into cross-cultural relationships—and became essential for the colony’s survival. Their story gives us unprecedented access to both sides of early Virginia. Here for the first time outside scholarly texts is an accurate portrayal of Pocahontas, who, from the age of ten, acted as emissary for her father, who ruled over the local tribes, alongside the never-before-told intertwined stories of Thomas Savage, Henry Spelman, and Robert Poole, young English boys who were forced to live with powerful Indian leaders to act as intermediaries. As Pocahontas, Thomas, Henry, and Robert collaborated and conspired in carrying messages and trying to smooth out difficulties, they never knew when they might be caught in the firing line of developing hostilities. While their knowledge and role in controlling communication gave them status and a degree of power, their relationships with both sides meant that no one trusted them completely. Written by an expert in sixteenth- and seventeenth-century Atlantic history, Pocahontas and the English Boys unearths gems from the archives—Henry Spelman’s memoir, travel accounts, letters, and official reports and records of meetings of the governor and council in Virginia—and draws on recent archaeology to share the stories of the young people who were key influencers of their day and who are now set to transform our understanding of early Virginia. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. false full 82 c4eff982-624e-11ef-b9e2-4719b55c1876 Steve Moriarty, "Mia Zapata and the Gits: A True Story of Art, Rock and Revolution" (Ferel House, 2024) Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support. 

This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans. 

Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures.


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]]> Mon, 26 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support. 

This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans. 

Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures.


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]]> Steve Moriarty, "Mia Zapata and the Gits: A True Story of Art, Rock and Revolution" (Ferel House, 2024) New Books Network 00:54:31 Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. false full 193 74ca036a-6165-11ef-bc1f-af637ee9dd34 Adam Zamoyski, "Izabela the Valiant: The Story of an Indomitable Polish Princess" (William Collins, 2024) Princess Izabela Czartoryska was a towering figure of late-eighteenth- and early-nineteenth-century European cultural and intellectual life. Married at sixteen to a distinguished older aristocrat, she amassed learning, influence, and a role in both Polish and European statecraft through encounters with figures ranging from Jean-Jacques Rousseau to Joseph II of Austria. After the liquidation of her homeland’s sovereignty with its third partition in 1795, she spent the final decades of her life pioneering and curating spaces of preservation, both of Polish nationhood and of the human experience writ large. 

Izabela the Valiant: The Story of an Indomitable Polish Princess (William Collins, 2024) is her definitive biography, penned by distinguished historian Adam Zamoyski—the protagonist’s great-great-great-grandson. Trawling through a vast family archive and arcane sources in half a dozen languages, Zamoyski has told her story as one of empowerment, education, and encounter in an age of profound national and international upheaval.

Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser). His most recent writings appeared in The Atlantic and in Foreign Affairs.


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]]> Sat, 24 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Princess Izabela Czartoryska was a towering figure of late-eighteenth- and early-nineteenth-century European cultural and intellectual life. Married at sixteen to a distinguished older aristocrat, she amassed learning, influence, and a role in both Polish and European statecraft through encounters with figures ranging from Jean-Jacques Rousseau to Joseph II of Austria. After the liquidation of her homeland’s sovereignty with its third partition in 1795, she spent the final decades of her life pioneering and curating spaces of preservation, both of Polish nationhood and of the human experience writ large. 

Izabela the Valiant: The Story of an Indomitable Polish Princess (William Collins, 2024) is her definitive biography, penned by distinguished historian Adam Zamoyski—the protagonist’s great-great-great-grandson. Trawling through a vast family archive and arcane sources in half a dozen languages, Zamoyski has told her story as one of empowerment, education, and encounter in an age of profound national and international upheaval.

Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser). His most recent writings appeared in The Atlantic and in Foreign Affairs.


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]]> Adam Zamoyski, "Izabela the Valiant: The Story of an Indomitable Polish Princess" (William Collins, 2024) New Books Network 00:50:48 Princess Izabela Czartoryska was a towering figure of late-eighteenth- and early-nineteenth-century European cultural and intellectual life. Married at sixteen to a distinguished older aristocrat, she amassed learning, influence, and a role in both Polish and European statecraft through encounters with figures ranging from Jean-Jacques Rousseau to Joseph II of Austria. After the liquidation of her homeland’s sovereignty with its third partition in 1795, she spent the final decades of her life pioneering and curating spaces of preservation, both of Polish nationhood and of the human experience writ large.  Izabela the Valiant: The Story of an Indomitable Polish Princess (William Collins, 2024) is her definitive biography, penned by distinguished historian Adam Zamoyski—the protagonist’s great-great-great-grandson. Trawling through a vast family archive and arcane sources in half a dozen languages, Zamoyski has told her story as one of empowerment, education, and encounter in an age of profound national and international upheaval. Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser). His most recent writings appeared in The Atlantic and in Foreign Affairs. Princess Izabela Czartoryska was a towering figure of late-eighteenth- and early-nineteenth-century European cultural and intellectual life. Married at sixteen to a distinguished older aristocrat, she amassed learning, influence, and a role in both Polish and European statecraft through encounters with figures ranging from Jean-Jacques Rousseau to Joseph II of Austria. After the liquidation of her homeland’s sovereignty with its third partition in 1795, she spent the final decades of her life pioneering and curating spaces of preservation, both of Polish nationhood and of the human experience writ large.  Izabela the Valiant: The Story of an Indomitable Polish Princess (William Collins, 2024) is her definitive biography, penned by distinguished historian Adam Zamoyski—the protagonist’s great-great-great-grandson. Trawling through a vast family archive and arcane sources in half a dozen languages, Zamoyski has told her story as one of empowerment, education, and encounter in an age of profound national and international upheaval. Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser). His most recent writings appeared in The Atlantic and in Foreign Affairs. false full 1473 03f57c6a-5fd9-11ef-94b5-631f3b3af03b Ren Pepitone, "Brotherhood of Barristers: A Cultural History of the British Legal Profession, 1840–1940" (Cambridge UP, 2024) How did ideas of masculinity shape the British legal profession and the wider expectations of the white-collar professional? Brotherhood of Barristers: A Cultural History of the British Legal Profession, 1840–1940 (Cambridge University Press, 2024) by Dr. Ren Pepitone examines the cultural history of the Inns of Court – four legal societies whose rituals of symbolic brotherhood took place in their supposedly ancient halls. These societies invented traditions to create a sense of belonging among members – or, conversely, to marginalise those who did not fit the profession's ideals.

Dr. Pepitone examines the legal profession's efforts to maintain an exclusive, masculine culture in the face of sweeping social changes across the nineteenth and twentieth centuries. Utilising established sources such as institutional records alongside diaries, guidebooks, and newspapers, this book looks afresh at the gendered operations of Victorian professional life. Brotherhood of Barristers incorporates a diverse array of historical actors, from the bar's most high-flying to struggling law students, disbarred barristers, political radicals, and women's rights campaigners.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Thu, 22 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How did ideas of masculinity shape the British legal profession and the wider expectations of the white-collar professional? Brotherhood of Barristers: A Cultural History of the British Legal Profession, 1840–1940 (Cambridge University Press, 2024) by Dr. Ren Pepitone examines the cultural history of the Inns of Court – four legal societies whose rituals of symbolic brotherhood took place in their supposedly ancient halls. These societies invented traditions to create a sense of belonging among members – or, conversely, to marginalise those who did not fit the profession's ideals.

Dr. Pepitone examines the legal profession's efforts to maintain an exclusive, masculine culture in the face of sweeping social changes across the nineteenth and twentieth centuries. Utilising established sources such as institutional records alongside diaries, guidebooks, and newspapers, this book looks afresh at the gendered operations of Victorian professional life. Brotherhood of Barristers incorporates a diverse array of historical actors, from the bar's most high-flying to struggling law students, disbarred barristers, political radicals, and women's rights campaigners.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Ren Pepitone, "Brotherhood of Barristers: A Cultural History of the British Legal Profession, 1840–1940" (Cambridge UP, 2024) New Books Network 00:57:55 How did ideas of masculinity shape the British legal profession and the wider expectations of the white-collar professional? Brotherhood of Barristers: A Cultural History of the British Legal Profession, 1840–1940 (Cambridge University Press, 2024) by Dr. Ren Pepitone examines the cultural history of the Inns of Court – four legal societies whose rituals of symbolic brotherhood took place in their supposedly ancient halls. These societies invented traditions to create a sense of belonging among members – or, conversely, to marginalise those who did not fit the profession's ideals. Dr. Pepitone examines the legal profession's efforts to maintain an exclusive, masculine culture in the face of sweeping social changes across the nineteenth and twentieth centuries. Utilising established sources such as institutional records alongside diaries, guidebooks, and newspapers, this book looks afresh at the gendered operations of Victorian professional life. Brotherhood of Barristers incorporates a diverse array of historical actors, from the bar's most high-flying to struggling law students, disbarred barristers, political radicals, and women's rights campaigners. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. How did ideas of masculinity shape the British legal profession and the wider expectations of the white-collar professional? Brotherhood of Barristers: A Cultural History of the British Legal Profession, 1840–1940 (Cambridge University Press, 2024) by Dr. Ren Pepitone examines the cultural history of the Inns of Court – four legal societies whose rituals of symbolic brotherhood took place in their supposedly ancient halls. These societies invented traditions to create a sense of belonging among members – or, conversely, to marginalise those who did not fit the profession's ideals. Dr. Pepitone examines the legal profession's efforts to maintain an exclusive, masculine culture in the face of sweeping social changes across the nineteenth and twentieth centuries. Utilising established sources such as institutional records alongside diaries, guidebooks, and newspapers, this book looks afresh at the gendered operations of Victorian professional life. Brotherhood of Barristers incorporates a diverse array of historical actors, from the bar's most high-flying to struggling law students, disbarred barristers, political radicals, and women's rights campaigners. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 131 35dbda08-5d7c-11ef-a5fe-6f6f14deb170 Karen Patel, "Craft as a Creative Industry" (Routledge, 2024) How can we diversify the creative industries? In Craft as a Creative Industry (Routledge, 2024), Karen Patel, an Associate Professor in Media and Director of the Centre for Equality, Diversity and Inclusion in the Arts (CEDIA) at Birmingham City University, examines the craft industries of Australia and the UK to show new ways of organising these crucial parts of the economy. The book uses case studies and lived experience from women makers of colour, situated within the history of context of both countries’ craft sectors, to demonstrate the scale of inequalities in craft and the need for change. A compact and easy to read intervention into current debates, the book is essential reading across creative industries, as well as the humanities and social sciences.


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]]> Tue, 20 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How can we diversify the creative industries? In Craft as a Creative Industry (Routledge, 2024), Karen Patel, an Associate Professor in Media and Director of the Centre for Equality, Diversity and Inclusion in the Arts (CEDIA) at Birmingham City University, examines the craft industries of Australia and the UK to show new ways of organising these crucial parts of the economy. The book uses case studies and lived experience from women makers of colour, situated within the history of context of both countries’ craft sectors, to demonstrate the scale of inequalities in craft and the need for change. A compact and easy to read intervention into current debates, the book is essential reading across creative industries, as well as the humanities and social sciences.


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]]> Karen Patel, "Craft as a Creative Industry" (Routledge, 2024) New Books Network 00:48:14 How can we diversify the creative industries? In Craft as a Creative Industry (Routledge, 2024), Karen Patel, an Associate Professor in Media and Director of the Centre for Equality, Diversity and Inclusion in the Arts (CEDIA) at Birmingham City University, examines the craft industries of Australia and the UK to show new ways of organising these crucial parts of the economy. The book uses case studies and lived experience from women makers of colour, situated within the history of context of both countries’ craft sectors, to demonstrate the scale of inequalities in craft and the need for change. A compact and easy to read intervention into current debates, the book is essential reading across creative industries, as well as the humanities and social sciences. How can we diversify the creative industries? In Craft as a Creative Industry (Routledge, 2024), Karen Patel, an Associate Professor in Media and Director of the Centre for Equality, Diversity and Inclusion in the Arts (CEDIA) at Birmingham City University, examines the craft industries of Australia and the UK to show new ways of organising these crucial parts of the economy. The book uses case studies and lived experience from women makers of colour, situated within the history of context of both countries’ craft sectors, to demonstrate the scale of inequalities in craft and the need for change. A compact and easy to read intervention into current debates, the book is essential reading across creative industries, as well as the humanities and social sciences. false full 477 8e71d5ac-5c12-11ef-ba8a-53727f498011 Carole Ammann, "Women, Agency, and the State in Guinea: Silent Politics" (Routledge, 2020) Women, Agency, and the State in Guinea: Silent Politics (Routledge, 2020) examines how women in Guinea articulate themselves politically within and outside institutional politics. It documents the everyday practices that local female actors adopt to deal with the continuous economic, political, and social insecurities that emerge in times of political transformations.

Carole Ammann argues that women's political articulations in Muslim Guinea do not primarily take place within women's associations or institutional politics such as political parties; but instead women's silent forms of politics manifest in their daily agency, that is, when they make a living, study, marry, meet friends, raise their children, and do household chores. The book also analyses the relationship between the female population and the local authorities, and discusses when and why women's claim making enjoys legitimacy in the eyes of other men and women, as well as representatives of 'traditional' authorities and the local government.

Paying particular attention to intersectional perspectives, this book will be of interest to scholars of African studies, social anthropology, political anthropology, the anthropology of gender, urban anthropology, gender studies, and Islamic studies.


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]]> Sun, 18 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women, Agency, and the State in Guinea: Silent Politics (Routledge, 2020) examines how women in Guinea articulate themselves politically within and outside institutional politics. It documents the everyday practices that local female actors adopt to deal with the continuous economic, political, and social insecurities that emerge in times of political transformations.

Carole Ammann argues that women's political articulations in Muslim Guinea do not primarily take place within women's associations or institutional politics such as political parties; but instead women's silent forms of politics manifest in their daily agency, that is, when they make a living, study, marry, meet friends, raise their children, and do household chores. The book also analyses the relationship between the female population and the local authorities, and discusses when and why women's claim making enjoys legitimacy in the eyes of other men and women, as well as representatives of 'traditional' authorities and the local government.

Paying particular attention to intersectional perspectives, this book will be of interest to scholars of African studies, social anthropology, political anthropology, the anthropology of gender, urban anthropology, gender studies, and Islamic studies.


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]]> Carole Ammann, "Women, Agency, and the State in Guinea: Silent Politics" (Routledge, 2020) New Books Network 01:32:06 Women, Agency, and the State in Guinea: Silent Politics (Routledge, 2020) examines how women in Guinea articulate themselves politically within and outside institutional politics. It documents the everyday practices that local female actors adopt to deal with the continuous economic, political, and social insecurities that emerge in times of political transformations. Carole Ammann argues that women's political articulations in Muslim Guinea do not primarily take place within women's associations or institutional politics such as political parties; but instead women's silent forms of politics manifest in their daily agency, that is, when they make a living, study, marry, meet friends, raise their children, and do household chores. The book also analyses the relationship between the female population and the local authorities, and discusses when and why women's claim making enjoys legitimacy in the eyes of other men and women, as well as representatives of 'traditional' authorities and the local government. Paying particular attention to intersectional perspectives, this book will be of interest to scholars of African studies, social anthropology, political anthropology, the anthropology of gender, urban anthropology, gender studies, and Islamic studies. Women, Agency, and the State in Guinea: Silent Politics (Routledge, 2020) examines how women in Guinea articulate themselves politically within and outside institutional politics. It documents the everyday practices that local female actors adopt to deal with the continuous economic, political, and social insecurities that emerge in times of political transformations. Carole Ammann argues that women's political articulations in Muslim Guinea do not primarily take place within women's associations or institutional politics such as political parties; but instead women's silent forms of politics manifest in their daily agency, that is, when they make a living, study, marry, meet friends, raise their children, and do household chores. The book also analyses the relationship between the female population and the local authorities, and discusses when and why women's claim making enjoys legitimacy in the eyes of other men and women, as well as representatives of 'traditional' authorities and the local government. Paying particular attention to intersectional perspectives, this book will be of interest to scholars of African studies, social anthropology, political anthropology, the anthropology of gender, urban anthropology, gender studies, and Islamic studies. false full 196 602094c2-5cc6-11ef-b38b-370cc1f887d8 Vanessa S. Oliveira, "Slave Trade and Abolition: Gender, Commerce, and Economic Transition in Luanda" (U Wisconsin Press, 2021) Well into the early nineteenth century, Luanda, the administrative capital of Portuguese Angola, was one of the most influential ports for the transatlantic slave trade. Between 1801 and 1850, it served as the point of embarkation for more than 535,000 enslaved Africans. In the history of this diverse, wealthy city, the gendered dynamics of the merchant community have frequently been overlooked.

Vanessa S. Oliveira traces how existing commercial networks adapted to changes in the Atlantic slave trade during the first half of the nineteenth century. Slave Trade and Abolition: Gender, Commerce, and Economic Transition in Luanda (U Wisconsin Press, 2021) reveals how women known as donas (a term adapted from the title granted to noble and royal women in the Iberian Peninsula) were often important cultural brokers. Acting as intermediaries between foreign and local people, they held high socioeconomic status and even competed with the male merchants who controlled the trade. Oliveira provides rich evidence to explore the many ways this Luso-African community influenced its society. In doing so, she reveals an unexpectedly nuanced economy with regard to the dynamics of gender and authority.


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]]> Sun, 18 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Well into the early nineteenth century, Luanda, the administrative capital of Portuguese Angola, was one of the most influential ports for the transatlantic slave trade. Between 1801 and 1850, it served as the point of embarkation for more than 535,000 enslaved Africans. In the history of this diverse, wealthy city, the gendered dynamics of the merchant community have frequently been overlooked.

Vanessa S. Oliveira traces how existing commercial networks adapted to changes in the Atlantic slave trade during the first half of the nineteenth century. Slave Trade and Abolition: Gender, Commerce, and Economic Transition in Luanda (U Wisconsin Press, 2021) reveals how women known as donas (a term adapted from the title granted to noble and royal women in the Iberian Peninsula) were often important cultural brokers. Acting as intermediaries between foreign and local people, they held high socioeconomic status and even competed with the male merchants who controlled the trade. Oliveira provides rich evidence to explore the many ways this Luso-African community influenced its society. In doing so, she reveals an unexpectedly nuanced economy with regard to the dynamics of gender and authority.


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]]> Vanessa S. Oliveira, "Slave Trade and Abolition: Gender, Commerce, and Economic Transition in Luanda" (U Wisconsin Press, 2021) New Books Network 01:01:20 Well into the early nineteenth century, Luanda, the administrative capital of Portuguese Angola, was one of the most influential ports for the transatlantic slave trade. Between 1801 and 1850, it served as the point of embarkation for more than 535,000 enslaved Africans. In the history of this diverse, wealthy city, the gendered dynamics of the merchant community have frequently been overlooked. Vanessa S. Oliveira traces how existing commercial networks adapted to changes in the Atlantic slave trade during the first half of the nineteenth century. Slave Trade and Abolition: Gender, Commerce, and Economic Transition in Luanda (U Wisconsin Press, 2021) reveals how women known as donas (a term adapted from the title granted to noble and royal women in the Iberian Peninsula) were often important cultural brokers. Acting as intermediaries between foreign and local people, they held high socioeconomic status and even competed with the male merchants who controlled the trade. Oliveira provides rich evidence to explore the many ways this Luso-African community influenced its society. In doing so, she reveals an unexpectedly nuanced economy with regard to the dynamics of gender and authority. Well into the early nineteenth century, Luanda, the administrative capital of Portuguese Angola, was one of the most influential ports for the transatlantic slave trade. Between 1801 and 1850, it served as the point of embarkation for more than 535,000 enslaved Africans. In the history of this diverse, wealthy city, the gendered dynamics of the merchant community have frequently been overlooked. Vanessa S. Oliveira traces how existing commercial networks adapted to changes in the Atlantic slave trade during the first half of the nineteenth century. Slave Trade and Abolition: Gender, Commerce, and Economic Transition in Luanda (U Wisconsin Press, 2021) reveals how women known as donas (a term adapted from the title granted to noble and royal women in the Iberian Peninsula) were often important cultural brokers. Acting as intermediaries between foreign and local people, they held high socioeconomic status and even competed with the male merchants who controlled the trade. Oliveira provides rich evidence to explore the many ways this Luso-African community influenced its society. In doing so, she reveals an unexpectedly nuanced economy with regard to the dynamics of gender and authority. false full 1470 053357d4-5267-11ef-adfb-cf87133dcdec Crystal Wilkinson, "Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks" (Clarkson Potter, 2023) Poet Laureate of Kentucky Crystal Wilkinson’s food memoir, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023), honors her kitchen ghosts, five generations of Black Appalachian women. She contends, “The concept of the kitchen ghost came to me years ago, when I realized that my ancestors are always with me and that the women are most present while I’m chopping or stirring or standing at the stove.” Wilkinson shares nearly forty family recipes like Corn Pudding, Chicken and Dumplings, and Granny Christine’s Jam Cake, with stories and family photos to bring to life the rich heritage of Black Appalachia.

Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.


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]]> Wed, 14 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Poet Laureate of Kentucky Crystal Wilkinson’s food memoir, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023), honors her kitchen ghosts, five generations of Black Appalachian women. She contends, “The concept of the kitchen ghost came to me years ago, when I realized that my ancestors are always with me and that the women are most present while I’m chopping or stirring or standing at the stove.” Wilkinson shares nearly forty family recipes like Corn Pudding, Chicken and Dumplings, and Granny Christine’s Jam Cake, with stories and family photos to bring to life the rich heritage of Black Appalachia.

Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.


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]]> Crystal Wilkinson, "Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks" (Clarkson Potter, 2023) New Books Network 00:53:51 Poet Laureate of Kentucky Crystal Wilkinson’s food memoir, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023), honors her kitchen ghosts, five generations of Black Appalachian women. She contends, “The concept of the kitchen ghost came to me years ago, when I realized that my ancestors are always with me and that the women are most present while I’m chopping or stirring or standing at the stove.” Wilkinson shares nearly forty family recipes like Corn Pudding, Chicken and Dumplings, and Granny Christine’s Jam Cake, with stories and family photos to bring to life the rich heritage of Black Appalachia. Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Poet Laureate of Kentucky Crystal Wilkinson’s food memoir, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023), honors her kitchen ghosts, five generations of Black Appalachian women. She contends, “The concept of the kitchen ghost came to me years ago, when I realized that my ancestors are always with me and that the women are most present while I’m chopping or stirring or standing at the stove.” Wilkinson shares nearly forty family recipes like Corn Pudding, Chicken and Dumplings, and Granny Christine’s Jam Cake, with stories and family photos to bring to life the rich heritage of Black Appalachia. Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. false full 473 e520fa4a-5730-11ef-9929-b7ff8869fdbf Aimee Louise Middlemiss, "Invisible Labours: The Reproductive Politics of Second Trimester Pregnancy Loss in England" (Berghahn Books, 2024) Tracing women’s experiences of miscarriage and termination for foetal anomaly in the second trimester, before legal viability, shows how such events are positioned as less ‘real’ or significant when the foetal being does not, or will not, survive. Invisible Labour: The Reproductive Politics of Second Trimester Pregnancy Loss in England (Berghahn, 2024) by Dr. Aimee Louise Middlemiss describes the reproductive politics of this category of pregnancy loss in England. It shows how second trimester pregnancy loss produces specific medical and social experiences, revealing an underlying teleological ontology of pregnancy. Some women then understand their pregnancy through kinship with the unborn baby.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Mon, 12 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Tracing women’s experiences of miscarriage and termination for foetal anomaly in the second trimester, before legal viability, shows how such events are positioned as less ‘real’ or significant when the foetal being does not, or will not, survive. Invisible Labour: The Reproductive Politics of Second Trimester Pregnancy Loss in England (Berghahn, 2024) by Dr. Aimee Louise Middlemiss describes the reproductive politics of this category of pregnancy loss in England. It shows how second trimester pregnancy loss produces specific medical and social experiences, revealing an underlying teleological ontology of pregnancy. Some women then understand their pregnancy through kinship with the unborn baby.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Aimee Louise Middlemiss, "Invisible Labours: The Reproductive Politics of Second Trimester Pregnancy Loss in England" (Berghahn Books, 2024) New Books Network 00:44:56 Tracing women’s experiences of miscarriage and termination for foetal anomaly in the second trimester, before legal viability, shows how such events are positioned as less ‘real’ or significant when the foetal being does not, or will not, survive. Invisible Labour: The Reproductive Politics of Second Trimester Pregnancy Loss in England (Berghahn, 2024) by Dr. Aimee Louise Middlemiss describes the reproductive politics of this category of pregnancy loss in England. It shows how second trimester pregnancy loss produces specific medical and social experiences, revealing an underlying teleological ontology of pregnancy. Some women then understand their pregnancy through kinship with the unborn baby. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Tracing women’s experiences of miscarriage and termination for foetal anomaly in the second trimester, before legal viability, shows how such events are positioned as less ‘real’ or significant when the foetal being does not, or will not, survive. Invisible Labour: The Reproductive Politics of Second Trimester Pregnancy Loss in England (Berghahn, 2024) by Dr. Aimee Louise Middlemiss describes the reproductive politics of this category of pregnancy loss in England. It shows how second trimester pregnancy loss produces specific medical and social experiences, revealing an underlying teleological ontology of pregnancy. Some women then understand their pregnancy through kinship with the unborn baby. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 130 dc878436-5356-11ef-b61f-378c3cbc2f9c Emily Cousens, "Trans Feminist Epistemologies in the US Second Wave" (Palgrave Macmillan, 2023) Why do "second wave" and "trans feminism" rarely get considered together? Challenging the idea that trans feminism is antagonistic to, or arrived after, second wave feminism, Emily Cousens re-orients trans epistemologies as crucial sites of second wave feminist theorising. By revisiting the contributions of trans individuals writing in underground print publications, as well as the more well-known arguments of Andrea Dworkin, Trans Feminist Epistemologies in the US Second Wave (Palgrave Macmillan, 2023) demonstrates that valuable yet overlooked trans feminist philosophies of sex and gender were present throughout the US second wave. It argues that not only were these trans feminist epistemologies an important component of second wave feminism's knowledge production, but that this period has an unacknowledged trans feminist legacy.


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]]> Tue, 6 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Why do "second wave" and "trans feminism" rarely get considered together? Challenging the idea that trans feminism is antagonistic to, or arrived after, second wave feminism, Emily Cousens re-orients trans epistemologies as crucial sites of second wave feminist theorising. By revisiting the contributions of trans individuals writing in underground print publications, as well as the more well-known arguments of Andrea Dworkin, Trans Feminist Epistemologies in the US Second Wave (Palgrave Macmillan, 2023) demonstrates that valuable yet overlooked trans feminist philosophies of sex and gender were present throughout the US second wave. It argues that not only were these trans feminist epistemologies an important component of second wave feminism's knowledge production, but that this period has an unacknowledged trans feminist legacy.


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]]> Emily Cousens, "Trans Feminist Epistemologies in the US Second Wave" (Palgrave Macmillan, 2023) New Books Network 00:43:04 Why do "second wave" and "trans feminism" rarely get considered together? Challenging the idea that trans feminism is antagonistic to, or arrived after, second wave feminism, Emily Cousens re-orients trans epistemologies as crucial sites of second wave feminist theorising. By revisiting the contributions of trans individuals writing in underground print publications, as well as the more well-known arguments of Andrea Dworkin, Trans Feminist Epistemologies in the US Second Wave (Palgrave Macmillan, 2023) demonstrates that valuable yet overlooked trans feminist philosophies of sex and gender were present throughout the US second wave. It argues that not only were these trans feminist epistemologies an important component of second wave feminism's knowledge production, but that this period has an unacknowledged trans feminist legacy. Why do "second wave" and "trans feminism" rarely get considered together? Challenging the idea that trans feminism is antagonistic to, or arrived after, second wave feminism, Emily Cousens re-orients trans epistemologies as crucial sites of second wave feminist theorising. By revisiting the contributions of trans individuals writing in underground print publications, as well as the more well-known arguments of Andrea Dworkin, Trans Feminist Epistemologies in the US Second Wave (Palgrave Macmillan, 2023) demonstrates that valuable yet overlooked trans feminist philosophies of sex and gender were present throughout the US second wave. It argues that not only were these trans feminist epistemologies an important component of second wave feminism's knowledge production, but that this period has an unacknowledged trans feminist legacy. false full 65 41cfa796-4ea8-11ef-bb59-f790dd41c314 Alexandra Popoff, "Ayn Rand: Writing a Gospel of Success" (Yale UP, 2024) Ayn Rand is a provocative and polarizing figure. Strongly pro-capitalist and anti-communist, Rand was a dogmatic preacher of her moral philosophy. Based on what she called "rational self-interest", Rand believed in prosperity-seeking individualism above all. 

Alexandra Popoff's deeply researched biography traces Rand's journey from her early life as a privileged secular Jew in pre-revolution St. Petersburg, through the deprivations of life in Crimea during the Russian Civil War, and across the world to a new life in the United States in the 1920s. These early experiences influenced Rand's views, which she expressed in her sharp critique of Soviet Russia in her first major novel, We The Living.

In Ayn Rand: Writing a Gospel of Success (Yale UP, 2024) We follow Rand's extraordinary career in early Hollywood as an apprentice scriptwriter with Cecil DeMille and her evolution into an accomplished novelist of tightly plotted, intellectual stories. Her strong promotion of laissez-fair capitalism and creative, high achieving "supermen" willing to risk everything to achieve their goals came through in her two best selling novels, The Fountainhead and Atlas Shrugged. 

Following her literary career Rand focused on her philosophical theory of Objectivism and became a cult-like figure to many of her devoted followers. 

Video: Mike Wallace interview with Ayn Rand from 1959. 

Recommended reading:


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]]> Tue, 6 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Ayn Rand is a provocative and polarizing figure. Strongly pro-capitalist and anti-communist, Rand was a dogmatic preacher of her moral philosophy. Based on what she called "rational self-interest", Rand believed in prosperity-seeking individualism above all. 

Alexandra Popoff's deeply researched biography traces Rand's journey from her early life as a privileged secular Jew in pre-revolution St. Petersburg, through the deprivations of life in Crimea during the Russian Civil War, and across the world to a new life in the United States in the 1920s. These early experiences influenced Rand's views, which she expressed in her sharp critique of Soviet Russia in her first major novel, We The Living.

In Ayn Rand: Writing a Gospel of Success (Yale UP, 2024) We follow Rand's extraordinary career in early Hollywood as an apprentice scriptwriter with Cecil DeMille and her evolution into an accomplished novelist of tightly plotted, intellectual stories. Her strong promotion of laissez-fair capitalism and creative, high achieving "supermen" willing to risk everything to achieve their goals came through in her two best selling novels, The Fountainhead and Atlas Shrugged. 

Following her literary career Rand focused on her philosophical theory of Objectivism and became a cult-like figure to many of her devoted followers. 

Video: Mike Wallace interview with Ayn Rand from 1959. 

Recommended reading:


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]]> Alexandra Popoff, "Ayn Rand: Writing a Gospel of Success" (Yale UP, 2024) New Books Network 00:59:45 Ayn Rand is a provocative and polarizing figure. Strongly pro-capitalist and anti-communist, Rand was a dogmatic preacher of her moral philosophy. Based on what she called "rational self-interest", Rand believed in prosperity-seeking individualism above all.  Alexandra Popoff's deeply researched biography traces Rand's journey from her early life as a privileged secular Jew in pre-revolution St. Petersburg, through the deprivations of life in Crimea during the Russian Civil War, and across the world to a new life in the United States in the 1920s. These early experiences influenced Rand's views, which she expressed in her sharp critique of Soviet Russia in her first major novel, We The Living. In Ayn Rand: Writing a Gospel of Success (Yale UP, 2024) We follow Rand's extraordinary career in early Hollywood as an apprentice scriptwriter with Cecil DeMille and her evolution into an accomplished novelist of tightly plotted, intellectual stories. Her strong promotion of laissez-fair capitalism and creative, high achieving "supermen" willing to risk everything to achieve their goals came through in her two best selling novels, The Fountainhead and Atlas Shrugged.  Following her literary career Rand focused on her philosophical theory of Objectivism and became a cult-like figure to many of her devoted followers.  Video: Mike Wallace interview with Ayn Rand from 1959.  Recommended reading: Goddess of the Market by Jennifer Burns Autocracy, Inc. by Anne Applebaum Ayn Rand is a provocative and polarizing figure. Strongly pro-capitalist and anti-communist, Rand was a dogmatic preacher of her moral philosophy. Based on what she called "rational self-interest", Rand believed in prosperity-seeking individualism above all.  Alexandra Popoff's deeply researched biography traces Rand's journey from her early life as a privileged secular Jew in pre-revolution St. Petersburg, through the deprivations of life in Crimea during the Russian Civil War, and across the world to a new life in the United States in the 1920s. These early experiences influenced Rand's views, which she expressed in her sharp critique of Soviet Russia in her first major novel, We The Living. In Ayn Rand: Writing a Gospel of Success (Yale UP, 2024) We follow Rand's extraordinary career in early Hollywood as an apprentice scriptwriter with Cecil DeMille and her evolution into an accomplished novelist of tightly plotted, intellectual stories. Her strong promotion of laissez-fair capitalism and creative, high achieving "supermen" willing to risk everything to achieve their goals came through in her two best selling novels, The Fountainhead and Atlas Shrugged.  Following her literary career Rand focused on her philosophical theory of Objectivism and became a cult-like figure to many of her devoted followers.  Video: Mike Wallace interview with Ayn Rand from 1959.  Recommended reading: Goddess of the Market by Jennifer Burns Autocracy, Inc. by Anne Applebaum false full 257 2fe29010-5363-11ef-ad83-9707d59064b3 Jessica Roda, "For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age" (NYU Press, 2024) Mainstream portrayals of ultra-Orthodox religious women often frame their faith as oppressive: they are empowered only when they leave their community. For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age (NYU Press, 2024), by Jessica Roda, flips this notion on its head. Drawing on six years of fieldwork between New York and Montreal, Roda examines modern performances on the stage and screen directed by and for ultra-Orthodox women. Their incredibly vibrant Jewish artistic scenes defy stereotypes that paint these women as repressed, reclusive to their shtetl (village), and devoid of creativity and agency.

For Women and Girls Only argues that access to technology has completely transformed how ultra-Orthodox women express their way of being religious and that the digital era has enabled them to create an alternative entertainment market outside of the public, male-dominated one. Because expectations surrounding modesty, ultra-Orthodox women do not sing, dance, or act in front of men and the public. Yet, in a revolutionary move, they are creating “women and girls only” spaces onsite and online, putting the onus on men to shield themselves from the content. They develop modest public spaces on the Internet, about which male religious leaders are often unaware. The book also explores the entanglement between these observant female artists and those who left religion and became public performers. The author shows that the arts expressed by all these women offer a means of not only social but also economic empowerment in their respective worlds.


Interviewee: Jessica Roda is Assistant Professor of Jewish Civilization in the Walsh School of Foreign Service at Georgetown University.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.


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]]> Tue, 6 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Mainstream portrayals of ultra-Orthodox religious women often frame their faith as oppressive: they are empowered only when they leave their community. For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age (NYU Press, 2024), by Jessica Roda, flips this notion on its head. Drawing on six years of fieldwork between New York and Montreal, Roda examines modern performances on the stage and screen directed by and for ultra-Orthodox women. Their incredibly vibrant Jewish artistic scenes defy stereotypes that paint these women as repressed, reclusive to their shtetl (village), and devoid of creativity and agency.

For Women and Girls Only argues that access to technology has completely transformed how ultra-Orthodox women express their way of being religious and that the digital era has enabled them to create an alternative entertainment market outside of the public, male-dominated one. Because expectations surrounding modesty, ultra-Orthodox women do not sing, dance, or act in front of men and the public. Yet, in a revolutionary move, they are creating “women and girls only” spaces onsite and online, putting the onus on men to shield themselves from the content. They develop modest public spaces on the Internet, about which male religious leaders are often unaware. The book also explores the entanglement between these observant female artists and those who left religion and became public performers. The author shows that the arts expressed by all these women offer a means of not only social but also economic empowerment in their respective worlds.


Interviewee: Jessica Roda is Assistant Professor of Jewish Civilization in the Walsh School of Foreign Service at Georgetown University.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.


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]]> Jessica Roda, "For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age" (NYU Press, 2024) New Books Network 01:01:58 Mainstream portrayals of ultra-Orthodox religious women often frame their faith as oppressive: they are empowered only when they leave their community. For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age (NYU Press, 2024), by Jessica Roda, flips this notion on its head. Drawing on six years of fieldwork between New York and Montreal, Roda examines modern performances on the stage and screen directed by and for ultra-Orthodox women. Their incredibly vibrant Jewish artistic scenes defy stereotypes that paint these women as repressed, reclusive to their shtetl (village), and devoid of creativity and agency. For Women and Girls Only argues that access to technology has completely transformed how ultra-Orthodox women express their way of being religious and that the digital era has enabled them to create an alternative entertainment market outside of the public, male-dominated one. Because expectations surrounding modesty, ultra-Orthodox women do not sing, dance, or act in front of men and the public. Yet, in a revolutionary move, they are creating “women and girls only” spaces onsite and online, putting the onus on men to shield themselves from the content. They develop modest public spaces on the Internet, about which male religious leaders are often unaware. The book also explores the entanglement between these observant female artists and those who left religion and became public performers. The author shows that the arts expressed by all these women offer a means of not only social but also economic empowerment in their respective worlds. Interviewee: Jessica Roda is Assistant Professor of Jewish Civilization in the Walsh School of Foreign Service at Georgetown University. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Mainstream portrayals of ultra-Orthodox religious women often frame their faith as oppressive: they are empowered only when they leave their community. For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age (NYU Press, 2024), by Jessica Roda, flips this notion on its head. Drawing on six years of fieldwork between New York and Montreal, Roda examines modern performances on the stage and screen directed by and for ultra-Orthodox women. Their incredibly vibrant Jewish artistic scenes defy stereotypes that paint these women as repressed, reclusive to their shtetl (village), and devoid of creativity and agency. For Women and Girls Only argues that access to technology has completely transformed how ultra-Orthodox women express their way of being religious and that the digital era has enabled them to create an alternative entertainment market outside of the public, male-dominated one. Because expectations surrounding modesty, ultra-Orthodox women do not sing, dance, or act in front of men and the public. Yet, in a revolutionary move, they are creating “women and girls only” spaces onsite and online, putting the onus on men to shield themselves from the content. They develop modest public spaces on the Internet, about which male religious leaders are often unaware. The book also explores the entanglement between these observant female artists and those who left religion and became public performers. The author shows that the arts expressed by all these women offer a means of not only social but also economic empowerment in their respective worlds. Interviewee: Jessica Roda is Assistant Professor of Jewish Civilization in the Walsh School of Foreign Service at Georgetown University. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. false full 541 d13ea1e6-4937-11ef-8798-370c3644e7f6 Anna Bonnell Freidin, "Birthing Romans: Childbearing and Its Risks in Imperial Rome" (Princeton UP, 2024) Across the vast expanse of the Roman Empire, anxieties about childbirth tied individuals to one another, to the highest levels of imperial politics, even to the movements of the stars. Birthing Romans: Childbearing and Its Risks in Imperial Rome (Princeton UP, 2024) sheds critical light on the diverse ways pregnancy and childbirth were understood, experienced, and managed in ancient Rome during the first three centuries of the Common Era.


In this beautifully written book, Anna Bonnell Freidin asks how inhabitants of the Roman Empire—especially women and girls—understood their bodies and constructed communities of care to mitigate and make sense of the risks of pregnancy and childbirth. Drawing on medical texts, legal documents, poetry, amulets, funerary art, and more, she shows how these communities were deeply human yet never just human. Freidin demonstrates how patients and caregivers took their place alongside divine and material agencies to guard against the risks inherent to childbearing. She vividly illustrates how these efforts and vital networks offer a new window onto Romans’ anxieties about order, hierarchy, and the individual’s place in the empire and cosmos.


Unearthing a risky world that is both familiar and not our own, Birthing Romans reveals how mistakes, misfortunes, and interventions in childbearing were seen to have far-reaching consequences, reverberating across generations and altering the course of people’s lives, their family histories, and even the fate of an empire.


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]]> Mon, 5 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Across the vast expanse of the Roman Empire, anxieties about childbirth tied individuals to one another, to the highest levels of imperial politics, even to the movements of the stars. Birthing Romans: Childbearing and Its Risks in Imperial Rome (Princeton UP, 2024) sheds critical light on the diverse ways pregnancy and childbirth were understood, experienced, and managed in ancient Rome during the first three centuries of the Common Era.


In this beautifully written book, Anna Bonnell Freidin asks how inhabitants of the Roman Empire—especially women and girls—understood their bodies and constructed communities of care to mitigate and make sense of the risks of pregnancy and childbirth. Drawing on medical texts, legal documents, poetry, amulets, funerary art, and more, she shows how these communities were deeply human yet never just human. Freidin demonstrates how patients and caregivers took their place alongside divine and material agencies to guard against the risks inherent to childbearing. She vividly illustrates how these efforts and vital networks offer a new window onto Romans’ anxieties about order, hierarchy, and the individual’s place in the empire and cosmos.


Unearthing a risky world that is both familiar and not our own, Birthing Romans reveals how mistakes, misfortunes, and interventions in childbearing were seen to have far-reaching consequences, reverberating across generations and altering the course of people’s lives, their family histories, and even the fate of an empire.


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]]> Anna Bonnell Freidin, "Birthing Romans: Childbearing and Its Risks in Imperial Rome" (Princeton UP, 2024) New Books Network 01:34:38 Across the vast expanse of the Roman Empire, anxieties about childbirth tied individuals to one another, to the highest levels of imperial politics, even to the movements of the stars. Birthing Romans: Childbearing and Its Risks in Imperial Rome (Princeton UP, 2024) sheds critical light on the diverse ways pregnancy and childbirth were understood, experienced, and managed in ancient Rome during the first three centuries of the Common Era. In this beautifully written book, Anna Bonnell Freidin asks how inhabitants of the Roman Empire—especially women and girls—understood their bodies and constructed communities of care to mitigate and make sense of the risks of pregnancy and childbirth. Drawing on medical texts, legal documents, poetry, amulets, funerary art, and more, she shows how these communities were deeply human yet never just human. Freidin demonstrates how patients and caregivers took their place alongside divine and material agencies to guard against the risks inherent to childbearing. She vividly illustrates how these efforts and vital networks offer a new window onto Romans’ anxieties about order, hierarchy, and the individual’s place in the empire and cosmos. Unearthing a risky world that is both familiar and not our own, Birthing Romans reveals how mistakes, misfortunes, and interventions in childbearing were seen to have far-reaching consequences, reverberating across generations and altering the course of people’s lives, their family histories, and even the fate of an empire. Across the vast expanse of the Roman Empire, anxieties about childbirth tied individuals to one another, to the highest levels of imperial politics, even to the movements of the stars. Birthing Romans: Childbearing and Its Risks in Imperial Rome (Princeton UP, 2024) sheds critical light on the diverse ways pregnancy and childbirth were understood, experienced, and managed in ancient Rome during the first three centuries of the Common Era. In this beautifully written book, Anna Bonnell Freidin asks how inhabitants of the Roman Empire—especially women and girls—understood their bodies and constructed communities of care to mitigate and make sense of the risks of pregnancy and childbirth. Drawing on medical texts, legal documents, poetry, amulets, funerary art, and more, she shows how these communities were deeply human yet never just human. Freidin demonstrates how patients and caregivers took their place alongside divine and material agencies to guard against the risks inherent to childbearing. She vividly illustrates how these efforts and vital networks offer a new window onto Romans’ anxieties about order, hierarchy, and the individual’s place in the empire and cosmos. Unearthing a risky world that is both familiar and not our own, Birthing Romans reveals how mistakes, misfortunes, and interventions in childbearing were seen to have far-reaching consequences, reverberating across generations and altering the course of people’s lives, their family histories, and even the fate of an empire. false full 30 b8c4bc80-51cb-11ef-9195-0b072cf4f900 Anne Gray Fischer, "The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification" (UNC Press, 2022) Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.

Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets.


Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.


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]]> Mon, 5 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.

Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets.


Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.


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]]> Anne Gray Fischer, "The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification" (UNC Press, 2022) New Books Network 01:10:47 Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design. Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets. Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes. Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design. Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets. Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes. false full 7 a37e7b78-51bb-11ef-b6c5-877f6dfe2a62 Race, Gender, and the 2024 Presidential Election Cycle Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States.

I invited three experts on presidential politics, gender, and race in American politics to join me to discuss Kamala Harris’s historic and unique run for the presidency. Mary McHugh, Executive Director of Civic and Community Engagement, Stevens Service Learning Center at Merrimack College and member of the Political Science Department at Merrimack, Valeria Sinclair-Chapman, Deputy Director of the American Association for the Advancement of Science SEA Change Program, and professor of political science at Purdue University, and Linda Beail, Professor of Political Science at Point Loma Nazarene University and co-author of the 2012 book, Framing Sarah Palin: Pit Bulls, Puritans, and Politics, all joined the conversation to think about the presidential race, Kamala Harris, race, gender, masculinity, and partisan politics. We cover a lot of ground, including the presentation of masculinity at the Republican National Convention in Milwaukee in July, how TikTok and viral memes may influence younger voters, and how Kamala Harris is trying to frame herself and how others are trying to frame her in the course of the abbreviated election cycle. We examine historical contexts for women ascending to office, and how that might be a component of the shifting candidates and how Americans think about elections. We also dive into some of the controversial comments about “crazy cat ladies” and concepts of motherhood, politics, and racial and gendered double binds.


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]]> Mon, 5 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States.

I invited three experts on presidential politics, gender, and race in American politics to join me to discuss Kamala Harris’s historic and unique run for the presidency. Mary McHugh, Executive Director of Civic and Community Engagement, Stevens Service Learning Center at Merrimack College and member of the Political Science Department at Merrimack, Valeria Sinclair-Chapman, Deputy Director of the American Association for the Advancement of Science SEA Change Program, and professor of political science at Purdue University, and Linda Beail, Professor of Political Science at Point Loma Nazarene University and co-author of the 2012 book, Framing Sarah Palin: Pit Bulls, Puritans, and Politics, all joined the conversation to think about the presidential race, Kamala Harris, race, gender, masculinity, and partisan politics. We cover a lot of ground, including the presentation of masculinity at the Republican National Convention in Milwaukee in July, how TikTok and viral memes may influence younger voters, and how Kamala Harris is trying to frame herself and how others are trying to frame her in the course of the abbreviated election cycle. We examine historical contexts for women ascending to office, and how that might be a component of the shifting candidates and how Americans think about elections. We also dive into some of the controversial comments about “crazy cat ladies” and concepts of motherhood, politics, and racial and gendered double binds.


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]]> Race, Gender, and the 2024 Presidential Election Cycle New Books Network 00:45:53 Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States. I invited three experts on presidential politics, gender, and race in American politics to join me to discuss Kamala Harris’s historic and unique run for the presidency. Mary McHugh, Executive Director of Civic and Community Engagement, Stevens Service Learning Center at Merrimack College and member of the Political Science Department at Merrimack, Valeria Sinclair-Chapman, Deputy Director of the American Association for the Advancement of Science SEA Change Program, and professor of political science at Purdue University, and Linda Beail, Professor of Political Science at Point Loma Nazarene University and co-author of the 2012 book, Framing Sarah Palin: Pit Bulls, Puritans, and Politics, all joined the conversation to think about the presidential race, Kamala Harris, race, gender, masculinity, and partisan politics. We cover a lot of ground, including the presentation of masculinity at the Republican National Convention in Milwaukee in July, how TikTok and viral memes may influence younger voters, and how Kamala Harris is trying to frame herself and how others are trying to frame her in the course of the abbreviated election cycle. We examine historical contexts for women ascending to office, and how that might be a component of the shifting candidates and how Americans think about elections. We also dive into some of the controversial comments about “crazy cat ladies” and concepts of motherhood, politics, and racial and gendered double binds. Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States. I invited three experts on presidential politics, gender, and race in American politics to join me to discuss Kamala Harris’s historic and unique run for the presidency. Mary McHugh, Executive Director of Civic and Community Engagement, Stevens Service Learning Center at Merrimack College and member of the Political Science Department at Merrimack, Valeria Sinclair-Chapman, Deputy Director of the American Association for the Advancement of Science SEA Change Program, and professor of political science at Purdue University, and Linda Beail, Professor of Political Science at Point Loma Nazarene University and co-author of the 2012 book, Framing Sarah Palin: Pit Bulls, Puritans, and Politics, all joined the conversation to think about the presidential race, Kamala Harris, race, gender, masculinity, and partisan politics. We cover a lot of ground, including the presentation of masculinity at the Republican National Convention in Milwaukee in July, how TikTok and viral memes may influence younger voters, and how Kamala Harris is trying to frame herself and how others are trying to frame her in the course of the abbreviated election cycle. We examine historical contexts for women ascending to office, and how that might be a component of the shifting candidates and how Americans think about elections. We also dive into some of the controversial comments about “crazy cat ladies” and concepts of motherhood, politics, and racial and gendered double binds. false full 28 69ba08b8-5197-11ef-aa61-df7347030683 Yiman Wang, "To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World" (U California Press, 2024) Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career.

In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 4 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career.

In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Yiman Wang, "To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World" (U California Press, 2024) New Books Network 00:54:31 Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 87 51eb4ffe-519b-11ef-8f35-3b6fcae1dd9f Janine P. Holc, "The Weavers of Trautenau: Jewish Female Forced Labor in the Holocaust" (Brandeis UP, 2023) Beginning in late 1940, over three thousand Jewish girls and young women were forced from their family homes in Sosnowiec, Poland, and its surrounding towns to worksites in Germany. Believing that they were helping their families to survive, these young people were thrust into a world where they labored at textile work for twelve hours a day, lived in barracks with little food, and received only periodic news of events back home. By late 1943, their barracks had been transformed into concentration camps, where they were held until liberation in 1945.

Using a fresh approach to testimony collections, Janine P. Holc reconstructs the forced labor experiences of young Jewish females, as told by the women who survived and shared their testimony. Incorporating new source material, the book carefully constructs survivors’ stories while also taking a theoretical approach, one alert to socially constructed, intersectional systems of exploitation and harm. The Weavers of Trautenau: Jewish Female Forced Labor in the Holocaust (Brandeis UP, 2023) elucidates the limits and possibilities of social relations inside camps and the challenges of moral and emotional repair in the face of indescribable loss during the Holocaust.


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]]> Sun, 4 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Beginning in late 1940, over three thousand Jewish girls and young women were forced from their family homes in Sosnowiec, Poland, and its surrounding towns to worksites in Germany. Believing that they were helping their families to survive, these young people were thrust into a world where they labored at textile work for twelve hours a day, lived in barracks with little food, and received only periodic news of events back home. By late 1943, their barracks had been transformed into concentration camps, where they were held until liberation in 1945.

Using a fresh approach to testimony collections, Janine P. Holc reconstructs the forced labor experiences of young Jewish females, as told by the women who survived and shared their testimony. Incorporating new source material, the book carefully constructs survivors’ stories while also taking a theoretical approach, one alert to socially constructed, intersectional systems of exploitation and harm. The Weavers of Trautenau: Jewish Female Forced Labor in the Holocaust (Brandeis UP, 2023) elucidates the limits and possibilities of social relations inside camps and the challenges of moral and emotional repair in the face of indescribable loss during the Holocaust.


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]]> Janine P. Holc, "The Weavers of Trautenau: Jewish Female Forced Labor in the Holocaust" (Brandeis UP, 2023) New Books Network 00:50:02 Beginning in late 1940, over three thousand Jewish girls and young women were forced from their family homes in Sosnowiec, Poland, and its surrounding towns to worksites in Germany. Believing that they were helping their families to survive, these young people were thrust into a world where they labored at textile work for twelve hours a day, lived in barracks with little food, and received only periodic news of events back home. By late 1943, their barracks had been transformed into concentration camps, where they were held until liberation in 1945. Using a fresh approach to testimony collections, Janine P. Holc reconstructs the forced labor experiences of young Jewish females, as told by the women who survived and shared their testimony. Incorporating new source material, the book carefully constructs survivors’ stories while also taking a theoretical approach, one alert to socially constructed, intersectional systems of exploitation and harm. The Weavers of Trautenau: Jewish Female Forced Labor in the Holocaust (Brandeis UP, 2023) elucidates the limits and possibilities of social relations inside camps and the challenges of moral and emotional repair in the face of indescribable loss during the Holocaust. Beginning in late 1940, over three thousand Jewish girls and young women were forced from their family homes in Sosnowiec, Poland, and its surrounding towns to worksites in Germany. Believing that they were helping their families to survive, these young people were thrust into a world where they labored at textile work for twelve hours a day, lived in barracks with little food, and received only periodic news of events back home. By late 1943, their barracks had been transformed into concentration camps, where they were held until liberation in 1945. Using a fresh approach to testimony collections, Janine P. Holc reconstructs the forced labor experiences of young Jewish females, as told by the women who survived and shared their testimony. Incorporating new source material, the book carefully constructs survivors’ stories while also taking a theoretical approach, one alert to socially constructed, intersectional systems of exploitation and harm. The Weavers of Trautenau: Jewish Female Forced Labor in the Holocaust (Brandeis UP, 2023) elucidates the limits and possibilities of social relations inside camps and the challenges of moral and emotional repair in the face of indescribable loss during the Holocaust. false full 539 0615171e-51ae-11ef-97db-e39df02dab37 Nadirah Simmons, "First Things First: Hip-Hop Ladies Who Changed the Game" (Twelve, 2024) This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.

First Things First: Hip-Hop Ladies Who Changed the Game (Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)

There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.

Altogether, First Things First is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…


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]]> Sun, 4 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music.

First Things First: Hip-Hop Ladies Who Changed the Game (Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.)

There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too.

Altogether, First Things First is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”…


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]]> Nadirah Simmons, "First Things First: Hip-Hop Ladies Who Changed the Game" (Twelve, 2024) New Books Network 01:15:32 This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music. First Things First: Hip-Hop Ladies Who Changed the Game (Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.) There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too. Altogether, First Things First is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”… This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music. First Things First: Hip-Hop Ladies Who Changed the Game (Twelve, 2024), hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.) There are chapters on music legends like Nicki Minaj, Lil’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don’t want to spoil the book! There are games, charts and some fire images, too. Altogether, First Things First is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn’t have their facts straight on the ladies in hip-hop, you can hit them with “first things first”… false full 472 afd00e20-5100-11ef-bc28-bbb7ebcb3c1f Iman Mersal, "Traces of Enayat" (Transit Books, 2023) Traces of Enayat (Transit Books, 2023) is a work of creative nonfiction tracing the mysterious life and erasure of Egyptian literature’s tragic heroine. It begins in Cairo, 1963. Four years before her lone novel is finally published, the writer Enayat al-Zayyat takes her own life at age 27. For the next three decades, it’s as if Enayat never existed at all. Years later, when celebrated Egyptian poet Iman Mersal stumbles upon Enayat’s long-forgotten Love and Silence in a Cairo book stall, she embarks on a journey of reflection and rediscovery that leads her ever closer to the world and work of Enayat al-Zayyat. 

In this biographical detective story, Mersal retraces Enayat's life and afterlife though interviews with family members and friend, even tracking down the apartments, schools, and sanatoriums where Enayat spent her days. As Mersal maps two simultaneous psychogeographies--from the glamor of golden-age Egyptian cinema to the Cairo of Mersal’s own past--a remarkable portrait emerges of two women striving to live on their own terms. With Traces of Enayat, Iman Mersal embraces the reciprocal relationship between a text and its reader, between past and present, between author and subject. First published in Arabic in 2019, this English edition was translated by Robin Moger and published by Transit Books in 2024.

Iman Mersal is the author of five books of poems and a collection of essays, How to Mend: Motherhood and Its Ghosts. In English translation, her poems have appeared in The Paris Review, The New York Review of Books, The Nation, and other publications. Her most recent prose work, Traces of Enayat, received the Sheikh Zayed Book Award for Literature in 2021. She is a professor of Arabic language and literature at the University of Alberta, Canada.


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]]> Sat, 3 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Traces of Enayat (Transit Books, 2023) is a work of creative nonfiction tracing the mysterious life and erasure of Egyptian literature’s tragic heroine. It begins in Cairo, 1963. Four years before her lone novel is finally published, the writer Enayat al-Zayyat takes her own life at age 27. For the next three decades, it’s as if Enayat never existed at all. Years later, when celebrated Egyptian poet Iman Mersal stumbles upon Enayat’s long-forgotten Love and Silence in a Cairo book stall, she embarks on a journey of reflection and rediscovery that leads her ever closer to the world and work of Enayat al-Zayyat. 

In this biographical detective story, Mersal retraces Enayat's life and afterlife though interviews with family members and friend, even tracking down the apartments, schools, and sanatoriums where Enayat spent her days. As Mersal maps two simultaneous psychogeographies--from the glamor of golden-age Egyptian cinema to the Cairo of Mersal’s own past--a remarkable portrait emerges of two women striving to live on their own terms. With Traces of Enayat, Iman Mersal embraces the reciprocal relationship between a text and its reader, between past and present, between author and subject. First published in Arabic in 2019, this English edition was translated by Robin Moger and published by Transit Books in 2024.

Iman Mersal is the author of five books of poems and a collection of essays, How to Mend: Motherhood and Its Ghosts. In English translation, her poems have appeared in The Paris Review, The New York Review of Books, The Nation, and other publications. Her most recent prose work, Traces of Enayat, received the Sheikh Zayed Book Award for Literature in 2021. She is a professor of Arabic language and literature at the University of Alberta, Canada.


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]]> Iman Mersal, "Traces of Enayat" (Transit Books, 2023) New Books Network 01:02:57 Traces of Enayat (Transit Books, 2023) is a work of creative nonfiction tracing the mysterious life and erasure of Egyptian literature’s tragic heroine. It begins in Cairo, 1963. Four years before her lone novel is finally published, the writer Enayat al-Zayyat takes her own life at age 27. For the next three decades, it’s as if Enayat never existed at all. Years later, when celebrated Egyptian poet Iman Mersal stumbles upon Enayat’s long-forgotten Love and Silence in a Cairo book stall, she embarks on a journey of reflection and rediscovery that leads her ever closer to the world and work of Enayat al-Zayyat.  In this biographical detective story, Mersal retraces Enayat's life and afterlife though interviews with family members and friend, even tracking down the apartments, schools, and sanatoriums where Enayat spent her days. As Mersal maps two simultaneous psychogeographies--from the glamor of golden-age Egyptian cinema to the Cairo of Mersal’s own past--a remarkable portrait emerges of two women striving to live on their own terms. With Traces of Enayat, Iman Mersal embraces the reciprocal relationship between a text and its reader, between past and present, between author and subject. First published in Arabic in 2019, this English edition was translated by Robin Moger and published by Transit Books in 2024. Iman Mersal is the author of five books of poems and a collection of essays, How to Mend: Motherhood and Its Ghosts. In English translation, her poems have appeared in The Paris Review, The New York Review of Books, The Nation, and other publications. Her most recent prose work, Traces of Enayat, received the Sheikh Zayed Book Award for Literature in 2021. She is a professor of Arabic language and literature at the University of Alberta, Canada. Traces of Enayat (Transit Books, 2023) is a work of creative nonfiction tracing the mysterious life and erasure of Egyptian literature’s tragic heroine. It begins in Cairo, 1963. Four years before her lone novel is finally published, the writer Enayat al-Zayyat takes her own life at age 27. For the next three decades, it’s as if Enayat never existed at all. Years later, when celebrated Egyptian poet Iman Mersal stumbles upon Enayat’s long-forgotten Love and Silence in a Cairo book stall, she embarks on a journey of reflection and rediscovery that leads her ever closer to the world and work of Enayat al-Zayyat.  In this biographical detective story, Mersal retraces Enayat's life and afterlife though interviews with family members and friend, even tracking down the apartments, schools, and sanatoriums where Enayat spent her days. As Mersal maps two simultaneous psychogeographies--from the glamor of golden-age Egyptian cinema to the Cairo of Mersal’s own past--a remarkable portrait emerges of two women striving to live on their own terms. With Traces of Enayat, Iman Mersal embraces the reciprocal relationship between a text and its reader, between past and present, between author and subject. First published in Arabic in 2019, this English edition was translated by Robin Moger and published by Transit Books in 2024. Iman Mersal is the author of five books of poems and a collection of essays, How to Mend: Motherhood and Its Ghosts. In English translation, her poems have appeared in The Paris Review, The New York Review of Books, The Nation, and other publications. Her most recent prose work, Traces of Enayat, received the Sheikh Zayed Book Award for Literature in 2021. She is a professor of Arabic language and literature at the University of Alberta, Canada. false full 258 8eef029a-5107-11ef-b8f1-4798790ada42 Susan Stryker, "When Monsters Speak: A Susan Stryker Reader" (Duke UP, 2024) Susan Stryker is a foundational figure in trans studies. When Monsters Speak: A Susan Stryker Reader (Duke UP, 2024) showcases the development of Stryker’s writing from the 1990s to the present. It combines canonical pieces, such as “My Words to Victor Frankenstein,” with her hard to find earlier work published in zines and newsletters. Brought together, they ground Stryker’s thought in 1990s San Francisco and its innovative queer, trans, and S/M cultures. The volume includes an introduction by editor McKenzie Wark, who highlights Stryker’s connections to developments in queer theory, media studies, and autotheory while foregrounding Stryker’s innovative writing style and scholarly methods. When Monsters Speak is an authoritative and essential collection by one of the most important and influential intellectuals of our time.

Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona. She is the author of Transgender History and coeditor of The Transgender Studies Reader.

McKenzie Wark is Professor of Culture and Media at The New School and the author of several books, including Raving and Philosophy for Spiders: On the Low Theory of Kathy Acker, both also published by Duke University Press.


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]]> Sat, 3 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Susan Stryker is a foundational figure in trans studies. When Monsters Speak: A Susan Stryker Reader (Duke UP, 2024) showcases the development of Stryker’s writing from the 1990s to the present. It combines canonical pieces, such as “My Words to Victor Frankenstein,” with her hard to find earlier work published in zines and newsletters. Brought together, they ground Stryker’s thought in 1990s San Francisco and its innovative queer, trans, and S/M cultures. The volume includes an introduction by editor McKenzie Wark, who highlights Stryker’s connections to developments in queer theory, media studies, and autotheory while foregrounding Stryker’s innovative writing style and scholarly methods. When Monsters Speak is an authoritative and essential collection by one of the most important and influential intellectuals of our time.

Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona. She is the author of Transgender History and coeditor of The Transgender Studies Reader.

McKenzie Wark is Professor of Culture and Media at The New School and the author of several books, including Raving and Philosophy for Spiders: On the Low Theory of Kathy Acker, both also published by Duke University Press.


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]]> Susan Stryker, "When Monsters Speak: A Susan Stryker Reader" (Duke UP, 2024) New Books Network 00:57:36 Susan Stryker is a foundational figure in trans studies. When Monsters Speak: A Susan Stryker Reader (Duke UP, 2024) showcases the development of Stryker’s writing from the 1990s to the present. It combines canonical pieces, such as “My Words to Victor Frankenstein,” with her hard to find earlier work published in zines and newsletters. Brought together, they ground Stryker’s thought in 1990s San Francisco and its innovative queer, trans, and S/M cultures. The volume includes an introduction by editor McKenzie Wark, who highlights Stryker’s connections to developments in queer theory, media studies, and autotheory while foregrounding Stryker’s innovative writing style and scholarly methods. When Monsters Speak is an authoritative and essential collection by one of the most important and influential intellectuals of our time. Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona. She is the author of Transgender History and coeditor of The Transgender Studies Reader. McKenzie Wark is Professor of Culture and Media at The New School and the author of several books, including Raving and Philosophy for Spiders: On the Low Theory of Kathy Acker, both also published by Duke University Press. Susan Stryker is a foundational figure in trans studies. When Monsters Speak: A Susan Stryker Reader (Duke UP, 2024) showcases the development of Stryker’s writing from the 1990s to the present. It combines canonical pieces, such as “My Words to Victor Frankenstein,” with her hard to find earlier work published in zines and newsletters. Brought together, they ground Stryker’s thought in 1990s San Francisco and its innovative queer, trans, and S/M cultures. The volume includes an introduction by editor McKenzie Wark, who highlights Stryker’s connections to developments in queer theory, media studies, and autotheory while foregrounding Stryker’s innovative writing style and scholarly methods. When Monsters Speak is an authoritative and essential collection by one of the most important and influential intellectuals of our time. Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona. She is the author of Transgender History and coeditor of The Transgender Studies Reader. McKenzie Wark is Professor of Culture and Media at The New School and the author of several books, including Raving and Philosophy for Spiders: On the Low Theory of Kathy Acker, both also published by Duke University Press. false full 64 9d18e306-503d-11ef-8c17-17c916912b41 Tisha Brooks, "Spirit Deep: Recovering the Sacred in Black Women’s Travel" (U Virginia Press, 2023) What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? 

With Spirit Deep: Recovering the Sacred in Black Women’s Travel (U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.


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]]> Fri, 2 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? 

With Spirit Deep: Recovering the Sacred in Black Women’s Travel (U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.


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]]> Tisha Brooks, "Spirit Deep: Recovering the Sacred in Black Women’s Travel" (U Virginia Press, 2023) New Books Network 00:35:39 What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously?  With Spirit Deep: Recovering the Sacred in Black Women’s Travel (U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world. What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously?  With Spirit Deep: Recovering the Sacred in Black Women’s Travel (U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world. false full 470 9473873e-4f6a-11ef-b3b8-b74521420fb6 Jane-Marie Collins, "Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888" (Liverpool UP, 2023) Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil.

The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights.


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]]> Thu, 1 Aug 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil.

The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights.


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]]> Jane-Marie Collins, "Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888" (Liverpool UP, 2023) New Books Network 01:18:22 Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil. The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights. Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil. The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights. false full 469 355c31bc-4b7b-11ef-8a12-434aa0624a56 Justin B. Stein, "Alternate Currents: Reiki’s Circulation in the Twentieth-Century North Pacific" (U Hawaii Press, 2023) In the second half of the twentieth century, Reiki went from an obscure therapy practiced by a few thousand Japanese and Japanese Americans to a global phenomenon. By the early twenty-first century, people in nearly every corner of the world have undergone the initiations that authorize them to channel a cosmic energy—known as Reiki—to heal body, mind, and spirit. They lay hands on themselves and others, use secret symbols and incantations to send Reiki to distant recipients, and strive to follow five precepts to cultivate their spiritual growth. Reiki’s international rise and development is due to the work of Hawayo Takata (1900–1980), a Hawai‘i-born Japanese American woman who brought Reiki out of Japan and adapted it for thousands of students in Hawai‘i and North America, shaping interconnections across the North Pacific region as well as cultural transformations over the transwar period spanning World War II.

Alternate Currents: Reiki’s Circulation in the Twentieth-Century North Pacific (U Hawaii Press, 2023) analyzes how, from her training in Japan in the mid-1930s to her death in Iowa in 1980, Takata built a vast trans-Pacific network that connected Japanese American laborers on Hawai‘i plantations to social elites in Tokyo, Hollywood, and New York; middle-class housewives in American suburbs; and off-the-grid tree planters in the mountains of British Columbia. Using recently uncovered archival materials and original oral histories, this book examines how these relationships between healer and patient, master and disciple, became deeply infused with values of their time and place and how they interplayed with Reiki’s circulation, performance, and meanings along with broader cultural shifts in the twentieth-century North Pacific. Highly readable and informative, each chapter is structured around a period in the life of Takata, the charismatic, rags-to-riches architect of the network in which Reiki spread for decades. 

Alternate Currents explores Reiki as an exemplary transnational spiritual therapy, demonstrating how lived practices transcend artificial distinctions between religion and medicine, and circulate in global systems while maintaining strong connections with the practices’ homeland.


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]]> Sat, 27 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the second half of the twentieth century, Reiki went from an obscure therapy practiced by a few thousand Japanese and Japanese Americans to a global phenomenon. By the early twenty-first century, people in nearly every corner of the world have undergone the initiations that authorize them to channel a cosmic energy—known as Reiki—to heal body, mind, and spirit. They lay hands on themselves and others, use secret symbols and incantations to send Reiki to distant recipients, and strive to follow five precepts to cultivate their spiritual growth. Reiki’s international rise and development is due to the work of Hawayo Takata (1900–1980), a Hawai‘i-born Japanese American woman who brought Reiki out of Japan and adapted it for thousands of students in Hawai‘i and North America, shaping interconnections across the North Pacific region as well as cultural transformations over the transwar period spanning World War II.

Alternate Currents: Reiki’s Circulation in the Twentieth-Century North Pacific (U Hawaii Press, 2023) analyzes how, from her training in Japan in the mid-1930s to her death in Iowa in 1980, Takata built a vast trans-Pacific network that connected Japanese American laborers on Hawai‘i plantations to social elites in Tokyo, Hollywood, and New York; middle-class housewives in American suburbs; and off-the-grid tree planters in the mountains of British Columbia. Using recently uncovered archival materials and original oral histories, this book examines how these relationships between healer and patient, master and disciple, became deeply infused with values of their time and place and how they interplayed with Reiki’s circulation, performance, and meanings along with broader cultural shifts in the twentieth-century North Pacific. Highly readable and informative, each chapter is structured around a period in the life of Takata, the charismatic, rags-to-riches architect of the network in which Reiki spread for decades. 

Alternate Currents explores Reiki as an exemplary transnational spiritual therapy, demonstrating how lived practices transcend artificial distinctions between religion and medicine, and circulate in global systems while maintaining strong connections with the practices’ homeland.


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]]> Justin B. Stein, "Alternate Currents: Reiki’s Circulation in the Twentieth-Century North Pacific" (U Hawaii Press, 2023) New Books Network 00:51:11 In the second half of the twentieth century, Reiki went from an obscure therapy practiced by a few thousand Japanese and Japanese Americans to a global phenomenon. By the early twenty-first century, people in nearly every corner of the world have undergone the initiations that authorize them to channel a cosmic energy—known as Reiki—to heal body, mind, and spirit. They lay hands on themselves and others, use secret symbols and incantations to send Reiki to distant recipients, and strive to follow five precepts to cultivate their spiritual growth. Reiki’s international rise and development is due to the work of Hawayo Takata (1900–1980), a Hawai‘i-born Japanese American woman who brought Reiki out of Japan and adapted it for thousands of students in Hawai‘i and North America, shaping interconnections across the North Pacific region as well as cultural transformations over the transwar period spanning World War II. Alternate Currents: Reiki’s Circulation in the Twentieth-Century North Pacific (U Hawaii Press, 2023) analyzes how, from her training in Japan in the mid-1930s to her death in Iowa in 1980, Takata built a vast trans-Pacific network that connected Japanese American laborers on Hawai‘i plantations to social elites in Tokyo, Hollywood, and New York; middle-class housewives in American suburbs; and off-the-grid tree planters in the mountains of British Columbia. Using recently uncovered archival materials and original oral histories, this book examines how these relationships between healer and patient, master and disciple, became deeply infused with values of their time and place and how they interplayed with Reiki’s circulation, performance, and meanings along with broader cultural shifts in the twentieth-century North Pacific. Highly readable and informative, each chapter is structured around a period in the life of Takata, the charismatic, rags-to-riches architect of the network in which Reiki spread for decades.  Alternate Currents explores Reiki as an exemplary transnational spiritual therapy, demonstrating how lived practices transcend artificial distinctions between religion and medicine, and circulate in global systems while maintaining strong connections with the practices’ homeland. In the second half of the twentieth century, Reiki went from an obscure therapy practiced by a few thousand Japanese and Japanese Americans to a global phenomenon. By the early twenty-first century, people in nearly every corner of the world have undergone the initiations that authorize them to channel a cosmic energy—known as Reiki—to heal body, mind, and spirit. They lay hands on themselves and others, use secret symbols and incantations to send Reiki to distant recipients, and strive to follow five precepts to cultivate their spiritual growth. Reiki’s international rise and development is due to the work of Hawayo Takata (1900–1980), a Hawai‘i-born Japanese American woman who brought Reiki out of Japan and adapted it for thousands of students in Hawai‘i and North America, shaping interconnections across the North Pacific region as well as cultural transformations over the transwar period spanning World War II. Alternate Currents: Reiki’s Circulation in the Twentieth-Century North Pacific (U Hawaii Press, 2023) analyzes how, from her training in Japan in the mid-1930s to her death in Iowa in 1980, Takata built a vast trans-Pacific network that connected Japanese American laborers on Hawai‘i plantations to social elites in Tokyo, Hollywood, and New York; middle-class housewives in American suburbs; and off-the-grid tree planters in the mountains of British Columbia. Using recently uncovered archival materials and original oral histories, this book examines how these relationships between healer and patient, master and disciple, became deeply infused with values of their time and place and how they interplayed with Reiki’s circulation, performance, and meanings along with broader cultural shifts in the twentieth-century North Pacific. Highly readable and informative, each chapter is structured around a period in the life of Takata, the charismatic, rags-to-riches architect of the network in which Reiki spread for decades.  Alternate Currents explores Reiki as an exemplary transnational spiritual therapy, demonstrating how lived practices transcend artificial distinctions between religion and medicine, and circulate in global systems while maintaining strong connections with the practices’ homeland. false full 159 fd979a2e-4abb-11ef-babf-9bf9dd8f48b1 Sonia-Doris Andras, "The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest" (Bloomsbury, 2024) Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic 'Little Paris' of interwar Bucharest, and examines how their material and cultural means supported the city's modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania's reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working. 

Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest (Bloomsbury, 2024) encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies.


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]]> Fri, 26 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic 'Little Paris' of interwar Bucharest, and examines how their material and cultural means supported the city's modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania's reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working. 

Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest (Bloomsbury, 2024) encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies.


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]]> Sonia-Doris Andras, "The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest" (Bloomsbury, 2024) New Books Network 00:40:52 Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic 'Little Paris' of interwar Bucharest, and examines how their material and cultural means supported the city's modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania's reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working.  Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest (Bloomsbury, 2024) encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies. Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic 'Little Paris' of interwar Bucharest, and examines how their material and cultural means supported the city's modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania's reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working.  Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest (Bloomsbury, 2024) encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies. false full 211 d49ef98c-4aa7-11ef-8626-5b4af7043931 Daisy Dunn, "The Missing Thread: How Women Shaped the Course of Ancient History" (Viking, 2024) Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women--whether they were simply sitting at their looms at home or participating in the highest echelons of power--were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.

In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread: How Women Shaped the Course of Ancient History (Viking, 2024) never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage.


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]]> Fri, 26 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women--whether they were simply sitting at their looms at home or participating in the highest echelons of power--were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.

In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread: How Women Shaped the Course of Ancient History (Viking, 2024) never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage.


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]]> Daisy Dunn, "The Missing Thread: How Women Shaped the Course of Ancient History" (Viking, 2024) New Books Network 00:21:13 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women--whether they were simply sitting at their looms at home or participating in the highest echelons of power--were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread: How Women Shaped the Course of Ancient History (Viking, 2024) never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women--whether they were simply sitting at their looms at home or participating in the highest echelons of power--were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread: How Women Shaped the Course of Ancient History (Viking, 2024) never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. false full 99 d1d7b65c-476f-11ef-b13a-a76bb5c45586 Suzanne Scanlon, "Committed: On Meaning and Madwomen" (Vintage, 2024) Committed: On Meaning and Madwomen (Vintage, 2024) is a critical memoir about women, reading, and mental illness. When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother—feeling untethered and swimming through inarticulable pain—she made a suicide attempt that landed her in the New York State Psychiatric Institute. After nearly three years and countless experimental treatments, Suzanne left the ward on shaky legs. 

In the decades after, Suzanne came to understand her suffering as part of something larger: a long tradition of women whose complicated and compromised stories of self-actualization are reduced to “crazy chick” and “madwoman” narratives. She searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shaped her. Committed is a story of discovery and of questioning linear and neat ideas of recovery. It reclaims the idea of the madwoman as a template for insight and transcendence through the works of Audre Lorde, Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Shulamith Firestone, and others.

Suzanne Scanlon is the author of the memoir Committed, which was recently published with from Vintage in Spring 2024. She is also the author of two works of fiction, Promising Young Women (Dorothy, 2012) and Her 37th Year, An Index (Noemi, 2015). Her writing has appeared in Granta, BOMB, Fence, The Iowa Review, Electric Literature’s Recommended Reading, Los Angeles Review of Books, The Millions, and elsewhere. Scanlon has a BA from Barnard College and both an MFA and an MA from Northwestern University.


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]]> Tue, 23 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Committed: On Meaning and Madwomen (Vintage, 2024) is a critical memoir about women, reading, and mental illness. When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother—feeling untethered and swimming through inarticulable pain—she made a suicide attempt that landed her in the New York State Psychiatric Institute. After nearly three years and countless experimental treatments, Suzanne left the ward on shaky legs. 

In the decades after, Suzanne came to understand her suffering as part of something larger: a long tradition of women whose complicated and compromised stories of self-actualization are reduced to “crazy chick” and “madwoman” narratives. She searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shaped her. Committed is a story of discovery and of questioning linear and neat ideas of recovery. It reclaims the idea of the madwoman as a template for insight and transcendence through the works of Audre Lorde, Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Shulamith Firestone, and others.

Suzanne Scanlon is the author of the memoir Committed, which was recently published with from Vintage in Spring 2024. She is also the author of two works of fiction, Promising Young Women (Dorothy, 2012) and Her 37th Year, An Index (Noemi, 2015). Her writing has appeared in Granta, BOMB, Fence, The Iowa Review, Electric Literature’s Recommended Reading, Los Angeles Review of Books, The Millions, and elsewhere. Scanlon has a BA from Barnard College and both an MFA and an MA from Northwestern University.


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]]> Suzanne Scanlon, "Committed: On Meaning and Madwomen" (Vintage, 2024) New Books Network 01:01:39 Committed: On Meaning and Madwomen (Vintage, 2024) is a critical memoir about women, reading, and mental illness. When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother—feeling untethered and swimming through inarticulable pain—she made a suicide attempt that landed her in the New York State Psychiatric Institute. After nearly three years and countless experimental treatments, Suzanne left the ward on shaky legs.  In the decades after, Suzanne came to understand her suffering as part of something larger: a long tradition of women whose complicated and compromised stories of self-actualization are reduced to “crazy chick” and “madwoman” narratives. She searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shaped her. Committed is a story of discovery and of questioning linear and neat ideas of recovery. It reclaims the idea of the madwoman as a template for insight and transcendence through the works of Audre Lorde, Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Shulamith Firestone, and others. Suzanne Scanlon is the author of the memoir Committed, which was recently published with from Vintage in Spring 2024. She is also the author of two works of fiction, Promising Young Women (Dorothy, 2012) and Her 37th Year, An Index (Noemi, 2015). Her writing has appeared in Granta, BOMB, Fence, The Iowa Review, Electric Literature’s Recommended Reading, Los Angeles Review of Books, The Millions, and elsewhere. Scanlon has a BA from Barnard College and both an MFA and an MA from Northwestern University. Committed: On Meaning and Madwomen (Vintage, 2024) is a critical memoir about women, reading, and mental illness. When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother—feeling untethered and swimming through inarticulable pain—she made a suicide attempt that landed her in the New York State Psychiatric Institute. After nearly three years and countless experimental treatments, Suzanne left the ward on shaky legs.  In the decades after, Suzanne came to understand her suffering as part of something larger: a long tradition of women whose complicated and compromised stories of self-actualization are reduced to “crazy chick” and “madwoman” narratives. She searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shaped her. Committed is a story of discovery and of questioning linear and neat ideas of recovery. It reclaims the idea of the madwoman as a template for insight and transcendence through the works of Audre Lorde, Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Shulamith Firestone, and others. Suzanne Scanlon is the author of the memoir Committed, which was recently published with from Vintage in Spring 2024. She is also the author of two works of fiction, Promising Young Women (Dorothy, 2012) and Her 37th Year, An Index (Noemi, 2015). Her writing has appeared in Granta, BOMB, Fence, The Iowa Review, Electric Literature’s Recommended Reading, Los Angeles Review of Books, The Millions, and elsewhere. Scanlon has a BA from Barnard College and both an MFA and an MA from Northwestern University. false full 255 5e5f349e-4610-11ef-ad8e-ab4140fa71f0 Breanne Fahs, "Burn It Down: Feminist Manifestos for the Revolution" (Verso, 2020) Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.

Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.


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]]> Sun, 21 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.

Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.


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]]> Breanne Fahs, "Burn It Down: Feminist Manifestos for the Revolution" (Verso, 2020) New Books Network 00:52:17 Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. false full 68 39b39db6-46b4-11ef-a59b-b376c06ccada Tiffany Gill, "To Turn the Whole World Over: Black Women and Internationalism" (U Illinois Press, 2019) Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns.

To Turn the Whole World Over: Black Women and Internationalism (U Illinois Press, 2019) examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women's global engagements. At the same time, they focus on these women's remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles.

Tiffany Gill is an Associate Professor of Africana Studies & History and Cochran Scholar at the University of Delaware.


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]]> Sun, 21 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns.

To Turn the Whole World Over: Black Women and Internationalism (U Illinois Press, 2019) examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women's global engagements. At the same time, they focus on these women's remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles.

Tiffany Gill is an Associate Professor of Africana Studies & History and Cochran Scholar at the University of Delaware.


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]]> Tiffany Gill, "To Turn the Whole World Over: Black Women and Internationalism" (U Illinois Press, 2019) New Books Network 00:34:33 Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns. To Turn the Whole World Over: Black Women and Internationalism (U Illinois Press, 2019) examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women's global engagements. At the same time, they focus on these women's remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles. Tiffany Gill is an Associate Professor of Africana Studies & History and Cochran Scholar at the University of Delaware. Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns. To Turn the Whole World Over: Black Women and Internationalism (U Illinois Press, 2019) examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women's global engagements. At the same time, they focus on these women's remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles. Tiffany Gill is an Associate Professor of Africana Studies & History and Cochran Scholar at the University of Delaware. false full 522 dbbaf5f8-4602-11ef-971d-c73ccf78039d Stephanie Balkwill, "The Women Who Ruled China: Buddhism, Multiculturalism, and Governance in the Sixth Century" (U California Press, 2024) In the late fifth century, a girl whose name has been forgotten by history was born at the edge of the Chinese empire. By the time of her death, she had transformed herself into Empress Dowager Ling, one of the most powerful politicians of her age and one of the first of many Buddhist women to wield incredible influence in dynastic East Asia. In this book, Stephanie Balkwill documents the Empress Dowager’s rise to power and life on the throne against the broader world of imperial China under the rule of the Northern Wei dynasty, a foreign people from Inner Asia who built their capital deep in the Chinese heartland.

Building on largely untapped Buddhist materials, Balkwill shows that the life and rule of the Empress Dowager is a larger story of the reinvention of religious, ethnic, and gender norms in a rapidly changing multicultural society. The Women Who Ruled China: Buddhism, Multiculturalism, and Governance in the Sixth Century (U California Press, 2024) recovers the voices of those left out of the mainstream historical record, painting a compelling portrait of medieval Chinese society reinventing itself under the Empress Dowager’s leadership.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.


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]]> Sat, 20 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the late fifth century, a girl whose name has been forgotten by history was born at the edge of the Chinese empire. By the time of her death, she had transformed herself into Empress Dowager Ling, one of the most powerful politicians of her age and one of the first of many Buddhist women to wield incredible influence in dynastic East Asia. In this book, Stephanie Balkwill documents the Empress Dowager’s rise to power and life on the throne against the broader world of imperial China under the rule of the Northern Wei dynasty, a foreign people from Inner Asia who built their capital deep in the Chinese heartland.

Building on largely untapped Buddhist materials, Balkwill shows that the life and rule of the Empress Dowager is a larger story of the reinvention of religious, ethnic, and gender norms in a rapidly changing multicultural society. The Women Who Ruled China: Buddhism, Multiculturalism, and Governance in the Sixth Century (U California Press, 2024) recovers the voices of those left out of the mainstream historical record, painting a compelling portrait of medieval Chinese society reinventing itself under the Empress Dowager’s leadership.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.


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]]> Stephanie Balkwill, "The Women Who Ruled China: Buddhism, Multiculturalism, and Governance in the Sixth Century" (U California Press, 2024) New Books Network 01:01:09 In the late fifth century, a girl whose name has been forgotten by history was born at the edge of the Chinese empire. By the time of her death, she had transformed herself into Empress Dowager Ling, one of the most powerful politicians of her age and one of the first of many Buddhist women to wield incredible influence in dynastic East Asia. In this book, Stephanie Balkwill documents the Empress Dowager’s rise to power and life on the throne against the broader world of imperial China under the rule of the Northern Wei dynasty, a foreign people from Inner Asia who built their capital deep in the Chinese heartland. Building on largely untapped Buddhist materials, Balkwill shows that the life and rule of the Empress Dowager is a larger story of the reinvention of religious, ethnic, and gender norms in a rapidly changing multicultural society. The Women Who Ruled China: Buddhism, Multiculturalism, and Governance in the Sixth Century (U California Press, 2024) recovers the voices of those left out of the mainstream historical record, painting a compelling portrait of medieval Chinese society reinventing itself under the Empress Dowager’s leadership. A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In the late fifth century, a girl whose name has been forgotten by history was born at the edge of the Chinese empire. By the time of her death, she had transformed herself into Empress Dowager Ling, one of the most powerful politicians of her age and one of the first of many Buddhist women to wield incredible influence in dynastic East Asia. In this book, Stephanie Balkwill documents the Empress Dowager’s rise to power and life on the throne against the broader world of imperial China under the rule of the Northern Wei dynasty, a foreign people from Inner Asia who built their capital deep in the Chinese heartland. Building on largely untapped Buddhist materials, Balkwill shows that the life and rule of the Empress Dowager is a larger story of the reinvention of religious, ethnic, and gender norms in a rapidly changing multicultural society. The Women Who Ruled China: Buddhism, Multiculturalism, and Governance in the Sixth Century (U California Press, 2024) recovers the voices of those left out of the mainstream historical record, painting a compelling portrait of medieval Chinese society reinventing itself under the Empress Dowager’s leadership. A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. false full 131 7caf9864-444c-11ef-93c4-1316f5c2eed8 Diana P. Parsell, "Eliza Scidmore: The Trailblazing Journalist Behind Washington's Cherry Trees" (Oxford UP, 2023) Eliza Scidmore (1856-1928) was a journalist, a world traveler, a writer, an amateur photographer, the first female board member of the National Geographic Society — and the one responsible for the idea to plant Japanese cherry trees in Washington DC. Her fascinating life is expertly told by Diana Parsell in Eliza Scidmore: The Trailblazing Journalist Behind Washington's Cherry Trees (Oxford UP, 2023).

This is the first biography of Eliza Scidmore, and it draws not only on Scidmore’s surviving letters and photographs but also her some 800 articles and 6 books. By piecing together the chronology of Scidmore’s travels, Parsell has crafted a wonderfully intimate picture of Scidmore’s life, one that documents her trips from the glaciers of Alaska (complete with seal-flipper soup) to the streets of Beijing on the eve of the Boxer Rebellion. Throughout, Scidmore’s tenacity and her joy of discovery really shine through, as do the causes that she advocated for: cross-cultural understanding, environmental conservation, and the beautification of the Potomac.

This book is sure to appeal to those interested in travel writing, the history of journalism, and early travelers to East Asia, as well as anyone looking to read a biography about a woman who lived a truly unique life.


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]]> Thu, 18 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Eliza Scidmore (1856-1928) was a journalist, a world traveler, a writer, an amateur photographer, the first female board member of the National Geographic Society — and the one responsible for the idea to plant Japanese cherry trees in Washington DC. Her fascinating life is expertly told by Diana Parsell in Eliza Scidmore: The Trailblazing Journalist Behind Washington's Cherry Trees (Oxford UP, 2023).

This is the first biography of Eliza Scidmore, and it draws not only on Scidmore’s surviving letters and photographs but also her some 800 articles and 6 books. By piecing together the chronology of Scidmore’s travels, Parsell has crafted a wonderfully intimate picture of Scidmore’s life, one that documents her trips from the glaciers of Alaska (complete with seal-flipper soup) to the streets of Beijing on the eve of the Boxer Rebellion. Throughout, Scidmore’s tenacity and her joy of discovery really shine through, as do the causes that she advocated for: cross-cultural understanding, environmental conservation, and the beautification of the Potomac.

This book is sure to appeal to those interested in travel writing, the history of journalism, and early travelers to East Asia, as well as anyone looking to read a biography about a woman who lived a truly unique life.


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]]> Diana P. Parsell, "Eliza Scidmore: The Trailblazing Journalist Behind Washington's Cherry Trees" (Oxford UP, 2023) New Books Network 01:00:37 Eliza Scidmore (1856-1928) was a journalist, a world traveler, a writer, an amateur photographer, the first female board member of the National Geographic Society — and the one responsible for the idea to plant Japanese cherry trees in Washington DC. Her fascinating life is expertly told by Diana Parsell in Eliza Scidmore: The Trailblazing Journalist Behind Washington's Cherry Trees (Oxford UP, 2023). This is the first biography of Eliza Scidmore, and it draws not only on Scidmore’s surviving letters and photographs but also her some 800 articles and 6 books. By piecing together the chronology of Scidmore’s travels, Parsell has crafted a wonderfully intimate picture of Scidmore’s life, one that documents her trips from the glaciers of Alaska (complete with seal-flipper soup) to the streets of Beijing on the eve of the Boxer Rebellion. Throughout, Scidmore’s tenacity and her joy of discovery really shine through, as do the causes that she advocated for: cross-cultural understanding, environmental conservation, and the beautification of the Potomac. This book is sure to appeal to those interested in travel writing, the history of journalism, and early travelers to East Asia, as well as anyone looking to read a biography about a woman who lived a truly unique life. Eliza Scidmore (1856-1928) was a journalist, a world traveler, a writer, an amateur photographer, the first female board member of the National Geographic Society — and the one responsible for the idea to plant Japanese cherry trees in Washington DC. Her fascinating life is expertly told by Diana Parsell in Eliza Scidmore: The Trailblazing Journalist Behind Washington's Cherry Trees (Oxford UP, 2023). This is the first biography of Eliza Scidmore, and it draws not only on Scidmore’s surviving letters and photographs but also her some 800 articles and 6 books. By piecing together the chronology of Scidmore’s travels, Parsell has crafted a wonderfully intimate picture of Scidmore’s life, one that documents her trips from the glaciers of Alaska (complete with seal-flipper soup) to the streets of Beijing on the eve of the Boxer Rebellion. Throughout, Scidmore’s tenacity and her joy of discovery really shine through, as do the causes that she advocated for: cross-cultural understanding, environmental conservation, and the beautification of the Potomac. This book is sure to appeal to those interested in travel writing, the history of journalism, and early travelers to East Asia, as well as anyone looking to read a biography about a woman who lived a truly unique life. false full 535 a2ba0e5e-439d-11ef-8193-5fb3b8711e95 Nuria Silleras-Fernandez, "The Politics of Emotion: Love, Grief, and Madness in Medieval and Early Modern Iberia" (Cornell UP, 2024) The Politics of Emotion: Love, Grief, and Madness in Medieval and Early Modern Iberia (Cornell University Press, 2024) by Dr. Nuria Silleras-Fernandez explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Dr. Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Isabel the Catholic (1451–1504), queen of Castile and a woman lauded in her time as a paragon of reason.

Through the lives and experiences of these royal women and the observations, judgments, and machinations of their families, entourages, and circles of writers, chronicles, courtiers, moralists, and physicians in their orbits, Dr. Silleras-Fernandez addresses critical questions about how royal women in Iberia were expected to behave, the affective standards to which they were held, and how perceptions about their emotional states influenced the way they were able to exercise power. More broadly, The Politics of Emotion details how the court cultures in mediaeval and early modern Castile and Portugal contributed to the development of new notions of emotional excess and mental illness.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Wed, 17 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Politics of Emotion: Love, Grief, and Madness in Medieval and Early Modern Iberia (Cornell University Press, 2024) by Dr. Nuria Silleras-Fernandez explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Dr. Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Isabel the Catholic (1451–1504), queen of Castile and a woman lauded in her time as a paragon of reason.

Through the lives and experiences of these royal women and the observations, judgments, and machinations of their families, entourages, and circles of writers, chronicles, courtiers, moralists, and physicians in their orbits, Dr. Silleras-Fernandez addresses critical questions about how royal women in Iberia were expected to behave, the affective standards to which they were held, and how perceptions about their emotional states influenced the way they were able to exercise power. More broadly, The Politics of Emotion details how the court cultures in mediaeval and early modern Castile and Portugal contributed to the development of new notions of emotional excess and mental illness.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Nuria Silleras-Fernandez, "The Politics of Emotion: Love, Grief, and Madness in Medieval and Early Modern Iberia" (Cornell UP, 2024) New Books Network 00:54:32 The Politics of Emotion: Love, Grief, and Madness in Medieval and Early Modern Iberia (Cornell University Press, 2024) by Dr. Nuria Silleras-Fernandez explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Dr. Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Isabel the Catholic (1451–1504), queen of Castile and a woman lauded in her time as a paragon of reason. Through the lives and experiences of these royal women and the observations, judgments, and machinations of their families, entourages, and circles of writers, chronicles, courtiers, moralists, and physicians in their orbits, Dr. Silleras-Fernandez addresses critical questions about how royal women in Iberia were expected to behave, the affective standards to which they were held, and how perceptions about their emotional states influenced the way they were able to exercise power. More broadly, The Politics of Emotion details how the court cultures in mediaeval and early modern Castile and Portugal contributed to the development of new notions of emotional excess and mental illness. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. The Politics of Emotion: Love, Grief, and Madness in Medieval and Early Modern Iberia (Cornell University Press, 2024) by Dr. Nuria Silleras-Fernandez explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Dr. Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Isabel the Catholic (1451–1504), queen of Castile and a woman lauded in her time as a paragon of reason. Through the lives and experiences of these royal women and the observations, judgments, and machinations of their families, entourages, and circles of writers, chronicles, courtiers, moralists, and physicians in their orbits, Dr. Silleras-Fernandez addresses critical questions about how royal women in Iberia were expected to behave, the affective standards to which they were held, and how perceptions about their emotional states influenced the way they were able to exercise power. More broadly, The Politics of Emotion details how the court cultures in mediaeval and early modern Castile and Portugal contributed to the development of new notions of emotional excess and mental illness. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 11 7ac79e18-4382-11ef-ab81-0389f913ffab Sarah Milton, "Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene" (Manchester UP, 2024) The 'baby boom' generation, born between the 1940s and the 1960s, is often credited with pioneering new and creative ways of relating, doing intimacy and making families. With this cohort now entering mid and later life in Britain, they are also said to be revolutionising the experience of ageing. Are the romantic practices of this 'revolutionary cohort' breaking with tradition and allowing new ways of understanding and doing ageing and relating to emerge? Based on an innovative combination of sensory ethnography in salsa classes and life history interviews, Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene (Manchester UP, 2024) by Dr. Sarah Milton documents the meanings of desire and romance, and 'new' - or renewed - intimacies, among women in mid and later life.

Beginning with women at a transition point, when newly single or newly dating in midlife, the chapters look back over life histories to examine prior relationship experiences at different life stages, and look forward to hopes for future intimacies. In the navigation of romance and new relationships we see the sensory, sensual and affective nature of heteronormativity, and gendered practices that are informed by memories of the past, the imagination of previous generations and class-based desires. Challenging conventional notions of the baby boomers, this book illuminates the intersections of age, class, and white normativity, making important contributions to our understanding of ageing and generation, intimacy and gender.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Wed, 17 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The 'baby boom' generation, born between the 1940s and the 1960s, is often credited with pioneering new and creative ways of relating, doing intimacy and making families. With this cohort now entering mid and later life in Britain, they are also said to be revolutionising the experience of ageing. Are the romantic practices of this 'revolutionary cohort' breaking with tradition and allowing new ways of understanding and doing ageing and relating to emerge? Based on an innovative combination of sensory ethnography in salsa classes and life history interviews, Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene (Manchester UP, 2024) by Dr. Sarah Milton documents the meanings of desire and romance, and 'new' - or renewed - intimacies, among women in mid and later life.

Beginning with women at a transition point, when newly single or newly dating in midlife, the chapters look back over life histories to examine prior relationship experiences at different life stages, and look forward to hopes for future intimacies. In the navigation of romance and new relationships we see the sensory, sensual and affective nature of heteronormativity, and gendered practices that are informed by memories of the past, the imagination of previous generations and class-based desires. Challenging conventional notions of the baby boomers, this book illuminates the intersections of age, class, and white normativity, making important contributions to our understanding of ageing and generation, intimacy and gender.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sarah Milton, "Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene" (Manchester UP, 2024) New Books Network 00:47:40 The 'baby boom' generation, born between the 1940s and the 1960s, is often credited with pioneering new and creative ways of relating, doing intimacy and making families. With this cohort now entering mid and later life in Britain, they are also said to be revolutionising the experience of ageing. Are the romantic practices of this 'revolutionary cohort' breaking with tradition and allowing new ways of understanding and doing ageing and relating to emerge? Based on an innovative combination of sensory ethnography in salsa classes and life history interviews, Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene (Manchester UP, 2024) by Dr. Sarah Milton documents the meanings of desire and romance, and 'new' - or renewed - intimacies, among women in mid and later life. Beginning with women at a transition point, when newly single or newly dating in midlife, the chapters look back over life histories to examine prior relationship experiences at different life stages, and look forward to hopes for future intimacies. In the navigation of romance and new relationships we see the sensory, sensual and affective nature of heteronormativity, and gendered practices that are informed by memories of the past, the imagination of previous generations and class-based desires. Challenging conventional notions of the baby boomers, this book illuminates the intersections of age, class, and white normativity, making important contributions to our understanding of ageing and generation, intimacy and gender. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. The 'baby boom' generation, born between the 1940s and the 1960s, is often credited with pioneering new and creative ways of relating, doing intimacy and making families. With this cohort now entering mid and later life in Britain, they are also said to be revolutionising the experience of ageing. Are the romantic practices of this 'revolutionary cohort' breaking with tradition and allowing new ways of understanding and doing ageing and relating to emerge? Based on an innovative combination of sensory ethnography in salsa classes and life history interviews, Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene (Manchester UP, 2024) by Dr. Sarah Milton documents the meanings of desire and romance, and 'new' - or renewed - intimacies, among women in mid and later life. Beginning with women at a transition point, when newly single or newly dating in midlife, the chapters look back over life histories to examine prior relationship experiences at different life stages, and look forward to hopes for future intimacies. In the navigation of romance and new relationships we see the sensory, sensual and affective nature of heteronormativity, and gendered practices that are informed by memories of the past, the imagination of previous generations and class-based desires. Challenging conventional notions of the baby boomers, this book illuminates the intersections of age, class, and white normativity, making important contributions to our understanding of ageing and generation, intimacy and gender. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 373 104f0670-43b9-11ef-a34b-cfcabbb04414 Mahjabeen Dhala, "Feminist Theology and Social Justice in Islam: A Study on the Sermon of Fatima" (Cambridge UP, 2024) Fatima, the daughter of Prophet Muhammad, has an interesting legacy, one that is often shaped by sectarian differences and tensions. The sermon of Fatima, which is the focus of Mahjabeen Dhala's Feminist Theology and Sociology of Islam: A Study of the Sermon of Fatima (Cambridge University Press, 2024), though itself riddled with questions of authenticity, is a compelling incident which brings to light various possibilities of analysis and insights. The issue of fadak or inheritance, which prompts Fatima to take a public stance against the male leaders of the community, such as Abu Bakr, after the passing of her father, results in a rich sermon that has theological and social justice implications, as Dhala highlights. In Dhala's reading of the sermon by Fatima and her response to an injustice experienced by her and her family, Fatima is seen as a theologian and a social activist. Moreover, this study also sheds on light of an example of pre-modern history of Muslim woman’s resistance. This book will be of interest to those who think about gender and Islam, social justice, theology, feminism and much more. 


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]]> Wed, 17 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Fatima, the daughter of Prophet Muhammad, has an interesting legacy, one that is often shaped by sectarian differences and tensions. The sermon of Fatima, which is the focus of Mahjabeen Dhala's Feminist Theology and Sociology of Islam: A Study of the Sermon of Fatima (Cambridge University Press, 2024), though itself riddled with questions of authenticity, is a compelling incident which brings to light various possibilities of analysis and insights. The issue of fadak or inheritance, which prompts Fatima to take a public stance against the male leaders of the community, such as Abu Bakr, after the passing of her father, results in a rich sermon that has theological and social justice implications, as Dhala highlights. In Dhala's reading of the sermon by Fatima and her response to an injustice experienced by her and her family, Fatima is seen as a theologian and a social activist. Moreover, this study also sheds on light of an example of pre-modern history of Muslim woman’s resistance. This book will be of interest to those who think about gender and Islam, social justice, theology, feminism and much more. 


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]]> Mahjabeen Dhala, "Feminist Theology and Social Justice in Islam: A Study on the Sermon of Fatima" (Cambridge UP, 2024) New Books Network 01:12:34 Fatima, the daughter of Prophet Muhammad, has an interesting legacy, one that is often shaped by sectarian differences and tensions. The sermon of Fatima, which is the focus of Mahjabeen Dhala's Feminist Theology and Sociology of Islam: A Study of the Sermon of Fatima (Cambridge University Press, 2024), though itself riddled with questions of authenticity, is a compelling incident which brings to light various possibilities of analysis and insights. The issue of fadak or inheritance, which prompts Fatima to take a public stance against the male leaders of the community, such as Abu Bakr, after the passing of her father, results in a rich sermon that has theological and social justice implications, as Dhala highlights. In Dhala's reading of the sermon by Fatima and her response to an injustice experienced by her and her family, Fatima is seen as a theologian and a social activist. Moreover, this study also sheds on light of an example of pre-modern history of Muslim woman’s resistance. This book will be of interest to those who think about gender and Islam, social justice, theology, feminism and much more.  Fatima, the daughter of Prophet Muhammad, has an interesting legacy, one that is often shaped by sectarian differences and tensions. The sermon of Fatima, which is the focus of Mahjabeen Dhala's Feminist Theology and Sociology of Islam: A Study of the Sermon of Fatima (Cambridge University Press, 2024), though itself riddled with questions of authenticity, is a compelling incident which brings to light various possibilities of analysis and insights. The issue of fadak or inheritance, which prompts Fatima to take a public stance against the male leaders of the community, such as Abu Bakr, after the passing of her father, results in a rich sermon that has theological and social justice implications, as Dhala highlights. In Dhala's reading of the sermon by Fatima and her response to an injustice experienced by her and her family, Fatima is seen as a theologian and a social activist. Moreover, this study also sheds on light of an example of pre-modern history of Muslim woman’s resistance. This book will be of interest to those who think about gender and Islam, social justice, theology, feminism and much more.  false full 336 ea0915e0-4139-11ef-980b-97645cf1d9cd Kristen R. Ghodsee, "Second World, Second Sex: Socialist Women's Activism and Global Solidarity during the Cold War" (Duke UP, 2019) Last week, I had the privilege to talk with Dr. Kristen R. Ghodsee about her most recent book Second World, Second Sex: Socialist Women's Activism and Global Solidarity during the Cold War (Duke University Press, 2019) and the behind-the-scene details of its making. Ghodsee is a professor in Russian and East European Studies at the University of Pennsylvania and an author of nine books and many more articles and essays.

Second World, Second Sex addresses a telling gap in the historiography of women rights movements – the contributions of the Second World women rights activists. While careful not to idealize the socialist authoritarian regimes, Ghodsee reveals how deeply problematic and unfair it is to define feminism based on Western-inspired definitions of self-fulfillment or grassroot activism and to dismiss the achievements of women’s state organizations in the Eastern bloc as top-down policies and socialist propaganda.

Aiming to retell the UN Decade for Women from a non-Western perspective, this book follows the participation of the Bulgarian and Zambian delegations in the international conferences in Mexico City (1975), Copenhagen (1980) and Nairobi (1985). The author makes use of a painstaking multi-site archival research and compassionate oral histories, to reconstruct the conferences and their context of arduous preparations and ideological tensions. The book’s approach to the conferences is very factual but also offers a lot of context, which helps the reader to better understand the main points of conflict between the Western delegates and the delegates from the developing and non-aligning countries. Ironically, what was rebranded in the 1990’s as “intersectionality” was the main argument of the state socialist women activists much earlier, namely, that the discussions of women’s rights separately from other social injustices such as racism, imperialism and colonialism are ultimately futile.

Curiously enough, Ghodsee’s comparative overview of the state of women’s rights before the UN Decade reveals that socialist states were forerunners of women’s rights with generous maternal leaves and state-run childcare among others. Moreover, the author reminds us, that the US government’s attention to women’s issues in the 1960s was actually a direct response to the threat coming from the USSR where women’s brains and forces were put into service of the rivalry with the West.

Thus, in the aftermath of the end of the Cold War, Ghodsee sees the current political and cultural hegemony of the West as rather disadvantageous in terms women’s rights. There is no rivalry to push governments to do better and women remaining in the periphery hardly benefit from having equal access to the free market in their crime-ridden and economically dependent from the West countries with dismantled welfare systems.

Marina Kadriu is an international MA student in Anthropology at Simon Fraser University.


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]]> Sun, 14 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Last week, I had the privilege to talk with Dr. Kristen R. Ghodsee about her most recent book Second World, Second Sex: Socialist Women's Activism and Global Solidarity during the Cold War (Duke University Press, 2019) and the behind-the-scene details of its making. Ghodsee is a professor in Russian and East European Studies at the University of Pennsylvania and an author of nine books and many more articles and essays.

Second World, Second Sex addresses a telling gap in the historiography of women rights movements – the contributions of the Second World women rights activists. While careful not to idealize the socialist authoritarian regimes, Ghodsee reveals how deeply problematic and unfair it is to define feminism based on Western-inspired definitions of self-fulfillment or grassroot activism and to dismiss the achievements of women’s state organizations in the Eastern bloc as top-down policies and socialist propaganda.

Aiming to retell the UN Decade for Women from a non-Western perspective, this book follows the participation of the Bulgarian and Zambian delegations in the international conferences in Mexico City (1975), Copenhagen (1980) and Nairobi (1985). The author makes use of a painstaking multi-site archival research and compassionate oral histories, to reconstruct the conferences and their context of arduous preparations and ideological tensions. The book’s approach to the conferences is very factual but also offers a lot of context, which helps the reader to better understand the main points of conflict between the Western delegates and the delegates from the developing and non-aligning countries. Ironically, what was rebranded in the 1990’s as “intersectionality” was the main argument of the state socialist women activists much earlier, namely, that the discussions of women’s rights separately from other social injustices such as racism, imperialism and colonialism are ultimately futile.

Curiously enough, Ghodsee’s comparative overview of the state of women’s rights before the UN Decade reveals that socialist states were forerunners of women’s rights with generous maternal leaves and state-run childcare among others. Moreover, the author reminds us, that the US government’s attention to women’s issues in the 1960s was actually a direct response to the threat coming from the USSR where women’s brains and forces were put into service of the rivalry with the West.

Thus, in the aftermath of the end of the Cold War, Ghodsee sees the current political and cultural hegemony of the West as rather disadvantageous in terms women’s rights. There is no rivalry to push governments to do better and women remaining in the periphery hardly benefit from having equal access to the free market in their crime-ridden and economically dependent from the West countries with dismantled welfare systems.

Marina Kadriu is an international MA student in Anthropology at Simon Fraser University.


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]]> Kristen R. Ghodsee, "Second World, Second Sex: Socialist Women's Activism and Global Solidarity during the Cold War" (Duke UP, 2019) New Books Network 01:06:44 Last week, I had the privilege to talk with Dr. Kristen R. Ghodsee about her most recent book Second World, Second Sex: Socialist Women's Activism and Global Solidarity during the Cold War (Duke University Press, 2019) and the behind-the-scene details of its making. Ghodsee is a professor in Russian and East European Studies at the University of Pennsylvania and an author of nine books and many more articles and essays. Second World, Second Sex addresses a telling gap in the historiography of women rights movements – the contributions of the Second World women rights activists. While careful not to idealize the socialist authoritarian regimes, Ghodsee reveals how deeply problematic and unfair it is to define feminism based on Western-inspired definitions of self-fulfillment or grassroot activism and to dismiss the achievements of women’s state organizations in the Eastern bloc as top-down policies and socialist propaganda. Aiming to retell the UN Decade for Women from a non-Western perspective, this book follows the participation of the Bulgarian and Zambian delegations in the international conferences in Mexico City (1975), Copenhagen (1980) and Nairobi (1985). The author makes use of a painstaking multi-site archival research and compassionate oral histories, to reconstruct the conferences and their context of arduous preparations and ideological tensions. The book’s approach to the conferences is very factual but also offers a lot of context, which helps the reader to better understand the main points of conflict between the Western delegates and the delegates from the developing and non-aligning countries. Ironically, what was rebranded in the 1990’s as “intersectionality” was the main argument of the state socialist women activists much earlier, namely, that the discussions of women’s rights separately from other social injustices such as racism, imperialism and colonialism are ultimately futile. Curiously enough, Ghodsee’s comparative overview of the state of women’s rights before the UN Decade reveals that socialist states were forerunners of women’s rights with generous maternal leaves and state-run childcare among others. Moreover, the author reminds us, that the US government’s attention to women’s issues in the 1960s was actually a direct response to the threat coming from the USSR where women’s brains and forces were put into service of the rivalry with the West. Thus, in the aftermath of the end of the Cold War, Ghodsee sees the current political and cultural hegemony of the West as rather disadvantageous in terms women’s rights. There is no rivalry to push governments to do better and women remaining in the periphery hardly benefit from having equal access to the free market in their crime-ridden and economically dependent from the West countries with dismantled welfare systems. Marina Kadriu is an international MA student in Anthropology at Simon Fraser University. Last week, I had the privilege to talk with Dr. Kristen R. Ghodsee about her most recent book Second World, Second Sex: Socialist Women's Activism and Global Solidarity during the Cold War (Duke University Press, 2019) and the behind-the-scene details of its making. Ghodsee is a professor in Russian and East European Studies at the University of Pennsylvania and an author of nine books and many more articles and essays. Second World, Second Sex addresses a telling gap in the historiography of women rights movements – the contributions of the Second World women rights activists. While careful not to idealize the socialist authoritarian regimes, Ghodsee reveals how deeply problematic and unfair it is to define feminism based on Western-inspired definitions of self-fulfillment or grassroot activism and to dismiss the achievements of women’s state organizations in the Eastern bloc as top-down policies and socialist propaganda. Aiming to retell the UN Decade for Women from a non-Western perspective, this book follows the participation of the Bulgarian and Zambian delegations in the international conferences in Mexico City (1975), Copenhagen (1980) and Nairobi (1985). The author makes use of a painstaking multi-site archival research and compassionate oral histories, to reconstruct the conferences and their context of arduous preparations and ideological tensions. The book’s approach to the conferences is very factual but also offers a lot of context, which helps the reader to better understand the main points of conflict between the Western delegates and the delegates from the developing and non-aligning countries. Ironically, what was rebranded in the 1990’s as “intersectionality” was the main argument of the state socialist women activists much earlier, namely, that the discussions of women’s rights separately from other social injustices such as racism, imperialism and colonialism are ultimately futile. Curiously enough, Ghodsee’s comparative overview of the state of women’s rights before the UN Decade reveals that socialist states were forerunners of women’s rights with generous maternal leaves and state-run childcare among others. Moreover, the author reminds us, that the US government’s attention to women’s issues in the 1960s was actually a direct response to the threat coming from the USSR where women’s brains and forces were put into service of the rivalry with the West. Thus, in the aftermath of the end of the Cold War, Ghodsee sees the current political and cultural hegemony of the West as rather disadvantageous in terms women’s rights. There is no rivalry to push governments to do better and women remaining in the periphery hardly benefit from having equal access to the free market in their crime-ridden and economically dependent from the West countries with dismantled welfare systems. Marina Kadriu is an international MA student in Anthropology at Simon Fraser University. false full 49 0ef18172-3fbd-11ef-b8b2-cbb93bdb37b5 Heidi Honeycutt, "I Spit on Your Celluloid: The History of Women Directing Horror Movies" (Headpress, 2024) I Spit On Your Celluloid: The History of Women Directing Horror Movies (Headpress, 2024) by Heidi Honeycutt is the first book-length history of female horror directors from the late 1800s to present day. Having conducted hundreds of interviews and watched thousands of horror films, Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women's rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror. 


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]]> Fri, 12 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com I Spit On Your Celluloid: The History of Women Directing Horror Movies (Headpress, 2024) by Heidi Honeycutt is the first book-length history of female horror directors from the late 1800s to present day. Having conducted hundreds of interviews and watched thousands of horror films, Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women's rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror. 


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]]> Heidi Honeycutt, "I Spit on Your Celluloid: The History of Women Directing Horror Movies" (Headpress, 2024) New Books Network 00:49:17 I Spit On Your Celluloid: The History of Women Directing Horror Movies (Headpress, 2024) by Heidi Honeycutt is the first book-length history of female horror directors from the late 1800s to present day. Having conducted hundreds of interviews and watched thousands of horror films, Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women's rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror.  I Spit On Your Celluloid: The History of Women Directing Horror Movies (Headpress, 2024) by Heidi Honeycutt is the first book-length history of female horror directors from the late 1800s to present day. Having conducted hundreds of interviews and watched thousands of horror films, Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women's rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror.  false full 190 70a11d06-3e1e-11ef-b4e0-7792d5f3f59b Kellie Carter Jackson, "We Refuse: A Forceful History of Black Resistance" (Seal Press, 2024) Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse: A Forceful History of Black Resistance (Seal Press, 2024), historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.

The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.

Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.


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]]> Wed, 10 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse: A Forceful History of Black Resistance (Seal Press, 2024), historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.

The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.

Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.


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]]> Kellie Carter Jackson, "We Refuse: A Forceful History of Black Resistance" (Seal Press, 2024) New Books Network 00:56:52 Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse: A Forceful History of Black Resistance (Seal Press, 2024), historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse: A Forceful History of Black Resistance (Seal Press, 2024), historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. false full 466 ca0d0e94-3d3e-11ef-bda1-df5d64dbefa3 Paige Reynolds, "Modernism in Irish Women's Contemporary Writing: The Stubborn Mode" (Oxford UP, 2023) Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world. 

Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse.

Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality.


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]]> Tue, 9 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world. 

Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse.

Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality.


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]]> Paige Reynolds, "Modernism in Irish Women's Contemporary Writing: The Stubborn Mode" (Oxford UP, 2023) New Books Network 00:56:27 Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. false full 67 5c28f73c-3d4b-11ef-a669-a7ad998e0554 Benjamin J. B. Lipscomb, "The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics" (Oxford UP, 2021) The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch.

On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed.

As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life.

The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics (Oxford UP, 2021) presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.

Benjamin J. B. Lipscomb is Professor of Philosophy and Director of the Honors Program at Houghton University. He lives with his family in Fillmore, New York, when his teaching doesn't call him to London for a season.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Tue, 9 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch.

On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed.

As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life.

The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics (Oxford UP, 2021) presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.

Benjamin J. B. Lipscomb is Professor of Philosophy and Director of the Honors Program at Houghton University. He lives with his family in Fillmore, New York, when his teaching doesn't call him to London for a season.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Benjamin J. B. Lipscomb, "The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics" (Oxford UP, 2021) New Books Network 00:39:42 The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch. On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed. As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life. The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics (Oxford UP, 2021) presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves. Benjamin J. B. Lipscomb is Professor of Philosophy and Director of the Honors Program at Houghton University. He lives with his family in Fillmore, New York, when his teaching doesn't call him to London for a season. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch. On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed. As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life. The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics (Oxford UP, 2021) presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves. Benjamin J. B. Lipscomb is Professor of Philosophy and Director of the Honors Program at Houghton University. He lives with his family in Fillmore, New York, when his teaching doesn't call him to London for a season. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. false full 218 84670d12-3c90-11ef-aff2-23964e4fed0a Donna Drucker, "Contraception: A Concise History" (The MIT Press, 2020) The beginning of the modern contraceptive era began in 1882, when Dr. Aletta Jacobs opened the first birth control clinic in Amsterdam. The founding of this facility, and the clinical provision of contraception that it enabled, marked the moment when physicians started to take the prevention of pregnancy seriously as a medical concern. In Contraception: A Concise History (The MIT Press, 2020), Donna Drucker traces the history of modern contraception, outlining the development, manufacturing, and use of contraceptive methods from the opening of Dr. Jacobs's clinic to the present. Drucker approaches the subject from the perspective of reproductive justice: the right to have a child, the right not to have a child, and the right to parent children safely and healthily.

Drucker describes contraceptive methods available before the pill, including the diaphragm (dispensed at the Jacobs clinic) and condom, spermicidal jellies, and periodic abstinences. She looks at the development and dissemination of the pill and its chemical descendants; describes technological developments in such non-hormonal contraceptives as the cervical cap and timing methods (including the “rhythm method” favored by the Roman Catholic church); and explains the concept of reproductive justice. Finally, Drucker considers the future of contraception—the adaptations of existing methods, new forms of distribution, and ongoing efforts needed to support contraceptive access

Dr. Donna Drucker leads the English as the Language for Instruction Project, which helps faculty, administrative staff, scientific staff, and students at the Technische Universität Darmstadt (Germany) improve their English abilities for teaching and learning.

Chris Babits is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book about the history of conversion therapy in the United States.

 


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]]> Mon, 8 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The beginning of the modern contraceptive era began in 1882, when Dr. Aletta Jacobs opened the first birth control clinic in Amsterdam. The founding of this facility, and the clinical provision of contraception that it enabled, marked the moment when physicians started to take the prevention of pregnancy seriously as a medical concern. In Contraception: A Concise History (The MIT Press, 2020), Donna Drucker traces the history of modern contraception, outlining the development, manufacturing, and use of contraceptive methods from the opening of Dr. Jacobs's clinic to the present. Drucker approaches the subject from the perspective of reproductive justice: the right to have a child, the right not to have a child, and the right to parent children safely and healthily.

Drucker describes contraceptive methods available before the pill, including the diaphragm (dispensed at the Jacobs clinic) and condom, spermicidal jellies, and periodic abstinences. She looks at the development and dissemination of the pill and its chemical descendants; describes technological developments in such non-hormonal contraceptives as the cervical cap and timing methods (including the “rhythm method” favored by the Roman Catholic church); and explains the concept of reproductive justice. Finally, Drucker considers the future of contraception—the adaptations of existing methods, new forms of distribution, and ongoing efforts needed to support contraceptive access

Dr. Donna Drucker leads the English as the Language for Instruction Project, which helps faculty, administrative staff, scientific staff, and students at the Technische Universität Darmstadt (Germany) improve their English abilities for teaching and learning.

Chris Babits is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book about the history of conversion therapy in the United States.

 


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]]> Donna Drucker, "Contraception: A Concise History" (The MIT Press, 2020) New Books Network 00:21:08 The beginning of the modern contraceptive era began in 1882, when Dr. Aletta Jacobs opened the first birth control clinic in Amsterdam. The founding of this facility, and the clinical provision of contraception that it enabled, marked the moment when physicians started to take the prevention of pregnancy seriously as a medical concern. In Contraception: A Concise History (The MIT Press, 2020), Donna Drucker traces the history of modern contraception, outlining the development, manufacturing, and use of contraceptive methods from the opening of Dr. Jacobs's clinic to the present. Drucker approaches the subject from the perspective of reproductive justice: the right to have a child, the right not to have a child, and the right to parent children safely and healthily. Drucker describes contraceptive methods available before the pill, including the diaphragm (dispensed at the Jacobs clinic) and condom, spermicidal jellies, and periodic abstinences. She looks at the development and dissemination of the pill and its chemical descendants; describes technological developments in such non-hormonal contraceptives as the cervical cap and timing methods (including the “rhythm method” favored by the Roman Catholic church); and explains the concept of reproductive justice. Finally, Drucker considers the future of contraception—the adaptations of existing methods, new forms of distribution, and ongoing efforts needed to support contraceptive access Dr. Donna Drucker leads the English as the Language for Instruction Project, which helps faculty, administrative staff, scientific staff, and students at the Technische Universität Darmstadt (Germany) improve their English abilities for teaching and learning. Chris Babits is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book about the history of conversion therapy in the United States.   The beginning of the modern contraceptive era began in 1882, when Dr. Aletta Jacobs opened the first birth control clinic in Amsterdam. The founding of this facility, and the clinical provision of contraception that it enabled, marked the moment when physicians started to take the prevention of pregnancy seriously as a medical concern. In Contraception: A Concise History (The MIT Press, 2020), Donna Drucker traces the history of modern contraception, outlining the development, manufacturing, and use of contraceptive methods from the opening of Dr. Jacobs's clinic to the present. Drucker approaches the subject from the perspective of reproductive justice: the right to have a child, the right not to have a child, and the right to parent children safely and healthily. Drucker describes contraceptive methods available before the pill, including the diaphragm (dispensed at the Jacobs clinic) and condom, spermicidal jellies, and periodic abstinences. She looks at the development and dissemination of the pill and its chemical descendants; describes technological developments in such non-hormonal contraceptives as the cervical cap and timing methods (including the “rhythm method” favored by the Roman Catholic church); and explains the concept of reproductive justice. Finally, Drucker considers the future of contraception—the adaptations of existing methods, new forms of distribution, and ongoing efforts needed to support contraceptive access Dr. Donna Drucker leads the English as the Language for Instruction Project, which helps faculty, administrative staff, scientific staff, and students at the Technische Universität Darmstadt (Germany) improve their English abilities for teaching and learning. Chris Babits is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book about the history of conversion therapy in the United States.   false full 82 73255430-3af8-11ef-be09-370006b79996 Darshana Sreedhar Mini, "Rated A: Soft-Porn Cinema and Mediations of Desire in India" (U California Press, 2024) In the 1990s, India's mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In Rated A: Soft-Porn Cinema and Mediations of Desire in India (U California Press, 2024), Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema—such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema—and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. By locating the tense negotiations between sexuality, import policy, and censorship in contemporary India, this study offers a model for understanding film genres outside of screen space, emphasizing that they constitute not just industrial formations but entire fields of social relations and gendered imaginaries.

Dr. Darshana Sreedhar Mini is an Assistant Professor at the University of Wisconsin- Madison. She did her PhD from the University of Southern California. Her teaching and research lie at the intersection of gender, sexuality, transnational media, migrant media and screen cultures of South Asia. She is the co-editor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene (Routledge, 2024).

Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha

Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media, National University of Singapore, Singapore. She can be reached at khadeejaamenda@u.nus.edu


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]]> Sun, 7 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the 1990s, India's mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In Rated A: Soft-Porn Cinema and Mediations of Desire in India (U California Press, 2024), Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema—such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema—and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. By locating the tense negotiations between sexuality, import policy, and censorship in contemporary India, this study offers a model for understanding film genres outside of screen space, emphasizing that they constitute not just industrial formations but entire fields of social relations and gendered imaginaries.

Dr. Darshana Sreedhar Mini is an Assistant Professor at the University of Wisconsin- Madison. She did her PhD from the University of Southern California. Her teaching and research lie at the intersection of gender, sexuality, transnational media, migrant media and screen cultures of South Asia. She is the co-editor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene (Routledge, 2024).

Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha

Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media, National University of Singapore, Singapore. She can be reached at khadeejaamenda@u.nus.edu


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]]> Darshana Sreedhar Mini, "Rated A: Soft-Porn Cinema and Mediations of Desire in India" (U California Press, 2024) New Books Network 01:17:55 In the 1990s, India's mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In Rated A: Soft-Porn Cinema and Mediations of Desire in India (U California Press, 2024), Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema—such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema—and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. By locating the tense negotiations between sexuality, import policy, and censorship in contemporary India, this study offers a model for understanding film genres outside of screen space, emphasizing that they constitute not just industrial formations but entire fields of social relations and gendered imaginaries. Dr. Darshana Sreedhar Mini is an Assistant Professor at the University of Wisconsin- Madison. She did her PhD from the University of Southern California. Her teaching and research lie at the intersection of gender, sexuality, transnational media, migrant media and screen cultures of South Asia. She is the co-editor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene (Routledge, 2024). Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media, National University of Singapore, Singapore. She can be reached at khadeejaamenda@u.nus.edu In the 1990s, India's mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In Rated A: Soft-Porn Cinema and Mediations of Desire in India (U California Press, 2024), Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema—such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema—and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. By locating the tense negotiations between sexuality, import policy, and censorship in contemporary India, this study offers a model for understanding film genres outside of screen space, emphasizing that they constitute not just industrial formations but entire fields of social relations and gendered imaginaries. Dr. Darshana Sreedhar Mini is an Assistant Professor at the University of Wisconsin- Madison. She did her PhD from the University of Southern California. Her teaching and research lie at the intersection of gender, sexuality, transnational media, migrant media and screen cultures of South Asia. She is the co-editor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene (Routledge, 2024). Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media, National University of Singapore, Singapore. She can be reached at khadeejaamenda@u.nus.edu false full 235 d68e8c0e-3967-11ef-a001-a7329aa5017c Elizabeth Storr Cohen and Marlee J. Couling, "Non-Elite Women's Networks Across the Early Modern World" (Amsterdam UP, 2023) Elizabeth Cohen, Professor Emerita at York University, joins Jana Byars to talk about her new volume, Non-Elite Women's Networks Across the Early Modern World (Amsterdam University Press, 2023), edited with Marilee Couling. Non-elite or marginalized early modern women-among them the poor, migrants, members of religious or ethnic minorities, abused or abandoned wives, servants, and sex workers-have seldom left records of their experiences. Drawing on a variety of sources, including trial records, administrative paperwork, letters, pamphlets, hagiography, and picaresque literature, this volume explores how, as social agents, these doubly invisible women built and used networks and informal alliances to supplement the usual structures of family and community that often let them down. Ten essays, ranging widely in geography from the eastern Mediterranean to colonial Spanish America and in time from the sixteenth to the eighteenth centuries, show how flexible, sometimes ad hoc relationships could provide crucial practical and emotional support for women who faced problems of livelihood, reputation, displacement, and violence.


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]]> Sat, 6 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Elizabeth Cohen, Professor Emerita at York University, joins Jana Byars to talk about her new volume, Non-Elite Women's Networks Across the Early Modern World (Amsterdam University Press, 2023), edited with Marilee Couling. Non-elite or marginalized early modern women-among them the poor, migrants, members of religious or ethnic minorities, abused or abandoned wives, servants, and sex workers-have seldom left records of their experiences. Drawing on a variety of sources, including trial records, administrative paperwork, letters, pamphlets, hagiography, and picaresque literature, this volume explores how, as social agents, these doubly invisible women built and used networks and informal alliances to supplement the usual structures of family and community that often let them down. Ten essays, ranging widely in geography from the eastern Mediterranean to colonial Spanish America and in time from the sixteenth to the eighteenth centuries, show how flexible, sometimes ad hoc relationships could provide crucial practical and emotional support for women who faced problems of livelihood, reputation, displacement, and violence.


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]]> Elizabeth Storr Cohen and Marlee J. Couling, "Non-Elite Women's Networks Across the Early Modern World" (Amsterdam UP, 2023) New Books Network 00:47:18 Elizabeth Cohen, Professor Emerita at York University, joins Jana Byars to talk about her new volume, Non-Elite Women's Networks Across the Early Modern World (Amsterdam University Press, 2023), edited with Marilee Couling. Non-elite or marginalized early modern women-among them the poor, migrants, members of religious or ethnic minorities, abused or abandoned wives, servants, and sex workers-have seldom left records of their experiences. Drawing on a variety of sources, including trial records, administrative paperwork, letters, pamphlets, hagiography, and picaresque literature, this volume explores how, as social agents, these doubly invisible women built and used networks and informal alliances to supplement the usual structures of family and community that often let them down. Ten essays, ranging widely in geography from the eastern Mediterranean to colonial Spanish America and in time from the sixteenth to the eighteenth centuries, show how flexible, sometimes ad hoc relationships could provide crucial practical and emotional support for women who faced problems of livelihood, reputation, displacement, and violence. Elizabeth Cohen, Professor Emerita at York University, joins Jana Byars to talk about her new volume, Non-Elite Women's Networks Across the Early Modern World (Amsterdam University Press, 2023), edited with Marilee Couling. Non-elite or marginalized early modern women-among them the poor, migrants, members of religious or ethnic minorities, abused or abandoned wives, servants, and sex workers-have seldom left records of their experiences. Drawing on a variety of sources, including trial records, administrative paperwork, letters, pamphlets, hagiography, and picaresque literature, this volume explores how, as social agents, these doubly invisible women built and used networks and informal alliances to supplement the usual structures of family and community that often let them down. Ten essays, ranging widely in geography from the eastern Mediterranean to colonial Spanish America and in time from the sixteenth to the eighteenth centuries, show how flexible, sometimes ad hoc relationships could provide crucial practical and emotional support for women who faced problems of livelihood, reputation, displacement, and violence. false full 73 f90880d8-38a8-11ef-aaee-a3a1d96cbfa9 Elizabeth Aislinn O'Brien, "Surgery and Salvation: The Roots of Reproductive Injustice in Mexico, 1770-1940" (UNC Press, 2023) In Surgery & Salvation: The Roots of Reproductive Injustice in Mexico, 1770-1940 (University of North Carolina Press, 2023), Elizabeth O’Brien foregrounds the racial and religious meanings of surgery to draw important connections between historical and contemporary politics regarding fetal and maternal healthcare. She traces practices of caesarean section and coercive Christianization throughout Mexico’s colonial period; patriarchal pregnancy management during republican state formation; and tubal ligation and vaginal bifurcation in Mexico’s twentieth century Eugenics movement. Surgery and Salvation has received several awards including the Rocky Mountain Council for Latin American Studies’ Judy Ewell Award; the Latin American Studies Association 2024 Best Book Award for the Nineteenth-Century Section; and Honorable Mention for the 2024 Frances Richardson Keller-Sierra Prize (WAWH) as well as the Thomas McGann Prize (RMCLAS). O’Brien is an Assistant Professor of the History of Medicine and Latin American History at the University of California, Los Angeles. In this episode, O'Brien is interviewed by Leah Cargin (PhD candidate, University of Oklahoma).


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]]> Fri, 5 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Surgery & Salvation: The Roots of Reproductive Injustice in Mexico, 1770-1940 (University of North Carolina Press, 2023), Elizabeth O’Brien foregrounds the racial and religious meanings of surgery to draw important connections between historical and contemporary politics regarding fetal and maternal healthcare. She traces practices of caesarean section and coercive Christianization throughout Mexico’s colonial period; patriarchal pregnancy management during republican state formation; and tubal ligation and vaginal bifurcation in Mexico’s twentieth century Eugenics movement. Surgery and Salvation has received several awards including the Rocky Mountain Council for Latin American Studies’ Judy Ewell Award; the Latin American Studies Association 2024 Best Book Award for the Nineteenth-Century Section; and Honorable Mention for the 2024 Frances Richardson Keller-Sierra Prize (WAWH) as well as the Thomas McGann Prize (RMCLAS). O’Brien is an Assistant Professor of the History of Medicine and Latin American History at the University of California, Los Angeles. In this episode, O'Brien is interviewed by Leah Cargin (PhD candidate, University of Oklahoma).


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]]> Elizabeth Aislinn O'Brien, "Surgery and Salvation: The Roots of Reproductive Injustice in Mexico, 1770-1940" (UNC Press, 2023) New Books Network 00:50:08 In Surgery & Salvation: The Roots of Reproductive Injustice in Mexico, 1770-1940 (University of North Carolina Press, 2023), Elizabeth O’Brien foregrounds the racial and religious meanings of surgery to draw important connections between historical and contemporary politics regarding fetal and maternal healthcare. She traces practices of caesarean section and coercive Christianization throughout Mexico’s colonial period; patriarchal pregnancy management during republican state formation; and tubal ligation and vaginal bifurcation in Mexico’s twentieth century Eugenics movement. Surgery and Salvation has received several awards including the Rocky Mountain Council for Latin American Studies’ Judy Ewell Award; the Latin American Studies Association 2024 Best Book Award for the Nineteenth-Century Section; and Honorable Mention for the 2024 Frances Richardson Keller-Sierra Prize (WAWH) as well as the Thomas McGann Prize (RMCLAS). O’Brien is an Assistant Professor of the History of Medicine and Latin American History at the University of California, Los Angeles. In this episode, O'Brien is interviewed by Leah Cargin (PhD candidate, University of Oklahoma). In Surgery & Salvation: The Roots of Reproductive Injustice in Mexico, 1770-1940 (University of North Carolina Press, 2023), Elizabeth O’Brien foregrounds the racial and religious meanings of surgery to draw important connections between historical and contemporary politics regarding fetal and maternal healthcare. She traces practices of caesarean section and coercive Christianization throughout Mexico’s colonial period; patriarchal pregnancy management during republican state formation; and tubal ligation and vaginal bifurcation in Mexico’s twentieth century Eugenics movement. Surgery and Salvation has received several awards including the Rocky Mountain Council for Latin American Studies’ Judy Ewell Award; the Latin American Studies Association 2024 Best Book Award for the Nineteenth-Century Section; and Honorable Mention for the 2024 Frances Richardson Keller-Sierra Prize (WAWH) as well as the Thomas McGann Prize (RMCLAS). O’Brien is an Assistant Professor of the History of Medicine and Latin American History at the University of California, Los Angeles. In this episode, O'Brien is interviewed by Leah Cargin (PhD candidate, University of Oklahoma). false full 98 e12def68-3955-11ef-b471-2be01f083b74 Marsha Gordon, "Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott" (U California Press, 2024) Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2024) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change.

Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity—her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today.


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]]> Fri, 5 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2024) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change.

Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity—her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today.


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]]> Marsha Gordon, "Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott" (U California Press, 2024) New Books Network 01:03:48 Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2024) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change. Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity—her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today. Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2024) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change. Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity—her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today. false full 201 a41868ba-389c-11ef-8e17-537ee5c33f56 Oneka LaBennett, "Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond" (NYU Press, 2024) Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.

Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.

Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.

Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).


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]]> Wed, 3 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.

Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.

Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.

Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).


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]]> Oneka LaBennett, "Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond" (NYU Press, 2024) New Books Network 00:50:07 Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives. Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children. Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity. Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives. Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children. Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity. Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). false full 315 580e6508-37ea-11ef-b5f3-8b9b9387ad21 Sigrid Schönfelder, "'Gold Fever' and Women: Transformations in Lives, Health Care and Medicine in the 19th Century American West" (Transcript, 2023) Throughout its history, the American West symbolized a place of hope and new beginnings, where anything was possible, especially for men. However, the history written until the 1970s and 1980s excluded women. 

In 'Gold Fever' and Women: Transformations in Lives, Health Care and Medicine in the 19th Century American West (Transcript, 2023), Sigrid Schönfelder illustrates how the American West served as a catalytic gold mine for many transformations for women. It draws on the life narratives of three healthcare providers whose devotion within the social reform movements of the long nineteenth century contributed significantly to shaping healthcare policies. Their stories show how women contributed to place-making in the West and served as role models for other women to enter the field of medicine.


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]]> Wed, 3 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Throughout its history, the American West symbolized a place of hope and new beginnings, where anything was possible, especially for men. However, the history written until the 1970s and 1980s excluded women. 

In 'Gold Fever' and Women: Transformations in Lives, Health Care and Medicine in the 19th Century American West (Transcript, 2023), Sigrid Schönfelder illustrates how the American West served as a catalytic gold mine for many transformations for women. It draws on the life narratives of three healthcare providers whose devotion within the social reform movements of the long nineteenth century contributed significantly to shaping healthcare policies. Their stories show how women contributed to place-making in the West and served as role models for other women to enter the field of medicine.


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]]> Sigrid Schönfelder, "'Gold Fever' and Women: Transformations in Lives, Health Care and Medicine in the 19th Century American West" (Transcript, 2023) New Books Network 00:41:24 Throughout its history, the American West symbolized a place of hope and new beginnings, where anything was possible, especially for men. However, the history written until the 1970s and 1980s excluded women.  In 'Gold Fever' and Women: Transformations in Lives, Health Care and Medicine in the 19th Century American West (Transcript, 2023), Sigrid Schönfelder illustrates how the American West served as a catalytic gold mine for many transformations for women. It draws on the life narratives of three healthcare providers whose devotion within the social reform movements of the long nineteenth century contributed significantly to shaping healthcare policies. Their stories show how women contributed to place-making in the West and served as role models for other women to enter the field of medicine. Throughout its history, the American West symbolized a place of hope and new beginnings, where anything was possible, especially for men. However, the history written until the 1970s and 1980s excluded women.  In 'Gold Fever' and Women: Transformations in Lives, Health Care and Medicine in the 19th Century American West (Transcript, 2023), Sigrid Schönfelder illustrates how the American West served as a catalytic gold mine for many transformations for women. It draws on the life narratives of three healthcare providers whose devotion within the social reform movements of the long nineteenth century contributed significantly to shaping healthcare policies. Their stories show how women contributed to place-making in the West and served as role models for other women to enter the field of medicine. false full 97 4276b464-3878-11ef-99fa-9bf276ac6ec1 Michelle T. King, "Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food" (Norton, 2024) In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”

But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.

And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.

In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.

Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Wed, 3 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”

But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.

And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.

In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.

Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Michelle T. King, "Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food" (Norton, 2024) New Books Network 00:41:56 In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.” But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals. And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China. In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine. Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.” But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals. And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China. In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine. Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. false full 193 c39613b4-3706-11ef-9cd8-87fd1906a60b Holly Ashford, "Development and Women's Reproductive Health in Ghana, 1920-1982" (Routledge, 2022) Between the 1920s and 1980s, the choices that Ghanaian women made regarding their reproductive health were defined by development policy and practice. Spanning the colonial and immediate postcolonial periods, Holly Ashford's book Development and Women's Reproductive Health in Ghana, 1920-1982 (Routledge, 2022) demonstrates that whilst the substance of development discourse shifted over time, principles of development continued to be used to impact and legitimise reproductive health policy and practices well after independence. The book explores Ghana’s pluralist health system, the introduction of maternal and child welfare, the dominance of the Red Cross in Ghana’s maternal and child health landscape, nationalist pronatalism and global population activism. In order to understand how global iterations of development and health policy impacted ordinary lives in Ghana, the author uses evidence from multiple ‘levels,’ including private papers, national archives and records of international and transnational organisations. Providing balanced archival perspectives, the book includes extensive oral history interviews carried out with both rural Ghanaian women and traditional birth attendants, as well as with midwives, doctors and family planning fieldworkers.

This book will have an important impact on a number of historical fields including Ghanaian history, global health history, global histories of population and family planning and histories of development. It will be of interest to researchers and students in the history of public health, development, Africa, Ghana and gender.

Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID


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]]> Tue, 2 Jul 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Between the 1920s and 1980s, the choices that Ghanaian women made regarding their reproductive health were defined by development policy and practice. Spanning the colonial and immediate postcolonial periods, Holly Ashford's book Development and Women's Reproductive Health in Ghana, 1920-1982 (Routledge, 2022) demonstrates that whilst the substance of development discourse shifted over time, principles of development continued to be used to impact and legitimise reproductive health policy and practices well after independence. The book explores Ghana’s pluralist health system, the introduction of maternal and child welfare, the dominance of the Red Cross in Ghana’s maternal and child health landscape, nationalist pronatalism and global population activism. In order to understand how global iterations of development and health policy impacted ordinary lives in Ghana, the author uses evidence from multiple ‘levels,’ including private papers, national archives and records of international and transnational organisations. Providing balanced archival perspectives, the book includes extensive oral history interviews carried out with both rural Ghanaian women and traditional birth attendants, as well as with midwives, doctors and family planning fieldworkers.

This book will have an important impact on a number of historical fields including Ghanaian history, global health history, global histories of population and family planning and histories of development. It will be of interest to researchers and students in the history of public health, development, Africa, Ghana and gender.

Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID


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]]> Holly Ashford, "Development and Women's Reproductive Health in Ghana, 1920-1982" (Routledge, 2022) New Books Network 00:50:55 Between the 1920s and 1980s, the choices that Ghanaian women made regarding their reproductive health were defined by development policy and practice. Spanning the colonial and immediate postcolonial periods, Holly Ashford's book Development and Women's Reproductive Health in Ghana, 1920-1982 (Routledge, 2022) demonstrates that whilst the substance of development discourse shifted over time, principles of development continued to be used to impact and legitimise reproductive health policy and practices well after independence. The book explores Ghana’s pluralist health system, the introduction of maternal and child welfare, the dominance of the Red Cross in Ghana’s maternal and child health landscape, nationalist pronatalism and global population activism. In order to understand how global iterations of development and health policy impacted ordinary lives in Ghana, the author uses evidence from multiple ‘levels,’ including private papers, national archives and records of international and transnational organisations. Providing balanced archival perspectives, the book includes extensive oral history interviews carried out with both rural Ghanaian women and traditional birth attendants, as well as with midwives, doctors and family planning fieldworkers. This book will have an important impact on a number of historical fields including Ghanaian history, global health history, global histories of population and family planning and histories of development. It will be of interest to researchers and students in the history of public health, development, Africa, Ghana and gender. Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID Between the 1920s and 1980s, the choices that Ghanaian women made regarding their reproductive health were defined by development policy and practice. Spanning the colonial and immediate postcolonial periods, Holly Ashford's book Development and Women's Reproductive Health in Ghana, 1920-1982 (Routledge, 2022) demonstrates that whilst the substance of development discourse shifted over time, principles of development continued to be used to impact and legitimise reproductive health policy and practices well after independence. The book explores Ghana’s pluralist health system, the introduction of maternal and child welfare, the dominance of the Red Cross in Ghana’s maternal and child health landscape, nationalist pronatalism and global population activism. In order to understand how global iterations of development and health policy impacted ordinary lives in Ghana, the author uses evidence from multiple ‘levels,’ including private papers, national archives and records of international and transnational organisations. Providing balanced archival perspectives, the book includes extensive oral history interviews carried out with both rural Ghanaian women and traditional birth attendants, as well as with midwives, doctors and family planning fieldworkers. This book will have an important impact on a number of historical fields including Ghanaian history, global health history, global histories of population and family planning and histories of development. It will be of interest to researchers and students in the history of public health, development, Africa, Ghana and gender. Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID false full 96 6a9517bc-3592-11ef-8ff6-0b41487adc27 Maryna Shevtsova, "Feminist Perspective on Russia’s War in Ukraine: Hear Our Voices" (Lexington Books, 2024) Feminist Perspective on Russia’s War in Ukraine: Hear Our Voices came out with Lexington Books at the two-year’s mark of Russia’s full-scale invasion of Ukraine, in February 2024. This volume undertakes an exploration of how gender norms have been transgressed and cultural expectations of womanhood and manhood evolved within the context of the war in Ukraine, ongoing since 2014. Edited by Maryna Shevtsova, it gives voice to feminist scholars and practitioners from Ukraine and the wider Central and Eastern European region who share their perspectives on the complex interconnection between gender and warfare. 

Table of contents is available here.

Maryna Shevtsova is a Senior Postdoctoral Fellow of the Flanders Research Foundation at the Catholic University of Leuven in Belgium.

Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.


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]]> Sun, 30 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Feminist Perspective on Russia’s War in Ukraine: Hear Our Voices came out with Lexington Books at the two-year’s mark of Russia’s full-scale invasion of Ukraine, in February 2024. This volume undertakes an exploration of how gender norms have been transgressed and cultural expectations of womanhood and manhood evolved within the context of the war in Ukraine, ongoing since 2014. Edited by Maryna Shevtsova, it gives voice to feminist scholars and practitioners from Ukraine and the wider Central and Eastern European region who share their perspectives on the complex interconnection between gender and warfare. 

Table of contents is available here.

Maryna Shevtsova is a Senior Postdoctoral Fellow of the Flanders Research Foundation at the Catholic University of Leuven in Belgium.

Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.


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]]> Maryna Shevtsova, "Feminist Perspective on Russia’s War in Ukraine: Hear Our Voices" (Lexington Books, 2024) New Books Network 00:41:56 Feminist Perspective on Russia’s War in Ukraine: Hear Our Voices came out with Lexington Books at the two-year’s mark of Russia’s full-scale invasion of Ukraine, in February 2024. This volume undertakes an exploration of how gender norms have been transgressed and cultural expectations of womanhood and manhood evolved within the context of the war in Ukraine, ongoing since 2014. Edited by Maryna Shevtsova, it gives voice to feminist scholars and practitioners from Ukraine and the wider Central and Eastern European region who share their perspectives on the complex interconnection between gender and warfare.  Table of contents is available here. Maryna Shevtsova is a Senior Postdoctoral Fellow of the Flanders Research Foundation at the Catholic University of Leuven in Belgium. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Feminist Perspective on Russia’s War in Ukraine: Hear Our Voices came out with Lexington Books at the two-year’s mark of Russia’s full-scale invasion of Ukraine, in February 2024. This volume undertakes an exploration of how gender norms have been transgressed and cultural expectations of womanhood and manhood evolved within the context of the war in Ukraine, ongoing since 2014. Edited by Maryna Shevtsova, it gives voice to feminist scholars and practitioners from Ukraine and the wider Central and Eastern European region who share their perspectives on the complex interconnection between gender and warfare.  Table of contents is available here. Maryna Shevtsova is a Senior Postdoctoral Fellow of the Flanders Research Foundation at the Catholic University of Leuven in Belgium. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. false full 240 fddef99e-3573-11ef-b3e7-037c8708e548 Nancy Woloch, "Women and the American Experience: A Concise History" (Routledge, 2024) The third edition of Women and the American Experience: A Concise History (Routledge, 2024) is a comprehensive survey of U.S. women’s history from the seventeenth century to the present that illuminates the diversity of women’s experience and underscores the roles that women have played as agents of change.

Moving women’s lives from the margins of history into the spotlight, the text draws links between women’s experience and traditional facets of history, such as colonization, industrialization, politics, and war. This new edition grapples with emerging themes and debates in the field. A new chapter covers the Civil War and emancipation. Discussions of current issues include the COVID-19 pandemic and its impact on women’s health and work, the #MeToo movement, transgender activism, reproductive rights, and the ERA. Updated suggestions for further reading reinforce evolving trends in women’s history.

Used often to shape college curricula and revised to include recent research, this book is designed to serve students, teachers, and general readers concerned with U.S. history and women’s past.


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]]> Sat, 29 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The third edition of Women and the American Experience: A Concise History (Routledge, 2024) is a comprehensive survey of U.S. women’s history from the seventeenth century to the present that illuminates the diversity of women’s experience and underscores the roles that women have played as agents of change.

Moving women’s lives from the margins of history into the spotlight, the text draws links between women’s experience and traditional facets of history, such as colonization, industrialization, politics, and war. This new edition grapples with emerging themes and debates in the field. A new chapter covers the Civil War and emancipation. Discussions of current issues include the COVID-19 pandemic and its impact on women’s health and work, the #MeToo movement, transgender activism, reproductive rights, and the ERA. Updated suggestions for further reading reinforce evolving trends in women’s history.

Used often to shape college curricula and revised to include recent research, this book is designed to serve students, teachers, and general readers concerned with U.S. history and women’s past.


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]]> Nancy Woloch, "Women and the American Experience: A Concise History" (Routledge, 2024) New Books Network 00:46:26 The third edition of Women and the American Experience: A Concise History (Routledge, 2024) is a comprehensive survey of U.S. women’s history from the seventeenth century to the present that illuminates the diversity of women’s experience and underscores the roles that women have played as agents of change. Moving women’s lives from the margins of history into the spotlight, the text draws links between women’s experience and traditional facets of history, such as colonization, industrialization, politics, and war. This new edition grapples with emerging themes and debates in the field. A new chapter covers the Civil War and emancipation. Discussions of current issues include the COVID-19 pandemic and its impact on women’s health and work, the #MeToo movement, transgender activism, reproductive rights, and the ERA. Updated suggestions for further reading reinforce evolving trends in women’s history. Used often to shape college curricula and revised to include recent research, this book is designed to serve students, teachers, and general readers concerned with U.S. history and women’s past. The third edition of Women and the American Experience: A Concise History (Routledge, 2024) is a comprehensive survey of U.S. women’s history from the seventeenth century to the present that illuminates the diversity of women’s experience and underscores the roles that women have played as agents of change. Moving women’s lives from the margins of history into the spotlight, the text draws links between women’s experience and traditional facets of history, such as colonization, industrialization, politics, and war. This new edition grapples with emerging themes and debates in the field. A new chapter covers the Civil War and emancipation. Discussions of current issues include the COVID-19 pandemic and its impact on women’s health and work, the #MeToo movement, transgender activism, reproductive rights, and the ERA. Updated suggestions for further reading reinforce evolving trends in women’s history. Used often to shape college curricula and revised to include recent research, this book is designed to serve students, teachers, and general readers concerned with U.S. history and women’s past. false full 95 76f146d4-3330-11ef-b600-ff83552d12ff Nicola Clark, "The Waiting Game: The Untold Story of the Women Who Served the Tudor Queens" (Norton, 2024) Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded expertly by women.

The Waiting Game: The Untold Story of the Women Who Served the Tudor Queens (W. W. Norton, 2024) by Dr. Nicola Clark explores the daily lives of ladies-in-waiting, revealing the secrets of recruitment, costume, what they ate, where (and with whom) they slept. We meet María de Salinas, who travelled to England with Catherine of Aragon when just a teenager and spied for her during the divorce from Henry VIII. Anne Boleyn's lady-in-waiting Jane Parker was instrumental in the execution of not one, but two queens. And maid-of-honour Anne Basset kept her place through the last four consorts, negotiating the conflicting loyalties of her birth family, her mistress the Queen, and even the desires of the King himself. As Henry changed wives, and changed the very fabric of the country's structure besides, these women had to make choices about loyalty that simply didn't exist before. The Waiting Game is the first time their vital story has been told.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 28 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded expertly by women.

The Waiting Game: The Untold Story of the Women Who Served the Tudor Queens (W. W. Norton, 2024) by Dr. Nicola Clark explores the daily lives of ladies-in-waiting, revealing the secrets of recruitment, costume, what they ate, where (and with whom) they slept. We meet María de Salinas, who travelled to England with Catherine of Aragon when just a teenager and spied for her during the divorce from Henry VIII. Anne Boleyn's lady-in-waiting Jane Parker was instrumental in the execution of not one, but two queens. And maid-of-honour Anne Basset kept her place through the last four consorts, negotiating the conflicting loyalties of her birth family, her mistress the Queen, and even the desires of the King himself. As Henry changed wives, and changed the very fabric of the country's structure besides, these women had to make choices about loyalty that simply didn't exist before. The Waiting Game is the first time their vital story has been told.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Nicola Clark, "The Waiting Game: The Untold Story of the Women Who Served the Tudor Queens" (Norton, 2024) New Books Network 00:56:12 Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded expertly by women. The Waiting Game: The Untold Story of the Women Who Served the Tudor Queens (W. W. Norton, 2024) by Dr. Nicola Clark explores the daily lives of ladies-in-waiting, revealing the secrets of recruitment, costume, what they ate, where (and with whom) they slept. We meet María de Salinas, who travelled to England with Catherine of Aragon when just a teenager and spied for her during the divorce from Henry VIII. Anne Boleyn's lady-in-waiting Jane Parker was instrumental in the execution of not one, but two queens. And maid-of-honour Anne Basset kept her place through the last four consorts, negotiating the conflicting loyalties of her birth family, her mistress the Queen, and even the desires of the King himself. As Henry changed wives, and changed the very fabric of the country's structure besides, these women had to make choices about loyalty that simply didn't exist before. The Waiting Game is the first time their vital story has been told. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded expertly by women. The Waiting Game: The Untold Story of the Women Who Served the Tudor Queens (W. W. Norton, 2024) by Dr. Nicola Clark explores the daily lives of ladies-in-waiting, revealing the secrets of recruitment, costume, what they ate, where (and with whom) they slept. We meet María de Salinas, who travelled to England with Catherine of Aragon when just a teenager and spied for her during the divorce from Henry VIII. Anne Boleyn's lady-in-waiting Jane Parker was instrumental in the execution of not one, but two queens. And maid-of-honour Anne Basset kept her place through the last four consorts, negotiating the conflicting loyalties of her birth family, her mistress the Queen, and even the desires of the King himself. As Henry changed wives, and changed the very fabric of the country's structure besides, these women had to make choices about loyalty that simply didn't exist before. The Waiting Game is the first time their vital story has been told. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 94 8f8e15f2-2f32-11ef-b93f-9f69a1af691c Ann Powers, "Traveling: On the Path of Joni Mitchell" (Dey Street Books, 2024) For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting.

In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life.

Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan.

Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject.

Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter.


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]]> Mon, 24 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting.

In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life.

Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan.

Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject.

Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter.


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]]> Ann Powers, "Traveling: On the Path of Joni Mitchell" (Dey Street Books, 2024) New Books Network 00:51:17 For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan. Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject. Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan. Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject. Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. false full 243 7c7cbecc-2e6b-11ef-9569-abe32ec68d7e Nina Edwards, "The Virtues of Underwear: Modesty, Flamboyance, and Filth (Reaktion Books, 2024) Stories are woven into the fabric of our most personal garments. From the first loincloths to the intricate layers of shapewear, the concealed world of underwear is capable of expressing individual desire and also aspects of society at large.

An indicator of the vagaries of fashion, underwear can be simple or elaborate. It both safeguards and exposes, reflecting our hopes and experiences. Underwear can embarrass and excite, amuse and shame us. The Virtues of Underwear: Modesty, Flamboyance, and Filth (Reaktion, 2024) by Nina Edwards illuminates the sometimes profound significance of the garments we wear beneath our outer clothing. It discusses the history of both women’s and men’s underwear, and global cultures of dress.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 23 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Stories are woven into the fabric of our most personal garments. From the first loincloths to the intricate layers of shapewear, the concealed world of underwear is capable of expressing individual desire and also aspects of society at large.

An indicator of the vagaries of fashion, underwear can be simple or elaborate. It both safeguards and exposes, reflecting our hopes and experiences. Underwear can embarrass and excite, amuse and shame us. The Virtues of Underwear: Modesty, Flamboyance, and Filth (Reaktion, 2024) by Nina Edwards illuminates the sometimes profound significance of the garments we wear beneath our outer clothing. It discusses the history of both women’s and men’s underwear, and global cultures of dress.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Nina Edwards, "The Virtues of Underwear: Modesty, Flamboyance, and Filth (Reaktion Books, 2024) New Books Network 00:28:40 Stories are woven into the fabric of our most personal garments. From the first loincloths to the intricate layers of shapewear, the concealed world of underwear is capable of expressing individual desire and also aspects of society at large. An indicator of the vagaries of fashion, underwear can be simple or elaborate. It both safeguards and exposes, reflecting our hopes and experiences. Underwear can embarrass and excite, amuse and shame us. The Virtues of Underwear: Modesty, Flamboyance, and Filth (Reaktion, 2024) by Nina Edwards illuminates the sometimes profound significance of the garments we wear beneath our outer clothing. It discusses the history of both women’s and men’s underwear, and global cultures of dress. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Stories are woven into the fabric of our most personal garments. From the first loincloths to the intricate layers of shapewear, the concealed world of underwear is capable of expressing individual desire and also aspects of society at large. An indicator of the vagaries of fashion, underwear can be simple or elaborate. It both safeguards and exposes, reflecting our hopes and experiences. Underwear can embarrass and excite, amuse and shame us. The Virtues of Underwear: Modesty, Flamboyance, and Filth (Reaktion, 2024) by Nina Edwards illuminates the sometimes profound significance of the garments we wear beneath our outer clothing. It discusses the history of both women’s and men’s underwear, and global cultures of dress. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 93 dd622970-2db2-11ef-8e47-4756dc4078bb Keja L. Valens, "Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence" (Rutgers UP, 2024) Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavours of domestic autonomy.

Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence (Rutgers University Press, 2024) by Dr. Keja Valens integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, Culinary Colonialism joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savour the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 22 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavours of domestic autonomy.

Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence (Rutgers University Press, 2024) by Dr. Keja Valens integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, Culinary Colonialism joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savour the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Keja L. Valens, "Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence" (Rutgers UP, 2024) New Books Network 01:02:55 Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavours of domestic autonomy. Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence (Rutgers University Press, 2024) by Dr. Keja Valens integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, Culinary Colonialism joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savour the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavours of domestic autonomy. Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence (Rutgers University Press, 2024) by Dr. Keja Valens integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, Culinary Colonialism joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savour the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 112 b24938a0-2da8-11ef-8a6a-476d97090eb2 Paula Marie Seniors, "Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists" (U Georgia Press, 2024) Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era.

Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions?

Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements.

Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.


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]]> Sat, 22 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era.

Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions?

Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements.

Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.


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]]> Paula Marie Seniors, "Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists" (U Georgia Press, 2024) New Books Network 00:47:16 Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era. Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions? Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era. Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions? Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. false full 464 389ed376-2e51-11ef-80a4-b3c5d7021aa4 Allison Elias, "The Rise of Corporate Feminism: Women in the American Office, 1960-1990" (Columbia UP, 2022) From the 1960s through the 1990s, the most common job for women in the United States was clerical work. Even as college-educated women obtained greater opportunities for career advancement, occupational segregation by gender remained entrenched. How did feminism in corporate America come to represent the individual success of the executive woman and not the collective success of the secretary?

Allison Elias argues that feminist goals of advancing equal opportunity and promoting meritocracy unintentionally undercut the status and prospects of so-called "pink-collar" workers. In the 1960s, ideas about sex equality spurred some clerical workers to organize, demanding "raises and respect," while others pushed for professionalization through credentialing. This cross-class alliance pushed a feminist agenda that included unionizing some clerical workers and advancing others who had college degrees into management. But these efforts diverged in the 1980s, when corporations adopted measures to move qualified women into their upper ranks. By the 1990s, corporate support for professional women resulted in an individualistic feminism that focused on the needs of those at the top. Meanwhile, as many white, college-educated women advanced up the corporate ladder, clerical work became a job for lower-socioeconomic-status women of all races.

The Rise of Corporate Feminism: Women in the American Office, 1960-1990 (Columbia UP, 2022) considers changes in the workplace surrounding affirmative action, human resource management, automation, and unionization by groups such as 9to5. At the intersection of history, gender, and management studies, this book spotlights the secretaries, clerks, receptionists, typists, and bookkeepers whose career trajectories remained remarkably similar despite sweeping social and legal change.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Sat, 22 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From the 1960s through the 1990s, the most common job for women in the United States was clerical work. Even as college-educated women obtained greater opportunities for career advancement, occupational segregation by gender remained entrenched. How did feminism in corporate America come to represent the individual success of the executive woman and not the collective success of the secretary?

Allison Elias argues that feminist goals of advancing equal opportunity and promoting meritocracy unintentionally undercut the status and prospects of so-called "pink-collar" workers. In the 1960s, ideas about sex equality spurred some clerical workers to organize, demanding "raises and respect," while others pushed for professionalization through credentialing. This cross-class alliance pushed a feminist agenda that included unionizing some clerical workers and advancing others who had college degrees into management. But these efforts diverged in the 1980s, when corporations adopted measures to move qualified women into their upper ranks. By the 1990s, corporate support for professional women resulted in an individualistic feminism that focused on the needs of those at the top. Meanwhile, as many white, college-educated women advanced up the corporate ladder, clerical work became a job for lower-socioeconomic-status women of all races.

The Rise of Corporate Feminism: Women in the American Office, 1960-1990 (Columbia UP, 2022) considers changes in the workplace surrounding affirmative action, human resource management, automation, and unionization by groups such as 9to5. At the intersection of history, gender, and management studies, this book spotlights the secretaries, clerks, receptionists, typists, and bookkeepers whose career trajectories remained remarkably similar despite sweeping social and legal change.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Allison Elias, "The Rise of Corporate Feminism: Women in the American Office, 1960-1990" (Columbia UP, 2022) New Books Network 00:45:41 From the 1960s through the 1990s, the most common job for women in the United States was clerical work. Even as college-educated women obtained greater opportunities for career advancement, occupational segregation by gender remained entrenched. How did feminism in corporate America come to represent the individual success of the executive woman and not the collective success of the secretary? Allison Elias argues that feminist goals of advancing equal opportunity and promoting meritocracy unintentionally undercut the status and prospects of so-called "pink-collar" workers. In the 1960s, ideas about sex equality spurred some clerical workers to organize, demanding "raises and respect," while others pushed for professionalization through credentialing. This cross-class alliance pushed a feminist agenda that included unionizing some clerical workers and advancing others who had college degrees into management. But these efforts diverged in the 1980s, when corporations adopted measures to move qualified women into their upper ranks. By the 1990s, corporate support for professional women resulted in an individualistic feminism that focused on the needs of those at the top. Meanwhile, as many white, college-educated women advanced up the corporate ladder, clerical work became a job for lower-socioeconomic-status women of all races. The Rise of Corporate Feminism: Women in the American Office, 1960-1990 (Columbia UP, 2022) considers changes in the workplace surrounding affirmative action, human resource management, automation, and unionization by groups such as 9to5. At the intersection of history, gender, and management studies, this book spotlights the secretaries, clerks, receptionists, typists, and bookkeepers whose career trajectories remained remarkably similar despite sweeping social and legal change. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 From the 1960s through the 1990s, the most common job for women in the United States was clerical work. Even as college-educated women obtained greater opportunities for career advancement, occupational segregation by gender remained entrenched. How did feminism in corporate America come to represent the individual success of the executive woman and not the collective success of the secretary? Allison Elias argues that feminist goals of advancing equal opportunity and promoting meritocracy unintentionally undercut the status and prospects of so-called "pink-collar" workers. In the 1960s, ideas about sex equality spurred some clerical workers to organize, demanding "raises and respect," while others pushed for professionalization through credentialing. This cross-class alliance pushed a feminist agenda that included unionizing some clerical workers and advancing others who had college degrees into management. But these efforts diverged in the 1980s, when corporations adopted measures to move qualified women into their upper ranks. By the 1990s, corporate support for professional women resulted in an individualistic feminism that focused on the needs of those at the top. Meanwhile, as many white, college-educated women advanced up the corporate ladder, clerical work became a job for lower-socioeconomic-status women of all races. The Rise of Corporate Feminism: Women in the American Office, 1960-1990 (Columbia UP, 2022) considers changes in the workplace surrounding affirmative action, human resource management, automation, and unionization by groups such as 9to5. At the intersection of history, gender, and management studies, this book spotlights the secretaries, clerks, receptionists, typists, and bookkeepers whose career trajectories remained remarkably similar despite sweeping social and legal change. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 false full 92 995434e6-2d7e-11ef-9075-a3bbcb2748b2 Jennifer S. Clark, "Producing Feminism: Television Work in the Age of Women's Liberation" (U California Press, 2024) How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here.


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]]> Fri, 21 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here.


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]]> Jennifer S. Clark, "Producing Feminism: Television Work in the Age of Women's Liberation" (U California Press, 2024) New Books Network 00:48:30 How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here. How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here. false full 465 e026c840-2ca5-11ef-9468-cb8ad4df9601 Anahit Behrooz, "BFFs: The Radical Potential of Female Friendship" (404 Ink, 2023) Friendships can be the foundation of our earliest memories and most formative moments. But why are they often seen as secondary to romantic, or familial connection, something to age out of and take a back seat to other relationships? BFFs: The Radical Potential of Female Friendship (404 Ink, 2023) by Dr. Anahit Behrooz is an examination of the power of female friendship, not as something lesser, but as a site of radical intimacy, as told through the cultural touchstones around us.

From coming-of-age tales through physical intimacy and discovering personhood to break ups and parting of ways, Dr. Behrooz considers the vast significance of our friendships through the work of Toni Morrison and Elena Ferrante, Booksmart and Grey’s Anatomy, Insecure, The Virgin Suicides and beyond.

To have a life rich in love is often viewed through a specific lens; BFFs shows us that friendship can offer a more expansive and emancipatory understanding of female intimacy, and can be the most important, loving relationships in our lives.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Thu, 20 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Friendships can be the foundation of our earliest memories and most formative moments. But why are they often seen as secondary to romantic, or familial connection, something to age out of and take a back seat to other relationships? BFFs: The Radical Potential of Female Friendship (404 Ink, 2023) by Dr. Anahit Behrooz is an examination of the power of female friendship, not as something lesser, but as a site of radical intimacy, as told through the cultural touchstones around us.

From coming-of-age tales through physical intimacy and discovering personhood to break ups and parting of ways, Dr. Behrooz considers the vast significance of our friendships through the work of Toni Morrison and Elena Ferrante, Booksmart and Grey’s Anatomy, Insecure, The Virgin Suicides and beyond.

To have a life rich in love is often viewed through a specific lens; BFFs shows us that friendship can offer a more expansive and emancipatory understanding of female intimacy, and can be the most important, loving relationships in our lives.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Anahit Behrooz, "BFFs: The Radical Potential of Female Friendship" (404 Ink, 2023) New Books Network 00:43:09 Friendships can be the foundation of our earliest memories and most formative moments. But why are they often seen as secondary to romantic, or familial connection, something to age out of and take a back seat to other relationships? BFFs: The Radical Potential of Female Friendship (404 Ink, 2023) by Dr. Anahit Behrooz is an examination of the power of female friendship, not as something lesser, but as a site of radical intimacy, as told through the cultural touchstones around us. From coming-of-age tales through physical intimacy and discovering personhood to break ups and parting of ways, Dr. Behrooz considers the vast significance of our friendships through the work of Toni Morrison and Elena Ferrante, Booksmart and Grey’s Anatomy, Insecure, The Virgin Suicides and beyond. To have a life rich in love is often viewed through a specific lens; BFFs shows us that friendship can offer a more expansive and emancipatory understanding of female intimacy, and can be the most important, loving relationships in our lives. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Friendships can be the foundation of our earliest memories and most formative moments. But why are they often seen as secondary to romantic, or familial connection, something to age out of and take a back seat to other relationships? BFFs: The Radical Potential of Female Friendship (404 Ink, 2023) by Dr. Anahit Behrooz is an examination of the power of female friendship, not as something lesser, but as a site of radical intimacy, as told through the cultural touchstones around us. From coming-of-age tales through physical intimacy and discovering personhood to break ups and parting of ways, Dr. Behrooz considers the vast significance of our friendships through the work of Toni Morrison and Elena Ferrante, Booksmart and Grey’s Anatomy, Insecure, The Virgin Suicides and beyond. To have a life rich in love is often viewed through a specific lens; BFFs shows us that friendship can offer a more expansive and emancipatory understanding of female intimacy, and can be the most important, loving relationships in our lives. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 239 18b335de-2a73-11ef-8424-4b5b0263d6ef Johanna Oksala, "Feminism, Capitalism, and Ecology" (Northwestern UP, 2023) Can capitalism be made ecologically sustainable? Can it be good for women? What theoretical approaches help us to grapple with these questions in ways that offer us strategies for how to proceed? Have we already become lost in some sort of gender essentialism to ask these questions together? 

In Feminism, Capitalism, and Ecology (Northwestern University Press, 2023), Johanna Oksala brings the resources of ecofeminism and Marxist feminism to these questions, arguing that capitalism cannot be made sustainable, nor can it do without the expropriation of bodies that produce new laborers and consumers. By attending to the rise of biocapitalism, Oksala further develops analytic resources for diagnosing the fundamental problems of an economic system predicated on profit, consumer choice, and endless growth. She also gives us theoretical tools for discerning strategies that will help us create a world beyond capitalism.


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]]> Thu, 20 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Can capitalism be made ecologically sustainable? Can it be good for women? What theoretical approaches help us to grapple with these questions in ways that offer us strategies for how to proceed? Have we already become lost in some sort of gender essentialism to ask these questions together? 

In Feminism, Capitalism, and Ecology (Northwestern University Press, 2023), Johanna Oksala brings the resources of ecofeminism and Marxist feminism to these questions, arguing that capitalism cannot be made sustainable, nor can it do without the expropriation of bodies that produce new laborers and consumers. By attending to the rise of biocapitalism, Oksala further develops analytic resources for diagnosing the fundamental problems of an economic system predicated on profit, consumer choice, and endless growth. She also gives us theoretical tools for discerning strategies that will help us create a world beyond capitalism.


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]]> Johanna Oksala, "Feminism, Capitalism, and Ecology" (Northwestern UP, 2023) New Books Network 01:18:25 Can capitalism be made ecologically sustainable? Can it be good for women? What theoretical approaches help us to grapple with these questions in ways that offer us strategies for how to proceed? Have we already become lost in some sort of gender essentialism to ask these questions together?  In Feminism, Capitalism, and Ecology (Northwestern University Press, 2023), Johanna Oksala brings the resources of ecofeminism and Marxist feminism to these questions, arguing that capitalism cannot be made sustainable, nor can it do without the expropriation of bodies that produce new laborers and consumers. By attending to the rise of biocapitalism, Oksala further develops analytic resources for diagnosing the fundamental problems of an economic system predicated on profit, consumer choice, and endless growth. She also gives us theoretical tools for discerning strategies that will help us create a world beyond capitalism. Can capitalism be made ecologically sustainable? Can it be good for women? What theoretical approaches help us to grapple with these questions in ways that offer us strategies for how to proceed? Have we already become lost in some sort of gender essentialism to ask these questions together?  In Feminism, Capitalism, and Ecology (Northwestern University Press, 2023), Johanna Oksala brings the resources of ecofeminism and Marxist feminism to these questions, arguing that capitalism cannot be made sustainable, nor can it do without the expropriation of bodies that produce new laborers and consumers. By attending to the rise of biocapitalism, Oksala further develops analytic resources for diagnosing the fundamental problems of an economic system predicated on profit, consumer choice, and endless growth. She also gives us theoretical tools for discerning strategies that will help us create a world beyond capitalism. false full 345 cec17928-299f-11ef-8423-4be3dc277c06 Lisa M. P. Munoz, "Women in Science Now: Stories and Strategies for Achieving Equity" (Columbia UP, 2023) Women working in the sciences face obstacles at virtually every step along their career paths. From subtle slights to blatant biases, deep systemic problems block women from advancing or push them out of science and technology entirely.

Women in Science Now: Stories and Strategies for Achieving Equity (Columbia UP, 2023) examines solutions to this persistent gender gap, offering new perspectives on how to make science more equitable and inclusive for all. This book shares stories and insights of women from a range of backgrounds working in various disciplines, illustrating the journeys that brought them to the sciences, the challenges they faced along the way, and the important contributions they have made to their fields. Lisa M. P. Munoz combines these narratives with a wealth of data to illuminate the size and scope of the challenges women scientists face, while highlighting research-based solutions to help overcome these obstacles. She presents groundbreaking studies in social psychology and organizational behavior that are informing novel approaches for combating historic and ongoing inequities.

Through a combined focus on personal experiences and social-science research, this timely book provides both a path toward greater gender equity and an inspiring vision of science and scientists.


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]]> Sun, 16 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women working in the sciences face obstacles at virtually every step along their career paths. From subtle slights to blatant biases, deep systemic problems block women from advancing or push them out of science and technology entirely.

Women in Science Now: Stories and Strategies for Achieving Equity (Columbia UP, 2023) examines solutions to this persistent gender gap, offering new perspectives on how to make science more equitable and inclusive for all. This book shares stories and insights of women from a range of backgrounds working in various disciplines, illustrating the journeys that brought them to the sciences, the challenges they faced along the way, and the important contributions they have made to their fields. Lisa M. P. Munoz combines these narratives with a wealth of data to illuminate the size and scope of the challenges women scientists face, while highlighting research-based solutions to help overcome these obstacles. She presents groundbreaking studies in social psychology and organizational behavior that are informing novel approaches for combating historic and ongoing inequities.

Through a combined focus on personal experiences and social-science research, this timely book provides both a path toward greater gender equity and an inspiring vision of science and scientists.


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]]> Lisa M. P. Munoz, "Women in Science Now: Stories and Strategies for Achieving Equity" (Columbia UP, 2023) New Books Network 00:32:59 Women working in the sciences face obstacles at virtually every step along their career paths. From subtle slights to blatant biases, deep systemic problems block women from advancing or push them out of science and technology entirely. Women in Science Now: Stories and Strategies for Achieving Equity (Columbia UP, 2023) examines solutions to this persistent gender gap, offering new perspectives on how to make science more equitable and inclusive for all. This book shares stories and insights of women from a range of backgrounds working in various disciplines, illustrating the journeys that brought them to the sciences, the challenges they faced along the way, and the important contributions they have made to their fields. Lisa M. P. Munoz combines these narratives with a wealth of data to illuminate the size and scope of the challenges women scientists face, while highlighting research-based solutions to help overcome these obstacles. She presents groundbreaking studies in social psychology and organizational behavior that are informing novel approaches for combating historic and ongoing inequities. Through a combined focus on personal experiences and social-science research, this timely book provides both a path toward greater gender equity and an inspiring vision of science and scientists. Women working in the sciences face obstacles at virtually every step along their career paths. From subtle slights to blatant biases, deep systemic problems block women from advancing or push them out of science and technology entirely. Women in Science Now: Stories and Strategies for Achieving Equity (Columbia UP, 2023) examines solutions to this persistent gender gap, offering new perspectives on how to make science more equitable and inclusive for all. This book shares stories and insights of women from a range of backgrounds working in various disciplines, illustrating the journeys that brought them to the sciences, the challenges they faced along the way, and the important contributions they have made to their fields. Lisa M. P. Munoz combines these narratives with a wealth of data to illuminate the size and scope of the challenges women scientists face, while highlighting research-based solutions to help overcome these obstacles. She presents groundbreaking studies in social psychology and organizational behavior that are informing novel approaches for combating historic and ongoing inequities. Through a combined focus on personal experiences and social-science research, this timely book provides both a path toward greater gender equity and an inspiring vision of science and scientists. false full 238 28a14e68-28fc-11ef-819f-db64ce2bfb0b Jessica Calarco, "Holding It Together: How Women Became America's Safety Net" (Portfolio, 2024) How do unequal societies function? In Holding It Together: How Women Became America's Safety Net (Portfolio, 2024), Jesscia Calarco, an Associate Professor of Sociology at the University of Wisconsin-Madison, examines how America’s DIY society depends on the labour of mothers and excludes the sorts of social supports present in other countries. This dependence has hugely negative social and individual consequences, as demonstrated by the rich qualitiative and quantitative data examined in the book. Alongside the analysis of the problems and consequences of women’s role in the US, the book also thinks through solutions, demonstrating how much political discourse is far from the collective action that is likely to be effective for social change. An outstanding contribution to social science and contemporary politics, the book is essential reading for anyone interested in contemporary social inequalities.


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]]> Sat, 15 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How do unequal societies function? In Holding It Together: How Women Became America's Safety Net (Portfolio, 2024), Jesscia Calarco, an Associate Professor of Sociology at the University of Wisconsin-Madison, examines how America’s DIY society depends on the labour of mothers and excludes the sorts of social supports present in other countries. This dependence has hugely negative social and individual consequences, as demonstrated by the rich qualitiative and quantitative data examined in the book. Alongside the analysis of the problems and consequences of women’s role in the US, the book also thinks through solutions, demonstrating how much political discourse is far from the collective action that is likely to be effective for social change. An outstanding contribution to social science and contemporary politics, the book is essential reading for anyone interested in contemporary social inequalities.


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]]> Jessica Calarco, "Holding It Together: How Women Became America's Safety Net" (Portfolio, 2024) New Books Network 00:45:39 How do unequal societies function? In Holding It Together: How Women Became America's Safety Net (Portfolio, 2024), Jesscia Calarco, an Associate Professor of Sociology at the University of Wisconsin-Madison, examines how America’s DIY society depends on the labour of mothers and excludes the sorts of social supports present in other countries. This dependence has hugely negative social and individual consequences, as demonstrated by the rich qualitiative and quantitative data examined in the book. Alongside the analysis of the problems and consequences of women’s role in the US, the book also thinks through solutions, demonstrating how much political discourse is far from the collective action that is likely to be effective for social change. An outstanding contribution to social science and contemporary politics, the book is essential reading for anyone interested in contemporary social inequalities. How do unequal societies function? In Holding It Together: How Women Became America's Safety Net (Portfolio, 2024), Jesscia Calarco, an Associate Professor of Sociology at the University of Wisconsin-Madison, examines how America’s DIY society depends on the labour of mothers and excludes the sorts of social supports present in other countries. This dependence has hugely negative social and individual consequences, as demonstrated by the rich qualitiative and quantitative data examined in the book. Alongside the analysis of the problems and consequences of women’s role in the US, the book also thinks through solutions, demonstrating how much political discourse is far from the collective action that is likely to be effective for social change. An outstanding contribution to social science and contemporary politics, the book is essential reading for anyone interested in contemporary social inequalities. false full 464 c0aeb308-282f-11ef-88d4-4f1ae5cd7af9 Jared Stearns, "Pure: The Sexual Revolutions of Marilyn Chambers" (Headpress, 2024) In Pure: The Sexual Revolutions of Marilyn Chambers (Headpress, 2024), Jared Stearns tells the untold story of the world's most famous X-rated star, who rose to fame as the face of Ivory Snow and the star of Behind the Green Door but struggled to find her true self in a world of sex, scandal, and shattered dreams. Marilyn Chambers was the embodiment of the free-spirited Seventies, the world's most famous X-rated star, and an unappreciated talent whose work in adult films hindered her dreams of becoming a serious actress. Raised in an affluent Connecticut suburb, Marilyn catapulted to fame when it was learned that not only had she starred in the groundbreaking X-rated film, Behind the Green Door but was also the model on the box of Ivory Snow laundry detergent (product tagline: "99 44/100% Pure.") Marilyn was the first woman known primarily for her work in adult films to cross over to mainstream entertainment. She sustained a versatile three-decade career in entertainment, including roles in dramatic plays, a Broadway musical revue, her own television show, and the lead role in David Cronenberg's film Rabid. 

But her success in adult films also proved to be her undoing. Marred by a violent relationship with her abusive husband-manager, Chuck Traynor, she developed the persona of a twenty-four-hour-a-day sex star. In the process, she lost her sense of self and spent much of her life searching for her true identity. With recollections from family and friends, many of whom have never spoken publicly, along with Marilyn's own words, and never-before-published photos, Jared Stearns vividly captures the revolutionary career of one of the twentieth century's most misunderstood icons.


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]]> Fri, 14 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Pure: The Sexual Revolutions of Marilyn Chambers (Headpress, 2024), Jared Stearns tells the untold story of the world's most famous X-rated star, who rose to fame as the face of Ivory Snow and the star of Behind the Green Door but struggled to find her true self in a world of sex, scandal, and shattered dreams. Marilyn Chambers was the embodiment of the free-spirited Seventies, the world's most famous X-rated star, and an unappreciated talent whose work in adult films hindered her dreams of becoming a serious actress. Raised in an affluent Connecticut suburb, Marilyn catapulted to fame when it was learned that not only had she starred in the groundbreaking X-rated film, Behind the Green Door but was also the model on the box of Ivory Snow laundry detergent (product tagline: "99 44/100% Pure.") Marilyn was the first woman known primarily for her work in adult films to cross over to mainstream entertainment. She sustained a versatile three-decade career in entertainment, including roles in dramatic plays, a Broadway musical revue, her own television show, and the lead role in David Cronenberg's film Rabid. 

But her success in adult films also proved to be her undoing. Marred by a violent relationship with her abusive husband-manager, Chuck Traynor, she developed the persona of a twenty-four-hour-a-day sex star. In the process, she lost her sense of self and spent much of her life searching for her true identity. With recollections from family and friends, many of whom have never spoken publicly, along with Marilyn's own words, and never-before-published photos, Jared Stearns vividly captures the revolutionary career of one of the twentieth century's most misunderstood icons.


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]]> Jared Stearns, "Pure: The Sexual Revolutions of Marilyn Chambers" (Headpress, 2024) New Books Network 01:02:44 In Pure: The Sexual Revolutions of Marilyn Chambers (Headpress, 2024), Jared Stearns tells the untold story of the world's most famous X-rated star, who rose to fame as the face of Ivory Snow and the star of Behind the Green Door but struggled to find her true self in a world of sex, scandal, and shattered dreams. Marilyn Chambers was the embodiment of the free-spirited Seventies, the world's most famous X-rated star, and an unappreciated talent whose work in adult films hindered her dreams of becoming a serious actress. Raised in an affluent Connecticut suburb, Marilyn catapulted to fame when it was learned that not only had she starred in the groundbreaking X-rated film, Behind the Green Door but was also the model on the box of Ivory Snow laundry detergent (product tagline: "99 44/100% Pure.") Marilyn was the first woman known primarily for her work in adult films to cross over to mainstream entertainment. She sustained a versatile three-decade career in entertainment, including roles in dramatic plays, a Broadway musical revue, her own television show, and the lead role in David Cronenberg's film Rabid.  But her success in adult films also proved to be her undoing. Marred by a violent relationship with her abusive husband-manager, Chuck Traynor, she developed the persona of a twenty-four-hour-a-day sex star. In the process, she lost her sense of self and spent much of her life searching for her true identity. With recollections from family and friends, many of whom have never spoken publicly, along with Marilyn's own words, and never-before-published photos, Jared Stearns vividly captures the revolutionary career of one of the twentieth century's most misunderstood icons. In Pure: The Sexual Revolutions of Marilyn Chambers (Headpress, 2024), Jared Stearns tells the untold story of the world's most famous X-rated star, who rose to fame as the face of Ivory Snow and the star of Behind the Green Door but struggled to find her true self in a world of sex, scandal, and shattered dreams. Marilyn Chambers was the embodiment of the free-spirited Seventies, the world's most famous X-rated star, and an unappreciated talent whose work in adult films hindered her dreams of becoming a serious actress. Raised in an affluent Connecticut suburb, Marilyn catapulted to fame when it was learned that not only had she starred in the groundbreaking X-rated film, Behind the Green Door but was also the model on the box of Ivory Snow laundry detergent (product tagline: "99 44/100% Pure.") Marilyn was the first woman known primarily for her work in adult films to cross over to mainstream entertainment. She sustained a versatile three-decade career in entertainment, including roles in dramatic plays, a Broadway musical revue, her own television show, and the lead role in David Cronenberg's film Rabid.  But her success in adult films also proved to be her undoing. Marred by a violent relationship with her abusive husband-manager, Chuck Traynor, she developed the persona of a twenty-four-hour-a-day sex star. In the process, she lost her sense of self and spent much of her life searching for her true identity. With recollections from family and friends, many of whom have never spoken publicly, along with Marilyn's own words, and never-before-published photos, Jared Stearns vividly captures the revolutionary career of one of the twentieth century's most misunderstood icons. false full 189 2cefdaa0-25ca-11ef-911b-5f2852fe24db Gale L. Kenny, "Christian Imperial Feminism: White Protestant Women and the Consecration of Empire" (NYU Press, 2024) Amidst the global instability of the early twentieth century, white Christian American women embraced the idea of an “empire of Christ” that was racially diverse, but which they believed they were uniquely qualified to manage. America’s burgeoning power, combined with women’s rising roles within the church, led to white Protestant women adopting a feminism rooted in religion and imperialism.

In Christian Imperial Feminism: White Protestant Women and the Consecration of Empire (NYU Press, 2024), Dr. Gale L. Kenny examines this Christian imperial feminism from the women’s missionary movement to create a Christian world order. She shows that this Christian imperial feminism marked a break from an earlier Protestant worldview that focused on moral and racial purity and in which interactions among races were inconceivable. This new approach actually prioritised issues like civil rights and racial integration, as well as the uplift of women, though the racially diverse world Christianity it aspired to was still to be rigidly hierarchically ordered, with white women retaining a privileged place as guardians.

In exposing these dynamics, this book departs from recent scholarship on white evangelical nationalism to focus on the racial politics of white religious liberalism. Christian Imperial Feminism adds a necessary layer to our understanding of religion, gender, and empire.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Thu, 13 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Amidst the global instability of the early twentieth century, white Christian American women embraced the idea of an “empire of Christ” that was racially diverse, but which they believed they were uniquely qualified to manage. America’s burgeoning power, combined with women’s rising roles within the church, led to white Protestant women adopting a feminism rooted in religion and imperialism.

In Christian Imperial Feminism: White Protestant Women and the Consecration of Empire (NYU Press, 2024), Dr. Gale L. Kenny examines this Christian imperial feminism from the women’s missionary movement to create a Christian world order. She shows that this Christian imperial feminism marked a break from an earlier Protestant worldview that focused on moral and racial purity and in which interactions among races were inconceivable. This new approach actually prioritised issues like civil rights and racial integration, as well as the uplift of women, though the racially diverse world Christianity it aspired to was still to be rigidly hierarchically ordered, with white women retaining a privileged place as guardians.

In exposing these dynamics, this book departs from recent scholarship on white evangelical nationalism to focus on the racial politics of white religious liberalism. Christian Imperial Feminism adds a necessary layer to our understanding of religion, gender, and empire.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Gale L. Kenny, "Christian Imperial Feminism: White Protestant Women and the Consecration of Empire" (NYU Press, 2024) New Books Network 01:01:13 Amidst the global instability of the early twentieth century, white Christian American women embraced the idea of an “empire of Christ” that was racially diverse, but which they believed they were uniquely qualified to manage. America’s burgeoning power, combined with women’s rising roles within the church, led to white Protestant women adopting a feminism rooted in religion and imperialism. In Christian Imperial Feminism: White Protestant Women and the Consecration of Empire (NYU Press, 2024), Dr. Gale L. Kenny examines this Christian imperial feminism from the women’s missionary movement to create a Christian world order. She shows that this Christian imperial feminism marked a break from an earlier Protestant worldview that focused on moral and racial purity and in which interactions among races were inconceivable. This new approach actually prioritised issues like civil rights and racial integration, as well as the uplift of women, though the racially diverse world Christianity it aspired to was still to be rigidly hierarchically ordered, with white women retaining a privileged place as guardians. In exposing these dynamics, this book departs from recent scholarship on white evangelical nationalism to focus on the racial politics of white religious liberalism. Christian Imperial Feminism adds a necessary layer to our understanding of religion, gender, and empire. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Amidst the global instability of the early twentieth century, white Christian American women embraced the idea of an “empire of Christ” that was racially diverse, but which they believed they were uniquely qualified to manage. America’s burgeoning power, combined with women’s rising roles within the church, led to white Protestant women adopting a feminism rooted in religion and imperialism. In Christian Imperial Feminism: White Protestant Women and the Consecration of Empire (NYU Press, 2024), Dr. Gale L. Kenny examines this Christian imperial feminism from the women’s missionary movement to create a Christian world order. She shows that this Christian imperial feminism marked a break from an earlier Protestant worldview that focused on moral and racial purity and in which interactions among races were inconceivable. This new approach actually prioritised issues like civil rights and racial integration, as well as the uplift of women, though the racially diverse world Christianity it aspired to was still to be rigidly hierarchically ordered, with white women retaining a privileged place as guardians. In exposing these dynamics, this book departs from recent scholarship on white evangelical nationalism to focus on the racial politics of white religious liberalism. Christian Imperial Feminism adds a necessary layer to our understanding of religion, gender, and empire. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 267 28cce3fa-25c5-11ef-ad67-bbcd32094f15 Chloe Wigston Smith, "Novels, Needleworks, and Empire: Material Entanglements in the Eighteenth-Century Atlantic World" (Yale UP, 2024) In the eighteenth century, women’s contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artefacts they created with muslin, silk threads, feathers, and shells. Handiwork, such as sewing, knitting, embroidery, and other crafts, formed a familiar presence in the lives and learning of girls and women across social classes, and it was deeply connected to colonialism.

In Novels, Needleworks, and Empire: Material Entanglements in the Eighteenth-Century Atlantic World (Yale University Press, 2024) Dr. Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America—in the objects they made, the books they held, the stories they read—and in doing so adjusted and altered the form and content of print and material culture. A range of artefacts made by women, including makers of colour, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm’s reach. Together, fiction and handicrafts offer new evidence of women’s material contributions to the home’s place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Wed, 12 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the eighteenth century, women’s contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artefacts they created with muslin, silk threads, feathers, and shells. Handiwork, such as sewing, knitting, embroidery, and other crafts, formed a familiar presence in the lives and learning of girls and women across social classes, and it was deeply connected to colonialism.

In Novels, Needleworks, and Empire: Material Entanglements in the Eighteenth-Century Atlantic World (Yale University Press, 2024) Dr. Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America—in the objects they made, the books they held, the stories they read—and in doing so adjusted and altered the form and content of print and material culture. A range of artefacts made by women, including makers of colour, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm’s reach. Together, fiction and handicrafts offer new evidence of women’s material contributions to the home’s place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Chloe Wigston Smith, "Novels, Needleworks, and Empire: Material Entanglements in the Eighteenth-Century Atlantic World" (Yale UP, 2024) New Books Network 00:47:37 In the eighteenth century, women’s contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artefacts they created with muslin, silk threads, feathers, and shells. Handiwork, such as sewing, knitting, embroidery, and other crafts, formed a familiar presence in the lives and learning of girls and women across social classes, and it was deeply connected to colonialism. In Novels, Needleworks, and Empire: Material Entanglements in the Eighteenth-Century Atlantic World (Yale University Press, 2024) Dr. Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America—in the objects they made, the books they held, the stories they read—and in doing so adjusted and altered the form and content of print and material culture. A range of artefacts made by women, including makers of colour, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm’s reach. Together, fiction and handicrafts offer new evidence of women’s material contributions to the home’s place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. In the eighteenth century, women’s contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artefacts they created with muslin, silk threads, feathers, and shells. Handiwork, such as sewing, knitting, embroidery, and other crafts, formed a familiar presence in the lives and learning of girls and women across social classes, and it was deeply connected to colonialism. In Novels, Needleworks, and Empire: Material Entanglements in the Eighteenth-Century Atlantic World (Yale University Press, 2024) Dr. Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America—in the objects they made, the books they held, the stories they read—and in doing so adjusted and altered the form and content of print and material culture. A range of artefacts made by women, including makers of colour, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm’s reach. Together, fiction and handicrafts offer new evidence of women’s material contributions to the home’s place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 91 d6100fa0-25c1-11ef-847e-3b0198d84664 Bronagh Ann McShane, "Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration" (Boydell & Brewer, 2022) Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration (Boydell & Brewer, 2022) by Dr. Bronagh Ann McShane investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways.

Dr. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad.

Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.

 This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Tue, 11 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration (Boydell & Brewer, 2022) by Dr. Bronagh Ann McShane investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways.

Dr. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad.

Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.

 This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Bronagh Ann McShane, "Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration" (Boydell & Brewer, 2022) New Books Network 00:36:27 Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration (Boydell & Brewer, 2022) by Dr. Bronagh Ann McShane investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways. Dr. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad. Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.  This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration (Boydell & Brewer, 2022) by Dr. Bronagh Ann McShane investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways. Dr. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad. Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.  This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 64 6d9fc1f6-2506-11ef-b3fa-33355b8aea97 Elisa Camiscioli, "Selling French Sex: Prostitution, Trafficking, and Global Migrations" (Cambridge UP, 2024) Selling French Sex: Prostitution, Trafficking, and Global Migrations (Cambridge UP, 2024) is an illuminating account of the cultural, social, and economic history of the sale of 'French sex'. It explores the discourses and experiences surrounding the early twentieth century debate on sex trafficking, which mobilized various international reform movements to combat the coerced prostitution of young women abroad. According to popular legend and empirical studies, French women were present in brothels all over the world, where they were the most desired and best paid in the business. But were they trafficking victims or willing migrants? In this timely book, Elisa Camiscioli reconstructs the networks and mechanisms of cross-border migrations for sexual labor; elucidates women's motives for leaving and staying; and explains why French migrant sexual labor occupied such a prominent place in the underworld of prostitution, as well as in the imaginaries of anti-trafficking campaigners, immigration officials, and ordinary consumers of vice.

Elisa Camiscioli is a professor of history at Binghamton University. She specializes in immigration to and from France, sex trafficking, and race and sexual politics in modern France and its empire. She completed a B.A., cum laude, at University of Pennsylvania and earned a M.A. and Ph.D. from the University of Chicago. In addition to a number of peer-reviewed articles, she is the author of Reproducing the French Race: Immigration, Intimacy, and Embodiment in the Early Twentieth Century (Duke University Press. 2009). Dr. Camiscioli was co-editor of the Journal of Women's History from 2015 to 2020.


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]]> Sun, 9 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Selling French Sex: Prostitution, Trafficking, and Global Migrations (Cambridge UP, 2024) is an illuminating account of the cultural, social, and economic history of the sale of 'French sex'. It explores the discourses and experiences surrounding the early twentieth century debate on sex trafficking, which mobilized various international reform movements to combat the coerced prostitution of young women abroad. According to popular legend and empirical studies, French women were present in brothels all over the world, where they were the most desired and best paid in the business. But were they trafficking victims or willing migrants? In this timely book, Elisa Camiscioli reconstructs the networks and mechanisms of cross-border migrations for sexual labor; elucidates women's motives for leaving and staying; and explains why French migrant sexual labor occupied such a prominent place in the underworld of prostitution, as well as in the imaginaries of anti-trafficking campaigners, immigration officials, and ordinary consumers of vice.

Elisa Camiscioli is a professor of history at Binghamton University. She specializes in immigration to and from France, sex trafficking, and race and sexual politics in modern France and its empire. She completed a B.A., cum laude, at University of Pennsylvania and earned a M.A. and Ph.D. from the University of Chicago. In addition to a number of peer-reviewed articles, she is the author of Reproducing the French Race: Immigration, Intimacy, and Embodiment in the Early Twentieth Century (Duke University Press. 2009). Dr. Camiscioli was co-editor of the Journal of Women's History from 2015 to 2020.


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]]> Elisa Camiscioli, "Selling French Sex: Prostitution, Trafficking, and Global Migrations" (Cambridge UP, 2024) New Books Network 01:04:39 Selling French Sex: Prostitution, Trafficking, and Global Migrations (Cambridge UP, 2024) is an illuminating account of the cultural, social, and economic history of the sale of 'French sex'. It explores the discourses and experiences surrounding the early twentieth century debate on sex trafficking, which mobilized various international reform movements to combat the coerced prostitution of young women abroad. According to popular legend and empirical studies, French women were present in brothels all over the world, where they were the most desired and best paid in the business. But were they trafficking victims or willing migrants? In this timely book, Elisa Camiscioli reconstructs the networks and mechanisms of cross-border migrations for sexual labor; elucidates women's motives for leaving and staying; and explains why French migrant sexual labor occupied such a prominent place in the underworld of prostitution, as well as in the imaginaries of anti-trafficking campaigners, immigration officials, and ordinary consumers of vice. Elisa Camiscioli is a professor of history at Binghamton University. She specializes in immigration to and from France, sex trafficking, and race and sexual politics in modern France and its empire. She completed a B.A., cum laude, at University of Pennsylvania and earned a M.A. and Ph.D. from the University of Chicago. In addition to a number of peer-reviewed articles, she is the author of Reproducing the French Race: Immigration, Intimacy, and Embodiment in the Early Twentieth Century (Duke University Press. 2009). Dr. Camiscioli was co-editor of the Journal of Women's History from 2015 to 2020. Selling French Sex: Prostitution, Trafficking, and Global Migrations (Cambridge UP, 2024) is an illuminating account of the cultural, social, and economic history of the sale of 'French sex'. It explores the discourses and experiences surrounding the early twentieth century debate on sex trafficking, which mobilized various international reform movements to combat the coerced prostitution of young women abroad. According to popular legend and empirical studies, French women were present in brothels all over the world, where they were the most desired and best paid in the business. But were they trafficking victims or willing migrants? In this timely book, Elisa Camiscioli reconstructs the networks and mechanisms of cross-border migrations for sexual labor; elucidates women's motives for leaving and staying; and explains why French migrant sexual labor occupied such a prominent place in the underworld of prostitution, as well as in the imaginaries of anti-trafficking campaigners, immigration officials, and ordinary consumers of vice. Elisa Camiscioli is a professor of history at Binghamton University. She specializes in immigration to and from France, sex trafficking, and race and sexual politics in modern France and its empire. She completed a B.A., cum laude, at University of Pennsylvania and earned a M.A. and Ph.D. from the University of Chicago. In addition to a number of peer-reviewed articles, she is the author of Reproducing the French Race: Immigration, Intimacy, and Embodiment in the Early Twentieth Century (Duke University Press. 2009). Dr. Camiscioli was co-editor of the Journal of Women's History from 2015 to 2020. false full 1447 7fe43bf8-250b-11ef-a75f-73e8c7dc5538 Michele Goodwin, "Policing the Womb: Invisible Women and the Criminalization of Motherhood" (Cambridge UP, 2020) Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities.

Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.


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]]> Sat, 8 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities.

Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.


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]]> Michele Goodwin, "Policing the Womb: Invisible Women and the Criminalization of Motherhood" (Cambridge UP, 2020) New Books Network 01:00:25 Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities. Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics. Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities. Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics. false full 98 7df72330-2111-11ef-ac8d-672ab14d830d Emma Heaney, "Feminism Against Cisness" (Duke UP, 2024) The contributors to Feminism Against Cisness (Duke UP, 2024) showcase the future of feminist historical, theoretical, and political thought freed from the conceptual strictures of cisness: the fallacy that assigned sex determines sexed experience. The essays demonstrate that this fallacy hinges on the enforcement of white and bourgeois standards of gender comportment that naturalize brutalizing race and class hierarchies. It is, therefore, no accident that the social processes making cisness compulsory are also implicated in anti-Blackness, misogyny, Indigenous erasure, xenophobia, and bourgeois antipathy for working-class life. Working from trans historical archives and materialist trans feminist theories, this volume demonstrates the violent work that cis ideology has done and thinks toward a future for feminism beyond this ideology's counterrevolutionary pull.

Contributors. Cameron Awkward-Rich, Marquis Bey, Kay Gabriel, Jules Gill-Peterson, Emma Heaney, Margaux L. Kristjansson, Greta LaFleur, Grace Lavery, Durba Mitra, Beans Velocci, Joanna Wuest.


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]]> Tue, 4 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The contributors to Feminism Against Cisness (Duke UP, 2024) showcase the future of feminist historical, theoretical, and political thought freed from the conceptual strictures of cisness: the fallacy that assigned sex determines sexed experience. The essays demonstrate that this fallacy hinges on the enforcement of white and bourgeois standards of gender comportment that naturalize brutalizing race and class hierarchies. It is, therefore, no accident that the social processes making cisness compulsory are also implicated in anti-Blackness, misogyny, Indigenous erasure, xenophobia, and bourgeois antipathy for working-class life. Working from trans historical archives and materialist trans feminist theories, this volume demonstrates the violent work that cis ideology has done and thinks toward a future for feminism beyond this ideology's counterrevolutionary pull.

Contributors. Cameron Awkward-Rich, Marquis Bey, Kay Gabriel, Jules Gill-Peterson, Emma Heaney, Margaux L. Kristjansson, Greta LaFleur, Grace Lavery, Durba Mitra, Beans Velocci, Joanna Wuest.


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]]> Emma Heaney, "Feminism Against Cisness" (Duke UP, 2024) New Books Network 00:44:57 The contributors to Feminism Against Cisness (Duke UP, 2024) showcase the future of feminist historical, theoretical, and political thought freed from the conceptual strictures of cisness: the fallacy that assigned sex determines sexed experience. The essays demonstrate that this fallacy hinges on the enforcement of white and bourgeois standards of gender comportment that naturalize brutalizing race and class hierarchies. It is, therefore, no accident that the social processes making cisness compulsory are also implicated in anti-Blackness, misogyny, Indigenous erasure, xenophobia, and bourgeois antipathy for working-class life. Working from trans historical archives and materialist trans feminist theories, this volume demonstrates the violent work that cis ideology has done and thinks toward a future for feminism beyond this ideology's counterrevolutionary pull. Contributors. Cameron Awkward-Rich, Marquis Bey, Kay Gabriel, Jules Gill-Peterson, Emma Heaney, Margaux L. Kristjansson, Greta LaFleur, Grace Lavery, Durba Mitra, Beans Velocci, Joanna Wuest. The contributors to Feminism Against Cisness (Duke UP, 2024) showcase the future of feminist historical, theoretical, and political thought freed from the conceptual strictures of cisness: the fallacy that assigned sex determines sexed experience. The essays demonstrate that this fallacy hinges on the enforcement of white and bourgeois standards of gender comportment that naturalize brutalizing race and class hierarchies. It is, therefore, no accident that the social processes making cisness compulsory are also implicated in anti-Blackness, misogyny, Indigenous erasure, xenophobia, and bourgeois antipathy for working-class life. Working from trans historical archives and materialist trans feminist theories, this volume demonstrates the violent work that cis ideology has done and thinks toward a future for feminism beyond this ideology's counterrevolutionary pull. Contributors. Cameron Awkward-Rich, Marquis Bey, Kay Gabriel, Jules Gill-Peterson, Emma Heaney, Margaux L. Kristjansson, Greta LaFleur, Grace Lavery, Durba Mitra, Beans Velocci, Joanna Wuest. false full 63 2e4365b0-1f81-11ef-a938-cf2d3c8aadeb Aya Gruber, "The Feminist War on Crime: The Unexpected Role of Women’s Liberation in Mass Incarceration" (U California Press, 2020) Aya Gruber, a professor of law at the University of Colorado Law School, has written a history of how the women’s movement in America has shaped the law on domestic violence and sexual assault.

In The Feminist War on Crime: The Unexpected Role of Women’s Liberation in Mass Incarceration (University of California Press, 2020), Professor Gruber contends that the legal reform movement on sexual assault began with feminists in the 19th century, who argued in favor of temperance reform, partly in the hope that it would lead to less violence against women. She also argues that the social context in which sexual assault allegations were made in the 19th century, especially regarding African-American males and white women, influenced the outcomes in legal cases and divided the feminists of the 19th century. Professor Gruber also addresses the fissures created in the women’s movement from the 1960s through today regarding how sexual assault should be treated under the law has worked against justice for both victims and their assailants. Professor Gruber argues that sexual assault law is premised upon erroneous beliefs about how men and women interact, the norms of nonverbal conduct, and the efficacy of punitive solutions. In addition to covering the history of sexual assault law she addresses how the criminal law might be reformed to meet the “convergent interests” of men and women.

Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.


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]]> Sun, 2 Jun 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Aya Gruber, a professor of law at the University of Colorado Law School, has written a history of how the women’s movement in America has shaped the law on domestic violence and sexual assault.

In The Feminist War on Crime: The Unexpected Role of Women’s Liberation in Mass Incarceration (University of California Press, 2020), Professor Gruber contends that the legal reform movement on sexual assault began with feminists in the 19th century, who argued in favor of temperance reform, partly in the hope that it would lead to less violence against women. She also argues that the social context in which sexual assault allegations were made in the 19th century, especially regarding African-American males and white women, influenced the outcomes in legal cases and divided the feminists of the 19th century. Professor Gruber also addresses the fissures created in the women’s movement from the 1960s through today regarding how sexual assault should be treated under the law has worked against justice for both victims and their assailants. Professor Gruber argues that sexual assault law is premised upon erroneous beliefs about how men and women interact, the norms of nonverbal conduct, and the efficacy of punitive solutions. In addition to covering the history of sexual assault law she addresses how the criminal law might be reformed to meet the “convergent interests” of men and women.

Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.


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]]> Aya Gruber, "The Feminist War on Crime: The Unexpected Role of Women’s Liberation in Mass Incarceration" (U California Press, 2020) New Books Network 01:03:45 Aya Gruber, a professor of law at the University of Colorado Law School, has written a history of how the women’s movement in America has shaped the law on domestic violence and sexual assault. In The Feminist War on Crime: The Unexpected Role of Women’s Liberation in Mass Incarceration (University of California Press, 2020), Professor Gruber contends that the legal reform movement on sexual assault began with feminists in the 19th century, who argued in favor of temperance reform, partly in the hope that it would lead to less violence against women. She also argues that the social context in which sexual assault allegations were made in the 19th century, especially regarding African-American males and white women, influenced the outcomes in legal cases and divided the feminists of the 19th century. Professor Gruber also addresses the fissures created in the women’s movement from the 1960s through today regarding how sexual assault should be treated under the law has worked against justice for both victims and their assailants. Professor Gruber argues that sexual assault law is premised upon erroneous beliefs about how men and women interact, the norms of nonverbal conduct, and the efficacy of punitive solutions. In addition to covering the history of sexual assault law she addresses how the criminal law might be reformed to meet the “convergent interests” of men and women. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Aya Gruber, a professor of law at the University of Colorado Law School, has written a history of how the women’s movement in America has shaped the law on domestic violence and sexual assault. In The Feminist War on Crime: The Unexpected Role of Women’s Liberation in Mass Incarceration (University of California Press, 2020), Professor Gruber contends that the legal reform movement on sexual assault began with feminists in the 19th century, who argued in favor of temperance reform, partly in the hope that it would lead to less violence against women. She also argues that the social context in which sexual assault allegations were made in the 19th century, especially regarding African-American males and white women, influenced the outcomes in legal cases and divided the feminists of the 19th century. Professor Gruber also addresses the fissures created in the women’s movement from the 1960s through today regarding how sexual assault should be treated under the law has worked against justice for both victims and their assailants. Professor Gruber argues that sexual assault law is premised upon erroneous beliefs about how men and women interact, the norms of nonverbal conduct, and the efficacy of punitive solutions. In addition to covering the history of sexual assault law she addresses how the criminal law might be reformed to meet the “convergent interests” of men and women. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. false full 93 9e4f2fac-1d14-11ef-99fe-238939348a6b Rebecca Copeland, "Handbook of Modern and Contemporary Japanese Women Writers" (Amsterdam UP, 2023) The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan.

Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021.

Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network.


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]]> Wed, 29 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan.

Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021.

Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network.


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]]> Rebecca Copeland, "Handbook of Modern and Contemporary Japanese Women Writers" (Amsterdam UP, 2023) New Books Network 00:46:23 The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan. Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021. Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network. The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan. Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021. Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network. false full 531 b794d5aa-1c3f-11ef-b161-b7ff11dcc2fd Eileen M. Hunt, "The First Last Man: Mary Shelley and the Postapocalyptic Imagination" (U Pennsylvania Press, 2024) The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt’s trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley’s novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley’s The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt’s writing of The First Last Man reflects Shelley’s own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley’s iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley’s Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt’s thesis about postapocalyptic literature, especially Shelley’s work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control.

Hunt explains that Shelley’s pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley’s work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences.

The First Last Man is a beautiful book, weaving together Mary Shelley’s work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley’s many skills as a writer in so many different genres and capacities.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social


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]]> Tue, 28 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt’s trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley’s novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley’s The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt’s writing of The First Last Man reflects Shelley’s own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley’s iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley’s Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt’s thesis about postapocalyptic literature, especially Shelley’s work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control.

Hunt explains that Shelley’s pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley’s work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences.

The First Last Man is a beautiful book, weaving together Mary Shelley’s work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley’s many skills as a writer in so many different genres and capacities.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social


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]]> Eileen M. Hunt, "The First Last Man: Mary Shelley and the Postapocalyptic Imagination" (U Pennsylvania Press, 2024) New Books Network 00:48:45 The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt’s trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley’s novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley’s The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt’s writing of The First Last Man reflects Shelley’s own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley’s iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley’s Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt’s thesis about postapocalyptic literature, especially Shelley’s work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley’s pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley’s work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley’s work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley’s many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt’s trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley’s novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley’s The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt’s writing of The First Last Man reflects Shelley’s own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley’s iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley’s Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt’s thesis about postapocalyptic literature, especially Shelley’s work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley’s pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley’s work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley’s work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley’s many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social false full 719 171acaa2-1ab5-11ef-9d2e-f321e8ad60cb Judy Batalion, "The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos" (William Morrow, 2021) Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland--some still in their teens--helped transform the Jewish youth groups into resistance cells to fight the Nazis. With courage, guile, and nerves of steel, these "ghetto girls" paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town's water supply. They also nursed the sick, taught children, and hid families.

Yet the exploits of these courageous resistance fighters have remained virtually unknown.

As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, and Band of Brothers, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos (William Morrow, 2021) at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion--the granddaughter of Polish Holocaust survivors--takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few--like Renia, who orchestrated her own audacious escape from a brutal Nazi jail--into the late 20th century and beyond.

Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds.


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]]> Mon, 27 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland--some still in their teens--helped transform the Jewish youth groups into resistance cells to fight the Nazis. With courage, guile, and nerves of steel, these "ghetto girls" paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town's water supply. They also nursed the sick, taught children, and hid families.

Yet the exploits of these courageous resistance fighters have remained virtually unknown.

As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, and Band of Brothers, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos (William Morrow, 2021) at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion--the granddaughter of Polish Holocaust survivors--takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few--like Renia, who orchestrated her own audacious escape from a brutal Nazi jail--into the late 20th century and beyond.

Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds.


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]]> Judy Batalion, "The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos" (William Morrow, 2021) New Books Network 00:40:34 Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland--some still in their teens--helped transform the Jewish youth groups into resistance cells to fight the Nazis. With courage, guile, and nerves of steel, these "ghetto girls" paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town's water supply. They also nursed the sick, taught children, and hid families. Yet the exploits of these courageous resistance fighters have remained virtually unknown. As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, and Band of Brothers, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos (William Morrow, 2021) at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion--the granddaughter of Polish Holocaust survivors--takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few--like Renia, who orchestrated her own audacious escape from a brutal Nazi jail--into the late 20th century and beyond. Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds. Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland--some still in their teens--helped transform the Jewish youth groups into resistance cells to fight the Nazis. With courage, guile, and nerves of steel, these "ghetto girls" paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town's water supply. They also nursed the sick, taught children, and hid families. Yet the exploits of these courageous resistance fighters have remained virtually unknown. As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, and Band of Brothers, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos (William Morrow, 2021) at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion--the granddaughter of Polish Holocaust survivors--takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few--like Renia, who orchestrated her own audacious escape from a brutal Nazi jail--into the late 20th century and beyond. Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds. false full 514 c1cac912-1aaa-11ef-9369-3785297936b1 Lamia Karim, "Castoffs of Capital: Work and Love among Garment Workers in Bangladesh" (U Minnesota Press, 2022) Castoffs of Capital: Work and Love among Garment Workers in Bangladesh (U Minnesota Press, 2022) examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh.

Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital's targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women's aspirations for the "good life" not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital.

Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women's wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles.


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]]> Sun, 26 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Castoffs of Capital: Work and Love among Garment Workers in Bangladesh (U Minnesota Press, 2022) examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh.

Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital's targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women's aspirations for the "good life" not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital.

Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women's wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles.


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]]> Lamia Karim, "Castoffs of Capital: Work and Love among Garment Workers in Bangladesh" (U Minnesota Press, 2022) New Books Network 00:48:43 Castoffs of Capital: Work and Love among Garment Workers in Bangladesh (U Minnesota Press, 2022) examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh. Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital's targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women's aspirations for the "good life" not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital. Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women's wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles. Castoffs of Capital: Work and Love among Garment Workers in Bangladesh (U Minnesota Press, 2022) examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh. Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital's targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women's aspirations for the "good life" not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital. Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women's wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles. false full 302 7f6220a6-19d9-11ef-818a-bf41ab7d7a5c Premilla Nadasen, "Care: The Highest Stage of Capitalism" (Haymarket Books, 2023) During the COVID pandemic, billions of dollars in relief aid was sent out to help us ride out the storm, although many people who struggled through it might scratch their heads at such a number, having seen little of it make any concrete impact in their own lives. This discrepancy is indicative of the underlying problem with the contemporary care economy, a series of federal and state programs, healthcare facilities and NGO’s, all trying to bend the needs of those under their care to the mechanisms and incentives laid out by capitalism. The result is a massive apparatus that regularly fails to fulfill its supposed intentions, leaving workers and those in need of help in precarious and often dangerous situations. 

This apparatus is untangled and explained in clear detail by Premilla Nadasen in her book Care: The Highest Stage of Capitalism (Haymarket Books, 2023). Informed by both her work as a historian and as a political activist, she manages to untangle and explain why the massive apparatus regularly fails to fulfill its purpose. She also outlines offramps, forms of resistance that workers and activists have taken to develop alternative anticapitalist forms of care that might someday allow us to truly flourish together.

Premilla Nadasen is a professor of history at Barnard College, Columbia University. She is the co-director of the Barnard Center for Research on Women. She is also the author of Welfare Warriors: The Welfare Rights Movement in the United States and Household Workers Unite: The Untold Story of African American Women Who Built a Movement.


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]]> Sat, 25 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com During the COVID pandemic, billions of dollars in relief aid was sent out to help us ride out the storm, although many people who struggled through it might scratch their heads at such a number, having seen little of it make any concrete impact in their own lives. This discrepancy is indicative of the underlying problem with the contemporary care economy, a series of federal and state programs, healthcare facilities and NGO’s, all trying to bend the needs of those under their care to the mechanisms and incentives laid out by capitalism. The result is a massive apparatus that regularly fails to fulfill its supposed intentions, leaving workers and those in need of help in precarious and often dangerous situations. 

This apparatus is untangled and explained in clear detail by Premilla Nadasen in her book Care: The Highest Stage of Capitalism (Haymarket Books, 2023). Informed by both her work as a historian and as a political activist, she manages to untangle and explain why the massive apparatus regularly fails to fulfill its purpose. She also outlines offramps, forms of resistance that workers and activists have taken to develop alternative anticapitalist forms of care that might someday allow us to truly flourish together.

Premilla Nadasen is a professor of history at Barnard College, Columbia University. She is the co-director of the Barnard Center for Research on Women. She is also the author of Welfare Warriors: The Welfare Rights Movement in the United States and Household Workers Unite: The Untold Story of African American Women Who Built a Movement.


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]]> Premilla Nadasen, "Care: The Highest Stage of Capitalism" (Haymarket Books, 2023) New Books Network 01:10:35 During the COVID pandemic, billions of dollars in relief aid was sent out to help us ride out the storm, although many people who struggled through it might scratch their heads at such a number, having seen little of it make any concrete impact in their own lives. This discrepancy is indicative of the underlying problem with the contemporary care economy, a series of federal and state programs, healthcare facilities and NGO’s, all trying to bend the needs of those under their care to the mechanisms and incentives laid out by capitalism. The result is a massive apparatus that regularly fails to fulfill its supposed intentions, leaving workers and those in need of help in precarious and often dangerous situations.  This apparatus is untangled and explained in clear detail by Premilla Nadasen in her book Care: The Highest Stage of Capitalism (Haymarket Books, 2023). Informed by both her work as a historian and as a political activist, she manages to untangle and explain why the massive apparatus regularly fails to fulfill its purpose. She also outlines offramps, forms of resistance that workers and activists have taken to develop alternative anticapitalist forms of care that might someday allow us to truly flourish together. Premilla Nadasen is a professor of history at Barnard College, Columbia University. She is the co-director of the Barnard Center for Research on Women. She is also the author of Welfare Warriors: The Welfare Rights Movement in the United States and Household Workers Unite: The Untold Story of African American Women Who Built a Movement. During the COVID pandemic, billions of dollars in relief aid was sent out to help us ride out the storm, although many people who struggled through it might scratch their heads at such a number, having seen little of it make any concrete impact in their own lives. This discrepancy is indicative of the underlying problem with the contemporary care economy, a series of federal and state programs, healthcare facilities and NGO’s, all trying to bend the needs of those under their care to the mechanisms and incentives laid out by capitalism. The result is a massive apparatus that regularly fails to fulfill its supposed intentions, leaving workers and those in need of help in precarious and often dangerous situations.  This apparatus is untangled and explained in clear detail by Premilla Nadasen in her book Care: The Highest Stage of Capitalism (Haymarket Books, 2023). Informed by both her work as a historian and as a political activist, she manages to untangle and explain why the massive apparatus regularly fails to fulfill its purpose. She also outlines offramps, forms of resistance that workers and activists have taken to develop alternative anticapitalist forms of care that might someday allow us to truly flourish together. Premilla Nadasen is a professor of history at Barnard College, Columbia University. She is the co-director of the Barnard Center for Research on Women. She is also the author of Welfare Warriors: The Welfare Rights Movement in the United States and Household Workers Unite: The Untold Story of African American Women Who Built a Movement. false full 458 4b60418c-1945-11ef-9adf-17761ef2fd6f Helen J. Nicholson, "Women and the Crusades" (Oxford UP, 2023) The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration.

Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups.

Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190).


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Sat, 25 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration.

Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups.

Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190).


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Helen J. Nicholson, "Women and the Crusades" (Oxford UP, 2023) New Books Network 00:32:45 The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration. Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups. Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration. Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups. Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. false full 68 3eaf5590-1468-11ef-9f4e-ab9f2a677b30 Kate Morgan, "The Walnut Tree: Women, Violence and the Law – A Hidden History" (Mudlark, 2024) 'A woman, a dog and a walnut tree, the more they are beaten, the better they’ll be.' So went the proverb quoted by a prominent MP in the Houses of Parliament in 1853. His words – intended ironically in a debate about a rise in attacks on women – summed up the prevailing attitude of the day, in which violence against women was waved away as a part and parcel of modern living – a chilling seam of misogyny that had polluted both parliament and the law. But were things about to change?

The Walnut Tree: Women, Violence and the Law – A Hidden History (Mudlark, 2024) is a vivid and essential work of historical non-fiction. In it, Kate Morgan explores the legal campaigns, test cases and individual injustices of the Victorian and Edwardian eras which fundamentally re-shaped the status of women under British law. These are seen through the untold stories of women whose cases became cornerstones of our modern legal system and shine a light on the historical inequalities of the law.

We hear of the uniquely abusive marriage which culminated in the dramatic story of the ‘Clitheroe wife abduction’; of the domestic tragedies which changed the law on domestic violence; the controversies surrounding the Contagious Diseases Act and the women who campaigned to abolish it; and the real courtroom stories behind notorious murder cases such as the ‘Camden Town Murder’.

Exploring the 19th- and early 20th Century legal history that influenced the modern-day stances on issues such as domestic abuse, sexual violence and divorce, The Walnut Tree lifts the lid on the shocking history of women under British law – and what it means for women today.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 19 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com 'A woman, a dog and a walnut tree, the more they are beaten, the better they’ll be.' So went the proverb quoted by a prominent MP in the Houses of Parliament in 1853. His words – intended ironically in a debate about a rise in attacks on women – summed up the prevailing attitude of the day, in which violence against women was waved away as a part and parcel of modern living – a chilling seam of misogyny that had polluted both parliament and the law. But were things about to change?

The Walnut Tree: Women, Violence and the Law – A Hidden History (Mudlark, 2024) is a vivid and essential work of historical non-fiction. In it, Kate Morgan explores the legal campaigns, test cases and individual injustices of the Victorian and Edwardian eras which fundamentally re-shaped the status of women under British law. These are seen through the untold stories of women whose cases became cornerstones of our modern legal system and shine a light on the historical inequalities of the law.

We hear of the uniquely abusive marriage which culminated in the dramatic story of the ‘Clitheroe wife abduction’; of the domestic tragedies which changed the law on domestic violence; the controversies surrounding the Contagious Diseases Act and the women who campaigned to abolish it; and the real courtroom stories behind notorious murder cases such as the ‘Camden Town Murder’.

Exploring the 19th- and early 20th Century legal history that influenced the modern-day stances on issues such as domestic abuse, sexual violence and divorce, The Walnut Tree lifts the lid on the shocking history of women under British law – and what it means for women today.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Kate Morgan, "The Walnut Tree: Women, Violence and the Law – A Hidden History" (Mudlark, 2024) New Books Network 00:46:41 'A woman, a dog and a walnut tree, the more they are beaten, the better they’ll be.' So went the proverb quoted by a prominent MP in the Houses of Parliament in 1853. His words – intended ironically in a debate about a rise in attacks on women – summed up the prevailing attitude of the day, in which violence against women was waved away as a part and parcel of modern living – a chilling seam of misogyny that had polluted both parliament and the law. But were things about to change? The Walnut Tree: Women, Violence and the Law – A Hidden History (Mudlark, 2024) is a vivid and essential work of historical non-fiction. In it, Kate Morgan explores the legal campaigns, test cases and individual injustices of the Victorian and Edwardian eras which fundamentally re-shaped the status of women under British law. These are seen through the untold stories of women whose cases became cornerstones of our modern legal system and shine a light on the historical inequalities of the law. We hear of the uniquely abusive marriage which culminated in the dramatic story of the ‘Clitheroe wife abduction’; of the domestic tragedies which changed the law on domestic violence; the controversies surrounding the Contagious Diseases Act and the women who campaigned to abolish it; and the real courtroom stories behind notorious murder cases such as the ‘Camden Town Murder’. Exploring the 19th- and early 20th Century legal history that influenced the modern-day stances on issues such as domestic abuse, sexual violence and divorce, The Walnut Tree lifts the lid on the shocking history of women under British law – and what it means for women today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. 'A woman, a dog and a walnut tree, the more they are beaten, the better they’ll be.' So went the proverb quoted by a prominent MP in the Houses of Parliament in 1853. His words – intended ironically in a debate about a rise in attacks on women – summed up the prevailing attitude of the day, in which violence against women was waved away as a part and parcel of modern living – a chilling seam of misogyny that had polluted both parliament and the law. But were things about to change? The Walnut Tree: Women, Violence and the Law – A Hidden History (Mudlark, 2024) is a vivid and essential work of historical non-fiction. In it, Kate Morgan explores the legal campaigns, test cases and individual injustices of the Victorian and Edwardian eras which fundamentally re-shaped the status of women under British law. These are seen through the untold stories of women whose cases became cornerstones of our modern legal system and shine a light on the historical inequalities of the law. We hear of the uniquely abusive marriage which culminated in the dramatic story of the ‘Clitheroe wife abduction’; of the domestic tragedies which changed the law on domestic violence; the controversies surrounding the Contagious Diseases Act and the women who campaigned to abolish it; and the real courtroom stories behind notorious murder cases such as the ‘Camden Town Murder’. Exploring the 19th- and early 20th Century legal history that influenced the modern-day stances on issues such as domestic abuse, sexual violence and divorce, The Walnut Tree lifts the lid on the shocking history of women under British law – and what it means for women today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 90 6ac360de-13c5-11ef-a1af-0344a114027b Mari Takayanagi and Elizabeth Hallam Smith, "Necessary Women: The Untold Story of Parliament's Working Women" (The History Press, 2023) When suffragette Emily Wilding Davison hid overnight in the Houses of Parliament in 1911 to have her name recorded in the census there, she may not have known that there were sixty-seven other women also resident in Parliament that night: housekeepers, kitchen maids, domestic servants, and wives and daughters living in households. Necessary Women: the Untold Story of Parliament's Working Women (The History Press, 2023) is their story.

Women have touched just about every aspect of life in Parliament. From ‘Jane’, dispenser of beer, pies and chops in Bellamy’s legendary refreshment rooms; to Eliza Arscot, who went from reigning as Principal Housemaid at the House of Lords to Hanwell Asylum; to May Ashworth, Official Typist to Parliament for thirty years through marriage, war and divorce; and Jean Winder, the first female Hansard reporter, who fought for years to be paid the same as her male counterparts; the lives of these women have been largely unacknowledged – until now.

Drawing on new research from the Parliamentary Archives, government records and family history sources, historians and parliamentary insiders Dr. Mari Takayanagi and Dr. Elizabeth Hallam Smith bring these unsung heroes to life. They chart the changing context for working women within and beyond the Palace of Westminster, uncovering women left out of the history books – including Mary Jane Anderson, a previously unknown suffragette.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 18 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When suffragette Emily Wilding Davison hid overnight in the Houses of Parliament in 1911 to have her name recorded in the census there, she may not have known that there were sixty-seven other women also resident in Parliament that night: housekeepers, kitchen maids, domestic servants, and wives and daughters living in households. Necessary Women: the Untold Story of Parliament's Working Women (The History Press, 2023) is their story.

Women have touched just about every aspect of life in Parliament. From ‘Jane’, dispenser of beer, pies and chops in Bellamy’s legendary refreshment rooms; to Eliza Arscot, who went from reigning as Principal Housemaid at the House of Lords to Hanwell Asylum; to May Ashworth, Official Typist to Parliament for thirty years through marriage, war and divorce; and Jean Winder, the first female Hansard reporter, who fought for years to be paid the same as her male counterparts; the lives of these women have been largely unacknowledged – until now.

Drawing on new research from the Parliamentary Archives, government records and family history sources, historians and parliamentary insiders Dr. Mari Takayanagi and Dr. Elizabeth Hallam Smith bring these unsung heroes to life. They chart the changing context for working women within and beyond the Palace of Westminster, uncovering women left out of the history books – including Mary Jane Anderson, a previously unknown suffragette.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Mari Takayanagi and Elizabeth Hallam Smith, "Necessary Women: The Untold Story of Parliament's Working Women" (The History Press, 2023) New Books Network 01:04:13 When suffragette Emily Wilding Davison hid overnight in the Houses of Parliament in 1911 to have her name recorded in the census there, she may not have known that there were sixty-seven other women also resident in Parliament that night: housekeepers, kitchen maids, domestic servants, and wives and daughters living in households. Necessary Women: the Untold Story of Parliament's Working Women (The History Press, 2023) is their story. Women have touched just about every aspect of life in Parliament. From ‘Jane’, dispenser of beer, pies and chops in Bellamy’s legendary refreshment rooms; to Eliza Arscot, who went from reigning as Principal Housemaid at the House of Lords to Hanwell Asylum; to May Ashworth, Official Typist to Parliament for thirty years through marriage, war and divorce; and Jean Winder, the first female Hansard reporter, who fought for years to be paid the same as her male counterparts; the lives of these women have been largely unacknowledged – until now. Drawing on new research from the Parliamentary Archives, government records and family history sources, historians and parliamentary insiders Dr. Mari Takayanagi and Dr. Elizabeth Hallam Smith bring these unsung heroes to life. They chart the changing context for working women within and beyond the Palace of Westminster, uncovering women left out of the history books – including Mary Jane Anderson, a previously unknown suffragette. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. When suffragette Emily Wilding Davison hid overnight in the Houses of Parliament in 1911 to have her name recorded in the census there, she may not have known that there were sixty-seven other women also resident in Parliament that night: housekeepers, kitchen maids, domestic servants, and wives and daughters living in households. Necessary Women: the Untold Story of Parliament's Working Women (The History Press, 2023) is their story. Women have touched just about every aspect of life in Parliament. From ‘Jane’, dispenser of beer, pies and chops in Bellamy’s legendary refreshment rooms; to Eliza Arscot, who went from reigning as Principal Housemaid at the House of Lords to Hanwell Asylum; to May Ashworth, Official Typist to Parliament for thirty years through marriage, war and divorce; and Jean Winder, the first female Hansard reporter, who fought for years to be paid the same as her male counterparts; the lives of these women have been largely unacknowledged – until now. Drawing on new research from the Parliamentary Archives, government records and family history sources, historians and parliamentary insiders Dr. Mari Takayanagi and Dr. Elizabeth Hallam Smith bring these unsung heroes to life. They chart the changing context for working women within and beyond the Palace of Westminster, uncovering women left out of the history books – including Mary Jane Anderson, a previously unknown suffragette. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 89 b6688144-139e-11ef-b4c0-37917e6e78cd Catherine D'Ignazio, "Counting Feminicide: Data Feminism in Action" (MIT Press, 2024) What isn't counted doesn't count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide: Data Feminism in Action (MIT Press, 2024) brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. 

Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D'Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. This book is also a forceful intervention that challenges hegemonic data science by exploring the possibilities and limitations of counting and quantification and drawing lessons for a restorative and transformative data science.

This book is available open access here. 


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]]> Fri, 17 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What isn't counted doesn't count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide: Data Feminism in Action (MIT Press, 2024) brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. 

Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D'Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. This book is also a forceful intervention that challenges hegemonic data science by exploring the possibilities and limitations of counting and quantification and drawing lessons for a restorative and transformative data science.

This book is available open access here. 


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]]> Catherine D'Ignazio, "Counting Feminicide: Data Feminism in Action" (MIT Press, 2024) New Books Network 00:49:58 What isn't counted doesn't count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide: Data Feminism in Action (MIT Press, 2024) brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work.  Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D'Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. This book is also a forceful intervention that challenges hegemonic data science by exploring the possibilities and limitations of counting and quantification and drawing lessons for a restorative and transformative data science. This book is available open access here.  What isn't counted doesn't count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide: Data Feminism in Action (MIT Press, 2024) brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work.  Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D'Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. This book is also a forceful intervention that challenges hegemonic data science by exploring the possibilities and limitations of counting and quantification and drawing lessons for a restorative and transformative data science. This book is available open access here.  false full 24 f198c5ce-1224-11ef-bccb-d7b7e208d56a Tessa Winkelmann, "Dangerous Intercourse: Gender and Interracial Relations in the American Colonial Philippines, 1898–1946" (Cornell UP, 2023) In Dangerous Intercourse: Gender and Interracial Relations in the American Colonial Philippines, 1898–1946 (Cornell University Press, 2023), Dr. Tessa Winkelmann examines interracial social and sexual contact between Americans and Filipinos in the early twentieth century via a wide range of relationships—from the casual and economic to the formal and long term. Dr. Winkelmann argues that such intercourse was foundational not only to the colonisation of the Philippines but also to the longer, uneven history between the two nations. Although some relationships between Filipinos and Americans served as demonstrations of US "benevolence," too-close sexual relations also threatened social hierarchies and the so-called civilizing mission. For the Filipino, Indigenous, Moro, Chinese, and other local populations, intercourse offered opportunities to negotiate and challenge empire, though these opportunities often came at a high cost for those most vulnerable.

Drawing on a multilingual array of primary sources, Dangerous Intercourse highlights that sexual relationships enabled US authorities to police white and nonwhite bodies alike, define racial and national boundaries, and solidify colonial rule throughout the archipelago. The dangerous ideas about sexuality and Filipina women created and shaped by US imperialists of the early twentieth century remain at the core of contemporary American notions of the island nation and indeed, of Asian and Asian American women more generally.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Wed, 15 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Dangerous Intercourse: Gender and Interracial Relations in the American Colonial Philippines, 1898–1946 (Cornell University Press, 2023), Dr. Tessa Winkelmann examines interracial social and sexual contact between Americans and Filipinos in the early twentieth century via a wide range of relationships—from the casual and economic to the formal and long term. Dr. Winkelmann argues that such intercourse was foundational not only to the colonisation of the Philippines but also to the longer, uneven history between the two nations. Although some relationships between Filipinos and Americans served as demonstrations of US "benevolence," too-close sexual relations also threatened social hierarchies and the so-called civilizing mission. For the Filipino, Indigenous, Moro, Chinese, and other local populations, intercourse offered opportunities to negotiate and challenge empire, though these opportunities often came at a high cost for those most vulnerable.

Drawing on a multilingual array of primary sources, Dangerous Intercourse highlights that sexual relationships enabled US authorities to police white and nonwhite bodies alike, define racial and national boundaries, and solidify colonial rule throughout the archipelago. The dangerous ideas about sexuality and Filipina women created and shaped by US imperialists of the early twentieth century remain at the core of contemporary American notions of the island nation and indeed, of Asian and Asian American women more generally.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Tessa Winkelmann, "Dangerous Intercourse: Gender and Interracial Relations in the American Colonial Philippines, 1898–1946" (Cornell UP, 2023) New Books Network 01:10:49 In Dangerous Intercourse: Gender and Interracial Relations in the American Colonial Philippines, 1898–1946 (Cornell University Press, 2023), Dr. Tessa Winkelmann examines interracial social and sexual contact between Americans and Filipinos in the early twentieth century via a wide range of relationships—from the casual and economic to the formal and long term. Dr. Winkelmann argues that such intercourse was foundational not only to the colonisation of the Philippines but also to the longer, uneven history between the two nations. Although some relationships between Filipinos and Americans served as demonstrations of US "benevolence," too-close sexual relations also threatened social hierarchies and the so-called civilizing mission. For the Filipino, Indigenous, Moro, Chinese, and other local populations, intercourse offered opportunities to negotiate and challenge empire, though these opportunities often came at a high cost for those most vulnerable. Drawing on a multilingual array of primary sources, Dangerous Intercourse highlights that sexual relationships enabled US authorities to police white and nonwhite bodies alike, define racial and national boundaries, and solidify colonial rule throughout the archipelago. The dangerous ideas about sexuality and Filipina women created and shaped by US imperialists of the early twentieth century remain at the core of contemporary American notions of the island nation and indeed, of Asian and Asian American women more generally. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. In Dangerous Intercourse: Gender and Interracial Relations in the American Colonial Philippines, 1898–1946 (Cornell University Press, 2023), Dr. Tessa Winkelmann examines interracial social and sexual contact between Americans and Filipinos in the early twentieth century via a wide range of relationships—from the casual and economic to the formal and long term. Dr. Winkelmann argues that such intercourse was foundational not only to the colonisation of the Philippines but also to the longer, uneven history between the two nations. Although some relationships between Filipinos and Americans served as demonstrations of US "benevolence," too-close sexual relations also threatened social hierarchies and the so-called civilizing mission. For the Filipino, Indigenous, Moro, Chinese, and other local populations, intercourse offered opportunities to negotiate and challenge empire, though these opportunities often came at a high cost for those most vulnerable. Drawing on a multilingual array of primary sources, Dangerous Intercourse highlights that sexual relationships enabled US authorities to police white and nonwhite bodies alike, define racial and national boundaries, and solidify colonial rule throughout the archipelago. The dangerous ideas about sexuality and Filipina women created and shaped by US imperialists of the early twentieth century remain at the core of contemporary American notions of the island nation and indeed, of Asian and Asian American women more generally. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 1441 b3fff598-1166-11ef-8387-b74f99305f58 Karen Sullivan, "Eleanor of Aquitaine, As It Was Said: Truth and Tales about the Medieval Queen" (U Chicago Press, 2023) Karen Sullivan of Bard College talks to Jana Byars about her recent book, Eleanor of Aquitaine, As It Was Said: Truth and Tales about the Medieval Queen (U Chicago Press, 2023). A reparative reading of stories about medieval queen Eleanor of Aquitaine. Much of what we know about Eleanor of Aquitaine, Queen of France and then Queen of England, we know from recorded rumor--gossip often qualified by the curious phrase "It was said" or the love songs, ballads, and romances that gossip inspired. 

While we can mine these stories for evidence about the historical Eleanor, Karen Sullivan invites us to consider, instead, what even the most fantastical of these tales reveal about this queen and about life as a twelfth-century noblewoman. This book paints a fresh portrait of a singular medieval queen and the women who shared her world. The conversation gets into the idea of how we know what we know, and what we can possibly know about a woman this famous. 


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]]> Tue, 14 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Karen Sullivan of Bard College talks to Jana Byars about her recent book, Eleanor of Aquitaine, As It Was Said: Truth and Tales about the Medieval Queen (U Chicago Press, 2023). A reparative reading of stories about medieval queen Eleanor of Aquitaine. Much of what we know about Eleanor of Aquitaine, Queen of France and then Queen of England, we know from recorded rumor--gossip often qualified by the curious phrase "It was said" or the love songs, ballads, and romances that gossip inspired. 

While we can mine these stories for evidence about the historical Eleanor, Karen Sullivan invites us to consider, instead, what even the most fantastical of these tales reveal about this queen and about life as a twelfth-century noblewoman. This book paints a fresh portrait of a singular medieval queen and the women who shared her world. The conversation gets into the idea of how we know what we know, and what we can possibly know about a woman this famous. 


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]]> Karen Sullivan, "Eleanor of Aquitaine, As It Was Said: Truth and Tales about the Medieval Queen" (U Chicago Press, 2023) New Books Network 00:39:05 Karen Sullivan of Bard College talks to Jana Byars about her recent book, Eleanor of Aquitaine, As It Was Said: Truth and Tales about the Medieval Queen (U Chicago Press, 2023). A reparative reading of stories about medieval queen Eleanor of Aquitaine. Much of what we know about Eleanor of Aquitaine, Queen of France and then Queen of England, we know from recorded rumor--gossip often qualified by the curious phrase "It was said" or the love songs, ballads, and romances that gossip inspired.  While we can mine these stories for evidence about the historical Eleanor, Karen Sullivan invites us to consider, instead, what even the most fantastical of these tales reveal about this queen and about life as a twelfth-century noblewoman. This book paints a fresh portrait of a singular medieval queen and the women who shared her world. The conversation gets into the idea of how we know what we know, and what we can possibly know about a woman this famous.  Karen Sullivan of Bard College talks to Jana Byars about her recent book, Eleanor of Aquitaine, As It Was Said: Truth and Tales about the Medieval Queen (U Chicago Press, 2023). A reparative reading of stories about medieval queen Eleanor of Aquitaine. Much of what we know about Eleanor of Aquitaine, Queen of France and then Queen of England, we know from recorded rumor--gossip often qualified by the curious phrase "It was said" or the love songs, ballads, and romances that gossip inspired.  While we can mine these stories for evidence about the historical Eleanor, Karen Sullivan invites us to consider, instead, what even the most fantastical of these tales reveal about this queen and about life as a twelfth-century noblewoman. This book paints a fresh portrait of a singular medieval queen and the women who shared her world. The conversation gets into the idea of how we know what we know, and what we can possibly know about a woman this famous.  false full 67 c377dc66-0fd6-11ef-b149-ab2519d2099a Katya Hokanson, "A Woman's Empire: Russian Women and Imperial Expansion in Asia" (U Toronto Press, 2023) A Woman's Empire: Russian Women and Imperial Expansion in Asia (U Toronto Press, 2023) explores a new dimension of Russian imperialism: women actively engaged in the process of late imperial expansion. The book investigates how women writers, travellers, and scientists who journeyed to and beyond Central Asia participated in Russia's "civilizing" and colonizing mission, utilizing newly found educational opportunities while navigating powerful discourses of femininity as well as male-dominated science.

Katya Hokanson shows how these Russian women resisted domestic roles in a variety of ways. The women writers include a governor general's wife, a fiction writer who lived in Turkestan, and a famous Theosophist, among others. They make clear the perspectives of the ruling class and outline the special role of women as describers and recorders of information about local women, and as builders of "civilized" colonial Russian society with its attendant performances and social events. Although the bulk of their writings, drawings, and photography is primarily noteworthy for its cultural and historical value, A Woman's Empire demonstrates how they also add dimension and detail to the story of Russian imperial expansion and illuminates how women encountered, imagined, and depicted Russia's imperial Other during this period.

Katya Hokanson is an associate professor of Russian and Comparative Literature at the University of Oregon.


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]]> Mon, 13 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A Woman's Empire: Russian Women and Imperial Expansion in Asia (U Toronto Press, 2023) explores a new dimension of Russian imperialism: women actively engaged in the process of late imperial expansion. The book investigates how women writers, travellers, and scientists who journeyed to and beyond Central Asia participated in Russia's "civilizing" and colonizing mission, utilizing newly found educational opportunities while navigating powerful discourses of femininity as well as male-dominated science.

Katya Hokanson shows how these Russian women resisted domestic roles in a variety of ways. The women writers include a governor general's wife, a fiction writer who lived in Turkestan, and a famous Theosophist, among others. They make clear the perspectives of the ruling class and outline the special role of women as describers and recorders of information about local women, and as builders of "civilized" colonial Russian society with its attendant performances and social events. Although the bulk of their writings, drawings, and photography is primarily noteworthy for its cultural and historical value, A Woman's Empire demonstrates how they also add dimension and detail to the story of Russian imperial expansion and illuminates how women encountered, imagined, and depicted Russia's imperial Other during this period.

Katya Hokanson is an associate professor of Russian and Comparative Literature at the University of Oregon.


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]]> Katya Hokanson, "A Woman's Empire: Russian Women and Imperial Expansion in Asia" (U Toronto Press, 2023) New Books Network 00:58:22 A Woman's Empire: Russian Women and Imperial Expansion in Asia (U Toronto Press, 2023) explores a new dimension of Russian imperialism: women actively engaged in the process of late imperial expansion. The book investigates how women writers, travellers, and scientists who journeyed to and beyond Central Asia participated in Russia's "civilizing" and colonizing mission, utilizing newly found educational opportunities while navigating powerful discourses of femininity as well as male-dominated science. Katya Hokanson shows how these Russian women resisted domestic roles in a variety of ways. The women writers include a governor general's wife, a fiction writer who lived in Turkestan, and a famous Theosophist, among others. They make clear the perspectives of the ruling class and outline the special role of women as describers and recorders of information about local women, and as builders of "civilized" colonial Russian society with its attendant performances and social events. Although the bulk of their writings, drawings, and photography is primarily noteworthy for its cultural and historical value, A Woman's Empire demonstrates how they also add dimension and detail to the story of Russian imperial expansion and illuminates how women encountered, imagined, and depicted Russia's imperial Other during this period. Katya Hokanson is an associate professor of Russian and Comparative Literature at the University of Oregon. A Woman's Empire: Russian Women and Imperial Expansion in Asia (U Toronto Press, 2023) explores a new dimension of Russian imperialism: women actively engaged in the process of late imperial expansion. The book investigates how women writers, travellers, and scientists who journeyed to and beyond Central Asia participated in Russia's "civilizing" and colonizing mission, utilizing newly found educational opportunities while navigating powerful discourses of femininity as well as male-dominated science. Katya Hokanson shows how these Russian women resisted domestic roles in a variety of ways. The women writers include a governor general's wife, a fiction writer who lived in Turkestan, and a famous Theosophist, among others. They make clear the perspectives of the ruling class and outline the special role of women as describers and recorders of information about local women, and as builders of "civilized" colonial Russian society with its attendant performances and social events. Although the bulk of their writings, drawings, and photography is primarily noteworthy for its cultural and historical value, A Woman's Empire demonstrates how they also add dimension and detail to the story of Russian imperial expansion and illuminates how women encountered, imagined, and depicted Russia's imperial Other during this period. Katya Hokanson is an associate professor of Russian and Comparative Literature at the University of Oregon. false full 269 7dcdcbec-0727-11ef-bb67-c3d1398c6cea Courtney Thorsson, "The Sisterhood: How a Network of Black Women Writers Changed American Culture" (Columbia UP, 2023) The Sisterhood: How a Network of Black Women Writers Changed American Culture (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration.


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]]> Mon, 13 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Sisterhood: How a Network of Black Women Writers Changed American Culture (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration.


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]]> Courtney Thorsson, "The Sisterhood: How a Network of Black Women Writers Changed American Culture" (Columbia UP, 2023) New Books Network 01:02:30 The Sisterhood: How a Network of Black Women Writers Changed American Culture (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration. The Sisterhood: How a Network of Black Women Writers Changed American Culture (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration. false full 457 1735b448-0fd4-11ef-a7f2-4f25ae9c40bc David Winner, "Master Lovers: A Twisted Puzzle of Love and Fascism" (Outpost 19, 2023) In Master Lovers: A Twisted Puzzle of Love and Fascism (Outpost 19, 2023) author David Winner examines the complications of learning about the completex lives of family after they've passed. While clearing out his great aunt's midtown apartment after her death, Winner discovered artifacts of her storied existence: notes from opera stars, love letters and artifacts from the Middle East of the 1930's. His Aunt Dorle had been a co-founder of Angel Records and a prominent figure in the mid-century classical music world. But the more he learned about her world, the more complicated her story became, a twisted puzzle full of love and fascism, a record of a young woman grappling with her attraction to lovers with hair-raising political ties. A powerful work of family discovery, rooted in a bygone Midtown Manhattan and involving artists and politicians from around the world.


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]]> Mon, 13 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Master Lovers: A Twisted Puzzle of Love and Fascism (Outpost 19, 2023) author David Winner examines the complications of learning about the completex lives of family after they've passed. While clearing out his great aunt's midtown apartment after her death, Winner discovered artifacts of her storied existence: notes from opera stars, love letters and artifacts from the Middle East of the 1930's. His Aunt Dorle had been a co-founder of Angel Records and a prominent figure in the mid-century classical music world. But the more he learned about her world, the more complicated her story became, a twisted puzzle full of love and fascism, a record of a young woman grappling with her attraction to lovers with hair-raising political ties. A powerful work of family discovery, rooted in a bygone Midtown Manhattan and involving artists and politicians from around the world.


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]]> David Winner, "Master Lovers: A Twisted Puzzle of Love and Fascism" (Outpost 19, 2023) New Books Network 00:44:06 In Master Lovers: A Twisted Puzzle of Love and Fascism (Outpost 19, 2023) author David Winner examines the complications of learning about the completex lives of family after they've passed. While clearing out his great aunt's midtown apartment after her death, Winner discovered artifacts of her storied existence: notes from opera stars, love letters and artifacts from the Middle East of the 1930's. His Aunt Dorle had been a co-founder of Angel Records and a prominent figure in the mid-century classical music world. But the more he learned about her world, the more complicated her story became, a twisted puzzle full of love and fascism, a record of a young woman grappling with her attraction to lovers with hair-raising political ties. A powerful work of family discovery, rooted in a bygone Midtown Manhattan and involving artists and politicians from around the world. In Master Lovers: A Twisted Puzzle of Love and Fascism (Outpost 19, 2023) author David Winner examines the complications of learning about the completex lives of family after they've passed. While clearing out his great aunt's midtown apartment after her death, Winner discovered artifacts of her storied existence: notes from opera stars, love letters and artifacts from the Middle East of the 1930's. His Aunt Dorle had been a co-founder of Angel Records and a prominent figure in the mid-century classical music world. But the more he learned about her world, the more complicated her story became, a twisted puzzle full of love and fascism, a record of a young woman grappling with her attraction to lovers with hair-raising political ties. A powerful work of family discovery, rooted in a bygone Midtown Manhattan and involving artists and politicians from around the world. false full 253 2f952450-0fc1-11ef-aef8-5fee3a60e7a1 Pamela Aronson and Matthew R. Fleming, "Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life" (Routledge, 2023) Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life (Routledge, 2023) by Dr. Pamela Aronson and Matthew R. Fleming carefully examines the profound transformations happening in both public and private arenas of gender relations. It also draws critical attention to the simultaneous and potent challenges that have risen in response.

The authors look to large-scale phenomena in this contemporary study and address how electoral politics and the #MeToo movement are reshaping everyday life. This gender revolution has led to a culture in which women, and increasing numbers of men, refuse to accept traditional gender norms and gender inequalities. People of all genders no longer tolerate abuses of power in politics or in their interpersonal relationships. Despite vigorous resistance, women are seizing power and refusing to back down, in ways both large and small. The authors note on the one hand that people of all genders in support of these transformations are voting for progressive candidates, engaging on social media, and making their interpersonal relationships more equal. On the other hand, they document considerable backlash and contestation, as some people are resisting these changes and creating adversarial gender divisions. Probing across these issues, the book develops an analysis of gendered social and cultural change that reveals how movement ideas diffuse into broader culture.

Gender Revolution presents a vibrant and essential study for a moment marked by significant changes to attitudes, beliefs, and views surrounding gender and gender relations and will appeal to readers interested in the scholarly study of gender, society, politics, media, law, and culture.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 12 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life (Routledge, 2023) by Dr. Pamela Aronson and Matthew R. Fleming carefully examines the profound transformations happening in both public and private arenas of gender relations. It also draws critical attention to the simultaneous and potent challenges that have risen in response.

The authors look to large-scale phenomena in this contemporary study and address how electoral politics and the #MeToo movement are reshaping everyday life. This gender revolution has led to a culture in which women, and increasing numbers of men, refuse to accept traditional gender norms and gender inequalities. People of all genders no longer tolerate abuses of power in politics or in their interpersonal relationships. Despite vigorous resistance, women are seizing power and refusing to back down, in ways both large and small. The authors note on the one hand that people of all genders in support of these transformations are voting for progressive candidates, engaging on social media, and making their interpersonal relationships more equal. On the other hand, they document considerable backlash and contestation, as some people are resisting these changes and creating adversarial gender divisions. Probing across these issues, the book develops an analysis of gendered social and cultural change that reveals how movement ideas diffuse into broader culture.

Gender Revolution presents a vibrant and essential study for a moment marked by significant changes to attitudes, beliefs, and views surrounding gender and gender relations and will appeal to readers interested in the scholarly study of gender, society, politics, media, law, and culture.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Pamela Aronson and Matthew R. Fleming, "Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life" (Routledge, 2023) New Books Network 01:00:30 Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life (Routledge, 2023) by Dr. Pamela Aronson and Matthew R. Fleming carefully examines the profound transformations happening in both public and private arenas of gender relations. It also draws critical attention to the simultaneous and potent challenges that have risen in response. The authors look to large-scale phenomena in this contemporary study and address how electoral politics and the #MeToo movement are reshaping everyday life. This gender revolution has led to a culture in which women, and increasing numbers of men, refuse to accept traditional gender norms and gender inequalities. People of all genders no longer tolerate abuses of power in politics or in their interpersonal relationships. Despite vigorous resistance, women are seizing power and refusing to back down, in ways both large and small. The authors note on the one hand that people of all genders in support of these transformations are voting for progressive candidates, engaging on social media, and making their interpersonal relationships more equal. On the other hand, they document considerable backlash and contestation, as some people are resisting these changes and creating adversarial gender divisions. Probing across these issues, the book develops an analysis of gendered social and cultural change that reveals how movement ideas diffuse into broader culture. Gender Revolution presents a vibrant and essential study for a moment marked by significant changes to attitudes, beliefs, and views surrounding gender and gender relations and will appeal to readers interested in the scholarly study of gender, society, politics, media, law, and culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life (Routledge, 2023) by Dr. Pamela Aronson and Matthew R. Fleming carefully examines the profound transformations happening in both public and private arenas of gender relations. It also draws critical attention to the simultaneous and potent challenges that have risen in response. The authors look to large-scale phenomena in this contemporary study and address how electoral politics and the #MeToo movement are reshaping everyday life. This gender revolution has led to a culture in which women, and increasing numbers of men, refuse to accept traditional gender norms and gender inequalities. People of all genders no longer tolerate abuses of power in politics or in their interpersonal relationships. Despite vigorous resistance, women are seizing power and refusing to back down, in ways both large and small. The authors note on the one hand that people of all genders in support of these transformations are voting for progressive candidates, engaging on social media, and making their interpersonal relationships more equal. On the other hand, they document considerable backlash and contestation, as some people are resisting these changes and creating adversarial gender divisions. Probing across these issues, the book develops an analysis of gendered social and cultural change that reveals how movement ideas diffuse into broader culture. Gender Revolution presents a vibrant and essential study for a moment marked by significant changes to attitudes, beliefs, and views surrounding gender and gender relations and will appeal to readers interested in the scholarly study of gender, society, politics, media, law, and culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 236 216703f4-0fbb-11ef-847d-73e66515ddd1 Rachelle Winkle-Wagner, "The Chosen We: Black Women's Empowerment in Higher Education" (SUNY Press, 2023) The Chosen We: Black Women's Empowerment in Higher Education (SUNY Press, 2023) elevates the oral histories of 105 accomplished, college-educated Black women who earned success despite experiencing reprehensible racist and sexist barriers. The central argument is that these women succeeded in and beyond college by developing a Chosen We—a community with one another. The book builds on their words and insights to offer a powerful rethinking of educational success that moves away from individualistic and competitive models and instead imagines success as a result of recognizing what people owe to one another. It also uncovers the importance of the type of institutions that students attend for higher education, comparing Black women's experiences not only by region and era but also by whether they attended a predominantly White institution (PWI) or a historically Black college or university (HBCU). The Chosen We features theoretical and methodological exemplars for how to conduct research across lines of difference. The Black women's oral histories shared here manifest the wisdom from which many groups in the United States might benefit—that liberation is only found through community.

Rachelle Winkle-Wagner is Professor of Educational Leadership and Policy Analysis at the University of Wisconsin-Madison. She is the coauthor (with Angela M. Locks) of Diversity and Inclusion on Campus: Supporting Students of Color in College, and the author of The Unchosen We: Black Women and Identity in Higher Education, among other books.


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]]> Sun, 12 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Chosen We: Black Women's Empowerment in Higher Education (SUNY Press, 2023) elevates the oral histories of 105 accomplished, college-educated Black women who earned success despite experiencing reprehensible racist and sexist barriers. The central argument is that these women succeeded in and beyond college by developing a Chosen We—a community with one another. The book builds on their words and insights to offer a powerful rethinking of educational success that moves away from individualistic and competitive models and instead imagines success as a result of recognizing what people owe to one another. It also uncovers the importance of the type of institutions that students attend for higher education, comparing Black women's experiences not only by region and era but also by whether they attended a predominantly White institution (PWI) or a historically Black college or university (HBCU). The Chosen We features theoretical and methodological exemplars for how to conduct research across lines of difference. The Black women's oral histories shared here manifest the wisdom from which many groups in the United States might benefit—that liberation is only found through community.

Rachelle Winkle-Wagner is Professor of Educational Leadership and Policy Analysis at the University of Wisconsin-Madison. She is the coauthor (with Angela M. Locks) of Diversity and Inclusion on Campus: Supporting Students of Color in College, and the author of The Unchosen We: Black Women and Identity in Higher Education, among other books.


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]]> Rachelle Winkle-Wagner, "The Chosen We: Black Women's Empowerment in Higher Education" (SUNY Press, 2023) New Books Network 00:39:20 The Chosen We: Black Women's Empowerment in Higher Education (SUNY Press, 2023) elevates the oral histories of 105 accomplished, college-educated Black women who earned success despite experiencing reprehensible racist and sexist barriers. The central argument is that these women succeeded in and beyond college by developing a Chosen We—a community with one another. The book builds on their words and insights to offer a powerful rethinking of educational success that moves away from individualistic and competitive models and instead imagines success as a result of recognizing what people owe to one another. It also uncovers the importance of the type of institutions that students attend for higher education, comparing Black women's experiences not only by region and era but also by whether they attended a predominantly White institution (PWI) or a historically Black college or university (HBCU). The Chosen We features theoretical and methodological exemplars for how to conduct research across lines of difference. The Black women's oral histories shared here manifest the wisdom from which many groups in the United States might benefit—that liberation is only found through community. Rachelle Winkle-Wagner is Professor of Educational Leadership and Policy Analysis at the University of Wisconsin-Madison. She is the coauthor (with Angela M. Locks) of Diversity and Inclusion on Campus: Supporting Students of Color in College, and the author of The Unchosen We: Black Women and Identity in Higher Education, among other books. The Chosen We: Black Women's Empowerment in Higher Education (SUNY Press, 2023) elevates the oral histories of 105 accomplished, college-educated Black women who earned success despite experiencing reprehensible racist and sexist barriers. The central argument is that these women succeeded in and beyond college by developing a Chosen We—a community with one another. The book builds on their words and insights to offer a powerful rethinking of educational success that moves away from individualistic and competitive models and instead imagines success as a result of recognizing what people owe to one another. It also uncovers the importance of the type of institutions that students attend for higher education, comparing Black women's experiences not only by region and era but also by whether they attended a predominantly White institution (PWI) or a historically Black college or university (HBCU). The Chosen We features theoretical and methodological exemplars for how to conduct research across lines of difference. The Black women's oral histories shared here manifest the wisdom from which many groups in the United States might benefit—that liberation is only found through community. Rachelle Winkle-Wagner is Professor of Educational Leadership and Policy Analysis at the University of Wisconsin-Madison. She is the coauthor (with Angela M. Locks) of Diversity and Inclusion on Campus: Supporting Students of Color in College, and the author of The Unchosen We: Black Women and Identity in Higher Education, among other books. false full 459 71b7ff02-0ef8-11ef-baaf-4b965161610d Alyxandra Vesey, "Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century" (Oxford UP, 2023) Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century.

Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence.

By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen.

Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.


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]]> Sat, 11 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century.

Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence.

By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen.

Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.


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]]> Alyxandra Vesey, "Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century" (Oxford UP, 2023) New Books Network 01:24:40 Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. false full 238 85589a46-0bea-11ef-b078-9fbe688804e4 Hemjyoti Medhi, "Gendered Publics: Chandraprava Saikiani and the Mahila Samiti in Colonial Assam" (Oxford UP, 2024) Gendered Publics: Chandraprava Saikiani and the Mahila Samiti in Colonial Assam (Oxford UP, 2024) is a first-of-its-kind comprehensive appraisal of the relatively unexplored but highly impactful women’s associations, the Assam Mahila Samiti (1926 cont.) which led one of the most remarkable women’s movements in colonial India; Sucheta Kripalani praised it as the ‘largest democratic women’s association in India’ in 1949. Central to the Assam Mahila Samiti story is its founding Secretary, the firebrand feminist Chandraprava Saikiani (1901–72), who while being an unwed mother and belonging to a lower caste, was a celebrated writer, mobilizer, and publisher. The book traverses these individual and collective journeys from the 1920s to the 1950s and explores how women’s movements evolve in conversation/contestation with both traditional spaces such as naam kirtan and contemporary ones of tribal-caste associations, anti-colonial movements, and international ideological paradigms such as the Bolshevik revolution. 

The book also plots through specific examples, such as the controversy surrounding the Samiti’s serving of a legal notice to a groom in 1934 to stop child marriage, to argue that gender may not function merely as constitutive of the public, but women’s collectives may shape, transform, and orchestrate a veritable gendered public, resistant to both native patriarchy and sometimes to colonial authority. The study makes crucial methodological intervention through an interdisciplinary approach by constantly juxtaposing print sources with handwritten minutes of early mahila samiti meetings, performative spaces such as women’s singing of naam kirtan and women’s weaving, and women’s memory (recorded as part of a digital archive of the mahila samitis in Assam).

Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.


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]]> Wed, 8 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Gendered Publics: Chandraprava Saikiani and the Mahila Samiti in Colonial Assam (Oxford UP, 2024) is a first-of-its-kind comprehensive appraisal of the relatively unexplored but highly impactful women’s associations, the Assam Mahila Samiti (1926 cont.) which led one of the most remarkable women’s movements in colonial India; Sucheta Kripalani praised it as the ‘largest democratic women’s association in India’ in 1949. Central to the Assam Mahila Samiti story is its founding Secretary, the firebrand feminist Chandraprava Saikiani (1901–72), who while being an unwed mother and belonging to a lower caste, was a celebrated writer, mobilizer, and publisher. The book traverses these individual and collective journeys from the 1920s to the 1950s and explores how women’s movements evolve in conversation/contestation with both traditional spaces such as naam kirtan and contemporary ones of tribal-caste associations, anti-colonial movements, and international ideological paradigms such as the Bolshevik revolution. 

The book also plots through specific examples, such as the controversy surrounding the Samiti’s serving of a legal notice to a groom in 1934 to stop child marriage, to argue that gender may not function merely as constitutive of the public, but women’s collectives may shape, transform, and orchestrate a veritable gendered public, resistant to both native patriarchy and sometimes to colonial authority. The study makes crucial methodological intervention through an interdisciplinary approach by constantly juxtaposing print sources with handwritten minutes of early mahila samiti meetings, performative spaces such as women’s singing of naam kirtan and women’s weaving, and women’s memory (recorded as part of a digital archive of the mahila samitis in Assam).

Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.


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]]> Hemjyoti Medhi, "Gendered Publics: Chandraprava Saikiani and the Mahila Samiti in Colonial Assam" (Oxford UP, 2024) New Books Network 01:04:54 Gendered Publics: Chandraprava Saikiani and the Mahila Samiti in Colonial Assam (Oxford UP, 2024) is a first-of-its-kind comprehensive appraisal of the relatively unexplored but highly impactful women’s associations, the Assam Mahila Samiti (1926 cont.) which led one of the most remarkable women’s movements in colonial India; Sucheta Kripalani praised it as the ‘largest democratic women’s association in India’ in 1949. Central to the Assam Mahila Samiti story is its founding Secretary, the firebrand feminist Chandraprava Saikiani (1901–72), who while being an unwed mother and belonging to a lower caste, was a celebrated writer, mobilizer, and publisher. The book traverses these individual and collective journeys from the 1920s to the 1950s and explores how women’s movements evolve in conversation/contestation with both traditional spaces such as naam kirtan and contemporary ones of tribal-caste associations, anti-colonial movements, and international ideological paradigms such as the Bolshevik revolution.  The book also plots through specific examples, such as the controversy surrounding the Samiti’s serving of a legal notice to a groom in 1934 to stop child marriage, to argue that gender may not function merely as constitutive of the public, but women’s collectives may shape, transform, and orchestrate a veritable gendered public, resistant to both native patriarchy and sometimes to colonial authority. The study makes crucial methodological intervention through an interdisciplinary approach by constantly juxtaposing print sources with handwritten minutes of early mahila samiti meetings, performative spaces such as women’s singing of naam kirtan and women’s weaving, and women’s memory (recorded as part of a digital archive of the mahila samitis in Assam). Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Gendered Publics: Chandraprava Saikiani and the Mahila Samiti in Colonial Assam (Oxford UP, 2024) is a first-of-its-kind comprehensive appraisal of the relatively unexplored but highly impactful women’s associations, the Assam Mahila Samiti (1926 cont.) which led one of the most remarkable women’s movements in colonial India; Sucheta Kripalani praised it as the ‘largest democratic women’s association in India’ in 1949. Central to the Assam Mahila Samiti story is its founding Secretary, the firebrand feminist Chandraprava Saikiani (1901–72), who while being an unwed mother and belonging to a lower caste, was a celebrated writer, mobilizer, and publisher. The book traverses these individual and collective journeys from the 1920s to the 1950s and explores how women’s movements evolve in conversation/contestation with both traditional spaces such as naam kirtan and contemporary ones of tribal-caste associations, anti-colonial movements, and international ideological paradigms such as the Bolshevik revolution.  The book also plots through specific examples, such as the controversy surrounding the Samiti’s serving of a legal notice to a groom in 1934 to stop child marriage, to argue that gender may not function merely as constitutive of the public, but women’s collectives may shape, transform, and orchestrate a veritable gendered public, resistant to both native patriarchy and sometimes to colonial authority. The study makes crucial methodological intervention through an interdisciplinary approach by constantly juxtaposing print sources with handwritten minutes of early mahila samiti meetings, performative spaces such as women’s singing of naam kirtan and women’s weaving, and women’s memory (recorded as part of a digital archive of the mahila samitis in Assam). Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. false full 357 58ac1814-0c9f-11ef-a25f-53e2bdb22524 Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022) While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other.

Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Wed, 8 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other.

Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022) New Books Network 01:15:02 While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other. Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other. Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 133 054c52d8-0a2e-11ef-be3b-fbbbf7340548 Matilda Bickers, "Working It: Sex Workers on the Work of Sex" (PM Press, 2023) Fiercely intelligent, fantastically transgressive, Working It: Sex Workers on the Work of Sex (PM Press, 2023) is an intimate portrait of the lives of sex workers. A polyphonic story of triumph, survival, and solidarity, this collection showcases the vastly different experiences and interests of those who have traded sex, among them a brothel worker in Australia, First Nation survivors of the Canadian child welfare system, and an Afro Latina single parent raising a radicalized child. Packed with first-person essays, interviews, poetry, drawings, mixed media collage, and photographs Working It honors the complexity of lived experience. Sometimes heartbreaking, sometimes hardboiled, these dazzling pieces will go straight to the heart.

Matilda Bickers is an artist and writer originally from Boston’s South End. Her experience in sex work, which she entered at age eighteen, has enabled her to focus on art and activism and the vital intersection of the two. She has performed her written work at the Radar Reading Series in San Francisco, and with Sister Spit in Portland, OR. Witnessing the experiences of other people faced with only terrible options in a world uninterested in their success or even survival, Bickers has worked to create spaces to amplify and showcase their creative work, from Working It, a quarterly zine of sex worker art and writing, to the annual Portland Sex Worker Art Show. Bickers is currently writing and illustrating Aspiration Risk, a graphic novel about her ongoing attempt to leave the sex trades for a career in healthcare, and the painful parallels between the two industries.


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]]> Sun, 5 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Fiercely intelligent, fantastically transgressive, Working It: Sex Workers on the Work of Sex (PM Press, 2023) is an intimate portrait of the lives of sex workers. A polyphonic story of triumph, survival, and solidarity, this collection showcases the vastly different experiences and interests of those who have traded sex, among them a brothel worker in Australia, First Nation survivors of the Canadian child welfare system, and an Afro Latina single parent raising a radicalized child. Packed with first-person essays, interviews, poetry, drawings, mixed media collage, and photographs Working It honors the complexity of lived experience. Sometimes heartbreaking, sometimes hardboiled, these dazzling pieces will go straight to the heart.

Matilda Bickers is an artist and writer originally from Boston’s South End. Her experience in sex work, which she entered at age eighteen, has enabled her to focus on art and activism and the vital intersection of the two. She has performed her written work at the Radar Reading Series in San Francisco, and with Sister Spit in Portland, OR. Witnessing the experiences of other people faced with only terrible options in a world uninterested in their success or even survival, Bickers has worked to create spaces to amplify and showcase their creative work, from Working It, a quarterly zine of sex worker art and writing, to the annual Portland Sex Worker Art Show. Bickers is currently writing and illustrating Aspiration Risk, a graphic novel about her ongoing attempt to leave the sex trades for a career in healthcare, and the painful parallels between the two industries.


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]]> Matilda Bickers, "Working It: Sex Workers on the Work of Sex" (PM Press, 2023) New Books Network 00:35:36 Fiercely intelligent, fantastically transgressive, Working It: Sex Workers on the Work of Sex (PM Press, 2023) is an intimate portrait of the lives of sex workers. A polyphonic story of triumph, survival, and solidarity, this collection showcases the vastly different experiences and interests of those who have traded sex, among them a brothel worker in Australia, First Nation survivors of the Canadian child welfare system, and an Afro Latina single parent raising a radicalized child. Packed with first-person essays, interviews, poetry, drawings, mixed media collage, and photographs Working It honors the complexity of lived experience. Sometimes heartbreaking, sometimes hardboiled, these dazzling pieces will go straight to the heart. Matilda Bickers is an artist and writer originally from Boston’s South End. Her experience in sex work, which she entered at age eighteen, has enabled her to focus on art and activism and the vital intersection of the two. She has performed her written work at the Radar Reading Series in San Francisco, and with Sister Spit in Portland, OR. Witnessing the experiences of other people faced with only terrible options in a world uninterested in their success or even survival, Bickers has worked to create spaces to amplify and showcase their creative work, from Working It, a quarterly zine of sex worker art and writing, to the annual Portland Sex Worker Art Show. Bickers is currently writing and illustrating Aspiration Risk, a graphic novel about her ongoing attempt to leave the sex trades for a career in healthcare, and the painful parallels between the two industries. Fiercely intelligent, fantastically transgressive, Working It: Sex Workers on the Work of Sex (PM Press, 2023) is an intimate portrait of the lives of sex workers. A polyphonic story of triumph, survival, and solidarity, this collection showcases the vastly different experiences and interests of those who have traded sex, among them a brothel worker in Australia, First Nation survivors of the Canadian child welfare system, and an Afro Latina single parent raising a radicalized child. Packed with first-person essays, interviews, poetry, drawings, mixed media collage, and photographs Working It honors the complexity of lived experience. Sometimes heartbreaking, sometimes hardboiled, these dazzling pieces will go straight to the heart. Matilda Bickers is an artist and writer originally from Boston’s South End. Her experience in sex work, which she entered at age eighteen, has enabled her to focus on art and activism and the vital intersection of the two. She has performed her written work at the Radar Reading Series in San Francisco, and with Sister Spit in Portland, OR. Witnessing the experiences of other people faced with only terrible options in a world uninterested in their success or even survival, Bickers has worked to create spaces to amplify and showcase their creative work, from Working It, a quarterly zine of sex worker art and writing, to the annual Portland Sex Worker Art Show. Bickers is currently writing and illustrating Aspiration Risk, a graphic novel about her ongoing attempt to leave the sex trades for a career in healthcare, and the painful parallels between the two industries. false full 41 ea626e2a-098e-11ef-ae0b-bf71aabe260c Zahra Ayubi, "Gendered Morality: Classical Islamic Ethics of the Self, Family, and Society" (Columbia UP, 2019) How are notions of justice and equality constructed in Islamic virtue ethics (akhlaq)? How are Islamic virtue ethics gendered, despite their venture into perennial concerns of how best to live a good and ethical life? These are the questions that Zahra Ayubi, an assistant professor of religion at Dartmouth college, examines in her new book Gendered Morality: Classical Islamic Ethics of the Self, Family, and Society (Columbia University Press, 2019). Using akhlaq literature by al-Ghazali, Davani and Tusi, Ayubi closely studies the ways in which these male Muslim scholars constructed ideas of the self (nafs), particularly in relation to the family and the society. Despite the ethicists’ differing sectarian and theological orientations in Islam, they still concluded that the status of a perfect ethical human was only achievable by a male elite. Meaning that the capacity to utilize rational faculty, which is central to self-refinement, was deemed not accessible to females, slaves, and non-elite males. In unpacking these gendered and hierarchical dynamics around ethics and comportment, Aybui masterfully applies feminist and gender analysis to deconstruct ethical texts. In light of her findings, she calls for a “philosophical turn” that must employ critical gender analysis when reading these texts not only in the context of Islamic philosophy, but broadly in the study of Islam. The book is a must read for scholars and students interested in Islamic philosophy and gender and Islamic studies.

M. Shobhana Xavier is an Assistant Professor of Religion at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism(Bloombsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found on here and here. She may be reached at shobhana.xavier@queensu.ca.


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]]> Sat, 4 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How are notions of justice and equality constructed in Islamic virtue ethics (akhlaq)? How are Islamic virtue ethics gendered, despite their venture into perennial concerns of how best to live a good and ethical life? These are the questions that Zahra Ayubi, an assistant professor of religion at Dartmouth college, examines in her new book Gendered Morality: Classical Islamic Ethics of the Self, Family, and Society (Columbia University Press, 2019). Using akhlaq literature by al-Ghazali, Davani and Tusi, Ayubi closely studies the ways in which these male Muslim scholars constructed ideas of the self (nafs), particularly in relation to the family and the society. Despite the ethicists’ differing sectarian and theological orientations in Islam, they still concluded that the status of a perfect ethical human was only achievable by a male elite. Meaning that the capacity to utilize rational faculty, which is central to self-refinement, was deemed not accessible to females, slaves, and non-elite males. In unpacking these gendered and hierarchical dynamics around ethics and comportment, Aybui masterfully applies feminist and gender analysis to deconstruct ethical texts. In light of her findings, she calls for a “philosophical turn” that must employ critical gender analysis when reading these texts not only in the context of Islamic philosophy, but broadly in the study of Islam. The book is a must read for scholars and students interested in Islamic philosophy and gender and Islamic studies.

M. Shobhana Xavier is an Assistant Professor of Religion at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism(Bloombsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found on here and here. She may be reached at shobhana.xavier@queensu.ca.


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]]> Zahra Ayubi, "Gendered Morality: Classical Islamic Ethics of the Self, Family, and Society" (Columbia UP, 2019) New Books Network 01:07:40 How are notions of justice and equality constructed in Islamic virtue ethics (akhlaq)? How are Islamic virtue ethics gendered, despite their venture into perennial concerns of how best to live a good and ethical life? These are the questions that Zahra Ayubi, an assistant professor of religion at Dartmouth college, examines in her new book Gendered Morality: Classical Islamic Ethics of the Self, Family, and Society (Columbia University Press, 2019). Using akhlaq literature by al-Ghazali, Davani and Tusi, Ayubi closely studies the ways in which these male Muslim scholars constructed ideas of the self (nafs), particularly in relation to the family and the society. Despite the ethicists’ differing sectarian and theological orientations in Islam, they still concluded that the status of a perfect ethical human was only achievable by a male elite. Meaning that the capacity to utilize rational faculty, which is central to self-refinement, was deemed not accessible to females, slaves, and non-elite males. In unpacking these gendered and hierarchical dynamics around ethics and comportment, Aybui masterfully applies feminist and gender analysis to deconstruct ethical texts. In light of her findings, she calls for a “philosophical turn” that must employ critical gender analysis when reading these texts not only in the context of Islamic philosophy, but broadly in the study of Islam. The book is a must read for scholars and students interested in Islamic philosophy and gender and Islamic studies. M. Shobhana Xavier is an Assistant Professor of Religion at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism(Bloombsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found on here and here. She may be reached at shobhana.xavier@queensu.ca. How are notions of justice and equality constructed in Islamic virtue ethics (akhlaq)? How are Islamic virtue ethics gendered, despite their venture into perennial concerns of how best to live a good and ethical life? These are the questions that Zahra Ayubi, an assistant professor of religion at Dartmouth college, examines in her new book Gendered Morality: Classical Islamic Ethics of the Self, Family, and Society (Columbia University Press, 2019). Using akhlaq literature by al-Ghazali, Davani and Tusi, Ayubi closely studies the ways in which these male Muslim scholars constructed ideas of the self (nafs), particularly in relation to the family and the society. Despite the ethicists’ differing sectarian and theological orientations in Islam, they still concluded that the status of a perfect ethical human was only achievable by a male elite. Meaning that the capacity to utilize rational faculty, which is central to self-refinement, was deemed not accessible to females, slaves, and non-elite males. In unpacking these gendered and hierarchical dynamics around ethics and comportment, Aybui masterfully applies feminist and gender analysis to deconstruct ethical texts. In light of her findings, she calls for a “philosophical turn” that must employ critical gender analysis when reading these texts not only in the context of Islamic philosophy, but broadly in the study of Islam. The book is a must read for scholars and students interested in Islamic philosophy and gender and Islamic studies. M. Shobhana Xavier is an Assistant Professor of Religion at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism(Bloombsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found on here and here. She may be reached at shobhana.xavier@queensu.ca. false full 152 dacc0dc4-0897-11ef-a083-8b0bccf47a04 Céline Bessière and Sibylle Gollac, "The Gender of Capital: How Families Perpetuate Wealth Inequality" (Harvard UP, 2023) In many countries, property law grants equal rights to men and women. Why, then, do women still accumulate less wealth than men? Combining quantitative, ethnographic, and archival research, The Gender of Capital: How Families Perpetuate Wealth Inequality (Harvard UP, 2023) explains how and why, in every class of society, women are economically disadvantaged with respect to their husbands, fathers, and brothers. The reasons lie with the unfair economic arrangements that play out in divorce proceedings, estate planning, and other crucial situations where law and family life intersect.

Céline Bessière and Sibylle Gollac argue that, whatever the law intends, too many outcomes are imprinted with unthought sexism. In private decisions, old habits die hard: families continue to allocate resources disproportionately to benefit boys and men. Meanwhile, the legal profession remains in thrall to assumptions that reinforce gender inequality. Bessière and Gollac marshal a range of economic data documenting these biases. They also examine scores of family histories and interview family members, lawyers, and notaries to identify the accounting tricks that tip the scales in favor of men.

Women across the class spectrum—from poor single mothers to MacKenzie Scott, ex-wife of Amazon billionaire Jeff Bezos—can face systematic economic disadvantages in divorce cases. The same is true in matters of inheritance and succession in family-owned businesses. Moreover, these disadvantages perpetuate broader social disparities beyond gender inequality. As Bessière and Gollac make clear, the appropriation of capital by men has helped to secure the rigid hierarchies of contemporary class society itself.

Céline Bessière is Professor of Sociology at the University of Paris-Dauphine.

Sibylle Gollac is a researcher in sociology at the National Centre for Scientific Research. 

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Fri, 3 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In many countries, property law grants equal rights to men and women. Why, then, do women still accumulate less wealth than men? Combining quantitative, ethnographic, and archival research, The Gender of Capital: How Families Perpetuate Wealth Inequality (Harvard UP, 2023) explains how and why, in every class of society, women are economically disadvantaged with respect to their husbands, fathers, and brothers. The reasons lie with the unfair economic arrangements that play out in divorce proceedings, estate planning, and other crucial situations where law and family life intersect.

Céline Bessière and Sibylle Gollac argue that, whatever the law intends, too many outcomes are imprinted with unthought sexism. In private decisions, old habits die hard: families continue to allocate resources disproportionately to benefit boys and men. Meanwhile, the legal profession remains in thrall to assumptions that reinforce gender inequality. Bessière and Gollac marshal a range of economic data documenting these biases. They also examine scores of family histories and interview family members, lawyers, and notaries to identify the accounting tricks that tip the scales in favor of men.

Women across the class spectrum—from poor single mothers to MacKenzie Scott, ex-wife of Amazon billionaire Jeff Bezos—can face systematic economic disadvantages in divorce cases. The same is true in matters of inheritance and succession in family-owned businesses. Moreover, these disadvantages perpetuate broader social disparities beyond gender inequality. As Bessière and Gollac make clear, the appropriation of capital by men has helped to secure the rigid hierarchies of contemporary class society itself.

Céline Bessière is Professor of Sociology at the University of Paris-Dauphine.

Sibylle Gollac is a researcher in sociology at the National Centre for Scientific Research. 

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Céline Bessière and Sibylle Gollac, "The Gender of Capital: How Families Perpetuate Wealth Inequality" (Harvard UP, 2023) New Books Network 01:02:34 In many countries, property law grants equal rights to men and women. Why, then, do women still accumulate less wealth than men? Combining quantitative, ethnographic, and archival research, The Gender of Capital: How Families Perpetuate Wealth Inequality (Harvard UP, 2023) explains how and why, in every class of society, women are economically disadvantaged with respect to their husbands, fathers, and brothers. The reasons lie with the unfair economic arrangements that play out in divorce proceedings, estate planning, and other crucial situations where law and family life intersect. Céline Bessière and Sibylle Gollac argue that, whatever the law intends, too many outcomes are imprinted with unthought sexism. In private decisions, old habits die hard: families continue to allocate resources disproportionately to benefit boys and men. Meanwhile, the legal profession remains in thrall to assumptions that reinforce gender inequality. Bessière and Gollac marshal a range of economic data documenting these biases. They also examine scores of family histories and interview family members, lawyers, and notaries to identify the accounting tricks that tip the scales in favor of men. Women across the class spectrum—from poor single mothers to MacKenzie Scott, ex-wife of Amazon billionaire Jeff Bezos—can face systematic economic disadvantages in divorce cases. The same is true in matters of inheritance and succession in family-owned businesses. Moreover, these disadvantages perpetuate broader social disparities beyond gender inequality. As Bessière and Gollac make clear, the appropriation of capital by men has helped to secure the rigid hierarchies of contemporary class society itself. Céline Bessière is Professor of Sociology at the University of Paris-Dauphine. Sibylle Gollac is a researcher in sociology at the National Centre for Scientific Research.  Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. In many countries, property law grants equal rights to men and women. Why, then, do women still accumulate less wealth than men? Combining quantitative, ethnographic, and archival research, The Gender of Capital: How Families Perpetuate Wealth Inequality (Harvard UP, 2023) explains how and why, in every class of society, women are economically disadvantaged with respect to their husbands, fathers, and brothers. The reasons lie with the unfair economic arrangements that play out in divorce proceedings, estate planning, and other crucial situations where law and family life intersect. Céline Bessière and Sibylle Gollac argue that, whatever the law intends, too many outcomes are imprinted with unthought sexism. In private decisions, old habits die hard: families continue to allocate resources disproportionately to benefit boys and men. Meanwhile, the legal profession remains in thrall to assumptions that reinforce gender inequality. Bessière and Gollac marshal a range of economic data documenting these biases. They also examine scores of family histories and interview family members, lawyers, and notaries to identify the accounting tricks that tip the scales in favor of men. Women across the class spectrum—from poor single mothers to MacKenzie Scott, ex-wife of Amazon billionaire Jeff Bezos—can face systematic economic disadvantages in divorce cases. The same is true in matters of inheritance and succession in family-owned businesses. Moreover, these disadvantages perpetuate broader social disparities beyond gender inequality. As Bessière and Gollac make clear, the appropriation of capital by men has helped to secure the rigid hierarchies of contemporary class society itself. Céline Bessière is Professor of Sociology at the University of Paris-Dauphine. Sibylle Gollac is a researcher in sociology at the National Centre for Scientific Research.  Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. false full 453 51b8a9d4-089c-11ef-b23c-9b6d527e498b Sara B. Franklin, "The Editor: How Publishing Legend Judith Jones Shaped Culture in America" (Atria, 2024) The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday’s Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing. 

Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who’s who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America’s most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women’s equality, Jones’s work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers.


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]]> Fri, 3 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday’s Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing. 

Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who’s who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America’s most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women’s equality, Jones’s work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers.


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]]> Sara B. Franklin, "The Editor: How Publishing Legend Judith Jones Shaped Culture in America" (Atria, 2024) New Books Network 00:25:49 The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday’s Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing.  Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who’s who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America’s most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women’s equality, Jones’s work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers. The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday’s Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing.  Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who’s who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America’s most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women’s equality, Jones’s work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers. false full 155 e982cbf6-07d3-11ef-8247-9b59eab6100e Shu Yang, "Untamed Shrews: Negotiating New Womanhood in Modern China" (Cornell UP, 2023) If you are familiar with traditional Chinese literature, you have likely come across the figure of the “shrew,” a morally threatening woman who is either transgressive and polluting, promiscuous, or violent (or perhaps a combination of all three). Scholars of literature typically write about how this archetype faded out after 1911, while the figure of the more ‘modern’ “new woman” came to dominate. In Untamed Shrews: Negotiating New Womanhood in Modern China (Cornell University Press, 2023), Shu Yang shows how the shrew persisted and actually served as the basis for the celebrated “new woman,” thus revealing an entirely different relationship between the shrew and the new woman and a new origin story for symbols of female empowerment in modern China. 

In Untamed Shrews, Yang charts how the figure of the shrew was used to depict early Chinese suffragettes, pulled into discussions of female jealousy, reworked in reconsiderations of female promiscuity and henpecked husbands, and repackaged in Communist reconfigurations of how reasonable revolutionary wives ought to behave. Throughout, Yang provides careful and detailed readings of a wide range of sources, scrutinizing the historical context and wider meaning of the shrew as she appeared in newspaper accounts, fiction, and theater. 

Untamed Shrews is sure to be of interest to anyone who works on modern Chinese literature, Republican history, global 'new women,' and print culture, as well as those fascinated by literary repackagings and depictions of the shrew -- both in tamed and untamed forms. 


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]]> Thu, 2 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com If you are familiar with traditional Chinese literature, you have likely come across the figure of the “shrew,” a morally threatening woman who is either transgressive and polluting, promiscuous, or violent (or perhaps a combination of all three). Scholars of literature typically write about how this archetype faded out after 1911, while the figure of the more ‘modern’ “new woman” came to dominate. In Untamed Shrews: Negotiating New Womanhood in Modern China (Cornell University Press, 2023), Shu Yang shows how the shrew persisted and actually served as the basis for the celebrated “new woman,” thus revealing an entirely different relationship between the shrew and the new woman and a new origin story for symbols of female empowerment in modern China. 

In Untamed Shrews, Yang charts how the figure of the shrew was used to depict early Chinese suffragettes, pulled into discussions of female jealousy, reworked in reconsiderations of female promiscuity and henpecked husbands, and repackaged in Communist reconfigurations of how reasonable revolutionary wives ought to behave. Throughout, Yang provides careful and detailed readings of a wide range of sources, scrutinizing the historical context and wider meaning of the shrew as she appeared in newspaper accounts, fiction, and theater. 

Untamed Shrews is sure to be of interest to anyone who works on modern Chinese literature, Republican history, global 'new women,' and print culture, as well as those fascinated by literary repackagings and depictions of the shrew -- both in tamed and untamed forms. 


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]]> Shu Yang, "Untamed Shrews: Negotiating New Womanhood in Modern China" (Cornell UP, 2023) New Books Network 01:10:34 If you are familiar with traditional Chinese literature, you have likely come across the figure of the “shrew,” a morally threatening woman who is either transgressive and polluting, promiscuous, or violent (or perhaps a combination of all three). Scholars of literature typically write about how this archetype faded out after 1911, while the figure of the more ‘modern’ “new woman” came to dominate. In Untamed Shrews: Negotiating New Womanhood in Modern China (Cornell University Press, 2023), Shu Yang shows how the shrew persisted and actually served as the basis for the celebrated “new woman,” thus revealing an entirely different relationship between the shrew and the new woman and a new origin story for symbols of female empowerment in modern China.  In Untamed Shrews, Yang charts how the figure of the shrew was used to depict early Chinese suffragettes, pulled into discussions of female jealousy, reworked in reconsiderations of female promiscuity and henpecked husbands, and repackaged in Communist reconfigurations of how reasonable revolutionary wives ought to behave. Throughout, Yang provides careful and detailed readings of a wide range of sources, scrutinizing the historical context and wider meaning of the shrew as she appeared in newspaper accounts, fiction, and theater.  Untamed Shrews is sure to be of interest to anyone who works on modern Chinese literature, Republican history, global 'new women,' and print culture, as well as those fascinated by literary repackagings and depictions of the shrew -- both in tamed and untamed forms.  If you are familiar with traditional Chinese literature, you have likely come across the figure of the “shrew,” a morally threatening woman who is either transgressive and polluting, promiscuous, or violent (or perhaps a combination of all three). Scholars of literature typically write about how this archetype faded out after 1911, while the figure of the more ‘modern’ “new woman” came to dominate. In Untamed Shrews: Negotiating New Womanhood in Modern China (Cornell University Press, 2023), Shu Yang shows how the shrew persisted and actually served as the basis for the celebrated “new woman,” thus revealing an entirely different relationship between the shrew and the new woman and a new origin story for symbols of female empowerment in modern China.  In Untamed Shrews, Yang charts how the figure of the shrew was used to depict early Chinese suffragettes, pulled into discussions of female jealousy, reworked in reconsiderations of female promiscuity and henpecked husbands, and repackaged in Communist reconfigurations of how reasonable revolutionary wives ought to behave. Throughout, Yang provides careful and detailed readings of a wide range of sources, scrutinizing the historical context and wider meaning of the shrew as she appeared in newspaper accounts, fiction, and theater.  Untamed Shrews is sure to be of interest to anyone who works on modern Chinese literature, Republican history, global 'new women,' and print culture, as well as those fascinated by literary repackagings and depictions of the shrew -- both in tamed and untamed forms.  false full 526 e1c7537e-d8a7-11ee-a4c4-ffba78853a74 Nancy M. Martin, "Mirabai: The Making of a Saint" (Oxford UP, 2023) Mirabai, an iconic sixteenth-century Indian poet-saint, is renowned for her unwavering love of God, her disregard for social hierarchies and gendered notions of honor and shame, and her challenge to familial, feudal, and religious authorities. Defying attempts to constrain and even kill her, she could not be silenced. Though verifiable facts regarding her life are few, her fame spread across social, linguistic, and religious boundaries, and stories about her multiplied across the subcontinent and the centuries.

In Mirabai: The Making of a Saint (Oxford UP, 2023), Nancy M. Martin traces the story of this immensely popular Indian saint from the earliest manuscript references to her through colonial and nationalist developments to scholarly and popular portrayals in the decades leading up to Indian independence. This book examines Mirabai's place as both insider and outsider to the developing strands of devotional Hinduism and her role in contested terrain of debates around the education and independence of women and the crafting of Indian and Hindu identities.

Mirabai offers a comprehensive and multi-layered portrait of this remarkable and still controversial woman, who continues to be a source of inspiration and catalyst for self-actualization for spiritual seekers, artists, activists, and so many others in India and around the world today.


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]]> Thu, 2 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Mirabai, an iconic sixteenth-century Indian poet-saint, is renowned for her unwavering love of God, her disregard for social hierarchies and gendered notions of honor and shame, and her challenge to familial, feudal, and religious authorities. Defying attempts to constrain and even kill her, she could not be silenced. Though verifiable facts regarding her life are few, her fame spread across social, linguistic, and religious boundaries, and stories about her multiplied across the subcontinent and the centuries.

In Mirabai: The Making of a Saint (Oxford UP, 2023), Nancy M. Martin traces the story of this immensely popular Indian saint from the earliest manuscript references to her through colonial and nationalist developments to scholarly and popular portrayals in the decades leading up to Indian independence. This book examines Mirabai's place as both insider and outsider to the developing strands of devotional Hinduism and her role in contested terrain of debates around the education and independence of women and the crafting of Indian and Hindu identities.

Mirabai offers a comprehensive and multi-layered portrait of this remarkable and still controversial woman, who continues to be a source of inspiration and catalyst for self-actualization for spiritual seekers, artists, activists, and so many others in India and around the world today.


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]]> Nancy M. Martin, "Mirabai: The Making of a Saint" (Oxford UP, 2023) New Books Network 00:43:32 Mirabai, an iconic sixteenth-century Indian poet-saint, is renowned for her unwavering love of God, her disregard for social hierarchies and gendered notions of honor and shame, and her challenge to familial, feudal, and religious authorities. Defying attempts to constrain and even kill her, she could not be silenced. Though verifiable facts regarding her life are few, her fame spread across social, linguistic, and religious boundaries, and stories about her multiplied across the subcontinent and the centuries. In Mirabai: The Making of a Saint (Oxford UP, 2023), Nancy M. Martin traces the story of this immensely popular Indian saint from the earliest manuscript references to her through colonial and nationalist developments to scholarly and popular portrayals in the decades leading up to Indian independence. This book examines Mirabai's place as both insider and outsider to the developing strands of devotional Hinduism and her role in contested terrain of debates around the education and independence of women and the crafting of Indian and Hindu identities. Mirabai offers a comprehensive and multi-layered portrait of this remarkable and still controversial woman, who continues to be a source of inspiration and catalyst for self-actualization for spiritual seekers, artists, activists, and so many others in India and around the world today. Mirabai, an iconic sixteenth-century Indian poet-saint, is renowned for her unwavering love of God, her disregard for social hierarchies and gendered notions of honor and shame, and her challenge to familial, feudal, and religious authorities. Defying attempts to constrain and even kill her, she could not be silenced. Though verifiable facts regarding her life are few, her fame spread across social, linguistic, and religious boundaries, and stories about her multiplied across the subcontinent and the centuries. In Mirabai: The Making of a Saint (Oxford UP, 2023), Nancy M. Martin traces the story of this immensely popular Indian saint from the earliest manuscript references to her through colonial and nationalist developments to scholarly and popular portrayals in the decades leading up to Indian independence. This book examines Mirabai's place as both insider and outsider to the developing strands of devotional Hinduism and her role in contested terrain of debates around the education and independence of women and the crafting of Indian and Hindu identities. Mirabai offers a comprehensive and multi-layered portrait of this remarkable and still controversial woman, who continues to be a source of inspiration and catalyst for self-actualization for spiritual seekers, artists, activists, and so many others in India and around the world today. false full 326 309e4414-07cc-11ef-b2cf-737ead79942d Katie Gee Salisbury, "Not Your China Doll: The Wild and Shimmering Life of Anna May Wong" (Dutton, 2024) In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency.

Katie Gee Salisbury takes on Anna May Wong’s life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong’s life, from her start in Hollywood’s early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China.

In this interview, Katie and I talk about Anna May Wong’s life, her struggles against censorship, and what films you should watch to understand Wong as an actress.

A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury.

Other links:

—Katie on writing Anna May Wong’s biography, for Lithub

—An excerpt of Not Your China Doll, for PBS

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.


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]]> Thu, 2 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency.

Katie Gee Salisbury takes on Anna May Wong’s life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong’s life, from her start in Hollywood’s early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China.

In this interview, Katie and I talk about Anna May Wong’s life, her struggles against censorship, and what films you should watch to understand Wong as an actress.

A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury.

Other links:

—Katie on writing Anna May Wong’s biography, for Lithub

—An excerpt of Not Your China Doll, for PBS

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.


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]]> Katie Gee Salisbury, "Not Your China Doll: The Wild and Shimmering Life of Anna May Wong" (Dutton, 2024) New Books Network 00:42:37 In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency. Katie Gee Salisbury takes on Anna May Wong’s life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong’s life, from her start in Hollywood’s early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China. In this interview, Katie and I talk about Anna May Wong’s life, her struggles against censorship, and what films you should watch to understand Wong as an actress. A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury. Other links: —Katie on writing Anna May Wong’s biography, for Lithub —An excerpt of Not Your China Doll, for PBS You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency. Katie Gee Salisbury takes on Anna May Wong’s life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong’s life, from her start in Hollywood’s early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China. In this interview, Katie and I talk about Anna May Wong’s life, her struggles against censorship, and what films you should watch to understand Wong as an actress. A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury. Other links: —Katie on writing Anna May Wong’s biography, for Lithub —An excerpt of Not Your China Doll, for PBS You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. false full 185 2218cfa0-07da-11ef-8257-b3dcab8f5733 Crystal Wilkinson, "Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks" (Clarkson Potter, 2023) Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine.

An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023) honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia.

As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in Praisesong for the Kitchen Ghosts. She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, Praisesong for the Kitchen Ghosts weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century.


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]]> Thu, 2 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine.

An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023) honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia.

As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in Praisesong for the Kitchen Ghosts. She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, Praisesong for the Kitchen Ghosts weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century.


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]]> Crystal Wilkinson, "Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks" (Clarkson Potter, 2023) New Books Network 00:46:49 Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine. An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023) honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia. As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in Praisesong for the Kitchen Ghosts. She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, Praisesong for the Kitchen Ghosts weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century. Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine. An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks (Clarkson Potter, 2023) honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia. As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in Praisesong for the Kitchen Ghosts. She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, Praisesong for the Kitchen Ghosts weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century. false full 154 dcab5e90-0010-11ef-b7f4-dbdcfd352e4c Renée Bergland, "Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science" (Princeton UP, 2024) Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical--and too dangerous for women.

Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science (Princeton UP, 2024) intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin's work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson's poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world.

Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder.


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]]> Wed, 1 May 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical--and too dangerous for women.

Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science (Princeton UP, 2024) intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin's work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson's poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world.

Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder.


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]]> Renée Bergland, "Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science" (Princeton UP, 2024) New Books Network 00:39:13 Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical--and too dangerous for women. Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science (Princeton UP, 2024) intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin's work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson's poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world. Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder. Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical--and too dangerous for women. Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science (Princeton UP, 2024) intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin's work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson's poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world. Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder. false full 96 d62b30a8-04a8-11ef-b549-afbe4db57b78 Sarah A. Bendall, "Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England" (Bloomsbury, 2021) In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century. 

With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England (Bloomsbury, 2021) by Dr. Sarah Bendall explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity.

Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 28 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century. 

With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England (Bloomsbury, 2021) by Dr. Sarah Bendall explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity.

Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Sarah A. Bendall, "Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England" (Bloomsbury, 2021) New Books Network 00:51:16 In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century.  With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England (Bloomsbury, 2021) by Dr. Sarah Bendall explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity. Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century.  With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England (Bloomsbury, 2021) by Dr. Sarah Bendall explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity. Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 70 ac2f75e8-0408-11ef-80d1-336bf4ceb5e4 Leigh Gilmore, "The #MeToo Effect: What Happens When We Believe Women" (Columbia UP, 2023) The #MeToo movement inspired millions to testify to the widespread experience of sexual violence. More broadly, it shifted the deeply ingrained response to women’s accounts of sexual violence from doubting all of them to believing some of them. What changed?

In The #MeToo Effect: What Happens When We Believe Women (Columbia UP, 2023), Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. At a time when the cultural conversation was fixated on appeals to legal and bureaucratic systems, narrative activism— storytelling in the service of social change—elevated survivors as authorities. Their testimony fused credibility and accountability into the #MeToo effect: uniting millions of separate accounts into an existential demand for sexual justice and the right to be heard.

Gilmore reframes #MeToo as a breakthrough moment within a longer history of feminist thought and activism. She analyzes the centrality of autobiographical storytelling in intersectional and antirape activism and traces how literary representations of sexual violence dating from antiquity intertwine with cultural notions of doubt, obligation, and agency. By focusing on the intersectional prehistory of #MeToo, Gilmore sheds light on how survivors have used narrative to frame sexual violence as an urgent problem requiring structural solutions in diverse global contexts. Considering the roles of literature and literary criticism in movements for social change, The #MeToo Effect demonstrates how “reading like a survivor” provides resources for activism.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Sat, 27 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The #MeToo movement inspired millions to testify to the widespread experience of sexual violence. More broadly, it shifted the deeply ingrained response to women’s accounts of sexual violence from doubting all of them to believing some of them. What changed?

In The #MeToo Effect: What Happens When We Believe Women (Columbia UP, 2023), Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. At a time when the cultural conversation was fixated on appeals to legal and bureaucratic systems, narrative activism— storytelling in the service of social change—elevated survivors as authorities. Their testimony fused credibility and accountability into the #MeToo effect: uniting millions of separate accounts into an existential demand for sexual justice and the right to be heard.

Gilmore reframes #MeToo as a breakthrough moment within a longer history of feminist thought and activism. She analyzes the centrality of autobiographical storytelling in intersectional and antirape activism and traces how literary representations of sexual violence dating from antiquity intertwine with cultural notions of doubt, obligation, and agency. By focusing on the intersectional prehistory of #MeToo, Gilmore sheds light on how survivors have used narrative to frame sexual violence as an urgent problem requiring structural solutions in diverse global contexts. Considering the roles of literature and literary criticism in movements for social change, The #MeToo Effect demonstrates how “reading like a survivor” provides resources for activism.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Leigh Gilmore, "The #MeToo Effect: What Happens When We Believe Women" (Columbia UP, 2023) New Books Network 00:48:24 The #MeToo movement inspired millions to testify to the widespread experience of sexual violence. More broadly, it shifted the deeply ingrained response to women’s accounts of sexual violence from doubting all of them to believing some of them. What changed? In The #MeToo Effect: What Happens When We Believe Women (Columbia UP, 2023), Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. At a time when the cultural conversation was fixated on appeals to legal and bureaucratic systems, narrative activism— storytelling in the service of social change—elevated survivors as authorities. Their testimony fused credibility and accountability into the #MeToo effect: uniting millions of separate accounts into an existential demand for sexual justice and the right to be heard. Gilmore reframes #MeToo as a breakthrough moment within a longer history of feminist thought and activism. She analyzes the centrality of autobiographical storytelling in intersectional and antirape activism and traces how literary representations of sexual violence dating from antiquity intertwine with cultural notions of doubt, obligation, and agency. By focusing on the intersectional prehistory of #MeToo, Gilmore sheds light on how survivors have used narrative to frame sexual violence as an urgent problem requiring structural solutions in diverse global contexts. Considering the roles of literature and literary criticism in movements for social change, The #MeToo Effect demonstrates how “reading like a survivor” provides resources for activism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 The #MeToo movement inspired millions to testify to the widespread experience of sexual violence. More broadly, it shifted the deeply ingrained response to women’s accounts of sexual violence from doubting all of them to believing some of them. What changed? In The #MeToo Effect: What Happens When We Believe Women (Columbia UP, 2023), Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. At a time when the cultural conversation was fixated on appeals to legal and bureaucratic systems, narrative activism— storytelling in the service of social change—elevated survivors as authorities. Their testimony fused credibility and accountability into the #MeToo effect: uniting millions of separate accounts into an existential demand for sexual justice and the right to be heard. Gilmore reframes #MeToo as a breakthrough moment within a longer history of feminist thought and activism. She analyzes the centrality of autobiographical storytelling in intersectional and antirape activism and traces how literary representations of sexual violence dating from antiquity intertwine with cultural notions of doubt, obligation, and agency. By focusing on the intersectional prehistory of #MeToo, Gilmore sheds light on how survivors have used narrative to frame sexual violence as an urgent problem requiring structural solutions in diverse global contexts. Considering the roles of literature and literary criticism in movements for social change, The #MeToo Effect demonstrates how “reading like a survivor” provides resources for activism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 false full 88 8c4cc672-019c-11ef-a345-07a433e9a9d2 Stitching Freedom: Embroidery and Incarceration Today’s book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach.

Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner’s Art,” and the new book Stitching Freedom: Embroidery and Incarceration.

Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also be interested in:


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes.


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]]> Thu, 25 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today’s book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach.

Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner’s Art,” and the new book Stitching Freedom: Embroidery and Incarceration.

Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also be interested in:


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Stitching Freedom: Embroidery and Incarceration New Books Network 00:46:28 Today’s book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach. Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner’s Art,” and the new book Stitching Freedom: Embroidery and Incarceration. Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: The Royal School of Needlework Rozsika Parker's The Subversive Stitch. Betty Ring's Girlhood Embroidery: American Samplers & Pictorial Needlework 1650-1850. Maureen Daly Goggin and Beth Fowkes Tobin's Women and the Material Culture of Needlework and Textiles, 1750-1950. A conversation with the director of the Emerson Prison Initiative A conversation about The Journal of Higher Education in Prison Education Behind the Wall Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes. Today’s book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach. Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner’s Art,” and the new book Stitching Freedom: Embroidery and Incarceration. Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: The Royal School of Needlework Rozsika Parker's The Subversive Stitch. Betty Ring's Girlhood Embroidery: American Samplers & Pictorial Needlework 1650-1850. Maureen Daly Goggin and Beth Fowkes Tobin's Women and the Material Culture of Needlework and Textiles, 1750-1950. A conversation with the director of the Emerson Prison Initiative A conversation about The Journal of Higher Education in Prison Education Behind the Wall Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes. false full 211 e2e7d4b6-c215-11ee-8f5b-535ed94f2787 Julie Peakman, "Libertine London: Sex in the Eighteenth-Century Metropolis" (Reaktion, 2024) Libertine London: Sex in the Eighteenth-Century Metropolis (Reaktion, 2024) by Dr. Julie Peakman investigates the sex lives of women from 1680 to 1830, the period known as the long eighteenth century. It uncovers the various experiences of women, whether mistresses, adulteresses or those involved in the sex trade. From renowned courtesans to downtrodden streetwalkers, Julie Peakman examines the multifaceted lives of these women within brothels, on stage and even behind bars.

Based on new research into court transcripts, asylum records, magazines, pamphlets, satires, songs, theatre plays and erotica, we learn of the gruesome treatment of women who were sexually active outside of marriage. Dr. Peakman looks at sex from women’s points of view, undercutting the traditional image of the bawdy eighteenth century to expose a more sordid side, of women left distressed, ostracised and vilified for their sexual behaviour.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Mon, 22 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Libertine London: Sex in the Eighteenth-Century Metropolis (Reaktion, 2024) by Dr. Julie Peakman investigates the sex lives of women from 1680 to 1830, the period known as the long eighteenth century. It uncovers the various experiences of women, whether mistresses, adulteresses or those involved in the sex trade. From renowned courtesans to downtrodden streetwalkers, Julie Peakman examines the multifaceted lives of these women within brothels, on stage and even behind bars.

Based on new research into court transcripts, asylum records, magazines, pamphlets, satires, songs, theatre plays and erotica, we learn of the gruesome treatment of women who were sexually active outside of marriage. Dr. Peakman looks at sex from women’s points of view, undercutting the traditional image of the bawdy eighteenth century to expose a more sordid side, of women left distressed, ostracised and vilified for their sexual behaviour.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Julie Peakman, "Libertine London: Sex in the Eighteenth-Century Metropolis" (Reaktion, 2024) New Books Network 00:38:32 Libertine London: Sex in the Eighteenth-Century Metropolis (Reaktion, 2024) by Dr. Julie Peakman investigates the sex lives of women from 1680 to 1830, the period known as the long eighteenth century. It uncovers the various experiences of women, whether mistresses, adulteresses or those involved in the sex trade. From renowned courtesans to downtrodden streetwalkers, Julie Peakman examines the multifaceted lives of these women within brothels, on stage and even behind bars. Based on new research into court transcripts, asylum records, magazines, pamphlets, satires, songs, theatre plays and erotica, we learn of the gruesome treatment of women who were sexually active outside of marriage. Dr. Peakman looks at sex from women’s points of view, undercutting the traditional image of the bawdy eighteenth century to expose a more sordid side, of women left distressed, ostracised and vilified for their sexual behaviour. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Libertine London: Sex in the Eighteenth-Century Metropolis (Reaktion, 2024) by Dr. Julie Peakman investigates the sex lives of women from 1680 to 1830, the period known as the long eighteenth century. It uncovers the various experiences of women, whether mistresses, adulteresses or those involved in the sex trade. From renowned courtesans to downtrodden streetwalkers, Julie Peakman examines the multifaceted lives of these women within brothels, on stage and even behind bars. Based on new research into court transcripts, asylum records, magazines, pamphlets, satires, songs, theatre plays and erotica, we learn of the gruesome treatment of women who were sexually active outside of marriage. Dr. Peakman looks at sex from women’s points of view, undercutting the traditional image of the bawdy eighteenth century to expose a more sordid side, of women left distressed, ostracised and vilified for their sexual behaviour. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 39 fdd201ce-ff29-11ee-867c-83d206eec3d9 Diana Chapman Walsh, "The Claims of Life: A Memoir" (MIT Press, 2023) The engaging memoir of a legendary president of Wellesley College known for authentic and open-hearted leadership, who drove innovation with power and love. The Claims of Life: A Memoir (The MIT Press, 2023) traces the emergence of a young woman who set out believing she wasn’t particularly smart but went on to meet multiple tests of leadership in the American academy—a place where everyone wants to be heard and no one wants a boss. In college, Diana Chapman met Chris Walsh, who became a towering figure in academic science. Their marriage of fifty-seven years brought them to the forefront of revolutions in higher education, gender expectations, health-care delivery, and biomedical research. 

The Claims of Life offers readers an unusually intimate view of trustworthy leadership that begins and ends in self-knowledge. During a transformative fourteen-year Wellesley presidency, Walsh advanced women’s authority, compassionate governance, and self-reinvention. After Wellesley, Walsh’s interests took her to the boards of five national nonprofits galvanizing change. She kept counsel with Nobel laureates, feminist icons, and even the Dalai Lama, seeking solutions to the world’s climate crisis. With an ear tuned to social issues, The Claims of Life is an inspiring account of a life lived with humor, insight, and meaning that will surely leave a lasting impression on its readers.

Diana Chapman Walsh is President Emerita of Wellesley College and an emerita member of the governing boards of MIT and Amherst College. She was a trustee of the Kaiser Family Foundation, the Institute for Healthcare Improvement, and the Mind and Life Institute, and also chaired the Broad Institute's inaugural board and cofounded the Council on the Uncertain Human Future.

Caleb Zakarin is editor at the New Books Network.


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]]> Sun, 21 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The engaging memoir of a legendary president of Wellesley College known for authentic and open-hearted leadership, who drove innovation with power and love. The Claims of Life: A Memoir (The MIT Press, 2023) traces the emergence of a young woman who set out believing she wasn’t particularly smart but went on to meet multiple tests of leadership in the American academy—a place where everyone wants to be heard and no one wants a boss. In college, Diana Chapman met Chris Walsh, who became a towering figure in academic science. Their marriage of fifty-seven years brought them to the forefront of revolutions in higher education, gender expectations, health-care delivery, and biomedical research. 

The Claims of Life offers readers an unusually intimate view of trustworthy leadership that begins and ends in self-knowledge. During a transformative fourteen-year Wellesley presidency, Walsh advanced women’s authority, compassionate governance, and self-reinvention. After Wellesley, Walsh’s interests took her to the boards of five national nonprofits galvanizing change. She kept counsel with Nobel laureates, feminist icons, and even the Dalai Lama, seeking solutions to the world’s climate crisis. With an ear tuned to social issues, The Claims of Life is an inspiring account of a life lived with humor, insight, and meaning that will surely leave a lasting impression on its readers.

Diana Chapman Walsh is President Emerita of Wellesley College and an emerita member of the governing boards of MIT and Amherst College. She was a trustee of the Kaiser Family Foundation, the Institute for Healthcare Improvement, and the Mind and Life Institute, and also chaired the Broad Institute's inaugural board and cofounded the Council on the Uncertain Human Future.

Caleb Zakarin is editor at the New Books Network.


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]]> Diana Chapman Walsh, "The Claims of Life: A Memoir" (MIT Press, 2023) New Books Network 01:12:09 The engaging memoir of a legendary president of Wellesley College known for authentic and open-hearted leadership, who drove innovation with power and love. The Claims of Life: A Memoir (The MIT Press, 2023) traces the emergence of a young woman who set out believing she wasn’t particularly smart but went on to meet multiple tests of leadership in the American academy—a place where everyone wants to be heard and no one wants a boss. In college, Diana Chapman met Chris Walsh, who became a towering figure in academic science. Their marriage of fifty-seven years brought them to the forefront of revolutions in higher education, gender expectations, health-care delivery, and biomedical research.  The Claims of Life offers readers an unusually intimate view of trustworthy leadership that begins and ends in self-knowledge. During a transformative fourteen-year Wellesley presidency, Walsh advanced women’s authority, compassionate governance, and self-reinvention. After Wellesley, Walsh’s interests took her to the boards of five national nonprofits galvanizing change. She kept counsel with Nobel laureates, feminist icons, and even the Dalai Lama, seeking solutions to the world’s climate crisis. With an ear tuned to social issues, The Claims of Life is an inspiring account of a life lived with humor, insight, and meaning that will surely leave a lasting impression on its readers. Diana Chapman Walsh is President Emerita of Wellesley College and an emerita member of the governing boards of MIT and Amherst College. She was a trustee of the Kaiser Family Foundation, the Institute for Healthcare Improvement, and the Mind and Life Institute, and also chaired the Broad Institute's inaugural board and cofounded the Council on the Uncertain Human Future. Caleb Zakarin is editor at the New Books Network. The engaging memoir of a legendary president of Wellesley College known for authentic and open-hearted leadership, who drove innovation with power and love. The Claims of Life: A Memoir (The MIT Press, 2023) traces the emergence of a young woman who set out believing she wasn’t particularly smart but went on to meet multiple tests of leadership in the American academy—a place where everyone wants to be heard and no one wants a boss. In college, Diana Chapman met Chris Walsh, who became a towering figure in academic science. Their marriage of fifty-seven years brought them to the forefront of revolutions in higher education, gender expectations, health-care delivery, and biomedical research.  The Claims of Life offers readers an unusually intimate view of trustworthy leadership that begins and ends in self-knowledge. During a transformative fourteen-year Wellesley presidency, Walsh advanced women’s authority, compassionate governance, and self-reinvention. After Wellesley, Walsh’s interests took her to the boards of five national nonprofits galvanizing change. She kept counsel with Nobel laureates, feminist icons, and even the Dalai Lama, seeking solutions to the world’s climate crisis. With an ear tuned to social issues, The Claims of Life is an inspiring account of a life lived with humor, insight, and meaning that will surely leave a lasting impression on its readers. Diana Chapman Walsh is President Emerita of Wellesley College and an emerita member of the governing boards of MIT and Amherst College. She was a trustee of the Kaiser Family Foundation, the Institute for Healthcare Improvement, and the Mind and Life Institute, and also chaired the Broad Institute's inaugural board and cofounded the Council on the Uncertain Human Future. Caleb Zakarin is editor at the New Books Network. false full 73 06dc4e1c-fe87-11ee-bf5d-0347a75f1d79 Jessica Cox, "Confinement: The Hidden History of Maternal Bodies in Nineteenth-Century Britain" (The History Press, 2023) Covering a fascinating period of population growth, high infant mortality and deep social inequality, rapid medical advances and pseudoscientific quackery, Confinement: The Hidden History of Maternal Bodies in Nineteenth-Century Britain (The History Press, 2023) by Dr. Jessica Cox is the untold history of pregnancy and childbirth in Victorian Britain.

During the nineteenth century, having children was frequently viewed as a woman’s central function and destiny – and yet the pregnant and postnatal body, as well as the birthing room, are almost entirely absent from the public conversation and written histories of the period. Confinement corrects this omission by exploring stories of pregnancy and motherhood across this period. Drawing on a range of contemporary sources, Dr. Cox charts the maternal experiences of women, examining fertility, pregnancy, miscarriage, childbirth, maternal mortality, unwanted pregnancies, infant loss, breastfeeding, and postnatal bodies and minds.

From the royal family to inhabitants of the workhouse, this absorbing history reveals what motherhood was truly like for the women of nineteenth-century Britain.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 21 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Covering a fascinating period of population growth, high infant mortality and deep social inequality, rapid medical advances and pseudoscientific quackery, Confinement: The Hidden History of Maternal Bodies in Nineteenth-Century Britain (The History Press, 2023) by Dr. Jessica Cox is the untold history of pregnancy and childbirth in Victorian Britain.

During the nineteenth century, having children was frequently viewed as a woman’s central function and destiny – and yet the pregnant and postnatal body, as well as the birthing room, are almost entirely absent from the public conversation and written histories of the period. Confinement corrects this omission by exploring stories of pregnancy and motherhood across this period. Drawing on a range of contemporary sources, Dr. Cox charts the maternal experiences of women, examining fertility, pregnancy, miscarriage, childbirth, maternal mortality, unwanted pregnancies, infant loss, breastfeeding, and postnatal bodies and minds.

From the royal family to inhabitants of the workhouse, this absorbing history reveals what motherhood was truly like for the women of nineteenth-century Britain.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Jessica Cox, "Confinement: The Hidden History of Maternal Bodies in Nineteenth-Century Britain" (The History Press, 2023) New Books Network 00:37:36 Covering a fascinating period of population growth, high infant mortality and deep social inequality, rapid medical advances and pseudoscientific quackery, Confinement: The Hidden History of Maternal Bodies in Nineteenth-Century Britain (The History Press, 2023) by Dr. Jessica Cox is the untold history of pregnancy and childbirth in Victorian Britain. During the nineteenth century, having children was frequently viewed as a woman’s central function and destiny – and yet the pregnant and postnatal body, as well as the birthing room, are almost entirely absent from the public conversation and written histories of the period. Confinement corrects this omission by exploring stories of pregnancy and motherhood across this period. Drawing on a range of contemporary sources, Dr. Cox charts the maternal experiences of women, examining fertility, pregnancy, miscarriage, childbirth, maternal mortality, unwanted pregnancies, infant loss, breastfeeding, and postnatal bodies and minds. From the royal family to inhabitants of the workhouse, this absorbing history reveals what motherhood was truly like for the women of nineteenth-century Britain. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Covering a fascinating period of population growth, high infant mortality and deep social inequality, rapid medical advances and pseudoscientific quackery, Confinement: The Hidden History of Maternal Bodies in Nineteenth-Century Britain (The History Press, 2023) by Dr. Jessica Cox is the untold history of pregnancy and childbirth in Victorian Britain. During the nineteenth century, having children was frequently viewed as a woman’s central function and destiny – and yet the pregnant and postnatal body, as well as the birthing room, are almost entirely absent from the public conversation and written histories of the period. Confinement corrects this omission by exploring stories of pregnancy and motherhood across this period. Drawing on a range of contemporary sources, Dr. Cox charts the maternal experiences of women, examining fertility, pregnancy, miscarriage, childbirth, maternal mortality, unwanted pregnancies, infant loss, breastfeeding, and postnatal bodies and minds. From the royal family to inhabitants of the workhouse, this absorbing history reveals what motherhood was truly like for the women of nineteenth-century Britain. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 119 f32f888a-fcc8-11ee-a4b9-038ba118cb38 Tanisha Ford, "Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement" (Amistad Press, 2024) An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today’s Met Gala, drawing America’s wealthy and cultured, both Black and white.

Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller.

No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country.

Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie’s larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews.

Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who’s Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today’s activists can emulate.


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]]> Fri, 19 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today’s Met Gala, drawing America’s wealthy and cultured, both Black and white.

Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller.

No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country.

Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie’s larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews.

Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who’s Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today’s activists can emulate.


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]]> Tanisha Ford, "Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement" (Amistad Press, 2024) New Books Network 00:34:51 An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today’s Met Gala, drawing America’s wealthy and cultured, both Black and white. Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller. No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country. Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie’s larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews. Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who’s Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today’s activists can emulate. An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today’s Met Gala, drawing America’s wealthy and cultured, both Black and white. Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller. No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country. Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie’s larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews. Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who’s Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today’s activists can emulate. false full 456 f538208c-fb6b-11ee-b6e0-f357f53d43d0 Liz Tregenza, "Wholesale Couture: London and Beyond, 1930-70" (Bloombury, 2023) Wholesale Couture: London and Beyond, 1930-70 (Bloomsbury, 2023) by Dr. Liz Tregenza seeks to revise the notion that wholesale couturiers were simply copyists and demonstrate the complexities of their design processes and business strategies. This term has fallen out of usage; however, it was used to describe the pinnacle of the British ready-to-wear fashion industry between the 1930s and 1960s. Companies within this sector have typically been recognised as creators of high-quality copies of French haute couture, using ready-to-wear techniques.

Dr. Tregenza traces wholesale couture garments from concept to usage, considering design, manufacture, branding, promotion, retail and export. She looks beyond the garments produced and investigates the people behind these firms, consequently demonstrating the significant role that largely Jewish immigrants played in the development and success of this industry. The book also considers the wider social and economic factors that affected manufacturers and consumers; the effect of austerity, rationing and the Utility scheme, and the pressing need for wholesale couturiers to export their products internationally. It demonstrates that 1946 was a critical year for rebuilding and re-imagining the London fashion industry and that wholesale couturiers were at the centre of these developments. Furthermore, it reveals the impact of changing consumer purchasing power, including the burgeoning youth market, for fashion manufacturers.

Offering a new perspective on British fashion history, Wholesale Couture demonstrates that these couturiers were vital in cementing London's status as a ready-to-wear fashion centre.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Wed, 17 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Wholesale Couture: London and Beyond, 1930-70 (Bloomsbury, 2023) by Dr. Liz Tregenza seeks to revise the notion that wholesale couturiers were simply copyists and demonstrate the complexities of their design processes and business strategies. This term has fallen out of usage; however, it was used to describe the pinnacle of the British ready-to-wear fashion industry between the 1930s and 1960s. Companies within this sector have typically been recognised as creators of high-quality copies of French haute couture, using ready-to-wear techniques.

Dr. Tregenza traces wholesale couture garments from concept to usage, considering design, manufacture, branding, promotion, retail and export. She looks beyond the garments produced and investigates the people behind these firms, consequently demonstrating the significant role that largely Jewish immigrants played in the development and success of this industry. The book also considers the wider social and economic factors that affected manufacturers and consumers; the effect of austerity, rationing and the Utility scheme, and the pressing need for wholesale couturiers to export their products internationally. It demonstrates that 1946 was a critical year for rebuilding and re-imagining the London fashion industry and that wholesale couturiers were at the centre of these developments. Furthermore, it reveals the impact of changing consumer purchasing power, including the burgeoning youth market, for fashion manufacturers.

Offering a new perspective on British fashion history, Wholesale Couture demonstrates that these couturiers were vital in cementing London's status as a ready-to-wear fashion centre.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Liz Tregenza, "Wholesale Couture: London and Beyond, 1930-70" (Bloombury, 2023) New Books Network 00:48:29 Wholesale Couture: London and Beyond, 1930-70 (Bloomsbury, 2023) by Dr. Liz Tregenza seeks to revise the notion that wholesale couturiers were simply copyists and demonstrate the complexities of their design processes and business strategies. This term has fallen out of usage; however, it was used to describe the pinnacle of the British ready-to-wear fashion industry between the 1930s and 1960s. Companies within this sector have typically been recognised as creators of high-quality copies of French haute couture, using ready-to-wear techniques. Dr. Tregenza traces wholesale couture garments from concept to usage, considering design, manufacture, branding, promotion, retail and export. She looks beyond the garments produced and investigates the people behind these firms, consequently demonstrating the significant role that largely Jewish immigrants played in the development and success of this industry. The book also considers the wider social and economic factors that affected manufacturers and consumers; the effect of austerity, rationing and the Utility scheme, and the pressing need for wholesale couturiers to export their products internationally. It demonstrates that 1946 was a critical year for rebuilding and re-imagining the London fashion industry and that wholesale couturiers were at the centre of these developments. Furthermore, it reveals the impact of changing consumer purchasing power, including the burgeoning youth market, for fashion manufacturers. Offering a new perspective on British fashion history, Wholesale Couture demonstrates that these couturiers were vital in cementing London's status as a ready-to-wear fashion centre. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Wholesale Couture: London and Beyond, 1930-70 (Bloomsbury, 2023) by Dr. Liz Tregenza seeks to revise the notion that wholesale couturiers were simply copyists and demonstrate the complexities of their design processes and business strategies. This term has fallen out of usage; however, it was used to describe the pinnacle of the British ready-to-wear fashion industry between the 1930s and 1960s. Companies within this sector have typically been recognised as creators of high-quality copies of French haute couture, using ready-to-wear techniques. Dr. Tregenza traces wholesale couture garments from concept to usage, considering design, manufacture, branding, promotion, retail and export. She looks beyond the garments produced and investigates the people behind these firms, consequently demonstrating the significant role that largely Jewish immigrants played in the development and success of this industry. The book also considers the wider social and economic factors that affected manufacturers and consumers; the effect of austerity, rationing and the Utility scheme, and the pressing need for wholesale couturiers to export their products internationally. It demonstrates that 1946 was a critical year for rebuilding and re-imagining the London fashion industry and that wholesale couturiers were at the centre of these developments. Furthermore, it reveals the impact of changing consumer purchasing power, including the burgeoning youth market, for fashion manufacturers. Offering a new perspective on British fashion history, Wholesale Couture demonstrates that these couturiers were vital in cementing London's status as a ready-to-wear fashion centre. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 96 c9c22752-fb59-11ee-8b7a-bb097016470d Philip Freeman, "Two Lives of Saint Brigid" (Four Courts Press, 2024) St. Brigid is the earliest and best-known of the female saints of Ireland. In the generation after St. Patrick, she established a monastery for men and women at Kildare which became one of the most powerful and influential centres of the Church in early Ireland. 

The stories of Brigid's life and deeds survive in several early sources, but the most important are two Latin lives written a century or more after her death. The first was composed by a churchman named Cogitosus and tells of her many miracles of healing and helping the poor. The second source, known as the Vita Prima, continues the tradition with more tales of marvellous deeds and journeys throughout the island. Both Latin sources are a treasure house of information not just about the legends of Brigid but also daily life, the role of women, and the spread of Christianity in Ireland. 

Philip Freeman's Two Lives of Saint Brigid (Four Courts Press, 2024) for the first time presents together an English translation of both the Life of Brigid by Cogitosus and the Vita Prima, along with the Latin text of both carefully edited from the best medieval manuscripts. Also included are an introduction, notes, and commentary to help general readers, students, and scholars in reading these fascinating stories of St. Brigid.


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]]> Wed, 17 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com St. Brigid is the earliest and best-known of the female saints of Ireland. In the generation after St. Patrick, she established a monastery for men and women at Kildare which became one of the most powerful and influential centres of the Church in early Ireland. 

The stories of Brigid's life and deeds survive in several early sources, but the most important are two Latin lives written a century or more after her death. The first was composed by a churchman named Cogitosus and tells of her many miracles of healing and helping the poor. The second source, known as the Vita Prima, continues the tradition with more tales of marvellous deeds and journeys throughout the island. Both Latin sources are a treasure house of information not just about the legends of Brigid but also daily life, the role of women, and the spread of Christianity in Ireland. 

Philip Freeman's Two Lives of Saint Brigid (Four Courts Press, 2024) for the first time presents together an English translation of both the Life of Brigid by Cogitosus and the Vita Prima, along with the Latin text of both carefully edited from the best medieval manuscripts. Also included are an introduction, notes, and commentary to help general readers, students, and scholars in reading these fascinating stories of St. Brigid.


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]]> Philip Freeman, "Two Lives of Saint Brigid" (Four Courts Press, 2024) New Books Network 00:24:09 St. Brigid is the earliest and best-known of the female saints of Ireland. In the generation after St. Patrick, she established a monastery for men and women at Kildare which became one of the most powerful and influential centres of the Church in early Ireland.  The stories of Brigid's life and deeds survive in several early sources, but the most important are two Latin lives written a century or more after her death. The first was composed by a churchman named Cogitosus and tells of her many miracles of healing and helping the poor. The second source, known as the Vita Prima, continues the tradition with more tales of marvellous deeds and journeys throughout the island. Both Latin sources are a treasure house of information not just about the legends of Brigid but also daily life, the role of women, and the spread of Christianity in Ireland.  Philip Freeman's Two Lives of Saint Brigid (Four Courts Press, 2024) for the first time presents together an English translation of both the Life of Brigid by Cogitosus and the Vita Prima, along with the Latin text of both carefully edited from the best medieval manuscripts. Also included are an introduction, notes, and commentary to help general readers, students, and scholars in reading these fascinating stories of St. Brigid. St. Brigid is the earliest and best-known of the female saints of Ireland. In the generation after St. Patrick, she established a monastery for men and women at Kildare which became one of the most powerful and influential centres of the Church in early Ireland.  The stories of Brigid's life and deeds survive in several early sources, but the most important are two Latin lives written a century or more after her death. The first was composed by a churchman named Cogitosus and tells of her many miracles of healing and helping the poor. The second source, known as the Vita Prima, continues the tradition with more tales of marvellous deeds and journeys throughout the island. Both Latin sources are a treasure house of information not just about the legends of Brigid but also daily life, the role of women, and the spread of Christianity in Ireland.  Philip Freeman's Two Lives of Saint Brigid (Four Courts Press, 2024) for the first time presents together an English translation of both the Life of Brigid by Cogitosus and the Vita Prima, along with the Latin text of both carefully edited from the best medieval manuscripts. Also included are an introduction, notes, and commentary to help general readers, students, and scholars in reading these fascinating stories of St. Brigid. false full 261 1fa7464e-fb4f-11ee-a970-0733f8643a6f Eve Golden, "Strictly Dynamite: The Sensational Life of Lupe Velez" (UP of Kentucky, 2023) Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality.

The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.

In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.


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]]> Wed, 17 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality.

The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.

In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.


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]]> Eve Golden, "Strictly Dynamite: The Sensational Life of Lupe Velez" (UP of Kentucky, 2023) New Books Network 00:32:26 Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality. The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy. In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves. Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality. The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy. In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves. false full 87 35b7408a-f9bd-11ee-b054-17203758f3db Kerry Wallach, "Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit" (Penn State UP, 2024) Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art.

Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres.

This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art.

Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner.


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]]> Tue, 16 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art.

Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres.

This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art.

Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner.


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]]> Kerry Wallach, "Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit" (Penn State UP, 2024) New Books Network 00:56:41 Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. false full 500 e0b86626-f75b-11ee-bdc2-233283a7c478 Miss Tibet: Representing Tibet through Beauty Pageants What does the Miss Tibet beauty pageant tell us about what it means to be Tibetan in a globalized world? And what understandings of Tibetan culture does it convey? In this episode, Kenneth Bo Nielsen talks to Pema Choedon about representations of Tibet and Tibetan culture on the global stage from the vantage point of the Miss Tibet beauty pageant. While such pageants are often thought of as an example of “low-brow culture” and a site of women’s objectification by the male gaze, Choedon shows how one can also see them as arenas where cultural meanings are produced, consumed, and rejected, and where local and global, and ethnic and national cultural forms are engaged and showcased.

Kenneth Bo Nielsen is a social anthropologist based at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies.

Pema Choedon holds a PhD degree from the University of Tartu in Estonia, with a thesis on the construction of Tibet in the diaspora.


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]]> Fri, 12 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com What does the Miss Tibet beauty pageant tell us about what it means to be Tibetan in a globalized world? And what understandings of Tibetan culture does it convey? In this episode, Kenneth Bo Nielsen talks to Pema Choedon about representations of Tibet and Tibetan culture on the global stage from the vantage point of the Miss Tibet beauty pageant. While such pageants are often thought of as an example of “low-brow culture” and a site of women’s objectification by the male gaze, Choedon shows how one can also see them as arenas where cultural meanings are produced, consumed, and rejected, and where local and global, and ethnic and national cultural forms are engaged and showcased.

Kenneth Bo Nielsen is a social anthropologist based at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies.

Pema Choedon holds a PhD degree from the University of Tartu in Estonia, with a thesis on the construction of Tibet in the diaspora.


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]]> Miss Tibet: Representing Tibet through Beauty Pageants New Books Network 00:22:27 What does the Miss Tibet beauty pageant tell us about what it means to be Tibetan in a globalized world? And what understandings of Tibetan culture does it convey? In this episode, Kenneth Bo Nielsen talks to Pema Choedon about representations of Tibet and Tibetan culture on the global stage from the vantage point of the Miss Tibet beauty pageant. While such pageants are often thought of as an example of “low-brow culture” and a site of women’s objectification by the male gaze, Choedon shows how one can also see them as arenas where cultural meanings are produced, consumed, and rejected, and where local and global, and ethnic and national cultural forms are engaged and showcased. Kenneth Bo Nielsen is a social anthropologist based at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies. Pema Choedon holds a PhD degree from the University of Tartu in Estonia, with a thesis on the construction of Tibet in the diaspora. What does the Miss Tibet beauty pageant tell us about what it means to be Tibetan in a globalized world? And what understandings of Tibetan culture does it convey? In this episode, Kenneth Bo Nielsen talks to Pema Choedon about representations of Tibet and Tibetan culture on the global stage from the vantage point of the Miss Tibet beauty pageant. While such pageants are often thought of as an example of “low-brow culture” and a site of women’s objectification by the male gaze, Choedon shows how one can also see them as arenas where cultural meanings are produced, consumed, and rejected, and where local and global, and ethnic and national cultural forms are engaged and showcased. Kenneth Bo Nielsen is a social anthropologist based at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies. Pema Choedon holds a PhD degree from the University of Tartu in Estonia, with a thesis on the construction of Tibet in the diaspora. false full 217 c5dfab98-f517-11ee-92ef-d386968f36a3 Xiaofei Kang, "Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953" (Oxford UP, 2023) China’s communist revolution has an intricate relationship with gender and religion. In Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953 (Oxford UP, 2023), Xiaofei Kang moves the two themes to the center stage in the Chinese Revolution. It examines the Communist Party’s first anti-superstition campaign in its wartime headquarters of Yan’an, the holy land of the Maoist revolution. The book argues that religion was not a mere adversary for the revolution; it also served as a model with which the Party mobilized support and constructed legitimacy. In its rise from rural backwaters to national dominance, the Party attacked “superstitions” that had supported the foundations of Chinese religious life. At the same time, Party propaganda co-opted the same religious resources for its own political ends. In this parallel and often paradoxical process, the persuasive power of Party propaganda relied heavily on recasting the cosmic forces of yin and yang that sustained the traditional gender hierarchy and ritual order. Furthermore, revolutionary art and literature revamped old narratives of female ghosts and ritual exorcism to inject the people with a new hegemonic vision of the Party-state endowed with both scientific potency and the heavenly mandate. Gendered language and symbolism in Chinese religion thus remained central to inspiring pathos, ethos, and logos for the revolution. The interplay of religion, gender, and revolution holds historical and contemporary significance of the Maoist legacy in contemporary China. It also offers insights into the transformative power of propaganda in global politics.

Xiaofei Kang is Professor in the Department of Religion at the George Washington University. Her research focuses on gender, ethnicity, and Chinese religions in traditional and modern China. She is the author of The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China (Columbia University Press, 2006). She co-authored (with Donald S. Sutton) Contesting the Yellow Dragon: Ethnicity, Religion and the State in the Sino-Tibetan Borderland (Brill, 2016), and co-edited (with Jia Jinhua and Ping Yao) Gendering Chinese Religion: Subject, Identity and Body (SUNY Press, 2014).

Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.


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]]> Tue, 9 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com China’s communist revolution has an intricate relationship with gender and religion. In Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953 (Oxford UP, 2023), Xiaofei Kang moves the two themes to the center stage in the Chinese Revolution. It examines the Communist Party’s first anti-superstition campaign in its wartime headquarters of Yan’an, the holy land of the Maoist revolution. The book argues that religion was not a mere adversary for the revolution; it also served as a model with which the Party mobilized support and constructed legitimacy. In its rise from rural backwaters to national dominance, the Party attacked “superstitions” that had supported the foundations of Chinese religious life. At the same time, Party propaganda co-opted the same religious resources for its own political ends. In this parallel and often paradoxical process, the persuasive power of Party propaganda relied heavily on recasting the cosmic forces of yin and yang that sustained the traditional gender hierarchy and ritual order. Furthermore, revolutionary art and literature revamped old narratives of female ghosts and ritual exorcism to inject the people with a new hegemonic vision of the Party-state endowed with both scientific potency and the heavenly mandate. Gendered language and symbolism in Chinese religion thus remained central to inspiring pathos, ethos, and logos for the revolution. The interplay of religion, gender, and revolution holds historical and contemporary significance of the Maoist legacy in contemporary China. It also offers insights into the transformative power of propaganda in global politics.

Xiaofei Kang is Professor in the Department of Religion at the George Washington University. Her research focuses on gender, ethnicity, and Chinese religions in traditional and modern China. She is the author of The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China (Columbia University Press, 2006). She co-authored (with Donald S. Sutton) Contesting the Yellow Dragon: Ethnicity, Religion and the State in the Sino-Tibetan Borderland (Brill, 2016), and co-edited (with Jia Jinhua and Ping Yao) Gendering Chinese Religion: Subject, Identity and Body (SUNY Press, 2014).

Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.


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]]> Xiaofei Kang, "Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953" (Oxford UP, 2023) New Books Network 01:20:41 China’s communist revolution has an intricate relationship with gender and religion. In Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953 (Oxford UP, 2023), Xiaofei Kang moves the two themes to the center stage in the Chinese Revolution. It examines the Communist Party’s first anti-superstition campaign in its wartime headquarters of Yan’an, the holy land of the Maoist revolution. The book argues that religion was not a mere adversary for the revolution; it also served as a model with which the Party mobilized support and constructed legitimacy. In its rise from rural backwaters to national dominance, the Party attacked “superstitions” that had supported the foundations of Chinese religious life. At the same time, Party propaganda co-opted the same religious resources for its own political ends. In this parallel and often paradoxical process, the persuasive power of Party propaganda relied heavily on recasting the cosmic forces of yin and yang that sustained the traditional gender hierarchy and ritual order. Furthermore, revolutionary art and literature revamped old narratives of female ghosts and ritual exorcism to inject the people with a new hegemonic vision of the Party-state endowed with both scientific potency and the heavenly mandate. Gendered language and symbolism in Chinese religion thus remained central to inspiring pathos, ethos, and logos for the revolution. The interplay of religion, gender, and revolution holds historical and contemporary significance of the Maoist legacy in contemporary China. It also offers insights into the transformative power of propaganda in global politics. Xiaofei Kang is Professor in the Department of Religion at the George Washington University. Her research focuses on gender, ethnicity, and Chinese religions in traditional and modern China. She is the author of The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China (Columbia University Press, 2006). She co-authored (with Donald S. Sutton) Contesting the Yellow Dragon: Ethnicity, Religion and the State in the Sino-Tibetan Borderland (Brill, 2016), and co-edited (with Jia Jinhua and Ping Yao) Gendering Chinese Religion: Subject, Identity and Body (SUNY Press, 2014). Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. China’s communist revolution has an intricate relationship with gender and religion. In Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953 (Oxford UP, 2023), Xiaofei Kang moves the two themes to the center stage in the Chinese Revolution. It examines the Communist Party’s first anti-superstition campaign in its wartime headquarters of Yan’an, the holy land of the Maoist revolution. The book argues that religion was not a mere adversary for the revolution; it also served as a model with which the Party mobilized support and constructed legitimacy. In its rise from rural backwaters to national dominance, the Party attacked “superstitions” that had supported the foundations of Chinese religious life. At the same time, Party propaganda co-opted the same religious resources for its own political ends. In this parallel and often paradoxical process, the persuasive power of Party propaganda relied heavily on recasting the cosmic forces of yin and yang that sustained the traditional gender hierarchy and ritual order. Furthermore, revolutionary art and literature revamped old narratives of female ghosts and ritual exorcism to inject the people with a new hegemonic vision of the Party-state endowed with both scientific potency and the heavenly mandate. Gendered language and symbolism in Chinese religion thus remained central to inspiring pathos, ethos, and logos for the revolution. The interplay of religion, gender, and revolution holds historical and contemporary significance of the Maoist legacy in contemporary China. It also offers insights into the transformative power of propaganda in global politics. Xiaofei Kang is Professor in the Department of Religion at the George Washington University. Her research focuses on gender, ethnicity, and Chinese religions in traditional and modern China. She is the author of The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China (Columbia University Press, 2006). She co-authored (with Donald S. Sutton) Contesting the Yellow Dragon: Ethnicity, Religion and the State in the Sino-Tibetan Borderland (Brill, 2016), and co-edited (with Jia Jinhua and Ping Yao) Gendering Chinese Religion: Subject, Identity and Body (SUNY Press, 2014). Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. false full 91 eb565d88-f1ff-11ee-ad57-7fae33fd82bc Leah Broad, "Quartet: How Four Women Changed the Musical World" (Faber & Faber, 2023) This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten.

Dr Leah Broad’s 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain’s most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad’s biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad’s narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen’s death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60’s American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience.

Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards.


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]]> Fri, 5 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten.

Dr Leah Broad’s 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain’s most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad’s biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad’s narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen’s death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60’s American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience.

Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards.


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]]> Leah Broad, "Quartet: How Four Women Changed the Musical World" (Faber & Faber, 2023) New Books Network 00:56:52 This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten. Dr Leah Broad’s 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain’s most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad’s biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad’s narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen’s death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60’s American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten. Dr Leah Broad’s 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain’s most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad’s biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad’s narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen’s death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60’s American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. false full 233 8b5a1642-f1e9-11ee-b1cd-97066fa5b52b Sarah Horowitz, "The Red Widow: The Scandal That Shook Paris and the Woman Behind It All" (Sourcebooks, 2022) Sex. Lies. Murder. Sarah Horowitz's The Red Widow: The Scandal that Shook Paris and the Woman Behind It All (Sourcebooks, 2022) is a book I literally couldn't put down. Drawing on extensive research into the world and life of its "leading lady," Marguerite ("Meg") Steinheil, Horowitz's account is captivating at every turn. With all of the appeal of the best true crime, the book brings historical depth and nuance to a scandalous and salacious narrative of bourgeois life in the French capital. From one compelling chapter to the next, The Red Widow situates Meg's story within the context of a French society in which gender, class, political and public spectacle shaped individual, family, and collective life in complex ways.

In our conversation, Sarah and I discussed how she first stumbled upon Meg's story, the researching and writing of the book (completed during the height of the COVID-19 pandemic!), as well as how and why she decided to write a book that would be accessible to a wider readership beyond academia. Part biography, part narrative of sexual and criminal intrigue, part interrogation of the values, expectations, and preoccupations of Belle Epoque culture, the book is both exciting and smart. I dare listeners not to find it all fascinating...


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]]> Fri, 5 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Sex. Lies. Murder. Sarah Horowitz's The Red Widow: The Scandal that Shook Paris and the Woman Behind It All (Sourcebooks, 2022) is a book I literally couldn't put down. Drawing on extensive research into the world and life of its "leading lady," Marguerite ("Meg") Steinheil, Horowitz's account is captivating at every turn. With all of the appeal of the best true crime, the book brings historical depth and nuance to a scandalous and salacious narrative of bourgeois life in the French capital. From one compelling chapter to the next, The Red Widow situates Meg's story within the context of a French society in which gender, class, political and public spectacle shaped individual, family, and collective life in complex ways.

In our conversation, Sarah and I discussed how she first stumbled upon Meg's story, the researching and writing of the book (completed during the height of the COVID-19 pandemic!), as well as how and why she decided to write a book that would be accessible to a wider readership beyond academia. Part biography, part narrative of sexual and criminal intrigue, part interrogation of the values, expectations, and preoccupations of Belle Epoque culture, the book is both exciting and smart. I dare listeners not to find it all fascinating...


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]]> Sarah Horowitz, "The Red Widow: The Scandal That Shook Paris and the Woman Behind It All" (Sourcebooks, 2022) New Books Network 01:05:48 Sex. Lies. Murder. Sarah Horowitz's The Red Widow: The Scandal that Shook Paris and the Woman Behind It All (Sourcebooks, 2022) is a book I literally couldn't put down. Drawing on extensive research into the world and life of its "leading lady," Marguerite ("Meg") Steinheil, Horowitz's account is captivating at every turn. With all of the appeal of the best true crime, the book brings historical depth and nuance to a scandalous and salacious narrative of bourgeois life in the French capital. From one compelling chapter to the next, The Red Widow situates Meg's story within the context of a French society in which gender, class, political and public spectacle shaped individual, family, and collective life in complex ways. In our conversation, Sarah and I discussed how she first stumbled upon Meg's story, the researching and writing of the book (completed during the height of the COVID-19 pandemic!), as well as how and why she decided to write a book that would be accessible to a wider readership beyond academia. Part biography, part narrative of sexual and criminal intrigue, part interrogation of the values, expectations, and preoccupations of Belle Epoque culture, the book is both exciting and smart. I dare listeners not to find it all fascinating... Sex. Lies. Murder. Sarah Horowitz's The Red Widow: The Scandal that Shook Paris and the Woman Behind It All (Sourcebooks, 2022) is a book I literally couldn't put down. Drawing on extensive research into the world and life of its "leading lady," Marguerite ("Meg") Steinheil, Horowitz's account is captivating at every turn. With all of the appeal of the best true crime, the book brings historical depth and nuance to a scandalous and salacious narrative of bourgeois life in the French capital. From one compelling chapter to the next, The Red Widow situates Meg's story within the context of a French society in which gender, class, political and public spectacle shaped individual, family, and collective life in complex ways. In our conversation, Sarah and I discussed how she first stumbled upon Meg's story, the researching and writing of the book (completed during the height of the COVID-19 pandemic!), as well as how and why she decided to write a book that would be accessible to a wider readership beyond academia. Part biography, part narrative of sexual and criminal intrigue, part interrogation of the values, expectations, and preoccupations of Belle Epoque culture, the book is both exciting and smart. I dare listeners not to find it all fascinating... false full 128 edaa1bec-f06a-11ee-bdbd-27c96ecf4a3d Naomi Cahn, et al., "Fair Shake: Women and the Fight to Build a Just Economy" (Simon & Schuster, 2023) A stirring, comprehensive look at the state of women in the workforce--why women's progress has stalled, how our economy fosters unproductive competition, and how we can fix the system that holds women back.

In an era of supposed great equality, women are still falling behind in the workplace. Even with more women in the workforce than in decades past, wage gaps continue to increase. It is the most educated women who have fallen the furthest behind. Blue-collar women hold the most insecure and badly paid jobs in our economy. And even as we celebrate high-profile representation--women on the board of Fortune 500 companies and our first female vice president--women have limited recourse when they experience harassment and discrimination.

Fair Shake: Women and the Fight to Build a Just Economy (Simon & Schuster, 2023) explains that the system that governs our economy--a winner-take-all economy--is the root cause of these myriad problems. The WTA economy self-selects for aggressive, cutthroat business tactics, which creates a feedback loop that sidelines women. The authors, three legal scholars, call this feedback loop "the triple bind" if women don't compete on the same terms as men, they lose; if women do compete on the same terms as men, they're punished more harshly for their sharp elbows or actual misdeeds; and when women see that they can't win on the same terms as men, they take themselves out of the game (if they haven't been pushed out already). With odds like these stacked against them, it's no wonder women feel like, no matter how hard they work, they can't get ahead.

Fair Shake is not a "fix the woman" book; it's a "fix the system" book. It not only diagnoses the problem of what's wrong with the modern economy, but shows how, with awareness and collective action, we can build a truly just economy for all.


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]]> Wed, 3 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A stirring, comprehensive look at the state of women in the workforce--why women's progress has stalled, how our economy fosters unproductive competition, and how we can fix the system that holds women back.

In an era of supposed great equality, women are still falling behind in the workplace. Even with more women in the workforce than in decades past, wage gaps continue to increase. It is the most educated women who have fallen the furthest behind. Blue-collar women hold the most insecure and badly paid jobs in our economy. And even as we celebrate high-profile representation--women on the board of Fortune 500 companies and our first female vice president--women have limited recourse when they experience harassment and discrimination.

Fair Shake: Women and the Fight to Build a Just Economy (Simon & Schuster, 2023) explains that the system that governs our economy--a winner-take-all economy--is the root cause of these myriad problems. The WTA economy self-selects for aggressive, cutthroat business tactics, which creates a feedback loop that sidelines women. The authors, three legal scholars, call this feedback loop "the triple bind" if women don't compete on the same terms as men, they lose; if women do compete on the same terms as men, they're punished more harshly for their sharp elbows or actual misdeeds; and when women see that they can't win on the same terms as men, they take themselves out of the game (if they haven't been pushed out already). With odds like these stacked against them, it's no wonder women feel like, no matter how hard they work, they can't get ahead.

Fair Shake is not a "fix the woman" book; it's a "fix the system" book. It not only diagnoses the problem of what's wrong with the modern economy, but shows how, with awareness and collective action, we can build a truly just economy for all.


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]]> Naomi Cahn, et al., "Fair Shake: Women and the Fight to Build a Just Economy" (Simon & Schuster, 2023) New Books Network 01:09:30 A stirring, comprehensive look at the state of women in the workforce--why women's progress has stalled, how our economy fosters unproductive competition, and how we can fix the system that holds women back. In an era of supposed great equality, women are still falling behind in the workplace. Even with more women in the workforce than in decades past, wage gaps continue to increase. It is the most educated women who have fallen the furthest behind. Blue-collar women hold the most insecure and badly paid jobs in our economy. And even as we celebrate high-profile representation--women on the board of Fortune 500 companies and our first female vice president--women have limited recourse when they experience harassment and discrimination. Fair Shake: Women and the Fight to Build a Just Economy (Simon & Schuster, 2023) explains that the system that governs our economy--a winner-take-all economy--is the root cause of these myriad problems. The WTA economy self-selects for aggressive, cutthroat business tactics, which creates a feedback loop that sidelines women. The authors, three legal scholars, call this feedback loop "the triple bind" if women don't compete on the same terms as men, they lose; if women do compete on the same terms as men, they're punished more harshly for their sharp elbows or actual misdeeds; and when women see that they can't win on the same terms as men, they take themselves out of the game (if they haven't been pushed out already). With odds like these stacked against them, it's no wonder women feel like, no matter how hard they work, they can't get ahead. Fair Shake is not a "fix the woman" book; it's a "fix the system" book. It not only diagnoses the problem of what's wrong with the modern economy, but shows how, with awareness and collective action, we can build a truly just economy for all. A stirring, comprehensive look at the state of women in the workforce--why women's progress has stalled, how our economy fosters unproductive competition, and how we can fix the system that holds women back. In an era of supposed great equality, women are still falling behind in the workplace. Even with more women in the workforce than in decades past, wage gaps continue to increase. It is the most educated women who have fallen the furthest behind. Blue-collar women hold the most insecure and badly paid jobs in our economy. And even as we celebrate high-profile representation--women on the board of Fortune 500 companies and our first female vice president--women have limited recourse when they experience harassment and discrimination. Fair Shake: Women and the Fight to Build a Just Economy (Simon & Schuster, 2023) explains that the system that governs our economy--a winner-take-all economy--is the root cause of these myriad problems. The WTA economy self-selects for aggressive, cutthroat business tactics, which creates a feedback loop that sidelines women. The authors, three legal scholars, call this feedback loop "the triple bind" if women don't compete on the same terms as men, they lose; if women do compete on the same terms as men, they're punished more harshly for their sharp elbows or actual misdeeds; and when women see that they can't win on the same terms as men, they take themselves out of the game (if they haven't been pushed out already). With odds like these stacked against them, it's no wonder women feel like, no matter how hard they work, they can't get ahead. Fair Shake is not a "fix the woman" book; it's a "fix the system" book. It not only diagnoses the problem of what's wrong with the modern economy, but shows how, with awareness and collective action, we can build a truly just economy for all. false full 147 c07d7194-f107-11ee-8120-0be808b1a3ed Marie de Vignerot, Richelieu's Forgotten Advisor and Heiress Despite being one of the most influential women of 17th century France, Marie de Vignerot has been largely forgotten. The niece, heiress, and advisor to the infamous Cardinal Richelieu, Marie was deeply motivated by her Catholic faith, yet never re-married after she became a widow at 18. She shaped France and the French empire's political, religious, and cultural life as the unconventional and independent Duchesse d’Aiguillon, a position exceedingly uncommon for a woman to possess in her own right. Bronwen McShea joins Madison's Notes to discuss her book, La Duchesse: The Life of Marie de Vignerot―Cardinal Richelieu's Forgotten Heiress Who Shaped the Fate of France (Pegasus Books, 2023), the first modern biography of Marie de Vignerot, which discusses her life, motivations, and how and why she was written out of history.

Bronwen McShea is a Visiting Assistant Professor in History at the Augustine Institute Graduate School. She earned her B.A. and M.T.S. at Harvard University and her Ph.D. in history at Yale University, and was a 2018-20 James Madison Program Associate Research Scholar at Princeton University. She is also the author of Apostles of Empire: The Jesuits and New France and Women of the Church (What Every Catholic Should Know).

Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.


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]]> Tue, 2 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Despite being one of the most influential women of 17th century France, Marie de Vignerot has been largely forgotten. The niece, heiress, and advisor to the infamous Cardinal Richelieu, Marie was deeply motivated by her Catholic faith, yet never re-married after she became a widow at 18. She shaped France and the French empire's political, religious, and cultural life as the unconventional and independent Duchesse d’Aiguillon, a position exceedingly uncommon for a woman to possess in her own right. Bronwen McShea joins Madison's Notes to discuss her book, La Duchesse: The Life of Marie de Vignerot―Cardinal Richelieu's Forgotten Heiress Who Shaped the Fate of France (Pegasus Books, 2023), the first modern biography of Marie de Vignerot, which discusses her life, motivations, and how and why she was written out of history.

Bronwen McShea is a Visiting Assistant Professor in History at the Augustine Institute Graduate School. She earned her B.A. and M.T.S. at Harvard University and her Ph.D. in history at Yale University, and was a 2018-20 James Madison Program Associate Research Scholar at Princeton University. She is also the author of Apostles of Empire: The Jesuits and New France and Women of the Church (What Every Catholic Should Know).

Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.


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]]> Marie de Vignerot, Richelieu's Forgotten Advisor and Heiress New Books Network 00:52:47 Despite being one of the most influential women of 17th century France, Marie de Vignerot has been largely forgotten. The niece, heiress, and advisor to the infamous Cardinal Richelieu, Marie was deeply motivated by her Catholic faith, yet never re-married after she became a widow at 18. She shaped France and the French empire's political, religious, and cultural life as the unconventional and independent Duchesse d’Aiguillon, a position exceedingly uncommon for a woman to possess in her own right. Bronwen McShea joins Madison's Notes to discuss her book, La Duchesse: The Life of Marie de Vignerot―Cardinal Richelieu's Forgotten Heiress Who Shaped the Fate of France (Pegasus Books, 2023), the first modern biography of Marie de Vignerot, which discusses her life, motivations, and how and why she was written out of history. Bronwen McShea is a Visiting Assistant Professor in History at the Augustine Institute Graduate School. She earned her B.A. and M.T.S. at Harvard University and her Ph.D. in history at Yale University, and was a 2018-20 James Madison Program Associate Research Scholar at Princeton University. She is also the author of Apostles of Empire: The Jesuits and New France and Women of the Church (What Every Catholic Should Know). Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes. Despite being one of the most influential women of 17th century France, Marie de Vignerot has been largely forgotten. The niece, heiress, and advisor to the infamous Cardinal Richelieu, Marie was deeply motivated by her Catholic faith, yet never re-married after she became a widow at 18. She shaped France and the French empire's political, religious, and cultural life as the unconventional and independent Duchesse d’Aiguillon, a position exceedingly uncommon for a woman to possess in her own right. Bronwen McShea joins Madison's Notes to discuss her book, La Duchesse: The Life of Marie de Vignerot―Cardinal Richelieu's Forgotten Heiress Who Shaped the Fate of France (Pegasus Books, 2023), the first modern biography of Marie de Vignerot, which discusses her life, motivations, and how and why she was written out of history. Bronwen McShea is a Visiting Assistant Professor in History at the Augustine Institute Graduate School. She earned her B.A. and M.T.S. at Harvard University and her Ph.D. in history at Yale University, and was a 2018-20 James Madison Program Associate Research Scholar at Princeton University. She is also the author of Apostles of Empire: The Jesuits and New France and Women of the Church (What Every Catholic Should Know). Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes. false full 102 88323508-eeba-11ee-9f33-23a768a02476 Rina Verma Williams, "Marginalized, Mobilized, Incorporated: Women and Religious Nationalism in Indian Democracy" (Oxford UP, 2023) How has the participation of women in Hindu nationalist politics in India changed over time? More broadly, what has their changing participation meant for women, Hindu nationalism, and Indian democracy? 

In Marginalized, Mobilized, Incorporated: Women and Religious Nationalism in Indian Democracy (Oxford UP, 2023), Rina Verma Williams places women's participation in religious politics in India into historical and comparative perspective through a focus on the most important Hindu nationalist political parties in modern Indian history: the All-India Hindu Mahasabha (HMS) and the Bharatiya Janata Party (BJP). She compares three critical periods to show the increasing involvement of women in Hindu nationalist politics over time. In its formative years in the early 1900s, the HMS marginalized women; in the 1980s, the BJP began to mobilize them; and in the contemporary period, as the BJP returned to power in 2014, it has incorporated women into its structures and activities. Williams contends that the incorporation of women into Hindu nationalist politics has significantly advanced the BJP's electoral success compared to prior periods when women were either marginalized or mobilized in more limited ways. Given that the BJP is one of the most dynamic religious/ethno-nationalist parties in the world at present, Williams' account of how it incorporated masses of women into its coalition is essential reading for scholars and students interested not just in India, but in the relationship between gender and right-wing populist politics globally.

Yash Sharma is a PhD student in Political Science at the School of Public and International Affairs, University of Cincinnati. His research is focused on the interactions of political mobilization and anti-minority violence within Hindu nationalist organizations in India. Twitter. Email: sharmaym@mail.uc.edu


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]]> Tue, 2 Apr 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How has the participation of women in Hindu nationalist politics in India changed over time? More broadly, what has their changing participation meant for women, Hindu nationalism, and Indian democracy? 

In Marginalized, Mobilized, Incorporated: Women and Religious Nationalism in Indian Democracy (Oxford UP, 2023), Rina Verma Williams places women's participation in religious politics in India into historical and comparative perspective through a focus on the most important Hindu nationalist political parties in modern Indian history: the All-India Hindu Mahasabha (HMS) and the Bharatiya Janata Party (BJP). She compares three critical periods to show the increasing involvement of women in Hindu nationalist politics over time. In its formative years in the early 1900s, the HMS marginalized women; in the 1980s, the BJP began to mobilize them; and in the contemporary period, as the BJP returned to power in 2014, it has incorporated women into its structures and activities. Williams contends that the incorporation of women into Hindu nationalist politics has significantly advanced the BJP's electoral success compared to prior periods when women were either marginalized or mobilized in more limited ways. Given that the BJP is one of the most dynamic religious/ethno-nationalist parties in the world at present, Williams' account of how it incorporated masses of women into its coalition is essential reading for scholars and students interested not just in India, but in the relationship between gender and right-wing populist politics globally.

Yash Sharma is a PhD student in Political Science at the School of Public and International Affairs, University of Cincinnati. His research is focused on the interactions of political mobilization and anti-minority violence within Hindu nationalist organizations in India. Twitter. Email: sharmaym@mail.uc.edu


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]]> Rina Verma Williams, "Marginalized, Mobilized, Incorporated: Women and Religious Nationalism in Indian Democracy" (Oxford UP, 2023) New Books Network 00:41:48 How has the participation of women in Hindu nationalist politics in India changed over time? More broadly, what has their changing participation meant for women, Hindu nationalism, and Indian democracy?  In Marginalized, Mobilized, Incorporated: Women and Religious Nationalism in Indian Democracy (Oxford UP, 2023), Rina Verma Williams places women's participation in religious politics in India into historical and comparative perspective through a focus on the most important Hindu nationalist political parties in modern Indian history: the All-India Hindu Mahasabha (HMS) and the Bharatiya Janata Party (BJP). She compares three critical periods to show the increasing involvement of women in Hindu nationalist politics over time. In its formative years in the early 1900s, the HMS marginalized women; in the 1980s, the BJP began to mobilize them; and in the contemporary period, as the BJP returned to power in 2014, it has incorporated women into its structures and activities. Williams contends that the incorporation of women into Hindu nationalist politics has significantly advanced the BJP's electoral success compared to prior periods when women were either marginalized or mobilized in more limited ways. Given that the BJP is one of the most dynamic religious/ethno-nationalist parties in the world at present, Williams' account of how it incorporated masses of women into its coalition is essential reading for scholars and students interested not just in India, but in the relationship between gender and right-wing populist politics globally. Yash Sharma is a PhD student in Political Science at the School of Public and International Affairs, University of Cincinnati. His research is focused on the interactions of political mobilization and anti-minority violence within Hindu nationalist organizations in India. Twitter. Email: sharmaym@mail.uc.edu How has the participation of women in Hindu nationalist politics in India changed over time? More broadly, what has their changing participation meant for women, Hindu nationalism, and Indian democracy?  In Marginalized, Mobilized, Incorporated: Women and Religious Nationalism in Indian Democracy (Oxford UP, 2023), Rina Verma Williams places women's participation in religious politics in India into historical and comparative perspective through a focus on the most important Hindu nationalist political parties in modern Indian history: the All-India Hindu Mahasabha (HMS) and the Bharatiya Janata Party (BJP). She compares three critical periods to show the increasing involvement of women in Hindu nationalist politics over time. In its formative years in the early 1900s, the HMS marginalized women; in the 1980s, the BJP began to mobilize them; and in the contemporary period, as the BJP returned to power in 2014, it has incorporated women into its structures and activities. Williams contends that the incorporation of women into Hindu nationalist politics has significantly advanced the BJP's electoral success compared to prior periods when women were either marginalized or mobilized in more limited ways. Given that the BJP is one of the most dynamic religious/ethno-nationalist parties in the world at present, Williams' account of how it incorporated masses of women into its coalition is essential reading for scholars and students interested not just in India, but in the relationship between gender and right-wing populist politics globally. Yash Sharma is a PhD student in Political Science at the School of Public and International Affairs, University of Cincinnati. His research is focused on the interactions of political mobilization and anti-minority violence within Hindu nationalist organizations in India. Twitter. Email: sharmaym@mail.uc.edu false full 223 0af3d178-ede8-11ee-8236-ff18e6fae192 Elizabeth S. D. Engelhardt, "Boardinghouse Women: How Southern Keepers, Cooks, Nurses, Widows, and Runaways Shaped Modern America" (UNC Press, 2023) In Boardinghouse Women: How Southern Keepers, Cooks, Nurses, Widows, and Runaways Shaped Modern America (UNC Press, 2023), Elizabeth Engelhardt argues that modern American food, business, caretaking, politics, sex, travel, writing, and restaurants all owe a debt to boardinghouse women in the South. From the eighteenth century well into the twentieth, entrepreneurial women ran boardinghouses throughout the South; some also carried the institution to far-flung places like California, New York, and London. Owned and operated by Black, Jewish, Native American, and white women, rich and poor, immigrant and native-born, these lodgings were often hubs of business innovation and engines of financial independence for their owners. Within their walls, boardinghouse residents and owners developed the region's earliest printed cookbooks, created space for making music and writing literary works, formed ad hoc communities of support, tested boundaries of race and sexuality, and more. Engelhardt draws on a vast archive to recover boardinghouse women's stories, revealing what happened in the kitchens, bedrooms, hallways, back stairs, and front porches as well as behind closed doors—legacies still with us today.


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]]> Sun, 31 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In Boardinghouse Women: How Southern Keepers, Cooks, Nurses, Widows, and Runaways Shaped Modern America (UNC Press, 2023), Elizabeth Engelhardt argues that modern American food, business, caretaking, politics, sex, travel, writing, and restaurants all owe a debt to boardinghouse women in the South. From the eighteenth century well into the twentieth, entrepreneurial women ran boardinghouses throughout the South; some also carried the institution to far-flung places like California, New York, and London. Owned and operated by Black, Jewish, Native American, and white women, rich and poor, immigrant and native-born, these lodgings were often hubs of business innovation and engines of financial independence for their owners. Within their walls, boardinghouse residents and owners developed the region's earliest printed cookbooks, created space for making music and writing literary works, formed ad hoc communities of support, tested boundaries of race and sexuality, and more. Engelhardt draws on a vast archive to recover boardinghouse women's stories, revealing what happened in the kitchens, bedrooms, hallways, back stairs, and front porches as well as behind closed doors—legacies still with us today.


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]]> Elizabeth S. D. Engelhardt, "Boardinghouse Women: How Southern Keepers, Cooks, Nurses, Widows, and Runaways Shaped Modern America" (UNC Press, 2023) New Books Network 01:20:58 In Boardinghouse Women: How Southern Keepers, Cooks, Nurses, Widows, and Runaways Shaped Modern America (UNC Press, 2023), Elizabeth Engelhardt argues that modern American food, business, caretaking, politics, sex, travel, writing, and restaurants all owe a debt to boardinghouse women in the South. From the eighteenth century well into the twentieth, entrepreneurial women ran boardinghouses throughout the South; some also carried the institution to far-flung places like California, New York, and London. Owned and operated by Black, Jewish, Native American, and white women, rich and poor, immigrant and native-born, these lodgings were often hubs of business innovation and engines of financial independence for their owners. Within their walls, boardinghouse residents and owners developed the region's earliest printed cookbooks, created space for making music and writing literary works, formed ad hoc communities of support, tested boundaries of race and sexuality, and more. Engelhardt draws on a vast archive to recover boardinghouse women's stories, revealing what happened in the kitchens, bedrooms, hallways, back stairs, and front porches as well as behind closed doors—legacies still with us today. In Boardinghouse Women: How Southern Keepers, Cooks, Nurses, Widows, and Runaways Shaped Modern America (UNC Press, 2023), Elizabeth Engelhardt argues that modern American food, business, caretaking, politics, sex, travel, writing, and restaurants all owe a debt to boardinghouse women in the South. From the eighteenth century well into the twentieth, entrepreneurial women ran boardinghouses throughout the South; some also carried the institution to far-flung places like California, New York, and London. Owned and operated by Black, Jewish, Native American, and white women, rich and poor, immigrant and native-born, these lodgings were often hubs of business innovation and engines of financial independence for their owners. Within their walls, boardinghouse residents and owners developed the region's earliest printed cookbooks, created space for making music and writing literary works, formed ad hoc communities of support, tested boundaries of race and sexuality, and more. Engelhardt draws on a vast archive to recover boardinghouse women's stories, revealing what happened in the kitchens, bedrooms, hallways, back stairs, and front porches as well as behind closed doors—legacies still with us today. false full 151 1e58cf32-e944-11ee-947b-5b22e5fade36 William W. Parsons and Regina M. Matheson, "The Pink Wave: Women Running for Office After Trump" (NYU Press, 2023) How and why the election of Donald Trump inspired more women to enter politics.

Donald Trump's victory over Hillary Clinton in the 2016 presidential election shocked and dismayed many women, and motivated many to run for office at all levels of government. In The Pink Wave: Women Running for Office After Trump (NYU Press, 2023), Regina M. Matheson and William W. Parsons explore this inspiring phenomenon and its impact on women's representation.

Drawing on national surveys and in-depth interviews of over 900 women, across almost every state, Matheson and Parsons show us why more women decided to run for state legislature during the Trump administration, the obstacles they faced on the campaign trail, and whether they ultimately succeeded or failed in their bid for office. Candidates share valuable lessons they learned from their recent campaign experiences, providing future insight for women--on both sides of the aisle--who may be inspired to follow in their footsteps.

Matheson and Parsons examine the impact Donald Trump had on women candidates--both positive and negative--and women's ambitions to pursue political office. The Pink Wave celebrates the hundreds of trailblazing women creating new political opportunities for representation, now and in the future.


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]]> Tue, 26 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com How and why the election of Donald Trump inspired more women to enter politics.

Donald Trump's victory over Hillary Clinton in the 2016 presidential election shocked and dismayed many women, and motivated many to run for office at all levels of government. In The Pink Wave: Women Running for Office After Trump (NYU Press, 2023), Regina M. Matheson and William W. Parsons explore this inspiring phenomenon and its impact on women's representation.

Drawing on national surveys and in-depth interviews of over 900 women, across almost every state, Matheson and Parsons show us why more women decided to run for state legislature during the Trump administration, the obstacles they faced on the campaign trail, and whether they ultimately succeeded or failed in their bid for office. Candidates share valuable lessons they learned from their recent campaign experiences, providing future insight for women--on both sides of the aisle--who may be inspired to follow in their footsteps.

Matheson and Parsons examine the impact Donald Trump had on women candidates--both positive and negative--and women's ambitions to pursue political office. The Pink Wave celebrates the hundreds of trailblazing women creating new political opportunities for representation, now and in the future.


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]]> William W. Parsons and Regina M. Matheson, "The Pink Wave: Women Running for Office After Trump" (NYU Press, 2023) New Books Network 00:44:20 How and why the election of Donald Trump inspired more women to enter politics. Donald Trump's victory over Hillary Clinton in the 2016 presidential election shocked and dismayed many women, and motivated many to run for office at all levels of government. In The Pink Wave: Women Running for Office After Trump (NYU Press, 2023), Regina M. Matheson and William W. Parsons explore this inspiring phenomenon and its impact on women's representation. Drawing on national surveys and in-depth interviews of over 900 women, across almost every state, Matheson and Parsons show us why more women decided to run for state legislature during the Trump administration, the obstacles they faced on the campaign trail, and whether they ultimately succeeded or failed in their bid for office. Candidates share valuable lessons they learned from their recent campaign experiences, providing future insight for women--on both sides of the aisle--who may be inspired to follow in their footsteps. Matheson and Parsons examine the impact Donald Trump had on women candidates--both positive and negative--and women's ambitions to pursue political office. The Pink Wave celebrates the hundreds of trailblazing women creating new political opportunities for representation, now and in the future. How and why the election of Donald Trump inspired more women to enter politics. Donald Trump's victory over Hillary Clinton in the 2016 presidential election shocked and dismayed many women, and motivated many to run for office at all levels of government. In The Pink Wave: Women Running for Office After Trump (NYU Press, 2023), Regina M. Matheson and William W. Parsons explore this inspiring phenomenon and its impact on women's representation. Drawing on national surveys and in-depth interviews of over 900 women, across almost every state, Matheson and Parsons show us why more women decided to run for state legislature during the Trump administration, the obstacles they faced on the campaign trail, and whether they ultimately succeeded or failed in their bid for office. Candidates share valuable lessons they learned from their recent campaign experiences, providing future insight for women--on both sides of the aisle--who may be inspired to follow in their footsteps. Matheson and Parsons examine the impact Donald Trump had on women candidates--both positive and negative--and women's ambitions to pursue political office. The Pink Wave celebrates the hundreds of trailblazing women creating new political opportunities for representation, now and in the future. false full 254 adb145dc-e7bf-11ee-ae81-ab384694a469 Maggie Hennefeld, "Death by Laughter: Female Hysteria and Early Cinema" (Columbia UP, 2024) Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy?

In Death by Laughter: Female Hysteria and Early Cinema (Columbia University Press, 2024), Dr. Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorised and demonised, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomised the tension between subversive pleasure and its violent repression.

Dr. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Mon, 25 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy?

In Death by Laughter: Female Hysteria and Early Cinema (Columbia University Press, 2024), Dr. Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorised and demonised, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomised the tension between subversive pleasure and its violent repression.

Dr. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Maggie Hennefeld, "Death by Laughter: Female Hysteria and Early Cinema" (Columbia UP, 2024) New Books Network 00:56:07 Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy? In Death by Laughter: Female Hysteria and Early Cinema (Columbia University Press, 2024), Dr. Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorised and demonised, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomised the tension between subversive pleasure and its violent repression. Dr. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy? In Death by Laughter: Female Hysteria and Early Cinema (Columbia University Press, 2024), Dr. Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorised and demonised, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomised the tension between subversive pleasure and its violent repression. Dr. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 86 fb2a704c-e47f-11ee-8d4a-57bd3b918ab2 Heather Akou, "On the Job: A History of American Work Uniforms" (Bloomsbury, 2024) Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, On the Job: A History of American Work Uniforms (Bloomsbury, 2024) by Dr. Heather Akou explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States.

It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms.

On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Thu, 21 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, On the Job: A History of American Work Uniforms (Bloomsbury, 2024) by Dr. Heather Akou explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States.

It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms.

On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Heather Akou, "On the Job: A History of American Work Uniforms" (Bloomsbury, 2024) New Books Network 01:02:33 Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, On the Job: A History of American Work Uniforms (Bloomsbury, 2024) by Dr. Heather Akou explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States. It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms. On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, On the Job: A History of American Work Uniforms (Bloomsbury, 2024) by Dr. Heather Akou explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States. It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms. On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 253 7c92758e-e48b-11ee-82f5-b3ccaea141ee Amy Absher, "Fritzie: The Invented Life and Violent Murder of a Flapper" (U Oklahoma Press, 2023) One January day in 1923, a young boy came across the dead body of a twenty-year-old woman on a San Diego beach. When the police arrived on the scene, they found the woman’s calling card, which read simply, “I am Fritzie Mann.” Yet Fritzie’s identity, as revealed in this compelling history, was anything but simple, and her death—eventually ruled a homicide—captured public attention for months. In Fritzie: The Invented Life and Violent Murder of a Flapper (U Oklahoma Press, 2023), historian Amy Absher reveals how broader cultural forces, including gendered violence, sexual liberation, and evolving urban conditions in the American West, shaped the course of Mann’s life and contributed to her tragic death.

Frieda “Fritizie” Mann had several identities during her brief life, and the mysterious circumstances of her death raise as many questions as they do answers. She was born in 1903 near the present border between Poland and Ukraine. She and her family were Jewish immigrants who traveled to San Diego to find security and prosperity.

In the last year of her life, Mann became locally famous. She had reinvented herself as a flapper and “Oriental” dancer. She claimed to have friends in Hollywood and a movie contract. On the night of her murder, she said she was going to a party to meet her Hollywood friends; instead she traveled to an isolated roadside hotel where she met her death. An autopsy revealed that she was four and a half months pregnant.

Absher guides the reader through the intricacies of this true crime story as it unfolded, from the initial flawed investigation to the sensationalized press coverage and the ultimate failure of the legal system to ensure justice on Mann’s behalf. Like other “new women” of her era, Fritzie Mann adopted roles that promised liberation from the control of men. In the end, her life and early death suggest the opposite: she became the victim of a culture that consumed women even as it purported to celebrate them.


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]]> Thu, 21 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com One January day in 1923, a young boy came across the dead body of a twenty-year-old woman on a San Diego beach. When the police arrived on the scene, they found the woman’s calling card, which read simply, “I am Fritzie Mann.” Yet Fritzie’s identity, as revealed in this compelling history, was anything but simple, and her death—eventually ruled a homicide—captured public attention for months. In Fritzie: The Invented Life and Violent Murder of a Flapper (U Oklahoma Press, 2023), historian Amy Absher reveals how broader cultural forces, including gendered violence, sexual liberation, and evolving urban conditions in the American West, shaped the course of Mann’s life and contributed to her tragic death.

Frieda “Fritizie” Mann had several identities during her brief life, and the mysterious circumstances of her death raise as many questions as they do answers. She was born in 1903 near the present border between Poland and Ukraine. She and her family were Jewish immigrants who traveled to San Diego to find security and prosperity.

In the last year of her life, Mann became locally famous. She had reinvented herself as a flapper and “Oriental” dancer. She claimed to have friends in Hollywood and a movie contract. On the night of her murder, she said she was going to a party to meet her Hollywood friends; instead she traveled to an isolated roadside hotel where she met her death. An autopsy revealed that she was four and a half months pregnant.

Absher guides the reader through the intricacies of this true crime story as it unfolded, from the initial flawed investigation to the sensationalized press coverage and the ultimate failure of the legal system to ensure justice on Mann’s behalf. Like other “new women” of her era, Fritzie Mann adopted roles that promised liberation from the control of men. In the end, her life and early death suggest the opposite: she became the victim of a culture that consumed women even as it purported to celebrate them.


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]]> Amy Absher, "Fritzie: The Invented Life and Violent Murder of a Flapper" (U Oklahoma Press, 2023) New Books Network 00:28:49 One January day in 1923, a young boy came across the dead body of a twenty-year-old woman on a San Diego beach. When the police arrived on the scene, they found the woman’s calling card, which read simply, “I am Fritzie Mann.” Yet Fritzie’s identity, as revealed in this compelling history, was anything but simple, and her death—eventually ruled a homicide—captured public attention for months. In Fritzie: The Invented Life and Violent Murder of a Flapper (U Oklahoma Press, 2023), historian Amy Absher reveals how broader cultural forces, including gendered violence, sexual liberation, and evolving urban conditions in the American West, shaped the course of Mann’s life and contributed to her tragic death. Frieda “Fritizie” Mann had several identities during her brief life, and the mysterious circumstances of her death raise as many questions as they do answers. She was born in 1903 near the present border between Poland and Ukraine. She and her family were Jewish immigrants who traveled to San Diego to find security and prosperity. In the last year of her life, Mann became locally famous. She had reinvented herself as a flapper and “Oriental” dancer. She claimed to have friends in Hollywood and a movie contract. On the night of her murder, she said she was going to a party to meet her Hollywood friends; instead she traveled to an isolated roadside hotel where she met her death. An autopsy revealed that she was four and a half months pregnant. Absher guides the reader through the intricacies of this true crime story as it unfolded, from the initial flawed investigation to the sensationalized press coverage and the ultimate failure of the legal system to ensure justice on Mann’s behalf. Like other “new women” of her era, Fritzie Mann adopted roles that promised liberation from the control of men. In the end, her life and early death suggest the opposite: she became the victim of a culture that consumed women even as it purported to celebrate them. One January day in 1923, a young boy came across the dead body of a twenty-year-old woman on a San Diego beach. When the police arrived on the scene, they found the woman’s calling card, which read simply, “I am Fritzie Mann.” Yet Fritzie’s identity, as revealed in this compelling history, was anything but simple, and her death—eventually ruled a homicide—captured public attention for months. In Fritzie: The Invented Life and Violent Murder of a Flapper (U Oklahoma Press, 2023), historian Amy Absher reveals how broader cultural forces, including gendered violence, sexual liberation, and evolving urban conditions in the American West, shaped the course of Mann’s life and contributed to her tragic death. Frieda “Fritizie” Mann had several identities during her brief life, and the mysterious circumstances of her death raise as many questions as they do answers. She was born in 1903 near the present border between Poland and Ukraine. She and her family were Jewish immigrants who traveled to San Diego to find security and prosperity. In the last year of her life, Mann became locally famous. She had reinvented herself as a flapper and “Oriental” dancer. She claimed to have friends in Hollywood and a movie contract. On the night of her murder, she said she was going to a party to meet her Hollywood friends; instead she traveled to an isolated roadside hotel where she met her death. An autopsy revealed that she was four and a half months pregnant. Absher guides the reader through the intricacies of this true crime story as it unfolded, from the initial flawed investigation to the sensationalized press coverage and the ultimate failure of the legal system to ensure justice on Mann’s behalf. Like other “new women” of her era, Fritzie Mann adopted roles that promised liberation from the control of men. In the end, her life and early death suggest the opposite: she became the victim of a culture that consumed women even as it purported to celebrate them. false full 85 64974a2a-e3cf-11ee-a7f1-eb300a790888 Coretta M. Pittman, "Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries" (UP of Mississippi, 2022) Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women’s literacy practices from 1892 to 1934. 

Pittman explores two distinct but related eras of Black women’s writing—the Women’s Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment.


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]]> Tue, 19 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women’s literacy practices from 1892 to 1934. 

Pittman explores two distinct but related eras of Black women’s writing—the Women’s Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment.


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]]> Coretta M. Pittman, "Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries" (UP of Mississippi, 2022) New Books Network 00:49:50 Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women’s literacy practices from 1892 to 1934.  Pittman explores two distinct but related eras of Black women’s writing—the Women’s Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment. Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women’s literacy practices from 1892 to 1934.  Pittman explores two distinct but related eras of Black women’s writing—the Women’s Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment. false full 227 aae8f68e-e3ae-11ee-a337-17f599c8e5be Nancy Folbre, "The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy" (Verso, 2021) Nancy Folbre’s The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy (Verso, 2021) asks the questions of why and under what conditions overlapping systems of exploitation persist and decline. Folbre adds this book to a long repertoire of studying the economics of care, social reproduction, household-state relations, and women’s coalition building. In making sense of the gender-skewed outcomes of capitalist development, the undervaluation of care, and the dynamics of social reproduction, Folbre draws from various economic and sociological perspectives to introduce an analytical framework attuned to the multiple layers of patriarchal systems of control. The book’s theoretical toolbox (Part 1) is particularly valuable for those interested in key concepts and theories in feminist political economy. The Reconstructed Narratives (Part 2) engages readers with polemics on gendered dynamics of bargaining power, the disciplining of social reproduction labor, the intertwined nature of affect and care, and prospects for progressive collective organizing.


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]]> Mon, 18 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Nancy Folbre’s The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy (Verso, 2021) asks the questions of why and under what conditions overlapping systems of exploitation persist and decline. Folbre adds this book to a long repertoire of studying the economics of care, social reproduction, household-state relations, and women’s coalition building. In making sense of the gender-skewed outcomes of capitalist development, the undervaluation of care, and the dynamics of social reproduction, Folbre draws from various economic and sociological perspectives to introduce an analytical framework attuned to the multiple layers of patriarchal systems of control. The book’s theoretical toolbox (Part 1) is particularly valuable for those interested in key concepts and theories in feminist political economy. The Reconstructed Narratives (Part 2) engages readers with polemics on gendered dynamics of bargaining power, the disciplining of social reproduction labor, the intertwined nature of affect and care, and prospects for progressive collective organizing.


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]]> Nancy Folbre, "The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy" (Verso, 2021) New Books Network 00:27:14 Nancy Folbre’s The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy (Verso, 2021) asks the questions of why and under what conditions overlapping systems of exploitation persist and decline. Folbre adds this book to a long repertoire of studying the economics of care, social reproduction, household-state relations, and women’s coalition building. In making sense of the gender-skewed outcomes of capitalist development, the undervaluation of care, and the dynamics of social reproduction, Folbre draws from various economic and sociological perspectives to introduce an analytical framework attuned to the multiple layers of patriarchal systems of control. The book’s theoretical toolbox (Part 1) is particularly valuable for those interested in key concepts and theories in feminist political economy. The Reconstructed Narratives (Part 2) engages readers with polemics on gendered dynamics of bargaining power, the disciplining of social reproduction labor, the intertwined nature of affect and care, and prospects for progressive collective organizing. Nancy Folbre’s The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy (Verso, 2021) asks the questions of why and under what conditions overlapping systems of exploitation persist and decline. Folbre adds this book to a long repertoire of studying the economics of care, social reproduction, household-state relations, and women’s coalition building. In making sense of the gender-skewed outcomes of capitalist development, the undervaluation of care, and the dynamics of social reproduction, Folbre draws from various economic and sociological perspectives to introduce an analytical framework attuned to the multiple layers of patriarchal systems of control. The book’s theoretical toolbox (Part 1) is particularly valuable for those interested in key concepts and theories in feminist political economy. The Reconstructed Narratives (Part 2) engages readers with polemics on gendered dynamics of bargaining power, the disciplining of social reproduction labor, the intertwined nature of affect and care, and prospects for progressive collective organizing. false full 234 97b2d20c-e3a8-11ee-a2a3-63e73dc74310 The Pioneering Life of Vijaya Lakshmi Pandit Manu Bhagavan and Ellen Chesler discuss Bhagavan’s latest book on Vijaya Lakshmi Pandit (Penguin, 2023), admired sister of India’s founding Prime Minister, Jawaharlal Nehru, and a pioneering public servant, diplomat, and women's rights advocate, in her own right. They talk about the Nehru’s privileged upbringing and elite education, their conversion to a Gandhi inspired ascetism, the hardships of repeated jail sentences during the struggle against British colonialism, as well as the many influences on Pandit’s feminist consciousness, including early western role models like Annie Besant and Margaret Sanger.

Their conversation highlights the critical role of the All-India Women's Conference chaired by Pandit in advancing popular critiques of colonialism and inspiring confidence that the country could transition peacefully and move forward successfully on its own. They also discuss Pandit’s impressive diplomatic career after World War II, when she served in many foreign posts, became the first woman president of the UN General Assembly, and was celebrated globally.


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]]> Mon, 18 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Manu Bhagavan and Ellen Chesler discuss Bhagavan’s latest book on Vijaya Lakshmi Pandit (Penguin, 2023), admired sister of India’s founding Prime Minister, Jawaharlal Nehru, and a pioneering public servant, diplomat, and women's rights advocate, in her own right. They talk about the Nehru’s privileged upbringing and elite education, their conversion to a Gandhi inspired ascetism, the hardships of repeated jail sentences during the struggle against British colonialism, as well as the many influences on Pandit’s feminist consciousness, including early western role models like Annie Besant and Margaret Sanger.

Their conversation highlights the critical role of the All-India Women's Conference chaired by Pandit in advancing popular critiques of colonialism and inspiring confidence that the country could transition peacefully and move forward successfully on its own. They also discuss Pandit’s impressive diplomatic career after World War II, when she served in many foreign posts, became the first woman president of the UN General Assembly, and was celebrated globally.


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]]> The Pioneering Life of Vijaya Lakshmi Pandit New Books Network 00:43:02 Manu Bhagavan and Ellen Chesler discuss Bhagavan’s latest book on Vijaya Lakshmi Pandit (Penguin, 2023), admired sister of India’s founding Prime Minister, Jawaharlal Nehru, and a pioneering public servant, diplomat, and women's rights advocate, in her own right. They talk about the Nehru’s privileged upbringing and elite education, their conversion to a Gandhi inspired ascetism, the hardships of repeated jail sentences during the struggle against British colonialism, as well as the many influences on Pandit’s feminist consciousness, including early western role models like Annie Besant and Margaret Sanger. Their conversation highlights the critical role of the All-India Women's Conference chaired by Pandit in advancing popular critiques of colonialism and inspiring confidence that the country could transition peacefully and move forward successfully on its own. They also discuss Pandit’s impressive diplomatic career after World War II, when she served in many foreign posts, became the first woman president of the UN General Assembly, and was celebrated globally. Manu Bhagavan and Ellen Chesler discuss Bhagavan’s latest book on Vijaya Lakshmi Pandit (Penguin, 2023), admired sister of India’s founding Prime Minister, Jawaharlal Nehru, and a pioneering public servant, diplomat, and women's rights advocate, in her own right. They talk about the Nehru’s privileged upbringing and elite education, their conversion to a Gandhi inspired ascetism, the hardships of repeated jail sentences during the struggle against British colonialism, as well as the many influences on Pandit’s feminist consciousness, including early western role models like Annie Besant and Margaret Sanger. Their conversation highlights the critical role of the All-India Women's Conference chaired by Pandit in advancing popular critiques of colonialism and inspiring confidence that the country could transition peacefully and move forward successfully on its own. They also discuss Pandit’s impressive diplomatic career after World War II, when she served in many foreign posts, became the first woman president of the UN General Assembly, and was celebrated globally. false full 139 6b8665ba-a409-11ee-8983-0f54bda65b8a Caitlin Davies, "Private Inquiries: The Secret History of Female Sleuths" (The History Press, 2023) Dismissed as ‘Mrs Sherlock Holmes’ or amateurish Miss Marples, mocked as private dicks or honey trappers, they have been investigating crime since the mid-nineteenth century – everything from theft and fraud to romance scams and murder.

In Private Inquiries: The Secret History of Female Sleuths (The History Press, 2023), Caitlin Davies traces the history of the UK’s female investigators, uncovering the truth about their lives and careers from the 1850s to the present day. Women like Victorian private inquiry agent Antonia Moser, the first woman to open her own agency; Annette Kerner, who ran the Mayfair Detective Agency on Baker Street in the 1940s; and Liverpool sleuth Zena Scott-Archer, who became the first woman president of the World Association of Detectives. Davies also follows in the footsteps of her subjects, undertaking a professional qualification to become a Private Investigator, and meeting modern PIs to find out the reality behind the fictional image.

Female investigators are on the rise in the UK – and despite the industry’s sleazy reputation, nearly a third of new trainees are women. After a century of undercover work, it’s time to reveal the secrets of their trailblazing forebears.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 17 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Dismissed as ‘Mrs Sherlock Holmes’ or amateurish Miss Marples, mocked as private dicks or honey trappers, they have been investigating crime since the mid-nineteenth century – everything from theft and fraud to romance scams and murder.

In Private Inquiries: The Secret History of Female Sleuths (The History Press, 2023), Caitlin Davies traces the history of the UK’s female investigators, uncovering the truth about their lives and careers from the 1850s to the present day. Women like Victorian private inquiry agent Antonia Moser, the first woman to open her own agency; Annette Kerner, who ran the Mayfair Detective Agency on Baker Street in the 1940s; and Liverpool sleuth Zena Scott-Archer, who became the first woman president of the World Association of Detectives. Davies also follows in the footsteps of her subjects, undertaking a professional qualification to become a Private Investigator, and meeting modern PIs to find out the reality behind the fictional image.

Female investigators are on the rise in the UK – and despite the industry’s sleazy reputation, nearly a third of new trainees are women. After a century of undercover work, it’s time to reveal the secrets of their trailblazing forebears.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Caitlin Davies, "Private Inquiries: The Secret History of Female Sleuths" (The History Press, 2023) New Books Network 01:09:58 Dismissed as ‘Mrs Sherlock Holmes’ or amateurish Miss Marples, mocked as private dicks or honey trappers, they have been investigating crime since the mid-nineteenth century – everything from theft and fraud to romance scams and murder. In Private Inquiries: The Secret History of Female Sleuths (The History Press, 2023), Caitlin Davies traces the history of the UK’s female investigators, uncovering the truth about their lives and careers from the 1850s to the present day. Women like Victorian private inquiry agent Antonia Moser, the first woman to open her own agency; Annette Kerner, who ran the Mayfair Detective Agency on Baker Street in the 1940s; and Liverpool sleuth Zena Scott-Archer, who became the first woman president of the World Association of Detectives. Davies also follows in the footsteps of her subjects, undertaking a professional qualification to become a Private Investigator, and meeting modern PIs to find out the reality behind the fictional image. Female investigators are on the rise in the UK – and despite the industry’s sleazy reputation, nearly a third of new trainees are women. After a century of undercover work, it’s time to reveal the secrets of their trailblazing forebears. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Dismissed as ‘Mrs Sherlock Holmes’ or amateurish Miss Marples, mocked as private dicks or honey trappers, they have been investigating crime since the mid-nineteenth century – everything from theft and fraud to romance scams and murder. In Private Inquiries: The Secret History of Female Sleuths (The History Press, 2023), Caitlin Davies traces the history of the UK’s female investigators, uncovering the truth about their lives and careers from the 1850s to the present day. Women like Victorian private inquiry agent Antonia Moser, the first woman to open her own agency; Annette Kerner, who ran the Mayfair Detective Agency on Baker Street in the 1940s; and Liverpool sleuth Zena Scott-Archer, who became the first woman president of the World Association of Detectives. Davies also follows in the footsteps of her subjects, undertaking a professional qualification to become a Private Investigator, and meeting modern PIs to find out the reality behind the fictional image. Female investigators are on the rise in the UK – and despite the industry’s sleazy reputation, nearly a third of new trainees are women. After a century of undercover work, it’s time to reveal the secrets of their trailblazing forebears. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 75 8732983c-dfec-11ee-9fb0-5b0cef6b12a9 Tayo Agunbiade, "Untold Histories of Nigerian Women: Emerging from the Margins" (Cambridge Scholars, 2023) Untold Histories of Nigerian Women: Emerging from the Margins (Cambridge Scholars Publishing, 2023) is a curation of insightful and engaging narrations aimed at freeing women from the margins of Nigeria's history. It chronicles their protest movements against colonial administrations, including "monster" petitions on taxation and food price controls. It details a string of remarkable political landmarks which highlight women's historical credentials as nationalists, as well as their voice in early male-dominated legislative institutions. It also narrates more contemporary episodes in women's resistance against oil exploitation, environmental pollution and anger over the mass abduction of school girls. This timely preservation of the voice and agency of Nigerian women from a wide variety of colonial and contemporary documents will benefit readers interested in African history and gender and women's studies.

Tayo Agunbiade is a journalist and social historian. She studied history at the University of Lagos, Nigeria, and women development studies at the University of East London. She has published articles on women’s history and is an Associate Fellow of the Royal Historical Society. Tayo is Newsletter Editor for the Women’s History Network.


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]]> Thu, 14 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Untold Histories of Nigerian Women: Emerging from the Margins (Cambridge Scholars Publishing, 2023) is a curation of insightful and engaging narrations aimed at freeing women from the margins of Nigeria's history. It chronicles their protest movements against colonial administrations, including "monster" petitions on taxation and food price controls. It details a string of remarkable political landmarks which highlight women's historical credentials as nationalists, as well as their voice in early male-dominated legislative institutions. It also narrates more contemporary episodes in women's resistance against oil exploitation, environmental pollution and anger over the mass abduction of school girls. This timely preservation of the voice and agency of Nigerian women from a wide variety of colonial and contemporary documents will benefit readers interested in African history and gender and women's studies.

Tayo Agunbiade is a journalist and social historian. She studied history at the University of Lagos, Nigeria, and women development studies at the University of East London. She has published articles on women’s history and is an Associate Fellow of the Royal Historical Society. Tayo is Newsletter Editor for the Women’s History Network.


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]]> Tayo Agunbiade, "Untold Histories of Nigerian Women: Emerging from the Margins" (Cambridge Scholars, 2023) New Books Network 00:55:10 Untold Histories of Nigerian Women: Emerging from the Margins (Cambridge Scholars Publishing, 2023) is a curation of insightful and engaging narrations aimed at freeing women from the margins of Nigeria's history. It chronicles their protest movements against colonial administrations, including "monster" petitions on taxation and food price controls. It details a string of remarkable political landmarks which highlight women's historical credentials as nationalists, as well as their voice in early male-dominated legislative institutions. It also narrates more contemporary episodes in women's resistance against oil exploitation, environmental pollution and anger over the mass abduction of school girls. This timely preservation of the voice and agency of Nigerian women from a wide variety of colonial and contemporary documents will benefit readers interested in African history and gender and women's studies. Tayo Agunbiade is a journalist and social historian. She studied history at the University of Lagos, Nigeria, and women development studies at the University of East London. She has published articles on women’s history and is an Associate Fellow of the Royal Historical Society. Tayo is Newsletter Editor for the Women’s History Network. Untold Histories of Nigerian Women: Emerging from the Margins (Cambridge Scholars Publishing, 2023) is a curation of insightful and engaging narrations aimed at freeing women from the margins of Nigeria's history. It chronicles their protest movements against colonial administrations, including "monster" petitions on taxation and food price controls. It details a string of remarkable political landmarks which highlight women's historical credentials as nationalists, as well as their voice in early male-dominated legislative institutions. It also narrates more contemporary episodes in women's resistance against oil exploitation, environmental pollution and anger over the mass abduction of school girls. This timely preservation of the voice and agency of Nigerian women from a wide variety of colonial and contemporary documents will benefit readers interested in African history and gender and women's studies. Tayo Agunbiade is a journalist and social historian. She studied history at the University of Lagos, Nigeria, and women development studies at the University of East London. She has published articles on women’s history and is an Associate Fellow of the Royal Historical Society. Tayo is Newsletter Editor for the Women’s History Network. false full 183 b1c56472-df1e-11ee-bc2f-3735d04d6206 Sofia Rehman, "Gendering the Hadith Tradition: Recentering the Authority of Aisha, Mother of the Believers" (Oxford UP, 2024) Gendering the Hadith Tradition: Recentering the Authority of Aisha, Mother of the Believers (Oxford UP, 2024) presents for the first time a partial translation and study of Imam Badr al-Din al-Zarkashi's work, al-Ijaba li-Iradi ma Istadraktahu Aisha Ala al-Sahabah-"The Corrective: Aisha's Rectification of the Companions. "It critically analyses from the perspective of hadith criticism a number of sections presenting Aisha's refutations and corrections of key Companions including, Umar b. al-Khattab, Abdullah b. Abbas, Zayd b. Thabit, and Abu Hurayra, applying classical hadith methodology to the scrutiny of narrators by way of impugnment and validation (al-jarh wa al-tadil) in an effort to re-construct and re-present Aisha as a central authority in Islamic knowledge production.

This work constitutes a major rethinking of the Muslim hadith and jurisprudential traditions by evaluating how Aisha responded to hadiths that were circulating and being ascribed, often incorrectly, as authoritative statements of the Prophet Muhammad. From her critique of overwhelmingly male Companions of the Prophet, the study elicits a methodology for hadith criticism which is sure to challenge classical approaches. Sofia Rehman unearths the scholarly acumen of this great female Companion and mother of the believers, in her discussion of several legal positions which Aisha held in contradistinction to many of the male authorities among the Companions.

This interdisciplinary study serves as a model for how the voice of Aisha may be given renewed life and significance in the way it re-centres her traditions and thinking. A crucial aspect is its contributing to expanding the horizons of multiple Islamic disciplines. A major contribution to the study of hadith lies in the development of an emergent methodology of Aisha in the scrutiny of the actual statements (matn) of traditions, not just the chains of transmission (isnad). The contributions of this study to the development of the Muslim legal tradition (fiqh) also lies in a framework that emerges from this research based on the pattern of how Aisha approaches juridical matters. The implications for this are many, especially regarding women and their spiritual and daily life and practice.“

Sofia Rehman is an independent scholar of Islam, trained both traditionally in Syria and Turkey, and in Western academia, receiving her PhD from the University of Leeds. She advocates bridging the gap between scholarship on Islam and the Muslim community, setting up critical reading groups with global reach to facilitate learning and empowerment. She is a contributor to Mapping Faith: Theologies of Migration, edited by Lia Shimada, Cut from the Same Cloth?, edited by Sabeena Akhtar and Violent Phenomena: 21 Essays on Translation, edited by Kavita Bhanot and Jeremy Tiang. She is author of A Treasury of Aisha Bint Abu Bakr.

Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.


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]]> Tue, 12 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Gendering the Hadith Tradition: Recentering the Authority of Aisha, Mother of the Believers (Oxford UP, 2024) presents for the first time a partial translation and study of Imam Badr al-Din al-Zarkashi's work, al-Ijaba li-Iradi ma Istadraktahu Aisha Ala al-Sahabah-"The Corrective: Aisha's Rectification of the Companions. "It critically analyses from the perspective of hadith criticism a number of sections presenting Aisha's refutations and corrections of key Companions including, Umar b. al-Khattab, Abdullah b. Abbas, Zayd b. Thabit, and Abu Hurayra, applying classical hadith methodology to the scrutiny of narrators by way of impugnment and validation (al-jarh wa al-tadil) in an effort to re-construct and re-present Aisha as a central authority in Islamic knowledge production.

This work constitutes a major rethinking of the Muslim hadith and jurisprudential traditions by evaluating how Aisha responded to hadiths that were circulating and being ascribed, often incorrectly, as authoritative statements of the Prophet Muhammad. From her critique of overwhelmingly male Companions of the Prophet, the study elicits a methodology for hadith criticism which is sure to challenge classical approaches. Sofia Rehman unearths the scholarly acumen of this great female Companion and mother of the believers, in her discussion of several legal positions which Aisha held in contradistinction to many of the male authorities among the Companions.

This interdisciplinary study serves as a model for how the voice of Aisha may be given renewed life and significance in the way it re-centres her traditions and thinking. A crucial aspect is its contributing to expanding the horizons of multiple Islamic disciplines. A major contribution to the study of hadith lies in the development of an emergent methodology of Aisha in the scrutiny of the actual statements (matn) of traditions, not just the chains of transmission (isnad). The contributions of this study to the development of the Muslim legal tradition (fiqh) also lies in a framework that emerges from this research based on the pattern of how Aisha approaches juridical matters. The implications for this are many, especially regarding women and their spiritual and daily life and practice.“

Sofia Rehman is an independent scholar of Islam, trained both traditionally in Syria and Turkey, and in Western academia, receiving her PhD from the University of Leeds. She advocates bridging the gap between scholarship on Islam and the Muslim community, setting up critical reading groups with global reach to facilitate learning and empowerment. She is a contributor to Mapping Faith: Theologies of Migration, edited by Lia Shimada, Cut from the Same Cloth?, edited by Sabeena Akhtar and Violent Phenomena: 21 Essays on Translation, edited by Kavita Bhanot and Jeremy Tiang. She is author of A Treasury of Aisha Bint Abu Bakr.

Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.


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]]> Sofia Rehman, "Gendering the Hadith Tradition: Recentering the Authority of Aisha, Mother of the Believers" (Oxford UP, 2024) New Books Network 00:39:19 Gendering the Hadith Tradition: Recentering the Authority of Aisha, Mother of the Believers (Oxford UP, 2024) presents for the first time a partial translation and study of Imam Badr al-Din al-Zarkashi's work, al-Ijaba li-Iradi ma Istadraktahu Aisha Ala al-Sahabah-"The Corrective: Aisha's Rectification of the Companions. "It critically analyses from the perspective of hadith criticism a number of sections presenting Aisha's refutations and corrections of key Companions including, Umar b. al-Khattab, Abdullah b. Abbas, Zayd b. Thabit, and Abu Hurayra, applying classical hadith methodology to the scrutiny of narrators by way of impugnment and validation (al-jarh wa al-tadil) in an effort to re-construct and re-present Aisha as a central authority in Islamic knowledge production. This work constitutes a major rethinking of the Muslim hadith and jurisprudential traditions by evaluating how Aisha responded to hadiths that were circulating and being ascribed, often incorrectly, as authoritative statements of the Prophet Muhammad. From her critique of overwhelmingly male Companions of the Prophet, the study elicits a methodology for hadith criticism which is sure to challenge classical approaches. Sofia Rehman unearths the scholarly acumen of this great female Companion and mother of the believers, in her discussion of several legal positions which Aisha held in contradistinction to many of the male authorities among the Companions. This interdisciplinary study serves as a model for how the voice of Aisha may be given renewed life and significance in the way it re-centres her traditions and thinking. A crucial aspect is its contributing to expanding the horizons of multiple Islamic disciplines. A major contribution to the study of hadith lies in the development of an emergent methodology of Aisha in the scrutiny of the actual statements (matn) of traditions, not just the chains of transmission (isnad). The contributions of this study to the development of the Muslim legal tradition (fiqh) also lies in a framework that emerges from this research based on the pattern of how Aisha approaches juridical matters. The implications for this are many, especially regarding women and their spiritual and daily life and practice.“ Sofia Rehman is an independent scholar of Islam, trained both traditionally in Syria and Turkey, and in Western academia, receiving her PhD from the University of Leeds. She advocates bridging the gap between scholarship on Islam and the Muslim community, setting up critical reading groups with global reach to facilitate learning and empowerment. She is a contributor to Mapping Faith: Theologies of Migration, edited by Lia Shimada, Cut from the Same Cloth?, edited by Sabeena Akhtar and Violent Phenomena: 21 Essays on Translation, edited by Kavita Bhanot and Jeremy Tiang. She is author of A Treasury of Aisha Bint Abu Bakr. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Gendering the Hadith Tradition: Recentering the Authority of Aisha, Mother of the Believers (Oxford UP, 2024) presents for the first time a partial translation and study of Imam Badr al-Din al-Zarkashi's work, al-Ijaba li-Iradi ma Istadraktahu Aisha Ala al-Sahabah-"The Corrective: Aisha's Rectification of the Companions. "It critically analyses from the perspective of hadith criticism a number of sections presenting Aisha's refutations and corrections of key Companions including, Umar b. al-Khattab, Abdullah b. Abbas, Zayd b. Thabit, and Abu Hurayra, applying classical hadith methodology to the scrutiny of narrators by way of impugnment and validation (al-jarh wa al-tadil) in an effort to re-construct and re-present Aisha as a central authority in Islamic knowledge production. This work constitutes a major rethinking of the Muslim hadith and jurisprudential traditions by evaluating how Aisha responded to hadiths that were circulating and being ascribed, often incorrectly, as authoritative statements of the Prophet Muhammad. From her critique of overwhelmingly male Companions of the Prophet, the study elicits a methodology for hadith criticism which is sure to challenge classical approaches. Sofia Rehman unearths the scholarly acumen of this great female Companion and mother of the believers, in her discussion of several legal positions which Aisha held in contradistinction to many of the male authorities among the Companions. This interdisciplinary study serves as a model for how the voice of Aisha may be given renewed life and significance in the way it re-centres her traditions and thinking. A crucial aspect is its contributing to expanding the horizons of multiple Islamic disciplines. A major contribution to the study of hadith lies in the development of an emergent methodology of Aisha in the scrutiny of the actual statements (matn) of traditions, not just the chains of transmission (isnad). The contributions of this study to the development of the Muslim legal tradition (fiqh) also lies in a framework that emerges from this research based on the pattern of how Aisha approaches juridical matters. The implications for this are many, especially regarding women and their spiritual and daily life and practice.“ Sofia Rehman is an independent scholar of Islam, trained both traditionally in Syria and Turkey, and in Western academia, receiving her PhD from the University of Leeds. She advocates bridging the gap between scholarship on Islam and the Muslim community, setting up critical reading groups with global reach to facilitate learning and empowerment. She is a contributor to Mapping Faith: Theologies of Migration, edited by Lia Shimada, Cut from the Same Cloth?, edited by Sabeena Akhtar and Violent Phenomena: 21 Essays on Translation, edited by Kavita Bhanot and Jeremy Tiang. She is author of A Treasury of Aisha Bint Abu Bakr. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. false full 255 b1b83532-df04-11ee-8616-6776a770cbd5 Rebecca Rego Barry, "The Vanishing of Carolyn Wells" (Post Hill Press, 2024) The Vanishing of Carolyn Wells: Investigations into a Forgotten Mystery Author (PostHill Press, 2024) by Rebecca Rego Barry is the first biography of one of the “lost ladies” of detective fiction who wrote more than eighty mysteries and hundreds of other works between the 1890s and the 1940s.

Carolyn Wells (1862–1942) excelled at writing country house and locked-room mysteries for a decade before Agatha Christie entered the scene. In the 1920s, when she was churning out three or more books annually, she was dubbed “about the biggest thing in mystery novels in the US.”

On top of that, Wells wielded her pen in just about every literary genre, producing several immensely popular children’s books and young adult novels; beloved anthologies; and countless stories, prose, and poetry for magazines such as Thrilling Detective, Life, The Saturday Evening Post, Harper’s, and The New Yorker. All told, Wells wrote over 180 books. Some were adapted into silent films, and some became bestsellers. Yet a hundred years later, she has been all but erased from literary history. Why? How?

This investigation takes us on a journey to Rahway, New Jersey, where Wells was born and is buried; to New York City’s Upper West Side, where she spent her final twenty-five years; to the Library of Congress, where Carolyn’s world-class collection of rare books now resides; and to many other public and private collections where exciting discoveries unfolded.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Tue, 12 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Vanishing of Carolyn Wells: Investigations into a Forgotten Mystery Author (PostHill Press, 2024) by Rebecca Rego Barry is the first biography of one of the “lost ladies” of detective fiction who wrote more than eighty mysteries and hundreds of other works between the 1890s and the 1940s.

Carolyn Wells (1862–1942) excelled at writing country house and locked-room mysteries for a decade before Agatha Christie entered the scene. In the 1920s, when she was churning out three or more books annually, she was dubbed “about the biggest thing in mystery novels in the US.”

On top of that, Wells wielded her pen in just about every literary genre, producing several immensely popular children’s books and young adult novels; beloved anthologies; and countless stories, prose, and poetry for magazines such as Thrilling Detective, Life, The Saturday Evening Post, Harper’s, and The New Yorker. All told, Wells wrote over 180 books. Some were adapted into silent films, and some became bestsellers. Yet a hundred years later, she has been all but erased from literary history. Why? How?

This investigation takes us on a journey to Rahway, New Jersey, where Wells was born and is buried; to New York City’s Upper West Side, where she spent her final twenty-five years; to the Library of Congress, where Carolyn’s world-class collection of rare books now resides; and to many other public and private collections where exciting discoveries unfolded.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Rebecca Rego Barry, "The Vanishing of Carolyn Wells" (Post Hill Press, 2024) New Books Network 00:40:58 The Vanishing of Carolyn Wells: Investigations into a Forgotten Mystery Author (PostHill Press, 2024) by Rebecca Rego Barry is the first biography of one of the “lost ladies” of detective fiction who wrote more than eighty mysteries and hundreds of other works between the 1890s and the 1940s. Carolyn Wells (1862–1942) excelled at writing country house and locked-room mysteries for a decade before Agatha Christie entered the scene. In the 1920s, when she was churning out three or more books annually, she was dubbed “about the biggest thing in mystery novels in the US.” On top of that, Wells wielded her pen in just about every literary genre, producing several immensely popular children’s books and young adult novels; beloved anthologies; and countless stories, prose, and poetry for magazines such as Thrilling Detective, Life, The Saturday Evening Post, Harper’s, and The New Yorker. All told, Wells wrote over 180 books. Some were adapted into silent films, and some became bestsellers. Yet a hundred years later, she has been all but erased from literary history. Why? How? This investigation takes us on a journey to Rahway, New Jersey, where Wells was born and is buried; to New York City’s Upper West Side, where she spent her final twenty-five years; to the Library of Congress, where Carolyn’s world-class collection of rare books now resides; and to many other public and private collections where exciting discoveries unfolded. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. The Vanishing of Carolyn Wells: Investigations into a Forgotten Mystery Author (PostHill Press, 2024) by Rebecca Rego Barry is the first biography of one of the “lost ladies” of detective fiction who wrote more than eighty mysteries and hundreds of other works between the 1890s and the 1940s. Carolyn Wells (1862–1942) excelled at writing country house and locked-room mysteries for a decade before Agatha Christie entered the scene. In the 1920s, when she was churning out three or more books annually, she was dubbed “about the biggest thing in mystery novels in the US.” On top of that, Wells wielded her pen in just about every literary genre, producing several immensely popular children’s books and young adult novels; beloved anthologies; and countless stories, prose, and poetry for magazines such as Thrilling Detective, Life, The Saturday Evening Post, Harper’s, and The New Yorker. All told, Wells wrote over 180 books. Some were adapted into silent films, and some became bestsellers. Yet a hundred years later, she has been all but erased from literary history. Why? How? This investigation takes us on a journey to Rahway, New Jersey, where Wells was born and is buried; to New York City’s Upper West Side, where she spent her final twenty-five years; to the Library of Congress, where Carolyn’s world-class collection of rare books now resides; and to many other public and private collections where exciting discoveries unfolded. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 84 0418894c-df11-11ee-b9a4-e75ffa3b7fcc Judith Tick, "Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song" (Norton, 2023) Ella Fitzgerald (1917–1996) was one of America’s greatest musicians. In this major biography, Becoming Ella Fitzgerald: The Jazz Singer who Transformed American Song (Norton 2023), Judith Tick documents Ella’s importance as a music maker, the ups and downs of her career, and her place in the music industry. Singers are often sidelined in histories of jazz, and jazz critics often celebrated instrumentalists over vocalists in their commentary. Consequently, many authors have not taken Ella seriously as a musical innovator, composer, arranger, or creative performer. Judith Tick shows that Ella was all these things and more. She provides new information about Ella’s family and early career, and analyzes how Ella negotiated the ever-shifting lines between jazz and pop. Tick shows that Ella was an ambitious risk-taker whose musical curiosity and skill led her to make some of the twentieth-century’s most important recordings, and helped establish the great American songbook.


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]]> Tue, 12 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Ella Fitzgerald (1917–1996) was one of America’s greatest musicians. In this major biography, Becoming Ella Fitzgerald: The Jazz Singer who Transformed American Song (Norton 2023), Judith Tick documents Ella’s importance as a music maker, the ups and downs of her career, and her place in the music industry. Singers are often sidelined in histories of jazz, and jazz critics often celebrated instrumentalists over vocalists in their commentary. Consequently, many authors have not taken Ella seriously as a musical innovator, composer, arranger, or creative performer. Judith Tick shows that Ella was all these things and more. She provides new information about Ella’s family and early career, and analyzes how Ella negotiated the ever-shifting lines between jazz and pop. Tick shows that Ella was an ambitious risk-taker whose musical curiosity and skill led her to make some of the twentieth-century’s most important recordings, and helped establish the great American songbook.


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]]> Judith Tick, "Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song" (Norton, 2023) New Books Network 00:55:26 Ella Fitzgerald (1917–1996) was one of America’s greatest musicians. In this major biography, Becoming Ella Fitzgerald: The Jazz Singer who Transformed American Song (Norton 2023), Judith Tick documents Ella’s importance as a music maker, the ups and downs of her career, and her place in the music industry. Singers are often sidelined in histories of jazz, and jazz critics often celebrated instrumentalists over vocalists in their commentary. Consequently, many authors have not taken Ella seriously as a musical innovator, composer, arranger, or creative performer. Judith Tick shows that Ella was all these things and more. She provides new information about Ella’s family and early career, and analyzes how Ella negotiated the ever-shifting lines between jazz and pop. Tick shows that Ella was an ambitious risk-taker whose musical curiosity and skill led her to make some of the twentieth-century’s most important recordings, and helped establish the great American songbook. Ella Fitzgerald (1917–1996) was one of America’s greatest musicians. In this major biography, Becoming Ella Fitzgerald: The Jazz Singer who Transformed American Song (Norton 2023), Judith Tick documents Ella’s importance as a music maker, the ups and downs of her career, and her place in the music industry. Singers are often sidelined in histories of jazz, and jazz critics often celebrated instrumentalists over vocalists in their commentary. Consequently, many authors have not taken Ella seriously as a musical innovator, composer, arranger, or creative performer. Judith Tick shows that Ella was all these things and more. She provides new information about Ella’s family and early career, and analyzes how Ella negotiated the ever-shifting lines between jazz and pop. Tick shows that Ella was an ambitious risk-taker whose musical curiosity and skill led her to make some of the twentieth-century’s most important recordings, and helped establish the great American songbook. false full 225 f928f73a-de55-11ee-b5dd-d34f1099865f Sharon D. Wright Austin, "Political Black Girl Magic: The Elections and Governance of Black Female Mayors" (Temple UP, 2023) Political Black Girl Magic: The Elections and Governance of Black Female Mayors (Temple UP, 2023) explores black women's experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor--and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities.

Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official's political context. Covering mayors from the 1960s to the present, Political Black Girl Magic identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them.


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]]> Mon, 11 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Political Black Girl Magic: The Elections and Governance of Black Female Mayors (Temple UP, 2023) explores black women's experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor--and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities.

Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official's political context. Covering mayors from the 1960s to the present, Political Black Girl Magic identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them.


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]]> Sharon D. Wright Austin, "Political Black Girl Magic: The Elections and Governance of Black Female Mayors" (Temple UP, 2023) New Books Network 00:46:32 Political Black Girl Magic: The Elections and Governance of Black Female Mayors (Temple UP, 2023) explores black women's experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor--and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities. Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official's political context. Covering mayors from the 1960s to the present, Political Black Girl Magic identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them. Political Black Girl Magic: The Elections and Governance of Black Female Mayors (Temple UP, 2023) explores black women's experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor--and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities. Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official's political context. Covering mayors from the 1960s to the present, Political Black Girl Magic identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them. false full 442 fd1ae310-dd85-11ee-96aa-dfd25dbc32ad Jad Adams, "Decadent Women: Yellow Book Lives" (Reaktion Books, 2023) Decadent Women: Yellow Book Lives (Reaktion, 2023) by Jad Adams chronicles the vibrant and passionate women who wrote for the 1890s journal The Yellow Book.

During the 1890s, British women for the first time began to leave their family homes to seek work, accommodation, and financial and sexual freedom. Decadent Women is an account of some of these women who wrote for the innovative art and literary journal The Yellow Book.

For the first time, based on original research, Dr. Adams describes the lives and work of these vibrant and passionate women, from well-connected and fashionable aristocrats to the desperately poor. He narrates the challenges they faced in a literary marketplace, and within a society that overwhelmingly favoured men, showing how they were pioneers of a new style, living lives of lurid adventure and romance, as well as experiencing poverty, squalor, disease and unwanted pregnancy.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 10 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Decadent Women: Yellow Book Lives (Reaktion, 2023) by Jad Adams chronicles the vibrant and passionate women who wrote for the 1890s journal The Yellow Book.

During the 1890s, British women for the first time began to leave their family homes to seek work, accommodation, and financial and sexual freedom. Decadent Women is an account of some of these women who wrote for the innovative art and literary journal The Yellow Book.

For the first time, based on original research, Dr. Adams describes the lives and work of these vibrant and passionate women, from well-connected and fashionable aristocrats to the desperately poor. He narrates the challenges they faced in a literary marketplace, and within a society that overwhelmingly favoured men, showing how they were pioneers of a new style, living lives of lurid adventure and romance, as well as experiencing poverty, squalor, disease and unwanted pregnancy.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Jad Adams, "Decadent Women: Yellow Book Lives" (Reaktion Books, 2023) New Books Network 00:33:53 Decadent Women: Yellow Book Lives (Reaktion, 2023) by Jad Adams chronicles the vibrant and passionate women who wrote for the 1890s journal The Yellow Book. During the 1890s, British women for the first time began to leave their family homes to seek work, accommodation, and financial and sexual freedom. Decadent Women is an account of some of these women who wrote for the innovative art and literary journal The Yellow Book. For the first time, based on original research, Dr. Adams describes the lives and work of these vibrant and passionate women, from well-connected and fashionable aristocrats to the desperately poor. He narrates the challenges they faced in a literary marketplace, and within a society that overwhelmingly favoured men, showing how they were pioneers of a new style, living lives of lurid adventure and romance, as well as experiencing poverty, squalor, disease and unwanted pregnancy. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Decadent Women: Yellow Book Lives (Reaktion, 2023) by Jad Adams chronicles the vibrant and passionate women who wrote for the 1890s journal The Yellow Book. During the 1890s, British women for the first time began to leave their family homes to seek work, accommodation, and financial and sexual freedom. Decadent Women is an account of some of these women who wrote for the innovative art and literary journal The Yellow Book. For the first time, based on original research, Dr. Adams describes the lives and work of these vibrant and passionate women, from well-connected and fashionable aristocrats to the desperately poor. He narrates the challenges they faced in a literary marketplace, and within a society that overwhelmingly favoured men, showing how they were pioneers of a new style, living lives of lurid adventure and romance, as well as experiencing poverty, squalor, disease and unwanted pregnancy. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 83 571abf00-dd83-11ee-ba76-8fe651703dad Raanan Rein and Susanne Zepp-Zwirner, "Untold Stories of the Spanish Civil War" (Routledge, 2024) Untold Stories of the Spanish Civil War (Routledge, 2024) is the first scholarly volume to offer an insight into the less-known stories of women, children, and international volunteers in the Spanish Civil War.

Special attention is given to volunteers of different historical experiences, especially Jews, and voices from less-researched countries in the context of the Spanish war, such as Palestine and Turkey. Of an interdisciplinary nature, this volume brings together historians and literary scholars from different countries. Their research is based on newly found primary sources in both national and private archives, as well as on post-essentialist methodological insights for women’s history, Jewish history, and studies on belonging. By bringing together a group of emerging and senior scholars from different countries, we highlight the polyphony of voices of diverse individuals drawn into the Spanish Civil War. Contributors to this volume have explored new or little-researched primary sources found in archives and documentary centers, including papers held by relatives of the people we study.


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]]> Sun, 10 Mar 2024 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Untold Stories of the Spanish Civil War (Routledge, 2024) is the first scholarly volume to offer an insight into the less-known stories of women, children, and international volunteers in the Spanish Civil War.

Special attention is given to volunteers of different historical experiences, especially Jews, and voices from less-researched countries in the context of the Spanish war, such as Palestine and Turkey. Of an interdisciplinary nature, this volume brings together historians and literary scholars from different countries. Their research is based on newly found primary sources in both national and private archives, as well as on post-essentialist methodological insights for women’s history, Jewish history, and studies on belonging. By bringing together a group of emerging and senior scholars from different countries, we highlight the polyphony of voices of diverse individuals drawn into the Spanish Civil War. Contributors to this volume have explored new or little-researched primary sources found in archives and documentary centers, including papers held by relatives of the people we study.


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]]> Raanan Rein and Susanne Zepp-Zwirner, "Untold Stories of the Spanish Civil War" (Routledge, 2024) New Books Network 01:19:58 Untold Stories of the Spanish Civil War (Routledge, 2024) is the first scholarly volume to offer an insight into the less-known stories of women, children, and international volunteers in the Spanish Civil War. Special attention is given to volunteers of different historical experiences, especially Jews, and voices from less-researched countries in the context of the Spanish war, such as Palestine and Turkey. Of an interdisciplinary nature, this volume brings together historians and literary scholars from different countries. Their research is based on newly found primary sources in both national and private archives, as well as on post-essentialist methodological insights for women’s history, Jewish history, and studies on belonging. By bringing together a group of emerging and senior scholars from different countries, we highlight the polyphony of voices of diverse individuals drawn into the Spanish Civil War. Contributors to this volume have explored new or little-researched primary sources found in archives and documentary centers, including papers held by relatives of the people we study. Untold Stories of the Spanish Civil War (Routledge, 2024) is the first scholarly volume to offer an insight into the less-known stories of women, children, and international volunteers in the Spanish Civil War. Special attention is given to volunteers of different historical experiences, especially Jews, and voices from less-researched countries in the context of the Spanish war, such as Palestine and Turkey. Of an interdisciplinary nature, this volume brings together historians and literary scholars from different countries. Their research is based on newly found primary sources in both national and private archives, as well as on post-essentialist methodological insights for women’s history, Jewish history, and studies on belonging. By bringing together a group of emerging and senior scholars from different countries, we highlight the polyphony of voices of diverse individuals drawn into the Spanish Civil War. Contributors to this volume have explored new or little-researched primary sources found in archives and documentary centers, including papers held by relatives of the people we study. false full 1425 d50b9aaa-dbef-11ee-9946-f72c251cea5d Ben Rothenberg, "Naomi Osaka: Her Journey to Finding Her Power and Her Voice" (Dutton, 2024) In July 2021, Naomi Osaka—world number 1 women’s tennis player—lit the Olympic Cauldron at the Tokyo Olympic Games. The half-Japanese, half-American, Black athlete was a symbol of a more complicated, more multiethnic Japan—and of the global nature of high-level sports.

Osaka is now about to start her comeback, after taking some time off following the birth of her child. She’s not just an athlete: She’s a media entrepreneur, venture investor, and mental health advocate—with that latter label coming with difficult conversations about the wellbeing of high-performance athletes, and their obligations to the media.

Just in time for her comeback tour, tennis writer Ben Rothenberg is here with a new biography of the tennis star: Naomi Osaka: Her Journey to Finding Her Power and Her Voice (Dutton, 2024).

Ben Rothenberg is a sportswriter from Washington, D.C. who has covered Naomi Osaka around the world since she emerged onto the WTA Tour in 2014, both in print for The New York Times—for which he covered tennis from 2011-2022—and on his podcast, No Challenges Remaining. His longform writing has been published in outlets including Slate and Racquet.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Naomi Osaka. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.


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]]> Thu, 7 Mar 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In July 2021, Naomi Osaka—world number 1 women’s tennis player—lit the Olympic Cauldron at the Tokyo Olympic Games. The half-Japanese, half-American, Black athlete was a symbol of a more complicated, more multiethnic Japan—and of the global nature of high-level sports.

Osaka is now about to start her comeback, after taking some time off following the birth of her child. She’s not just an athlete: She’s a media entrepreneur, venture investor, and mental health advocate—with that latter label coming with difficult conversations about the wellbeing of high-performance athletes, and their obligations to the media.

Just in time for her comeback tour, tennis writer Ben Rothenberg is here with a new biography of the tennis star: Naomi Osaka: Her Journey to Finding Her Power and Her Voice (Dutton, 2024).

Ben Rothenberg is a sportswriter from Washington, D.C. who has covered Naomi Osaka around the world since she emerged onto the WTA Tour in 2014, both in print for The New York Times—for which he covered tennis from 2011-2022—and on his podcast, No Challenges Remaining. His longform writing has been published in outlets including Slate and Racquet.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Naomi Osaka. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.


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]]> Ben Rothenberg, "Naomi Osaka: Her Journey to Finding Her Power and Her Voice" (Dutton, 2024) New Books Network 00:40:42 In July 2021, Naomi Osaka—world number 1 women’s tennis player—lit the Olympic Cauldron at the Tokyo Olympic Games. The half-Japanese, half-American, Black athlete was a symbol of a more complicated, more multiethnic Japan—and of the global nature of high-level sports. Osaka is now about to start her comeback, after taking some time off following the birth of her child. She’s not just an athlete: She’s a media entrepreneur, venture investor, and mental health advocate—with that latter label coming with difficult conversations about the wellbeing of high-performance athletes, and their obligations to the media. Just in time for her comeback tour, tennis writer Ben Rothenberg is here with a new biography of the tennis star: Naomi Osaka: Her Journey to Finding Her Power and Her Voice (Dutton, 2024). Ben Rothenberg is a sportswriter from Washington, D.C. who has covered Naomi Osaka around the world since she emerged onto the WTA Tour in 2014, both in print for The New York Times—for which he covered tennis from 2011-2022—and on his podcast, No Challenges Remaining. His longform writing has been published in outlets including Slate and Racquet. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Naomi Osaka. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. In July 2021, Naomi Osaka—world number 1 women’s tennis player—lit the Olympic Cauldron at the Tokyo Olympic Games. The half-Japanese, half-American, Black athlete was a symbol of a more complicated, more multiethnic Japan—and of the global nature of high-level sports. Osaka is now about to start her comeback, after taking some time off following the birth of her child. She’s not just an athlete: She’s a media entrepreneur, venture investor, and mental health advocate—with that latter label coming with difficult conversations about the wellbeing of high-performance athletes, and their obligations to the media. Just in time for her comeback tour, tennis writer Ben Rothenberg is here with a new biography of the tennis star: Naomi Osaka: Her Journey to Finding Her Power and Her Voice (Dutton, 2024). Ben Rothenberg is a sportswriter from Washington, D.C. who has covered Naomi Osaka around the world since she emerged onto the WTA Tour in 2014, both in print for The New York Times—for which he covered tennis from 2011-2022—and on his podcast, No Challenges Remaining. His longform writing has been published in outlets including Slate and Racquet. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Naomi Osaka. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. false full 177 49503430-dbef-11ee-bc60-4f8edcbfa2dd Edda Fields-Black, "Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War" (Oxford UP, 2023) Most Americans know of Harriet Tubman's legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children's books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy.

In Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War (Oxford UP, 2023), Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina's Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina's Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort.

Using previous unexamined documents, including Tubman's US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters' families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina's deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida.

After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman's Combahee River Raid.


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]]> Thu, 7 Mar 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Most Americans know of Harriet Tubman's legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children's books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy.

In Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War (Oxford UP, 2023), Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina's Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina's Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort.

Using previous unexamined documents, including Tubman's US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters' families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina's deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida.

After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman's Combahee River Raid.


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]]> Edda Fields-Black, "Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War" (Oxford UP, 2023) New Books Network 01:37:27 Most Americans know of Harriet Tubman's legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children's books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy. In Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War (Oxford UP, 2023), Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina's Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina's Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort. Using previous unexamined documents, including Tubman's US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters' families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina's deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida. After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman's Combahee River Raid. Most Americans know of Harriet Tubman's legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children's books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy. In Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War (Oxford UP, 2023), Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina's Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina's Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort. Using previous unexamined documents, including Tubman's US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters' families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina's deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida. After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman's Combahee River Raid. false full 437 f815a9ba-d4f0-11ee-bea0-1797f290c2bb Judith Pearson, "Crusade to Heal America: The Remarkable Life of Mary Lasker" (Mayo Clinic Press, 2023) Mary Woodard Lasker had a singular goal: saving lives by increasing medical research. Together with her husband, advertising genius Albert, they created the Lasker Foundation, bestowing the Lasker Awards. Known as the "American Nobels," these became the most prestigious research awards in America. The Laskers' next step was transforming the sleepy and ineffectual American Society for the Control of Cancer, reinventing it as the American Cancer Society in 1944.

But the real increase in medical research funding occurred when Mary discovered a revolutionary source: the federal government. "I'm just a catalytic agent," she would insist, while she tirelessly lobbied Congress and presidents alike. She played a major role in expanding the National Institutes of Health from a single entity to the largest research facility in the world. A feminist who used her femininity wisely, Mary's ultimate victory was bringing together two political adversaries to help launch the original cancer moonshot: the 1971 National Cancer Act.

Judith Pearson's biography Crusade to Heal America: The Remarkable Life of Mary Lasker (Mayo Clinic Press, 2023) paints the portrait of a woman who was savvy, steely, and deliberate. Mary Lasker courageously positioned herself at the crossroads of politics, science, and medicine. At a time when women in research laboratories and the halls of Congress were anomalies, she smashed stereotypes in the fashion of Jeannette Rankin, Ruth Bader Ginsburg, and Shirley Chisholm. As eloquently described in this absorbing history, the country's march to conquer humanity's most feared maladies was well-fueled by its fearless and feisty crusader, Mary Lasker.


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]]> Tue, 27 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Mary Woodard Lasker had a singular goal: saving lives by increasing medical research. Together with her husband, advertising genius Albert, they created the Lasker Foundation, bestowing the Lasker Awards. Known as the "American Nobels," these became the most prestigious research awards in America. The Laskers' next step was transforming the sleepy and ineffectual American Society for the Control of Cancer, reinventing it as the American Cancer Society in 1944.

But the real increase in medical research funding occurred when Mary discovered a revolutionary source: the federal government. "I'm just a catalytic agent," she would insist, while she tirelessly lobbied Congress and presidents alike. She played a major role in expanding the National Institutes of Health from a single entity to the largest research facility in the world. A feminist who used her femininity wisely, Mary's ultimate victory was bringing together two political adversaries to help launch the original cancer moonshot: the 1971 National Cancer Act.

Judith Pearson's biography Crusade to Heal America: The Remarkable Life of Mary Lasker (Mayo Clinic Press, 2023) paints the portrait of a woman who was savvy, steely, and deliberate. Mary Lasker courageously positioned herself at the crossroads of politics, science, and medicine. At a time when women in research laboratories and the halls of Congress were anomalies, she smashed stereotypes in the fashion of Jeannette Rankin, Ruth Bader Ginsburg, and Shirley Chisholm. As eloquently described in this absorbing history, the country's march to conquer humanity's most feared maladies was well-fueled by its fearless and feisty crusader, Mary Lasker.


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]]> Judith Pearson, "Crusade to Heal America: The Remarkable Life of Mary Lasker" (Mayo Clinic Press, 2023) New Books Network 00:59:49 Mary Woodard Lasker had a singular goal: saving lives by increasing medical research. Together with her husband, advertising genius Albert, they created the Lasker Foundation, bestowing the Lasker Awards. Known as the "American Nobels," these became the most prestigious research awards in America. The Laskers' next step was transforming the sleepy and ineffectual American Society for the Control of Cancer, reinventing it as the American Cancer Society in 1944. But the real increase in medical research funding occurred when Mary discovered a revolutionary source: the federal government. "I'm just a catalytic agent," she would insist, while she tirelessly lobbied Congress and presidents alike. She played a major role in expanding the National Institutes of Health from a single entity to the largest research facility in the world. A feminist who used her femininity wisely, Mary's ultimate victory was bringing together two political adversaries to help launch the original cancer moonshot: the 1971 National Cancer Act. Judith Pearson's biography Crusade to Heal America: The Remarkable Life of Mary Lasker (Mayo Clinic Press, 2023) paints the portrait of a woman who was savvy, steely, and deliberate. Mary Lasker courageously positioned herself at the crossroads of politics, science, and medicine. At a time when women in research laboratories and the halls of Congress were anomalies, she smashed stereotypes in the fashion of Jeannette Rankin, Ruth Bader Ginsburg, and Shirley Chisholm. As eloquently described in this absorbing history, the country's march to conquer humanity's most feared maladies was well-fueled by its fearless and feisty crusader, Mary Lasker. Mary Woodard Lasker had a singular goal: saving lives by increasing medical research. Together with her husband, advertising genius Albert, they created the Lasker Foundation, bestowing the Lasker Awards. Known as the "American Nobels," these became the most prestigious research awards in America. The Laskers' next step was transforming the sleepy and ineffectual American Society for the Control of Cancer, reinventing it as the American Cancer Society in 1944. But the real increase in medical research funding occurred when Mary discovered a revolutionary source: the federal government. "I'm just a catalytic agent," she would insist, while she tirelessly lobbied Congress and presidents alike. She played a major role in expanding the National Institutes of Health from a single entity to the largest research facility in the world. A feminist who used her femininity wisely, Mary's ultimate victory was bringing together two political adversaries to help launch the original cancer moonshot: the 1971 National Cancer Act. Judith Pearson's biography Crusade to Heal America: The Remarkable Life of Mary Lasker (Mayo Clinic Press, 2023) paints the portrait of a woman who was savvy, steely, and deliberate. Mary Lasker courageously positioned herself at the crossroads of politics, science, and medicine. At a time when women in research laboratories and the halls of Congress were anomalies, she smashed stereotypes in the fashion of Jeannette Rankin, Ruth Bader Ginsburg, and Shirley Chisholm. As eloquently described in this absorbing history, the country's march to conquer humanity's most feared maladies was well-fueled by its fearless and feisty crusader, Mary Lasker. false full 247 ec748d06-d4c3-11ee-9439-ef5bdef6c724 Horace J. Maxile, Jr. and Kristen M. Turner, "Race and Gender in the Western Music History Survey: A Teacher's Guide" (Routledge, 2022) Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.

Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.

Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.

Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.


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]]> Tue, 27 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.

Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.

Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.

Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.


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]]> Horace J. Maxile, Jr. and Kristen M. Turner, "Race and Gender in the Western Music History Survey: A Teacher's Guide" (Routledge, 2022) New Books Network 00:33:31 Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers. Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal. Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly. Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival. Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers. Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal. Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly. Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival. false full 223 2a12cf70-d31f-11ee-99dd-df092b19b4bd Angela Wanhalla, "Of Love and War: Pacific Brides of World War II" (U Nebraska Press, 2023) Between 1942 and 1945 more than two million servicemen occupied the southern Pacific theater, the majority of whom were Americans in service with the U.S. Army, Navy, Air Force, and Marines. During the occupation, American servicemen married approximately 1,800 women from New Zealand and the island Pacific, creating legal bonds through marriage and through children. Additionally, American servicemen fathered an estimated four thousand nonmarital children with Indigenous women in the South Pacific Command Area.

In Of Love and War: Pacific Brides of World War II (University of Nebraska Press, 2023) Dr. Angela Wanhalla details the intimate relationships forged during wartime between women and U.S. servicemen stationed in the South Pacific, traces the fate of wartime marriages, and addresses consequences for the women and children left behind. Paying particular attention to the experiences of women in New Zealand and in the island Pacific—including Tonga, Fiji, Samoa, and the Cook Islands—Of Love and War aims to illuminate the impact of global war on these women, their families, and Pacific societies. Dr. Wanhalla argues that Pacific war brides are an important though largely neglected cohort whose experiences of U.S. military occupation expand our understanding of global war. By examining the effects of American law on the marital opportunities of couples, their ability to reunite in the immediate postwar years, and the citizenship status of any children born of wartime relationships, Dr. Wanhalla makes a significant contribution to a flourishing scholarship concerned with the intersections between race, gender, sexuality, and militarization in the World War II era.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 25 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Between 1942 and 1945 more than two million servicemen occupied the southern Pacific theater, the majority of whom were Americans in service with the U.S. Army, Navy, Air Force, and Marines. During the occupation, American servicemen married approximately 1,800 women from New Zealand and the island Pacific, creating legal bonds through marriage and through children. Additionally, American servicemen fathered an estimated four thousand nonmarital children with Indigenous women in the South Pacific Command Area.

In Of Love and War: Pacific Brides of World War II (University of Nebraska Press, 2023) Dr. Angela Wanhalla details the intimate relationships forged during wartime between women and U.S. servicemen stationed in the South Pacific, traces the fate of wartime marriages, and addresses consequences for the women and children left behind. Paying particular attention to the experiences of women in New Zealand and in the island Pacific—including Tonga, Fiji, Samoa, and the Cook Islands—Of Love and War aims to illuminate the impact of global war on these women, their families, and Pacific societies. Dr. Wanhalla argues that Pacific war brides are an important though largely neglected cohort whose experiences of U.S. military occupation expand our understanding of global war. By examining the effects of American law on the marital opportunities of couples, their ability to reunite in the immediate postwar years, and the citizenship status of any children born of wartime relationships, Dr. Wanhalla makes a significant contribution to a flourishing scholarship concerned with the intersections between race, gender, sexuality, and militarization in the World War II era.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Angela Wanhalla, "Of Love and War: Pacific Brides of World War II" (U Nebraska Press, 2023) New Books Network 01:04:29 Between 1942 and 1945 more than two million servicemen occupied the southern Pacific theater, the majority of whom were Americans in service with the U.S. Army, Navy, Air Force, and Marines. During the occupation, American servicemen married approximately 1,800 women from New Zealand and the island Pacific, creating legal bonds through marriage and through children. Additionally, American servicemen fathered an estimated four thousand nonmarital children with Indigenous women in the South Pacific Command Area. In Of Love and War: Pacific Brides of World War II (University of Nebraska Press, 2023) Dr. Angela Wanhalla details the intimate relationships forged during wartime between women and U.S. servicemen stationed in the South Pacific, traces the fate of wartime marriages, and addresses consequences for the women and children left behind. Paying particular attention to the experiences of women in New Zealand and in the island Pacific—including Tonga, Fiji, Samoa, and the Cook Islands—Of Love and War aims to illuminate the impact of global war on these women, their families, and Pacific societies. Dr. Wanhalla argues that Pacific war brides are an important though largely neglected cohort whose experiences of U.S. military occupation expand our understanding of global war. By examining the effects of American law on the marital opportunities of couples, their ability to reunite in the immediate postwar years, and the citizenship status of any children born of wartime relationships, Dr. Wanhalla makes a significant contribution to a flourishing scholarship concerned with the intersections between race, gender, sexuality, and militarization in the World War II era. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Between 1942 and 1945 more than two million servicemen occupied the southern Pacific theater, the majority of whom were Americans in service with the U.S. Army, Navy, Air Force, and Marines. During the occupation, American servicemen married approximately 1,800 women from New Zealand and the island Pacific, creating legal bonds through marriage and through children. Additionally, American servicemen fathered an estimated four thousand nonmarital children with Indigenous women in the South Pacific Command Area. In Of Love and War: Pacific Brides of World War II (University of Nebraska Press, 2023) Dr. Angela Wanhalla details the intimate relationships forged during wartime between women and U.S. servicemen stationed in the South Pacific, traces the fate of wartime marriages, and addresses consequences for the women and children left behind. Paying particular attention to the experiences of women in New Zealand and in the island Pacific—including Tonga, Fiji, Samoa, and the Cook Islands—Of Love and War aims to illuminate the impact of global war on these women, their families, and Pacific societies. Dr. Wanhalla argues that Pacific war brides are an important though largely neglected cohort whose experiences of U.S. military occupation expand our understanding of global war. By examining the effects of American law on the marital opportunities of couples, their ability to reunite in the immediate postwar years, and the citizenship status of any children born of wartime relationships, Dr. Wanhalla makes a significant contribution to a flourishing scholarship concerned with the intersections between race, gender, sexuality, and militarization in the World War II era. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 2023 f9ec3ce6-ce91-11ee-a419-97522092b47a Simon Partner, "Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration" (Columbia UP, 2023) In 1864, on a midsummer’s day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades.

There are reports of armed clashes in Kyoto. It’s said that the emperor has ordered the expulsion of the foreigners, and it’s also said that a large band of vagabond soldiers has gathered in Senju in Edo. It’s said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don’t know if it’s true. But really, every day we hear nothing but disturbing rumors.

The Meiji Restoration, which ousts the shogun and restores the emperor’s power, happens four years later.

Koume’s diary is the central document in Simon Partner’s latest book Koume’s World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023)

In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal.

Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant’s Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018).

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume’s World. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.


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]]> Thu, 22 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1864, on a midsummer’s day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades.

There are reports of armed clashes in Kyoto. It’s said that the emperor has ordered the expulsion of the foreigners, and it’s also said that a large band of vagabond soldiers has gathered in Senju in Edo. It’s said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don’t know if it’s true. But really, every day we hear nothing but disturbing rumors.

The Meiji Restoration, which ousts the shogun and restores the emperor’s power, happens four years later.

Koume’s diary is the central document in Simon Partner’s latest book Koume’s World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023)

In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal.

Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant’s Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018).

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume’s World. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.


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]]> Simon Partner, "Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration" (Columbia UP, 2023) New Books Network 00:58:57 In 1864, on a midsummer’s day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It’s said that the emperor has ordered the expulsion of the foreigners, and it’s also said that a large band of vagabond soldiers has gathered in Senju in Edo. It’s said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don’t know if it’s true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor’s power, happens four years later. Koume’s diary is the central document in Simon Partner’s latest book Koume’s World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant’s Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume’s World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. In 1864, on a midsummer’s day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It’s said that the emperor has ordered the expulsion of the foreigners, and it’s also said that a large band of vagabond soldiers has gathered in Senju in Edo. It’s said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don’t know if it’s true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor’s power, happens four years later. Koume’s diary is the central document in Simon Partner’s latest book Koume’s World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant’s Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume’s World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. false full 175 651df980-cdd6-11ee-b44c-7fe5b3c422bf Tom Hamilton, "A Widow's Vengeance After the Wars of Religion: Gender and Justice in Renaissance France" (Oxford UP, 2024) Paris, 1599. At the end of the French Wars of Religion, the widow Renée Chevalier instigated the prosecution of the military captain Mathurin Delacanche, who had committed multiple acts of rape, homicide, and theft against the villagers who lived around her château near the cathedral city of Sens. But how could Chevalier win her case when King Henri IV's Edict of Nantes ordered that the recent troubles should be forgotten as 'things that had never been'? 

A Widow's Vengeance After the Wars of Religion: Gender and Justice in Renaissance France (Oxford UP, 2024) is an original and wide-ranging account of the impact of the religious wars on daily life. Based on neglected archival sources and an exceptional criminal trial, it recovers the experiences of women, peasants, and foot soldiers, who are marginalized in most historical accounts. Tom Hamilton shows how this trial contributed to a wider struggle for justice and an end to violence in postwar France. People throughout the society of the Old Regime did not consider rape and pillage as inevitable consequences of war, and denounced soldiers' illicit violence when they were given the chance. As a result, the early modern laws of war need to be understood not only as the idealistic invention of great legal thinkers, but also as a practical framework that enabled magistrates to do justice for plaintiffs and witnesses, like Chevalier and the villagers who lived under her protection. 


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]]> Mon, 19 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Paris, 1599. At the end of the French Wars of Religion, the widow Renée Chevalier instigated the prosecution of the military captain Mathurin Delacanche, who had committed multiple acts of rape, homicide, and theft against the villagers who lived around her château near the cathedral city of Sens. But how could Chevalier win her case when King Henri IV's Edict of Nantes ordered that the recent troubles should be forgotten as 'things that had never been'? 

A Widow's Vengeance After the Wars of Religion: Gender and Justice in Renaissance France (Oxford UP, 2024) is an original and wide-ranging account of the impact of the religious wars on daily life. Based on neglected archival sources and an exceptional criminal trial, it recovers the experiences of women, peasants, and foot soldiers, who are marginalized in most historical accounts. Tom Hamilton shows how this trial contributed to a wider struggle for justice and an end to violence in postwar France. People throughout the society of the Old Regime did not consider rape and pillage as inevitable consequences of war, and denounced soldiers' illicit violence when they were given the chance. As a result, the early modern laws of war need to be understood not only as the idealistic invention of great legal thinkers, but also as a practical framework that enabled magistrates to do justice for plaintiffs and witnesses, like Chevalier and the villagers who lived under her protection. 


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]]> Tom Hamilton, "A Widow's Vengeance After the Wars of Religion: Gender and Justice in Renaissance France" (Oxford UP, 2024) New Books Network 00:52:52 Paris, 1599. At the end of the French Wars of Religion, the widow Renée Chevalier instigated the prosecution of the military captain Mathurin Delacanche, who had committed multiple acts of rape, homicide, and theft against the villagers who lived around her château near the cathedral city of Sens. But how could Chevalier win her case when King Henri IV's Edict of Nantes ordered that the recent troubles should be forgotten as 'things that had never been'?  A Widow's Vengeance After the Wars of Religion: Gender and Justice in Renaissance France (Oxford UP, 2024) is an original and wide-ranging account of the impact of the religious wars on daily life. Based on neglected archival sources and an exceptional criminal trial, it recovers the experiences of women, peasants, and foot soldiers, who are marginalized in most historical accounts. Tom Hamilton shows how this trial contributed to a wider struggle for justice and an end to violence in postwar France. People throughout the society of the Old Regime did not consider rape and pillage as inevitable consequences of war, and denounced soldiers' illicit violence when they were given the chance. As a result, the early modern laws of war need to be understood not only as the idealistic invention of great legal thinkers, but also as a practical framework that enabled magistrates to do justice for plaintiffs and witnesses, like Chevalier and the villagers who lived under her protection.  Paris, 1599. At the end of the French Wars of Religion, the widow Renée Chevalier instigated the prosecution of the military captain Mathurin Delacanche, who had committed multiple acts of rape, homicide, and theft against the villagers who lived around her château near the cathedral city of Sens. But how could Chevalier win her case when King Henri IV's Edict of Nantes ordered that the recent troubles should be forgotten as 'things that had never been'?  A Widow's Vengeance After the Wars of Religion: Gender and Justice in Renaissance France (Oxford UP, 2024) is an original and wide-ranging account of the impact of the religious wars on daily life. Based on neglected archival sources and an exceptional criminal trial, it recovers the experiences of women, peasants, and foot soldiers, who are marginalized in most historical accounts. Tom Hamilton shows how this trial contributed to a wider struggle for justice and an end to violence in postwar France. People throughout the society of the Old Regime did not consider rape and pillage as inevitable consequences of war, and denounced soldiers' illicit violence when they were given the chance. As a result, the early modern laws of war need to be understood not only as the idealistic invention of great legal thinkers, but also as a practical framework that enabled magistrates to do justice for plaintiffs and witnesses, like Chevalier and the villagers who lived under her protection.  false full 63 6f01c602-cb83-11ee-93b7-5b49e96a3799 Sarah Parry Myers, "Earning Their Wings: The WASPs of World War II and the Fight for Veteran Recognition" (UNC Press, 2023) Established by the Army Air Force in 1943, the Women's Airforce Service Pilots (WASP) program opened to civilian women with a pilot's licence who could afford to pay for their own transportation, training, and uniforms. Despite their highly developed skill set, rigorous training, and often dangerous work, the women of WASP were not granted military status until 1977, denied over three decades of Army Air Force benefits as well as the honour and respect given to male and female World War II veterans of other branches. In Earning Their Wings: The WASPS of World War II and the Fight for Veteran Recognition (UNC Press, 2023), Dr. Sarah Parry Myers not only offers a history of this short-lived program but considers its long-term consequences for the women who participated and subsequent generations of servicewomen and activists.

Dr. Myers shows us how those in the WASP program bonded through their training, living together in barracks, sharing the dangers of risky flights, and struggling to be recognized as military personnel, and the friendships they forged lasted well after the Army Air Force dissolved the program. Despite the WASP program's short duration, its fliers formed activist networks and spent the next thirty years lobbying for recognition as veterans. Their efforts were finally recognized when President Jimmy Carter signed a bill into law granting WASP participants retroactive veteran status, entitling them to military benefits and burials.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 16 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Established by the Army Air Force in 1943, the Women's Airforce Service Pilots (WASP) program opened to civilian women with a pilot's licence who could afford to pay for their own transportation, training, and uniforms. Despite their highly developed skill set, rigorous training, and often dangerous work, the women of WASP were not granted military status until 1977, denied over three decades of Army Air Force benefits as well as the honour and respect given to male and female World War II veterans of other branches. In Earning Their Wings: The WASPS of World War II and the Fight for Veteran Recognition (UNC Press, 2023), Dr. Sarah Parry Myers not only offers a history of this short-lived program but considers its long-term consequences for the women who participated and subsequent generations of servicewomen and activists.

Dr. Myers shows us how those in the WASP program bonded through their training, living together in barracks, sharing the dangers of risky flights, and struggling to be recognized as military personnel, and the friendships they forged lasted well after the Army Air Force dissolved the program. Despite the WASP program's short duration, its fliers formed activist networks and spent the next thirty years lobbying for recognition as veterans. Their efforts were finally recognized when President Jimmy Carter signed a bill into law granting WASP participants retroactive veteran status, entitling them to military benefits and burials.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sarah Parry Myers, "Earning Their Wings: The WASPs of World War II and the Fight for Veteran Recognition" (UNC Press, 2023) New Books Network 00:52:59 Established by the Army Air Force in 1943, the Women's Airforce Service Pilots (WASP) program opened to civilian women with a pilot's licence who could afford to pay for their own transportation, training, and uniforms. Despite their highly developed skill set, rigorous training, and often dangerous work, the women of WASP were not granted military status until 1977, denied over three decades of Army Air Force benefits as well as the honour and respect given to male and female World War II veterans of other branches. In Earning Their Wings: The WASPS of World War II and the Fight for Veteran Recognition (UNC Press, 2023), Dr. Sarah Parry Myers not only offers a history of this short-lived program but considers its long-term consequences for the women who participated and subsequent generations of servicewomen and activists. Dr. Myers shows us how those in the WASP program bonded through their training, living together in barracks, sharing the dangers of risky flights, and struggling to be recognized as military personnel, and the friendships they forged lasted well after the Army Air Force dissolved the program. Despite the WASP program's short duration, its fliers formed activist networks and spent the next thirty years lobbying for recognition as veterans. Their efforts were finally recognized when President Jimmy Carter signed a bill into law granting WASP participants retroactive veteran status, entitling them to military benefits and burials. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Established by the Army Air Force in 1943, the Women's Airforce Service Pilots (WASP) program opened to civilian women with a pilot's licence who could afford to pay for their own transportation, training, and uniforms. Despite their highly developed skill set, rigorous training, and often dangerous work, the women of WASP were not granted military status until 1977, denied over three decades of Army Air Force benefits as well as the honour and respect given to male and female World War II veterans of other branches. In Earning Their Wings: The WASPS of World War II and the Fight for Veteran Recognition (UNC Press, 2023), Dr. Sarah Parry Myers not only offers a history of this short-lived program but considers its long-term consequences for the women who participated and subsequent generations of servicewomen and activists. Dr. Myers shows us how those in the WASP program bonded through their training, living together in barracks, sharing the dangers of risky flights, and struggling to be recognized as military personnel, and the friendships they forged lasted well after the Army Air Force dissolved the program. Despite the WASP program's short duration, its fliers formed activist networks and spent the next thirty years lobbying for recognition as veterans. Their efforts were finally recognized when President Jimmy Carter signed a bill into law granting WASP participants retroactive veteran status, entitling them to military benefits and burials. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 82 7053920a-caad-11ee-83ee-9334bb450735 Alison M. Downham Moore, "The French Invention of Menopause and the Medicalisation of Women's Ageing" (Oxford UP, 2022) In The French Invention of Menopause and the Medicalisation of Women's Ageing (Oxford University Press, 2022), Alison Downham Moore discusses her contribution to the history of women's ageing. Doctors writing about menopause in France vastly outnumbered those in other cultures throughout the entire nineteenth century. The concept of menopause was invented by French male medical students in the aftermath of the French Revolution, becoming an important pedagogic topic and a common theme of doctors' professional identities in postrevolutionary biomedicine. Older women were identified as an important patient cohort for the expanding medicalisation of French society and were advised to entrust themselves to the hygienic care of doctors in managing the whole era of life from around and after the final cessation of menses. However, menopause owed much of its conceptual weft to earlier themes of women as the sicker sex, of vitalist crisis, of the vapours, and of astrological climacteric years. 

This is the first comprehensive study of the origins of the medical concept of menopause, richly contextualising its role in nineteenth-century French medicine and revealing the complex threads of meaning that informed its invention. It tells a complex story of how women's ageing featured in the demographic revolution in modern science, in the denigration of folk medicine, in the unique French field of hygiène, and in the fixation on women in the emergence of modern psychiatry. It reveals the nineteenth-century French origins of the still-current medical and alternative-health approaches to women's ageing as something to be managed through gynaecological surgery, hormonal replacement, and lifestyle intervention.

Jana Byars is an independent scholar located in Amsterdam.


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]]> Wed, 14 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In The French Invention of Menopause and the Medicalisation of Women's Ageing (Oxford University Press, 2022), Alison Downham Moore discusses her contribution to the history of women's ageing. Doctors writing about menopause in France vastly outnumbered those in other cultures throughout the entire nineteenth century. The concept of menopause was invented by French male medical students in the aftermath of the French Revolution, becoming an important pedagogic topic and a common theme of doctors' professional identities in postrevolutionary biomedicine. Older women were identified as an important patient cohort for the expanding medicalisation of French society and were advised to entrust themselves to the hygienic care of doctors in managing the whole era of life from around and after the final cessation of menses. However, menopause owed much of its conceptual weft to earlier themes of women as the sicker sex, of vitalist crisis, of the vapours, and of astrological climacteric years. 

This is the first comprehensive study of the origins of the medical concept of menopause, richly contextualising its role in nineteenth-century French medicine and revealing the complex threads of meaning that informed its invention. It tells a complex story of how women's ageing featured in the demographic revolution in modern science, in the denigration of folk medicine, in the unique French field of hygiène, and in the fixation on women in the emergence of modern psychiatry. It reveals the nineteenth-century French origins of the still-current medical and alternative-health approaches to women's ageing as something to be managed through gynaecological surgery, hormonal replacement, and lifestyle intervention.

Jana Byars is an independent scholar located in Amsterdam.


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]]> Alison M. Downham Moore, "The French Invention of Menopause and the Medicalisation of Women's Ageing" (Oxford UP, 2022) New Books Network 00:42:05 In The French Invention of Menopause and the Medicalisation of Women's Ageing (Oxford University Press, 2022), Alison Downham Moore discusses her contribution to the history of women's ageing. Doctors writing about menopause in France vastly outnumbered those in other cultures throughout the entire nineteenth century. The concept of menopause was invented by French male medical students in the aftermath of the French Revolution, becoming an important pedagogic topic and a common theme of doctors' professional identities in postrevolutionary biomedicine. Older women were identified as an important patient cohort for the expanding medicalisation of French society and were advised to entrust themselves to the hygienic care of doctors in managing the whole era of life from around and after the final cessation of menses. However, menopause owed much of its conceptual weft to earlier themes of women as the sicker sex, of vitalist crisis, of the vapours, and of astrological climacteric years.  This is the first comprehensive study of the origins of the medical concept of menopause, richly contextualising its role in nineteenth-century French medicine and revealing the complex threads of meaning that informed its invention. It tells a complex story of how women's ageing featured in the demographic revolution in modern science, in the denigration of folk medicine, in the unique French field of hygiène, and in the fixation on women in the emergence of modern psychiatry. It reveals the nineteenth-century French origins of the still-current medical and alternative-health approaches to women's ageing as something to be managed through gynaecological surgery, hormonal replacement, and lifestyle intervention. Jana Byars is an independent scholar located in Amsterdam. In The French Invention of Menopause and the Medicalisation of Women's Ageing (Oxford University Press, 2022), Alison Downham Moore discusses her contribution to the history of women's ageing. Doctors writing about menopause in France vastly outnumbered those in other cultures throughout the entire nineteenth century. The concept of menopause was invented by French male medical students in the aftermath of the French Revolution, becoming an important pedagogic topic and a common theme of doctors' professional identities in postrevolutionary biomedicine. Older women were identified as an important patient cohort for the expanding medicalisation of French society and were advised to entrust themselves to the hygienic care of doctors in managing the whole era of life from around and after the final cessation of menses. However, menopause owed much of its conceptual weft to earlier themes of women as the sicker sex, of vitalist crisis, of the vapours, and of astrological climacteric years.  This is the first comprehensive study of the origins of the medical concept of menopause, richly contextualising its role in nineteenth-century French medicine and revealing the complex threads of meaning that informed its invention. It tells a complex story of how women's ageing featured in the demographic revolution in modern science, in the denigration of folk medicine, in the unique French field of hygiène, and in the fixation on women in the emergence of modern psychiatry. It reveals the nineteenth-century French origins of the still-current medical and alternative-health approaches to women's ageing as something to be managed through gynaecological surgery, hormonal replacement, and lifestyle intervention. Jana Byars is an independent scholar located in Amsterdam. false full 1414 81ac5196-c6c4-11ee-86d5-7336f4836d50 Anru Lee, "Haunted Modernities: Gender, Memory, and Placemaking in Postindustrial Taiwan" (U Hawaii Press, 2023) On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai’i Press.

Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.

Dr. Suvi Rautio is an anthropologist of China.


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]]> Fri, 9 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai’i Press.

Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.

Dr. Suvi Rautio is an anthropologist of China.


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]]> Anru Lee, "Haunted Modernities: Gender, Memory, and Placemaking in Postindustrial Taiwan" (U Hawaii Press, 2023) New Books Network 01:38:26 On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai’i Press. Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past. Dr. Suvi Rautio is an anthropologist of China. On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai’i Press. Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past. Dr. Suvi Rautio is an anthropologist of China. false full 84 00788a6a-c442-11ee-aaf1-0fcdea803244 Brydie Kosmina, "Feminist Afterlives of the Witch: Popular Culture, Memory, Activism" (Palgrave MacMillan, 2023) Feminist Afterlives of the Witch: Popular Culture, Memory, Activism (Palgrave Macmillan, 2023) by Dr. Brydie Kosmina investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture.

The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory.

Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Tue, 6 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Feminist Afterlives of the Witch: Popular Culture, Memory, Activism (Palgrave Macmillan, 2023) by Dr. Brydie Kosmina investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture.

The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory.

Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Brydie Kosmina, "Feminist Afterlives of the Witch: Popular Culture, Memory, Activism" (Palgrave MacMillan, 2023) New Books Network 00:56:29 Feminist Afterlives of the Witch: Popular Culture, Memory, Activism (Palgrave Macmillan, 2023) by Dr. Brydie Kosmina investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture. The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory. Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Feminist Afterlives of the Witch: Popular Culture, Memory, Activism (Palgrave Macmillan, 2023) by Dr. Brydie Kosmina investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture. The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory. Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 179 bdd52e98-c2ca-11ee-9ce9-7bd891446a67 Courtney Brannon Donoghue, "The Value Gap: Female-Driven Films from Pitch to Premiere" (U Texas Press, 2023) Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. 

Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.

Peter C. Kunze is a visiting assistant professor of communication at Tulane University.


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]]> Sun, 4 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. 

Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.

Peter C. Kunze is a visiting assistant professor of communication at Tulane University.


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]]> Courtney Brannon Donoghue, "The Value Gap: Female-Driven Films from Pitch to Premiere" (U Texas Press, 2023) New Books Network 00:52:20 Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change.  Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change.  Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. false full 187 ee02562a-c065-11ee-bb13-532c939e486a Robin Judd, "Between Two Worlds: Jewish War Brides After the Holocaust" (UNC Press, 2023) Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry. 

Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land.

Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner.


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]]> Fri, 2 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry. 

Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land.

Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner.


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]]> Robin Judd, "Between Two Worlds: Jewish War Brides After the Holocaust" (UNC Press, 2023) New Books Network 00:43:02 Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. false full 474 dc087726-c081-11ee-8147-03c05a4a854b Georgina Hickey, "Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States" (U Texas Press, 2023) From the closing years of the nineteenth century, women received subtle--and not so subtle--messages that they shouldn't be in public. Or, if they were, that they were not safe. Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States (U Texas Press, 2023) tells the story of both this danger narrative and the resistance to it.

Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space. 

Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 2 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From the closing years of the nineteenth century, women received subtle--and not so subtle--messages that they shouldn't be in public. Or, if they were, that they were not safe. Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States (U Texas Press, 2023) tells the story of both this danger narrative and the resistance to it.

Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space. 

Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Georgina Hickey, "Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States" (U Texas Press, 2023) New Books Network 01:04:45 From the closing years of the nineteenth century, women received subtle--and not so subtle--messages that they shouldn't be in public. Or, if they were, that they were not safe. Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States (U Texas Press, 2023) tells the story of both this danger narrative and the resistance to it. Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space.  Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. From the closing years of the nineteenth century, women received subtle--and not so subtle--messages that they shouldn't be in public. Or, if they were, that they were not safe. Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States (U Texas Press, 2023) tells the story of both this danger narrative and the resistance to it. Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space.  Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 81 9db91c86-bfa6-11ee-966d-d3e72c11ec9b Emma Bridges, "Warriors' Wives: Ancient Greek Myth and Modern Experience" (Oxford UP, 2023) Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle.

Warriors' Wives: Ancient Greek Myth and Modern Experience (Oxford University Press, 2023) by Dr. Emma Bridges compares the experiences of these mythical characters with those of contemporary military spouses. Dr. Bridges traces aspects of the lives of warriors' wives—mythical and real, ancient and modern—from the moment of farewell, through periods of separation and reunion, to the often traumatic aftermath of war, to consider the emotional, psychological, and social impacts of life as a military spouse. By unearthing a wealth of contemporary evidence for the lives of the often silenced and unacknowledged partners of those who serve in the military, and by examining this alongside the ancient stories of warriors' wives, Warriors' Wives sheds fresh light on the experience of being married to the military.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Thu, 1 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle.

Warriors' Wives: Ancient Greek Myth and Modern Experience (Oxford University Press, 2023) by Dr. Emma Bridges compares the experiences of these mythical characters with those of contemporary military spouses. Dr. Bridges traces aspects of the lives of warriors' wives—mythical and real, ancient and modern—from the moment of farewell, through periods of separation and reunion, to the often traumatic aftermath of war, to consider the emotional, psychological, and social impacts of life as a military spouse. By unearthing a wealth of contemporary evidence for the lives of the often silenced and unacknowledged partners of those who serve in the military, and by examining this alongside the ancient stories of warriors' wives, Warriors' Wives sheds fresh light on the experience of being married to the military.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Emma Bridges, "Warriors' Wives: Ancient Greek Myth and Modern Experience" (Oxford UP, 2023) New Books Network 00:46:23 Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle. Warriors' Wives: Ancient Greek Myth and Modern Experience (Oxford University Press, 2023) by Dr. Emma Bridges compares the experiences of these mythical characters with those of contemporary military spouses. Dr. Bridges traces aspects of the lives of warriors' wives—mythical and real, ancient and modern—from the moment of farewell, through periods of separation and reunion, to the often traumatic aftermath of war, to consider the emotional, psychological, and social impacts of life as a military spouse. By unearthing a wealth of contemporary evidence for the lives of the often silenced and unacknowledged partners of those who serve in the military, and by examining this alongside the ancient stories of warriors' wives, Warriors' Wives sheds fresh light on the experience of being married to the military. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle. Warriors' Wives: Ancient Greek Myth and Modern Experience (Oxford University Press, 2023) by Dr. Emma Bridges compares the experiences of these mythical characters with those of contemporary military spouses. Dr. Bridges traces aspects of the lives of warriors' wives—mythical and real, ancient and modern—from the moment of farewell, through periods of separation and reunion, to the often traumatic aftermath of war, to consider the emotional, psychological, and social impacts of life as a military spouse. By unearthing a wealth of contemporary evidence for the lives of the often silenced and unacknowledged partners of those who serve in the military, and by examining this alongside the ancient stories of warriors' wives, Warriors' Wives sheds fresh light on the experience of being married to the military. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 22 8561c93c-bfa9-11ee-b9ee-bb8e2979c585 Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why.

Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women's Studies Quarterly, and the Journal of Economics, Race, and Policy.

Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also be interested in:


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 1 Feb 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why.

Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women's Studies Quarterly, and the Journal of Economics, Race, and Policy.

Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also be interested in:


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education New Books Network 00:56:23 Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why. Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women's Studies Quarterly, and the Journal of Economics, Race, and Policy. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Black Women, Ivory Tower discussion guide Microaggressions in the Classroom The Academic Life discussion of the book Presumed Incompetent Two Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here. Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why. Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women's Studies Quarterly, and the Journal of Economics, Race, and Policy. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Black Women, Ivory Tower discussion guide Microaggressions in the Classroom The Academic Life discussion of the book Presumed Incompetent Two Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here. false full 199 cfe8f58c-be20-11ee-99ab-9f8399806dde Eviane Leidig, "The Women of the Far Right: Social Media Influencers and Online Radicalization" (Columbia UP, 2023) On mainstream social media platforms, far-right women make extremism relatable. They share Instagram stories about organic foods that help pregnant women propagate the “pure” white race and post behind-the-scenes selfies at antivaccination rallies. These social media personalities model a feminine lifestyle, at once promoting their personal brands and radicalizing their followers. Amid discussions of issues like dating, marriage, and family life, they call on women to become housewives to counteract the corrosive effects of feminism and champion the Great Replacement conspiracy theory, which motivated massacres in Christchurch, El Paso, and Buffalo.

Eviane Leidig offers an in-depth look into the world of far-right women influencers, exploring the digital lives they cultivate as they seek new recruits for white nationalism. Going beyond stereotypes of the typical male white supremacist, she uncovers how young, attractive women are playing key roles as propagandists, organizers, fundraisers, and entrepreneurs. Leidig argues that far-right women are marketing themselves as authentic and accessible in order to reach new followers and spread a hateful ideology. This insidious—and highly gendered—strategy takes advantage of the structure of social media platforms, where far-right women influencers’ content is shared with and promoted to mainstream audiences. Providing much-needed expertise on gender and the far right, this timely and accessible book also details online and offline approaches to countering extremism.

Rameen Mohammed is a community organizer based in Texas, a fellow for Muslim Counterpublics Lab and a soon-to-be law student.


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]]> Wed, 31 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com On mainstream social media platforms, far-right women make extremism relatable. They share Instagram stories about organic foods that help pregnant women propagate the “pure” white race and post behind-the-scenes selfies at antivaccination rallies. These social media personalities model a feminine lifestyle, at once promoting their personal brands and radicalizing their followers. Amid discussions of issues like dating, marriage, and family life, they call on women to become housewives to counteract the corrosive effects of feminism and champion the Great Replacement conspiracy theory, which motivated massacres in Christchurch, El Paso, and Buffalo.

Eviane Leidig offers an in-depth look into the world of far-right women influencers, exploring the digital lives they cultivate as they seek new recruits for white nationalism. Going beyond stereotypes of the typical male white supremacist, she uncovers how young, attractive women are playing key roles as propagandists, organizers, fundraisers, and entrepreneurs. Leidig argues that far-right women are marketing themselves as authentic and accessible in order to reach new followers and spread a hateful ideology. This insidious—and highly gendered—strategy takes advantage of the structure of social media platforms, where far-right women influencers’ content is shared with and promoted to mainstream audiences. Providing much-needed expertise on gender and the far right, this timely and accessible book also details online and offline approaches to countering extremism.

Rameen Mohammed is a community organizer based in Texas, a fellow for Muslim Counterpublics Lab and a soon-to-be law student.


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]]> Eviane Leidig, "The Women of the Far Right: Social Media Influencers and Online Radicalization" (Columbia UP, 2023) New Books Network 00:44:09 On mainstream social media platforms, far-right women make extremism relatable. They share Instagram stories about organic foods that help pregnant women propagate the “pure” white race and post behind-the-scenes selfies at antivaccination rallies. These social media personalities model a feminine lifestyle, at once promoting their personal brands and radicalizing their followers. Amid discussions of issues like dating, marriage, and family life, they call on women to become housewives to counteract the corrosive effects of feminism and champion the Great Replacement conspiracy theory, which motivated massacres in Christchurch, El Paso, and Buffalo. Eviane Leidig offers an in-depth look into the world of far-right women influencers, exploring the digital lives they cultivate as they seek new recruits for white nationalism. Going beyond stereotypes of the typical male white supremacist, she uncovers how young, attractive women are playing key roles as propagandists, organizers, fundraisers, and entrepreneurs. Leidig argues that far-right women are marketing themselves as authentic and accessible in order to reach new followers and spread a hateful ideology. This insidious—and highly gendered—strategy takes advantage of the structure of social media platforms, where far-right women influencers’ content is shared with and promoted to mainstream audiences. Providing much-needed expertise on gender and the far right, this timely and accessible book also details online and offline approaches to countering extremism. Rameen Mohammed is a community organizer based in Texas, a fellow for Muslim Counterpublics Lab and a soon-to-be law student. On mainstream social media platforms, far-right women make extremism relatable. They share Instagram stories about organic foods that help pregnant women propagate the “pure” white race and post behind-the-scenes selfies at antivaccination rallies. These social media personalities model a feminine lifestyle, at once promoting their personal brands and radicalizing their followers. Amid discussions of issues like dating, marriage, and family life, they call on women to become housewives to counteract the corrosive effects of feminism and champion the Great Replacement conspiracy theory, which motivated massacres in Christchurch, El Paso, and Buffalo. Eviane Leidig offers an in-depth look into the world of far-right women influencers, exploring the digital lives they cultivate as they seek new recruits for white nationalism. Going beyond stereotypes of the typical male white supremacist, she uncovers how young, attractive women are playing key roles as propagandists, organizers, fundraisers, and entrepreneurs. Leidig argues that far-right women are marketing themselves as authentic and accessible in order to reach new followers and spread a hateful ideology. This insidious—and highly gendered—strategy takes advantage of the structure of social media platforms, where far-right women influencers’ content is shared with and promoted to mainstream audiences. Providing much-needed expertise on gender and the far right, this timely and accessible book also details online and offline approaches to countering extremism. Rameen Mohammed is a community organizer based in Texas, a fellow for Muslim Counterpublics Lab and a soon-to-be law student. false full 247 b57c19da-bd36-11ee-8f61-771dbae20cc1 Why are there more women in parliament than ever before, and does it matter? Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality.

Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule.

Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.

The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Wed, 31 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality.

Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule.

Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.

The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Why are there more women in parliament than ever before, and does it matter? New Books Network 00:30:21 Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality. Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule. Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality. Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule. Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! false full 8 5bea83ca-bd36-11ee-82c6-af1d0637d397 Why are there more women in parliament than ever before, and does it matter? Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality.

Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule.

Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.

The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Wed, 31 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality.

Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule.

Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.

The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Why are there more women in parliament than ever before, and does it matter? New Books Network 00:30:21 Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality. Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule. Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality. Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule. Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! false full 8 2df5a792-be08-11ee-bc66-e36318f33a7f Holly A. Baggett, "Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review" (Northern Illinois UP, 2023) Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914.

Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art.

Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review.

Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Tue, 30 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914.

Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art.

Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review.

Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Holly A. Baggett, "Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review" (Northern Illinois UP, 2023) New Books Network 00:37:08 Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 false full 80 905f6cf8-bc8a-11ee-b35e-8bf1061bb46e Caitlin Killian, "Failing Moms: Social Condemnation and Criminalization of Mothers" (Polity Press, 2023) The role of mother is often celebrated in the United States as the most important job in the world but Dr. Caitlin Killian argues that American motherhood is increasingly monitored and perilous. From preconception, through pregnancy, and while parenting, she argues that women are held to ever-higher standards and punished – both socially and criminally – for failing to live up to these norms.

Using historical accounts, public health pronouncements, social psychological research, and course cases, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity Press, 2023) documents how women of all ethnic backgrounds and socioeconomic statuses have been interrogated, held against their will, and jailed for a rapidly expanding list of offenses such as falling down the stairs while pregnant or letting a child spend time alone in a park, actions that were not considered criminal a generation ago. While poor mothers and moms of color are targeted the most, Dr. Killian argues that all moms are in jeopardy, whether they realize it or not. Women and mothers are disproportionately held accountable compared to men and fathers who do not see their reproduction policed and almost never incur charges for “failure to protect.” The gendered inequality of prosecutions reveals them to be more about controlling women than protecting children. Other books have examined the specific risks to either pregnant or parenting women – but few connect the issues – and that is Dr. Killian’s goal. Using a reproductive justice lens, she analyzes the extent of the crisis and what must change to prevent mass penalization and provide resources to allow people to mother well.

Dr. Caitlin Killian is a professor of sociology at Drew University specializing in gender, families, reproduction, and immigration. She has worked as a consultant for the United Nations, developing the module on sexual and reproductive health and rights for UN staff training and co-authoring a UNDP report on Syrian refugee women. Her articles have appeared in Contexts magazine and The Conversation, and she has published in numerous academic journals about adoption, overblown warnings about women’s alcohol consumption during pregnancy, sexual and reproductive health and justice, and immigrant and refugee women.

Dr. Killian mentions:



George Lobis served as the editorial assistant for this podcast.

Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.


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]]> Mon, 29 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The role of mother is often celebrated in the United States as the most important job in the world but Dr. Caitlin Killian argues that American motherhood is increasingly monitored and perilous. From preconception, through pregnancy, and while parenting, she argues that women are held to ever-higher standards and punished – both socially and criminally – for failing to live up to these norms.

Using historical accounts, public health pronouncements, social psychological research, and course cases, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity Press, 2023) documents how women of all ethnic backgrounds and socioeconomic statuses have been interrogated, held against their will, and jailed for a rapidly expanding list of offenses such as falling down the stairs while pregnant or letting a child spend time alone in a park, actions that were not considered criminal a generation ago. While poor mothers and moms of color are targeted the most, Dr. Killian argues that all moms are in jeopardy, whether they realize it or not. Women and mothers are disproportionately held accountable compared to men and fathers who do not see their reproduction policed and almost never incur charges for “failure to protect.” The gendered inequality of prosecutions reveals them to be more about controlling women than protecting children. Other books have examined the specific risks to either pregnant or parenting women – but few connect the issues – and that is Dr. Killian’s goal. Using a reproductive justice lens, she analyzes the extent of the crisis and what must change to prevent mass penalization and provide resources to allow people to mother well.

Dr. Caitlin Killian is a professor of sociology at Drew University specializing in gender, families, reproduction, and immigration. She has worked as a consultant for the United Nations, developing the module on sexual and reproductive health and rights for UN staff training and co-authoring a UNDP report on Syrian refugee women. Her articles have appeared in Contexts magazine and The Conversation, and she has published in numerous academic journals about adoption, overblown warnings about women’s alcohol consumption during pregnancy, sexual and reproductive health and justice, and immigrant and refugee women.

Dr. Killian mentions:



George Lobis served as the editorial assistant for this podcast.

Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.


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]]> Caitlin Killian, "Failing Moms: Social Condemnation and Criminalization of Mothers" (Polity Press, 2023) New Books Network 00:55:35 The role of mother is often celebrated in the United States as the most important job in the world but Dr. Caitlin Killian argues that American motherhood is increasingly monitored and perilous. From preconception, through pregnancy, and while parenting, she argues that women are held to ever-higher standards and punished – both socially and criminally – for failing to live up to these norms. Using historical accounts, public health pronouncements, social psychological research, and course cases, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity Press, 2023) documents how women of all ethnic backgrounds and socioeconomic statuses have been interrogated, held against their will, and jailed for a rapidly expanding list of offenses such as falling down the stairs while pregnant or letting a child spend time alone in a park, actions that were not considered criminal a generation ago. While poor mothers and moms of color are targeted the most, Dr. Killian argues that all moms are in jeopardy, whether they realize it or not. Women and mothers are disproportionately held accountable compared to men and fathers who do not see their reproduction policed and almost never incur charges for “failure to protect.” The gendered inequality of prosecutions reveals them to be more about controlling women than protecting children. Other books have examined the specific risks to either pregnant or parenting women – but few connect the issues – and that is Dr. Killian’s goal. Using a reproductive justice lens, she analyzes the extent of the crisis and what must change to prevent mass penalization and provide resources to allow people to mother well. Dr. Caitlin Killian is a professor of sociology at Drew University specializing in gender, families, reproduction, and immigration. She has worked as a consultant for the United Nations, developing the module on sexual and reproductive health and rights for UN staff training and co-authoring a UNDP report on Syrian refugee women. Her articles have appeared in Contexts magazine and The Conversation, and she has published in numerous academic journals about adoption, overblown warnings about women’s alcohol consumption during pregnancy, sexual and reproductive health and justice, and immigrant and refugee women. Dr. Killian mentions: Michele Goodwin, Policing the Womb: Invisible Women and the Criminalization of Motherhood Renee Almeling, GUYnecology: The Missing Science of Men’s Reproductive Health Jeanne Flavin, Our Bodies, Our Crimes: The Policing of Women's Reproduction Miranda R. Waggoner, The Zero Trimester: Pre-Pregnancy Care and the Politics of Reproductive Risk Cynthia Daniels, Exposing Men: The Science and Politics of Male Reproduction Kim Brooks, Small Animals: Parenthood in the Age of Fear  George Lobis served as the editorial assistant for this podcast. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. The role of mother is often celebrated in the United States as the most important job in the world but Dr. Caitlin Killian argues that American motherhood is increasingly monitored and perilous. From preconception, through pregnancy, and while parenting, she argues that women are held to ever-higher standards and punished – both socially and criminally – for failing to live up to these norms. Using historical accounts, public health pronouncements, social psychological research, and course cases, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity Press, 2023) documents how women of all ethnic backgrounds and socioeconomic statuses have been interrogated, held against their will, and jailed for a rapidly expanding list of offenses such as falling down the stairs while pregnant or letting a child spend time alone in a park, actions that were not considered criminal a generation ago. While poor mothers and moms of color are targeted the most, Dr. Killian argues that all moms are in jeopardy, whether they realize it or not. Women and mothers are disproportionately held accountable compared to men and fathers who do not see their reproduction policed and almost never incur charges for “failure to protect.” The gendered inequality of prosecutions reveals them to be more about controlling women than protecting children. Other books have examined the specific risks to either pregnant or parenting women – but few connect the issues – and that is Dr. Killian’s goal. Using a reproductive justice lens, she analyzes the extent of the crisis and what must change to prevent mass penalization and provide resources to allow people to mother well. Dr. Caitlin Killian is a professor of sociology at Drew University specializing in gender, families, reproduction, and immigration. She has worked as a consultant for the United Nations, developing the module on sexual and reproductive health and rights for UN staff training and co-authoring a UNDP report on Syrian refugee women. Her articles have appeared in Contexts magazine and The Conversation, and she has published in numerous academic journals about adoption, overblown warnings about women’s alcohol consumption during pregnancy, sexual and reproductive health and justice, and immigrant and refugee women. Dr. Killian mentions: Michele Goodwin, Policing the Womb: Invisible Women and the Criminalization of Motherhood Renee Almeling, GUYnecology: The Missing Science of Men’s Reproductive Health Jeanne Flavin, Our Bodies, Our Crimes: The Policing of Women's Reproduction Miranda R. Waggoner, The Zero Trimester: Pre-Pregnancy Care and the Politics of Reproductive Risk Cynthia Daniels, Exposing Men: The Science and Politics of Male Reproduction Kim Brooks, Small Animals: Parenthood in the Age of Fear  George Lobis served as the editorial assistant for this podcast. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. false full 702 052c7e8e-bd2d-11ee-9fbf-236029c40bb2 Elinor Cleghorn, "Unwell Women: A Journey Through Medicine and Myth in a Man-Made World" (Dutton, 2022) Medicine carries the burden of its own troubling history. Over centuries, women’s bodies have been demonised and demeaned until we feared them, felt ashamed of them, were humiliated by them. But as doctors, researchers, campaigners and most of all as patients, women have continuously challenged medical orthodoxy. Medicine’s history has always been, and is still being, rewritten by women’s resistance, strength and incredible courage.

In this ground-breaking history Dr. Elinor Cleghorn unpacks the roots of the perpetual misunderstanding, mystification and misdiagnosis of women’s bodies, illness and pain. From the ‘wandering womb’ of ancient Greece to today’s shifting understanding of hormones, menstruation and menopause, Unwell Women: A Journey Through Medicine and Myth in a Man-Made World (Dutton, 2021) is the revolutionary story of women who have suffered, challenged and rewritten medical misogyny. Drawing on Elinor’s own experience as an unwell woman, this is a powerful and timely exposé of the medical world and woman’s place within it.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 28 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Medicine carries the burden of its own troubling history. Over centuries, women’s bodies have been demonised and demeaned until we feared them, felt ashamed of them, were humiliated by them. But as doctors, researchers, campaigners and most of all as patients, women have continuously challenged medical orthodoxy. Medicine’s history has always been, and is still being, rewritten by women’s resistance, strength and incredible courage.

In this ground-breaking history Dr. Elinor Cleghorn unpacks the roots of the perpetual misunderstanding, mystification and misdiagnosis of women’s bodies, illness and pain. From the ‘wandering womb’ of ancient Greece to today’s shifting understanding of hormones, menstruation and menopause, Unwell Women: A Journey Through Medicine and Myth in a Man-Made World (Dutton, 2021) is the revolutionary story of women who have suffered, challenged and rewritten medical misogyny. Drawing on Elinor’s own experience as an unwell woman, this is a powerful and timely exposé of the medical world and woman’s place within it.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Elinor Cleghorn, "Unwell Women: A Journey Through Medicine and Myth in a Man-Made World" (Dutton, 2022) New Books Network 00:51:43 Medicine carries the burden of its own troubling history. Over centuries, women’s bodies have been demonised and demeaned until we feared them, felt ashamed of them, were humiliated by them. But as doctors, researchers, campaigners and most of all as patients, women have continuously challenged medical orthodoxy. Medicine’s history has always been, and is still being, rewritten by women’s resistance, strength and incredible courage. In this ground-breaking history Dr. Elinor Cleghorn unpacks the roots of the perpetual misunderstanding, mystification and misdiagnosis of women’s bodies, illness and pain. From the ‘wandering womb’ of ancient Greece to today’s shifting understanding of hormones, menstruation and menopause, Unwell Women: A Journey Through Medicine and Myth in a Man-Made World (Dutton, 2021) is the revolutionary story of women who have suffered, challenged and rewritten medical misogyny. Drawing on Elinor’s own experience as an unwell woman, this is a powerful and timely exposé of the medical world and woman’s place within it. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Medicine carries the burden of its own troubling history. Over centuries, women’s bodies have been demonised and demeaned until we feared them, felt ashamed of them, were humiliated by them. But as doctors, researchers, campaigners and most of all as patients, women have continuously challenged medical orthodoxy. Medicine’s history has always been, and is still being, rewritten by women’s resistance, strength and incredible courage. In this ground-breaking history Dr. Elinor Cleghorn unpacks the roots of the perpetual misunderstanding, mystification and misdiagnosis of women’s bodies, illness and pain. From the ‘wandering womb’ of ancient Greece to today’s shifting understanding of hormones, menstruation and menopause, Unwell Women: A Journey Through Medicine and Myth in a Man-Made World (Dutton, 2021) is the revolutionary story of women who have suffered, challenged and rewritten medical misogyny. Drawing on Elinor’s own experience as an unwell woman, this is a powerful and timely exposé of the medical world and woman’s place within it. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 211 fd8a21b4-8644-11ee-91a4-3fb0a2de54c9 David J. Brick, "Widows Under Hindu Law" (Oxford UP, 2023) During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? In Widows Under Hindu Law (Oxford UP, 2023), David Brick offers an exhaustive history of the treatment and status of widows under classical Hindu law, or Dharmasastra as it is called in Sanskrit, which spanned approximately the third century BCE to the eighteenth-century CE.

Under Dharmasastra, Hindu jurists treated at length and at times hotly debated four widow-related issues: widow remarriage and levirate, a widow's right to inherit her husband's estate, widow-asceticism, and sati. Each of the book's chapters examine these issues in depth, concluding with an appendix that addresses a widow's right to adopt a son-a fifth widow-related issue that became the topic of discussion in late Dharmasastra works and was a significant point of legal contentions during the colonial period. When read critically and historically, works of Dharmasastra provide a long and detailed record of the prevailing legal and social norms of high-caste Hindu society. Widows Under Hindu Law uses lengthy English translations of important passages from Hindu legal texts to present a largescale narrative of the treatment of widows under the Hindu legal tradition.

This book is available open access here. 

During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period?


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 25 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? In Widows Under Hindu Law (Oxford UP, 2023), David Brick offers an exhaustive history of the treatment and status of widows under classical Hindu law, or Dharmasastra as it is called in Sanskrit, which spanned approximately the third century BCE to the eighteenth-century CE.

Under Dharmasastra, Hindu jurists treated at length and at times hotly debated four widow-related issues: widow remarriage and levirate, a widow's right to inherit her husband's estate, widow-asceticism, and sati. Each of the book's chapters examine these issues in depth, concluding with an appendix that addresses a widow's right to adopt a son-a fifth widow-related issue that became the topic of discussion in late Dharmasastra works and was a significant point of legal contentions during the colonial period. When read critically and historically, works of Dharmasastra provide a long and detailed record of the prevailing legal and social norms of high-caste Hindu society. Widows Under Hindu Law uses lengthy English translations of important passages from Hindu legal texts to present a largescale narrative of the treatment of widows under the Hindu legal tradition.

This book is available open access here. 

During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period?


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]]> David J. Brick, "Widows Under Hindu Law" (Oxford UP, 2023) New Books Network 00:52:28 During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? In Widows Under Hindu Law (Oxford UP, 2023), David Brick offers an exhaustive history of the treatment and status of widows under classical Hindu law, or Dharmasastra as it is called in Sanskrit, which spanned approximately the third century BCE to the eighteenth-century CE. Under Dharmasastra, Hindu jurists treated at length and at times hotly debated four widow-related issues: widow remarriage and levirate, a widow's right to inherit her husband's estate, widow-asceticism, and sati. Each of the book's chapters examine these issues in depth, concluding with an appendix that addresses a widow's right to adopt a son-a fifth widow-related issue that became the topic of discussion in late Dharmasastra works and was a significant point of legal contentions during the colonial period. When read critically and historically, works of Dharmasastra provide a long and detailed record of the prevailing legal and social norms of high-caste Hindu society. Widows Under Hindu Law uses lengthy English translations of important passages from Hindu legal texts to present a largescale narrative of the treatment of widows under the Hindu legal tradition. This book is available open access here.  During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? In Widows Under Hindu Law (Oxford UP, 2023), David Brick offers an exhaustive history of the treatment and status of widows under classical Hindu law, or Dharmasastra as it is called in Sanskrit, which spanned approximately the third century BCE to the eighteenth-century CE. Under Dharmasastra, Hindu jurists treated at length and at times hotly debated four widow-related issues: widow remarriage and levirate, a widow's right to inherit her husband's estate, widow-asceticism, and sati. Each of the book's chapters examine these issues in depth, concluding with an appendix that addresses a widow's right to adopt a son-a fifth widow-related issue that became the topic of discussion in late Dharmasastra works and was a significant point of legal contentions during the colonial period. When read critically and historically, works of Dharmasastra provide a long and detailed record of the prevailing legal and social norms of high-caste Hindu society. Widows Under Hindu Law uses lengthy English translations of important passages from Hindu legal texts to present a largescale narrative of the treatment of widows under the Hindu legal tradition. This book is available open access here.  During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? false full 308 ddfa0840-baca-11ee-87ec-3fbd49af488a Eugenio Refini, "Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy" (Legenda, 2022) As per William Shakespeare, ‘all the world’s a stage’. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play? 

These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world’ on the ‘spiritual’ stage of the soul.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu.


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]]> Thu, 25 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com As per William Shakespeare, ‘all the world’s a stage’. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play? 

These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world’ on the ‘spiritual’ stage of the soul.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu.


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]]> Eugenio Refini, "Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy" (Legenda, 2022) New Books Network 00:49:28 As per William Shakespeare, ‘all the world’s a stage’. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world’ on the ‘spiritual’ stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. As per William Shakespeare, ‘all the world’s a stage’. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world’ on the ‘spiritual’ stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. false full 26 397c2c08-baed-11ee-8858-d700628e4293 Genevieve Alva Clutario, "Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898-1941" (Duke UP, 2023) Beauty is often dismissed as superfluous and frivolous cultural consumption. In her book, Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898-1941 (Duke UP, 2023), Genevieve Clutario asks the readers, "what can we gain by taking beauty seriously?" (3) What does it tell us about national identity formation and intimate connections between overlapping empires? Bringing together sartorial styles and women's labor by critically engaging with archival documents ranging from colonial government reports to photograph collections, memoirs, and women’s magazines, Clutario shows how “colonial subjects, like Filipinas, were not only impacted by [nation-building] but also actively shaped [these] ventures within and beyond national borders” (14). Furthermore, her work highlights how the embroidery industry, public schools, and colonial prison systems mobilized the racial idea of dexterous fingers and modernization to discipline Filipina women. However, the imperial rule was contested by Flipina women, as the Manila Carnival Queen contests became a site of negotiating US imperialism through national identity formation. Beauty Regimes is an important read for anyone who is interested in gender, continuities between empires, labor, and critical engagement with the archives.

Genevieve Clutario is associate professor of American Studies at Wellesley College and the author of Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898 - 1941 (Duke University Press, 2023). She is a recipient of the Duke University Press Scholars of Color First Book Award and the Weatherhead East Asian Institute at Columbia University First Book Award. Her other publications include “Pageant Politics: Tensions of Power, Empire, and Nationalism in Manila Carnival Queen Contests,” in Gendering the Trans-Pacific World (Brill Press, 2017) and “World War II and the Promise of Normalcy: Filipina Lives Under Two Empires” in Beyond the Edge of the Nation: Transimperial Histories with a U.S. Angle (Duke University Press, 2020). She is currently pursuing a new project called Power and Allure: Gender, Authoritarianism, and the Promise of Development with interests on topics such as the Cold War, international development, U.S. imperialism, and the making of the Global South.

Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.


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]]> Thu, 25 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Beauty is often dismissed as superfluous and frivolous cultural consumption. In her book, Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898-1941 (Duke UP, 2023), Genevieve Clutario asks the readers, "what can we gain by taking beauty seriously?" (3) What does it tell us about national identity formation and intimate connections between overlapping empires? Bringing together sartorial styles and women's labor by critically engaging with archival documents ranging from colonial government reports to photograph collections, memoirs, and women’s magazines, Clutario shows how “colonial subjects, like Filipinas, were not only impacted by [nation-building] but also actively shaped [these] ventures within and beyond national borders” (14). Furthermore, her work highlights how the embroidery industry, public schools, and colonial prison systems mobilized the racial idea of dexterous fingers and modernization to discipline Filipina women. However, the imperial rule was contested by Flipina women, as the Manila Carnival Queen contests became a site of negotiating US imperialism through national identity formation. Beauty Regimes is an important read for anyone who is interested in gender, continuities between empires, labor, and critical engagement with the archives.

Genevieve Clutario is associate professor of American Studies at Wellesley College and the author of Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898 - 1941 (Duke University Press, 2023). She is a recipient of the Duke University Press Scholars of Color First Book Award and the Weatherhead East Asian Institute at Columbia University First Book Award. Her other publications include “Pageant Politics: Tensions of Power, Empire, and Nationalism in Manila Carnival Queen Contests,” in Gendering the Trans-Pacific World (Brill Press, 2017) and “World War II and the Promise of Normalcy: Filipina Lives Under Two Empires” in Beyond the Edge of the Nation: Transimperial Histories with a U.S. Angle (Duke University Press, 2020). She is currently pursuing a new project called Power and Allure: Gender, Authoritarianism, and the Promise of Development with interests on topics such as the Cold War, international development, U.S. imperialism, and the making of the Global South.

Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.


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]]> Genevieve Alva Clutario, "Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898-1941" (Duke UP, 2023) New Books Network 01:01:21 Beauty is often dismissed as superfluous and frivolous cultural consumption. In her book, Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898-1941 (Duke UP, 2023), Genevieve Clutario asks the readers, "what can we gain by taking beauty seriously?" (3) What does it tell us about national identity formation and intimate connections between overlapping empires? Bringing together sartorial styles and women's labor by critically engaging with archival documents ranging from colonial government reports to photograph collections, memoirs, and women’s magazines, Clutario shows how “colonial subjects, like Filipinas, were not only impacted by [nation-building] but also actively shaped [these] ventures within and beyond national borders” (14). Furthermore, her work highlights how the embroidery industry, public schools, and colonial prison systems mobilized the racial idea of dexterous fingers and modernization to discipline Filipina women. However, the imperial rule was contested by Flipina women, as the Manila Carnival Queen contests became a site of negotiating US imperialism through national identity formation. Beauty Regimes is an important read for anyone who is interested in gender, continuities between empires, labor, and critical engagement with the archives. Genevieve Clutario is associate professor of American Studies at Wellesley College and the author of Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898 - 1941 (Duke University Press, 2023). She is a recipient of the Duke University Press Scholars of Color First Book Award and the Weatherhead East Asian Institute at Columbia University First Book Award. Her other publications include “Pageant Politics: Tensions of Power, Empire, and Nationalism in Manila Carnival Queen Contests,” in Gendering the Trans-Pacific World (Brill Press, 2017) and “World War II and the Promise of Normalcy: Filipina Lives Under Two Empires” in Beyond the Edge of the Nation: Transimperial Histories with a U.S. Angle (Duke University Press, 2020). She is currently pursuing a new project called Power and Allure: Gender, Authoritarianism, and the Promise of Development with interests on topics such as the Cold War, international development, U.S. imperialism, and the making of the Global South. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Beauty is often dismissed as superfluous and frivolous cultural consumption. In her book, Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898-1941 (Duke UP, 2023), Genevieve Clutario asks the readers, "what can we gain by taking beauty seriously?" (3) What does it tell us about national identity formation and intimate connections between overlapping empires? Bringing together sartorial styles and women's labor by critically engaging with archival documents ranging from colonial government reports to photograph collections, memoirs, and women’s magazines, Clutario shows how “colonial subjects, like Filipinas, were not only impacted by [nation-building] but also actively shaped [these] ventures within and beyond national borders” (14). Furthermore, her work highlights how the embroidery industry, public schools, and colonial prison systems mobilized the racial idea of dexterous fingers and modernization to discipline Filipina women. However, the imperial rule was contested by Flipina women, as the Manila Carnival Queen contests became a site of negotiating US imperialism through national identity formation. Beauty Regimes is an important read for anyone who is interested in gender, continuities between empires, labor, and critical engagement with the archives. Genevieve Clutario is associate professor of American Studies at Wellesley College and the author of Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898 - 1941 (Duke University Press, 2023). She is a recipient of the Duke University Press Scholars of Color First Book Award and the Weatherhead East Asian Institute at Columbia University First Book Award. Her other publications include “Pageant Politics: Tensions of Power, Empire, and Nationalism in Manila Carnival Queen Contests,” in Gendering the Trans-Pacific World (Brill Press, 2017) and “World War II and the Promise of Normalcy: Filipina Lives Under Two Empires” in Beyond the Edge of the Nation: Transimperial Histories with a U.S. Angle (Duke University Press, 2020). She is currently pursuing a new project called Power and Allure: Gender, Authoritarianism, and the Promise of Development with interests on topics such as the Cold War, international development, U.S. imperialism, and the making of the Global South. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. false full 232 f415d62c-b7b4-11ee-81a7-070c45c7fd20 Catherine Powell-Warren, "Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century" (Amsterdam UP, 2023) Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science. 


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]]> Mon, 22 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science. 


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]]> Catherine Powell-Warren, "Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century" (Amsterdam UP, 2023) New Books Network 00:47:52 Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science.  Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science.  false full 61 41240b80-b7ad-11ee-8db5-cb88c97f2774 Chelsea Schields, "Offshore Attachments: Oil and Intimacy in the Caribbean" (U California Press, 2023) Chelsea Schields's book Offshore Attachments: Oil and Intimacy in the Caribbean (U California Press, 2023) reveals how the contested management of sex and race transformed the Caribbean into a crucial site in the global oil economy. By the mid-twentieth century, the Dutch islands of Curaçao and Aruba housed the world's largest oil refineries. To bolster this massive industrial experiment, oil corporations and political authorities offshored intimacy, circumventing laws regulating sex, reproduction, and the family in a bid to maximize profits and turn Caribbean subjects into citizens. 

Historian Chelsea Schields demonstrates how Caribbean people both embraced and challenged efforts to alter intimate behavior in service to the energy economy. Moving from Caribbean oil towns to European metropolises and examining such issues as sex work, contraception, kinship, and the constitution of desire, Schields narrates a surprising story of how racialized concern with sex shaped hydrocarbon industries as the age of oil met the end of empire.

Chelsea Schields is Associate Professor of History at the University of California, Irvine.

Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.


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]]> Sun, 21 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Chelsea Schields's book Offshore Attachments: Oil and Intimacy in the Caribbean (U California Press, 2023) reveals how the contested management of sex and race transformed the Caribbean into a crucial site in the global oil economy. By the mid-twentieth century, the Dutch islands of Curaçao and Aruba housed the world's largest oil refineries. To bolster this massive industrial experiment, oil corporations and political authorities offshored intimacy, circumventing laws regulating sex, reproduction, and the family in a bid to maximize profits and turn Caribbean subjects into citizens. 

Historian Chelsea Schields demonstrates how Caribbean people both embraced and challenged efforts to alter intimate behavior in service to the energy economy. Moving from Caribbean oil towns to European metropolises and examining such issues as sex work, contraception, kinship, and the constitution of desire, Schields narrates a surprising story of how racialized concern with sex shaped hydrocarbon industries as the age of oil met the end of empire.

Chelsea Schields is Associate Professor of History at the University of California, Irvine.

Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.


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]]> Chelsea Schields, "Offshore Attachments: Oil and Intimacy in the Caribbean" (U California Press, 2023) New Books Network 00:55:06 Chelsea Schields's book Offshore Attachments: Oil and Intimacy in the Caribbean (U California Press, 2023) reveals how the contested management of sex and race transformed the Caribbean into a crucial site in the global oil economy. By the mid-twentieth century, the Dutch islands of Curaçao and Aruba housed the world's largest oil refineries. To bolster this massive industrial experiment, oil corporations and political authorities offshored intimacy, circumventing laws regulating sex, reproduction, and the family in a bid to maximize profits and turn Caribbean subjects into citizens.  Historian Chelsea Schields demonstrates how Caribbean people both embraced and challenged efforts to alter intimate behavior in service to the energy economy. Moving from Caribbean oil towns to European metropolises and examining such issues as sex work, contraception, kinship, and the constitution of desire, Schields narrates a surprising story of how racialized concern with sex shaped hydrocarbon industries as the age of oil met the end of empire. Chelsea Schields is Associate Professor of History at the University of California, Irvine. Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University. Chelsea Schields's book Offshore Attachments: Oil and Intimacy in the Caribbean (U California Press, 2023) reveals how the contested management of sex and race transformed the Caribbean into a crucial site in the global oil economy. By the mid-twentieth century, the Dutch islands of Curaçao and Aruba housed the world's largest oil refineries. To bolster this massive industrial experiment, oil corporations and political authorities offshored intimacy, circumventing laws regulating sex, reproduction, and the family in a bid to maximize profits and turn Caribbean subjects into citizens.  Historian Chelsea Schields demonstrates how Caribbean people both embraced and challenged efforts to alter intimate behavior in service to the energy economy. Moving from Caribbean oil towns to European metropolises and examining such issues as sex work, contraception, kinship, and the constitution of desire, Schields narrates a surprising story of how racialized concern with sex shaped hydrocarbon industries as the age of oil met the end of empire. Chelsea Schields is Associate Professor of History at the University of California, Irvine. Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University. false full 108 820f8ed8-b584-11ee-91f7-6b8055f227a4 Jessica Goethals, "Margherita Costa, Diva of the Baroque Court" (U Toronto Press, 2023) The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history.

Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu.


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]]> Sat, 20 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history.

Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu.


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]]> Jessica Goethals, "Margherita Costa, Diva of the Baroque Court" (U Toronto Press, 2023) New Books Network 01:00:41 The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. false full 25 84bbf5d4-b2f2-11ee-bc46-37e9bd375be3 Aimee Loiselle, "Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class" (UNC Press, 2023) In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism. 

While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.

Aimee Loiselle is assistant professor of history at Central Connecticut State University.

Caleb Zakarin is the Assistant Editor of the New Books Network.


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]]> Wed, 17 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism. 

While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.

Aimee Loiselle is assistant professor of history at Central Connecticut State University.

Caleb Zakarin is the Assistant Editor of the New Books Network.


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]]> Aimee Loiselle, "Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class" (UNC Press, 2023) New Books Network 00:52:00 In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism.  While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are. Aimee Loiselle is assistant professor of history at Central Connecticut State University. Caleb Zakarin is the Assistant Editor of the New Books Network. In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism.  While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are. Aimee Loiselle is assistant professor of history at Central Connecticut State University. Caleb Zakarin is the Assistant Editor of the New Books Network. false full 78 17c0634e-b323-11ee-a8b7-db3b1cb262b9 Sujin Lee, "Wombs of Empire: Population Discourses and Biopolitics in Modern Japan" (Stanford UP, 2023) In 2007, Japan’s health minister referred to women ages 15-50 as “birthing machines.” The context was a speech about Japan’s declining birthrate and projected population shrinkage. As Sujin Lee shows in Wombs of Empire: Population Discourses and Biopolitics in Modern Japan (Stanford UP, 2023), neither population anxieties nor the idea of women as childbearing devices whose wombs were the property of the state are new. However, when the “population problem” became a public preoccupation for politicians, scientists, and activists in the 1910s, it was an expression of worries about overpopulation and carrying capacity in a “resource-poor” nation and empire. Wombs of Empire traces the trajectory of population discourses and practices from these years through wartime Japan, with particular attention to the ways in which notions of motherhood were constructed hierarchically within the context of empire and war, and how Malthusian population control discourses formulated by leftists, feminists, scientists, and politicians gave way to the natalism of total war.

Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.


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]]> Wed, 17 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 2007, Japan’s health minister referred to women ages 15-50 as “birthing machines.” The context was a speech about Japan’s declining birthrate and projected population shrinkage. As Sujin Lee shows in Wombs of Empire: Population Discourses and Biopolitics in Modern Japan (Stanford UP, 2023), neither population anxieties nor the idea of women as childbearing devices whose wombs were the property of the state are new. However, when the “population problem” became a public preoccupation for politicians, scientists, and activists in the 1910s, it was an expression of worries about overpopulation and carrying capacity in a “resource-poor” nation and empire. Wombs of Empire traces the trajectory of population discourses and practices from these years through wartime Japan, with particular attention to the ways in which notions of motherhood were constructed hierarchically within the context of empire and war, and how Malthusian population control discourses formulated by leftists, feminists, scientists, and politicians gave way to the natalism of total war.

Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.


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]]> Sujin Lee, "Wombs of Empire: Population Discourses and Biopolitics in Modern Japan" (Stanford UP, 2023) New Books Network 00:54:52 In 2007, Japan’s health minister referred to women ages 15-50 as “birthing machines.” The context was a speech about Japan’s declining birthrate and projected population shrinkage. As Sujin Lee shows in Wombs of Empire: Population Discourses and Biopolitics in Modern Japan (Stanford UP, 2023), neither population anxieties nor the idea of women as childbearing devices whose wombs were the property of the state are new. However, when the “population problem” became a public preoccupation for politicians, scientists, and activists in the 1910s, it was an expression of worries about overpopulation and carrying capacity in a “resource-poor” nation and empire. Wombs of Empire traces the trajectory of population discourses and practices from these years through wartime Japan, with particular attention to the ways in which notions of motherhood were constructed hierarchically within the context of empire and war, and how Malthusian population control discourses formulated by leftists, feminists, scientists, and politicians gave way to the natalism of total war. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. In 2007, Japan’s health minister referred to women ages 15-50 as “birthing machines.” The context was a speech about Japan’s declining birthrate and projected population shrinkage. As Sujin Lee shows in Wombs of Empire: Population Discourses and Biopolitics in Modern Japan (Stanford UP, 2023), neither population anxieties nor the idea of women as childbearing devices whose wombs were the property of the state are new. However, when the “population problem” became a public preoccupation for politicians, scientists, and activists in the 1910s, it was an expression of worries about overpopulation and carrying capacity in a “resource-poor” nation and empire. Wombs of Empire traces the trajectory of population discourses and practices from these years through wartime Japan, with particular attention to the ways in which notions of motherhood were constructed hierarchically within the context of empire and war, and how Malthusian population control discourses formulated by leftists, feminists, scientists, and politicians gave way to the natalism of total war. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. false full 144 4911b1b8-b306-11ee-a672-1356d0e5cf84 Emma Gleadhill, "Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830" (Manchester UP, 2022) In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science.

Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War.

Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, Emma Gleadhill's Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830 (Manchester UP, 2022) examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narrative

Emma Gleadhill is a Melbourne-based historian and artist

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Tue, 16 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science.

Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War.

Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, Emma Gleadhill's Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830 (Manchester UP, 2022) examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narrative

Emma Gleadhill is a Melbourne-based historian and artist

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


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]]> Emma Gleadhill, "Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830" (Manchester UP, 2022) New Books Network 00:58:39 In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science. Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War. Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, Emma Gleadhill's Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830 (Manchester UP, 2022) examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narrative Emma Gleadhill is a Melbourne-based historian and artist Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science. Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War. Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, Emma Gleadhill's Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830 (Manchester UP, 2022) examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narrative Emma Gleadhill is a Melbourne-based historian and artist Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. false full 79 552e0046-b225-11ee-9c34-9f8cf50d46c7 Elisabeth Gernerd, "The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World" (Bloomsbury, 2023) From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society.

The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World (Bloomsbury, 2023) by Dr. Elisabeth Gernerd highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources – including painted portraiture, satirical prints, diaries, memoirs – The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sun, 14 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society.

The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World (Bloomsbury, 2023) by Dr. Elisabeth Gernerd highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources – including painted portraiture, satirical prints, diaries, memoirs – The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Elisabeth Gernerd, "The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World" (Bloomsbury, 2023) New Books Network 01:32:06 From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society. The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World (Bloomsbury, 2023) by Dr. Elisabeth Gernerd highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources – including painted portraiture, satirical prints, diaries, memoirs – The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society. The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World (Bloomsbury, 2023) by Dr. Elisabeth Gernerd highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources – including painted portraiture, satirical prints, diaries, memoirs – The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 77 e02a71d8-af33-11ee-a7b5-174b6680b485 Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024) In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress.

Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century.

Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time.

Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and


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]]> Wed, 10 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress.

Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century.

Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time.

Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and


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]]> Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024) New Books Network 01:03:43 In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and false full 184 2afd5f3c-ae5c-11ee-bcb7-8f7af3844b42 Ayelet Brinn, "A Revolution in Type: Gender and the Making of the American Yiddish Press" (NYU Press, 2023) A Revolution in Type: Gender and the Making of the American Yiddish Press (NYU Press, 2023) by Dr. Ayelet Brinn offers a fascinating glimpse into the complex and often unexpected ways that women and ideas about women shaped widely read Jewish newspapers.

Between the 1880s and 1920s, Yiddish-language newspapers rose from obscurity to become successful institutions integral to American Jewish life. During this period, Yiddish-speaking immigrants came to view newspapers as indispensable parts of their daily lives. For many Jewish immigrants from Eastern Europe, acclimating to America became inextricably intertwined with becoming a devoted reader of the Yiddish periodical press, as the newspapers and their staffs became a fusion of friends, religious and political authorities, tour guides, matchmakers, and social welfare agencies.

In A Revolution in Type, Dr. Brinn argues that women were central to the emergence of the Yiddish press as a powerful, influential force in American Jewish culture. Through rhetorical debates about women readers and writers, the producers of the Yiddish press explored how to transform their newspapers to reach a large, diverse audience. The seemingly peripheral status of women’s columns and other newspaper features supposedly aimed at a female audience—but in reality, read with great interest by male and female readers alike—meant that editors and publishers often used these articles as testing grounds for the types of content their newspapers should encompass. The book explores the discovery of previously unknown work by female writers in the Yiddish press, whose contributions most often appeared without attribution; it also examines the work of men who wrote under women’s names in order to break into the press. Brinn shows that instead of framing issues of gender as marginal, we must view them as central to understanding how the American Yiddish press developed into the influential, complex, and diverse publication field it eventually became.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Tue, 9 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com A Revolution in Type: Gender and the Making of the American Yiddish Press (NYU Press, 2023) by Dr. Ayelet Brinn offers a fascinating glimpse into the complex and often unexpected ways that women and ideas about women shaped widely read Jewish newspapers.

Between the 1880s and 1920s, Yiddish-language newspapers rose from obscurity to become successful institutions integral to American Jewish life. During this period, Yiddish-speaking immigrants came to view newspapers as indispensable parts of their daily lives. For many Jewish immigrants from Eastern Europe, acclimating to America became inextricably intertwined with becoming a devoted reader of the Yiddish periodical press, as the newspapers and their staffs became a fusion of friends, religious and political authorities, tour guides, matchmakers, and social welfare agencies.

In A Revolution in Type, Dr. Brinn argues that women were central to the emergence of the Yiddish press as a powerful, influential force in American Jewish culture. Through rhetorical debates about women readers and writers, the producers of the Yiddish press explored how to transform their newspapers to reach a large, diverse audience. The seemingly peripheral status of women’s columns and other newspaper features supposedly aimed at a female audience—but in reality, read with great interest by male and female readers alike—meant that editors and publishers often used these articles as testing grounds for the types of content their newspapers should encompass. The book explores the discovery of previously unknown work by female writers in the Yiddish press, whose contributions most often appeared without attribution; it also examines the work of men who wrote under women’s names in order to break into the press. Brinn shows that instead of framing issues of gender as marginal, we must view them as central to understanding how the American Yiddish press developed into the influential, complex, and diverse publication field it eventually became.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Ayelet Brinn, "A Revolution in Type: Gender and the Making of the American Yiddish Press" (NYU Press, 2023) New Books Network 00:30:30 A Revolution in Type: Gender and the Making of the American Yiddish Press (NYU Press, 2023) by Dr. Ayelet Brinn offers a fascinating glimpse into the complex and often unexpected ways that women and ideas about women shaped widely read Jewish newspapers. Between the 1880s and 1920s, Yiddish-language newspapers rose from obscurity to become successful institutions integral to American Jewish life. During this period, Yiddish-speaking immigrants came to view newspapers as indispensable parts of their daily lives. For many Jewish immigrants from Eastern Europe, acclimating to America became inextricably intertwined with becoming a devoted reader of the Yiddish periodical press, as the newspapers and their staffs became a fusion of friends, religious and political authorities, tour guides, matchmakers, and social welfare agencies. In A Revolution in Type, Dr. Brinn argues that women were central to the emergence of the Yiddish press as a powerful, influential force in American Jewish culture. Through rhetorical debates about women readers and writers, the producers of the Yiddish press explored how to transform their newspapers to reach a large, diverse audience. The seemingly peripheral status of women’s columns and other newspaper features supposedly aimed at a female audience—but in reality, read with great interest by male and female readers alike—meant that editors and publishers often used these articles as testing grounds for the types of content their newspapers should encompass. The book explores the discovery of previously unknown work by female writers in the Yiddish press, whose contributions most often appeared without attribution; it also examines the work of men who wrote under women’s names in order to break into the press. Brinn shows that instead of framing issues of gender as marginal, we must view them as central to understanding how the American Yiddish press developed into the influential, complex, and diverse publication field it eventually became. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. A Revolution in Type: Gender and the Making of the American Yiddish Press (NYU Press, 2023) by Dr. Ayelet Brinn offers a fascinating glimpse into the complex and often unexpected ways that women and ideas about women shaped widely read Jewish newspapers. Between the 1880s and 1920s, Yiddish-language newspapers rose from obscurity to become successful institutions integral to American Jewish life. During this period, Yiddish-speaking immigrants came to view newspapers as indispensable parts of their daily lives. For many Jewish immigrants from Eastern Europe, acclimating to America became inextricably intertwined with becoming a devoted reader of the Yiddish periodical press, as the newspapers and their staffs became a fusion of friends, religious and political authorities, tour guides, matchmakers, and social welfare agencies. In A Revolution in Type, Dr. Brinn argues that women were central to the emergence of the Yiddish press as a powerful, influential force in American Jewish culture. Through rhetorical debates about women readers and writers, the producers of the Yiddish press explored how to transform their newspapers to reach a large, diverse audience. The seemingly peripheral status of women’s columns and other newspaper features supposedly aimed at a female audience—but in reality, read with great interest by male and female readers alike—meant that editors and publishers often used these articles as testing grounds for the types of content their newspapers should encompass. The book explores the discovery of previously unknown work by female writers in the Yiddish press, whose contributions most often appeared without attribution; it also examines the work of men who wrote under women’s names in order to break into the press. Brinn shows that instead of framing issues of gender as marginal, we must view them as central to understanding how the American Yiddish press developed into the influential, complex, and diverse publication field it eventually became. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 463 5ee36454-acbd-11ee-8bd5-7bf0ae2a679a Women and the Body in Buddhism Dr Pierce Salguero sits down with Amy Langenberg, a scholar of South Asian Buddhism, gender, sexuality, and the body. We focus on Amy’s work on misogyny in Buddhist texts, her book on Buddhist embryology, and her current project on sexual abuse in contemporary Buddhist communities. Along the way we discuss miscarriage, menstruation, and the importance of feminist scholarship . . . and also, what does the Buddha have in common with Michael Phelps?

Enjoy the conversation! And remember that not all of our episodes are distributed by NBN, so be sure to subscribe to Blue Beryl!

Resources mentioned in this episode:


Dr. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com.


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]]> Sun, 7 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Dr Pierce Salguero sits down with Amy Langenberg, a scholar of South Asian Buddhism, gender, sexuality, and the body. We focus on Amy’s work on misogyny in Buddhist texts, her book on Buddhist embryology, and her current project on sexual abuse in contemporary Buddhist communities. Along the way we discuss miscarriage, menstruation, and the importance of feminist scholarship . . . and also, what does the Buddha have in common with Michael Phelps?

Enjoy the conversation! And remember that not all of our episodes are distributed by NBN, so be sure to subscribe to Blue Beryl!

Resources mentioned in this episode:


Dr. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com.


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]]> Women and the Body in Buddhism New Books Network 01:08:35 Dr Pierce Salguero sits down with Amy Langenberg, a scholar of South Asian Buddhism, gender, sexuality, and the body. We focus on Amy’s work on misogyny in Buddhist texts, her book on Buddhist embryology, and her current project on sexual abuse in contemporary Buddhist communities. Along the way we discuss miscarriage, menstruation, and the importance of feminist scholarship . . . and also, what does the Buddha have in common with Michael Phelps? Enjoy the conversation! And remember that not all of our episodes are distributed by NBN, so be sure to subscribe to Blue Beryl! Resources mentioned in this episode: Amy Langenberg, Birth in Buddhism: The Suffering Fetus and Female Freedom (2017) Pierce Salguero, "'This Fathom-Long Body': Bodily Materiality and Ascetic Ideology in Medieval Chinese Buddhist Scriptures" (2018) Amy’s academic papers, free to download on Academia.edu Pierce Salguero (ed.), Buddhism and Medicine: An Anthology of Premodern Sources (2017) Amy Langenberg, "The Buddha Didn’t Teach Consent" (2021) The Buddhist Bodies Collective Ann Gleig and Amy Langenberg, “Survivor-Centered Solutions: #MeToo and Spiritual Abuse” (CBC Radio) Ann Gleig and Amy Langenberg, "Abuse, Sex and the Sangha: A Series of Healing Conversations” (video playlist) Ann Gleig and Amy Langenberg, “Sexual Ethics and Healthy Boundaries in the Wake of Teacher Abuse” (2023) Ann Gleig and Amy Langenberg, “Supporting Survivors of Abuse” (video) Amy Langenberg and Ann Gleig, "Sexual Misconduct And Buddhism - Centering Survivors" (2020) Amy Langenberg, “Late Night Phone Alerts And Other Intrusions: What To Expect When You Write About Sexual Violation In Religion” (2021) Dr. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com. Dr Pierce Salguero sits down with Amy Langenberg, a scholar of South Asian Buddhism, gender, sexuality, and the body. We focus on Amy’s work on misogyny in Buddhist texts, her book on Buddhist embryology, and her current project on sexual abuse in contemporary Buddhist communities. Along the way we discuss miscarriage, menstruation, and the importance of feminist scholarship . . . and also, what does the Buddha have in common with Michael Phelps? Enjoy the conversation! And remember that not all of our episodes are distributed by NBN, so be sure to subscribe to Blue Beryl! Resources mentioned in this episode: Amy Langenberg, Birth in Buddhism: The Suffering Fetus and Female Freedom (2017) Pierce Salguero, "'This Fathom-Long Body': Bodily Materiality and Ascetic Ideology in Medieval Chinese Buddhist Scriptures" (2018) Amy’s academic papers, free to download on Academia.edu Pierce Salguero (ed.), Buddhism and Medicine: An Anthology of Premodern Sources (2017) Amy Langenberg, "The Buddha Didn’t Teach Consent" (2021) The Buddhist Bodies Collective Ann Gleig and Amy Langenberg, “Survivor-Centered Solutions: #MeToo and Spiritual Abuse” (CBC Radio) Ann Gleig and Amy Langenberg, "Abuse, Sex and the Sangha: A Series of Healing Conversations” (video playlist) Ann Gleig and Amy Langenberg, “Sexual Ethics and Healthy Boundaries in the Wake of Teacher Abuse” (2023) Ann Gleig and Amy Langenberg, “Supporting Survivors of Abuse” (video) Amy Langenberg and Ann Gleig, "Sexual Misconduct And Buddhism - Centering Survivors" (2020) Amy Langenberg, “Late Night Phone Alerts And Other Intrusions: What To Expect When You Write About Sexual Violation In Religion” (2021) Dr. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com. false full 119 15881cc4-acad-11ee-861c-eb34c09e9fbc Sara Rahnama, "The Future Is Feminist: Women and Social Change in Interwar Algeria" (Cornell UP, 2023) When Algerians of the 1920s and 30s imagined the future of their country, women’s liberation was foundational to their vision. From the first generation of French-educated schoolteachers, to urban domestic workers who challenged spatial and economic divisions, to nationalist journalists pushing back against French colonial claims, Sara Rahnama describes how a range of Algerian actors conceived of women’s rights and responded to new developments in their own country and across the Middle East. 

The Future is Feminist: Women and Social Change in Interwar Algeria (Cornell University Press, 2023) reveals a broad consensus that the advancement of Muslim women was necessary to Algeria’s progress. Rahnama draws on new sources to explain the “ecosystem of intellectual energy devoted to Muslim” that debated girls’ education, women’s employment, voting rights, and women’s and men’s headwear. The book places Algeria in a broader regional conversation, as writers turned to Islamic teachings and history and looked to contemporary changes to women’s political and social opportunities in Egypt, Turkey, Afghanistan, and Palestine to justify needed reforms in Algeria. These discussions in the interwar period sowed seeds that would blossom in the 1950s and 60s as Algerian women joined the nationalist movement, and gained new platforms to contribute their own opinions to these contested issues.


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]]> Sun, 7 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When Algerians of the 1920s and 30s imagined the future of their country, women’s liberation was foundational to their vision. From the first generation of French-educated schoolteachers, to urban domestic workers who challenged spatial and economic divisions, to nationalist journalists pushing back against French colonial claims, Sara Rahnama describes how a range of Algerian actors conceived of women’s rights and responded to new developments in their own country and across the Middle East. 

The Future is Feminist: Women and Social Change in Interwar Algeria (Cornell University Press, 2023) reveals a broad consensus that the advancement of Muslim women was necessary to Algeria’s progress. Rahnama draws on new sources to explain the “ecosystem of intellectual energy devoted to Muslim” that debated girls’ education, women’s employment, voting rights, and women’s and men’s headwear. The book places Algeria in a broader regional conversation, as writers turned to Islamic teachings and history and looked to contemporary changes to women’s political and social opportunities in Egypt, Turkey, Afghanistan, and Palestine to justify needed reforms in Algeria. These discussions in the interwar period sowed seeds that would blossom in the 1950s and 60s as Algerian women joined the nationalist movement, and gained new platforms to contribute their own opinions to these contested issues.


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]]> Sara Rahnama, "The Future Is Feminist: Women and Social Change in Interwar Algeria" (Cornell UP, 2023) New Books Network 00:46:07 When Algerians of the 1920s and 30s imagined the future of their country, women’s liberation was foundational to their vision. From the first generation of French-educated schoolteachers, to urban domestic workers who challenged spatial and economic divisions, to nationalist journalists pushing back against French colonial claims, Sara Rahnama describes how a range of Algerian actors conceived of women’s rights and responded to new developments in their own country and across the Middle East.  The Future is Feminist: Women and Social Change in Interwar Algeria (Cornell University Press, 2023) reveals a broad consensus that the advancement of Muslim women was necessary to Algeria’s progress. Rahnama draws on new sources to explain the “ecosystem of intellectual energy devoted to Muslim” that debated girls’ education, women’s employment, voting rights, and women’s and men’s headwear. The book places Algeria in a broader regional conversation, as writers turned to Islamic teachings and history and looked to contemporary changes to women’s political and social opportunities in Egypt, Turkey, Afghanistan, and Palestine to justify needed reforms in Algeria. These discussions in the interwar period sowed seeds that would blossom in the 1950s and 60s as Algerian women joined the nationalist movement, and gained new platforms to contribute their own opinions to these contested issues. When Algerians of the 1920s and 30s imagined the future of their country, women’s liberation was foundational to their vision. From the first generation of French-educated schoolteachers, to urban domestic workers who challenged spatial and economic divisions, to nationalist journalists pushing back against French colonial claims, Sara Rahnama describes how a range of Algerian actors conceived of women’s rights and responded to new developments in their own country and across the Middle East.  The Future is Feminist: Women and Social Change in Interwar Algeria (Cornell University Press, 2023) reveals a broad consensus that the advancement of Muslim women was necessary to Algeria’s progress. Rahnama draws on new sources to explain the “ecosystem of intellectual energy devoted to Muslim” that debated girls’ education, women’s employment, voting rights, and women’s and men’s headwear. The book places Algeria in a broader regional conversation, as writers turned to Islamic teachings and history and looked to contemporary changes to women’s political and social opportunities in Egypt, Turkey, Afghanistan, and Palestine to justify needed reforms in Algeria. These discussions in the interwar period sowed seeds that would blossom in the 1950s and 60s as Algerian women joined the nationalist movement, and gained new platforms to contribute their own opinions to these contested issues. false full 76 f7fb42ee-ac11-11ee-876f-4f756fef6f00 Eileen Botting, "The Wollstonecraftian Mind" (Routledge, 2019) Eileen Hunt Botting is Professor of Political Science at Notre Dame and co-editor with Sandrine Berges and Alan Coffee of the anthology The Wollstonecraftian Mind (Routledge, 2019). The collection presents thirty-nine essays from distinguished scholars in philosophy, religion, literature, intellectual history, and other fields who consider the work of the eighteenth-century British philosopher Mary Wollstonecraft. A political and moral thinker and a forerunner to modern feminism she has not received attention on par with the wide breath of her ideas. The collection gives the reader insight into to her life, major works of philosophy and novels, debates with Edmund Burke and Rousseau, and enduring legacy. She commented on religion, liberalism, republicanism, moral virtue, education, women’s place in society and much more. Her ideas were known to women such as Lucretia Mott, Virginia Woolf, and Simone de Beauvoir who found in her a source for building a modern feminist philosophy. Timely and fruitful, The Wollstone-craftian Mind provides a board survey of an erudite thinker and a source for understanding the politics of the modern era.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir.


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]]> Sat, 6 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Eileen Hunt Botting is Professor of Political Science at Notre Dame and co-editor with Sandrine Berges and Alan Coffee of the anthology The Wollstonecraftian Mind (Routledge, 2019). The collection presents thirty-nine essays from distinguished scholars in philosophy, religion, literature, intellectual history, and other fields who consider the work of the eighteenth-century British philosopher Mary Wollstonecraft. A political and moral thinker and a forerunner to modern feminism she has not received attention on par with the wide breath of her ideas. The collection gives the reader insight into to her life, major works of philosophy and novels, debates with Edmund Burke and Rousseau, and enduring legacy. She commented on religion, liberalism, republicanism, moral virtue, education, women’s place in society and much more. Her ideas were known to women such as Lucretia Mott, Virginia Woolf, and Simone de Beauvoir who found in her a source for building a modern feminist philosophy. Timely and fruitful, The Wollstone-craftian Mind provides a board survey of an erudite thinker and a source for understanding the politics of the modern era.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir.


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]]> Eileen Botting, "The Wollstonecraftian Mind" (Routledge, 2019) New Books Network 01:06:01 Eileen Hunt Botting is Professor of Political Science at Notre Dame and co-editor with Sandrine Berges and Alan Coffee of the anthology The Wollstonecraftian Mind (Routledge, 2019). The collection presents thirty-nine essays from distinguished scholars in philosophy, religion, literature, intellectual history, and other fields who consider the work of the eighteenth-century British philosopher Mary Wollstonecraft. A political and moral thinker and a forerunner to modern feminism she has not received attention on par with the wide breath of her ideas. The collection gives the reader insight into to her life, major works of philosophy and novels, debates with Edmund Burke and Rousseau, and enduring legacy. She commented on religion, liberalism, republicanism, moral virtue, education, women’s place in society and much more. Her ideas were known to women such as Lucretia Mott, Virginia Woolf, and Simone de Beauvoir who found in her a source for building a modern feminist philosophy. Timely and fruitful, The Wollstone-craftian Mind provides a board survey of an erudite thinker and a source for understanding the politics of the modern era. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir. Eileen Hunt Botting is Professor of Political Science at Notre Dame and co-editor with Sandrine Berges and Alan Coffee of the anthology The Wollstonecraftian Mind (Routledge, 2019). The collection presents thirty-nine essays from distinguished scholars in philosophy, religion, literature, intellectual history, and other fields who consider the work of the eighteenth-century British philosopher Mary Wollstonecraft. A political and moral thinker and a forerunner to modern feminism she has not received attention on par with the wide breath of her ideas. The collection gives the reader insight into to her life, major works of philosophy and novels, debates with Edmund Burke and Rousseau, and enduring legacy. She commented on religion, liberalism, republicanism, moral virtue, education, women’s place in society and much more. Her ideas were known to women such as Lucretia Mott, Virginia Woolf, and Simone de Beauvoir who found in her a source for building a modern feminist philosophy. Timely and fruitful, The Wollstone-craftian Mind provides a board survey of an erudite thinker and a source for understanding the politics of the modern era. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir. false full 107 f1f80a3a-ac16-11ee-912e-c78daa46c672 Amy Von Lintel, "Georgia O'Keeffe's Wartime Texas Letters" (Texas A&M UP, 2020) In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas.

In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.”

Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.

Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas.

Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills.


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]]> Sat, 6 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas.

In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.”

Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.

Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas.

Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills.


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]]> Amy Von Lintel, "Georgia O'Keeffe's Wartime Texas Letters" (Texas A&M UP, 2020) New Books Network 00:42:04 In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. false full 47 839e1e00-ab4c-11ee-8aab-9bdc9a634b65 Kate Kirkpatrick, "Becoming Beauvoir: A Life" (Bloomsbury Academic, 2019) Kate Kirkpatrick a lecturer in Religion, Philosophy and Culture at King’s College London and author of Becoming Beauvoir: A Life (Bloomsbury Academic, 2019). Kirkpatrick has given us a biography that addresses the puzzle and contradictions of the life of the philosopher Simone de Beauvoir drawn from never-before-published diaries and letters to tell the fascinating story of how choices shaped her life. Beauvoir, a writer and feminist icon, won prestigious literary prizes and scandalized many with her now classic The Second Sex. She is now celebrated, but during her life she was a controversial figure both by conventional and feminists’ standards. As one who chose to write about lived ideas, both in fiction and essays, rather than build philosophical systems she was easily dismissed as Jean-Paul Sartre’s overly loyal side kick. Kirkpatrick shows how Beauvoir’s thinking evolved as a feminist and a philosopher – labels she was reluctant to embrace. The author reexamines the overemphasis on Beauvoir’s atheism, the extent of her political engagement, and her ethical failures in regard to third parties in the Sartre/Beauvoir relational triads. Beginning with her childhood to her adoption of Sylvie Le Bon, Kirkpatrick focuses on the significant relationships in Beauvoir’s life to expand our understand of how they shaped her thinking about the nature of subjectivity. Becoming Beauvoir demonstrates how the choices we make shape who we become.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology, (Oxford University Press, 2018). Her current research project is on the intellectual history of feminist thought seen through the emblematic life and work of Simone de Beauvoir.


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]]> Fri, 5 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Kate Kirkpatrick a lecturer in Religion, Philosophy and Culture at King’s College London and author of Becoming Beauvoir: A Life (Bloomsbury Academic, 2019). Kirkpatrick has given us a biography that addresses the puzzle and contradictions of the life of the philosopher Simone de Beauvoir drawn from never-before-published diaries and letters to tell the fascinating story of how choices shaped her life. Beauvoir, a writer and feminist icon, won prestigious literary prizes and scandalized many with her now classic The Second Sex. She is now celebrated, but during her life she was a controversial figure both by conventional and feminists’ standards. As one who chose to write about lived ideas, both in fiction and essays, rather than build philosophical systems she was easily dismissed as Jean-Paul Sartre’s overly loyal side kick. Kirkpatrick shows how Beauvoir’s thinking evolved as a feminist and a philosopher – labels she was reluctant to embrace. The author reexamines the overemphasis on Beauvoir’s atheism, the extent of her political engagement, and her ethical failures in regard to third parties in the Sartre/Beauvoir relational triads. Beginning with her childhood to her adoption of Sylvie Le Bon, Kirkpatrick focuses on the significant relationships in Beauvoir’s life to expand our understand of how they shaped her thinking about the nature of subjectivity. Becoming Beauvoir demonstrates how the choices we make shape who we become.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology, (Oxford University Press, 2018). Her current research project is on the intellectual history of feminist thought seen through the emblematic life and work of Simone de Beauvoir.


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]]> Kate Kirkpatrick, "Becoming Beauvoir: A Life" (Bloomsbury Academic, 2019) New Books Network 00:52:36 Kate Kirkpatrick a lecturer in Religion, Philosophy and Culture at King’s College London and author of Becoming Beauvoir: A Life (Bloomsbury Academic, 2019). Kirkpatrick has given us a biography that addresses the puzzle and contradictions of the life of the philosopher Simone de Beauvoir drawn from never-before-published diaries and letters to tell the fascinating story of how choices shaped her life. Beauvoir, a writer and feminist icon, won prestigious literary prizes and scandalized many with her now classic The Second Sex. She is now celebrated, but during her life she was a controversial figure both by conventional and feminists’ standards. As one who chose to write about lived ideas, both in fiction and essays, rather than build philosophical systems she was easily dismissed as Jean-Paul Sartre’s overly loyal side kick. Kirkpatrick shows how Beauvoir’s thinking evolved as a feminist and a philosopher – labels she was reluctant to embrace. The author reexamines the overemphasis on Beauvoir’s atheism, the extent of her political engagement, and her ethical failures in regard to third parties in the Sartre/Beauvoir relational triads. Beginning with her childhood to her adoption of Sylvie Le Bon, Kirkpatrick focuses on the significant relationships in Beauvoir’s life to expand our understand of how they shaped her thinking about the nature of subjectivity. Becoming Beauvoir demonstrates how the choices we make shape who we become. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology, (Oxford University Press, 2018). Her current research project is on the intellectual history of feminist thought seen through the emblematic life and work of Simone de Beauvoir. Kate Kirkpatrick a lecturer in Religion, Philosophy and Culture at King’s College London and author of Becoming Beauvoir: A Life (Bloomsbury Academic, 2019). Kirkpatrick has given us a biography that addresses the puzzle and contradictions of the life of the philosopher Simone de Beauvoir drawn from never-before-published diaries and letters to tell the fascinating story of how choices shaped her life. Beauvoir, a writer and feminist icon, won prestigious literary prizes and scandalized many with her now classic The Second Sex. She is now celebrated, but during her life she was a controversial figure both by conventional and feminists’ standards. As one who chose to write about lived ideas, both in fiction and essays, rather than build philosophical systems she was easily dismissed as Jean-Paul Sartre’s overly loyal side kick. Kirkpatrick shows how Beauvoir’s thinking evolved as a feminist and a philosopher – labels she was reluctant to embrace. The author reexamines the overemphasis on Beauvoir’s atheism, the extent of her political engagement, and her ethical failures in regard to third parties in the Sartre/Beauvoir relational triads. Beginning with her childhood to her adoption of Sylvie Le Bon, Kirkpatrick focuses on the significant relationships in Beauvoir’s life to expand our understand of how they shaped her thinking about the nature of subjectivity. Becoming Beauvoir demonstrates how the choices we make shape who we become. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology, (Oxford University Press, 2018). Her current research project is on the intellectual history of feminist thought seen through the emblematic life and work of Simone de Beauvoir. false full 98 ac4ced40-864e-11ee-a2b7-2f6a98a089f8 Nilima Chitgopekar, "Shakti: An Exploration of the Divine Feminine" (DK Publishing, 2022) She is benevolent and nurturing, yet fierce and terrible, a warrior and a lover. She creates and gives life, is death personified, and the one who grants eternal salvation. She is the ultimate form of reality, the cosmos. As the Saundaryalahiri says, "Only when Shiva joins with you, O Shakti, can he exert his powers as lord, on his own he has not even the power to stir. You are worshipped by Shiva, Vishnu, Brahma, and other gods. How dare I, meritless mortal, offer you reverence and praise?" The Goddess inspires deep devotion and it is not surprising to see Her being worshipped and revered across homes in India.

Nilima Chitgopekar's Shakti (DK Publishing, 2022) will delve into this rich tradition of the Divine Feminine as She is represented across India and the subcontinent. Shakti will be a one-of-a-kind linear exploration of Goddess worship, neither a basic guide nor a dense academic treatise. Instead, it will invite the reader to learn about the Shakta culture, while telling the story of its birth and evolution, the many manifestations of the Goddess and their worship, and the myths, legends, and rituals that make up the tradition. This title will position itself as the first point of entry for anyone interested in the world of the Devi and Her culture.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.


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]]> Thu, 4 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com She is benevolent and nurturing, yet fierce and terrible, a warrior and a lover. She creates and gives life, is death personified, and the one who grants eternal salvation. She is the ultimate form of reality, the cosmos. As the Saundaryalahiri says, "Only when Shiva joins with you, O Shakti, can he exert his powers as lord, on his own he has not even the power to stir. You are worshipped by Shiva, Vishnu, Brahma, and other gods. How dare I, meritless mortal, offer you reverence and praise?" The Goddess inspires deep devotion and it is not surprising to see Her being worshipped and revered across homes in India.

Nilima Chitgopekar's Shakti (DK Publishing, 2022) will delve into this rich tradition of the Divine Feminine as She is represented across India and the subcontinent. Shakti will be a one-of-a-kind linear exploration of Goddess worship, neither a basic guide nor a dense academic treatise. Instead, it will invite the reader to learn about the Shakta culture, while telling the story of its birth and evolution, the many manifestations of the Goddess and their worship, and the myths, legends, and rituals that make up the tradition. This title will position itself as the first point of entry for anyone interested in the world of the Devi and Her culture.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.


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]]> Nilima Chitgopekar, "Shakti: An Exploration of the Divine Feminine" (DK Publishing, 2022) New Books Network 00:45:27 She is benevolent and nurturing, yet fierce and terrible, a warrior and a lover. She creates and gives life, is death personified, and the one who grants eternal salvation. She is the ultimate form of reality, the cosmos. As the Saundaryalahiri says, "Only when Shiva joins with you, O Shakti, can he exert his powers as lord, on his own he has not even the power to stir. You are worshipped by Shiva, Vishnu, Brahma, and other gods. How dare I, meritless mortal, offer you reverence and praise?" The Goddess inspires deep devotion and it is not surprising to see Her being worshipped and revered across homes in India. Nilima Chitgopekar's Shakti (DK Publishing, 2022) will delve into this rich tradition of the Divine Feminine as She is represented across India and the subcontinent. Shakti will be a one-of-a-kind linear exploration of Goddess worship, neither a basic guide nor a dense academic treatise. Instead, it will invite the reader to learn about the Shakta culture, while telling the story of its birth and evolution, the many manifestations of the Goddess and their worship, and the myths, legends, and rituals that make up the tradition. This title will position itself as the first point of entry for anyone interested in the world of the Devi and Her culture. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. She is benevolent and nurturing, yet fierce and terrible, a warrior and a lover. She creates and gives life, is death personified, and the one who grants eternal salvation. She is the ultimate form of reality, the cosmos. As the Saundaryalahiri says, "Only when Shiva joins with you, O Shakti, can he exert his powers as lord, on his own he has not even the power to stir. You are worshipped by Shiva, Vishnu, Brahma, and other gods. How dare I, meritless mortal, offer you reverence and praise?" The Goddess inspires deep devotion and it is not surprising to see Her being worshipped and revered across homes in India. Nilima Chitgopekar's Shakti (DK Publishing, 2022) will delve into this rich tradition of the Divine Feminine as She is represented across India and the subcontinent. Shakti will be a one-of-a-kind linear exploration of Goddess worship, neither a basic guide nor a dense academic treatise. Instead, it will invite the reader to learn about the Shakta culture, while telling the story of its birth and evolution, the many manifestations of the Goddess and their worship, and the myths, legends, and rituals that make up the tradition. This title will position itself as the first point of entry for anyone interested in the world of the Devi and Her culture. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. false full 311 90e06f7a-aa82-11ee-b8ae-33ce2bcf5b29 Claire Myers Owens and the Banned Book Why did the New York Public Library ban a novel about women’s independence? What was the Human Potential Movement? And who was Claire Myers Owens?

Today’s book is: Rivers of Light: The Life of Claire Myers Owens (Syracuse University Press,, 2019) by Miriam Kalman Friedman, which is a biography of Owens, who grew up in a conservative, middle-class family in Texas, but sought adventure and freedom. At twenty years old, she left home and quickly found a community of like-minded free spirits and intellectuals in New York’s Greenwich Village. There Owens wrote novels and short stories, including the controversial novel The Unpredictable Adventure: A Comedy of Woman’s Independence, which was banned by the New York Public Library for its “risqué” content. Drawn to ideals of self-actualization and creative freedom, Owens became a key figure in the Human Potential Movement along with founder Abraham Maslow and Aldous Huxley. In her later years, Owens devoted her life to the practice of Zen Buddhism, and published her final book, Zen and the Lady, at the age of eighty-three. Dr. Friedman’s rediscovery of Owens brings attention to her little known yet extraordinary life and passionate spirit. Drawing upon autobiographies, letters, journals, and novels, Dr. Friedman chronicles Owens’s robust intellect and her tumultuous private life.

Our guest is: Dr. Miriam Kalman Friedman, who is a writing coach, editor, and lecturer. She has published multiple books on feminism, women, and women's studies. She is the author of Rivers of Light: The Life of Claire Myers Owens.

Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also be interested in:


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us here to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.


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]]> Thu, 4 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Why did the New York Public Library ban a novel about women’s independence? What was the Human Potential Movement? And who was Claire Myers Owens?

Today’s book is: Rivers of Light: The Life of Claire Myers Owens (Syracuse University Press,, 2019) by Miriam Kalman Friedman, which is a biography of Owens, who grew up in a conservative, middle-class family in Texas, but sought adventure and freedom. At twenty years old, she left home and quickly found a community of like-minded free spirits and intellectuals in New York’s Greenwich Village. There Owens wrote novels and short stories, including the controversial novel The Unpredictable Adventure: A Comedy of Woman’s Independence, which was banned by the New York Public Library for its “risqué” content. Drawn to ideals of self-actualization and creative freedom, Owens became a key figure in the Human Potential Movement along with founder Abraham Maslow and Aldous Huxley. In her later years, Owens devoted her life to the practice of Zen Buddhism, and published her final book, Zen and the Lady, at the age of eighty-three. Dr. Friedman’s rediscovery of Owens brings attention to her little known yet extraordinary life and passionate spirit. Drawing upon autobiographies, letters, journals, and novels, Dr. Friedman chronicles Owens’s robust intellect and her tumultuous private life.

Our guest is: Dr. Miriam Kalman Friedman, who is a writing coach, editor, and lecturer. She has published multiple books on feminism, women, and women's studies. She is the author of Rivers of Light: The Life of Claire Myers Owens.

Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also be interested in:


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us here to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Claire Myers Owens and the Banned Book New Books Network 00:57:08 Why did the New York Public Library ban a novel about women’s independence? What was the Human Potential Movement? And who was Claire Myers Owens? Today’s book is: Rivers of Light: The Life of Claire Myers Owens (Syracuse University Press,, 2019) by Miriam Kalman Friedman, which is a biography of Owens, who grew up in a conservative, middle-class family in Texas, but sought adventure and freedom. At twenty years old, she left home and quickly found a community of like-minded free spirits and intellectuals in New York’s Greenwich Village. There Owens wrote novels and short stories, including the controversial novel The Unpredictable Adventure: A Comedy of Woman’s Independence, which was banned by the New York Public Library for its “risqué” content. Drawn to ideals of self-actualization and creative freedom, Owens became a key figure in the Human Potential Movement along with founder Abraham Maslow and Aldous Huxley. In her later years, Owens devoted her life to the practice of Zen Buddhism, and published her final book, Zen and the Lady, at the age of eighty-three. Dr. Friedman’s rediscovery of Owens brings attention to her little known yet extraordinary life and passionate spirit. Drawing upon autobiographies, letters, journals, and novels, Dr. Friedman chronicles Owens’s robust intellect and her tumultuous private life. Our guest is: Dr. Miriam Kalman Friedman, who is a writing coach, editor, and lecturer. She has published multiple books on feminism, women, and women's studies. She is the author of Rivers of Light: The Life of Claire Myers Owens. Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Exploring the Emotional Arc of Turning a Dissertation into A Book Becoming the Writer You Already Are, by Michelle R. Boyd This discussion of the book Becoming the Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us here to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here. Why did the New York Public Library ban a novel about women’s independence? What was the Human Potential Movement? And who was Claire Myers Owens? Today’s book is: Rivers of Light: The Life of Claire Myers Owens (Syracuse University Press,, 2019) by Miriam Kalman Friedman, which is a biography of Owens, who grew up in a conservative, middle-class family in Texas, but sought adventure and freedom. At twenty years old, she left home and quickly found a community of like-minded free spirits and intellectuals in New York’s Greenwich Village. There Owens wrote novels and short stories, including the controversial novel The Unpredictable Adventure: A Comedy of Woman’s Independence, which was banned by the New York Public Library for its “risqué” content. Drawn to ideals of self-actualization and creative freedom, Owens became a key figure in the Human Potential Movement along with founder Abraham Maslow and Aldous Huxley. In her later years, Owens devoted her life to the practice of Zen Buddhism, and published her final book, Zen and the Lady, at the age of eighty-three. Dr. Friedman’s rediscovery of Owens brings attention to her little known yet extraordinary life and passionate spirit. Drawing upon autobiographies, letters, journals, and novels, Dr. Friedman chronicles Owens’s robust intellect and her tumultuous private life. Our guest is: Dr. Miriam Kalman Friedman, who is a writing coach, editor, and lecturer. She has published multiple books on feminism, women, and women's studies. She is the author of Rivers of Light: The Life of Claire Myers Owens. Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Exploring the Emotional Arc of Turning a Dissertation into A Book Becoming the Writer You Already Are, by Michelle R. Boyd This discussion of the book Becoming the Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us here to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here. false full 154 b86409d2-a9a4-11ee-a3ad-6b8a596274f0 Margaret M. McGuinness, "Katharine Drexel and the Sisters Who Shared Her Vision" (Paulist Press, 2023) Although Katharine Drexel has been the subject of several biographies, they have tended to treat her as a perfect human being whom the Church later transformed into a saint. Katharine Drexel and the Sisters Who Shared Her Vision (Paulist Press, 2023) moves beyond the story of the heiress’s individual life devoted to God and shines a light on the work she did, assisted by the Sisters of the Blessed Sacrament. Drexel could have lived comfortably, wealthy and privileged, as a Philadelphia philanthropist but chose to found a religious congregation of women dedicated to working within Black and Indigenous communities―without receiving the bulk of the money left by Drexel's father.

Katharine Drexel and the Sisters Who Shared Her Vision is a critical biography of this American saint written within the context of the religious order she founded. It ties her sainthood to the Sisters’ ministries to Black and Indigenous communities; Margaret McGuinness's careful examination of the work Katharine Drexel and her Sisters accomplished brings a critical perspective to this important ministry in the Church. It deepens our understanding of these communities and renews our commitment to the difficult, ongoing conversation about race in America.

Allison Isidore is a Religious Studies Ph.D. student at the University of Iowa and is the Assistant Director for the American Catholic Historical Association. Her research interest is focused on the twentieth-century American Civil Rights Movement and the Catholic Church’s response to racism and the participation of Catholic clergy, nuns, and laypeople in marches, sit-ins, and kneel-ins during the 1950s and 1960s. She tweets from @AllisonIsidore1.


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]]> Wed, 3 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Although Katharine Drexel has been the subject of several biographies, they have tended to treat her as a perfect human being whom the Church later transformed into a saint. Katharine Drexel and the Sisters Who Shared Her Vision (Paulist Press, 2023) moves beyond the story of the heiress’s individual life devoted to God and shines a light on the work she did, assisted by the Sisters of the Blessed Sacrament. Drexel could have lived comfortably, wealthy and privileged, as a Philadelphia philanthropist but chose to found a religious congregation of women dedicated to working within Black and Indigenous communities―without receiving the bulk of the money left by Drexel's father.

Katharine Drexel and the Sisters Who Shared Her Vision is a critical biography of this American saint written within the context of the religious order she founded. It ties her sainthood to the Sisters’ ministries to Black and Indigenous communities; Margaret McGuinness's careful examination of the work Katharine Drexel and her Sisters accomplished brings a critical perspective to this important ministry in the Church. It deepens our understanding of these communities and renews our commitment to the difficult, ongoing conversation about race in America.

Allison Isidore is a Religious Studies Ph.D. student at the University of Iowa and is the Assistant Director for the American Catholic Historical Association. Her research interest is focused on the twentieth-century American Civil Rights Movement and the Catholic Church’s response to racism and the participation of Catholic clergy, nuns, and laypeople in marches, sit-ins, and kneel-ins during the 1950s and 1960s. She tweets from @AllisonIsidore1.


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]]> Margaret M. McGuinness, "Katharine Drexel and the Sisters Who Shared Her Vision" (Paulist Press, 2023) New Books Network 01:07:12 Although Katharine Drexel has been the subject of several biographies, they have tended to treat her as a perfect human being whom the Church later transformed into a saint. Katharine Drexel and the Sisters Who Shared Her Vision (Paulist Press, 2023) moves beyond the story of the heiress’s individual life devoted to God and shines a light on the work she did, assisted by the Sisters of the Blessed Sacrament. Drexel could have lived comfortably, wealthy and privileged, as a Philadelphia philanthropist but chose to found a religious congregation of women dedicated to working within Black and Indigenous communities―without receiving the bulk of the money left by Drexel's father. Katharine Drexel and the Sisters Who Shared Her Vision is a critical biography of this American saint written within the context of the religious order she founded. It ties her sainthood to the Sisters’ ministries to Black and Indigenous communities; Margaret McGuinness's careful examination of the work Katharine Drexel and her Sisters accomplished brings a critical perspective to this important ministry in the Church. It deepens our understanding of these communities and renews our commitment to the difficult, ongoing conversation about race in America. Allison Isidore is a Religious Studies Ph.D. student at the University of Iowa and is the Assistant Director for the American Catholic Historical Association. Her research interest is focused on the twentieth-century American Civil Rights Movement and the Catholic Church’s response to racism and the participation of Catholic clergy, nuns, and laypeople in marches, sit-ins, and kneel-ins during the 1950s and 1960s. She tweets from @AllisonIsidore1. Although Katharine Drexel has been the subject of several biographies, they have tended to treat her as a perfect human being whom the Church later transformed into a saint. Katharine Drexel and the Sisters Who Shared Her Vision (Paulist Press, 2023) moves beyond the story of the heiress’s individual life devoted to God and shines a light on the work she did, assisted by the Sisters of the Blessed Sacrament. Drexel could have lived comfortably, wealthy and privileged, as a Philadelphia philanthropist but chose to found a religious congregation of women dedicated to working within Black and Indigenous communities―without receiving the bulk of the money left by Drexel's father. Katharine Drexel and the Sisters Who Shared Her Vision is a critical biography of this American saint written within the context of the religious order she founded. It ties her sainthood to the Sisters’ ministries to Black and Indigenous communities; Margaret McGuinness's careful examination of the work Katharine Drexel and her Sisters accomplished brings a critical perspective to this important ministry in the Church. It deepens our understanding of these communities and renews our commitment to the difficult, ongoing conversation about race in America. Allison Isidore is a Religious Studies Ph.D. student at the University of Iowa and is the Assistant Director for the American Catholic Historical Association. Her research interest is focused on the twentieth-century American Civil Rights Movement and the Catholic Church’s response to racism and the participation of Catholic clergy, nuns, and laypeople in marches, sit-ins, and kneel-ins during the 1950s and 1960s. She tweets from @AllisonIsidore1. false full 32 a4207694-a9af-11ee-8613-bb95e5719044 Katherine M. Marino, "Feminism for the Americas: The Making of an International Human Rights Movement" (UNC Press, 2019) Katherine M. Marino is an assistant professor of history at the University of California, Los Angeles. Feminism for the Americas: The Making of an International Human Rights Movement (University of North Carolina Press, 2019) follows the many Latin American and Caribbean women in the first half of the century who not only championed feminism for the continent but also contributed to defining the meaning of international human rights. They drove a transnational movement for women’s suffrage that included equal work and maternity rights and the self-determination of their nations rejecting U.S. imperialism. Marino draws attention to the enduring contributions of women such as the Brazilian Bertha Lutz, Cuban Clara Gonzales and Chilean Marta Vergara who have yet to receive a significant place in human rights history. The work of Latin American and Caribbean feminist was impeded by internal race and class conflict, insufficient funding, lack of government support and by imperial assumptions of U.S. feminists. Their tenacious efforts through multiple organizations, gatherings, and personal networks led to the inclusion of women’s rights in the global human rights framework and assured that economic and social rights would not be sidelined. The book also illuminates the ideological differences that have plagued the global feminist movement and adds a significant piece to the history of human rights.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir.


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]]> Wed, 3 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Katherine M. Marino is an assistant professor of history at the University of California, Los Angeles. Feminism for the Americas: The Making of an International Human Rights Movement (University of North Carolina Press, 2019) follows the many Latin American and Caribbean women in the first half of the century who not only championed feminism for the continent but also contributed to defining the meaning of international human rights. They drove a transnational movement for women’s suffrage that included equal work and maternity rights and the self-determination of their nations rejecting U.S. imperialism. Marino draws attention to the enduring contributions of women such as the Brazilian Bertha Lutz, Cuban Clara Gonzales and Chilean Marta Vergara who have yet to receive a significant place in human rights history. The work of Latin American and Caribbean feminist was impeded by internal race and class conflict, insufficient funding, lack of government support and by imperial assumptions of U.S. feminists. Their tenacious efforts through multiple organizations, gatherings, and personal networks led to the inclusion of women’s rights in the global human rights framework and assured that economic and social rights would not be sidelined. The book also illuminates the ideological differences that have plagued the global feminist movement and adds a significant piece to the history of human rights.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir.


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]]> Katherine M. Marino, "Feminism for the Americas: The Making of an International Human Rights Movement" (UNC Press, 2019) New Books Network 00:51:45 Katherine M. Marino is an assistant professor of history at the University of California, Los Angeles. Feminism for the Americas: The Making of an International Human Rights Movement (University of North Carolina Press, 2019) follows the many Latin American and Caribbean women in the first half of the century who not only championed feminism for the continent but also contributed to defining the meaning of international human rights. They drove a transnational movement for women’s suffrage that included equal work and maternity rights and the self-determination of their nations rejecting U.S. imperialism. Marino draws attention to the enduring contributions of women such as the Brazilian Bertha Lutz, Cuban Clara Gonzales and Chilean Marta Vergara who have yet to receive a significant place in human rights history. The work of Latin American and Caribbean feminist was impeded by internal race and class conflict, insufficient funding, lack of government support and by imperial assumptions of U.S. feminists. Their tenacious efforts through multiple organizations, gatherings, and personal networks led to the inclusion of women’s rights in the global human rights framework and assured that economic and social rights would not be sidelined. The book also illuminates the ideological differences that have plagued the global feminist movement and adds a significant piece to the history of human rights. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir. Katherine M. Marino is an assistant professor of history at the University of California, Los Angeles. Feminism for the Americas: The Making of an International Human Rights Movement (University of North Carolina Press, 2019) follows the many Latin American and Caribbean women in the first half of the century who not only championed feminism for the continent but also contributed to defining the meaning of international human rights. They drove a transnational movement for women’s suffrage that included equal work and maternity rights and the self-determination of their nations rejecting U.S. imperialism. Marino draws attention to the enduring contributions of women such as the Brazilian Bertha Lutz, Cuban Clara Gonzales and Chilean Marta Vergara who have yet to receive a significant place in human rights history. The work of Latin American and Caribbean feminist was impeded by internal race and class conflict, insufficient funding, lack of government support and by imperial assumptions of U.S. feminists. Their tenacious efforts through multiple organizations, gatherings, and personal networks led to the inclusion of women’s rights in the global human rights framework and assured that economic and social rights would not be sidelined. The book also illuminates the ideological differences that have plagued the global feminist movement and adds a significant piece to the history of human rights. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir. false full 94 5c642ba6-a7e9-11ee-858d-37c2f86d835f John Christopoulos, "Abortion in Early Modern Italy" (Harvard UP, 2021) Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021)

In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied.

Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.


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]]> Mon, 1 Jan 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021)

In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied.

Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.


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]]> John Christopoulos, "Abortion in Early Modern Italy" (Harvard UP, 2021) New Books Network 00:55:15 Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021) In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied. Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021) In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied. Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. false full 2 b91991c0-a743-11ee-9593-ff9c9725c82c James Keating, "Distant Sisters: Australasian Women and the International Struggle for the Vote, 1880-1914" (Manchester UP, 2020) In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women’s electoral rights. Charting the common trajectory of the colonial suffrage campaigns, James Keating's book Distant Sisters: Australasian Women and the International Struggle for the Vote, 1880-1914 (Manchester UP, 2020) uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide―long considered the peripheries of the feminist world―cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women’s movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection.


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]]> Sun, 31 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women’s electoral rights. Charting the common trajectory of the colonial suffrage campaigns, James Keating's book Distant Sisters: Australasian Women and the International Struggle for the Vote, 1880-1914 (Manchester UP, 2020) uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide―long considered the peripheries of the feminist world―cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women’s movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection.


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]]> James Keating, "Distant Sisters: Australasian Women and the International Struggle for the Vote, 1880-1914" (Manchester UP, 2020) New Books Network 00:56:47 In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women’s electoral rights. Charting the common trajectory of the colonial suffrage campaigns, James Keating's book Distant Sisters: Australasian Women and the International Struggle for the Vote, 1880-1914 (Manchester UP, 2020) uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide―long considered the peripheries of the feminist world―cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women’s movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection. In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women’s electoral rights. Charting the common trajectory of the colonial suffrage campaigns, James Keating's book Distant Sisters: Australasian Women and the International Struggle for the Vote, 1880-1914 (Manchester UP, 2020) uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide―long considered the peripheries of the feminist world―cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women’s movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection. false full 46 22a78b18-96c5-11ee-9c2f-a3062c64ec0d Vanessa R. Sasson, "The Gathering: A Story of the First Buddhist Women" (Equinox, 2023) After the Buddha’s enlightenment, his aunt and adoptive mother, Mahapajapati Gotami, asks him to ordain women and welcome them into his new monastic community. The Buddha declines to fulfill her request. But Mahapajapati Gotami doesn’t give up—accompanied by a large gathering of women, she sets out to ask him again.

In her new book, The Gathering: A Story of the First Buddhist Women (Equinox, 2023), scholar Vanessa R. Sasson offers an imaginative retelling of the women’s request for ordination, following the women as they travel through the forest together seeking full access to the Buddha’s teachings. Building on decades of research and drawing from the poems of the Therigatha, the novel explores how the women navigate the paradox of seeking ultimate liberation while still bound by social inequality.

In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Sasson to discuss what we can learn from the first Buddhist women’s resilience, how contemporary women monastics understand this story, why she first started writing fiction, and the role of mythology and storytelling in the Buddhist world.

Tricycle Talks is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes here.


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]]> Sat, 30 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com After the Buddha’s enlightenment, his aunt and adoptive mother, Mahapajapati Gotami, asks him to ordain women and welcome them into his new monastic community. The Buddha declines to fulfill her request. But Mahapajapati Gotami doesn’t give up—accompanied by a large gathering of women, she sets out to ask him again.

In her new book, The Gathering: A Story of the First Buddhist Women (Equinox, 2023), scholar Vanessa R. Sasson offers an imaginative retelling of the women’s request for ordination, following the women as they travel through the forest together seeking full access to the Buddha’s teachings. Building on decades of research and drawing from the poems of the Therigatha, the novel explores how the women navigate the paradox of seeking ultimate liberation while still bound by social inequality.

In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Sasson to discuss what we can learn from the first Buddhist women’s resilience, how contemporary women monastics understand this story, why she first started writing fiction, and the role of mythology and storytelling in the Buddhist world.

Tricycle Talks is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes here.


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]]> Vanessa R. Sasson, "The Gathering: A Story of the First Buddhist Women" (Equinox, 2023) New Books Network 00:54:26 After the Buddha’s enlightenment, his aunt and adoptive mother, Mahapajapati Gotami, asks him to ordain women and welcome them into his new monastic community. The Buddha declines to fulfill her request. But Mahapajapati Gotami doesn’t give up—accompanied by a large gathering of women, she sets out to ask him again. In her new book, The Gathering: A Story of the First Buddhist Women (Equinox, 2023), scholar Vanessa R. Sasson offers an imaginative retelling of the women’s request for ordination, following the women as they travel through the forest together seeking full access to the Buddha’s teachings. Building on decades of research and drawing from the poems of the Therigatha, the novel explores how the women navigate the paradox of seeking ultimate liberation while still bound by social inequality. In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Sasson to discuss what we can learn from the first Buddhist women’s resilience, how contemporary women monastics understand this story, why she first started writing fiction, and the role of mythology and storytelling in the Buddhist world. Tricycle Talks is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes here. After the Buddha’s enlightenment, his aunt and adoptive mother, Mahapajapati Gotami, asks him to ordain women and welcome them into his new monastic community. The Buddha declines to fulfill her request. But Mahapajapati Gotami doesn’t give up—accompanied by a large gathering of women, she sets out to ask him again. In her new book, The Gathering: A Story of the First Buddhist Women (Equinox, 2023), scholar Vanessa R. Sasson offers an imaginative retelling of the women’s request for ordination, following the women as they travel through the forest together seeking full access to the Buddha’s teachings. Building on decades of research and drawing from the poems of the Therigatha, the novel explores how the women navigate the paradox of seeking ultimate liberation while still bound by social inequality. In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Sasson to discuss what we can learn from the first Buddhist women’s resilience, how contemporary women monastics understand this story, why she first started writing fiction, and the role of mythology and storytelling in the Buddhist world. Tricycle Talks is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes here. false full 118 2876e4ca-9df1-11ee-9d0a-d37cd631fcbf Ralph H. Craig, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023) When Tina Turner reclaimed her throne as the Queen of Rock 'n' Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina's journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.

Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina's Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in '60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers' disciplinary and mystical sensibilities. Through critical engagement with Tina's personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself.

When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.


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]]> Fri, 29 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com When Tina Turner reclaimed her throne as the Queen of Rock 'n' Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina's journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.

Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina's Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in '60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers' disciplinary and mystical sensibilities. Through critical engagement with Tina's personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself.

When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture.


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]]> Ralph H. Craig, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023) New Books Network 01:00:11 When Tina Turner reclaimed her throne as the Queen of Rock 'n' Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina's journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture. Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina's Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in '60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers' disciplinary and mystical sensibilities. Through critical engagement with Tina's personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself. When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture. When Tina Turner reclaimed her throne as the Queen of Rock 'n' Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina's journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture. Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina's Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in '60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers' disciplinary and mystical sensibilities. Through critical engagement with Tina's personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself. When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture. false full 316 30a6650e-a26e-11ee-84b4-bf536ba00890 Alice Collett, "Lives of Early Buddhist Nuns: Biographies as History" (Oxford UP, 2016) Dr. Alice Collett’s monograph Lives of Early Buddhist Nuns: Biographies as History (Oxford University Press, 2016) delves into the lives of six of the best-known nuns from the period of early Buddhism: Dhammadinnā, Khemā, Kisāgotamī, Paṭācārā, Bhaddā Kuṇḍalakesā, and Uppalavaṇṇā, all of whom are said to have been direct disciples of the historical Buddha. Collett does the thankless task of sorting through the biographical information scattered throughout the canonical and commentarial literature to present a richly textured account of the these six extraordinary women’s lives. She further analyzes the differences between the various biographical accounts to glean historical information about the position of women and changing gender relations in the early centuries of Buddhism in India. One of the main contributions of her monograph is the finding that women were treated more favorably in the Pāli Canon than is commonly presented. She also gains insight into an impressive number of other themes ranging from notions of beauty and bodily adornment, to family, class, and marriage. This book is sure to be of value to a wide audience, especially those interested in women in Buddhism, early Buddhism and early Indian society.

Alex Carroll studies Buddhist Studies at the University of South Wales and is primarily interested in Theravāda and early Buddhism. He lives in Oslo, Norway and can be reached via his website here. 


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]]> Tue, 26 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Dr. Alice Collett’s monograph Lives of Early Buddhist Nuns: Biographies as History (Oxford University Press, 2016) delves into the lives of six of the best-known nuns from the period of early Buddhism: Dhammadinnā, Khemā, Kisāgotamī, Paṭācārā, Bhaddā Kuṇḍalakesā, and Uppalavaṇṇā, all of whom are said to have been direct disciples of the historical Buddha. Collett does the thankless task of sorting through the biographical information scattered throughout the canonical and commentarial literature to present a richly textured account of the these six extraordinary women’s lives. She further analyzes the differences between the various biographical accounts to glean historical information about the position of women and changing gender relations in the early centuries of Buddhism in India. One of the main contributions of her monograph is the finding that women were treated more favorably in the Pāli Canon than is commonly presented. She also gains insight into an impressive number of other themes ranging from notions of beauty and bodily adornment, to family, class, and marriage. This book is sure to be of value to a wide audience, especially those interested in women in Buddhism, early Buddhism and early Indian society.

Alex Carroll studies Buddhist Studies at the University of South Wales and is primarily interested in Theravāda and early Buddhism. He lives in Oslo, Norway and can be reached via his website here. 


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]]> Alice Collett, "Lives of Early Buddhist Nuns: Biographies as History" (Oxford UP, 2016) New Books Network 01:04:03 Dr. Alice Collett’s monograph Lives of Early Buddhist Nuns: Biographies as History (Oxford University Press, 2016) delves into the lives of six of the best-known nuns from the period of early Buddhism: Dhammadinnā, Khemā, Kisāgotamī, Paṭācārā, Bhaddā Kuṇḍalakesā, and Uppalavaṇṇā, all of whom are said to have been direct disciples of the historical Buddha. Collett does the thankless task of sorting through the biographical information scattered throughout the canonical and commentarial literature to present a richly textured account of the these six extraordinary women’s lives. She further analyzes the differences between the various biographical accounts to glean historical information about the position of women and changing gender relations in the early centuries of Buddhism in India. One of the main contributions of her monograph is the finding that women were treated more favorably in the Pāli Canon than is commonly presented. She also gains insight into an impressive number of other themes ranging from notions of beauty and bodily adornment, to family, class, and marriage. This book is sure to be of value to a wide audience, especially those interested in women in Buddhism, early Buddhism and early Indian society. Alex Carroll studies Buddhist Studies at the University of South Wales and is primarily interested in Theravāda and early Buddhism. He lives in Oslo, Norway and can be reached via his website here.  Dr. Alice Collett’s monograph Lives of Early Buddhist Nuns: Biographies as History (Oxford University Press, 2016) delves into the lives of six of the best-known nuns from the period of early Buddhism: Dhammadinnā, Khemā, Kisāgotamī, Paṭācārā, Bhaddā Kuṇḍalakesā, and Uppalavaṇṇā, all of whom are said to have been direct disciples of the historical Buddha. Collett does the thankless task of sorting through the biographical information scattered throughout the canonical and commentarial literature to present a richly textured account of the these six extraordinary women’s lives. She further analyzes the differences between the various biographical accounts to glean historical information about the position of women and changing gender relations in the early centuries of Buddhism in India. One of the main contributions of her monograph is the finding that women were treated more favorably in the Pāli Canon than is commonly presented. She also gains insight into an impressive number of other themes ranging from notions of beauty and bodily adornment, to family, class, and marriage. This book is sure to be of value to a wide audience, especially those interested in women in Buddhism, early Buddhism and early Indian society. Alex Carroll studies Buddhist Studies at the University of South Wales and is primarily interested in Theravāda and early Buddhism. He lives in Oslo, Norway and can be reached via his website here.  false full 62 64a300f8-a262-11ee-a634-7be595380bd0 Nobuko Ishitate-Okunomiya Yamasaki, "Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire" (Routledge, 2023) Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building.

Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Kōran / Yamaguchi Yoshiko.

Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies.


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]]> Mon, 25 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building.

Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Kōran / Yamaguchi Yoshiko.

Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies.


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]]> Nobuko Ishitate-Okunomiya Yamasaki, "Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire" (Routledge, 2023) New Books Network 01:04:04 Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building. Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Kōran / Yamaguchi Yoshiko. Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies. Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building. Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Kōran / Yamaguchi Yoshiko. Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies. false full 1398 8f6dacbe-a115-11ee-bd6f-9bab2bf2fec6 Michelle J. Manno, "Denied: Women, Sports, and the Contradictions of Identity" (NYU Press, 2023) Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.

A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.

A riveting portrait of an elite basketball program, Denied: Women, Sports, and the Contradictions of Identity (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Sat, 23 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.

A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.

A riveting portrait of an elite basketball program, Denied: Women, Sports, and the Contradictions of Identity (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1


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]]> Michelle J. Manno, "Denied: Women, Sports, and the Contradictions of Identity" (NYU Press, 2023) New Books Network 00:41:50 Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer. A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity. A riveting portrait of an elite basketball program, Denied: Women, Sports, and the Contradictions of Identity (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer. A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity. A riveting portrait of an elite basketball program, Denied: Women, Sports, and the Contradictions of Identity (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 false full 74 7b771694-a027-11ee-9732-bfa40f735814 Kelly Ricciardi Colvin, "Charm Offensive: Commodifying Femininity in Postwar France" (U Toronto Press, 2023) In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful.

Charm Offensive: Commodifying Femininity in Postwar France (University of Toronto Press, 2023) by Dr. Kelly Colvin explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 22 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful.

Charm Offensive: Commodifying Femininity in Postwar France (University of Toronto Press, 2023) by Dr. Kelly Colvin explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Kelly Ricciardi Colvin, "Charm Offensive: Commodifying Femininity in Postwar France" (U Toronto Press, 2023) New Books Network 00:51:35 In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful. Charm Offensive: Commodifying Femininity in Postwar France (University of Toronto Press, 2023) by Dr. Kelly Colvin explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful. Charm Offensive: Commodifying Femininity in Postwar France (University of Toronto Press, 2023) by Dr. Kelly Colvin explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 124 f3d1ee58-9f68-11ee-bcb3-a34397ae0532 Adrienne E. Strong, "Documenting Death: Maternal Mortality and the Ethics of Care in Tanzania" (U California Press, 2020) Documenting Death: Maternal Mortality and the Ethics of Care in Tanzania (University of California Press, 2020) is a gripping ethnographic account of the deaths of pregnant women in a hospital in a low-resource setting in Tanzania. Through an exploration of everyday ethics and care practices on a local maternity ward, anthropologist Adrienne E. Strong untangles the reasons Tanzania has achieved so little sustainable success in reducing maternal mortality rates, despite global development support. Growing administrative pressures to document good care serve to preclude good care in practice while placing frontline healthcare workers in moral and ethical peril. Maternal health emergencies expose the precarity of hospital social relations and accountability systems, which, together, continue to lead to the deaths of pregnant women.

Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID


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]]> Thu, 21 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Documenting Death: Maternal Mortality and the Ethics of Care in Tanzania (University of California Press, 2020) is a gripping ethnographic account of the deaths of pregnant women in a hospital in a low-resource setting in Tanzania. Through an exploration of everyday ethics and care practices on a local maternity ward, anthropologist Adrienne E. Strong untangles the reasons Tanzania has achieved so little sustainable success in reducing maternal mortality rates, despite global development support. Growing administrative pressures to document good care serve to preclude good care in practice while placing frontline healthcare workers in moral and ethical peril. Maternal health emergencies expose the precarity of hospital social relations and accountability systems, which, together, continue to lead to the deaths of pregnant women.

Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID


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]]> Adrienne E. Strong, "Documenting Death: Maternal Mortality and the Ethics of Care in Tanzania" (U California Press, 2020) New Books Network 01:02:18 Documenting Death: Maternal Mortality and the Ethics of Care in Tanzania (University of California Press, 2020) is a gripping ethnographic account of the deaths of pregnant women in a hospital in a low-resource setting in Tanzania. Through an exploration of everyday ethics and care practices on a local maternity ward, anthropologist Adrienne E. Strong untangles the reasons Tanzania has achieved so little sustainable success in reducing maternal mortality rates, despite global development support. Growing administrative pressures to document good care serve to preclude good care in practice while placing frontline healthcare workers in moral and ethical peril. Maternal health emergencies expose the precarity of hospital social relations and accountability systems, which, together, continue to lead to the deaths of pregnant women. Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID Documenting Death: Maternal Mortality and the Ethics of Care in Tanzania (University of California Press, 2020) is a gripping ethnographic account of the deaths of pregnant women in a hospital in a low-resource setting in Tanzania. Through an exploration of everyday ethics and care practices on a local maternity ward, anthropologist Adrienne E. Strong untangles the reasons Tanzania has achieved so little sustainable success in reducing maternal mortality rates, despite global development support. Growing administrative pressures to document good care serve to preclude good care in practice while placing frontline healthcare workers in moral and ethical peril. Maternal health emergencies expose the precarity of hospital social relations and accountability systems, which, together, continue to lead to the deaths of pregnant women. Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID false full 176 cde1be5c-9f7d-11ee-a1a6-6bc9ffb88969 Helen Louise Cowie, "Victims of Fashion: Animal Commodities in Victorian Britain" (Cambridge UP, 2021) Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory.

In Victims of Fashion: Animal Commodities in Victorian Britain (Cambridge University Press, 2021), Dr. Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. Dr. Cowie also assesses the ecological impact of nineteenth-century fashion.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Thu, 21 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory.

In Victims of Fashion: Animal Commodities in Victorian Britain (Cambridge University Press, 2021), Dr. Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. Dr. Cowie also assesses the ecological impact of nineteenth-century fashion.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Helen Louise Cowie, "Victims of Fashion: Animal Commodities in Victorian Britain" (Cambridge UP, 2021) New Books Network 00:54:18 Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory. In Victims of Fashion: Animal Commodities in Victorian Britain (Cambridge University Press, 2021), Dr. Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. Dr. Cowie also assesses the ecological impact of nineteenth-century fashion. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory. In Victims of Fashion: Animal Commodities in Victorian Britain (Cambridge University Press, 2021), Dr. Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. Dr. Cowie also assesses the ecological impact of nineteenth-century fashion. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 109 9c46e14a-9f75-11ee-86a8-cb157277eb9e Elise Hu, "Flawless: Lessons in Looks and Culture from the K-Beauty Capital" (Dutton, 2023) In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best.

But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023)

In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy.

Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Thu, 21 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best.

But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023)

In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy.

Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Elise Hu, "Flawless: Lessons in Looks and Culture from the K-Beauty Capital" (Dutton, 2023) New Books Network 00:32:29 In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best. But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023) In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy. Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best. But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023) In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy. Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. false full 166 69eeed7c-9d00-11ee-9b27-2bc8a7eac7ab Lindsay Sarah Krasnoff, "Basketball Empire: France and the Making of a Global NBA and WNBA" (Bloomsbury, 2023) Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA.

Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball’s success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon.

In Basketball Empire, Krasnoff’s first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men’s silver and a women’s bronze in 2020/21.

Basketball Empire’s second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff’s ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States.

In the final section, Krasnoff considers why the French have been so successful at producing high quality men’s and women’s basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad.

Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.


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]]> Tue, 19 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA.

Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball’s success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon.

In Basketball Empire, Krasnoff’s first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men’s silver and a women’s bronze in 2020/21.

Basketball Empire’s second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff’s ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States.

In the final section, Krasnoff considers why the French have been so successful at producing high quality men’s and women’s basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad.

Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.


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]]> Lindsay Sarah Krasnoff, "Basketball Empire: France and the Making of a Global NBA and WNBA" (Bloomsbury, 2023) New Books Network 01:04:13 Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball’s success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff’s first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men’s silver and a women’s bronze in 2020/21. Basketball Empire’s second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff’s ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men’s and women’s basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball’s success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff’s first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men’s silver and a women’s bronze in 2020/21. Basketball Empire’s second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff’s ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men’s and women’s basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. false full 265 031ade2e-9c49-11ee-8e48-afb9b8b2f52d Sara Chatfield, "In Her Own Name: The Politics of Women’s Rights Before Suffrage" (Columbia UP, 2023) We often narrate the history of women’s rights in the United States by focusing on the fight for suffrage. Yet starting as early as 1835, states expanded married women’s economic rights. How were these statutes passed at a time when women’s political power was severely constrained, including no right to vote in most states? With limited national coordination? 

In In Her Own Name: The Politics of Women’s Rights Before Suffrage (Columbia UP, 2023), Dr. Sara Chatfield argues that married women’s property rights reform occurred through a two-level process. Within each state, policy developed and cycled through different state-level institutions. Without explicit coordination, these policies spread throughout the states with institutional actors borrowing, copying, and learning from the successes and failures of other states – such that ALL states passed some reform by 1920. Dr. Chatfield’s important contribution to the American political development literature shows how male legislators pursued legislation that served their own interests and how state legislatures and courts interacted to create property reforms essential to changing economics, the project of permanently seizing land from Native people, and protecting slaveholding women and families from economic instability. The reform of property rights included both property as a commodity and also a means of social control and order. Dr. Chatfield’s book furthers our understanding of how gender, federalism, and liberalism interacted in the development of state power.

In the podcast, Dr. Chatfield generously cites the works of others including Disenfranchising Democracy: Constructing the Electorate in the United States, the United Kingdom, and France (my NBN interview with Dr. Bateman here), Emily Zackin and Chloe N. Thurston’s The Political Development of American Debt Relief (Chicago), and Alena Wolflink’s Claiming Value:The Politics of Priority from Aristotle to Black Lives Matter (Routledge).

Dr. Sara Chatfield is an assistant professor of political science at the University of Denver, where she teaches classes on American politics and law. Her research interests focus on American politics, especially American political development, gender and politics, and methods.

Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.


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]]> Mon, 18 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com We often narrate the history of women’s rights in the United States by focusing on the fight for suffrage. Yet starting as early as 1835, states expanded married women’s economic rights. How were these statutes passed at a time when women’s political power was severely constrained, including no right to vote in most states? With limited national coordination? 

In In Her Own Name: The Politics of Women’s Rights Before Suffrage (Columbia UP, 2023), Dr. Sara Chatfield argues that married women’s property rights reform occurred through a two-level process. Within each state, policy developed and cycled through different state-level institutions. Without explicit coordination, these policies spread throughout the states with institutional actors borrowing, copying, and learning from the successes and failures of other states – such that ALL states passed some reform by 1920. Dr. Chatfield’s important contribution to the American political development literature shows how male legislators pursued legislation that served their own interests and how state legislatures and courts interacted to create property reforms essential to changing economics, the project of permanently seizing land from Native people, and protecting slaveholding women and families from economic instability. The reform of property rights included both property as a commodity and also a means of social control and order. Dr. Chatfield’s book furthers our understanding of how gender, federalism, and liberalism interacted in the development of state power.

In the podcast, Dr. Chatfield generously cites the works of others including Disenfranchising Democracy: Constructing the Electorate in the United States, the United Kingdom, and France (my NBN interview with Dr. Bateman here), Emily Zackin and Chloe N. Thurston’s The Political Development of American Debt Relief (Chicago), and Alena Wolflink’s Claiming Value:The Politics of Priority from Aristotle to Black Lives Matter (Routledge).

Dr. Sara Chatfield is an assistant professor of political science at the University of Denver, where she teaches classes on American politics and law. Her research interests focus on American politics, especially American political development, gender and politics, and methods.

Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.


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]]> Sara Chatfield, "In Her Own Name: The Politics of Women’s Rights Before Suffrage" (Columbia UP, 2023) New Books Network 00:53:01 We often narrate the history of women’s rights in the United States by focusing on the fight for suffrage. Yet starting as early as 1835, states expanded married women’s economic rights. How were these statutes passed at a time when women’s political power was severely constrained, including no right to vote in most states? With limited national coordination?  In In Her Own Name: The Politics of Women’s Rights Before Suffrage (Columbia UP, 2023), Dr. Sara Chatfield argues that married women’s property rights reform occurred through a two-level process. Within each state, policy developed and cycled through different state-level institutions. Without explicit coordination, these policies spread throughout the states with institutional actors borrowing, copying, and learning from the successes and failures of other states – such that ALL states passed some reform by 1920. Dr. Chatfield’s important contribution to the American political development literature shows how male legislators pursued legislation that served their own interests and how state legislatures and courts interacted to create property reforms essential to changing economics, the project of permanently seizing land from Native people, and protecting slaveholding women and families from economic instability. The reform of property rights included both property as a commodity and also a means of social control and order. Dr. Chatfield’s book furthers our understanding of how gender, federalism, and liberalism interacted in the development of state power. In the podcast, Dr. Chatfield generously cites the works of others including Disenfranchising Democracy: Constructing the Electorate in the United States, the United Kingdom, and France (my NBN interview with Dr. Bateman here), Emily Zackin and Chloe N. Thurston’s The Political Development of American Debt Relief (Chicago), and Alena Wolflink’s Claiming Value:The Politics of Priority from Aristotle to Black Lives Matter (Routledge). Dr. Sara Chatfield is an assistant professor of political science at the University of Denver, where she teaches classes on American politics and law. Her research interests focus on American politics, especially American political development, gender and politics, and methods. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. We often narrate the history of women’s rights in the United States by focusing on the fight for suffrage. Yet starting as early as 1835, states expanded married women’s economic rights. How were these statutes passed at a time when women’s political power was severely constrained, including no right to vote in most states? With limited national coordination?  In In Her Own Name: The Politics of Women’s Rights Before Suffrage (Columbia UP, 2023), Dr. Sara Chatfield argues that married women’s property rights reform occurred through a two-level process. Within each state, policy developed and cycled through different state-level institutions. Without explicit coordination, these policies spread throughout the states with institutional actors borrowing, copying, and learning from the successes and failures of other states – such that ALL states passed some reform by 1920. Dr. Chatfield’s important contribution to the American political development literature shows how male legislators pursued legislation that served their own interests and how state legislatures and courts interacted to create property reforms essential to changing economics, the project of permanently seizing land from Native people, and protecting slaveholding women and families from economic instability. The reform of property rights included both property as a commodity and also a means of social control and order. Dr. Chatfield’s book furthers our understanding of how gender, federalism, and liberalism interacted in the development of state power. In the podcast, Dr. Chatfield generously cites the works of others including Disenfranchising Democracy: Constructing the Electorate in the United States, the United Kingdom, and France (my NBN interview with Dr. Bateman here), Emily Zackin and Chloe N. Thurston’s The Political Development of American Debt Relief (Chicago), and Alena Wolflink’s Claiming Value:The Politics of Priority from Aristotle to Black Lives Matter (Routledge). Dr. Sara Chatfield is an assistant professor of political science at the University of Denver, where she teaches classes on American politics and law. Her research interests focus on American politics, especially American political development, gender and politics, and methods. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. false full 696 904e5bb6-9b79-11ee-b68e-f3f1d114bedb Sisterhood In this episode of High Theory, Katherine Turk tells us about Sisterhood, a familial metaphor used to evoke gendered solidarity in women’s movement of the mid-sixties and seventies, and a utopian ideal of equality within the human family. It’s a universalizing but aspirational concept that helped feminists build a political coalition.

Our conversation is based upon Katherine’s new book about the National Organization of Women: The Women of NOW: How Feminists Built an Organization That Transformed America (FSG, 2023). This mainstream feminist organization is often neglected in histories of the period, dismissed as a liberal organization dedicated to incremental change. But NOW was an expansive organization that changed over time, shifted the conversation and legal structures in the US, and left an important historical record that we can learn from in social justice work today.

Katherine Turk is an associate professor of History and an adjunct associate professor of Women’s and Gender Studies at UNC Chapel Hill. Her research and teaching focus on women, sex, gender, law, labor, and modern social movements. Her first book Equality on Trial: Gender and Rights in the Modern American Workplace (Politics and Culture in Modern America Series, University of Pennsylvania Press, 2016) studies the history of Title VII of the 1964 US Civil Rights Act, which outlawed workplace discrimination on the basis of such personal attributes as sex, race, and religion.

The image for this week was made by Saronik Bosu. It shows Aileen Hernandez, Mary Jean Collins, and Patricia Hill Burnett, leaders of NOW who are the primary subjects of Katherine’s book.


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]]> Sat, 16 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In this episode of High Theory, Katherine Turk tells us about Sisterhood, a familial metaphor used to evoke gendered solidarity in women’s movement of the mid-sixties and seventies, and a utopian ideal of equality within the human family. It’s a universalizing but aspirational concept that helped feminists build a political coalition.

Our conversation is based upon Katherine’s new book about the National Organization of Women: The Women of NOW: How Feminists Built an Organization That Transformed America (FSG, 2023). This mainstream feminist organization is often neglected in histories of the period, dismissed as a liberal organization dedicated to incremental change. But NOW was an expansive organization that changed over time, shifted the conversation and legal structures in the US, and left an important historical record that we can learn from in social justice work today.

Katherine Turk is an associate professor of History and an adjunct associate professor of Women’s and Gender Studies at UNC Chapel Hill. Her research and teaching focus on women, sex, gender, law, labor, and modern social movements. Her first book Equality on Trial: Gender and Rights in the Modern American Workplace (Politics and Culture in Modern America Series, University of Pennsylvania Press, 2016) studies the history of Title VII of the 1964 US Civil Rights Act, which outlawed workplace discrimination on the basis of such personal attributes as sex, race, and religion.

The image for this week was made by Saronik Bosu. It shows Aileen Hernandez, Mary Jean Collins, and Patricia Hill Burnett, leaders of NOW who are the primary subjects of Katherine’s book.


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]]> Sisterhood New Books Network 00:19:17 In this episode of High Theory, Katherine Turk tells us about Sisterhood, a familial metaphor used to evoke gendered solidarity in women’s movement of the mid-sixties and seventies, and a utopian ideal of equality within the human family. It’s a universalizing but aspirational concept that helped feminists build a political coalition. Our conversation is based upon Katherine’s new book about the National Organization of Women: The Women of NOW: How Feminists Built an Organization That Transformed America (FSG, 2023). This mainstream feminist organization is often neglected in histories of the period, dismissed as a liberal organization dedicated to incremental change. But NOW was an expansive organization that changed over time, shifted the conversation and legal structures in the US, and left an important historical record that we can learn from in social justice work today. Katherine Turk is an associate professor of History and an adjunct associate professor of Women’s and Gender Studies at UNC Chapel Hill. Her research and teaching focus on women, sex, gender, law, labor, and modern social movements. Her first book Equality on Trial: Gender and Rights in the Modern American Workplace (Politics and Culture in Modern America Series, University of Pennsylvania Press, 2016) studies the history of Title VII of the 1964 US Civil Rights Act, which outlawed workplace discrimination on the basis of such personal attributes as sex, race, and religion. The image for this week was made by Saronik Bosu. It shows Aileen Hernandez, Mary Jean Collins, and Patricia Hill Burnett, leaders of NOW who are the primary subjects of Katherine’s book. In this episode of High Theory, Katherine Turk tells us about Sisterhood, a familial metaphor used to evoke gendered solidarity in women’s movement of the mid-sixties and seventies, and a utopian ideal of equality within the human family. It’s a universalizing but aspirational concept that helped feminists build a political coalition. Our conversation is based upon Katherine’s new book about the National Organization of Women: The Women of NOW: How Feminists Built an Organization That Transformed America (FSG, 2023). This mainstream feminist organization is often neglected in histories of the period, dismissed as a liberal organization dedicated to incremental change. But NOW was an expansive organization that changed over time, shifted the conversation and legal structures in the US, and left an important historical record that we can learn from in social justice work today. Katherine Turk is an associate professor of History and an adjunct associate professor of Women’s and Gender Studies at UNC Chapel Hill. Her research and teaching focus on women, sex, gender, law, labor, and modern social movements. Her first book Equality on Trial: Gender and Rights in the Modern American Workplace (Politics and Culture in Modern America Series, University of Pennsylvania Press, 2016) studies the history of Title VII of the 1964 US Civil Rights Act, which outlawed workplace discrimination on the basis of such personal attributes as sex, race, and religion. The image for this week was made by Saronik Bosu. It shows Aileen Hernandez, Mary Jean Collins, and Patricia Hill Burnett, leaders of NOW who are the primary subjects of Katherine’s book. false full 135 53e51d9c-99f6-11ee-b0bc-df844c1f4e68 Caroline J. Smith, "Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs" (U Mississippi Press, 2023) Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (U Mississippi Press, 2023) explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food.

Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen.

Jeannette Cockroft is an associate professor of history and political science at Schreiner University.


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]]> Thu, 14 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (U Mississippi Press, 2023) explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food.

Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen.

Jeannette Cockroft is an associate professor of history and political science at Schreiner University.


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]]> Caroline J. Smith, "Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs" (U Mississippi Press, 2023) New Books Network 00:29:20 Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (U Mississippi Press, 2023) explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (U Mississippi Press, 2023) explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. false full 73 d319efa0-9480-11ee-bd18-e767d49090be Emily R. Aguiló-Pérez, "An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play" (Berghahn Books, 2022) Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play (Berghahn, 2022) offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls.

Through personal narratives and insights, author Dr. Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities.

Dr. Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Fri, 8 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play (Berghahn, 2022) offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls.

Through personal narratives and insights, author Dr. Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities.

Dr. Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Emily R. Aguiló-Pérez, "An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play" (Berghahn Books, 2022) New Books Network 00:48:19 Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play (Berghahn, 2022) offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls. Through personal narratives and insights, author Dr. Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities. Dr. Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play (Berghahn, 2022) offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls. Through personal narratives and insights, author Dr. Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities. Dr. Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 106 eb2d7cc6-9465-11ee-8da4-1796440a8700 Susan Blumberg-Kason, "Bernardine's Shanghai Salon: The Story of the Doyenne of Old China" (Post Hill Press, 2023) In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who’d proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn’t helping much.

That’s how Susan Blumberg-Kason’s newest book, Bernardine’s Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine’s life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong.

In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers.

Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine’s Shanghai Salon. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Thu, 7 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who’d proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn’t helping much.

That’s how Susan Blumberg-Kason’s newest book, Bernardine’s Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine’s life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong.

In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers.

Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine’s Shanghai Salon. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.


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]]> Susan Blumberg-Kason, "Bernardine's Shanghai Salon: The Story of the Doyenne of Old China" (Post Hill Press, 2023) New Books Network 00:36:47 In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who’d proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn’t helping much. That’s how Susan Blumberg-Kason’s newest book, Bernardine’s Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine’s life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong. In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers. Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine’s Shanghai Salon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who’d proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn’t helping much. That’s how Susan Blumberg-Kason’s newest book, Bernardine’s Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine’s life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong. In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers. Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine’s Shanghai Salon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. false full 164 4de46538-93bb-11ee-bbbc-935d50165c87 Fae Dussart, "In the Service of Empire: Domestic Service and Mastery in Metropole and Colony" (Bloomsbury, 2022) Despite recent research, the 19th-century history of domestic service in empire and its wider implications is underexplored. In the Service of Empire: Domestic Service and Mastery in Metropole and Colony (Bloomsbury, 2022) by Dr. Fae Dussart sheds new light on servants and their masters in the British Empire, and in doing so offers new discourses on the colonial home, imperial society identities and colonial culture. Using a wide range of source material, from private papers to newspaper articles, official papers and court records, Dr. Dussart explores the strategic nature of the relationship, the connection between imperialism, domesticity and a master/servant paradigm that was deployed in different ways by varied actors often neglected in the historical record.

Positioned outside the family but inside the private place of the home, 'the domestic servant' was often the foil against which 19th-century contemporaries worked out class, race and gender identities across metropole and colony, creating those places in the process. The role of domestic servants in empire thus lay not only in the labour they undertook, but also in the way the servant-master relationship constituted ground that helped other power relations to be imagined and contested.

Dr. Dussart explores the domestic service relationship in 19th-century Britain and India, considering how ideas about servants and their masters and/or mistresses spanned imperial space, and shaped peoples and places within it.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 7 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Despite recent research, the 19th-century history of domestic service in empire and its wider implications is underexplored. In the Service of Empire: Domestic Service and Mastery in Metropole and Colony (Bloomsbury, 2022) by Dr. Fae Dussart sheds new light on servants and their masters in the British Empire, and in doing so offers new discourses on the colonial home, imperial society identities and colonial culture. Using a wide range of source material, from private papers to newspaper articles, official papers and court records, Dr. Dussart explores the strategic nature of the relationship, the connection between imperialism, domesticity and a master/servant paradigm that was deployed in different ways by varied actors often neglected in the historical record.

Positioned outside the family but inside the private place of the home, 'the domestic servant' was often the foil against which 19th-century contemporaries worked out class, race and gender identities across metropole and colony, creating those places in the process. The role of domestic servants in empire thus lay not only in the labour they undertook, but also in the way the servant-master relationship constituted ground that helped other power relations to be imagined and contested.

Dr. Dussart explores the domestic service relationship in 19th-century Britain and India, considering how ideas about servants and their masters and/or mistresses spanned imperial space, and shaped peoples and places within it.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Fae Dussart, "In the Service of Empire: Domestic Service and Mastery in Metropole and Colony" (Bloomsbury, 2022) New Books Network 00:55:31 Despite recent research, the 19th-century history of domestic service in empire and its wider implications is underexplored. In the Service of Empire: Domestic Service and Mastery in Metropole and Colony (Bloomsbury, 2022) by Dr. Fae Dussart sheds new light on servants and their masters in the British Empire, and in doing so offers new discourses on the colonial home, imperial society identities and colonial culture. Using a wide range of source material, from private papers to newspaper articles, official papers and court records, Dr. Dussart explores the strategic nature of the relationship, the connection between imperialism, domesticity and a master/servant paradigm that was deployed in different ways by varied actors often neglected in the historical record. Positioned outside the family but inside the private place of the home, 'the domestic servant' was often the foil against which 19th-century contemporaries worked out class, race and gender identities across metropole and colony, creating those places in the process. The role of domestic servants in empire thus lay not only in the labour they undertook, but also in the way the servant-master relationship constituted ground that helped other power relations to be imagined and contested. Dr. Dussart explores the domestic service relationship in 19th-century Britain and India, considering how ideas about servants and their masters and/or mistresses spanned imperial space, and shaped peoples and places within it. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Despite recent research, the 19th-century history of domestic service in empire and its wider implications is underexplored. In the Service of Empire: Domestic Service and Mastery in Metropole and Colony (Bloomsbury, 2022) by Dr. Fae Dussart sheds new light on servants and their masters in the British Empire, and in doing so offers new discourses on the colonial home, imperial society identities and colonial culture. Using a wide range of source material, from private papers to newspaper articles, official papers and court records, Dr. Dussart explores the strategic nature of the relationship, the connection between imperialism, domesticity and a master/servant paradigm that was deployed in different ways by varied actors often neglected in the historical record. Positioned outside the family but inside the private place of the home, 'the domestic servant' was often the foil against which 19th-century contemporaries worked out class, race and gender identities across metropole and colony, creating those places in the process. The role of domestic servants in empire thus lay not only in the labour they undertook, but also in the way the servant-master relationship constituted ground that helped other power relations to be imagined and contested. Dr. Dussart explores the domestic service relationship in 19th-century Britain and India, considering how ideas about servants and their masters and/or mistresses spanned imperial space, and shaped peoples and places within it. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 108 3cd2470e-952a-11ee-be65-cf4652ebf4f7 Self Help In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy.

In the episode, she references Alondra Nelson’s book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination (Minnesota UP, 2013); Michelle Murphy’s Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience (Duke UP, 2012); and several health activist organizations, including the Women’s Choice Clinic in Oakland, CA; AidAccess which provides mail order medication assisted abortion; and MYA Network, a group of clinicians seeking to expand abortion access in primary care settings.

Angela suggested we include three links that everyone should have at their fingertips, PlanC (plancpills.org) which helps people access abortion pills, AidAccess (aidaccess.org) the pill fulfillment service described above, and I Need an A (ineedana.com), a clinic locator.

In our longer conversation, she also named the Keep Our Clinics campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We’re sorry we didn’t get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in The Guardian.

Our conversation is based Angela’s new book, Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open(link is external) (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read an excerpt from the book in the Post45 contemporaries collection “Abortion Now, Abortion Forever,” which was the starting point for our conversation on High Theory.

Angela Hume is a feminist historian, critic, and poet, who teaches at UC Berkeley. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond Deep Care, Angela is co-editor of Ecopoetics: Essays in the Field(link is external) (U of Iowa P, 2018). Her full-length books of poetry include Middle Time(link is external) (Omnidawn, 2016) and Interventions for Women (Omnidawn, 2021).


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 7 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy.

In the episode, she references Alondra Nelson’s book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination (Minnesota UP, 2013); Michelle Murphy’s Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience (Duke UP, 2012); and several health activist organizations, including the Women’s Choice Clinic in Oakland, CA; AidAccess which provides mail order medication assisted abortion; and MYA Network, a group of clinicians seeking to expand abortion access in primary care settings.

Angela suggested we include three links that everyone should have at their fingertips, PlanC (plancpills.org) which helps people access abortion pills, AidAccess (aidaccess.org) the pill fulfillment service described above, and I Need an A (ineedana.com), a clinic locator.

In our longer conversation, she also named the Keep Our Clinics campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We’re sorry we didn’t get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in The Guardian.

Our conversation is based Angela’s new book, Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open(link is external) (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read an excerpt from the book in the Post45 contemporaries collection “Abortion Now, Abortion Forever,” which was the starting point for our conversation on High Theory.

Angela Hume is a feminist historian, critic, and poet, who teaches at UC Berkeley. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond Deep Care, Angela is co-editor of Ecopoetics: Essays in the Field(link is external) (U of Iowa P, 2018). Her full-length books of poetry include Middle Time(link is external) (Omnidawn, 2016) and Interventions for Women (Omnidawn, 2021).


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Self Help New Books Network 00:19:40 In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy. In the episode, she references Alondra Nelson’s book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination (Minnesota UP, 2013); Michelle Murphy’s Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience (Duke UP, 2012); and several health activist organizations, including the Women’s Choice Clinic in Oakland, CA; AidAccess which provides mail order medication assisted abortion; and MYA Network, a group of clinicians seeking to expand abortion access in primary care settings. Angela suggested we include three links that everyone should have at their fingertips, PlanC (plancpills.org) which helps people access abortion pills, AidAccess (aidaccess.org) the pill fulfillment service described above, and I Need an A (ineedana.com), a clinic locator. In our longer conversation, she also named the Keep Our Clinics campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We’re sorry we didn’t get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in The Guardian. Our conversation is based Angela’s new book, Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open(link is external) (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read an excerpt from the book in the Post45 contemporaries collection “Abortion Now, Abortion Forever,” which was the starting point for our conversation on High Theory. Angela Hume is a feminist historian, critic, and poet, who teaches at UC Berkeley. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond Deep Care, Angela is co-editor of Ecopoetics: Essays in the Field(link is external) (U of Iowa P, 2018). Her full-length books of poetry include Middle Time(link is external) (Omnidawn, 2016) and Interventions for Women (Omnidawn, 2021). In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy. In the episode, she references Alondra Nelson’s book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination (Minnesota UP, 2013); Michelle Murphy’s Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience (Duke UP, 2012); and several health activist organizations, including the Women’s Choice Clinic in Oakland, CA; AidAccess which provides mail order medication assisted abortion; and MYA Network, a group of clinicians seeking to expand abortion access in primary care settings. Angela suggested we include three links that everyone should have at their fingertips, PlanC (plancpills.org) which helps people access abortion pills, AidAccess (aidaccess.org) the pill fulfillment service described above, and I Need an A (ineedana.com), a clinic locator. In our longer conversation, she also named the Keep Our Clinics campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We’re sorry we didn’t get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in The Guardian. Our conversation is based Angela’s new book, Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open(link is external) (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read an excerpt from the book in the Post45 contemporaries collection “Abortion Now, Abortion Forever,” which was the starting point for our conversation on High Theory. Angela Hume is a feminist historian, critic, and poet, who teaches at UC Berkeley. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond Deep Care, Angela is co-editor of Ecopoetics: Essays in the Field(link is external) (U of Iowa P, 2018). Her full-length books of poetry include Middle Time(link is external) (Omnidawn, 2016) and Interventions for Women (Omnidawn, 2021). false full 134 220cf9aa-7595-11ee-9435-a711d5331b64 Hidden No More: A Conversation with Space Suit Technician Sharon McDougle Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison.

Our guest is: Sharon Caples McDougle, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of Suit Up for Launch with Shay.

Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also be interested in:

  • Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, by Margot Lee Shetterly
  • The 100 Year Starship, by Mae Jemison and Dana Meachen Rau
  • Suit Up for Launch with Shay, by Sharon Caples McDougle
  • NASA.gov


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Thu, 7 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison.

Our guest is: Sharon Caples McDougle, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of Suit Up for Launch with Shay.

Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also be interested in:

  • Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, by Margot Lee Shetterly
  • The 100 Year Starship, by Mae Jemison and Dana Meachen Rau
  • Suit Up for Launch with Shay, by Sharon Caples McDougle
  • NASA.gov


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Hidden No More: A Conversation with Space Suit Technician Sharon McDougle New Books Network 00:44:09 Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison. Our guest is: Sharon Caples McDougle, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of Suit Up for Launch with Shay. Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, by Margot Lee Shetterly The 100 Year Starship, by Mae Jemison and Dana Meachen Rau Suit Up for Launch with Shay, by Sharon Caples McDougle NASA.gov Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here. Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison. Our guest is: Sharon Caples McDougle, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of Suit Up for Launch with Shay. Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, by Margot Lee Shetterly The 100 Year Starship, by Mae Jemison and Dana Meachen Rau Suit Up for Launch with Shay, by Sharon Caples McDougle NASA.gov Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here. false full 192 5629a67a-939f-11ee-b42d-1735e9f9745e Hannah Carlson, "Pockets: An Intimate History of How We Keep Things Close" (Algonquin Books, 2023) It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? In her captivating book Pockets: An Intimate History of How We Keep Things Close (Hachette, 2023), Dr. Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, shows us how we tuck gender politics, security, sexuality, and privilege inside our pockets.

In mediaeval Europe, the purse was an almost universal dress feature carried by men and women alike. But when tailors stitched the first pockets into men’s trousers 500 years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality, as noted in hashtags like #GiveMePocketsOrGiveMeDeath.

This abundantly illustrated four-colour book explores much more than who has pockets and why. How is it that putting your hands in your pocket can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass, seemed like an affront to middle class respectability. When W.E.B. DuBois posed for a portrait, his pocketed hands signalled defiant coolness.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Wed, 6 Dec 2023 09:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://newbooksnetwork.com It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? In her captivating book Pockets: An Intimate History of How We Keep Things Close (Hachette, 2023), Dr. Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, shows us how we tuck gender politics, security, sexuality, and privilege inside our pockets.

In mediaeval Europe, the purse was an almost universal dress feature carried by men and women alike. But when tailors stitched the first pockets into men’s trousers 500 years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality, as noted in hashtags like #GiveMePocketsOrGiveMeDeath.

This abundantly illustrated four-colour book explores much more than who has pockets and why. How is it that putting your hands in your pocket can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass, seemed like an affront to middle class respectability. When W.E.B. DuBois posed for a portrait, his pocketed hands signalled defiant coolness.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Hannah Carlson, "Pockets: An Intimate History of How We Keep Things Close" (Algonquin Books, 2023) New Books Network 00:46:08 It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? In her captivating book Pockets: An Intimate History of How We Keep Things Close (Hachette, 2023), Dr. Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, shows us how we tuck gender politics, security, sexuality, and privilege inside our pockets. In mediaeval Europe, the purse was an almost universal dress feature carried by men and women alike. But when tailors stitched the first pockets into men’s trousers 500 years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality, as noted in hashtags like #GiveMePocketsOrGiveMeDeath. This abundantly illustrated four-colour book explores much more than who has pockets and why. How is it that putting your hands in your pocket can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass, seemed like an affront to middle class respectability. When W.E.B. DuBois posed for a portrait, his pocketed hands signalled defiant coolness. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? In her captivating book Pockets: An Intimate History of How We Keep Things Close (Hachette, 2023), Dr. Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, shows us how we tuck gender politics, security, sexuality, and privilege inside our pockets. In mediaeval Europe, the purse was an almost universal dress feature carried by men and women alike. But when tailors stitched the first pockets into men’s trousers 500 years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality, as noted in hashtags like #GiveMePocketsOrGiveMeDeath. This abundantly illustrated four-colour book explores much more than who has pockets and why. How is it that putting your hands in your pocket can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass, seemed like an affront to middle class respectability. When W.E.B. DuBois posed for a portrait, his pocketed hands signalled defiant coolness. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 1389