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    <title>On a Personal Note</title>
    <description>Every story has a soundtrack. Cleveland Orchestra Musicians and Music Director Franz Welser-Möst share stories about the music that has shaped their lives.</description>
    <copyright>2021 The Cleveland Orchestra and Musical Arts Association</copyright>
    <language>en</language>
    <pubDate>Tue, 24 Aug 2021 18:00:00 +0000</pubDate>
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      <title>On a Personal Note</title>
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    <itunes:summary>Every story has a soundtrack. Cleveland Orchestra Musicians and Music Director Franz Welser-Möst share stories about the music that has shaped their lives.</itunes:summary>
    <itunes:author>The Cleveland Orchestra</itunes:author>
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      <itunes:name>The Cleveland Orchestra</itunes:name>
      <itunes:email>podcast@clevelandorchestra.com</itunes:email>
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    <itunes:category text="Music">
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    <itunes:category text="Arts">
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      <title>Classic Stewart Copeland</title>
      <description><![CDATA[<p><strong>Rock and drum icon Stewart Copeland</strong> talks early influences and recent compositions — including <i>Police Deranged</i>, an orchestral survey of Copeland’s career and his many years with The Police.</p><p><strong>Upcoming Performance (September 11 at </strong><a href="https://www.clevelandorchestra.com/discover/blossom-music-center/" target="_blank"><strong>Blossom Music Center</strong></a><strong>):</strong></p><p>Join Stewart Copeland and The Cleveland Orchestra  for the finale to this summer's Blossom Music Festival, <a href="https://www.clevelandorchestra.com/attend/concerts-and-events/2122/blossom/sep-11/" target="_blank"><i>Stewart Copeland’s Police Deranged For Orchestra</i></a><i>, </i>a high-energy orchestral celebration of The Police’s biggest hits, including ‘Roxanne’, ‘Don’t Stand So Close To Me’ and ‘Message in a Bottle’. With Copeland on drums, three singers, guitarist and the full symphony orchestra, these unique compositions give new life to classic songs and select hits from the career of one of the generation’s greatest and most influential artists.</p><ul><li><a href="https://www.clevelandorchestra.com/attend/concerts-and-events/2122/blossom/sep-11/" target="_blank">Tickets available here</a></li><li>Stream Stewart Copeland's new <a href="https://open.spotify.com/playlist/3QdgemRPwtlqAazSyvQnUb?si=517b699756094cf6" target="_blank">Spotify Playlist, "For Cleveland"</a></li></ul>
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      <pubDate>Tue, 24 Aug 2021 18:00:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Stewart Copeland, The Cleveland Orchestra)</author>
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      <content:encoded><![CDATA[<p><strong>Rock and drum icon Stewart Copeland</strong> talks early influences and recent compositions — including <i>Police Deranged</i>, an orchestral survey of Copeland’s career and his many years with The Police.</p><p><strong>Upcoming Performance (September 11 at </strong><a href="https://www.clevelandorchestra.com/discover/blossom-music-center/" target="_blank"><strong>Blossom Music Center</strong></a><strong>):</strong></p><p>Join Stewart Copeland and The Cleveland Orchestra  for the finale to this summer's Blossom Music Festival, <a href="https://www.clevelandorchestra.com/attend/concerts-and-events/2122/blossom/sep-11/" target="_blank"><i>Stewart Copeland’s Police Deranged For Orchestra</i></a><i>, </i>a high-energy orchestral celebration of The Police’s biggest hits, including ‘Roxanne’, ‘Don’t Stand So Close To Me’ and ‘Message in a Bottle’. With Copeland on drums, three singers, guitarist and the full symphony orchestra, these unique compositions give new life to classic songs and select hits from the career of one of the generation’s greatest and most influential artists.</p><ul><li><a href="https://www.clevelandorchestra.com/attend/concerts-and-events/2122/blossom/sep-11/" target="_blank">Tickets available here</a></li><li>Stream Stewart Copeland's new <a href="https://open.spotify.com/playlist/3QdgemRPwtlqAazSyvQnUb?si=517b699756094cf6" target="_blank">Spotify Playlist, "For Cleveland"</a></li></ul>
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      <itunes:title>Classic Stewart Copeland</itunes:title>
      <itunes:author>Stewart Copeland, The Cleveland Orchestra</itunes:author>
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      <itunes:duration>00:14:26</itunes:duration>
      <itunes:summary>Rock and drum icon Stewart Copeland talks early influences and recent compositions — including Police Deranged, an orchestral survey of Copeland’s career and his many years with The Police.</itunes:summary>
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      <title>Family Matters</title>
      <description><![CDATA[<p><strong>Revered pianist Mitsuko Uchida</strong> reminisces with fondness on the familial nature of her decades-long relationship with The Cleveland Orchestra.</p><p><strong>Featured Music:</strong></p><p>MOZART – Piano Concerto No. 24 (K. 491)</p><ul><li>The Cleveland Orchestra</li><li>Mitsuko Uchida, <i>conductor and piano</i></li><li><i>Recorded live at Severance Hall in November 2005</i></li></ul><p><i>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit </i><a href="https://www.clevelandorchestra.com/donate" target="_blank"><i>clevelandorchestra.com/donate</i></a><i>.</i></p>
]]></description>
      <pubDate>Tue, 15 Dec 2020 14:00:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (The Cleveland Orchestra, Mitsuko Uchida, Mark Williams)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p><strong>Revered pianist Mitsuko Uchida</strong> reminisces with fondness on the familial nature of her decades-long relationship with The Cleveland Orchestra.</p><p><strong>Featured Music:</strong></p><p>MOZART – Piano Concerto No. 24 (K. 491)</p><ul><li>The Cleveland Orchestra</li><li>Mitsuko Uchida, <i>conductor and piano</i></li><li><i>Recorded live at Severance Hall in November 2005</i></li></ul><p><i>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit </i><a href="https://www.clevelandorchestra.com/donate" target="_blank"><i>clevelandorchestra.com/donate</i></a><i>.</i></p>
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      <itunes:title>Family Matters</itunes:title>
      <itunes:author>The Cleveland Orchestra, Mitsuko Uchida, Mark Williams</itunes:author>
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      <itunes:duration>00:39:56</itunes:duration>
      <itunes:summary>Revered pianist Mitsuko Uchida reminisces with fondness on the familial nature of her decades-long relationship with The Cleveland Orchestra.
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      <itunes:subtitle>Revered pianist Mitsuko Uchida reminisces with fondness on the familial nature of her decades-long relationship with The Cleveland Orchestra.
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      <itunes:keywords>mitsuko uchida, mozart, cleveland orchestra, mark williams, severance hall, szell, schoenberg, family matters, boulez, brahms, casadesus, piano, family, berg, relationship, pianist</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Change of Seasons, Part 2: The Golda Touch</title>
      <description><![CDATA[<p>After several artist cancellations irrevocably altered plans to perform Haydn’s <i>The Seasons</i>, soprano Golda Schultz was the last soloist standing. Not only did the show go on, it became a defining moment.</p><p><strong>Featured Music:</strong></p><p>HAYDN – The Seasons</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst, <i>conductor</i></li><li>Golda Schultz, <i>soprano</i></li><li><i>Recorded live at Severance Hall on Jan. 18, 2018</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Tue, 17 Nov 2020 11:00:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Ilya Gidalevich, Golda Schultz, The Cleveland Orchestra, Mark Williams)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>After several artist cancellations irrevocably altered plans to perform Haydn’s <i>The Seasons</i>, soprano Golda Schultz was the last soloist standing. Not only did the show go on, it became a defining moment.</p><p><strong>Featured Music:</strong></p><p>HAYDN – The Seasons</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst, <i>conductor</i></li><li>Golda Schultz, <i>soprano</i></li><li><i>Recorded live at Severance Hall on Jan. 18, 2018</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
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      <itunes:title>Change of Seasons, Part 2: The Golda Touch</itunes:title>
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      <itunes:duration>01:19:07</itunes:duration>
      <itunes:summary>After several artist cancellations irrevocably altered plans to perform Haydn’s The Seasons, soprano Golda Schultz was the last soloist standing. Not only did the show go on, it became a defining moment.</itunes:summary>
      <itunes:subtitle>After several artist cancellations irrevocably altered plans to perform Haydn’s The Seasons, soprano Golda Schultz was the last soloist standing. Not only did the show go on, it became a defining moment.</itunes:subtitle>
      <itunes:keywords>cleveland orchestra, severance hall, the cleveland orchestra, haydn, golda schultz, franz welser-möst, the seasons, soprano</itunes:keywords>
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      <title>Change of Seasons, Part 1: The Scramble</title>
      <description><![CDATA[<p>In January 2018, The Cleveland Orchestra planned to perform Haydn’s choral masterpiece The Seasons. One soloist fell ill. Then another. What resulted is one of the most unusual and memorable performances in Cleveland Orchestra history.</p><p><strong>Featured Music:</strong></p><p>HAYDN – The Seasons</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst, <i>conductor</i></li><li>Golda Schultz, <i>soprano</i></li><li><i>Recorded live at Severance Hall on Jan. 18, 2018</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Wed, 11 Nov 2020 13:00:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Ilya Gidalevich, Golda Schultz, The Cleveland Orchestra, Mark Williams)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>In January 2018, The Cleveland Orchestra planned to perform Haydn’s choral masterpiece The Seasons. One soloist fell ill. Then another. What resulted is one of the most unusual and memorable performances in Cleveland Orchestra history.</p><p><strong>Featured Music:</strong></p><p>HAYDN – The Seasons</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst, <i>conductor</i></li><li>Golda Schultz, <i>soprano</i></li><li><i>Recorded live at Severance Hall on Jan. 18, 2018</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
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      <itunes:title>Change of Seasons, Part 1: The Scramble</itunes:title>
      <itunes:author>Ilya Gidalevich, Golda Schultz, The Cleveland Orchestra, Mark Williams</itunes:author>
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      <itunes:duration>00:21:34</itunes:duration>
      <itunes:summary>In January 2018, The Cleveland Orchestra planned to perform Haydn’s choral masterpiece The Seasons. One soloist fell ill. Then another. What resulted is one of the most unusual and memorable performances in Cleveland Orchestra history.</itunes:summary>
      <itunes:subtitle>In January 2018, The Cleveland Orchestra planned to perform Haydn’s choral masterpiece The Seasons. One soloist fell ill. Then another. What resulted is one of the most unusual and memorable performances in Cleveland Orchestra history.</itunes:subtitle>
      <itunes:keywords>severance hall, the cleveland orchestra, haydn, franz welser-möst, the seasons</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Tour de Franz</title>
      <description><![CDATA[<p><strong>Cellist Paul Kushious</strong> reflects on the works of Richard Strauss as he traces the composer’s path on an unforgettable and perfectly planned trip from Austria to Switzerland.</p><p><strong>Featured Music:</strong></p><p>STRAUSS – Death and Transfiguration, Op. 24</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst, <i>conductor</i></li><li><i>Recorded live at Severance Hall in 2016</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Tue, 20 Oct 2020 15:45:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Paul Kushious, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p><strong>Cellist Paul Kushious</strong> reflects on the works of Richard Strauss as he traces the composer’s path on an unforgettable and perfectly planned trip from Austria to Switzerland.</p><p><strong>Featured Music:</strong></p><p>STRAUSS – Death and Transfiguration, Op. 24</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst, <i>conductor</i></li><li><i>Recorded live at Severance Hall in 2016</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Tour de Franz</itunes:title>
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      <itunes:duration>00:36:18</itunes:duration>
      <itunes:summary>Cellist Paul Kushious reflects on the works of Richard Strauss as he traces the composer’s path on an unforgettable and perfectly planned trip from Austria to Switzerland.</itunes:summary>
      <itunes:subtitle>Cellist Paul Kushious reflects on the works of Richard Strauss as he traces the composer’s path on an unforgettable and perfectly planned trip from Austria to Switzerland.</itunes:subtitle>
      <itunes:keywords>austria, franz, death and transfiguration, cleveland orchestra, trip, switzerland, strauss, cello, paul kushious, franz welser-möst, cellist, tour, opus 24</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:episode>7</itunes:episode>
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      <title>Color and Character</title>
      <description><![CDATA[<p><strong>Bassoonist Jonathan Sherwin</strong> discusses the existential meaning behind Gustav Mahler's Second Symphony - Resurrection; “Why am I here, what am I doing, and what gives my life meaning…”</p><p><strong>Featured Music:</strong></p><p>MAHLER – Symphony no. 2 <i>(Resurrection)</i><br />5. <i>Im Tempo des Scherzos</i> (In the tempo of the scherzo)</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li>Joélle Harvey,<i> soprano</i></li><li>Sasha Cooke, <i>mezzo-soprano</i></li><li>Cleveland Orchestra Chorus</li><li><i>Recorded live at the Adrienne Arsht Center for the Performing Arts on January 26, 2019</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Tue, 13 Oct 2020 10:00:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (The Cleveland Orchestra, Jonathan Sherwin)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p><strong>Bassoonist Jonathan Sherwin</strong> discusses the existential meaning behind Gustav Mahler's Second Symphony - Resurrection; “Why am I here, what am I doing, and what gives my life meaning…”</p><p><strong>Featured Music:</strong></p><p>MAHLER – Symphony no. 2 <i>(Resurrection)</i><br />5. <i>Im Tempo des Scherzos</i> (In the tempo of the scherzo)</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li>Joélle Harvey,<i> soprano</i></li><li>Sasha Cooke, <i>mezzo-soprano</i></li><li>Cleveland Orchestra Chorus</li><li><i>Recorded live at the Adrienne Arsht Center for the Performing Arts on January 26, 2019</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Color and Character</itunes:title>
      <itunes:author>The Cleveland Orchestra, Jonathan Sherwin</itunes:author>
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      <itunes:duration>00:34:36</itunes:duration>
      <itunes:summary>Bassoonist Jonathan Sherwin discusses the existential meaning behind Gustav Mahler&apos;s Second Symphony - Resurrection; “Why am I here, what am I doing, and what gives my life meaning…”</itunes:summary>
      <itunes:subtitle>Bassoonist Jonathan Sherwin discusses the existential meaning behind Gustav Mahler&apos;s Second Symphony - Resurrection; “Why am I here, what am I doing, and what gives my life meaning…”</itunes:subtitle>
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      <title>Legendary</title>
      <description><![CDATA[<p>From music conductors to visiting artists to her own family ties, <strong>board member Clara Rankin</strong> thinks back on the people and performances that define The Cleveland Orchestra.</p><p><i>Interview conducted by André Gremillet, President & CEO of The Cleveland Orchestra.</i></p><p><strong>Featured Music</strong></p><p>MOZART – Symphony no. 41<br />1. Allegro vivace</p><ul><li>The Cleveland Orchestra</li><li><i>Recorded live at Severance Hall in 1966</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Tue, 6 Oct 2020 10:00:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Clara Rankin, André Gremillet, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>From music conductors to visiting artists to her own family ties, <strong>board member Clara Rankin</strong> thinks back on the people and performances that define The Cleveland Orchestra.</p><p><i>Interview conducted by André Gremillet, President & CEO of The Cleveland Orchestra.</i></p><p><strong>Featured Music</strong></p><p>MOZART – Symphony no. 41<br />1. Allegro vivace</p><ul><li>The Cleveland Orchestra</li><li><i>Recorded live at Severance Hall in 1966</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Legendary</itunes:title>
      <itunes:author>Clara Rankin, André Gremillet, The Cleveland Orchestra</itunes:author>
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      <itunes:summary>From music conductors to visiting artists to her own family ties, board member Clara Rankin thinks back on the people and performances that define The Cleveland Orchestra. 

(Interview conducted by André Gremillet, President &amp; CEO of The Cleveland Orchestra.)</itunes:summary>
      <itunes:subtitle>From music conductors to visiting artists to her own family ties, board member Clara Rankin thinks back on the people and performances that define The Cleveland Orchestra. 

(Interview conducted by André Gremillet, President &amp; CEO of The Cleveland Orchestra.)</itunes:subtitle>
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      <title>Love Notes</title>
      <description><![CDATA[<p><strong>Pianist and Violinist Carolyn Gadiel Warner</strong> reflects on falling in love—with her husband of 40 years, Bruckner symphonies and her profession.</p><p><strong>Featured Music</strong></p><p>BRUCKNER – Symphony No. 8<br />4.  Finale</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst, <i>conductor</i></li><li><i>Recorded live at Severance Hall on May 29, 2010</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
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      <pubDate>Tue, 29 Sep 2020 10:00:09 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (The Cleveland Orchestra, Carolyn Gadiel Warner)</author>
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      <content:encoded><![CDATA[<p><strong>Pianist and Violinist Carolyn Gadiel Warner</strong> reflects on falling in love—with her husband of 40 years, Bruckner symphonies and her profession.</p><p><strong>Featured Music</strong></p><p>BRUCKNER – Symphony No. 8<br />4.  Finale</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst, <i>conductor</i></li><li><i>Recorded live at Severance Hall on May 29, 2010</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Love Notes</itunes:title>
      <itunes:author>The Cleveland Orchestra, Carolyn Gadiel Warner</itunes:author>
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      <itunes:summary>Pianist and Violinist Carolyn Gadiel Warner reflects on falling in love—with her husband of 40 years, Bruckner symphonies and her profession.</itunes:summary>
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      <description><![CDATA[<p><strong>Principal Percussionist Marc Damoulakis</strong> talks about feeling the rhythm from an early age and what it means to keep time for The Cleveland Orchestra.</p><p><strong>Featured Music</strong></p><p>RIMSKY-KORSAKOV – Scheherazade<br />4.  Festival at Baghdad; the Sea; the Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior</p><ul><li>The Cleveland Orchestra</li><li>Gustavo Gimeno, <i>conductor</i></li><li><i>Recorded live at Severance Hall on October 19, 2018</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Tue, 22 Sep 2020 10:00:02 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Marc Damoulakis, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p><strong>Principal Percussionist Marc Damoulakis</strong> talks about feeling the rhythm from an early age and what it means to keep time for The Cleveland Orchestra.</p><p><strong>Featured Music</strong></p><p>RIMSKY-KORSAKOV – Scheherazade<br />4.  Festival at Baghdad; the Sea; the Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior</p><ul><li>The Cleveland Orchestra</li><li>Gustavo Gimeno, <i>conductor</i></li><li><i>Recorded live at Severance Hall on October 19, 2018</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Pulse</itunes:title>
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      <title>Where Words Fail, Music Speaks</title>
      <description><![CDATA[<p><strong>Director of Choruses Lisa Wong</strong> reflects on the healing power of John Adams’s On the Transmigration of Souls after 9/11 and the human voice as medicine for the soul.</p><p><strong>Featured Music</strong></p><p>ADAMS – On the Transmigration of Souls</p><ul><li>The Cleveland Orchestra</li><li>Jakub Hrůša, <i>conductor</i></li><li>Cleveland Orchestra Chorus</li><li><i>Recorded live at Severance Hall on November 17, 2019</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
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      <pubDate>Tue, 8 Sep 2020 14:00:22 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Lisa Wong, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p><strong>Director of Choruses Lisa Wong</strong> reflects on the healing power of John Adams’s On the Transmigration of Souls after 9/11 and the human voice as medicine for the soul.</p><p><strong>Featured Music</strong></p><p>ADAMS – On the Transmigration of Souls</p><ul><li>The Cleveland Orchestra</li><li>Jakub Hrůša, <i>conductor</i></li><li>Cleveland Orchestra Chorus</li><li><i>Recorded live at Severance Hall on November 17, 2019</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Where Words Fail, Music Speaks</itunes:title>
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      <itunes:summary>Director of Choruses Lisa Wong reflects on the healing power of John Adams’s On the Transmigration of Souls after 9/11 and the human voice as medicine for the soul.</itunes:summary>
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      <itunes:explicit>no</itunes:explicit>
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      <title>Veer</title>
      <description><![CDATA[<p><strong>Music Director Franz Welser-Möst</strong> recalls the automobile accident that would forever change his course, sparking a lifelong affinity for Franz Schubert in the process.</p><p><strong>Featured Music</strong></p><p>SCHUBERT – Mass No. 6 in E-flat major<br />2. Gloria</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded live at Severance Hall on May 18, 2019</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Tue, 1 Sep 2020 10:00:09 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Franz Welser-Möst, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p><strong>Music Director Franz Welser-Möst</strong> recalls the automobile accident that would forever change his course, sparking a lifelong affinity for Franz Schubert in the process.</p><p><strong>Featured Music</strong></p><p>SCHUBERT – Mass No. 6 in E-flat major<br />2. Gloria</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded live at Severance Hall on May 18, 2019</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Veer</itunes:title>
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      <itunes:summary>Music Director Franz Welser-Möst recalls the automobile accident that would forever change his course, sparking a lifelong affinity for Franz Schubert in the process.</itunes:summary>
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      <title>Remembering Pierre Boulez</title>
      <description><![CDATA[<p>Principal Trumpet Michael Sachs reflects on his relationship with one of the most influential figures in modern classical music—and the lasting legacy of Boulez in Cleveland.</p><p><strong>Featured Music</strong></p><p>STRAVINSKY – The Rite of Spring<br />PART II: The Sacrifice</p><ul><li>The Cleveland Orchestra</li><li>Pierre Boulez, <i>conductor</i></li><li><i>Recorded in Severance Hall in 1991</i></li></ul>
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      <pubDate>Thu, 18 Jun 2020 14:30:04 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Michael Sachs, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>Principal Trumpet Michael Sachs reflects on his relationship with one of the most influential figures in modern classical music—and the lasting legacy of Boulez in Cleveland.</p><p><strong>Featured Music</strong></p><p>STRAVINSKY – The Rite of Spring<br />PART II: The Sacrifice</p><ul><li>The Cleveland Orchestra</li><li>Pierre Boulez, <i>conductor</i></li><li><i>Recorded in Severance Hall in 1991</i></li></ul>
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      <itunes:title>Remembering Pierre Boulez</itunes:title>
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      <title>On Resolution</title>
      <description><![CDATA[<p>Clarinetist Robert Woolfrey talks about finding peace in Brahms’s German Requiem and its power to connect the past with the present.</p><p><strong>Featured Music</strong></p><p>Brahms - German Requiem<br />2. <i>For all flesh is as grass</i></p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded live in Severance Hall on October of 2009</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Thu, 11 Jun 2020 14:00:04 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Robert Woolfrey, The Cleveland Orchestra)</author>
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      <content:encoded><![CDATA[<p>Clarinetist Robert Woolfrey talks about finding peace in Brahms’s German Requiem and its power to connect the past with the present.</p><p><strong>Featured Music</strong></p><p>Brahms - German Requiem<br />2. <i>For all flesh is as grass</i></p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded live in Severance Hall on October of 2009</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
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      <itunes:title>On Resolution</itunes:title>
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      <title>A Musician’s Journey Part 2: Jessica Sindell</title>
      <description><![CDATA[<p>Flutist and hometown girl Jessica Sindell reflects on her time with the Cleveland Orchestra Youth Orchestra, landing her dream job and the relentless pursuit of imperfection.<br /> </p><p><strong>Features Music</strong>:</p><p>RACHMANINOFF - Piano Concerto 3<br />1. <i>Allegro ma non tanto</i></p><ul><li>The Cleveland Orchestra</li><li>Matthias Pintscher,<i> conductor</i></li><li>Kirill Gerstein<i>, piano</i></li><li><i>Recorded in Severance Hall in 2018.</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Thu, 4 Jun 2020 15:00:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Jessica Sindell, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>Flutist and hometown girl Jessica Sindell reflects on her time with the Cleveland Orchestra Youth Orchestra, landing her dream job and the relentless pursuit of imperfection.<br /> </p><p><strong>Features Music</strong>:</p><p>RACHMANINOFF - Piano Concerto 3<br />1. <i>Allegro ma non tanto</i></p><ul><li>The Cleveland Orchestra</li><li>Matthias Pintscher,<i> conductor</i></li><li>Kirill Gerstein<i>, piano</i></li><li><i>Recorded in Severance Hall in 2018.</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>A Musician’s Journey Part 2: Jessica Sindell</itunes:title>
      <itunes:author>Jessica Sindell, The Cleveland Orchestra</itunes:author>
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      <itunes:summary>Flutist and hometown girl Jessica Sindell reflects on her time with the Cleveland Orchestra Youth Orchestra, landing her dream job and the relentless pursuit of imperfection.
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      <itunes:subtitle>Flutist and hometown girl Jessica Sindell reflects on her time with the Cleveland Orchestra Youth Orchestra, landing her dream job and the relentless pursuit of imperfection.
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      <itunes:keywords>severance hall, jessica sindell, the cleveland orchestra, flute, rachmaninoff piano concerto, rachmaninoff, musicians journey, cleveland, on a personal note</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>A Musician’s Journey Part 1: Emilio Llinás</title>
      <description><![CDATA[<p>Long-tenured violinist Emilio Llinás reflects on his journey from Cuba to Cleveland and shares a perspective shaped by his 52 seasons.</p><p><strong>Featured Music:</strong></p><p>BEETHOVEN – Symphony No. 9<br />1. Allegro ma non troppo, un poco maestoso</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded in Severance Hall in May of 2018, as the finale to the Prometheus Project.</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Thu, 28 May 2020 14:00:27 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Emilio Llinás, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>Long-tenured violinist Emilio Llinás reflects on his journey from Cuba to Cleveland and shares a perspective shaped by his 52 seasons.</p><p><strong>Featured Music:</strong></p><p>BEETHOVEN – Symphony No. 9<br />1. Allegro ma non troppo, un poco maestoso</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded in Severance Hall in May of 2018, as the finale to the Prometheus Project.</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>A Musician’s Journey Part 1: Emilio Llinás</itunes:title>
      <itunes:author>Emilio Llinás, The Cleveland Orchestra</itunes:author>
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      <itunes:summary>Long-tenured violinist Emilio Llinás reflects on his journey from Cuba to Cleveland and shares a perspective shaped by his 52 seasons.</itunes:summary>
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      <title>The Courage of Our Convictions</title>
      <description><![CDATA[<p>Viola Player Eliesha Nelson finds strength in Anton Bruckner’s strongly-held belief that good conquers all—at a time when uncertainty troubles many.</p><p><strong>Featured Music:</strong></p><p>BRUCKNER – Symphony No. 5</p><ul><li>The Cleveland Orchestra</li><li>Herbert Blomstedt, <i>conductor</i></li><li><i>Recorded live from Severance Hall in February of 2020</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Thu, 21 May 2020 10:30:19 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Eliesha Nelson, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>Viola Player Eliesha Nelson finds strength in Anton Bruckner’s strongly-held belief that good conquers all—at a time when uncertainty troubles many.</p><p><strong>Featured Music:</strong></p><p>BRUCKNER – Symphony No. 5</p><ul><li>The Cleveland Orchestra</li><li>Herbert Blomstedt, <i>conductor</i></li><li><i>Recorded live from Severance Hall in February of 2020</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>The Courage of Our Convictions</itunes:title>
      <itunes:author>Eliesha Nelson, The Cleveland Orchestra</itunes:author>
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      <itunes:summary>Viola Player Eliesha Nelson finds strength in Anton Bruckner’s strongly-held belief that good conquers all—at a time when uncertainty troubles many.</itunes:summary>
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      <title>The Boy with the Dragonfly Tattoo</title>
      <description><![CDATA[<p>Principal Flute Joshua Smith explains how performing Janáček’s The Cunning Little Vixen left a lasting mark and why the dragonfly just may be his favorite insect.</p><p><strong>Featured Music:</strong></p><p>JANÁČEK – The Cunning Little Vixen<br />(<i>sung in Czech)</i></p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li>Martina Janková,<i> soprano</i> (Vixen)</li><li>Jennifer Johnson Cano, <i>soprano</i> (Fox)</li><li>Samantha Gossard, <i>soprano</i> (Owl)</li><li>Marian Vogel, <i>soprano</i> (Blue Jay)</li><li>Sandra Ross,<i> soprano</i> (Woodpecker)</li><li><i>Recorded live from Severance Hall in May of 2014</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Thu, 14 May 2020 15:30:05 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Joshua Smith, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>Principal Flute Joshua Smith explains how performing Janáček’s The Cunning Little Vixen left a lasting mark and why the dragonfly just may be his favorite insect.</p><p><strong>Featured Music:</strong></p><p>JANÁČEK – The Cunning Little Vixen<br />(<i>sung in Czech)</i></p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li>Martina Janková,<i> soprano</i> (Vixen)</li><li>Jennifer Johnson Cano, <i>soprano</i> (Fox)</li><li>Samantha Gossard, <i>soprano</i> (Owl)</li><li>Marian Vogel, <i>soprano</i> (Blue Jay)</li><li>Sandra Ross,<i> soprano</i> (Woodpecker)</li><li><i>Recorded live from Severance Hall in May of 2014</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>The Boy with the Dragonfly Tattoo</itunes:title>
      <itunes:author>Joshua Smith, The Cleveland Orchestra</itunes:author>
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      <itunes:duration>00:28:07</itunes:duration>
      <itunes:summary>Principal Flute Joshua Smith explains how performing Janáček’s The Cunning Little Vixen left a lasting mark and why the dragonfly just may be his favorite insect.</itunes:summary>
      <itunes:subtitle>Principal Flute Joshua Smith explains how performing Janáček’s The Cunning Little Vixen left a lasting mark and why the dragonfly just may be his favorite insect.</itunes:subtitle>
      <itunes:keywords>janacek, severance hall, joshua smith, the cleveland orchestra, flute, cunning little vixen, opera</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Rediscovering Joy</title>
      <description><![CDATA[<p>Cellist Martha Baldwin talks about the restorative power of Beethoven’s Second Piano Concerto after a difficult diagnosis.</p><p><strong>Featured Music:</strong></p><p>BEETHOVEN – Piano Concerto No. 2</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li>Emanuel Ax, <i>piano</i></li><li><i>Recorded live from Severance Hall in 2017</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Thu, 7 May 2020 10:00:18 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Martha Baldwin, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>Cellist Martha Baldwin talks about the restorative power of Beethoven’s Second Piano Concerto after a difficult diagnosis.</p><p><strong>Featured Music:</strong></p><p>BEETHOVEN – Piano Concerto No. 2</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li>Emanuel Ax, <i>piano</i></li><li><i>Recorded live from Severance Hall in 2017</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Rediscovering Joy</itunes:title>
      <itunes:author>Martha Baldwin, The Cleveland Orchestra</itunes:author>
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      <itunes:duration>00:19:44</itunes:duration>
      <itunes:summary>Cellist Martha Baldwin talks about the restorative power of Beethoven’s Second Piano Concerto after a difficult diagnosis.</itunes:summary>
      <itunes:subtitle>Cellist Martha Baldwin talks about the restorative power of Beethoven’s Second Piano Concerto after a difficult diagnosis.</itunes:subtitle>
      <itunes:keywords>the cleveland orchestra, martha baldwin, beethoven</itunes:keywords>
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      <title>First Impressions</title>
      <description><![CDATA[<p>At age 21, in his second week with The Cleveland Orchestra, Principal Horn Nathaniel Silberschlag played Mahler’s 5th for a packed house, exceeding expectations. Even his own.</p><p><strong>Featured Music:</strong></p><p>MAHLER - Symphony No. 5<br />3. Scherzo</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded live at  the Adrienne Arsht Center for the Performing Arts of Miami-Dade County in 2020</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Thu, 30 Apr 2020 10:00:05 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Nathaniel Silberschlag, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>At age 21, in his second week with The Cleveland Orchestra, Principal Horn Nathaniel Silberschlag played Mahler’s 5th for a packed house, exceeding expectations. Even his own.</p><p><strong>Featured Music:</strong></p><p>MAHLER - Symphony No. 5<br />3. Scherzo</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded live at  the Adrienne Arsht Center for the Performing Arts of Miami-Dade County in 2020</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>First Impressions</itunes:title>
      <itunes:author>Nathaniel Silberschlag, The Cleveland Orchestra</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/c161889d-6198-4538-b6c4-0bfda2cb267a/95e7a799-0a9a-446c-8494-358611c7cc1c/3000x3000/s1-e3-first-impressions-art.jpg?aid=rss_feed"/>
      <itunes:duration>00:30:57</itunes:duration>
      <itunes:summary>At age 21, in his second week with The Cleveland Orchestra, Principal Horn Nathaniel Silberschlag played Mahler’s 5th for a packed house, exceeding expectations. Even his own.</itunes:summary>
      <itunes:subtitle>At age 21, in his second week with The Cleveland Orchestra, Principal Horn Nathaniel Silberschlag played Mahler’s 5th for a packed house, exceeding expectations. Even his own.</itunes:subtitle>
      <itunes:keywords>mahler, severance hall, the cleveland orchestra, nathaniel silberschlag</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>A Romance with Rosenkavalier</title>
      <description><![CDATA[<p>Violinist Katherine Bormann contemplates whether you can be in a long-term relationship with a composition and talks about why she’ll stick with Strauss's Rosenkavalier Suite until the end.</p><p><strong>Featured Music:</strong></p><p>R. STRAUSS - Concert Suite: <i>Der Rosenkavalier</i></p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></description>
      <pubDate>Thu, 23 Apr 2020 10:00:20 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Katherine Bormann, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>Violinist Katherine Bormann contemplates whether you can be in a long-term relationship with a composition and talks about why she’ll stick with Strauss's Rosenkavalier Suite until the end.</p><p><strong>Featured Music:</strong></p><p>R. STRAUSS - Concert Suite: <i>Der Rosenkavalier</i></p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>A Romance with Rosenkavalier</itunes:title>
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      <itunes:summary>Violinist Katherine Bormann contemplates whether you can be in a long-term relationship with a composition and talks about why she’ll stick with Strauss&apos;s Rosenkavalier Suite until the end.</itunes:summary>
      <itunes:subtitle>Violinist Katherine Bormann contemplates whether you can be in a long-term relationship with a composition and talks about why she’ll stick with Strauss&apos;s Rosenkavalier Suite until the end.</itunes:subtitle>
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      <itunes:explicit>no</itunes:explicit>
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      <title>The Lasting Luster of Vinyl</title>
      <description><![CDATA[<p>French Horn Player Richard King shares his earliest memories of hearing Beethoven’s "Eroica" on the family phonograph and how the disc ended up shaping his destiny.</p><p><strong>Featured Music:</strong></p><p>BEETHOVEN - Symphony No. 3 (“Eroica”)</p><ul><li>The Cleveland Orchestra</li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
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      <pubDate>Thu, 16 Apr 2020 13:00:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Richard King, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>French Horn Player Richard King shares his earliest memories of hearing Beethoven’s "Eroica" on the family phonograph and how the disc ended up shaping his destiny.</p><p><strong>Featured Music:</strong></p><p>BEETHOVEN - Symphony No. 3 (“Eroica”)</p><ul><li>The Cleveland Orchestra</li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
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      <itunes:title>The Lasting Luster of Vinyl</itunes:title>
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      <itunes:summary>French Horn Player Richard King shares his earliest memories of hearing Beethoven’s &quot;Eroica&quot; on the family phonograph and how the disc ended up shaping his destiny.</itunes:summary>
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      <title>The Sound of Crisis</title>
      <description><![CDATA[<p>Music Director Franz Welser-Möst recalls his conflicting emotions conducting The Cleveland Orchestra one last time before the Coronavirus pandemic silenced Severance Hall.</p><p><strong>Featured Music:</strong></p><p>SCHUBERT - Symphony in C major (“The Great”)<br />2. Andante con moto</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded live at Severance Hall on March 13, 2020</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
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      <pubDate>Thu, 9 Apr 2020 13:00:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Franz Welser-Möst, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>Music Director Franz Welser-Möst recalls his conflicting emotions conducting The Cleveland Orchestra one last time before the Coronavirus pandemic silenced Severance Hall.</p><p><strong>Featured Music:</strong></p><p>SCHUBERT - Symphony in C major (“The Great”)<br />2. Andante con moto</p><ul><li>The Cleveland Orchestra</li><li>Franz Welser-Möst,<i> conductor</i></li><li><i>Recorded live at Severance Hall on March 13, 2020</i></li></ul><p>The connection we share through music is more important than ever — and so is your support. To support The Cleveland Orchestra, please visit <a href="https://www.clevelandorchestra.com/donate" target="_blank">clevelandorchestra.com/donate</a>.</p>
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      <itunes:title>The Sound of Crisis</itunes:title>
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      <itunes:summary>Music Director Franz Welser-Möst recalls his conflicting emotions conducting The Cleveland Orchestra one last time before the Coronavirus pandemic silenced Severance Hall.</itunes:summary>
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      <description><![CDATA[<p>Every story has a soundtrack. Cleveland Orchestra Musicians and Music Director Franz Welser-Möst share stories about the music that has shaped their lives.</p>
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      <pubDate>Thu, 9 Apr 2020 10:30:00 +0000</pubDate>
      <author>podcast@clevelandorchestra.com (Franz Welser-Möst, The Cleveland Orchestra)</author>
      <link>https://www.clevelandorchestra.com/podcast/</link>
      <content:encoded><![CDATA[<p>Every story has a soundtrack. Cleveland Orchestra Musicians and Music Director Franz Welser-Möst share stories about the music that has shaped their lives.</p>
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      <itunes:title>Trailer</itunes:title>
      <itunes:author>Franz Welser-Möst, The Cleveland Orchestra</itunes:author>
      <itunes:duration>00:00:30</itunes:duration>
      <itunes:summary>Every story has a soundtrack. Cleveland Orchestra Musicians and Music Director Franz Welser-Möst share stories about the music that has shaped their lives.
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      <itunes:subtitle>Every story has a soundtrack. Cleveland Orchestra Musicians and Music Director Franz Welser-Möst share stories about the music that has shaped their lives.
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