https://simplecast.com The Jazz Loft Radio Series W. Eugene Smith was a famous photo essayist for LIFE magazine and a suburban family man when he left it all in 1957 and moved to a rundown loft in Manhattan. The building had already become a popular hangout and jamming space for jazz players both prominent and obscure, and Smith spent the next decade documenting the music, conversations and personalities that passed through. This program, produced and hosted by Sara Fishko and originally heard as a 10-part radio series in 2009, pulls from the 4,000 hours of audio Smith recorded. en-us Tue, 7 Mar 2017 05:00:00 +0000 Tue, 29 Apr 2025 17:50:03 +0000 https://www.wnyc.org/shows/jazz-loft The Jazz Loft Radio Series https://image.simplecastcdn.com/images/13923472-2904-4e8f-8f50-9a6cfac585ce/dbfce2f1-7c9f-4b15-84e8-9ce57c23104f/3000x3000/jazzloft-radio-square.png?aid=rss_feed https://www.wnyc.org/shows/jazz-loft episodic W. Eugene Smith was a famous photo essayist for LIFE magazine and a suburban family man when he left it all in 1957 and moved to a rundown loft in Manhattan. The building had already become a popular hangout and jamming space for jazz players both prominent and obscure, and Smith spent the next decade documenting the music, conversations and personalities that passed through. This program, produced and hosted by Sara Fishko and originally heard as a 10-part radio series in 2009, pulls from the 4,000 hours of audio Smith recorded. false https://feeds.simplecast.com/kd9STlpl The Jazz Loft Radio Series wnycdigital@gmail.com http://www.wnyc.org/story/special-episode-jazz-loft-jam-sessions/ Special Episode: Jazz Loft Jam Sessions In this episode, thanks to W. Eugene Smith's tape recorders, we get to experience something audiences rarely hear - the unrehearsed, imperfect, open-ended, overlong, rough-around-the-edges music that jazz players made when they got together to jam at 821 Sixth Avenue. No audience present. Just the musicians playing.

The late vibes player Teddy Charles said it best in an interview:

When nobody's around, and you're just by yourself, that's when the best jazz happens. Really incredible stuff. You take chances on things. The real excitement of jazz is taking chances. Whether you make it or not. You try for something even if it doesn't happen. And that's what makes Jazz really exciting.

Featured in this episode are jam sessions with:

1 - Dave McKenna, piano; Fred Greenwell, sax; Bill Takas, bass; Ron Free, drums
2 - Bill Potts, piano; Zoot Sims, tenor sax; Ron Free, drums
3 - Paul Bley, piano; Jimmy Stevenson, bass; Roland Alexander, tenor sax; Eddie Listengart, trumpet; Lex Humphries, drums
4 - Sonny Clarke, piano; other unidentified players
5 - Chick Corea, piano; Jimmy Stevenson, bass; Joe Hunt, drums

]]> Tue, 7 Mar 2017 05:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft In this episode, thanks to W. Eugene Smith's tape recorders, we get to experience something audiences rarely hear - the unrehearsed, imperfect, open-ended, overlong, rough-around-the-edges music that jazz players made when they got together to jam at 821 Sixth Avenue. No audience present. Just the musicians playing.

The late vibes player Teddy Charles said it best in an interview:

When nobody's around, and you're just by yourself, that's when the best jazz happens. Really incredible stuff. You take chances on things. The real excitement of jazz is taking chances. Whether you make it or not. You try for something even if it doesn't happen. And that's what makes Jazz really exciting.

Featured in this episode are jam sessions with:

1 - Dave McKenna, piano; Fred Greenwell, sax; Bill Takas, bass; Ron Free, drums
2 - Bill Potts, piano; Zoot Sims, tenor sax; Ron Free, drums
3 - Paul Bley, piano; Jimmy Stevenson, bass; Roland Alexander, tenor sax; Eddie Listengart, trumpet; Lex Humphries, drums
4 - Sonny Clarke, piano; other unidentified players
5 - Chick Corea, piano; Jimmy Stevenson, bass; Joe Hunt, drums

]]> Special Episode: Jazz Loft Jam Sessions wnycdigital@gmail.com 00:56:52 In this episode, thanks to W. Eugene Smith's tape recorders, we get to experience something audiences rarely hear - the unrehearsed, imperfect, open-ended, overlong, rough-around-the-edges music that jazz players made when they got together to jam at 821 Sixth Avenue. No audience present. Just the musicians playing. The late vibes player Teddy Charles said it best in an interview: When nobody's around, and you're just by yourself, that's when the best jazz happens. Really incredible stuff. You take chances on things. The real excitement of jazz is taking chances. Whether you make it or not. You try for something even if it doesn't happen. And that's what makes Jazz really exciting. Featured in this episode are jam sessions with: 1 - Dave McKenna, piano; Fred Greenwell, sax; Bill Takas, bass; Ron Free, drums2 - Bill Potts, piano; Zoot Sims, tenor sax; Ron Free, drums3 - Paul Bley, piano; Jimmy Stevenson, bass; Roland Alexander, tenor sax; Eddie Listengart, trumpet; Lex Humphries, drums4 - Sonny Clarke, piano; other unidentified players5 - Chick Corea, piano; Jimmy Stevenson, bass; Joe Hunt, drums In this episode, thanks to W. Eugene Smith's tape recorders, we get to experience something audiences rarely hear - the unrehearsed, imperfect, open-ended, overlong, rough-around-the-edges music that jazz players made when they got together to jam at 821 Sixth Avenue. No audience present. Just the musicians playing. The late vibes player Teddy Charles said it best in an interview: When nobody's around, and you're just by yourself, that's when the best jazz happens. Really incredible stuff. You take chances on things. The real excitement of jazz is taking chances. Whether you make it or not. You try for something even if it doesn't happen. And that's what makes Jazz really exciting. Featured in this episode are jam sessions with: 1 - Dave McKenna, piano; Fred Greenwell, sax; Bill Takas, bass; Ron Free, drums2 - Bill Potts, piano; Zoot Sims, tenor sax; Ron Free, drums3 - Paul Bley, piano; Jimmy Stevenson, bass; Roland Alexander, tenor sax; Eddie Listengart, trumpet; Lex Humphries, drums4 - Sonny Clarke, piano; other unidentified players5 - Chick Corea, piano; Jimmy Stevenson, bass; Joe Hunt, drums music, documentary, storytelling, jazz false full 10 http://www.wnyc.org/shows/jazz-loft/2009/nov/30/ Episode 1: Introduction Few people in history had as much access to the greatest jazz musicians of our time as W. Eugene Smith. The famous LIFE magazine photographer moved in 1957 to a rundown, bohemian loft on 6th avenue, in the heart of Manhattan’s Flower District. During this time, the likes of Thelonius Monk, Chick Corea and Hall Overton slept here, smoked here, and played here—and Smith captured nearly of all it on a series of unparalleled audio recordings. Those tapes finally resurfaced, more than two decades after Smith’s death in 1978. Producer Sara Fishko first made use of Smith's archive to create these pictures in sound, giving us intimate access to a time and a place long gone.

]]> Fri, 30 Oct 2015 16:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft Few people in history had as much access to the greatest jazz musicians of our time as W. Eugene Smith. The famous LIFE magazine photographer moved in 1957 to a rundown, bohemian loft on 6th avenue, in the heart of Manhattan’s Flower District. During this time, the likes of Thelonius Monk, Chick Corea and Hall Overton slept here, smoked here, and played here—and Smith captured nearly of all it on a series of unparalleled audio recordings. Those tapes finally resurfaced, more than two decades after Smith’s death in 1978. Producer Sara Fishko first made use of Smith's archive to create these pictures in sound, giving us intimate access to a time and a place long gone.

]]> Episode 1: Introduction wnycdigital@gmail.com 00:11:29 Few people in history had as much access to the greatest jazz musicians of our time as W. Eugene Smith. The famous LIFE magazine photographer moved in 1957 to a rundown, bohemian loft on 6th avenue, in the heart of Manhattan’s Flower District. During this time, the likes of Thelonius Monk, Chick Corea and Hall Overton slept here, smoked here, and played here—and Smith captured nearly of all it on a series of unparalleled audio recordings. Those tapes finally resurfaced, more than two decades after Smith’s death in 1978. Producer Sara Fishko first made use of Smith's archive to create these pictures in sound, giving us intimate access to a time and a place long gone. Few people in history had as much access to the greatest jazz musicians of our time as W. Eugene Smith. The famous LIFE magazine photographer moved in 1957 to a rundown, bohemian loft on 6th avenue, in the heart of Manhattan’s Flower District. During this time, the likes of Thelonius Monk, Chick Corea and Hall Overton slept here, smoked here, and played here—and Smith captured nearly of all it on a series of unparalleled audio recordings. Those tapes finally resurfaced, more than two decades after Smith’s death in 1978. Producer Sara Fishko first made use of Smith's archive to create these pictures in sound, giving us intimate access to a time and a place long gone. music, documentary, storytelling, jazz false full 1 http://www.wnyc.org/shows/jazz-loft/2009/nov/29/ Episode 2: Enter W. Eugene Smith Before photographer W. Eugene Smith lived in a rundown loft in the thick of New York’s jazz scene, he lived in another world. A native Kansan who earned a scholarship to Notre Dame, Smith was a staff photographer for LIFE magazine -- considered photojournalism's top job in an era when photographers were major stars. What compelled him to leave that life behind?

]]> Thu, 29 Oct 2015 04:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft Before photographer W. Eugene Smith lived in a rundown loft in the thick of New York’s jazz scene, he lived in another world. A native Kansan who earned a scholarship to Notre Dame, Smith was a staff photographer for LIFE magazine -- considered photojournalism's top job in an era when photographers were major stars. What compelled him to leave that life behind?

]]> Episode 2: Enter W. Eugene Smith wnycdigital@gmail.com 00:21:33 Before photographer W. Eugene Smith lived in a rundown loft in the thick of New York’s jazz scene, he lived in another world. A native Kansan who earned a scholarship to Notre Dame, Smith was a staff photographer for LIFE magazine -- considered photojournalism's top job in an era when photographers were major stars. What compelled him to leave that life behind? Before photographer W. Eugene Smith lived in a rundown loft in the thick of New York’s jazz scene, he lived in another world. A native Kansan who earned a scholarship to Notre Dame, Smith was a staff photographer for LIFE magazine -- considered photojournalism's top job in an era when photographers were major stars. What compelled him to leave that life behind? music, jazz_loft, storytelling, fishko false full 2 http://www.wnyc.org/shows/jazz-loft/2009/nov/28/ Episode 3: The Tapes W. Eugene Smith recorded more than 4,000 hours in his Manhattan loft. Some 139 different personalities—musicians, writers and artists—make appearances. The conversations are one thing, but the impromptu jam sessions, involving remarkable musical collaborations, add to the incredible story of what became known as the Jazz Loft.  

]]> Wed, 28 Oct 2015 04:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft W. Eugene Smith recorded more than 4,000 hours in his Manhattan loft. Some 139 different personalities—musicians, writers and artists—make appearances. The conversations are one thing, but the impromptu jam sessions, involving remarkable musical collaborations, add to the incredible story of what became known as the Jazz Loft.  

]]> Episode 3: The Tapes wnycdigital@gmail.com 00:16:09 W. Eugene Smith recorded more than 4,000 hours in his Manhattan loft. Some 139 different personalities—musicians, writers and artists—make appearances. The conversations are one thing, but the impromptu jam sessions, involving remarkable musical collaborations, add to the incredible story of what became known as the Jazz Loft.   W. Eugene Smith recorded more than 4,000 hours in his Manhattan loft. Some 139 different personalities—musicians, writers and artists—make appearances. The conversations are one thing, but the impromptu jam sessions, involving remarkable musical collaborations, add to the incredible story of what became known as the Jazz Loft.   music, jazz_loft, storytelling, fishko false full 3 http://www.wnyc.org/shows/jazz-loft/2009/nov/27/ Episode 4: Hall Overton By day, Hall Overton was an instructor of classical music at Juilliard. By night, he was living, teaching, and playing jazz piano at the Jazz Loft. In this episode, some of the musicians who knew him best share their memories of the brilliant, self-effacing man with an ever-present cigarette dangling from his lip.

]]> Tue, 27 Oct 2015 04:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft By day, Hall Overton was an instructor of classical music at Juilliard. By night, he was living, teaching, and playing jazz piano at the Jazz Loft. In this episode, some of the musicians who knew him best share their memories of the brilliant, self-effacing man with an ever-present cigarette dangling from his lip.

]]> Episode 4: Hall Overton wnycdigital@gmail.com 00:19:51 By day, Hall Overton was an instructor of classical music at Juilliard. By night, he was living, teaching, and playing jazz piano at the Jazz Loft. In this episode, some of the musicians who knew him best share their memories of the brilliant, self-effacing man with an ever-present cigarette dangling from his lip. By day, Hall Overton was an instructor of classical music at Juilliard. By night, he was living, teaching, and playing jazz piano at the Jazz Loft. In this episode, some of the musicians who knew him best share their memories of the brilliant, self-effacing man with an ever-present cigarette dangling from his lip. music, jazz_loft, hall_overton, fishko false full 4 http://www.wnyc.org/shows/jazz-loft/2009/nov/26/ Episode 5: Before the Loft Like many of New York City's most influential artists, most of the prominent jazz musicians of the 1950s came from someplace else. After World War II, returning soldiers flocked to New York, bouncing from clubs to studios to lofts in search of a place where jazz could flourish.

]]> Mon, 26 Oct 2015 04:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft Like many of New York City's most influential artists, most of the prominent jazz musicians of the 1950s came from someplace else. After World War II, returning soldiers flocked to New York, bouncing from clubs to studios to lofts in search of a place where jazz could flourish.

]]> Episode 5: Before the Loft wnycdigital@gmail.com 00:13:23 Like many of New York City's most influential artists, most of the prominent jazz musicians of the 1950s came from someplace else. After World War II, returning soldiers flocked to New York, bouncing from clubs to studios to lofts in search of a place where jazz could flourish. Like many of New York City's most influential artists, most of the prominent jazz musicians of the 1950s came from someplace else. After World War II, returning soldiers flocked to New York, bouncing from clubs to studios to lofts in search of a place where jazz could flourish. music, jazz_loft, storytelling, fishko false full 5 http://www.wnyc.org/shows/jazz-loft/2009/nov/25/ Episode 6: Drummer Ron Free Ron Free, a prodigious drummer from Charleston, South Carolina, was the Jazz Loft’s "house drummer" from 1958 to 1960. Holing up in W. Eugene Smith’s apartment for weeks at a time, he jammed with everyone from Thelonious Monk to Chick Corea. Eventually, Free's personal struggles with drug addiction forced him to leave New York. But Smith’s tapes provide the enduring proof of Free’s musical legacy.

]]> Sun, 25 Oct 2015 04:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft Ron Free, a prodigious drummer from Charleston, South Carolina, was the Jazz Loft’s "house drummer" from 1958 to 1960. Holing up in W. Eugene Smith’s apartment for weeks at a time, he jammed with everyone from Thelonious Monk to Chick Corea. Eventually, Free's personal struggles with drug addiction forced him to leave New York. But Smith’s tapes provide the enduring proof of Free’s musical legacy.

]]> Episode 6: Drummer Ron Free wnycdigital@gmail.com 00:20:32 Ron Free, a prodigious drummer from Charleston, South Carolina, was the Jazz Loft’s "house drummer" from 1958 to 1960. Holing up in W. Eugene Smith’s apartment for weeks at a time, he jammed with everyone from Thelonious Monk to Chick Corea. Eventually, Free's personal struggles with drug addiction forced him to leave New York. But Smith’s tapes provide the enduring proof of Free’s musical legacy. Ron Free, a prodigious drummer from Charleston, South Carolina, was the Jazz Loft’s "house drummer" from 1958 to 1960. Holing up in W. Eugene Smith’s apartment for weeks at a time, he jammed with everyone from Thelonious Monk to Chick Corea. Eventually, Free's personal struggles with drug addiction forced him to leave New York. But Smith’s tapes provide the enduring proof of Free’s musical legacy. music, jazz_loft, ron_free, storytelling, fishko false full 6 http://www.wnyc.org/shows/jazz-loft/2009/nov/24/ Episode 7: Flowers at 6 AM In the early mornings, as each all-night jam session at the loft came to a close, musicians stumbled out into the fragrant air of the surrounding flower shops. For W. Eugene Smith, the Flower District was more than a neighborhood -- it was an obsession, and a subject crucial to his evolution as a photographer and an artist. This episode explores the peculiar harmony of a neighborhood that bustled with flower merchants by day and cleared out by night, giving jazz musicians the place all to themselves.

]]> Sat, 24 Oct 2015 04:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft In the early mornings, as each all-night jam session at the loft came to a close, musicians stumbled out into the fragrant air of the surrounding flower shops. For W. Eugene Smith, the Flower District was more than a neighborhood -- it was an obsession, and a subject crucial to his evolution as a photographer and an artist. This episode explores the peculiar harmony of a neighborhood that bustled with flower merchants by day and cleared out by night, giving jazz musicians the place all to themselves.

]]> Episode 7: Flowers at 6 AM wnycdigital@gmail.com 00:10:06 In the early mornings, as each all-night jam session at the loft came to a close, musicians stumbled out into the fragrant air of the surrounding flower shops. For W. Eugene Smith, the Flower District was more than a neighborhood -- it was an obsession, and a subject crucial to his evolution as a photographer and an artist. This episode explores the peculiar harmony of a neighborhood that bustled with flower merchants by day and cleared out by night, giving jazz musicians the place all to themselves. In the early mornings, as each all-night jam session at the loft came to a close, musicians stumbled out into the fragrant air of the surrounding flower shops. For W. Eugene Smith, the Flower District was more than a neighborhood -- it was an obsession, and a subject crucial to his evolution as a photographer and an artist. This episode explores the peculiar harmony of a neighborhood that bustled with flower merchants by day and cleared out by night, giving jazz musicians the place all to themselves. music, jazz_loft, storytelling, fishko false full 7 http://www.wnyc.org/shows/jazz-loft/2009/nov/23/ Episode 8: Monk at Town Hall In early 1959, a genuine stir was created in the loft -- even among the more seasoned jazz players -- when Thelonious Monk turned up to arrange his music and rehearse with the help of drummer Hall Overton. Monk and Overton had a rare chemistry, and the result of their labors made a little history on February 29th, when they took the stage at New York's Town Hall.

]]> Fri, 23 Oct 2015 04:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft In early 1959, a genuine stir was created in the loft -- even among the more seasoned jazz players -- when Thelonious Monk turned up to arrange his music and rehearse with the help of drummer Hall Overton. Monk and Overton had a rare chemistry, and the result of their labors made a little history on February 29th, when they took the stage at New York's Town Hall.

]]> Episode 8: Monk at Town Hall wnycdigital@gmail.com 00:18:11 In early 1959, a genuine stir was created in the loft -- even among the more seasoned jazz players -- when Thelonious Monk turned up to arrange his music and rehearse with the help of drummer Hall Overton. Monk and Overton had a rare chemistry, and the result of their labors made a little history on February 29th, when they took the stage at New York's Town Hall. In early 1959, a genuine stir was created in the loft -- even among the more seasoned jazz players -- when Thelonious Monk turned up to arrange his music and rehearse with the help of drummer Hall Overton. Monk and Overton had a rare chemistry, and the result of their labors made a little history on February 29th, when they took the stage at New York's Town Hall. music, jazz_loft, storytelling, fishko false full 8 http://www.wnyc.org/shows/jazz-loft/2009/nov/22/ Episode 9: More Tapes The commercial jazz world relied on by-the-hour club dates and recording sessions, but the after-hours loft scene gave musicians the luxury of forgetting time, as they played through long, uninterrupted, all-night jam sessions. In this episode, hear immersive samples of the young Chick Corea and other musicians from W. Eugene Smith's recordings.    

]]> Thu, 22 Oct 2015 04:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft The commercial jazz world relied on by-the-hour club dates and recording sessions, but the after-hours loft scene gave musicians the luxury of forgetting time, as they played through long, uninterrupted, all-night jam sessions. In this episode, hear immersive samples of the young Chick Corea and other musicians from W. Eugene Smith's recordings.    

]]> Episode 9: More Tapes wnycdigital@gmail.com 00:14:18 The commercial jazz world relied on by-the-hour club dates and recording sessions, but the after-hours loft scene gave musicians the luxury of forgetting time, as they played through long, uninterrupted, all-night jam sessions. In this episode, hear immersive samples of the young Chick Corea and other musicians from W. Eugene Smith's recordings.     The commercial jazz world relied on by-the-hour club dates and recording sessions, but the after-hours loft scene gave musicians the luxury of forgetting time, as they played through long, uninterrupted, all-night jam sessions. In this episode, hear immersive samples of the young Chick Corea and other musicians from W. Eugene Smith's recordings.     music, jazz_loft, storytelling, fishko false full 9 http://www.wnyc.org/shows/jazz-loft/2009/nov/21/ Episode 10: Times Change It was hard not to notice that by the early 60s, things had changed dramatically for the Jazz Loft set. Folk and rock music had gained in popularity. Life in New York was becoming more expensive. The late-night jam sessions slowed down, and Smith became more isolated as the loft scene faded away. Finally around 1965, his tapes stopped rolling for good. 

]]> Wed, 21 Oct 2015 04:00:00 +0000 wnycdigital@gmail.com (wnycdigital@gmail.com) https://www.wnyc.org/shows/jazz-loft It was hard not to notice that by the early 60s, things had changed dramatically for the Jazz Loft set. Folk and rock music had gained in popularity. Life in New York was becoming more expensive. The late-night jam sessions slowed down, and Smith became more isolated as the loft scene faded away. Finally around 1965, his tapes stopped rolling for good. 

]]> Episode 10: Times Change wnycdigital@gmail.com 00:16:00 It was hard not to notice that by the early 60s, things had changed dramatically for the Jazz Loft set. Folk and rock music had gained in popularity. Life in New York was becoming more expensive. The late-night jam sessions slowed down, and Smith became more isolated as the loft scene faded away. Finally around 1965, his tapes stopped rolling for good.  It was hard not to notice that by the early 60s, things had changed dramatically for the Jazz Loft set. Folk and rock music had gained in popularity. Life in New York was becoming more expensive. The late-night jam sessions slowed down, and Smith became more isolated as the loft scene faded away. Finally around 1965, his tapes stopped rolling for good.  music, jazz_loft, storytelling, fishko false full 10