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    <title>Points South</title>
    <description>An Oxford American podcast.
Southern Stories. Southern Songs.</description>
    <copyright>2019 Oxford American</copyright>
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    <pubDate>Thu, 15 Feb 2024 21:15:08 +0000</pubDate>
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      <title>Points South</title>
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    <itunes:summary>An Oxford American podcast.
Southern Stories. Southern Songs.</itunes:summary>
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      <title>Daisy Bates in Mitchellville</title>
      <description><![CDATA[<p>Join producer Christian Leus for part two of our story about Mitchellville, Arkansas, as she explores the history and legacy of the Mitchellville Self-Help Project, led by Daisy Bates.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Zandria F. Robinson. Thank you to Dr. Melissa Stuckey, Dr. Danielle Purifoy, and Dr. Misti Harper. Thanks to Essie and Terrence Williams and to the Desha County Library. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. This episode is supported by the Arkansas Humanities Council. </p><p>Visit oxfordamerican.org/pointssouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
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      <pubDate>Thu, 15 Feb 2024 21:15:08 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
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      <content:encoded><![CDATA[<p>Join producer Christian Leus for part two of our story about Mitchellville, Arkansas, as she explores the history and legacy of the Mitchellville Self-Help Project, led by Daisy Bates.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Zandria F. Robinson. Thank you to Dr. Melissa Stuckey, Dr. Danielle Purifoy, and Dr. Misti Harper. Thanks to Essie and Terrence Williams and to the Desha County Library. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. This episode is supported by the Arkansas Humanities Council. </p><p>Visit oxfordamerican.org/pointssouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
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      <itunes:title>Daisy Bates in Mitchellville</itunes:title>
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      <itunes:summary>In part two of our story about Mitchellville, Arkansas, producer Christian Leus explores the next chapter in the town’s history: the Mitchellville Self-Help Project, led by Daisy Bates.</itunes:summary>
      <itunes:subtitle>In part two of our story about Mitchellville, Arkansas, producer Christian Leus explores the next chapter in the town’s history: the Mitchellville Self-Help Project, led by Daisy Bates.</itunes:subtitle>
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      <title>Foundations of a Black Town</title>
      <description><![CDATA[<p>Join producer Christian Leus as she travels to Mitchellville, Arkansas, a small Black town close to the Mississippi state line. Mitchellville's story is little known even to Arkansans, but in the 1960s, it was the site of a high-profile civic improvement project started by civil rights leader Daisy Bates. In the first part of this two-part series, we'll explore Mitchellville's foundations and what it means to be a Black town.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Zandria F. Robinson. Thank you to Dr. Melissa Stuckey, Dr. Danielle Purifoy, and Dr. Misti Harper. Thanks to Essie and Terrence Williams and to the Desha County Library. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. This episode is supported by the Arkansas Humanities Council. </p><p>Visit oxfordamerican.org/pointssouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
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      <pubDate>Thu, 8 Feb 2024 18:04:51 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
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      <content:encoded><![CDATA[<p>Join producer Christian Leus as she travels to Mitchellville, Arkansas, a small Black town close to the Mississippi state line. Mitchellville's story is little known even to Arkansans, but in the 1960s, it was the site of a high-profile civic improvement project started by civil rights leader Daisy Bates. In the first part of this two-part series, we'll explore Mitchellville's foundations and what it means to be a Black town.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Zandria F. Robinson. Thank you to Dr. Melissa Stuckey, Dr. Danielle Purifoy, and Dr. Misti Harper. Thanks to Essie and Terrence Williams and to the Desha County Library. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. This episode is supported by the Arkansas Humanities Council. </p><p>Visit oxfordamerican.org/pointssouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
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      <itunes:title>Foundations of a Black Town</itunes:title>
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      <itunes:summary>Producer Christian Leus travels to Mitchellville, Arkansas, a small Black town close to the Mississippi state line. Mitchellville&apos;s story is little known even to Arkansans, but in the 1960s, it was the site of a high-profile civic improvement project started by civil rights leader Daisy Bates. In the first part of this two-part series, we&apos;ll explore Mitchellville&apos;s foundations and what it means to be a Black town.</itunes:summary>
      <itunes:subtitle>Producer Christian Leus travels to Mitchellville, Arkansas, a small Black town close to the Mississippi state line. Mitchellville&apos;s story is little known even to Arkansans, but in the 1960s, it was the site of a high-profile civic improvement project started by civil rights leader Daisy Bates. In the first part of this two-part series, we&apos;ll explore Mitchellville&apos;s foundations and what it means to be a Black town.</itunes:subtitle>
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      <title>Points South Live: Otis Redding Foundation and Macon Music Revue</title>
      <description><![CDATA[<p>Our 25th annual Southern Music Issue is on newsstands now! For this special episode of <i>Points South</i> Live, we partnered with Grant’s Lounge and Visit Macon to host an evening of conversation and music exploring the legacy of one of the South’s greatest balladeers: Otis Redding. The Macon Music Revue perform ballads highlighting Georgia’s rich musical history, and the <i>OA</i>’s Ashley Clayborn chats with Karla Redding Andrews and Justin Andrews of the Otis Redding Foundation.</p><p>To pick up your <i>Oxford American</i> Ballads Issue, visit your local newsstand or OxfordAmericanGoods.org today! This episode of <i>Points South</i> was produced by Sara A. Lewis, Christian Leus, and Ashley Clayborn. Sound recording by Mason Mishael. Thank you to Karla Redding Andrews, Justin Andrews, and the Macon Music Revue. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. </p><p>Thank you to our sponsors: Visit Macon, Moon Hanger Group, Grant’s Lounge, The Creek 100.9 FM, and Hotel 45. Special thanks to Lisa Love with the Georgia Music Foundation and Marissa Rogers with Visit Macon. </p><p>Visit OxfordAmerican.org/PointsSouth to find more episodes and to see more from our 2023 Southern Music Issue.</p>
]]></description>
      <pubDate>Tue, 23 Jan 2024 14:43:20 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
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      <content:encoded><![CDATA[<p>Our 25th annual Southern Music Issue is on newsstands now! For this special episode of <i>Points South</i> Live, we partnered with Grant’s Lounge and Visit Macon to host an evening of conversation and music exploring the legacy of one of the South’s greatest balladeers: Otis Redding. The Macon Music Revue perform ballads highlighting Georgia’s rich musical history, and the <i>OA</i>’s Ashley Clayborn chats with Karla Redding Andrews and Justin Andrews of the Otis Redding Foundation.</p><p>To pick up your <i>Oxford American</i> Ballads Issue, visit your local newsstand or OxfordAmericanGoods.org today! This episode of <i>Points South</i> was produced by Sara A. Lewis, Christian Leus, and Ashley Clayborn. Sound recording by Mason Mishael. Thank you to Karla Redding Andrews, Justin Andrews, and the Macon Music Revue. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. </p><p>Thank you to our sponsors: Visit Macon, Moon Hanger Group, Grant’s Lounge, The Creek 100.9 FM, and Hotel 45. Special thanks to Lisa Love with the Georgia Music Foundation and Marissa Rogers with Visit Macon. </p><p>Visit OxfordAmerican.org/PointsSouth to find more episodes and to see more from our 2023 Southern Music Issue.</p>
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      <itunes:title>Points South Live: Otis Redding Foundation and Macon Music Revue</itunes:title>
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      <itunes:summary>Our 25th annual Southern Music Issue is on newsstands now! Join us for a special celebration of one of the South’s greatest balladeers: Otis Redding. Listen to hear conversation and music live from Grant’s Lounge in Macon, Georgia.</itunes:summary>
      <itunes:subtitle>Our 25th annual Southern Music Issue is on newsstands now! Join us for a special celebration of one of the South’s greatest balladeers: Otis Redding. Listen to hear conversation and music live from Grant’s Lounge in Macon, Georgia.</itunes:subtitle>
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      <title>Wade In the Water</title>
      <description><![CDATA[<p>In this two-part series, producer Sara A. Lewis visits the South Carolina Sea Islands, where the triumphs and tragedies of Reconstruction have left a unique legacy. In Part II, join Sara on Hilton Head and St. Helena, two more islands where the promises of Reconstruction blossomed into independent, self-sufficient communities of formerly enslaved people. On Hilton Head, Sara visits Historic Mitchelville Freedom Park, once the site of a self-governed Black community; on St. Helena, she explores the Penn School, the nation’s first school for emancipated slaves and home to a civil rights legacy that stretches into the 20th century and beyond.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Christian Brown, with Dr. Kidada Williams. Thank you to Lola Campbell and Dr. Marie Gibbs. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. This episode featured musical performance by Frankie James, Olivia Stith, Samantha Higgs, and Dominique Jones, with arrangement by Frankie James.</p><p>This episode is supported by the National Endowment for the Humanities and the African American History Commission.</p><p>Visit OxfordAmerican.org/PointsSouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
]]></description>
      <pubDate>Thu, 28 Dec 2023 14:20:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
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      <content:encoded><![CDATA[<p>In this two-part series, producer Sara A. Lewis visits the South Carolina Sea Islands, where the triumphs and tragedies of Reconstruction have left a unique legacy. In Part II, join Sara on Hilton Head and St. Helena, two more islands where the promises of Reconstruction blossomed into independent, self-sufficient communities of formerly enslaved people. On Hilton Head, Sara visits Historic Mitchelville Freedom Park, once the site of a self-governed Black community; on St. Helena, she explores the Penn School, the nation’s first school for emancipated slaves and home to a civil rights legacy that stretches into the 20th century and beyond.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Christian Brown, with Dr. Kidada Williams. Thank you to Lola Campbell and Dr. Marie Gibbs. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. This episode featured musical performance by Frankie James, Olivia Stith, Samantha Higgs, and Dominique Jones, with arrangement by Frankie James.</p><p>This episode is supported by the National Endowment for the Humanities and the African American History Commission.</p><p>Visit OxfordAmerican.org/PointsSouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
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      <itunes:title>Wade In the Water</itunes:title>
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      <itunes:summary>From Edisto to Hilton Head and St. Helena, producer Sara A. Lewis continues to explore the legacies of Reconstruction in the South Carolina Sea Islands.</itunes:summary>
      <itunes:subtitle>From Edisto to Hilton Head and St. Helena, producer Sara A. Lewis continues to explore the legacies of Reconstruction in the South Carolina Sea Islands.</itunes:subtitle>
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      <title>Nobody Knows the Trouble I&apos;ve Seen</title>
      <description><![CDATA[<p>In this two-part series, producer Sara A. Lewis visits the South Carolina Sea Islands, where the triumphs and tragedies of Reconstruction have left a unique legacy. In Part I, join Sara on Edisto Island, where formerly enslaved people owned land, built schools, and created prosperous communities all <i>before</i> the Emancipation Proclamation. Hear from scholars and local experts as they tell the story of Edisto’s inspiring successes, its unjust dissolution, and the marks that both have left on the island today.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Christian Brown, with Dr. Kidada Williams. Thank you to Dr. Caroline Grego and Chris Barr. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. This episode featured voice acting by Dennis Caldwell and musical performance by Frankie James, Olivia Stith, Samantha Higgs, and Dominique Jones, with arrangement by Frankie James.</p><p>This episode is supported by the National Endowment for the Humanities and the African American History Commission.</p><p>Visit OxfordAmerican.org/PointsSouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
]]></description>
      <pubDate>Wed, 27 Dec 2023 14:19:44 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
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      <content:encoded><![CDATA[<p>In this two-part series, producer Sara A. Lewis visits the South Carolina Sea Islands, where the triumphs and tragedies of Reconstruction have left a unique legacy. In Part I, join Sara on Edisto Island, where formerly enslaved people owned land, built schools, and created prosperous communities all <i>before</i> the Emancipation Proclamation. Hear from scholars and local experts as they tell the story of Edisto’s inspiring successes, its unjust dissolution, and the marks that both have left on the island today.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Christian Brown, with Dr. Kidada Williams. Thank you to Dr. Caroline Grego and Chris Barr. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb. This episode featured voice acting by Dennis Caldwell and musical performance by Frankie James, Olivia Stith, Samantha Higgs, and Dominique Jones, with arrangement by Frankie James.</p><p>This episode is supported by the National Endowment for the Humanities and the African American History Commission.</p><p>Visit OxfordAmerican.org/PointsSouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
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      <itunes:title>Nobody Knows the Trouble I&apos;ve Seen</itunes:title>
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      <itunes:summary>Producer Sara A. Lewis travels to South Carolina’s Edisto Island to discover a remarkable and heartbreaking story of Reconstruction.</itunes:summary>
      <itunes:subtitle>Producer Sara A. Lewis travels to South Carolina’s Edisto Island to discover a remarkable and heartbreaking story of Reconstruction.</itunes:subtitle>
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      <title>The Counternarrative</title>
      <description><![CDATA[<p>In this episode, producer Sara A. Lewis investigates stories—why and how they’re told at some of the South’s most vital and complicated civil rights sites. Join Sara on a trip from Louisiana’s Whitney Plantation, where the forgotten stories of enslaved people take center stage; to Mitchelville, South Carolina, where the joyful history of emancipation is remembered and recreated; to Birmingham, Alabama, where the city seeks to preserve and interpret some of the greatest tragedies and triumphs of the 20th century civil rights movement. Along the way, Sara speaks to experts and educators to learn more about how telling these stories shapes our understandings of our histories, our homes, and ourselves.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Christian Brown. Thank you to Dr. Joyce Zoë-Farley, Ashley Rogers and Amber Mitchell, Lola Campbell, and Denise Gilmore. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities and the Julia Child Foundation.</p><p>Visit OxfordAmerican.org/PointsSouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
]]></description>
      <pubDate>Thu, 7 Dec 2023 18:00:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode, producer Sara A. Lewis investigates stories—why and how they’re told at some of the South’s most vital and complicated civil rights sites. Join Sara on a trip from Louisiana’s Whitney Plantation, where the forgotten stories of enslaved people take center stage; to Mitchelville, South Carolina, where the joyful history of emancipation is remembered and recreated; to Birmingham, Alabama, where the city seeks to preserve and interpret some of the greatest tragedies and triumphs of the 20th century civil rights movement. Along the way, Sara speaks to experts and educators to learn more about how telling these stories shapes our understandings of our histories, our homes, and ourselves.</p><p>This episode was produced by Sara A. Lewis, Christian Leus, and Christian Brown. Thank you to Dr. Joyce Zoë-Farley, Ashley Rogers and Amber Mitchell, Lola Campbell, and Denise Gilmore. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities and the Julia Child Foundation.</p><p>Visit OxfordAmerican.org/PointsSouth to find more episodes, plus films, photographs, and more from the world of <i>Points South</i>.</p>
]]></content:encoded>
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      <itunes:title>The Counternarrative</itunes:title>
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      <itunes:summary>Producer Sara A. Lewis investigates why and how civil rights stories get told at public history sites throughout the South.</itunes:summary>
      <itunes:subtitle>Producer Sara A. Lewis investigates why and how civil rights stories get told at public history sites throughout the South.</itunes:subtitle>
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      <title>Fannie Lou Hamer and the Freedom Farm</title>
      <description><![CDATA[<p>In this episode, journalist Brittany Brown tells the story of Fannie Lou Hamer’s Freedom Farm, a radical cooperative initiative that sought to bring food sovereignty to northern Mississippi. Join Brown as she speaks to experts to learn more about Hamer’s life and work, and visits a farm in Montgomery County, Mississippi, to discover how Hamer’s vision of environmental justice resonates with Black landowners today.</p><p>This episode was produced by Sara A. Lewis, Brittany Brown, and Christian Leus, in collaboration with Dr. Kidada Williams. Thank you to Vickie Roberts Ratliff, Dr. Kate Clifford Larson, and Dr. Teona Williams. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities and the Julia Child Foundation.</p>
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      <pubDate>Thu, 30 Nov 2023 15:24:33 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
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      <content:encoded><![CDATA[<p>In this episode, journalist Brittany Brown tells the story of Fannie Lou Hamer’s Freedom Farm, a radical cooperative initiative that sought to bring food sovereignty to northern Mississippi. Join Brown as she speaks to experts to learn more about Hamer’s life and work, and visits a farm in Montgomery County, Mississippi, to discover how Hamer’s vision of environmental justice resonates with Black landowners today.</p><p>This episode was produced by Sara A. Lewis, Brittany Brown, and Christian Leus, in collaboration with Dr. Kidada Williams. Thank you to Vickie Roberts Ratliff, Dr. Kate Clifford Larson, and Dr. Teona Williams. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities and the Julia Child Foundation.</p>
]]></content:encoded>
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      <itunes:title>Fannie Lou Hamer and the Freedom Farm</itunes:title>
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      <itunes:summary>Journalist Brittany Brown explores the legacy of Fannie Lou Hamer’s Freedom Farm project in Mississippi.</itunes:summary>
      <itunes:subtitle>Journalist Brittany Brown explores the legacy of Fannie Lou Hamer’s Freedom Farm project in Mississippi.</itunes:subtitle>
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      <title>Mamie&apos;s Blues: Women in Storyville</title>
      <description><![CDATA[<p>We head back to New Orleans to visit Storyville, the red-light district that made the city infamous in the early 20th century. Producer Christian Leus explores the history of the neighborhood and disentangles its complicated legacies of jazz, sex work, and social upheaval. Join Christian as she digs through archival audio and conducts new interviews with Storyville scholars to discover what the myth of Storyville leaves out. Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to see archival images from Storyville. </p><p>This episode was produced by Sara A. Lewis and Christian Leus. Our Points South intern is Adam Forrester.</p><p>Special thanks to Dr. Alecia P. Long, Dr. Ben Barson, Dr. Sherrie Tucker, Dr. Nathalie Rech, and Dr. Stephanie Cox. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities.</p>
]]></description>
      <pubDate>Wed, 12 Jul 2023 14:00:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Christian Leus, Alecia P. Long, Ben Barson, Sherrie Tucker, Nathalie Rech, Stephanie Cox, Sara A. Lewis)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>We head back to New Orleans to visit Storyville, the red-light district that made the city infamous in the early 20th century. Producer Christian Leus explores the history of the neighborhood and disentangles its complicated legacies of jazz, sex work, and social upheaval. Join Christian as she digs through archival audio and conducts new interviews with Storyville scholars to discover what the myth of Storyville leaves out. Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to see archival images from Storyville. </p><p>This episode was produced by Sara A. Lewis and Christian Leus. Our Points South intern is Adam Forrester.</p><p>Special thanks to Dr. Alecia P. Long, Dr. Ben Barson, Dr. Sherrie Tucker, Dr. Nathalie Rech, and Dr. Stephanie Cox. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities.</p>
]]></content:encoded>
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      <itunes:title>Mamie&apos;s Blues: Women in Storyville</itunes:title>
      <itunes:author>Christian Leus, Alecia P. Long, Ben Barson, Sherrie Tucker, Nathalie Rech, Stephanie Cox, Sara A. Lewis</itunes:author>
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      <itunes:summary>We head back to New Orleans to visit Storyville, the red-light district that made the city infamous in the early 20th century.</itunes:summary>
      <itunes:subtitle>We head back to New Orleans to visit Storyville, the red-light district that made the city infamous in the early 20th century.</itunes:subtitle>
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      <title>We Watched The Radio: with Terry &amp; Jo Harvey Allen</title>
      <description><![CDATA[<p>In this episode, producer Christian Adam Brown travels to Sante Fe to meet Terry Allen and his wife, Jo Harvey Allen. Terry is a prolific artist, musician, and writer. His songs have been covered by Lucinda Williams, Sturgill Simpson, David Byrne, and many others. His visual artworks have been exhibited in The Met and MoMA. Terry’s radio work, which features the incredible theatrical performance work of Jo Harvey, challenged audiences when they were first broadcast. We bring segments of this work to you in this episode.</p><p>Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to see Terry’s visual pieces from his radio works, as well as photography from Jo Harvey’s theater performance of Bleeder. This episode was produced by Sara A. Lewis and Christian Adam Brown. Our Points South intern is Adam Forrester.</p><p>This episode is dedicated to the memory of Helen Thorington, who started New American Radio. Our deepest thanks to Terry and Jo Harvey, Brendan Greaves of Paradise of Bachelors Records, and Dr. Curtis Peoples at Texas Tech’s Southwest Collection – home to Terry and Jo Harvey’s archives. Special thanks to Dr. Anna Friz and Regine Beyer, as well as Rob Rosenthal of Transom for his guidance. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities.</p><p>This episode contains fictional descriptions of violence.</p>
]]></description>
      <pubDate>Thu, 15 Jun 2023 16:54:40 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Terry Allen, Jo Harvey Allen, Anna Friz, Regine Beyer, Sara A. Lewis, Christian Adam Brown)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode, producer Christian Adam Brown travels to Sante Fe to meet Terry Allen and his wife, Jo Harvey Allen. Terry is a prolific artist, musician, and writer. His songs have been covered by Lucinda Williams, Sturgill Simpson, David Byrne, and many others. His visual artworks have been exhibited in The Met and MoMA. Terry’s radio work, which features the incredible theatrical performance work of Jo Harvey, challenged audiences when they were first broadcast. We bring segments of this work to you in this episode.</p><p>Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to see Terry’s visual pieces from his radio works, as well as photography from Jo Harvey’s theater performance of Bleeder. This episode was produced by Sara A. Lewis and Christian Adam Brown. Our Points South intern is Adam Forrester.</p><p>This episode is dedicated to the memory of Helen Thorington, who started New American Radio. Our deepest thanks to Terry and Jo Harvey, Brendan Greaves of Paradise of Bachelors Records, and Dr. Curtis Peoples at Texas Tech’s Southwest Collection – home to Terry and Jo Harvey’s archives. Special thanks to Dr. Anna Friz and Regine Beyer, as well as Rob Rosenthal of Transom for his guidance. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities.</p><p>This episode contains fictional descriptions of violence.</p>
]]></content:encoded>
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      <itunes:title>We Watched The Radio: with Terry &amp; Jo Harvey Allen</itunes:title>
      <itunes:author>Terry Allen, Jo Harvey Allen, Anna Friz, Regine Beyer, Sara A. Lewis, Christian Adam Brown</itunes:author>
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      <itunes:summary>Meet Terry and Jo Harvey Allen, and learn about the pairs’ imaginative and innovative work in radio.</itunes:summary>
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      <title>You Always Return: Searching for Viet-Cajun in New Orleans, Part II</title>
      <description><![CDATA[<p>In this episode, cookbook author, chef, and teacher Andrea Nguyen travels to New Orleans East with producer Christian Adam Brown in search of an even deeper understanding of Vietnamese cuisine in New Orleans. Andrea and Christian meet the farmers that grow produce for this vibrant community and taste Dong Phuong Bakery's ever popular King Cake.</p><p>Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to see <i>Từ Nước (Of Water) - A New Orleans Tết</i>, a beautiful new short film by Marion Hill. It follows chef Nini Nguyễn as she prepares a traditional feast for the Lunar New Year. </p><p>This episode was produced by Sara A. Lewis, Christian Brown, and Andrea Nguyen. Original music by Dylan Trân. Thank you to Nga Le and Chi Nguyen, Karl Takacs Jr, and Anh Lu. Thanks to Dr. David Berris. Our podcast intern is Adam Forrester. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities and the Julia Child Foundation for Gastronomy and the Culinary Arts.</p>
]]></description>
      <pubDate>Wed, 31 May 2023 11:42:51 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Christian Adam Brown, Andrea Nguyen)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode, cookbook author, chef, and teacher Andrea Nguyen travels to New Orleans East with producer Christian Adam Brown in search of an even deeper understanding of Vietnamese cuisine in New Orleans. Andrea and Christian meet the farmers that grow produce for this vibrant community and taste Dong Phuong Bakery's ever popular King Cake.</p><p>Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to see <i>Từ Nước (Of Water) - A New Orleans Tết</i>, a beautiful new short film by Marion Hill. It follows chef Nini Nguyễn as she prepares a traditional feast for the Lunar New Year. </p><p>This episode was produced by Sara A. Lewis, Christian Brown, and Andrea Nguyen. Original music by Dylan Trân. Thank you to Nga Le and Chi Nguyen, Karl Takacs Jr, and Anh Lu. Thanks to Dr. David Berris. Our podcast intern is Adam Forrester. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities and the Julia Child Foundation for Gastronomy and the Culinary Arts.</p>
]]></content:encoded>
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      <itunes:title>You Always Return: Searching for Viet-Cajun in New Orleans, Part II</itunes:title>
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      <itunes:summary>Cookbook author and chef Andrea Nguyen and producer Christian Brown travel to New Orleans  to find the origins of Viet-Cajun food.
</itunes:summary>
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      <title>You Always Return: Searching for Viet-Cajun in New Orleans, Part I</title>
      <description><![CDATA[<p>In this episode, cookbook author, chef, and teacher Andrea Nguyen travels to New Orleans with producer Christian Brown to find the origins of Viet-Cajun food, a popular fusion that has been appearing at restaurants all over the US. Join Andrea and Christian as they visit several Vietnamese American restaurateurs to learn about how they envision their own identities within the vibrant food culture of New Orleans.</p><p>Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to see Tet New Orleans, a beautiful new short film by Marion Hill. It follows chef Nini Nguyễn as she prepares a traditional feast for the Lunar New Year. </p><p>This episode was produced by Sara A. Lewis, Christian Brown, and Andrea Nguyen. Original music by Dylan Trân. Thank you to Nga Le and Chi Nguyen, Karl Takacs Jr, and Anh Lu. Thanks to Dr. David Berris. Our podcast intern is Adam Forrester. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities and the Julia Child Foundation for Gastronomy and the Culinary Arts.</p>
]]></description>
      <pubDate>Thu, 18 May 2023 14:00:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Andrea Nguyen, Christian Adam Brown)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode, cookbook author, chef, and teacher Andrea Nguyen travels to New Orleans with producer Christian Brown to find the origins of Viet-Cajun food, a popular fusion that has been appearing at restaurants all over the US. Join Andrea and Christian as they visit several Vietnamese American restaurateurs to learn about how they envision their own identities within the vibrant food culture of New Orleans.</p><p>Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to see Tet New Orleans, a beautiful new short film by Marion Hill. It follows chef Nini Nguyễn as she prepares a traditional feast for the Lunar New Year. </p><p>This episode was produced by Sara A. Lewis, Christian Brown, and Andrea Nguyen. Original music by Dylan Trân. Thank you to Nga Le and Chi Nguyen, Karl Takacs Jr, and Anh Lu. Thanks to Dr. David Berris. Our podcast intern is Adam Forrester. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities and the Julia Child Foundation for Gastronomy and the Culinary Arts.</p>
]]></content:encoded>
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      <itunes:title>You Always Return: Searching for Viet-Cajun in New Orleans, Part I</itunes:title>
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      <itunes:summary>Cookbook author and chef Andrea Nguyen and producer Christian Brown travel to New Orleans  to find the origins of Viet-Cajun food.</itunes:summary>
      <itunes:subtitle>Cookbook author and chef Andrea Nguyen and producer Christian Brown travel to New Orleans  to find the origins of Viet-Cajun food.</itunes:subtitle>
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      <title>Beyond the Canon: Lillian Smith</title>
      <description><![CDATA[<p>In this episode, <i>OA </i>contributing editor Diane Roberts travels to Rabun County, Georgia, to visit the campgrounds owned by Lillian Smith, the author of <i>Strange Fruit</i> and <i>Killers of the Dream</i>. Roberts investigates how the environment of the campgrounds shaped Smith, a white activist and writer who worked alongside Martin Luther King, Jr., Eleanor Roosevelt, and others to disrupt white supremacy. This episode includes newly discovered audio of the voice of Lillian Smith, calling out to us in the present through her enduring legacy.</p><p>Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to read “Stay and Resist,” Diane Roberts’s 2016 essay on Lillian Smith.</p><p>This episode was produced by Sara A. Lewis, Diane Roberts, Noah Britton, Christian Brown, and Julia Kraus. Thanks to Nancy Smith Fichter, the Lillian E. Smith Center at Piedmont University and Dr. Matthew Teutsch for archival audio. Thank you to Professors Ravi Howard and Margaret Rose Gladney. Additional recording done by Taylor Cox at WFSU Public Media. Our podcast interns are Adam Forrester and Sydney Nichols. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities.</p>
]]></description>
      <pubDate>Wed, 10 May 2023 14:00:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Diane Roberts, Nancy Smith Fichter, Matthew Deutsch, Ravi Howard, Margaret Rose Gladney, Sara A. Lewis)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode, <i>OA </i>contributing editor Diane Roberts travels to Rabun County, Georgia, to visit the campgrounds owned by Lillian Smith, the author of <i>Strange Fruit</i> and <i>Killers of the Dream</i>. Roberts investigates how the environment of the campgrounds shaped Smith, a white activist and writer who worked alongside Martin Luther King, Jr., Eleanor Roosevelt, and others to disrupt white supremacy. This episode includes newly discovered audio of the voice of Lillian Smith, calling out to us in the present through her enduring legacy.</p><p>Visit <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a> to read “Stay and Resist,” Diane Roberts’s 2016 essay on Lillian Smith.</p><p>This episode was produced by Sara A. Lewis, Diane Roberts, Noah Britton, Christian Brown, and Julia Kraus. Thanks to Nancy Smith Fichter, the Lillian E. Smith Center at Piedmont University and Dr. Matthew Teutsch for archival audio. Thank you to Professors Ravi Howard and Margaret Rose Gladney. Additional recording done by Taylor Cox at WFSU Public Media. Our podcast interns are Adam Forrester and Sydney Nichols. Post-production and score thanks to Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities.</p>
]]></content:encoded>
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      <itunes:title>Beyond the Canon: Lillian Smith</itunes:title>
      <itunes:author>Diane Roberts, Nancy Smith Fichter, Matthew Deutsch, Ravi Howard, Margaret Rose Gladney, Sara A. Lewis</itunes:author>
      <itunes:duration>00:22:52</itunes:duration>
      <itunes:summary>OA contributing editor Diane Roberts revisits her 2016 essay “Stay and Resist,” investigating the life and legacy of radically subversive writer Lillian Smith.
</itunes:summary>
      <itunes:subtitle>OA contributing editor Diane Roberts revisits her 2016 essay “Stay and Resist,” investigating the life and legacy of radically subversive writer Lillian Smith.
</itunes:subtitle>
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      <title>The Camel Experiment: The Legend of Hi Jolly</title>
      <description><![CDATA[<p>In this episode, Marfa Public Radio’s Annie Rosenthal and <i>Points South</i> producer Christian Adam Brown revisit the unusual history found at the sites of <i>OA </i>contributor Sasha von Oldershausen’s essay, “The Camel Experiment.” Travel to Texas and meet Doug Baum and his Texas Camel Corps, survey the remnants of a mid-19th century military experiment that helped pave the way for the U.S.’s westward expansion. Follow along as Christian and Annie visit Quartzsite, Arizona, to learn about Hadji Ali, a Muslim immigrant who served as a military camel driver and is now memorialized as a folk hero. </p><p>See photos from Christian and Annie’s camel reporting, a short film about the Camel Experiment — and read Sasha von Oldershausen’s original essay — at <a href="https://oxfordamerican.org/pointssouth">OxfordAmerican.org/pointssouth</a>. </p><p>This episode was produced by Sara A. Lewis, Christian Adam Brown, and Annie Rosenthal. Thanks to Curtis Fye and Trey Pollard of Spacebomb for our series sound design and score. Additional sound design and score by Christian Adam Brown. Thanks to Doug Baum, Téa Obreht, Gary Nabhan, and Lynn Stimson for their time and insights. And a special thanks to Farooq Ahmed for his guidance. </p><p>This episode is supported by the National Endowment for the Humanities. Hear more Points South and see bonus content at <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a>. </p>
]]></description>
      <pubDate>Thu, 4 May 2023 09:00:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Christian Adam Brown, Annie Rosenthal, Sara A. Lewis, Téa Obreht, Doug Baum, Gary Nabhan, Lynn Stimson)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode, Marfa Public Radio’s Annie Rosenthal and <i>Points South</i> producer Christian Adam Brown revisit the unusual history found at the sites of <i>OA </i>contributor Sasha von Oldershausen’s essay, “The Camel Experiment.” Travel to Texas and meet Doug Baum and his Texas Camel Corps, survey the remnants of a mid-19th century military experiment that helped pave the way for the U.S.’s westward expansion. Follow along as Christian and Annie visit Quartzsite, Arizona, to learn about Hadji Ali, a Muslim immigrant who served as a military camel driver and is now memorialized as a folk hero. </p><p>See photos from Christian and Annie’s camel reporting, a short film about the Camel Experiment — and read Sasha von Oldershausen’s original essay — at <a href="https://oxfordamerican.org/pointssouth">OxfordAmerican.org/pointssouth</a>. </p><p>This episode was produced by Sara A. Lewis, Christian Adam Brown, and Annie Rosenthal. Thanks to Curtis Fye and Trey Pollard of Spacebomb for our series sound design and score. Additional sound design and score by Christian Adam Brown. Thanks to Doug Baum, Téa Obreht, Gary Nabhan, and Lynn Stimson for their time and insights. And a special thanks to Farooq Ahmed for his guidance. </p><p>This episode is supported by the National Endowment for the Humanities. Hear more Points South and see bonus content at <a href="https://oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a>. </p>
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      <itunes:title>The Camel Experiment: The Legend of Hi Jolly</itunes:title>
      <itunes:author>Christian Adam Brown, Annie Rosenthal, Sara A. Lewis, Téa Obreht, Doug Baum, Gary Nabhan, Lynn Stimson</itunes:author>
      <itunes:duration>00:35:24</itunes:duration>
      <itunes:summary>Contributor Annie Rosenthal and producer Christian Adam Brown journey to Texas and Arizona, where camels, a legendary Muslim immigrant, and U.S. soldiers intersect in an unlikely celebration.</itunes:summary>
      <itunes:subtitle>Contributor Annie Rosenthal and producer Christian Adam Brown journey to Texas and Arizona, where camels, a legendary Muslim immigrant, and U.S. soldiers intersect in an unlikely celebration.</itunes:subtitle>
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      <title>Bedfellows Forever</title>
      <description><![CDATA[<p>In this episode, <i>OA </i>contributor Logan Scherer returns to a topic that has been his persistent curiosity for nearly a decade: romantic male friendships. Grappling with how to define his own relationship with his best friend, Logan explores the archives and accounts of 19th century men who clasped hands, hugged, shared tears, wrote deeply intimate letters to one another, and shared beds. Logan conducts new interviews with Dr. Anya Jabour, Dr. Sergio Lussana, and writer Brontez Purnell to explore the unique history of bedfellows who are, for him, “queerer…than any form of intimacy…in the twenty-first-century.”</p><p>To read Logan’s essay, “Bedfellows Forever” and to find excerpts and images of nineteenth century male romantic friendships <a href="https://oxfordamerican.org/magazine/issue-106/bedfellows-forever">visit our website</a>.</p><p>This episode was produced by Sara A. Lewis, Logan Scherer, Noah Britton, Christian Brown, and Alice Berry, with Christian Leus and Patrick McDermott. Adam Forrester and Sydney Nichols are our Points South interns. Thanks to Brontez Purnell and Doctors Anya Jabour and Sergio Lussana.  Letters from William Wirt are accessible via the Library of Virginia. Additional recording done by WEAREPRODUCERS in Berlin, Germany, University of Montana Missoula, Outset Studios in London, and Skyline Studios in Oakland. Post-production by Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities. Hear more Points South and see bonus content at <a href="https://oxfordamerican.org/pointssouth">https://oxfordamerican.org/pointssouth</a>. </p>
]]></description>
      <pubDate>Wed, 26 Apr 2023 14:00:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Anya Jabour, Logan Scherer, Sergio Lussana, Brontez Purnell, Sara A. Lewis)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode, <i>OA </i>contributor Logan Scherer returns to a topic that has been his persistent curiosity for nearly a decade: romantic male friendships. Grappling with how to define his own relationship with his best friend, Logan explores the archives and accounts of 19th century men who clasped hands, hugged, shared tears, wrote deeply intimate letters to one another, and shared beds. Logan conducts new interviews with Dr. Anya Jabour, Dr. Sergio Lussana, and writer Brontez Purnell to explore the unique history of bedfellows who are, for him, “queerer…than any form of intimacy…in the twenty-first-century.”</p><p>To read Logan’s essay, “Bedfellows Forever” and to find excerpts and images of nineteenth century male romantic friendships <a href="https://oxfordamerican.org/magazine/issue-106/bedfellows-forever">visit our website</a>.</p><p>This episode was produced by Sara A. Lewis, Logan Scherer, Noah Britton, Christian Brown, and Alice Berry, with Christian Leus and Patrick McDermott. Adam Forrester and Sydney Nichols are our Points South interns. Thanks to Brontez Purnell and Doctors Anya Jabour and Sergio Lussana.  Letters from William Wirt are accessible via the Library of Virginia. Additional recording done by WEAREPRODUCERS in Berlin, Germany, University of Montana Missoula, Outset Studios in London, and Skyline Studios in Oakland. Post-production by Curtis Fye and Trey Pollard of Spacebomb.</p><p>This episode is supported by the National Endowment for the Humanities. Hear more Points South and see bonus content at <a href="https://oxfordamerican.org/pointssouth">https://oxfordamerican.org/pointssouth</a>. </p>
]]></content:encoded>
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      <itunes:title>Bedfellows Forever</itunes:title>
      <itunes:author>Anya Jabour, Logan Scherer, Sergio Lussana, Brontez Purnell, Sara A. Lewis</itunes:author>
      <itunes:duration>00:25:21</itunes:duration>
      <itunes:summary>OA contributor Logan Scherer explores how 19th century male romantic friendships queer his understanding of historical masculinity and illuminate one of his closest relationships. </itunes:summary>
      <itunes:subtitle>OA contributor Logan Scherer explores how 19th century male romantic friendships queer his understanding of historical masculinity and illuminate one of his closest relationships. </itunes:subtitle>
      <itunes:keywords>bedfellows, nineteenth century literature, bromance, boyhood, masculinity</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>The Joyful Sound</title>
      <description><![CDATA[<p>Welcome back to <i>Points South</i>! In this first episode of our third season, <i>OA</i> contributor David Ramsey revisits the Old Regular Baptists of Blackey, Kentucky, to hear the congregation’s distinctive style of singing and preaching. In Old Regular Baptist churches, the human voice is the sole instrument, singing lined-out hymnody, a tradition that began in parish churches in England in the early 1600’s.  You’ll hear the voices of the Old Regular Baptists as they sing, new interviews with music scholar Jeff Titon, and Dave Ramsey’s own reflections about his experience with these rare and unique sounds. Read David’s 2017 Music Issue story on the Old Regular Baptists, “Tuned Up in the Spirit,” <a href="https://oxfordamerican.org/magazine/issue-99-winter-2017/tuned-up-in-the-spirit">on our website</a>. </p><p>This episode was produced by Sara A. Lewis, Christian Brown, David Ramsey, and Veronica Salinas, with Christian Leus and Patrick McDermott. Adam Forrester and Sydney Nichols are our Points South interns. Recordings were captured by Christian Brown. Thanks to Mount Olivet Church in Blackey, Kentucky for inviting us to record their service and speak with their members. Special thanks to Smithsonian Folkways and Jeff Titon. Thank you to Trey Pollard and Curtis Fye at Spacebomb for post-production, score, and sound design. </p><p>This episode is supported by the National Endowment for the Humanities. Hear more Points South and see bonus content at <a href="https://oxfordamerican.org/pointssouth">https://oxfordamerican.org/pointssouth</a>. </p>
]]></description>
      <pubDate>Wed, 19 Apr 2023 14:00:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Jeff Titon, Mount Olivet Church, Sara A. Lewis, David Ramsey)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>Welcome back to <i>Points South</i>! In this first episode of our third season, <i>OA</i> contributor David Ramsey revisits the Old Regular Baptists of Blackey, Kentucky, to hear the congregation’s distinctive style of singing and preaching. In Old Regular Baptist churches, the human voice is the sole instrument, singing lined-out hymnody, a tradition that began in parish churches in England in the early 1600’s.  You’ll hear the voices of the Old Regular Baptists as they sing, new interviews with music scholar Jeff Titon, and Dave Ramsey’s own reflections about his experience with these rare and unique sounds. Read David’s 2017 Music Issue story on the Old Regular Baptists, “Tuned Up in the Spirit,” <a href="https://oxfordamerican.org/magazine/issue-99-winter-2017/tuned-up-in-the-spirit">on our website</a>. </p><p>This episode was produced by Sara A. Lewis, Christian Brown, David Ramsey, and Veronica Salinas, with Christian Leus and Patrick McDermott. Adam Forrester and Sydney Nichols are our Points South interns. Recordings were captured by Christian Brown. Thanks to Mount Olivet Church in Blackey, Kentucky for inviting us to record their service and speak with their members. Special thanks to Smithsonian Folkways and Jeff Titon. Thank you to Trey Pollard and Curtis Fye at Spacebomb for post-production, score, and sound design. </p><p>This episode is supported by the National Endowment for the Humanities. Hear more Points South and see bonus content at <a href="https://oxfordamerican.org/pointssouth">https://oxfordamerican.org/pointssouth</a>. </p>
]]></content:encoded>
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      <itunes:title>The Joyful Sound</itunes:title>
      <itunes:author>Jeff Titon, Mount Olivet Church, Sara A. Lewis, David Ramsey</itunes:author>
      <itunes:duration>00:21:58</itunes:duration>
      <itunes:summary>OA contributor David Ramsey revisits Blackey, Kentucky, where Old Regular Baptists are still singing in a four hundred year old tradition.</itunes:summary>
      <itunes:subtitle>OA contributor David Ramsey revisits Blackey, Kentucky, where Old Regular Baptists are still singing in a four hundred year old tradition.</itunes:subtitle>
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      <title>Points South Live: The Deer and Elizabeth McQueen</title>
      <description><![CDATA[<p>In this episode of <i>Points South Live</i>, pioneering, transcendental indie folk band <a href="https://www.thedeermusic.com/about">The Deer</a> performs songs from their new release<i> </i><a href="https://keeledscales.com/product/the_beautiful_undead"><i>The Beautiful Undead</i></a> live at Long Play Lounge East in Austin, TX. Bandmates Grace Rowland, Michael McLeod, Jesse Dalton, Alan Eckert, and Noah Jeffries join KUTX host <a href="https://kutx.org/hosts-staff/elizabeth-mcqueen-2/">Elizabeth McQueen</a> to chat about making music during the pandemic, reconnecting with live audiences, and processing grief through their songs.</p><p><i>Points South Live</i> is a series of live events featuring music and conversations with artists, finding resonances in creators' craft, experiences, and communities. </p><p>This <i>Points South Live</i> event was produced with support from the National Endowment for the Arts and Long Play Lounge East. The episode was produced by Sara A. Lewis, Christian Brown, and Christian Leus. You can help keep events like this free by making a contribution at <a href="https://oxfordamerican.org/donate">OxfordAmerican.org/donate</a>.</p>
]]></description>
      <pubDate>Thu, 29 Sep 2022 18:59:08 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Elizabeth McQueen, The Deer, Sara A. Lewis)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode of <i>Points South Live</i>, pioneering, transcendental indie folk band <a href="https://www.thedeermusic.com/about">The Deer</a> performs songs from their new release<i> </i><a href="https://keeledscales.com/product/the_beautiful_undead"><i>The Beautiful Undead</i></a> live at Long Play Lounge East in Austin, TX. Bandmates Grace Rowland, Michael McLeod, Jesse Dalton, Alan Eckert, and Noah Jeffries join KUTX host <a href="https://kutx.org/hosts-staff/elizabeth-mcqueen-2/">Elizabeth McQueen</a> to chat about making music during the pandemic, reconnecting with live audiences, and processing grief through their songs.</p><p><i>Points South Live</i> is a series of live events featuring music and conversations with artists, finding resonances in creators' craft, experiences, and communities. </p><p>This <i>Points South Live</i> event was produced with support from the National Endowment for the Arts and Long Play Lounge East. The episode was produced by Sara A. Lewis, Christian Brown, and Christian Leus. You can help keep events like this free by making a contribution at <a href="https://oxfordamerican.org/donate">OxfordAmerican.org/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Points South Live: The Deer and Elizabeth McQueen</itunes:title>
      <itunes:author>Elizabeth McQueen, The Deer, Sara A. Lewis</itunes:author>
      <itunes:duration>00:36:33</itunes:duration>
      <itunes:summary>Transcendental indie folk band The Deer join KUTX host Elizabeth McQueen for an evening of live music and conversation at Long Play Lounge East in Austin, TX. </itunes:summary>
      <itunes:subtitle>Transcendental indie folk band The Deer join KUTX host Elizabeth McQueen for an evening of live music and conversation at Long Play Lounge East in Austin, TX. </itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Points South Live: Clarence Heyward and Jenn Wasner</title>
      <description><![CDATA[<p>In this episode of <i>Points South Live</i>, musician and songwriter <a href="https://www.flockofdimes.com/">Jenn Wasner</a> performs songs from her newest release <a href="https://www.subpop.com/news/2022/04/14/flock_of_dimes_head_of_roses_phantom_limb_available_today_on_all_dsps"><i>Head of Roses: Phantom Limb</i></a> live at 21c Durham Museum and Hotel. Painter and collagist <a href="https://www.clarenceheyward.com/">Clarence Heyward</a> joins Wasner and OA Editor Danielle A. Jackson to chat about the influence Durham has had on their work, finding inspiration in lived experiences, and different approaches to creative collaboration.</p><p><i>Points South Live</i> is a series of live events featuring music and conversation, produced in collaboration with 21c Museum Hotels, that brings together musicians and visual artists to find resonances in their craft, experiences, and communities. </p><p>This <i>Points South Live</i> event was produced with support from the National Endowment for the Arts and 21c Durham Museum and Hotel. The episode was produced by Sara A. Lewis, Christian Brown, and Christian Leus. You can help keep events like these free by making a contribution at <a href="https://oxfordamerican.org/donate" target="_blank">OxfordAmerican.org/donate</a>.</p>
]]></description>
      <pubDate>Fri, 23 Sep 2022 17:19:53 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Jenn Wasner, Clarence Heyward, Danielle A. Jackson)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode of <i>Points South Live</i>, musician and songwriter <a href="https://www.flockofdimes.com/">Jenn Wasner</a> performs songs from her newest release <a href="https://www.subpop.com/news/2022/04/14/flock_of_dimes_head_of_roses_phantom_limb_available_today_on_all_dsps"><i>Head of Roses: Phantom Limb</i></a> live at 21c Durham Museum and Hotel. Painter and collagist <a href="https://www.clarenceheyward.com/">Clarence Heyward</a> joins Wasner and OA Editor Danielle A. Jackson to chat about the influence Durham has had on their work, finding inspiration in lived experiences, and different approaches to creative collaboration.</p><p><i>Points South Live</i> is a series of live events featuring music and conversation, produced in collaboration with 21c Museum Hotels, that brings together musicians and visual artists to find resonances in their craft, experiences, and communities. </p><p>This <i>Points South Live</i> event was produced with support from the National Endowment for the Arts and 21c Durham Museum and Hotel. The episode was produced by Sara A. Lewis, Christian Brown, and Christian Leus. You can help keep events like these free by making a contribution at <a href="https://oxfordamerican.org/donate" target="_blank">OxfordAmerican.org/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Points South Live: Clarence Heyward and Jenn Wasner</itunes:title>
      <itunes:author>Jenn Wasner, Clarence Heyward, Danielle A. Jackson</itunes:author>
      <itunes:duration>00:44:01</itunes:duration>
      <itunes:summary>Songwriter Jenn Wasner of Flock of Dimes plays live from 21c Durham Museum and Hotel, chatting with Brooklyn-born visual artist Clarence Heyward and OA Editor Danielle A. Jackson.</itunes:summary>
      <itunes:subtitle>Songwriter Jenn Wasner of Flock of Dimes plays live from 21c Durham Museum and Hotel, chatting with Brooklyn-born visual artist Clarence Heyward and OA Editor Danielle A. Jackson.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
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      <title>Points South Live: Margo Price, Jodi Hays, and Alice Randall</title>
      <description><![CDATA[<p>In this episode of <i>Points South Live</i>, country songwriter, singer, and memoirist <a href="https://margoprice.net/">Margo Price</a> plays live from 21c Nashville Museum and Hotel. Innovative multimedia painter <a href="https://jodihays.com/">Jodi Hays</a> joins Price in conversation with OA Guest Editor <a href="https://www.alicerandall.com/">Alice Randall</a>, author of <i>Black Bottom Saints</i>, to chat about Nashville, creating while female, and turning the hard into art. </p><p><i>Points South Live</i> is a series of live events featuring music and conversation, produced in collaboration with 21c Museum Hotels, that brings together musicians and visual artists to find resonances in their craft, experiences, and communities. </p><p>This <i>Points South Live </i>event was produced with support from the National Endowment for the Arts and 21c Nashville Museum and Hotel. The episode was produced by Sara A. Lewis, Christian Brown, and Christian Leus. You can help keep events like these free by making a contribution at OxfordAmerican.org/donate.</p>
]]></description>
      <pubDate>Thu, 15 Sep 2022 20:37:44 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Margo Price, Jodi Hays, Alice Randall, Sara A. Lewis)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode of <i>Points South Live</i>, country songwriter, singer, and memoirist <a href="https://margoprice.net/">Margo Price</a> plays live from 21c Nashville Museum and Hotel. Innovative multimedia painter <a href="https://jodihays.com/">Jodi Hays</a> joins Price in conversation with OA Guest Editor <a href="https://www.alicerandall.com/">Alice Randall</a>, author of <i>Black Bottom Saints</i>, to chat about Nashville, creating while female, and turning the hard into art. </p><p><i>Points South Live</i> is a series of live events featuring music and conversation, produced in collaboration with 21c Museum Hotels, that brings together musicians and visual artists to find resonances in their craft, experiences, and communities. </p><p>This <i>Points South Live </i>event was produced with support from the National Endowment for the Arts and 21c Nashville Museum and Hotel. The episode was produced by Sara A. Lewis, Christian Brown, and Christian Leus. You can help keep events like these free by making a contribution at OxfordAmerican.org/donate.</p>
]]></content:encoded>
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      <itunes:title>Points South Live: Margo Price, Jodi Hays, and Alice Randall</itunes:title>
      <itunes:author>Margo Price, Jodi Hays, Alice Randall, Sara A. Lewis</itunes:author>
      <itunes:duration>00:45:17</itunes:duration>
      <itunes:summary>Live from 21c Nashville Museum and Hotel, country songwriter and memoirist Margo Price performs live and chats with painter Jodi Hays and author, songwriter, and OA Guest Editor Alice Randall.</itunes:summary>
      <itunes:subtitle>Live from 21c Nashville Museum and Hotel, country songwriter and memoirist Margo Price performs live and chats with painter Jodi Hays and author, songwriter, and OA Guest Editor Alice Randall.</itunes:subtitle>
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      <title>Points South Live: Buffalo Nichols and Oluwatobi Adewumi</title>
      <description><![CDATA[<p>In this episode of <i>Points South Live</i>, blues guitarist, songwriter, and singer <a href="https://www.buffalo-nichols.com/">Buffalo Nichols</a> plays live from 21c Bentonville Museum and Hotel. Multimedia visual artist <a href="https://www.tobiadewumi.com/">Oluwatobi Adewumi</a> joins Nichols and University of Arkansas Black Student Caucus spokesperson Tyrah Jackson to chat about the blues, negotiating arts industries, and the Black diaspora. </p><p>Watch a bonus interview with Oluwatobi <a href="https://oxfordamerican.org/pointssouth/episodes/live-bentonville" target="_blank">on our website</a> or <a href="https://www.youtube.com/watch?v=VqFD71NK_zk" target="_blank">YouTube channel</a>.</p><p><i>Points South Live</i> is a series of live events featuring music and conversation, produced in collaboration with 21c Museum Hotels, that brings together musicians and visual artists to find resonances in their craft, experiences, and communities. </p><p>This <i>Points South Live </i>event was produced with support from the National Endowment for the Arts and 21c Bentonville Museum and Hotel. The episode was produced by Sara A. Lewis and Christian Brown. You can help keep events like these free by making a contribution at <a href="https://oxfordamerican.org/donate">OxfordAmerican.org/donate</a>.</p>
]]></description>
      <pubDate>Fri, 9 Sep 2022 16:12:42 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Buffalo Nichols, Oluwatobi Adewumi, Tyrah Jackson, Sara A. Lewis)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode of <i>Points South Live</i>, blues guitarist, songwriter, and singer <a href="https://www.buffalo-nichols.com/">Buffalo Nichols</a> plays live from 21c Bentonville Museum and Hotel. Multimedia visual artist <a href="https://www.tobiadewumi.com/">Oluwatobi Adewumi</a> joins Nichols and University of Arkansas Black Student Caucus spokesperson Tyrah Jackson to chat about the blues, negotiating arts industries, and the Black diaspora. </p><p>Watch a bonus interview with Oluwatobi <a href="https://oxfordamerican.org/pointssouth/episodes/live-bentonville" target="_blank">on our website</a> or <a href="https://www.youtube.com/watch?v=VqFD71NK_zk" target="_blank">YouTube channel</a>.</p><p><i>Points South Live</i> is a series of live events featuring music and conversation, produced in collaboration with 21c Museum Hotels, that brings together musicians and visual artists to find resonances in their craft, experiences, and communities. </p><p>This <i>Points South Live </i>event was produced with support from the National Endowment for the Arts and 21c Bentonville Museum and Hotel. The episode was produced by Sara A. Lewis and Christian Brown. You can help keep events like these free by making a contribution at <a href="https://oxfordamerican.org/donate">OxfordAmerican.org/donate</a>.</p>
]]></content:encoded>
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      <itunes:title>Points South Live: Buffalo Nichols and Oluwatobi Adewumi</itunes:title>
      <itunes:author>Buffalo Nichols, Oluwatobi Adewumi, Tyrah Jackson, Sara A. Lewis</itunes:author>
      <itunes:duration>00:38:50</itunes:duration>
      <itunes:summary>Blues songwriter Buffalo Nichols plays live from 21c Bentonville Museum and Hotel, and chats with multimedia visual artist Oluwatobi Adewumi and University of Arkansas Black Student Caucus spokesperson Tyrah Jackson.</itunes:summary>
      <itunes:subtitle>Blues songwriter Buffalo Nichols plays live from 21c Bentonville Museum and Hotel, and chats with multimedia visual artist Oluwatobi Adewumi and University of Arkansas Black Student Caucus spokesperson Tyrah Jackson.</itunes:subtitle>
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      <title>If You Would Know Us</title>
      <description><![CDATA[<p>THE PROLOGUE</p><p>The 1898 Wilmington Massacre was a violent attack on the city's thriving African American community, one of a series of coups that took place after the Civil War. Through interviews with local historians, <i>OA</i> contributor KaToya Ellis Fleming investigates the backlash to Wilmington's Black leadership and the legacy of the Wilmington Massacre.</p><p>IN SESSION</p><p>A performance by American folk duo Birds of Chicago from the 30A Songwriters Festival.</p>
]]></description>
      <pubDate>Thu, 23 Dec 2021 14:00:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (KaToya Ellis Fleming, Hannah Saulters, Julia Kraus, Noah Britton, Sara A. Lewis, Sarah Whites-Koditschek)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>THE PROLOGUE</p><p>The 1898 Wilmington Massacre was a violent attack on the city's thriving African American community, one of a series of coups that took place after the Civil War. Through interviews with local historians, <i>OA</i> contributor KaToya Ellis Fleming investigates the backlash to Wilmington's Black leadership and the legacy of the Wilmington Massacre.</p><p>IN SESSION</p><p>A performance by American folk duo Birds of Chicago from the 30A Songwriters Festival.</p>
]]></content:encoded>
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      <itunes:title>If You Would Know Us</itunes:title>
      <itunes:author>KaToya Ellis Fleming, Hannah Saulters, Julia Kraus, Noah Britton, Sara A. Lewis, Sarah Whites-Koditschek</itunes:author>
      <itunes:duration>00:43:04</itunes:duration>
      <itunes:summary>OA contributor KaToya Ellis Fleming investigates the 1898 Wilmington Massacre, a violent attack on the city’s thriving African American community, drawing parallels with the January 6, 2021 Capitol insurrection. Plus, a live performance by folk duo Birds of Chicago.</itunes:summary>
      <itunes:subtitle>OA contributor KaToya Ellis Fleming investigates the 1898 Wilmington Massacre, a violent attack on the city’s thriving African American community, drawing parallels with the January 6, 2021 Capitol insurrection. Plus, a live performance by folk duo Birds of Chicago.</itunes:subtitle>
      <itunes:keywords>wilmington daily record, cape fear, wilmington massacre, alexander manly, pine forest cemetery, north carolina history, wilmington, third person project, north carolina, birds of chicago</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:season>2</itunes:season>
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      <title>Half My World</title>
      <description><![CDATA[<p>THE PROLOGUE</p><p><i>OA</i> contributor Tess Taylor examines the world of Virginian poet Anne Spencer, contextualizing her activism and artistic output within her rich domestic life. Plus: A special broadcast from the Anne Spencer House and Garden Museum, Inc. Archives.  </p><p>IN SESSION</p><p>A performance by Richmond native and singer-songwriter Lucy Dacus from the 30A Songwriters Festival. Dacus’s latest album, <i>Home Video</i>, is available now. </p>
]]></description>
      <pubDate>Thu, 2 Dec 2021 14:00:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Tess Taylor, Sarah Whites-Koditschek, Julia Kraus, Hannah Saulters, Noah Britton, Sara A. Lewis)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>THE PROLOGUE</p><p><i>OA</i> contributor Tess Taylor examines the world of Virginian poet Anne Spencer, contextualizing her activism and artistic output within her rich domestic life. Plus: A special broadcast from the Anne Spencer House and Garden Museum, Inc. Archives.  </p><p>IN SESSION</p><p>A performance by Richmond native and singer-songwriter Lucy Dacus from the 30A Songwriters Festival. Dacus’s latest album, <i>Home Video</i>, is available now. </p>
]]></content:encoded>
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      <itunes:title>Half My World</itunes:title>
      <itunes:author>Tess Taylor, Sarah Whites-Koditschek, Julia Kraus, Hannah Saulters, Noah Britton, Sara A. Lewis</itunes:author>
      <itunes:duration>00:40:56</itunes:duration>
      <itunes:summary>In this special episode, poet Tess Taylor reflects on the rich and naturalistic poetry of Virginian Anne Spencer. We&apos;re honored to partner with the Anne Spencer House and Garden Museum, Inc. Archives on this episode, which marks the first time listeners can hear Anne Spencer&apos;s voice outside of the museum&apos;s archives.  Plus: Lucy Dacus performs live from the 30A Songwriters Festival. </itunes:summary>
      <itunes:subtitle>In this special episode, poet Tess Taylor reflects on the rich and naturalistic poetry of Virginian Anne Spencer. We&apos;re honored to partner with the Anne Spencer House and Garden Museum, Inc. Archives on this episode, which marks the first time listeners can hear Anne Spencer&apos;s voice outside of the museum&apos;s archives.  Plus: Lucy Dacus performs live from the 30A Songwriters Festival. </itunes:subtitle>
      <itunes:keywords>lucy dacus, poetry, lynchburg, virginia history, richmond, w.e.b. du bois, virginia, anne spencer, garden</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:season>2</itunes:season>
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      <title>The Borderlands</title>
      <description><![CDATA[<p>THE PROLOGUE</p><p><i>OA</i> contributor Michelle García investigates the history of the U.S.–Mexico border and the violent response to Black Lives Matter protests in the Rio Grande Valley.</p><p>IN SESSION</p><p>A performance by Nashville-based singer-songwriter Adia Victoria from the 30A Songwriters Festival. Victoria’s latest album, <i>A Southern Gothic</i>, is available now.</p>
]]></description>
      <pubDate>Thu, 4 Nov 2021 22:24:24 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Michelle García, Noah Britton, Adia Victoria, Sara A. Lewis)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>THE PROLOGUE</p><p><i>OA</i> contributor Michelle García investigates the history of the U.S.–Mexico border and the violent response to Black Lives Matter protests in the Rio Grande Valley.</p><p>IN SESSION</p><p>A performance by Nashville-based singer-songwriter Adia Victoria from the 30A Songwriters Festival. Victoria’s latest album, <i>A Southern Gothic</i>, is available now.</p>
]]></content:encoded>
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      <itunes:title>The Borderlands</itunes:title>
      <itunes:author>Michelle García, Noah Britton, Adia Victoria, Sara A. Lewis</itunes:author>
      <itunes:duration>00:45:14</itunes:duration>
      <itunes:summary>Texas journalist Michelle García explores the violent backlash to Black Lives Matter protests in the Rio Grande Valley. Her journey through the region uncovers the history of the U.S-Mexico border and its significance to refugees of enslavement. Plus: Adia Victoria performs live from the 30A Songwriters Festival.</itunes:summary>
      <itunes:subtitle>Texas journalist Michelle García explores the violent backlash to Black Lives Matter protests in the Rio Grande Valley. Her journey through the region uncovers the history of the U.S-Mexico border and its significance to refugees of enslavement. Plus: Adia Victoria performs live from the 30A Songwriters Festival.</itunes:subtitle>
      <itunes:keywords>black lives matter, border, blm, southern gothic, immigration</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:season>2</itunes:season>
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      <title>Brittany Howard and the Greatest Hits Music Issue</title>
      <description><![CDATA[<p>The 22nd anniversary <i>Oxford American </i>music issue, guest edited by Brittany Howard, is shipping to <i>OA </i>subscribers now and is available at <a href="https://www.oxfordamericangoods.org/">OxfordAmericanGoods.org</a>. It hits newsstands nationwide December 1. </p><p><a href="https://brittanyhoward.com/">Brittany Howard</a>’s latest album <i>Jaime </i>and single <i>Jaime (The Remixes) </i>are available now.</p>
]]></description>
      <pubDate>Thu, 19 Nov 2020 14:30:00 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Danielle A. Jackson, Brittany Howard)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>The 22nd anniversary <i>Oxford American </i>music issue, guest edited by Brittany Howard, is shipping to <i>OA </i>subscribers now and is available at <a href="https://www.oxfordamericangoods.org/">OxfordAmericanGoods.org</a>. It hits newsstands nationwide December 1. </p><p><a href="https://brittanyhoward.com/">Brittany Howard</a>’s latest album <i>Jaime </i>and single <i>Jaime (The Remixes) </i>are available now.</p>
]]></content:encoded>
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      <itunes:title>Brittany Howard and the Greatest Hits Music Issue</itunes:title>
      <itunes:author>Danielle A. Jackson, Brittany Howard</itunes:author>
      <itunes:duration>00:30:14</itunes:duration>
      <itunes:summary>In this episode of Points South, managing editor Danielle A. Jackson is joined by Brittany Howard, Grammy Award-winning songwriter, lead vocalist of Alabama Shakes, and guest editor of our 22nd anniversary music issue. Join Brittany and Danielle as they talk about songwriting, growing up in the South, and choosing the OA’s music writing greatest hits. Plus, hear tracks from Brittany’s debut solo album, Jaime, and from the upcoming Jaime (The Remixes).</itunes:summary>
      <itunes:subtitle>In this episode of Points South, managing editor Danielle A. Jackson is joined by Brittany Howard, Grammy Award-winning songwriter, lead vocalist of Alabama Shakes, and guest editor of our 22nd anniversary music issue. Join Brittany and Danielle as they talk about songwriting, growing up in the South, and choosing the OA’s music writing greatest hits. Plus, hear tracks from Brittany’s debut solo album, Jaime, and from the upcoming Jaime (The Remixes).</itunes:subtitle>
      <itunes:keywords>alabama shakes, music, brittany howard, oxford american</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Points South Live: Dead Horses</title>
      <description><![CDATA[<p>In this episode of <i>Points South Live</i>, Milwaukee-based folk band Dead Horses plays from BlakeSt in Bentonville, Arkansas, and chats with Bryan and Bernice Hembree (Smokey and the Mirror), co-founders of the <a href="https://www.fayettevilleroots.org/">Fayetteville Roots Festival</a>.</p><p><i>Points South Live</i> is a collaboration between <i>Oxford American</i> and Fayetteville Roots that features live music recorded pre-COVID. We’ll be releasing several of these performances and conversations as bonus episodes of <i>Points South</i>, to bring the live music to you.</p><p><a href="http://www.deadhorses.net/">Dead Horses </a>is Sarah Vos (vocals, guitar), Daniel Wolff (upright bass, vocals), and James Gallagher (percussion). Their latest EP, <i>Birds</i>, is available now.</p>
]]></description>
      <pubDate>Thu, 17 Sep 2020 13:45:06 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In this episode of <i>Points South Live</i>, Milwaukee-based folk band Dead Horses plays from BlakeSt in Bentonville, Arkansas, and chats with Bryan and Bernice Hembree (Smokey and the Mirror), co-founders of the <a href="https://www.fayettevilleroots.org/">Fayetteville Roots Festival</a>.</p><p><i>Points South Live</i> is a collaboration between <i>Oxford American</i> and Fayetteville Roots that features live music recorded pre-COVID. We’ll be releasing several of these performances and conversations as bonus episodes of <i>Points South</i>, to bring the live music to you.</p><p><a href="http://www.deadhorses.net/">Dead Horses </a>is Sarah Vos (vocals, guitar), Daniel Wolff (upright bass, vocals), and James Gallagher (percussion). Their latest EP, <i>Birds</i>, is available now.</p>
]]></content:encoded>
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      <itunes:title>Points South Live: Dead Horses</itunes:title>
      <itunes:author>Oxford American</itunes:author>
      <itunes:duration>00:36:35</itunes:duration>
      <itunes:summary>Milwaukee-based folk band Dead Horses plays from BlakeSt in Bentonville, Arkansas, and chats with Bryan and Bernice Hembree (Smokey and the Mirror), co-founders of the Fayetteville Roots Festival.</itunes:summary>
      <itunes:subtitle>Milwaukee-based folk band Dead Horses plays from BlakeSt in Bentonville, Arkansas, and chats with Bryan and Bernice Hembree (Smokey and the Mirror), co-founders of the Fayetteville Roots Festival.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:season>1</itunes:season>
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      <title>Points South Live: Front Country</title>
      <description><![CDATA[<p>In our first episode of <i>Points South Live</i>, pop string band Front Country plays live from BlakeSt in Bentonville, Arkansas, and chats with Bryan Hembree (Smokey and the Mirror), co-founder of the <a href="https://www.fayettevilleroots.org/">Fayetteville Roots Festival</a>. </p><p><i>Points South Live</i> is a collaboration between <i>Oxford American</i> and Fayetteville Roots that features live music recorded pre-COVID. We’ll be releasing several of these performances and conversations as bonus episodes of <i>Points South</i>, to bring the live music to you.</p><p><a href="http://www.frontcountryband.com/">Front Country </a>is Melody Walker (vocals, guitar, percussion), Jacob Groopman (guitar, resophonic guitar, mandolin, vocals), Adam Roszkiewicz (mandolin, banjo, vocals), and P.J. George (bass). Their latest single, “The Reckoning,” is available now.</p>
]]></description>
      <pubDate>Thu, 3 Sep 2020 15:41:29 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Front Country, Oxford American, Sara A. Lewis, Fayetteville Roots Festival)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>In our first episode of <i>Points South Live</i>, pop string band Front Country plays live from BlakeSt in Bentonville, Arkansas, and chats with Bryan Hembree (Smokey and the Mirror), co-founder of the <a href="https://www.fayettevilleroots.org/">Fayetteville Roots Festival</a>. </p><p><i>Points South Live</i> is a collaboration between <i>Oxford American</i> and Fayetteville Roots that features live music recorded pre-COVID. We’ll be releasing several of these performances and conversations as bonus episodes of <i>Points South</i>, to bring the live music to you.</p><p><a href="http://www.frontcountryband.com/">Front Country </a>is Melody Walker (vocals, guitar, percussion), Jacob Groopman (guitar, resophonic guitar, mandolin, vocals), Adam Roszkiewicz (mandolin, banjo, vocals), and P.J. George (bass). Their latest single, “The Reckoning,” is available now.</p>
]]></content:encoded>
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      <itunes:title>Points South Live: Front Country</itunes:title>
      <itunes:author>Front Country, Oxford American, Sara A. Lewis, Fayetteville Roots Festival</itunes:author>
      <itunes:duration>00:46:48</itunes:duration>
      <itunes:summary>Pop string band Front Country performs live from BlakeSt in Bentonville, Arkansas, and chats with host Sara A. Lewis and Bryan Hembree (Smokey and the Mirror), co-founder of the Fayetteville Roots Festival. </itunes:summary>
      <itunes:subtitle>Pop string band Front Country performs live from BlakeSt in Bentonville, Arkansas, and chats with host Sara A. Lewis and Bryan Hembree (Smokey and the Mirror), co-founder of the Fayetteville Roots Festival. </itunes:subtitle>
      <itunes:keywords>music, roots, country, oxford american, pop</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:season>1</itunes:season>
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      <title>Episode Six: Other Arrangements</title>
      <description><![CDATA[<p><strong>IN CONVERSATION</strong></p><p><i>OA</i> contributor Emily Gogolak investigates Dilley, Texas, a small town at the intersection of the oil, smuggling, and confinement industries. Dilley is home to the South Texas Family Residential Center, the largest immigration detention center in the country. This segment features interviews recorded for Gogolak’s essay “An Intersection at the End of America” from our Spring 2020 issue, <a href="https://www.oxfordamericangoods.org/products/issue-108-spring-2020" target="_blank">available now</a>. Emily Gogolak’s reporting was supported by the Pulitzer Center. </p><p><strong>IN ADAPTATION</strong></p><p>Lavinia Jones Wright reads from “<a href="https://www.oxfordamerican.org/magazine/item/878-skyline-drive">Skyline Drive</a>,” a memoir of driving the scenic byway her grandfather helped build in the 1930s.</p><p><strong>IN SESSION</strong></p><p>Folk rocker Parker Millsap joins us live in the <i>OA</i> office for stripped-down renditions of “Your Water” and “Other Arrangements,” the title track from his newest album, available now from Okrahoma Records/Thirty Tigers. </p><p><a href="https://www.oxfordamerican.org" target="_blank">www.oxfordamerican.org</a><br />@oxfordamerican</p>
]]></description>
      <pubDate>Thu, 19 Mar 2020 16:55:05 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p><strong>IN CONVERSATION</strong></p><p><i>OA</i> contributor Emily Gogolak investigates Dilley, Texas, a small town at the intersection of the oil, smuggling, and confinement industries. Dilley is home to the South Texas Family Residential Center, the largest immigration detention center in the country. This segment features interviews recorded for Gogolak’s essay “An Intersection at the End of America” from our Spring 2020 issue, <a href="https://www.oxfordamericangoods.org/products/issue-108-spring-2020" target="_blank">available now</a>. Emily Gogolak’s reporting was supported by the Pulitzer Center. </p><p><strong>IN ADAPTATION</strong></p><p>Lavinia Jones Wright reads from “<a href="https://www.oxfordamerican.org/magazine/item/878-skyline-drive">Skyline Drive</a>,” a memoir of driving the scenic byway her grandfather helped build in the 1930s.</p><p><strong>IN SESSION</strong></p><p>Folk rocker Parker Millsap joins us live in the <i>OA</i> office for stripped-down renditions of “Your Water” and “Other Arrangements,” the title track from his newest album, available now from Okrahoma Records/Thirty Tigers. </p><p><a href="https://www.oxfordamerican.org" target="_blank">www.oxfordamerican.org</a><br />@oxfordamerican</p>
]]></content:encoded>
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      <itunes:title>Episode Six: Other Arrangements</itunes:title>
      <itunes:author>Oxford American</itunes:author>
      <itunes:duration>00:44:30</itunes:duration>
      <itunes:summary>Join host Sara A. Lewis and OA contributor Emily Gogolak in conversation about Dilley, Texas, the small town that houses the largest immigration detention center in the country. This segment features interviews from Gogolak’s reporting, in which she investigates Dilley’s oil, smuggling, and confinement economies. Plus: Lavinia Jones Wright reads from her West Virginia reverie “Skyline Drive,” and Parker Millsap plays two songs from his latest record, Other Arrangements, live from the OA office. </itunes:summary>
      <itunes:subtitle>Join host Sara A. Lewis and OA contributor Emily Gogolak in conversation about Dilley, Texas, the small town that houses the largest immigration detention center in the country. This segment features interviews from Gogolak’s reporting, in which she investigates Dilley’s oil, smuggling, and confinement economies. Plus: Lavinia Jones Wright reads from her West Virginia reverie “Skyline Drive,” and Parker Millsap plays two songs from his latest record, Other Arrangements, live from the OA office. </itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Episode Five: Don’t Cry (Warrior Song)</title>
      <description><![CDATA[<p>THE PROLOGUE</p><p>The story of Clyde Kennard, the first person to attempt desegregation at the University of Southern Mississippi.</p><p>IN CONVERSATION</p><p>Sarah M. Broom, National Book Award-winning author of <i>The Yellow House</i></p><p>IN SESSION</p><p>A performance from the No Tears Suite, an original jazz composition commissioned by the OA to commemorate the 60th anniversary of the desegregation crisis at Little Rock’s Central High School.</p><p><i>Featuring Kelley Hurt, Chris Parker, Brian Blade, Bill Huntington, Bobby LaVell, Marc Franklin, and Chad Fowler.</i></p>
]]></description>
      <pubDate>Wed, 18 Dec 2019 17:18:58 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Sarah M. Broom, Riva Brown, Sherita L. Johnson, Sara A. Lewis, Jerry Mitchell, Bill Huntington, Marc Franklin, Chris Parker, William Sturkey, Chad Fowler, Kelley Hurt, Bobby LaVell, Bobby Blade)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>THE PROLOGUE</p><p>The story of Clyde Kennard, the first person to attempt desegregation at the University of Southern Mississippi.</p><p>IN CONVERSATION</p><p>Sarah M. Broom, National Book Award-winning author of <i>The Yellow House</i></p><p>IN SESSION</p><p>A performance from the No Tears Suite, an original jazz composition commissioned by the OA to commemorate the 60th anniversary of the desegregation crisis at Little Rock’s Central High School.</p><p><i>Featuring Kelley Hurt, Chris Parker, Brian Blade, Bill Huntington, Bobby LaVell, Marc Franklin, and Chad Fowler.</i></p>
]]></content:encoded>
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      <itunes:title>Episode Five: Don’t Cry (Warrior Song)</itunes:title>
      <itunes:author>Sarah M. Broom, Riva Brown, Sherita L. Johnson, Sara A. Lewis, Jerry Mitchell, Bill Huntington, Marc Franklin, Chris Parker, William Sturkey, Chad Fowler, Kelley Hurt, Bobby LaVell, Bobby Blade</itunes:author>
      <itunes:duration>00:54:42</itunes:duration>
      <itunes:summary>National Book Award-winner Sarah M. Broom In Conversation about her memoir The Yellow House. Also: two stories of desegregation—one in Hattiesburg, Mississippi and one in Little Rock, Arkansas—help us confront how we remember our past. In this installment of The Prologue, authors Jerry Mitchell and William Sturkey, along with members of the Southern Miss community, discuss the legacy of Clyde Kennard, the first African American to attempt the desegregation of then-Mississippi Southern College. Later, a special performance from No Tears Suite, a jazz composition commissioned by the OA to commemorate the Central High Crisis.</itunes:summary>
      <itunes:subtitle>National Book Award-winner Sarah M. Broom In Conversation about her memoir The Yellow House. Also: two stories of desegregation—one in Hattiesburg, Mississippi and one in Little Rock, Arkansas—help us confront how we remember our past. In this installment of The Prologue, authors Jerry Mitchell and William Sturkey, along with members of the Southern Miss community, discuss the legacy of Clyde Kennard, the first African American to attempt the desegregation of then-Mississippi Southern College. Later, a special performance from No Tears Suite, a jazz composition commissioned by the OA to commemorate the Central High Crisis.</itunes:subtitle>
      <itunes:keywords>jazz, central high, clyde kennard, oxford american, mississippi, sarah m. broom, the yellow house, little rock nine, south</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Episode Four: Mary Ann and One Eyed Dan</title>
      <description><![CDATA[<p>EDITORS’ ROUNDTABLE</p><p>OA Editors discuss the upcoming South Carolina Music Issue and share their favorite stories and behind-the-scenes moments. Plus: A preview of the issue’s tracklist.</p><p><i>Featuring Eliza Borné, Maxwell George, Jay Jennings, and Hannah Saulters.</i></p><p>IN CONVERSATION</p><p>Deputy Editor Maxwell George with OA contributor David Ramsey.</p><p>TOP 5</p><p>Maxwell George shares his favorite Southern Music Issue moments.</p>
]]></description>
      <pubDate>Wed, 13 Nov 2019 19:44:17 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Sara A. Lewis, Maxwell George, David Ramsey, Eliza Borné, Hannah Saulters, Jay Jennings)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>EDITORS’ ROUNDTABLE</p><p>OA Editors discuss the upcoming South Carolina Music Issue and share their favorite stories and behind-the-scenes moments. Plus: A preview of the issue’s tracklist.</p><p><i>Featuring Eliza Borné, Maxwell George, Jay Jennings, and Hannah Saulters.</i></p><p>IN CONVERSATION</p><p>Deputy Editor Maxwell George with OA contributor David Ramsey.</p><p>TOP 5</p><p>Maxwell George shares his favorite Southern Music Issue moments.</p>
]]></content:encoded>
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      <itunes:title>Episode Four: Mary Ann and One Eyed Dan</itunes:title>
      <itunes:author>Sara A. Lewis, Maxwell George, David Ramsey, Eliza Borné, Hannah Saulters, Jay Jennings</itunes:author>
      <itunes:duration>01:04:13</itunes:duration>
      <itunes:summary>Introducing the 21st annual Southern Music Issue, featuring South Carolina! The editors take you behind the scenes to reveal their favorite songs and stories from this year’s music issue. Plus: Deputy Editor Maxwell George discusses Shovels &amp; Rope with David Ramsey and reveals his Top 5 moments from the annual music issue.</itunes:summary>
      <itunes:subtitle>Introducing the 21st annual Southern Music Issue, featuring South Carolina! The editors take you behind the scenes to reveal their favorite songs and stories from this year’s music issue. Plus: Deputy Editor Maxwell George discusses Shovels &amp; Rope with David Ramsey and reveals his Top 5 moments from the annual music issue.</itunes:subtitle>
      <itunes:keywords>danielle howle, south carolina, oxford american, southern, shovels &amp; rope, ron mcnair, blues, ranky tanky, iron &amp; wine</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Episode Three: A Cemetery Angel</title>
      <description><![CDATA[<p>THE PROLOGUE<br />Known as Arkansas’s “cemetery angel,” Ruth Coker Burks provided end-of-life care for patients with AIDS in Hot Springs during the height of the AIDS crisis and buried their remains in her family’s cemetery.</p><p>IN ADAPTATION<br />“Three Encounters” by John Jeremiah Sullivan.<br />Performed by MC Taylor of Hiss Golden Messenger.</p><p>Produced by Spacebomb and Maxwell George</p><p>IN SESSION<br />A Fayetteville Roots Festival performance by Los Texmaniacs.</p>
]]></description>
      <pubDate>Fri, 18 Oct 2019 11:05:03 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Hiss Golden Messenger, MC Taylor, Sara A. Lewis, Spacebomb, Los Texmaniacs, Ruth Coker Burks, John Jeremiah Sullivan, Maxwell George, Fayetteville Roots)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>THE PROLOGUE<br />Known as Arkansas’s “cemetery angel,” Ruth Coker Burks provided end-of-life care for patients with AIDS in Hot Springs during the height of the AIDS crisis and buried their remains in her family’s cemetery.</p><p>IN ADAPTATION<br />“Three Encounters” by John Jeremiah Sullivan.<br />Performed by MC Taylor of Hiss Golden Messenger.</p><p>Produced by Spacebomb and Maxwell George</p><p>IN SESSION<br />A Fayetteville Roots Festival performance by Los Texmaniacs.</p>
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      <itunes:title>Episode Three: A Cemetery Angel</itunes:title>
      <itunes:author>Hiss Golden Messenger, MC Taylor, Sara A. Lewis, Spacebomb, Los Texmaniacs, Ruth Coker Burks, John Jeremiah Sullivan, Maxwell George, Fayetteville Roots</itunes:author>
      <itunes:duration>00:48:32</itunes:duration>
      <itunes:summary>Ruth Coker Burks, Arkansas’s “cemetery angel,” provided end-of-life care for patients with AIDS in Hot Springs during the height of the AIDS crisis and buried their remains in her family’s cemetery. Later, MC Taylor of Hiss Golden Messenger reads “Three Encounters” by John Jeremiah Sullivan. Plus: Los Texmaniacs perform live from the Fayetteville Roots Festival.</itunes:summary>
      <itunes:subtitle>Ruth Coker Burks, Arkansas’s “cemetery angel,” provided end-of-life care for patients with AIDS in Hot Springs during the height of the AIDS crisis and buried their remains in her family’s cemetery. Later, MC Taylor of Hiss Golden Messenger reads “Three Encounters” by John Jeremiah Sullivan. Plus: Los Texmaniacs perform live from the Fayetteville Roots Festival.</itunes:subtitle>
      <itunes:keywords>aids, ruth coker burks, south</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Episode Two: The Hurting Kind</title>
      <description><![CDATA[<p>SACRED PLACE<br />Julian Rankin, director of the Walter Anderson Museum, investigates Anderson’s deep connection to Horn Island, a source of inspiration for the artist’s work located about ten miles off the Mississippi coast.</p><p>IN CONVERSATION<br />Mary Miller, author of the novel <i>Biloxi.</i></p><p>IN SESSION<br />John Paul White performs from <i>The Hurting Kind</i> live from the Oxford American stage.</p><p>Web: <a href="https://www.oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a><br />Twitter: <a href="https://twitter.com/oxfordamerican">@oxfordamerican</a><br />Facebook: <a href="https://www.facebook.com/oxfordamerican">@oxfordamerican</a><br />Instagram: <a href="https://www.instagram.com/oxfordamerican/">@oxfordamerican</a></p>
]]></description>
      <pubDate>Wed, 2 Oct 2019 13:23:29 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Sara A. Lewis, Mary Miller, Julian Rankin, John Paul White)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>SACRED PLACE<br />Julian Rankin, director of the Walter Anderson Museum, investigates Anderson’s deep connection to Horn Island, a source of inspiration for the artist’s work located about ten miles off the Mississippi coast.</p><p>IN CONVERSATION<br />Mary Miller, author of the novel <i>Biloxi.</i></p><p>IN SESSION<br />John Paul White performs from <i>The Hurting Kind</i> live from the Oxford American stage.</p><p>Web: <a href="https://www.oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a><br />Twitter: <a href="https://twitter.com/oxfordamerican">@oxfordamerican</a><br />Facebook: <a href="https://www.facebook.com/oxfordamerican">@oxfordamerican</a><br />Instagram: <a href="https://www.instagram.com/oxfordamerican/">@oxfordamerican</a></p>
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      <itunes:title>Episode Two: The Hurting Kind</itunes:title>
      <itunes:author>Sara A. Lewis, Mary Miller, Julian Rankin, John Paul White</itunes:author>
      <itunes:duration>00:44:52</itunes:duration>
      <itunes:summary>Julian Rankin paddles out to Horn Island to understand its importance to Walter Anderson’s life and art. Later, author Mary Miller discusses her novel Biloxi. Plus: John Paul White performs from The Hurting Kind live from the Oxford American stage.</itunes:summary>
      <itunes:subtitle>Julian Rankin paddles out to Horn Island to understand its importance to Walter Anderson’s life and art. Later, author Mary Miller discusses her novel Biloxi. Plus: John Paul White performs from The Hurting Kind live from the Oxford American stage.</itunes:subtitle>
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      <title>Episode One: Working on a Building</title>
      <description><![CDATA[<p>The premiere episode of Points South, an Oxford American podcast.</p><p>Featuring:<br />THE PROLOGUE<br />Ken Burns and Rhiannon Giddens discuss the legibility of African and African-American contributions to country music—from the Carter Family to Lil Nas X—and how that influence has been erased in the American consciousness.</p><p>IN CONVERSATION<br />Documentarians Julie Dunfey and Ken Burns on the soundscape of <i>Country Music</i>.</p><p>IN SESSION<br />Dom Flemons performs from <i>Black Cowboys</i> live from the Oxford American stage.</p><p>Web: <a href="https://www.oxfordamerican.org/pointssouth" target="_blank">oxfordamerican.org/pointssouth</a><br />Twitter: <a href="https://twitter.com/oxfordamerican" target="_blank">@oxfordamerican</a><br />Facebook: <a href="https://www.facebook.com/oxfordamerican" target="_blank">@oxfordamerican</a><br />Instagram: <a href="https://www.instagram.com/oxfordamerican/" target="_blank">@oxfordamerican</a></p>
]]></description>
      <pubDate>Wed, 18 Sep 2019 10:30:01 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Oxford American)</author>
      <link>www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p>The premiere episode of Points South, an Oxford American podcast.</p><p>Featuring:<br />THE PROLOGUE<br />Ken Burns and Rhiannon Giddens discuss the legibility of African and African-American contributions to country music—from the Carter Family to Lil Nas X—and how that influence has been erased in the American consciousness.</p><p>IN CONVERSATION<br />Documentarians Julie Dunfey and Ken Burns on the soundscape of <i>Country Music</i>.</p><p>IN SESSION<br />Dom Flemons performs from <i>Black Cowboys</i> live from the Oxford American stage.</p><p>Web: <a href="https://www.oxfordamerican.org/pointssouth" target="_blank">oxfordamerican.org/pointssouth</a><br />Twitter: <a href="https://twitter.com/oxfordamerican" target="_blank">@oxfordamerican</a><br />Facebook: <a href="https://www.facebook.com/oxfordamerican" target="_blank">@oxfordamerican</a><br />Instagram: <a href="https://www.instagram.com/oxfordamerican/" target="_blank">@oxfordamerican</a></p>
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      <itunes:title>Episode One: Working on a Building</itunes:title>
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      <itunes:subtitle>In the premiere episode of Points South, Ken Burns and Rhiannon Giddens discuss the legibility of African and African-American contributions to country music—from the Carter Family to Lil Nas X—and how that influence has been erased in the American consciousness. Later, filmmakers Julie Dunfey and Ken Burns on the soundscape of their PBS documentary Country Music. Plus: Dom Flemons performs from Black Cowboys live from the Oxford American stage.</itunes:subtitle>
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      <title>Preview: Episode One</title>
      <description><![CDATA[<p><strong>Points South premieres September 18th!</strong><br />
Subscribe now and never miss an episode.</p>
<p>Coming this season: Ken Burns, Rhiannon Giddens, Dom Flemons, Mary Miller, John Paul White, Los Texmaniacs, John Jeremiah Sullivan + more.</p>
<p>For more information visit <a href="https://www.oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a>.</p>
]]></description>
      <pubDate>Mon, 2 Sep 2019 21:40:11 +0000</pubDate>
      <author>slewis@oxfordamerican.org (Sara A. Lewis, Rhiannon Giddens, Ken Burns, Julie Dunfey, Dom Flemons)</author>
      <link>https://www.oxfordamerican.org/pointssouth</link>
      <content:encoded><![CDATA[<p><strong>Points South premieres September 18th!</strong><br />
Subscribe now and never miss an episode.</p>
<p>Coming this season: Ken Burns, Rhiannon Giddens, Dom Flemons, Mary Miller, John Paul White, Los Texmaniacs, John Jeremiah Sullivan + more.</p>
<p>For more information visit <a href="https://www.oxfordamerican.org/pointssouth">oxfordamerican.org/pointssouth</a>.</p>
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      <itunes:title>Preview: Episode One</itunes:title>
      <itunes:author>Sara A. Lewis, Rhiannon Giddens, Ken Burns, Julie Dunfey, Dom Flemons</itunes:author>
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      <itunes:summary>Points South is a new podcast from the Oxford American!
Episode One features Rhiannon Giddens, Ken Burns, and Julie Dunfey discussing the PBS documentary Country Music and the contributions of African Americans throughout the history of the genre. Plus: a live performance by Dom Flemons.</itunes:summary>
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Episode One features Rhiannon Giddens, Ken Burns, and Julie Dunfey discussing the PBS documentary Country Music and the contributions of African Americans throughout the history of the genre. Plus: a live performance by Dom Flemons.</itunes:subtitle>
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