New Books in Art

Marjolijn Bol, "The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500" (U Chicago Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 11 Sep 2026 08:00:00 +0000

Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. In The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500 (U Chicago Press, 2023), Dr. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze.

For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Dr. Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more.

The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Leonhard Emmerling, "The Idiots: The History of the Homo Nullus" (Seagull Books, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 9 Sep 2026 08:00:00 +0000

In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026)

Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society’s norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world.

Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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Duty, Banality, and Hopefulness with Alex Cain

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 1 Sep 2026 08:00:00 +0000

In this episode Pat speaks with Dr Alex Cain.

Dr Alex Cain researches in the fields of political theory and ethical theory, with a particular focus on the work of Hannah Arendt, among other figures in the history of philosophy. Her work in this field has so far mostly focussed on the topics of friendship, political action, judgement and the role of experience in philosophical inquiry.

They discuss Sidney Nolan’s duty to paint the concentration camps, the hopefulness of Hannah Arendt, and the importance of the banality of evil.

A transcript of this episode will be available on the Concept : Art website here.

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Transcending Disciplinary Confinements With(in) Beckett Studies

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 25 Aug 2026 08:00:00 +0000

This is Dr. Swati Joshi's inaugural episode on the New Books Network. In this episode, she interviews Dr. Lucy Jeffery about her monograph, Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process (ibidem Press, 2021). She is also co-editor and author of Replaying Communism: Trauma and Nostalgia in European Cultural Production, published by CEU Press and AUP in 2026. She is co-founder of the Replaying Communism project, which received funding from the AHRC SWW-DTP (2023) and the Visegrad Fund (2024). Dr. Jeffery's published research is on Samuel Beckett, Harold Pinter, Ezra Pound, Ingeborg Bachmann, and Magda Szabó. Her monograph—Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process—was published by Ibidem in 2021, and, in 2022, she co-edited a special issue for Green Letters, entitled ‘A New Poetics of Space’.

This episode weaves together Beckett's transdisciplinary creative process with Dr. Jeffery's journey of research, and cogitation over challenges to preserve integrity and creativity of the author's works in the wake of rapidly developing AI tools. Furthermore, the colour blue occupies an integral role in Dr. Jeffery's monograph, so this episode entails analytical segments on pigments used in Beckett's works beyond the black, white, and grey. Dr. Jeffery and I also briefly discuss our ongoing special issue, "A Writer's Palette: Colour in Late Modernist Literature," for Textual Practice. Colleagues interested in sharing their proposal until 12th December, can write to us on latemodernists@gmail.com, for more details.

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Ellery E. Foutch, "A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 14 Aug 2026 08:00:00 +0000

Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period’s newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era’s desire to forestall the march of time and immortalize the fleeting moment through art and technology.

Beginning with an investigation of artist and naturalist Titian Peale’s butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard’s Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period’s preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death.

By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral.

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Sara Pappas, "Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century" (U Toronto Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 5 Aug 2026 08:00:00 +0000

Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art.

Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley’s influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement.

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Paulina Banas, "Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century" (American University in Cairo Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 2 Aug 2026 08:00:00 +0000

Following Napoleon Bonaparte’s 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d’Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it.

Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East.

Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff.

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Meredith Gamer, "City of the Gallows: Art and Execution in Eighteenth-Century London" (Yale UP, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 27 Jul 2026 08:00:00 +0000

City of the Gallows: Art and Execution in Eighteenth-Century London (Yale UP, 2026) uncovers the complex and often unexpected connections between eighteenth-century London’s sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day.

Kelsey Brosnan is an art historian specializing in eighteenth- and nineteenth-century French art. Her book on the still-life painter Anne Vallayer-Coster was published by Lund Humphries and Getty Publications in 2026. kb2348@gmail.com

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Victoria Donovan, "Life in Spite of Everything: Tales from the Ukrainian East" (Daunt Books, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 26 Jul 2026 08:00:00 +0000

Life in Spite of Everything: Tales from the Ukrainian East (Daunt Books Publishing, 2025) is a unique reflection on the much-mythologised Donetsk and Luhansk regions of the Ukrainian east, the old and recent history of the region as seen by an esteemed academic multi-disciplinary scholar Victoria Donovan in her numerous travels to the region prior to the full-scale invasion. Seen through a deeply empathetic lens of conversations with local curators, historians, museum workers, and artists, the region is shown in its complexity, with the uniqueness of its landscapes, endangered biodiversity, entangled colonialisms of its past and a threatened future.

Since start of Russia’s war against Ukraine in 2014, its eastern region—Donbas—has been synonymous with conflict. With the escalation of that war in 2022, its, cities such as Bakhmut and Lysychansk have become familiar to us through the images and reports of brutal devastation. Victoria Donovan excavates a rich, multicultural history of this area, and paints a radically different picture.

Travelling from the dramatic, jagged peaks of Bilokuzmynivka to the marshland of Mariupol, from a warehouse rave to an abandoned gypsum mine, the physical world and its importance to this region’s identity is brought to vivid life. But above all else, by speaking to those whose lives are embedded there now—curators, artists, railway workers, young people who have grown up amidst instability and destruction—Donovan amplifies local voices and reveals the intensely personal lived reality of Putin’s war.

Victoria Donovan is Professor of Ukrainian and East European Studies and Director of the Centre for Global (Post)socialisms, Southeast, Central and East European Studies at the University of St Andrews.

Viktoriia Grivina is an independent anthropologist and writer, author of Kharkiv, a War City (Ibidem, 2025), and Kharkiv is a Dream: Public Art and Activism, 2013–2023 (Ibidem, 2025).

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David Denby, "Eminent Jews: Bernstein, Brooks, Friedan, Mailer" (Henry Holt, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 22 Jul 2026 08:00:00 +0000

What made a generation of Jewish artists and intellectuals transform American culture? In this episode, Rabbi Marc Katz sits down with acclaimed cultural critic David Denby to discuss his book Eminent Jews: Bernstein, Brooks, Friedan, Mailer (Henry Holt, 2025), a vibrant portrait of four extraordinary Americans whose Jewish identities helped shape the modern United States.

Though they worked in vastly different fields, Leonard Bernstein, Mel Brooks, Betty Friedan, and Norman Mailer shared a remarkable historical moment. Coming of age after World War II, they entered an America where Jewish opportunity was expanding and antisemitism was beginning to recede. Their Jewish heritage, energized by the freedoms of American life, fueled bold, unconventional careers that reshaped music, comedy, literature, feminism, and public debate.

Denby paints these figures in all their complexity: ambitious, difficult, generous, provocative, and endlessly creative. Rather than offering simple hero worship, he explores how their outsized personalities and relentless drive allowed them to challenge old assumptions about art, politics, gender, humor, and what it meant to be both fully Jewish and fully American.

Together, Denby and Katz explore why this particular generation produced so many cultural revolutionaries, how Jewish identity informed their work without defining it, and what their legacies reveal about the changing place of Jews in postwar America.

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Lucy D. Curzon, "Art and Citizenship in Conflict: British Women War Artists, 1939–45" (Manchester UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 20 Jul 2026 08:00:00 +0000

Art and Citizenship in Conflict: British Women War Artists, 1939-45 (Manchester UP, 2026) by Dr. Lucy Curzon examines the work of women war artists in order to highlight the complexity of citizenship and gender in Britain during the Second World War.

Evelyn Dunbar, Mary Kessell, Ethel Gabain, Stella Schmolle, and Laura Knight, among others, were commissioned by the War Artists' Advisory Committee (WAAC) to document the millions of women who took up sometimes unconventional roles-in agriculture, the auxiliary services, and manufacturing, among others-to support the British war effort. Indeed, their prints, drawings, and paintings were part of a broader scheme to uphold morale and promote much-needed citizen involvement on the home front. While there is growing interest, the importance of their remit in the history of the Second World War and the quality of their artistry have nonetheless not yet secured them a significant place in scholarship. Art and Citizenship in Conflict seeks to amend this gap.

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Anja Foerschner, "Female Art and Agency in Yugoslavia, 1971–2001" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 19 Jul 2026 08:00:00 +0000

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision.

Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time.

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Matthew Campbell, "The Man Who Stole the Gods: A True Story of War, Obsession, and a Global Art Conspiracy" (Penguin, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 16 Jul 2026 08:00:00 +0000

On June 10, the Metropolitan Museum of Art in New York returned two pieces of artwork to Cambodia: an Angkor statue and a sandstone lintel. It’s the latest repatriation effort by the U.S.’s premier art museum, and the third time the Met has had to give up Cambodian artifacts specifically.

Matthew Campbell’s The Man Who Stole The Gods: A True Story of War, Obsession, and a Global Art Conspiracy (Penguin, 2026) dives into the story of the Cambodian antiquities trade, from looted temples in the Cambodian forests, through dealers in Bangkok like Douglas Latchford, and then into museums and billionaire homes in the West. And he also digs into how this trade fell apart: How the U.S. Department of Justice and activists in Cambodia pressured dealers and museums like the Met to give this art back.

Matthew is an award-winning reporter for Bloomberg Businessweek. His previous book, Dead in the Water—co-authored with Kit Chellel—was selected as a Book of the Year by The Economist, the Financial Times, and The Times. Matt has reported from more than twenty-five countries on crime, corruption, terrorism, economics, and the environment. His work has earned some of journalism’s highest honors, including awards from the Gerald Loeb Foundation, the Overseas Press Club, the National Press Club, SOPA, and SABEW for both feature and investigative reporting

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Man Who Stole the Gods. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Wednesdae Reim Ifrach, "Queer Expressions: Expressive Art and Somatic Therapy Practices for Healing Body Trauma" (North Atlantic Books, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 13 Jul 2026 08:00:00 +0000

A creative, body-based guide to healing for queer, trans, and gender-expansive readers—somatic tools and expressive arts to feel safer in your body, rewrite your story, and sustain connection. Queer Expressions: Expressive Art and Somatic Therapy Practices for Healing Body Trauma (North Atlantic Books, 2026) is a practical, consent-centered guide to healing body trauma through embodiment and creativity. Drawing on somatic therapy—grounding, breath, orientation, gentle movement—and expressive arts—collage, drawing, clay, movement, music, voice—within a harm-reduction frame of pacing, choice, and safety plans, Wednesdae Reim Ifrach (REAT, ATR-BC, LPC) shares grounded practices, case vignettes, and simple rituals to help you move from shut down or on high alert into steadier, more connected living. The book follows a simple arc: first, feel and steady your nervous system; next, turn those sensations into art and story; and finally, build rituals and relationships that help the changes last—whether you’re navigating dysphoria, ED recovery, chronic stress, or nervous system dysregulation. Inside you’ll find: Body check-ins (quick prompts to name sensations and needs), short breath & movement practices (1–10 minutes), and sensory prompts (sight/sound/touch/smell/taste) Art invitations (collage, drawing, movement, sound/voice) with step-by-step guidance and safety notes Consent & harm-reduction tools (opt-in/out menus, pacing, crisis planning) to keep the work manageable Community practices & rituals (altar-making, release-writing, witness circles) to anchor change in daily lif A queer-centered lens on healing, embodiment, and creativity Warm, inclusive, and usable on your own or with a therapist, Queer Expressions helps you build a more livable relationship with your body—and a story big enough to hold who you are becoming.

Wednesdae Reim Ifrach is a trans/non-binary art therapist and counselor dedicated to providing gender-affirming, trauma-informed care that emphasizes healing-centered engagement, body justice, intersectional social justice, and equitable access to eating disorder treatment. They co-own and operate Rainbow Recovery, offering clinical supervision, consultations, trainings, workshops, counseling, and art therapy services to clients in Connecticut and Pennsylvania. As a full-time professor at Moravian University, Wednesdae teaches mental health counseling, social work, and expressive art courses, inspiring future professionals. Over the past decade, they have led trainings and workshops for organizations such as the American Art Therapy Association, National Alliance for Eating Disorders, and Yale University, among others. Previously, Wednesdae founded the country’s first 2sLGBTQIA+ Eating Disorder Program, served on Project HEAL’s Board, and presided over the Connecticut Art Therapy Association. They currently co-chair the Health Professionals in Training Program on the GLMA Board. Their expertise addresses LGBTQ+ concerns and trauma, honoring each client’s identity.

Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California and Associate Professor at California Institute of Integral Studies. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).

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Cécile Bishop, "Forms of Blackness: Race and Visibility in the French-Speaking World" (Duke UP, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 11 Jul 2026 08:00:00 +0000

What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history.

A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience.

Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands.

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Rachel Silveri, "The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism" (U Chicago Press, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 4 Jul 2026 08:00:00 +0000

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”

Considering Tristan Tzara’s performances of Dadaist identity, Sonia Delaunay’s simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making.

Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons.

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John Kapusta, "Self-Realization Nation: How Artists of the Creative Counterculture Made a New America" (U California Press, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 27 Jun 2026 08:00:00 +0000

John Kapusta's Self-Realization Nation: How Artists of the Creative Counterculture Made a New America (U California Press, 2026) is the story of an unexpected group of performing artists who led one of the most influential artistic movements in contemporary American history. After World War II, personal fulfillment emerged as a defining American cultural ideal. Self-realization--the quest to become our authentic selves--remains a powerful part of American culture and arts today. In Self-Realization Nation, John Kapusta provides a lively cultural history of how an overlooked movement of musicians, dancers, and actors championed the ideal of self-realization. These performers, who spanned many backgrounds, identities, genres, and artistic styles, became what he calls the creative counterculture. Artists as varied as Sonny Rollins, John Cage, Anna Halprin, Alice and John Coltrane, and Pauline Oliveros shared an approach to creativity focused on letting go of limiting beliefs and subverting oppressive social norms. Through colorful vignettes, Kapusta reveals how these artists made their art and how their approach spread beyond the performing arts to influence such fields as psychology, education, and wellness. Ultimately, these creative counterculturists came to define a new vision of an America where everyone was free to be themselves, together.

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Cleo Nisse, "Venetian Canvas and the Transformation of Painting" (Princeton UP, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 26 Jun 2026 08:00:00 +0000

Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600.

Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings.

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Rebecca Kosick, "Dispatches from the Avant-Garage: The Alternative Press" (Wayne State UP, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 22 Jun 2026 08:00:00 +0000

Can publishing change the world? In Dispatches from the Avant-Garage: The Alternative Press Rebecca Kosick (Wayne State UP, 2026), an Associate Professor in Comparative Poetry and Poetics at the University of Bristol, tells the story of The Alternative Press. Beginning in Detroit in the late 1960s, initially based in the house of Ann and Ken Mikolowski, the press created a rich and eclectic set of artworks. The story of The Alternative Press is also the story of US art and radical politics from the 1970s into the 1990s, with lessons for art and politics today. Drawing on a huge amount of archival work, interviews, and visual reproductions to analyse both the form and content of The Alternative Press’s activity, the book will be essential reading for arts and humanities scholars, as well as for anyone interested in the history of radical art and culture in the USA.

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Olivier Krischer and Shuxia Chen, "Wayfaring: Photography in Taiwan, 1950s-1980s" (Australian Centre on China in the World, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 22 Jun 2026 08:00:00 +0000

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island’s emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography’s pivotal role in documenting ‘local’ culture and shaping cultural identity, while challenging ideas of ‘amateur’ and ‘realist’ practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time.

Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney’s Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum’s China Gallery, and a Senior lecturer in the Master’s degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design.

Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master’s degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping’s NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University.

Relevant Links:

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Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting, Panel #2

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 21 Jun 2026 08:00:00 +0000

This is a special edition of the New York Institute for the Humanities’ Vault podcast. On May 13, 2026, Princeton’s Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton’s Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.

In the second panel, Chenjerai Kumanyika led a discussion about the aesthetics of podcasting. Professor Kumanyika is an assistant professor at NYU’s Arthur L. Carter Journalism Institute, who specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City, was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio’s Season 2 “Seeing White,” and Season 4 on the history of American democracy. His current podcast is Unruly Subjects. The panel included Vinson Cunningham, a staff writer at The New Yorker, where he has written about theatre and television. He is a Spring 2026 McGraw Professor of Writing in the Program in Journalism at Princeton University. He is the author of the novel, Great Expectations; Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She’s the editor of Malcolm Gladwell’s The Bomber Mafia, Michael Specter’s Fauci, and Michael Lewis’s unabridged Liar’s Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave.

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Blair LM Kelley, "Black Freedom: A Visual History of Juneteenth and Emancipation Days" (Black Dog & Leventhal, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 19 Jun 2026 08:00:00 +0000

Black Freedom: A Visual History of Juneteenth and Emancipation Days (Black Dog & Leventhal, 2026) is the first fully illustrated history of Juneteenth and other Emancipation Day celebrations, told through photographs, art, and an engrossing narrative.

For more than 150 years, Black communities have gathered to honor freedom, resilience, and the ongoing struggle for true liberation. While Juneteenth has recently gained wider recognition, it was one of many Emancipation Day traditions celebrated across the United States.

These observances were spaces of joy, remembrance, and resistance—even as the fight for full freedom was unfinished. This volume brings together stirring essays and striking images from Juneteenth and beyond, offering a sweeping portrait of how Black people have created and sustained rituals of remembrance, a testament to the generations who, through celebration and storytelling, demanded that their contributions to the making of America be fully recognized.

Blair LM Kelley is an award-winning author, historian, and scholar of the African American experience. She is also the president and director of the National Humanities Center, the only independent center for advanced study in the world dedicated exclusively to the humanities.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection From Rights to Lives: The Evolution of the Black Freedom Struggle.

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Karl Whittington, "Queer Making: On Artists and Desire in Medieval Europe" (Pennsylvania State UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 15 Jun 2026 08:00:00 +0000

Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press, 2025). What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist's sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream? We know little about the identities and personalities of most premodern artists, but this should not hold us back from thinking about their embodied experience. In this book, Karl Whittington contends that we can "queer" the works of anonymous makers by thinking about their embodied experiences creating art. Considering issues of touch, pressure, and gesture across substances such as wood, stone, ivory, wax, cloth, paint, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Whittington takes seriously the agency of materials and technical processes, arguing that they necessarily placed the bodies of artists and artisans into physical situations and psychological states that can be read through the lens of desire. Combining historical evidence with speculative description, this evocative set of essays broadens our understanding of the motivations and experiences of premodern artists. It will appeal to scholars and students of art history, medieval studies, gender studies, queer studies, and anthropology.

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Elly Kent, "Artists and the People: Ideologies of Art in Indonesia" (NUS Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 15 Jun 2026 08:00:00 +0000

Exploring the work of established and emerging artists in Indonesia’s vibrant art world, Artists and the People: Ideologies of Art in Indonesia (NUS Press, 2022) examines why so many artists in the world’s largest archipelagic nation choose to work directly with people and in the studio. While the social dimension of Indonesian art makes it distinctive in the globalised world of contemporary art, Elly Kent is the first to explore this engagement in Indonesian terms. What are the historical, political and social conditions that lie beneath these polyvalent practices? How do formal and informal institutions, communities and artist-run-initiatives contribute to the practices and discourses behind socially-engaged art in Indonesia? What do artists do when they locate their practice in a broader social milieu, and what tensions arise when artists integrate communities, governments, politics, history and people into their practice?

Drawing on interviews with artists, translations of archival material, visual analyses and participation in artists’ projects, this book presents a unique, interdisciplinary examination of ideologies of art in Indonesia. It portrays the ways art practice and theory are understood within Indonesia and inside Indonesian-language discourse. Indonesia's artists have continued to explore, resist and draw on the methodologies and discourses of social responsibility and artistic autonomy generated by Indonesian arts practitioners through their early 20th-century encounters with modernity and the founding of the nation state. This book brings contemporary practice into conversation with art history in Indonesia.

Dr Elly Kent is a visual artist, translator, researcher and educator with 20 years of experience working in academia and the arts in Indonesia and Australia. Elly is Deputy Director of the ANU Indonesia Institute and Sub-dean of Languages in the College of Asia and the Pacific at the Australian National University. She convenes the Year in Asia program and is Treasurer of the Indonesia Council, Australia’s peak body for Indonesian studies.

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Lewis Ryder, "Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain" (Manchester UP, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 5 Jun 2026 08:00:00 +0000

Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians.

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Jonatan Leer and Stinne Gunder Strøm Krogager, "Food Porn: Food Aesthetics in a Digital Age" (Bristol UP, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 31 May 2026 08:00:00 +0000

Is food porn a vibrant and democratic new expression of modern food culture or a superficial addition to an image-saturated world? Tracing its origins from the 1970s to today, this timely book examines the evolution of food porn as a desire-inducing aesthetic practice and a visually extravagant food spectacle.

Through discussions on class, gender, sexuality and national identities, Food Porn: Food Aesthetics in a Digital Age (Bristol University Press, 2026) by Dr. Jonatan Leer & Dr. Stinne Gunder Strøm Krogager questions whether food porn reinforces social hierarchies or empowers individuals. Also exploring anti-food porn aesthetics, this book is essential reading for anyone seeking to understand the deeper social implications of food’s digital allure.

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Janani Balasubramanian and Natalie Gosnell, "Art-Science Undisciplined: A Playbook for Transformative Collaboration" (U California Press, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 30 May 2026 08:00:00 +0000

Art-Science Undisciplined invites us into a collaborative journey grounded in mutual exploration and transformation. Moving beyond transactional exchanges of expertise, artist Janani Balasubramanian and astrophysicist Natalie Gosnell draw on their own experiences, as well as stories from other art-science collaborators, to offer an imaginative guide for developing a values-based and joyful undisciplined practice.

This playbook offers practical and conceptual tools for co-creation that foster new, powerful alliances among artists, scientists, and their supporters. While attentive to the everyday reality of busy schedules and institutional demands, Balasubramanian and Gosnell illuminate strategies to change our current ways of working and dare us to imagine a more expansive future. The projects, potentials, and possibilities resulting from undisciplined creation will reshape not only the practitioners but their worlds altogether.

Janani Balasubramanian is an artist, director, and founder based at Stanford University.

Natalie Gosnell is an astrophysicist, artist, and Associate Professor of Physics at Colorado College.

Caleb Zakarin is CEO and Publisher of New Books Network.

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Kanika Singh, "The Story of a Sikh Museum: Heritage, Politics, Popular Culture" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 27 May 2026 08:00:00 +0000

The Story of a Sikh Museum: Heritage, Politics, Popular Culture, published by Cambridge University Press in July 2025, is a pioneering study on Sikh museums, a unique phenomenon of contemporary India—for their sheer numbers, distinctive display, malleability and presence in multiple cultural spheres and their political significance. This case study of Bhai Mati Das Museum at Gurdwara Sisganj, Delhi, examines the process of creation of Sikh heritage through history, paintings, and museums, unearths networks of patronage, and analyses the ways in which specific versions of the Sikh past are used to make present-day claims. It is based on interviews with artists and patrons, material from personal and institutional archives, a visual analysis of Sikh popular art and a critical examination of the museum's narrative. This book brings together Sikh history, popular art, politics and museums to discuss some of the most important current debates (of nation, identity and heritage) and reveals new ways in which we may understand museums, especially in a non-Western context.

Kanika Singh is a historian, founder of Delhi Heritage Walks and Director at Centre for Writing & Communication at Ashoka University.

Harleen Kaur is a historian and urban studies scholar who recently completed her Joint PhD from National University of Singapore and King’s College London.

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Timothy K. August, "The Refugee Aesthetic: Reimagining Southeast Asian America" (Temple UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 25 May 2026 08:00:00 +0000

In The Refugee Aesthetic: Reimagining Southeast Asian America (Temple University Press, 2021), Timothy K. August centers Southeast Asian American writers and artists to develop a theory of refugee aesthetics as a way of considering how aesthetic forms are created and contested by refugees, nonrefugees, and institutions alike.

On this episode of New Books in Asian American Studies, Timothy K. August discusses the contradictions in how refugee stories are read as arising from exceptional circumstances even as the ever-increasing number of refugees renders refugeeness a remarkably everyday experience; the importance of aesthetics as a means by which refugees are able to contest—and reimagine—the refugee narratives that have been created through institutional and bureaucratic definitions of refugees; how refugee writers reconcile demands that they explain their experiences or perform their humanity within their own art and writing; and more.

The Refugee Aesthetic examines a range of literary and artistic works by refugees, including poems, novels, graphic novels, and visual art, by writers and artists including Bao Phi, Monique Truong, Viet Thanh Nguyen, Mohsin Hamid, Gia-Bao Tran, and more, to argue for the agency of refugees as cultural producers who are redefining a politically, bureaucratically produced refugee image and instead imagining a plural form of refugee aesthetics.

Please note that this episode was recorded prior to the events of October 7, 2023.

Timothy August is an Associate Professor of English at Stony Brook University.

Jennifer Gayoung Lee is a writer and researcher based in New York City.

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Alicia Volk, "In the Shadow of Empire: Art in Occupied Japan" (U Chicago Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 23 May 2026 08:00:00 +0000

Alicia Volk’s In the Shadow of Empire: Art in Occupied Japan (University of Chicago Press, 2025) uncovers the largely overlooked history of Japanese art during the years of occupation (1945-1952). Volk’s diverse case studies trace the intersections of politics and art in this charged period. As it had accommodated, shaped, and resisted empire, Japanese art now accommodated, shaped, and resisted the push and pull of defeat, occupation, and the dawning Cold War. In the Shadow of Empire’s chapters present a range of practitioners and practices and their struggles in the new geopolitical order taking shape around them, taking into account not just the domestic context of Japan’s relationship with the American-led occupation, but with Japan’s erstwhile Asian empire, the socialist bloc, and audiences in “the West.”

Spoiler alert! At the conclusion of the podcast, we talk about this image.

Alicia Volk is professor of Japanese art at the University of Maryland; she is the author of Made in Japan: The Postwar Creative Print Movement and In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art, recipient of the Phillips Book Prize.

Nathan Hopson is an associate professor of Japanese language and history in the Department of Foreign Languages, University of Bergen.

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Fiona Rogers, "Cut Out: A Feminist History of Photo Collage, Montage and Assemblage" (Thames & Hudson, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 22 May 2026 08:00:00 +0000

Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art.

Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage.

At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.

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Sumana Roy, "Plant Thinkers of Twentieth-Century Bengal" (Oxford UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 19 May 2026 08:00:00 +0000

Plant Thinkers of Twentieth-Century Bengal (Oxford UP, 2024) by Sumana Roy takes an unexpected cast of writers and artists and, in studying their work as ‘plant thinkers’, looks at how their stories and songs, art and films, and, of course, the idiomatic affected Bengali life and thought. Forest and garden, grass and root, weeds and magical plants—supported by a foliage of thought that allowed them to see beyond the botanical, Rabindranath Tagore, Bibhutibhushan Bandyopadhyay, Jibanananda Das, Shakti Chattopadhyay, Satyajit Ray, and others derived their worldview, their poetics and politics, from the plant world. Jagadish Chandra Bose’s scientific experiments, his research and the philosophy that propelled it, religions and rituals that involved an affective relationship with the natural world, a subterranean invocation of plant philosophy in actions and words, in living and in creative practice, and the political possibilities beyond the nation state that such thinking generated give this book its sap and flow. What might we take from these plant thinkers to rehabilitate our consciousness today?

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University

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Es-pranza Humphrey, "Act Black: Posters from Black American Stage & Screen" (Poster House Museum, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 12 May 2026 08:00:00 +0000

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression.

Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City’s Poster House museum, Es-pranza Humphrey.

Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter.

Es-pranza’s recommended reading list is available at the Additions to the Archive Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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Holly EJ Black, "The Story of Printmaking: A Global History of Art" (Yale UPs, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 11 May 2026 08:00:00 +0000

The significance of printmaking within the history of art is often underplayed, obscured or misunderstood. The Story of Printmaking: A Global History of Art (Yale UP, 2026) by Holly EJ Black tells the story of artist prints from across the globe in a manner that is accessible and engaging. It demystifies how prints are made – from woodblock to etching – and explores how, throughout history, printmaking has defied easy categorisation, straddling ‘fine’ art practices and commercially minded production. In fact, it has been employed as much for creative experimentation as it has for disseminating information.

Beginning in ancient East Asia and travelling through Renaissance Europe, revolutionary Mexico, and post-Apartheid South Africa, these ten chapters celebrate the interconnected nature of the printed image and its multiple histories, while illuminating the lesser-known players who have been deliberately or erroneously overlooked. Whether formed by slicing linoleum or plunging plates into acid, then distributed via bound books or pasted posters, the print has not just replicated the world, it has shaped it.

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Counter-Revolutionary Puzzles with Guillermo Badia

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 11 May 2026 08:00:00 +0000

In this episode Pat speaks with Dr Guillermo Badia.

Dr Guillermo Badia is a philosopher working in logic. His research interests are logic in computer science, semiring-based logics and models of computation, and modal, intuitionistic and other non-classical logics.

They discuss logic, murder mysteries, and the counter revolutionary search for truth.

A transcript of this episode will be available on the Concept : Art website here.

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Nazi-Looted Art and Archives: Recovering and Preserving Jewish Culture

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 10 May 2026 08:00:00 +0000

The ravages of the Holocaust and post-World War II led to the theft and disappearance of art, archives, and personal assets. Join Jonathan Brent and Howard Spiegler for a discussion on the quest to recover and preserve these cultural treasures.

This discussion originally took place on March 23, 2021.

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Ana I. Oancea, "Dangerous Creations: The Inventor Novel in Fin-de-siècle France" (U Toronto Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 6 May 2026 08:00:00 +0000

Dangerous Creations: The Inventor Novel in Fin-de-siècle France (U Toronto Press, 2025) presents a master narrative of the inventor in fin-de-siècle French literature by analyzing the works of Jules Verne, Albert Robida, Émile Zola, and Villiers de l’Isle-Adam. Their writings challenge the role of science in shaping French national identity and aim to transform contemporary understandings of science and technology. The book reveals how Verne, Robida, Zola, and de l’Isle-Adam reimagine the figure of the inventor, reshaping the literary standards of their time. Universally male in these narratives, the inventor serves as a flawed exemplar of national heroism during the Age of Empire – a period marked by significant external threats and internal strife – while also embodying unrestrained creativity. Ultimately, the inventor novel reflects broader French anxieties surrounding scientific progress, empire, and gender. Ana Oancea explores the transmedia and transnational legacy of the fin-de-siècle inventor novel through vignettes that highlight similarly themed narratives in contemporary popular culture. These sections engage with films, television series, graphic narratives, and video games that reinterpret key aspects of the inventor narrative, shedding light on its power structures, racial and gender politics, and colonial aspirations.

Guest Ana Oancea is Associate Professor of French at the University of Delaware. Her research interests include the intersections of science and literature, adaptation studies, and visual culture. She has recently published articles in Forum for Modern Language Studies, Science Fiction Film and Television, and French Screen Studies.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.

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Angela Dimitrakaki, "Feminism. Art. Capitalism" (Pluto Press, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 6 May 2026 08:00:00 +0000

Can art change the contemporary world? In Feminism, Art, Capitalism Angela Dimitrakaki, a Professor of Contemporary Art History and Theory at the university of Edinburgh, offers a Marxist Feminist perspective on a variety of issues in both society and the cultural sector. Engaging with a huge range of examples, as well as theorising key issues such as work and labour, the long modern, communing practices and technology, the book offers a global perspective on the contradictions that feminism faces under capitalist culture. A rich examination of the book will be of interest across the humanities, as well as for anyone interested in the importance of art today.

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The World According to Sound: Chris Hoff and Sam Harnett on Audio Art, Wonder, and Humanistic Reasoning

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 4 May 2026 08:00:00 +0000

Peoples & Things host, Lee Vinsel, and special guest host, Melanie Kiechle (Associate Professor of History, Virginia Tech), chat with radio producers Chris Hoff and and Sam Harnett about their sound production project, The World According to Sound. Hoff and Harnett came to Virginia Tech to put on their octophonic sound show, Ways of Knowing. We recorded this special livestream edition of Peoples & Things in Virginia Tech's Athenaeum, and the conversation includes thoughts and questions from a live audience that gathered there.

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Cooking Sections, "Waves Lost at Sea" (Spector Books, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 2 May 2026 08:00:00 +0000

Waves Lost at Sea (Spector Books, 2026) traces the evolving practice of Cooking Sections, whose work spans visual arts, architecture, and ecology. Since 2013, they have been investigating anthropogenic infrastructures, industrial food systems, and human-made climates: from artificially colored farmed salmon and drained buffalo wetlands to ocean-filtering oysters and Sicilian tomatoes outlawed under EU regulations. Their research-based practice exposes the legal, environmental, and metabolic struggles behind what ends up on our plates, while simultaneously working to create prospects for the future. This monograph brings together six newly commissioned essays alongside an extensive series of images with detailed captions and reflective annotations. The book traverses legal fictions, queer ecologies, disappearing landscapes, multispecies entanglements, and speculative tastes. Through these layered investigations, Waves Lost at Sea invites readers to rethink food cultures and agricultural imaginaries, decentering humans at both microscopic and planetary scales.

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Nabil Ali, "Gold from Newton's Apple Tree: Historical Recipes for Natural Inks, Paints, and Dyes" (Princeton UP, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 14 Apr 2026 08:00:00 +0000

Flowering currant, ivy, Portuguese laurel, and woad might all have grown in a medieval garden, but it would have taken special expertise to extract and create rich blue and purple pigments from them. Humans have been extracting dyes and inks from natural materials for millennia, and the practice was firmly established during the medieval era, recorded in manuscripts that survive today. Gold from Newton's Apple Tree: Historical Recipes for Natural Inks, Paints, and Dyes (Princeton UP, 2026) by Nabil Ali brings together recipes for making natural colors according to season, method, and ingredients.
This unique book takes its title from an ink recipe derived from a descendant of Sir Isaac Newton’s apple tree, in which ingredients extracted from the bark are transformed, seemingly by magic, from brown to a yellow gold. But gold pigments can also be extracted from cornflower, crocus, greater celandine, myrrh, and turmeric. Ali shares his own accessible adaptations for preparing these and other recipes rooted in medieval craft traditions. Along the way, he provides an engaging and informative natural history of the plants used, alongside the broad spectrum of marvelous colors they produce.
Presenting original translations of medieval recipes taken from painters’ and illuminators’ technical manuscripts from the third century BCE through to the twenty-first century, alongside stunning botanical illustrations, Gold from Newton’s Apple Tree is a captivating celebration of colors derived from nature.

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Decolonizing the Novum

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 13 Apr 2026 08:00:00 +0000

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum.

In Zac’s words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency.

In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman’s “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang.

The transcript lives here as a WordDoc and here as a PDF.

Zac’s book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books.

Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure.

The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America)

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Margaret Heffernan, "Embracing Uncertainty: How Writers, Musicians and Artists Thrive In An Unpredictable World" (Policy Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 11 Apr 2026 08:00:00 +0000

Most people hate and fear uncertainty. It causes such stress and anxiety that we often choose certain surrender over doubt, becoming passive, dependent, addicted―and more anxious than ever. Doubling down on the certainties promised by technology and micro-management only makes things worse, leaving no opportunity for innovation, adaptation or invention. Artists live with uncertainty constantly―but instead of waiting for the future, they run towards making it, with agency and freedom. What can we learn from them, about facing into a future that grows more uncertain daily?

At a time when organizations of all kinds crave innovation but complain their people lack creativity and initiative, the arts have never been so essential to our future. We may not all be artists, but we can learn to think like them. In Embracing Uncertainty: How Writers, Musicians and Artists Thrive In An Unpredictable World (Policy Press, 2025) Margaret Heffernan makes a compelling argument for the vital integration of art into all aspects of our lives and for artists to guide us with their stamina, freedom and endurance.

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Karen L. Bowen and Dirk Imhof, "The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp" (Harvey Miller, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 8 Apr 2026 08:00:00 +0000

Karen L. Bowen and Dirk Imhof join Jana Byars to talk about their new book, The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp (Harvey Miller, 2025). The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital importance in the Early Modern Period, as the conveyer of established icons, as well as the most recent imagery and news. Yet, thus far it is often discussed solely on the basis of tantalizing, isolated case studies. Bowen and Imhof's ground-breaking publication will address this significant lacuna by demonstrating in unprecedented detail how booksellers were routinely engaged in the extensive international distribution and sale of hundreds of thousands of prints annually between the mid-sixteenth and mid-seventeenth centuries. Based upon the exceptionally well-preserved archives of the renowned Plantin-Moretus Press of Antwerp, this book presents the often-overlooked interwoven worlds of booksellers and print sellers, while documenting Antwerp's continued fame for the production and distribution of prints. Together with a remarkable array of clients, ranging from the cultivated and influential elite to ordinary laymen, these figures provide palpable examples of suppliers, buyers, and middlemen that reveal how they interacted with one another. Simultaneously, this work illuminates numerous critical related topics, ranging from how prints were priced and the relative quantities in which they were sold, to the importance of national and professional networks in these transactions. The result is an essential, novel study that clarifies how the print trade worked in practice during a burgeoning period in its evolution.

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Bimbola Akinbola, "Transatlantic Disbelonging: Unruliness, Pleasure, and Play in Nigerian Diasporic Women's Art" (Duke UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 6 Apr 2026 08:00:00 +0000

In Transatlantic Disbelonging: Unruliness, Pleasure and Play in Nigerian Diasporic Women's Art (Duke University Press, 2025), Bimbola Akinbola redirects the focus in diaspora studies from questions of loss and longing to acts of unapologetic self-definition through the study of Nigerian diasporic women artists navigating disparate geographies, allegiances, and identities. Drawing on the work of contemporary visual and performance artists, experimental filmmakers, and writers—including Wura-Natasha Ogunji, Njideka Akunyili Crosby, Zina Saro-Wiwa, ruby onyinyechi amanze, and Nnedi Okorafor—Akinbola articulates how these artists use their experiences as cultural outsiders to redefine home and national belonging on their own terms. Taking a capacious interdisciplinary approach, she explores how these women employ anti-respectability, taboo, the erotic, and play to challenge oppressive colonial legacies and expectations pertaining to gender and morality. For the artists in this book, their artmaking is a form of homemaking that embraces ambivalence and reinvents alienation as possibility. Theorizing these practices as acts of “disbelonging,” Akinbola radically reimagines diasporic identity formation, illustrating how artists use creative practices to enact and embody belonging and community in expansive ways.

Bimbola Akinbola is Assistant Professor of Performance Studies at Northwestern University.

Dr. Abigail E. Celis is an assistant professor of art history and museum studies at the Université de Montréal.

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Eivind Røssaak, "The Cory Arcangel Hack: Digital Culture and Aesthetic Practice" (MIT Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 4 Apr 2026 08:00:00 +0000

The first in-depth exploration of the work of artist Cory Arcangel, a pioneer of DIY-new media art whose influential “hacks” subvert the confines of Big Tech.

Cory Arcangel (b. 1978)—perhaps best known for Super Mario Clouds, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.
Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In The Cory Arcangel Hack: Digital Culture and Aesthetic Practice (MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.
Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.

Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.

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Beth Derderian, "Art Capital: Museum Politics and the Making of the Louvre Abu Dhabi" (Stanford UP, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 3 Apr 2026 08:00:00 +0000

Museums often served nationalist and imperialist interests in the past, but the primary force in the 21st century is the market. Museum franchising—exemplified by the Louvre Abu Dhabi—is one of the most visible cases of the increasing entanglement of art and museums with capital interests. Such projects are often touted as global enterprises diversifying the art world. Frequently, critics of these controversial projects question these claims and market influence.

The intersection of these two forces—increasing capitalization and moving toward inclusivity—creates a fundamental tension, and that is the subject of Beth Derderian's Art Capital: Museum Politics and the Making of the Louvre Abu Dhabi (Stanford UP, 2026). Focusing on the decade between the Louvre Abu Dhabi's announcement and its eventual opening, the book analyzes how major shifts away from the 19th- and 20th-century paradigm of culture-state representation play out in museums' and artists' everyday practices. Derderian traces the emergence of a new logic, wherein the ways that artists represent the state shift, as does the notion of what constitutes 'good art.' In addition, these intersecting forces spur preemptive erasures that neutralize and depoliticize difference for museum publics.

Drawing on ethnographic research with artists, curators, museum staff, gallerists, art teachers, and other arts professionals, this book analyzes the UAE art world as a microcosm of these massive, epistemic changes.

Beth Derderian is Assistant Professor of Modern Middle East Studies and Anthropology at the Crown Center for Middle East Studies at Brandeis University.

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The Club: Where American Artists Found Refuge in Belle Epoque Paris

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 2 Apr 2026 08:00:00 +0000

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.
Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people.

A Neuroscientist's Guide to a Healthier, Happier Life

Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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Vojta Hybl, "Rocks: A Guide to the Stones Around Us and the Stories They Tell" (Frances Lincoln, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 30 Mar 2026 08:00:00 +0000

What is that rock you’ve just picked up? Which minerals is it made of, what’s unique about it and what can it reveal about Earth’s deeper story?
Rocks: A Guide to the Stones Around Us and the Stories They Tell (Frances Lincoln, 2026) gives you the tools to answer these questions. Geologist and science illustrator Vojta Hybl guides you through more than 100 rock types, explaining how they form, what they look like and the geological processes they represent.
This authoritative yet accessible guide includes clear explanations of igneous, volcaniclastic, sedimentary, metamorphic and anthropic rocks. It also discusses practical tips for spotting and identifying rocks, including detailed specimen illustrations that highlight key features for easy recognition.

Alongside practical identification advice, Rocks invites you to see the ground beneath your feet in a new way, connecting everyday stones to billions of years of planetary change.
Whether you’re a curious walker, an outdoor enthusiast or simply fascinated by the natural world, this book will transform how you experience landscapes and help you read the stories written in stone.

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The 50th Anniversary Tour of Patti Smith's Horses: A Conversation with Caryn Rose

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 28 Mar 2026 08:00:00 +0000

Caryn Rose's Three Chords and Blessed Noise (2026) is an ode to the lost art of the tour diary. In November of 2025, Patti Smith and her band embarked on a short tour in the United States and Europe to commemorate this auspicious occasion and to allow us, the children of this particular revolution, to celebrate this achievement, these songs and these people.

Rose headed off for a week of shows: Chicago, New York City, and Boston. One more time. Maybe one last time. As someone whose writing career has focused on rock and roll in its live form, and who spent several years researching and writing a book about Patti Smith (Why Patti Smith Matters, University of Texas Press, 2022), she felt this anniversary outing needed to be captured for posterity.

Rose didn’t want to write yet something else that would get lost on the World Wide Web, she didn’t want to be limited by word count, and she wanted something tangible. This is the end result. Less than a book, more than a zine.

Caryn Rose is a music journalist and writer.

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Jonathan Blackwood and Jasmina Tumbas, "Contemporary Art in the Post-Yugoslav Space" (Routledge, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 24 Mar 2026 08:00:00 +0000

Contemporary Art in the Post-Yugoslav Space explores the production, discussion, and consumption of contemporary art across the post-Yugoslav region. Bringing together 16 original contributions, the work explores how and why contemporary art discourses have continued to navigate the chronic difficulties facing local cultural economies since the dissolution of socialist Yugoslavia's common federal space. Framed by the concept of hauntology, the contributors foreground various "ghosts" of the Yugoslav past — from its anti-fascist and non-alignment legacies, to histories of queer and feminist movements and artistic activism — as a lens for examining the present state of affairs both regionally and globally.

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Claire Goldstein, "Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth-Century France" (Northwestern UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 24 Mar 2026 08:00:00 +0000

In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth-Century France (Northwestern University Press 2025) explores the relationship between sensory experience, state ideology, and artistic form, examining literature and art inspired by comets that unsettled the heliocentric order to which French politics and culture aspired.

Guest Claire Goldstein Professor of French and Director of the Humanities Program at UC Davis. Her research in ancien régime French-language literature and culture has explored subjects such as garden design, art and architecture; theater, ballet, and fête performances; astronomy; early modern fashion accessories; and early journalism. Claire’s current projects include Jesuit school ballets; female itinerant clothing resellers; and the innovative and enterprising publishing practices of Nicholas de Blégny, a best-selling and long forgotten multi-hyphenate physician-author. Her scholarship is motivated by her abiding interests in visual and material culture, her curiosity about how the things people see, and the objects and material practices that they engage with, create cultural meanings. She is the author of In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth Century France (Northwestern UP, 2025) and Vaux and Versailles: The Appropriations, Erasures, and Accidents That Made Modern France (U Penn Press, 2007).

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.

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Marc Chagall: Reflections of a Granddaughter

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 19 Mar 2026 08:00:00 +0000

Marc Chagall is widely recognized as the preeminent Jewish artist of the 20th century, but little is known of his work to preserve Jewish culture. In this program, his granddaughter Bella Meyer interweaves images of Chagall’s artwork and personal letters to reflect on his life, passion for Yiddish and dedication to perpetuating Jewish heritage and culture.

This program originally took place on February 17, 2016.

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Georgios Boudalis, "On the Edge: Endbands in the Bookbinding Traditions of the Eastern Mediterranean" (Legacy Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 15 Mar 2026 08:00:00 +0000

On the Edge: Endbands in the Bookbinding Traditions of the Eastern Mediterranean by Dr Giorgios Boudalis (Legacy Press, 2022). The term endbands designates the two bands worked with thread(s) at the head and tail edges of the spine of a book. The techniques with which they are worked and the ways with which they are connected to a bound codex vary greatly over time and geography. The purpose of this book is to identify, classify and describe several of these different techniques used in manuscript books bound within different cultures in the Eastern Mediterranean from Late Antiquity until the 20th century. The book is richly illustrated with full-colour photographs and technical drawings explaining how these endbands were made and how they can be replicated.

The guest on the podcast was Dr Giorgios Boudalis. Dr Boudalis studied conservation of art in Florence and Athens, and Fine Arts in Thessaloniki, Greece, where he lives. In 2005 he completed his Ph.D. at the University of the Arts, London, on the evolution of Byzantine and post-Byzantine bookbinding, and he has since been researching and publishing on the topics of bookbinding history and manuscript conservation. Since 1997 he has been working in book conservation for public and private institutions and collections. His research focuses on the study of the manuscript book in the Eastern Mediterranean using physical, written and iconographical evidence, and he is especially interested in the making of the codex and its relation to other crafts and artefacts.

Since 2006 he has been teaching courses on various aspects of Eastern Mediterranean bookbinding structures both on an historical and technical level. He is a co-editor of the Language of Bindings Thesaurus of the Ligatus Research Centre, and he was a visiting scholar and an adjunct professor at Bard Graduate Center in New York where in 2018 he curated the exhibition, The Codex and Crafts in Late Antiquity, and published a book with the same title.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. Her current research focuses on cleaning gilded wooden frames using gels.

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Reginald Jackson, “Textures of Mourning: Calligraphy, Mortality, and The Tale of Genji Scrolls” (U Michigan Press, 2018)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 1 Mar 2026 09:00:00 +0000

Reginald Jackson’s inspiring new book takes a transdisciplinary approach to rethinking how we read, how we pay attention, and why that matters deeply in shaping how we understand the past, live in the present, and imagine possible futures. Textures of Mourning: Calligraphy, Mortality, and The Tale of Genji Scrolls (University of Michigan Press, 2018) explores the relationship between reading, dying, and mourning across three central texts: the Heian period The Tale of Genji; the twelfth century Illustrated Handscrolls of the Tale of Genji (or, Genji Scrolls); and the twenty-first century Resurrected Genji Scrolls exhibition. The book’s analysis pivots on some key questions, including: “How does the desire to observe dying bodies potentially damage them?”; and “how do these deteriorating bodies in turn alter the texture of linguistic and visual representation?” The book addresses these questions while helping readers understand and appreciate calligraphy as a “kinetic medium” through which we might “chart the shifting contours of mortality’s link to legibility between terrains of written text and painted image.” In tracing Genji’s decompositional aesthetics across the four major parts of the book – Dying, Decomposing, Mourning, Resurrecting – Jackson’s writing simultaneously helps us to understand how mourning can itself be a kind of reading (and how “dwelling with the dead” can be a critical practice) at the same time that his writing becomes itself a form of mourning. As he reminds us in the book, mourning is not simply about experiencing loss: it can also be a resource for thriving. Textures of Mourning demonstrates what that might look like both when studying the medieval past, and when using it as a resource to inform the contemporary present and its many forms of violence. Ranging across art history, Japanese studies, and performance studies, this is a movingly and gorgeously composed book that should serve as a model for what transdisciplinary scholarship can be, and a reminder of the importance of performing and supporting more work that dances across disciplinary boundaries.

Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.

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Margaret S. Graves, "Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics" (Princeton UP, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 27 Feb 2026 09:00:00 +0000

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.
In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.
Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration.

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Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 22 Feb 2026 09:00:00 +0000

In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.

British Blonde: Women, Desire and the Image in Post-War Britain (Yale UP, 2025) by Professor Lynda Nead examines postwar Britain through the changing ideals of femininity that reflected the nation’s evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the Carry On films; and the Pop artist Pauline Boty. Together, they reveal how class, social aspiration, and desire reshaped the cultural atmosphere of the 1950s and 1960s, complicating gender roles and visual culture in the process.

Richly illustrated with paintings, photography, film stills, and advertisements, this interdisciplinary and engagingly written study offers a highly original perspective on an era that transformed Britain’s visual and cultural identity.

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Alexis Lerner, "Post-Soviet Graffiti: Free Speech in Authoritarian States" (U Toronto Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 16 Feb 2026 09:00:00 +0000

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states.

For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text.

The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states.

Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them.

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Lucy Donkin, "Standing on Holy Ground in the Middle Ages" (Cornell UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 9 Feb 2026 09:00:00 +0000

Dr. Lucy Donkin’s Standing on Holy Ground in the Middle Ages (Cornell University Press, 2022) illuminates how the floor surface shaped the ways in which people in Medieval Western Europe and beyond experienced sacred spaces.

The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. “The ground beneath our feet goes unnoticed for the most part. Yet it guides our steps and shapes our identity in many ways. We obey or disregard markings that indicate where to cross the road, stand back from the edge of the platform, or position ourselves on a sports pitch…Differencing convention in homes and places of worship remind us that our own treatment of the surface is culturally constructed."

Dr. Donkin argues that “In the Middle Ages too, the surface of the ground conveyed information to those who stood on it, prompted physical and imaginative responses, and marked out individual and groups in accordance with the values and concerns of the time. Indeed, in some respects, it played a greater role today in articulating space and identity, especially within ecclesiastical settings…. This book focuses on Medieval interaction with holy ground, within and beyond the church interior, asking how these shaped both place and people.”

By focusing on this surface as a point of encounter, Dr. Donkin positions it within a series of vertically stacked layers—the earth itself, permanent and temporary floor coverings, and the bodies of the living above ground and the dead beneath—providing new perspectives on how sacred space was defined and decorated, including the veneration of holy footprints, consecration ceremonies, and the demarcation of certain places for particular activities.

Using a wide array of visual and textual sources, Standing on Holy Ground in the Middle Ages also details ways in which interaction with this surface shaped people's identities, whether as individuals, office holders, or members of religious communities. Gestures such as trampling and prostration, the repeated employment of specific locations, and burial beneath particular people or actions used the surface to express likeness and difference. From pilgrimage sites in the Holy Land to cathedrals, abbeys, and local parish churches across the Latin West, Dr. Donkin frames the ground as a shared surface, both a feature of diverse, distant places and subject to a variety of uses over time—while also offering a model for understanding spatial relationships in other periods, regions, and contexts.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Polina Dimova, "At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism" (Penn State UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 6 Feb 2026 09:00:00 +0000

Inspired by Richard Wagner’s idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova’s At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth.

Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle.

Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice.

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Wisdom of the Goddess: The Divine Feminine in South Asian, Southeast Asian, and Himalayan Art

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 5 Feb 2026 09:00:00 +0000

Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers.

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Donna Stein, "The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art" (Skira, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 26 Jan 2026 09:00:00 +0000

In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi’s patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States.

The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein’s experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today’s art world.

Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.

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Daisy Fancourt, "Art Cure: The Science of How the Arts Save Lives" (Cornerstone Press, 2026)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 23 Jan 2026 09:00:00 +0000

Is culture good for you? In Art Cure: The Science of How the Arts Save Lives (Cornerstone Press, 2026) Daisy Fancourt, a Professor of Psychobiology & Epidemiology and head of the Social Biobehavioural Research Group at University College London offers a comprehensive and compelling argument for the ways arts and culture offer health and social benefits for individuals and societies. The book offers both the evidence for the benefits of arts and culture, whilst at the same time showing how many people and places are missing out and excluded from the positive impact of engagement and experiences. A powerful call for the importance of art and culture, backed by a blend of rigorous scientific and medical evidence, as well as engaging personal stories and narratives, the book is essential reading across the arts, humanities and sciences.

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Alvin K. Wong, "Unruly Comparison: Queerness, Hong Kong, and the Sinophone" (Duke UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 13 Jan 2026 09:00:00 +0000

How do we compare across languages, media, and histories, all without flattening differences? And what might Hong Kong teach us about doing comparison differently?

Alvin K. Wong examines these and other questions in Unruly Comparison: Queerness, Hong Kong, and the Sinophone (Duke UP, 2025), a wide-ranging and thought-provoking study of queerness in Hong Kong. Bringing together Sinophone literature, independent and commercial cinema, documentary films, and visual art, the book asks how Hong Kong’s queer productions might help us rethink the work of comparison itself.

Rather than treating Hong Kong as a marginal or derivative space — a space defined by British colonialism, China-centrism, or global capitalism — this book approaches the city as a site of methodological possibilities. The key concept the book advances, “unruly comparison,” replacing neat equivalences and stable categories with incommensurability and transnational connections and linking Hong Kong to other places, times, and queer spaces across the Sinophone.

Theoretically deft, the book is filled with a wide range of fascinating material, including work by filmmakers including Wong Kar-wai, Scud, and Fruit Chan; transnational and transgender visual cultures; documentaries about Southeast Asian domestic workers and queer intimacies; and poetry about language and precarity.

This book will appeal to those interested in queer theory, Hong Kong studies, Sinophone studies, and comparative approaches. Listeners should also check out Alvin Wong's co-edited volume Keywords in Queer Sinophone Studies(Routledge, 2020) and the Society of Sinophone Studies webpage (of which Alvin is currently chair!).

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"Plenty for All: The Art of Rick Fröberg" (Akashic Books, Ltd., 2016)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 11 Jan 2026 09:00:00 +0000

Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life’s work, mostly in chronological order.

One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg’s line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg’s paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career.

Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg’s work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion.

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Graeme Brooker, "The Story of the Interior: How We Have Shaped Rooms and How They Shape Us" (Thames & Hudson, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 10 Jan 2026 09:00:00 +0000

From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames & Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured.

Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play.

The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright’s Fallingwater, Olafur Eliasson’s The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto’s NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us.

The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour.

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Mike Jay, "Psychonauts: Drugs and the Making of the Modern Mind" (Yale UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 6 Jan 2026 09:00:00 +0000

Mike Jay's Psychonauts: Drugs and the Making of the Modern Mind (Yale UP, 2023) is a provocative and original history of the scientists and writers, artists and philosophers who took drugs to explore the hidden regions of the mind.

Until the twentieth century, scientists investigating the effects of drugs on the mind did so by experimenting on themselves. Vivid descriptions of drug experiences sparked insights across the mind sciences, pharmacology, medicine, and philosophy. Accounts in journals and literary fiction inspired a fascinated public to make their own experiments--in scientific demonstrations, on exotic travels, at literary salons, and in occult rituals. But after 1900 drugs were increasingly viewed as a social problem, and the long tradition of self-experimentation began to disappear. From Sigmund Freud's experiments with cocaine to William James's epiphany on nitrous oxide, Mike Jay brilliantly recovers a lost intellectual tradition of drug-taking that fed the birth of psychology, the discovery of the unconscious, and the emergence of modernism. Today, as we embrace novel cognitive enhancers and psychedelics, the experiments of the original psychonauts reveal the deep influence of mind-altering drugs on Western science, philosophy, and culture.

Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.

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Matthew Davis, "A Biography of a Mountain: The Making and Meaning of Mount Rushmore" (St. Martin's Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 4 Jan 2026 09:00:00 +0000

Mount Rushmore is something of an American Rorschach test. Some look at the monument and see American patriotic ideals carved into a mountainside. Others see only the rank hypocrisy of American presidents blasted into an Indigenous sacred site. In A Biography of a Mountain: The Making and Meaning of Mount Rushmore, writer and journalist Matthew Davis explores the complexities, moral grey areas, and fascinating history of this most iconic American memorial. In detailing the mountain's pre-carving past, the genesis of the memorial, the life and times of its tumultuous sculptor, and the mountain's continued relevance to the present day, Davis explores the complex history of the mountain behind the faces. In doing so, he shows how even when a message is sculpted sixty feet tall, there is nuance to be found in its history.

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Tony Spawforth, "What the Greeks Did for Us" (Yale UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 1 Jan 2026 09:00:00 +0000

Our contemporary world is inescapably Greek. Whether in a word like “pandemic,” a Freudian state of mind like the “Oedipus complex,” or a replica of the Parthenon in a Chinese theme park, ancient Greek culture shapes the contours of our lives. Ever since the first Roman imitators, we have been continually falling under the Greeks’ spell.

But how did ancient Greece spread its influence so far and wide? And how has this influence changed us?

In What the Greeks Did for Us (Yale UP, 2023), Tony Spawforth explores our classical heritage, wherever it’s to be found. He reveals its legacy in everything from religion to popular culture, and unearths the darker side of Greek influence—from the Nazis’ obsession with Spartan “racial purity” to the elitism of classical education. Paying attention to the huge breadth and variety of Hellenic influence, this book paints an essential portrait of the ancient world’s living legacy—considering to whom it matters, and why.

Tony Spawforth is emeritus professor of ancient history at Newcastle University. As well as leading cultural tours in Greece, he has presented eight documentaries for the BBC and has published thirteen books, including The Story of Greece and Rome.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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David Newheiser et al., "Art-Making as Spiritual Practice: Rituals of Embodied Understanding" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 27 Dec 2025 09:00:00 +0000

Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it’s possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art.

Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion.

Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here.

…

Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social

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Colin Williamson, "Drawn to Nature: American Animation in the Age of Science" (U Minnesota Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 25 Dec 2025 09:00:00 +0000

What do technical renderings of plant cells in trees have to do with Disney’s animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney’s groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole.

Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science.

Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination.

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Maddalena Alvi, "The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 17 Dec 2025 09:00:00 +0000

The outbreak of the First World War shattered the established European art market. Amidst fighting, looting, confiscations, expropriation fears and political and economic upheaval, an integrated marketplace shaped by upper-class patrons broke down entirely. In its place, Maddalena Alvi argues, can be found the origins of a recognizably modern market of nationalized spheres driven by capitalist investment and speculation, yet open to wider social strata. Delving into auction records, memoirs, newspaper articles, financial and legal documents in six languages, Alvi explores these cultural and socio-economic developments across the British, French, and German markets, as well as trade spheres such as Russia and Scandinavia. 1914 marked the end of the European art market and cemented the connection between art and finance.

The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925 (Cambridge University Press, 2025)

Maddalena Alvi holds a PhD in History from the University of Cambridge, an MSc in Economic and Social History from the University of Oxford, and an MLitt in Art History from the University of Glasgow.

Priya S. Gandhi is a writer and strategist based in New York City.

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Mariana Ortega, "Carnalities: The Art of Living in Latinidad" (Duke UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 16 Dec 2025 09:00:00 +0000

How can habits of racialization be affected by art, in its reception and its creation? How can a carnal aesthetics help us understand Latinx life? What if we listen to photographs? How might they undo us? Can we be undone? In Carnalities: The Art of Living in Latinidad (Duke UP, 2025), Mariana Ortega focuses on photography using a hermeneutics of love and critical phenomenology to think about and with creative practices of primarily Latinx artists. Moving from the ocular to the mouthly, Ortega opens up possibilities for being affected by art. She also shows how artists use aesthetic practices to transform themselves, the possibilities for life, and as means to refuse to forget the dead.

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Ulinka Rublack, "Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition" (CEU Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 15 Dec 2025 09:00:00 +0000

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic.

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Shilla Lee , "Crafting Rural Japan: Traditional Potters and Rural Creativity in Regional Revitalization" (Routledge, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 7 Dec 2025 09:00:00 +0000

Centering collaborations and frictions around a Japanese town’s pottery industry, Crafting Rural Japan: Traditional Potters and Rural Creativity in Regional Revitalization (Routledge, 2024)n discusses the place of creative village policy in the revitalization of rural Japan, highlighting how rural Japan is moving from a state of regional extinction to regional rejuvenation.

Using the case study of Tamba Sasayama in Hyogo Prefecture, where collective initiatives by local government and the role of the local traditional potters are invested in fostering an aura of creativity in the region, the book examines the complex social relations and the intertwining values of different actors to illustrate how a growing outlook on creativity, rurality, and rural creativity requires a renewed perspective on and of rural Japan.

Based on extensive field research, Crafting Rural Japan will be a valuable resource for students and scholars of Japanese studies, rural studies, and anthropology.

Shilla Lee is a postdoctoral researcher at the Institut für Modernes Japan, Heinrich-Heine-Universität Düsseldorf. Her work explores contemporary craft and its entanglements with social change and post-growth perspectives emerging from rural Japan.

Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of political ecology, critical development studies, and the anthropology of time. More details about his scholarship and research interests can be found here.

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Stephen Murphy, "Buddhist Landscapes: Art and Archaeology of the Khorat Plateau, 7th to 11th Centuries (NUS Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 1 Dec 2025 09:00:00 +0000

This important new work, Buddhist Landscapes: Art and Archaeology of the Khorat Plateau, 7th to 11th Centuries (NUS Press, 2023) by Stephen Murphy, build on extensive fieldwork and archaeological surveys to reveal the Khorat Plateau as having a distinctive Buddhist culture, including new forms of art and architecture, and a characteristic aesthetic. By combining archaeological and art historical analysis with an historical ecology approach, Murphy traces the outlines of Buddhism’s spread into the region, along its major river systems. In this episode, hosted by Natali Pearson, Murphy shows how he has read this history into and against the Khorat landscape, attending to the emergence of monumental architecture such as stūpa, and Buddha images carved into the rockfaces of hills and mountainsides, and the importance on the Khorat Plateau of the use of boundary markers, or sīmā.

This book provides a new picture of the region in the first and early second millennia, adding to our understanding of the development of Buddhism in Southeast Asia, and offering a new basis for other regionally-focused scholarship to thrive —from textual Buddhology to history to anthropology. As Murphy explains, this opens up new possibilities for understanding the early spread of Buddhism within different landscapes across Asia.

Dr Stephen A. Murphy specialises in the art and archaeology of early Buddhism and Hinduism in Thailand, Laos, Myanmar, Cambodia and Malaysia. He is the Pratapaditya Pal Senior Lecturer in Curating and Museology of Asian Art, and Chair of the Centre of South East Asian Studies, at SOAS University of London.

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Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 30 Nov 2025 09:00:00 +0000

In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.

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Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 29 Nov 2025 09:00:00 +0000

Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.

What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.

Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.

Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places.

Kara Walker, A Subtlety, 2014
Manaf Halbouni, Monument, 2017
Warren Kanders controversy at the Whitney
Triple Chaser by Forensic Architecture
My conversations with and on Forensic Architecture
Wolfgang Tillmans and his anti-Brexit campaign
Ren Hang

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Taylor McCall, "The Art of Anatomy in Medieval Europe" (Reaktion Books, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 28 Nov 2025 09:00:00 +0000

Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Sebastian Truskolaski, "Adorno and the Ban on Images" (Bloomsbury, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 24 Nov 2025 09:00:00 +0000

Adorno and the Ban on Images (Bloomsbury, 2022) upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno – not least amongst them, his supposed fatalism.

Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today.

On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world – above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God.

By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum.

Lukas Hoffman is a Doctoral Candidate at the Carolina-Duke Graduate Program in German Studies and is currently supported by a DAAD research grant as a Visiting Scholar at the Humboldt University in Berlin. He is currently working on a book manuscript that examines how the persistence of religious imagery in German modernist lyric reimagines the ways in which traditional, religious attitudes overlap with revolutionary political thought. Recently, he has published an article in Monatshefte, titled “Love of Things: Reconsidering Adorno’s Criticism of Rilke” (Summer 2022) and has a forthcoming article in New German Critique, titled “Abject Eve: A Revolutionary Reading of Lasker-Schüler’s ‘Erkenntnis.’”

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Ilan Kelman, "Antarcticness: Inspirations and Imaginaries" (UCL Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 23 Nov 2025 09:00:00 +0000

Antarcticness: Inspirations and Imaginaries (UCL Press, 2022)

edited by Ilan Kelman

Antarcticness joins disciplines, communication approaches, and ideas to explore meanings and depictions of Antarctica. Personal and professional words in poetry and prose, plus images, present and represent Antarctica, as presumed and as imagined, alongside what is experienced around the continent and by those watching from afar. These understandings explain how the Antarctic is viewed and managed while identifying aspects that should be more prominent in policy and practice.

The authors and artists place Antarctica, and the perceptions and knowledge through Antarcticness, within inspirations and imaginations, without losing sight of the multiple interests pushing the continent’s governance as it goes through rapid political and environmental changes. Given the diversity and disparity of the influences and changes, the book’s contributions connect to provide a more coherent and encompassing perspective of how society views Antarctica, scientifically and artistically, and what the continent provides and could provide politically, culturally, and environmentally.

Offering original research, art, and interpretations of different experiences and explorations of Antarctica, explanations meld with narratives while academic analyses overlap with first-hand experiences of what Antarctica does and does not – could and could not – bring to the world.

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Ana Patricia Rodríguez, "Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area" (University of Arizona Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 20 Nov 2025 09:00:00 +0000

For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area (U Arizona Press, 2025). In In Avocado Dreams, Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular speech and symbolic acts, ethnoracial embodiments, and local identity formations in relation to the diverse communities, most notably Black Washingtonians, who co-inhabit the region.
This timely and relevant work not only enriches our understanding of Salvadoran diasporic experiences but also contributes significantly to broader discussions on migration, identity, and cultural production in the United States.

This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.

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Dustin Condren, "An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film" (Cornell UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 19 Nov 2025 09:00:00 +0000

An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein’s broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein’s experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema.

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Rizvana Bradley, "Anteaesthetics: Black Aesthesis and the Critique of Form" (Stanford UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 15 Nov 2025 09:00:00 +0000

In Anteaesthetics: Black Aesthesis and the Critique of Form (Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.

Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.

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Mattin, "Social Dissonance" (MIT Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 7 Nov 2025 09:00:00 +0000

We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses.

Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse.

The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today.

Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation.

Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide.

He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Elizabeth Currie, "Street Style: Art and Dress in the Time of Caravaggio" (Reaktion, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 2 Nov 2025 09:00:00 +0000

In late sixteenth-century Rome, artists found inspiration in bustling streets and taverns, depicting soldiers, Romani fortune tellers, sex workers and servants among the city’s poorest inhabitants. Street Style: Art and Dress in the Time of Caravaggio (Reaktion, 2025) by Dr. Elizabeth Currie explores these hidden lives, uncovering how the stories of ordinary people are preserved through their clothing and appearances in art. Written records highlight the harsh conditions faced by marginalized groups, while prints and paintings often promoted visual stereotypes. With fresh interpretations of notable works by Caravaggio and his followers, this book reveals the complex social meanings of dress and the ways art captured and shaped the real-life struggles of early modern Italy’s lower classes.

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Cosima Clara Gillhammer, "Light on Darkness: The Untold Story of the Liturgy" (Reaktion Books, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 30 Oct 2025 08:00:00 +0000

With implications for the history of religion and art alike, an exploration of the lasting influence of Christian liturgy across a range of media.

Light on Darkness: The Untold Story of the Liturgy (Reaktion Books, 2025) offers a captivating journey through the history of religious rituals in Western Europe, showcasing the profound impact of Christian liturgy on art, literature, music, and architecture. Through ten evocative stories, it explores medieval rituals and their cultural influence up to the present day, providing fresh insights into the enduring legacy of the liturgy as an expression of human emotion and religious experience. Accessible to all, this guide provides translations and explanations to uncover the hidden treasures of ancient rites and their lasting significance, appealing to those seeking a deeper understanding of Western liturgical traditions.

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Adair Rounthwaite, "This Is Not My World: Art and Public Space in Socialist Zagreb" (U Minnesota Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 29 Oct 2025 08:00:00 +0000

This Is Not My World: Art and Public Spaces in Socialist Zagreb (U Minnesota Press, 2024) examines the Group of Six Authors—a collective of young artists who staged provocative art events in the public spaces of socialist Yugoslavia during the 1970s and early 1980s. The book analyses how these spaces, which had long been forums of state ideological control, were transformed into a contested terrain in which personal creativity and new identities could emerge. Drawing on artist interviews and extensive documentation, Adair Rounthwaite situates the Group's work within broader developments in conceptualism and avant-garde theory in the second half of the 20th century, offering a richly detailed account of this fascinating episode in global art history.

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Gilles Deleuze, "On Painting" (U Minnesota Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 26 Oct 2025 08:00:00 +0000

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss:

Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press.

Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze’s Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion!

From the inside flap:

“

”

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.

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Joanna Woronkowicz, "Artists at Work: Rethinking Policy for Artistic Careers" (Stanford UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 23 Oct 2025 08:00:00 +0000

What does it mean to be an artist? In Artists At Work: Rethinking Policy for Artistic Careers (Stanford UP, 2025) Joanna Woronkowicz, the co-founder of the Center for Cultural Affairs and co-director of the Arts, Entrepreneurship and Innovation Lab at Indiana University Bloomington and currently based at Copenhagen Business School, tells the story of cultural work and cultural policy in the USA. Offering a broad definition of artists and creatives, the book offers a deep dive into the demographics of the arts workforce, their working patterns, the places where they work and live, and their education and training. The analysis also shows the range of challenges confronting the contemporary arts workforce, and crucially demonstrates what policy can do to help. Rich with empirical detail, as well as being clear and accessible, the book is essential reading across the humanities, social sciences, and for anyone interested in the arts today!

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Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 21 Oct 2025 08:00:00 +0000

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?

In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Paul Galvez, "Courbet's Landscapes: The Origins of Modern Painting" (Yale UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 20 Oct 2025 08:00:00 +0000

Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cézanne. This series has long been neglected in favor of Courbet’s paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting (Yale UP, 2022) explores these astonishing paintings, staking a claim for their importance to Courbet’s work and later developments in French modernism. Ranging from the grottoes of Courbet’s native Franche-Comté to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world.

In this interview, Allison Leigh talks to Dr. Galvez about why he felt we needed another book on Courbet, how he tackled the voluminous scholarship on this artist, and how to make claims about an artist’s intentions from a historical standpoint. Their conversation ranges from how to best use comparisons in art historical argumentation to the difficulties of reproducing some art works—even with high resolution digital photography.

Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.

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Kelley Helmstutler Di Dio, "Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards" (Brepols, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 17 Oct 2025 08:00:00 +0000

Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards (Brepols, 2025) by Dr. Kelley Helmstutler Di Dio focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible.

Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies.

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Maggie Gram, "The Invention of Design: A Twentieth-Century History" (Basic Books, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 16 Oct 2025 08:00:00 +0000

Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca’ Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. The Invention of Design: A Twentieth-Century History (Basic Books, 2025)

Recommended Books:

Henry Dreyfuss, Designing for People
Dolly Alderton, Ghosts
Rob Franklin, Great Black Hope

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Michelle Wang, "The Art of Terrestrial Diagrams in Early China" (U Chicago Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 14 Oct 2025 08:00:00 +0000

What can a map do, beyond showing us where things are?

Michelle Wang's new book, The Art of Terrestrial Diagrams in Early China (U Chicago Press, 2023), explores this question through images painted on bronze, wood, and silk that were buried in tombs between the fourth and second centuries BCE. Wang encourages readers to look at these images as terrestrial diagrams — pictures that didn’t just represent the world, but made worlds. These tools helped the living connect with the dead, linked earthly and cosmic orders, and imagined what the afterlife might look like.

Each of the four chapters brings the reader into a different tomb site with different diagrams, including the plan for the grand tomb of King Cuo (who died circa 313 BCE), diagrams in the tomb of a low-level government functionary, and silk drawings from the Mawangdui tombs. Some helped guide descendants through ritual spaces, others recreated bureaucratic systems, and still others laid out auspicious spaces for eternal protection.

Throughout, The Art of Terrestrial Diagrams asks questions that reach beyond early China: What makes something a map, or a work of art? When does a picture move from showing the world to shaping it?

This book will appeal to readers interested in art history, archaeology, and early Chinese thought, as well as anyone curious about how images can shape our understanding of the world

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Bronwyn Bailey-Charteris, "The Hydrocene: Eco-Aesthetics in the Age of Water" (Routledge, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 11 Oct 2025 08:00:00 +0000

The Hydrocene: Eco-Aesthetics in the Age of Water champions the Hydrocene and presents it as disruptive, conceptual epoch and curatorial theory, emphasising water's pivotal role in the climate crisis and contemporary art. Essential reading for researchers, curators, artists, students of contemporary art, curatorial theory, climate concerns and environmental humanities.

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Zara Anishanslin, "The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution" (Harvard UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 7 Oct 2025 08:00:00 +0000

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.

Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.

Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.

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Justine De Young, "The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 6 Oct 2025 08:00:00 +0000

Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.
French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.
This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities.

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Michelle Bumatay, "On Black Bandes Dessinées and Transcolonial Power" (Ohio State UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 3 Oct 2025 08:00:00 +0000

On Black Bandes Dessinées and Transcolonial Power (The Ohio State UP, 2025) is the first book-length study in English about Black francophone cartoonists and their work. Author Michelle Bumatay decenters Eurocentric conceptions of francophone comic art and foregrounds the ubiquity of Western racial stereotypes encoded in mainstream French and Belgian bandes dessinées as well as the imbalance of power between the Global North and the Global South carried over from the colonial era. By examining a diversity of Black cartoonists’ aesthetic and material responses to the colonially inherited medium of bandes dessinées, she argues that their innovations constitute important reparative work that combats racial stereotypes and challenges transcolonial power imbalances.

Bumatay demonstrates how Barly Baruti, Papa Mfumu’eto, Marguerite Abouet, Japhet Miagotar, and other Black cartoonists throughout the francophone world employ a range of tactics to tell their own stories. Through a balance of historical context and close readings, she shows how these artists represent and comment on their everyday lives in a postcolonial reality, expose and critique racial capitalism and exploitation, and provide new ways of seeing and understanding Black francophone peoples and cultures.

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Caroline McCaffrey-Howarth, "Lady Charlotte Schreiber, Extraordinary Art Collector" (Lund Humphries, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 27 Sep 2025 08:00:00 +0000

Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks.

Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this.

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Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 22 Sep 2025 08:00:00 +0000

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it’s hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won’t succeed, there’s no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding.

In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment.

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Jack Hartnell, "Wound Man: The Many Lives of a Surgical Image" (Princeton UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 18 Sep 2025 08:00:00 +0000

The Wound Man—a medical diagram depicting a figure fantastically pierced by weapons and ravaged by injuries and diseases—was reproduced widely across the medieval and early modern globe. In Wound Man: The Many Lives of a Surgical Image (Princeton University Press, 2025), Dr. Jack Hartnell charts the emergence and endurance of this striking image, used as a visual guide to the treatment of many ailments. Taking readers on a remarkable journey from medieval Europe to eighteenth-century Japan, Dr. Hartnell explains the historic popularity of this gruesome image and why the Wound Man continues to intrigue us today.
Drawing on a wealth of original research, Dr. Hartnell traces the many lives of the Wound Man, from its origins in late medieval Bohemia to its vivid reincarnations in hundreds of manuscripts and printed books over more than three hundred years. Transporting readers beyond the specifics of bodily injury, Dr. Hartnell demonstrates how the Wound Man’s body was at once an encyclopedic repository of surgical knowledge, a fantastic literary and religious muse, a catalyst for shifting media landscapes, and a cross-cultural artistic feat that reached diverse audiences around the world. The Wound Man, we discover, held profound importance not only for healers and patients but also for scribes, students, nuns, monks, printmakers, and poets.
Marvelously illustrated, Wound Man sheds light on the entwined histories of art and medicine, showing how premodern medical diagrams represent a unique site of contact between sickness, cure, painting, and print.

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Arriving in a New Country

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 16 Sep 2025 08:00:00 +0000

In this episode of the Language on the Move Podcast, Brynn Quick speaks writer, illustrator, filmmaker and Academy Award winner Shaun Tan. Shaun is best known for illustrated books that deal with social and historical subjects through dream-like imagery. His books have been widely translated throughout the world and enjoyed by readers of all ages.

In the episode, Brynn and Shaun discuss his award-winning 2006 book The Arrival, which is a migrant story told as a series of wordless images. In the book, a man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope.

For more Language on the Move resources related to this topic, see Life in a New Language, Discrimination by any other name: Language tests and racist immigration policy in Australia, Intercultural Communication – Now in the third edition, and Judging Refugees.

If you liked this episode, be sure to say hello to Brynn and Language on the Move on Bluesky!

For additional resources, show notes, and transcripts, go here.

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Mark Goble, "Downtime: The Twentieth Century in Slow Motion" (Columbia UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 15 Sep 2025 08:00:00 +0000

Slow motion is everywhere in contemporary film and media, but it wasn't always so ubiquitous. How did slow motion ascend to the dubious honor of becoming our culture's least "special" effect? And what does slow motion — a trick secured paradoxically through the camera's ever-racing speeds of capture — tell us about the temporalities and trajectories of modernity?

Mark Goble, Professor of English at the University of California, Berkeley, takes up these questions in his latest book Downtime: The Twentieth Century in Slow Motio n (Columbia UP, 2025), out now from Columbia University Press. In this conversation with Alix Beeston, Mark shares from his fascinating account of slow motion across film, art, and literature in the twentieth- and twenty-first centuries. For Mark, slow motion is a key index of a period of capitalist, ecological, political, and cultural crisis that we're still enduring — but that we hope will one day, however slowly, come to an end.

Tracking bodies and things as they move fast and slow at once also prompts new reflections on the value of the time that academic labor takes, the nature of its uneven rhythms and contingencies, and why dad jokes, witty asides, and extended bits on the impotence of Clyde in the classic 1968 film Bonnie and Clyde might turn out to be essential to scholarly writing.

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Christopher C. Gorham, "Matisse at War: Art and Resistance in Nazi Occupied France" (Citadel Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 9 Sep 2025 08:00:00 +0000

In 1940, with the Nazis sweeping through France, Henri Matisse found himself at a personal and artistic crossroads. His 42-year marriage had ended, he was gravely ill, and after decades at the forefront of modern art, he was beset by doubt. As scores of famous figures escaped the country, Matisse took refuge in Nice, with his companion, Lydia Delectorskaya. By defiantly remaining, Matisse was a source of inspiration for his nation.

While enemy agents and Resistance fighters played cat-and-mouse in the alleyways of Nice, Matisse’s son, Jean, engaged in sabotage efforts with the Allies. In Paris, under the swastika, Matisse’s estranged wife, Amélie, worked for the Communist underground. His beloved daughter, Marguerite, active in the French Resistance, was arrested and tortured by the Gestapo, sentenced to Ravensbruck concentration camp—and miraculously escaped when her train was halted by Allied bombs. His younger, son, Pierre helped Jewish artists escape to New York; even his teenaged grandson risked his life by defying the Germans and their Vichy collaborators.

Amidst this chaos, Matisse responded to the dark days of war by inventing a dazzling new paper technique that led to some of his most iconic pieces, including The Fall of Icarus, his profile of Charles De Gaulle, Monsieur Loyal, and his groundbreaking cut-out book, Jazz. His wartime works were acts of resistance, subtly patriotic and daringly new.
Drawing on intimate letters and a multitude of other sources, Christopher C. Gorham illuminates this momentous stage of Matisse’s life as never before in Matisse at War: Art and Resistance in Nazi Occupied France (Citadel Press, 2025), revealing an artist on a journey of reinvention, wrenching meaning from the suffering of war, and holding up the light of human imagination against the torch of fascism to create some of the most exciting work of his career, of the 20th century, and in the history of art.

Guest: Christopher C. Gorham (he/him) is a lawyer, educator, and acclaimed author whose books include Matisse at War and the Goodreads Choice Award finalist, The Confidante. He lives in Boston, and can be found at ChristopherCGorham.com and on social media @christophercgorham.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke Profile here

Linktree here

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Localisation of Islamic Arts in Malaysia

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 8 Sep 2025 08:00:00 +0000

The Malay world boasts a wealth of diverse cultures. The arrival of Islam in the Malay world during the 12th to 13th centuries permanently transformed the aesthetic landscape, and even European colonisation could not stem this change.

In this episode of the Nordic Asia Podcast, Prof. Julie Yu-Wen Chen from the University of Helsinki talks to Dr. Dzul Afiq bin Zakaria and Dr. Wahyuni Masyidah Binti Md Isa from the Faculty of Creative Arts, University of Malaya about the localisation of Islamic arts in Malaysia. They illuminate the core of Islamic arts, which view art as a reflection of their faith. In Islam, there is no fundamental distinction between spiritual and secular art, enabling the qualities of Islamic architecture and arts to rise above mere aesthetics and utility. Dr. Dzul Afiq bin Zakaria, a distinguished scholar and artist, possesses artwork that can be shared with our audience to elucidate the relationship between culture, philosophy, and the arts within the Malay world. Dr. Wahyuni Masyidah Binti Md Isa’s research employs Motion Capture technology to chart and conserve Islamic art. For example, Senaman Melayu Tua is a therapeutic exercise rooted in Malay culture. This exercise harmoniously integrates with both Malay culture and Islam, yielding comprehensive positive effects on the spiritual aspect by fostering inner peace, patience, and self-awareness. Her research utilises technology to visualize the micro-lines embedded within Senaman Melayu Tua.

Julie Yu-Wen Chen is Professor of Chinese Studies and Asian studies coordinator at the Department of Cultures at the University of Helsinki (Finland). Chen is one of the Editors of the highly-ranked Journal of Chinese Political Science. Formerly, she was Editor-in-Chief of Asian Ethnicity.

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Nicole Nehrig, "With Her Own Hands: Women Weaving Their Stories" (W.W. Norton, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 3 Sep 2025 08:00:00 +0000

In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment.

Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women’s work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in.

Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women’s postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest.

Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience.

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Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 31 Aug 2025 08:00:00 +0000

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books.

A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Amy Von Lintel and Bonnie Roos, "Three Women Artists: Expanding Abstract Expressionism in the American West" (Texas A&M UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 27 Aug 2025 08:00:00 +0000

Offering a fresh perspective on the influence of the American southwest—and particularly West Texas—on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West (Texas A&M UP, 2022) aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States.

The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a “decentered” modernism—demanding that we look beyond our received truths about Abstract Expressionism.

Authors Amy Von Lintel and Bonnie Roos demonstrate that these women’s New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists’ aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.

Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.

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K. Ian Shin, "Imperial Stewards: Chinese Art and the Making of America's Pacific Century" (Stanford UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 23 Aug 2025 08:00:00 +0000

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America’s Pacific Century (Standford UP, 2025).

Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States’ transformation into possessing some of the world’s largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market.

Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe.

Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review.

Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln.

Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University.

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Glenn Ligon, "Distinguishing Piss from Rain" (Hauser & Wirth, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 19 Aug 2025 08:00:00 +0000

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York.

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Prudence Peiffer, "The Slip: The New York City Street That Changed American Art Forever" (Harper, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 15 Aug 2025 08:00:00 +0000

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.

Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives.

An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work.

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Raffale Bedarida, "Corrado Cagli: Transatlantic Bridges (1938-1947" (Centro Primo Levi, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 13 Aug 2025 08:00:00 +0000

As a Jewish and openly gay artist, Cagli became the target of virulent attacks, especially after Italy promulgated its racial laws in 1938. In response to these hostile conditions, Cagli chose to leave his homeland and seek refuge in the United States. In America, he became an influential figure within the New York émigré artistic scene. He found camaraderie among the Neo-romantic milieu centered around the Julian Levy Gallery and the Wadsworth Atheneum. Cagli actively participated in the environment of anti-Breton surrealists of View magazine and became a part of a foundational moment in gay culture in New York, collaborating with other artists working for the Ballet Society and Harper's Bazaar, and exhibiting at Alexander Iolas's gallery. Throughout his ten-year stay in America, Cagli continued to produce and exhibit drawings, a medium that allowed him to interrogate and critique fascist rhetoric.

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Hannah Star Rogers, "Art, Science, and the Politics of Knowledge (MIT Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 13 Aug 2025 08:00:00 +0000

'Art, Science, and the Politics of Knowledge (MIT Press, 2022)' by Hannah Star Rogers

When I sat down with Hannah Star Rogers to discuss her new book Art, Science, and the Politics of Knowledge, I found myself nodding along to a refreshingly obvious yet somehow radical proposition: why do we insist on keeping art and science in separate corners? Rogers makes a compelling case that this artificial boundary isn't just limiting our understanding of both fields, it's actively distorting how we think about knowledge itself.

What struck me most during our conversation was Rogers' articulation of Art-STS (ASTS) as an emerging field that refuses to play by the old rules os separation and siloed study. The field, and Rogers, recognizes that both artists and scientists are engaged in the same fundamental project - making sense of the world through experimentation, observation, and yes, imagination. When we acknowledge this shared enterprise, the implications ripple outward. Who gets to produce legitimate knowledge? Whose methods count as valid? These questions matter because they shape everything from funding decisions to educational curricula to which voices we trust in public discourse.

Rogers doesn't just theorize about these connections; she shows us what happens when we take them seriously. The experimental collaborations she documents reveal knowledge production as a deeply social, often messy, always political process. This isn't a bug in the system, it's the system itself. And maybe, just maybe, admitting that is the first step toward building more honest and inclusive ways of understanding our world.

Notes:

Routledge Handbook of Art, Science, and Technology Studies

Picturing the Invisible

Science Communication as a Boundary Space: An Interactive Installation about the Social Responsibility of Science

Gaïa Global Circus: A Climate Tragicomedy

Shot on LiDAR, a Short Film Examines the Contradictions of Urban Surveillance

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Jirí Anger, "Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 12 Aug 2025 08:00:00 +0000

Jiří Anger is a scholar, archivist, and videographic critic devoted, as he says in this interview, to "making weird shapes shine." In this episode of New Books in Film, Anger sits down with Alix Beeston to discuss his award-winning book Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up.

Anger's book is an experiment in theorizing film "from below," from the perspective of moving-image objects themselves. Its revelatory readings of single frames from the digitized first Czech films by Jan Kríženecký challenge what we think we know about film materials, histories, and spectatorship. These early film objects are defined and deformed by scratches, stains, tears, and shakes that Anger takes seriously as part of an "accidental aesthetics" which reveals the creative potential of material traces and processes — beyond their shaping through human intention.

How does doing film theory from below complicate our understandings of creativity and agency? What forms of scholarly or artistic interventions into film materials does it prompt? What are the ethics of "touching" or manipulating archival objects for the sake of restoration, dissemination, or interpretation? Reflecting on both his written scholarship and videographic practice, Jiří offers thoughtful answers to these and other vexing questions for all who seek to reimagine film history and theory through the archive's preponderance of idiosyncratic forms, disruptive materials, and weird shapes.

Towards a Film Theory from Below is out now with Bloomsbury Academic. Anger builds on the work of the book in A Tale of Two Desktops: The First Czech Films in Parallel Worlds, a new videographic essay coproduced with Veronika Hanáková and Jiří Žák.

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Kirin Narayan, "Cave of My Ancestors: Vishwakarma and the Artisans of Ellora" (U Chicago Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 11 Aug 2025 09:00:00 +0000

On the podcast today I am joined by Kirin Narayan, emerita professor at the College of Asia and the Pacific at the Australian National University. Kirin is joining me to talk about her new book, Cave of my Ancestors: Vishwakarma and the Artisans of Ellora published by Chicago University Press in 2024, and in 2025 as an Indian edition by HarperCollins India.

As a young girl in Bombay, Kirin Narayan was enthralled by her father’s stories about how their ancestors had made the ancient rock-cut cave temples at Ellora. Recalling those stories as an adult, she was inspired to learn more about the caves, especially the Buddhist worship hall known as the “Vishwakarma cave.” Immersing herself in family history, oral traditions, and works by archaeologists, art historians, scholars of Buddhism, Indologists, and Sanskritists, in Cave of my Ancestors Narayan set out to answer the question of how this cave came to be venerated as the home of Vishwakarma, the god of making in Hindu and Buddhist traditions. Part scholarship, part detective story, and memoir, Narayan’s book leads readers through centuries of history, offering a sensitive meditation on devotion, wonder, and all that connects us to place, family, the past, and the divine.

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Nathan Wainstein, "Grant Us Eyes: The Art of Paradox in Bloodborne" (2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 9 Aug 2025 08:00:00 +0000

Grant Us Eyes is a book-length close reading of Bloodborne by literary critic Nathan Wainstein (LA Review of Books, Cartridge Lit, American Book Review). Grant Us Eyes situates the game’s oft-discussed difficulty in relation to a much longer tradition of difficult art – surrealist painting, the modernist novel, etc. Wainstein probes the difficulty of Bloodborne’s fragmented narrative, the difficulty of its graphical and aural glitches, the difficulty of the philosophical problems it poses, and the difficulty of performing close analysis itself within a medium that still doesn’t have established, agreed-upon methods of interpretation in the way literature and film do.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.

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Irvin Weathersby Jr., "In Open Contempt: Confronting White Supremacy in Art and Public Space" (Viking, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 8 Aug 2025 08:00:00 +0000

Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.
Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.

Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events.

Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation.

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Sarah E. K. Smith, "Trading on Art: Cultural Diplomacy and Free Trade in North America" (UBC Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 2 Aug 2025 08:05:00 +0000

hat is the relationship between culture and trade? In Trading on Art: Cultural Diplomacy and Free Trade in North America Sarah E. K. Smith, an Associate Professor in the Faculty of Information and Media Studies at Western University and the Canada Research Chair (Tier 2) in Art, Culture and Global Relations, examines the history of cultural relations between Canada, the USA and Mexico at the turn of the twenty-first century. The book considers how North America was conceptualised by cultural practices such as art and video, as well as how the arts engaged and responded to free trade agreements in that period. As the world confronts a very different trading and cultural context, the book is essential reading for anyone interested in the future, as well as the past, of cross-national cultural exchange. The book will also be available open access in 2026

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Bradley Morgan, "Frank Zappa's America" (LSU Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 2 Aug 2025 08:00:00 +0000

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression.

In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism.

Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism.

Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it.

Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast.

Caleb Zakarin is editor of the New Books Network.

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Anthony Michael Petro, "Provoking Religion: Sex, Art, and the Culture Wars" (Oxford UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 1 Aug 2025 08:00:00 +0000

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred.

Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ.

Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program.

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Ünver Rüstem, "Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul" (Princeton UP, 2019)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 27 Jul 2025 08:00:00 +0000

In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today.

Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University.

Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

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Sarah Teasley, "Designing Modern Japan" (Reaktion Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 27 Jul 2025 08:00:00 +0000

Sarah Teasley's Designing Modern Japan (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. Designing Modern Japan explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. Designing Modern Japan is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan.

Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.

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Nadya Bair, "The Decisive Network: Magnum Photos and the Postwar Image Market" (U California Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 26 Jul 2025 08:00:00 +0000

The legendary Magnum photo agency has long been associated with heroic lone wolf male photographers such as Robert Capa and Henri Cartier-Bresson, roaming the world in search of the “decisive moment” – the perfect shot that captured the essence of a major news story. Nadya Bair’s highly original book The Decisive Network: Magnum Photos and the Postwar Image Market (University of California Press 2020) argues that this idealized portrayal of Magnum occludes the larger networks within which these photographers operated, including the crucial roles performed by often female office staff, by picture editors and corporate clients. She sets out to show that right from the outset, Magnum was also a business operation, one that pioneered modern ideas of branding borrowed from advertising agencies and commercial partners.

Drawing on extensive archival work and including numerous images of photo page spreads, The Decisive Network presents Magnum in a novel and distinctive light, as the framer of new global imaginaries that reflected the evolution of post-war capitalism.

Nadya Bair is an assistant professor of art history at Hamilton College

For digital explorations of the Magnum network, see Nadya’s fascinating website.

Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here.

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Zachari Logan, "Green" (Radiant Press, 2025).

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 24 Jul 2025 08:00:00 +0000

In this NBN episode, host Hollay Ghadery speaks with poet and visual artist Zachary Logan about his beautiful collection of poetry and art, Green (Radiant Press, 2025).

An exciting new collection of ekphrastic poems accompanied by a compilation of green sketches via the lens of a queer poet and visual artist. Zachari Logan carried a sketchbook as he travelled the world and responded to iconic artwork as well as art that once existed but is now lost, destroyed, or far away. Whimsical art and thoughtful poems that ponder the nature of existence.

Zachari Logan is a queer Canadian settler poet and artist whose artwork has been exhibited throughout North America, Europe and Asia. Logan’s work can be found in collections worldwide, including the National Gallery of Canada, Art Gallery of Ontario, Remai Modern, Peabody Essex Museum, McMichael Canadian Art Collection and Nerman MOCA among many others. In 2014 Logan received the Lieutenant Governor’s Emerging Artist Award, in 2015 he received the Alumni of Influence Award from the University of Saskatchewan and in 2016 Logan was long-listed for the Sobey Art Award. In 2010, his chapbook, A Eulogy for the Buoyant, was published by JackPine Press and in 2021, A Natural History of Unnatural Things, was published by Radiant Press. Logan’s artwork and writing has been featured in many publications throughout the world. Zachari Logan lives in Regina, Saskatchewan.

“Green is a ravishing compendium of attention—a book that bristles with subtle and unexpected poetic turns, and the peculiar thrum of being human in a world increasingly out of step with itself. Here, the act of writing is inseparable from drawing, from walking, from remembering, from witnessing—and from loving, deeply, the fragile and persistent textures of the earth. Zachari Logan’s poems pulse with vegetal sensitivity, moving between alleyways and art history, between inner monologue and ecological longing. Green is not merely a colour: it is an atmosphere, a consciousness, a sensual and moral register. What it captures is more than the sum of its fragments—it is their residue, their ache, their adaptation, their ephemeral and often unintelligible traces. There is a deep and haunting beauty across these pages, but also fury, wit, and a quiet defiance. A sensual invitation to pay attention, this little but mighty book is not only an artistic gesture, but a political and ethical one. With luminous precision and a mind turned toward both the microscopic and the mythic, Green is a spell cast in language and images—one that lingers long after the page is turned.”— Giovanni Aloi, author of Lucian Freud: Plant Portraits, Botanical Revolutions: How Plants Changed the Course of Art and Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene“A poem in its very color; deep green, wildly queer. This book captivates with its folds and cracks. The dissection of worlds, coupled with meticulous sketches of botany, art and the quotidian carried by the fascinating complexity of nature. One is lost between the body of a naked man or an abandoned thistle flower in a thick ditch. At once a sketchbook, a collection of poems, and an essay- this collection opens a door to the striking universe of Zachari Logan.”— Julie Hetu, author of Pacific Bell, Les dormeurs de Nauru and MotZachari Logan

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Jake Kaner and Clive Edwards, "Conservation of Twentieth-Century Furniture" (Routledge, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 18 Jul 2025 08:00:00 +0000

Conservation of Twentieth-Century Furniture (Routledge, 2024) provides comprehensive and accessible coverage of the materials and techniques that are encountered in furniture of this century.

After putting the design, manufacture and conservation of twentieth-century furniture into context, the volume then offers an A-Z of materials organised into 12 chapters. Within each chapter a wide variety of material types are discussed, observed, analysed and contextualised, and a list of further sources is provided. The furniture discussed in this book ranges from designer craftsman, individually made pieces, to factory-produced batch items, and includes cabinet work, decoration, surface finishes and upholstery, observing the traditional repertoire of materials, as well as innovative materials and processes introduced over the course of this century. Following the material chapters, the book also includes brief case studies that illustrate some examples of twentieth-century furniture conservation, with a focus on metal, plastic and wood.

Conservation of Twentieth-Century Furniture is the primary resource for those working on the manufacture, history and care of furniture of this period, including conservators, curators, dealers and collectors.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern.

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Cat Dawson, "Monumental: How a New Generation of Artists Is Shaping the Memorial Landscape" (MIT Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 15 Jul 2025 08:00:00 +0000

For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous historical monuments have been removed or toppled, bringing to the fore a long-repressed conversation about the relationship between the monumental landscape and national identity. In Monumental: How a New Generation of Artists Is Shaping the Memorial Landscape (MIT Press, 2025), Dr. Cat Dawson takes up the social, political, and art historical causes and ramifications of this important shift.
Examining the conditions that have led to and define this new era, Dr. Dawson reveals that these interventions are as indebted to the monumental tradition as they are to representational strategies that grew out of twentieth-century social justice efforts, from the Civil Rights movement to queer organizing during the AIDS crisis.
Since 2014, a new generation of artists has established a groundbreaking role for monuments, calling into question the very notion of what a monument is through novel investigations of how symbolic structures can be made and what stories they can tell. This book tells the important story of that sea change.

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Lanlan Kuang, "Staging Tianxia: Dunhuang Expressive Arts and China's New Cosmopolitan Heritage" (Indiana UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 15 Jul 2025 08:00:00 +0000

How can art shape historical memory and national identity? And how can cultural heritage and historical references be used to enact a vision of a nation? In Staging Tianxia: Dunhuang Expressive Arts and China’s New Cosmopolitan Heritage (Indiana University Press, 2024), Lanlan Kuang explores these questions through the lens of Dunhuang expressive arts — a twentieth-century music and dance performance style inspired by the images, music descriptions, and narratives found in the Dunhuang Mogao Grottoes. Through these performances, Dunhuang expressive arts presents a vision of China as a historically multiethnic and cosmopolitan nation.

Staging Tianxia is an ambitious and interdisciplinary book, weaving together ethnography, ethnomusicology, performance studies, history, and philosophy. It is also rich with episodes from Kuang’s own fieldwork in Dunhuang and rehearsal studios, and through such moments Kuang offers intriguing insights on the way that heritage is constructed and embodied. The book will be of interest to scholars and students of ethnomusicology, performance studies, Chinese classical dance, and Dunhuang studies.

Listeners (and readers!) should also check out the multimedia components of the book on Kuang’s website, here.

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Juliet Rix, "London's Statues of Women" (SafeHaven Books, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 14 Jul 2025 08:00:00 +0000

No-one can fail to notice how many statues of Great Men there are around London: stern politicians, military generals, imperial adventurers . . . But what about women?

As shown by Juliet Rix in London's Statues of Women (SafeHaven Books, 2025), women are surprisingly well represented amongst London’s statues. Recent years have seen new statues of Virginia Woolf in Richmond, Mary Wollstonecraft in Stoke Newington, even boxer Nicola Adams in Brent.

But there are also groundbreaking statues commemorating the Black community, notably the two of Brixton resident Joy Battick on its railway station platforms. And you’ll find historical figures from Florence Nightingale to Joan of Arc and Edith Cavell – as well as Twiggy.

And how many ballet dancers are commemorated, and where? And which famous tennis player was the unlikely model for the young girl with dolphin by Tower Bridge? This is a book that really will make you see London in a new way.

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Ignacio G. Galán, "Furnishing Fascism: Modernist Design and Politics in Italy" (U Minnesota Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 12 Jul 2025 08:00:00 +0000

Along with the rise of Mussolini’s fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime’s politics were overtly manifest in monumental government architecture, Furnishing Fascism: Modernist Design and Politics in Italy (University of Minnesota Press, 2025) by Dr. Ignacio G. Galán examines the subtler yet effective role of household goods and decor in the cultivation of Italy’s exclusionary sense of national identity.

Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Dr. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country’s colonial territories, Italy’s modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony.

Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period’s so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power.

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Kirstie Macleod, "The Red Dress: Conversations in Stitch" (Quickthorn, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 9 Jul 2025 08:00:00 +0000

The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma.

This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events.

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Rhythm, Exorcism, and Confrontation with Lexi Eikelboom

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 7 Jul 2025 08:00:00 +0000

In this episode Pat speaks with Dr Lexi Eikelboom.

Dr Lexi Eikelboom is both a visual artist and a scholar of philosophical theology. Her academic work analyses aesthetic concepts such as rhythm and form as way to illuminate the human implications of the philosophical arguments in which the concepts appear. She also leads collaborative projects investigating art as a form of thinking and the effects of engagement with art on theoretical work.

They discuss rhythm and time in cubist painting, letting the shapes of art speak for themselves, and art as confrontation and incitement to change.

A transcript of this episode will be available on the Concept : Art website (www.conceptart.fm).

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Illustrating Punk

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 6 Jul 2025 08:00:00 +0000

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.

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Gotham Center for NYC History - CUNY GC

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Pamela Karimi, "Women, Art, Freedom: Artists and Street Politics in Iran" (Leuven UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 4 Jul 2025 08:00:00 +0000

Women, Art, Freedom: Artists and Street Politics in Iran offers an insightful look at the 2022 Woman, Life, Freedom uprising in Iran, sparked by the tragic murder of Jina Mahsa Amini at the hands of the “morality police” for violating hijab rules. Beyond its feminist undertones and the remarkable courage of the young protesters, what sets this uprising apart from previous ones is the abundant and diverse art it has inspired. This book, rather than merely analyzing the artworks that garnered attention on social media platforms, brings to light lesser-known grassroots artistic movements that played a crucial role within their immediate local communities. Engaging with primarily Iran-based artists, it uncovers their role in shaping guerrilla interventions and street occupations and in articulating distinct forms of peaceful civil disobedience. By drawing on a broad spectrum of historical and theoretical sources, this book further reveals the origins and inspirations of Iran’s protest art. Focusing mainly on the interconnections between the public sphere, women’s bodies, and feminist viewpoints, Women, Art, Freedom underscores the vital role of artists in championing global justice and equality.

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Jade Elizabeth French, "Modernist Poetics of Ageing: The Late Lives and Late Styles of Mina Loy, Djuna Barnes, and H.D." (Oxford UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 29 Jun 2025 08:00:00 +0000

What happens when the 'modern woman' ages? Modernist Poetics of Ageing (Oxford University Press, 2025) answers this question by being the first book-length study of three late modernist women's writers. Drawing on their place within wider modernist networks, this monograph is primarily framed around work by Mina Loy, H.D. and Djuna Barnes, who are often thought of as the quintessentially youthful 'modern woman' of the 1920s. Taking a literary, ageing studies and cultural criticism approach, this monograph focuses on lived experience, as well as thematic representations of ageing in their work, to examine how each author grew older in the years 1940-1982. By surveying literary texts, visual art, photography, life writing and archival material, this book explores the intersection of old age as lived and as well as written to argue that modernist late writing embodies the realities of ageing and transforms them through avant-garde aesthetics. As an interdisciplinary study, this work pairs ageing studies and modernist studies to innovatively consider experimental works written about and in later life. The book suggests that a focus on older age complicates the very avant-garde or modernist aesthetics that each author was interested in: what happens when the scene of the 'new' is populated by older people? How does an embodied experience of illness inform an aesthetics of 'late style'? After fulfilling their role as the youthful 'modern woman' of the 1920s, how did each artist continue to create rich, avant-garde works that go well beyond the paradigms of 'late modernism'? Modernist Poetics of Ageing argues that the late lives of some of modernism's most prominent and networked women writers are overlooked - despite being rich, vital, and contemporary in their continuing commitment to modernist experiment. By reframing these older modernist women writers as engaged in continuing, creative experiments, Modernist Poetics of Ageing reveals that the 'new' does not always have to be 'young'.

About the author: Jade Elizabeth French works on ageing, care, and intergenerationality in modern and contemporary literature. She is currently a Leverhulme Early Career Fellow at Loughborough University, developing a project on emotions, ageing, and care homes in post-war British novels since 1948. In 2021-2022, she was a Research Associate as part of the ESRC-funded project Reimagining the Future in Older Age. Jade is also the co-founder of the interdisciplinary arts project Decorating Dissidence, which explores the conceptual, aesthetic, and political qualities of craft from the twentieth century to today.

About the host: Julyan Oldham is a Post-Award Member of the University of Oxford, where he recently completed a PhD on virginity in the early twentieth-century British novel. Julyan’s work has been published or is forthcoming in Studies in the Novel and the Journal of Modern Literature.

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Bernd Roeck, "The World at First Light: A New History of the Renaissance" (Princeton UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 22 Jun 2025 08:00:00 +0000

Today I’m speaking with Bernd Roeck about his book, The World at First Light: A New History of the Renaissance (Princeton University Press, 2025). Bernd is professor of modern history at the University of Zurich and director of the German Centre for Venetian Studies in Venice. Translated by Patrick Baker, The World at First Light is a truly magisterial work. Much ink and paint has been spilled illuminating and interpreting the cultural flourishing known as Europe’s rebirth. The Renaissance was chiefly marked by a revival in classical literature and philosophy, artistic and scientific innovations embodied by polymaths like Leonardo da Vinci, Galileo Galilei, and William Shakespeare. In exploring this historical period, Bernd offers the most authoritative and up-to-date treatment of the Renaissance.

Caleb Zakarin is editor of the New Books Network.

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Yevgenia Nayberg, "A Party for Florine: Florine Stettheimer and Me" (Neal Porter Books, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 21 Jun 2025 08:00:00 +0000

A young girl forms a special connection to the modernist painter Florine Stettheimer, and imagines herself joining in on Florine’s exciting life.
When a young girl visits the museum, she finds an unexpected friend in a self-portrait of Florine Stettheimer. They’re both artists; they both have Jewish families; they even look alike!
Florine’s life was wild and glamorous. She painted people in flight and buildings that grew from the ground like crooked trees, bright colors and shapes and animals. She threw parties frequented by other famous visionaries like Marcel Duchamp and Carl Van Vechten.
Soon, our narrator is dreaming up her own fantastical parties for Florine, with table spreads of colorful treats, and painting and dancing and poetry. With Florine in her life, even a rainy day can’t make the world seem humdrum anymore.
A Party for Florine: Florine Stettheimer and Me (Neal Porter Books, 2024) is an unapologetically whimsical fan letter to an artist whose influence is clear in Sydney Taylor Honoree Yevgenia Nayberg’s captivating illustrations. Dreamers, creators, and budding modernists will be drawn into the young protagonist’s party just as strongly as she is drawn into Stettheimer’s paintings.

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Robell Awake, "A Short History of Black Craft in Ten Objects" (Princeton Architectural Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 17 Jun 2025 08:00:00 +0000

Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, A Short History of Black Craft in Ten Objects (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.

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Andreas Beyer, "Benvenuto Cellini and the Embodiment of the Modern Artist" (Reaktion, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 17 Jun 2025 08:00:00 +0000

Andreas Beyer joins Jana Byars to talk about his new book, Benvenuto Cellini and the Embodiment of the Modern Artist (Reaktion, 2025). Benvenuto Cellini was a murderer, thief, lover of all genders, rival of popes and princes, as well as an ingenious artist. In his legendary autobiography, the Vita, Cellini describes his activities vividly and in lurid detail. Many of the most disturbing passages have been dismissed as fiction, but in this clear-eyed portrayal, Andreas Beyer argues that these sensational accounts of the body, sex, and extreme experiences are not only entertaining but historically authentic. The stories reveal the depth of Cellini’s character: an artist who embraced life and shattered boundaries. Ultimately, this book discovers the roots of modern art’s fascination with the autonomous artist deep within Cellini’s audacious life and work.

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John Trafton, "Movie-Made Los Angeles" (Wayne State UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 11 Jun 2025 08:00:00 +0000

Los Angeles was a cinematic city long before the rise of Hollywood. By the dawn of the twentieth century, photography, painting, and tourist promotion in Southern California provided early filmmakers with a template for building a myth-making business and envisioning ideal moviegoers. These art forms positioned California as a land of transformative experiences and catapulted the dusty backwater town of Los Angeles to the largest city on the West Coast by 1915. Photography aided the Southern Pacific Railroad Company in opening the region to the rest of the nation. Painters gave traditions that were fading in Europe a new lease on life in the California sun, with signature colors and techniques that would be adopted by L.A. real estate companies, agribusiness, and health retreats. Tourism infused the iconography and signature styles of art with cultural mythology of the state’s colonial past, offering proto-cinematic experiences to those who ventured west. In Movie-Made Los Angeles (Wayne State University Press, 2023), John Trafton explores how Hollywood, an industry based on world-building, was the product of these art forms in the land of sunshine. A more complete story of the American film industry’s ascendency in Los Angeles emerges when one considers how the City of Angels cultivated its self-image through pre-cinema narrative art.

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antonio c. cuyler, "Achieving Creative Justice in the U.S. Creative Sector" (Routledge, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 10 Jun 2025 08:00:00 +0000

How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship & Leadership and Faculty Associate in Voice & Opera in the School of Music, Theatre & Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here

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Stefanie Lenk, "Roman Identity and Lived Religion: Baptismal Art in Late Antiquity" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 9 Jun 2025 08:00:00 +0000

Christianity is often considered prevalent when it comes to defining the key values of late antique society, whereas 'feeling connected to the Roman past' is commonly regarded as an add-on for cultivated elites.

Roman Identity and Lived Religion: Baptismal Art in Late Antiquity (Cambridge UP, 2025) demonstrates the significant impact of popular Roman culture on the religious identity of common Christians from the fifth to the seventh century in the Mediterranean world. Baptism is central to the formation of Christian identity. The decoration of baptisteries reveals that traditional Roman culture persisted as an integral component of Christian identity in various communities. In their baptisteries, Christians visually and spatially evoked their links to Roman and, at times, even pagan traditions. A close examination of visual and material sources in North Africa, the Iberian Peninsula, and Italy shows that baptisteries served roles beyond mere conduits to Christian orthodoxy.

New Books in Late Antiquity is presented by Ancient Jew Review.

Stefanie Lenk is a postdoc the university of Göttingen, and she’s held other postdocs and fellowship at the Universities of Bern and Hamburg. And she, along with Jaś Elsner, was Curator at the Ashmolean’s of the international exhibition “Imagining the Divine: Art and the Rise of World Religions.

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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Snotty Punk Bands and Ancient Aliens with Timothy Deane-Freeman

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 8 Jun 2025 08:00:00 +0000

In this episode Pat speaks with Dr Timothy Deane-Freeman.

Dr Timothy Deane-Freeman works as a teacher and researcher in philosophy in Naarm/Melbourne. His work is primarily focussed on the intersection of politics and art, and the ways in which sensible materials can be combined to produce different forms of thought. He is currently co-editing a book on philosophical accounts of artistic agency.

They discuss bourgeoise culture, shock, chronopolitics, and Afrofuturism as the place of the new.

A transcript of this episode will be available on the Concept : Art website (www.conceptart.fm).

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Katie Beswick, "Slags on Stage: Class, Sex, Art and Desire in British Culture" (Routledge, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 31 May 2025 08:00:00 +0000

How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag’ across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag’, the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags’ in British culture and how class, race and gender all intersect in Britain’s unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today.

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Jana Dambrogio and Daniel Starza Smith, "Letterlocking: The Hidden History of the Letter" (MIT Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 27 May 2025 08:00:00 +0000

Before the invention of the gummed envelope in the 1830s, how did people secure their private letters? The answer is letterlocking—the ingenious process of securing a letter using a combination of folds, tucks, slits, or adhesives such as sealing wax, so that it becomes its own envelope. This almost entirely forgotten practice, used by historical figures ranging from Elizabeth I and her spies to Japanese samurai lords, was an everyday activity for centuries, across cultures, borders, and social classes. In Letterlocking: The Hidden History of the Letter (MIT Press, 2025), Jana Dambrogio and Dr. Daniel Starza Smith, experts who have pioneered the field over the last ten years, tell the fascinating story of letterlocking within epistolary history, drawing on real historical examples from all over the world.
Fully illustrated with more than 300 images and diagrams, including a dictionary of sixty technical terms and concepts, Letterlocking describes the essential precepts of the practice and provides sources of practical support needed for beginner and advanced users of letterlocking. The authors also advocate for the understanding of letterlocking and for its inclusion in a range of intellectual and cultural research, from conservation science and archival databases to historical television shows. By the end of the book, readers will learn how to make locked letters, study letters that may have been locked, and categorize those letters using systems the authors developed while studying more than 250,000 historic letters.
Letterlocking is accompanied by a website, freely accessible scholarly articles, and instructional videos and diagrams, as well as foldable tear-out sheets with instructions on how to fold and lock models of extant historical letters.

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Jaleh Mansoor, "Universal Prostitution and Modernist Abstraction: A Counterhistory" (Duke UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 22 May 2025 08:00:00 +0000

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists’ muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic.

In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx’s concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet’s Olympia and Georges Seurat’s The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value’s impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life.

This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State.

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Andrew Griebeler, "Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean" (U Chicago Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 12 May 2025 08:00:00 +0000

A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past.

Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean (U Chicago Press, 2024) traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean.

Lavishly illustrated, Botanical Icons marshals ample evidence for a dynamic and critical tradition of botanical inquiry and nature observation in the late antique and medieval Mediterranean. The author reveals that many of the critical practices characteristic of modern botanical illustrations began in premodern manuscript culture. Consequently, he demonstrates that the distinctions between pre- and early modern botanical illustration center more on the advent of print, the expansion of collections and documentation, and the narrowing of the range of accepted forms of illustration than on the invention of critical and observational practices exclusive to modernity.

Griebeler’s emphasis on continuity, intercultural collaboration, and the gradual transformation of Mediterranean traditions of critical botanical illustration persuasively counters previously prevalent narratives of rupture and Western European exceptionalism in the histories of art and science.

New Books in Late Antiquity is Presented by Ancient Jew Review.

Andrew Griebeler is assistant professor in the depart of Art, Art History and Visual Studies at Duke University. With students and other faculty at Duke, he is also helping to document the legacy of the Duke Herbarium on Instagram (@bluedevil.herbarium) before its closure by the university.

Michael Motia teaches in Classics and Religious Studies at UMass Boston.

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Alison J. Miller and Eunyoung Park, "Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia" (Brill, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 9 May 2025 08:00:00 +0000

Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia (Brill, 2024) explores the visual culture of national recollection in modern and contemporary East Asia by emphasizing memories that are under the continuous process of construction, reinforcement, alteration, resistance, and contestation. Expanding the discussion of memory into visual culture by exploring various visual sites of recollection, and the diverse ways commemoration is represented in visual, cultural, and material forms, this book produces cross-cultural and interdisciplinary conversations on memory and site by bringing together international scholars from the fields of art history, history, architecture, and theater and dance, examining intercultural relationships in East Asia through geopolitical conditions and visual culture.
With contributions of Rika Iezumi Hiro, Ruo Jia, Burglind Jungmann, Hong Kal, Stephen McDowall, Alison J. Miller, Jessica Nakamura, Eunyoung Park, Travis Seifman, and Linh D. Vu.

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Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 8 May 2025 08:00:00 +0000

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril.

In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.
The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol’s Campbell's Soup Cans, and Jackson Pollock’s drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.
The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim.

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Andrea Pappas, "Embroidering the Landscape: Women, Art and the Environment in British North America, 1740-1770" (Lund Humphries, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 4 May 2025 08:00:00 +0000

Linking histories of women, relationships to the natural environment, material culture and art, in Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 (Lund Humphries, 2023) Dr. Andrea Pappas presents a new, multi-dimensional view of eighteenth-century American culture from a unique perspective. This book investigates how and why women pictured the landscape in their needlework. It explores the ways their embroidered landscapes address the tumultuous environmental history of the period; how their depictions of nature differ from those made by men; and what women’s choices of motifs can tell us about their lives and their relationships to nature.

Embroidering the Landscape situates these pastoral and georgic needleworks (c. 1740-1775) at the intersection of environmental and social histories, interpreting them through ecocritical and social lenses. Dr. Pappas’ investigation draws out connections between women’s depicted landscapes and environmental and cultural history at a time when nature itself was a charged arena for changes in agriculture, husbandry, gardening, and the emerging discourses of botany and natural history. Her insights change our understanding of the relationship between culture and the environment in this period and raise new questions about the unrecognized extent of women’s engagement with nature and natural science.

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No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 29 Apr 2025 08:00:00 +0000

When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they've never been as intense as they are today.

In No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice (UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.

Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include Dreaming of Dixie: How the South Was Created in American Popular Culture and Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture.

Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!

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Eike Exner, "Comics and the Origins of Manga: A Revisionist History" (Rutgers UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 23 Apr 2025 08:00:00 +0000

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.

Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.

By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Farouk Yahya, "Magic and Divination in Malay Illustrated Manuscripts" (Brill, 2015)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 19 Apr 2025 08:00:00 +0000

Magic and Divination in Malay Illustrated Manuscripts (Brill, 2015) offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public collections in Malaysia, the UK and Indonesia. Containing some of the rare examples of Malay painting, these manuscripts provide direct evidence for the intercultural connections between the Malay region, other parts of Southeast Asia and the rest of the world. In this richly illustrated volume many images and texts are gathered for the first time, making this book essential reading for all those interested in the practice of magic and divination, and the history of Malay, Southeast Asian and Islamic manuscript art.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern.

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Faith Tibble, "Crown of Thorns: Humble Gods and Humiliated Kings" (T&T Clark, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 18 Apr 2025 08:00:00 +0000

Jesus' Crown of Thorns has become one of the most ubiquitous features of Christian religious art, but was the original crown anything like the crown of popular medieval art and piety? The image conjured by art history is that of a bloodied, beaten Jesus, wearing a cruelly fashioned, woven crown made of sharp thorns. But this image is deeply misleading, based on a fundamental misunderstanding and possible mistranslation.

In The Crown of Thorns: Humble Gods and Humiliated Kings (Bloomsbury, 2025) Dr. Faith Tibble rectifies this misunderstanding, showing how The Crown of Thorns underwent a yet unrecognized artistic evolution. Dr. Tibble tracks the artistic progression of the Crown of Thorns from its first depiction in the 4th century, until the 11th century, when it begins to exhibit the artistic trends that are still recognizable today. In doing so, Dr. Tibble adds new perspective to our understanding of the ideologies associated with medieval Christianity - victory, humility, perseverance - and how those ideologies are exemplified in depictions of the Crown of Thorns. Dr. Tibble demonstrates the profound and unintended consequences of a simple misunderstanding of the Gospels, and examines an unexpected trajectory in European art.

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Jaye Early, "Confessional Video Art and Subjectivity: Private Experiences in Public Spaces" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 11 Apr 2025 08:00:00 +0000

Confessional Video Art and Subjectivity Private Experiences in Public Spaces (Bloomsbury, 2025) examines the development of the confessional subject in video art and demonstrates how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation.

Author Jaye Early brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens. Early also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices.

Dr. Jaye Early is Lecturer in Contemporary Art at the University of New South Wales, Sydney and a practicing video artist.

The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz.

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Stephen J. Campbell, "Leonardo da Vinci: An Untraceable Life" (Princeton UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 9 Apr 2025 08:00:00 +0000

Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, in Leonardo da Vinci: An Untraceable Life (Princeton University Press, 2025) Dr. Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value.

In this original and provocative book, Dr. Campbell examines the strangeness of Leonardo’s words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo’s contemporaries, workshop, and writings, Dr. Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo’s life that a less familiar and far more historically significant figure appears.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

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Rebecca Zorach, "Temporary Monuments: Art, Land, and America's Racial Enterprise" (U Chicago Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 8 Apr 2025 08:00:00 +0000

Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, in Temporary Monuments: Art, Land, and America’s Racial Enterprise (University of Chicago Press, 2024), Dr. Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design.

Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Dr. Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.

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Loretta Vandi, "Eufrasia Burlamacchi" (Getty Publications and Lund Humphries, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 6 Apr 2025 08:00:00 +0000

Eufrasia Burlamacchi (Getty Publications and Lund Humphries, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions.

This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right.

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Sinem Arcak Casale, "Gifts in the Age of Empire: Ottoman-Safavid Cultural Exchange, 1500–1639" (U Chicago Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 1 Apr 2025 08:00:00 +0000

When the Safavid dynasty, founded in 1501, built a state that championed Iranian identity and Twelver Shi’ism, it prompted the more established Ottoman Empire to align itself definitively with Sunni legalism. The political, religious, and military conflicts that arose have since been widely studied, but little attention has been paid to their diplomatic relationship.

In Gifts in the Age of Empire: Ottoman-Safavid Cultural Exchange, 1500–1639 (University of Chicago Press, 2023), Dr. Sinem Arcak Casale sets out to explore these two major Muslim empires through a surprising lens: gifts. Countless treasures—such as intricate carpets, gilded silver cups, and ivory-tusk knives—flowed from the Safavid to the Ottoman Empire throughout the sixteenth century. While only a handful now survive, records of these gifts exist in court chronicles, treasury records, poems, epistolary documents, ambassadorial reports, and travel narratives.

Tracing this elaborate archive, Dr. Casale treats gifts as representative of the complicated Ottoman-Safavid coexistence, demonstrating how their rivalry was shaped as much by culture and aesthetics as it was by religious or military conflict. Gifts in the Age of Empire explores how gifts were no mere accessories to diplomacy but functioned as a mechanism of competitive interaction between these early modern Muslim courts.

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Sarah Bassett, "Style and Meaning in Late Antique Art" (Cambridge UP, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 31 Mar 2025 08:00:00 +0000

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive.

But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience.

New Books in Late Antiquity is presented by Ancient Jew Review

Sarah Bassett is Associate Professor Emerita, Art History at Indiana University

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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"Micaiah Carter: What's My Name" (Prestel, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 20 Mar 2025 08:00:00 +0000

Over the past decade Micaiah Carter has established himself as one of the most exciting and admired young photographers working in the field of portraiture and fashion. With a vision all his own, Carter's images are preternaturally sophisticated. His lighting is intentional but not attention-seeking, and his subjects always seem fully themselves, whether he’s photographing a celebrity, a musician, or a family member.

Micaiah’s portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic. His stylized ideas and assiduous attention to color and light have culminated in a body of work that feels timeless and pertinent at the same time.

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Rahul Rao, "The Psychic Lives of Statues: Reckoning with the Rubble of Empire" (Pluto Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 19 Mar 2025 08:00:00 +0000

From Cape Town to Bristol and Richmond, statues have become sites of resistance and contestation of our imperial past and postcolonial present. The Psychic Lives of Statues by Rahul Rao offers an insightful exploration of these global controversies, demonstrating that beneath their surface lie deeper struggles over race, caste, and the politics of decolonisation.

Rao takes readers on a journey through South Africa, England, the US, Ghana, India, Australia, and Scotland, revealing how statue controversies have dramatically rearranged the canon of anticolonial political thought. By examining these debates through a personal and literary lens, Rao addresses the multifaceted issues of justice, cultural memory, and belonging.

The Psychic Lives of Statues (Pluto Press, 2025) examines both the toppling of colonial statues and the raising of postcolonial ones, demonstrating that the statue form as a medium of representation and a bid for immortality is by no means obsolete. Engaging with artists, scholars, and activists, Rao provides fresh perspectives on how societies grapple with and reinterpret the past and present through iconography.

About the Author:

Rahul Rao is a Reader in International Political Thought in the School of International Relations at the University of St Andrews, and Professorial Research Associate at SOAS University of London. He is the author of two books – Third World Protest: Between Home and the World (2010) and Out of Time: The Queer Politics of Postcoloniality (2020), both published by Oxford University Press. He is a member of the Radical Philosophy editorial collective.

About the Host:

Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford.

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Matt Lodder, "Tattoos: The Untold History of a Modern Art" (Yale UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 17 Mar 2025 08:00:00 +0000

There is a pervasive stereotype of tattoo culture as relating to an underworld of scoundrels, sailors, and ne’er-do-wells, yet it has existed in the West as a professionalized art practice for centuries. Drawing on extensive new research and unprecedented access to largely unpublished private archives of photographs, art, and ephemera, in Tattoos: The Untold History of a Modern Art (Yale University Press, 2024) Dr. Matt Lodder offers a new perspective on the history of commercial tattooing in Europe and the United States, beginning even before it emerged as a recognizable profession in the mid-nineteenth century. In the process, he shows that the art of tattoo has long been both practiced and commissioned by individuals across economic, gender, and class divides; he also examines the stylistic trends that have shaped tattoo’s development as an art form over its history.

Lodder introduces the many artists and professionals who shaped tattoo history, including early figures like Martin Hildebrandt, the first-known professional tattoo artist in the West; prominent woman artists like Grace Bell and Jessie Knight; mid-twentieth-century icons like Sailor Jerry and Les Skuse and the Bristol Tattoo Club; and contemporary industry stars including Ed Hardy, Davy Jones, and the Leu family. Richly illustrated with rarely published images, this important book is the first to examine the history of tattoo in the west as both a serious profession and an art form.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Maggie M. Cao, "Painting US Empire: Nineteenth-Century Art and Its Legacies" (U Chicago Press, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 14 Mar 2025 08:00:00 +0000

Painting US Empire: Nineteenth-Century Art and Its Legacies (University of Chicago Press, 2025) by Dr. Maggie Cao is the first book to offer a synthetic account of art and US imperialism around the globe in the nineteenth century. In this work, art historian Dr. Cao crafts a nuanced portrait of nineteenth-century US painters’ complicity with and resistance to ascendant US imperialism, offering eye-opening readings of canonical works, landscapes of polar expeditions and tropical tourism, still lifes of imported goods, genre paintings, and ethnographic portraiture.

Revealing how the US empire was “hidden in plain sight” in the art of this period, Dr. Cao examines artists including Frederic Edwin Church and Winslow Homer who championed and expressed ambivalence toward the colonial project. She also tackles the legacy of US imperialism, examining Euro-American painters of the past alongside global artists of the present. Pairing each chapter with reflections on works by contemporary anticolonial artists including Tavares Strachan, Nicholas Galanin, and Yuki Kihara, Dr. Cao addresses important contemporary questions around representation, colonialism, and indigeneity. This book foregrounds an underacknowledged topic in the study of nineteenth-century US art and illuminates the ongoing ecological and economic effects of the US empire.

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Michael J. Hatch, "Networks of Touch: A Tactile History of Chinese Art, 1790-1840" (Penn State UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 13 Mar 2025 08:00:00 +0000

In early nineteenth-century China, a remarkable transformation took place in the art world: artists among China's educated elites began to use touch to forge a more authentic relationship to the past, to challenge stagnant artistic canons, and to foster deeper human connections. Networks of Touch is an engaging exploration of this sensory turn.

In Networks of Touch: A Tactile History of Chinese Art, 1790-1840 (Penn State UP, 2023), Michael J. Hatch examines the artistic network of Ruan Yuan (1764-1849), a scholar-official whose patronage supported a generation of artists and learned people who prioritized epigraphic research as a means of truing the warped contours of Confucian heritage. Their work instigated an "epigraphic aesthetic"--an appropriation of the stylistic, material, and tactile features of ancient inscribed objects and their reproductive technologies--in late eighteenth- and early nineteenth-century artwork. Rubbings, a reduplicative technology, challenged the dominance of brushwork as the bearer of artistic authority. While brushwork represented the artist's physical presence through ink and paper, rubbings were direct facsimiles of tactile experiences with objects. This shift empowered artists and scholars to transcend traditional conventions and explore new mediums, uniting previously separate image-making practices while engaging audiences through the senses.

Centering on touch and presenting a fresh perspective on early nineteenth-century literati art in China, this volume sheds light on a period often dismissed as lacking innovation and calls into question optical realism's perceived supremacy in reshaping the sensory experience of the modern Chinese viewer.

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Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 12 Mar 2025 08:00:00 +0000

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities.

Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart.

Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain

Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton

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Jamie Jelinski, "Needle Work: A History of Commercial Tattooing in Canada" (McGill-Queen’s UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 10 Mar 2025 08:00:00 +0000

In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients.

From this early example of tattooing as work, in Needle Work: A History of Commercial Tattooing in Canada (McGill-Queen’s University Press, 2024) Dr. Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing’s place within wider society, Dr. Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career.

Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered.

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Kirsten L. Scheid, "Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950" (Indiana UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 9 Mar 2025 08:00:00 +0000

In Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950 (Indiana UP, 2022), Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship.

Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.

Yasemin Ipek is an anthropologist, teacher, researcher, and author who is passionate about pursuing peace, love, truth, and justice.

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Anna Lise Seastrand, "Body, History, Myth: Early Modern Murals in South India" (Princeton UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 6 Mar 2025 09:00:00 +0000

An astonishing variety of murals greet visitors to the temples and palaces of southern India. Beautiful in execution and extensive in scope, murals painted on walls and ceilings adorn the most important spaces of early modern religious and political performance. Scene by scene, histories of holy sites, portraits that incorporate historical figures into mythic landscapes, and Tamil and Telugu inscriptions that evoke the imagined topographies of devotional poetry unfold before the mobile spectator. Body, History, Myth reconceives the relationship between art and devotion in South India by describing how the extraordinary sensory experience of a viewing body in motion unfurls a sacred narrative exquisitely designed to teach, impress, and inspire.

Anna Lise Seastrand offers new insights into the arts of early modern southern India, bringing to life one of the most culturally vibrant yet least understood periods in Indian art. She shows how temple visitors become active participants in the paintings through their somatic engagement with visual stories and devotional landscapes. Seastrand highlights the significance of textuality in early modern South Asia by examining the status of professional scribes and the prominence given to authorship of religious literature and art. Her insights are presented alongside new translations of the texts that accompany mural paintings.

Featuring a wealth of stunning images published here for the first time, Body, History, Myth: Early Modern Murals in South India (Princeton UP, 2024) provides a multidimensional reading of temple art that fundamentally reframes the artistic, intellectual, religious, and political histories of early modern India.

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Hallie Franks, "Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy" (Bloomsbury, 2025)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 2 Mar 2025 09:00:00 +0000

Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks.

Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health.

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Christina Kiaer, "Collective Body: Aleksandr Deineka at the Limit of Socialist Realism" (U Chicago Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 26 Feb 2025 09:00:00 +0000

Dislodging the avant-garde from its central position in the narrative of Soviet art, Collective Body: Aleksandr Deineka at the Limit of Socialist Realism (U Chicago Press, 2024) presents painter Aleksandr Deineka’s haptic and corporeal version of Socialist Realist figuration as an alternate experimental aesthetic that, at its best, activates and organizes affective forces for collective ends.

Christina Kiaer traces Deineka’s path from his avant-garde origins as the inventor of the proletarian body in illustrations for mass magazines after the revolution through his success as a state-sponsored painter of monumental, lyrical canvases during the Terror and beyond. In so doing, she demonstrates that Socialist Realism is best understood not as a totalitarian style but as a fiercely collective art system that organized art outside the market and formed part of the legacy of the revolutionary modernisms of the 1920s. Collective Body accounts for the way the art of the October Revolution continues to capture viewers’ imaginations by evoking the elation of collectivity, making viewers not just comprehend but truly feel socialism, and retaining the potential to inform our own art-into-life experiments within contemporary political art. Deineka figures in this study not as a singular master, in the spirit of a traditional monograph, but as a limit case of the system he inhabited and helped to create.

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David Graves, "New Realism in Contemporary Israeli Painting" (Austin Macauley, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 11 Feb 2025 09:00:00 +0000

Dr. David Graves is a philosopher, artist, musician and author. He helped found the Academic College of Tel Aviv, where he is Senior Lecturer in Art and Philosophy. In this exciting interview, he talks about his recent book New Realism in Contemporary Israeli Painting (Austin Macauley, 2023), and shares insight on what is true and real about the world we live in, the stories we tell, and the worlds we create.

About the book: Art today can be whatever one wants it to be: a rotting cadaver, a photograph of someone else's photograph, a banana... In this post-modern age of post-truth, of social media and the selfie, when everyone has a high-resolution digital camera at their fingertips, one wonders what would possess a talented artist to sit for days, weeks, often months, to paint a portrait of a friend or a landscape of home. Today, a group of 20 or so remarkable painters have revived a fascinating style of realistic painting, and in Israel of all places, where realistic art has never played any significant role. Their brand of realism is not mundane photographic realism, but rather it is an intensified sort of realism, a kind of hyper-realism. This book offers an initial explanation as to what these artists are doing, and how they are doing it.

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Jaqueline Berndt, "The Cambridge Companion to Manga and Anime" (Cambridge UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 11 Feb 2025 09:00:00 +0000

In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic.

Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here.

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Astrid J. Smith, "Transmediation and the Archive: Decoding Objects in the Digital Age" (Arc Humanities Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 10 Feb 2025 09:00:00 +0000

Building on the field of modern archival practice, Transmediation and the Archive: Decoding Objects in the Digital Age (ARC Humanities Press, 2024) explores the possibilities of archival objects. Investigating material as diverse as early modern printed books, death masks, a spirit photograph, and a manuscript choir book, Astrid J. Smith interrogates not only what the objects are now, but also asks what they were before taking material form, and what they can become as their format is transferred to other media. Blending insights from museum, library, archives, and media studies with experiential research, Smith examines the activities that shape the making of heritage objects and asks how an awareness of digitization practices can inform our knowledge of both their digital and physical form. She proposes a new methodological framework for evaluating the way materiality and media can affect our relationship with historical artefacts and book culture and demonstrates its fascinating application.

Astrid J. Smith is Rare Book and Special Collections Digitization Specialist and a Production Coordinator at Stanford Libraries, focusing on medieval objects and fragile archival materials. A life-long creative, she is especially interested in book arts and the philosophy of digitization.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).

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Magdalena Buchczyk, "Weaving Europe, Crafting the Museum: Textiles, History and Ethnography at the Museum of European Cultures, Berlin" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 10 Feb 2025 09:00:00 +0000

Weaving Europe, Crafting the Museum: Textiles, history and ethnography at the Museum of European Cultures, Berlin (Bloomsbury, 2023) by Dr. Magdalena Buchczyk delves into the history and the changing material culture in Europe through the stories of a basket, a carpet, a waistcoat, a uniform, and a dress. The focus on the objects from the collection of the Museum of European Cultures in Berlin offers an innovative and challenging way of understanding textile culture and museums. The book shows that textiles can be simultaneously used as the material object of research, and as a lens through which we can view museums. In doing so, the book fills a major gap by placing textile knowledge back into the museum.

Each chapter focuses on one object story and can be read individually. Swooping from 19th-century wax figure cabinets, Nazi-era collections, Cold War exhibitions in East and West Berlin, and institutional reshuffling after German unification, it reveals the dramatically changing story of the museum and its collection. Based on research with museum curators, makers and users of the textiles in Italy and Germany, Poland and Romania, the book provides intimate insights into how objects are mobilised to very different social and political effects. It sheds new light on movements across borders, political uses of textiles by fascist and communist regimes, the objects' fall into oblivion, as well as their heritage and tourist afterlives. Addressing this complex museum legacy, the book suggests new pathways to prefigure the future.

Featuring new archival and ethnographic research, evocative examples and images, it is an essential read for students of textile and material culture, museum and curatorial studies as well as anyone interested in history, heritage and craft.

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Hildegard Westerkamp: A Life in Soundscape Composition

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 10 Feb 2025 09:00:00 +0000

Today we speak to Hildegard Westerkamp, the pioneering composer, radio artist and sound ecologist. The centerpiece of all of her work is a close attention to the sonic environment and its relation to culture. We will listen to excerpts of six soundscape compositions made between 1975 and 2005, all of which reward the close listener–conceptually and aesthetically–with a deeper relationship to the sonic environment.

Mack Hagood interviewed Westerkamp shortly after the death of R. Murray Schafer in late 2021. Westerkamp worked closely with Schafer in the early 1970s and she graciously agreed to talk about him despite the grief being fresh. They also discussed her own amazing career and that’s the part of the tape we are sharing in this episode. They talk about her formative years as a 20-something working with Schafer and his World Soundscape Project and then we jump into a number of her compositions, ending with the piece “Breaking News” from 2012.

Incredibly, she said Mack was the first person to ever ask her about that piece, even though it is one of her favorites. And sure enough, not long after this interview she released a retrospective album on Earsay Music called Breaking News, which features that piece and a number of others created between 1988 and 2012.

For our Patreon members we have the full, unedited interview for those who want to hear all her thoughts on R. Murray Schafer and her career. Join at Patreon.com/phantompower.

And a quick correction: Hildegard wanted me to clarify that the sentence “When there is no sound, hearing is most alert,” which she uses in “Whisper Study,” is a quote from the Indian mystic Kirphal Singh in his book Naam (or Word).

Pieces featured in this episode:

“Gently Penetrating beneath the Sounding Surfaces of Another Place” (1997)

“Whisper Study” (1975)

“Fantasie for Horns” (1978)

“A Walk through the City” (1981)

“Für Dich – For You” (2005)

“Breaking News” (2002)

Today’s show was written and edited by Mack Hagood.

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Edward Simon, "The Seven Deadly Sins and Seven Heavenly Virtues: A Visual History" (Cernunnos, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 10 Feb 2025 09:00:00 +0000

A companion piece to Pandemonium: A Visual History of Demonology and Elysium: A Visual History of Angelology, Seven Sins and Seven Virtues (Abrams, 2024) by Dr. Ed Simon completes this moral trilogy and finally considers God’s most enigmatic of creations: None of the conundrums of metaphysics are as baroque as the motivations of the human soul. Unlike the devils condemned to perdition and the angels compelled to paradise, humans are divine creatures that house within them warring impulses.

The Seven Deadly Sins and Seven Heavenly Virtues: A Visual History (Cernunnos, 2024) examines the literary, philosophical, theological, and most of all artistic expressions of the seven deadly sins and their respective seven cardinal virtues, drawing upon millennia of history to gather a compendium of humanity at its best and its worst. As a volume, the book explores the Manichean nature of the human animal in all of its grandeur and canker, motivated by the faith that tales of damnation and salvation are the only stories that are ultimately worth telling.

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William Gallois, "Qayrawan: The Amuletic City" (Penn State UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 7 Feb 2025 09:00:00 +0000

William Gallois joins the podcast to discuss his latest book, Qayrawān: The Amuletic City, published by The Pennsylvania State University Press in 2024.

Qayrawān: The Amuletic City investigates the fascinating history of the Tunisian city of Qayrawān, which in the last years of the nineteenth century found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why.

Using visual archaeological methods, Qayrawān highlights the ‘unknown artist’ as an actor of ‘unnoticed agency’ and a practitioner of living traditional arts. Locating pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera, Gallois identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing―which lay exclusively within the domains of women―onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa.

The book challenges tacit assumptions of foreign categories and standards of aesthetics imposed upon Islamic and African art. It contributes to further explorations of the exploration of the ways in which Islam was interwoven with preexisting cultures and forms of expression, particularly in calling for a continued reimagining of the study of “Islamic art.” The book makes welcome contributions to Islamic, African, and Middle Eastern studies, particularly in relation to colonial and art histories. It will be welcomed by scholars of Islamic Studies, African Studies, and Art History.

William Gallois is Professor of the Islamic Mediterranean in the Institute of Arab and Islamic Studies at the University of Exeter, in England. In addition to Qayrawān: The Amuletic City, Prof Gallois is the author of A History of Violence in the Early Algerian Colony (2013) and The Administration of Sickness (2008), among other works.

Yaseen Christian Andrewsen is a DPhil candidate at the University of Oxford, specialising in Islamic intellectual history in West Africa focusing on issues in Sufism, theology, renewal, and authority. Yaseen is a co-host for the New Books in Islamic Studies podcast.

He can be reached by email at: christian.andrewsen@pmb.ox.ac.uk

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Jean Strouse, "Family Romance: John Singer Sargent and the Wertheimers" (FSG, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 4 Feb 2025 09:00:00 +0000

At the height of his career, Sargent painted twelve portraits of the Wertheimer family, commissioned by Asher Wertheimer, a German-Jewish London art dealer who became his greatest private patron and close friend. Their portraits, later gifted to the National Gallery, stirred both admiration and controversy, challenging societal norms. In Family Romance: John Singer Sargent and the Wertheimers (FSG, 2024), Jean Strouse's historical narrative explores the decline of the British aristocracy and the evolving art market across London, Vienna, and Italy.

Christina Obolenskaya researches twentieth-century women’s political history based out of Columbia University and LSE. In the past, her work has been featured in the Times Literary Supplement, Harvard Review and more.

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Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 29 Jan 2025 09:00:00 +0000

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?

In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century.

The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process.

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Petya Andreeva, "Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE" (Edinburgh UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 25 Jan 2025 09:00:00 +0000

Across Iron Age Central Eurasia, non-sedentary people created, viewed, and considered animal-style imagery, creating designs replete with feline bodies with horse hooves, deer-birds, animals in combat, and other fantastic creatures. Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE (Edinburgh University Press, 2023) focuses on this animal-style imagery, examining the dissemination of this image system.

Filled with fascinating images carefully chosen from an enormous geographical scope, Petya Andreeva's vivid book explores how communities used animal-style design to create and define status, to bond alliances together, and to showcase steppe know-how and worldliness in sedentary communities. Fantastic Fauna should appeal to those in Eurasian history, East Asian history, art and archeology, and those interested in thinking about steppe art.

Interested listeners should also check out Petya's chapter on the Golden Hoard (available here), part of an Open-Access UNESCO volume on the Silk Roads.

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Elizabeth King and W. David Todd, "Miracles and Machines: A Sixteenth-Century Automaton and Its Legend" (Getty, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 19 Jan 2025 09:00:00 +0000

Miracles and Machines: A Sixteenth-Century Automaton and Its Legend (Getty Publications, 2023) tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562.

In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come.

Elizabeth King, a sculptor and writer, is professor emerita of sculpture and extended media at Virginia Commonwealth University School of the Arts in Richmond. W. David Todd is associate curator emeritus and former conservator of timekeeping at the National Museum of American History, Smithsonian Institution, Washington, DC.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is also a collections management intern in the public sector.

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(Re)Making Radio with the Shortwave Collective

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 13 Jan 2025 09:00:00 +0000

The Shortwave Collective describe themselves as “an international feminist group using the radio spectrum as artistic material.” I was first intrigued by their piece Receive-Transmit-Receive, an exquisite corpse of audio, in which members each contributed their own recordings of sounds from across the radio spectrum. But what really affected me was their ongoing public education project of teaching people to make their own no-power, low-budget radios called open-wave receivers. They’ve held radio-making workshops in Portugal, France, and the UK and they’ve published a how-to in Make magazine.

I wanted to talk to the Shortwave Collective because they are presenting a radically different vision of what radio is and can be. Radio’s history can be thought of as an extended expression of military, political, commercial, and cultural dominance. But the Collective embraces play, experimentation, failure, community, and open listening in their feminist radio practice. So, let’s talk to the Shortwave Collective and see if we can rethink radio–what it’s for and what it can do.

And in the second half of the show, we’ll hear an audio documentary in which the Shortwave Collective teaches you how to make your own open-wave receiver.

Special thanks for appearing on the show to Shortwave Collective members Lisa Hall, Alyssa Moxley, Georgia Muenster, and Maria Papadomanolaki. The other Collective members are Sally A. Applin, Kate Donovan, Brigitte Hart, and Hannah Kemp-Welch.

Today’s show was written and edited by Mack Hagood with technical assistance from Craig Eley. Today’s music is by Graeme Gibson with additional sound design elements by Cris Cheek and Shortwave Collective. Phantom Power’s production team includes Craig Eley, Ravi Krishnaswami, and Amy Skjerseth. Our Production Coordinator and transcriber is Jason Meggyesy.

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Aurelia Campbell, "What the Emperor Built: Architecture and Empire in the Early Ming" (U Washington Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 6 Jan 2025 09:00:00 +0000

One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built: Architecture and Empire in the Early Ming (U Washington Press, 2020) is the first book-length study devoted to the architectural projects of a single Chinese emperor.

Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.

Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.

Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Email: ngiuffrida@bsu.edu.

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Fernando Domínguez Rubio, "Still Life: Ecologies of the Modern Imagination at the Art Museum" (U Chicago Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 3 Jan 2025 09:00:00 +0000

How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life: Ecologies of the Modern Imagination at the Art Museum (University of Chicago Press, 2020), Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters.

Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still.

As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion.

This interview is part of an NBN special series on “Mobilities and Methods.”

Fernando Domínguez Rubio is an Associate Professor at the Department of Communication at the University of California-San Diego.

Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey.

Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.

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Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 2 Jan 2025 09:00:00 +0000

During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.

Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers.

Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Deborah Willis, "The Black Civil War Soldier: A Visual History of Conflict and Citizenship" (NYU Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 2 Jan 2025 09:00:00 +0000

Photography emerged in the 1840s in the United States, and it became a visual medium that documents the harsh realities of enslavement. Similarly, the photography culture grew during the Civil War, and it became an important material that archived this unprecedented war. Deborah Willis's The Black Civil War Soldier: A Visual History of Conflict and Citizenship (New York University Press, 2021) contains rarely seen letters and diary notes from Black men and women and photographs of Black soldiers who fought and died in this war. These ninety-nine images reshape African American narratives. The Black Civil War Soldier offers an opportunity to experience the war through their perspectives.

N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates.

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Rachel Emily Taylor, "Illustration and Heritage" (Bloombury, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 27 Dec 2024 09:00:00 +0000

In Illustration and Heritage (Bloomsbury, 2024), Rachel Emily Taylor explores the re-materialisation of absent, lost, and invisible stories through illustrative practice and examines the potential role of contemporary illustration in cultural heritage. Heritage is a 'process' that is active and takes place in the present. In the heritage industry, there are opposing discourses and positions, and illustrators are a critical voice within the field.

Grounding discussions in concepts fundamental to the illustrator, the book examines how the historical voice might be 'found' or reconstructed. Rachel Emily Taylor uses her own work and other illustrators' projects as case studies to explore how the making of creative work – through the exploration of archival material and experimental fieldwork – is an important investigative process and engagement strategy when working with heritage.

What are the similar functions of heritage and illustration? How can an illustrator 'give voice' to a historical person? How can an illustrator disrupt an archive or museum? How can an illustrator represent a historical landscape or site?

This book is a contribution to the expanding field of illustration research that focusses on its position in heritage practice. Taylor examines the illustrator's role within the field, while positioning it alongside the disciplines of museology, anthropology, archaeology, performance, and fine art.

Dr Rachel Emily Taylor is an illustrator, artist, researcher, and is Course Leader on BA Illustration at Camberwell College of Arts. She uses interdisciplinary research methods drawn from theatre, archaeology, history, and anthropology, in both the analysis and making of practical work.

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Theresa Flanigan, "The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence" (Brepols, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 21 Dec 2024 09:00:00 +0000

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type.

Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge’s construction after the flood of 1333. Much of the Ponte Vecchio’s original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio’s vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops.

Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge’s patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence.

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Erich Hatala Matthes, "What to Save and Why: Identity, Authenticity, and the Ethics of Conservation" (Oxford UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 19 Dec 2024 09:00:00 +0000

Today I’m speaking with Erich Hatala Matthes, Associate Professor of Philosophy and Advisory Faculty for Environmental Studies at Wellesley College. We are discussing his Oxford University Press, What to Save and Why: Identity, Authenticity, and the Ethics of Conservation (Oxford University Press, 2024). Erich’s book explores the idea of conservation: the practice of preserving things for posterity and fighting against the tides of entropy. What we choose to save can range from famous paintings and natural landscapes, to Marilyn Monroe’s dress and endangered species. Depending on your personal concerns, what we save, how we should save it, and why differs for everyone. This philosophical and investigation will make you think deeply about what matters and what should be saved.

Caleb Zakarin is editor at the New Books Network.

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Aesthetic Conversions

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 16 Dec 2024 09:00:00 +0000

Paloma Checa-Gismero talks about the many processes of re-evaluation, re-contextualization, and re-animation that designates an object as art. To illustrate this point, she calls our attention to the work of artists like Mierle Laderman Ukeles in the 1970s, or the 1989 exhibition titled Magiciens de la terre at the Centre Georges Pompidou in Paris. She develops the concept of aesthetic conversions in her new book about the histories and geographies of art biennials, which, in the post cold war world, converted subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite.

Paloma Checa-Gismero is a historian of global contemporary art. She is Assistant Professor of Art History at Swarthmore College. Originally trained as an artist, she has been an active art critic since 2009. Her scholarship and criticism have been published in Afterall, FIELD, Third Text, The Journal of Modern Craft, among others. She is the author of Biennial Boom: Making Contemporary Art Global (Duke University Press, 2024).

Image: © 2023 Saronik Bosu. It is a tilted and warped version of the capital letter B that spills out of the frame, its three parts in maroon, violet, and deep green, against a yellow ochre background.

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Christine Coulson, "One Woman Show" (Avid Reader Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 14 Dec 2024 09:00:00 +0000

Author Christine Coulson spent twenty-five years writing for the Metropolitan Museum of Art. Her final project was to write wall labels for the museum's new British Galleries. During that time, she dreamt of using The Met's strict label format to describe people as intricate works of art. The result is this "jewel box of a novel" (Kirkus Reviews) that imagines a privileged 20th-century woman as an artifact--an object prized, collected, and critiqued. One Woman Show (Avid Reader Press, 2023) revolves around the life of Kitty Whitaker as she is defined by her potential for display and moved from collection to collection through multiple marriages. Coulson precisely distills each stage of this sprawling life, every brief snapshot in time a wry reflection on womanhood, ownership, value, and power.

"A moving story of privilege, womanhood, and the sweep of the 20th century told through a single American life" (Rumaan Alam, author of Leave the World Behind), Kitty is an eccentric heroine who disrupts her porcelain life with both major force and minor transgressions. Described with poignancy and humor, Coulson's playful reversal on our interaction with art ultimately questions who really gets to tell our stories.

Christine Coulson spent 25 years writing for The Metropolitan Museum of Art and left the museum as Senior Writer in 2019. She started at The Met in 1991 as a summer intern in the European Paintings Department and returned in 1994 to start her first job at the museum after graduate school. During her tenure, she rose through the ranks of the museum, working in the Development Office, the Director’s Office, and the Department of European Sculpture and Decorative Arts.

In 2017, The Met gave Coulson a yearlong sabbatical to write Metropolitan Stories, her bestselling 2019 novel about the museum.

Recommended Books:

Katheryn Scanlan, Kick the Latch
J.L. Carr, A Month in the Country
Myra Coleman, Women Holding Things

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A. L. McClanan, "Griffinology: The Griffin's Place in Myth, History and Art" (Reaktion, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 14 Dec 2024 05:00:00 +0000

A. L. McClanan's Griffinology: The Griffin's Place in Myth, History and Art (Reaktion, 2024) is a fascinating exploration of the mythical creature's many depictions in human culture. Drawing on a wealth of historical and literary sources, this book shows how the griffin has captured the imagination of people for over 5,000 years, representing power, transcendence and even divinity. It explores the history and symbolism of griffins in art, from their appearances in ancient Egyptian magic wands to medieval bestiaries, and from medieval coats of arms to corporate logos today. The use of the griffin as a symbol of power and protection is surveyed throughout history and into modern times. Beautifully illustrated, this book should appeal to all those interested in monsters, magic and the mystical, as well as art and history.

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Henri Colt, "Becoming Modigliani" (Rake Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 9 Dec 2024 09:00:00 +0000

Becoming Modigliani (Rake Press, 2024) is a comprehensive biography that delves into the troubled life of the Jewish-Italian artist Amedeo Modigliani.; Written by Dr. Henri Colt, an internationally recognized lung specialist, the book examines the artist's legend and Modigliani's creative journey from a medical perspective, from his birth in Livorno, Italy, to his tragic death in a paupers' hospital in Paris at the age of thirty-five, presumably from tuberculous meningitis.

Becoming Modigliani sheds light on the young man's chronic illnesses, addictions, and relationships with friends and lovers as he navigated the vibrant yet challenging world of early twentieth-century Bohemian Paris. Beginning with "Modi's" birth in 1884, the narrative is divided into five parts, seamlessly blending biographical elements with medical insights and a critical analysis of Modigliani's work among some of the greatest artists of the time. It also provides thoughtful descriptions of a changing society governed by the impact of infectious diseases, war, and a flourishing of other creative geniuses such as Picasso, Jean Cocteau, and Guillaume Apollinaire.

With thirty-seven virtually standalone chapters, a preface and epilogue, three appendices, and a rich array of illustrations and references, this biography promises a profound and compassionate exploration of Modigliani's embattled world. In Becoming Modigliani, Dr. Colt's aim is to foster empathy and greater understanding by unraveling the intricate layers of Modigliani's existence. The result is a captivating and deeply researched tale that will resonate with a diverse audience of serious readers, art and medical history enthusiasts, sociologists, and anyone interested in the human spirit.

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Jonathan Conlin, "The Met: A History of a Museum and Its People" (Columbia UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 7 Dec 2024 09:00:00 +0000

New York City’s Metropolitan Museum of Art is one of the world’s greatest cultural institutions. Its holdings encompass a vast range—including paintings, sculptures, costumes, instruments, and arms and armor—and span millennia, from ancient Egypt and Greece to Islamic art to European Old Masters and modern artists. How did the Met amass this trove, and what do the experiences of the people who bought, restored, catalogued, visited, and watched over these works tell us about the museum?

The Met: A History of a Museum and Its People (Columbia University Press, 2024) by Dr. Jonathan Conlin is a groundbreaking bottom-up history of the Metropolitan Museum of Art, exploring both its triumphs and its failings. Dr. Conlin tells the stories of the people who have shaped the museum—from curators and artists to museumgoers and security guards—and the communities that have made it their own. Highlighting inequalities of wealth, race, and gender, he exposes the hidden costs of the museum’s reliance on “robber barons” and oligarchs, the exclusionary immigration policies that influenced the foundation of the American Wing, and the obstacles faced by women curators. Drawing on extensive interviews with past and current staff, Conlin brings the story up to the present, including the museum’s troubled 150th anniversary in 2020. As the Met faces continued controversy, this book offers a timely account of the people behind an iconic institution and a compelling case for the museum’s vision of shared human creativity.

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Kerry Meakin, "The Professionalization of Window Display in Britain, 1919-1939" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 25 Nov 2024 09:00:00 +0000

In recent decades, the disciplines of retail history, business history, design and cultural history have contributed to the study of department stores and other types of shops. However, these studies have only made passing references to window display and its role in retail, society and culture. In The Professionalization of Window Display in Britain, 1919-1939 (Bloomsbury, 2024) Dr. Kerry Meakin investigates the conditions that enabled window display to become a professional practice during the interwar period, exploring the shift in display styles, developments within education and training, and the international influence on methods and techniques.

Piecing together the evidence, visual and written, about people, events, organisations, exhibitions and debates, Dr. Meakin provides a critical examination of this vital period of design history, highlighting major display designers and artists. The book reveals the modernist aesthetic developments that influenced high street displays and how they introduced passers-by to modern art movements.

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Collaboration, Presentation, and Representation with Dalia Nassar

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 17 Nov 2024 09:00:00 +0000

In this episode Pat speaks with Dr Dalia Nassar, author of Romantic Empiricism: Nature, Art, and Ecology from Herder to Humboldt (Cambridge UP, 2022) among other works.

Dr Dalia Nassar works at the intersection of the history of German philosophy and environmental philosophy and ethics. She has written on the tradition of romantic empiricism, including its significance contemporary questions of ecology and environment. She has also worked to promote women in the history of philosophy, especially in the German tradition.

They discuss collaborations with nature, lawfulness and contradiction, presentation and representation, and unity in diversity.

A transcript of this episode is available on the Concept : Art website (www.conceptart.fm).

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Eric Drooker, "Naked City: A Graphic Novel" (Dark Horse Books, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 17 Nov 2024 09:00:00 +0000

Born and raised on Manhattan Island, Eric Drooker began to slap his art on the streets at night as a teenager. Since then, his drawings and posters have become a familiar sight in the global street art movement, and his paintings appear frequently on covers of the New Yorker.

His first book, Flood, won the American Book Award, followed by Blood Song (soon to be a feature film). Naked City is the third volume in Drooker’s City Trilogy. His graphic novels have been translated into numerous languages in Europe, Latin America, and Asia. After designing the animation for the film Howl, he was hired for a project at DreamWorks Animation.

Drooker’s art is in the permanent collection of the Whitney Museum, the Museum of Modern Art, the Brooklyn Museum, and the Library of Congress. He is available for speaking engagements and frequently gives slide lectures at colleges and universities. Drooker is represented by the Wylie Agency.

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Deborah Parker, "Becoming Belle Da Costa Greene: A Visionary Librarian Through Her Letters" (Villa I Tatti, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 16 Nov 2024 09:00:00 +0000

In Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters (Harvard University Press, October 2024), Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large.

Deborah Parker is Professor of Italian at the University of Virginia, and her books include Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet, and Michelangelo and the Art of Letter Writing. Her writings also appear in the exhibition catalog for the Morgan Library & Museum’s centenary exhibition, Belle da Costa Greene: A Librarian’s Legacy.

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Risk

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 16 Nov 2024 09:00:00 +0000

In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know?

Faye’s book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance.

As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists’ experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists’ anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society.

Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter.

In the episode Faye names several artists including Asco, Chris Burden, the Guerrilla Girls, Tehching Hsieh, and Adrian Piper. This image for this episode is a photograph by Harry Gambota Jr. titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist.

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Alison Stone, "Women on Philosophy of Art: Britain 1770-1900" (Oxford UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 12 Nov 2024 09:00:00 +0000

Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled.

Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art.

Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK.

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R. Murray Schaffer (1933-2021), Part 2

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 11 Nov 2024 09:00:00 +0000

How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada’s most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person.

Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren’t done arguing with him.

Works discussed in this episode:

Jonathan Sterne’s first book, The Audible Past, includes critiques of Schafer’s work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer’s term soundscape.

Listen, a short film on Schafer directed by David New, includes Shafer’s claim that recorded sounds are not “real sound.”

Hildegard Westerkamp’s Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today.

An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre’s music library.

Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube.

Mitchell Akiyama’s critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology).

The program notes (PDF) to Schafer’s North/White contain his dismissal of urban Canadians (page 43).

Dylan Robinson’s book Hungry Listening opens with Schafer’s insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music.

The Vancouver Chamber Choir shares this performance of Schafer’s “Miniwanka” complete with a side scrolling presentation of the graphic score.

Today’s music was by R. Murray Schafer, Vireo, and Blue the Fifth.

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Non-literary Fiction

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 9 Nov 2024 09:00:00 +0000

In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, Non-Literary Fiction: Art of the Americas under Neoliberalism (Chicago University Press, 2022).

In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are Ferreira Gullar in Brazil and Juan Acha in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found this cool piece on Juan Acha that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch’s book on Indigenous and Popular Thinking in América was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist Manuel Quintín Lame, who collaborated with the Columbia artist Antonio Caro. Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice.

Esther Gabara is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History & Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue, Pop América, 1965-1975 (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and Errant Modernism: The Ethos of Photography in Mexico and Brazil (Duke University Press, 2008).

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R. Murray Schafer (1933-2021), Part 1

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 4 Nov 2024 09:00:00 +0000

R. Murray Schafer recently passed away on August 14th 2021. If you’re someone who works with sound or enjoys sound art or experimental music–or you’ve just thrown around the word “soundscape”–you’ve probably engaged with his intellectual legacy. Schafer was one of Canada’s most influential avant-garde composers. He was also the creator of acoustic ecology, the founder of the World Soundscape Project, and the author of the classic book The Soundscape: Our Sonic Environment and the Tuning of the World. He brought a musician’s ear to the field of ecology and he brought an ecological perspective to music. And he bequeathed us a generative vocabulary for talking about and thinking about sound.

This is the first of a two-part series on R. Murray Schafer. Next month, we speak with two of Schafer’s critics–Mitchell Akiyama and Jonathan Sterne. But today, we speak with three of Schafer’s associates to understand the person, his creative works, and his lasting impact on the study of sound:

Ellen Waterman, ethnomusicologist, flutist, and Schafer expert
Hildegard Westerkamp, soundscape composer and member of the World Soundscape Project
Eric Leonardson, sound artist and President of the World Forum for Acoustic Ecology

Creative works heard on today’s show:

Listen, a short film on Schafer, directed by David New.
Snowforms, R. Murray Schafer
The Greatest Show, R. Murray Schafer
The Crown Of Ariadne, R. Murray Schafer
Wolf Music V: Nocturne, R. Murray Schafer
Le Testament, Ezra Pound
Loving, R. Murray Schafer
Beneath the Forest Floor, Hildegard Westerkamp
Miniwanka, R. Murray Schafer

Special thanks to Elisabeth Hodges for translation assistance, Alex Blue V for our outtro music, and Craig Eley for his dramatic turn as R. Murray Schafer.

Today’s show was produced and edited by Mack Hagood with additional editing by Ravi Krishnaswami.

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Freya Gowrley, "Fragmentary Forms: A New History of Collage" (Princeton UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 2 Nov 2024 08:00:00 +0000

Fragmentary Forms: A New History of Collage (Princeton UP, 2024) is a beautifully illustrated global history of collage from the origins of paper to today

While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the invention of paper in China around 200 BCE. Subsequent forms occurred in twelfth-century Japan with illuminated manuscripts that combined calligraphic poetry with torn colored papers. In early modern Europe, collage was used to document and organize herbaria, plant specimens, and other systems of knowledge. In the eighteenth and nineteenth centuries, collage became firmly associated with the expression of intimate relations and familial affections. Fragmentary Forms offers a new, global perspective on one of the world's oldest and most enduring means of cultural expression, tracing the rich history of collage from its ancient origins to its uses today as a powerful tool for storytelling and explorations of identity.

Presenting an expansive approach to collage and the history of art, Freya Gowrley explores what happens when overlapping fragmentary forms are in conversation with one another. She looks at everything from volumes of pilgrims' religious relics and Victorian seaweed albums to modernist papiers collés by Pablo Picasso and Georges Braque and quilts by Faith Ringgold exploring African-American identity. Gowrley examines the work of anonymous and unknown artists whose names have been lost to history, either by accident or through exclusion. Featuring hundreds of beautiful images, Fragmentary Forms demonstrates how the use of found objects is an important characteristic of this unique art form and shows how collage is an inclusive medium that has given voice to marginalized communities and artists across centuries and cultures.

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On Listening In

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 28 Oct 2024 08:00:00 +0000

Today, in honor of World Listening Day, we rebroadcast our story on renowned Australian sound composer, media artist and curator Lawrence English.

This episode of gets deep into English’s own listening practices as an artist, specifically a technique he calls Relational Listening. In fact, as you’ll hear, he describes himself not as a sound maker but as a professional listener—that’s how central the act of listening is to his artistic practice.

In particular he talks about his reworking of an important work in the fields of musique concrète and field recording, Presque Rien by Luc Ferrari, and the recent premiere of Wave Fields, his own 12-hour durational sound installation for sleepers at Burleigh Heads in Queensland as part of the Bleach* Festival.

Lawrence is interested in the nature of listening and the capability of sound to occupy a body. Working across an eclectic array of aesthetic investigations, English’s work prompts questions of field, perception and memory. He investigates the politics of relation listening and perception, through live performance, field recordings and installation.

The show includes extracts from the following tracks:

Album: Cruel Optimism: “Hammering a Screw.”
Album: Wilderness of Mirrors: “Wilderness of Mirrors,” “Wrapped in Skin.”
Album: Songs of the Living: “Trigona Carbonaria Hive Invasion, Brisbane Australia,” “Cormorants Flocking At Dusk Amazon Brazil,” “Various Chiroptera Samford Australia.”
Album: Ghost Towns: “Ghost Towns.”
Album: Kiri No Oto: “Soft Fuse.”
Luc Ferrari: Presque Rien.

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Paris, Cuba, and David from Any Direction with Lucy Benjamin

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 27 Oct 2024 08:00:00 +0000

In this episode Pat speaks with Dr Lucy Benjamin.

Dr Lucy Benjamin is a researcher in architectural theory and creative practice. Her work focuses on the intersection of environmental theory, architecture, and philosophy, especially the emergence of repair as a design principle and the conditions for human rights in the age of eco-crisis.

They discuss time and space on the streets of Paris; repairability and broken Cuban furniture; and developing her own perspective.

A transcript of this episode is available on the Concept : Art website (www.conceptart.fm).

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Christopher Smith, "Samurai with Telephones: Anachronism in Japanese Literature" (U Michigan Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 18 Oct 2024 08:00:00 +0000

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects.

From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives.

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Rochelle Gurstein, "Written in Water: The Ephemeral Life of the Classic in Art" (Yale UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 13 Oct 2024 08:00:00 +0000

Is there such a thing as a timeless classic? More than a decade ago, Dr. Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true.

Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, in Written in Water: The Ephemeral Life of the Classic in Art (Yale University Press, 2024) Dr. Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt.

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Eunsong Kim, "The Politics of Collecting: Race and the Aestheticization of Property" (Duke UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 12 Oct 2024 08:00:00 +0000

In The Politics of Collecting: Race and the Aestheticization of Property (Duke University Press, 2024), Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.

Eunsong Kim is Associate Professor of English at Northeastern University.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 8 Oct 2024 08:00:00 +0000

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations.

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Natalie Wall, "Black Expression and White Generosity: A Theoretical Framework of Race" (Emerald Publishing, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 7 Oct 2024 08:00:00 +0000

In Black Expression and White Generosity: A Theoretical Framework of Race (Emerald Publishing, 2024), Dr. Natalie Wall takes readers on a journey through the tropes and narratives of white generosity, from the onset of the African slave trade to contemporary efforts to ridicule and undermine the “woke agenda.” She offers a theoretical framework for use by antiracist scholars, students, and activists to name and interrogate this pervasive attitude and its role in the structures of white supremacy and in the continued marginalisation of non-white people. Providing an exploration of lived experience and of the theoretical underpinnings of that lived experience, Wall offers a new vocabulary with which to speak truth to power and decentre whiteness from the work of antiracism, by looking to moments of black expression and creativity in black arts production.

Taking inspiration from the bold, powerful, and experimental work of black artists and activists, Black Expression and White Generosity forges an alternative narrative that strives for freedom and justice without relinquishing anything in return. It is your indispensable guide to remaining ungrateful.

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For Some Odd Reason

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 7 Oct 2024 08:00:00 +0000

Today’s guest, Kate Carr, is an accomplished sound artist and field recordist whose recent work grapples with issues of communication and longing—themes we can all relate to in the Covid era.

In part one of the show, we mark Phantom Power’s three-year anniversary and 25th episode. Mack does a little thinking out loud about the different kinds of audio work that we’ve featured over the past three years. The terminology and practices for audio work always seem to be in flux—and people can have completely different terms for similar kinds of work. Mack imagines a spectrum of sound work, from more materialist genres like musique concrete to more conceptual or idealist genres like the audiobook, which emphasize meaning over form. In the end, the spectrum eats its own tail—the material is always conceptual and the conceptual is always material. Sound is always both resonance and meaning and the two can never be completely teased apart. Signal and noise are one.

In part two, we meet Kate Carr, an artist the critic Matthew Blackwell describes as a “sound essayist.” Since she began it in 2010, Kate Carr’s work as a musician and field recordist has taken her around the world, from her native Australia to a doctoral program at University of the Arts London. She’s been featured in The New York Times, The New Yorker, The Wire, and Pitchfork. She also runs the field recording label Flaming Pines.

Since slightly before the pandemic, the theme of communication at a distance—always implicit in field recording—has taken center stage in her work. We examine three such pieces by Kate Carr. Each one explores how sound helps us communicate at a distance and how it comforts us in moments of loneliness:

“Contact”—a meditation on sonic connection through radio, morse code, and digital technology.

“Where to Begin”—a study of love letter writing, which Carr says has profound similarities with field recording.

“For Some Odd Reason”—an exploration of the kinds of noise we came to miss during social distancing and the mediated ways we’ve tried to add it back.

Together, these three pieces—one from before the pandemic, one from its beginning, and one from its interminable middle—explore how earnestly we try to connect across distance—and how heightened these attempts have become over the past year.

Huge thanks to our co-producer on this episode, Matthew Blackwell. He is a Visiting Assistant Professor of English at the University of Iowa and a freelance music writer. He writes and edits Tusk Is Better Than Rumours, a newsletter that covers the discographies of experimental musicians. He is also a contributor to Tone Glow, a newsletter featuring interviews with experimental musicians.

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Jason Weiss, "Listenings" (Spuyten Duyvil, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 29 Sep 2024 08:00:00 +0000

Listenings (Spuyten Duyvil, 2023) is a collection of meditations on the art of experiencing sound. The writings reflect Jason Weiss's passion for illuminating details, momentary experiences, and the most subtle and brief of auditory stimulations to consider their role in thought and emotion. The chapter-sections, each on a particular subtheme, invite us to visit concerts, to analyze music, to interpret sounds far and near, from friends, parents, relatives, and strangers, and to appreciate and esteem them as a key part of the human condition.

Listenings summons readers to reflect but also to consider listening as an artform, a dialogue, and a locus of experiences – to make music by listening. Jason Weiss adroitly argues that to listen is not merely to perceive sound as a stimulus but to interpret, to participate, to reflect, to engage in an activity that can shift from a passive one toward a new creative beginning.

This conversation includes Jason Weiss, Jeffrey Herlihy-Mera and Jorge Rodríguez Acevedo of the Departamento de Humanidades at the Universidad de Puerto Rico-Mayagüez (UPR-M). They discuss listening as a creative resource; the importance of listening in memory; Weiss’s precise and harmonious approach to linking language, sound and listening; the role of technology how we interpret sound; and the role of listening in the author’s life, experiences and creative process.

This interview, our podcast, and the Instituto Nuevos Horizontes were made possible by generous support from the Mellon Foundation.

This is our second episode on Listenings - the first, on New Books Network en español, is available here.

Topics discussed in the interview:

Listening in translingual environments.
Music, performance, concerts.
Travel, distance, and new language contexts.
Technology and sound.
When Jason Weiss met Jorge Luis Borges in Paris.
The circumstances surrounding Roland Barthes’s death.
Jason Weiss’s book The Lights of Home: A Century of Latin American Literature in Paris and our podcast episode on that title.

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Alessandra Russo, "A New Antiquity: Art and Humanity as Universal, 1400-1600" (Penn State UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 26 Sep 2024 08:00:00 +0000

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts?

Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist.

Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics.

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Lucy Weir, "Performance, Masculinity, and Self-Injury" (Routledge, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 21 Sep 2024 08:00:00 +0000

Can self-harm be art? In Performance, Masculinity, and Self-Injury (Routledge, 2024), Lucy Weir, a Reader in History of Art at the University of Edinburgh rethinks the recent history of performance to understand the ‘injurious turn’ in contemporary live art. The book challenges the usual associations between self-harm and gender by exploring the work of a diverse range of artists.

Taking Viennese Actionism as its starting point, the book then offers detailed case studies of, amongst others, André Stitt, Ron Athey, Wafaa Bilal and Pyotr Pavlensky. Each artist is considered in relation to their context, as well as how their work relates to the more general question of how masculinity itself relates to extreme performance in challenging and censorious settings. As well as being theoretically and empirically rich, the book offers an engaging route into art theory and art history for non-specialists. It will be of interest widely in humanities, medicine and the social sciences.

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Jordan Magnuson, "Game Poems: Videogame Design as Lyric Practice" (Amherst College Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 4 Sep 2024 08:00:00 +0000

Scholars, critics, and creators describe certain videogames as being “poetic,” yet what that means or why it matters is rarely discussed. In Game Poems: Videogame Design as Lyric Practice (Amherst College Press, 2023), independent game designer Jordan Magnuson explores the convergences between game making and lyric poetry and makes the surprising proposition that videogames can operate as a kind of poetry apart from any reliance on linguistic signs or symbols.

This rigorous and accessible short book first examines characteristics of lyric poetry and explores how certain videogames can be appreciated more fully when read in light of the lyric tradition—that is, when read as “game poems.” Magnuson then lays groundwork for those wishing to make game poems in practice, providing practical tips and pointers along with tools and resources. Rather than propose a monolithic framework or draw a sharp line between videogame poems and poets and their nonpoetic counterparts, Game Poems brings to light new insights for videogames and for poetry by promoting creative dialogue between disparate fields. The result is a lively account of poetic game-making praxis.

Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.

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Julia Kindt, "The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human" (Cambridge UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 4 Sep 2024 08:00:00 +0000

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.

The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are.

Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines.

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Aaron M. Hyman, "Rubens in Repeat: The Logic of the Copy in Colonial Latin America" (Getty, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 3 Sep 2024 08:00:00 +0000

Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects.

Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.

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What is Radio Art?

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 2 Sep 2024 08:00:00 +0000

What is radio art? It’s a rather unfamiliar term in the United States, but in other countries, it’s a something of an artistic tradition. Today’s guest, Dr. Colin Black is an internationally acclaimed and award-winning radio artist and composer. He speaks to us about his practice as a radio artist and the influence the Australian radio program The Listening Room had on Australia’s sonic avant garde. We then listen to his piece Out Of Thin Air: Radio Art Essay #1, which both explores and exemplifies the possibilities of radio art. It’s both informative and a total treat for the ears!

The piece was originally commissioned by the Dreamlands commissions for Radio Arts, funded by the Arts Council England and Kent County Council.

Out Of Thin Air: Radio Art Essay #1 is a meta-referencing poetic reflection and meditation on radio art underpinned by an artistic treatment of dislocation, transmission, reception and place as a thematic underscore. The work is in the form of an abstract song cycle that chiefly oscillates between “songs” originating from High Frequency (HR) radio static/broadcasts between 3 and 30 MHz and those from interviewees replying to questions relating to radio art. Location recordings, sound effect and musical composition weave this originating material together to form a sonic confluence and juxtaposition of elements to stimulate the listener’s imagination while offering an insight into the work’s subject matter.

Interviewees (in order of appearance): Armeno Alberts, Tom Roe, Jean-Philippe Renoult, Gregory Whitehead, Götz Naleppa, Andrew McLennan, Elisabeth Zimmermann, Heidi Grundmann, Andreas Hagelüken, Teri Rueb and Kaye Mortley

Producer and Composer: Colin Black High Frequency (HR) radio receiver operator: Dimitri Papagianakis

Music for this episode is by Blue the Fifth. We also hear a brief excerpt of Things Change,Things Stay the Same by Rik Rue.

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Sumana Roy, "Provincials: Postcards from the Peripheries" (Yale UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 24 Aug 2024 08:00:00 +0000

Who is a provincial? In Provincials: Postcards from the Peripheries (Yale UP, 2024), Sumana Roy assembles a striking cast of writers, artists, filmmakers, cricketers, tourist guides, English teachers, lovers and letter writers, private tutors and secret-keepers whose lives and work provide varied answers to that question. Combining memoir with the literary, sensory, and emotional history of an ignored people, she challenges the metropolitan’s dominance to reclaim the joyous dignity of provincial life, its tics and taunts, enthusiasms and tragicomedies.

In a wide-ranging series of “postcards” from the peripheries of India, Europe, America, and the Middle East, Roy brings us deep into the imaginative world of those who have carried their provinciality like a birthmark. Ranging from Rabindranath Tagore to William Shakespeare, John Clare to the Bhakti poets, T. S. Eliot to J. M. Coetzee, V. S. Naipaul to the Brontës, and Kishore Kumar to Annie Ernaux, she celebrates the provincials’ humor and hilarity, playfulness and irony, belatedness and instinct for carefree accidents and freedom. Her unprecedented account of provincial life offers an alternative portrait of our modern world.

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.

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Jennifer Ponce de León, "Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War" (Duke UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 23 Aug 2024 08:00:00 +0000

In Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War (Duke UP, 2021), Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.

Jennifer Ponce de León speaks with Pierre d'Alancaisez about the counter colonial practice of the artist Fran Ilich, the activist performances of Grupo de Arte Callejero, Etcétera, and International Errorista rooted in the political histories of Latin America as a site of resistance in which the boundaries between art and politics blur.

Jennifer Ponce de León is an assistant professor of English at the University of Pennsylvania and an interdisciplinary scholar whose research focuses on cultural production and antisystemic movements in the Americas since the 1960s.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Karen Patel, "Craft as a Creative Industry" (Routledge, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 20 Aug 2024 08:00:00 +0000

How can we diversify the creative industries? In Craft as a Creative Industry (Routledge, 2024), Karen Patel, an Associate Professor in Media and Director of the Centre for Equality, Diversity and Inclusion in the Arts (CEDIA) at Birmingham City University, examines the craft industries of Australia and the UK to show new ways of organising these crucial parts of the economy. The book uses case studies and lived experience from women makers of colour, situated within the history of context of both countries’ craft sectors, to demonstrate the scale of inequalities in craft and the need for change. A compact and easy to read intervention into current debates, the book is essential reading across creative industries, as well as the humanities and social sciences.

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Maria Taroutina and Allison Leigh, "Russian Orientalism in a Global Context: Hybridity, Encounter, and Representation, 1740-1940" (Manchester UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 17 Aug 2024 08:00:00 +0000

Russian Orientalism in a Global Context: Hybridity, Encounter, and Representation, 1740-1940 (Manchester UP, 2023) features new research on Russia's historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia's perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia's colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.

Maria Taroutina is Associate Professor of Art History and Slavic Studies at Brown University.

Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art and Architecture at the University of Louisiana at Lafayette

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Gold, Silver, and Bronze with Yuri Cath

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 12 Aug 2024 08:00:00 +0000

In this episode Pat speaks with Dr Yuri Cath.

Dr Yuri Cath's work explores epistemological questions about the nature and sources of different kinds of knowledge, and the importance of these issues for other areas of philosophy including the philosophy of mind and moral philosophy. He is interested in the philosophical distinction between "knowing-how" and "knowing-that"; the role of intuitions as a kind of evidence; and the relationship between testimony and knowledge.

They discuss going from practicing painting to practicing philosophy, the gradations of What It Is Like knowledge, and the differences and similarities between art and philosophy.

A transcript of this episode is available on the Concept : Art website (www.conceptart.fm).

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Leslie Ramos, "Philanthropy in the Arts: A Game of Give and Take" (Lund Humphries, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 11 Aug 2024 08:00:00 +0000

In an era where the financial stability of many arts organizations is increasingly precarious, arts philanthropy stands at a critical juncture. The recent COVID-19 pandemic of 2020-21 laid bare the vulnerabilities in existing funding structures, highlighting just how fragile these lifelines can be. Coupled with a surge in social initiatives that demand attention and resources, the way the arts are funded is undergoing scrutiny and transformation.

A new wave of philanthropists—individuals with fresh motivations and evolving priorities—has emerged. These next-gen donors continue the legacy of their predecessors, while actively reshaping it, bringing forth new perspectives and expectations. Their influence is profound but necessitates a balance of caution and optimism as the arts sector navigates this changing landscape.

This is where Philanthropy in the Arts: A Game of Give and Take (Lund Humphries, 2023) steps in, offering a sprawling yet incisive exploration of philanthropy in the arts. The book examines the interests and behaviors of donors and recipients, suggesting ways in which their practices can be better intertwined. Through open and wide-ranging discussions, it explores the intricacies of giving and receiving in the arts, shedding light on the unique challenges and opportunities that define this relationship.

For collectors, philanthropists, and patrons, this book is more than just analysis—it’s a handy guide that equips them with the knowledge to navigate the peculiarities of arts philanthropy. For art market and museum professionals, it provides insights into the evolving dynamics of donor relationships, helping them adapt to the rapidly changing environment. Amidst the increasing financial instability of numerous arts organizations, arts philanthropy finds itself at a critical juncture.

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Murad Khan Mumtaz, "Faces of God: Images of Devotion in Indo-Muslim Painting, 1500-1800" (Brill, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 8 Aug 2024 08:00:00 +0000

Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view.

Faces of God: Images of Devotion in Indo-Muslim Painting, 1500-1800 (Brill, 2023) situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah. Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.

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Swati Chattopadhyay, "Small Spaces: Recasting the Architecture of Empire" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 3 Aug 2024 08:00:00 +0000

Swati Chattopadhyay's book Small Spaces: Recasting the Architecture of Empire (Bloomsbury, 2023) recasts the history of the British empire by focusing on the small spaces that made the empire possible. It takes as its subject a series of small architectural spaces, objects, and landscapes and uses them to narrate the untold stories of the marginalized people-the servants, women, children, subalterns, and racialized minorities-who held up the infrastructure of empire. In so doing it opens up an important new approach to architectural history: an invitation to shift our attention from the large to the small scale.

Taking the British empire in India as its primary focus, this book presents eighteen short, readable chapters to explore an array of overlooked places and spaces. From cook rooms and slave quarters to outhouses, go-downs, and medicine cupboards, each chapter reveals how and why these kinds of minor spaces are so important to understanding colonialism. With the focus of history so often on the large scale - global trade networks, vast regions, and architectures of power and domination - Small Spaces shows instead how we need to rethink this aura of magnitude so that our reading is not beholden such imperialist optics. With chapters which can be read separately as individual accounts of objects, spaces, and buildings, and introductions showing how this critical methodology can challenge the methods and theories of urban and architectural history, Small Spaces is a must-read for anyone wishing to decolonize disciplinary practices in the field of architectural, urban, and colonial history. Altogether, it provides a paradigm-breaking account of how to 'unlearn empire', whether in British India or elsewhere.

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Sonia-Doris Andras, "The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest" (Bloomsbury, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 26 Jul 2024 08:00:00 +0000

Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic 'Little Paris' of interwar Bucharest, and examines how their material and cultural means supported the city's modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania's reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working.

Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest (Bloomsbury, 2024) encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies.

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Hannah Freed-Thall, "Modernism at the Beach: Queer Ecologies and the Coastal Commons" (Columbia UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 25 Jul 2024 08:00:00 +0000

Departing from the conventional association of modernism with the city, Hannah Freed-Thall's Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023) makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection.

With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought.

About the guest: Hannah Freed-Thall is an Associate Professor of French Literature, Thought and Culture at NYU

About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.

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Breanne Fahs, "Burn It Down: Feminist Manifestos for the Revolution" (Verso, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 21 Jul 2024 08:00:00 +0000

Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.

Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

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Frances Tanzer, "Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City" (U Pennsylvania Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 20 Jul 2024 08:00:00 +0000

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s.

As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence.

Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner.

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Filmmaker, Artist, Writer: A Conversation with Paromita Vohra

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 19 Jul 2024 08:00:00 +0000

This is the Global Media & Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.

In this episode, our host, Kinjal Dave, sits down with filmmaker, artist, and writer Paromita Vohra for a wide-ranging conversation about the artist’s career. As an artist, Vohra has worked across a variety of forms, including film, comics, digital media, installation art and writing to explore themes of feminism, desire, sexuality and popular culture. In this interview, she reflects on the provocations and practices that have shaped her approach as an artist, as well as the pedagogical possibilities that multimodal artworks provide in the classroom.

Over the next forty-five minutes, you will hear about:

What inspired Paromita Vohra to pick up a camera
The challenges of building and sustaining a career as an independent filmmaker
Social, political, and cultural shifts in the India during the 1990s that informed Vohra’s media production
How digital media technologies and the Internet shaped Vohra’s work
How Unlimited Girls sought to capture a particular moment within a globalizing feminist discourse,
How Vohra has rejected certain aesthetic and narrative paradigms to craft her own style and voice as an artist, straddling comedy, irony, and politically incisive commentary
Vohra’s digital platform Agents of Ishq and the sense of community the project has built
How to cultivate and encourage complex conversations about gender, sex, desire, and politics in the classroom
Building intimacy with audiences and being vulnerable to criticism
Vohra’s upcoming projects

…and more!

Guest Biography

Paromita Vohra is an artist who works with a range of forms, including film, comics, digital media, installation art and writing to explore themes of feminism, desire, sexuality and popular culture. Her extraordinary body of truth-telling, kinetic and intensely sensuous films, online videos, art installations, television programming and writing have made sense of feminism, love, sexuality, urban life and popular culture for a diverse and loving audience for over 25 years.

Host Bio

Kinjal Dave is a PhD Student at the Annenberg School of Communication at the University of Pennsylvania. She researches critical perspectives on gender, technology, and labor in the South Asian diaspora at the intersection of Media and Communication Studies and Science and Technology Studies (STS) and Diaspora Studies. She is a fellow with the Center for Advanced Research in Global Communication (CARGC) and an affiliate of Data & Society Research Institute.

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Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 14 Jul 2024 08:00:00 +0000

Numerous Iron-Age nomadic alliances flourished along the 5000-mile Eurasian steppe route. From Crimea to the Mongolian grassland, nomadic image-making was rooted in metonymically conveyed zoomorphic designs, creating an alternative ecological reality. The nomadic elite nucleus embraced this elaborate image system to construct collective memory in reluctant, diverse political alliances organized around shared geopolitical goals rather than ethnic ties. Largely known by the term “animal style,” this zoomorphic visual rhetoric became so ubiquitous across the Eurasian steppe network that it transcended border regions and reached the heartland of sedentary empires like China and Persia.

In Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE (Edinburgh UP, 2024) Art historian Petya Andreeva’s research shows how a shared fluency in animal-style design became a status-defining symbol and a bonding agent in opportunistic nomadic alliances, and was later adopted by their sedentary neighbors to showcase worldliness and control over the nomadic “other.”

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Anri Yasuda, "Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890-1930" (Columbia UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 12 Jul 2024 08:00:00 +0000

The notion of beauty is inherently elusive: aesthetic judgments are at once subjective and felt to be universally valid. In Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890-1930 (Columbia UP, 2024), Anri Yasuda demonstrates that by exploring the often conflicting yet powerful pull of aesthetic sentiments, major authors of the late Meiji (1868–1912) and Taishō (1912–1926) periods illuminated themes and perspectives that resonated broadly in modern Japanese society. This approach presents an alternative to conventional accounts in which Japanese literature before the modernist turn of the 1920s has tended to be defined by an insular focus on subjective representation and autobiographical realism.

Yasuda investigates how Natsume Sōseki, Mori Ogai, Mushanokōji Saneatsu and his peers at Shirakaba magazine, and Akutagawa Ryūnosuke sought to identify the aesthetic properties of literature through comparisons with the visual arts. They also considered the position of Japanese cultural sensibilities within the Eurocentric imperial world order. Their stories featuring painters and paintings weigh the fundamental challenge of representing anything when the conditions of knowledge are in flux, and their stories about cross-cultural encounters display both hope and ambivalence about the prospect of cosmopolitanism. Yasuda shows how thinking about beauty and art enabled these authors to surpass purely “literary” concerns. By tracing the wide-reaching significance of aesthetic affect in literary thought, Beauty Matters destabilizes received conceptions of literature’s parameters and affirms literature’s continued potential to intervene in cultural discourses in Japan and beyond.

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Joanne Leow, "Counter-Cartographies: Reading Singapore Otherwise" (Liverpool UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 10 Jul 2024 08:00:00 +0000

Counter-Cartographies: Reading Singapore Otherwise (Liverpool UP, 2024) draws from a body of Anglophone and multilingual cultural texts created in contemporary Singapore and in its diasporic communities. From banned documentaries to award-winning graphic novels, flash fiction collections to conceptual art, there is a vibrant, growing body of transmedial, multi-genre resistance to an overmapped, hyper-planned, and ecologically destructive postcolonial development.

The author proposes methods of cultural analysis and close reading that are “counter-cartographical” --- reading in resistance to and yet pressed up against the regulations of a (post)colonial map. To excavate, wayfind, circumvent, and confabulate in these spaces enables us to understand the contours and pressures of authoritarian governance and reveal the insidious aspects of biopolitical power in the (post)colonial city. These four spatial and theoretical movements deliberately enmesh the space of everyday life in a complex awareness of time: in historical contexts, in ongoing social relations, in contemporary political realities, and the imagined possibilities of literary spaces.

In a global political context that is increasingly marked by a return to authoritarianism, cultural production from Singapore provides an intense, microcosmic view of the conditions of art-making an overdetermined urban space, under duress and censorship. It further lays bare the ecological and human costs of unbridled postcolonial extraction and development.

Joanne Leow is an Associate Professor of English and Canada Research Chair at Simon Fraser University.

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Breathing Together

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 8 Jul 2024 08:00:00 +0000

Working across and among languages, media, and art forms, Caroline Bergvall’s writing takes form as published poetic works and performance, frequently of sound-driven projects. Her interests include multilingual poetics, queer feminist politics and issues of cultural belonging, commissioned and shown by such institutions as MoMA, the Tate Modern, and the Museum of Contemporary Arts in Antwerp, and won numerous awards.

Ragadawn is a multimedia performance that explores ideas of multi-lingualism, migration, lost or disappearing languages, and how language and place intersect. Ragadawn is performed with two live voices and recorded elements, outdoors, at dawn, which means the start and end times are location specific. It features song composed by Gavin Bryars, sung by Peyee Chen. Ragadawn premiered at the Festival de la Bâtie (Geneva) and at the Estuary Festival (Southend) in 2016.

You can find more work(s) by Caroline Bergvall at: http://carolinebergvall.com

Also on Soundcloud: https://soundcloud.com/carolinebergvall/ohmyohmy

and Vimeo: https://vimeo.com/carolinebergvall/videos

Her publications include:

· Éclat, Sound & Language, 1996

· Fig: Goan Atom 2, Salt, 2005

· Middling English, John Hansard Gallery, 2010

· Meddle English: New and Selected Texts, Nightboat Books, 2011

· Drift, Nightboat Books, 2014

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Tara Ward, "Appreciation Post: Towards an Art History of Instagram" (U California Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 5 Jul 2024 08:00:00 +0000

What does an art history of Instagram look like? Appreciation Post: Towards an Art History of Instagram (University of California Press, 2024) by Dr. Tara Ward reveals how Instagram shifts long-established ways of interacting with images. Dr. Ward argues Instagram is a structure of the visual, which includes not just the process of looking, but what can be seen and by whom. She examines features of Instagram use, including the effect of scrolling through images on a phone, the skill involved in taking an “Instagram-worthy” picture, and the desires created by following influencers, to explain how the constraints imposed by Instagram limit the selves that can be displayed on it. The proliferation of technical knowledge, especially among younger women, revitalises on Instagram the myth of the masculine genius and a corresponding reinvigoration of a masculine audience for art.

Dr. Ward prompts scholars of art history, gender studies, and media studies to attend to Instagram as a site of visual expression and social consequence. Through its insightful comparative analysis and acute close reading, Appreciation Post argues for art history’s value in understanding the contemporary world and the visual nature of identity today.

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Feng-Mei Heberer, "Asians on Demand: Mediating Race in Video Art and Activism" (U Minnesota Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 2 Jul 2024 08:00:00 +0000

Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today’s unprecedented rise of onscreen diversity.

Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department’s Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing.

Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.

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Sean Redmond, "The Loneliness Room: A Creative Ethnography of Loneliness" (Manchester UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 28 Jun 2024 08:00:00 +0000

The Loneliness Room: A Creative Ethnography of Loneliness (Manchester University Press, 2024) by Dr. Sean Remond is a remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today.

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Christina M. García, "Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking" (U Florida Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 28 Jun 2024 08:00:00 +0000

Christina M. García’s book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference.

Christina M. García is assistant professor of Spanish at the College of Charleston.

Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.

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"America: Now and Here": A Lecture by Artist Eric FIschl

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 15 Jun 2024 08:00:00 +0000

Artist Eric Fischl was born in 1948 in New York City and grew up in the Long Island suburbs. His paintings first received critical attention for depicting the dark, disturbing undercurrents of mainstream American life. In 1972 he received a B.F.A. from the California Institute for the Arts.

In February 2012, Fischl spoke to the Institute about his work, and about his project “America: Now and Here,” a traveling multi-disciplinary exhibition designed to encourage a national dialogue about America through art. The project began when Fischl invited a group of visual artists, musicians, poets, playwrights, and filmmakers to submit a work of art reflecting their points of view on, and hopes for, America. The idea grew out of his conviction that the country had grown more polarized in the years after 9/11, and was in danger of losing a sense of its place and direction in the world. The truck-based roving museum and performance space launched on May 5th, 2011 in Kansas City, before traveling to Detroit and Chicago.

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Youngna Kim, "Korean Art Since 1945: Challenges and Changes" (Brill, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 8 Jun 2024 08:00:00 +0000

In this beautiful new book, Dr. Youngna Kim draws on her vast understanding of Korean art to provide an overview of the peninsula’s contemporary art scene. Korean artists have become increasingly active at an international level, with many being invited for residencies and exhibitions all over the world. Nonetheless, for various reasons, the general understanding of Korean contemporary art remains insufficient.

Korean Art since 1945: Challenges and Changes (Brill, 2024) is volume 9 in the series Modern Asian Art and Visual Culture. The book draws on primary sources to discuss the ideological stakes that affected the art world, modernist art vs. political art, and the fluidity of concepts such as tradition and national identity. Moreover, the book also has a chapter on the art of North Korea. The book is an excellent resource for anyone interested in Korean studies or contemporary art.

Dr. Youngna Kim is Professor Emerita of the Department of Archaeology and Art History at Seoul National University and was the Director of the National Museum of Korea from 2011 until 2016. Dr. Kim received her bachelor’s degree from Muhlenberg College and her Ph.D. in the History of Art from The Ohio State University. She has many publications to her name about Korea’s ever-evolving art scene.

Buy Youngna Kim’s new book about Korean art before independence (only available in Korean) here.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.

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The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 2 Jun 2024 08:00:00 +0000

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory.

In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).

In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012).

About the book:

At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today.

The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death.

Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history.

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Chris Haufe, "Do the Humanities Create Knowledge?" (Cambridge UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 28 May 2024 08:00:00 +0000

There is in certain circles a widely held belief that the only proper kind of knowledge is scientific knowledge. This belief often runs parallel to the notion that legitimate knowledge is obtained when a scientist follows a rigorous investigative procedure called the 'scientific method'.

In Do the Humanities Create Knowledge? (Cambridge UP, 2023), Chris Haufe challenges this idea. He shows that what we know about the so-called scientific method rests fundamentally on the use of finely tuned human judgments directed toward certain questions about the natural world. He suggests that this dependence on judgment in fact reveals deep affinities between scientific knowledge and another, equally important, sort of comprehension: that of humanistic creative endeavour. His wide-ranging and stimulating new book uncovers the unexpected unity underlying all our efforts – whether scientific or arts-based – to understand human experience. In so doing, it makes a vital contribution to broader conversation about the value of the humanities in an increasingly STEM-saturated educational culture.

If it is agreed that the humanities are valuable and essential, are there better and worse ways in which to generate humanistic knowledge? This book offers compelling answers.

Chris Haufe is the Elizabeth M. and William C. Treuhaft Professor of the Humanities and Chair of the Department of Philosophy, Case Western Reserve University. He is the author of How Knowledge Grows (2022) and Fruitfulness (2024).

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Jan Baetens, "Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters" (Rutgers UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 26 May 2024 08:00:00 +0000

Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters (Rutgers UP, 2020) examines The Obscure Cities, one of the few comics series to achieve massive popularity while remaining highly experimental in form and content. Set in a parallel world, full of architecturally distinctive city-states, The Obscure Cities also represents one of the most impressive pieces of world-building in any form of literature.

Rebuilding Story Worlds offers the first full-length study of this seminal series, exploring both the artistic traditions from which it emerges and the innovative ways it plays with genre, gender, and urban space. Comics scholar Jan Baetens examines how Schuiten’s work as an architectural designer informs the series’ concerns with the preservation of historic buildings. He also includes an original interview with Peeters, which reveals how poststructuralist critical theory influenced their construction of a rhizomatic fictional world, one which has made space for fan contributions through the Alta Plana website.

Synthesizing cutting-edge approaches from both literary and visual studies, Rebuilding Story Worlds will give readers a new appreciation for both the aesthetic ingenuity of The Obscure Cities and its nuanced conception of politics.

Jan Baetens is a Professor Emeritus at the Faculty of Arts of the KU Leuven. His main research interests and areas of expertise include: contemporary French poetry and popular culture (among many other topics).

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Iris Moon, "Melancholy Wedgwood" (MIT Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 26 May 2024 08:00:00 +0000

Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue.

Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art.

Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing.

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Mirjam Rajner, "Fragile Images: Jews and Art in Yugoslavia, 1918-1945" (Brill, 2019)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 22 May 2024 08:00:00 +0000

In Fragile Images: Jews and Art in Yugoslavia, 1918-1945 (Brill, 2019), Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Mosa Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan.

These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath.

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Alex Beringer, "Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip" (Ohio State UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 22 May 2024 08:00:00 +0000

Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip (Ohio State UP, 2024) is the first full-length study of US comic strips from the period prior to the rise of Sunday newspaper comics. Where current histories assume that nineteenth-century US comics consisted solely of single-panel political cartoons or simple “proto-comics,” Lost Literacies introduces readers to an ambitious group of artists and editors who were intent on experimenting with the storytelling possibilities of the sequential strip, resulting in playful comics whose existence upends prevailing narratives about the evolution of comic strips.

Over the course of the nineteenth century, figures such as artist Frank Bellew and editor T. W. Strong introduced sequential comic strips into humor magazines and precursors to graphic novels known as “graphic albums.” These early works reached audiences in the tens of thousands. Their influences ranged from Walt Whitman’s poetry to Mark Twain’s travel writings to the bawdy stage comedies of the Bowery Theatre. Most importantly, they featured new approaches to graphic storytelling that went far beyond the speech bubbles and panel grids familiar to us today. As readers of Lost Literacies will see, these little-known early US comic strips rival even the most innovative modern comics for their diversity and ambition.

Alex Beringer is a professor of English at the University of Montevallo. His research and teaching focuses on nineteenth century American literature, visual culture, and comics. He received his Ph.D. in English in 2011 from the University of Michigan and has held fellowships with the American Antiquarian Society, University of Cambridge and the National Endowment for the Humanities. His work has appeared in American Literature, Arizona Quarterly, PopMatters.com, and elsewhere.

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Jennifer Dorothy Lee, "Anxiety Aesthetics: Maoist Legacies in China, 1978-1985" (U California Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 16 May 2024 08:00:00 +0000

Today I had the great pleasure of talking to Associate Professor Jennifer Dorothy Lee on her new book, Anxiety Aesthetics: Maoist Legacies in China, 1978-1985 (U California Press, 2024). Anxiety Aesthetics is the first book to consider a prehistory of contemporaneity in China through the emergent creative practices in the aftermath of the Mao era. Arguing that socialist residues underwrite contemporary Chinese art, complicating its theorization through Maoism, Jennifer Dorothy Lee traces a selection of historical events and controversies in late 1970s and early 1980s Beijing. Lee offers a fresh critical frame for doing symptomatic readings of protest ephemera and artistic interventions in the Beijing Spring social movement of 1978-80, while exploring the rhetoric of heated debates waged in institutional contexts prior to the '85 New Wave. Lee demonstrates how socialist aesthetic theories and structures continued to shape young artists' engagement with both space and selfhood and occupied the minds of figures looking to reform the nation. In magnifying this fleeting moment, Lee provides a new historical foundation for the unprecedented global exposure of contemporary Chinese art today.

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Dancing Parkinson's and Queering Science with John Noel Viaña

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 14 May 2024 08:00:00 +0000

In this episode Pat speaks with Dr John Noel Viaña.

Dr John Noel Viaña’s work is focused on the social and ethical aspects of neuroscience and biotechnology. He has interests in a range of bioethical issues and has engaged with researchers, clinicians and science communicators to explore justice, equity and diversity considerations in health research and promotion.

They discuss the use of art to present research, how art can help to express identities and perspectives, and its resonances with Dr Viaña's work in justice and science.

A transcript of this episode is available on the Concept : Art website (www.conceptart.fm).

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Karen Pechilis et al. ed., "Devotional Visualities: Seeing Bhakti in Indic Material Cultures" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 9 May 2024 08:00:00 +0000

Devotional Visualities: Seeing Bhakti in Indic Material Cultures (Bloomsbury, 2023) is the first to focus on material visualities of bhakti imagery that inspire, shape, convey, and expand both the visual practices of devotional communities, as well as possibilities for extending the reach of devotion in society in new and often unexpected ways. Communities of interpreters of bhakti images discussed in this book include not only a number of distinctive Hindu bhakti groups, but also artisans, diaspora women, South Asian Sufis, businessmen, dancers, and filmmakers.

This book's identification of devotional practices of looking, such as materializing memory, mirroring and immaterializing portraits, and shaping the return look, connect material and visual cultures as well as illustrate modes of established and experimental image usage.

Bhakti is one of the most-studied aspects of Indic devotionalism on account of its expression through emotive poetry, song, and vivid hagiographies of saints. The diverse devotional visualities analyzed in this book meaningfully circulate bhakti images in past and present, generating their renewed relationship to contemporary concerns.

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Salar Mameni, "Terracene: A Crude Aesthetics" (Duke UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 5 May 2024 08:00:00 +0000

In Terracene: A Crude Aesthetics (Duke UP, 2023), Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.

Salar Mameni is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni has published articles in Signs, Women & Performance, Al-Raida Journal, Fuse Magazine, Fillip Review and Canadian Art Journal, and has written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was the curator of “Snail Fever,” at the Third Line Gallery in Dubai that explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.

Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.

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Nadine A. Sinno, "A War of Colors: Graffiti and Street Art in Postwar Beirut" (U Texas Press, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 2 May 2024 08:00:00 +0000

Over the last two decades in Beirut, graffiti makers have engaged in a fierce “war of colors,” seeking to disrupt and transform the city’s physical and social spaces. In A War of Colors: Graffiti and Street Art in Postwar Beirut (University of Texas Press, 2024), Dr. Nadine Sinno examines how graffiti and street art have been used in postwar Beirut to comment on the rapidly changing social dynamics of the country and region.

Analysing how graffiti makers can reclaim and transform cityscapes that were damaged or monopolised by militias during the war, Dr. Sinno explores graffiti’s other roles, including forging civic engagement, commemorating cultural icons, protesting political corruption and environmental violence, and animating resistance. In addition, she argues that graffiti making can offer voices to those who are often marginalised, especially women and LGBTQ people. Copiously illustrated with images of graffiti and street art, A War of Colors is a visually captivating and thought-provoking journey through Beirut, where local and global discourses intersect on both scarred and polished walls in the city.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Justin O’Connor, "Culture is Not an Industry: Reclaiming Art and Culture for the Common" (Manchester UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 1 May 2024 08:00:00 +0000

According to Dr. Justin O’Connor, culture is at the heart of what it means to be human. But twenty-five years ago, the British government rebranded art and culture as 'creative industries', valued for their economic contribution, and set out to launch the UK as the creative workshop of a globalised world.

Where does that leave art and culture now? Facing exhausted workers and a lack of funding and vision, culture finds itself in the grip of accountancy firms, creativity gurus and Ted Talkers. At a time of sweeping geo-political turmoil, culture has been de-politicised, its radical energies reduced to factors of industrial production. Culture is Not an Industry: Reclaiming Art and Culture for the Common (Manchester UP, 2024) is about what happens when an essential part of our democratic citizenship, fundamental to our human rights, is reduced to an industry.

Culture is not an industry argues that art and culture need to renew their social contract and re-align with the radical agenda for a more equitable future. Bold and uncompromising, the book offers a powerful vision for change.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.

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Andil Gosine, "Nature's Wild: Love, Sex, and Law in the Caribbean" (Duke UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 29 Apr 2024 08:00:00 +0000

In Nature's Wild: Love, Sex, and Law in the Caribbean (Duke UP, 2021), Andil Gosine engages with questions of humanism, queer theory, and animality to examine and revise understandings of queer desire in the Caribbean. Surveying colonial law, visual art practices, and contemporary activism, Gosine shows how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially influenced human/animal divide. Gosine refutes this presupposed binary and embraces animality through a series of case studies: a homoerotic game called puhngah, the institution of gender-based dress codes in Guyana, and efforts toward the decriminalization of sodomy in Trinidad and Tobago—including the work of famed activist Colin Robinson, paintings of human animality by Guadeloupean artist Kelly Sinnapah Mary, and Gosine's own artistic practice. In so doing, he troubles the ways in which individual and collective anxieties about “wild natures” have shaped the existence of Caribbean people while calling for a reassessment of what political liberation might look like.

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Stitching Freedom: Embroidery and Incarceration

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 25 Apr 2024 08:00:00 +0000

Today’s book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach.

Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner’s Art,” and the new book Stitching Freedom: Embroidery and Incarceration.

Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.

Listeners may also be interested in:

The Royal School of Needlework
Rozsika Parker's The Subversive Stitch.
Betty Ring's Girlhood Embroidery: American Samplers & Pictorial Needlework 1650-1850.
Maureen Daly Goggin and Beth Fowkes Tobin's Women and the Material Culture of Needlework and Textiles, 1750-1950.
A conversation with the director of the Emerson Prison Initiative
A conversation about The Journal of Higher Education in Prison
Education Behind the Wall

Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes.

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Danielle Taschereau Mamers, "Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art" (Fordham UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 23 Apr 2024 08:00:00 +0000

How do bureaucratic documents create and reproduce a state’s capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused?

Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L’Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined.

By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada’s complex and violent relationship with Indigenous peoples.

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Nathanial Gardner, "The Study of Photography in Latin America: Critical Insights and Methodological Approaches" (U New Mexico Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 18 Apr 2024 08:00:00 +0000

The Study of Photography in Latin America: Critical Insights and Methodological Approaches (University of New Mexico Press, 2023) provides an insider's perspective to the study of photography. Nathanial Gardner provides readers with a carefully structured introduction that lays out his unique methodology for this book, which features over eighty photographs and the insights from sixteen prominent Latin American photography scholars and historians, including Boris Kossoy, John Marz, and Ana Mauad. The work reflects the advances of the study of photography throughout Latin America with certain emphasis on Brazil and Mexico. The author further underlines the role of important institutions and builds context by discussing influential theories and key texts that currently guide the discipline. The Study of Photography in Latin America is critical to all who want to expand their current knowledge of the subject and engage with its experts.

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Kerry Wallach, "Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit" (Penn State UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 16 Apr 2024 08:00:00 +0000

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art.

Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres.

This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art.

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Adam Kabat, "The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan" (Columbia UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 14 Apr 2024 08:00:00 +0000

Adam Kabat’s The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan (Columbia UP, 2023) is an in-depth introduction to the rich and ribald world of kibyōshi, a short-lived (1778-1807) subgenre of books combining text and illustration on the same page, much like comic books and manga today. This book presents a selection of five kibyōshi in which monsters play central roles. Each of these short books is reproduced in its entirety, accompanied by Kabat’s translations and commentary. Kabat’s selection of tales communicates the entertainment value and thematic variety of these stories, as well as their deep web of interconnections with contemporary culture and the urban economy. The book will be of interest not only to scholars of premodern history and literature, but also to a larger audience including the growing ranks of manga and anime fans.

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Paul Williams, "The US Graphic Novel" (Edinburgh UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 12 Apr 2024 08:00:00 +0000

This book analyses the way that changes in the comics industry, book trade and webcomics distribution have shaped the publication of long-form comics. The US Graphic Novel (Edinburgh UP, 2022) pays particular attention to how the concept of the graphic novel developed through the twentieth century. Art historians, journalists, and reviewers debated whether it was possible for a comic to be a novel – debates that accelerated after the term ’graphic novel’ was coined by the comics fan Richard Kyle in 1964. This study underlines the proximity of the graphic novel to other media, showing that this cultural form is not only the meeting place between periodical comics and books, but that graphic novels are in dialogue with films, posters and computer screens.

Dr. Paul Williams is an Associate Professor of Twentieth-Century literature and culture at the University of Exeter in the UK. His research is centrally concerned with comics and graphic novels. His monograph Dreaming the Graphic Novel broke new ground by explaining how graphic novels were published, circulated, and discussed in North America between the mid-1960s and 1980. Dr. Williams has also co-curated the exhibition The Great British Graphic Novel at the Cartoon Museum in London, which was visited by over 10,000 people.

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Maaheen Ahmed, "Openness of Comics: Generating Meaning within Flexible Structures" (UP of Mississippi, 2016)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 11 Apr 2024 08:00:00 +0000

Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a legitimate, rich form of art. Openness of Comics: Generating Meaning within Flexible Structures (UP of Mississippi, 2016) examines this trend by taking up philosopher Umberto Eco's notion of the open work of art, whereby the reader--or listener or viewer, as the case may be--is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work. Ahmed analyzes a diverse group of British, American, and European (Franco-Belgian, German, Finnish) comics.

She treats examples from the key genre categories of fictionalized memoirs and biographies, adventure and superhero, noir, black comedy and crime, science fiction and fantasy. Her analyses demonstrate the ways in which comics generate openness by concentrating on the gaps essential to the very medium of comics, the range of meaning ensconced within words and images as well as their interaction with each other. The analyzed comics, extending from famous to lesser known works, include Will Eisner's The Contract with God Trilogy, Jacques Tardi's It Was the War of the Trenches, Hugo Pratt's The Ballad of the Salty Sea, Edmond Baudoin's The Voyage, Grant Morrison and Dave McKean's Arkham Asylum, Neil Gaiman's Sandman series, Alan Moore and Eddie Campbell's From Hell, Moebius's Arzach, Yslaire's Cloud 99 series, and Jarmo Mäkilä's Taxi Ride to Van Gogh's Ear.

Dr. Maaheen Ahmed is associate professor of comparative literature at Ghent University, Belgium. Dr. Ahmed is the primary investigator of the COMICS Project, which is focused on the intercultural history of children and comics. Dr. Ahmed is author of Monstrous Imaginaries: The Legacy of Romanticism in Comics and Openness of Comics: Generating Meaning within Flexible Structures, both published by University Press of Mississippi.

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Enactivism, Embodiment, and the Gorier Stuff with Marilyn Stendera

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 7 Apr 2024 08:00:00 +0000

In this episode Pat speaks with Dr Marilyn Stendera, co-author (with Emily Hughes) of Heidegger’s Alternative History of Time (Routledge, 2024).

Dr Stendera’s work focuses mainly on the phenomenological tradition, especially its intersections with philosophy of cognition and mind. She is particularly interested in time, including its role in cognition, its relationship to power, and how it has been conceptualised in different philosophical traditions. She also likes thinking about biology, death, gender, horror and metaphilosophy.

They discuss the relationship between transhumanism and enactivism, ranging across organisational integrity, embodiment, and precarity.

Background notes and a transcript of this episode are also available on the Concept : Art website.

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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Oliver Wunsch, "A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France" (Penn State UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 31 Mar 2024 08:00:00 +0000

Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth.

While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period’s reconceptualization of art. Drawing on sources ranging from eighteenth-century artists’ writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century’s end reimagined as the irreducible essence of art’s autonomous value.

Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art’s meaning and purpose.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Aleksandar Bosković and Steven Teref, "Zenithism (1921-1927): A Yugoslav Avant-Garde Anthology" (Academic Studies Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 29 Mar 2024 08:00:00 +0000

Zenithism (1921-1927): A Yugoslav Avant-Garde Anthology (Academic Studies Press, 2023) is the first-ever English language anthology of zenithism – an eclectic avant-garde movement that operated in the Yugoslav region between 1921 and 1927. The founder of Zenithism – poet Ljubomir Micić – envisioned the movement as a fusion of futurism, dada, constructivism, expressionism, and proto-surrealism, with the movement’s philosophy embodied in the figure of the Balkan Barbarogenius (barbarian-genius). A hallmark of the movement was its embrace of cross-genre writing, from Micić’s ciné-poem Rescue Vehicle and Branko Ve Poljanski’s lyric novel 77 Suicides to MID’s lyric philosophic treatise The Sexual Equilibrium of Money. Reaching the wider international audience for the first time, this anthology sheds light on an untapped chapter in European modernism.

Aleksandar Bošković is Lecturer in Bosnian-Croatian-Serbian within the Department of Slavic Languages and Literatures at Columbia University. He is a scholar of Russian and East European modernism, Yugoslav, post-Yugoslav and Balkan Studies, with a strong background in comparative literature, critical theory, and visual studies. Bošković specializes in avant-garde literature and experimental art practices explored through the lenses of comparative media.

Steven Teref is a translator from Bosnian, Croatian, and Serbian. He specialists in translating Bosnian, Croatian, and Serbian poetry, focusing on writers from the early 20th century through to the present.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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Chia-ling Yang, "Appropriating Antiquity for Modern Chinese Painting" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 27 Mar 2024 08:00:00 +0000

The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent the ethnic identity of modern Chinese art. In doing so, this book asks: did the antiquarian movements ultimately serve as a deliberate tool for re-writing Chinese art history in modern China?

In searching for the public meaning of inventive private collecting activity, Appropriating Antiquity in Modern Chinese Painting (Bloomsbury, 2023) draws on various modes of artistic creation to address how the use of antiquities in early 20th-century Chinese art both produced and reinforced the imaginative links between ancient civilization and modern lives in the late Qing dynasty. Further exploring how these social and cultural transformations were related to the artistic exchanges happening at the time between China, Japan and the West, the book successfully analyses how modernity was translated and appropriated at the turn of the 20th century, throughout Asia and further afield.

Prof. Chia-Ling Yang is the Personal Chair of Chinese Art and Programme Director of PhD and MScR in History of Art at The University of Edinburgh.

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Jehanne Dubrow, "Exhibitions: Essays on Art and Atrocity" (U New Mexico Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 24 Mar 2024 08:00:00 +0000

What happens when beauty intersects with horror? In Exhibitions: Essays on Art and Atrocity (U New Mexico Press, 2023), Jehanne Dubrow interrogates the ethical questions that arise when we aestheticize atrocity. The daughter of US diplomats, she weaves memories of growing up overseas among narratives centered on art objects created while working under oppressive regimes. Ultimately Exhibitions is a collection concerned with how art both evinces and elicits emotion and memory and how, through the making and viewing of art, we are--for better or for worse--changed.

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Anna Kornbluh, "Immediacy: Or, The Style of Too Late Capitalism" (Verso, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 17 Mar 2024 08:00:00 +0000

What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh’s newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism’s economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world.

Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital.

David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University.

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Umme Al-wazedi and Afrin Zeenat, "Veil Obsessed: Representations in Literature, Art, and Media" (Syracuse UP, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 17 Mar 2024 08:00:00 +0000

In their edited volume Veil Obsessed: Representations in Literature, Art, and Media (Syracuse University Press, 2024), Umme Al-wazedi and Afrin Zeenat complicate discussions of the veil and highlight the prevalent anxieties surrounding it. The edited volume is unique in its focus and engagement of the veil as it appears in various literary, artistic, and popular cultures, such as of historical Algeria and contemporary Iranian television series, Bollywood films, and street art in Europe. The book locates these critical discussions and theoretical interventions within both a postcolonial and neocolonial critique of how the veil was orientalised and fetishized historically, for example in the Victorian transmissions of the 1001 Nights, and how the veil, specifically the burka, is deployed in reductive and harmful ways in contemporary state projects today, as seen in France, and even in popular liberal discourses (such as in the United States). The essays in this collection are sharp and accessibly written and will be useful as a teaching tool in various undergraduate courses. The book will also be of interest to those who work on literature, popular culture, gender, Islam, and much more.

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Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 13 Mar 2024 08:00:00 +0000

How do art schools influence music? In No Machos or Pop Stars: When the Leeds Art Experiment Went Punk (Duke UP, 2022), Gavin Butt, a Professor of Fine Art at Northumbria University, Newcastle, tells the story of art, music and higher education in Leeds in the mid-1970s. Using archives and interviews, as well as analysis of the music and art of the era, the book shows the importance of art and art theory to a huge range of bands, including Gang of Four, Scritti Politti and Soft Cell. The analysis also takes a critical perspective on art, music and the era, thinking through the importance of class, gender, and racial inequalities to punk and post-punk. A rich and detailed defence of the importance of arts education, the book will be of interest across the arts and humanities, as well as for anyone wanting to know more about why Leeds matters!

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Xin Gu, "Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries" (Routledge, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 11 Mar 2024 08:00:00 +0000

How can artists survive today? In Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries (Routledge, 2023), Dr Xin Gu, Director of the Master of Cultural and Creative Industries at Monash University and an expert appointed by UNESCO 2005 Convention on the Protection and Promotion of Diversity of Cultural Expression, examines contemporary labour conditions for cultural workers. Drawing on detailed historical and global case studies, as well as up to date analysis of changing working practices, the book offers a new theorisation of the role of culture in society. The book is the basis for a major reassessment of how art and culture function in our global context, and will be essential reading across the humanities and social sciences, as well as for anyone interested in cultural industries.

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Jon Robson, "Aesthetic Testimony: An Optimistic Approach" (Oxford UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 10 Mar 2024 08:00:00 +0000

A lot of what we claim to know we learn from other people's testimony: they tell us, and in many ordinary contexts that is enough to gain knowledge. But for many philosophers, aesthetics is different. Such pessimists about aesthetic testimony hold that facts about aesthetic properties – such as Shakespeare's Hamlet being a tragedy, or Picasso's Guernica being anti-war – can't be transmitted by testimony, and can only be learned through first-person experience.

In Aesthetic Testimony: An Optimistic Approach (Oxford UP, 2022), Jon Robson argues that aesthetic testimony should be treated on a par with testimony in other domains; our deference to others in aesthetic matters is about the same as it is in other areas of knowledge. Robson, who is assistant professor of philosophy at the University of Nottingham, defends a view called contextualist optimism, in which, just as with testimony in other domains, whether we obtain aesthetic knowledge depends on the context in which aesthetic judgments are transmitted.

Carrie Figdor is professor of philosophy at the University of Iowa.

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Carmen Fracchia, "'Black But Human': Slavery and Visual Arts in Hapsburg Spain, 1480-1700" (Oxford UP, 2019)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 8 Mar 2024 09:00:00 +0000

Carmen Fracchia's book Black But Human': Slavery and Visual Arts in Hapsburg Spain, 1480-1700 (Oxford UP, 2019) is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb 'Black but Human' is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves.

The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers, and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragón, and Portugal. The 'Black but Human' topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a 'black nation' forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings, and sketches for costume books.

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Angie Chau, "Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters" (U Michigan Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 6 Mar 2024 09:00:00 +0000

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art.

While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context.

Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria.

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Roseen Giles, "Monteverdi and the Marvellous: Poetry, Sound, and Representation" (Cambridge UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 4 Mar 2024 09:00:00 +0000

The marvellous, a key concept in literary debates at the turn of the seventeenth century, involved sensory and perspectival transformation, a rhetoric built on the unexpected, contradictory, and thought-provoking. The composer Claudio Monteverdi (1567–1643) created a new practice in which the expressive materials of music and poetry were placed in concert. This innovative new study of Monteverdi's literary personality integrates musical and poetic analysis to create an approach to text-music relations that addresses scholars of both literature and music.

Roseen Giles' book Monteverdi and the Marvellous: Poetry, Sound, and Representation (Cambridge UP, 2023) illuminates how experiments in language and perception at the turn of the seventeenth century were influenced and informed by the work of musicians of that era. Giles provides a new perspective on the music and poetry of Monteverdi's madrigals through the poetics of the marvellous. In his madrigals, Monteverdi created a reciprocity between poetry and music which encouraged audiences to contemplate their interactions, and, consequently, to listen differently.

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Alvita Akiboh, "Imperial Material: National Symbols in the US Colonial Empire" (U Chicago Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 3 Mar 2024 09:00:00 +0000

This is an ambitious history of flags, stamps, and currency—and the role they played in US imperialism over the 20th century. In Imperial Material: National Symbols in the US Colonial Empire (U Chicago Press, 2023), Alvita Akiboh, Assistant Professor of History at Yale University, reveals how US national identity has been created, challenged, and transformed through embodiments of empire found in US territories, from the US dollar bill to the fifty-star flag. Akiboh argues that these symbolic objects encode the relationships between territories—including the Philippines, the Hawaiian Islands, Puerto Rico, and Guam—and the American empire with which they have been entangled. Akiboh shows how such items became objects of power, and how their original intent was changed. For even if imperial territories were not always front and center for federal lawmakers and administrators, their inhabitants remained continuously aware of the United States, whose presence announced itself through localized fights over the predominant currency, stamps, and flags.

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Mai Corlin, "The Bishan Commune and the Practice of Socially Engaged Art in Rural China" (Palgrave MacMillan, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 26 Feb 2024 09:00:00 +0000

On the podcast today, I am joined by Mai Corlin, who is researcher at the department of cross-cultural and regional studies in the University of Copenhagen. Mai will be talking about her new book, The Bishan Commune and the Practice of Socially Engaged Art in Rural China (Palgrave Macmillan, 2020)

Mai’s book examines the new rural reconstruction movement in Bishan village, Anhui province. She uses the Bishan Commune as a case study to explore the ways that art and culture can revive regional economies. The book´s focus is the socially engaged art projects in the Chinese countryside, with the artists and intellectuals who are involved, the villagers they meet and the local authorities with whom they negotiate. In recent years an increasing number of urban artists have turned towards the countryside in an attempt to revive rural areas perceived to be in a crisis. The vantage point of this book is the Bishan Commune. In 2010, Ou Ning drafted a notebook entitled Bishan Commune: How to Start Your Own Utopia. The notebook presents a utopian ideal of life based on anarchist Peter Kropotkin’s idea of mutual aid. In 2011 the Commune was established in Bishan Village in Anhui Province. The main questions of this book thus revolve around how an anarchist, utopian community unfolds to the backdrop of the political, social and historical landscape of rural China, or more directly: How do you start your own utopia in the Chinese countryside?

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T. Corey Brennan, "The Fasces: A History of Ancient Rome's Most Dangerous Political Symbol" (Oxford UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 21 Feb 2024 09:00:00 +0000

"Fascism" is a word ubiquitous in our contemporary political discourse, but few know about its roots in the ancient past or its long, strange evolution to the present.

In ancient Rome, the fasces were a bundle of wooden rods bound with a leather cord, in which an axe was placed—in essence, a mobile kit for corporal or capital punishment. Attendants typically carried fasces before Rome's higher officials, to induce feelings of respect and fear for the relevant authority. This highly performative Roman institution had a lifespan of almost two millennia, and made a deep impression on subsequent eras, from the Byzantine period to the present.

Starting in the Renaissance, we find revivals and reinterpretations of the ancient fasces, accelerating especially after 1789, the first year of the United States' Constitution and the opening volley of the French Revolution. But it was Benito Mussolini, who, beginning in 1919, propagated the fasces on an unprecedented scale. Oddly, today the emblem has grown largely unfamiliar, which in turn has offered an opening to contemporary extremist groups.

In The Fasces: A History of Ancient Rome's Most Dangerous Political Symbol (Oxford University Press, 2022), Dr. T. Corey Brennan offers the first global history of the nature, development, and competing meanings of this stark symbol, from antiquity to the twenty-first century. The word "fascism" has universal awareness in contemporary political discourse, which thus makes this, the first book to trace the full arc of the fasces' almost 3,000-year history, essential reading for all who wish to understand how the past informs the present.

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Meredith Martin and Gillian Weiss, "The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France" (Getty, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 17 Feb 2024 09:00:00 +0000

Mediterranean maritime art and the forced labour on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France (Getty Research Institute, 2022) by Dr. Gillian Weiss & Dr. Meredith Martin changes that. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France.

With an abundant selection of startling images, many never before published, The Sun King at Sea emphasises the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.

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Criticism

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 15 Feb 2024 09:00:00 +0000

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world.

Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you’re keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we’re excited to have him back on High Theory to tell us about his investigations.

In the episode he offers a recuperative reading of Mark Twain’s acerbic take on critics in his late notebooks: “The critic’s symbol should be the tumble-bug; he deposits his egg in somebody else’s dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain’s Collected Works, on archive.org). He references Jacques Derrida’s book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty’s Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt’s earlier episode with us on Economics.

Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold.

The image for this episode was made by Saronik Bosu in 2024.

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Ed Simon, "Relic" (Bloomsbury. 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 15 Feb 2024 09:00:00 +0000

Object Lessons is a Bloomsbury series of short, beautifully designed books about the hidden lives of ordinary things. This book, Relic, by Dr. Ed Simon was published in 2024.

Every culture, every religion, every era has enshrined otherwise regular objects with a significance which stretches beyond their literal importance. Whether the bone of a Catholic martyr, the tooth of a Buddhist lama, or the cloak of a Sufi saint, relics are material conduits to the immaterial world. Yet relics aren't just a feature of religion. The exact same sense of the transcendent animates objects of political, historical, and cultural significance.

From Abraham Lincoln's death mask to Vladimir Lenin's embalmed corpse, Emily Dickinson's envelopes to Jimi Hendrix's guitar pick, relics are the objects which the faithful understand as being more than just objects. Material things of sacred importance, relics are indicative of a culture's deepest values.

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Ana Lucia Araujo, "The Gift: How Objects of Prestige Shaped the Atlantic Slave Trade and Colonialism" (Cambridge UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 11 Feb 2024 09:00:00 +0000

The Gift: How Objects of Prestige Shaped the Atlantic Slave Trade and Colonialism (Cambridge University Press, 2023) explores how objects of prestige contributed to cross-cultural exchanges between Africans and Europeans during the Atlantic slave trade. An eighteenth-century silver ceremonial sword, commissioned in the port of La Rochelle by French traders, was offered as a gift to an African commercial agent in the port of Cabinda (Kingdom of Ngoyo), in twenty-first century Angola. Slave traders carried this object from Cabinda to Abomey, the capital of the Kingdom of Dahomey in twenty-first century's Republic of Benin, from where French officers looted the item in the late nineteenth century. Drawing on a rich set of sources in French, English, and Portuguese, as well as artifacts housed in museums across Europe and the Americas, Ana Lucia Araujo illuminates how luxury objects impacted European-African relations, and how these economic, cultural, and social interactions paved the way for the European conquest and colonization of West Africa and West Central Africa.

Ana Lucia Araujo is a Professor of History at Howard University.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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Devin Griffiths and Deanna Kreisel, "After Darwin: Literature, Theory, and Criticism in the Twenty-First Century" (Cambridge UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 10 Feb 2024 09:00:00 +0000

Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence.

• Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin

• Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought

• Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics

Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities.

Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture.

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Sabina Andron, "Urban Surfaces, Graffiti, and the Right to the City" (Routledge, 2024)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 4 Feb 2024 09:00:00 +0000

Sabina Andron's book Urban Surfaces, Graffiti, and the Right to the City (Routledge, 2024) focuses on urban surfaces, on exploring their authorship and management, and on their role in struggles for the right to the city.

Graffiti, pristine walls, advertising posters, and municipal signage all compete on city surfaces to establish and imprint their values on our environments. It is the first time that the surfacescapes of our cities are granted the entire attention of a book as material, visual, and legal territories. The book includes a critical history of graffiti and street art as contested surface discourses and argues for surfaces as sites of resistance against private property, neoliberal creativity, and the imposition of urban order. It also proposes a seven-point manual for a semiotics of urban surfaces, laying the ground for a new discipline: surface studies.

Page after page and layer after layer, surfaces become porous and political and emerge as key spatial conditions for rethinking and re-practicing urban dwelling and spatial justice. They become what the author terms the surface commons.

The book will appeal to a wide readership across the disciplines of urban studies, architectural theory and design, graffiti, street art and public art, criminology, semiotics, visual culture, and urban and legal geography. It will also serve as a tool for city scholars, policy makers, artists, and vandals to disrupt existing imaginaries of order, justice, and visibility in cities.

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Dustin Kiskaddon, "Blood and Lightening: On Becoming a Tattooer" (Stanford UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 4 Feb 2024 09:00:00 +0000

Any tattoo is the outcome of an intimate, often hidden process. The people, bodies, and money that make tattooing what it is blend together and form a heady cocktail, something described by Matt, the owner of Oakland's Premium Tattoo, as "blood and lightning." Faced with the client's anticipation of pain and excitement, the tattooer must carefully perform calm authority to obscure a world of preparation and vigilance. "Blood and lightning, my dude"—the mysterious and intoxicating effect of tattooing done right.

In Blood and Lightening: On Becoming a Tattooer (Stanford UP, 2023), Dustin Kiskaddon draws on his own apprenticeship with Matt and takes us behind the scenes into the complex world of professional tattooers. We join people who must routinely manage a messy and carnal type of work. Blood and Lightning brings us through the tattoo shop, where the smell of sterilizing agents, the hum of machines, and the sound of music spill out onto the back patio. It is here that Matt, along with his comrades, reviews the day's wins, bemoans its losses, and prepares for the future.

Having tattooed more than five hundred people, Kiskaddon is able to freshly articulate the physical, mental, emotional, and moral life of tattooers. His captivating account explores the challenges they face on the job, including the crushing fear of making mistakes on someone else's body, the role of masculinity in evolving tattoo worlds, appropriate and inappropriate intimacy, and the task of navigating conversations about color and race.

Ultimately, the stories in this book teach us about the roles our bodies play in the social world. Both mediums and objects of art, our bodies are purveyors of sociocultural significance, sites of capitalist negotiation, and vivid encapsulations of the human condition. Kiskaddon guides us through a strangely familiar world, inviting each of us to become a tattooer along the way.

Dustin Kiskaddon is a cultural sociologist whose work can be seen on Instagram, @Dustin.Kiskaddon. After nearly a decade of teaching and a few years of professional tattooing, he now uses his expertise in culture, the economy, and technology to conduct applied research.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.

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William L. Bird, "In the Arms of Saguaros: Iconography of the Giant Cactus" (U Arizona Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 3 Feb 2024 09:00:00 +0000

An essential—and monumental—member of the Sonoran Desert ecosystem, the saguaro cactus has become the quintessential icon of the American West.

In the Arms of Saguaros: Iconography of the Giant Cactus (U Arizona Press, 2023) shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. Through text and lavish images, this work explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.

This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as a global icon in art, fashion, and entertainment.

William L. Bird, Jr. is Curator Emeritus of the National Museum of American History–Smithsonian Institution. He is the author of several books and curator of exhibits, including American Television from the Fair to the Family, 1939-1989; Vote: The Machinery of Democracy; Paint by Number: Accounting for Taste in the 1950s; Holidays on Display; America's Doll House: The Miniature World of Faith Bradford; and Souvenir Nation: Relics, Keepsakes and Curios from the Smithsonian's National Museum of American History.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.

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Alex Burchmore, "New Export China: Translations Across Time and Place in Contemporary Chinese Porcelain Art" (U California Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 2 Feb 2024 09:00:00 +0000

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture?

In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art" and "mass production" in new ways.

Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk

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Catherine Powell-Warren, "Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century" (Amsterdam UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 22 Jan 2024 09:00:00 +0000

Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science.

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Emma Gleadhill, "Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830" (Manchester UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 16 Jan 2024 09:00:00 +0000

In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science.

Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War.

Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, Emma Gleadhill's Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830 (Manchester UP, 2022) examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narrative

Emma Gleadhill is a Melbourne-based historian and artist

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Ofer Ashkenazi, "Anti-Heimat Cinema: The Jewish Invention of the German Landscape" (U Michigan Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 9 Jan 2024 09:00:00 +0000

Anti-Heimat Cinema: The Jewish Invention of the German Landscape (U Michigan Press, 2020) studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"-- a provincial German landscape associated with belonging and authenticity -- it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. The book shows how these filmmakers devised the landscapes of the German "Homeland" as Jews, namely as acculturated "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from the end of World War One to the early decades of the Cold War. Consequently, the Jewish filmmakers discussed in this book anticipated the anti-Heimatfilm of the ensuing decades and functioned as an uncredited inspiration for the critical New German Cinema.

Ofer Ashkenazi is an Associate Professor of History and the Director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. He published monographs and articles on various topics in modern German and German-Jewish history, including Weimar visual culture, the German antiwar movement, and the German memory of Nazism and the Holocaust. His current project considers photographs that were taken by Jews to document their daily life in Nazi Germany.

Amir Engel is currently a visiting professor at the faculty of theology at the Humboldt University in Berlin. He is also the chair at the German department at the Hebrew University. Engel studied philosophy, literature, and culture studies at the Hebrew University and completed his PhD. in the German Studies department at Stanford University. He is the author of Grshom Scholem: an Intellectual biography that came out in Chicago in 2017. He also published works on, among others, Jacob Taubes, Hannah Arendt, and Hans Jonas. He is currently working on a book titled "The German Spirit from its Jewish Sources: The History of Jewish-German Occultism". The project proposes a new approach to German intellectual history by highlighting marginalized connections between German Occultism, its Christian sources notwithstanding, and Jewish sources, especially the Jewish mystical tradition.

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Seth Bernard, "Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy" (Oxford UP, 2018)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 7 Jan 2024 09:00:00 +0000

Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change.

Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.

Ryan Tripp teaches history in California.

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Amy Von Lintel, "Georgia O'Keeffe's Wartime Texas Letters" (Texas A&M UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 6 Jan 2024 09:00:00 +0000

In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas.

In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.”

Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.

Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas.

Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills.

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Virginia Chieffo Raguin, "The Illuminated Window: Stories Across Time" (Reaktion Books, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 5 Jan 2024 09:00:00 +0000

The Illuminated Window: Stories Across Times (Reaktion, 2023) is a unique journey through stained-glass installations that spans both time and place. Diverse in technique and style, these windows speak for the communities that created them. From the twelfth to the twenty-first century, we find in the windows stories of conflict, commemoration, devotion and celebration.

Dr. Virginia Chieffo Raguin is our guide through the cathedrals of Chartres, Canterbury and Cologne, and takes us from Paris’s Sainte-Chapelle to Swiss guildhalls, Iran’s Pink Mosque, Tiffany’s chapel for the World Exposition, Frank Lloyd Wright’s houses and more. As she reveals, the art of stained glass relies on not only a single maker, but the relationship between the physical site, the patron’s aims, the work’s legibility for the spectator and the prevailing style of the era. This is a fascinating and beautifully illustrated volume for anyone interested in stained-glass works.

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Susanna Phillips Newbury, "The Speculative City: Art, Real Estate, and the Making of Global Los Angeles" (U Minnesota Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 4 Jan 2024 09:00:00 +0000

Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another’s evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles’s burgeoning definition as the global city of the twenty-first century.

Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles’s present-day cityscape. From banal parking lots to Frank Gehry’s designs for artists’ studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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Robert R. Janes, "Museums and Societal Collapse: The Museum as Lifeboat" (Routledge, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 2 Jan 2024 09:00:00 +0000

Who do you turn to at the brink of the apocalypse? What might help us to mitigate the financial, commercial, political, social, and cultural collapse for which we may be heading?

Museums and Societal Collapse: The Museum as Lifeboat (Routledge, 2023) proposes an unlikely hero in this narrative. Robert Janes’ text explores the implications of societal collapse from a multidisciplinary perspective and considers the potential museums have to contribute to the reimagining and transitioning of a new society with the threat of collapse.

Arguing that societal collapse is underway, but that total collapse is not inevitable, Janes maintains that museums are well-positioned to mitigate and adapt to the disruptions of societal collapse. As institutions of the commons, belonging to and affecting the public at large, he contends that museums are both responsible and capable of contributing to the durability and well-being of individuals, families, and communities, and enhancing societal resilience in the face of critical issues confronting our species.

The Museum COP at Tate
Museum pressure groups: The Empathetic Museum, Museum as Progress, Museum Human.
The Australian Museum’s mission statement
Phipps Conservatory, Pittsburgh
Museum of Homelessness
Horniman Museum

Robert R. Janes is an independent scholar whose work draws on his many year’s experience as a museum director. He is the editor emeritus of the Museum Management and Curatoriship journal, a visiting scholar at the School of Museum Studies at the University of Leicester, and the founder of the Coalition of Museums for Climate Justice. He is the author of multiple books on the social role of museums.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Jordana M. Saggese, "The Jean-Michel Basquiat Reader" (U California Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 26 Dec 2023 09:00:00 +0000

In The Jean-Michel Basquiat Reader (University of California Press, 2021), Jordana Moore Saggese provides the first comprehensive sourcebook on the artist, closing gaps that have until now limited the sustained study and definitive archiving of his work and its impact. Jean-Michel Basquiat (1960–1988) burst onto the art scene in the summer of 1980 as one of approximately one hundred artists exhibiting at the 1980 Times Square Show in New York City. By 1982, at the age of twenty-one, Basquiat had solo exhibitions in galleries in Italy, New York, and Los Angeles. Basquiat's artistic career followed the rapid trajectory of Wall Street, which boomed from 1983 to 1987. In the span of just a few years, this Black boy from Brooklyn had become one of the most famous American artists of the 1980s.

Eight years after his first exhibition, Basquiat was dead, but his popularity has only grown. Through a combination of interviews with the artist, criticism from the artist's lifetime and immediately after, previously unpublished research by the author, and a selection of the most important critical essays on the artist's work, this collection provides a full picture of the artist's views on art and culture, his working process, and the critical significance of his work both then and now.

Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.

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Ran Oron, "He Could See a Bird Outside if He Looked Through His Window" (Persimmon Books, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 24 Dec 2023 09:00:00 +0000

From his home in Connecticut, Ran Oron observed and drew a pair of ospreys, a couple of birds of prey that return each year to the same nest.

With a delicate line, in a series of drawings, in a narrative that straddles poetry and prose, he wrote and echoed the construction of his own family nest, its dismantling, and the departure of the children from the home, while reflecting deeply on the dynamics between the pair of birds.

He Could See a Bird Outside if He Looked Through His Window (In Hebrew; Persimmon Books, 2023) is a lyrical and tranquil book about partnership, parenthood, and children. About the changing seasons of nature and the soul, a parable of pain and optimism.

A story that bridges art and poetry about the intimate space of each and every one of us. A beautifully crafted book that is both inspirational and a gift.

Ran Oron was a helicopter navigator prior to studying architecture at the Cooper Union. In 1996 he founded ROART, an architecture studio in New York City. For two decades he was a design professor at Pratt Institute School of Architecture. An Israeli born architect and artist Mr Oron exhibited and lectured around the world.

Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He can be reached at: Yakir1212englander@gmail.com

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Brian Brown and Virginia Kuulei Berndt, "Body Art" (Emerald Publishing, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 19 Dec 2023 09:00:00 +0000

Body art, especially tattoos and piercings, has enjoyed an explosion of interest in recent years. However, the response of many health professionals and researchers to this phenomenon is often negative, as body art continues to be associated with issues ranging from ill mental health to offending behaviors.

Arguing for a reappraisal of the diverse range of practices that fall under this heading, Brian Brown and Virginia (Ginger) Kuulei Berndt reconsider body art as an underappreciated yet accessible source for mental and physical wellbeing. How, they ask, does body art open up new sources of community, sociality, and aesthetics? How is it used for the reclamation of one’s body, as a marker of success or accomplishment, or for building friendships? How does participation in these practices impact the health and wellbeing of body artists themselves?

Providing a radical rethink that integrates tattoos and other body modifications within health, wellbeing, and positive psychology, Body Art (Emerald Publishing, 2023) disrupts the narrative of stigmatisation that so often surrounds these practices to welcome a broader discussion of the benefits they can offer.

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Nettrice R. Gaskins, "Techno-Vernacular Creativity and Innovation: Culturally Relevant Making Inside and Outside of the Classroom" (MIT Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 13 Dec 2023 09:00:00 +0000

Today I talked to Nettrice R. Gaskins about Techno-Vernacular Creativity and Innovation: Culturally Relevant Making Inside and Outside of the Classroom (MIT Press, 2021).

The growing maker movement in education has become an integral part of both STEM and STEAM learning, tapping into the natural DIY inclinations of creative people as well as the educational power of inventing or making things. And yet African American, Latino/a American, and Indigenous people are underrepresented in maker culture and education. In this book, Nettrice Gaskins proposes a novel approach to STEAM learning that engages students from historically marginalized communities in culturally relevant and inclusive maker education. Techno-vernacular creativity (TVC) connects technical literacy, equity, and culture, encompassing creative innovations produced by ethnic groups that are often overlooked.

TVC uses three main modes of activity: reappropriation, remixing, and improvisation. Gaskins looks at each of the three modes in turn, guiding readers from research into practice. Drawing on real-world examples, she shows how TVC creates dynamic learning environments where underrepresented ethnic students feel that they belong. Students who remix computationally, for instance, have larger toolkits of computational skills with which to connect cultural practices to STEAM subjects; reappropriation offers a way to navigate cultural repertoires; improvisation is firmly rooted in cultural and creative practices. Finally, Gaskins explores an equity-oriented approach that makes a distinction between conventional or dominant pedagogical approaches and culturally relevant or responsive making methods and practices. She describes TVC habits of mind and suggests methods of instructions and projects.

Mentioned in this episode:

“Underwater Dreams,” 2014 film directed by Mary Mazzio
Dr. Gaskins’ collages, generative AI portrait of Greg Tate, links to Romare Bearden, and more

Nettrice Gaskins is an African American digital artist, academic, cultural critic and advocate of STEAM fields. She is currently the assistant director of the STEAM Learning Lab at Lesley University in Cambridge, MA.

Liliana Gil is Assistant Professor of Comparative Studies (STS) at the Ohio State University.

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Genealogies of Modernity Episode 5: Picturing Race in Colonial Mexico

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 9 Dec 2023 11:00:00 +0000

Race is sometimes treated as a biological fact. It is actually a modern invention. But for this concept to gain power, its logic had to be spread – and made visible. Art historian Ilona Katzew tells the story of how Spanish colonists of modern-day Mexico developed theories of blood purity and used the casta paintings – featuring family groups with differing skin pigmentations set in domestic scenes – to represent these theories as reality. She also shares the strange challenges of curating these paintings in the present, when the paintings’ insidious ideologies have been debunked, but when mixed-race viewers also appreciate images that testify to their presence in the past.

Researcher, writer, and episode producer: Christopher Nygren, Associate Professor, History of Art and Architecture, University of Pittsburgh

Featured Scholar: Ilona Katzew, Curator and Head of Latin American Art, Los Angeles County Museum of Art

Special thanks: Elise Lonich Ryan, Nayeli Riano, Jennifer Josten

For transcript, teaching aids, and other resources, click here.

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Paul Fisher Davies, "Comics as Communication: A Functional Approach" (Palgrave MacMillan, 2019)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 8 Dec 2023 09:00:00 +0000

Dr. Paul Fisher Davies' book Comics As Communication: A Functional Approach (Palgrave MacMillan, 2019) explores how comics function to make meanings in the manner of a language. It outlines a framework for describing the resources and practices of comics creation and readership, using an approach that is compatible with similar descriptions of linguistic and multimodal communication.

The approach is based largely on the work of Michael Halliday, drawing also on the pragmatics of Paul Grice, the Text World Theory of Paul Werth and Joanna Gavins, and ideas from art theory, psychology and narratology. This brings a broad Hallidayan framework of multimodal analysis to comics scholarship, and plays a part in extending that tradition of multimodal linguistics to graphic narrative.

Dr. Paul Fisher Davies gained his Ph.D. in 2017 at the University of Sussex, where he has also been an associate lecturer and student mentor. He has published in Studies in Comics, the Journal of Graphic Novels and Comics, The Comics Grid and INKS amongst others, including sketchnotes and academic work in comics form. He teaches English Language and Literature at East Sussex College in the UK.

Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels.

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Amy Matthewson, "Cartooning China: Punch, Power, & Politics in the Victorian Era" (Routledge, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 6 Dec 2023 09:00:00 +0000

Dr. Amy Matthewson's Cartooning China: Punch, Power, & Politics in the Victorian Era (Routledge, 2022) explores the series of cartoons of China and the Chinese that were published in the popular British satirical magazine Punch over a sixty-year period from 1841 to 1901. Filled with political metaphors and racial stereotypes, these illustrations served as a powerful tool in both reflecting and shaping notions and attitudes towards China at a tumultuous time in Sino-British history. A close reading of both the visual and textual satires in Punch reveals how a section of British society visualised and negotiated with China as well as Britain’s position in the global community. By contextualising Punch’s cartoons within the broader frameworks of British socio-cultural and political discourse, the Dr. Matthewson engages in a critical enquiry of popular culture and its engagements with race, geopolitical propaganda, and public consciousness. This book will interest scholars and researchers of cultural studies, political history and Empire, Chinese studies, popular culture, Victoriana, as well as media studies comics-based research.

Dr. Amy Matthewson has a PhD degree in history from the School of Oriental and African Studies (SOAS), at the University of London, in the UK. Dr. Matthewson is a historian interested in representation through visual and material culture, in particular the ways in which China and Chinese communities were understood by Western nations in the late nineteenth and twentieth centuries, with specific interest in Britain’s relationship with China. She is currently teaching history at University of Iceland.

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Monica Huerta, "The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism" (NYU Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 4 Dec 2023 09:00:00 +0000

The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism (NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.

The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.

The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.

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Rachel Stephens, "Hidden in Plain Sight: Concealing Enslavement in American Visual Culture" (U Arkansas Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 1 Dec 2023 09:00:00 +0000

In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life.

In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives.

Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker’s confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history.

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Vid Simoniti, "Artists Remake the World: A Contemporary Art Manifesto" (Yale UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 29 Nov 2023 09:00:00 +0000

Artists Remake the World: A Contemporary Art Manifesto (Yale UP, 2023) puts forward an account of contemporary art’s political ambitions and potential. Surveying such innovations as evidence-driven art, socially engaged art, and ecological art, the book explores how artists have attempted to offer bold solutions to the world’s problems.

Simoniti systematises the perspectives of contemporary art as a force for political and social change. At its best, he argues, contemporary art allows us to imagine utopias and presents us with hard truths, which mainstream political discourse cannot yet articulate. Covering subjects such as climate change, social justice, and global inequality, Artists Remake the World offers a philosophy of contemporary art as an experimental branch of politics.

Vid Simoniti is a Lecturer in Philosophy of Art at the University of Liverpool. He is the co-editor, with James Fox, of Art and knowledge after 1900.

Ryan Trecartin, P.opular S.ky (section ish), 2009.
My conversation with Fuller and Weizman on Forensic Architecture and Investigative Aesthetics.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Tony Spawforth, "What the Greeks Did for Us" (Yale UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 28 Nov 2023 09:00:00 +0000

But how did ancient Greece spread its influence so far and wide? And how has this influence changed us?

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Peter Bellerby, "The Globemakers: The Curious Story of an Ancient Craft" (Bloomsbury, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 27 Nov 2023 09:00:00 +0000

Peter Bellerby is the founder of Bellerby & Co. Globemakers, the world's only truly bespoke makers of globes. His team of skilled craftspeople make exquisite terrestrial, celestial and planetary globes for customers around the world. In The Globemakers: The Curious Story of an Ancient Craft (Bloomsbury, 2023), he introduces us to this world. The story began after his attempt to find a special globe for his father's 80th birthday. Failing to find anything suitable, he decided to make one himself which took him on an extraordinary journey of rediscovering this forgotten craft.

The chapters of The Globemakers take us through the journey of how to build a globe, or 'earth apples' as they were first known, and include fascinating vignettes on history, art history, astronomy and physics, as well as the day-to-day craftsmanship at the workshop itself. This beautiful book uses illustration, photography and narrative to tell the story of our globe and many different globes it has inspired.

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Michael Rushton, "The Moral Foundations of Public Funding for the Arts" (Palgrave Macmillan, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 25 Nov 2023 09:00:00 +0000

Should governments fund the arts? In The Moral Foundations of Public Funding for the Arts (Palgrave Macmillan, 2023), Michael Rushton, Co-Director of the Center for Cultural Affairs and a Professor at the O’Neill School of Public and Environmental Affairs at Indiana University, explores a variety of frameworks for thinking about this question, from liberal and egalitarian justifications, through to communitarian, conservative, and multiculturalist ideas. The book outlines the economic method for thinking about the arts, and uses this as a starting point to understand what various political philosophies might tell policymakers and the public today. A rich and deep intervention on a pressing social and governmental question, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in arts and cultural policy. Prof Rushton blogs at both Substack and Artsjournal and you can read open access papers covering some of the key ideas in the book here and here.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.

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Kai Jun Chen, "Porcelain for the Emperor: Manufacture and Technocracy in Qing China" (U Washington Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 13 Nov 2023 09:00:00 +0000

Porcelain for the Emperor: Manufacture and Technology in Qing China (University of Washington Press; 2023) looks at the history of court-sponsored porcelain production in Qing China through the work and career of the Manchu polymath Tang Ying (1682-1756). Viewing him as a technocrat — an official who combined technological specialization and managerial expertise — Kai Jun Chen uses Tang to explore how porcelain manufacture was carried out in the Qing, how technological innovations were created and passed on, and how technocrats learned their skills. At the same time, the book shows how technocrats imposed and extended imperial order over local society, and how essential technocrats were to the operation and success of Qing cultural policies.

Lucidly written and complete with truly striking images, Porcelain for the Emperor is a beautiful combination of the study of material culture, literature, art history, and technology. This book should be of interest not only to historians of the Qing and the early modern world, but also art historians and curators, as well as anyone who has ever seen a piece of Qing porcelain and wondered how it came to be. Curious readers should also seek out Making the Palace Machine Work, co-edited by Kai Jun Chen, Martina Siebert, and Dorothy Ko.

Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu

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Caroline Levine, "The Activist Humanist: Form and Method in the Climate Crisis" (Princeton UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 9 Nov 2023 09:00:00 +0000

W. H. Auden once said, “Poetry makes nothing happen.” Auden’s quote has been used for so many purposes, it might be worth remembering what he meant. Auden’s line is importantly from a poem memorializing W.B. Yeats, a politician and a poet. Auden meant that despite Yeats’s poetry, “Ireland [still] has her madness and her weather still.” Yeats’s poetry didn’t stop suffering. But Auden acknowledges that poetry is a “way of happening” that survives and persists. Today’s guest, Caroline Levine, has written a brilliant new book The Activist Humanist: Form and Method in the Climate Crisis (Princeton UP, 2023). As I read the book, I began asking myself in the manner of Auden: “Does literary criticism make nothing happen? What kind of something might attention to social forms within aesthetic criticism make happen?”

I am excited to talk to Caroline Levine is David and Kathleen Ryan Professor of Humanities at Cornell University. Previously, she was Professor of English at the University of Wisconsin-Madison. She is the author of Forms: Whole, Rhythm, Hierarchy, Network (2015), which won the winner of the James Russell Lowell Prize from the Modern Language Association, as well as The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003) and Provoking Democracy: Why We Need the Arts (2007).

John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.

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Valerie Kivelson et al., "Picturing Russian Empire" (Oxford UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 7 Nov 2023 09:00:00 +0000

Picturing Russian Empire (Oxford UP, 2023) appears as Russia’s imperialist war of aggression against Ukraine grinds on. The stakes could not be higher. It follows that grappling with Russia’s imperial history is inescapable. After all, “[s]elective, exaggerated or patently false reimaginings” of the past “have been central to Russia’s justification of its claims on its neighbor to the southwest,” write today’s guests in the introduction to his new edited volume. Picturing Russian Empire offers an rich, sweeping overview of the history of Russia from the tenth century to the present through the connections between empire and visuality. Using thought provoking images, Picturing Russian Empire presents readers with a visual tour of the lands and peoples that constituted the Russian Empire and those that confronted it, defied it, accommodated to it, and shaped it at various times in more than a millennium of history.

Bringing together scholars and experts from across the world and from various disciplines, Picturing Russian Empire consistently raises big historical questions to stimulate readers to think about images as embedded in the diverse, lived worlds of the Russian empire. The authors challenge the reader to not only to see images as the creations of individuals, but as objects circulating among viewers in a variety of contexts, creating new impressions, meanings, and experiences.

Valerie A. Kivelson is Thomas N. Tentler Collegiate Professor of History and Arthur F. Thurnau Professor of History at the University of Michigan. She is the author of Cartographies of Tsardom, Desperate Magic, and Autocracy in the Provinces.

Joan Neuberger Professor emerita of at the University of Texas at Austin. Her books include: This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia (Cornell: 2019) and Hooliganism: Crime, Culture & Power in St. Petersburg, 1900-1914.

Sergei Kozlov is senior researcher at Tiumen State University in Siberia, Russia and a trained medievalist.

Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow

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Peter Nelson, "Computer Games As Landscape Art" (Palgrave Macmillan, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 6 Nov 2023 09:00:00 +0000

Peter Nelson's book Computer Games As Landscape Art (Palgrave Macmillan, 2023) proposes that computer games are the paradigmatic form of contemporary landscape and offers a synthesis of art history, geography, game studies and play. Like paint on canvas, the game engine is taken as the underlying medium, and using the Valve Source Engine as the primary case study, it analyses landscapes according to the technical, economic and cultural features this medium affords. It presents the single-player first-person shooter (Half-Life 2) as a Promethean safari, examines how the economics of gambling and product placement shaped the eSports landscapes of Counter-Strike and reveals how sandboxes such as Garry’s Mod visualise the radical landscape of Web 2.0. This book explores how our relationship to the environment is changing, how we express this through computer games and how we can move beyond examining artistic influences on games to examining how historical connections flow through games and the history of landscape images.

Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.

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Ed Simon, "Elysium: A Visual History of Angelology" (Cernunnos, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 5 Nov 2023 09:00:00 +0000

Ineffable, invisible, inscrutable--angels are enduring creatures across Judaism, Christianity, and Islam, and human experiences of the divine as mediated by spiritual emissaries are an aspect of almost every religious tradition. In popular culture, angels are often reduced to the most gauzy, sentimental, and saccharine of images: fat babies with wings and guardians with robes, halos, and harps. By contrast, in scripture whenever one of the heavenly choirs appears before a prophet or patriarch, they first declare "Fear not!" for terror would be the most appropriate initial reaction to these otherworldly beings. Angels are often not what we'd expect, but it's precisely in that transcendent encounter that something of the strangeness of existence can be conveyed.

Elysium: A Visual History of Angelology (Cernunnos, 2023) is a follow-up volume to Pandemonium: A Visual History of Demonology, and like the earlier title, this book offers an account of the angelic hierarchies as they've been understood across centuries and cultures and of the individual personages, such as the archangels Michael, Gabriel, and Uriel, who have marked the mythology of the West.

Ed Simon is the Executive Director of Belt Media Collaborative and the Editor-in-Chief for Belt Magazine and an emeritus staff writer at The Millions, which the New York Times has called the “indispensable literary site.”

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Maaheen Ahmed, "The Cambridge Companion to Comics" (Cambridge UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 4 Nov 2023 08:00:00 +0000

Today’s guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics.

Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies.

John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

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"We are all latecomers": Martin Puchner's "Culture" (JP, EF)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 2 Nov 2023 08:00:00 +0000

Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions.

Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down.

Mentioned in the episode:

Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams)
Recovery of Gilgamesh retold in David Damrosch's The Buried Book)
David Ferry translation of Gilgamesh
John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents"
William Blake, "Drive your cart and plough over the bones of the dead"
Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from.
Creolization as distinctively Caribbean (cf Glissant's notion of creolite )
Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden)
"Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston.
Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB.
John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos.

Recallable Books:

Sidney Mintz and Richard Price, The Birth of African-American Culture
Richard Price, First Time (the dad of Leah Price?)
Aphra Behn Oroonoko: or, The Royal Slave (1688)
Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony

Read the episode here.

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Henrik Fürst and Erik Nylander, "The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools" (Palgrave MacMillan, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 30 Oct 2023 08:00:00 +0000

Is art education worthwhile? In The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools (Palgrave MacMillan, 2023), Henrik Fürst, Associate Professor in the Department of Education at Stockholm University and Erik Nylander, Associate Professor in Education at Linköping University, explore this question using the case study of a unique form of educational institution in Sweden. Drawing on a project that examined questions of admissions, teaching, assessments, students’ experiences, and the value and values of art itself, the research delivers a comprehensive picture of why and how art education matters. Rich in detail and offering more general reflections on the importance of the arts, the book is essential reading across the social sciences and humanities, as well as for those interested in defending arts education.

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Chris Bishop, "Medievalist Comics and the American Century" (UP of Mississippi, 2016)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 29 Oct 2023 08:00:00 +0000

In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context.

Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.

In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance.

Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book.

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Chet Van Duzer, "Frames That Speak: Cartouches on Early Modern Maps" (Brill, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 29 Oct 2023 08:00:00 +0000

Frames That Speak: Cartouches on Early Modern Maps (Brill, 2023) is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests--so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps.

Open Access link to the book.

Chet Van Duzer is an historian and project manager for the Lazarus Project at the University of Rochester.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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Simon Grennan, "A Theory of Narrative Drawing" (Palgrave MacMillan, 2017)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 28 Oct 2023 08:00:00 +0000

Simon Grennan's book A Theory of Narrative Drawing (Palgrave MacMillan, 2017) offers an original new conception of visual storytelling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form.

The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice with two original visual demonstrations to clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book's originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in these two visual demonstrations.

In this Interview Dr. Grennan discusses different strategies for reading this book, explains the graphiotactic array, and talks about how one can draw in drag.

Dr. Simon Grennan is a Professor of Art and Design, at the University of Chester and has been practicing internationally as an artist since 1990. As part the collaborative team Grennan & Sperandio (Kartoonkings.com), he is well known as a pioneer of interventionist, New Genre and post-relational practice, through publishing, television and social action projects. Dr. Grennan is also an educator and an awarded scholar of narrative drawing, with particular expertise in the histories of drawing, comics, remediation and inter-media. He is a recognised theorist of the pedagogic relationship between practice and research and is an experienced, public facing practitioner.

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Pat Thomson and Christine Hall, "Schools and Cultural Citizenship: Arts Education for Life" (Routledge, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 28 Oct 2023 08:00:00 +0000

Why study the arts in school? In Schools and Cultural Citizenship: Arts Education for Life (Routledge, 2023), Pat Thomson, Professor of Education at the University of Nottingham and Christine Hall, Emeritus Professor and former Head of Education at the University of Nottingham, examine this question by introducing findings from the Tracking Arts Learning and Engagement (TALE) Project. The book reflects on perspectives of teachers, students, school managers, and arts organisations as to how “arts rich” schools are constituted and what is needed for them to survive and thrive. The book is offers deep theoretical and empirical insights, and will be accessible and essential reading across the arts and humanities, the social sciences, and for anyone interested in the value of arts education.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.

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Valerie Werder, "Thieves: A Novel" (Fence Books, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 27 Oct 2023 09:00:00 +0000

Thieves (Fence Books, 2023) is an autofictional account of a gallery girl named Valerie – an art worker in the big city, a product of an American childhood in a small place where she learned to value objects and their promise. The magic of being, thinking, speaking, and writing is all bound up for Valerie, a self-conscious creature, in the ways she can acquire and be acquired. She lives and works in a storm of things, many of which are commodities, including herself. In whip-smart, sharply humorous prose, the consumption and reflectivity of a white American young-womanhood lived in a phenomenological endzone comes delicately to life out of the sharp particulars thefted and loved in this urbane, semi-psychedelic bildungsroman.

Valerie Werder is an art writer, a fiction author, and a doctoral candidate in film and visual studies at Harvard University. Her critical, creative, and scholarly work has been published in Public Culture, BOMB, Flash Art, and various exhibition catalogues, and has been performed at Participant Inc in New York City, and Artspace in New Haven. Werder is a 2023-23 PEN America Prison and Justice Writing Program Mentor, and was previously a 2021 Art & Law Fellow. Her debut novel, Thieves (2023), was winner of the Fence Modern Prize in Prose.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

Liz Bradtke is a writer, editor, and communications specialist who works for the Australian Library and Information Association. Liz has studied and taught in the English departments of the University of Melbourne and New York University. Her poetry has been featured in The Age, Voiceworks magazine and Gutcult.

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Marisel C. Moreno, "Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art" (U Texas Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 27 Oct 2023 08:00:00 +0000

Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art (U Texas Press, 2022) relates a journey that remains silenced and largely unknown.

Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees.

An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.

Marisel C. Moreno is the Rev. John O'Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland.

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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Diana Kamin, "Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy" (MIT Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 25 Oct 2023 08:00:00 +0000

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today’s kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public’s understanding of what the photographic image is, while building vast collections with universalizing ambitions.

Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices.

Links Mentioned in the Episode

"Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016
Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018
Soichi Sunami's manuscript autobiography, Museum of Modern Art Library
The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000)
What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022).

Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

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Philip Jenkins, "A Storm of Images: Iconoclasm and Religious Reformation in the Byzantine World" (Baylor UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 22 Oct 2023 08:00:00 +0000

In the eighth century, the Byzantine Empire began a campaign to remove or suppress sacred images that depicted Christ, the Virgin, or other holy figures, whether in paintings, mosaics, murals, or other media. In some cases, the campaign extended to breaking or wrecking images through what became known as iconoclasm. Over the following years, the emperors' zealous movement involved other acts that closely foreshadowed the Reformation movement that would sweep Western Europe in the sixteenth century. Like that later Reformation, iconoclasm marked an authentic revolution in religious sensibility, with all that implied for theology, culture, and visual perceptions of holiness. This was a pivotal moment in the definition of Christianity and its relationship to the material creation. It was also a time of critical encounters with the other Abrahamic religions of Judaism and Islam.

With A Storm of Images: Iconoclasm and Religious Reformation in the Byzantine World (Baylor UP, 2023), Philip Jenkins offers a compelling retelling of the saga of how the iconoclastic movement detonated ferocious controversy within the church and secular society as icon supporters challenged the image breakers. Decades of internal struggle followed, marked by rebellions and civil wars, purges and persecutions, plotting and coups d'état. After their cause triumphed, image supporters made the cult of icons ever more central to the faith of Orthodox Christianity. Iconoclasm marked a watershed in the history of Late Antiquity and the Early Middle Ages, and it contributed to Western attempts to establish new empires.

The questions raised during these struggles are all the more relevant at a time when such controversy rages over public depictions of history and the removal of statues, monuments, and names associated with hated figures. As in those earlier times, debates over images serve as vehicles for authentic cultural revolutions.

Crawford Gribben is a professor of history at Queen’s University Belfast.

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Grant H. Kester, "The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde" (Duke UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 21 Oct 2023 08:00:00 +0000

In The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde (Duke UP, 2023), Grant Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy—the sense that art should be autonomous from social forces while retaining the ability to reflect back critically on society—through Kant, Schiller, Hegel, Marx, and Adorno. Kester critiques the use of aesthetic autonomy as the basis for understanding the nature of art and the shifting relationship between art and revolutionary praxis. He shows that dominant discourses of aesthetic autonomy reproduce the very forms of bourgeois liberalism that autonomy discourse itself claims to challenge. Analyzing avant-garde art and political movements in Russia, India, Latin America, and elsewhere, Kester retheorizes the aesthetic beyond autonomy. Ultimately, Kester demonstrates that the question of aesthetic autonomy has ramifications that extend beyond art to encompass the nature of political transformation and forms of anticolonial resistance that challenge the Eurocentric concept of “Man,” upon which the aesthetic itself often depends.

Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.

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Paraska Tolan-Szkilnik, "Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future" (Stanford UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 11 Oct 2023 08:00:00 +0000

Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.

Paraska Tolan-Szkilnik's book Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future (Stanford UP, 2023) dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.

Paraska Tolan-Szkilnik is Assistant Professor of History at Suffolk University.

Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.

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Visibility

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 6 Oct 2023 08:00:00 +0000

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides!

In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich’s 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa’s Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images.

Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out!

Because the amazing images Margaret talks about were drawn recently, they’re still in copyright. Our image this week is from Gladys Parker’s comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men.

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Mara Mills and Rebecca Sanchez, eds., "Crip Authorship: Disability as Method" (NYU Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 6 Oct 2023 08:00:00 +0000

A full transcript of the interview is available for accessibility.

Mara Mills and Rebecca Sanchez's Crip Authorship: Disability as Method (NYU Press, 2023)is an expansive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore the ways disability shapes authorship, transforming cultural production, aesthetics, and media.

Starting from the premise that disability is plural and authorship spans composition, affect, and publishing, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Disability alters, generates, and dismantles method. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published.

The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections—Writing, Research, Genre/Form, Publishing, Media—contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars.

Mara Mills is Associate Professor in the Department of Media, Culture, and Communication at New York University, where she co-founded and co-directs the Center for Disability Studies.

Rebecca Sanchez is Professor of English and director of the disability studies program at Fordham University.

An open access version of Crip Authorship can be found at Open Square of NYU Press.

Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.

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Katrin Nahidi, "The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production" (Cambridge UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 4 Oct 2023 08:00:00 +0000

Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity.

In The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production (Cambridge UP, 2023), Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.

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Jessica Lowell Mason and Nicole Crevar, "Madwomen in Social Justice Movements, Literatures, and Art" (Vernon Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 26 Sep 2023 08:00:00 +0000

Jessica Lowell Mason and Nicole Crevar's Madwomen in Social Justice Movements, Literatures, and Art (Vernon Press, 2023) boldly reasserts the importance of the Madwoman more than four decades after the publication of Sandra Gilbert and Susan Gubar's seminal work in feminist literary criticism, 'The Madwoman in the Attic'. Since Gilbert and Gubar's work was published, the Madwoman has reemerged to do important work, rock the academic boat, and ignite social justice agency inside and outside of academic spaces, moving beyond the literary context that defined the Madwoman in the late 20th century.

In this dynamic collection of essays, scholars, creative writers, and Mad activists come together to (re)define the Madwoman in pluralistic and expansive ways and to realize new potential in Mad agency. This collection blazes new directions of thinking through Madness as a gendered category, comprised of a combination of creative works that (re)imagine the figure of the Madwoman, speeches in which Mad-identifying artists and writers reclaim the label of "Madwoman," and scholarly essays that articulate ambitious theories of the Madwoman.

The collection is an interdisciplinary scholarly resource that will appeal to multiple academic fields, including literary studies, disability studies, feminist studies, and Mad studies. Additionally, the work contributes to the countermovement against colonial, sanist, patriarchal, and institutional social practices that continue to silence women and confine them to the metaphorical attic. Appealing to a broad audience of readers, 'Madwomen in Social Justice Movements, Literatures, and Art' is a cutting-edge inquiry into the implications of Madness as a theoretical tool in which dissenting, deviant, and abnormal women and gender non-conforming writers, artists, and activists open the door to Mad futurities.

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Antony Kalashnikov, "Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time" (Cornell UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 23 Sep 2023 08:00:00 +0000

Antony Kalashnikov's Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time (Cornell UP, 2023) analyzes Stalinist monument-building. From the 1930's through the Great Patriotic War, architectural monuments such as subway stations were designed to emphasize the perpetual endurance of the nation, regardless of the many crises of the period. The contemporary popularity of Stalinist-era architectural forms has endured. Why this should be so is a question worth pondering, and Monuments for Posterity does just that, in addition to offering a fresh reading of Stalinist architecture in its own time.

Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

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Alba Griffin, "Reading the Walls of Bogota: Graffiti, Street Art, and the Urban Imaginary of Violence" (U Pittsburgh Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 22 Sep 2023 08:00:00 +0000

A cultural imaginary is a structuring space through which collective understandings of cultural and society phenomena are formed, reproduced, and accepted as the norm. Reading the Walls of Bogota: Graffiti, Street Art, and the Urban Imaginary of Violence (U Pittsburgh Press, 2023) uses graffiti and street art to explore the urban imaginaries of violence in Bogotá, Colombia. These artistic forms are produced and received in different ways in different areas of the city and offer an insight into citizens’ everyday experiences and perceptions of violence from the political, to the personal, to that of structural inequality. Through graffiti, in which critiques of memory, space, politics, and aesthetics are embedded, artists and their viewers form vernacular theories through which they interpret the world and the spaces they inhabit.

By focusing on creative expression, Alba Griffin shows how Bogotá’s residents respond to imaginaries of violence, how they critique the norms, how they appropriate space to challenge or negotiate violence, and how they push back against inequality.

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Bryan Rennie, "An Ethology of Religion and Art: Belief as Behavior" (Routledge, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 16 Sep 2023 08:00:00 +0000

Drawing from sources including the ethology of art and the cognitive science of religion, An Ethology of Religion and Art: Belief as Behavior (Routledge, 2020) proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention. The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art and religion and of religion as a human behavior. This in turn is used to suggest how art can contribute to the development and maintenance of religions. The innovative combination of art, science, and religion in this book makes it a vital resource for scholars of Religion and the Arts, Aesthetics, Religious Studies, Religion and Science and Religious Anthropology.

Bryan Rennie is Professor Emeritus of Religion and Philosophy in the Religion Faculty at Westminster College, USA.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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Margaret Galvan, "In Visible Archives: Queer and Feminist Visual Culture in the 1980s" (U Minnesota Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 16 Sep 2023 08:00:00 +0000

In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin.

Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Jo Shaw and Ben Fletcher-Watson, "The Art of Being Dangerous: Exploring Women and Danger through Creative Expression" (Leuven UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 13 Sep 2023 08:00:00 +0000

The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today.

The Art of Being Dangerous: Exploring Women and Danger through Creative Expression (Leuven UP, 2021) offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman.

With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South.

This book emerges from the Dangerous Women Project. For more information, visit dangerouswomenproject.org

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A Better Way to Buy Books

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 12 Sep 2023 08:00:00 +0000

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.

Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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Marc Bonners, "Open World Structures: Architecture, Urban and Natural landscape in the Computer Game" (Büchner-Verlag, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 7 Sep 2023 08:00:00 +0000

What role do algorithms play in the construction of images and the representation of the world and weather in computer games? How does the design of rooms, levels and topographies influence the decisions and behavior of the players? Is Brutalism the first genuine architectural style of computer games? What is the importance of landscape gardens and national parks in structuring game worlds? How is nature represented in times of climate change?

Particularly in the last 20 years, digital game worlds are adapting features of the physical real world more meticulously than ever before. Through elaborate production processes and complex visualization strategies, the adaptation to the rest of our everyday world is always created in dependence on game mechanics and worldliness. As can be seen at the latest in the example of open-world games, the adoption of certain worldviews and visual traditions leads to ideological implications that go far beyond the narrative conventions transferred from other media formats that have been the focus of research so far.

With his theory of architecture as a medial hinge, Marc Bonner reveals that digital game worlds exhibit media-specific properties that were previously out of reach and awaited exploration. By interweaving concepts from media studies, game studies, philosophy, architectural theory, human geography, landscape theory, and art history, among others, Bonner develops a transdisciplinary theoretical model and, using the analytical methods developed from it, makes it possible for the first time to understand and name the complex structure of today's computer games - from indie games to AAA open worlds.

Open World Structures (Offene-Welt-Strukturen (Büchner-Verlag, 2023)) makes the architectonics of digital game worlds comprehensively accessible.

Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.

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Stephen Ramsay, "On the Digital Humanities: Essays and Provocations" (U Minnesota Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 6 Sep 2023 08:00:00 +0000

Stephen Ramsey's On the Digital Humanities: Essays and Provocations (University of Minnesota Press, 2023) is a witty and incisive exploration of the philosophical conundrums that animate the digital humanities. Since its inception, the digital humanities has been repeatedly attacked as a threat to the humanities: warnings from literary and cultural theorists of technology overtaking English departments and the mechanization of teaching have peppered popular media.

Stephen Ramsay’s On the Digital Humanities, a collection of essays spanning the personal to the polemic, is a spirited defense of the field of digital humanities. A founding figure in what was once known as “humanities computing,” Ramsay has a well-known and contentious relationship with what is now called the digital humanities (DH). Here Ramsay collects and updates his most influential and notorious essays and speeches from the past fifteen years, considering DH from an array of practical and theoretical perspectives.

The essays pursue a broad variety of themes, including the nature of data and its place in more conventional notions of text and interpretation, the relationship between the constraints of computation and the more open-ended nature of the humanities, the positioning of practical skills and infrastructures in both research and pedagogical contexts, the status of DH as a program for political and social action, and personal reflections on the author’s journey into the field as both a theorist and a technologist. These wide-ranging essays all center around one idea: that DH not forsake its connection to the humanities. While “digital humanities” may sound like an entirely new form of engagement with the artifacts of human culture, Ramsay argues that the field well reveals what is most essential to humanistic inquiry.

Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

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Caveh Zahedi, "Digging My Own Grave: The Films of Caveh Zahedi" (Factory 25, 2015)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 6 Sep 2023 08:00:00 +0000

Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don’t Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I.

Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi.

Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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Gennifer Weisenfeld, "Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan" (U Chicago Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 5 Sep 2023 08:00:00 +0000

Airplanes, gas masks, and bombs were common images in wartime Japan. Yet amid these emblems of anxiety, tasty caramels were offered to children with paper gas masks as promotional giveaways, and magazines featured everything from attractive models in the latest civil defense fashion to futuristic weapons.

Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan (U Chicago Press, 2023) explores the multilayered construction of an anxious yet perversely pleasurable visual culture of Japanese civil air defense--or bōkū--through a diverse range of artworks, photographs, films and newsreels, magazine illustrations, postcards, cartoons, advertising, fashion, everyday goods, government posters, and state propaganda. Gennifer Weisenfeld reveals the immersive aspects of this culture, in which Japan's imperial subjects were mobilized to regularly perform highly orchestrated civil air defense drills throughout the country.

The war years in Japan are often portrayed as a landscape of privation and suppression under the censorship of the war machine. But alongside the horrors, pleasure, desire, wonder, creativity, and humor were all still abundantly present in a period before air raids went from being a fearful specter to a deadly reality.

Ran Zwigenberg is an associate professor at Pennsylvania State University.

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John Szwed, "Cosmic Scholar: The Life and Times of Harry Smith" (FSG, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 3 Sep 2023 08:00:00 +0000

Who was Harry Smith? Was he an anthropologist, a filmmaker, a painter? Was he a charlatan? A genius? Was he a moocher, a schmuck, a bum? As John Szwed's Cosmic Scholar: The Life and Times of Harry Smith (FSG, 2023) reveals, Smith was all of these and more. Best known for editing The Anthology of American Folk Music, Smith was also a pioneer in experimental film who Jonas Mekas considered one of the leading lights of the New American Cinema. He created paintings that attempted to transcribe bebop recordings. He acted as mysticism consultant on the 1967 effort to levitate the Pentagon. But he also spent years living in poverty, in SROs, at the Chelsea Hotel, or at the apartments of famous friends like Allen Ginsberg. The story of Harry Smith is thus also a story of a vanished New York Bohemia that mixed high and low, the street and the gallery, the Bowery and MOMA, to create one of the most remarkable outpourings of cultural production this country has even seen. And Smith was at the center of it all.

Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

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Elise Herrala, "Art of Transition: The Field of Art in Post-Soviet Russia" (Routledge, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 3 Sep 2023 08:00:00 +0000

Art of Transition: The Field of Art in Post-Soviet Russia (Routledge, 2022) investigates contemporary art in Russia since the end of the Soviet Union. By drawing on historical and ethnographic research, this study examines the challenges faced by Russian artists in building a field of art as their society underwent rapid and significant economic, political, and social transformation. In doing so, the book constructs a genealogy of the contemporary field of post-socialist art, and illuminates how Russians have come to understand themselves and their place in the world.

Elise Herrala is a Visiting Assistant Professor of Sociology at Haverford College. She is a sociologist of art and culture, and her research examines the dynamics of cultural production, and in particular the ways in which culture functions to reproduce inequality.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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Heike Bauer et al., "Jewish Women in Comics: Bodies and Borders" (Syracuse UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 2 Sep 2023 08:00:00 +0000

In Jewish Women in Comics: Bodies and Borders (Syracuse UP, 2022), contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experiences in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume features established figures including Emil Ferris, Amy Kurzweil, Miriam Libicki, Trina Robbins, Sharon Rudahl, and Ilana Zeffren, alongside works by artists translated for the first time into English, such as artist Rona Mor. Exploring topics of family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, Haredi and Orthodox family life, and the lingering impact of the Holocaust, the contributors present unique, at times intensely personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences.

Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams

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Hamid Keshmirshekan, "The Art of Iran in the Twentieth and Twenty-First Centuries: Tracing the Modern and the Contemporary" (Edinburgh UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 30 Aug 2023 08:00:00 +0000

Hamid Keshmirshekan's book The Art of Iran in the Twentieth and Twenty-First Centuries: Tracing the Modern and the Contemporary (Edinburgh UP, 2023) deals with the exploration and theorization of Modern and Contemporary art of Iran through the examination of art movements and artistic practices in relation to other cultural, social and political discourses during the twentieth and twenty-first centuries. It focuses on discourses and their impact on art movements and practices and aims to selectively explore certain prevailing debates in action during this time. To come to grips with the way that artistic trends in Iran can be traced within the intellectual and political landscape of the country mainly from the 1940s to the present, Keshmirshekan articulates new ideas for relating art to its wider context--whether social, cultural or political--and to bring together critical and historical evidence in order to provide an insight into current artistic concerns. The book explores these underlying themes and discourses through a series of case studies, including through close scrutiny of works of artists.

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Vanessa I. Corredera, "Reanimating Shakespeare's Othello in Post-Racial America" (Edinburgh UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 27 Aug 2023 08:00:00 +0000

Vanessa I. Corredera’s book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera’s analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb’s play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare’s play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera’s book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare’s Othello in Post-Racial America, creators like Serial’s Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago.

Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera’s scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award.

During the conversation, Vanessa discusses Brandi K. Adams’s article “Black ‘(un)bookishness’ in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb’s American Moor (Methuen, 2020), Carol Anderson’s White Rage (Bloomsbury, 2016), Kim Hall’s edition of Othello (Bedford/St. Martin’s, 2006), Imani Perry’s Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele’s Get Out (2017), and Eduardo Bonilla-Silva’s Racism Without Racists (Rowman & Littlefield Publishers, 2003).

John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.

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Travis Holloway, "How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene" (Stanford UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 23 Aug 2023 08:00:00 +0000

the near universal disappearance of shared social enterprise: the ruling class builds walls and lunar shuttles, while the rest of us contend with the atrophy of institutional integrity and the utter abdication of providing even minimal shelter from looming disaster.

The irony of the Anthropocene era is that, in a neoliberal culture of the self, it is forcing us to consider ourselves as a collective again. For those of us who are not wealthy enough to start a colony on Mars or isolate ourselves from the world, the Anthropocene ends the fantasy of sheer individualism and worldlessness once and for all. It introduces a profound sense of time and events after the so-called "end of history" and an entirely new approach to solidarity.

How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene (Stanford UP, 2022) is a hopeful exploration of how we might inherit the name "Anthropocene," renarrate it, and revise our way of life or thought in view of it. In his book on time, art, and politics in an era of escalating climate change, Holloway takes up difficult, unanswered questions in recent work by Donna Haraway, Kathryn Yusoff, Bruno Latour, Dipesh Chakrabarty, and Isabelle Stengers, sketching a path toward a radical form of democracy―a zoocracy, or, a rule of all of the living.

Travis Holloway is Assistant Professor of Philosophy at SUNY Farmingdale and a poet and former Goldwater Fellow in Creative Writing at NYU.

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Adam Jasienski, "Praying to Portraits: Audience, Identity, and the Inquisition in the Early Modern Hispanic World" (Penn State UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 21 Aug 2023 08:00:00 +0000

Praying to Portraits: Audience, Identity, and Inquisition in the Early Modern Hispanic World (Penn State University Press, 2023), art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait.

Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the divine. Using Inquisition records, hagiographies, art-theoretical treatises, poems, and plays, Jasienski convincingly demonstrates that portraiture was at the very center of broader debates about the status of images in Spain and its colonies.

Highly original and persuasive, Praying to Portraits profoundly revises our understanding of early modern portraiture. It will intrigue art historians across geographical boundaries, and it will also find an audience among scholars of architecture, history, and religion in the early modern Hispanic world.

Jana Byars is an independent scholar located in Amsterdam.

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Ramzi Fawaz, "The New Mutants: Superheroes and the Radical Imagination of American Comics" (NYU Press, 2016)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 17 Aug 2023 08:00:00 +0000

Today’s guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi’s recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott.

A bit about the book:

n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes.

In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.

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Daniel Foliard, "The Violence of Colonial Photography" (Manchester UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 8 Aug 2023 08:00:00 +0000

The late nineteenth century witnessed a rapid increase in colonial conflicts throughout the French and British empires. It was also the period in which the first mass-produced cameras became available. Colonial authorities were quick to recognise the power of this new technology, which they used to humiliate defeated opponents and project an image of supremacy across the world.

Drawing on a wealth of visual materials, from soldiers’ personal albums to the collections of press agencies and government archives, The Violence of Colonial Photography (Manchester UP, 2022) offers a new account of how conflict photography developed in the decades before the First World War. It explores the ways the camera was used to impose order on subject populations in Africa and Asia and to generate propaganda for the public in Europe, where a visual economy of violence was rapidly taking shape. At the same time, the book reveals how photographs could escape the intentions of their creators, offering a means for colonial subjects to push back against oppression.

Daniel Foliard is a Professor of Modern History at Université Paris Cité

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What Was Contemporary Art?

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 4 Aug 2023 08:00:00 +0000

Contemporary art in the early twenty-first century is often discussed as if the very idea of art that is contemporary is new. Yet all works of art were once contemporary. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, and gives the contemporary its own art history. By exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture, Meyer retrieves moments in the history of once-current art and redefines “the contemporary” as a condition of being alive to and alongside other moments, artists, and objects.

A generous selection of images, many in color—from works of fine art to museum brochures and magazine covers—support and extend Meyer's narrative. These works were contemporary to their own moment. Now, in Meyer's account, they become contemporary to ours as well.

Richard Meyer is Professor of Art History at Stanford University. He is the author of Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art and Naked Hollywood: Weegee in Los Angeles.

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Why Photography Matters

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 3 Aug 2023 08:00:00 +0000

Photography matters, writes Jerry Thompson, because of how it works--not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. In Why Photography Matters, he constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote "Tell all the Truth but tell it slant") to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.

Jerry L. Thompson is a working photographer who also writes about photography. He worked as Walker Evans’s principal assistant from 1973 to Evans’s death in 1975. He is the author of The Last Years of Walker Evans and Truth and Photography.

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Marnie Feneley, "Reconstructing God: Style, Hydraulics, Political Power and Angkor's West Mebon Visnu" (National U of Singapore Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 2 Aug 2023 08:00:00 +0000

In December 1936, a villager was led by a dream to the ruins of the West Mebon shrine in Angkor where he uncovered remains of a bronze sculpture. This was the West Mebon Visnu, the largest bronze remaining from pre-modern Southeast Asia, and a work of great artistic, historical, and political significance. Prominently placed in an island temple in the middle of the vast artificial reservoir, the West Mebon Visnu sculpture was an important focal point of the Angkorian hydraulic network. Interpretations of the statue, its setting, date, and role have remained largely unchanged since the 1960s--until now.

Integrating the latest archaeological and historical work on Angkor, extensive art historical analysis of the figure of Visnu Anantasayin in Hindu-Buddhist art across the region, and a detailed digital reconstruction of the sculpture and its setting, Marnie Feneley brings new light to this important piece. Marnie Feneley's Reconstructing God: Style, Hydraulics, Political Power and Angkor's West Mebon Visnu (National U of Singapore Press, 2022) will be of interest to art historians and curators, historians of Southeast Asia, and anyone curious about the art and history of Angkor.

Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au.

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Taylor McCall, "The Art of Anatomy in Medieval Europe" (Reaktion Books, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 1 Aug 2023 08:00:00 +0000

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Ben Highmore, "In Good Taste: How Britain's Middle Classes Found Their Style" (Manchester UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 31 Jul 2023 08:00:00 +0000

How did the rise of consumerism impact Britain? In In Good Taste: How Britain's Middle Classes Found Their Style (Manchester UP, 2023), Ben Highmore, a Professor of Cultural Studies in the School of Media, Arts and Humanities at the University of Sussex, explores this question by telling the story of key British institutions and cultural habits. The book uses a wealth of different sources, including newspapers, lifestyle magazines, shopping catalogues, plays, books, and television programmes, as well as architecture and design, in order to think through key forms of social identity and the structures of feeling underpinning social change. The book is a rich, deep, and fascinating examination of how taste patterns and practices made modern Britain, and how modern Britain made tastes. It will be essential reading across the arts humanities and social sciences, as well as for anyone interested in understanding the recent history of culture in the UK.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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Tom Young, "Unmaking the East India Company: British Art and Political Reform in Colonial India, c. 1813-1858" (Paul Mellon Centre, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 29 Jul 2023 08:00:00 +0000

Unmaking the East India Company: British Art and Political Reform in Colonial India, c. 1813-1858 (Paul Mellon Centre, 2023) by Dr. Tom Young illuminates how new modes of artistic production in colonial India shaped the British state’s nationalisation of the East India Company, transforming the relationship between nation and empire.

This pioneering book explores how art shaped the nationalisation of the East India Company between the loss of its primary monopoly in 1813 and its ultimate liquidation in 1858. Challenging the idea that parliament drove political reform, it argues instead that the Company’s political legitimacy was destabilised by novel modes of artistic production in colonial India. New artistic forms and practices—the result of new technologies like lithography and steam navigation, middle-class print formats like the periodical, the scrapbook and the literary annual, as well as the prevalence of amateur sketching among Company employees—reconfigured the colonial regime’s racial boundaries and techniques of governance. They flourished within transimperial networks, integrating middle-class societies with new political convictions and moral disciplines, and thereby eroding the aristocratic corporate cultures that had previously structured colonial authority in India.

Unmaking the East India Company contributes to a reassessment of British art as a global, corporate and intrinsically imperial phenomenon—highlighting the role of overlooked media, artistic styles and print formats in crafting those distinctions of power and identity that defined ‘Britishness’ across the world.

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Nina Lager Vestberg, "Picture Research: The Work of Intermediation from Pre-Photography to Post-Digitization" (MIT Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 26 Jul 2023 08:00:00 +0000

Picture Research: The Work of Intermediation from Pre-Photography to Post-Digitization (MIT Press, 2023) focuses on how pictures were saved, stored, and searched for in a time before scanners, servers, and search engines, and describes the dramatic difference it made when images became scannable, searchable, and distributable via the internet. While the camera, the darkroom, and the printed page are well-known sites of photographic production that have been replaced by cell phones, imaging software, and websites, the cultural intermediaries of mass-circulation photography—picture librarians and researchers, editors, and archivists—are less familiar. In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization.

Drawing on documents and representations across a range of cultural expressions, Picture Research reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.

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Brigitte Buettner, "The Mineral and the Visual: Precious Stones in Medieval Secular Culture" (Penn State UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 23 Jul 2023 08:00:00 +0000

Opulent jewelled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in mediaeval thought?

In The Mineral and the Visual: Precious Stones in Medieval Secular Culture (Penn State University Press, 2022), art historian Dr. Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular mediaeval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Dr. Buettner focuses on three significant categories of art: the jewelled crown, the pictorialized lapidary, and the illustrated travel account.

The global gem trade brought coveted jewels from the Indies to goldsmiths’ workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe’s literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India.

Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in mediaeval art history, material culture, and mediaeval history.

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Robert Hillenbrand, "The Great Mongol Shahnameh" (Hali Publications et al., 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 20 Jul 2023 08:00:00 +0000

It’s amazing that art historians like Robert Hillenbrand got to study the “Great Mongol Shahnama” at all.

500 pages of Firahdosi’s epic poem, with 300 illustrations, in a manuscript whose leaves are as wide as an ordinary person’s arms. Never completed, never bound, smuggled out of Iran by corrupt dignitaries, and separated and padded out by an unsavory Belgian art dealer.

Robert Hillenbrand’s work collects all these disparate illustrations and puts them together in one book, which puts “The Great Mongol Shahnama” back at the center of a sprawling 14th-century Mongol empire.

Robert Hillenbrand is an honorary professorial fellow in the Department of Islamic and Middle Eastern Studies at the University of Edinburgh.

In this interview, Robert and I talk about the Shahnama—and what makes the “Great Mongol Shahnama” unique—and how the Mongol empire gave this masterpiece’s illustrations recognizable Western and Chinese influences.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Great Mongol Shahnama. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Brahma Prakash, "Body on the Barricades: Life, Art and Resistance in Contemporary India" (LeftWord, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 19 Jul 2023 08:00:00 +0000

Brahma Prakash's book Body on the Barricades: Life, Art and Resistance in Contemporary India (LeftWord, 2023) is an interesting gaze into life, art, and resistance in contemporary India. Through a wide canvas of contemporary events, the book has tried to look at how barricade becomes a symbol of excessive policing as well as a metaphor for containment. The book also reflects upon marginalized identities and the conflicting narratives of such identities with the State; which unfolds almost like a horror story. The book has interestingly engaged with each of such suppressive events through the affect it generates on the victimized body. The book has beautifully captured bodily acts like breathing, mourning, dancing, singing, and other creative expression as an act of resistance. Thus, resistance becomes an act that is not just visible out there, but it also becomes an inward experience. The book has lucid language, yet it is written with a sense of authenticity, that dares to speak out. The book ends with a clarion call for hope among the despair that prevails. The author has ensured that every narrator who has been a victim gets enough space to think about their acts of resistance, rather than being a passive dead protagonist lying on the barricade.

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Eliot Borenstein, "Marvel Comics in The 1970s: The World Inside Your Head" (Cornell UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 11 Jul 2023 08:00:00 +0000

I am excited to welcome Eliot Borenstein to the podcast today to discuss his new monograph, Marvel Comics in the 1970s: The World Inside Your Head, published through Cornell University Press in 2023. Eliot is Professor of Russian and Slavic Studies at New York University. He has published a number of books: Soviet-Self-Hatred: The Secret Identities of Postsocialism (Cornell University Press, 2023); Plots against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019); Men without Women: Masculinity and Revolution in Russian Fiction, 1917-1929 (Cornell University Press, 2000); and Overkill: Sex Violence, and Russian Popular Culture after 1991 (Cornell University Press, 2008).

Marvel Comics in the 1970s focuses on five writers, all born between 1945 and 1948, and their iconic takes on characters and titles: Steve Engelhart’s Shang-Chi and Doctor Strange; Doug Moench’s Master of Kung Fu; Marv Wolfman’s Tomb of Dracula; Don McGregor’s Black Panther and Luke Cage; and Steve Gerber’s Howard the Duck. In particular, the book explores how subjectivity and the self are expressed through the unique medium and genre constraints of 1970s-era Marvel comics.

John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.

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Katherine Giuffre, "Outrage: The Arts and the Creation of Modernity" (Stanford UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 10 Jul 2023 08:00:00 +0000

A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution.

Focusing on the period between 1847 and 1937, Outrage: The Arts and the Creation of Modernity (Stanford University Press, 2023) by Dr. Katherine Giuffre examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God.

Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics.

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Stephen Davies, "Adornment: What Self-Decoration Tells Us About Who We Are" (Bloomsbury, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 10 Jul 2023 08:00:00 +0000

Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, Stephen Davies's Adornment: What Self-Decoration Tells Us About Who We Are (Bloomsbury, 2020) takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures.

From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species - religion, morality, and art.

Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.

Stephen John Davies is Emeritus Professor of philosophy at the University of Auckland, New Zealand. He mainly writes on aesthetics, evolution, and particularly the philosophy of art.

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Robert Mills, "Seeing Sodomy in the Middle Ages" (U Chicago Press, 2015)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 9 Jul 2023 08:00:00 +0000

Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy.

As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity."

Jana Byars is an independent scholar located in Amsterdam.

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Rose Marie San Juan, "Violence and the Genesis of the Anatomical Image" (Pennsylvania State UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 3 Jul 2023 08:00:00 +0000

Nothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dissected while still hanging from the gallows. In this highly original book, Rose Marie San Juan confronts the question of violence in the making of the early modern anatomical image.

Engaging the ways in which power operated in early modern anatomical images in Europe and, to a lesser extent, its colonies, San Juan examines literal violence upon bodies in a range of civic, religious, pedagogical, and "exploratory" contexts. She then works through the question of how bodies were thought to be constituted--systemic or piecemeal, singular or collective--and how gender determines this question of constitution. In confronting the issue of violence in the making of the anatomical image, San Juan explores not only how violence transformed the body into a powerful and troubling double but also how this kind of body permeated attempts to produce knowledge about the world at large.

Provocative and challenging, Violence and the Genesis of the Anatomical Image (Pennsylvania State UP, 2023) will be of significant interest to scholars across fields in early modern studies, including art history and visual culture, science, and medicine.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 2 Jul 2023 08:00:00 +0000

Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind.

Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin’s short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art.

Adrian Rifkin speaks to Pierre d’Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature.

Adrain’s performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017
The White Pube 🎨🖌️🐀
Jeffrey Steele
Robert Motherwell
Artangel
Afterall
Allan Sekula’s Fish Story
Elizabeth Price
Anne Tallentire
Hanne Darboven
Hans Eysenck

Adrian Rifkin is a writer and art historian engaged in contemporary art, film, classical and popular music, canonical and mass imagery, literature and pornography. Until recently he was Professor of Art Writing at Goldsmiths. He is the author of Street Noises: Studies in Parisian Pleasure, 1900-40, and Ingres Then, and Now. His collected essays appeared as Communards and Other Cultural Histories and his work was the subject of the anthology Inter-disciplinary Encounters.

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Deirdre Bair on Artist Saul Steinberg

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 1 Jul 2023 08:00:00 +0000

In this episode from the Institute’s Vault, we hear a 2011 talk by Deirdre Bair about the artist Saul Steinberg. Bair received the 1978 National Book Award for her biography of Samuel Beckett. Since then, she has written biographies of Simone de Beauvoir, Anais Nin, Carl Jung, and Al Capone. In 2019, she published a memoir, Parisian Lives: Samuel Beckett, Simone de Beauvoir, and Me. Bair’s biography of Saul Steinberg was published in 2012.

Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.

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Surf Craft: Design and the Culture of Board Riding

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 1 Jul 2023 08:00:00 +0000

Surfboards were once made of wood and shaped by hand, objects of both cultural and recreational significance. Today most surfboards are mass-produced with fiberglass and a stew of petrochemicals, moving (or floating) billboards for athletes and their brands, emphasizing the commercial rather than the cultural. Surf Craft maps this evolution, examining surfboard design and craft with 150 color images and an insightful text. From the ancient Hawaiian alaia, the traditional board of the common people, to the unadorned boards designed with mathematical precision (but built by hand) by Bob Simmons, to the store-bought longboards popularized by the 1959 surf-exploitation movie Gidget, board design reflects both aesthetics and history. The decline of traditional alaia board riding is not only an example of a lost art but also a metaphor for the disintegration of traditional culture after the Republic of Hawaii was overthrown and annexed in the 1890s.

In his text, Richard Kenvin looks at the craft and design of surfboards from a historical and cultural perspective. He views board design as an exemplary model of mingei, or art of the people, and the craft philosophy of Soetsu Yanagi. Yanagi believed that a design's true beauty and purpose are revealed when it is put to its intended use. In its purest form, the craft of board building, along with the act of surfing itself, exemplifies mingei. Surf Craft pays particular attention to Bob Simmons's boards, which are striking examples of this kind of functional design, mirroring the work of postwar modern California designers.

Surf Craft is published in conjunction with an exhibition at San Diego's Mingei International Museum.

Richard Kenvin is Director of the Hydrodynamica Project. He writes for The Surfer’s Journal and is the guest curator of the Surf Craft exhibition.

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Bleak Houses: Disappointment and Failure in Architecture

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 1 Jul 2023 08:00:00 +0000

The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection.

As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of “real” versus “fake,” Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.

Timothy Brittain-Catlin is Senior Lecturer at the new Kent School of Architecture, University of Kent. His writing has appeared in The World of Interiors, Architectural Review, and many other publications.

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Marie Arleth Skov, "Punk Art History: Artworks from the European No Future Generation" (Intellect, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 30 Jun 2023 08:00:00 +0000

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future’ generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard’.

Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art.

What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way?

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Yael Rice, "The Brush of Insight: Artists and Agency at the Mughal Court" (U Washington Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 30 Jun 2023 08:00:00 +0000

Over the course of the sixteenth and early seventeenth centuries, Mughal court painters evolved from illustrators of manuscripts and albums to active mediators of imperial visionary experience, cultivating their patrons’ earthly and spiritual authority. The Brush of Insight: Artists and Agency at the Mughal Court (University of Washington Press, 2023) traces this shift, demonstrating how royal artists created a new visual economy that featured highly naturalistic royal portraits and depictions of the emperors’ dreams. These images, in turn, shaped the perception of the Mughal emperors’ preeminence in all domains—temporal and spiritual—from the reign of Akbar to that of his son and successor, Jahangir. In analyzing a wide range of visual materials including manuscripts, albums, and coins, art historian Yael Rice, Associate Professor at Amherst College, documents how manuscript painters and paintings challenged the status of writing as the primary medium for the transmission of knowledge and experience. The Brush of Insight probes how pictures and illustrated books became central to imperial modes of seeing and being in early modern Mughal South Asia. In our conversation we discussed royal court culture, illustrated manuscripts, the role of painters, the collective foundations of the workshop, sacred kingship and Sufi sheikhs, artists as mediators between the spiritual and material worlds, the celebration of Nawruz, and the creation of a specific Mughal artistic style and professional identity.

Kristian Petersen is an Associate Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.

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TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 29 Jun 2023 21:14:03 +0000

Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist.

As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language.

Marius Hentea, a Romanian-born literary scholar, teaches in the Department of Literary Studies at Ghent University. He is the author of Henry Green at the Limits of Modernism.

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Rebecca Whiteley, "Birth Figures: Early Modern Prints and the Pregnant Body" (U Chicago Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 26 Jun 2023 08:00:00 +0000

Rebecca Whiteley's book Birth Figures: Early Modern Prints and the Pregnant Body (University of Chicago Press, 2023) is first full study of “birth figures” and their place in early modern knowledge-making.

Birth figures are printed images of the pregnant womb, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images’ creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books in Western Europe from the mid-sixteenth to the mid-eighteenth century. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe.

Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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The Eternal Letter: Two Millennia of the Classical Roman Capital

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 20 Jun 2023 12:48:21 +0000

The fiftieth anniversary of Helvetica, the most famous of all sans serif typefaces, was celebrated with an excitement unusual in the staid world of typography and culminated in the release of the first movie ever made starring a typeface. Yet Helvetica's fifty-year milestone pales in comparison with the two thousandth anniversary in 2014 of Trajan's Column and its famous inscription--the preeminent illustration of the classical Roman capital letter. For, despite the modern ascendance of the sans serif, serif typefaces, most notably Times Roman, still dominate printed matter and retain a strong presence in screen-based communication. The Eternal Letter is a lavishly illustrated examination of the enduring influence of, and many variations on, the classical Roman capital letter.

The Eternal Letter offers a series of essays by some of the most highly regarded practitioners in the fields of typography, lettering, and stone carving. They discuss the subtleties of the classical Roman capital letter itself, different iterations of it over the years, and the work of famous typographers and craftsmen. The essays cover such topics as efforts to calculate a geometric formulation of the Trajan letters; the recalculation of their proportions by early typefounders; the development and astonishing popularity of Adobe Trajan; type and letter designs by Father Edward M. Catich, Frederic W. Goudy, Eric Gill, Jan van Krimpen, Hermann Zapf, Matthew Carter, and others; the influence of Trajan in Russia; and three generations of lettercarvers at the John Stevens Shop in Newport, Rhode Island. Essays about modern typefaces--including Matinia, Senatus, and Penumbra--are contributed by the designers of these typefaces.

Paul Shaw, an award-winning graphic designer, typographer, and calligrapher in New York City, teaches at Parsons School of Design and the School of Visual Arts. The designer or codesigner of eighteen typefaces, he is the coauthor of Blackletter: Type and National Identity and the author of Helvetica and the New York City Subway System (MIT Press). He writes about letter design in the blog Blue Pencil.

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Works of Game: On the Aesthetics of Games and Art

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 19 Jun 2023 19:12:50 +0000

Games and art have intersected at least since the early twentieth century, as can be seen in the Surrealists' use of Exquisite Corpse and other games, Duchamp's obsession with Chess, and Fluxus event scores and boxes--to name just a few examples. Over the past fifteen years, the synthesis of art and games has clouded for both artists and gamemakers. Contemporary art has drawn on the tool set of videogames, but has not considered them a cultural form with its own conceptual, formal, and experiential affordances. For their part, game developers and players focus on the innate properties of games and the experiences they provide, giving little attention to what it means to create and evaluate fine art. In Works of Game, John Sharp bridges this gap, offering a formal aesthetics of games that encompasses the commonalities and the differences between games and art.

Sharp describes three communities of practice and offers case studies for each. "Game Art," which includes such artists as Julian Oliver, Cory Arcangel, and JODI (Joan Heemskerk and Dirk Paesmans) treats videogames as a form of popular culture from which can be borrowed subject matter, tools, and processes. "Artgames," created by gamemakers including Jason Rohrer, Brenda Romero, and Jonathan Blow, explore territory usually occupied by poetry, painting, literature, or film. Finally, "Artists' Games"--with artists including Blast Theory, Mary Flanagan, and the collaboration of Nathalie Pozzi and Eric Zimmerman--represents a more synthetic conception of games as an artistic medium. The work of these gamemakers, Sharp suggests, shows that it is possible to create game-based artworks that satisfy the aesthetic and critical values of both the contemporary art and game communities.

John Sharp is Associate Professor of Games and Learning at Parsons the New School for Design and a member of the game design collective Local No. 12.

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Deborah Stevenson, "Cultural Policy Beyond the Economy: Value, Work and the Social" (Edward Elgar, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 16 Jun 2023 08:00:00 +0000

What is the future for cultural policy? In Cultural Policy Beyond the Economy: Work, Value, and the Social (Edward Elgar, 2023), Deborah Stevenson, Professor of Sociology and Urban Cultural Research in the Institute for Culture and Society at Western Sydney University, analyses key trends on themes in contemporary cultural policy. The book covers the rise of wellbeing, the dominance of economics, sustainable development, cultural work, inequalities in cultural tastes, and cultural value. Introducing the concept of the art world complex as a frame for both understanding and defending cultural policy, the analysis sets a new agenda for the study of cultural policy. Theoretically rich and packed with empirical examples, the book will be essential reading across arts, humanities, and social sciences, as well as anyone interested in culture today.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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Brett Brehm, "Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature" (Fordham UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 16 Jun 2023 08:00:00 +0000

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies.

Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes.

In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe’s aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today.

Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections.

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Michael B. Gill, "A Philosophy of Beauty: Shaftesbury on Nature, Virtue, and Art" (Princeton UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 14 Jun 2023 08:00:00 +0000

The third Earl of Shaftesbury (1671-1713) was a troubled soul – negative, misanthropic, and deeply troubled by his negativity and misanthropy. In A Philosophy of Beauty: Shaftesbury on Nature, Virtue, and Art (Princeton University Press, 2022), Michael Gill shows how Shaftesbury’s efforts to work on himself resulted in his becoming one of the first philosophers writing in English to develop an aesthetic theory.

Shaftesbury conceived of beauty as order or harmony exemplified by wild nature just as it is created by God, in sharp contrast to the prevailing seventeenth-century European view that nature was sinful and needed to be altered for human purposes before it could be aesthetically valuable. Gill, who is professor of philosophy at the University of Edinburgh, explains how Shaftesbury argued for seeing our lives as works of art, and how he responded to critics who claimed that admiring beauty was something only rich lords like himself could afford to do. Instead, Shaftesbury claimed, even the “lowly mechanic” is inherently invested in good craftsmanship and in making himself a good person.

Carrie Figdor is professor of philosophy at the University of Iowa.

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Samuel J. Redman, "The Museum: A Short History of Crisis and Resilience" (NYU Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 13 Jun 2023 08:00:00 +0000

On an afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum’s castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first—and certainly would not be the last— disaster to upend a museum in the United States. Beset by challenges ranging from pandemic and war to fire and economic uncertainty, museums have sought ways to emerge from crisis periods stronger than before, occasionally carving important new paths forward in the process.

The Museum: A Short History of Crisis and Resilience (NYU Press, 2022) explores the concepts of the multiple “crises” of the museums, and these historic institutions attempts to dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty.

Samuel J. Redman speaks to Pierre d'Alancaisez about the fires, floods, wars, and existential crises that have redefined what museums do and how they think of themselves and their public, asking challenging questions about American cultural life. Not deterred by these institutions' tendency to forgot their even recent past, Redman argues that cultural institutions can, and should, use their history to construe their future identity.

Samuel J. Redman is Associate Professor in the Department of History at the University of Massachusetts Amherst and the author of Bone Rooms: From Scientific Racism to Human Prehistory in Museums and Prophets and Ghosts: The Story of Salvage Anthropology.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 11 Jun 2023 08:00:00 +0000

What are the latest developments in the sociology of the arts? In Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception (Palgrave MacMillan, 2023), Arturo Rodríguez Morató, a Professor of Sociology and current Director of the CECUPS (Center for the Study of Culture, Politics and Society) at the University of Barcelona, and Alvaro Santana-Acuña, an Associate Professor of Sociology at Whitman College, bring together 12 leading researchers to present new empirical and theoretical breakthroughs within the field. The book has a huge range of case studies and approaches, from architectural competitions and graffiti to The Beatles, opera, and football shirts. Drawing on Spanish-speaking scholarship, the book broadens the global basis for the sociology of art, and is essential reading across the humanities and social sciences.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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Kelcey Ervick and Tom Hart, "The Rose Metal Press Field Guide to Graphic Literature" (Rose Metal Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 10 Jun 2023 08:00:00 +0000

Today I interview Kelcey Ervick and Tom Hart about their new collaboration, The Rose Metal Press Field Guide to Graphic Literature (Rose Metal Press, 2023). The book brings together 28 of today’s most innovative creators of poetry comics, graphic narratives, and image-text hybrids. With original craft essays, corresponding exercises, and full-color examples of their work, each contributor offers reflection and instruction informed by their own methods and processes. It’s a beautiful and vibrant book that invites writers, artists, and would-be creators into a feast of play and possibility.

Kelcey Ervick is the author of the graphic memoir, The Keeper and other books. Her comics have been published widely, including in The Washington Post, The Believer, and Lit Hub, and two featured comics series of hers have appeared in The Rumpus. She is a professor of English at Indiana University South Bend, where she teaches creative writing, comics, and literary collage.

Tom Hart is the author/artist of The New York Times #1 bestselling graphic memoir Rosalie Lightning and of The Art of the Graphic Memoir. He is the executive director of The Sequential Artists Workshop, an organization and school for comics and graphic novels in Gainesville, Florida. Before founding SAW, Tom was a core instructor at the School of Visual Arts in New York City for 10 years.

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Art Auctions and Data Science

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 4 Jun 2023 08:00:00 +0000

What does data science tell us about art auctions?

This episode is syndicated from the new Harvard Data Science Review Podcast. Published by the MIT Press, Harvard Data Science Review is an open access multidisciplinary journal that defines and shapes data science as a scientifically rigorous field based on the principled and purposed production, processing, parsing and analysis of data.

In this episode, the journal’s Features Editor Liberty Vittert and Editor in Chief Xiao-Li Meng discuss art auctions with art curator Dan Cameron and Artnome’s Jason Bailey.

If you enjoy this preview of the Harvard Data Science Review podcast, find the journal on twitter at @TheHDSR and remember to subscribe to their podcast on your favorite platform.

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Lance Esplund, "The Art of Looking: How to Read Modern and Contemporary Art" (Basic, 2018)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 4 Jun 2023 08:00:00 +0000

What is art, and who gets to define it? Museums have long staked a claim on knowing what to show, but there has always been a wide range of how viewers engage with art. There is also a wide range of artists and what is considered art, from classical masters like Titian to modern conceptual artists like Marcel Duchamp.

Lance Esplund is an art critic, journalist, educator, and author. His book, titled The Art of Looking: How to Read Modern and Contemporary Art, is about telling the reader how to become a better viewer of art, what to look for, and how to engage with the works of more conceptual and modern artists.

Lance and Greg discuss how people can think when they engage with works of art, and the intentions that can be known from the artists. They discuss art history courses and what they get right and wrong, how art is always changing and yet still the same as the cave paintings in Lascaux, France, and Lance’s tips for how to go through a museum.

Gregory LaBlanc is a lifelong educator with degrees in History, PPE, Business, and Law, Greg currently teaches at Berkeley, Stanford, and HEC Paris. He has taught in multiple disciplines, from Engineering to Economics, from Biology to Business, from Psychology to Philosophy. He is the host of the unSILOed podcast. unSILOed is produced by University FM.

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Monika Raesch, "Abbas Kiarostami: Interviews" (UP of Mississippi, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 4 Jun 2023 08:00:00 +0000

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.

In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.

Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.

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Celia Fisher, "The Story of Follies: Architectures of Eccentricity" (Reaktion Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 4 Jun 2023 08:00:00 +0000

In The Story of Follies: Architectures of Eccentricity (Reaktion, 2023), Celia Fisher presents an amusing, informative guide to a fanciful and charming building, the folly.

Are they frivolous or practical? Follies are buildings constructed primarily for decoration, but suggest another purpose through their appearance. In this superbly illustrated book Celia Fisher describes follies in their historical and architectural context, looks at their social and political significance and highlights their relevance today. She explores follies built in protest, follies in oriental and gothic styles, animal-related follies, waterside follies and grottoes, and, finally, follies in glass and steel. Featuring many fine illustrations, from historical paintings to contemporary photographs and prints, and taking in follies from Great Britain, Ireland and throughout Europe and beyond, this is an amusing and informative guide to fanciful, charming buildings.

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Gender and Equality in Art and Exploration

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 3 Jun 2023 08:00:00 +0000

Featured episode from Between Art and Science, a new podcast from Leonardo.

This episode, hosted by Erica Hruby, features a conversation between two authors published in the Leonardo special issue “Cosmos and Chaos:” Bettina Forget and Lindy Elkins-Tanton. Listen as these authors discuss the connection between art and science, the flawed idea of the hero, exploration of both land and space, and the complexities of being a woman in male dominated fields.

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A Slow Burning Fire: The Rise of the New Art Practice in Yugoslavia

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 29 May 2023 08:00:00 +0000

Writer and academic Anthony Gardner (NSK from Kapital to Capital, Politically Unbecoming) interviews Marko Ilić about his new book A Slow Burning Fire, which documents Yugoslavia's cultural output throughout the 60s, 70s and 80s.

This first comprehensive study of the former Yugoslavia's alternative art scene tells the origin stories of some of the most significant artists of the late twentieth century. In Yugoslavia from the late 1960s to the late 1980s, state-supported Students' Cultural Centers became incubators for new art. This era's conceptual and performance art—known as Yugoslavia's New Art Practice—emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramović, Sanja Iveković, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilić examines Yugoslavia's New Art Practice in light of the political upheavals of the 1980s.

Countering the usual binary of official versus unofficial art, Ilić shows that the Students' Cultural Centers were an expression of Yugoslavia's “third way” political and economic system, which was founded on workers' self-management. Ilić examines key actions, gestures, and propositions affiliated with the New Art Practice, including the conceptual and dematerialized art practices that emerged from Zagreb's Student Center Gallery, the struggle of Belgrade's Students' Cultural Center (where Abramović performed her career-defining Rhythm 5), to break into the international art scene, the pre-Žižek culture of Ljubljana, and Sarajevo's miraculous dokumenta, held in the midst of Yugoslavia's disintegration.

Produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

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Lisa McCormick, "The Cultural Sociology of Art and Music: New Directions and New Discoveries" (Palgrave MacMillan, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 28 May 2023 08:00:00 +0000

How can sociology help us understand art and music? In The Cultural Sociology of Art and Music: New Directions and New Discoveries (Palgrave MacMillan, 2022), the editor Lisa McCormick, a senior lecturer in sociology at the University of Edinburgh, draws together the latest research in cultural sociology that examines art and music. Global in scope, and eclectic in choice of subjects and methods, the book is united by the shared approach of the strong programme in cultural sociology. As a result, the book offers a cultural approach to cultural objects, setting new agendas and explaining controversies. The range of topics, both historical and contemporary, make the book essential reading across both arts and humanities and social sciences, as well as for anyone interested in art and music!

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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Publishing in Art, Architecture and Visual Culture

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 26 May 2023 08:00:00 +0000

This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference.

Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

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Nicholas Scott Baker, "In Fortune's Theater: Financial Risk and the Future in Renaissance Italy" (Cambridge UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 26 May 2023 08:00:00 +0000

In this episode, I was joined by Nicholas Scott Baker to discuss his book, In Fortune’s Theater: Financial Risk and the Future in Renaissance Italy (Cambridge University Press, 2021). Professor Baker is an Associate Professor of history at Macquarie University in Sydney Australia interested in the political and economic cultures of early modern Europe and the Mediterranean, with a particular focus on Renaissance Italy.

In this fascinating new book, Professor Baker reveals how Renaissance Italians developed a new concept of the future as unknown time-yet-to-come. As In Fortune’s Theater makes clear, nearly everyone in Renaissance Italy seemingly had the future on their minds. Authorities in important commercial hubs such as Genoa, Venice, Rome, and Florence legislated against overzealous betting on the future. Merchants filled their commercial correspondence with a lexicon of futurity. Famed painters such as Caravaggio, Giorgio Vasari, and Paolo Veronese manipulated the existing iconography of the figure of Fortuna into a moral allegory about unseized opportunity. And seemingly every important Renaissance Italian intellectual including Petrarch, Dante, Christine de Pizan, Poggio Bracciolini, Leon Battista Alberti, Laura Cereta, Giovanni Pontano, Niccolò Machiavelli, Francesco Guicciardini, and Baldassare Castiglione cared deeply about time-yet-to-come.

Baker’s book is a rich, multilayered examination of the problems of risk, fortune, and the future in the Renaissance, and it should have broad appeal to anyone interested in the economic and political culture of early modern Europeans.

Michael Paul Martoccio is an Assistant Professor of History at the University of Wisconsin-Madison specializing in the economic and military historian of the early modern Mediterranean. I am especially interested in how early modern economic practices – consumerism, market culture, and the commercialization of war – shaped notions of sovereignty, territoriality, and political geography. If you have a title to suggest for this podcast, please contact him at martoccio@wisc.edu.

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The Place Is Here: The Work of Black Artists in 1980s Britain

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 24 May 2023 08:00:00 +0000

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book.

The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media.

The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material.

Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

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Jonathan Adeyemi, "Contemporary Art from Nigeria in the Global Markets: Trending in the Margins" (Palgrave MacMillan, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 21 May 2023 08:00:00 +0000

How does the art market work? In Contemporary Art from Nigeria in the Global Markets: Trending in the Margins (Palgrave Macmillan, 2022), Jonathan Adeyemi, who holds a PhD from, and was formerly Associate Lecturer in Arts Management and Cultural Policy at, Queen’s University Belfast, explores the unequal power dynamics of contemporary at by focusing on the case study of Nigeria. The book draws on a wealth of historical and theoretical knowledge, alongside detailed engagements with art history, sociology, and cultural policy themes, to show how and why contemporary artists from Nigeria are not afforded the same status as their western counterparts. An important addition across a range of academic fields, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in art today.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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Infrastructural Brutalism: Art and the Necropolitics of Infrastructure

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 20 May 2023 08:00:00 +0000

Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism.

In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures.

Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world.

The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin.

Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

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Full Version: Lauren Fournier and McKenzie Wark on Autotheory

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 19 May 2023 08:00:00 +0000

An extended conversation between Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism and writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)

Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

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Ithell Colquhoun: Genius of The Fern Loved Gully

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 19 May 2023 08:00:00 +0000

Tai Shani (Turner Prize winning artist, educator and author of Our Fatal Magic) and Amy Hale (anthropologist, folklorist, and writer) discuss the work of artist, occultist and writer Ithell Colquhoun to celebrate the publication of Amy’s book Ithell Colquhoun: Genius of The Fern Loved Gully.

This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.

Although her paintings are represented in such major collections as Tate Britain and the National Portrait Gallery, Colquhoun's rejection of both avant-garde and occult orthodoxies resulted in a life of relative obscurity. Her visual and written works have only recently received adequate recognition as a precursor to contemporary experiments in magical autobiography and esoteric feminism.

After rejecting the hectic social expectations and magical orthodoxies of London's art and occult scenes, Colquhoun pursued a life of dedicated spiritual and artistic enquiry embodied in her retreat to Cornwall. Genius of the Fern Loved Gully balances engaging biography with art historical erudition and critical insight into the magical systems that underscored her art and writing.

Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

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Autotheory as Feminist Practice in Art, Writing, and Criticism

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 18 May 2023 19:07:44 +0000

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)

In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.

Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing.

Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

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Pamela M. Lee, "Think Tank Aesthetics: Midcentury Modernism, the Cold War, and the Neoliberal Present" (MIT Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 16 May 2023 08:00:00 +0000

In her groundbreaking and timely book Think Tank Aesthetics: Midcentury Modernism, the Cold War, and the Neoliberal Present (MIT Press, 2020), distinguished art historian Pamela M. Lee poses fundamental questions about how the rise of the “think tank” in the mid-20th century has challenged, and indeed must challenge, our understandings of aesthetics, political economy, scholarly knowledge production, and war. A conceptually rich and prolifically sourced work, Think Tank Aesthetics shows how the approaches and methods of think tanks—including systems theory, operations research, and cybernetics—paved the way for a peculiar genre of midcentury modernism and set the terms for contemporary neoliberalism. Describing the distinctive aesthetics that emerged from such institutions as the RAND Corporation, and transporting the reader from Santa Monica, California, to Vienna, to Santiago de Chile, Pamela Lee maps the multiple and overlapping networks that connected nuclear strategists, mathematicians, economists, anthropologists, artists, designers, and art historians. Hearing the echoes of think tank aesthetics in today’s pursuit of the interdisciplinary and in academia’s science-infused justification of the humanities, Lee reflects on what territory has been ceded in a laboratory approach to the arts.

Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser).

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Sharon Hecker and Raffaele Bedarida, "Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today" (Bloomsbury, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 13 May 2023 08:00:00 +0000

On the centenary of the fascist party's ascent to power in Italy, Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (Bloomsbury, 2022) examines the ways in which exhibitions organised after the fall of Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices.

Curating Fascism treats fascism as both a historical moment and a major paradigm through which critics, curators, and the public at large have defined the present moment. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period.

Sharon Hecker and Raffaele Bedarida speak to Pierre d'Alancaisez about the role which post-war exhibitions played in shaping our understandings of Italian Modernist art's relationship with Fascism, their contested curatorial and art historical strategies, and the continuing difficulty of reading political signs in aesthetics.

Post Zang Tumb Tuuum at Fondazione Prada
Maaza Mengiste's Project 3541

On 'fascism' in contemporary art: Larne Abse Gogarty. ‘The Art Right’. Art Monthly, April 2017. Read and weep.

Sharon Hecker is an art historian and curator specializing in modern and contemporary Italian art. She is the author of A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture, and co-editor of Postwar Italian Art History: Untying the Knot and Lead in Modern and Contemporary Art . For her work on Italian art, Hecker has received fellowships from the Getty, Fulbright, and Mellon Foundations.

Raffaele Bedarida is Associate Professor of Art History at Cooper Union, USA. An art historian specializing in transnational modernism and politics, Bedarida focuses on cultural diplomacy, migration, and cultural exchange between Italy and the United States. He is the author of Corrado Cagli: La pittura, l’esilio, L’America and Exhibiting Italian Art in the United States from Futurism to Arte Povera. Bedarida has received fellowships from the Center for Italian Modern Art and the Terra Foundation for American Art.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Andrew R. Casper, "An Artful Relic: The Shroud of Turin in Baroque Italy" (Pennsylvania State UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 11 May 2023 08:00:00 +0000

In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects.

Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic―a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following―including devotional, historical, and theological treatises as well as printed and painted reproductions―Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice.

Andrew R. Casper's book An Artful Relic: The Shroud of Turin in Baroque Italy (Pennsylvania State UP, 2021) introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.

Andrew Casper is a professor of art history in the Department of Arts at Miami University

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Saturation: Race, Art, and the Circulation of Value

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 10 May 2023 08:00:00 +0000

C. Riley Snorton and Hentyle Yapp read from Saturation, a book that offers an analysis of racial representation and controversy in the art world.

Controversies involving race and the art world are often discussed in terms of diversity and representation—as if having the right representative from a group or a larger plurality of embodied difference would absolve art institutions from historic forms of exclusion. This book offers another approach, taking into account not only questions of racial representation but also issues of structural change and the redistribution of resources. In essays, conversations, discussions, and artist portfolios, contributors confront in new ways questions at the intersection of art, race, and representation.

The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity.

Copublished with the New Museum

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Benjamin Balint, "Bruno Schulz: An Artist, a Murder, and the Hijacking of History" (Norton, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 10 May 2023 08:00:00 +0000

The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People’s Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich.

Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him “one of the most remarkable writers who ever lived.” Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz’s art became the currency in which he bought life.

In Bruno Schulz: An Artist, a Murder, and the Hijacking of History (Norton, 2023), Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa―the last traces of his vanished world―into multiple dimensions of the artist’s life and afterlife. Sixty years after Schulz was murdered, those murals were miraculously rediscovered, only to be secretly smuggled by Israeli agents to Jerusalem. The ensuing international furor summoned broader perplexities, not just about who has the right to curate orphaned artworks and to construe their meanings, but about who can claim to stand guard over the legacy of Jews killed in the Nazi slaughter.

By re-creating the artist’s milieu at a crossroads not just of Jewish and Polish culture but of art, sex, and violence, Bruno Schulz itself stands as an act of belated restitution, offering a kaleidoscopic portrait of a life with all its paradoxes and curtailed possibilities.

Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il. She's on Twitter @embracingwisdom. She blogs here.

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Barbara Penner et al., "Extinct: A Compendium of Obsolete Objects" (Reaktion Books, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 8 May 2023 08:00:00 +0000

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.

Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London.

Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London.

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5.3 “It’s on the Illabus”

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 4 May 2023 08:00:00 +0000

John Jennings—Hugo Award winner, New York Times bestselling author, curator, scholar, and Artist—is keenly aware that in adapting novels for the graphic format, his decisions turn what has only been imagined into facts drawn on the page. In this conversation with critic, translator, and teacher of a creative course on the art of making comics, Jean-Christophe Cloutier, Jennings explores how he makes those decisions that range from the design of endpapers to selecting a character’s skin tone with the ultimate aim of championing Black culture and Black comics. Given that Jennings has just entered the Marvel Universe with the debut of Silver Surfer: Ghost Light, the timing is right to reflect on the pressures and pleasures of adapting beloved stories for a contemporary audience. Jennings is both teacher and student of comics’ powerful lessons, and lucky for listeners, his course comes with an illustrated syllabus, aka illabus. In the podcast’s first ever episode about graphic novels, Jennings and Cloutier talk comic book history, the power of collaboration, and the importance of long showers.

By John Jennings:

Black Kirby: In Search of the MotherBoxx Connection, John Jennings and Stacey Robinson (2015)
The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art, Edited by Frances Gateward and John Jennings (2016)
Kindred, Octavia Butler, Adapted by Damian Duffy and John Jennings (2018)
Parable of the Sower, Octavia Butler, Adapted by Damian Duffy and John Jennings (2021)
After the Rain, Nnedi Okorafor, Adapted by John Jennings and David Brame (2021)
Box of Bones: Book One, Ayize Jama Everett and John Jennings (2021)
Silver Surfer: Ghost Light, John Jennings and Valentine De Landro (2023)

Also mentioned:

Megascope, Curated by John Jennings
Understanding Comics: The Invisible Art, Scott McCloud (1993)
Comics, Comix & Graphic Novels: A History of Comic Art, Roger Sabin (1996)
Outside the Box: Interviews with Contemporary Cartoonists, Hillary L. Chute (2014)
Maus, Art Spiegelman (1980-1991; complete version 1996)
Unveiling Visions: The Alchemy of the Black Imagination, The Schomberg Center for Research in Black Culture (2015-2016)
Barry Lyndon, Dir. Stanley Kubrick (1975)
The Silver Surfer: And Who Shall Mourn for Him? Stan Lee, Howard Purcell, et al. (1969)
Kitty Pryde and Wolverine, Chris Claremont and Al Milgrom (1984-1985)
The Seven Beauties of Science Fiction, Istvan Csicsery-Ronay (2011)
“Red Dirt Witch,” in How Long ‘til Black Future Month? N.K. Jemisen (2018)

To learn more about the comic artists Jennings discusses, including Will Eisner, Jack Kirby, Winsor McCay, Frank Miller, and Charles Schulz, see Jeremy Dauber’s American Comics: A History (2021) and Thierry Smolderen’s The Origins of Comics (2014).

Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics.

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John McCannon, "Nicholas Roerich: The Artist Who Would Be King" (U Pittsburgh Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 3 May 2023 08:00:00 +0000

Dr. John McCannon's new biography of Russian artist, mystic, and all-around fascinating character Nicholas Roerich follows its subject from his artistic beginnings in the 1880's to the end of his life in India, in the 1940's. While not generally a household name in the English-speaking world, Roerich's influence punches over its weight. Roerich worked on the Rite of Spring, with Stravinsky, attempted to create a pan-Buddhist state in Asia, and may have influenced the outcome of a U.S. presidential election. All this and more, makes Roerich a wonderful character for a biography, and Nicholas Roerich: The Artist Who Would Be King (U Pittsburgh Press, 2023) brings out that character, in all its engaging and sometimes maddening complexity.

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Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 29 Apr 2023 08:00:00 +0000

In Uncommon Sense: Aesthetics after Marcuse (MIT Press, 2022), Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse, an original member of the Frankfurt School and icon of the New Left, while also acknowledging his philosophical limits. This account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with anti-capitalist activism.

Craig Leonard speaks to Pierre d’Alancaisez about anti-art, habit, the practice of defamiliarisation, a subversion of common sense. Leonard brings forward Marcuse’s claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism.

Craig Leonard‘s research and teaching interests include artist publications, sound art, performance and sculpture. His recent exhibitions include Central Art Garage (Ottawa), Darling Green (New York) and Double Happiness (Toronto). He is associate professor of art at NSCAD.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Computer Graphics

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 27 Apr 2023 08:00:00 +0000

In this episode of High Theory, Bernard Dionysius Geoghegan talks with us about computer graphics. Emerging from tools for sailing and warmaking, like sea charts and radar, modern computer graphics are technologies of mapping and managing risk. They seem intent on absorbing the human sensorium into the machine.

In the episode Bernard refers to computer graphics as “techniques of addressing,” a term he attributes to Ranjodh Singh Dhaliwal. He also uses the term “operational images” which comes from the work of Harun Farocki, and talks about SAGE, the US Government’s Cold War era Semi-Automatic Ground Environment Air Defense System. Bernard references Paul Edward’s book A Vast Machine: Computer Models, Climate Data, and the Politics of Global Warming (MIT Press, 2013). He also mentions the German scholar Christoph Borbach who has written on auditory computer interfaces, and American disability studies scholar Mara Mills, who has written on the Deaf history of computing. He was kind enough to give us an extensive bibliography on this topic, which is posted below.

Bernard Dionysius Geoghegan is a reader in the History and Theory of Digital Media at King’s College London. He has a brand new book out on the cybernetic history of French theory, called Code: From Information Theory to French Theory (Duke UP, 2023). Kim met him when he came to give a talk at the Stanford Humanities Center in January 2023. He wore denim and had a slightly manic affect. People came all the way from Berkeley to hear what he had to say, which is quite impressive in the Bay Area.

This week’s image is a radar loop of the December 16 2007 Eastern North America winter storm, found on Wikimedia Commons. The loop runs from Saturday Morning at 7 AM (Dec 15) to Sunday Night at 7 PM (Dec 16). The image is in the public domain because it was made by someone who works for the National Weather Service.

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Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 26 Apr 2023 08:00:00 +0000

In this podcast we discuss visibility, haunting and fascism with art historian and theorist Elizabeth Otto. Otto's book Haunted Bauhaus explores the marginalized histories of occult spirituality, gender fluidity and queer identity within the Bauhaus; offering fresh insight into one of the most canonized periods of European art history.

The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In Haunted Bauhaus, art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories.

The Bauhaus is most often associated with a handful of famous artists, architects, and designers—notably Paul Klee, Walter Gropius, László Moholy-Nagy, and Marcel Breuer. Otto enlarges this narrow focus by reclaiming the historically marginalized lives and accomplishments of many of the more than 1,200 Bauhaus teachers and students (the so-called Bauhäusler), arguing that they are central to our understanding of this movement. Otto reveals Bauhaus members' spiritual experimentation, expressed in double-exposed “spirit photographs” and enacted in breathing exercises and nude gymnastics; their explorations of the dark sides of masculinity and emerging female identities; the “queer hauntology” of certain Bauhaus works; and the role of radical politics on both the left and the right—during the school's Communist period, when some of the Bauhäusler put their skills to work for the revolution, and, later, into the service of the Nazis.

With Haunted Bauhaus, Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew.

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Ferenc Hörcher, "Art and Politics in Roger Scruton's Conservative Philosophy" (Palgrave Macmillan, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 25 Apr 2023 08:00:00 +0000

Ferenc Hörcher's book Art and Politics in Roger Scruton's Conservative Philosophy (Palgrave Macmillan, 2022) covers the field of and points to the intersections between politics, art and philosophy. Its hero, the late Sir Roger Scruton had a longstanding interest in all fields, acquiring professional knowledge in both the practice and theory of politics, art and philosophy. The claim of the book is, therefore, that contrary to a superficial prejudice, it is possible to address the philosophical issues of art and politics in the same oeuvre, as the example of this Cambridge-educated analytical philosopher proves.

Accordingly, the book has a bold thesis on the general, theoretical level, mapping the connections between politics, art and philosophy. However, it also has a pioneering commitment on the level of the particular, offering the first full-length study into the philosophical legacy of Roger Scruton, probably the most important British conservative philosopher of the late 20th and the first decades of the 21st century. It also allows reader to look into the philosopher's fascination with Central European art and culture. Finally, it also provides a daring analysis of the late Scruton's metaphysical inspirations, connecting the arts, and especially music, with religion and the bonds of love.

Crawford Gribben is a professor of history at Queen’s University Belfast.

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Catherine Grant, "A Time of One's Own: Histories of Feminism in Contemporary Art" (Duke UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 22 Apr 2023 08:00:00 +0000

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists’ engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined.

Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.

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Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 20 Apr 2023 08:00:00 +0000

In this episode, our host Sim Gill discusses the book Dislike-Minded: Media, Audiences, and the Dynamics of Taste (2021) by Jonathan Gray.

You’ll hear about:

A brief history of the book and its connection to global studies of media and communication;
The role of media and cultural studies in amplifying the voices of dislikers, and how can scholars in these fields better understand and appreciate the register of dislike;
The method of refractive audience analysis as a way to understand how adaptations of media texts affect people's perceptions of the original texts;
How paratexts can shape audience perceptions and understanding of a media product;
How the gendered norms may hinder women from expressing dislike, and how this relates to larger cultural systems of dislike, including political contexts;
Some recent developments that have added to or changed the initial arguments/findings in the book.

About the book

Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. You can find the book here by NYU Press.

Author: Jonathan Gray is Professor of Media and Cultural Studies in the Department of Communication Arts at the University of Wisconsin-Madison. His work examines how media entertainment and its audiences interact, and examines how and where value and meaning are created. He is now Chief Editor of The International Journal of Cultural Studies, co-editor, with Aswin Punathambekar and Adrienne Shaw, of NYU Press’ Critical Cultural Communication book series, and I was recently nominated as an International Communication Association Fellow.

Host: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. Her research interests concern the social and subjective effects of discourse and institutional politics as well as the interrelationships between discourse, epistemology, and subjectivity. Her master's thesis evaluated the meaning-making behind the term BAME (Black, Asian and Minority Ethnic), commonly used to describe minority ethnic communities in Britain.

Editor & Producer: Jing Wang

Keywords: Dislike, audience studies, media cultures, identity, representation, citizenship

Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.

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Barbara Sjoholm, "From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture" (U Minnesota Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 19 Apr 2023 08:00:00 +0000

Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. As described in From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture (University of Minnesota, 2023) by Barbara Sjoholm, the objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in From Lapland to Sápmi map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland.

The Sámi objects first collected in Lapland by non-Indigenous people were drums and other sacred artifacts, but later came to include handmade knives, decorated spoons, clothing, and other domestic items owned by Sámi reindeer herders and fishers, as well as artisanal crafts created for sale. Sjoholm describes how these objects made their way via clergy, merchants, and early scientists into curiosity cabinets and eventually to museums in Copenhagen, Stockholm, Oslo, and abroad. Musicians, writers, and tourists also collected Sámi culture for research and enjoyment. Sjoholm follows these objects and collections from the Age of Enlightenment through the twentieth century, when artisanship took on new forms in commerce and museology and the Sámi began to organize politically and culturally. Today, several collections of Sámi objects are in the process of repatriation, while a new generation of artists, activists, and artisans finds inspiration in traditional heritage and languages.

Deftly written and amply illustrated, with contextual notes on language and Nordic history, From Lapland to Sápmi brings to light the history of collecting, displaying, and returning Sámi material culture, as well as the story of Sámi creativity and individual and collective agency.

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Christopher S. Celenza, "The Italian Renaissance and the Origin of the Humanities: An Intellectual History, 1400-1800" (Cambridge UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 13 Apr 2023 08:00:00 +0000

Christopher Celenza is one of the foremost contemporary scholars of the Renaissance. His ambitious new book The Italian Renaissance and the Origin of the Humanities: An Intellectual History, 1400-1800 (Cambridge UP, 2021) focuses on the body of knowledge which we now call the humanities, charting its roots in the Italian Renaissance and exploring its development up to the Enlightenment. Beginning in the fifteenth century, the author shows how thinkers like Lorenzo Valla and Angelo Poliziano developed innovative ways to read texts closely, paying attention to historical context, developing methods to determine a text's authenticity, and taking the humanities seriously as a means of bettering human life. Alongside such novel reading practices, technology – the invention of printing with moveable type – fundamentally changed perceptions of truth. Celenza also reveals how luminaries like Descartes, Diderot, and D'Alembert – as well as many lesser-known scholars – challenged traditional ways of thinking. Celenza's authoritative narrative demonstrates above all how the work of the early modern humanist philosophers had a profound impact on the general quest for human wisdom. His magisterial volume will be essential reading for all those who value the humanities and their fascinating history.

Professor Christopher S. Celenza is the James B. Knapp Dean of the Krieger School of Arts and Sciences. He is also a professor of history and classics.

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Tina Post, "Deadpan: The Aesthetics of Black Inexpression" (NYU Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 12 Apr 2023 08:00:00 +0000

Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production.

Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan: The Aesthetics of Black Inexpression (NYU Press, 2023) tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life. Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness’s deadpan aesthetic within and beyond black embodiments, including Young Jean Lee’s The Shipment and Branden Jacobs-Jenkins’s Neighbors, as well as Buster Keaton’s signature character and Steve McQueen’s restitution of the former’s legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility.

Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.

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John Miller, "The Heart of the Forest: Why Woods Matter" (British LIbrary, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 12 Apr 2023 08:00:00 +0000

The Heart of the Forest: Why Woods Matter (British Library, 2022) looks at threats to forest life across the globe. Dr. John Miller draws on literature, film and art to explore why woods matter to us, building on the ecological case for saving trees to raise the compelling question of their cultural value.

The Heart of the Forest explores four enduring ways in which we connect to the woods – through Refuge, Sacredness, Horror and Hope – making fascinating links between emotion and genre. For Henry David Thoreau, the woods are places beyond civilisation; for Ursula LeGuin and C S Lewis, they are loaded with otherworldly potential; and for those fleeing captivity, they can provide a welcome sanctuary. Woods can strike fear, they can inspire wonder, they can be lovely, dark and deep.

With full-colour illustration throughout, this book branches out into the British Library to find both the haunting and the hopeful in an unparalleled collection of books, manuscripts and photography. It tells a global story of how we understand trees, and its beautifully illustrated pages present a moving argument for conservation and renewal.

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Daniel Neofetou, "Rereading Abstract Expressionism, Clement Greenberg and the Cold War" (Bloomsbury, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 9 Apr 2023 08:00:00 +0000

Daniel Neofetou's Rereading Abstract Expressionism, Clement Greenberg and the Cold War (Bloomsbury, 2021) rereads Clement Greenberg's account of Abstract Expressionism through Adorno and Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how the movement opposes the ends to which it was deployed in efforts of U.S. imperialism during the Cold War. With reference not only to the most famous artists of the movement, but also female and non-white figures whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world which would do justice to them.

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Bettina Judd, "Feelin: Creative Practice, Pleasure, and Black Feminist Thought" (Northwestern UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 8 Apr 2023 08:00:00 +0000

Feeling is not “feelin”. Feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work.

Feelin: Creative Practice, Pleasure, and Black Feminist Thought (Northwestern University Press, 2022) discusses Black women’s creative production as feminist knowledge production produced by registers of affect called feelin. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women.

Bettina Judd is an interdisciplinary writer, artist, scholar, and performer whose research focus is Black women’s creative production and our use of visual art, literature, and music to develop feminist thought. She is Associate Professor of Gender, Women, and Sexuality Studies at the University of Washington.

Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.

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Simon Strange, "Blank Canvas: Art School Creativity and the Development of Punk, Post Punk and New Wave Music" (Intellect, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 8 Apr 2023 08:00:00 +0000

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and ’70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future.

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Natilee Harren, "Fluxus Forms: Scores, Multiples, and the Eternal Network" (U Chicago Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 5 Apr 2023 08:00:00 +0000

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective’s unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art.

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Mauro Resmini, "Italian Political Cinema: Figure of the Long '68" (U Minnesota Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 4 Apr 2023 08:00:00 +0000

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68.

Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.

A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.

Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park.

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Rhea Myers, "Proof of Work: Blockchain Provocations 2011-2021" (MIT Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 3 Apr 2023 08:00:00 +0000

NFT, BTC, DAO, ETH, WAGMI, HODL. It would have been hard to avoid these acronyms only a year ago. The hype around cryptocurrencies and blockchain art was almost as annoying as the glee with which crypto sceptics welcomed the sudden onset of the crypto winter.

But for all the popularity of Bored Apes and Ponzi scheme stories, there seems to have been little serious engagement with the philosophical, political, and aesthetic implications of the blockchain. The academy appears to have dismissed the crypto world out of hand, citing its financial unviability and the deeply ‘problematic’ philosophical foundations of its technology.

Rhea Myers is a crypto artist, writer, and hacker who searches for faces in cryptographic hashes, follows a day in the life of a young shibe in the year 2032, and patiently explains why all art should be destructively uploaded to the blockchain. Her engagement in the technical history and debates in blockchain technology is complemented by a broader sense of the crypto movement and the artistic and political sensibilities that accompanied its ascendancy.

Remodelling the tropes of conceptual art and net art to explore what blockchain technology reveals about our concepts of value, culture and currency, Myers’s work has become required viewing for anyone interested in the future of art, consensus, law, and collectivity.

Rhea Myers speaks to Pierre d’Alancaisez about art’s role in mapping and shaping the emergent properties of blockchain technologies, the crypto-libertarian, anarchy-capitalist nexus, and the enduring legacy of the conceptual art movement.

Proof of Work brings together annotated presentations of Myers’s blockchain artworks with essays, reviews, and fictions—a sustained critical encounter between the cultures and histories of the artworld and crypto-utopianism, technically accomplished but always generously demystifying and often mischievous.

PostScript Viruses, 1993
Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III by Art & Language
Futherfield Gallery, London
Is Art, 2014/15, Art Is, 2014/17
Pierre's essay on the speculative deficit and NFT art
Certificate of Inauthenticity, 2020

Rhea Myers is an artist, writer, and blockchain developer and activist. Now an acknowledged pioneer whose work has graced the auction room at Sotheby’s, Myers focussed on blockchain tech in 2011, becoming one of the first artists to enter into creative, speculative, and conceptual engagement with ‘the new internet’.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Mike Jay, "Psychonauts: Drugs and the Making of the Modern Mind" (Yale UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 2 Apr 2023 08:00:00 +0000

Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.

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Colleen Lye and Christopher Nealon, "After Marx: Literature, Theory, and Value in the Twenty-First Century" (Cambridge UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 31 Mar 2023 08:00:00 +0000

Colleen Lye and Christopher Nealon's edited volume After Marx: Literature, Theory, and Value in the Twenty-First Century (Cambridge UP, 2022) demonstrates the importance of Marxist literary and cultural criticism for an era of intersectional politics and economic decline. The volume includes fresh approaches to reading poetry, fiction, film and drama, from Shakespeare to contemporary literature, and shows how Marxist literary criticism improves our understanding of racial capitalism, feminist politics, colonialism, deindustrialization, high-tech labor, ecological crisis, and other issues. A key innovation of the volume's essays is how they attend to Marx's theory of value. For Marx, capitalist value demands a range of different kinds of labor as well as unemployment. This book shows the importance of Marxist approaches to literature that reach beyond simply demonstrating the revolutionary potential or the political consciousness of a 19th-century-style industrial working class. After Marx makes an argument for the twenty-first century interconnectedness of widely different literary genres, and far-flung political struggles.

The featured speakers in this podcast include:

Colleen Lye and Christopher Nealon: Marxist Literary Study and the General Law of Capitalist Accumulation
Nikhil Pal Singh: Black Marxism and the Antinomies of Racial Capitalism
Mark Steven: Screening Insurrection: Marx, Cinema, Revolution
Joshua Clover: The Irreconcilable: Marx after Literature
Juliana Spahr: Literature and the State
Jasper Bernes: Poetry and Revolution

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Larisa Grollemond and Bryan C. Keene, "The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medieval Worlds" (Getty, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 27 Mar 2023 08:00:00 +0000

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.

From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.

The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.

This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.

Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019).

Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London.

Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.

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Kristin Hass, "Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices" (Beacon Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 26 Mar 2023 08:00:00 +0000

Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices (Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future.

Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. Blunt Instruments helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs.

Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens, Hass makes the undeniable case that understanding what cultural infrastructure is, and the deep and broad impact that it has, is essential to understanding how structures of inequity are maintained and how they might be dismantled.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Arts, Humanities, and Complex Networks

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 24 Mar 2023 08:00:00 +0000

Maximilian Schich, Isabel Meirelles, and Roger Malina discuss the contents and creation of the new article collection, Arts, Humanities, and Complex Networks, which explores the application of the science of complex networks to art history, archeology, visual arts, the art market, and other areas of cultural importance. This conversation was recorded on April 26, 2012.

Maximilian Schich, DFG fellow at László Barabási's Center for Complex Network Research in Boston.
Isabel Meirelles, information designer and associate professor of graphic design at Northeastern University, Boston.
Roger Malina, physicist, astronomer, editor-in-chief of Leonardo, distinguished professor at the University of Texas, Dallas.

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Claudia Brittenham, "Unseen Art: Making, Vision, and Power in Ancient Mesoamerica" (U Texas Press, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 24 Mar 2023 08:00:00 +0000

In Unseen Art: Making, Vision, and Power in Ancient Mesoamerica (U Texas Press, 2023), Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power.

Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand years of the Indigenous art of Mexico, Guatemala, Honduras, and Belize, Unseen Art connects the dots between vision, power, and inequality, providing a critical perspective on our own way of looking.

Sarah Newman (@newmantropologa) is an archaeologist and Assistant Professor of Anthropology at the University of Chicago. Her research explores long-term human-environmental interactions, including questions of waste and reuse, processes of landscape transformations, and relationships between humans and other animals.

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Seeing Truth in the Climate Crisis

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 23 Mar 2023 08:00:00 +0000

Feeling bad about the environment? You should. Artist Alexis Rockman talks about his art, the potential for real change, and his ongoing relationship with the American Museum of Natural History.

Learn more about the Seeing Truth exhibition at our website.

Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute

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David Houston Jones, "Visual Culture and the Forensic: Culture, Memory, Ethics" (Routledge, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 22 Mar 2023 08:00:00 +0000

The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist.

And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn’t true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it

Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence.

David Houston Jones speaks to Pierre d’Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects.

Angela Strassheim’s Evidence
Melanie Pullen’s Crime Scenes, Hugo’s Camera
The death of Alan Kurdi and Ai WeiWei’s restaging of the scene
Kathryn Smith’s Incident Room: Jacoba ‘Bubbles’ Shroeder, 1949-2012
Luc Delahaye
Horace Vernet
Trevor Paglen’s Autonomy Cube
Laura Poitras’ Citizenfour
Julian Charrière’s Blue Fossil Entropic Stories, 2013
Simon Norkfolk’s When I am Laid in Earth
Cory Arcangel’s Data Diaries, 2003
Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture
Josef Mengele’s bones used in forensic identification
Forensic Architecture‘s investigations
Interview with Toby Green and Thomas Fazi on The Covid Consensus.

David Houston Jones is Professor of French and Visual Culture at the University of Exeter.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Megan Swift, "Picturing the Page: Illustrated Children’s Literature and Reading under Lenin and Stalin" (U Toronto Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 20 Mar 2023 09:00:00 +0000

Based on sources from rare book libraries in Russia and around the world, Picturing the Page: Illustrated Children’s Literature and Reading under Lenin and Stalin (U Toronto Press, 2020) offers a vivid exploration of illustrated children’s literature and reading under Lenin and Stalin – a period when mass publishing for children and universal public education became available for the first time in Russia. By analyzing the illustrations in fairy tales, classic "adult" literature reformatted for children, and war-time picture books, Megan Swift elucidates the vital and multifaceted function of illustrated children’s literature in repurposing the past.

Picturing the Page demonstrates that while the texts of the past remained fixed, illustrations could slip between the pages to mediate and annotate that past, as well as connect with anti-religious, patriotic, and other campaigns that were central to Soviet children’s culture after the 1917 Revolution.

Megan Swift is an associate professor of Russian Studies at the University of Victoria and author of Picturing the Page: Illustrated Children’s Literature and Reading under Lenin and Stalin (University of Toronto Press, 2020).

Polina Popova is a Ph.D. student at the history department of the University of Illinois at Chicago.

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Arya Aryan, "The Postmodern Representation of Reality in Peter Ackroyd's Chatterton" (Cambridge Scholars, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 19 Mar 2023 08:00:00 +0000

Arya Aryan's book The Postmodern Representation of Reality in Peter Ackroyd's Chatterton (Cambridge Scholars, 2022) explores the postmodernist representation of reality and argues that historiographic metafictional texts, such as Peter Ackroyd’s Chatterton (1987), are hetero-referential in their creation of a heterocosm, as opposed to representational and anti-representational views of art. It argues that postmodernist historiographic metafiction is not simply self-referential, but hetero-referential, consciously revealing the paradoxes of self-referentiality while simultaneously creating a heterocosmic world where the text is capable of referring to an external reality. The book highlights Chatterton’s narrative strategies and techniques which result in revealing the text’s meaning-granting process. The novel acknowledges the existence of reality and the text’s possibility of representation, but contends that reality is a human construct. In addition, the book demonstrates that representation is possible through fictive referents, and thus hetero-referential.

Arya Aryan is assistant professor in English Literature. He received his PhD in postmodern and contemporary literature and the medical humanities from Durham University (UK). He also carried out a Postdoctoral Research Fellowship at the University of Tübingen. His research interests are postmodernism, contemporary literature and the medical humanities.

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John Miller, "The Philosophy of Tattoos" (British Library, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 19 Mar 2023 08:00:00 +0000

The Philosophy of Tattoos (British Library, 2021) by Dr. John Miller presents an impressively broad yet personal account, exploring tattooing as a unique expression of individual, cultural and national identity.

Dr. Miller explores tattooing as an innate human impulse throughout history, following its suppression and revival in cultures around the world. A bold and nuanced story of colonial oppression, social deviance and tattooing in the age of social media, the book features original tattoo designs from London-based tattoo artist Luca Ortis, as well as illustrations from the British library collections.

The Philosophy of Tattoos returns to its origins in cultural locations as disparate as Polynesia, the Amazon and the Arctic to interrogate the innate human desire to mark the skin. It asks what the history of tattooing might tell us about that fundamental question: what does it mean to be human?

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Nicholas Brown, "Autonomy: The Social Ontology of Art under Capitalism" (Duke UP, 2019)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 19 Mar 2023 08:00:00 +0000

In Autonomy: The Social Ontology of Art under Capitalism (Duke University Press, 2019), Nicholas Brown offers a fresh perspective on aesthetic autonomy and its political value, one of the great debates of the twentieth century. The monograph illustrates the viability of the modernist project in the era after postmodernism while offering one illuminating reading after another of contemporary examples in novels, photography, sculpture, popular music, TV, or movies. Brown defends art as a liberatory force in an age dominated by markets. By exploring the nuances of artistic production, Autonomy is a feast of delicious and insightful appraisals of artwork—with surprising turns and twists—within a larger context of the dialectics between art and market.

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The Sharing of Sound Art

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 18 Mar 2023 08:00:00 +0000

In this podcast, Claire MacDonald and Sarah Parry discuss the history of recording, the sharing of sound art between artists, how recording has shaped communities, the impact of technology on artists and their publics, and the artist's voice and the different genres it inhabits.

About the Contributors:

Claire MacDonald is a curator, writer, and editor whose work focuses on the intersections of performance, writing, and art. She is a founding editor of Performance Research and a contributing editor to PAJ: A Journal of Performance and Art. She recently served as Director of the International Centre for Fine Art Research at University of Arts London, and is currently Professor II at the Norwegian Theatre Academy. She has a PhD in Critical and Creative Writing from the University of East Anglia, and has recently written a novel. Sarah Parry has been teaching at the Univeristy of British Columbia since 2005. Her Ph.D. dissertation at the University of Alberta, entitled "Caedmon Records, the Cold War, and the Scene of the Postmodern", explored the history of Caedmon Records, a company that pioneered the recording of the spoken word. She teaches critical theory and modern and postmodern American poetry. Other interests include sound recording history and acoustical poetics.

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Annie Pfeifer, "To the Collector Belong the Spoils: Modernism and the Art of Appropriation" (Cornell UP, 2023)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 17 Mar 2023 08:00:00 +0000

To the Collector Belong the Spoils: Modernism and the Art of Appropriation (Cornell UP, 2023) rethinks collecting as an artistic, revolutionary, and appropriative modernist practice, which flourishes beyond institutions like museums or archives. Through a constellation of three author-collectors—Henry James, Walter Benjamin, and Carl Einstein—Annie Pfeifer examines the relationship between literary modernism and twentieth-century practices of collecting objects. From James's paper hoarding to Einstein's mania for African art and Benjamin's obsession with old Russian toys, she shows how these authors' literary techniques of compiling, gleaning, and reassembling constitute a modernist style of collecting which that reimagines the relationship between author and text, source and medium. Placing Benjamin and Einstein in surprising conversation with James sharpens the contours of collecting as aesthetic and political praxis underpinned by dangerous passions. An apt figure for modernity, the collector is caught between preservation and transformation, order and chaos, the past and the future.

Positing a shadow history of modernism rooted in collection, citation, and paraphrase, To the Collector Belong the Spoils traces the movement's artistic innovation to its preoccupation with appropriating and rewriting the past. By despoiling and decontextualizing the work of others, these three authors engaged in a form of creative plunder that evokes collecting's long history in the spoils of war and conquest. As Pfeifer demonstrates, more than an archive or taxonomy, modernist collecting practices became a radical, creative endeavor—the artist as collector, the collector as artist.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Rick de Villiers, "Eliot and Beckett's Low Modernism: Humility and Humiliation" (Edinburgh UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 17 Mar 2023 08:00:00 +0000

Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, Eliot and Beckett's Low Modernism: Humility and Humiliation (Edinburgh UP, 2021) demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology.

Rick de Villiers is a senior lecturer in the Department of English at the University of the Free State in Bloemfontein, South Africa. He holds a PhD from Durham University in the UK, and he is the author of articles on modernism, South African literature, alternative assessment practices and more. His first book, Eliot and Beckett's Low Modernism: Humility and Humiliation, was published by Edinburgh University Press in 2021.

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Jan Harrison's “Animal Tongues”

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 9 Mar 2023 21:00:00 +0000

Artist Jan Harrison's work explores the connections between human and animal psyches and takes the form of painting, pastel, sculpture, and performance. Jan's essay in the current (January 2011) issue of PAJ: A Journal of Performance and Art, called "Singing in Animal Tongues: An Inner Journey", describes the origins and scope of Jan's work, including her ability to speak and sing in "Animal Tongues." In this podcast, Jan and curator Linda Weintraub discuss Jan's work and the animal beings who help Jan create it.

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Elina Gertsman and Barbara H. Rosenwein, "The Middle Ages in 50 Objects" (Cambridge UP, 2018)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 8 Mar 2023 09:00:00 +0000

The extraordinary array of images included in The Middle Ages in 50 Objects (Cambridge UP, 2018) reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.

Elina Gertsman is a professor of Art History at Case Reserve Western University. She specializes in medieval art.

Barbara H. Rosenwein is Professor Emerita at Loyola University Chicago. She is an expert in medieval history, on which she has written a number of influential works.

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Helen Solterer and Vincent Joos, "Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures" (Manchester UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 3 Mar 2023 09:00:00 +0000

Helen Solterer and Vincent Joos edited volume Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures (Manchester UP, 2022) examines the sustained contribution of migrants to Europe’s literatures, social cultures, and arts over centuries. Europe has never been a continent bounded by the seas that surround it. In premodern times, migrants imprinted the languages, arts, and literatures of the places where they settled. They contributed to these cultures and economies. Some were on the move in search of a better life; others were displaced by war, dispossessed, expelled; while still others were brought in servitude to European cities to work, enslaved.

Today’s immigration flows in Europe are not exceptional but anchored in this longue durée process. Iberia/Maghreb, Sicily/Lampedusa, Calais are the three hotspots considered in this volume. These regions have been shaped and continue to be shaped by migrants; by their cultures; their Spanish, Arabic, Italian, and Somali; their French, English and Mandarin languages. They are also shaped by migrants’ struggles. The scholars and artists who wrote Migrants Shaping Europe, Past and Present compose a new significant chapter in the cultural history of European migration by reflecting on the forces that have put people into motion since the premodern period and by examining the visual arts, literature, and multilingual social worlds fostered by migration. This historically expansive and multilingual approach to mobility and expressiveness makes a crucial contribution: migrants as a lifeblood of European cultures.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: kate.driscoll@duke.edu.

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Dave Colangelo, "The Building as Screen: A History, Theory, and Practice of Massive Media" (Amsterdam UP, 2019)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 28 Feb 2023 09:00:00 +0000

The Building as Screen: A History, Theory, and Practice of Massive Media (Amsterdam UP, 2019) describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal’s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.

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Frances Howard, "Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference" (Policy Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 27 Feb 2023 09:00:00 +0000

How can the arts make the world a better place? In Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference (Policy Press, 2022), Frances Howard, a Senior Lecturer in Social Work, Care and Community at Nottingham Trent University, analyses the opportunities for social change and social justice offered by youth arts programmes. The book combines a detailed ethnography of a youth arts programme in the UK, along with rich and detailed comparative case studies. Drawing on a wealth of cross- and interdisciplinary theoretical frameworks, the book is both a critique and defence of the possibilities offered by engagement with the arts. The book will be essential reading across arts, humanities and social sciences, as well as for anyone with an interest in the arts.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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Alexandra Chiriac, "Performing Modernism: A Jewish Avant-Garde in Bucharest" (de Gruyter, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 25 Feb 2023 09:00:00 +0000

Alexandra Chiriac's book Performing Modernism: A Jewish Avant-Garde in Bucharest (de Gruyter, 2022) examines the reach of modernism in design and performance in interwar Romania. It follows the transnational trajectories of several remarkable Jewish avant-garde artists, actors, and directors based in Bucharest, the country's capital, in the 1920s and 1930s. The first part of the book recovers the history of Bucharest's first modern design institution and investigates its links with German design and the Bauhaus. The second half focuses on several innovative collaborations in the realm of Yiddish theatre, including the time spent in Romania by the world-renowned Vilna Troupe. Based on extensive original research, the book shows how Bucharest was connected to Berlin, Riga, and Chicago, highlighting the contribution of Jewish cultural production to avant-garde movements in Europe and beyond.

Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements.

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Jonathan Homrighausen, "Planting Letters and Weaving Lines: The Song of Songs, and The Saint Johns Bible" (Liturgical Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 25 Feb 2023 09:00:00 +0000

The illuminations of The Saint John’s Bible have delighted many with their imaginative takes on Scripture. But many struggle to appreciate the calligraphy more deeply than merely noting its beauty. Does calligraphy mean something? How is it beautiful?

Planting Letters and Weaving Lines: The Song of Songs, and The Saint Johns Bible (Liturgical Press, 2022), written by a biblical scholar who has spent years working with this Bible, shows how calligraphic art powerfully interplays visual form, textual content, and creative process. Homrighausen proposes five lenses for this artform: gardens, weaving, pilgrimage, touching, and enfleshing words. Each of these lenses springs from the poetry of the Song of Songs, its illuminations in The Saint John’s Bible, and medieval ways of understanding the scribe’s craft. While these metaphors for calligraphic art draw from this particular illuminated Bible, this book is aimed at all lovers of calligraphy, art, and sacred text.

Jonathan Homrighausen, a doctoral candidate in Hebrew Bible at Duke University, teaches in Judaic Studies at the College of William & Mary. His research explores the intersection of Hebrew Bible, calligraphic art, and scribal craft. He is the author of Illuminating Justice: The Ethical Imagination of The Saint John's Bible (Liturgical Press, 2018) and articles in Religion and the Arts, Image, Teaching Theology and Religion, Transpositions, and Visual Commentary on Scripture.

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Seeing Truth in Photographs

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 23 Feb 2023 09:00:00 +0000

Artist Penelope Umbrico talks about her work, images as currency, and how technology and various platforms herd images. And is photography tyrannical? Umbrico has some thoughts.

Learn more about the Seeing Truth exhibition at our website.

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Leila Jancovich and David Stevenson, "Failures in Cultural Participation" (Palgrave Macmillan, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 20 Feb 2023 09:00:00 +0000

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements.

But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn’t even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure.

Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures.

David Stevenson speaks to Pierre d’Alancaisez about the culture sector’s refusal to acknowledge failure in widening participation and moving the debate from the ‘value’ of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels.

The Failspace Project tools
A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David
David’s “I hate opera” paper.

Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker.

David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Why Should Cultural Heritage Be Protected?

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 20 Feb 2023 05:00:00 +0000

Where people are killed and abused in warfare and violent conflict, artifacts of cultural heritage are often destroyed and mistreated as well. Indeed, in the World War II-era efforts to promote the then-novel idea of genocide, the Polish lawyer and activist Raphael Lemkin sought to codify the notion that genocide was both personal and cultural. What has come of his efforts?

In this episode of International Horizons, we are joined by Irina Bokova, former Director-General of UNESCO and former Bulgarian ambassador to France and Monaco, who discusses the reasons why cultural heritage should be defended and preserved. Bokova provides different examples of how terrorist groups have destroyed ancient cultural heritage, the evolution of the legal frameworks to protect it, and how -- despite the disregard for international law these days -- the protection of cultural heritage is evolving.

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Jacob Birken, "Video Games: Digital Image Cultures" (Verlag Klaus Wagenbach, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 19 Feb 2023 05:00:00 +0000

Let's plays are among the most popular genres on YouTube. The visual worlds of video games shape the worldviews of millions. Gaming is a hobby and a mass spectacle.

For a long time, the history of video games was primarily one of technical progress: from pixelated figures in 2D to increasingly convincing illusions of reality in games like Control. At the same time, independent game worlds emerge, such as in the expressionist dystopia Disco Elysium.

In Video Games: Digital Image Cultures (Videospiele: Digitale Bildkulturen), Jacob Birken vividly analyzes the different types and generations of games, provides insights into the interaction of hardware and software, and shows how newer video games stylistically reference the past of their own medium. But does this also revive the unfulfilled promises of the future of the information society?

Jacob Birken writes and researches on the history, aesthetics, and theory of media technologies. In 2018, he published "The California Institution" on the 1906 San Francisco earthquake. He currently works at the UAS Düsseldorf and the University of Cologne.

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Lesly Deschler Canossi and Zoraida Lopez-Diago, "Black Matrilineage, Photography, and Representation: Another Way of Knowing" (Leuven UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 12 Feb 2023 09:00:00 +0000

Lesly Deschler Canossi and Zoraida Lopez-Diago's edited volume Black Matrilineage, Photography, and Representation: Another Way of Knowing (Leuven UP, 2022) questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities.

The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration.

This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy.

This book emerges from the project Women Picturing Revolution.

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Andrea Acri and Peter Sharrock, "The Creative South: Buddhist and Hindu Art in Mediaeval Maritime Asia" (Iseas-Yusof Ishak Institute, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 11 Feb 2023 09:00:00 +0000

Andrea Acri and Peter Sharrock's The Creative South: Buddhist and Hindu Art in Mediaeval Maritime Asia (2 volumes; Iseas-Yusof Ishak Institute, 2022) examines the creative contribution of Maritime Asia towards shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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Michael Murawski, "Museums as Agents of Change: A Guide to Becoming a Changemaker" (Rowman & Littlefield, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 7 Feb 2023 09:00:00 +0000

Museums everywhere have the potential to serve as agents of change—bringing people together, contributing to local communities, and changing people’s lives. So how can we, as individuals, radically expand the work of museums to live up to this potential? How can we more fiercely recognize the meaningful work that museums are doing to enact change around the relevant issues in our communities? How can we work together to build a stronger culture of equity and care within museums? Questions like these are increasingly vital for all museum professionals to consider, no matter what your role is within your institution. They are also important questions for all of us to be thinking about more deeply as citizens and community members. Museums as Agents of Change: A Guide to Becoming a Changemaker (Rowman & Littlefield, 2021) is about the work we need to do to become changemakers and demand that that our museums take action toward positive social change and bring people together into a more just, equitable, compassionate, and connected society. It is a journey toward tapping the energies within all of us to make change happen and proactively shape a new future.

Mike Murawski is a consultant, change leader, and educator living in Portland, Oregon. After more than 20 years of work in education and museums, Mike brings his personal core values of collaboration and care along with a deeper understanding of placed-based connections into the work that he leads within organizations, non-profits, schools, and communities. Mike is the author of Museums as Agents of Change, and author of the Substack publication Agents of Change. In 2016, he co-founded Super Nature Adventures LLC, a place-based education and creative design business that partners with parks, government agencies, schools, and non-profits to expand learning in the outdoors and public spaces. When he's not working on place-based projects or supporting change in nonprofits, you can find Mike on long trail runs in the forests and mountains of the Pacific Northwest.

Callie Smith is a poet and museum educator living in Louisiana.

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Tim Harte, "Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture" (U Wisconsin Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 5 Feb 2023 09:00:00 +0000

Dr. Tim Harte's Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture (U Wisconsin Press, 2020) looks at sport as artistic subject matter, in late Imperial and early Soviet Russia. In sport, artists found inspiration that could be applied both to improvement of the self and to social progress as artists defined it. In the long run, the constraints of the Socialist Realist aesthetic came to constrain the creative freedom of artists, but until the late 1920's, sport served as a focus of genuine artistic interest, for its own sake and for its ability to provide a reservoir of metaphors that artists could use to make broader, more ideological commentary.

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Susan Stewart, "The Ruins Lesson: Meaning and Material in Western Culture" (U Chicago Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 4 Feb 2023 09:00:00 +0000

How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms.

Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, and images of decay in early modern allegory. Stewart looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing his art. Lively and engaging, The Ruins Lesson: Meaning and Material in Western Culture (U Chicago Press, 2020) ultimately asks what can resist ruination--and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.

John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

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Sebastian Truskolaski, "Adorno and the Ban on Images" (Bloomsbury, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 30 Jan 2023 09:00:00 +0000

Adorno and the Ban on Images (Bloomsbury, 2022) upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno – not least amongst them, his supposed fatalism.

By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum.

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Angela Vanhaelen, "The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths" (Penn State UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 30 Jan 2023 09:00:00 +0000

Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.

Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Collaborations between Cold War Scientists and Artists

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 29 Jan 2023 09:00:00 +0000

Patrick McCray, Professor of History at University of California, Santa Barbara, talks about his book, Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture, with Peoples & Things host, Lee Vinsel. The book shows how artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works after World War II. McCray and Vinsel also discuss how this history connects to more recent developments such as the creation of the MIT Media Lab and so-called “STEAM education.”

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Kaelen Wilson-Goldie, "Beautiful, Gruesome, and True: Artists at Work in the Face of War" (Columbia Global Reports, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 29 Jan 2023 00:00:00 +0000

Art has a long history of engaging with conflict and violence. From the antiquities, through Goya, to Guernica, our museums are filled with depictions of battles, pogroms, uprisings, and their suppression. Not all of these stories are told from the perspective of the victors.

Many contemporary creatives have continued this tradition. While the position of the official war artist seems to have gone out of fashion, conflict hasn’t. Artists are compelled to document the violence and conflict that for some is the matter of the everyday.

Kaelan Wilson-Goldie's Beautiful, Gruesome, and True: Artists at Work in the Face of War (Columbia Global Reports, 2022) is an account of the lives and practices of three such artists Teresa Margolles, Amar Kanwar, and the collective Abounadorra. The documents which these practices produce have found their way into the mainstream contemporary art world, for better, or often worse.

Kaelan Wilson-Goldie speaks about the implicit contracts artists enter with their communities, the art world's exploitative interest in conflict, and the role of aesthetic expression in mediating, if not ameliorating conflict.

Kaelen Wilson-Goldie is a writer and critic who contributes regularly to Artforum, Aperture, and Afterall, among other publications. She is the author of Etel Adnan, a monographic study on the paintings of the Lebanese-American poet Etel Adnan, and a contributor to numerous books on modern and contemporary art, including Art Cities of the Future: 21st-Century Avant-Gardes and Huguette Caland: Everything Takes the Shape of a Person. She lives in New York City and Beirut.

Teresa Margolles was born in Culiacán, Mexico, and is a conceptual artist known for incorporating the physical memory of conflict and pain into her work.

Documentation of Margolles' pavilion in in Venice in 2009,
Her works at Mor Charpenter and Peter Kilchmann,
Her Fourth Plinth proposal for London.

Abounaddara is an anonymous collective known for producing more than 400 short films chronicling the uprising and civil war in Syria.

Abounaddara at Documenta 14,
The Right to the Image (in Arabic)
The Islamic State for Dummies - Part One, 2014.

Amar Kanwar was born in New Delhi, India, and has distinguished himself through films and multi‐media works which explore the politics of power, violence and justice.

Amar Kanwar's The Season Outside, 1997,
and Many Faces of Madness, 2000.

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Seeing Truth in Museums

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 26 Jan 2023 09:00:00 +0000

Feeling down about museums? We have so many reasons to, but Chris Newell, Tribal Community Member-in-Residence at UConn and Director of Education at the Akomawt Educational Initiative, gives a dose of optimism about the future of museums.

Learn more about the Seeing Truth exhibition at our website.

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Padma Kaimal, "Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space" (U Washington Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 26 Jan 2023 09:00:00 +0000

In Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space (U Washington Press, 2020), Padma Kaimal deciphers the intentions of the monument’s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. By focusing on the material form of the complex—the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps—Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.

Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.

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Eric Adler, "The Battle of the Classics: How a Nineteenth-Century Debate Can Save the Humanities Today" (Oxford UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 25 Jan 2023 09:00:00 +0000

These are troubling days for the humanities. In response, a recent proliferation of works defending the humanities has emerged. But, taken together, what are these works really saying, and how persuasive do they prove? The Battle of the Classics: How a Nineteenth-Century Debate Can Save the Humanities Today (Oxford UP, 2020) demonstrates the crucial downsides of contemporary apologetics for the humanities and presents in its place a historically informed case for a different approach to rescuing the humanistic disciplines in higher education. It reopens the passionate debates about the classics that took place in late nineteenth- and early twentieth-century America as a springboard for crafting a novel foundation for the humanistic tradition.

Eric Adler demonstrates that current defenses of the humanities rely on the humanistic disciplines as inculcators of certain poorly defined skills such as "critical thinking." It criticizes this conventional approach, contending that humanists cannot hope to save their disciplines without arguing in favor of particular humanities content. As the uninspired defenses of the classical humanities in the late nineteenth century prove, instrumental apologetics are bound to fail. All the same, the book shows that proponents of the Great Books favor a curriculum that is too intellectually narrow for the twenty-first century. The Battle of the Classics thus lays out a substance-based approach to undergraduate education that will revive the humanities, even as it steers clear of overreliance on the Western canon. The book envisions a global humanities based on the examination of masterworks from manifold cultures as the heart of an intellectually and morally sound education.

Eric Adler is a Professor of Classics at the University of Maryland. Adler's scholarly interests include Roman historiography, Latin prose, the history of classical scholarship, and the history of the humanities.

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Rens Bod, "A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present" (Oxford UP, 2014)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 23 Jan 2023 09:00:00 +0000

Many histories of science have been written, but A New History of the Humanities (Oxford UP, 2014) offers the first overarching history of the humanities from Antiquity to the present. There are already historical studies of musicology, logic, art history, linguistics, and historiography, but this volume gathers these, and many other humanities disciplines, into a single coherent account.

Its central theme is the way in which scholars throughout the ages and in virtually all civilizations have sought to identify patterns in texts, art, music, languages, literature, and the past. What rules can we apply if we wish to determine whether a tale about the past is trustworthy? By what criteria are we to distinguish consonant from dissonant musical intervals? What rules jointly describe all possible grammatical sentences in a language? How can modern digital methods enhance pattern-seeking in the humanities? Rens Bod contends that the hallowed opposition between the sciences (mathematical, experimental, dominated by universal laws) and the humanities (allegedly concerned with unique events and hermeneutic methods) is a mistake born of a myopic failure to appreciate the pattern-seeking that lies at the heart of this inquiry.

A New History of the Humanities amounts to a persuasive plea to give Panini, Valla, Bopp, and countless other often overlooked intellectual giants their rightful place next to the likes of Galileo, Newton, and Einstein.

Rens Bod is a professor of humanities at the University of Amsterdam.

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Christopher Bartel, "Video Games, Violence, and the Ethics of Fantasy: Killing Time" (Bloomsbury, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 14 Jan 2023 09:00:00 +0000

Is it ever morally wrong to enjoy fantasizing about immoral things? Many video games allow players to commit numerous violent and immoral acts. But should players worry about the morality of their virtual actions? A common argument is that games offer merely the virtual representation of violence. No one is actually harmed by committing a violent act in a game. So, it cannot be morally wrong to perform such acts. While this is an intuitive argument, it does not resolve the issue.

Focusing on why individual players are motivated to entertain immoral and violent fantasies, Christopher Bartel's book Video Games, Violence, and the Ethics of Fantasy: Killing Time (Bloomsbury, 2020) advances debates about the ethical criticism of art, not only by shining light on the interesting and under-examined case of virtual fantasies, but also by its novel application of a virtue ethical account. Video games are works of fiction that enable players to entertain a fantasy. So, a full understanding of the ethical criticism of video games must focus attention on why individual players are motivated to entertain immoral and violent fantasies.

Video Games, Violence, and the Ethics of Fantasy engages with debates and critical discussions of games in both the popular media and recent work in philosophy, psychology, media studies, and game studies.

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Gilah Yelin Hirsch, "Archaeology of Metaphor: The Art of Gilah Yelin Hirsch" (Skira, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 14 Jan 2023 09:00:00 +0000

Characterized by a search for meaning, Hirsch’s oeuvre connects psychological, scientific, and philosophical implications of form, bringing together ideas in art, science, ecology, and human consciousness. The artworks in multiple and mixed media provide an evolving history of Hirsch’s ideas and craft as they illustrate the progression of her original research on the origin of all alphabets. Her elegant theory about five fundamental shapes in nature that reflect forms of neurons and neural processes of perception and cognition as the source of all letterforms in alphabets ancient to modern has gained acceptance in scientific circles. Her evidence shows that while cultures and languages bring unique beauty and richness to the world, we, as humankind, are more alike than different.

Since the 1980s, Hirsch has also been a pioneer in the field of mind/body healing, developing a type of visualization practice that serves as an instrument toward wellness. By organizing seemingly disparate information into a far-reaching scientific theory, Hirsch is recognized internationally for these techniques and has advanced healing practices through the arts.

Archaeology of Metaphor: The Art of Gilah Yelin Hirsch (Skira, 2022) connects the artist’s visual themes to her philosophy and ideas, simultaneously encouraging greater awareness of pattern recognition, social dynamics, and interconnectedness.

Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.

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Oana Serban, "After Thomas Kuhn: The Structure of Aesthetic Revolutions" (de Gruyter, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 12 Jan 2023 09:00:00 +0000

Thomas Kuhn’s The Structure of Scientific Revolutions revolutionized the way philosophers and historians of science thought about science, scientific progress, and the nature of scientific knowledge. But Kuhn himself also considered later on how his framework might apply to art. In After Thomas Kuhn: The Structure of Aesthetic Revolutions (De Gruyter, 2022), Oana Serban elaborates on the suggestions and proposals of Kuhn and others to develop a new view of aesthetic and artistic progress and change based in Kuhn’s work. Serban, who is a lecturer in philosophy at the University of Bucharest, adds the key concept of aesthetic validity to the Kuhnian analysis as central to the concept of an aesthetic revolution. The dominance of a particular aesthetic paradigm depends on broadly political factors and are responses to particular ideological questions, such as “What is the relation between humans and God?” Artistic revolutions, in contrast, are stylistic expressions of these ideological frames, such that the norms, values, and styles in art can be transgressive without being Kuhnian revolutions.

Carrie Figdor is professor of philosophy at the University of Iowa.

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Rousseau's Ideas About Censorship in the Arts

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 9 Jan 2023 09:00:00 +0000

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau’s ideas about censorship in the arts.

The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell.

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Rock Art in the Nomadic Landscape of the Black Desert

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 4 Jan 2023 09:00:00 +0000

The "Black Desert" in the northern Arabian Peninsula is home to thousands of pieces of rock art - both written inscriptions and figural images - left there by the region's nomadic inhabitants during the Hellenistic and Roman periods ca. 2,000 years ago. Dr. Nathalie Brusgaard received her PhD (Leiden University, 2019) for her research into this rock art, exploring their content and themes and what they can tell us about the cultures, lifestyles, and subsistence methods of the Black Desert's nomadic peoples. In this episode, she joins me to share her findings and to discuss how archaeology and material remains can illuminate the lives and practices of ancient nomadic pastoralists.

Dr. Brusgaard's book (open access), "Carving Interactions: Rock Art in the Nomadic Landscape of the Black Desert, North-Eastern Jordan."

Explore examples of ancient North Arabian inscriptions and rock art via OCIANA (the Online Corpus of the Inscriptions of Ancient North Arabia),

Music in this episode: Desert City by Kevin MacLeod. License.

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Iraqi Bedouin and Intangible Cultural Heritage

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 2 Jan 2023 09:00:00 +0000

A conversation with Dr. Salah Hatem and Dr. Jaafar Jotheri, professors of archaeology at al-Qadisiyah University, about their research project documenting the intangible cultural heritage of the Bedouin in southern Iraq.

This episode covers topics ranging from the lifestyle of the Iraqi Bedouin to their indigenous knowledge (how to find water in the desert; plants that can be used as medicine) to how cultural heritage can be a tool for social change.

Their research project is funded by the Nahrein Network at University College London, which has as its mission to foster the sustainable development of antiquity, cultural heritage, and the humanities in Iraq. Learn more about the Nahrein network here.

Desert City by Kevin MacLeod. License.

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Rebecca Binns, "Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde" (Manchester UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 2 Jan 2023 09:00:00 +0000

Rebecca Binn's Gee Vaucher: Beyond Punk, Feminism and the Avante Garde (Manchester University Press, 2022) is the first book-length work dedicated to the life and career of Vaucher. As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognized the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the open-house collective at Dial House in Essex, a centre for radical creativity.

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Comedies of 'Fair Use': Lewis Hyde on Owning Art and Ideas

caleb@newbooksnetwork.com (Marshall Poe) — Sun, 1 Jan 2023 09:00:00 +0000

In April 2006, The Institute held a two day symposium about copyright and intellectual property, titled Comedies of Fair Use. In this session, Lewis Hyde talks about owning art and ideas.

Hyde is a cultural critic and scholar, whose work focuses on the nature of imagination, creativity, and property. He is best known for his books, The Gift: Imagination and the Erotic Life of Property, and Trickster Makes This World: Mischief, Myth and Art.

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Aaron Moulton, "The Influencing Machine" (Ujazdowski Castle Centre for Contemporary Art, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 31 Dec 2022 09:00:00 +0000

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros’ Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies.

The Influencing Machine, Aaron Moulton’s exhibition and book traces the network’s history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form’s development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies.

Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory.

The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders?

Aaron Moulton speaks to Pierre d’Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way.

Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost.

The Influencing Machine exhibition at CCA Ujazdowski Castle

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Mark McKinney, "Postcolonialism and Migration in French Comics" (Leuven UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 24 Dec 2022 09:00:00 +0000

Regarded as the “9th Art”, French bande desinée have a much longer history of serious socio-political engagement than American comics. Since the Algerian War (1954–62), postcolonialism, migration, anti-racism are major themes in francophone comics. Mark McKinney’s newest book studies the genre from the formal dismantling of the French colonial empire in 1962 up to the present. Postcolonialism and Migration in French Comics (Leuven UP, 2021) analyses comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including avant-gardism, undocumented migrants in comics, and racism in far-right comics.

Dr. Mark McKinney is Professor of French at Miami University, Ohio. Postcolonialism and Migration in French Comics(Leuven University Press, 2020) is the final installment of a trilogy of sorts that includes The Colonial Heritage of French Comics (Liverpool University Press, 2011) and Redrawing French Empire in Comics (Ohio State University Press, 2013). Dr. McKinney co-edited with Alec G. Hargreaves, Post-Colonial Cultures in France (Routledge, 1997) and edited History and Politics in French-Language Comics and Graphic Novels (University Press of Mississippi, 2008). From 2008-2015, along with Laurence Grove and Ann Miller, he edited the academic journal European Comic Art.

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Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 23 Dec 2022 09:00:00 +0000

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Sam Slote et al., "Annotations to James Joyce's Ulysses" (Oxford UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 22 Dec 2022 09:00:00 +0000

James Joyce's Ulysses is filled with all sorts of references that can get in the way of many of its readers. Annotations to James Joyce's Ulysses (Oxford UP, 2022), with over 12,000 individual annotations (and more than double the word count of Ulysses itself), explains these references and allusions in a clear and compact manner and is designed to be accessible to novices and scholars alike.

The annotations cover the full range of information referenced in Ulysses: a vast array of literary allusions, such as Shakespeare, Aristotle, Dante, Aquinas, slang from various eras and areas, foreign language words and phrases, Hiberno-English expressions, Catholic ritual and theology, Irish histories, Theosophy, Freemasonry, cricket, astronomy, fashion, boxing, heraldry, the symbolism of tattoos, horse racing, advertising slogans, nursery rhymes, superstitions, music-hall songs, references to Dublin topography precise enough for a city directory, and much more besides.

The annotations reflect the latest scholarship and have been thoroughly reviewed by an international team of experts. They are designed to be accessible to first-time readers and college students and will also serve as a resource for Joycean specialists. The volume includes contemporaneous maps of Dublin to illustrate the cityscape's relevance to Joyce's novel. Unlike previous volumes of annotations, almost every note includes documentation about sources.

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Geert Lovink, "Sad by Design: On Platform Nihilism" (Pluto Press, 2019)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 22 Dec 2022 09:00:00 +0000

Why is the internet making us so unhappy? Why is it in capital’s interests to cultivate populations that are depressed and desperate rather than driven by the same irrational exuberance that moves money?

Sadness is now a design problem. The highs and lows of melancholy are coded into social media platforms. After all the clicking, browsing, swiping and liking, all we are left with is the flat and empty aftermath of time lost to the app.

Sad by Design: On Platform Nihilism (Pluto Press, 2019) by Geert Lovink offers a critical analysis of the controversies which drive our online media behaviours. Lovink calls for us to embrace the engineered intimacy of social media, messenger apps and selfies because boredom is the first stage of overcoming ‘platform nihilism’.

Geert Lovink speaks to Pierre d'Alancaisez about the frustrations of studying the internet as it evolves from networks to platforms, the politically-contingent notions of online 'communities', and cycles of ideological production and capture.

Geert Lovink is a media theorist and internet critic who has chronicled the development of internet and network cultures as they came of age alongside him. He is the author of Zero Comments, Networks Without a Cause, Social Media Abyss, and most recently Struck on the Platform. He is the founder of the Institute of Network Cultures.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Pamela Karimi, "Alternative Iran: Contemporary Art and Critical Spatial Practice" (Stanford UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 22 Dec 2022 09:00:00 +0000

Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. These unusual cultural scenes are not only sites of personal encounters, but also part of the collective experience of Iran's citizens.

Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi also discloses the push-and-pull games between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, Alternative Iran: Contemporary Art and Critical Spatial Practice (Stanford UP, 2022) provides entry into Iran's unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.

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Sandra Frimmel, "Art Judgements: Art on Trial in Russia After Perestroika" (Vernon Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 21 Dec 2022 09:00:00 +0000

Since the turn of the millennium, there has been an unusually large number of court cases against artists and curators in Russia. Focusing on prominent cases against the organizers of the exhibitions Caution, Religion! (2003) and Forbidden Art 2006 (2007), Frimmel examines the ways in which the meaning of art and its socio-political effects are argued in court. By placing these cases in a historical context, and comparing them with a number of international case studies, Art Judgements: Art on Trial in Russia After Perestroika (Vernon Press, 2021) reveals how these proceedings have intensified juridical power over artistic freedom (of speech) in Russia over the past two decades.

Sandra Frimmel is Research Coordinator of the Centre of Arts and Cultural Theory (ZKK) and an affiliate of the Department for Slavic Studies at the University of Zürich. Her research interests include Russian art from 19th century through to today, as well as the concepts of art, law, justice, power, and society.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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Tom McLeish, "The Poetry and Music of Science: Comparing Creativity in Science and Art" (Oxford UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 20 Dec 2022 09:00:00 +0000

What human qualities are needed to make scientific discoveries, and which to make great art? Many would point to 'imagination' and 'creativity' in the second case but not the first. Tom McLeish's The Poetry and Music of Science: Comparing Creativity in Science and Art (Oxford UP, 2021) challenges the assumption that doing science is in any sense less creative than art, music or fictional writing and poetry, and treads a historical and contemporary path through common territories of the creative process. The methodological process called the 'scientific method' tells us how to test ideas when we have had them, but not how to arrive at hypotheses in the first place. Hearing the stories that scientists and artists tell about their projects reveals commonalities: the desire for a goal, the experience of frustration and failure, the incubation of the problem, moments of sudden insight, and the experience of the beautiful or sublime.

Selected themes weave the practice of science and art together: visual thinking and metaphor, the transcendence of music and mathematics, the contemporary rise of the English novel and experimental science, and the role of aesthetics and desire in the creative process. Artists and scientists make salient comparisons: Defoe and Boyle; Emmerson and Humboldt, Monet and Einstein, Schumann and Hadamard. The book draws on medieval philosophy at many points as the product of the last age that spent time in inner contemplation of the mystery of how something is mentally brought out from nothing. Taking the phenomenon of the rainbow as an example, the principles of creativity within constraint point to the scientific imagination as a parallel of poetry.

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Ariana Huberman. "Keeping the Mystery Alive: Jewish Mysticism in Latin American Cultural Production" (Academic Studies Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 20 Dec 2022 09:00:00 +0000

Ariana Huberman's Keeping the Mystery Alive: Jewish Mysticism in Latin American Cultural Production (Academic Studies Press, 2022) delves into creative renditions of key aspects of Jewish Mysticism in Latin American literature, film, and art from the perspective of literary and cultural studies. It introduces the work of Latin American authors and artists who have been inspired by Jewish Mysticism from the 1960s to the present focusing on representations of dybbuks (transmigratory souls), the presence of Eros as part of the experience of mystical prayer, reformulations of Zoharic fables, and the search for Tikkun Olam (cosmic repair), among other key topics of Jewish Mysticism. The purpose of this book is to open up these aspects of their work to a broad audience who may or may not be familiar with Jewish Mysticism.

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Chokepoint Capitalism: How Chokepoint Capitalism is Strangling Creative Industries

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 19 Dec 2022 09:00:00 +0000

Many of the creative industries look like an hourglass. On the one side, you have creators; on the other, the rest of us. In the middle, Rebecca Giblin and Cory Doctorow say there's often a 'chokepoint.' Corporate behemoths -- be they streaming apps, publishers, tech giants, or others -- put on the squeeze, exploiting their market power to extract rents, push down wages, and push up costs.

But Cory and Rebecca have solutions to break the stranglehold, and in this episode of Darts and Letters Cory helps Jay explore various chokepoints, from concert tickets to audiobooks, and how we can open up the industries and get workers paid.

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Sean Metzger, "The Chinese Atlantic: Seascapes and the Theatricality of Globalization" (Indiana UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 16 Dec 2022 09:00:00 +0000

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy’s “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger’s book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger’s own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger’s book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies.

Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms.

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Sean Metzger, "The Chinese Atlantic: Seascapes and the Theatricality of Globalization" (Indiana UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 16 Dec 2022 09:00:00 +0000

Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms.

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Amanda Wangwright, "The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949)" (Brill, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 14 Dec 2022 09:00:00 +0000

The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2020) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation’s larger modernization project. Amanda S. Wangwright’s analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality.

Huiying Chen is an Assistant Professor in History at Purdue University. She is interested in the circulation of people, goods, and ideas and how societies in history and today cope with the challenges wrought by increased travel in aspects of culture, politics, commerce, law, science, and technology.

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Nicholas de Villiers, "Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang" (U Minnesota Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 14 Dec 2022 09:00:00 +0000

A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang (U Minnesota Press, 2022) offers a fascinating, systematic method for analyzing the queerness of Tsai’s films.

Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation.

Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema.

Nicholas de Villiers is professor of English and film at the University of North Florida. He is author of Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol and Sexography: Sex Work in Documentary.

Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

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Edward S. Cooke, "Global Objects: Toward a Connected Art History" (Princeton UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 6 Dec 2022 09:00:00 +0000

A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.

Global Objects: Toward a Connected Art History (Princeton UP, 2022) points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.

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Hettie Judah, "Lapidarium: The Secret Lives of Stones" (Penguin, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 5 Dec 2022 09:00:00 +0000

Inspired by the lapidaries of the ancient world, Lapidarium: The Secret Lives of Stones (John Murray/Penguin, 2022) by Hettie Judah is a beautifully designed collection of true stories/essays about sixty different stones that have influenced our shared history.

The earliest scientists ground and processed minerals in a centuries-long quest for a mythic stone that would prolong human life. Michelangelo climbed mountains in Tuscany searching for the sugar-white marble that would yield his sculptures. Catherine the Great wore the wealth of Russia stitched in gemstones onto the front of her bodices.

Through the realms of art, myth, geology, philosophy and power, the story of humanity can be told through the minerals and materials that have allowed us to evolve and create. From the Taiwanese national treasure known as the Meat-Shaped Stone to Malta’s prehistoric “fat lady” temples carved in globigerina limestone to the amethyst crystals still believed to have healing powers, Lapidarium is a jewel box of sixty far-flung stones and the stories that accompany them. Together, they explore how human culture has formed stone, and the roles stone has played in forming human culture.

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Andrew Spira, "Foreshadowed: Malevich’s "Black Square" and Its Precursors" (Reaktion Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Sat, 3 Dec 2022 09:00:00 +0000

When Kasimir’s Malevich’s Black Square was produced in 1915, no one had ever seen anything like it before. And yet it does have precedents. In fact, over the previous five hundred years, several painters, writers, philosophers, scientists, and censors alighted on the form of the black square or rectangle, as if for the first time. Foreshadowed: Malevich’s "Black Square" and Its Precursors (Reaktion Books, 2022) explores the resonances between Malevich’s Black Square and its precursors, revealing layers of meaning that are often overlooked but which are as relevant today as ever.

In this interview, Allison Leigh explores these ideas with Andrew Spira. Their conversation ranges from how Andrew chose the overall structure for the book and his process of researching it, to why Malevich’s canvas should be seen as one of the most interesting and beautiful paintings ever made.

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Adam Brookes, "Fragile Cargo: The World War II Race to Save the Treasures of China's Forbidden City" (Atria Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 2 Dec 2022 09:00:00 +0000

The two parallel Palace Museums in Beijing and Taiwan, and their separate collections of thousands of precious artworks and artifacts from imperial times, reflects a key moment in the 1940s when the Republic of China and the People’s Republic became distinct entities. But the very survival of these vast troves of porcelain, sculpture, jade, paintings, books and many other items up to that moment was far from guaranteed given the epochal events unfolding across East Asia in the early part of the twentieth century.

In Fragile Cargo: The World War II Race to Save the Treasures of China's Forbidden City (Atria Books, 2022), Adam Brookes tells the story of the evacuation and survival of these delicate ‘treasures’, which during the 1930s to the 1940s travelled from their erstwhile palace home thousands of miles into western China, following rivers, railways and roads to evade the tides of war and revolution which threatened to catch up with and destroy them. Marshaled by attentive and often very brave curators, these objects and their improbable physical and symbolic journeys offer – in Brookes’ vivid telling – an extraordinary and revealing perspective on a critically important era of imperial collapse, civil war and foreign invasion.

Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.

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Monica Juneja and Sumathi Ramaswamy, "Motherland: Pushpamala N.'s 'Woman and Nation'" (Roli Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 29 Nov 2022 09:00:00 +0000

Monica Juneja and Sumathi Ramaswamy's Motherland: Pushpamala N.'s 'Woman and Nation' (Roli Books, 2022) examines Motherland, an important series of photo-performances by the acclaimed artist Pushpamala N. on the Indian nation personified as woman, mother, and goddess. The series shows Pushpamala taking on Mother India's myriad personifications: nubile beauty and saintly renunciant; militant goddess wearing a garland of skulls or receiving the ultimate sacrifice of a warrior's head; the mother-surgeon activating the birth of model citizens; and destitute widow, bent from years of abject labor. As she does so, she reveals that nations are invented, as are national embodiments. The artist's burden is to reveal the ingredients of such inventions.

Ujaan Ghosh is a graduate student at the Department of Art History at University of Wisconsin, Madison

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Jasmine Nichole Cobb, "New Growth: The Art and Texture of Black Hair" (Duke UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 25 Nov 2022 09:00:00 +0000

From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth: The Art and Texture of Black Hair (Duke UP, 2022), Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustrations, documentary films, and photography as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside styling products or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.

Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter

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Cajetan Iheka, "African Ecomedia: Network Forms, Planetary Politics" (Duke UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 22 Nov 2022 09:00:00 +0000

In African Ecomedia: Network Forms, Planetary Politics (Duke UP, 2021), Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture. Iheka shows how, through visual media such as film, photography, and sculpture, African artists deliver a unique perspective on the socioecological costs of media production, from mineral and oil extraction to the politics of animal conservation. Among other works, he examines Pieter Hugo's photography of electronic waste recycling in Ghana and Idrissou Mora-Kpai's documentary on the deleterious consequences of uranium mining in Niger. These works highlight not only the exploitation of African workers and the vast scope of environmental degradation but also the resourcefulness and creativity of African media makers. They point to the unsustainability of current practices while acknowledging our planet's finite natural resources. In foregrounding Africa's centrality to the production and disposal of media technology, Iheka shows the important place visual media has in raising awareness of and documenting ecological disaster even as it remains complicit in it.

Dr. Cajetan Iheka is a Professor in the English Department at Yale University. Before African Ecomedia he published Naturalizing Africa: Ecological Violence, Agency, and Postcolonial Resistance in African Literature in 2018, which won two prizes - the Ecocriticism Book Award of the Association for the Study of Literature and Environment, and the African Literature Association First Book Prize. Dr. Iheka has also edited the volume, Teaching Postcolonial Environmental Literature and Media, and co-edited another titled African Migration Narratives: Politics, Race, and Space.

Sara Katz is a Postdoctoral Associate in the History Department at Duke University.

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Caroline Roope, "The History of the London Underground Map" (Pen and Sword Transport, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 18 Nov 2022 09:00:00 +0000

Few transportation maps can boast the pedigree that London’s iconic ‘Tube’ map can. Sported on t-shirts, keyrings, duvet covers, and most recently, downloaded an astonishing twenty million times in app form, the map remains a long-standing icon of British design and ingenuity. Hailed by the art and design community as a cultural artefact, it has also inspired other culturally important pieces of artwork, and in 2006 was voted second in BBC 2’s Great British Design Test.

But it almost didn’t make it out of the notepad it was designed in.

The story of how the Underground map evolved is almost as troubled and fraught with complexities as the transport network it represents. Mapping the Underground was not for the faint-hearted – it rapidly became a source of frustration, and in some cases obsession – often driving its custodians to the point of distraction. The solution, when eventually found, would not only revolutionise the movement of people around the city but change the way we visualise London forever.

Caroline Roope’s wonderfully researched book The History of the London Underground Map (Pen & Sword, 2022) casts the Underground in a new light, placing the world’s most famous transit network and its even more famous map in its wider historical and cultural context, revealing the people not just behind the iconic map, but behind the Underground’s artistic and architectural heritage. From pioneers to visionaries, disruptors to dissenters – the Underground has had them all – as well as a constant stream of (often disgruntled) passengers. It is thanks to the legacy of a host of reformers that the Tube and the diagram that finally provided the key to understanding it, have endured as masterpieces of both engineering and design.

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Seeing Truth in Making and Unmaking Art

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 17 Nov 2022 09:00:00 +0000

Artist Valerie Hegarty like to rip things up, twist them, distort them, and then leave audiences to ponder the results of her violence against imagery. Join us for a conversation about making objects, tearing them up, origin stories, and what can happen to if you grow up in a revival historic home filled with fake artifacts.

Learn more about the Seeing Truth exhibition at here.

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Women In Art Magazine: A Conversation with Laureline Latour

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 16 Nov 2022 09:00:00 +0000

Laureline Latour founded Women In Art Magazine in July 2022 from a desire to bring together artists from different countries. She studied German and Russian ab initio at Oxford University. Women In Art Magazine's teams are based between Oxford, London, Paris and beyond.

Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).

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Ryan Poll, "Aquaman and the War Against Oceans: Comics Activism and Allegory in the Anthropocene" (U Nebraska Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 14 Nov 2022 09:00:00 +0000

In Aquaman and the War against Oceans (University of Nebraska Press, 2022), Ryan Poll explores ways the New 52 reimagining of Aquaman--a massive overhaul and rebranding of all DC Comics--transformed the character from a joke to an important figure of ecological justice. In this series, Aquaman becomes an accessible figure for charting environmental violences endemic to global capitalism and for developing a progressive and popular ecological imagination. Poll argues that The New 52 Aquaman should be read as an allegory that responds to the crises of the Anthropocene, in which the oceans have become a site of warfare and mass death. Poll contends that the series, which works to bridge the terrestrial and watery worlds, can be understood as a form of comics activism by visualizing and verbalizing how the oceans are both beyond the projects of the "human" and "humanism," and simultaneously, all-too-human geographies that are inextricable from the violent structures of capitalism, white supremacy, and patriarchy. The New 52 Aquaman, Poll demonstrates, proves an important form of ocean literacy in particular and ecological literacy more generally.

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Peter Rehberg, "Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt'" (Routledge, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 4 Nov 2022 08:00:00 +0000

It’s easy to forget that the cultural archetypes that pass for queerness today have historical roots. Some of these roots are mere years away from today’s reality but they are nonetheless distinct and come with their own artefacts and subcultures.

Peter Rehberg’s book Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt' (Routledge, 2022) looks at one such source artefact and its fandom, using as its matter the pink-papered magazine Butt which gained a cult following among European gay men in the first decade of the 2000s. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.

Peter Rehberg speaks to Pierre d’Alancaisez about pornography after porn, Butt‘s outsized influence and the ultimate failures of its politics, as well as queer theory’s urgent need to refocus on the realities of sex and sexuality.

Peter Rehberg is a writer, critic, and curator. He holds a PhD in German Literature from New York University and has taught and researched at universities and institutes including Cornell, Northwestern, Brown, University of Bonn, The University of Texas at Austin, and The University of Illinois, Chicago. He has published two novels and a collection of short stories. He also writes regularly for German media. In his academic work, he focusses on queer theory, queer visual culture, and popular culture. He is also the head of collections and archives at Schwules Museum, Berlin.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Graham Harman, "Architecture and Objects" (U Minnesota Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 4 Nov 2022 08:00:00 +0000

Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function.

Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”

Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.

Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

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Laura A. Frahm, "Design in Motion: Film Experiments at the Bauhaus" (MIT Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 2 Nov 2022 08:00:00 +0000

Design in Motion: Film Experiments at the Bauhaus (MIT Press, 2022) provides the first comprehensive history of film experiments at the Bauhaus, the famous art school that operated between 1919 and 1933 and was located in Weimar, before moving to Dessau and later to Berlin. While the Bauhaus is commonly associated with the development of modern architecture and industrial design, Design in Motion focuses on film, and demonstrates how the cinematic medium became a proving ground for some of the school’s most innovative work.

Laura Frahm is John L. Loeb Associate Professor of the Humanities at the Department of Art, Film, and Visual Studies at Harvard University. Frahm's work explores film and media through the lens of architecture, design, spatial theory, ecological thought, and process philosophy. In addition to her latest book Design in Motion: Film Experiments at the Bauhaus (2022), she is the author of Beyond Space: Cinematic Topologies of the Urban (2010), Moving Spaces: Spatial Configurations in Music Videos by Jonathan Glazer, Chris Cunningham, Mark Romanek, and Michel Gondry (2007) and Introduction to Media Cultural Studies (co-edited, 2005).

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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Joanna Ebenstein, "Frederik Ruysch and His Thesaurus Anatomicus: A Morbid Guide" (MIT Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 2 Nov 2022 04:00:00 +0000

Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated Frederik Ruysch and His Thesaurus Anatomicus (MIT Press, 2022). This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more.

Ruysch was at once a brilliant scientist, a preternaturally gifted technician, an esteemed physician, a religious moralizer, and an artist whose prime form of expression was the medium of human remains. His works were sometimes described as Rembrandts of anatomical preparation; today they seem so strange that we can hardly believe that they even existed, much less that they were so popular in their time. His combination of the religious and the scientific, the painstakingly accurate and the extravagantly fantastical, offers vivid testimony of an era in which science overlapped seamlessly with religion and art. Essays accompanying Ruysch's text and images consider such topics as the historical context of Ruysch's work, the paradox of an artist of death whose work engenders the illusion of life, the conservation of Ruysch's specimens, and the shifting ascendancies of romanticism and rationality in the natural sciences.

Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.

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David Morgan, "The Thing about Religion: An Introduction to the Material Study of Religions" (UNC Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 1 Nov 2022 08:00:00 +0000

Common views of religion typically focus on the beliefs and meanings derived from revealed scriptures, ideas, and doctrines. David Morgan has broadened that framework radically to encompass the understanding that religions are fundamentally embodied, material forms of practice. The Thing about Religion: An Introduction to the Material Study of Religions (UNC Press, 2021) shows readers how to study what has come to be termed material religion—the ways religious meaning is enacted in the material world.

Material religion includes the things people wear, eat, sing, touch, look at, create, and avoid. It also encompasses the places where religion and the social realities of everyday life, including gender, class, and race, intersect in physical ways. This interdisciplinary approach brings religious studies into conversation with art history, anthropology, and other fields. In the book, Morgan lays out a range of theories, terms, and concepts and shows how they work together to center materiality in the study of religion. After integrating carefully curated visual evidence, Morgan then applies these ideas and methods to case studies across various religious traditions, modeling step-by-step analysis and emphasizing the importance of historical context. The Thing about Religion will be an essential tool for experts and students alike.

Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India.

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Rachel Aumiller, "A Touch of Doubt: On Haptic Scepticism" (de Gruyter, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 27 Oct 2022 08:00:00 +0000

What can we know about ourselves and the world through the sense of touch and what are the epistemic limits of touch? Scepticism claims that there is always something that slips through the epistemologist's grasp.

A Touch of Doubt: On Haptic Scepticism (de Gruyter, 2021) explores the significance of touch for the history of philosophical scepticism as well as for scepticism as an embodied form of subversive political, religious, and artistic practice. Drawing on the tradition of scepticism within nineteenth- and twentieth-century continental philosophy and psychoanalysis, this volume discusses how the sense of touch uncovers contradictions within our knowledge of ourselves and the world. It questions 1) what we can know through touch, 2) what we can know about touch itself, and 3) how our experience of touching the other and ourselves throws us into a state of doubt. This volume is intended for students and scholars who wish to reconsider the experience of touching in intersections of philosophy, religion, art, and social and political practice.

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Hongwei Bao, "Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism" (Routledge, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 26 Oct 2022 08:00:00 +0000

In Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism (Routledge, 2020), associate professor of media and cultural studies at the University of Nottingham Hongwei Bao returns with a theory-driven, methodologically-diverse, empathetic, and insightful analysis of LGBTQ literature and visual culture in postsocialist China. A thorough introduction positions Bao as a participant observer and explores key concepts including “postsocialist metamorphosis,” defined as “the transformation of subjectivity, desire and sense of belonging in the postsocialist era” (4). After exploring the history of homosexuality’s (re-)emergence in China’s reform era by tracing public, intellectual discourse, Bao counters the misperception that Chinese gay and lesbian identities are the result of the influence of global (Western) gay culture. Instead, he identifies a variety of gender and sexual subjectivities unique to China’s postsocialist conditions and historical context. Each chapter then explores rich case studies from queer China, touching upon a wide variety of cultural production types. From poetry to papercutting art, from comrade (tongzhi)/gay literature to girls’ love fan fiction, from lesbian films to activist documentaries, and from a drag show in Shanghai to a public performance of a same-sex wedding in Beijing, Queer China provides unique analysis and insights and also acts as an archive of queer cultural production in postsocialist China.

Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu.

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Leonardo da Vinci and Vassari’s "Lives of the Painters"

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 25 Oct 2022 08:00:00 +0000

In this episode of the Vault, we hear Harry Berger’s talk about Leonardo da Vinci and Vassari’s "Lives of the Painters." Harry Berger was a scholar of Renaissance English literature who wrote books about art history, anthropology, and philosophy. He taught at UC Santa Cruz, where he was an emeritus professor until he died in 2021, at age 96.

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Yoshiko Okuyama, "Reframing Disability in Manga" (U Hawaii Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 24 Oct 2022 08:00:00 +0000

Reframing Disability in Manga (University of Hawaii Press, 2020) analyzes popular Japanese manga published from the 1990s to the present that portray the everyday lives of adults and children with disabilities in an ableist society. It focuses on five representative conditions currently classified as shōgai (disabilities) in Japan―deafness, blindness, paraplegia, autism, and gender identity disorder―and explores the complexities and sociocultural issues surrounding each. Author Yoshiko Okuyama begins by looking at preindustrial understandings of difference in Japanese myths and legends before moving on to an overview of contemporary representations of disability in popular culture, uncovering socio-historical attitudes toward the physically, neurologically, or intellectually marked Other. She critiques how characters with disabilities have been represented in mass media, which has reinforced ableism in society and negatively influenced our understanding of human diversity in the past.

Okuyama then presents fifteen case studies, each centered on a manga or manga series, that showcase how careful depictions of such characters as differently abled, rather than disabled or impaired, can influence cultural constructions of shōgai and promote social change. Informed by numerous interviews with manga authors and disability activists, Okuyama reveals positive messages of diversity embedded in manga and argues that greater awareness of disability in Japan in the last two decades is due in part to the popularity of these works, the accessibility of the medium, and the authentic stories they tell.

Scholars and students in disability studies will find this book an invaluable resource as well as those with interests in Japanese cultural and media studies in general and manga and queer narrative and anti-normative discourse in Japan in particular.

Yoshiko Okuyama is Professor of Japanese studies at the University of Hawai’i at Hilo, USA. Her recent publications include Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime (2015) and Reframing Disability in Manga (2020).

Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio.

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Eden Collinsworth, "What the Ermine Saw: The Extraordinary Journey of Leonardo Da Vinci's Most Mysterious Portrait" (Doubleday Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 20 Oct 2022 08:00:00 +0000

In the tradition of The Lady in Gold and The Hare with Amber Eyes, the remarkable history behind one of the world's most beloved paintings, Leonardo da Vinci's Lady with an Ermine More than half a millennium ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the fourteen-year-old mistress of Ludovico Sforza, Duke of Milan. Her lover, a ruthless man, was aware that da Vinci's brilliance as a painter would not only capture his mistress's beauty but reflect his own political prowess. Indeed, with this beguiling painting--in which Gallerani holds a strange white ermine close to her breast--da Vinci revolutionized the genre, changing not just what a portrait looked like, but also its purpose. But despite the work's importance in its own time, no records of it from the three hundred years following Gallerini's death exist.

In What the Ermine Saw: The Extraordinary Journey of Leonardo Da Vinci's Most Mysterious Portrait (Doubleday Books, 2022), Eden Collinsworth illuminates the eventual history of this exquisite oil painting, as it journeyed from one owner to the next--from the brutal Milanese Duke to a Polish noblewoman to the Nazis, who added it to Hitler's private collection, to the Czartoryski Museum in Krakow where it is currently displayed. Along the way, Collinsworth reveals a bewildering maze of social alliances and cultural upheavals, polarizing political divisions and territorial fragmentation. Expertly researched and deftly told, What the Ermine Saw is an enthralling account of Renaissance Italy and its actors, a comprehensive study of artistry and innovation, and a reminder that genius, power, and beauty always have a price.

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Leslie A. Geddes, "Watermarks: Leonardo Da Vinci and the Mastery of Nature" (Princeton UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 17 Oct 2022 08:00:00 +0000

Formless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo’s interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems.

In this interview, Allison Leigh talks to Leslie Geddes about transforming your dissertation into a book, how one tackles a body of scholarly literature as immense as that on Leonardo, and whether or not the famous Salvator Mundi was indeed painted by Leonardo. Their conversation ranges from what it is like to examine the artist’s Renaissance drawings in person to the power of comparisons within art historical writing and research.

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Jacque Lynn Foltyn and Laura Petican, "In Fashion: Culture, Commerce, Craft, and Identity" (Brill, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 17 Oct 2022 08:00:00 +0000

There has been no greater surge in global fashion trends and expressions of personal style than in the contemporary era of social media fashion influencers. But what constitutes “being in fashion” amongst this multiplicity of interpretations?

In this episode of Humanities Matter, Dr. Laura Petican, Professor of Sociology at the National University, San Diego, and Dr. Jacque Lynn Foltyn, Associate Professor and Director of University Galleries at Texas A&M University-Corpus Christi, explore various disciplinary, professional, and creative perspectives to expand their proposition that fashion is about self-presentation. In Fashion: Culture, Commerce, Craft, and Identity, published by Brill and edited by Drs. Petican and Foltyn, is a deep exploration of fashion representations; being fashionable, shopping, luxury, and vintage; fashion materials, craft, industry, and innovation; museum-worthy fashion; and fashioning cultural identities.

Summary: A conversation on the cultural, commercial, and creative perspectives of what it means to be ‘in fashion’ in the modern world.

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Ethics, Utopia and Materiality: Glimpses of Everyday Creativity and Hope in Indonesian Papua

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 13 Oct 2022 08:00:00 +0000

The Asmat are an indigenous people of Indonesian Papua and are renowned for their artistic carving flair and complex life-cycle rituals. They also have big ambitions that reach as far as the Vatican. Over the past five decades, pressures from the state, religious authorities, and the global art market, have led to profound cultural changes and a widespread sense of predicament, dysphoria and disempowerment among the Asmat.

In this episode of SSEAC Stories, Dr Natali Pearson is joined by Dr Roberto Costa to discuss the social changes experienced by the Asmat people, and the material and ethical alternatives they are developing in response to a wide range of socio-cultural, religious, and ecological predicaments.

About Roberto Costa:

Roberto Costa (PhD in Anthropology, 2021) currently works as a sessional academic at the Department of Anthropology at the University of Sydney and the School of Social Sciences at Macquarie University. He has published in the areas of politics, religion, ethics, materiality and human-non-human relations, mainly on his research in Indonesia and Papua/Melanesia. His research interests also include digital activism, phenomenology, and visual and sensory anthropology, the latter stemming from his prior educational formation as a musician. His present project focuses on rewriting his doctoral thesis into a book. In his doctoral research, he looked at the efforts of the Asmat, a people group in the south of Indonesian Papua, to actualise material and ethical alternatives to socio-cultural, religious and ecological predicaments.

For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.

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Salim Tamari, "Camera Palaestina: Photography and Displaced Histories of Palestine" (U California Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 13 Oct 2022 08:00:00 +0000

Camera Palaestina: Photography and Displaced Histories of Palestine (U California Press, 2022) is a critical exploration of Jerusalemite chronicler Wasif Jawhariyyeh (1904–1972) and his seven photography albums entitled The Illustrated History of Palestine. Jawhariyyeh’s nine hundred images narrate the rich cultural and political milieu of Ottoman and Mandate Palestine. Nassar, Sheehi, and Tamari locate this archive at the juncture between the history of photography in the Arab world and the social history of Palestine. Shedding new light on this foundational period, the authors explore not just major historical events and the development of an urban bourgeois lifestyle but a social field of vision of Palestinian life as exemplified in the Jerusalem community. Tracking the interplay between photographic images, the authors offer evidence of the unbroken field of material, historical, and collective experience from the living past to the living present of Arab Palestine.

In this podcast we discussed the origins of the book, its methodological approach and what the work of Wasif Jawhariyyeh can tell us about Palestine. The three ways conversation does not just discuss the book, but it serves as a companion and provides a great introduction to the life and work of Wasif Jawhariyyeh.

Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref

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Ewa Stańczyk, "Comics and Nation: Power, Pop Culture, and Political Transformation in Poland" (Ohio State UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 11 Oct 2022 08:00:00 +0000

Comics and Nation: Power, Pop Culture, and Political Transformation in Poland (Ohio State UP, 2022) offers a fresh perspective on the role of popular culture in the one-hundred-year history of the Polish state, from its foundation in 1918 to the present. Drawing on dozens of press articles, interviews, and readers' letters, Ewa Stańczyk discusses how journalists, artists, and audiences used comics to probe the boundaries of national culture and scrutinize the established notions of Polishness. Critical moments of Poland's political transformation --the establishment of the interwar Polish Republic, the Cold War, the liberalization of the 1970s, the 1989 democratic transition, the turn to memory politics in the 2000s--have all been reflected in the history of Polish comics. Stańczyk offers new insights into how the production of homegrown comics and the influx of foreign works enabled commentators to express their fears, hopes, and disillusionment with political, economic, and cultural changes in Poland and beyond. At its core, Comics and Nation rethinks the impact of popular culture and transnational exchange on Polish nation building, citizenship formation, and the legitimation of power.

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Bruce Robbins, "Criticism and Politics: A Polemical Introduction" (Stanford UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 11 Oct 2022 08:00:00 +0000

What is criticism for? Over the past few decades, violent disagreements over that question in the academy have burst into the news media. These conflicts have renewed the Culture Wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions. Does a concern with race, gender, and sexuality, with unacknowledged power and privilege, with identity, give present critics the right to criticize the great works of the past? If we have learned to see those works in terms of historical differences rather than universal truths, how is it that they speak to us at all? In the study of the world's cultures, there is more than one way to avoid being Eurocentric; which way should we choose?

Re-examining key thinkers since 1970, including Walter Benjamin, Michel Foucault, Judith Butler, Edward Said, Hortense Spillers, Fredric Jameson, and Stuart Hall, Bruce Robbins' book Criticism and Politics: A Polemical Introduction (Stanford UP, 2022) offers both a non-specialist introduction to recent cultural theory and a strong new interpretation of how this theory applies to the everyday issue of what cultural critics do and how they should feel about what they do.

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Asha Rogers, "State Sponsored Literature: Britain and Cultural Diversity After 1945" (Oxford UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 6 Oct 2022 08:00:00 +0000

How does the state support writers? In State Sponsored Literature: Britain and Cultural Diversity after 1945 (Oxford UP, 2020), Asha Rogers, Senior Lecturer in Contemporary Postcolonial Literature at the University of Birmingham, explores the history of authors, institutions, and governments approach to literature in a changing, imperial and post-imperial, Britain. The book uses a wealth of examples, from key organisations such as the British Council and the Arts Council of Great Britain, through case studies of key authors such as Salman Rushdie, to concepts such as multiculturalism and cultural diversity. Making a significant contribution to English literature and cultural policy, the book will be essential reading across the arts and humanities and social sciences, as well as for anyone interested in the relationship between governments and literature.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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C. Thi Nguyen, "Games: Agency as Art" (Oxford UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 4 Oct 2022 08:00:00 +0000

Games are a unique art form. Games work in the medium of agency. Game designers tell us who to be and what to care about during the game. Game designers sculpt alternate agencies, and game players submerge themselves in those alternate agencies. Thus, the fact that we play games demonstrates the fluidity of our own agency. We can throw ourselves, for a little while, into a different and temporary motivations.

This volume presents a new theory of games which insists on their unique value. In Games: Agency as Art (Oxford UP, 2020), C. Thi Nguyen argues that games are an integral part our systems of communication and our art. Games sculpt our practical activities, allowing us to experience the beauty of our own actions and reasoning. Bridging aesthetics and practical reasoning, he gives an account of the special motivational structure involved in playing games. When we play games, we can pursue a goal, not for its own value, but for the value of the struggle. Thus, playing games involves a motivational inversion from normal life. We adopt an interest in winning temporarily, so we can experience the beauty of the struggle. Games offer us a temporary experience of life under utterly clear values, in a world engineered to fit to our abilities and goals.

Games also let us to experience forms of agency we might never have developed on our own. Games, it turns out, are a special technique for communication. They are a technology that lets us record and transmit forms of agency. Our games form a "library of agency" and we can explore that library to develop our autonomy. Games use temporary restrictions to force us into new postures of agency.

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Natalie J. Goodison, "Introducing the Medieval Swan" (U Wales Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 4 Oct 2022 08:00:00 +0000

What comes to mind when we think of swans? Likely their beauty in domestic settings, their preserved status, their association with royalty, and possibly even the phrase ‘swan song’.

Dr. Natalie Goodison’s Introducing the Medieval Swan (University of Wales Press, 2022) explores the emergence of each of these ideas, starting with an examination of the medieval swan in natural history, exploring classical writings and their medieval interpretations and demonstrating how the idea of a swan’s song developed.

Dr. Goodison then proceeds to consider literary motifs of swan-to-human transformation, particularly the legend of the Knight of the Swan. Although this legend is known today only through Wagner’s opera, it was a best-seller in the Middle Ages, and courts throughout Europe strove to be associated as ancestors of this Swan Knight. Consequently, the swan was projected as an icon of courtly and eventual royal status.

The book’s third chapter looks at the swan as icon of the Lancasters, particularly important during the reign of Richard II and the War of the Roses, and the final chapter examines the swan as an important item of feasting, focusing on cookery and husbandry to argue that over time the right to keep swans became an increasingly restricted right controlled by the English crown. Each of the swan’s medieval associations are explored as they developed over time to the modern day.

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Clémentine Deliss, "The Metabolic Museum" (Hatje Cantz, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 4 Oct 2022 08:00:00 +0000

In The Metabolic Museum (Hatje Cantz, 2020), Clémentine Deliss, a curator, researcher, and former director of the Frankfurt Weltkulturen Museum, explores possible functions for anthropological museums in a postcolonial culture. Anthropological museums in Europe, as products of imperialism, have been compelled to legitimate themselves because the very basis of their exhibitions, the history of their collections, came about all too often through colonial appropriation and outright theft.

In this book, Deliss addresses this reality for enthographic or world culture museums in Europe, exploring the possible futures for these institutions. Connecting to reflections on her own work as the director of the Frankfurt Weltkulturen Museum with discussions of filmmakers, artists and authors to argue for an entity she calls the Metabolic Museum―an interventionist laboratory that opens up the potential of anthropological collections for the future.

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Bob Brier, "Tutankhamun and the Tomb That Changed the World" (Oxford UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 3 Oct 2022 08:00:00 +0000

It is often thought that the story of Tutankhamun ended when the thousands of items discovered by Howard Carter and Lord Carnarvon were transported to the Egyptian Museum in Cairo and put on display. But there is far more to Tutankhamun's story. Tutankhamun and the Tomb that Changed the World (Oxford UP, 2022) explores the 100 years of research on Tutankhamun that has taken place since the tomb's discovery: we learn that several objects in the tomb were made of meteoritic iron that came from outer space; new evidence shows that Tutankhamun may have been a warrior who went into battle; and author Bob Brier takes readers behind the scenes of the recent CAT-scanning of his mummy to reveal secrets of the pharaoh.

The book also illustrates the wide-ranging impact the discovery of Tutankhamun's tomb had on fields beyond Egyptology. Included is an examination of how the discovery of the tomb influenced Egyptian politics and contributed to the downfall of colonialism in Egypt. Outside Egypt, the modern blockbuster exhibitions that raise great sums of monies for museums around the world all began with Tutankhamun, as did the idea of documenting every object discovered in place, before it was moved. And to a great extent, the modern fascination with ancient Egypt--Egyptomania--was also greatly promoted by the Tutmania that surrounded the discovery of the tomb.

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Juliane Noth, "Transmedial Landscapes and Modern Chinese Painting" (Harvard UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 30 Sep 2022 08:00:00 +0000

Juliane Noth’s Transmedial Landscapes and Modern Chinese Paintings, coming very soon from the Harvard University Asia Center (2022), tracks a relatively short but transformative period in ink painting that coincides with the Nanjing Decade, 1927-1937. In the book, Noth considers how artists negotiated the continuing relevance and development of a form that came to be defined as guohua, or “national painting,” vis a vis the introduction of photography and new (print) technologies. She argues that their theoretical writings and painting practice, far from statically embracing “tradition,” brimmed with the tension between cosmopolitanism and cultural defense. The artists considered in the book reinterpreted Chinese art history in relation to Western developmental models and technologies while maintaining an active formal conversation with literati painting traditions. The emergence of what Noth theorizes as “transmedial” landscapes was also strongly intertwined with state rail and road infrastructure projects and the development of a modern travel industry. Join us in our discussion to hear more of the nuance and complexity with which Prof. Noth analyzes this transformative period in Chinese visual culture.

Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms.

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Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 29 Sep 2022 08:00:00 +0000

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The Women Who Transformed the National Gallery of Canada

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 28 Sep 2022 08:00:00 +0000

Greg Marchildon interviews Diana Nemiroff. As a former curator of contemporary and modern art at the National Gallery of Canada and former director of the Carleton University Art Gallery, and an adjunct professor of art history at both Carleton University and the University of Ottawa, she was well placed to write this definitive history of the transformation of the National Gallery of Canada from the 1960s to the 1990s. As result of the leadership of three remarkable women directors, the National Gallery of Canada has become one of the great art galleries in the world housed in a striking building that has become a landmark in the National Capital Region. The end result is a remarkable cultural history of the visual arts through the lens of the most important art gallery in the country.

This interview was produced with the support of The Champlain Society. The mission of The Champlain Society is to increase public awareness of, and accessibility to, Canada’s rich store of historical records.

Gregory P. Marchildon is the Ontario Research Chair in Health Policy and System Design with the Institute of Health Policy, Management and Evaluation at the University of Toronto.

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Gregory Sholette, "The Art of Activism and the Activism of Art" (Lund Humphries, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 27 Sep 2022 08:00:00 +0000

Since the global financial crash of 2008, artists have become increasingly engaged in a wide range of cultural activism targeted against capitalism, political authoritarianism, colonial legacies, gentrification, but also in opposition to their own exploitation. They have also absorbed and reflected forms of protest within their art practice itself. The Art of Activism and the Activism of Art (Lund Humphries, 2021) maps, critiques, and celebrates activist art, exploring its current urgency alongside the processes which have given rise to activism by artists, and activist forms of art.

Gregory Sholette speaks to Pierre d'Alancaisez about the vanishing distinctions between art, art activism, and traditional political activism, and the political dimensions of culture in a hyper-aestheticised world that is indicative of a broader crisis of capitalism. Sholette describes a new wave of activist art taking place not only within community-based protest groups, as it has for decades, but amongst professionally trained artists many of whom refuse to respect the conventional borders separating painting from protest, or art from utility.

Gregory Sholette is an artist, writer, and activist. He has participated in, documented, and written about activist art for over forty years. He is the co-convenor of the school Social Practice Queens, a pioneering programme training artists to become social and political activists.

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Annie-B Parson, "The Choreography of Everyday Life" (Verso, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 23 Sep 2022 08:00:00 +0000

Renowned choreographer Annie-B Parson's new book The Choreography of Everyday Life (Verso, 2022) is many things: a pandemic diary, a discourse of Greek tragedy, and a tribute to Parson's many inspirations, from Trisha Brown to Hilma af Klint. Mostly though, it's a leisurely walk through a brilliant mind. This book weaves together personal and theoretical reflections with evocative images from famous works of art and Parson's own casual snapshots. The result will be oddly familiar to any follower of her company Big Dance Theater. It's a delightful clash of high art and low culture, sparklingly intelligent yet warmly conversational.

Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

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Olúfemi Táíwò, "Against Decolonization: Taking African Agency Seriously" (Hurst, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 22 Sep 2022 08:00:00 +0000

Decolonisation has lost its way. Originally a struggle to escape the West’s direct political and economic control, it has become a catch-all idea, often for performing ‘morality’ or ‘authenticity’. In Against Decolonization: Taking African Agency Seriously (Hurst, 2022), Olúfẹ́mi Táíwò fiercely rejects the indiscriminate application of ‘decolonisation’ to everything from literature, language and philosophy to sociology, psychology and medicine.

Olúfẹ́mi Táíwò speaks to Pierre d’Alancaisez about the project of ‘decolonisation’ as intellectually unsound and unrealistic. Táíwò rejects decolonisation’s conflation of modernity with coloniality and takes to task the decolonisers’ confused attempts at undoing of global society’s foundations.

He argues that the decolonisation industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa. Worst of all, today’s movement attacks its own cause: ‘decolonisers’ themselves are disregarding, infantilising and imposing values on contemporary African thinkers.

This much-needed intervention questions whether today’s ‘decolonisation’ truly serves African empowerment. Táíwò’s is a bold challenge to respect African intellectuals as innovative adaptors, appropriators and synthesisers of ideas they have always seen as universally relevant.

Olúfẹ́mi Táíwò is Professor of African Political Thought and Chair at the Africana Studies and Research Center, Cornell University. His writings have been translated into French, Italian, German and Portuguese. His book How Colonialism Preempted Modernity in Africa won the Frantz Fanon Award in 2015.

NBN interview with Olúfẹ́mi on Africa Must Be Modern

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Paula Serafini, "Creating Worlds Otherwise: Art, Collective Action, And (Post)Extractivism" (Vanderbilt UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 22 Sep 2022 08:00:00 +0000

How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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Stephen F. Auth, "Pilgrimage to the Museum: Man's Search for God Through Art and Time" (Sophia Institute Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 21 Sep 2022 08:00:00 +0000

In Pilgrimage to the Museum: Man's Search for God through Art and Time (Sophia Institute Press, 2022), Stephen Auth takes you on a provocative and colorful journey through the history of Western art, interpreted through a lens of Christian spirituality -- appropriately so since, in Auth's view, much of Western art expresses humanity's search for God, the Divine Artist-Creator. Leaving all the art-history jargon behind, Auth will transport you in his spiritual time machine from Egypt's Old Kingdom, through Greece and Rome, to medieval Europe; from the age of the Renaissance, through the Ages of Exploration and Enlightenment; and from the rise of atheism in the late 1800s to the seeds of a spiritual rebirth in the modern era. Along the way, you will experience anew the masterpieces of many artists, from Polykleitos to Raphael, Duccio to Rembrandt, Monet to Picasso. Through the works of these great artists, you will discover how the various themes and motifs of man's spiritual struggle occur, morph, fade, and then reoccur centuries later. And you will never look at a work of art the same way again.

Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are here.

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Alex Nathanson, "A History of Solar Power Art and Design" (Routledge, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 19 Sep 2022 08:00:00 +0000

Alex Nathanson's book A History of Solar Power Art and Design (Routledge, 2021) examines the history of creative applications of photovoltaic (PV) solar power, including sound art, wearable technology, public art, industrial design, digital media, building integrated design, and many others.

The growth in artists and designers incorporating solar power into their work reflects broader social, economic, and political events. As the cost of PV cells has come down, they have become more accessible and have found their way into a growing range of design applications and artistic practices. As climate change continues to transform our environment and becomes a greater public concern, the importance of integrating sustainable energy technologies into our culture grows as well.

The book will be of interest to scholars working in art history, design history, design studies, environmental studies, environmental humanities, and sustainable energy design.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture

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Mrill Ingram, "Loving Orphaned Space: The Art and Science of Belonging to Earth" (Temple UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 16 Sep 2022 09:00:00 +0000

How we relate to orphaned space matters. Voids, marginalia, empty spaces—from abandoned gas stations to polluted waterways—are created and maintained by politics, and often go unquestioned. In Loving Orphaned Space: The Art and Science of Belonging to Earth (Temple UP, 2022), Mrill Ingram provides a call to action to claim and to cherish these neglected spaces and make them a source of inspiration through art and/or remuneration.

Ingram advocates not only for “urban greening” and “green planning,” but also for “radical caring.” These efforts create awareness and understanding of ecological connectivity and environmental justice issues—from the expropriation of land from tribal nations, to how race and class issues contribute to creating orphaned space. Case studies feature artists, scientists, and community collaborations in Chicago, New York, and Fargo, ND, where grounded and practical work of a fundamentally feminist nature challenges us to build networks of connection and care.

The work of environmental artists who venture into and transform these disconnected sites of infrastructure allow us to rethink how to manage the enormous amount of existing overlooked and abused space. Loving Orphaned Space provides new ways humans can negotiate being better citizens of Earth.

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Jennifer L. Allen, "Sustainable Utopias: The Art and Politics of Hope in Germany" (Harvard UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 14 Sep 2022 08:00:00 +0000

By most accounts, the twentieth century was not kind to utopian thought. The violence of two world wars, Cold War anxieties, and a widespread sense of crisis after the 1973 global oil shock appeared to doom dreams of a better world. The eventual victory of capitalism and, seemingly, liberal democracy relieved some fears but exchanged them for complacency and cynicism.

Not, however, in West Germany. In Sustainable Utopias: The Art and Politics of Hope in Germany (Harvard UP, 2022), Jennifer Allen showcases grassroots activism of the 1980s and 1990s that envisioned a radically different society based on community-centered politics―a society in which the democratization of culture and power ameliorated alienation and resisted the impotence of end-of-history narratives. Berlin’s History Workshop liberated research from university confines by providing opportunities for ordinary people to write and debate the story of the nation. The Green Party made the politics of direct democracy central to its program. Artists changed the way people viewed and acted in public spaces by installing objects in unexpected environments, including the Stolpersteine: paving stones, embedded in residential sidewalks, bearing the names of Nazi victims. These activists went beyond just trafficking in ideas. They forged new infrastructures, spaces, and behaviors that gave everyday people real agency in their communities. Undergirding this activism was the environmentalist concept of sustainability, which demanded that any alternative to existing society be both enduring and adaptable.

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Pamela N. Corey, "The City in Time: Contemporary Art and Urban Form in Vietnam and Cambodia" (U Washington Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 13 Sep 2022 08:00:00 +0000

In The City in Time: Contemporary Art and Urban Form in Vietnam and Cambodia (U Washington Press, 2021), Pamela N. Corey provides new ways of understanding contemporary artistic practices in a region that continues to linger in international perceptions as perpetually “postwar.” Focusing on art from the last two decades, Corey connects artistic developments with social transformations as reflected through the urban landscapes of Ho Chi Minh City and Phnom Penh. As she argues, artists’ engagements with urban space and form reveal ways of grasping multiple and layered senses and concepts of time, whether aligned with colonialism, postcolonial modernity, communism, or postsocialism. Featuring a variety of creative production, including staged and documentary photography, the moving image, and public performance and installation, The City in Time illustrates how artists from Vietnam and Cambodia have envisioned their rapidly changing worlds.

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Anthony Downey, "Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty)" (Sternberg Press, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 1 Sep 2022 08:00:00 +0000

In 2008, the artist Renzo Martens released his controversial film Episode 3: Enjoy Poverty filmed in the Democratic Republic of Congo. The film portrayed the artist as a colonial explorer travelling around the Congo’s plantations with the naiveté of the cartoon character Tintin. Martens encounters poverty, hunger, and abuse, all the while narrating the way in which these experiences enrich him as a western observer.

In a manner now familiar in mainstream critical culture, the film was labelled as 'problematic'. Martens’ work and method were critiqued widely by an array of commentators. Some have changed their mind in light of Martens’ further work. Others - and I know this from speaking with an editor of a prominent art magazine - won’t come anywhere near it even twelve years on "for fear of inadvertently promoting the Martens' practice".

Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty) (Sternberg Press, 2020), a volume edited by Anthony Downey brings together a range of responses to Enjoy Poverty, some dating from 2008, others more recent. It contains essays by the likes of Dan Fox, Ana Teixeira Pinto, Artur Zmijewski, TJ Demos, JJ Charlesworth, Ariella Aisha Azoulay, JA Koster, and Gregory Sholette. The book explores the limits of artistic practice as critique, challenging both Martens and the writers.

Because it would be impossible to speak to them and because I already interviewed Anthony Downy not long ago, I invited Renzo Martens, the subject of the book and its critiques to join me.

Watch Episode III: Enjoy Poverty
Institute of Human Activities
The Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC)
CATPC at Sculpture Center
Article in The New Yorker
The Balot NFT
My interview with Anthony Downey

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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On Japanese Buddhist Art

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 1 Sep 2022 08:00:00 +0000

Rachel Quist specializes in East Asian Buddhist imagery with focuses in pre-modern Japan and China. Her research centers on questions of interaction with imagery, materiality and object agency, and the accessibility of image-based practices. She has written on topics such as Buddhist reliquary design and expressivity, the didactic project underlying the hell tableau at Baodingshan, and the construction of a collective memory surrounding the Shingon monk Kōbō Daishi at the temple complex of Mount Kōya. Rachel is currently conducting research on early imperial patronage of Daigoji, a Shingon temple in Kyoto, for her dissertation.

Michael Van Hartingsveldt received an undergraduate degree in English Language and Literature before teaching in South Korea in at an English immersion school. While there, he became enamored with the religious art of East Asia. He finished a Master’s degree in East Asian art and its markets from Claremont Graduate University in 2017, after which he worked for two years as an Asian Art collections specialist at the Los Angeles County Museum of Art. Michael has collaborated with the Los Angeles office of The Japan Foundation in the curation of three exhibitions and two public lecture series. He now studies at the University of Kansas.

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On Filippo Tomasso Marinetti's "Manifesto of Futurism"

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 1 Sep 2022 08:00:00 +0000

The Manifesto of Futurism was published in 1909, on the front page of Le Figaro, the oldest daily newspaper in France. Its author was Filippo Tomasso Marinetti, a 33-year-old Italian writer who was born in Alexandria, Egypt, in 1876 and was educated in Egypt and France. With his Manifesto of Futurism, Marinetti launched a new artistic movement that opposed what he called pastism, the worship of the past. Jeffrey Schnapp is a Carl A. Pescosolido Professor of Romance Languages and Literatures and of Comparative Literature at Harvard University. He specializes in Italian language and culture, art, and media. See more information on our website, WritLarge.fm.

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Jos van Beurden, "Inconvenient Heritage: Colonial Collections and Restitution in the Netherlands and Belgium" (Amsterdam UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 31 Aug 2022 08:00:00 +0000

The discussion about objects, human remains and archives from former colonial territories is becoming increasingly heated. Over the centuries, a multitude of items – including a cannon of the King of Kandy, power-objects from DR Congo, Benin bronzes, Javanese temple statues, Mori heads and strategic documents – has ended up in museums and private collections in Belgium and the Netherlands by improper means. Since gaining independence, former colonies have been calling for the return of their lost heritage. As continued possession of these objects only grows more uncomfortable, governments and museums must decide what to do.

Inconvenient Heritage: Colonial Collections and Restitution in the Netherlands and Belgium (Amsterdam University Press, 2022) by Dr. Jos van Beurden asks: How did these objects get here? Are they all looted, and how can we find out? How does restitution work in practice? Are there any appealing examples? How do other former colonial powers deal with restitution? Do former colonies trust their intentions? The book, provided open access, discusses the answers to these questions - which are far from unambiguous, but indispensable for a balanced discussion

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Karen Archey, "After Institutions" (Les presses du réel, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 22 Aug 2022 08:00:00 +0000

Faced with waning state support, declining revenue, and forced entrepreneurialism, museums have become a threatened public space. Simultaneously, they have assumed the role of institutional arbiter in issues of social justice and accountability. The canon of Institutional Critique has responded to the social embeddedness of art institutions by looking at the inner workings of such organisations and has found them wanting.

In After Institutions, Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art’s sociopolitical entanglements, looking beyond what cultural institutions were to what they are and what they might become.

Karen Archey speaks to Pierre d’Alancaisez about the histories and futures of Institutional Critique, the museum’s neoliberal catch-22, and about an exhibition that didn’t happen.

Karen Archey is Curator of Contemporary Art at Stedelijk Museum Amsterdam. Formerly based in Berlin and New York, she worked earlier as an independent curator, editor, and art critic, writing for publications such as Artforum and frieze.

Lawrence Weiner, A Square Removal from a Rug in Use, 1969
Mel Bochner, Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art, 1966
Seth Siegelaub, The Xerox Book, 1968
Hans Haacke, Condenstation Cube, 1963-68
Steyerl, Hito. ‘The Institution of Critique’. In Art and Contemporary Critical Practice: Reinventing Institutional Critique, edited by Gerald Raunig and Gene Ray, 13–20. London: MayFlyBooks, 2009
Mario García Torres, Preliminary Sketches for the Past and the Future (Stedelijk Museum), 2007
Isa Genzken, Ohr (Ear), 1980
Josh Kline
Park McArthur, Ramps

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Selene Wendt, "Beyond the Door of No Return: Confronting Hidden Colonial Histories Through Contemporary Art" (The Africa Institute and Skira, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 19 Aug 2022 08:00:00 +0000

In Beyond the Door of No Return: Confronting Hidden Colonial Histories through Contemporary Art (The Africa Institute and Skira, 2021), art historian and curator Selene Wendt presents lesser-known tales of anticolonial defiance in artworks and marginal histories worldwide. The artists featured in this book create compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. They describe the lives of freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano and Anna Heegaard. By highlighting the stories of those who have been historically silenced, we encounter a more nuanced understanding of colonial history and the factors that have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of institutional, systemic and everyday racism, poverty and forced migration. The book includes artists John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai and Alberta Whittle.

Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.

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Julia Walker, "Berlin Contemporary: Architecture and Politics After 1990" (Bloomsbury, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 16 Aug 2022 08:00:00 +0000

For years following reunification, Berlin was the largest construction site in Europe, with striking new architecture proliferating throughout the city in the 1990s and early 2000s. Among the most visible and the most contested of the new projects were those designed for the national government and its related functions.

Julia Walker's Berlin Contemporary: Architecture and Politics After 1990 (Bloomsbury, 2021) explores these buildings and plans, tracing their antecedents while also situating their iconic forms and influential designers within the spectacular world of global contemporary architecture. Close studies of these sites, including the Reichstag, the Chancellery, and the reconstruction of the Berlin Stadtschloss (now known as the Humboldt Forum), demonstrate the complexity of Berlin's political and architectural “rebuilding”-and reveal the intricate historical negotiations that architecture was summoned to perform.

Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.

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Andrea Karnes, "Women Painting Women" (Delmonico Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 11 Aug 2022 08:00:00 +0000

Andrea Karnes' book Women Painting Women (Delmonico Books, 2022) documents a wide-ranging exhibit inclusive of women as both the makers and subjects of paintings. The artists hail from around the world, and over the past half-century. Our conversation took several directions. One was to discuss the power of the gaze; who’s looking, who’s being seen, and the poses evident more a matter of self-agency or passivity. Another angle was the body itself, with these female images being more realistic and often far less glamorous than commercial popular culture allows for. Third, what subject matter tropes are being overturned – from Christianity to pornography, and points in between. As the exhibit strived to accomplish, there should be something here for everyone – women especially.

Andrea Karnes is the Chief Curator at the Modern Art Museum of forth Worth. She joined the museum as a receptionist in 1989 and has risen through the ranks into her current role, where she has served as the curator for over 40 shows that mostly focus on female artists.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.

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Jarrod Hore, "Visions of Nature: How Landscape Photography Shaped Settler Colonialism" (U California Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 10 Aug 2022 08:00:00 +0000

During the early years of photography, settlers around the Pacific World were fascinated with the landscapes of the places they conquered. According to Dr. Jarrod Hore, a postdoctoral researcher and co-director of the New Earth Histories Research Program at the University of New South Wales, wilderness images helped Americans and Australians make sense of the places they were in the process of dispossessing. In Visions of Nature: How Landscape Photography Shaped Settler Colonialism (U California Press, 2022), Hore tells the story of six landscape photographers from around the Pacific World and explains how their images of places like the Tasmanian Central Highlands, the Yosemite Valley, and even California's Spanish Missions, helped construct a narrative of wild frontier spaces emptied of people, waiting to be settled and improved by white hands. Hore places these photographers in their context as imperial actors, and in doing so explains how images attempted to legitimize settler colonialism in the American West and elsewhere at the end of the nineteenth century.

Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.

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Sara Farrington, "The Lost Conversation: Interviews with an Enduring Avant-Garde" (53rd State Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 10 Aug 2022 08:00:00 +0000

Sara Farrington's The Lost Conversation: Interviews with an Enduring Avant-Garde (53rd State Press, 2021) is a collection of interviews with a host of influential artists in experimental theatre, including Richard Foreman, Lee Breuer, Adrienne Kennedy, Maude Mitchell, and Jessica Hagedorn. They discuss process, making a living as an artist, the changes that have rocked the New York theatre scene since the 1970s, AIDS, COVID, and so much more in wide-ranging and insightful conversations.

Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

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Heide Hinrichs and Jo-Ey Tang, "Shelf Documents: Art Library as Practice" (Royal Academy of Fine Arts in Antwerp, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 5 Aug 2022 08:00:00 +0000

How can a library change the world? How can an art library change the art school or the gallery? Or even an art practice? In Shelf Documents: Art Library as Practice (Royal Academy of Fine Arts in Antwerp, 2021), artists, writers, curators, teachers, and librarians reflect on how they can use the beloved library as a source of inspiration or a field of action.

In thinking about diversity in collections, the publication proposes art libraries as sites of intersubjective communion. shelf documents is rooted in a collaborative book acquisition project, initiated by the artist Heide Hinrichs at the Royal Academy of Fine Arts in Antwerp, in which her group integrated over 200 new titles in art libraries as a way to fill gaps, to amplify voices, and seek out the self-initiated or the overlooked.

Heide Hinrichs, Elizabeth Haines, and Jo-ey Tang speak to Pierre d’Alancaisez about working with institutions, working slowly, and working together to interfere with the permanence of libraries.

Heide Hinrichs is an artist who works with found and existing materials. For the first Kathmandu Triennale, she developed the project On Some of the Birds of Nepal. In 2018, she published Silent Sisters/Stille Schwestern, an unauthorised German translation of Theresa Hak Kyng Cha’s novel Dictee.

Elizabeth Haines is a historian and Vice-Chancellor’s Fellow at the University of Bristol. Her interdisciplinary interest in the materiality of knowledge productions draws on her education in fine arts.

Jo-ey Tang is an artist, curator, and writer. He was previously the director of exhibitions at the Beeler Galery at Columbus College of Art & Design and is currently the director of Kadist, San Francisco.

The list of books involved in the project is available at second-shelf.org.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Kajri Jain, "Gods in the Time of Democracy" (Duke UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 4 Aug 2022 08:00:00 +0000

In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy (Duke UP, 2021), Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the "infrastructures of the sensible."

Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.

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Alan John Ainsworth, "Sight Readings: Photographers and American Jazz, 1900-1960" (Intellect, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 1 Aug 2022 08:00:00 +0000

Alan John Ainsworth's book Sight Readings: Photographers and American Jazz, 1900-1960 (Intellect, 2022) explores the work of a wide range of American photographers attracted to jazz during the period 1900–60. It includes discussions of jazz as a visual subject, its attraction to different types of photographers and offers analysis of why and how they approached the subject in the way they did. While some of these photographers are widely recognized for their work, many African American photojournalists, studio photographers, early twentieth-century émigrés, the Jewish exiles of the 1930s and vernacular snapshots are frequently overlooked. Drawing on ideas from contemporary photographic theory backed up by extensive archival research, this book allows the reader to explore and understand twentieth-century jazz photography in both an engaging and comprehensive fashion.

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Cole Roskam, "Designing Reform: Architecture in the People's Republic of China, 1970-1992" (Yale UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 26 Jul 2022 08:00:00 +0000

China’s urban landscapes are full of radically different architectural styles which memorialise different eras in the country’s political past, from the remains of imperial palaces or city walls, to Republican-era shophouses, early-PRC medium-rise apartments, and soaring glass buildings of twenty-first-century vintage. But lodged – both temporally and physically – between these latter two are constructions from a time that is only now beginning to receive more attention, namely the early reform period of the 1970s-90s.

This is exactly the timespan covered in Cole Roskam’s excellent new book Designing Reform: Architecture in the People's Republic of China, 1970-1992 (Yale UP, 2021) which shows that architecture had a key place in the emerging political, social and cultural developments of China’s pivotal post-Mao years. Examining stylistic, institutional, sociological and aesthetic aspects to Chinese architecture and its cross-border entanglements, this is a book which – as we transition deeper into Xi Jinping’s ‘new era’ – has much to say about an intriguing and occluded period of recent history which is not just Chinese but truly global.

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Katharine A. Burnett and Monica Carol Miller, "The Tacky South" (LSU Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 19 Jul 2022 08:00:00 +0000

As a way to comment on a person’s style or taste, the word “tacky” has distinctly southern origins, with its roots tracing back to the so-called “tackies” who tacked horses on South Carolina farms prior to the Civil War. The Tacky South (LSU Press, 2022) presents eighteen fun, insightful essays that examine connections between tackiness and the American South, ranging from nineteenth-century local color fiction and the television series Murder, She Wrote to red velvet cake and the ubiquitous influence of Dolly Parton. Charting the gender, race, and class constructions at work in regional aesthetics, The Tacky South explores what shifting notions of "tackiness" reveal about US culture as a whole and the role that region plays in addressing national and global issues of culture and identity.

Editors Katharine Burnett and Monica Carol Miller have created a Spotify playlist celebrating tackiness. Follow them on Twitter @thetackysouth or visit their website.

Carrie Helms Tippen is Associate Professor of English and Assistant Dean of the School of Arts, Science, and Business at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.

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Monuments

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 15 Jul 2022 08:00:00 +0000

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.”

In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument.

If you’re keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America’s Public Monuments. It’s coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com

Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present.

Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website.

Music used in promotional material: ‘Morrisson’s jig – Leslie’s march’ by Aislinn

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Nicole Erin Morse, "Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art" (Duke UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 13 Jul 2022 08:00:00 +0000

In Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art (Duke University Press, 2022) Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.

Daniela Meneses Sala is Peruvian Academic and Journalist. She holds an MSc in Gender (Sexuality) from the London School of Economics and Political Science. In October, she is starting a PhD in Latin American Studies at Cambridge University, funded by the Harding Distinguished Postgraduate Scholars Programme.

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Matt Reingold, "Reenvisioning Israel Through Political Cartoons: Visual Discourses During the 2018-2021 Electoral Crisis" (Lexington, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 11 Jul 2022 08:00:00 +0000

Reenvisioning Israel Through Political Cartoons: Visual Discourses During the 2018-2021 Electoral Crisis (Lexington Books, 2022) by Matt Reingold, published by Lexington Books as part of its Lexington Studies in Jewish Literature series, offers an incisive—and prescient, given the recent dissolution of the incumbent government—consideration of how political cartoonists in Israel broaden the conversation about the various challenges faced by the country.

Organized thematically around issues that emerged at various points across the three-year period under consideration (including political mudslinging, the ultra-Orthodox community, the Coronavirus pandemic, and coverage of Benjamin Netanyahu in the right-leaning press), analysis of the cartoons complemented by interviews with many of the cartoonists whose works feature in the book, Reenvisioning Israel Through Political Cartoons moves the conversation about the Jewish State away from its typically partisan (and thus limiting) vistas. Reingold shows how with humor, satirical nous, and a sophisticated awareness of their audiences, the cartoonists’ work often cut across the traditional faultlines of Israeli society (Religious/Secular; Ashkenazi/Mizrachi; Cosmopolitan/Narrow; and of course, “Left”/”Right”), engaging with a more representative (if, of necessity, less tidy) discussion about Israel today.

As Israel prepares for its fifth election in three years, following the collapse of the most broad-based coalition government in the country’s history (led, not-entirely-incidentally, by the country’s first religiously observant prime minister), Reingold’s book gives nuance and context to the conversation about Israel in Israel.

Matt Reinhold has a PhD in Jewish Education. He teaches Jewish history and Jewish thought at Tanenbaum CHAT, a community Jewish high school in Toronto, Canada.

Akin Ajayi (@AkinAjayi) is a writer and editor, based in Tel Aviv.

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Andrew Witt, "Formulations: Architecture, Mathematics, Culture" (MIT Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 8 Jul 2022 08:00:00 +0000

In Formulations: Architecture, Mathematics, Culture (MIT Press, 2022), Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.

Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design.

Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.

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Naman P. Ahuja, "Marg Magazine: Readings on the Temple"

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 7 Jul 2022 08:00:00 +0000

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman P. Ahuja, the essays have been contextualised through a contemporary lens.

Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.

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Ashley Remer and Tiffany Isselhardt, "Exploring American Girlhood through 50 Historic Treasures" (Rowman and Littlefield, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 6 Jul 2022 08:00:00 +0000

Who are the girls that helped build America? Conventional history books shed little light on the influence and impact of girls’ contributions to society and culture. This oversight is challenged by Girl Museum and their team, who give voice to the most neglected, yet profoundly impactful, historical narratives of American history: young girls.

Exploring American Girlhood through 50 Historic Treasures (Rowman and Littlefield, 2021) showcases girls and their experiences through the lens of place and material culture. Discover how the objects and sites that girls left behind tell stories about America that you have never heard before. Through a fascinating collection of historic sites, archaeological evidence, artifacts, literature, and music, the authors tell a groundbreaking new story of America itself, one that finally showcases the role that girls have played in the nation’s history and development.

In this interview, Allison Leigh talks to Ashley Remer and Tiffany Isselhardt about how they researched 12,000 years of history, how they picked the objects, sites, and monuments they describe, and the difficulties of reconstructing a history of girlhood when so much has been lost or deliberately destroyed. This episode is for anyone who is yearning for a more balanced representation in historic narratives, as well as those who are interested in advocacy-based history.

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Ben Davis, "Art in the After-Culture: Capitalist Crisis and Cultural Strategy" (Haymarket Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 6 Jul 2022 08:00:00 +0000

It is a scary and disorienting time for art, as it is a scary and disorienting time in general. Aesthetic experience is both overshadowed by the spectacle of current events and pressed into new connection with them. The self-image of art as a social good is collapsing under the weight of capitalism’s dysfunction.

Art in the After-Culture: Capitalist Crisis and Cultural Strategy (Haymarket Books, 2022), art critic Ben Davis makes sense of our extreme present as an emerging "after-culture"—a culture whose forms and functions are being radically reshaped by cataclysmic events. In the face of catastrophe, he holds out hope that reckoning with the new realities of art, technology, activism, and the media, can help us weather the super-storms of the future.

Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.

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Biscuit Art

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 4 Jul 2022 08:00:00 +0000

Ella Hawkins talks about the biscuits she makes, inspired by her research on Elizabethan dress, and on everything from William Morris wallpapers to TV shows like Outlander and Game of Thrones. She also talks about her upcoming monograph, titled Shakespeare in Elizabethan Costume: ‘Period Dress’ in Twenty-First-Century Performance (forthcomin from Bloomsbury), which examines how early modern garments are recycled and reimagined in contemporary costume design for Shakespeare.

(You’ll hear Saronik trying, and failing, to recall something Oscar Wilde said. Turns out he was slightly misremembering the exact quote; it’s in “The Soul of Man Under Socialism” and the passage begins with the sentence: “Now, I have said that the community by means of organisation of machinery will supply the useful things, and that the beautiful things will be made by the individual.”)

Ella is a design historian and artist based in Birmingham, England. She has a PhD in Shakespeare Studies and specializes in the study of stage and costume design, dress history, and material culture. Drawing on her academic work, Ella creates edible art inspired by museum collections, art history, and costumes designed for the stage and screen. She uses a range of decorative techniques to make iced biscuit sets that celebrate the material culture of the past and present.Ella has previously worked with the Victoria & Albert Museum, the Shakespeare Birthplace Trust, and the Royal Shakespeare Company on various projects relating to design and theatre history.

(For our American listeners, ‘biscuit’ in this case means ‘cookie’.)

Image: Assortment of Ella’s biscuits

Music used in promotional material: ‘pastorale’ by Dee Yan-Key

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Peter Hughes, "A History of Love and Hate in 21 Statues" (Aurum Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 4 Jul 2022 08:00:00 +0000

The ongoing debate surrounding who gets to determine the subjects of public commemoration, particularly in the form of statues, has become more heated over the past few years. In his timely book, A History of Love and Hate in 21 Statues (Aurum Press, 2021), Peter Hughes examines the long history of statues being used to articulate the values of rulers, governments, organizations, and average citizens. Of course, that also means statues are often targets of people who want to challenge those values.

In this wide-ranging conversation, we discuss whether the motivation for public commemorations, as well as the opposition to them, can be found first and foremost in a society’s emotional relationship to the person (or god, for that matter) being commemorated, as is suggested in the book’s title; or, if the timeless debate over who does and doesn’t get commemorated is really about power.

Lia Paradis is a professor of History at Slippery Rock University and co-host of the NBN partner podcast, Lies Agreed Upon.

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Mary Wellesley, "Hidden Hands: The Lives of Manuscripts and Their Makers" (Riverrun, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 4 Jul 2022 08:00:00 +0000

Manuscripts teem with life. They are not only the stuff of history and literature, but they offer some of the only tangible evidence we have of entire lives, long receded.

Hidden Hands: The Lives of Manuscripts and Their Makers (Riverrun, 2021) tells the stories of the artisans, artists, scribes and readers, patrons and collectors who made and kept the beautiful, fragile objects that have survived the ravages of fire, water and deliberate destruction to form a picture of both English culture and the wider European culture of which it is part.

Without manuscripts, she shows, many historical figures would be lost to us, as well as those of lower social status, women and people of colour, their stories erased, and the remnants of their labours destroyed.

From the Cuthbert Bible, to works including those by the Beowulf poet, Margery Kempe, Julian of Norwich, Sir Thomas Malory, Chaucer, the Paston Letters and Shakespeare, Mary Wellesley describes the production and preservation of these priceless objects. With an insistent emphasis on the early role of women as authors and artists and illustrated with over fifty colour plates, Hidden Hands is an important contribution to our understanding of literature and history.

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Jasmina Tumbas, "I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism" (Manchester UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 1 Jul 2022 08:00:00 +0000

With I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism (Manchester UP, 2022), Jasmina Tumbas examines forms of feminist political and artistic engagement in Yugoslavia and its successor nations. By bringing together a wide range of materials—from performance and conceptual art, video works, film and pop music, lesbian activism, and press photos of female snipers in the Yugoslav wars—this study reveals that performative representations of women’s emancipation were crucial for the rise of gender equality in the socialist project. Covering celebrated and lesser-known artists from the 1970s to today, I am Jugoslovenka offers a unique insight into the struggles and ambitions of Yugoslav women through the intersection of feminism, socialism, and nationalism in visual culture.

Jasmina Tumbas is an Assistant Professor of Contemporary Art History and Performance Studies in the Department of Global Gender and Sexuality Studies at the University at Buffalo. Her research interests include feminist histories and theories of performance, body and conceptual art, art and activism, the politics of contemporary visual culture, socialist film, gender and sexuality in Eastern Europe after the Second World War, and contemporary activist art practices by ethnic Roma in the Balkan region.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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Kuba Szreder, "The ABC of the Projectariat: Living and Working in a Precarious Art World" (Manchester UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 1 Jul 2022 08:00:00 +0000

Labour has taken an about-turn. From Adam Smith’s proposal for specialisation which saw the factory line reorganised so that each worker needed to understand only a small aspect of the production process, many industries now rely on access to specialised skills and resources that are commanded at-hoc in discrete, time- and output-bound chunks.

This is the logic of projects. The workforce no longer dedicates itself to the making of a singular commodity, as it was the case with Smith, but bids for discrete pieces of work when those are in demand. In some industries, for example, in the art world, the workforce is also charged with building the demand for their work by initiating the project which would then employ them.

The ABC of the Projectariat: Living and Working in a Precarious Art World (Manchester UP, 2021) by Kuba Szreder contributes new thinking on and practical responses to the widespread problem of precarious labour in contemporary art. It is both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide. Kuba Szreder speaks to Pierre d’Alancaisez about the artistic project, and the effects of projectarisation on workers’ solidarity, communal governance, and the precarity of artistic activity.

Kuba Szreder is a lecturer in the department of art theory at the Academy of Fine Arts in Warsaw. He combines his research with independent curatorial practice. His previous publications include Joy Forever: Political Economy of Social Creativity (2011) and Art Factory: Division of Labor and Distribution of Resources in the Field of Contemporary Art in Poland (2014). In 2018, together with Kathrin Böhm, he initiated Centre for Plausible Economies, a cluster devoted to reimagining economies of contemporary art and using artistic imagination to redraw the economy at large.

A report on the Free/Slow University of Warsaw
Pierre’s interview with François Matarasso on community art
Pierre’s essay on the social artist’s absorption into the professional-managerial class
Kuba’s work with Kathrin Böhm (Company Drinks/myvillages) on the Centre for Plausible Economies, which contributed to Documenta 15
A New Books Network Interview with Dave O’Brien et al on Culture is Bad for You
Pierre’s review of Sam Friedman’s and Daniel Laurison’s The Class Ceiling

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Paul Dobryden, "The Hygienic Apparatus: Weimar Cinema and Environmental Disorder" (Northwestern UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 1 Jul 2022 08:00:00 +0000

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany’s Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder.

Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema’s material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema’s relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema.

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Elena Tajima Creef, "Shadow Traces: Seeing Japanese/American and Ainu Women in Photographic Archives" (U Illinois Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 17 Jun 2022 08:00:00 +0000

Images of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. In Shadow Traces: Seeing Japanese/American and Ainu Women in Photographic Archives (U Illinois Press, 2022), Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection's range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography.

Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method for using such materials in interdisciplinary research.

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Lilianne Milgrom, "L' Origine: The Secret Life of the World's Most Erotic Masterpiece" (Girl Friday Books, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 15 Jun 2022 08:00:00 +0000

Today I talked to Lilianne Milgrom about L' Origine: The Secret Life of the World's Most Erotic Masterpiece (Girl Friday Books, 2021).

In 1866, maverick French artist Gustave Courbet painted one of the most iconic images in the history of art: a sexually explicit portrait of a woman's exposed genitals. Audaciously titled L'Origine du monde (The Origin of the World), the scandalous painting was kept hidden for a century and a half. Today, it hangs in the world-renowned Orsay Museum in Paris, viewed by millions of visitors a year.

As the first artist authorized by the Orsay Museum to re-create Courbet's The Origin of the World, author Lilianne Milgrom was thrust into the painting's intimate orbit, spending six weeks replicating every fold, crevice, and pubic hair. The experience inspired her to share her story and the painting's riveting clandestine history with readers beyond the confines of the art world.

Pallavi Joshi is a PhD Candidate in French Studies at the University of Warwick.

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Wanda M. Corn, "Georgia O'Keeffe: Living Modern" (Prestel Publishing, 2017)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 14 Jun 2022 08:00:00 +0000

Wanda M. Corn's book Georgia O'Keeffe: Living Modern (Prestel Publishing, 2017) explores how Georgia O’Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle.

Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O’Keeffe’s clothes. The author has attributed some of the most exquisite of these garments to O’Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today’s fashion world as much for her personal style as for her art. As one of her friends stated, O’Keeffe “never allowed her life to be one thing and her painting another.” This fresh and carefully researched study brings O’Keeffe’s style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanied the first museum exhibition to bring together photographs, clothes, and art to explore O’Keeffe’s unified modernist aesthetic.

WANDA M. CORN is Robert and Ruth Halperin Professor Emerita in Art History at Stanford University in Palo Alto, California. Her publications include Grant Wood: The Regionalist Vision; The Great American Thing: Modern Art and National ldentity, 7975-7935; and Seeing Gertrude Stein: Five Stories.

Susan Grelock-Yusem, PhD, is an independent scholar trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation.

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Sarah Teasley, "Designing Modern Japan" (Reaktion Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 13 Jun 2022 08:00:00 +0000

Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.

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Sherri Irvin, "Immaterial: Rules in Contemporary Art" (Oxford UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 10 Jun 2022 08:00:00 +0000

Art forms have rules, usually implicit, that govern the experiences that artists want their audiences to have: for example, a representational painting should be hung right-side-up, the same sort of paint medium should be used in restoration, and the painting should not be touched.

In Immaterial: Rules in Contemporary Art (Oxford University Press 2022), Sherri Irvin argues that contemporary conceptual art is constituted by custom rules as well as by their physical medium: the artist may specify that the work is intended to be handled, eaten, made out of anything, or even installed however the gallery or museum wants to. On Irvin’s view, such rules are essential for expressing a work’s meaning, even though they can also make that meaning difficult for audiences to grasp. In this illustrated volume, Irvin, who is research professor of philosophy at the University of Oklahoma, considers a wide range of contemporary works to present, elaborate, and address challenges to her view.

Carrie Figdor is professor of philosophy at the University of Iowa.

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Yi Gu, "Chinese Ways of Seeing and Open-Air Painting" (Harvard UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 10 Jun 2022 08:00:00 +0000

Yi Gu's Chinese Ways of Seeing and Open-Air Painting (Harvard UP, 2020) examines the rise of open-air painting in 20th-century China, showing how this emphatically new form of landscape painting precipitated and participated in an ocular turn. In its urgent embrace of Cartesian optics and its interrelationship with new technologies like photography, open-air painting taught Chinese artists (and citizens) new, modern "ways of seeing." Gu traces the birth of the form in the early 20th century, showing readers the rise of this new perceptual mode not only through close analysis of painting, but also through her rich archive of sources like textbooks and art treatises that demonstrate the urgency and importance of the open-air movement to Chinese modernity. Indeed, as Gu shows in her third chapter, this modern way of painting and seeing significantly impacted how "traditional" Chinese landscape painting was (and continues to be) understood. Gu demonstrates that this "tradition" was invented precisely in relation to the new optics of open-air painting. The book also analyzes the role of open-air landscape painting in China's wartime struggle and in the new socialist state, both moments in which artists were compelled (by patriotism and then, the state) to represent the nation in politically appropriate ways. In Gu's narrative, open-air landscape thus emerges as a crucial political form. Her compelling theoretical argument is enriched not only with nuanced visual analysis and careful archival work, but also beautiful images that fill her book. As you will hear in our short aside about archives and sources, obtaining such visual materials for the book was no easy task! I look forward to teaching my students new ways of seeing Chinese media history by assigning this book in future classes.

Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms.

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Hentyle Yapp, "Minor China: Method, Materialisms, and the Aesthetic" (Duke UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 9 Jun 2022 08:00:00 +0000

In Minor China: Method, Materialisms, and the Aesthetic (Duke UP, 2021), Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures.

Hentyle Yapp, Associate Professor of Performance Studies at the University of California, San Diego and coeditor of Saturation: Race, Art, and the Circulation of Value.

Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.

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Lisa Blackmore and Liliana Gómez, "Liquid Ecologies in Latin American and Caribbean Art" (Routledge, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 7 Jun 2022 08:00:00 +0000

In this podcast, Lisa Blackmore, Senior Lecture in the School of Philosophy, History and Interdisciplinary Studies Center at the University of Essex, and Liliana Gomez, Professor of Art and Society at the University of Kassel, introduce their edited volume Liquid Ecologies in Latin American and Caribbean art (Routledge, 2020) and the multiple ways it proposes to "think with water". Spotlighting the ways in which artists in the Americas have long been in dialogue with water, liquids and fluids as material signifiers and ontological materials, the authors in this volume examine artists and works that open up larger discussions about history, ecology, temporality, memory, activism and more.

This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts.

Elize Mazadiego is an art historian in Modern and Contemporary art (PhD, University of California San Diego), with a specialism in Latin American art. She is currently a Marie SkłodowskaCurie fellow at the University of Amsterdam and author of the book Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968 (Brill, 2021).

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Joshua Citarella, "Politigram and the Post-Left" (Blurb, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 7 Jun 2022 08:00:00 +0000

The internet’s potential to perform political miracles has been a source of both hope and disappointment for many grassroots movements. We remember that the Sanders campaign tried to master the meme to mobilise a young, eager audience. Equally, we ascribe Trump’s electoral victory in 2016 to seemingly leaderless internet misinformation.Many of such events have been the subject of academic study - but research is often slow to keep up with the rapidly changing scene. If a researcher tracing the role of the meme to the politicisation and radicalisation of online communities struggles to keep up what hope does an artist have?

Joshua Citarella’s practice starts with the understanding that it is impossible to predict what the next generation of meme posters will be interested in and whether their memes will reach beyond their tiny echo chambers. What is clear is that mainstream politics, particularly the politics of the left, remains afraid of these unruly communities that can just as easily turn to the dark corners of the demonised alt-right as they are to carry the flag for Bernie.

Joshua Citarella speaks to Pierre d'Alancaisez about researching internet subcultures, playing politics with the extremely online, the multiple meanings of radicalisation, strategies for subverting right-wing content, and the role of art in internet political aesthetics.

Joshua Citarella is an artist, content creator, and researcher. Politigram and the Post-left is one of many projects he has released through self-publishing channels and directly to his supporters.

Joshua on Instagram and Patreon
20 Interviews with meme-posters
Do Not Research, and online internet culture magazine
When Guys Turn 20, Joshua's video series at dis.art
Do Not Research exhibition at Lower Cavity
Interview with Mike Watson on The Memeing of Mark Fisher

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Fleur Watson, "The New Curator: Exhibiting Architecture and Design" (Routledge, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 7 Jun 2022 08:00:00 +0000

The New Curator: Exhibiting Architecture and Design (Routledge, 2021) examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation.

In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator’. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation’ provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian’ or ‘expert’ but with the intent to create a shared space of encounter with audiences.

To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento.

Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO.

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Shara Rambarran, "Virtual Music: Sound, Music, and Image in the Digital Era" (Bloomsbury, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 3 Jun 2022 08:00:00 +0000

Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go…' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music.

Virtual Music: Sound, Music, and Image in the Digital Era (Bloomsbury, 2021) explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as Cuphead and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.

Shara Rambarran is Assistant Professor of Music at Bader International Study Centre, UK (Queen’s University, Canada). She co-runs the Art of Record Production conferences and is an editor on the Journal on the Art of Record Production and co-editor of The Oxford Handbook of Music and Virtuality (2016). Shara Rambarran on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

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Andrew Shortland and Patrick Degryse, "When Art Isn’t Real: The World's Most Controversial Objects under Investigation" (Leuven UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 3 Jun 2022 08:00:00 +0000

In When Art Isn’t Real: The World's Most Controversial Objects under Investigation (Leuven University Press, 2022), Dr. Andrew Shortland and Dr. Patrick Degryse examine how an initially valueless object becomes worth hundreds of millions. And vice versa.

The art world is a multi-billion-dollar industry which captures world headlines on a regular basis, for both good and bad reasons. This book deals with one of the most-discussed areas of controversy: high-profile objects that have experts arguing about their veracity. Some may have been looted, others may be fakes, some may be heavily restored or misattributed. Often, in these cases, analytical science is called on to settle a dispute.

The authors of this book have decades of experience in this field, working on a range of objects dating from prehistory to the twentieth century. They present seven of the most famous cases from the Getty Kouros to the Turin Shroud – some of which are still contested, and examine how a few words from a connoisseur or scientist can make a virtually valueless object worth hundreds of millions. And vice versa.

“We want to give readers some feel for the people involved. A feel for those period or material experts who give their opinion on an object’s validity from its looks, feel, even smell. A feel for the analysts, who employ their sicnetific equipment to the object and give their opinion from the numbers and pictures that are derived from them. A feel for the experts working with, in parallel with, and occasionally against each other.”

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Realism

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 2 Jun 2022 08:00:00 +0000

William Ghosh talks to Saronik about Realism, and how it can both be subtly conservative and effectively radical, depending on its use. He takes us through realist tactics in texts ranging from V.S. Naipaul’s A Bend in the River to Virginie Despentes’s Vernon Subutex.

William Ghosh teaches Victorian and Modern literature and Literary Theory at Jesus College, University of Oxford. His first book, V.S. Naipaul, Caribbean Writing, and Caribbean Thought was published by OUP in October 2020. At present he is working on a book on the British writer Penelope Fitzgerald, and on a multimedia project about Caribbean poetry and poetics.

Image: ‘Still Life with Corn’ by Charles Ethan Porter

Music used in promotional material: ‘Made in the City’ by Ed Askew

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On Nibiiro Art, the Dalai Lama, and Buddhism

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 31 May 2022 08:00:00 +0000

Rima Fujita was born in Tokyo and now resides in Southern California. She graduated from Parsons School of Design with her B.F.A. and has exhibited her work internationally to much acclaim. As a descendant of the Last Samurai her creative aesthetics is strongly influenced by the philosophy of Bushido and Buddhism.

Known for her distinctive style with vivid colors on black surface, Rima’s works are extracted from her dreams and meditation process. They are ethereal and evoke a timeless sense of longing and peace, and yet if examined deeply her images trigger a powerful ripple of infinite emotions. She is inspired by “Nibiiro,” an expression of a very dark grey color from the Heian period in Japan (AD 794 to1185). If you mixed all colors that exist in Nirvana, the Buddhist land of Perfect Bliss, it would become “Nibiiro.”

Rima’s life passion lays in her philanthropic work. In 2001 she established “Books for Children,” an organization that produces children’s books and donates them to children in needs around the world. She has created 4 children’s books and has donated more than 12,000 books to the Tibetan children in exile. All profits go to support the Tibetan children’s education. H.H. The Dalai Lama, Desmond Tutu and Betty Williams, the Nobel Peace Laureates personally gave her special recognition in 2006 at the International Peace Summit in Japan. His Holiness The Dalai Lama calls her, “An artist who creates beautiful art.”

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Amanda Phillips, "Sea Change: Ottoman Textiles Between the Mediterranean and the Indian Ocean" (U California Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 27 May 2022 08:00:00 +0000

Textiles were the second-most-traded commodity in world history, preceded only by grain. In the Ottoman Empire, in particular, the sale and exchange of silks, cottons, and woolens generated an immense amount of revenue. They touched every level of society, from rural women tending silkworms to pashas flaunting layers of watered camlet to merchants travelling to Mecca and beyond.

Sea Change: Ottoman Textiles Between the Mediterranean and the Indian Ocean (U California Press, 2021) offers the first comprehensive history of the Ottoman textile sector, arguing that the trade's enduring success resulted from its openness to expertise and objects from far-flung locations. Amanda Phillips skillfully marries art history with social and economic history, integrating formal analysis of various textiles into wider discussions of how trade, technology, and migration impacted the production and consumption of textiles in the Mediterranean from around 1400 to 1800. Surveying a vast network of textile topographies that stretched from India to Italy and from Egypt to Iran, Sea Change illuminates often neglected aspects of material culture, showcasing the objects' ability to tell new kinds of stories.

Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.

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Christopher J. Gilbert, "Caricature and National Character: The United States at War" (Pennsylvania State UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 26 May 2022 08:00:00 +0000

Dr. Christopher Gilbert, Assistant Professor of English at Assumption College, has a new book that examines the understanding of American national character and culture through the works of caricature and comic representations. Gilbert specifically focuses on this kind of work that is produced during moments of crisis, particularly during wartime. Wartime often prompts self-understanding for a nation, since there is a demand that the reason for war is made clear, and the role of the nation is seen in this context. Gilbert notes that in the early days of the republic, Benjamin Franklin turned to caricature to help define or start to clarify an American national character, particularly in distinction from British colonial power. And this concept of national character is different than either patriotism or nationalism, since it reflects how citizens, individually and as a whole, understand themselves as a nation, and as separate from other nations. Unique histories, characteristics, and “belonging” all contribute to this broader sense of self for a nation.

Caricature and National Character: The United States at War (Pennsylvania State UP, 2021) examines the various symbols and images that have become part of the American national identity, noting, often, how those images shift and change with time and context. Gilbert notes that these recursive themes and images are distinct in different historical moments, providing a kind of complexity to the images and how and what they communicate. Consider the image of the bald eagle, which has been integrated into American national character for some time, but has been drawn and redrawn to represent imperialism, laziness, or cultural power at different points in U.S. history. Gilbert explains that humor itself is situational and situated, a sign or signal of the time, and that caricature and comic artists and political and editorial cartoonists are commenting on and positioning their work within a particular historical point, and in so doing, also reflecting American cultural politics.

Caricature and National Character brings a variety of artists together in a way that intertwines their work without silo-ing them within chronological periods. Their work is made, in a certain way, to be in conversation, and to help to understand the United States as a warring nation, even if there is no shooting war transpiring at times. The artists and cartoonists are using their own membership within the national character to present ideas and commentary on what it means, in time of war, to protect national character and what it is that needs protecting. These images, which can be explored across history, carry significant weight because they are reflecting on the notion of national character, which is often more clearly on display during times of war.

Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.

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Farah Nayeri, "Takedown: Art and Power in the Digital Age" (Astra Publishing, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 24 May 2022 08:00:00 +0000

For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power?

With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world.

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Autotheory

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 23 May 2022 08:00:00 +0000

In this episode Kim speaks with Lauren Fournier about autotheory.

Lauren has recently published a book on the subject, titled Autotheory as Feminist Practice in Art, Writing, and Criticism (MIT Press, 2021). In the episode she points to Maggie Nelson’s book The Argonauts as the book that made the term famous, but refers us to a longer history of autotheoretical feminist writing, including work by Gloria E. Anzaldúa, Audre Lorde, and bell hooks.

She also mentions critical research by Zoe Todd, “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism” and the book I Love Dick, by Chris Kraus.

Lauren is a writer, curator, and artist, who currently holds a SSHRC postdoctoral fellowship in visual studies at the University of Toronto. She is currently co-editing a special issue of ASAP Journal on Autotheory with her colleague Alex Brostoff. Her novella, All My Dicks, is forthcoming with Fiction Advocate.

Image: Art by Sona Safaei-Sooreh

Music used in promotional material: ‘Braided Flower’ by Lee Maddeford

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Catherine McCormack, "Women in the Picture: What Culture Does with Female Bodies" (Norton, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 23 May 2022 08:00:00 +0000

Art historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives.

Venus, maiden, wife, mother, monster—women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. In Women in the Picture: What Culture Does with Female Bodies (Norton, 2021), Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways.

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Elizabeth Oyler and Katherine Saltzman-Li, "Cultural Imprints: War and Memory in the Samurai Age" (Cornell UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 20 May 2022 08:00:00 +0000

Elizabeth Oyler and Katherine Saltzman-Li's book Cultural Imprints: War and Memory in the Samurai Age (Cornell UP, 2022) draws on literary works, artifacts, performing arts, and documents that were created by or about the samurai to examine individual "imprints," traces holding specifically grounded historical meanings that persist through time. The contributors to this interdisciplinary volume assess those imprints for what they can suggest about how thinkers, writers, artists, performers, and samurai themselves viewed warfare and its lingering impact at various points during the "samurai age," the long period from the establishment of the first shogunate in the twelfth century through the fall of the Tokugawa in 1868.

The range of methodologies and materials discussed in Cultural Imprints challenges a uniform notion of warrior activity and sensibilities, breaking down an ahistorical, monolithic image of the samurai that developed late in the samurai age and that persists today. Highlighting the memory of warfare and its centrality in the cultural realm, Cultural Imprints demonstrates the warrior's far-reaching, enduring, and varied cultural influence across centuries of Japanese history.

Contributors: Monica Bethe, William Fleming, Andrew Goble, Thomas Hare, Luke Roberts, Marimi Tateno, Alison Tokita, Elizabeth Oyler, Katherine Saltzman-Li.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Mike Watson, "The Memeing of Mark Fisher: How the Frankfurt School Foresaw Capitalist Realism and What to Do about It" (Zero Books, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 18 May 2022 08:00:00 +0000

Through his blog K-Punk, Mark Fisher become one of the cult figures of cultural theory after the economic crash of 2008. One of Fisher’s insights, widely taken up by the online memesphere, was that capitalism breeds depression. Mike Watson picks up Fisher’s prognosis when the locked-down pandemic world is mired in a depression that is economic and psychological, and no doubt exacerbated by the transfer of culture and life online.

In the aftermath, The Memeing of Mark Fisher (Zero Books, 2021) revisits the Frankfurt School theorists who worked in the shadow of World War Two, during the rise of the culture industry. In examining their thoughts and drawing parallels with Fisher’s Capitalist Realism, Watson aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age.

Taking in the phenomena of QAnon, twitch streaming, and memes, Watson argues that the dichotomy between culture and political praxis is a false one. As more people have access to the means for theoretical and critical engagement online, he urges the online left to build a real-life cultural and political movement.

Mike Watson speaks to Pierre d’Alancaisez about Mark Fisher’s legacy in critical online spaces, the democracy of memes and their aesthetic warfare, the Acid Left, and how the Frankfurt School thinkers foreshadowed our current moment.

Mike Watson is a theorist, critic and curator who is principally focused on the relationship between culture, new media and politics. He hosts the podcast Theorywave Nights.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Paddy Docherty, "Blood and Bronze: The British Empire and the Sack of Benin" (Hurst, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 17 May 2022 08:00:00 +0000

The Benin Bronzes are among the British Museum’s most prized possessions. Celebrated for their great beauty, they embody the history, myth and artistry of the ancient Kingdom of Benin, once West Africa’s most powerful, and today part of Nigeria. But despite the Bronzes’ renown, little has been written about the brutal imperial violence with which they were plundered. Paddy Docherty’s searing new history tells that story: the 1897 British invasion of Benin.

Armed with shocking details discovered in the archives, Paddy Docherty in his latest book Blood and Bronze: The British Empire and the Sack of Benin (Hurst, 2022) sets this assault in its late Victorian context. As British power faced new commercial and strategic pressures elsewhere, it ruthlessly expanded in West Africa. Revealing both the extent of African resistance and previously concealed British outrages, this is a definitive account of the destruction of Benin. Laying bare the Empire’s true motives and violent means, including the official coverup of grotesque sexual crimes, Docherty demolishes any moral argument for Britain retaining the Bronzes, making a passionate case for their immediate repatriation to Nigeria.

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Sandra Johnston, et al., "Actional Poetics-Ash She He: The Performance Actuations of Alastair MacLennan, 1971-2020" (Intellect, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 16 May 2022 08:00:00 +0000

A retrospective monograph of Alastair MacLennan’s performance art practice, its influence on the Belfast art scene, and its relationships with wider art histories. Actional Poetics-Ash She He: The Performance Actuations of Alastair MacLennan, 1971-2020 (Intellect, 2022) (Intellect, 2022) is the most comprehensive and complete legacy monograph about Alastair MacLennan’s extensive performance practice.

Alastair MacLennan is emeritus professor of fine art, School of Art and Design, Ulster University in Belfast. He is one of Britain’s major practitioners in live art, and travels extensively in Eastern and Western Europe, also America and Canada, presenting ‘Actuations’ (his term for performance/installations). MacLennan is a founding member of Belfast's Art and Research Exchange, of Belfast's Bbeyond performance collective and is a member of the performance art entity Black Market International. He has represented Ireland at the Venice Biennale (1997) and is an honorary associate of the National Review of Live Art, Glasgow, Scotland.

There is a wide variety of approach in the essays, ranging from descriptive to interpretive. Some set the work in historical context and others provide pertinent biography. This variety is appropriate – and perhaps even necessary – in looking at the work of a living artist whose work is particularly complex. The selection of essays presents a complex body of work in an understandable way, with each writer allowed to address the art in their own terms. Placing the work in historical context is important but presenting MacLennan as an influential teacher is also important.

Includes a significant contribution from Adrian Heathfield (professor of performance and visual culture at Roehampton, UK) who has written an extended essay on MacLennan’s oeuvre, focusing on its use of materials and its creation of sculptural environments. Discussing the artist’s deployment of slow-time action and contemplative space, Heathfield sees MacLennan’s work as activating sustained contact with the elemental and locates MacLennan’s work as a significant intervention in performance art history globally and discusses the politics of its engagement with local history, violence, social conflict and memory.

The primary readership will be academics, researchers and scholars working in performance art and contemporary art in general. Also valuable to students in performance art, visual arts and related practices.

Of relevance to academics and artists in the interrelated fields of performance art, art and philosophy, critical theory, conflict studies and Zen philosophy.

Brandon Sward is an artist, writer, and doctoral candidate at the University of Chicago

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Samuel J. Redman, "Prophets and Ghosts: The Story of Salvage Anthropology" (Harvard UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 11 May 2022 08:00:00 +0000

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect.

In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology.

The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors’ methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public’s confidence in the hierarchies of superiority and inferiority invented by “scientific” racism.

Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance.

Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa

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Glenda E. Gilmore, "Romare Bearden in the Homeland of His Imagination: An Artist's Reckoning with the South" (UNC Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 10 May 2022 08:00:00 +0000

In Romare Bearden in the Homeland of His Imagination: An Artist's Reckoning with the South (UNC Press, 2022), Glenda Gilmore meticulously documents and interprets the artistic life of Romare Bearden. Gilmore details four generations of the Bearden family and grounds the reader in places formative to Bearden like North Carolina, New York, and Pennsylvania. By centering Bearden’s art, Gilmore mines the historical record and this artist’s recollections which were at times conflicting, but nevertheless, shaped his creative imagination. This text weaves archival depth with visual art analysis, illuminating a richer understanding of this important twentieth-century artist and his work.

Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She tweets from @amandajoycehall.

N’Kosi Oates is a Ph.D. Candidate in Africana Studies at Brown University. Find him on Twitter @NKosiOates.

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The Problem with Museums: A Conversation with Georgina Adam and Nizan Shaked

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 10 May 2022 08:00:00 +0000

In the past few years, museums of contemporary art have come under a fair deal of scrutiny. Pressures from groups such as Decoloinise This Space or the oxycontin scandal have forced changes to the governance of some of the world’s best-known institutions. At the same time, the work of journalists and museum scholars has revealed that the relationships between trustees, curators, collections, and the public are often far more complex than the narratives of public benefit and private value would have us believe.

Nizan Shaked’s Museums and Wealth: The Politics of Contemporary Art Collections (Bloomsbury, 2022) is a critical analysis of contemporary art collections and the value form. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in ‘public trust’ on behalf of the nation. Shaked argues that the public serves as an alibi for establishing the symbolic value of art, which sustains its monetary value and its markets.

In The Rise and Rise of the Private Art Museum (Lund Humphries, 2022), Adam tracks the phenomenon of the collector’s museum in the 21st century. There are some 400 private art museums around the world, and an astonishing 70% of those devoted to contemporary art were founded in the past 20 years. Although private museums have been accused of being tax-evading vanity projects or ‘tombs for trophies’, the picture is complex and nuanced. Private museums can add greatly to the cultural life of a community, giving a platform to emerging artists, supplying educational programmes and revitalising declining or neglected regions. But their relationship with public institutions can also be problematic.

Are museums purely public affairs? How do private collections serve the greater good? What happens when these missions become confused? Georgina Adam and Nizan Shaked speak to Pierre d’Alancaisez about the 500-year history and the recent rise of the private art museum and consider if even public museums are, in the end, private.

Georgina Adam is a journalist specialising in the art market. She writes for the Financial Times and The Art Newspaper. She is the author of Big Bucks and The Dark Side of the Boom.

Nizan Shaked is a professor of Contemporary Art History, Museum and Curatorial Studies at California State University Long Beach. She is the author of The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art.

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Computational Creativity

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 6 May 2022 08:00:00 +0000

Saronik talks to Tuhin Chakrabarty about the creative processes of Artificial Intelligence, what we can expect from it, and how to keep the results fair.

(Saronik messes up the word GPT-3 twice!)

Reading List:

GPT3 Creativity

When AI Falls in Love, GPT-3 Creative Fiction, Are You Ready for NaNoWriMo?

Papers/Posts on Computational Creativity

Generating Similes Like a Pro, Content Planning for Neural Story Generation, Reverse, Retrieve, and Rank for Sarcasm Generation , The Comedian is in the Machine

Music and Art

Google Magenta

Creating Image from Text

Dall-E, Creative Text Generation

Bias in Language Models

Stereoset measures Racism, Sexism, and other Forms of Bias in AI Language Models, Towards Controllable Biases in Language Generation, The Woman worked as a Babysitter, Timnit Gebru’s thread about Google firing her, RealToxicityPrompts, Measuring and Reducing Gendered Correlations in Pre-trained Models

Bias in Poetry

Investigating Societal Biases in a Poetry Composition System

AI Poetry

Google’s New AI Helps You Write Poetry like Poe, Generating Topical Poetry

Academic Venues

Computational Creativity, Machine Learning for Creativity and Design

Image: created using Dall-E

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Michael Mackenzie, "Otto Dix and the First World War: Grotesque Humor, Camaraderie and Remembrance" (Peter Lang, 2019)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 3 May 2022 08:00:00 +0000

Otto Dix fought in the First World War for the better part of four years before becoming one of the most important artists of the Weimar era. Marked by the experience, he made monumental, difficult and powerful works about it. Whereas Dix has often been presented as a lone voice of reason and opposition in Germany between the wars, this book locates his work squarely in the mainstream of Weimar society.

Informed by recent studies of collective remembrance, of camaraderie, and of the popular, working-class socialist groups that commemorated the war, Michael Mackenzie's book Otto Dix and the First World War: Grotesque Humor, Camaraderie and Remembrance (Peter Lang, 2019) takes Dix's very public, monumental works out of the isolation of the artist's studio and returns them to a context of public memorials, mass media depictions, and the communal search for meaning in the war. The author argues that Dix sought to establish a community of veterans through depictions of the war experience that used the soldier's humorous, grotesque language of the trenches and that deliberately excluded women and other non-combatants. His depictions were preoccupied with heteronormativity in the context of intimate touch and tenderness between soldiers at the front and with sexual potency in the face of debilitating wounds suffered by others in the war.

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The Future of Statues: A Conversation with Alex Von Tunzelmann

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 3 May 2022 08:00:00 +0000

What are the rights and wrongs of toppling statues? Sometimes everyone agrees it’s a good idea. After the second world war, for example, the defeat of fascism meant that all over Europe Hitler statues were toppled and destroyed. After the collapse of communism some statues of Stalin actually survived. Just a couple of years ago Black Lives Matter protests led to the hauling down statues of slaveholders and imperialists – for example in the UK a statue of slaver – and philanthropist, Edward Colston was hurled into a harbour. Some argued Colston should be left alone because he was just a man of his time. So, when is it right to tear down a statue and do you need a democratically elected committee to make the decision? A discussion with screenwriter and historian Alex Von Tunzelmann, author of Fallen Idols: Twelve Statues That Made History.

Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.

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Paul Geary, "Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants" (Intellect Books, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 2 May 2022 08:00:00 +0000

Dr. Paul Geary’s Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants (Intellect, 2022) examines the work of four of the world’s leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea.

Using ideas from performance studies, cultural studies, philosophy and economics, Dr. Geary explores the creation of the dining experience as a form of multisensory performance. The book examines the construction of the world of the restaurants and their creative methods, the experience of dining and the broader ideological frames within which the work takes place. The book brings together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants.

The book interrogates the experience of the performances in and of these restaurants, with a particular focus on the entanglement of sensory, embodied, and reflective experience with the broader cultural and ideological discourses that both frame and produce those seemingly individual, personal and intimate encounters with the work.

The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art.

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What Remains: Textiles from Tuol Sleng

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 22 Apr 2022 08:00:00 +0000

What can textiles tell us about histories of genocide and the lived experiences of prisoners?

In this episode, Dr. Magali-An Berthon discusses the treatment of prisoners at S-21 and how clothes played a role into their imprisonment and dehumanization. She retraces the formation of the textile collection at the Tuol Sleng Genocide Museum, starting with a large pile of clothes on display in the first years of the museum, which was then moved in 1991, before being removed altogether in 2011, and which was recently recovered. The current content of the collection includes about 3,500 recovered garments, textiles and fragments, that all tell intimate stories of individuals and survival.

Dr. Magali-An Berthon is a textile historian focusing on the contemporary history of Southeast Asian dress and textiles. She is a European Union Marie Curie postdoctoral fellow at the Center for Textile Research at the University of Copenhagen.

Dr. Terese Gagnon is an environmental anthropologist and Postdoctoral Researcher in the Politics of Climate and Sustainability in Asia at the Nordic Institute of Asian Studies and the Department of Political Science at the University of Copenhagen.

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.

About NIAS: www.nias.ku.dk

Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast

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Ayelet Zohar and Alison J. Miller, "The Visual Culture of Meiji Japan: Negotiating the Transition to Modernity" (Routledge, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 21 Apr 2022 08:00:00 +0000

The Visual Culture of Meiji Japan: Negotiating the Transition to Modernity (Routledge, 2021) examines the visual culture of Japan's transition to modernity, from 1868 to the first decades of the twentieth century. Through this important moment in Japanese history, contributors reflect on Japan's transcultural artistic imagination vis-a-vis the discernment, negotiation, assimilation, and assemblage of diverse aesthetic concepts and visual pursuits. The collected chapters show how new cultural notions were partially modified and integrated to become the artistic methods of modern Japan, based on the hybridization of major ideologies, visualities, technologies, productions, formulations, and modes of representation. The book presents case studies of creative transformation demonstrating how new concepts and methods were perceived and altered to match views and theories prevalent in Meiji Japan, and by what means different practitioners negotiated between their existing skills and the knowledge generated from incoming ideas to create innovative modes of practice and representation that reflected the specificity of modern Japanese artistic circumstances. The book will be of interest to scholars working in art history, Japanese studies, Asian studies, and Japanese history, as well as those who use approaches and methods related to globalization, cross-cultural studies, transcultural exchange, and interdisciplinary studies.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Emmelyn Butterfield-Rosen, "Modern Art and the Remaking of Human Disposition" (U Chicago Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 21 Apr 2022 08:00:00 +0000

With this book, Emmelyn Butterfield-Rosen brings a new formal and conceptual rubric to the study of turn-of-the-century modernism, transforming our understanding of the era’s canonical works. Butterfield-Rosen analyzes a hitherto unexamined formal phenomenon in European art: how artists departed from conventions for posing the human figure that had long been standard. In the decades around 1900, artists working in different countries and across different media began to present human figures in strictly frontal, lateral, and dorsal postures. The effect, both archaic and modern, broke with the centuries-old tradition of rendering bodies in torsion, with poses designed to simulate the human being’s physical volume and capacity for autonomous thought and movement. This formal departure destabilized prevailing visual codes for signifying the existence of the inner life of the human subject.

Exploring major works by Georges Seurat, Gustav Klimt, and the dancer and choreographer Vaslav Nijinsky— replete with new archival discoveries—Modern Art and the Remaking of Human Disposition (U Chicago Press, 2021) combines intensive formal analysis with inquiries into the history of psychology and evolutionary biology. In doing so, it shows how modern understandings of human consciousness and the relation of mind to body were materialized in art through a new vocabulary of postures and poses.

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Delinda Collier, "Media Primitivism: Technological Art in Africa" (Duke UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 20 Apr 2022 08:00:00 +0000

In Media Primitivism: Technological Art in Africa (Duke University Press, 2020) Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.

Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.

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Lisa Reilly, "The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition" (Cambridge UP, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 20 Apr 2022 08:00:00 +0000

In The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition (Cambridge UP, 2020), Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy "of different nationalities", the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.

Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.

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Paul R. Deslandes, "The Culture of Male Beauty in Britain: From the First Photographs to David Beckham" (U Chicago Press, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 19 Apr 2022 08:00:00 +0000

Spanning the decades from the rise of photography to the age of the selfie, The Culture of Male Beauty in Britain: From the First Photographs to David Beckham (University of Chicago Press, 2021) traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media. Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”

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Charles Dellheim, "Belonging and Betrayal: How Jews Made the Art World Modern" (Brandeis UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 19 Apr 2022 08:00:00 +0000

Since the late-1990s, the fate of Nazi stolen art has become a cause célèbre. In Belonging and Betrayal: How Jews Made the Art World Modern (Brandeis UP, 2021), Charles Dellheim turns this story on its head by revealing how certain Jewish outsiders came to acquire so many old and modern masterpieces in the first place - and what this reveals about Jews, art, and modernity. This book tells the epic story of the fortunes and misfortunes of a small number of eminent art dealers and collectors who, against the odds, played a pivotal role in the migration of works of art from Europe to the United States and in the triumph of modern art. Beautifully written and compellingly told, this story takes place on both sides of the Atlantic from the late nineteenth century to the present. It is set against the backdrop of critical transformations, among them the gradual opening of European high culture, the ambiguities of Jewish acculturation, the massive sell-off of aristocratic family art collections, the emergence of different schools of modern art, the cultural impact of World War I, and the Nazi war against the Jews.

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Hilton Judin, "Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital" (Routledge, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 19 Apr 2022 08:00:00 +0000

Hilton Judin's book Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital (Routledge, 2021) is the first comprehensive investigation of the architecture of the apartheid state in the period of rapid economic growth and political repression from 1957 to 1966 when buildings took on an ideological role that was never remote from the increasingly dominant administrative, legislative and policing mechanisms of the regime. It considers how this process reflected the usurpation of a regional modernism and looks to contribute to wider discourses on international postwar modernism in architecture.

Buildings in Pretoria that came to embody ambitions of the apartheid state for industrialization and progress serve as case studies. These were widely acclaimed projects that embodied for apartheid officials the pursuit of modernization but carried latent apprehensions of Afrikaners about their growing economic prospects and cultural estrangement in Africa. It is a less known and marginal story due to the dearth of material and documents buried in archives and untranslated documents. Many of the documents, drawings and photographs in the book are unpublished and include classified material and photographs from the National Nuclear Research Centre, negatives of 1960s from Pretoria News and documents and pamphlets from Afrikaner Broederbond archives.

State architecture became the most iconic public manifestation of an evolving expression of white cultural identity as a new generation of architects in Pretoria took up the challenge of finding form to their prospects and beliefs. It was an opportunistic faith in Afrikaners who urgently needed to entrench their vulnerable and contested position on the African continent. The shift from provincial town to apartheid capital was swift and relentless. Little was left to stand in the way of the ambitions and aim of the state as people were uprooted and forcibly relocated, structures torn down and block upon block of administration towers and slabs erected across Pretoria.

This book will be of great interest to students and scholars of architectural history as well as those with an interest in postcolonial studies, political science, and social anthropology.

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Anadelia Romo, "Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia" (U Texas Press, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 13 Apr 2022 08:00:00 +0000

In Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia (University of Texas Press, 2022), Anadelia Romo argues that visual images were central to the shift from emulating Europe to valuing Brazil’s own local culture, which took place from the late 19th to the early 20th century. The book focuses on Salvador, Bahia, a city in the northeast of Brazil known for its rich Black culture, history of slavery, and tourism industry. Using print culture associated with tourism, Romo shows how representations of Afro-Brazilians engaged ideas of race and nation at the time. The book is filled with photographs and illustrations from Pierre Verger, Carybe, and other visual culture producers, which evidences how the city was rendered. These images featured Afro-Brazilians as central urban figures as well as the festive and religious culture of the city. Yet, in giving less attention to racism, these images masked deeply entrenched racial inequality.

Anadelia A. Romo is an Associate Professor of History at Texas State University. She is the author of Brazil’s Living Museum: Race, Reform, and Tradition in Bahia.

Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.

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Josef Benson and Doug Singsen, "Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels" (UP of Mississippi, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 12 Apr 2022 08:00:00 +0000

American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations.

In Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels (University of Mississippi Press, 2022), Dr. Josef Benson and Dr. Doug Singsen provide a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. They identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways.

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Autonomous Work of Art

caleb@newbooksnetwork.com (Marshall Poe) — Tue, 12 Apr 2022 08:00:00 +0000

Kim talks with Pardis about Theodor Adorno’s concept of the autonomous work of art, as articulated in his Aesthetic Theory, and The Dialectic of Enlightenment (with help from Max Horkheimer).

Pardis Dabashi is an assistant professor of English at the University of Nevada, Reno, where she specializes in 20th-Century literature and Film studies. Starbucks Christmas Blend is one of her many guilty pleasures. Adorno would be upset.

Image source: Witches dancing in forest, in the Compedium Maleficarum of Francesco Mario Guazzo, published in 1608. Available on Wikimedia Commons.

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David Maroto, "The Artist's Novel: A New Medium" (Mousse, 2020)

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 11 Apr 2022 08:00:00 +0000

For better or worse, artists write. But why would a visual artist write a novel? How should such a novel be experienced? How does the artist’s novel compare or compete with literary fiction as we know it?

David Maroto, the author of The Artist's Novel: A New Medium (Mousse Publishing, 2020) considers the proliferation of artists writing novels as a sign of the emergence of a new medium. Artists engaging in this new medium do so in order to address artistic issues by means of novelistic devices, favouring a sort of art predicated on process and subjectivity, introducing notions such as fiction, narrative, and imagination. Maroto’s work is the first to explore the subject of the artist’s novel in depth.

David Maroto speaks to Pierre d’Alancaisez about the artist’s novel and the demands it makes on its readers and, as he found out through his own practice, on its curators and publishers. David reads from Benjamin Seror's Mime Radio and voices the mythical satyr Marsyas but, sadly, stops short of singing.

David Maroto is a visual artist, researcher, writer, and curator based in Rotterdam.

David Maroto’s first novel Illusion
The Book Lovers, a project by David Maroto and Joanna Zielinska
Benjamin Seror’s Mime Radio
Goldin+Senneby‘s Headless
Ale Cecchetti’s exhibition at Ujazdowski Castle
Alex Cecchetti’s novel Tamam Shud

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Manu Pillai, "False Allies: India’s Maharajahs in the Age of Ravi Varma" (Juggernaut, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 7 Apr 2022 08:00:00 +0000

It can be easy to think of the recent history of India—especially for those who aren’t from there—as a straight line, from the Mughal Empire, through the British Empire, to independent India.

That, of course, is hugely simplistic, missing the mess of competing polities, interests, and people that made up Indian history over the last few centuries.

Manu Pillai’s False Allies: India’s Maharajahs in the Age of Ravi Varma (Juggernaut, 2021), looks at a few of these political actors: the Maharajas of India, who led the “princely states”. Not quite sovereign entities, not quite directly-ruled colonies. Pillai portrays the stories of a few of these princes and princesses through the life of famed Indian artist Ravi Varma as he travels around India in the latter half of the nineteenth century.

In this interview, Manu and I talk about the princely states, the Maharajas, and why Manu chose Ravi Varma to tell the stories of the Indian princes.

Manu S Pillai is the author of the award-winning The Ivory Throne: Chronicles of the House of Travancore (HarperCollins India: 2015), Rebel Sultans: The Deccan from Khilji to Shivaji (Juggernaut: 2018), and The Courtesan, the Mahatma & the Italian Brahmin: Tales from Indian History (Context: 2019).

He can be followed on Twitter at @UnamPillai and on Instagram at @WaatCoconut.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of False Allies. Follow on Facebook or on Twitter at @BookReviewsAsia.

Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Aura

caleb@newbooksnetwork.com (Marshall Poe) — Mon, 4 Apr 2022 08:00:00 +0000

In this episode Saronik asks Kim about the aura.

The idea comes from Walter Benjamin’s 1935 essay “The Work of Art in the Age of Mechanical Reproduction.”

Besides the central text, the episode references Benjamin’s 1940 essay, “On the Concept of History” in which the Angel of History appears. We also talk about Oscar Wilde’s 1891 essay “The Soul of Man Under Socialism.” And make a passing mention of the British artist Banksy.

The image is a photograph that Kim took of a painting of peaches in an art museum in Amsterdam. She forgets artist and title of the painting, and would welcome reminders from listeners.

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Lucy Donkin, "Standing on Holy Ground in the Middle Ages" (Cornell UP, 2022)

caleb@newbooksnetwork.com (Marshall Poe) — Fri, 1 Apr 2022 04:00:00 +0000

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Abigail Susik, "Surrealist Sabotage and the War on Work" (Manchester UP, 2021)

caleb@newbooksnetwork.com (Marshall Poe) — Thu, 31 Mar 2022 08:00:00 +0000

According to the definition offered by Tate on the occasion of the exhibition Surrealism Without Borders, Surrealism “aims to revolutionise human experience. It balances a rational vision of life with one that asserts the power of the unconscious and dreams.” Surrealism, therefore, produces images and artefacts that are rooted outside the real and that evade rational description.

For many artists, however, the practice of Surrealist art took on an explicitly political and therefore practical dimensions. In Surrealist Sabotage and the War on Work (Manchester UP, 2021), art historian Abigail Susik argues that many Surrealists tried to transform the work of art into a form of unmanageable anti-work.

Abigail Susik speaks with Pierre d’Alancaisez about what the politics of work meant to the early French Surrealists, the ambiguous labour practices of artists like Simone Breton, and the imagery of typewriters and sewing machines that permeates the work of artists such as Oscar Domínguez. She brings these questions into the present by engaging with the work of the Chicago Surrealists of the 1960s and 70s.

Abigail Susik is Associate Professor of Art History at Willamette University and co-editor of Surrealism and film after 1945.

Man Ray, Séance de rêve éveiillé
Oscar Domínguez, Machine à coudre électro-sexuelle
Surrealism Without Borders at Tate Modern
Abigail’s op-eds in the Washington Post and New York Times
Abigail’s forthcoming book Radical Dreams

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Hannah Star Rogers, "Routledge Handbook of Art, Science, and Technology Studies" (Routledge, 2021))

caleb@newbooksnetwork.com (Marshall Poe) — Wed, 30 Mar 2022 08:00:00 +0000

I spoke with Hannah Star Rogers, one of the editors of the Routledge Handbook of Art, Science, and Technology Studies (Routledge, 2021). Art and science work is experiencing a dramatic rise coincident with burgeoning Science and Technology Studies (STS) interest in this area. Science has played the role of muse for the arts, inspiring imaginative reconfigurations of scientific themes and exploring their cultural resonance. Conversely, the arts are often deployed in the service of science communication, illustration, and popularization. STS scholars have sought to resist the instrumentalization of the arts by the sciences, emphasizing studies of theories and practices across disciplines and the distinctive and complementary contributions of each. The manifestation of this commonality of creative and epistemic practices is the emergence of Art, Science, and Technology Studies (ASTS) as the interdisciplinary exploration of art–science.

This handbook defines the modes, practices, crucial literature, and research interests of this emerging field. It explores the questions, methodologies, and theoretical implications of scholarship and practice that arise at the intersection of art and STS. Further, ASTS demonstrates how the arts are intervening in STS. Drawing on methods and concepts derived from STS and allied fields including visual studies, performance studies, design studies, science communication, and aesthetics, and the knowledge of practicing artists and curators, ASTS is predicated on the capacity to see both art and science as constructions of human knowledge-making. Accordingly, it posits a new analytical vernacular, enabling new ways of seeing, understanding, and thinking critically about the world.

This book provides scholars and practitioners already familiar with the themes and tensions of art–science with a means of connecting across disciplines. It proposes organizing principles for thinking about art–science across the sciences, social sciences, humanities, and arts. Encounters with art and science become meaningful in relation to practices and materials manifest as perceptual habits, background knowledge, and cultural norms. As the chapters in this book demonstrate, a variety of STS tools can be brought to bear on art–science so that systematic research can be conducted on this unique set of knowledge-making practices.

Hannah Star Rogers is Visiting Scholar at the University of Edinburgh in Science, Technology, and Innovation Studies (STIS) and lead editor of the Routledge Handbook of Art, Science, and Technology Studies.

Frances Sacks is a journalist and graduate of Wesleyan University, where she studied in the Science and Society Program. She is also a drummer who has studied Gamelan in Bali, Berber in Morocco, and most traditional Ga patterns with master drummers in Ghana.

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