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    <title>Cinema Italia</title>
    <description>Author and film critic John Bleasdale explores the worlds of Italian cinema from Neo Realism to Spaghetti Westerns, Gialli to Sword and Sandal epics, Poliziotteschi to white telehphone films: and anything he left out.
Talking to illustrious guests, Italian and otherwise, Cinema Italia unites them with a love of il cinema Italiano and Hollywood on the Tiber.
A proud part of the Film Stories Podcast Network: www.filmstories.co.uk</description>
    <copyright>(c) John Bleasdale</copyright>
    <language>en</language>
    <pubDate>Mon, 4 May 2026 05:21:00 +0000</pubDate>
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      <title>Cinema Italia</title>
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    <itunes:summary>Author and film critic John Bleasdale explores the worlds of Italian cinema from Neo Realism to Spaghetti Westerns, Gialli to Sword and Sandal epics, Poliziotteschi to white telehphone films: and anything he left out.
Talking to illustrious guests, Italian and otherwise, Cinema Italia unites them with a love of il cinema Italiano and Hollywood on the Tiber.
A proud part of the Film Stories Podcast Network: www.filmstories.co.uk</itunes:summary>
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      <itunes:email>drjonty@yahoo.com</itunes:email>
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      <title>Big Deal on Madonna Street (1958)</title>
      <description><![CDATA[<p>Big Deal on Madonna Street (I soliti ignoti) is a 1958 Italian comedy caper film directed by Mario Monicelli and one of the masterpieces of Italian cinema. Starring Totò, Claudia Cardinale, Vittorio Gassman, Renato Salvatori, Carlo Pisacane, Tiberio Murgia, and Marcello Mastroianni.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 4 May 2026 05:21:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/?post_type=gp_podcast_episode&amp;p=51</link>
      <content:encoded><![CDATA[<p>Big Deal on Madonna Street (I soliti ignoti) is a 1958 Italian comedy caper film directed by Mario Monicelli and one of the masterpieces of Italian cinema. Starring Totò, Claudia Cardinale, Vittorio Gassman, Renato Salvatori, Carlo Pisacane, Tiberio Murgia, and Marcello Mastroianni.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Big Deal on Madonna Street (1958)</itunes:title>
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      <itunes:summary>Nicholas Bell and John Bleasdale discuss Mario Monicelli&apos;s Big Deal on Madonna Street or I Soliti Ignoti (1958).</itunes:summary>
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      <title>The Working Class Goes to Heaven (1971)</title>
      <description><![CDATA[<p><em>The Working Class Goes to Heaven</em> (Italian: La classe operaia va in paradiso), released in the US as <em>Lulu the Tool</em>, is a 1971 Italian satirical political drama film directed by Elio Petri. It depicts a factory worker's realisation of his own condition as a simple tool in the process of production. The film was awarded the Grand Prix du Festival International du Film at the 25th Cannes Film Festival, sharing it with Francesco Rosi's <em>The Mattei Affair</em>.</p>
<p>You can buy John's novel <em><strong>Connery</strong> </em><a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb"><em>here</em></a>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 27 Apr 2026 04:06:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/?post_type=gp_podcast_episode&amp;p=50</link>
      <content:encoded><![CDATA[<p><em>The Working Class Goes to Heaven</em> (Italian: La classe operaia va in paradiso), released in the US as <em>Lulu the Tool</em>, is a 1971 Italian satirical political drama film directed by Elio Petri. It depicts a factory worker's realisation of his own condition as a simple tool in the process of production. The film was awarded the Grand Prix du Festival International du Film at the 25th Cannes Film Festival, sharing it with Francesco Rosi's <em>The Mattei Affair</em>.</p>
<p>You can buy John's novel <em><strong>Connery</strong> </em><a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb"><em>here</em></a>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:summary>John and Nicholas talk about Elio Petri&apos;s social satire The Working Class Goes to Heaven</itunes:summary>
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      <title>Salvatore Giuliano (1962)</title>
      <description><![CDATA[<p><em><strong>Salvatore Giuliano</strong></em> is a 1962 Italian drama film directed by Francesco Rosi. Using techniques of the documentary film, it recounts the criminal career of famous Sicilian bandit Salvatore Giuliano between 1943 and 1950, his death. Nicholas Bell and John Bleasdale discuss the film.</p>
<p>Connery a novel is available <a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb">here</a>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 20 Apr 2026 04:00:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/?post_type=gp_podcast_episode&amp;p=49</link>
      <content:encoded><![CDATA[<p><em><strong>Salvatore Giuliano</strong></em> is a 1962 Italian drama film directed by Francesco Rosi. Using techniques of the documentary film, it recounts the criminal career of famous Sicilian bandit Salvatore Giuliano between 1943 and 1950, his death. Nicholas Bell and John Bleasdale discuss the film.</p>
<p>Connery a novel is available <a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb">here</a>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Salvatore Giuliano (1962)</itunes:title>
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      <itunes:summary>Nicolas Bell and John Bleasdale discuss Salvatore Giuliano (1962), directed Francesco Rosi</itunes:summary>
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      <title>The Tree of Wooden Clogs (1978)</title>
      <description><![CDATA[<p>Ermanno Olmi's Tree of Wooden Clogs won the Palme d'Or at Cannes on its release in 1978 and tells the tale of a year in the life of a small village of peasant at the turn of the century in Bergamo. We discuss the masterpiece and its influence on world cinema.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 11 Apr 2026 15:05:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/the-tree-of-wooden-clogs-1978/</link>
      <content:encoded><![CDATA[<p>Ermanno Olmi's Tree of Wooden Clogs won the Palme d'Or at Cannes on its release in 1978 and tells the tale of a year in the life of a small village of peasant at the turn of the century in Bergamo. We discuss the masterpiece and its influence on world cinema.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:summary>Nicolas Bell and John Bleasdale discuss Ermanno Olmi&apos;s Tree of Wooden Clogs</itunes:summary>
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      <title>The Skin (1981)</title>
      <description><![CDATA[<p>The Skin (La pelle) is a 1981 Italian war film directed by Liliana Cavani and starring Marcello Mastroianni, Burt Lancaster, Ken Marshall, Carlo Giuffrè and Claudia Cardinale from Curzio Malaparte's 1949 novel The Skin. It was entered into the 1981 Cannes Film Festival. And it is nuts.</p>
<p>Get your copy of Connery: A Novel by John Bleasdale <a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb">here</a>.</p>
<p>Find Nicholas' review at Fish Jelly Films <a href="https://www.fishjellyfilms.com/">Here</a>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 4 Apr 2026 04:00:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/?post_type=gp_podcast_episode&amp;p=47</link>
      <content:encoded><![CDATA[<p>The Skin (La pelle) is a 1981 Italian war film directed by Liliana Cavani and starring Marcello Mastroianni, Burt Lancaster, Ken Marshall, Carlo Giuffrè and Claudia Cardinale from Curzio Malaparte's 1949 novel The Skin. It was entered into the 1981 Cannes Film Festival. And it is nuts.</p>
<p>Get your copy of Connery: A Novel by John Bleasdale <a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb">here</a>.</p>
<p>Find Nicholas' review at Fish Jelly Films <a href="https://www.fishjellyfilms.com/">Here</a>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:summary>The Skin (1981) directed by Liliana Cavani is the subject of the discussion. With John Bleasdale and Nicholas Bell.</itunes:summary>
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      <title>The Great Beauty (2013) with Shawn Levy</title>
      <description><![CDATA[<p>Oscar winning 2013 film <em>The Great Beauty</em> by Paolo Sorrentino and starring Tony Servillo is the subject of my conversation with Shawn Levy, the author of <em>Dolce Vita Confidentia</em>l and <em>Clint</em>, among many other great books.</p>
<p>John Bleasdale's <em>Connery the Novel</em> is available<a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb"><strong> HERE.</strong></a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 28 Mar 2026 15:29:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/the-great-beauty-with-shawn-levy/</link>
      <content:encoded><![CDATA[<p>Oscar winning 2013 film <em>The Great Beauty</em> by Paolo Sorrentino and starring Tony Servillo is the subject of my conversation with Shawn Levy, the author of <em>Dolce Vita Confidentia</em>l and <em>Clint</em>, among many other great books.</p>
<p>John Bleasdale's <em>Connery the Novel</em> is available<a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb"><strong> HERE.</strong></a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>The Great Beauty (2013) with Shawn Levy</itunes:title>
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      <itunes:summary>Shawn Levy and John Bleasdale on Paolo Sorrentino&apos;s The Great Beauty (La Grande Bellezza)</itunes:summary>
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      <title>Spasmo (1974)</title>
      <description><![CDATA[<p><strong><em>Spasmo</em></strong> is a 1974 Italian giallo film directed by Umberto Lenzi and starring Robert Hoffmann and Suzy Kendall. John Bleasdale and Nicholas Bell delve into its deeper mysteries and discover madness.</p>
<p>Music by Two Minute Noodles.</p>
<p>Find Nicholas Bell and Joseph's Fish Jelly film review channel <a href="https://www.youtube.com/@fishjellyfilmreviews">here.</a></p>
<p>Connery: a Novel by John Bleasdale is <a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb">available here.</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 22 Mar 2026 10:54:05 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/?post_type=gp_podcast_episode&amp;p=43</link>
      <content:encoded><![CDATA[<p><strong><em>Spasmo</em></strong> is a 1974 Italian giallo film directed by Umberto Lenzi and starring Robert Hoffmann and Suzy Kendall. John Bleasdale and Nicholas Bell delve into its deeper mysteries and discover madness.</p>
<p>Music by Two Minute Noodles.</p>
<p>Find Nicholas Bell and Joseph's Fish Jelly film review channel <a href="https://www.youtube.com/@fishjellyfilmreviews">here.</a></p>
<p>Connery: a Novel by John Bleasdale is <a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb">available here.</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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<p>Music by Two Minute Noodles.</p>
<p>Find Nicholas Bell and Joseph's Fish Jelly film review channel <a href="https://www.youtube.com/@fishjellyfilmreviews">here.</a></p>
<p>Connery: a Novel by John Bleasdale is <a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb">available here.</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 14 Mar 2026 15:56:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p>Nicholas Bell and John Bleasdale pry into All the Colors of the Dark, a 1972 giallo film directed by Sergio Martino and starring George Hilton, Edwige Fenech, Ivan Rassimov, Julián Ugarte, George Rigaud, Susan Scott and Marina Malfatti.</p>
<p>Music by Two Minute Noodles.</p>
<p>Find Nicholas Bell and Joseph's Fish Jelly film review channel <a href="https://www.youtube.com/@fishjellyfilmreviews">here.</a></p>
<p>Connery: a Novel by John Bleasdale is <a href="https://plumeriapics.co.uk/shop/ols/products/xn--connery--a-novel-by-john-bleasdale-pre-order--out-23-february-2026-kk96bdb">available here.</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <description><![CDATA[<p>Another chance to hear one of the most popular episodes of Cinema Italia, recorded in 2023.</p>
<p>Pier Paolo Pasolini's Salò or the 120 Days of Sodom was released in 1975 and became an instant milestone in the cinema of transgression. A political fable, it tells the story of four men who in the waning days of Fascist Italy retire to a villa to enjoy their perversions and sadism at the expense of the young people they have captured. Torture, rape, murder and degradation are explicitly depicted in a way that remains shocking to this day. I talk with Jason Wood, author and film programmer for the BFI, about this electrifying, challenging film. The Music for the podcast is provided by Two Minute Noodles and more can be found here.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Wed, 24 Dec 2025 13:57:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
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      <content:encoded><![CDATA[<p>Another chance to hear one of the most popular episodes of Cinema Italia, recorded in 2023.</p>
<p>Pier Paolo Pasolini's Salò or the 120 Days of Sodom was released in 1975 and became an instant milestone in the cinema of transgression. A political fable, it tells the story of four men who in the waning days of Fascist Italy retire to a villa to enjoy their perversions and sadism at the expense of the young people they have captured. Torture, rape, murder and degradation are explicitly depicted in a way that remains shocking to this day. I talk with Jason Wood, author and film programmer for the BFI, about this electrifying, challenging film. The Music for the podcast is provided by Two Minute Noodles and more can be found here.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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<p><a href="https://www.amazon.it/Italian-Cinema-Exploitation-Barry-Forshaw/dp/1843449102">Available here. </a></p>
<p>Italian cinema is one of the most glorious and energetic celebrations of the medium that any nation has ever offered. For many years, this astonishing legacy was largely unseen, but the DVD revolution is making virtually everything available, from Steve Reeves' muscle epics to long-unseen Italian art house movies. The one characteristic that most of the great (and not so great) Italian movies have in common is the sheer individualism of the directors. This applies to populist moviemakers and the giants of serious cinema. While Fellini, Visconti and Antonioni have rightly assumed their places in the pantheon, so have such talented popular auteurs as Sergio Leone, who was doing something with the Western that no American director would dare do. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 3 Aug 2025 20:02:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p>Barry Forshaw is the author of the Guide to Italian Cinema: Arthouse to Exploitation.</p>
<p><a href="https://www.amazon.it/Italian-Cinema-Exploitation-Barry-Forshaw/dp/1843449102">Available here. </a></p>
<p>Italian cinema is one of the most glorious and energetic celebrations of the medium that any nation has ever offered. For many years, this astonishing legacy was largely unseen, but the DVD revolution is making virtually everything available, from Steve Reeves' muscle epics to long-unseen Italian art house movies. The one characteristic that most of the great (and not so great) Italian movies have in common is the sheer individualism of the directors. This applies to populist moviemakers and the giants of serious cinema. While Fellini, Visconti and Antonioni have rightly assumed their places in the pantheon, so have such talented popular auteurs as Sergio Leone, who was doing something with the Western that no American director would dare do. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:summary>Barry Forshaw is the author of the Guide to Italian Cinema: Arthouse to Exploitation. 

Available here. 


Italian cinema is one of the most glorious and energetic celebrations of the medium that any nation has ever offered. For many years, this astonishing legacy was largely unseen, but the DVD revolution is making virtually everything available, from Steve Reeves&apos; muscle epics to long-unseen Italian art house movies. The one characteristic that most of the great (and not so great) Italian movies have in common is the sheer individualism of the directors. This applies to populist moviemakers and the giants of serious cinema. While Fellini, Visconti and Antonioni have rightly assumed their places in the pantheon, so have such talented popular auteurs as Sergio Leone, who was doing something with the Western that no American director would dare do. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format.</itunes:summary>
      <itunes:subtitle>Barry Forshaw is the author of the Guide to Italian Cinema: Arthouse to Exploitation. 

Available here. 


Italian cinema is one of the most glorious and energetic celebrations of the medium that any nation has ever offered. For many years, this astonishing legacy was largely unseen, but the DVD revolution is making virtually everything available, from Steve Reeves&apos; muscle epics to long-unseen Italian art house movies. The one characteristic that most of the great (and not so great) Italian movies have in common is the sheer individualism of the directors. This applies to populist moviemakers and the giants of serious cinema. While Fellini, Visconti and Antonioni have rightly assumed their places in the pantheon, so have such talented popular auteurs as Sergio Leone, who was doing something with the Western that no American director would dare do. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format.</itunes:subtitle>
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      <pubDate>Mon, 30 Jun 2025 08:58:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/bologna-cinema-ritrovato-film-festival/</link>
      <content:encoded><![CDATA[<p>My report from the Cinema Ritrovato Festival in Bologna</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <pubDate>Wed, 4 Jun 2025 22:00:00 +0000</pubDate>
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      <link>https://bleav.com/shows/cinema-italia/episodes/kapo-by-gillo-pontecorvo/</link>
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      <itunes:summary>Gillo Pontecorvo&apos;s film was one of the first movies to deal with the concentration camps. It starred Susan Strasberg and was inspired by the books of Primo Levi.</itunes:summary>
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      <description><![CDATA[<p>We look at Federico Fellini's masterpiece 8 1/2, starring Marcello Mastroianni and Claudia Cardinale. 
Matthew Asprey Gear is a writer and lecturer. His online courses are available here: <a href="http://www.matthewaspreygear.com/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExcUtSb0syVDdmaDRtTWp2VQEe4cKml2fTrICLSz1rEawOWfejjx0N--WYwPtWNHwB9Ro80-2r4RPQArxOQVI_aem_qQRDar2sj9f6h0rF8_ufMA">www.matthewaspreygear.com</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Thu, 29 May 2025 22:00:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/8-1-2-with-matthew-asprey-gear/</link>
      <content:encoded><![CDATA[<p>We look at Federico Fellini's masterpiece 8 1/2, starring Marcello Mastroianni and Claudia Cardinale. 
Matthew Asprey Gear is a writer and lecturer. His online courses are available here: <a href="http://www.matthewaspreygear.com/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExcUtSb0syVDdmaDRtTWp2VQEe4cKml2fTrICLSz1rEawOWfejjx0N--WYwPtWNHwB9Ro80-2r4RPQArxOQVI_aem_qQRDar2sj9f6h0rF8_ufMA">www.matthewaspreygear.com</a></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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Matthew Asprey Gear is a writer and lecturer. His online courses are available here: www.matthewaspreygear.com</itunes:summary>
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Matthew Asprey Gear is a writer and lecturer. His online courses are available here: www.matthewaspreygear.com</itunes:subtitle>
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      <title>The Mattei Affair with Nicholas Bell</title>
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      <pubDate>Thu, 22 May 2025 22:00:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
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      <pubDate>Thu, 15 May 2025 22:00:00 +0000</pubDate>
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      <pubDate>Thu, 8 May 2025 22:00:00 +0000</pubDate>
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      <pubDate>Thu, 1 May 2025 22:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p>We All Loved Each Other So Much, from 1974,  was directed by Ettore Scola and starred Vittorio Gassman, Nino Manfredi, Stefania Sandrelli, Stefano Satta Flores, Giovanna Ralli and Aldo Fabrizi.</p><p><br /></p><p>Dedicated to Vittorio De Sica, who died shortly before the film was released, the film is a portrait of post-war Italy, through the eyes of three ex-partisan friends who all fall in love with the same woman. </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <pubDate>Thu, 24 Apr 2025 22:00:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
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      <content:encoded><![CDATA[<p>Writer and critic Neil Young talks Carlo Lizzani's 1968 poliziottesco Banditi a Milano, (or Bandits in Milan or The Violent Four), starring Gian Maria Volonté, Tomas Milian, Don Backy and Ray Lovelock. Based on a real bank robbery, the film is credited with launching a popular Italian genre. Check out Neil's work <a href="https://www.jigsawlounge.co.uk/film/">here. </a>  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <title>Alice Rohrwacher&apos;s Heavenly Body (Corpo Celeste)</title>
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      <pubDate>Mon, 6 May 2024 05:07:00 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
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      <itunes:subtitle>Maathew Page joins John Bleasdale to discuss the career of Alice Rohrwacher and specifically her debut film from 2011, Heavenly Body, (Corpo Celeste). 13 year old Marta is preparing for her confirmation at the local Catholic church but soon finds that her own faith doesn&apos;t help her to fit in with the new home she has recently moved to. 
Alice Rohrwacher&apos;s new film La Chimera is released this month in the UK.  

 Hosted on Acast. See acast.com/privacy for more information.
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      <title>Giulia Saccogna on Rome Open City</title>
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      <pubDate>Mon, 29 Apr 2024 05:00:25 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
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      <content:encoded><![CDATA[<p>In the rubble of a Rome which still smelled of gunpowder, Roberto Rossellini filmed Roma Città Aperta (Rome Open City), a film that stands as an inaugural moment in Italian Neorealism and as a hugely influential masterpiece in world cinema. Giulia Saccogna is the programmer of a new season of films at the BFI - Chasing the Real: Italian Neorealism - which will include a 4K restoration of Rome Open City. Tickets are available <a href="https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=italian-neorealism&BOparam::WScontent::loadArticle::context_id=">here</a>. <br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <title>Nicholas Bell on The Killer Nun</title>
      <description><![CDATA[<p>A 1979 Italian nunsploitation horror film, Killer Nun was directed by Giulio Berruti and starred Anita Ekberg, Joe Dallesandro, Lou Castel, and Alida Valli. Its plot follows a nun who, after recovering from brain surgery, grows increasingly paranoid that her health is again declining; she begins indulging in opioids from the hospital in which she works, and spirals into addiction and madness with violent consequences.</p><p>Nicholas Bell is a film critic who writes for EyeOnCinema and on his YouTube channel <a href="https://www.youtube.com/@fishjellyfilmreviews">Fish Jelly Film Reviews.</a></p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 22 Apr 2024 05:13:48 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/nicholas-bell-on-the-killer-nun/</link>
      <content:encoded><![CDATA[<p>A 1979 Italian nunsploitation horror film, Killer Nun was directed by Giulio Berruti and starred Anita Ekberg, Joe Dallesandro, Lou Castel, and Alida Valli. Its plot follows a nun who, after recovering from brain surgery, grows increasingly paranoid that her health is again declining; she begins indulging in opioids from the hospital in which she works, and spirals into addiction and madness with violent consequences.</p><p>Nicholas Bell is a film critic who writes for EyeOnCinema and on his YouTube channel <a href="https://www.youtube.com/@fishjellyfilmreviews">Fish Jelly Film Reviews.</a></p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Nicholas Bell on The Killer Nun</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/9ab89e9c-f8ce-488f-abe4-c2af467e23be/3000x3000/fa84c79b4dbf17c31bc6d56399e4bb8d.jpeg?aid=rss_feed"/>
      <itunes:duration>00:52:14</itunes:duration>
      <itunes:summary>A 1979 Italian nunsploitation horror film, Killer Nun was directed by Giulio Berruti and starred Anita Ekberg, Joe Dallesandro, Lou Castel, and Alida Valli. Its plot follows a nun who, after recovering from brain surgery, grows increasingly paranoid that her health is again declining; she begins indulging in opioids from the hospital in which she works, and spirals into addiction and madness with violent consequences.
Nicholas Bell is a film critic who writes for EyeOnCinema and on his YouTube channel Fish Jelly Film Reviews.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>A 1979 Italian nunsploitation horror film, Killer Nun was directed by Giulio Berruti and starred Anita Ekberg, Joe Dallesandro, Lou Castel, and Alida Valli. Its plot follows a nun who, after recovering from brain surgery, grows increasingly paranoid that her health is again declining; she begins indulging in opioids from the hospital in which she works, and spirals into addiction and madness with violent consequences.
Nicholas Bell is a film critic who writes for EyeOnCinema and on his YouTube channel Fish Jelly Film Reviews.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
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      <title>Death in Venice with Lillian Crawford</title>
      <description><![CDATA[<p>Lillian Crawford talks about Luchino Visconti's 1977 adaptation of Thomas Mann's <em>Death in Venice</em>.</p><p>Lillian is a freelance writer whose work has appeared in Little White Lies, Sight and Sound and the Times Literary Supplement as well as many other places. Her personal website can be<a href="https://lillcrawf.co.uk/"> visited here</a>. </p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 15 Apr 2024 06:41:49 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/death-in-venice-with-lillian-crawford/</link>
      <content:encoded><![CDATA[<p>Lillian Crawford talks about Luchino Visconti's 1977 adaptation of Thomas Mann's <em>Death in Venice</em>.</p><p>Lillian is a freelance writer whose work has appeared in Little White Lies, Sight and Sound and the Times Literary Supplement as well as many other places. Her personal website can be<a href="https://lillcrawf.co.uk/"> visited here</a>. </p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Death in Venice with Lillian Crawford</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/faa23f5f-e66f-45b5-bdf9-24dc5af9ea3a/3000x3000/a42e04c7f076ca525cac1a81a46e6a38.jpeg?aid=rss_feed"/>
      <itunes:duration>01:05:47</itunes:duration>
      <itunes:summary>Lillian Crawford talks about Luchino Visconti&apos;s 1977 adaptation of Thomas Mann&apos;s Death in Venice.
Lillian is a freelance writer whose work has appeared in Little White Lies, Sight and Sound and the Times Literary Supplement as well as many other places. Her personal website can be visited here. 
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Lillian Crawford talks about Luchino Visconti&apos;s 1977 adaptation of Thomas Mann&apos;s Death in Venice.
Lillian is a freelance writer whose work has appeared in Little White Lies, Sight and Sound and the Times Literary Supplement as well as many other places. Her personal website can be visited here. 
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
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      <title>The Birds and the Bees and the Italians</title>
      <description><![CDATA[<p>The Birds, the Bees and the Italians (Italian: Signore & Signori, literally "Ladies and Gentlemen") is a 1966 italian film directed by Pietro Germi.</p><br /><p>It won the Grand Prix with A Man and a Woman at the 1966 Cannes Film Festival and was later selected for screening as part of the Cannes Classics section at the 2016 Cannes Film Festival.</p><br /><p>Jo-Ann Titmarsh is a film critic and travel writer whose work has appeared in The Evening Standard, HeyUGuys and Lonely Planet.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 8 Apr 2024 07:36:59 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/the-birds-and-the-bees-and-the-italians/</link>
      <content:encoded><![CDATA[<p>The Birds, the Bees and the Italians (Italian: Signore & Signori, literally "Ladies and Gentlemen") is a 1966 italian film directed by Pietro Germi.</p><br /><p>It won the Grand Prix with A Man and a Woman at the 1966 Cannes Film Festival and was later selected for screening as part of the Cannes Classics section at the 2016 Cannes Film Festival.</p><br /><p>Jo-Ann Titmarsh is a film critic and travel writer whose work has appeared in The Evening Standard, HeyUGuys and Lonely Planet.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>The Birds and the Bees and the Italians</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/01ae984c-9d37-4434-942b-33573817d622/3000x3000/e75eb95685491c55941b2aef3d19b125.jpeg?aid=rss_feed"/>
      <itunes:duration>00:48:57</itunes:duration>
      <itunes:summary>The Birds, the Bees and the Italians (Italian: Signore &amp; Signori, literally &quot;Ladies and Gentlemen&quot;) is a 1966 italian film directed by Pietro Germi.
It won the Grand Prix with A Man and a Woman at the 1966 Cannes Film Festival and was later selected for screening as part of the Cannes Classics section at the 2016 Cannes Film Festival.
Jo-Ann Titmarsh is a film critic and travel writer whose work has appeared in The Evening Standard, HeyUGuys and Lonely Planet.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>The Birds, the Bees and the Italians (Italian: Signore &amp; Signori, literally &quot;Ladies and Gentlemen&quot;) is a 1966 italian film directed by Pietro Germi.
It won the Grand Prix with A Man and a Woman at the 1966 Cannes Film Festival and was later selected for screening as part of the Cannes Classics section at the 2016 Cannes Film Festival.
Jo-Ann Titmarsh is a film critic and travel writer whose work has appeared in The Evening Standard, HeyUGuys and Lonely Planet.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
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      <title>Assunta Spina with Pamela Hutchinson</title>
      <description><![CDATA[<p>Assunta Spina starring Francesca Bertini is a classic Diva silent from 1915. (View it <a href="https://www.youtube.com/watch?v=enAp-j2_JYY">here</a>). </p><p>Writer and critic and expert in silent cinema Pamela Hutchinson gives her insight into where to start with Italian silent cinema. </p><p><a href="https://pamhutch.wordpress.com/">Here </a>is a link to her blog.</p><p>Music is by Two Minute Noodles, available<a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2"> here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 29 Mar 2024 06:40:51 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/assunta-spina-with-pamela-hutchinson/</link>
      <content:encoded><![CDATA[<p>Assunta Spina starring Francesca Bertini is a classic Diva silent from 1915. (View it <a href="https://www.youtube.com/watch?v=enAp-j2_JYY">here</a>). </p><p>Writer and critic and expert in silent cinema Pamela Hutchinson gives her insight into where to start with Italian silent cinema. </p><p><a href="https://pamhutch.wordpress.com/">Here </a>is a link to her blog.</p><p>Music is by Two Minute Noodles, available<a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2"> here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Assunta Spina with Pamela Hutchinson</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/fc4fef84-bf5b-450d-b208-d9318575663a/3000x3000/eda2207f58474cdc48e65dd19e3d529f.jpeg?aid=rss_feed"/>
      <itunes:duration>00:45:49</itunes:duration>
      <itunes:summary>Assunta Spina starring Francesca Bertini is a classic Diva silent from 1915. (View it here). 
Writer and critic and expert in silent cinema Pamela Hutchinson gives her insight into where to start with Italian silent cinema. 
Here is a link to her blog.
Music is by Two Minute Noodles, available here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Assunta Spina starring Francesca Bertini is a classic Diva silent from 1915. (View it here). 
Writer and critic and expert in silent cinema Pamela Hutchinson gives her insight into where to start with Italian silent cinema. 
Here is a link to her blog.
Music is by Two Minute Noodles, available here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
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      <title>Investigation of a Citizen Above Suspicion</title>
      <description><![CDATA[<p>John Bleasdale talks to film maker and writer James Peaty about <em>Investigation of a Citizen Above Suspicion,</em> Elio Petri's 1970 film, starring Gian Maria Volonté and Florinda Bolkan. A psychological, black-humored satire on corruption in high office, it tells the story of a top police officer who kills his mistress, and then tests whether the police would charge him for this crime. The film was released in Italy by Euro International Pictures on 9 February 1970, to widespread acclaim from critics. It won the Jury Prize at the 1970 Cannes Film Festival, and the David di Donatello Awards for Best Film for Best Actor (Gian Maria Volonté). In the United States, it won the Oscar for Best Foreign Language Film. Petri and his co-writer Ugo Pirro were nominated for Best Original Screenplay.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 22 Mar 2024 06:05:12 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/investigation-of-a-citizen-above-suspicion/</link>
      <content:encoded><![CDATA[<p>John Bleasdale talks to film maker and writer James Peaty about <em>Investigation of a Citizen Above Suspicion,</em> Elio Petri's 1970 film, starring Gian Maria Volonté and Florinda Bolkan. A psychological, black-humored satire on corruption in high office, it tells the story of a top police officer who kills his mistress, and then tests whether the police would charge him for this crime. The film was released in Italy by Euro International Pictures on 9 February 1970, to widespread acclaim from critics. It won the Jury Prize at the 1970 Cannes Film Festival, and the David di Donatello Awards for Best Film for Best Actor (Gian Maria Volonté). In the United States, it won the Oscar for Best Foreign Language Film. Petri and his co-writer Ugo Pirro were nominated for Best Original Screenplay.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Investigation of a Citizen Above Suspicion</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/4274290b-f535-4c0a-94f5-62ada59ffde5/3000x3000/fddfa765bc7fd06deae79c97ae37a092.jpeg?aid=rss_feed"/>
      <itunes:duration>01:08:49</itunes:duration>
      <itunes:summary>John Bleasdale talks to film maker and writer James Peaty about Investigation of a Citizen Above Suspicion, Elio Petri&apos;s 1970 film, starring Gian Maria Volonté and Florinda Bolkan. A psychological, black-humored satire on corruption in high office, it tells the story of a top police officer who kills his mistress, and then tests whether the police would charge him for this crime. The film was released in Italy by Euro International Pictures on 9 February 1970, to widespread acclaim from critics. It won the Jury Prize at the 1970 Cannes Film Festival, and the David di Donatello Awards for Best Film for Best Actor (Gian Maria Volonté). In the United States, it won the Oscar for Best Foreign Language Film. Petri and his co-writer Ugo Pirro were nominated for Best Original Screenplay.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>John Bleasdale talks to film maker and writer James Peaty about Investigation of a Citizen Above Suspicion, Elio Petri&apos;s 1970 film, starring Gian Maria Volonté and Florinda Bolkan. A psychological, black-humored satire on corruption in high office, it tells the story of a top police officer who kills his mistress, and then tests whether the police would charge him for this crime. The film was released in Italy by Euro International Pictures on 9 February 1970, to widespread acclaim from critics. It won the Jury Prize at the 1970 Cannes Film Festival, and the David di Donatello Awards for Best Film for Best Actor (Gian Maria Volonté). In the United States, it won the Oscar for Best Foreign Language Film. Petri and his co-writer Ugo Pirro were nominated for Best Original Screenplay.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
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      <title>For a Few Dollars More with Alisdair Satchel</title>
      <description><![CDATA[<p><em>For a Few Dollars More </em>confirmed the arrival of the Spaghetti Western as a new genre. Further enshrining Clint Eastwood's Man with no Name, it added also Lee Van Cleef to the mix. There is a real maturation of how Ennio Morricone's music is used and an increased confidence in the filmmaking of Leone.</p><br /><p>Alasdair Satchel is a theatre and filmmaker based on the Isle of Mull, Scotland.</p><p>He is the host of the podcast What We do in the Winter,<a href="https://alsatch.com/"> available here</a>.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 15 Mar 2024 06:06:10 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/for-a-few-dollars-more-with-alisdair-satchel/</link>
      <content:encoded><![CDATA[<p><em>For a Few Dollars More </em>confirmed the arrival of the Spaghetti Western as a new genre. Further enshrining Clint Eastwood's Man with no Name, it added also Lee Van Cleef to the mix. There is a real maturation of how Ennio Morricone's music is used and an increased confidence in the filmmaking of Leone.</p><br /><p>Alasdair Satchel is a theatre and filmmaker based on the Isle of Mull, Scotland.</p><p>He is the host of the podcast What We do in the Winter,<a href="https://alsatch.com/"> available here</a>.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>For a Few Dollars More with Alisdair Satchel</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/b506e7aa-4009-4df1-a9aa-07a9dd7cadec/3000x3000/5defdac13b5799ceb4e67319f5648b62.jpeg?aid=rss_feed"/>
      <itunes:duration>01:21:17</itunes:duration>
      <itunes:summary>For a Few Dollars More confirmed the arrival of the Spaghetti Western as a new genre. Further enshrining Clint Eastwood&apos;s Man with no Name, it added also Lee Van Cleef to the mix. There is a real maturation of how Ennio Morricone&apos;s music is used and an increased confidence in the filmmaking of Leone.
Alasdair Satchel is a theatre and filmmaker based on the Isle of Mull, Scotland.
He is the host of the podcast What We do in the Winter, available here.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>For a Few Dollars More confirmed the arrival of the Spaghetti Western as a new genre. Further enshrining Clint Eastwood&apos;s Man with no Name, it added also Lee Van Cleef to the mix. There is a real maturation of how Ennio Morricone&apos;s music is used and an increased confidence in the filmmaking of Leone.
Alasdair Satchel is a theatre and filmmaker based on the Isle of Mull, Scotland.
He is the host of the podcast What We do in the Winter, available here.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
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      <title>Brutti Sporchi Cattivi with Lino Meireles</title>
      <description><![CDATA[<p>Ettore Scola's 1976 comedy is an exercise is grotesque humour about a family living in a Roman slum within sight of the Vatican. Trailer <a href="https://www.youtube.com/watch?v=5Id3zv7kNGQ">here</a>.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 8 Mar 2024 06:00:59 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/brutti-sporchi-cattivi-with-lino-meireles/</link>
      <content:encoded><![CDATA[<p>Ettore Scola's 1976 comedy is an exercise is grotesque humour about a family living in a Roman slum within sight of the Vatican. Trailer <a href="https://www.youtube.com/watch?v=5Id3zv7kNGQ">here</a>.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Brutti Sporchi Cattivi with Lino Meireles</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/2a417acf-1cba-4816-a4de-1043664b878f/3000x3000/faa34b2406b4b861b5a6c895b7e41961.jpeg?aid=rss_feed"/>
      <itunes:duration>00:58:59</itunes:duration>
      <itunes:summary>Ettore Scola&apos;s 1976 comedy is an exercise is grotesque humour about a family living in a Roman slum within sight of the Vatican. Trailer here.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Ettore Scola&apos;s 1976 comedy is an exercise is grotesque humour about a family living in a Roman slum within sight of the Vatican. Trailer here.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
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    <item>
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      <title>L&apos;avventura with Dario Linares</title>
      <description><![CDATA[<p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.<br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 1 Mar 2024 06:01:59 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/lavventura-with-dario-linares/</link>
      <content:encoded><![CDATA[<p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.<br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>L&apos;avventura with Dario Linares</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/0e542651-f346-4be2-b2ba-1e4df6fb1ecb/3000x3000/793299c57b137d617ab10a7ecf52425f.jpeg?aid=rss_feed"/>
      <itunes:duration>00:56:08</itunes:duration>
      <itunes:summary>The Music for the podcast is provided by Two Minute Noodles and more can be found here. Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>The Music for the podcast is provided by Two Minute Noodles and more can be found here. Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
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      <title>Massimo Benvegnù talks IFFR, and The Priest&apos;s Wife</title>
      <description><![CDATA[<p>Massimo Benvegnù is an artistic director at the Biografilm Festival in Bologna as well as working as a film critic, programmer and teacher. He has written on Peter Weir and Peter Bogdonavich as well as many others. We talk aboutn La Moglie del Prete (The Priest's Wife), Dino Risi's 1970 satire starring Sophia Loren and Marcello Mastroianni.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 23 Feb 2024 06:30:20 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/massimo-benvegnu-talks-iffr-and-the-priests-wife/</link>
      <content:encoded><![CDATA[<p>Massimo Benvegnù is an artistic director at the Biografilm Festival in Bologna as well as working as a film critic, programmer and teacher. He has written on Peter Weir and Peter Bogdonavich as well as many others. We talk aboutn La Moglie del Prete (The Priest's Wife), Dino Risi's 1970 satire starring Sophia Loren and Marcello Mastroianni.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="59339810" type="audio/mpeg" url="https://pscrb.fm/rss/p/mgln.ai/e/1385/injector.simplecastaudio.com/457c6ff8-f9c3-4851-8823-70a5d72e391a/episodes/1b25f8e1-bc5a-4f71-a770-ab52381acc6a/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=457c6ff8-f9c3-4851-8823-70a5d72e391a&amp;awEpisodeId=1b25f8e1-bc5a-4f71-a770-ab52381acc6a&amp;feed=hrnt5lS2"/>
      <itunes:title>Massimo Benvegnù talks IFFR, and The Priest&apos;s Wife</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/1b25f8e1-bc5a-4f71-a770-ab52381acc6a/3000x3000/0158f47f3d781fe9333e6551cb5b7d0f.jpeg?aid=rss_feed"/>
      <itunes:duration>01:01:48</itunes:duration>
      <itunes:summary>Massimo Benvegnù is an artistic director at the Biografilm Festival in Bologna as well as working as a film critic, programmer and teacher. He has written on Peter Weir and Peter Bogdonavich as well as many others. We talk aboutn La Moglie del Prete (The Priest&apos;s Wife), Dino Risi&apos;s 1970 satire starring Sophia Loren and Marcello Mastroianni.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Massimo Benvegnù is an artistic director at the Biografilm Festival in Bologna as well as working as a film critic, programmer and teacher. He has written on Peter Weir and Peter Bogdonavich as well as many others. We talk aboutn La Moglie del Prete (The Priest&apos;s Wife), Dino Risi&apos;s 1970 satire starring Sophia Loren and Marcello Mastroianni.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
    </item>
    <item>
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      <title>Adrian Wootton (OBE) talks the Taviani Brothers</title>
      <description><![CDATA[<p>Paolo & Vittorio Taviani are arguably the geniuses of Italian Cinema you've never heard of. Night of the Falling Stars and Caesar Must Die are only two works of imaginative and groundbreaking work.</p><br /><p>Adrian Wootton (OBE) is the Chief Executive of Film London and the British FIlm Commission and is the curator of the largest retrospective of the Taviani Brothers in the English speaking world. It's currently taking place at the BFI and you can check it out at<a href="https://whatson.bfi.org.uk/online/default.asp?BOparam::WScontent::loadArticle::permalink=taviani-brothers"> this link. </a></p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 16 Feb 2024 06:00:19 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/adrian-wootton-obe-talks-the-taviani-brothers/</link>
      <content:encoded><![CDATA[<p>Paolo & Vittorio Taviani are arguably the geniuses of Italian Cinema you've never heard of. Night of the Falling Stars and Caesar Must Die are only two works of imaginative and groundbreaking work.</p><br /><p>Adrian Wootton (OBE) is the Chief Executive of Film London and the British FIlm Commission and is the curator of the largest retrospective of the Taviani Brothers in the English speaking world. It's currently taking place at the BFI and you can check it out at<a href="https://whatson.bfi.org.uk/online/default.asp?BOparam::WScontent::loadArticle::permalink=taviani-brothers"> this link. </a></p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Adrian Wootton (OBE) talks the Taviani Brothers</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/61a4a553-9e28-4b98-a2d5-2a069ba80137/3000x3000/5d588929ca7e7b18b7e43f140860d24e.jpeg?aid=rss_feed"/>
      <itunes:duration>00:39:52</itunes:duration>
      <itunes:summary>Paolo &amp; Vittorio Taviani are arguably the geniuses of Italian Cinema you&apos;ve never heard of. Night of the Falling Stars and Caesar Must Die are only two works of imaginative and groundbreaking work.
Adrian Wootton (OBE) is the Chief Executive of Film London and the British FIlm Commission and is the curator of the largest retrospective of the Taviani Brothers in the English speaking world. It&apos;s currently taking place at the BFI and you can check it out at this link. 
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Paolo &amp; Vittorio Taviani are arguably the geniuses of Italian Cinema you&apos;ve never heard of. Night of the Falling Stars and Caesar Must Die are only two works of imaginative and groundbreaking work.
Adrian Wootton (OBE) is the Chief Executive of Film London and the British FIlm Commission and is the curator of the largest retrospective of the Taviani Brothers in the English speaking world. It&apos;s currently taking place at the BFI and you can check it out at this link. 
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
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      <title>Felix Van Groeningen talks The Eight Mountains</title>
      <description><![CDATA[<p>I talk to Felix Van Groeningen about his new film The Eight Mountains, which he, along with his partner Charlotte Vandermeersch, wrote and directed from Paolo Cognetti's novel, as well as Italian cinema generally. </p><p>Felix is also the director of The Misfortunates (2009), The Broken Circle Breakdown (2012) and Belgica (2016). He made his English-language debut with the biographical drama Beautiful Boy (2018).</p><p>My review of The Eight Mountains for Sight and Sound can be<a href="https://www.bfi.org.uk/sight-and-sound/reviews/eight-mountains-sublime-saga-male-friendship-high-alps"> read here. </a></p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>. </p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 27 Jan 2024 08:14:15 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/felix-van-groeningen-talks-the-eight-mountains/</link>
      <content:encoded><![CDATA[<p>I talk to Felix Van Groeningen about his new film The Eight Mountains, which he, along with his partner Charlotte Vandermeersch, wrote and directed from Paolo Cognetti's novel, as well as Italian cinema generally. </p><p>Felix is also the director of The Misfortunates (2009), The Broken Circle Breakdown (2012) and Belgica (2016). He made his English-language debut with the biographical drama Beautiful Boy (2018).</p><p>My review of The Eight Mountains for Sight and Sound can be<a href="https://www.bfi.org.uk/sight-and-sound/reviews/eight-mountains-sublime-saga-male-friendship-high-alps"> read here. </a></p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>. </p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
      <enclosure length="42684424" type="audio/mpeg" url="https://pscrb.fm/rss/p/mgln.ai/e/1385/injector.simplecastaudio.com/457c6ff8-f9c3-4851-8823-70a5d72e391a/episodes/b15b403e-40d3-439f-8312-fa48ddf3cdbf/audio/128/default.mp3?aid=rss_feed&amp;awCollectionId=457c6ff8-f9c3-4851-8823-70a5d72e391a&amp;awEpisodeId=b15b403e-40d3-439f-8312-fa48ddf3cdbf&amp;feed=hrnt5lS2"/>
      <itunes:title>Felix Van Groeningen talks The Eight Mountains</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/b15b403e-40d3-439f-8312-fa48ddf3cdbf/3000x3000/9a2743bc3aa38255dd5d78fab09a441a.jpeg?aid=rss_feed"/>
      <itunes:duration>00:44:27</itunes:duration>
      <itunes:summary>I talk to Felix Van Groeningen about his new film The Eight Mountains, which he, along with his partner Charlotte Vandermeersch, wrote and directed from Paolo Cognetti&apos;s novel, as well as Italian cinema generally. 
Felix is also the director of The Misfortunates (2009), The Broken Circle Breakdown (2012) and Belgica (2016). He made his English-language debut with the biographical drama Beautiful Boy (2018).
My review of The Eight Mountains for Sight and Sound can be read here. 
The Music for the podcast is provided by Two Minute Noodles and more can be found here. 
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>I talk to Felix Van Groeningen about his new film The Eight Mountains, which he, along with his partner Charlotte Vandermeersch, wrote and directed from Paolo Cognetti&apos;s novel, as well as Italian cinema generally. 
Felix is also the director of The Misfortunates (2009), The Broken Circle Breakdown (2012) and Belgica (2016). He made his English-language debut with the biographical drama Beautiful Boy (2018).
My review of The Eight Mountains for Sight and Sound can be read here. 
The Music for the podcast is provided by Two Minute Noodles and more can be found here. 
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
    </item>
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      <title>Neil Fox on The Conformist</title>
      <description><![CDATA[<p>Bernardo Bertolucci's adaptation of Alberto Moravia's novel The Conformist is a visual feast while at the same time an intricate portrait of the soulessness of fascism. Neil Fox is an academic and broadcaster. Catch the Cinematologists podcast <a href="http://www.cinematologists.com/">here</a>.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 19 Jan 2024 06:35:14 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/neil-fox-on-the-conformist/</link>
      <content:encoded><![CDATA[<p>Bernardo Bertolucci's adaptation of Alberto Moravia's novel The Conformist is a visual feast while at the same time an intricate portrait of the soulessness of fascism. Neil Fox is an academic and broadcaster. Catch the Cinematologists podcast <a href="http://www.cinematologists.com/">here</a>.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Neil Fox on The Conformist</itunes:title>
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      <itunes:summary>Bernardo Bertolucci&apos;s adaptation of Alberto Moravia&apos;s novel The Conformist is a visual feast while at the same time an intricate portrait of the soulessness of fascism. Neil Fox is an academic and broadcaster. Catch the Cinematologists podcast here.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Bernardo Bertolucci&apos;s adaptation of Alberto Moravia&apos;s novel The Conformist is a visual feast while at the same time an intricate portrait of the soulessness of fascism. Neil Fox is an academic and broadcaster. Catch the Cinematologists podcast here.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
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      <title>Lee Freeman on Battle of Algiers</title>
      <description><![CDATA[<p>Gillo Pontecorvo's 1966 masterpiece The Battle of Algiers is the subject of this episode. With its cinema verité style and emotional impact, it is as relevant today as it was on its release. A stirring examination of resistance, oppression and the price that the innocent often pay. Add to this a stand out score by - who else? - Ennio Morricone. </p><p>Lee Freeman is a film academic and teacher.</p><p> Music courtesy of Two Minute Noodles. Hear <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">more here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 12 Jan 2024 06:00:27 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/lee-freeman-on-battle-of-algiers/</link>
      <content:encoded><![CDATA[<p>Gillo Pontecorvo's 1966 masterpiece The Battle of Algiers is the subject of this episode. With its cinema verité style and emotional impact, it is as relevant today as it was on its release. A stirring examination of resistance, oppression and the price that the innocent often pay. Add to this a stand out score by - who else? - Ennio Morricone. </p><p>Lee Freeman is a film academic and teacher.</p><p> Music courtesy of Two Minute Noodles. Hear <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">more here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Lee Freeman on Battle of Algiers</itunes:title>
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      <itunes:summary>Gillo Pontecorvo&apos;s 1966 masterpiece The Battle of Algiers is the subject of this episode. With its cinema verité style and emotional impact, it is as relevant today as it was on its release. A stirring examination of resistance, oppression and the price that the innocent often pay. Add to this a stand out score by - who else? - Ennio Morricone. 
Lee Freeman is a film academic and teacher.
 Music courtesy of Two Minute Noodles. Hear more here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Gillo Pontecorvo&apos;s 1966 masterpiece The Battle of Algiers is the subject of this episode. With its cinema verité style and emotional impact, it is as relevant today as it was on its release. A stirring examination of resistance, oppression and the price that the innocent often pay. Add to this a stand out score by - who else? - Ennio Morricone. 
Lee Freeman is a film academic and teacher.
 Music courtesy of Two Minute Noodles. Hear more here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
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      <title>Kaleem Aftab lives La Dolce Vita</title>
      <description><![CDATA[<p>Film critic and paparazzo Kaleem Aftab joins John Bleasdale to talk about Federico Fellini's 1960 classic La Dolce Vita, starring Marcello Mastroianni and Anita Ekberg.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Mon, 31 Jul 2023 15:50:07 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/kaleem-aftab-lives-la-dolce-vita/</link>
      <content:encoded><![CDATA[<p>Film critic and paparazzo Kaleem Aftab joins John Bleasdale to talk about Federico Fellini's 1960 classic La Dolce Vita, starring Marcello Mastroianni and Anita Ekberg.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Kaleem Aftab lives La Dolce Vita</itunes:title>
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      <itunes:summary>Film critic and paparazzo Kaleem Aftab joins John Bleasdale to talk about Federico Fellini&apos;s 1960 classic La Dolce Vita, starring Marcello Mastroianni and Anita Ekberg.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Film critic and paparazzo Kaleem Aftab joins John Bleasdale to talk about Federico Fellini&apos;s 1960 classic La Dolce Vita, starring Marcello Mastroianni and Anita Ekberg.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
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      <title>David Rooney on Nights of Cabiria</title>
      <description><![CDATA[<p>Chief film critic of The Hollywood Reporter David Rooney joins John Bleasdale to talk about Federico Fellini's 1957 masterpiece Le Notti di Cabiria, Nights of Cabiria, starring Giulietta Masina as a sex worker in a Rome on the edge of La Dolce Vita. Massina won Best Actress at Cannes and the film was the second Oscar in a row for Fellini.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sat, 22 Jul 2023 09:48:56 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/david-rooney-on-nights-of-cabiria/</link>
      <content:encoded><![CDATA[<p>Chief film critic of The Hollywood Reporter David Rooney joins John Bleasdale to talk about Federico Fellini's 1957 masterpiece Le Notti di Cabiria, Nights of Cabiria, starring Giulietta Masina as a sex worker in a Rome on the edge of La Dolce Vita. Massina won Best Actress at Cannes and the film was the second Oscar in a row for Fellini.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>David Rooney on Nights of Cabiria</itunes:title>
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The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Chief film critic of The Hollywood Reporter David Rooney joins John Bleasdale to talk about Federico Fellini&apos;s 1957 masterpiece Le Notti di Cabiria, Nights of Cabiria, starring Giulietta Masina as a sex worker in a Rome on the edge of La Dolce Vita. Massina won Best Actress at Cannes and the film was the second Oscar in a row for Fellini.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
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      <title>Pasolini&apos;s The Gospel According to St. Matthew</title>
      <description><![CDATA[<p>Pier Paolo Pasolini's 1964 film <em>The Gospel According to St. Matthew </em>was a surprise when it came out. How had this Marxist, atheist, homosexual made a film which many found devout?  Matthew Page - the author of <a href="https://www.bloomsbury.com/us/100-bible-films-9781839023521/">100 Bible Films</a> - talks to John Bleasdale about one of Pasolini's most surprising films and certainly his most accessible. </p><p>Music courtesy of Two Minute Noodles, hear <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">more here</a>. </p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 14 Jul 2023 05:00:22 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/pasolinis-the-gospel-according-to-st-matthew/</link>
      <content:encoded><![CDATA[<p>Pier Paolo Pasolini's 1964 film <em>The Gospel According to St. Matthew </em>was a surprise when it came out. How had this Marxist, atheist, homosexual made a film which many found devout?  Matthew Page - the author of <a href="https://www.bloomsbury.com/us/100-bible-films-9781839023521/">100 Bible Films</a> - talks to John Bleasdale about one of Pasolini's most surprising films and certainly his most accessible. </p><p>Music courtesy of Two Minute Noodles, hear <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">more here</a>. </p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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Music courtesy of Two Minute Noodles, hear more here. 
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Pier Paolo Pasolini&apos;s 1964 film The Gospel According to St. Matthew was a surprise when it came out. How had this Marxist, atheist, homosexual made a film which many found devout?  Matthew Page - the author of 100 Bible Films - talks to John Bleasdale about one of Pasolini&apos;s most surprising films and certainly his most accessible. 
Music courtesy of Two Minute Noodles, hear more here. 
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
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      <title>Abel Ferrara in Taormina</title>
      <description><![CDATA[<p>John Bleasdale talks to the director, Abel Ferrara, on Italian cinema, his collaboration with Willem Dafoe and the influence of Pasolini.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 9 Jul 2023 11:36:06 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/abel-ferrara-in-taormina/</link>
      <content:encoded><![CDATA[<p>John Bleasdale talks to the director, Abel Ferrara, on Italian cinema, his collaboration with Willem Dafoe and the influence of Pasolini.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Abel Ferrara in Taormina</itunes:title>
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The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>John Bleasdale talks to the director, Abel Ferrara, on Italian cinema, his collaboration with Willem Dafoe and the influence of Pasolini.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
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      <title>John Landis on his Favorite Italian Film</title>
      <description><![CDATA[<p>John Bleasdale talks briefly to John Landis about his favorite Italian comedy: Mario Monicelli's Big Deal on Madonna Street (Italian: I soliti ignoti; released in the UK as Persons Unknown) from 1958.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 7 Jul 2023 13:06:08 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/john-landis-on-his-favorite-italian-film/</link>
      <content:encoded><![CDATA[<p>John Bleasdale talks briefly to John Landis about his favorite Italian comedy: Mario Monicelli's Big Deal on Madonna Street (Italian: I soliti ignoti; released in the UK as Persons Unknown) from 1958.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>John Landis on his Favorite Italian Film</itunes:title>
      <itunes:author>Film Stories</itunes:author>
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      <itunes:duration>00:08:58</itunes:duration>
      <itunes:summary>John Bleasdale talks briefly to John Landis about his favorite Italian comedy: Mario Monicelli&apos;s Big Deal on Madonna Street (Italian: I soliti ignoti; released in the UK as Persons Unknown) from 1958.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>John Bleasdale talks briefly to John Landis about his favorite Italian comedy: Mario Monicelli&apos;s Big Deal on Madonna Street (Italian: I soliti ignoti; released in the UK as Persons Unknown) from 1958.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
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      <itunes:episode>9</itunes:episode>
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      <title>Deep Red with Philip Gwynne Jones</title>
      <description><![CDATA[<p>Crime novelist Philip Gwynne Jones joins John Bleasdale to talk about Dario Argento's 1975 masterpiece Profondo Rosso or Deep Red.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 16 Jun 2023 05:00:33 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/deep-red-with-philip-gwynne-jones/</link>
      <content:encoded><![CDATA[<p>Crime novelist Philip Gwynne Jones joins John Bleasdale to talk about Dario Argento's 1975 masterpiece Profondo Rosso or Deep Red.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Deep Red with Philip Gwynne Jones</itunes:title>
      <itunes:author>Film Stories</itunes:author>
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      <itunes:duration>00:54:26</itunes:duration>
      <itunes:summary>Crime novelist Philip Gwynne Jones joins John Bleasdale to talk about Dario Argento&apos;s 1975 masterpiece Profondo Rosso or Deep Red.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Crime novelist Philip Gwynne Jones joins John Bleasdale to talk about Dario Argento&apos;s 1975 masterpiece Profondo Rosso or Deep Red.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
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      <title>Vittorio De Sica&apos;s Umberto D. with Matthew Asprey Gear talks</title>
      <description><![CDATA[<p>John Bleasdale and Matthew Asprey Gear talk Vittorio De Sica's Umberto D. A 1952 Italian neorealist classic starring Carlo Battisti in the role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. His landlady (Lina Gennari) is evicting him and his only true friends, the housemaid (Maria-Pia Casilio) and his dog Flike are of no help.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 9 Jun 2023 05:00:35 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/vittorio-de-sicas-umberto-d-with-matthew-asprey-gear-talks/</link>
      <content:encoded><![CDATA[<p>John Bleasdale and Matthew Asprey Gear talk Vittorio De Sica's Umberto D. A 1952 Italian neorealist classic starring Carlo Battisti in the role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. His landlady (Lina Gennari) is evicting him and his only true friends, the housemaid (Maria-Pia Casilio) and his dog Flike are of no help.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Vittorio De Sica&apos;s Umberto D. with Matthew Asprey Gear talks</itunes:title>
      <itunes:author>Film Stories</itunes:author>
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      <itunes:duration>01:02:04</itunes:duration>
      <itunes:summary>John Bleasdale and Matthew Asprey Gear talk Vittorio De Sica&apos;s Umberto D. A 1952 Italian neorealist classic starring Carlo Battisti in the role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. His landlady (Lina Gennari) is evicting him and his only true friends, the housemaid (Maria-Pia Casilio) and his dog Flike are of no help.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>John Bleasdale and Matthew Asprey Gear talk Vittorio De Sica&apos;s Umberto D. A 1952 Italian neorealist classic starring Carlo Battisti in the role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. His landlady (Lina Gennari) is evicting him and his only true friends, the housemaid (Maria-Pia Casilio) and his dog Flike are of no help.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
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      <title>Salò or the 120 Days of Sodom</title>
      <description><![CDATA[<p>Pier Paolo Pasolini's Salò or the 120 Days of Sodom was released in 1975 and became an instant milestone in the cinema of transgression. A political fable, it tells the story of four men who in the waning days of Fascist Italy retire to a villa to enjoy their perversions and sadism at the expense of the young people they have captured. Torture, rape, murder and degradation are explicitly depicted in a way that remains shocking to this day. I talk with Jason Wood, author and film programmer for the BFI, about this electrifying, challenging film.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 2 Jun 2023 05:04:47 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/salo-or-the-120-days-of-sodom/</link>
      <content:encoded><![CDATA[<p>Pier Paolo Pasolini's Salò or the 120 Days of Sodom was released in 1975 and became an instant milestone in the cinema of transgression. A political fable, it tells the story of four men who in the waning days of Fascist Italy retire to a villa to enjoy their perversions and sadism at the expense of the young people they have captured. Torture, rape, murder and degradation are explicitly depicted in a way that remains shocking to this day. I talk with Jason Wood, author and film programmer for the BFI, about this electrifying, challenging film.</p><br /><p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Salò or the 120 Days of Sodom</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/bbee16bb-7128-4e90-aa15-703b54c8c947/3000x3000/9c346fb200d4868b73b69602d9b9ff05.jpeg?aid=rss_feed"/>
      <itunes:duration>00:59:33</itunes:duration>
      <itunes:summary>Pier Paolo Pasolini&apos;s Salò or the 120 Days of Sodom was released in 1975 and became an instant milestone in the cinema of transgression. A political fable, it tells the story of four men who in the waning days of Fascist Italy retire to a villa to enjoy their perversions and sadism at the expense of the young people they have captured. Torture, rape, murder and degradation are explicitly depicted in a way that remains shocking to this day. I talk with Jason Wood, author and film programmer for the BFI, about this electrifying, challenging film.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Pier Paolo Pasolini&apos;s Salò or the 120 Days of Sodom was released in 1975 and became an instant milestone in the cinema of transgression. A political fable, it tells the story of four men who in the waning days of Fascist Italy retire to a villa to enjoy their perversions and sadism at the expense of the young people they have captured. Torture, rape, murder and degradation are explicitly depicted in a way that remains shocking to this day. I talk with Jason Wood, author and film programmer for the BFI, about this electrifying, challenging film.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
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      <title>Once Upon A Time in America</title>
      <description><![CDATA[<p>Peter Birro is one of Scandinavia’s most admired and prolific screenwriters. The three-time <strong>Prix Italia</strong>-winner’s groundbreaking TV-series <em>Hammarkullen</em>, <em>Det nya landet</em>, and <em>How Soon Is Now?!</em> are sweeping visions of Swedish society, marginalized people, political dramas and deeply human, emotional stories.</p>
<p>For cinema Birro has written the hugely successful biopic <em>Monica Z</em> about the internationally acclaimed jazz singer Monica Zetterlund, one of Sweden’s most talented and tragic artists. <em>Monica Z</em> became the biggest commercial success of 2013 in Swedish theaters and went on to be nominated for several awards, including a ‘Grand Prix des Amériques’ at the <strong>Montréal World Film Festival</strong> and no less than 11 <strong>Guldbagge Awards</strong>, of which it won four.</p>
<p>Birro’s most recent feature title is an adaptation of the nonfiction title <em>438 Days</em>. The dramatic story of the kidnapping of two Swedish journalists in 2011 in Ethiopia premiered in 2019 and was promptly nominated for six <strong>Guldbagge Awards</strong>.</p>
<p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 26 May 2023 09:26:45 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/once-upon-a-time-in-america/</link>
      <content:encoded><![CDATA[<p>Peter Birro is one of Scandinavia’s most admired and prolific screenwriters. The three-time <strong>Prix Italia</strong>-winner’s groundbreaking TV-series <em>Hammarkullen</em>, <em>Det nya landet</em>, and <em>How Soon Is Now?!</em> are sweeping visions of Swedish society, marginalized people, political dramas and deeply human, emotional stories.</p>
<p>For cinema Birro has written the hugely successful biopic <em>Monica Z</em> about the internationally acclaimed jazz singer Monica Zetterlund, one of Sweden’s most talented and tragic artists. <em>Monica Z</em> became the biggest commercial success of 2013 in Swedish theaters and went on to be nominated for several awards, including a ‘Grand Prix des Amériques’ at the <strong>Montréal World Film Festival</strong> and no less than 11 <strong>Guldbagge Awards</strong>, of which it won four.</p>
<p>Birro’s most recent feature title is an adaptation of the nonfiction title <em>438 Days</em>. The dramatic story of the kidnapping of two Swedish journalists in 2011 in Ethiopia premiered in 2019 and was promptly nominated for six <strong>Guldbagge Awards</strong>.</p>
<p>The Music for the podcast is provided by Two Minute Noodles and more can be found <a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2">here</a>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Once Upon A Time in America</itunes:title>
      <itunes:author>Film Stories</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/457c6f/457c6ff8-f9c3-4851-8823-70a5d72e391a/6b32fb52-fb5a-4c6e-af40-60716cc7352b/3000x3000/8e88b8faa80beb9abf0454fbecb2363a.jpeg?aid=rss_feed"/>
      <itunes:duration>01:01:13</itunes:duration>
      <itunes:summary>Peter Birro is one of Scandinavia’s most admired and prolific screenwriters. The three-time Prix Italia-winner’s groundbreaking TV-series Hammarkullen, Det nya landet, and How Soon Is Now?! are sweeping visions of Swedish society, marginalized people, political dramas and deeply human, emotional stories.
For cinema Birro has written the hugely successful biopic Monica Z about the internationally acclaimed jazz singer Monica Zetterlund, one of Sweden’s most talented and tragic artists. Monica Z became the biggest commercial success of 2013 in Swedish theaters and went on to be nominated for several awards, including a ‘Grand Prix des Amériques’ at the Montréal World Film Festival and no less than 11 Guldbagge Awards, of which it won four.
Birro’s most recent feature title is an adaptation of the nonfiction title 438 Days. The dramatic story of the kidnapping of two Swedish journalists in 2011 in Ethiopia premiered in 2019 and was promptly nominated for six Guldbagge Awards.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <itunes:subtitle>Peter Birro is one of Scandinavia’s most admired and prolific screenwriters. The three-time Prix Italia-winner’s groundbreaking TV-series Hammarkullen, Det nya landet, and How Soon Is Now?! are sweeping visions of Swedish society, marginalized people, political dramas and deeply human, emotional stories.
For cinema Birro has written the hugely successful biopic Monica Z about the internationally acclaimed jazz singer Monica Zetterlund, one of Sweden’s most talented and tragic artists. Monica Z became the biggest commercial success of 2013 in Swedish theaters and went on to be nominated for several awards, including a ‘Grand Prix des Amériques’ at the Montréal World Film Festival and no less than 11 Guldbagge Awards, of which it won four.
Birro’s most recent feature title is an adaptation of the nonfiction title 438 Days. The dramatic story of the kidnapping of two Swedish journalists in 2011 in Ethiopia premiered in 2019 and was promptly nominated for six Guldbagge Awards.
The Music for the podcast is provided by Two Minute Noodles and more can be found here.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
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      <title>Laura Samani talks Don&apos;t Be Bad</title>
      <description><![CDATA[<p>Film director Laura Samani talks to John Bleasdale about Claudio Caligari's 2017 film Don't Be Bad (Non Essere Cattivo).</p><p> </p><p>Music is by Two Minute Noodles, available<a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2"> here</a>. </p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Fri, 5 May 2023 05:18:06 +0000</pubDate>
      <author>drjonty@yahoo.com (Film Stories)</author>
      <link>https://bleav.com/shows/cinema-italia/episodes/laura-samani-talks-dont-be-bad/</link>
      <content:encoded><![CDATA[<p>Film director Laura Samani talks to John Bleasdale about Claudio Caligari's 2017 film Don't Be Bad (Non Essere Cattivo).</p><p> </p><p>Music is by Two Minute Noodles, available<a href="https://twominutenoodles.bandcamp.com/album/we-didnt-get-where-we-are-today-2"> here</a>. </p><br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></content:encoded>
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      <itunes:title>Laura Samani talks Don&apos;t Be Bad</itunes:title>
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      <itunes:summary>Film director Laura Samani talks to John Bleasdale about Claudio Caligari&apos;s 2017 film Don&apos;t Be Bad (Non Essere Cattivo).
 
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      <itunes:subtitle>Film director Laura Samani talks to John Bleasdale about Claudio Caligari&apos;s 2017 film Don&apos;t Be Bad (Non Essere Cattivo).
 
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      <description><![CDATA[<p>Cinema Italia is a new podcast dedicated to exploring the glories of Italian film. <br /><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>]]></description>
      <pubDate>Sun, 26 Mar 2023 10:45:13 +0000</pubDate>
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      <link>https://bleav.com/shows/cinema-italia/episodes/cinema-italia/</link>
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