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    <title>Marlon and Jake Read Dead People</title>
    <description>Marlon and Jake Read Dead People is a podcast hosted by the Man Booker Prize-winning and internationally bestselling author Marlon James and his editor, Jake Morrissey, Executive Editor at Riverhead Books. In each episode, Marlon and Jake talk about authors—specifically dead authors. Authors they like. Authors they hate. Great books, terrible books, and books they love that you’d never expect them to. As a writer and an editor, Marlon and Jake have read thousands of books between them, and they’re not shy in expressing their opinions about them. Sometimes they’ll agree, sometimes they won’t, but in every episode, they’ll tell you what they think— uncensored and with no holds barred.  (That’s why the authors have to be dead.) So, listen along to hear about the spectacularly good, the hilariously bad, and the brutally honest.</description>
    <copyright>(c) 2020 Riverhead Books</copyright>
    <language>en</language>
    <pubDate>Tue, 2 May 2023 09:00:00 +0000</pubDate>
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      <title>Marlon and Jake Read Dead People</title>
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    <itunes:summary>Marlon and Jake Read Dead People is a podcast hosted by the Man Booker Prize-winning and internationally bestselling author Marlon James and his editor, Jake Morrissey, Executive Editor at Riverhead Books. In each episode, Marlon and Jake talk about authors—specifically dead authors. Authors they like. Authors they hate. Great books, terrible books, and books they love that you’d never expect them to. As a writer and an editor, Marlon and Jake have read thousands of books between them, and they’re not shy in expressing their opinions about them. Sometimes they’ll agree, sometimes they won’t, but in every episode, they’ll tell you what they think— uncensored and with no holds barred.  (That’s why the authors have to be dead.) So, listen along to hear about the spectacularly good, the hilariously bad, and the brutally honest.</itunes:summary>
    <itunes:author>Penguin Random House</itunes:author>
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      <title>The Beach Read</title>
      <description><![CDATA[<p>In the final episode of the season, Marlon and Jake weigh in on their favorite vacation reads, including the ones they started but never finished. Tune in to find out which classic novels Jake took to the beach and which ones Marlon says should have been thrown in the ocean. </p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>The Goodbye Look</i> by Ross McDonald</li><li><i>War and Peace</i> by Leo Tolstoy</li><li><i>Anna Karenina</i> by Leo Tolstoy</li><li><i>Moby Dick</i> by Herman Melville</li><li><i>The Count of Monte Cristo</i> by Alexandre Dumas</li><li><i>Chances </i>by Jackie Collins</li><li><i>The Year of the French</i> by Thomas Flanagan</li><li><i>All Quiet on the Western Front</i> by Erich Maria Remarque</li><li><i>The Golden Bowl</i> by Henry James</li><li><i>The Ambassadors </i>by Henry James</li><li><i>Portrait of a Lady</i> by Henry James</li><li><i>Pronto</i> by Elmore Leonard</li><li><i>Howl’s Moving Castle </i>by Diana Wynne Jones</li><li><i>Smallbone Deceased </i>by Michael Gilbert</li><li><i>The Mystery of the Stuttering Parrot </i>by Robert Arthur, Jr.</li><li><i>Persuasion </i>by Jane Austen</li></ul><p> </p>
]]></description>
      <pubDate>Tue, 2 May 2023 09:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>In the final episode of the season, Marlon and Jake weigh in on their favorite vacation reads, including the ones they started but never finished. Tune in to find out which classic novels Jake took to the beach and which ones Marlon says should have been thrown in the ocean. </p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>The Goodbye Look</i> by Ross McDonald</li><li><i>War and Peace</i> by Leo Tolstoy</li><li><i>Anna Karenina</i> by Leo Tolstoy</li><li><i>Moby Dick</i> by Herman Melville</li><li><i>The Count of Monte Cristo</i> by Alexandre Dumas</li><li><i>Chances </i>by Jackie Collins</li><li><i>The Year of the French</i> by Thomas Flanagan</li><li><i>All Quiet on the Western Front</i> by Erich Maria Remarque</li><li><i>The Golden Bowl</i> by Henry James</li><li><i>The Ambassadors </i>by Henry James</li><li><i>Portrait of a Lady</i> by Henry James</li><li><i>Pronto</i> by Elmore Leonard</li><li><i>Howl’s Moving Castle </i>by Diana Wynne Jones</li><li><i>Smallbone Deceased </i>by Michael Gilbert</li><li><i>The Mystery of the Stuttering Parrot </i>by Robert Arthur, Jr.</li><li><i>Persuasion </i>by Jane Austen</li></ul><p> </p>
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      <itunes:title>The Beach Read</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:40:27</itunes:duration>
      <itunes:summary>In the final episode of the season, Marlon and Jake weigh in on their favorite vacation reads, including the ones they started but never finished. Tune in to find out which classic novels Jake took to the beach and which ones Marlon says should have been thrown in the ocean. 

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter

The Goodbye Look by Ross McDonald
War and Peace by Leo Tolstoy 
Anna Karenina by Leo Tolstoy 
Moby Dick by Herman Melville 
The Count of Monte Cristo by Alexandre Dumas
Chances by Jackie Collins 
The Year of the French by Thomas Flanagan 
All Quiet on the Western Front by Erich Maria Remarque 
The Golden Bowl by Henry James 
The Ambassadors by Henry James 
Portrait of a Lady by Henry James
Pronto by Elmore Leonard
Howl’s Moving Castle by Diana Wynne Jones
Smallbone Deceased by Michael Gilbert
The Mystery of the Stuttering Parrot by Robert Arthur, Jr.
Persuasion by Jane Austen 
</itunes:summary>
      <itunes:subtitle>In the final episode of the season, Marlon and Jake weigh in on their favorite vacation reads, including the ones they started but never finished. Tune in to find out which classic novels Jake took to the beach and which ones Marlon says should have been thrown in the ocean. 

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter

The Goodbye Look by Ross McDonald
War and Peace by Leo Tolstoy 
Anna Karenina by Leo Tolstoy 
Moby Dick by Herman Melville 
The Count of Monte Cristo by Alexandre Dumas
Chances by Jackie Collins 
The Year of the French by Thomas Flanagan 
All Quiet on the Western Front by Erich Maria Remarque 
The Golden Bowl by Henry James 
The Ambassadors by Henry James 
Portrait of a Lady by Henry James
Pronto by Elmore Leonard
Howl’s Moving Castle by Diana Wynne Jones
Smallbone Deceased by Michael Gilbert
The Mystery of the Stuttering Parrot by Robert Arthur, Jr.
Persuasion by Jane Austen 
</itunes:subtitle>
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      <itunes:explicit>yes</itunes:explicit>
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      <itunes:episode>31</itunes:episode>
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      <title>The Campus Novel</title>
      <description><![CDATA[<p>It was the best of times; it was the worst of times—it was school. In this episode, Marlon and Jake discuss books where school is the setting or going to school is central to the plot. They debate which authors got school right and which got school wrong, what makes an inspiring teacher, and what the closed universe of a schoolyard or college campus can feel like. Tune in to hear Marlon and Jake reminisce over their own college experiences and what they were like as students.</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>Tom Brown’s School Days</i> by Thomas Hughes</li><li><i>The History of Tom Jones</i>, A Foundling by Henry Fielding</li><li><i>Brideshead Revisited </i>by Evelyn Waugh</li><li><i>Decline and Fall </i>by Evelyn Waugh</li><li><i>Vile Bodies</i> by Evelyn Waugh</li><li><i>Scoop </i>by Evelyn Waugh</li><li><i>The Crime of Miss Jean Brodie</i> by Muriel Spark</li><li><i>A Separate Peace</i> by John Knowles</li><li><i>Look back in Anger</i> by John Osborne</li><li><i>Tess of the D’Urbervilles</i> by Thomas Hardy</li><li><i>Jude the Obscure</i> by Thomas Hardy</li><li><i>Return of the Native</i> by Thomas Hardy</li><li><i>Absalom, Absalom!</i> By William Faulkner</li><li><i>Love Story</i> by Erich Segal</li><li><i>The Miracle Worker</i> by William Gibson</li><li><i>Stoner </i>by John Williams</li><li><i>Zuleika Dobson</i> by Max Beerbohm</li><li><i>The Corn is Green </i>by Emlyn Williams</li></ul><p> </p>
]]></description>
      <pubDate>Tue, 25 Apr 2023 20:14:32 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>It was the best of times; it was the worst of times—it was school. In this episode, Marlon and Jake discuss books where school is the setting or going to school is central to the plot. They debate which authors got school right and which got school wrong, what makes an inspiring teacher, and what the closed universe of a schoolyard or college campus can feel like. Tune in to hear Marlon and Jake reminisce over their own college experiences and what they were like as students.</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>Tom Brown’s School Days</i> by Thomas Hughes</li><li><i>The History of Tom Jones</i>, A Foundling by Henry Fielding</li><li><i>Brideshead Revisited </i>by Evelyn Waugh</li><li><i>Decline and Fall </i>by Evelyn Waugh</li><li><i>Vile Bodies</i> by Evelyn Waugh</li><li><i>Scoop </i>by Evelyn Waugh</li><li><i>The Crime of Miss Jean Brodie</i> by Muriel Spark</li><li><i>A Separate Peace</i> by John Knowles</li><li><i>Look back in Anger</i> by John Osborne</li><li><i>Tess of the D’Urbervilles</i> by Thomas Hardy</li><li><i>Jude the Obscure</i> by Thomas Hardy</li><li><i>Return of the Native</i> by Thomas Hardy</li><li><i>Absalom, Absalom!</i> By William Faulkner</li><li><i>Love Story</i> by Erich Segal</li><li><i>The Miracle Worker</i> by William Gibson</li><li><i>Stoner </i>by John Williams</li><li><i>Zuleika Dobson</i> by Max Beerbohm</li><li><i>The Corn is Green </i>by Emlyn Williams</li></ul><p> </p>
]]></content:encoded>
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      <itunes:title>The Campus Novel</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:38:14</itunes:duration>
      <itunes:summary>It was the best of times; it was the worst of times—it was school. In this episode, Marlon and Jake discuss books where school is the setting or going to school is central to the plot. They debate which authors got school right and which got school wrong, what makes an inspiring teacher, and what the closed universe of a schoolyard or college campus can feel like. Tune in to hear Marlon and Jake reminisce over their own college experiences and what they were like as students.

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter

Tom Brown’s School Days by Thomas Hughes
The History of Tom Jones, A Foundling by Henry Fielding
Brideshead Revisited by Evelyn Waugh
Decline and Fall by Evelyn Waugh
Vile Bodies by Evelyn Waugh
Scoop by Evelyn Waugh
The Crime of Miss Jean Brodie by Muriel Spark
A Separate Peace by John Knowles
Look back in Anger by John Osborne
Tess of the D’Urbervilles by Thomas Hardy
Jude the Obscure by Thomas Hardy
Return of the Native by Thomas Hardy
Absalom, Absalom! By William Faulkner
Love Story by Erich Segal</itunes:summary>
      <itunes:subtitle>It was the best of times; it was the worst of times—it was school. In this episode, Marlon and Jake discuss books where school is the setting or going to school is central to the plot. They debate which authors got school right and which got school wrong, what makes an inspiring teacher, and what the closed universe of a schoolyard or college campus can feel like. Tune in to hear Marlon and Jake reminisce over their own college experiences and what they were like as students.

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter

Tom Brown’s School Days by Thomas Hughes
The History of Tom Jones, A Foundling by Henry Fielding
Brideshead Revisited by Evelyn Waugh
Decline and Fall by Evelyn Waugh
Vile Bodies by Evelyn Waugh
Scoop by Evelyn Waugh
The Crime of Miss Jean Brodie by Muriel Spark
A Separate Peace by John Knowles
Look back in Anger by John Osborne
Tess of the D’Urbervilles by Thomas Hardy
Jude the Obscure by Thomas Hardy
Return of the Native by Thomas Hardy
Absalom, Absalom! By William Faulkner
Love Story by Erich Segal</itunes:subtitle>
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      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
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      <title>City Settings</title>
      <description><![CDATA[<p>In this episode, Marlon and Jake talk about cities in books. Books set in memorable cities, books set in cities you're glad you've never been to and books where the city itself is nearly a character. They talk about the specificity of London of the 19th century British novel, the New York novel, entirely fictional cities in Sci-Fi and Fantasy, and don’t miss Marlon’s personal experience with Bloomsday in Dublin!</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletterUlysses by James Joyce </p><ul><li><i>Ulysses </i>by James Joyce</li><li><i>Portrait of the Artist </i>by James Joyce</li><li><i>Dubliners</i> by James Joyce</li><li><i>The Bonfire of the Vanities </i>by Tom Wolfe </li><li><i>The Electric Kool-Aid Acid Test</i> by Tom Wolfe</li><li><i>The Age of Innocence</i> Edith Wharton </li><li><i>The Maltese Falcon </i>by Dashiell Hammett</li><li><i>Palace Walk </i>by Naguib Mahfouz</li><li><i>Palace of Desire</i> by Naguib Mahfouz</li><li><i>Sugar Street</i> by Naguib Mahfouz</li><li><i>Invisible Cities</i> by Italo Calvino </li><li><i>Berlin Alexanderplatz</i> by Alfred Doblin</li><li><i>In Search of Lost Time</i> by Marcel Proust </li><li><i>The Hunchback of Notre Dame</i> by Victor Hugo</li><li><i>Interview with a Vampire </i>by Anne Rice </li><li><i>Confederacy of Dunces </i>by John Kennedy Toole</li><li><i>The Master and Margarita </i>by Mikhail Bulgakov</li><li><i>The Young Unicorns </i>by Madeleine L’Engle</li></ul>
]]></description>
      <pubDate>Tue, 18 Apr 2023 12:56:09 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>In this episode, Marlon and Jake talk about cities in books. Books set in memorable cities, books set in cities you're glad you've never been to and books where the city itself is nearly a character. They talk about the specificity of London of the 19th century British novel, the New York novel, entirely fictional cities in Sci-Fi and Fantasy, and don’t miss Marlon’s personal experience with Bloomsday in Dublin!</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletterUlysses by James Joyce </p><ul><li><i>Ulysses </i>by James Joyce</li><li><i>Portrait of the Artist </i>by James Joyce</li><li><i>Dubliners</i> by James Joyce</li><li><i>The Bonfire of the Vanities </i>by Tom Wolfe </li><li><i>The Electric Kool-Aid Acid Test</i> by Tom Wolfe</li><li><i>The Age of Innocence</i> Edith Wharton </li><li><i>The Maltese Falcon </i>by Dashiell Hammett</li><li><i>Palace Walk </i>by Naguib Mahfouz</li><li><i>Palace of Desire</i> by Naguib Mahfouz</li><li><i>Sugar Street</i> by Naguib Mahfouz</li><li><i>Invisible Cities</i> by Italo Calvino </li><li><i>Berlin Alexanderplatz</i> by Alfred Doblin</li><li><i>In Search of Lost Time</i> by Marcel Proust </li><li><i>The Hunchback of Notre Dame</i> by Victor Hugo</li><li><i>Interview with a Vampire </i>by Anne Rice </li><li><i>Confederacy of Dunces </i>by John Kennedy Toole</li><li><i>The Master and Margarita </i>by Mikhail Bulgakov</li><li><i>The Young Unicorns </i>by Madeleine L’Engle</li></ul>
]]></content:encoded>
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      <itunes:title>City Settings</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:45:41</itunes:duration>
      <itunes:summary>In this episode, Marlon and Jake talk about cities in books. Books set in memorable cities, books set in cities you&apos;re glad you&apos;ve never been to, and books where the city itself is nearly a character. They talk about the specificity of London of the 19th century British novel, the New York novel, entirely fictional cities in Sci-Fi and Fantasy, and don’t miss Marlon’s personal experience with Bloomsday in Dublin!

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:summary>
      <itunes:subtitle>In this episode, Marlon and Jake talk about cities in books. Books set in memorable cities, books set in cities you&apos;re glad you&apos;ve never been to, and books where the city itself is nearly a character. They talk about the specificity of London of the 19th century British novel, the New York novel, entirely fictional cities in Sci-Fi and Fantasy, and don’t miss Marlon’s personal experience with Bloomsday in Dublin!

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:subtitle>
      <itunes:keywords>tbr pile, classic literature episode art: from taylor in box folder, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
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      <title>Characters Behaving Badly</title>
      <description><![CDATA[<p>In this episode, Marlon and Jake talk about the bad characters we’re not meant to like but do and the good characters we’re meant to like but annoy us. From Dracula to Daisy Buchanan to Oliver Twist and Bambi, the good-to-evil spectrum is vast and no character is safe from commentary. Tune in to find out which classic villain the duo unanimously hate, and which villain gives Marlon the chills and scares Jake to this day. </p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>The Talented Mr. Ripley</i> by Patricia Highsmith</li><li><i>A Streetcar Named Desire</i> by Tennessee Williams</li><li>The Flashman series by George MacDonald Fraser</li><li><i>Tom Brown’s School Days</i> by Thomas Hughes</li><li><i>King Solomon’s Mines</i> by Sir H. Rider Haggard</li><li><i>Raiders of the Lost Arc </i>by Campbell Black</li><li><i>Dracula</i> by Bram Stoker</li><li><i>Frankenstein</i> by Mary Shelly</li><li><i>One Flew Over the Cuckoo’s Nest</i> by Ken Kesey</li><li><i>East of Eden</i> by John Steinbeck</li><li><i>The Awakening</i> by Kate Chopin</li><li><i>Madame Bovary</i> by Gustave Flaubert</li><li><i>House of Mirth</i> by Edith Wharton</li><li><i>Crime and Punishment</i> by Fyodor Dostoevsky</li><li><i>The Idiot</i> by Fyodor Dostoevsky</li><li><i>The Brothers Karamazov</i> by Fyodor Dostoevsky</li><li><i>The Great Gatsby</i> by F. Scott Fitzgerald</li><li><i>Good Morning Midnight </i>by Jean Rhys</li><li><i>Bambi</i> by Felix Salten</li><li><i>Watership Down</i> by Richard Adams</li><li><i>Oliver Twist</i> by Charles Dickens</li><li><i>Middlemarch</i> by George Eliot</li><li><i>The Catcher </i>in the Rye by J.D. Salinger</li><li><i>The Lord of the Flies </i>by William Golding</li><li><i>Railway Children</i> by E. Nesbit</li><li><i>Peter Pan </i>by J.M. Barrie</li><li><i>The Jungle Book </i>by Rudyard Kipling</li><li><i>Treasure Island</i> by Robert Louis Stevenson</li><li><i>Vanity Fair</i> by William Makepeace Thackeray</li><li><i>Emma </i>by Jane Austen</li><li><i>Mansfield Park</i> by Jane Austen</li></ul>
]]></description>
      <pubDate>Tue, 11 Apr 2023 12:08:13 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>In this episode, Marlon and Jake talk about the bad characters we’re not meant to like but do and the good characters we’re meant to like but annoy us. From Dracula to Daisy Buchanan to Oliver Twist and Bambi, the good-to-evil spectrum is vast and no character is safe from commentary. Tune in to find out which classic villain the duo unanimously hate, and which villain gives Marlon the chills and scares Jake to this day. </p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>The Talented Mr. Ripley</i> by Patricia Highsmith</li><li><i>A Streetcar Named Desire</i> by Tennessee Williams</li><li>The Flashman series by George MacDonald Fraser</li><li><i>Tom Brown’s School Days</i> by Thomas Hughes</li><li><i>King Solomon’s Mines</i> by Sir H. Rider Haggard</li><li><i>Raiders of the Lost Arc </i>by Campbell Black</li><li><i>Dracula</i> by Bram Stoker</li><li><i>Frankenstein</i> by Mary Shelly</li><li><i>One Flew Over the Cuckoo’s Nest</i> by Ken Kesey</li><li><i>East of Eden</i> by John Steinbeck</li><li><i>The Awakening</i> by Kate Chopin</li><li><i>Madame Bovary</i> by Gustave Flaubert</li><li><i>House of Mirth</i> by Edith Wharton</li><li><i>Crime and Punishment</i> by Fyodor Dostoevsky</li><li><i>The Idiot</i> by Fyodor Dostoevsky</li><li><i>The Brothers Karamazov</i> by Fyodor Dostoevsky</li><li><i>The Great Gatsby</i> by F. Scott Fitzgerald</li><li><i>Good Morning Midnight </i>by Jean Rhys</li><li><i>Bambi</i> by Felix Salten</li><li><i>Watership Down</i> by Richard Adams</li><li><i>Oliver Twist</i> by Charles Dickens</li><li><i>Middlemarch</i> by George Eliot</li><li><i>The Catcher </i>in the Rye by J.D. Salinger</li><li><i>The Lord of the Flies </i>by William Golding</li><li><i>Railway Children</i> by E. Nesbit</li><li><i>Peter Pan </i>by J.M. Barrie</li><li><i>The Jungle Book </i>by Rudyard Kipling</li><li><i>Treasure Island</i> by Robert Louis Stevenson</li><li><i>Vanity Fair</i> by William Makepeace Thackeray</li><li><i>Emma </i>by Jane Austen</li><li><i>Mansfield Park</i> by Jane Austen</li></ul>
]]></content:encoded>
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      <itunes:title>Characters Behaving Badly</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:54:35</itunes:duration>
      <itunes:summary>In this episode, Marlon and Jake talk about the bad characters we’re not meant to like but do and the good characters we’re meant to like but annoy us. From Dracula to Daisy Buchanan to Oliver Twist and Bambi, the good-to-evil spectrum is vast and no character is safe from commentary. Tune in to find out which classic villain the duo unanimously hate, and which villain gives Marlon the chills and scares Jake to this day. 

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:summary>
      <itunes:subtitle>In this episode, Marlon and Jake talk about the bad characters we’re not meant to like but do and the good characters we’re meant to like but annoy us. From Dracula to Daisy Buchanan to Oliver Twist and Bambi, the good-to-evil spectrum is vast and no character is safe from commentary. Tune in to find out which classic villain the duo unanimously hate, and which villain gives Marlon the chills and scares Jake to this day. 

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
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    <item>
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      <title>Poetry FOMO</title>
      <description><![CDATA[<p>This episode, Marlon and Jake discuss a new subject for the podcast: poetry! From epic poems to sonnets to the Romantics poets to contemporary (dead) poets. They ponder over why people don’t read poetry as much as prose and recite, on the spot, lines of poetry that are forever engrained in their memories.</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>The Canterbury Tales</i> by Geoffrey Chaucer</li><li><i>The Faerie Queene</i> by Edmund Spenser</li><li><i>War Music</i> by Christopher Logue</li><li><i>The Gift Outright </i>by Robert Frost</li><li>Emily Dickinson</li><li>W.H. Auden</li><li>T.S. Eliot</li><li>Samuel Taylor Coleridge</li><li>William Wordsworth</li><li>Rupert Brooke</li><li>John Dunn</li><li><i>The Spanish Needle </i>by Claude McKay</li><li><i>The Iliad </i>by Homer</li><li><i>The Aeneid</i> by Virgil</li><li><i>Omeros</i> by Derek Walcott</li><li><i>The Arrivants</i> by Kamau Brathwaite</li><li><i>Riddyn Ravings</i> (<i>The Mad Woman's Poem</i>) by Jean “Binta” Breeze</li><li>Anne Sexton</li><li>Dr. Maya Angelou</li><li><i>The Tyger</i> by William Blake</li><li><i>Fire and Ice</i> by Robert Frost</li><li>Gwendolyn Brooks</li><li>June Jordan</li><li>Audre Lorde</li><li>Toni Morrison</li><li>Ogden Nash</li><li>Dorothy Parker</li><li><i>Tales From Ovid</i> by Ted Hughes</li><li><i>Inferno</i> from <i>Divine Comedy</i> by Dante Alighieri</li></ul>
]]></description>
      <pubDate>Tue, 4 Apr 2023 08:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>This episode, Marlon and Jake discuss a new subject for the podcast: poetry! From epic poems to sonnets to the Romantics poets to contemporary (dead) poets. They ponder over why people don’t read poetry as much as prose and recite, on the spot, lines of poetry that are forever engrained in their memories.</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>The Canterbury Tales</i> by Geoffrey Chaucer</li><li><i>The Faerie Queene</i> by Edmund Spenser</li><li><i>War Music</i> by Christopher Logue</li><li><i>The Gift Outright </i>by Robert Frost</li><li>Emily Dickinson</li><li>W.H. Auden</li><li>T.S. Eliot</li><li>Samuel Taylor Coleridge</li><li>William Wordsworth</li><li>Rupert Brooke</li><li>John Dunn</li><li><i>The Spanish Needle </i>by Claude McKay</li><li><i>The Iliad </i>by Homer</li><li><i>The Aeneid</i> by Virgil</li><li><i>Omeros</i> by Derek Walcott</li><li><i>The Arrivants</i> by Kamau Brathwaite</li><li><i>Riddyn Ravings</i> (<i>The Mad Woman's Poem</i>) by Jean “Binta” Breeze</li><li>Anne Sexton</li><li>Dr. Maya Angelou</li><li><i>The Tyger</i> by William Blake</li><li><i>Fire and Ice</i> by Robert Frost</li><li>Gwendolyn Brooks</li><li>June Jordan</li><li>Audre Lorde</li><li>Toni Morrison</li><li>Ogden Nash</li><li>Dorothy Parker</li><li><i>Tales From Ovid</i> by Ted Hughes</li><li><i>Inferno</i> from <i>Divine Comedy</i> by Dante Alighieri</li></ul>
]]></content:encoded>
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      <itunes:title>Poetry FOMO</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:40:34</itunes:duration>
      <itunes:summary>This episode, Marlon and Jake discuss a new subject for the podcast: poetry! From epic poems to sonnets to the Romantics poets to contemporary (dead) poets. They ponder over why people don’t read poetry as much as prose and recite, on the spot, lines of poetry that are forever engrained in their memories. 

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:summary>
      <itunes:subtitle>This episode, Marlon and Jake discuss a new subject for the podcast: poetry! From epic poems to sonnets to the Romantics poets to contemporary (dead) poets. They ponder over why people don’t read poetry as much as prose and recite, on the spot, lines of poetry that are forever engrained in their memories. 

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
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      <title>Books Assigned in School</title>
      <description><![CDATA[<p>Books assigned in school evoke strong feelings. You either love em’ or you hate em.’ In this episode, Marlon and Jake discuss the books they wished they were assigned in school and the ones they suffered through. Accompanying the books taught in school, there are, of course, the teachers who taught them. A teacher can make or break a book read in school. As a literature teacher (as well as Booker prize winning author), Marlon acknowledges there are some novels assigned in school that you have to work to understand that are really good, but sometimes those novels are not good and if it weren’t for being assigned in school, we wouldn’t still be reading it.</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>Pride and Prejudic</i>e by Jane Austen</li><li><i>The Republic </i>by Plato</li><li><i>Jude the Obscure</i> by Thomas Hardy</li><li><i>Tess of the D’Urbervilles</i> by Thomas Hardy</li><li><i>The Canterbury Tales</i> by Geoffrey Chaucer</li><li><i>Infinite Jest</i> by David Foster Wallace</li><li><i>Tom Jones </i>by Henry Fielding</li><li><i>Middlemarch</i> by George Eliot</li><li><i>Call of the Wild</i> by Jack London</li><li><i>Bleak House</i> by Charles Dickens</li><li><i>Great Expectations </i>by Charles Dickens</li><li><i>The Pickwick Papers</i> by Charles Dickens</li><li><i>David Copperfield</i> by Charles Dickens</li><li><i>The Warde</i>n by Anthony Trollope</li><li><i>Washington Square</i> by Henry James</li><li><i>The Turn of the Screw</i> by Henry James</li><li><i>The Aspern Papers </i>byHenry James</li><li><i>The Ambassadors</i> by Henry James</li><li><i>Daisy Miller</i> by Henry James</li><li><i>Ethan Frome</i> by Edith Wharton</li><li><i>The Adventures of Huckleberry Finn</i> by Mark Twain</li><li><i>The Adventures of Tom Sawyer</i> by Mark Twain</li><li><i>The Bondsman’s Narrative</i> by Hannah Crafts</li><li><i>Guerillas</i> by VS Naipaul</li><li><i>Miguel Street</i> by VS Naipaul</li><li><i>A Bend in the River</i> by VS Naipaul</li><li><i>A House for Mr. Biswas </i>by VS Naipaul</li><li><i>Dog Soldiers</i> by Robert Stone</li><li><i>The Godfather </i>by Mario Puzo</li><li><i>Shogun</i> by James Clavell</li><li><i>Tia-pan</i> by James Clavell</li><li><i>King Rat</i> by James Clavell</li><li><i>Whirlwind </i>by James Clavell</li><li><i>Julius Caesar</i> by William Shakespeare</li><li><i>King Lear </i>by William Shakespeare</li><li><i>The Tempest </i>by William Shakespeare</li><li><i>King Solomon’s Mines</i> by H. Rider Haggard</li><li><i>The Radiance of the King</i> by Camara Laye</li><li><i>Heart of Darkness </i>by Joseph Conrad</li><li><i>Tarzan of the Apes</i> by Edgar Rice Burroughs</li><li><i>The Lady, or the Tiger?</i> by Frank R. Stockton</li><li><i>The Discourager of Hesitancy</i> by Frank R. Stockton</li></ul><p> </p>
]]></description>
      <pubDate>Tue, 28 Mar 2023 09:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Books assigned in school evoke strong feelings. You either love em’ or you hate em.’ In this episode, Marlon and Jake discuss the books they wished they were assigned in school and the ones they suffered through. Accompanying the books taught in school, there are, of course, the teachers who taught them. A teacher can make or break a book read in school. As a literature teacher (as well as Booker prize winning author), Marlon acknowledges there are some novels assigned in school that you have to work to understand that are really good, but sometimes those novels are not good and if it weren’t for being assigned in school, we wouldn’t still be reading it.</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>Pride and Prejudic</i>e by Jane Austen</li><li><i>The Republic </i>by Plato</li><li><i>Jude the Obscure</i> by Thomas Hardy</li><li><i>Tess of the D’Urbervilles</i> by Thomas Hardy</li><li><i>The Canterbury Tales</i> by Geoffrey Chaucer</li><li><i>Infinite Jest</i> by David Foster Wallace</li><li><i>Tom Jones </i>by Henry Fielding</li><li><i>Middlemarch</i> by George Eliot</li><li><i>Call of the Wild</i> by Jack London</li><li><i>Bleak House</i> by Charles Dickens</li><li><i>Great Expectations </i>by Charles Dickens</li><li><i>The Pickwick Papers</i> by Charles Dickens</li><li><i>David Copperfield</i> by Charles Dickens</li><li><i>The Warde</i>n by Anthony Trollope</li><li><i>Washington Square</i> by Henry James</li><li><i>The Turn of the Screw</i> by Henry James</li><li><i>The Aspern Papers </i>byHenry James</li><li><i>The Ambassadors</i> by Henry James</li><li><i>Daisy Miller</i> by Henry James</li><li><i>Ethan Frome</i> by Edith Wharton</li><li><i>The Adventures of Huckleberry Finn</i> by Mark Twain</li><li><i>The Adventures of Tom Sawyer</i> by Mark Twain</li><li><i>The Bondsman’s Narrative</i> by Hannah Crafts</li><li><i>Guerillas</i> by VS Naipaul</li><li><i>Miguel Street</i> by VS Naipaul</li><li><i>A Bend in the River</i> by VS Naipaul</li><li><i>A House for Mr. Biswas </i>by VS Naipaul</li><li><i>Dog Soldiers</i> by Robert Stone</li><li><i>The Godfather </i>by Mario Puzo</li><li><i>Shogun</i> by James Clavell</li><li><i>Tia-pan</i> by James Clavell</li><li><i>King Rat</i> by James Clavell</li><li><i>Whirlwind </i>by James Clavell</li><li><i>Julius Caesar</i> by William Shakespeare</li><li><i>King Lear </i>by William Shakespeare</li><li><i>The Tempest </i>by William Shakespeare</li><li><i>King Solomon’s Mines</i> by H. Rider Haggard</li><li><i>The Radiance of the King</i> by Camara Laye</li><li><i>Heart of Darkness </i>by Joseph Conrad</li><li><i>Tarzan of the Apes</i> by Edgar Rice Burroughs</li><li><i>The Lady, or the Tiger?</i> by Frank R. Stockton</li><li><i>The Discourager of Hesitancy</i> by Frank R. Stockton</li></ul><p> </p>
]]></content:encoded>
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      <itunes:title>Books Assigned in School</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:43:34</itunes:duration>
      <itunes:summary>Books assigned in school evoke strong feelings. You either love em’ or you hate em.’ In this episode, Marlon and Jake discuss the books they wished they were assigned in school and the ones they suffered through. Accompanying the books taught in school, there are, of course, the teachers who taught them. A teacher can make or break a book read in school. As a literature teacher (as well as Booker prize winning author), Marlon acknowledges there are some novels assigned in school that you have to work to understand that are really good, but sometimes those novels are not good and if it weren’t for being assigned in school, we wouldn’t still be reading it.

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:summary>
      <itunes:subtitle>Books assigned in school evoke strong feelings. You either love em’ or you hate em.’ In this episode, Marlon and Jake discuss the books they wished they were assigned in school and the ones they suffered through. Accompanying the books taught in school, there are, of course, the teachers who taught them. A teacher can make or break a book read in school. As a literature teacher (as well as Booker prize winning author), Marlon acknowledges there are some novels assigned in school that you have to work to understand that are really good, but sometimes those novels are not good and if it weren’t for being assigned in school, we wouldn’t still be reading it.

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:subtitle>
      <itunes:keywords>tbr pile, classic literature episode art: from taylor in box folder, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
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      <title>Judging a Book</title>
      <description><![CDATA[<p>In this episode, Marlon and Jake weigh in on a question as old as books themselves—can you judge a book by its cover? Spoiler alert: the answer is yes! They discuss good books with bad covers and bad books with good covers, cover art trends (*cough* the woman facing away), books that were recommended to them, and books they read because of peer pressure. Tune in to hear Marlon and Jake opine the myriad ways we judge books.</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>One Hundred Years </i>of Solitude by Gabriel Garcia Marquez</li><li><i>Hotel du Lac</i> by Anita Brookner</li><li><i>The Latecomers</i> by Anita Brookner</li><li><i>The Joy of Sex </i>by Alex Comfort</li><li><i>Everything You Always Wanted to Know About Sex: But Were Afraid to Ask</i> by Dr. David R. Reuben</li><li><i>Geek Love</i> by Katherine Dunn</li><li><i>Ancient Evening</i> by Norman Mailer</li><li><i>Miami and the Siege of Chicago</i> by Norman Mailer</li><li><i>The Naked and the Dead</i> by Norman Mailer</li><li><i>The Railway Children</i> by E. Nesbit</li><li><i>Ballad of a Sad Café </i>by Carson McCullers</li><li><i>Confederacy of Dunces</i> by John Kennedy Toole</li><li><i>The Bridges of Madison County</i> by Robert James Waller</li><li><i>Angela’s Ashes </i>by Frank McCourt</li><li><i>The Hound of the Baskerville</i> by Sir Arthur Conan Doyle</li><li><i>Atlas Shrugged</i> by Ayn Rand</li><li><i>The Night of January 16th </i>by Ayn Rand</li><li><i>Winesburg, Ohio</i> by Sherwood Anderson</li><li><i>Rebecca</i> by Daphne Du Maurier</li><li><i>Jamacia Inn</i> by Daphne Du Maurier</li><li><i>Don’t Look Now</i> by Daphne Du Maurier</li><li><i>The French Lieutenant’s Woman</i> by John Fowles</li><li><i>Dune</i> by Frank Herbert</li><li><i>Stoner</i> by John Williams</li><li><i>One is Not Enough </i>by Jacqueline Susann</li><li><i>Valley of the Dolls</i> by Jacqueline Susann</li><li><i>Hollywood Wives</i> by Jackie Collins</li><li><i>Chances </i>by Jackie Collins</li><li><i>Peyton Place</i> by Grace Metalious</li><li><i>Earthly Powers </i>by Anthony Burgess</li><li><i>Absalom, Absalom! </i>By William Faulkner</li><li><i>Butterfield 8</i> by John O’Hara</li><li><i>A Rage to Live</i> by John O’Hara</li><li><i>Grendel </i>by John Gardner</li><li><i>Mickelsson’s Ghosts </i>by John Gardner</li><li><i>October Light</i> by John Gardner</li><li><i>Freddy’s Book</i> by John Gardner</li><li><i>The Gulag Archipelago </i>by Aleksandr Solzhenitsyn</li><li><i>The Longest Journey</i> by E.M. Forster</li><li><i>A Passage to India</i> by E.M. Forster</li><li><i>Howards’ End</i> by E.M. Forster</li><li><i>Maurice</i> by E.M. Forster</li><li><i>Soldier’s Pay</i> by William Faulkner</li><li><i>Everything That Rises Must Converge</i> by Flannery O’Connor</li><li><i>Wise Blood</i> by Flannery O’Connor</li></ul>
]]></description>
      <pubDate>Tue, 21 Mar 2023 13:33:31 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>In this episode, Marlon and Jake weigh in on a question as old as books themselves—can you judge a book by its cover? Spoiler alert: the answer is yes! They discuss good books with bad covers and bad books with good covers, cover art trends (*cough* the woman facing away), books that were recommended to them, and books they read because of peer pressure. Tune in to hear Marlon and Jake opine the myriad ways we judge books.</p><p>Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>One Hundred Years </i>of Solitude by Gabriel Garcia Marquez</li><li><i>Hotel du Lac</i> by Anita Brookner</li><li><i>The Latecomers</i> by Anita Brookner</li><li><i>The Joy of Sex </i>by Alex Comfort</li><li><i>Everything You Always Wanted to Know About Sex: But Were Afraid to Ask</i> by Dr. David R. Reuben</li><li><i>Geek Love</i> by Katherine Dunn</li><li><i>Ancient Evening</i> by Norman Mailer</li><li><i>Miami and the Siege of Chicago</i> by Norman Mailer</li><li><i>The Naked and the Dead</i> by Norman Mailer</li><li><i>The Railway Children</i> by E. Nesbit</li><li><i>Ballad of a Sad Café </i>by Carson McCullers</li><li><i>Confederacy of Dunces</i> by John Kennedy Toole</li><li><i>The Bridges of Madison County</i> by Robert James Waller</li><li><i>Angela’s Ashes </i>by Frank McCourt</li><li><i>The Hound of the Baskerville</i> by Sir Arthur Conan Doyle</li><li><i>Atlas Shrugged</i> by Ayn Rand</li><li><i>The Night of January 16th </i>by Ayn Rand</li><li><i>Winesburg, Ohio</i> by Sherwood Anderson</li><li><i>Rebecca</i> by Daphne Du Maurier</li><li><i>Jamacia Inn</i> by Daphne Du Maurier</li><li><i>Don’t Look Now</i> by Daphne Du Maurier</li><li><i>The French Lieutenant’s Woman</i> by John Fowles</li><li><i>Dune</i> by Frank Herbert</li><li><i>Stoner</i> by John Williams</li><li><i>One is Not Enough </i>by Jacqueline Susann</li><li><i>Valley of the Dolls</i> by Jacqueline Susann</li><li><i>Hollywood Wives</i> by Jackie Collins</li><li><i>Chances </i>by Jackie Collins</li><li><i>Peyton Place</i> by Grace Metalious</li><li><i>Earthly Powers </i>by Anthony Burgess</li><li><i>Absalom, Absalom! </i>By William Faulkner</li><li><i>Butterfield 8</i> by John O’Hara</li><li><i>A Rage to Live</i> by John O’Hara</li><li><i>Grendel </i>by John Gardner</li><li><i>Mickelsson’s Ghosts </i>by John Gardner</li><li><i>October Light</i> by John Gardner</li><li><i>Freddy’s Book</i> by John Gardner</li><li><i>The Gulag Archipelago </i>by Aleksandr Solzhenitsyn</li><li><i>The Longest Journey</i> by E.M. Forster</li><li><i>A Passage to India</i> by E.M. Forster</li><li><i>Howards’ End</i> by E.M. Forster</li><li><i>Maurice</i> by E.M. Forster</li><li><i>Soldier’s Pay</i> by William Faulkner</li><li><i>Everything That Rises Must Converge</i> by Flannery O’Connor</li><li><i>Wise Blood</i> by Flannery O’Connor</li></ul>
]]></content:encoded>
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      <itunes:title>Judging a Book</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:44:52</itunes:duration>
      <itunes:summary>In this episode, Marlon and Jake weigh in on a question as old as books themselves—can you judge a book by its cover? Spoiler alert: the answer is yes! They discuss good books with bad covers and bad books with good covers, cover art trends (*cough* the woman facing away), books that were recommended to them, and books they read because of peer pressure. Tune in to hear Marlon and Jake opine the myriad ways we judge books.

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:summary>
      <itunes:subtitle>In this episode, Marlon and Jake weigh in on a question as old as books themselves—can you judge a book by its cover? Spoiler alert: the answer is yes! They discuss good books with bad covers and bad books with good covers, cover art trends (*cough* the woman facing away), books that were recommended to them, and books they read because of peer pressure. Tune in to hear Marlon and Jake opine the myriad ways we judge books.

Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
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    <item>
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      <title>From TBR to Recently Read</title>
      <description><![CDATA[<p>Marlon and Jake are back! And they’re catching up on the dead authors they’ve read since they last spoke—some of which they praise, others they don’t. From comparing Nella Larson’s<i> Passing </i>to the Netflix film, to discussing unsettling stories that linger with you, they cover a lot of literary ground. They also weigh in on longstanding debates like whether they read the book or watch the movie adaption first and the difference between horror and terror. Tune in for the witty book banter you know and love. </p><p>Subscribe to our River-herd newsletter for  sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>The Letters of Thom Gunn</i> by Thom Gunn</li><li><i>Passing</i> by Nella Larsen </li><li><i>A View From a Hill</i> by Montague Roads James</li><li><i>The Turn of The Screw</i> by Henry James</li><li><i>Frankenstein</i> by Mary Shelly </li><li><i>The Birds</i> by Daphne Du Maurier</li><li><i>Rebecca</i> by Daphne Du Maurier</li><li><i>The Silence of the Lambs</i> by Thomas Harris </li><li><i>The Exorcist</i> by William Peter Blatty</li><li><i>Jesus’s Son </i>by Denis Johnson</li><li><i>Airships</i> by Barry Hannah </li><li><i>Lost Illusions </i>by Honore de Balzac</li><li><i>Madam Bovary</i> by Gustave Flaubert </li><li><i>The Count of Monte Cristo</i> by Alexandre Dumas </li><li><i>Savage Detectives</i> by Roberto Bolano</li><li><i>Hell House</i> by Richard Matheson</li><li><i>The Haunting of Hill House</i> by Shirley Jackson </li><li><i>Arsenic and Old Lace</i> by Joseph Kesselring</li></ul>
]]></description>
      <pubDate>Tue, 14 Mar 2023 13:38:15 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon and Jake are back! And they’re catching up on the dead authors they’ve read since they last spoke—some of which they praise, others they don’t. From comparing Nella Larson’s<i> Passing </i>to the Netflix film, to discussing unsettling stories that linger with you, they cover a lot of literary ground. They also weigh in on longstanding debates like whether they read the book or watch the movie adaption first and the difference between horror and terror. Tune in for the witty book banter you know and love. </p><p>Subscribe to our River-herd newsletter for  sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter</p><ul><li><i>The Letters of Thom Gunn</i> by Thom Gunn</li><li><i>Passing</i> by Nella Larsen </li><li><i>A View From a Hill</i> by Montague Roads James</li><li><i>The Turn of The Screw</i> by Henry James</li><li><i>Frankenstein</i> by Mary Shelly </li><li><i>The Birds</i> by Daphne Du Maurier</li><li><i>Rebecca</i> by Daphne Du Maurier</li><li><i>The Silence of the Lambs</i> by Thomas Harris </li><li><i>The Exorcist</i> by William Peter Blatty</li><li><i>Jesus’s Son </i>by Denis Johnson</li><li><i>Airships</i> by Barry Hannah </li><li><i>Lost Illusions </i>by Honore de Balzac</li><li><i>Madam Bovary</i> by Gustave Flaubert </li><li><i>The Count of Monte Cristo</i> by Alexandre Dumas </li><li><i>Savage Detectives</i> by Roberto Bolano</li><li><i>Hell House</i> by Richard Matheson</li><li><i>The Haunting of Hill House</i> by Shirley Jackson </li><li><i>Arsenic and Old Lace</i> by Joseph Kesselring</li></ul>
]]></content:encoded>
      <enclosure length="42161379" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/0ece4814-93a6-4f62-8d28-156dd7a1a00b/audio/e219e5c1-2c71-4629-a690-85fcb14b51c0/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>From TBR to Recently Read</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:43:55</itunes:duration>
      <itunes:summary>Marlon and Jake are back! And they’re catching up on the dead authors they’ve read since they last spoke—some of which they praise, others they don’t. From comparing Nella Larson’s Passing to the Netflix film, to discussing unsettling stories that linger with you, they cover a lot of literary ground. They also weigh in on longstanding debates like whether they read the book or watch the movie adaption first and the difference between horror and terror. Tune in for the witty book banter you know and love. </itunes:summary>
      <itunes:subtitle>Marlon and Jake are back! And they’re catching up on the dead authors they’ve read since they last spoke—some of which they praise, others they don’t. From comparing Nella Larson’s Passing to the Netflix film, to discussing unsettling stories that linger with you, they cover a lot of literary ground. They also weigh in on longstanding debates like whether they read the book or watch the movie adaption first and the difference between horror and terror. Tune in for the witty book banter you know and love. </itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
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      <title>Season Three Announcement</title>
      <description><![CDATA[In just one week, Marlon and Jake return with an epic new season discussing the non-living luminaries they love, hate, and will never agree on. Get ready for even more hot takes, hilarious debates, and incisive commentary on dead poets, judging books by their covers, exactly what kind of student Marlon was in college, and which classic novel Jake spoiled the ending for a colleague—among other literary gems.]]></description>
      <pubDate>Tue, 7 Mar 2023 14:37:21 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <enclosure length="693179" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/15642d79-8c9e-4e28-8d12-09ed3ab0f89b/audio/96832ef4-ff63-4f6c-8a1a-520632b3e2d4/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Season Three Announcement</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:00:42</itunes:duration>
      <itunes:summary>In just one week, Marlon and Jake return with an epic new season discussing the non-living luminaries they love, hate, and will never agree on. Get ready for even more hot takes, hilarious debates, and incisive commentary on dead poets, judging books by their covers, exactly what kind of student Marlon was in college, and which classic novel Jake spoiled the ending for a colleague—among other literary gems.</itunes:summary>
      <itunes:subtitle>In just one week, Marlon and Jake return with an epic new season discussing the non-living luminaries they love, hate, and will never agree on. Get ready for even more hot takes, hilarious debates, and incisive commentary on dead poets, judging books by their covers, exactly what kind of student Marlon was in college, and which classic novel Jake spoiled the ending for a colleague—among other literary gems.</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
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      <title>Appetizer 2: Powerful Female Characters</title>
      <description><![CDATA[<p>Marlon & Jake are back to discuss the most indelible and powerful female characters—those written by dead female authors and those written by dead male authors. From Sula Peace to the Wife of Bath, Scout Finch to Janie Crawford—these two gentleman celebrate some of literature’s most ferocious, complicated, guileless, unrepentant and commanding women.</p><ul><li><i>The Canterbury Tales</i> by Geoffrey Chaucer</li><li><i>Rum Punch</i> by Elmore Leonard</li><li><i>Bleak House</i> by Charles Dickens</li><li>The Palliser novels by Anthony Trollope</li><li><i>To Kill A Mockingbird</i> by Harper Lee</li><li><i>Double Indemnity</i> by James Cain</li><li><i>There Eyes Are Watching God </i>by Zora Neale Hurston</li><li><i>Dubliners</i> by James Joyce</li><li><i>Kindred </i>Octavia Butler</li><li><i>The Sound and the Fury</i> by William Faulkner</li><li><i>Two Serious Ladies</i> by Jane Bowles</li><li><i>Sula</i> by Toni Morrison</li></ul>
]]></description>
      <pubDate>Fri, 25 Feb 2022 15:09:44 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon & Jake are back to discuss the most indelible and powerful female characters—those written by dead female authors and those written by dead male authors. From Sula Peace to the Wife of Bath, Scout Finch to Janie Crawford—these two gentleman celebrate some of literature’s most ferocious, complicated, guileless, unrepentant and commanding women.</p><ul><li><i>The Canterbury Tales</i> by Geoffrey Chaucer</li><li><i>Rum Punch</i> by Elmore Leonard</li><li><i>Bleak House</i> by Charles Dickens</li><li>The Palliser novels by Anthony Trollope</li><li><i>To Kill A Mockingbird</i> by Harper Lee</li><li><i>Double Indemnity</i> by James Cain</li><li><i>There Eyes Are Watching God </i>by Zora Neale Hurston</li><li><i>Dubliners</i> by James Joyce</li><li><i>Kindred </i>Octavia Butler</li><li><i>The Sound and the Fury</i> by William Faulkner</li><li><i>Two Serious Ladies</i> by Jane Bowles</li><li><i>Sula</i> by Toni Morrison</li></ul>
]]></content:encoded>
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      <itunes:title>Appetizer 2: Powerful Female Characters</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:41:02</itunes:duration>
      <itunes:summary>Marlon &amp; Jake are back to discuss the most indelible and powerful female characters—those written by dead female authors and those written by dead male authors. From Sula Peace to the Wife of Bath, Scout Finch to Janie Crawford—these two gentleman celebrate some of literature’s most ferocious, complicated, guileless, unrepentant and commanding women.</itunes:summary>
      <itunes:subtitle>Marlon &amp; Jake are back to discuss the most indelible and powerful female characters—those written by dead female authors and those written by dead male authors. From Sula Peace to the Wife of Bath, Scout Finch to Janie Crawford—these two gentleman celebrate some of literature’s most ferocious, complicated, guileless, unrepentant and commanding women.</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
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      <title>Appetizer 1: Unreliable Narrators</title>
      <description><![CDATA[<p>Marlon & Jake are back to discuss the narrators they love but can't trust. From the delusional to the uninformed, the sociopathic to the sympathetic, they explore the characters that charm as much as they trick, begging the question: is there such a thing as a <i>reliable</i> narrator? So tune in to hear if Jake has warmed to <i>Great Expectations</i> (spoiler alert: he hasn’t) and so much more! </p><p><strong>Select titles mentioned in this episode:</strong></p><ul><li><i>Great Expectations</i> by Charles Dickens</li><li><i>Clockwork Orange</i> by Anthony Burgess </li><li><i>One Flew Over the Cuckoo's Nest</i> by Ken Kesey </li><li><i>The Good Soldier</i> by Ford Madox Ford </li><li><i>The Adventures of Huckleberry</i> Finn by Mark Twain </li><li><i>The Tell-Tale Heart</i> by Edgar Allen Poe </li><li><i>Tristram Shandy </i>by Laurence Stern </li><li><i>Don Quixote </i>by Miguel de Cervantes </li><li><i>Rebecca</i> by Daphne du Maurier </li><li><i>We Have Always Lived in the Castle</i> by Shirley Jackson </li><li>"Charles" by Shirley Jackson (in <i>The Lottery and Other Stories </i>collection)</li></ul>
]]></description>
      <pubDate>Fri, 18 Feb 2022 15:10:57 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon & Jake are back to discuss the narrators they love but can't trust. From the delusional to the uninformed, the sociopathic to the sympathetic, they explore the characters that charm as much as they trick, begging the question: is there such a thing as a <i>reliable</i> narrator? So tune in to hear if Jake has warmed to <i>Great Expectations</i> (spoiler alert: he hasn’t) and so much more! </p><p><strong>Select titles mentioned in this episode:</strong></p><ul><li><i>Great Expectations</i> by Charles Dickens</li><li><i>Clockwork Orange</i> by Anthony Burgess </li><li><i>One Flew Over the Cuckoo's Nest</i> by Ken Kesey </li><li><i>The Good Soldier</i> by Ford Madox Ford </li><li><i>The Adventures of Huckleberry</i> Finn by Mark Twain </li><li><i>The Tell-Tale Heart</i> by Edgar Allen Poe </li><li><i>Tristram Shandy </i>by Laurence Stern </li><li><i>Don Quixote </i>by Miguel de Cervantes </li><li><i>Rebecca</i> by Daphne du Maurier </li><li><i>We Have Always Lived in the Castle</i> by Shirley Jackson </li><li>"Charles" by Shirley Jackson (in <i>The Lottery and Other Stories </i>collection)</li></ul>
]]></content:encoded>
      <enclosure length="43606321" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/bb949dcd-7dc1-4337-a4c6-665e556b23cb/audio/4762ff2d-636d-4148-8091-037f3fefd421/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Appetizer 1: Unreliable Narrators</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:45:25</itunes:duration>
      <itunes:summary>Marlon &amp; Jake are back to discuss the narrators they love but can&apos;t trust. From the delusional to the uninformed, the sociopathic to the sympathetic, they explore the characters that charm as much as they trick, begging the question: is there such a thing as a reliable narrator? So tune in to hear if Jake has warmed to Great Expectations (spoiler alert: he hasn’t) and so much more! </itunes:summary>
      <itunes:subtitle>Marlon &amp; Jake are back to discuss the narrators they love but can&apos;t trust. From the delusional to the uninformed, the sociopathic to the sympathetic, they explore the characters that charm as much as they trick, begging the question: is there such a thing as a reliable narrator? So tune in to hear if Jake has warmed to Great Expectations (spoiler alert: he hasn’t) and so much more! </itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
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      <title>Appetizers for everyone!</title>
      <description><![CDATA[<p>We didn't ghost you, dear listeners. Marlon had a novel to finish, which Jake had to edit. But the good news is it's <a href="https://www.penguinrandomhouse.com/books/561306/moon-witch-spider-king-by-marlon-james/">officially out in the world</a>, and so before Marlon—the very living author—takes off on his whirlwind book tour, he and Jake are back together for a brief (but delicious) reunion of discussing what they love most: DEAD AUTHORS. We'll be back for season three later this spring, but until then, stayed tuned for an amuse bouche, a canapé, an appetizer—take your pick!—to the glorious meal on the horizon.</p>
]]></description>
      <pubDate>Fri, 18 Feb 2022 15:10:29 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>We didn't ghost you, dear listeners. Marlon had a novel to finish, which Jake had to edit. But the good news is it's <a href="https://www.penguinrandomhouse.com/books/561306/moon-witch-spider-king-by-marlon-james/">officially out in the world</a>, and so before Marlon—the very living author—takes off on his whirlwind book tour, he and Jake are back together for a brief (but delicious) reunion of discussing what they love most: DEAD AUTHORS. We'll be back for season three later this spring, but until then, stayed tuned for an amuse bouche, a canapé, an appetizer—take your pick!—to the glorious meal on the horizon.</p>
]]></content:encoded>
      <enclosure length="3501721" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/42d3e25e-9d8c-4442-a7b8-f21f1502cb11/audio/14105804-dcff-4eba-be3e-5c0a9e7f483d/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Appetizers for everyone!</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:03:38</itunes:duration>
      <itunes:summary>We didn&apos;t ghost you, dear listeners. Marlon had a novel to finish, which Jake had to edit. But the good news is it&apos;s officially out in the world, and so before Marlon—the very living author—takes off on his whirlwind book tour, he and Jake are back together for a brief (but delicious) reunion of discussing what they love most: DEAD AUTHORS. We&apos;ll be back for season three later this spring, but until then, stayed tuned for an amuse bouche, a canapé, an appetizer—take your pick!—to the glorious meal on the horizon. </itunes:summary>
      <itunes:subtitle>We didn&apos;t ghost you, dear listeners. Marlon had a novel to finish, which Jake had to edit. But the good news is it&apos;s officially out in the world, and so before Marlon—the very living author—takes off on his whirlwind book tour, he and Jake are back together for a brief (but delicious) reunion of discussing what they love most: DEAD AUTHORS. We&apos;ll be back for season three later this spring, but until then, stayed tuned for an amuse bouche, a canapé, an appetizer—take your pick!—to the glorious meal on the horizon. </itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, classic literature episode art: leave blank, novel, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
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      <title>Dead Authors Through History</title>
      <description><![CDATA[<p>Prepare for what might be Marlon & Jake’s most controversial hot takes yet, as they travel back through the last four hundred years to decide which dead authors from each century stand the test of time and which can be left to gather dust on the shelf.  Where do they fall on <i>Paradise Lost</i>?  Who triumphs in the battle of the poets v. novelists of the 18th century? How much has the 1930s Hollywood studio system shaped classic stories?  Which of them stans <i>Huckleberry Finn</i>, and who thinks it might be overrated?  Marlon & Jake answer these questions and more as they discuss the timeless work of the freaky, the rebellious and the groundbreaking. From Mary Shelley to Aleksandr Solzhenitsyn, Paul Laurence Dunbar to Daphne du Maurier—with a healthy dose of Alexander Pope-dissing—tune in to find out where you stand with their picks. </p><ul><li><i>The Tale of Genji </i>by Murasaki Shikibu</li><li><i>The Adventures of Amir Hamza</i> by Ghalib Lakhnavi and Abdullah Bilgrami</li><li><i>Paradise Lost </i>by John Milton</li><li><i>The Faerie Queene</i> by Edmund Spenser</li><li><i>The Canterbury Tales</i> by Geoffrey Chaucer </li><li><i>The Provoked Wife</i> by John Vanbrugh</li><li><i>Frankenstein </i>by Mary Shelley</li><li><i>Mathilda</i> by Mary Shelley</li><li><i>The Last Man</i> by Mary Shelley</li><li><i>The Mysteries of Udolpho</i> by Ann Radcliffe</li><li><i>Northanger Abbey</i> by Jane Austen</li><li>The Complete Poems of William Blake</li><li><i>Robinson Crusoe</i> by Daniel Defoe</li><li><i>Moll Flanders</i> by Daniel Defoe</li><li><i>Pamela </i>by Samuel Richardson</li><li><i>Bleak House </i>by Charles Dickens</li><li><i>Nana</i> by Émile Zola</li><li><i>Germinal</i> by Émile Zola</li><li><i>Adventures of Huckleberry Finn</i> by Mark Twain</li><li><i>The Adventures of Tom Sawyer</i> by Mark Twain</li><li>The Complete Poems of Paul Laurence Dunbar</li><li><i>I Know Why the Caged Bird Sings</i> by Maya Angelou</li><li><i>The Awakening</i> by Kate Chopin</li><li>“The Story of an Hour” by Kate Chopin</li><li><i>A Study in Scarlet</i> by Arthur Conan Doyle</li><li><i>Forest of A Thousand Daemons</i> by D.O. Fagunwa</li><li><i>Cane</i> by Jean Toomer</li><li><i>Their Eyes Were Watching God </i>by Zora Neale Hurston</li><li><i>Barracoon</i> by Zora Neale Hurston</li><li><i>One Hundred Years of Solitude</i> by Gabriel García Márquez</li><li><i>The Story of a Shipwrecked Sailor </i>by Gabriel García Márquez</li><li><i>Things Fall Apart </i>by Chinua Achebe</li><li><i>Arrow of God </i>by Chinua Achebe</li><li><i>No Longer at Ease </i>by Chinua Achebe</li><li><i>The Gulag Archipelago </i>by Aleksandr Solzhenitsyn</li><li><i>War and Peace </i>by Leo Tolstoy</li><li><i>Rebecca </i>by Daphne du Maurier</li><li><i>A Wrinkle in Time</i> by Madeleine L'Engle</li><li><i>The Lord of the Rings</i> by J. R. R. Tolkien</li><li><i>Gone with the Wind </i>by Margaret Mitchell</li></ul>
]]></description>
      <pubDate>Wed, 1 Sep 2021 12:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Prepare for what might be Marlon & Jake’s most controversial hot takes yet, as they travel back through the last four hundred years to decide which dead authors from each century stand the test of time and which can be left to gather dust on the shelf.  Where do they fall on <i>Paradise Lost</i>?  Who triumphs in the battle of the poets v. novelists of the 18th century? How much has the 1930s Hollywood studio system shaped classic stories?  Which of them stans <i>Huckleberry Finn</i>, and who thinks it might be overrated?  Marlon & Jake answer these questions and more as they discuss the timeless work of the freaky, the rebellious and the groundbreaking. From Mary Shelley to Aleksandr Solzhenitsyn, Paul Laurence Dunbar to Daphne du Maurier—with a healthy dose of Alexander Pope-dissing—tune in to find out where you stand with their picks. </p><ul><li><i>The Tale of Genji </i>by Murasaki Shikibu</li><li><i>The Adventures of Amir Hamza</i> by Ghalib Lakhnavi and Abdullah Bilgrami</li><li><i>Paradise Lost </i>by John Milton</li><li><i>The Faerie Queene</i> by Edmund Spenser</li><li><i>The Canterbury Tales</i> by Geoffrey Chaucer </li><li><i>The Provoked Wife</i> by John Vanbrugh</li><li><i>Frankenstein </i>by Mary Shelley</li><li><i>Mathilda</i> by Mary Shelley</li><li><i>The Last Man</i> by Mary Shelley</li><li><i>The Mysteries of Udolpho</i> by Ann Radcliffe</li><li><i>Northanger Abbey</i> by Jane Austen</li><li>The Complete Poems of William Blake</li><li><i>Robinson Crusoe</i> by Daniel Defoe</li><li><i>Moll Flanders</i> by Daniel Defoe</li><li><i>Pamela </i>by Samuel Richardson</li><li><i>Bleak House </i>by Charles Dickens</li><li><i>Nana</i> by Émile Zola</li><li><i>Germinal</i> by Émile Zola</li><li><i>Adventures of Huckleberry Finn</i> by Mark Twain</li><li><i>The Adventures of Tom Sawyer</i> by Mark Twain</li><li>The Complete Poems of Paul Laurence Dunbar</li><li><i>I Know Why the Caged Bird Sings</i> by Maya Angelou</li><li><i>The Awakening</i> by Kate Chopin</li><li>“The Story of an Hour” by Kate Chopin</li><li><i>A Study in Scarlet</i> by Arthur Conan Doyle</li><li><i>Forest of A Thousand Daemons</i> by D.O. Fagunwa</li><li><i>Cane</i> by Jean Toomer</li><li><i>Their Eyes Were Watching God </i>by Zora Neale Hurston</li><li><i>Barracoon</i> by Zora Neale Hurston</li><li><i>One Hundred Years of Solitude</i> by Gabriel García Márquez</li><li><i>The Story of a Shipwrecked Sailor </i>by Gabriel García Márquez</li><li><i>Things Fall Apart </i>by Chinua Achebe</li><li><i>Arrow of God </i>by Chinua Achebe</li><li><i>No Longer at Ease </i>by Chinua Achebe</li><li><i>The Gulag Archipelago </i>by Aleksandr Solzhenitsyn</li><li><i>War and Peace </i>by Leo Tolstoy</li><li><i>Rebecca </i>by Daphne du Maurier</li><li><i>A Wrinkle in Time</i> by Madeleine L'Engle</li><li><i>The Lord of the Rings</i> by J. R. R. Tolkien</li><li><i>Gone with the Wind </i>by Margaret Mitchell</li></ul>
]]></content:encoded>
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      <itunes:title>Dead Authors Through History</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:58:38</itunes:duration>
      <itunes:summary>Prepare for what might be Marlon &amp; Jake’s most controversial hot takes yet, as they travel back through the last four hundred years to decide which dead authors from each century stand the test of time and which can be left to gather dust on the shelf.  Where do they fall on Paradise Lost?  Who triumphs in the battle of the poets v. novelists of the 18th century? How much has the 1930s Hollywood studio system shaped classic stories?  Which of them stans Huckleberry Finn, and who thinks it might be overrated?  Marlon and Jake answer these questions and more as they discuss the timeless work of the freaky, the rebellious and the groundbreaking. From Mary Shelley to Aleksandr Solzhenitsyn, Paul Laurence Dunbar to Daphne du Maurier—with a healthy dose of Alexander Pope-dissing—tune in to find out where you stand with their picks. </itunes:summary>
      <itunes:subtitle>Prepare for what might be Marlon &amp; Jake’s most controversial hot takes yet, as they travel back through the last four hundred years to decide which dead authors from each century stand the test of time and which can be left to gather dust on the shelf.  Where do they fall on Paradise Lost?  Who triumphs in the battle of the poets v. novelists of the 18th century? How much has the 1930s Hollywood studio system shaped classic stories?  Which of them stans Huckleberry Finn, and who thinks it might be overrated?  Marlon and Jake answer these questions and more as they discuss the timeless work of the freaky, the rebellious and the groundbreaking. From Mary Shelley to Aleksandr Solzhenitsyn, Paul Laurence Dunbar to Daphne du Maurier—with a healthy dose of Alexander Pope-dissing—tune in to find out where you stand with their picks. </itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
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      <title>Books to Gift</title>
      <description><![CDATA[<p>This week Marlon & Jake discuss the books by dead authors they give as gifts and the very important decision-making that goes into that selection. Whether it’s for a younger, skeptical or pretentious reader, they share the unintentionally comedic and surprisingly engaging books they choose to bestow upon their loved ones. </p><ul><li><i>Middlemarch</i> by George Eliot </li><li><i>The Long Ships</i> by Frans G. Bengtsson</li><li><i>Tai-Pan</i> by James Clavell</li><li><i>The Godfather</i> by Mario Puzo</li><li><i>Harriet the Spy</i> by Louise Fitzhugh</li><li><i>Kidnapped</i> by Robert Louis Stevenson</li><li><i>The Water-Babies</i> by Charles Kingsley</li><li><i>Treasure Island</i> by Robert Louis Stevenson</li><li><i>The Black Arrow</i> by Robert Louis Stevenson</li><li><i>The Gold-Bug</i> by Edgar Allan Poe</li><li><i>The Radiance of the King</i> by Camara Laye</li><li><i>Heart of Darkness</i> by Joseph Conrad</li><li><i>Don Quixote</i> by Miguel de Cervantes</li><li><i>The Secret Diary of Adrian Mole, Aged 13¾ </i>by Sue Townsend</li><li><i>Lord of the Flies </i>by William Golding</li><li><i>Animal Farm</i> by George Orwell</li><li><i>Nineteen Eighty-Four </i>by George Orwell</li><li><i>Brave New World</i> by Aldous Huxley</li><li><i>The Lion, the Witch and the Wardrobe </i>by C. S. Lewis</li><li><i>The History of Jamaica </i>by Edward Long</li><li><i>Nicholas and Alexandra </i>by Robert K. Massie</li><li><i>One Thousand</i> and One Nights </li><li><i>The Death of King Arthur </i>by Sir Thomas Malory </li><li><i>Oreo </i>by Fran Ross</li><li><i>The Stories of Breece D'J Pancake</i> by Breece D’J Pancake</li><li><i>The Tale of Genji</i> by Murasaki Shikibu</li><li><i>Les Liaisons dangereuses </i>by Pierre Choderlos de Laclos</li></ul><p> </p>
]]></description>
      <pubDate>Wed, 25 Aug 2021 12:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>This week Marlon & Jake discuss the books by dead authors they give as gifts and the very important decision-making that goes into that selection. Whether it’s for a younger, skeptical or pretentious reader, they share the unintentionally comedic and surprisingly engaging books they choose to bestow upon their loved ones. </p><ul><li><i>Middlemarch</i> by George Eliot </li><li><i>The Long Ships</i> by Frans G. Bengtsson</li><li><i>Tai-Pan</i> by James Clavell</li><li><i>The Godfather</i> by Mario Puzo</li><li><i>Harriet the Spy</i> by Louise Fitzhugh</li><li><i>Kidnapped</i> by Robert Louis Stevenson</li><li><i>The Water-Babies</i> by Charles Kingsley</li><li><i>Treasure Island</i> by Robert Louis Stevenson</li><li><i>The Black Arrow</i> by Robert Louis Stevenson</li><li><i>The Gold-Bug</i> by Edgar Allan Poe</li><li><i>The Radiance of the King</i> by Camara Laye</li><li><i>Heart of Darkness</i> by Joseph Conrad</li><li><i>Don Quixote</i> by Miguel de Cervantes</li><li><i>The Secret Diary of Adrian Mole, Aged 13¾ </i>by Sue Townsend</li><li><i>Lord of the Flies </i>by William Golding</li><li><i>Animal Farm</i> by George Orwell</li><li><i>Nineteen Eighty-Four </i>by George Orwell</li><li><i>Brave New World</i> by Aldous Huxley</li><li><i>The Lion, the Witch and the Wardrobe </i>by C. S. Lewis</li><li><i>The History of Jamaica </i>by Edward Long</li><li><i>Nicholas and Alexandra </i>by Robert K. Massie</li><li><i>One Thousand</i> and One Nights </li><li><i>The Death of King Arthur </i>by Sir Thomas Malory </li><li><i>Oreo </i>by Fran Ross</li><li><i>The Stories of Breece D'J Pancake</i> by Breece D’J Pancake</li><li><i>The Tale of Genji</i> by Murasaki Shikibu</li><li><i>Les Liaisons dangereuses </i>by Pierre Choderlos de Laclos</li></ul><p> </p>
]]></content:encoded>
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      <itunes:title>Books to Gift</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:47:33</itunes:duration>
      <itunes:summary>This week Marlon &amp; Jake discuss the books by dead authors they give as gifts and the very important decision-making that goes into that selection. Whether it’s for a younger, skeptical or pretentious reader, they share the unintentionally comedic and surprisingly engaging books they choose to bestow upon their loved ones. 
</itunes:summary>
      <itunes:subtitle>This week Marlon &amp; Jake discuss the books by dead authors they give as gifts and the very important decision-making that goes into that selection. Whether it’s for a younger, skeptical or pretentious reader, they share the unintentionally comedic and surprisingly engaging books they choose to bestow upon their loved ones. 
</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
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    <item>
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      <title>Our Favorite Characters</title>
      <description><![CDATA[<p>This week Marlon & Jake discuss memorable characters from books by dead authors—who they love, who they despise and everything in between. What exactly makes a character great?  Who would they invite to their literary dinner party and why?  From Elmore Leonard’s Raylan to Louisa May Alcott’s Jo March, Lady Macbeth to Auntie Mame—tune in to hear which fictional personalities would get a seat at the table, who would be banished forever, and who Marlon and Jake would simply ignore. </p><ul><li><i>David Copperfield </i>by Charles Dickens</li><li><i>Wuthering Heights</i> by Emily Brontë</li><li><i>Oliver Twist </i>by Charles Dickens</li><li><i>The Importance of Being Earnest </i>by Oscar Wilde</li><li><i>Little Dorrit</i> by Charles Dickens</li><li><i>Crime and Punishment</i> by Fyodor Dostoevsky</li><li><i>The Talented Mr. Ripley</i> by Patricia Highsmith</li><li><i>Anna Karenina</i> by Leo Tolstoy</li><li><i>One Hundred Years of Solitude </i>by Gabriel García Márquez</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>Bleak House</i> by Charles Dickens</li><li><i>The Girl with the Dragon Tattoo</i> by Stieg Larsson</li><li><i>Pronto</i> by Elmore Leonard</li><li><i>Little Women</i> by Louisa May Alcott</li><li><i>Sula</i> by Toni Morrison</li><li><i>Love in the Time of Cholera</i> by Gabriel García Márquez</li><li>The Parker novels by Richard Stark</li><li><i>Macbeth</i> by William Shakespeare</li><li><i>The Divine Comedy</i> (Inferno, Purgatorio, Paradiso) by Dante Alighieri</li><li><i>The Merchant of Venice</i> by William Shakespeare</li><li><i>Auntie Mame</i> by Patrick Dennis</li><li><i>Tinker Tailor Soldier Spy</i> by John le Carré</li><li>The Palliser novels by Anthony Trollope</li><li><i>Hamlet</i> by William Shakespeare</li><li><i>King Lear</i> by William Shakespeare</li><li><i>The Hunchback of Notre-Dame</i> by Victor Hugo</li><li><i>Moby-Dick</i> by Herman Melville</li><li><i>The Great Gatsby </i>by F. Scott Fitzgerald</li><li><i>Pride and Prejudice</i> by Jane Austen</li><li><i>Jane Eyre</i> by Charlotte Brontë</li><li><i>A Tale of Two Cities</i> by Charles Dickens</li><li><i>Great Expectations</i> by Charles Dickens</li><li><i>The House of Mirth</i> by Edith Wharton</li><li><i>Madame Bovary </i>by Gustave Flaubert</li><li><i>Lolita</i> by Vladimir Nabokov</li><li><i>The Count of Monte Cristo</i> by Alexandre Dumas</li><li><i>The Chronicles of Narnia</i> by C. S. Lewis</li><li><i>Charlotte’s Web </i>by E. B. White</li><li><i>The Wonderful Wizard of Oz </i>by L. Frank Baum</li><li><i>Stuart Little</i> by E.B. White</li></ul>
]]></description>
      <pubDate>Wed, 18 Aug 2021 12:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>This week Marlon & Jake discuss memorable characters from books by dead authors—who they love, who they despise and everything in between. What exactly makes a character great?  Who would they invite to their literary dinner party and why?  From Elmore Leonard’s Raylan to Louisa May Alcott’s Jo March, Lady Macbeth to Auntie Mame—tune in to hear which fictional personalities would get a seat at the table, who would be banished forever, and who Marlon and Jake would simply ignore. </p><ul><li><i>David Copperfield </i>by Charles Dickens</li><li><i>Wuthering Heights</i> by Emily Brontë</li><li><i>Oliver Twist </i>by Charles Dickens</li><li><i>The Importance of Being Earnest </i>by Oscar Wilde</li><li><i>Little Dorrit</i> by Charles Dickens</li><li><i>Crime and Punishment</i> by Fyodor Dostoevsky</li><li><i>The Talented Mr. Ripley</i> by Patricia Highsmith</li><li><i>Anna Karenina</i> by Leo Tolstoy</li><li><i>One Hundred Years of Solitude </i>by Gabriel García Márquez</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>Bleak House</i> by Charles Dickens</li><li><i>The Girl with the Dragon Tattoo</i> by Stieg Larsson</li><li><i>Pronto</i> by Elmore Leonard</li><li><i>Little Women</i> by Louisa May Alcott</li><li><i>Sula</i> by Toni Morrison</li><li><i>Love in the Time of Cholera</i> by Gabriel García Márquez</li><li>The Parker novels by Richard Stark</li><li><i>Macbeth</i> by William Shakespeare</li><li><i>The Divine Comedy</i> (Inferno, Purgatorio, Paradiso) by Dante Alighieri</li><li><i>The Merchant of Venice</i> by William Shakespeare</li><li><i>Auntie Mame</i> by Patrick Dennis</li><li><i>Tinker Tailor Soldier Spy</i> by John le Carré</li><li>The Palliser novels by Anthony Trollope</li><li><i>Hamlet</i> by William Shakespeare</li><li><i>King Lear</i> by William Shakespeare</li><li><i>The Hunchback of Notre-Dame</i> by Victor Hugo</li><li><i>Moby-Dick</i> by Herman Melville</li><li><i>The Great Gatsby </i>by F. Scott Fitzgerald</li><li><i>Pride and Prejudice</i> by Jane Austen</li><li><i>Jane Eyre</i> by Charlotte Brontë</li><li><i>A Tale of Two Cities</i> by Charles Dickens</li><li><i>Great Expectations</i> by Charles Dickens</li><li><i>The House of Mirth</i> by Edith Wharton</li><li><i>Madame Bovary </i>by Gustave Flaubert</li><li><i>Lolita</i> by Vladimir Nabokov</li><li><i>The Count of Monte Cristo</i> by Alexandre Dumas</li><li><i>The Chronicles of Narnia</i> by C. S. Lewis</li><li><i>Charlotte’s Web </i>by E. B. White</li><li><i>The Wonderful Wizard of Oz </i>by L. Frank Baum</li><li><i>Stuart Little</i> by E.B. White</li></ul>
]]></content:encoded>
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      <itunes:title>Our Favorite Characters</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:45:34</itunes:duration>
      <itunes:summary>This week Marlon &amp; Jake discuss memorable characters from books by dead authors—who they love, who they despise and everything in between. What exactly makes a character great?  Who would they invite to their literary dinner party and why?  From Elmore Leonard’s Raylan to Louisa May Alcott’s Jo March, Lady Macbeth to Auntie Mame—tune in to hear which fictional personalities would get a seat at the table, who would be banished forever, and who Marlon and Jake would simply ignore. </itunes:summary>
      <itunes:subtitle>This week Marlon &amp; Jake discuss memorable characters from books by dead authors—who they love, who they despise and everything in between. What exactly makes a character great?  Who would they invite to their literary dinner party and why?  From Elmore Leonard’s Raylan to Louisa May Alcott’s Jo March, Lady Macbeth to Auntie Mame—tune in to hear which fictional personalities would get a seat at the table, who would be banished forever, and who Marlon and Jake would simply ignore. </itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
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      <guid isPermaLink="false">7587a056-858d-4fe8-b82c-4c5cdffc9dc9</guid>
      <title>Literary Grudge Match</title>
      <description><![CDATA[<p>Marlon and Jake take on literary giants in a grudge match for the ages. This time it's Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they're talking about racism or Edith Wharton's snobbery, colonialism or Hugh Grant's hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you've definitely never come across before.</p><p><strong>Select titles mentioned in this episode:</strong></p><p><i>The Palliser</i> Novels by Anthony Trollope<br /><i>The Warden</i> by Anthony Trollope<br /><i>A Tale of Two Cities </i>by Charles Dickens<br /><i>Bleak House </i>by Charles Dickens<br /><i>Great Expectations</i> by Charles Dickens<br /><i>Little Dorrit </i>by Charles Dickens<br /><i>The Old Curiosity Shop </i>by Charles Dickens<br /><i>David Copperfield</i> by Charles Dickens<br /><i>Little Women</i> by Louisa May Alcott<br /><i>Little House on the Prairie</i> by Laura Ingalls Wilder<br /><i>Lorna Doone</i> by R. D. Blackmore<br /><i>Oliver Twist</i> by Charles Dickens<br /><i>Maurice</i> by E. M. Forster<br /><i>Stuart Little </i>by E.B. White<br /><i>The Grapes of Wrath</i> by John Steinbeck<br /><i>East of Eden </i>by John Steinbeck<br /><i>Travels with Charley</i> by John Steinbeck<br /><i>The Great Gatsby</i> by F. Scott Fitzgerald<br /><i>Nick Adams Stories</i> by Ernest Hemingway<br /><i>The Short Stories of Ernest Hemingway</i> by Ernest Hemingway<br /><i>Invisible Cities </i>by Italo Calvino</p>
]]></description>
      <pubDate>Wed, 11 Aug 2021 12:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon and Jake take on literary giants in a grudge match for the ages. This time it's Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they're talking about racism or Edith Wharton's snobbery, colonialism or Hugh Grant's hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you've definitely never come across before.</p><p><strong>Select titles mentioned in this episode:</strong></p><p><i>The Palliser</i> Novels by Anthony Trollope<br /><i>The Warden</i> by Anthony Trollope<br /><i>A Tale of Two Cities </i>by Charles Dickens<br /><i>Bleak House </i>by Charles Dickens<br /><i>Great Expectations</i> by Charles Dickens<br /><i>Little Dorrit </i>by Charles Dickens<br /><i>The Old Curiosity Shop </i>by Charles Dickens<br /><i>David Copperfield</i> by Charles Dickens<br /><i>Little Women</i> by Louisa May Alcott<br /><i>Little House on the Prairie</i> by Laura Ingalls Wilder<br /><i>Lorna Doone</i> by R. D. Blackmore<br /><i>Oliver Twist</i> by Charles Dickens<br /><i>Maurice</i> by E. M. Forster<br /><i>Stuart Little </i>by E.B. White<br /><i>The Grapes of Wrath</i> by John Steinbeck<br /><i>East of Eden </i>by John Steinbeck<br /><i>Travels with Charley</i> by John Steinbeck<br /><i>The Great Gatsby</i> by F. Scott Fitzgerald<br /><i>Nick Adams Stories</i> by Ernest Hemingway<br /><i>The Short Stories of Ernest Hemingway</i> by Ernest Hemingway<br /><i>Invisible Cities </i>by Italo Calvino</p>
]]></content:encoded>
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      <itunes:title>Literary Grudge Match</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:44:46</itunes:duration>
      <itunes:summary>Marlon and Jake take on literary giants in a grudge match for the ages. This time it&apos;s Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they&apos;re talking about racism or Edith Wharton&apos;s snobbery, colonialism or Hugh Grant&apos;s hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you&apos;ve definitely never come across before.</itunes:summary>
      <itunes:subtitle>Marlon and Jake take on literary giants in a grudge match for the ages. This time it&apos;s Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they&apos;re talking about racism or Edith Wharton&apos;s snobbery, colonialism or Hugh Grant&apos;s hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you&apos;ve definitely never come across before.</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
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    <item>
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      <title>Books We Wish We had Written</title>
      <description><![CDATA[<p>Literary speculation abounds as Marlon and Jake reveal which books they wish they had written and<strong> </strong>which they think would have been better if they’d been written by someone completely different. Listen in as they explore the questions you never knew you needed answers to. Would <i>The Confessions of Nat Turner</i> have been better if Zora Neale Hurston had written it? Who could have written a funnier <i>Ulysses</i>? Were members of the Bloomsbury Group actually total bores? And perhaps most important: Does Marlon’s mom still have his Tom Jones fan-fiction and if so, how much is Jake willing to pay for it? Tune in for all this and more, including a lively discussion about plays that are as enjoyable to read as they are to see on stage. (And spoiler: Jake is not a fan of <i>A Midsummer Night’s Dream.</i>)</p><p><strong>Select title discussed</strong>:</p><ul><li><i>Tom Jones</i> by Henry Fielding </li><li><i>Dubliners</i> by James Joyce</li><li><i>Tai-Pan </i>by James Clavell</li><li><i>Wide Sargasso Sea</i> by Jean Rhys</li><li><i>Before Night Falls</i> by Reinaldo Arenas</li><li><i>The Quiet American</i> by Graham Greene</li><li><i>A Bend in the River</i> by V.S. Naipaul</li><li><i>Airships</i> by Barry Hannah </li><li><i>Joseph Andrew</i>s by Henry fielding</li><li><i>Pamela</i> by Samuel Richardson</li><li><i>The Luck of Barry Lyndon</i> by William Makepeace Thackeray</li><li><i>Shōgun</i> by James Clavell </li><li><i>Trent's Last Case</i> by E. C. Bentley</li><li><i>The Moonstone</i> by Wilkie Collins </li><li><i>The Woman in White</i> by Wilkie Collins </li><li><i>Middlemarch</i> by George Eliot</li><li><i>A Tale of Two Cities </i>by Charles Dickens</li><li><i>The Obscene Bird of Night</i> by José Donoso</li><li><i>The Confessions of Nat Turner </i>by William Styron </li><li><i>Barracoon</i> by Zora Neale Hurston</li><li><i>Terrorist </i>by John Updike</li><li><i>Jane Eyre </i>by Charlotte Brontë</li><li><i>A Room of One’s Own </i>by Virginia Woolf </li><li><i>Ulysses</i> by James Joyce </li><li><i>Angela’s Ashes</i> by Frank McCourt </li><li><i>Orlando</i> by Virginia Woolf</li><li><i>Mrs. Dalloway</i> by Virginia Woolf</li><li><i>The Importance of Being Earnest</i> by Oscar Wilde </li><li><i>The Edwardians</i> by Vita Sackville-West</li><li><i>The Age of Innocence</i> by Edith Wharton</li><li><i>House of Mirth </i>by Edith Wharton</li><li><i>Highland Fling</i> by Nancy Mitford</li><li><i>Heart of Darkness</i> by Joseph Conrad</li><li><i>Don Quixote </i>by Miguel de Cervantes</li><li><i>The Merchant of Venice</i> by William Shakespeare </li><li><i>The Two Gentleman of Verona</i> by William Shakespeare</li><li><i>A Midsummer Night’s Dream</i> by William Shakespeare</li><li><i>As You Like It by </i>William Shakespeare</li><li><i>Romeo and Juliet </i>by William Shakespeare</li><li><i>An Ideal Husband</i> by Oscar Wilde</li><li><i>His Girl Friday</i> by Charles Lederer (screenplay), adapted from <i>The Front Page</i> by Ben Hecht and Charles MacArthur (play)</li><li><i>Sleuth </i>by Anthony Shaffer </li><li><i>Amadeus</i> by Peter Shaffer </li><li><i>Endgame </i>by Samuel Beckett</li></ul><p> </p>
]]></description>
      <pubDate>Wed, 4 Aug 2021 13:26:34 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Literary speculation abounds as Marlon and Jake reveal which books they wish they had written and<strong> </strong>which they think would have been better if they’d been written by someone completely different. Listen in as they explore the questions you never knew you needed answers to. Would <i>The Confessions of Nat Turner</i> have been better if Zora Neale Hurston had written it? Who could have written a funnier <i>Ulysses</i>? Were members of the Bloomsbury Group actually total bores? And perhaps most important: Does Marlon’s mom still have his Tom Jones fan-fiction and if so, how much is Jake willing to pay for it? Tune in for all this and more, including a lively discussion about plays that are as enjoyable to read as they are to see on stage. (And spoiler: Jake is not a fan of <i>A Midsummer Night’s Dream.</i>)</p><p><strong>Select title discussed</strong>:</p><ul><li><i>Tom Jones</i> by Henry Fielding </li><li><i>Dubliners</i> by James Joyce</li><li><i>Tai-Pan </i>by James Clavell</li><li><i>Wide Sargasso Sea</i> by Jean Rhys</li><li><i>Before Night Falls</i> by Reinaldo Arenas</li><li><i>The Quiet American</i> by Graham Greene</li><li><i>A Bend in the River</i> by V.S. Naipaul</li><li><i>Airships</i> by Barry Hannah </li><li><i>Joseph Andrew</i>s by Henry fielding</li><li><i>Pamela</i> by Samuel Richardson</li><li><i>The Luck of Barry Lyndon</i> by William Makepeace Thackeray</li><li><i>Shōgun</i> by James Clavell </li><li><i>Trent's Last Case</i> by E. C. Bentley</li><li><i>The Moonstone</i> by Wilkie Collins </li><li><i>The Woman in White</i> by Wilkie Collins </li><li><i>Middlemarch</i> by George Eliot</li><li><i>A Tale of Two Cities </i>by Charles Dickens</li><li><i>The Obscene Bird of Night</i> by José Donoso</li><li><i>The Confessions of Nat Turner </i>by William Styron </li><li><i>Barracoon</i> by Zora Neale Hurston</li><li><i>Terrorist </i>by John Updike</li><li><i>Jane Eyre </i>by Charlotte Brontë</li><li><i>A Room of One’s Own </i>by Virginia Woolf </li><li><i>Ulysses</i> by James Joyce </li><li><i>Angela’s Ashes</i> by Frank McCourt </li><li><i>Orlando</i> by Virginia Woolf</li><li><i>Mrs. Dalloway</i> by Virginia Woolf</li><li><i>The Importance of Being Earnest</i> by Oscar Wilde </li><li><i>The Edwardians</i> by Vita Sackville-West</li><li><i>The Age of Innocence</i> by Edith Wharton</li><li><i>House of Mirth </i>by Edith Wharton</li><li><i>Highland Fling</i> by Nancy Mitford</li><li><i>Heart of Darkness</i> by Joseph Conrad</li><li><i>Don Quixote </i>by Miguel de Cervantes</li><li><i>The Merchant of Venice</i> by William Shakespeare </li><li><i>The Two Gentleman of Verona</i> by William Shakespeare</li><li><i>A Midsummer Night’s Dream</i> by William Shakespeare</li><li><i>As You Like It by </i>William Shakespeare</li><li><i>Romeo and Juliet </i>by William Shakespeare</li><li><i>An Ideal Husband</i> by Oscar Wilde</li><li><i>His Girl Friday</i> by Charles Lederer (screenplay), adapted from <i>The Front Page</i> by Ben Hecht and Charles MacArthur (play)</li><li><i>Sleuth </i>by Anthony Shaffer </li><li><i>Amadeus</i> by Peter Shaffer </li><li><i>Endgame </i>by Samuel Beckett</li></ul><p> </p>
]]></content:encoded>
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      <itunes:title>Books We Wish We had Written</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:56:34</itunes:duration>
      <itunes:summary>Literary speculation abounds as Marlon and Jake reveal which books they wish they had written and which they think would have been better if they’d been written by someone completely different. Listen in as they explore the questions you never knew you needed answers to. Would The Confessions of Nat Turner have been better if Zora Neale Hurston had written it? Who could have written a funnier Ulysses? Were members of the Bloomsbury Group actually total bores? And perhaps most important: Does Marlon’s mom still have his Tom Jones fan-fiction and if so, how much is Jake willing to pay for it? Tune in for all this and more, including a lively discussion about plays that are as enjoyable to read as they are to see on stage. (And spoiler: Jake is not a fan of A Midsummer Night’s Dream.)</itunes:summary>
      <itunes:subtitle>Literary speculation abounds as Marlon and Jake reveal which books they wish they had written and which they think would have been better if they’d been written by someone completely different. Listen in as they explore the questions you never knew you needed answers to. Would The Confessions of Nat Turner have been better if Zora Neale Hurston had written it? Who could have written a funnier Ulysses? Were members of the Bloomsbury Group actually total bores? And perhaps most important: Does Marlon’s mom still have his Tom Jones fan-fiction and if so, how much is Jake willing to pay for it? Tune in for all this and more, including a lively discussion about plays that are as enjoyable to read as they are to see on stage. (And spoiler: Jake is not a fan of A Midsummer Night’s Dream.)</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">fdcc342a-968a-41e4-8455-2f4065e6ec30</guid>
      <title>Gateway Books</title>
      <description><![CDATA[<p>Marlon and Jake share their "gateway" books by dead authors, the first books they read that that turned them on—or off—the rest of an author's work. From John Steinbeck to Dorothy Parker, Umberto Eco to Norman Mailer, Ayn Rand to Carson McCullers, Marlon and Jake don't hold back in discussing the imprints, footprints, and thumbprints these books left on them. They also ponder the long-lasting consequences of the high school lit class, whether a gateway book can be assigned, and the enduring power of dullness in a novel, no matter the century.  Listen for this and more, including what Marlon and Jake think of The Salt Eaters by Toni Cade Bambara, edited by one Toni Morrison.  </p><ul><li><i>The Pearl </i>by John Steinbeck</li><li><i>The Red Pony </i>by John Steinbeck</li><li><i>Cannery Row </i>by John Steinbeck</li><li><i>East of Eden</i> by John Steinbeck</li><li><i>Grapes of Wrath </i>by John Steinbeck</li><li><i>Ethan Frome</i> by Edith Wharton</li><li><i>The Old Man and the Sea </i>by Ernest Hemingway</li><li><i>The Little Prince</i> by Antoine de Saint-Exupéry</li><li><i>Mrs. Caliban</i> by Rachel Ingalls</li><li><i>The Ballad of the Sad Café </i>by Carson McCullers</li><li><i>Sula</i> by Toni Morrison</li><li><i>For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf</i> by Ntozake Shange</li><li><i>Night of January 16th </i>by Ayn Rand</li><li><i>The Fountainhead</i> Ayn Rand</li><li><i>Atlas Shrugged </i>by Ayn Rand</li><li><i>A Wizard of Earthsea</i> by Ursula K. Le Guin</li><li><i>The Dispossessed </i>by Ursula K. Le Guin</li><li><i>One Hundred Years of Solitude </i>by Gabriel García Márquez</li><li><i>Chronicle of a Death Foretold</i> by Gabriel García Márquez</li><li><i>News of a Kidnapping</i> by Gabriel García Márquez</li><li><i>Love in the Time of Cholera</i> by Gabriel García Márquez</li><li><i>The Autumn of the Patriarch</i> by Gabriel García Márquez</li><li><i>Enough Rope</i> by Dorothy Parker</li><li>The collected poetry of Dorothy Parker</li><li><i>The Name of the Rose</i> by Umberto Eco</li><li><i>Foucault’s Pendulum </i>by Umberto Eco</li><li><i>The Island of the Day Before</i> by Umberto Eco</li><li><i>In the hand of Dante</i> by Nicholas Tosches</li><li><i>Ancient Evenings</i> by Norman Mailer</li><li><i>Lady Chatterley's Lover</i> by D. H. Lawrence</li><li><i>Miami and the Siege of Chicago</i> by Norman Mailer</li><li><i>Harlot’s Ghost</i> by Norman Mailer</li><li><i>An American Dream</i> by Norman Mailer</li><li><i>Why Are We In Vietnam? </i>by Norman Mailer</li><li><i>The Executioner’s Song </i>by Norman Mailer</li><li><i>Look Back in Anger</i> by John Osborne</li><li><i>Loot</i> by Joe Orton</li><li><i>What the Butler Saw </i>by joe Orton</li><li><i>Saturday Night and Sunday Morning</i> by Alan Sillitoe</li><li><i>"The Loneliness of the Long Distance Runner" </i>by Alan Sillitoe</li><li><i>Anna Karenina</i> by Leo Tolstoy</li><li><i>Jude the Obscure </i>by Thomas Hardy</li><li><i>Tess of the d'Urbervilles</i> by Thomas hardy</li><li><i>The Return of the Native</i> by Thomas hardy</li><li><i>Already Dead </i>by Denis Johnson</li><li><i>The Salt Eaters </i>by Toni Cade Bambara</li><li><i>The Lesson </i>by Toni Cade Bambara</li><li><i>Gorilla, My Love</i> by Toni Cade Bambara</li></ul>
]]></description>
      <pubDate>Wed, 28 Jul 2021 14:29:26 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Maron James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon and Jake share their "gateway" books by dead authors, the first books they read that that turned them on—or off—the rest of an author's work. From John Steinbeck to Dorothy Parker, Umberto Eco to Norman Mailer, Ayn Rand to Carson McCullers, Marlon and Jake don't hold back in discussing the imprints, footprints, and thumbprints these books left on them. They also ponder the long-lasting consequences of the high school lit class, whether a gateway book can be assigned, and the enduring power of dullness in a novel, no matter the century.  Listen for this and more, including what Marlon and Jake think of The Salt Eaters by Toni Cade Bambara, edited by one Toni Morrison.  </p><ul><li><i>The Pearl </i>by John Steinbeck</li><li><i>The Red Pony </i>by John Steinbeck</li><li><i>Cannery Row </i>by John Steinbeck</li><li><i>East of Eden</i> by John Steinbeck</li><li><i>Grapes of Wrath </i>by John Steinbeck</li><li><i>Ethan Frome</i> by Edith Wharton</li><li><i>The Old Man and the Sea </i>by Ernest Hemingway</li><li><i>The Little Prince</i> by Antoine de Saint-Exupéry</li><li><i>Mrs. Caliban</i> by Rachel Ingalls</li><li><i>The Ballad of the Sad Café </i>by Carson McCullers</li><li><i>Sula</i> by Toni Morrison</li><li><i>For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf</i> by Ntozake Shange</li><li><i>Night of January 16th </i>by Ayn Rand</li><li><i>The Fountainhead</i> Ayn Rand</li><li><i>Atlas Shrugged </i>by Ayn Rand</li><li><i>A Wizard of Earthsea</i> by Ursula K. Le Guin</li><li><i>The Dispossessed </i>by Ursula K. Le Guin</li><li><i>One Hundred Years of Solitude </i>by Gabriel García Márquez</li><li><i>Chronicle of a Death Foretold</i> by Gabriel García Márquez</li><li><i>News of a Kidnapping</i> by Gabriel García Márquez</li><li><i>Love in the Time of Cholera</i> by Gabriel García Márquez</li><li><i>The Autumn of the Patriarch</i> by Gabriel García Márquez</li><li><i>Enough Rope</i> by Dorothy Parker</li><li>The collected poetry of Dorothy Parker</li><li><i>The Name of the Rose</i> by Umberto Eco</li><li><i>Foucault’s Pendulum </i>by Umberto Eco</li><li><i>The Island of the Day Before</i> by Umberto Eco</li><li><i>In the hand of Dante</i> by Nicholas Tosches</li><li><i>Ancient Evenings</i> by Norman Mailer</li><li><i>Lady Chatterley's Lover</i> by D. H. Lawrence</li><li><i>Miami and the Siege of Chicago</i> by Norman Mailer</li><li><i>Harlot’s Ghost</i> by Norman Mailer</li><li><i>An American Dream</i> by Norman Mailer</li><li><i>Why Are We In Vietnam? </i>by Norman Mailer</li><li><i>The Executioner’s Song </i>by Norman Mailer</li><li><i>Look Back in Anger</i> by John Osborne</li><li><i>Loot</i> by Joe Orton</li><li><i>What the Butler Saw </i>by joe Orton</li><li><i>Saturday Night and Sunday Morning</i> by Alan Sillitoe</li><li><i>"The Loneliness of the Long Distance Runner" </i>by Alan Sillitoe</li><li><i>Anna Karenina</i> by Leo Tolstoy</li><li><i>Jude the Obscure </i>by Thomas Hardy</li><li><i>Tess of the d'Urbervilles</i> by Thomas hardy</li><li><i>The Return of the Native</i> by Thomas hardy</li><li><i>Already Dead </i>by Denis Johnson</li><li><i>The Salt Eaters </i>by Toni Cade Bambara</li><li><i>The Lesson </i>by Toni Cade Bambara</li><li><i>Gorilla, My Love</i> by Toni Cade Bambara</li></ul>
]]></content:encoded>
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      <itunes:title>Gateway Books</itunes:title>
      <itunes:author>Jake Morrissey, Maron James</itunes:author>
      <itunes:duration>00:49:45</itunes:duration>
      <itunes:summary>Marlon and Jake share their &quot;gateway&quot; books by dead authors, the first books they read that that turned them on—or off—the rest of an author&apos;s work. From John Steinbeck to Dorothy Parker, Umberto Eco to Norman Mailer, Ayn Rand to Carson McCullers, Marlon and Jake don&apos;t hold back in discussing the imprints, footprints, and thumbprints these books left on them. They also ponder the long-lasting consequences of the high school lit class, whether a gateway book can be assigned, and the enduring power of dullness in a novel, no matter the century.  Listen for this and more, including what Marlon and Jake think of The Salt Eaters by Toni Cade Bambara, edited by one Toni Morrison.  
 </itunes:summary>
      <itunes:subtitle>Marlon and Jake share their &quot;gateway&quot; books by dead authors, the first books they read that that turned them on—or off—the rest of an author&apos;s work. From John Steinbeck to Dorothy Parker, Umberto Eco to Norman Mailer, Ayn Rand to Carson McCullers, Marlon and Jake don&apos;t hold back in discussing the imprints, footprints, and thumbprints these books left on them. They also ponder the long-lasting consequences of the high school lit class, whether a gateway book can be assigned, and the enduring power of dullness in a novel, no matter the century.  Listen for this and more, including what Marlon and Jake think of The Salt Eaters by Toni Cade Bambara, edited by one Toni Morrison.  
 </itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
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      <guid isPermaLink="false">c7ba6b35-d853-47c8-b79b-e8727d42c94c</guid>
      <title>Best Last Books</title>
      <description><![CDATA[<p>In this episode Marlon and Jake ponder the tricky question of the last books by authors who’ve … um … left this mortal coil. Which last books are actually worth reading? (Not many, it turns out.) From Roberto Bolaño to Penelope Fitzgerald, Sylvia Plath to Eudora Welty, Marlon and Jake discuss how an author's last book compares to their previous ones, how success and age changed how and what they wrote, and the wistfulness that comes when some last books are actually good and you wonder what the authors might have written next, if, you know, they hadn't died. Tune in for this and more, including Marlon and Jake’s surprising thoughts on James Thurber's humorous memoir, <i>My Life and Hard Times</i>.</p><p><strong>Select titles discussed:</strong></p><ul><li><i>Maurice</i> by E. M. Forster</li><li><i>Go Set a Watchman</i> by Harper Lee</li><li><i>To Kill a Mockingbird</i> by Harper Lee</li><li><i>Northanger Abbey</i> by Jane Austen</li><li><i>Pride and Prejudice</i> by Jane Austen</li><li><i>We Have Always Lived in the Castle</i> by Shirley Jackson</li><li><i>Wide Sargasso Sea</i> by Jean Rhys</li><li><i>The Blue Flower</i> by Penelope Fitzgerald</li><li><i>Lolita</i> by Vladimir Nabokov</li><li><i>The Savage Detectives</i> by Roberto Bolaño</li><li><i>2666</i> by Roberto Bolaño</li><li><i>Exercises in Style</i> by Raymond Queneau</li><li><i>A Room with a View</i> by E. M. Forster</li><li><i>Passage to India</i> by E. M. Forster</li><li><i>Something Happened</i> by Joseph Heller</li><li><i>The Bell Jar</i> by Sylvia Plath</li><li><i>After Leaving Mr. Mackenzie</i> by Jean Rhys</li><li><i>One Writer’s Beginnings</i> by Eudora Welty</li><li><i>The Robber Bridegroom</i> by Eudora Welty</li><li><i>The Optimist’s Daughter</i> by Eudora Welty</li><li><i>“Where is the Voice Coming From?”</i> by Eudora Welty</li><li><i>My Life and Hard Times</i> by James Thurber</li><li><i>Typee</i> by Herman Melville</li><li><i>War and Peace</i> by Leo Tolstoy</li><li><i>Uncle Tom’s Cabin</i> by Harriet Beecher Stowe</li><li><i>The Adventures of Huckleberry Finn</i> by Mark Twain</li><li><i>The Adventures of Tom Sawyer</i> by Mark Twain</li><li><i>Wuthering Heights</i> by Emily Brontë</li><li><i>The Salt Eaters</i> by Toni Cade Bambara</li></ul>
]]></description>
      <pubDate>Wed, 21 Jul 2021 12:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>In this episode Marlon and Jake ponder the tricky question of the last books by authors who’ve … um … left this mortal coil. Which last books are actually worth reading? (Not many, it turns out.) From Roberto Bolaño to Penelope Fitzgerald, Sylvia Plath to Eudora Welty, Marlon and Jake discuss how an author's last book compares to their previous ones, how success and age changed how and what they wrote, and the wistfulness that comes when some last books are actually good and you wonder what the authors might have written next, if, you know, they hadn't died. Tune in for this and more, including Marlon and Jake’s surprising thoughts on James Thurber's humorous memoir, <i>My Life and Hard Times</i>.</p><p><strong>Select titles discussed:</strong></p><ul><li><i>Maurice</i> by E. M. Forster</li><li><i>Go Set a Watchman</i> by Harper Lee</li><li><i>To Kill a Mockingbird</i> by Harper Lee</li><li><i>Northanger Abbey</i> by Jane Austen</li><li><i>Pride and Prejudice</i> by Jane Austen</li><li><i>We Have Always Lived in the Castle</i> by Shirley Jackson</li><li><i>Wide Sargasso Sea</i> by Jean Rhys</li><li><i>The Blue Flower</i> by Penelope Fitzgerald</li><li><i>Lolita</i> by Vladimir Nabokov</li><li><i>The Savage Detectives</i> by Roberto Bolaño</li><li><i>2666</i> by Roberto Bolaño</li><li><i>Exercises in Style</i> by Raymond Queneau</li><li><i>A Room with a View</i> by E. M. Forster</li><li><i>Passage to India</i> by E. M. Forster</li><li><i>Something Happened</i> by Joseph Heller</li><li><i>The Bell Jar</i> by Sylvia Plath</li><li><i>After Leaving Mr. Mackenzie</i> by Jean Rhys</li><li><i>One Writer’s Beginnings</i> by Eudora Welty</li><li><i>The Robber Bridegroom</i> by Eudora Welty</li><li><i>The Optimist’s Daughter</i> by Eudora Welty</li><li><i>“Where is the Voice Coming From?”</i> by Eudora Welty</li><li><i>My Life and Hard Times</i> by James Thurber</li><li><i>Typee</i> by Herman Melville</li><li><i>War and Peace</i> by Leo Tolstoy</li><li><i>Uncle Tom’s Cabin</i> by Harriet Beecher Stowe</li><li><i>The Adventures of Huckleberry Finn</i> by Mark Twain</li><li><i>The Adventures of Tom Sawyer</i> by Mark Twain</li><li><i>Wuthering Heights</i> by Emily Brontë</li><li><i>The Salt Eaters</i> by Toni Cade Bambara</li></ul>
]]></content:encoded>
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      <itunes:title>Best Last Books</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:45:28</itunes:duration>
      <itunes:summary>In this episode Marlon and Jake ponder the tricky question of the last books by authors who’ve … um … left this mortal coil. Which last books are actually worth reading? (Not many, it turns out.) From Roberto Bolaño to Penelope Fitzgerald, Sylvia Plath to Eudora Welty, Marlon and Jake discuss how an author&apos;s last book compares to their previous ones, how success and age changed how and what they wrote, and the wistfulness that comes when some last books are actually good and you wonder what the authors might have written next, if, you know, they hadn&apos;t died. Tune in for this and more, including Marlon and Jake’s surprising thoughts on James Thurber&apos;s humorous memoir, My Life and Hard Times.</itunes:summary>
      <itunes:subtitle>In this episode Marlon and Jake ponder the tricky question of the last books by authors who’ve … um … left this mortal coil. Which last books are actually worth reading? (Not many, it turns out.) From Roberto Bolaño to Penelope Fitzgerald, Sylvia Plath to Eudora Welty, Marlon and Jake discuss how an author&apos;s last book compares to their previous ones, how success and age changed how and what they wrote, and the wistfulness that comes when some last books are actually good and you wonder what the authors might have written next, if, you know, they hadn&apos;t died. Tune in for this and more, including Marlon and Jake’s surprising thoughts on James Thurber&apos;s humorous memoir, My Life and Hard Times.</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
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      <title>Our Second Favorite Books by Dead Authors</title>
      <description><![CDATA[<p>We've heard them rave about their favorites and rant about their least favorites, but Marlon and Jake reveal in this episode their second favorite books by dead authors: the books they love that are the runners-up to the #1 spots in their hearts. From Amos Tutuola to Gabriel García Márquez to John le Carré and more, Marlon and Jake explore why one's favorite book by an author might not always be their best book, what separates an intellectual vs. an emotional response to a book, and the importance of being a promiscuous reader. (That’s right, <i>promiscuous</i>.) And what is the next book by a dead author Marlon and Jake will be reading together for the first time? Tune in to find out!</p><p><strong>Select Titles Discussed:</strong></p><ul><li><i>Hamlet</i> by William Shakespeare</li><li><i>Macbeth</i> by William Shakespeare</li><li><i>A House for Mr. Biswas</i> by V.S. Naipaul</li><li><i>Darkness Visible </i>by William Golding</li><li><i>Lord of the Flies</i> by William Golding</li><li><i>Shardik</i> by Richard Adams</li><li><i>Watership Down</i> by Richard Adams</li><li><i>The Palm-Wine Drinkard </i>by Amos Tutuola</li><li><i>My Life in the Bush of Ghosts</i> by Amos Tutuola</li><li><i>One Hundred Years of Solitude</i> by Gabriel García Márquez</li><li><i>Love in the Time of Cholera</i> by Gabriel García Márquez</li><li><i>Under the Volcano</i> by Malcolm Lowry</li><li><i>Shōgun</i> by James Clavell</li><li><i>Airpor</i>t by Arthur Hailey</li><li><i>The Moneychangers </i>by Arthur Hailey</li><li><i>The Spy Who Came In From the Cold </i>by John le Carré</li><li><i>Tinker Tailor Soldier Spy</i> by John le Carré</li><li><i>The Honorable Schoolboy</i> by John le Carré</li><li><i>Smiley’s People</i> by John le Carré</li><li><i>A Perfect Spy</i> by John le Carré</li><li><i>Persuasion</i> by Jane Austen</li><li><i>Pride and Prejudice</i> by Jane Austen</li><li><i>Sula</i> by Toni Morrison</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>Pnin</i> by Vladimir Nabokov</li><li><i>The House of the Seven Gables</i> by Nathaniel Hawthorne</li><li><i>The Scarlet Letter</i> by Nathaniel Hawthorne</li><li><i>Middlemarch</i> by George Eliot</li><li><i>Tom Jones</i> by Henry Fielding</li><li><i>Great Expectations</i> by Charles Dickens</li><li><i>Bleak House</i> by Charles Dickens</li><li><i>Barchester Towers</i> by Anthony Trollope</li><li><i>Gone with the Wind</i> by Margaret Mitchell</li><li><i>Blood on the Forge</i> by William Attaway</li><li><i>My Life and Hard Times</i> by James Thurber</li></ul>
]]></description>
      <pubDate>Wed, 14 Jul 2021 12:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>We've heard them rave about their favorites and rant about their least favorites, but Marlon and Jake reveal in this episode their second favorite books by dead authors: the books they love that are the runners-up to the #1 spots in their hearts. From Amos Tutuola to Gabriel García Márquez to John le Carré and more, Marlon and Jake explore why one's favorite book by an author might not always be their best book, what separates an intellectual vs. an emotional response to a book, and the importance of being a promiscuous reader. (That’s right, <i>promiscuous</i>.) And what is the next book by a dead author Marlon and Jake will be reading together for the first time? Tune in to find out!</p><p><strong>Select Titles Discussed:</strong></p><ul><li><i>Hamlet</i> by William Shakespeare</li><li><i>Macbeth</i> by William Shakespeare</li><li><i>A House for Mr. Biswas</i> by V.S. Naipaul</li><li><i>Darkness Visible </i>by William Golding</li><li><i>Lord of the Flies</i> by William Golding</li><li><i>Shardik</i> by Richard Adams</li><li><i>Watership Down</i> by Richard Adams</li><li><i>The Palm-Wine Drinkard </i>by Amos Tutuola</li><li><i>My Life in the Bush of Ghosts</i> by Amos Tutuola</li><li><i>One Hundred Years of Solitude</i> by Gabriel García Márquez</li><li><i>Love in the Time of Cholera</i> by Gabriel García Márquez</li><li><i>Under the Volcano</i> by Malcolm Lowry</li><li><i>Shōgun</i> by James Clavell</li><li><i>Airpor</i>t by Arthur Hailey</li><li><i>The Moneychangers </i>by Arthur Hailey</li><li><i>The Spy Who Came In From the Cold </i>by John le Carré</li><li><i>Tinker Tailor Soldier Spy</i> by John le Carré</li><li><i>The Honorable Schoolboy</i> by John le Carré</li><li><i>Smiley’s People</i> by John le Carré</li><li><i>A Perfect Spy</i> by John le Carré</li><li><i>Persuasion</i> by Jane Austen</li><li><i>Pride and Prejudice</i> by Jane Austen</li><li><i>Sula</i> by Toni Morrison</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>Pnin</i> by Vladimir Nabokov</li><li><i>The House of the Seven Gables</i> by Nathaniel Hawthorne</li><li><i>The Scarlet Letter</i> by Nathaniel Hawthorne</li><li><i>Middlemarch</i> by George Eliot</li><li><i>Tom Jones</i> by Henry Fielding</li><li><i>Great Expectations</i> by Charles Dickens</li><li><i>Bleak House</i> by Charles Dickens</li><li><i>Barchester Towers</i> by Anthony Trollope</li><li><i>Gone with the Wind</i> by Margaret Mitchell</li><li><i>Blood on the Forge</i> by William Attaway</li><li><i>My Life and Hard Times</i> by James Thurber</li></ul>
]]></content:encoded>
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      <itunes:title>Our Second Favorite Books by Dead Authors</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:44:31</itunes:duration>
      <itunes:summary>We&apos;ve heard them rave about their favorites and rant about their least favorites, but Marlon and Jake reveal in this episode their second favorite books by dead authors: the books they love that are the runners-up to the #1 spots in their hearts. From Amos Tutuola to Gabriel García Márquez to John le Carré and more, Marlon and Jake explore why one&apos;s favorite book by an author might not always be their best book, what separates an intellectual vs. an emotional response to a book, and the importance of being a promiscuous reader. (That’s right, promiscuous.) And what is the next book by a dead author Marlon and Jake will be reading together for the first time? Tune in to find out!</itunes:summary>
      <itunes:subtitle>We&apos;ve heard them rave about their favorites and rant about their least favorites, but Marlon and Jake reveal in this episode their second favorite books by dead authors: the books they love that are the runners-up to the #1 spots in their hearts. From Amos Tutuola to Gabriel García Márquez to John le Carré and more, Marlon and Jake explore why one&apos;s favorite book by an author might not always be their best book, what separates an intellectual vs. an emotional response to a book, and the importance of being a promiscuous reader. (That’s right, promiscuous.) And what is the next book by a dead author Marlon and Jake will be reading together for the first time? Tune in to find out!</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
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      <title>Good Books By Terrible People</title>
      <description><![CDATA[<p>Marlon & Jake weigh in on the age-old “artist versus art” debate, as they examine good books by problematic dead authors, as well as the bad and sometimes problematic books by great dead authors.  From Flannery O’Conner to Roald Dahl,  Vladimir Nabokov to the surprisingly challenging Charles Dickens, Marlon & Jake explore the thorny questions surrounding the books worth fighting for and the ones worth fighting over. How exactly do we define terrible books?  Is there a statute of limitations on being offensive? Can we enjoy a book at the same time that we recognize its failures?  Do people and ideas ever evolve beyond books?  And what does it mean to have the freedom to choose what to read? Tune in for a provocative, nuanced conversation that might just make you rethink, revisit, or totally let go when it comes to your own reading of dead authors.</p><p>Selected works discussed</p><ul><li><i>Charlie and the Chocolate Factory</i> by Roald Dahl</li><li><i>Gone with the Wind</i> by Margaret Mitchell</li><li><i>Everything that Rises Must Converge</i> by Flannery O’Connor</li><li><i>Heart of Darkness</i> by Joseph Conrad</li><li><i>Bear and His Daughter</i> by Robert Stone</li><li><i>The Breast </i>by Philip Roth</li><li><i>I Am Charlotte Simmons</i> by Tom Wolfe</li><li>Lolita by Vladimir Nabokov</li><li><i>Pnin </i>by Vladimir Nabokov</li><li><i>Moby Dick</i> by Herman Melville</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>The Adventures of Huckleberry Finn</i> by Mark Twain</li><li><i>The Adventures of Tom Sawyer</i> by Mark Twain</li><li><i>Slapstick</i> by Kurt Vonnegut</li><li><i>Welcome to the Monkey House</i> by Kurt Vonnegut</li><li><i>Slaughterhouse-Five</i> by Kurt Vonnegut</li><li><i>The Mountain Lion</i> by Jean Stafford</li><li><i>The Turner Diaries</i> by William Luther Pierce</li><li><i>Tarzan of the Apes </i>by Edgar Rice Burroughs</li><li><i>John Carter of Mars</i> by Edgar Rice Burroughs</li></ul><p>And the writing of:</p><ul><li>Charles Dickens</li><li>Knut Hamsun</li><li>Jack London</li><li>HP Lovecraft</li><li>William S. Burroughs</li><li>Norman Mailer</li><li>Enid Blyton</li></ul>
]]></description>
      <pubDate>Wed, 7 Jul 2021 13:35:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon & Jake weigh in on the age-old “artist versus art” debate, as they examine good books by problematic dead authors, as well as the bad and sometimes problematic books by great dead authors.  From Flannery O’Conner to Roald Dahl,  Vladimir Nabokov to the surprisingly challenging Charles Dickens, Marlon & Jake explore the thorny questions surrounding the books worth fighting for and the ones worth fighting over. How exactly do we define terrible books?  Is there a statute of limitations on being offensive? Can we enjoy a book at the same time that we recognize its failures?  Do people and ideas ever evolve beyond books?  And what does it mean to have the freedom to choose what to read? Tune in for a provocative, nuanced conversation that might just make you rethink, revisit, or totally let go when it comes to your own reading of dead authors.</p><p>Selected works discussed</p><ul><li><i>Charlie and the Chocolate Factory</i> by Roald Dahl</li><li><i>Gone with the Wind</i> by Margaret Mitchell</li><li><i>Everything that Rises Must Converge</i> by Flannery O’Connor</li><li><i>Heart of Darkness</i> by Joseph Conrad</li><li><i>Bear and His Daughter</i> by Robert Stone</li><li><i>The Breast </i>by Philip Roth</li><li><i>I Am Charlotte Simmons</i> by Tom Wolfe</li><li>Lolita by Vladimir Nabokov</li><li><i>Pnin </i>by Vladimir Nabokov</li><li><i>Moby Dick</i> by Herman Melville</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>The Adventures of Huckleberry Finn</i> by Mark Twain</li><li><i>The Adventures of Tom Sawyer</i> by Mark Twain</li><li><i>Slapstick</i> by Kurt Vonnegut</li><li><i>Welcome to the Monkey House</i> by Kurt Vonnegut</li><li><i>Slaughterhouse-Five</i> by Kurt Vonnegut</li><li><i>The Mountain Lion</i> by Jean Stafford</li><li><i>The Turner Diaries</i> by William Luther Pierce</li><li><i>Tarzan of the Apes </i>by Edgar Rice Burroughs</li><li><i>John Carter of Mars</i> by Edgar Rice Burroughs</li></ul><p>And the writing of:</p><ul><li>Charles Dickens</li><li>Knut Hamsun</li><li>Jack London</li><li>HP Lovecraft</li><li>William S. Burroughs</li><li>Norman Mailer</li><li>Enid Blyton</li></ul>
]]></content:encoded>
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      <itunes:title>Good Books By Terrible People</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:41:10</itunes:duration>
      <itunes:summary>Marlon &amp; Jake weigh in on the age-old “artist versus art” debate, as they examine good books by problematic dead authors, as well as the bad and sometimes problematic books by great dead authors.  From Flannery O’Conner to Roald Dahl,  Vladimir Nabokov to the surprisingly challenging Charles Dickens, Marlon &amp; Jake explore the thorny questions surrounding the books worth fighting for and the ones worth fighting over. How exactly do we define terrible books?  Is there a statute of limitations on being offensive? Can we enjoy a book at the same time that we recognize its failures?  Do people and ideas ever evolve beyond books?  And what does it mean to have the freedom to choose what to read? Tune in for a provocative, nuanced conversation that might just make you rethink, revisit, or totally let go when it comes to your own reading of dead authors.
</itunes:summary>
      <itunes:subtitle>Marlon &amp; Jake weigh in on the age-old “artist versus art” debate, as they examine good books by problematic dead authors, as well as the bad and sometimes problematic books by great dead authors.  From Flannery O’Conner to Roald Dahl,  Vladimir Nabokov to the surprisingly challenging Charles Dickens, Marlon &amp; Jake explore the thorny questions surrounding the books worth fighting for and the ones worth fighting over. How exactly do we define terrible books?  Is there a statute of limitations on being offensive? Can we enjoy a book at the same time that we recognize its failures?  Do people and ideas ever evolve beyond books?  And what does it mean to have the freedom to choose what to read? Tune in for a provocative, nuanced conversation that might just make you rethink, revisit, or totally let go when it comes to your own reading of dead authors.
</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
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      <title>Short Novels and Novellas</title>
      <description><![CDATA[<p>Marlon and Jake talk short books they love, syllabus staples to skip (Hemingway die-hards, consider yourselves warned), and their first-ever real-time joint read, Blood on the Forge by William Attaway.  What does Marlon consider the closest thing to a perfect novel?  Tune in to find out!</p><ul><li><i>Sula</i> by Toni Morrison</li><li><i>Wide Sargasso Sea</i> by Jean Rhys</li><li><i>Mrs. Caliban</i> by Rachel Ingalls</li><li><i>Miguel Street </i>by V.S. Naipaul</li><li><i>We Have Always Lived in the Castle</i> by Shirley Jackson</li><li><i>Turn of the Screw</i> by Henry James</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>The Aspern Papers</i> by Henry James</li><li><i>The Ambassadors</i> by Henry James</li><li><i>Passing</i> by Nella Larsen</li><li><i>Invisible Cities</i> by Italo Calvino</li><li><i>If on a winter’s night a traveler</i> by Italo Calvino</li><li><i>Animal Farm</i> by George Orwell</li><li><i>The Old Man and the Sea</i> by Ernest Hemingway</li><li><i>The Quiet American</i> by Graham Greene</li><li><i>The Lover</i> by Marguerite Duras</li><li><i>1984</i> by George Orwell</li><li><i>Blood on the Forge </i>by William Attaway</li></ul>
]]></description>
      <pubDate>Wed, 30 Jun 2021 12:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James, Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon and Jake talk short books they love, syllabus staples to skip (Hemingway die-hards, consider yourselves warned), and their first-ever real-time joint read, Blood on the Forge by William Attaway.  What does Marlon consider the closest thing to a perfect novel?  Tune in to find out!</p><ul><li><i>Sula</i> by Toni Morrison</li><li><i>Wide Sargasso Sea</i> by Jean Rhys</li><li><i>Mrs. Caliban</i> by Rachel Ingalls</li><li><i>Miguel Street </i>by V.S. Naipaul</li><li><i>We Have Always Lived in the Castle</i> by Shirley Jackson</li><li><i>Turn of the Screw</i> by Henry James</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>The Aspern Papers</i> by Henry James</li><li><i>The Ambassadors</i> by Henry James</li><li><i>Passing</i> by Nella Larsen</li><li><i>Invisible Cities</i> by Italo Calvino</li><li><i>If on a winter’s night a traveler</i> by Italo Calvino</li><li><i>Animal Farm</i> by George Orwell</li><li><i>The Old Man and the Sea</i> by Ernest Hemingway</li><li><i>The Quiet American</i> by Graham Greene</li><li><i>The Lover</i> by Marguerite Duras</li><li><i>1984</i> by George Orwell</li><li><i>Blood on the Forge </i>by William Attaway</li></ul>
]]></content:encoded>
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      <itunes:title>Short Novels and Novellas</itunes:title>
      <itunes:author>Marlon James, Jake Morrissey</itunes:author>
      <itunes:duration>00:47:56</itunes:duration>
      <itunes:summary>Marlon and Jake talk short books they love, syllabus staples to skip (Hemingway die-hards, consider yourselves warned), and their first-ever real-time joint read, Blood on the Forge by William Attaway.  What does Marlon consider the closest thing to a perfect novel?  Tune in to find out!</itunes:summary>
      <itunes:subtitle>Marlon and Jake talk short books they love, syllabus staples to skip (Hemingway die-hards, consider yourselves warned), and their first-ever real-time joint read, Blood on the Forge by William Attaway.  What does Marlon consider the closest thing to a perfect novel?  Tune in to find out!</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <itunes:episode>10</itunes:episode>
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      <title>We’re Baaaaack!</title>
      <description><![CDATA[<p>Marlon and Jake reunite to discuss the books that got them through the pandemic, classics they wish they had written, and whether Lord of the Flies needs a sequel. </p><p>Select titles mentioned in this episode:</p><ul><li><i>A Journal of the Plague Year</i> by Daniel Defoe</li><li><i>Beloved</i> by Toni Morrison</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>The Adventures of Sherlock Holmes</i> by Arthur Conan Doyle</li><li><i>Kindred</i> by Octavia E. Butler</li><li><i>Harriet the Spy</i> by Louise Fitzhugh</li><li><i>Giovanni's Room</i> by James Baldwin</li><li><i>Steppenwolf</i> by Herman Hesse</li><li><i>Who's Afraid of Virginia Woolf?</i> by Edward Albee</li><li><i>A Room with a View</i> by E.M. Forster</li><li><i>A Passage to India </i>by E.M. Forster</li><li><i>Maurice</i> by E.M. Forster</li><li><i>Jude the Obscure</i> by Thomas Hardy</li><li><i>The Golden Noteboo</i>k by Doris Lessing</li><li><i>Wise Blood</i> by Flannery O’Connor</li><li><i>Heart of Darkness</i> by Joseph Conrad</li><li><i>Lord of the Flies</i> by William Golding</li><li><i>To Kill a Mockingbird</i> by Harper Lee</li><li><i>Go Set a Watchman</i> by Harper Lee</li><li><i>One Hundred Years of Solitude</i> by Gabriel García Márquez</li><li><i>Blood on the Forge</i> by William Attaway</li></ul>
]]></description>
      <pubDate>Wed, 23 Jun 2021 12:41:54 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon and Jake reunite to discuss the books that got them through the pandemic, classics they wish they had written, and whether Lord of the Flies needs a sequel. </p><p>Select titles mentioned in this episode:</p><ul><li><i>A Journal of the Plague Year</i> by Daniel Defoe</li><li><i>Beloved</i> by Toni Morrison</li><li><i>Song of Solomon</i> by Toni Morrison</li><li><i>The Adventures of Sherlock Holmes</i> by Arthur Conan Doyle</li><li><i>Kindred</i> by Octavia E. Butler</li><li><i>Harriet the Spy</i> by Louise Fitzhugh</li><li><i>Giovanni's Room</i> by James Baldwin</li><li><i>Steppenwolf</i> by Herman Hesse</li><li><i>Who's Afraid of Virginia Woolf?</i> by Edward Albee</li><li><i>A Room with a View</i> by E.M. Forster</li><li><i>A Passage to India </i>by E.M. Forster</li><li><i>Maurice</i> by E.M. Forster</li><li><i>Jude the Obscure</i> by Thomas Hardy</li><li><i>The Golden Noteboo</i>k by Doris Lessing</li><li><i>Wise Blood</i> by Flannery O’Connor</li><li><i>Heart of Darkness</i> by Joseph Conrad</li><li><i>Lord of the Flies</i> by William Golding</li><li><i>To Kill a Mockingbird</i> by Harper Lee</li><li><i>Go Set a Watchman</i> by Harper Lee</li><li><i>One Hundred Years of Solitude</i> by Gabriel García Márquez</li><li><i>Blood on the Forge</i> by William Attaway</li></ul>
]]></content:encoded>
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      <itunes:title>We’re Baaaaack!</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:41:13</itunes:duration>
      <itunes:summary>Marlon and Jake reunite to discuss the books that got them through the pandemic, classics they wish they had written, and whether Lord of the Flies needs a sequel. </itunes:summary>
      <itunes:subtitle>Marlon and Jake reunite to discuss the books that got them through the pandemic, classics they wish they had written, and whether Lord of the Flies needs a sequel. </itunes:subtitle>
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      <itunes:explicit>yes</itunes:explicit>
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      <itunes:episode>9</itunes:episode>
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      <title>Season Two Trailer</title>
      <description><![CDATA[Marlon and Jake are back with a sizzling new season of the dead authors they love, hate, and will never agree on. Get ready for even more heated (and hilarious) debates, unexpected insights, and—of course—brutal honesty. Dead authors never felt so cool.]]></description>
      <pubDate>Mon, 14 Jun 2021 12:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
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      <itunes:title>Season Two Trailer</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:00:49</itunes:duration>
      <itunes:summary>Marlon and Jake are back with a sizzling new season of the dead authors they love, hate, and will never agree on. Get ready for even more heated (and hilarious) debates, unexpected insights, and—of course—brutal honesty. Dead authors never felt so cool.</itunes:summary>
      <itunes:subtitle>Marlon and Jake are back with a sizzling new season of the dead authors they love, hate, and will never agree on. Get ready for even more heated (and hilarious) debates, unexpected insights, and—of course—brutal honesty. Dead authors never felt so cool.</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Season Two Teaser</title>
      <description><![CDATA[Marlon and Jake are back this summer for a second season]]></description>
      <pubDate>Thu, 27 May 2021 14:15:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Jake Morrissey, Marlon James)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
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      <itunes:title>Season Two Teaser</itunes:title>
      <itunes:author>Jake Morrissey, Marlon James</itunes:author>
      <itunes:duration>00:00:28</itunes:duration>
      <itunes:summary>Marlon and Jake are back this summer for a second season</itunes:summary>
      <itunes:subtitle>Marlon and Jake are back this summer for a second season</itunes:subtitle>
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      <itunes:explicit>yes</itunes:explicit>
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      <title>Goodbye for Now, but We&apos;ll Be Back!</title>
      <description><![CDATA[<p>As Marlon and Jake wrap up Season 1 of Reading Dead People, they take a moment to reflect on what they've learned and what dead books and authors they want to discuss when they return for season two. So Marlon and Jake will be on a hiatus--they have some reading to do!--but fear not, they will be back soon to discuss the good, the bad and the everything in between. Until then, go read some dead people!!</p>
]]></description>
      <pubDate>Tue, 17 Mar 2020 04:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>As Marlon and Jake wrap up Season 1 of Reading Dead People, they take a moment to reflect on what they've learned and what dead books and authors they want to discuss when they return for season two. So Marlon and Jake will be on a hiatus--they have some reading to do!--but fear not, they will be back soon to discuss the good, the bad and the everything in between. Until then, go read some dead people!!</p>
]]></content:encoded>
      <enclosure length="9273480" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/59eae6e2-96df-4b5e-a77b-d78d48a27ac3/audio/4c7f4f99-f334-45cb-8db3-02b2bb8bcb9f/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Goodbye for Now, but We&apos;ll Be Back!</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/59eae6e2-96df-4b5e-a77b-d78d48a27ac3/3000x3000/1584392124-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:09:04</itunes:duration>
      <itunes:summary>As Marlon and Jake wrap up Season 1 of Reading Dead People, they take a moment to reflect on what they&apos;ve learned and what dead books and authors they want to discuss when they return for season two. So Marlon and Jake will be on a hiatus--they have some reading to do!--but fear not, they will be back soon to discuss the good, the bad and the everything in between. Until then, go read some dead people!!</itunes:summary>
      <itunes:subtitle>As Marlon and Jake wrap up Season 1 of Reading Dead People, they take a moment to reflect on what they&apos;ve learned and what dead books and authors they want to discuss when they return for season two. So Marlon and Jake will be on a hiatus--they have some reading to do!--but fear not, they will be back soon to discuss the good, the bad and the everything in between. Until then, go read some dead people!!</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>bonus</itunes:episodeType>
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      <title>Questions, Questions</title>
      <description><![CDATA[<p>This week Marlon and Jake answer some of the questions that listeners have asked. What dead author or book did they initially hate but have come around to love? What is the best book by the worst dead author? And who is the most annoying character by a dead author? (Spoiler alert: Heathcliff. Obviously.) Along the way Jake confesses a lack of enthusiasm for William Faulkner and, yes, Virginia Woolf, while Marlon bemoans the insufferably boring Thomas Hardy and makes a plug for the poetic darkness of Shakespeare’s Richard III.  Their shared hatred of A Tale of Two Cities is back and stronger than ever. Will Jake re-read Absalom, Absalom!? Will Marlon let go of his Edith Wharton grudge? Should we take relationship advice from Jane Austen? Was D.H. Lawrence the 20th Century’s bridesmaid but never its bride?  Has the “Great Pirate Novel” been written? Tune in to learn the answers to these essential questions and so much more!</p><p>Select titles discussed in this episode:</p><ul><li>Absalom, Absalom! by William Faulkner</li><li>The Sound and the Fury by William Faulkner</li><li>The Nick Adams Stories by Ernest Hemingway</li><li>Tess of the D’Urbervilles by Thomas Hardy</li><li>Jude the Obscure by Thomas Hardy</li><li>Return of the Native by Thomas Hardy</li><li>The Awakening by Kate Chopin</li><li>Four Quartets by T.S. Eliot</li><li>Mrs. Dalloway by Virginia Woolf</li><li>The House of Mirth by Edith Wharton</li><li>Women in Love by D.H. Lawrence</li><li>Emma by Jane Austen</li><li>Sense and Sensibility by Jane Austen</li><li>Persuasion by Jane Austen</li><li>A Streetcar Named Desire by Tennessee Williams</li><li>Harvey by Mary Chase</li><li>Wuthering Heights by Emily Brontë</li><li>The Great Gatsby by F. Scott Fitzgerald</li><li>Vanity Fair by William Makepeace Thackeray</li><li>QB VII by Leon Uris</li><li>Airport by Arthur Hailey</li><li>The White Witch of Rosehall by Herbert G. de Lisser</li><li>The Black Sun by Lance Horner</li><li>Richard III by William Shakespeare</li><li>The Merchant of Venice by William Shakespeare</li><li>Julius Caesar by William Shakespeare</li><li>Pericles by William Shakespeare</li><li>The Merry Wives of Windsor by William Shakespeare</li><li>Cymbeline by William Shakespeare</li><li>One Hundred Years of Solitude by Gabriel García Márquez</li><li>The Master and Margarita by Mikhail Bulgakov</li><li>Robinson Crusoe by Daniel Defoe</li><li>Treasure Island by Robert Louis Stevenson</li><li>A High Wind in Jamaica by Richard Hughes</li><li>This Side of Paradise by F. Scott Fitzgerald</li><li>A Tale of Two Cities by Charles Dickens</li><li>Bleak House by Charles Dickens</li><li>Our Mutual Friend by Charles Dickens</li><li>David Copperfield by Charles Dickens</li><li>The Edwardians by Vita Sackville-West</li><li>Stoner by John Williams</li><li>The Pearl by John Steinbeck</li><li>The Ambassadors by Henry James</li><li>Autumn of the Patriarch by Gabriel García Márquez</li><li>Wide Sargasso Sea by Jean Rhys</li><li>Jane Eyre by Charlotte Brontë</li></ul><p> </p>
]]></description>
      <pubDate>Mon, 9 Mar 2020 05:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>This week Marlon and Jake answer some of the questions that listeners have asked. What dead author or book did they initially hate but have come around to love? What is the best book by the worst dead author? And who is the most annoying character by a dead author? (Spoiler alert: Heathcliff. Obviously.) Along the way Jake confesses a lack of enthusiasm for William Faulkner and, yes, Virginia Woolf, while Marlon bemoans the insufferably boring Thomas Hardy and makes a plug for the poetic darkness of Shakespeare’s Richard III.  Their shared hatred of A Tale of Two Cities is back and stronger than ever. Will Jake re-read Absalom, Absalom!? Will Marlon let go of his Edith Wharton grudge? Should we take relationship advice from Jane Austen? Was D.H. Lawrence the 20th Century’s bridesmaid but never its bride?  Has the “Great Pirate Novel” been written? Tune in to learn the answers to these essential questions and so much more!</p><p>Select titles discussed in this episode:</p><ul><li>Absalom, Absalom! by William Faulkner</li><li>The Sound and the Fury by William Faulkner</li><li>The Nick Adams Stories by Ernest Hemingway</li><li>Tess of the D’Urbervilles by Thomas Hardy</li><li>Jude the Obscure by Thomas Hardy</li><li>Return of the Native by Thomas Hardy</li><li>The Awakening by Kate Chopin</li><li>Four Quartets by T.S. Eliot</li><li>Mrs. Dalloway by Virginia Woolf</li><li>The House of Mirth by Edith Wharton</li><li>Women in Love by D.H. Lawrence</li><li>Emma by Jane Austen</li><li>Sense and Sensibility by Jane Austen</li><li>Persuasion by Jane Austen</li><li>A Streetcar Named Desire by Tennessee Williams</li><li>Harvey by Mary Chase</li><li>Wuthering Heights by Emily Brontë</li><li>The Great Gatsby by F. Scott Fitzgerald</li><li>Vanity Fair by William Makepeace Thackeray</li><li>QB VII by Leon Uris</li><li>Airport by Arthur Hailey</li><li>The White Witch of Rosehall by Herbert G. de Lisser</li><li>The Black Sun by Lance Horner</li><li>Richard III by William Shakespeare</li><li>The Merchant of Venice by William Shakespeare</li><li>Julius Caesar by William Shakespeare</li><li>Pericles by William Shakespeare</li><li>The Merry Wives of Windsor by William Shakespeare</li><li>Cymbeline by William Shakespeare</li><li>One Hundred Years of Solitude by Gabriel García Márquez</li><li>The Master and Margarita by Mikhail Bulgakov</li><li>Robinson Crusoe by Daniel Defoe</li><li>Treasure Island by Robert Louis Stevenson</li><li>A High Wind in Jamaica by Richard Hughes</li><li>This Side of Paradise by F. Scott Fitzgerald</li><li>A Tale of Two Cities by Charles Dickens</li><li>Bleak House by Charles Dickens</li><li>Our Mutual Friend by Charles Dickens</li><li>David Copperfield by Charles Dickens</li><li>The Edwardians by Vita Sackville-West</li><li>Stoner by John Williams</li><li>The Pearl by John Steinbeck</li><li>The Ambassadors by Henry James</li><li>Autumn of the Patriarch by Gabriel García Márquez</li><li>Wide Sargasso Sea by Jean Rhys</li><li>Jane Eyre by Charlotte Brontë</li></ul><p> </p>
]]></content:encoded>
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      <itunes:title>Questions, Questions</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/2b06d656-21e6-45de-aeee-a39203a61c9a/3000x3000/1583529900-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:46:29</itunes:duration>
      <itunes:summary>This week Marlon and Jake answer some of the questions that listeners have asked. What dead author or book did they initially hate but have come around to love? What is the best book by the worst dead author? And who is the most annoying character by a dead author? (Spoiler alert: Heathcliff. Obviously.) Along the way Jake confesses a lack of enthusiasm for William Faulkner and, yes, Virginia Woolf, while Marlon bemoans the insufferably boring Thomas Hardy and makes a plug for the poetic darkness of Shakespeare’s Richard III.  Their shared hatred of A Tale of Two Cities is back and stronger than ever. Will Jake re-read Absalom, Absalom!? Will Marlon let go of his Edith Wharton grudge? Should we take relationship advice from Jane Austen? Was D.H. Lawrence the 20th Century’s bridesmaid but never its bride?  Has the “Great Pirate Novel” been written? Tune in to learn the answers to these essential questions and so much more!

Select titles discussed in this episode:

Absalom, Absalom! by William Faulkner
The Sound and the Fury by William Faulkner
The Nick Adams Stories by Ernest Hemingway
Tess of the D’Urbervilles by Thomas Hardy
Jude the Obscure by Thomas Hardy
Return of the Native by Thomas Hardy
The Awakening by Kate Chopin
Four Quartets by T.S. Eliot
Mrs. Dalloway by Virginia Woolf
The House of Mirth by Edith Wharton
Women in Love by D.H. Lawrence
Emma by Jane Austen
Sense and Sensibility by Jane Austen
Persuasion by Jane Austen
A Streetcar Named Desire by Tennessee Williams
Harvey by Mary Chase
Wuthering Heights by Emily Brontë
The Great Gatsby by F. Scott Fitzgerald
Vanity Fair by William Makepeace Thackeray
QB VII by Leon Uris
Airport by Arthur Hailey
The White Witch of Rosehall by Herbert G. de Lisser
The Black Sun by Lance Horner
Richard III by William Shakespeare
The Merchant of Venice by William Shakespeare
Julius Caesar by William Shakespeare
Pericles by William Shakespeare
The Merry Wives of Windsor by William Shakespeare
Cymbeline by William Shakespeare
One Hundred Years of Solitude by Gabriel García Márquez
The Master and Margarita by Mikhail Bulgakov
Robinson Crusoe by Daniel Defoe
Treasure Island by Robert Louis Stevenson
A High Wind in Jamaica by Richard Hughes
This Side of Paradise by F. Scott Fitzgerald
A Tale of Two Cities by Charles Dickens
Bleak House by Charles Dickens
Our Mutual Friend by Charles Dickens
David Copperfield by Charles Dickens
The Edwardians by Vita Sackville-West
Stoner by John Williams
The Pearl by John Steinbeck
The Ambassadors by Henry James
Autumn of the Patriarch by Gabriel García Márquez
Wide Sargasso Sea by Jean Rhys
Jane Eyre by Charlotte Brontë</itunes:summary>
      <itunes:subtitle>This week Marlon and Jake answer some of the questions that listeners have asked. What dead author or book did they initially hate but have come around to love? What is the best book by the worst dead author? And who is the most annoying character by a dead author? (Spoiler alert: Heathcliff. Obviously.) Along the way Jake confesses a lack of enthusiasm for William Faulkner and, yes, Virginia Woolf, while Marlon bemoans the insufferably boring Thomas Hardy and makes a plug for the poetic darkness of Shakespeare’s Richard III.  Their shared hatred of A Tale of Two Cities is back and stronger than ever. Will Jake re-read Absalom, Absalom!? Will Marlon let go of his Edith Wharton grudge? Should we take relationship advice from Jane Austen? Was D.H. Lawrence the 20th Century’s bridesmaid but never its bride?  Has the “Great Pirate Novel” been written? Tune in to learn the answers to these essential questions and so much more!

Select titles discussed in this episode:

Absalom, Absalom! by William Faulkner
The Sound and the Fury by William Faulkner
The Nick Adams Stories by Ernest Hemingway
Tess of the D’Urbervilles by Thomas Hardy
Jude the Obscure by Thomas Hardy
Return of the Native by Thomas Hardy
The Awakening by Kate Chopin
Four Quartets by T.S. Eliot
Mrs. Dalloway by Virginia Woolf
The House of Mirth by Edith Wharton
Women in Love by D.H. Lawrence
Emma by Jane Austen
Sense and Sensibility by Jane Austen
Persuasion by Jane Austen
A Streetcar Named Desire by Tennessee Williams
Harvey by Mary Chase
Wuthering Heights by Emily Brontë
The Great Gatsby by F. Scott Fitzgerald
Vanity Fair by William Makepeace Thackeray
QB VII by Leon Uris
Airport by Arthur Hailey
The White Witch of Rosehall by Herbert G. de Lisser
The Black Sun by Lance Horner
Richard III by William Shakespeare
The Merchant of Venice by William Shakespeare
Julius Caesar by William Shakespeare
Pericles by William Shakespeare
The Merry Wives of Windsor by William Shakespeare
Cymbeline by William Shakespeare
One Hundred Years of Solitude by Gabriel García Márquez
The Master and Margarita by Mikhail Bulgakov
Robinson Crusoe by Daniel Defoe
Treasure Island by Robert Louis Stevenson
A High Wind in Jamaica by Richard Hughes
This Side of Paradise by F. Scott Fitzgerald
A Tale of Two Cities by Charles Dickens
Bleak House by Charles Dickens
Our Mutual Friend by Charles Dickens
David Copperfield by Charles Dickens
The Edwardians by Vita Sackville-West
Stoner by John Williams
The Pearl by John Steinbeck
The Ambassadors by Henry James
Autumn of the Patriarch by Gabriel García Márquez
Wide Sargasso Sea by Jean Rhys
Jane Eyre by Charlotte Brontë</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b05a1b61-e462-4135-9159-5a338403bd54</guid>
      <title>Trashy Novels To Die For</title>
      <description><![CDATA[<p>This week Marlon and Jake dive into one of life’s great guilty pleasures: the trashy novel. Do such books provide intellectual stimulation or lessons on morality? Of course not. Nevertheless, Marlon and Jake extol the virtues of these irresistibly low-brow novels that they can’t get enough of, in the process asking: What makes a novel trashy and what makes it literary? If a book holds up a mirror to society, can it qualify as trash? What are the differences between trashy novels for women and trashy novels for men? From Peyton Place to Valley of the Dolls to the Falconhurst novels, Marlon and Jake get real about the wonderfully salacious plots, the ridiculously named characters, the gay subtexts, the surprising pathos, and all the sex. SO. MUCH. SEX. So literary snobs, be warned. For the rest of us, tune in to celebrate dead authors who have given us the gift of a shamelessly good read.</p>
<p>Select titles discussed in this episode:</p>
<ul>
<li>The Carpetbaggers by Harold Robbins</li>
<li>The Falconhurst Series by Lance Horner, Kyle Onstott, and Ashley<br />
Carter</li>
<li>Peyton Place by Grace Metalious</li>
<li>The Best of Everything by Rona Jaffe</li>
<li>Valley of the Dolls by Jacqueline Susann</li>
<li>Shogun by James Clavell</li>
<li>The Executioner Series by Don Pendleton</li>
<li>The Godfather by Mario Puzo</li>
<li>Gone with the Wind by Margaret Mitchell</li>
<li>The Bad Seed by William March</li>
<li>Ethan Frome by Edith Wharton</li>
</ul>
]]></description>
      <pubDate>Mon, 2 Mar 2020 05:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>This week Marlon and Jake dive into one of life’s great guilty pleasures: the trashy novel. Do such books provide intellectual stimulation or lessons on morality? Of course not. Nevertheless, Marlon and Jake extol the virtues of these irresistibly low-brow novels that they can’t get enough of, in the process asking: What makes a novel trashy and what makes it literary? If a book holds up a mirror to society, can it qualify as trash? What are the differences between trashy novels for women and trashy novels for men? From Peyton Place to Valley of the Dolls to the Falconhurst novels, Marlon and Jake get real about the wonderfully salacious plots, the ridiculously named characters, the gay subtexts, the surprising pathos, and all the sex. SO. MUCH. SEX. So literary snobs, be warned. For the rest of us, tune in to celebrate dead authors who have given us the gift of a shamelessly good read.</p>
<p>Select titles discussed in this episode:</p>
<ul>
<li>The Carpetbaggers by Harold Robbins</li>
<li>The Falconhurst Series by Lance Horner, Kyle Onstott, and Ashley<br />
Carter</li>
<li>Peyton Place by Grace Metalious</li>
<li>The Best of Everything by Rona Jaffe</li>
<li>Valley of the Dolls by Jacqueline Susann</li>
<li>Shogun by James Clavell</li>
<li>The Executioner Series by Don Pendleton</li>
<li>The Godfather by Mario Puzo</li>
<li>Gone with the Wind by Margaret Mitchell</li>
<li>The Bad Seed by William March</li>
<li>Ethan Frome by Edith Wharton</li>
</ul>
]]></content:encoded>
      <enclosure length="36935705" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/bcfee8e4-99d9-43a7-8095-3f31194ef7a1/audio/4950ba39-c883-46f3-a702-1e38fd775bc1/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Trashy Novels To Die For</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/bcfee8e4-99d9-43a7-8095-3f31194ef7a1/3000x3000/1582898427-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:37:52</itunes:duration>
      <itunes:summary>This week Marlon and Jake dive into one of life’s great guilty pleasures: the trashy novel. Do such books provide intellectual stimulation or lessons on morality? Of course not. Nevertheless, Marlon and Jake extol the virtues of these irresistibly low-brow novels that they can’t get enough of, in the process asking: What makes a novel trashy and what makes it literary? If a book holds up a mirror to society, can it qualify as trash? What are the differences between trashy novels for women and trashy novels for men? From Peyton Place to Valley of the Dolls to the Falconhurst novels, Marlon and Jake get real about the wonderfully salacious plots, the ridiculously named characters, the gay subtexts, the surprising pathos, and all the sex. SO. MUCH. SEX. So literary snobs, be warned. For the rest of us, tune in to celebrate dead authors who have given us the gift of a shamelessly good read. 
 
Select titles discussed in this episode:

 - The Carpetbaggers by Harold Robbins
 - The Falconhurst Series by Lance Horner, Kyle Onstott, and Ashley
   Carter
 - Peyton Place by Grace Metalious
 - The Best of Everything by Rona Jaffe
 - Valley of the Dolls by Jacqueline Susann
 - Shogun by James Clavell
 - The Executioner Series by Don Pendleton
 - The Godfather by Mario Puzo
 - Gone with the Wind by Margaret Mitchell
 - The Bad Seed by William March
 - Ethan Frome by Edith Wharton
</itunes:summary>
      <itunes:subtitle>This week Marlon and Jake dive into one of life’s great guilty pleasures: the trashy novel. Do such books provide intellectual stimulation or lessons on morality? Of course not. Nevertheless, Marlon and Jake extol the virtues of these irresistibly low-brow novels that they can’t get enough of, in the process asking: What makes a novel trashy and what makes it literary? If a book holds up a mirror to society, can it qualify as trash? What are the differences between trashy novels for women and trashy novels for men? From Peyton Place to Valley of the Dolls to the Falconhurst novels, Marlon and Jake get real about the wonderfully salacious plots, the ridiculously named characters, the gay subtexts, the surprising pathos, and all the sex. SO. MUCH. SEX. So literary snobs, be warned. For the rest of us, tune in to celebrate dead authors who have given us the gift of a shamelessly good read. 
 
Select titles discussed in this episode:

 - The Carpetbaggers by Harold Robbins
 - The Falconhurst Series by Lance Horner, Kyle Onstott, and Ashley
   Carter
 - Peyton Place by Grace Metalious
 - The Best of Everything by Rona Jaffe
 - Valley of the Dolls by Jacqueline Susann
 - Shogun by James Clavell
 - The Executioner Series by Don Pendleton
 - The Godfather by Mario Puzo
 - Gone with the Wind by Margaret Mitchell
 - The Bad Seed by William March
 - Ethan Frome by Edith Wharton
</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">3c54e564-bb48-45f4-863c-ffbc628dfe92</guid>
      <title>Movies Made From Books by Dead People</title>
      <description><![CDATA[<p>Marlon and Jake put on their Hollywood sunglasses as they discuss the films adapted from books by dead people. What makes a good movie adaptation? What translates from the page to the screen and what most definitely does not? Jake admits that The Exorcist is the most shocking novel and movie he’s ever encountered, and Marlon celebrates the unparalleled brilliance of Die Hard—which yes, was adapted from a novel, and which yes, Marlon has actually read. Jake (yet again) offends Marlon with his disdain for all things Hobbit and Marlon points to Angela’s Ashes as an example of the phenomenon of the “well-made bad movie.”  From the atrocious attempts to bring The Great Gatsby to the big screen to the unfortunate existence of Ewan McGregor’s American Pastoral, Marlon and Jake explore great books that were made into less-than-great films as well as bad books that made excellent movies. How did the messiness of Mario Puzo’s storytelling and prose make the perfection that is The Godfather films? How did an angry-animal thriller like Jaws become a horror movie classic? From The Princess Bride to A Streetcar Named Desire, Marlon and Jake debate what goes into a terrific – and a lousy – film adaptation. So grab your popcorn and Jujubes and settle back for one wild cinematic ride.</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>The Manchurian Candidate by Richard Condon</li>
<li>Little Women by Louisa May Alcott</li>
<li>Murder on the Orient Express by Agatha Christie</li>
<li>The Exorcist by William Peter Blatty</li>
<li>Angela’s Ashes by Frank McCourt</li>
<li>American Pastoral by Philip Roth</li>
<li>Beloved by Toni Morrison</li>
<li>The Great Gatsby by F. Scott Fitzgerald</li>
<li>The Killer Inside Me by Jim Thompson</li>
<li>The Grifters by Jim Thompson</li>
<li>The Hobbit by J.R. R. Tolkien</li>
<li>Jaws by Peter Benchley</li>
<li>The Godfather by Mario Puzo</li>
<li>The Sicilian by Mario Puzo</li>
<li>The Princess Bride by William Goldman</li>
<li>A Streetcar Named Desire by Tennessee Williams</li>
<li>Babe: The Gallant Pig by Dick King-Smith</li>
<li>Watership Down by Richard Adams</li>
<li>Nothing Lasts Forever by Roderick Thorp</li>
</ul>
]]></description>
      <pubDate>Mon, 24 Feb 2020 05:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon and Jake put on their Hollywood sunglasses as they discuss the films adapted from books by dead people. What makes a good movie adaptation? What translates from the page to the screen and what most definitely does not? Jake admits that The Exorcist is the most shocking novel and movie he’s ever encountered, and Marlon celebrates the unparalleled brilliance of Die Hard—which yes, was adapted from a novel, and which yes, Marlon has actually read. Jake (yet again) offends Marlon with his disdain for all things Hobbit and Marlon points to Angela’s Ashes as an example of the phenomenon of the “well-made bad movie.”  From the atrocious attempts to bring The Great Gatsby to the big screen to the unfortunate existence of Ewan McGregor’s American Pastoral, Marlon and Jake explore great books that were made into less-than-great films as well as bad books that made excellent movies. How did the messiness of Mario Puzo’s storytelling and prose make the perfection that is The Godfather films? How did an angry-animal thriller like Jaws become a horror movie classic? From The Princess Bride to A Streetcar Named Desire, Marlon and Jake debate what goes into a terrific – and a lousy – film adaptation. So grab your popcorn and Jujubes and settle back for one wild cinematic ride.</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>The Manchurian Candidate by Richard Condon</li>
<li>Little Women by Louisa May Alcott</li>
<li>Murder on the Orient Express by Agatha Christie</li>
<li>The Exorcist by William Peter Blatty</li>
<li>Angela’s Ashes by Frank McCourt</li>
<li>American Pastoral by Philip Roth</li>
<li>Beloved by Toni Morrison</li>
<li>The Great Gatsby by F. Scott Fitzgerald</li>
<li>The Killer Inside Me by Jim Thompson</li>
<li>The Grifters by Jim Thompson</li>
<li>The Hobbit by J.R. R. Tolkien</li>
<li>Jaws by Peter Benchley</li>
<li>The Godfather by Mario Puzo</li>
<li>The Sicilian by Mario Puzo</li>
<li>The Princess Bride by William Goldman</li>
<li>A Streetcar Named Desire by Tennessee Williams</li>
<li>Babe: The Gallant Pig by Dick King-Smith</li>
<li>Watership Down by Richard Adams</li>
<li>Nothing Lasts Forever by Roderick Thorp</li>
</ul>
]]></content:encoded>
      <enclosure length="39979701" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/e44abd1e-83b9-4d49-9f8d-8864b1b59b09/audio/cf1131fa-8b3f-4991-a351-bc0e207f1c79/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Movies Made From Books by Dead People</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/e44abd1e-83b9-4d49-9f8d-8864b1b59b09/3000x3000/1582314867-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:41:03</itunes:duration>
      <itunes:summary>Marlon and Jake put on their Hollywood sunglasses as they discuss the films adapted from books by dead people. What makes a good movie adaptation? What translates from the page to the screen and what most definitely does not? Jake admits that The Exorcist is the most shocking novel and movie he’s ever encountered, and Marlon celebrates the unparalleled brilliance of Die Hard—which yes, was adapted from a novel, and which yes, Marlon has actually read. Jake (yet again) offends Marlon with his disdain for all things Hobbit and Marlon points to Angela’s Ashes as an example of the phenomenon of the “well-made bad movie.”  From the atrocious attempts to bring The Great Gatsby to the big screen to the unfortunate existence of Ewan McGregor’s American Pastoral, Marlon and Jake explore great books that were made into less-than-great films as well as bad books that made excellent movies. How did the messiness of Mario Puzo’s storytelling and prose make the perfection that is The Godfather films? How did an angry-animal thriller like Jaws become a horror movie classic? From The Princess Bride to A Streetcar Named Desire, Marlon and Jake debate what goes into a terrific – and a lousy – film adaptation. So grab your popcorn and Jujubes and settle back for one wild cinematic ride.

Select titles mentioned in this episode:

 - The Manchurian Candidate by Richard Condon
 - Little Women by Louisa May Alcott
 - Murder on the Orient Express by Agatha Christie
 - The Exorcist by William Peter Blatty
 - Angela’s Ashes by Frank McCourt
 - American Pastoral by Philip Roth
 - Beloved by Toni Morrison
 - The Great Gatsby by F. Scott Fitzgerald
 - The Killer Inside Me by Jim Thompson
 - The Grifters by Jim Thompson
 - The Hobbit by J.R. R. Tolkien
 - Jaws by Peter Benchley
 - The Godfather by Mario Puzo
 - The Princess Bride by William Goldman
 - A Streetcar Named Desire by Tennessee Williams
 - Babe: The Gallant Pig by Dick King-Smith
 - Watership Down by Richard Adams
 - Nothing Lasts Forever by Roderick Thorp
 - The Sicilian by Mario Puzo</itunes:summary>
      <itunes:subtitle>Marlon and Jake put on their Hollywood sunglasses as they discuss the films adapted from books by dead people. What makes a good movie adaptation? What translates from the page to the screen and what most definitely does not? Jake admits that The Exorcist is the most shocking novel and movie he’s ever encountered, and Marlon celebrates the unparalleled brilliance of Die Hard—which yes, was adapted from a novel, and which yes, Marlon has actually read. Jake (yet again) offends Marlon with his disdain for all things Hobbit and Marlon points to Angela’s Ashes as an example of the phenomenon of the “well-made bad movie.”  From the atrocious attempts to bring The Great Gatsby to the big screen to the unfortunate existence of Ewan McGregor’s American Pastoral, Marlon and Jake explore great books that were made into less-than-great films as well as bad books that made excellent movies. How did the messiness of Mario Puzo’s storytelling and prose make the perfection that is The Godfather films? How did an angry-animal thriller like Jaws become a horror movie classic? From The Princess Bride to A Streetcar Named Desire, Marlon and Jake debate what goes into a terrific – and a lousy – film adaptation. So grab your popcorn and Jujubes and settle back for one wild cinematic ride.

Select titles mentioned in this episode:

 - The Manchurian Candidate by Richard Condon
 - Little Women by Louisa May Alcott
 - Murder on the Orient Express by Agatha Christie
 - The Exorcist by William Peter Blatty
 - Angela’s Ashes by Frank McCourt
 - American Pastoral by Philip Roth
 - Beloved by Toni Morrison
 - The Great Gatsby by F. Scott Fitzgerald
 - The Killer Inside Me by Jim Thompson
 - The Grifters by Jim Thompson
 - The Hobbit by J.R. R. Tolkien
 - Jaws by Peter Benchley
 - The Godfather by Mario Puzo
 - The Princess Bride by William Goldman
 - A Streetcar Named Desire by Tennessee Williams
 - Babe: The Gallant Pig by Dick King-Smith
 - Watership Down by Richard Adams
 - Nothing Lasts Forever by Roderick Thorp
 - The Sicilian by Mario Puzo</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c0991333-8a5f-4bc5-9470-db4f74cafe64</guid>
      <title>Memoir and Autobiography</title>
      <description><![CDATA[<p>This week Marlon and Jake delve into the very real lives of very dead writers. From Gore Vidal to Frank McCourt, Ulysses S. Grant to Gabriel García Márquez, they discuss how memory compares to history and whether the trustworthiness of a memoir really matters if the book is a compelling read. Their discussion about WASPy realism leads them to debate whether John Cheever or John Updike is the better writer, and Marlon poses the scandalous question of whether Jane Austen lacked passion (gasp!). Whether they’re talking about philandering playwrights or humorous newspaper columnists, Marlon and Jake prove that truth really can be stranger than fiction.</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>Personal Memoirs by Ulysses Grant</li>
<li>Palimpsest by Gore Vidal</li>
<li>The Night of the Gun by David Carr</li>
<li>Act One by Moss Hart</li>
<li>Once in a Lifetime by Moss Hart and George S. Kaufman</li>
<li>The Man Who Came to Dinner by Moss Hart and George S. Kaufman</li>
<li>Angela’s Ashes by Frank McCourt</li>
<li>Living to Tell the Tale by Gabriel García Márquez</li>
<li>Rabbit Series (Rabbit, Run, Rabbit Redux, Rabbit Is Rich and Rabbit<br />
At Rest) by John Updike</li>
<li>The Maples Stories by John Updike</li>
<li>The Stories of John Cheever by John Cheever</li>
<li>Jane Eyre by Charlotte Brontë</li>
<li>Pride and Prejudice by Jane Austen</li>
<li>At Wit’s End by Erma Bombeck</li>
<li>If Life is a Bowl of Cherries by Erma Bombeck</li>
</ul>
]]></description>
      <pubDate>Mon, 17 Feb 2020 05:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>This week Marlon and Jake delve into the very real lives of very dead writers. From Gore Vidal to Frank McCourt, Ulysses S. Grant to Gabriel García Márquez, they discuss how memory compares to history and whether the trustworthiness of a memoir really matters if the book is a compelling read. Their discussion about WASPy realism leads them to debate whether John Cheever or John Updike is the better writer, and Marlon poses the scandalous question of whether Jane Austen lacked passion (gasp!). Whether they’re talking about philandering playwrights or humorous newspaper columnists, Marlon and Jake prove that truth really can be stranger than fiction.</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>Personal Memoirs by Ulysses Grant</li>
<li>Palimpsest by Gore Vidal</li>
<li>The Night of the Gun by David Carr</li>
<li>Act One by Moss Hart</li>
<li>Once in a Lifetime by Moss Hart and George S. Kaufman</li>
<li>The Man Who Came to Dinner by Moss Hart and George S. Kaufman</li>
<li>Angela’s Ashes by Frank McCourt</li>
<li>Living to Tell the Tale by Gabriel García Márquez</li>
<li>Rabbit Series (Rabbit, Run, Rabbit Redux, Rabbit Is Rich and Rabbit<br />
At Rest) by John Updike</li>
<li>The Maples Stories by John Updike</li>
<li>The Stories of John Cheever by John Cheever</li>
<li>Jane Eyre by Charlotte Brontë</li>
<li>Pride and Prejudice by Jane Austen</li>
<li>At Wit’s End by Erma Bombeck</li>
<li>If Life is a Bowl of Cherries by Erma Bombeck</li>
</ul>
]]></content:encoded>
      <enclosure length="35362924" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/a1b7a9df-d0df-46b2-b69c-ea1dd7b9226c/audio/81810708-d97d-457c-95b9-0a303f30d24c/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Memoir and Autobiography</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/a1b7a9df-d0df-46b2-b69c-ea1dd7b9226c/3000x3000/1581716592-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:36:14</itunes:duration>
      <itunes:summary>This week Marlon and Jake delve into the very real lives of very dead writers. From Gore Vidal to Frank McCourt, Ulysses S. Grant to Gabriel García Márquez, they discuss how memory compares to history and whether the trustworthiness of a memoir really matters if the book is a compelling read. Their discussion about WASPy realism leads them to debate whether John Cheever or John Updike is the better writer, and Marlon poses the scandalous question of whether Jane Austen lacked passion (gasp!). Whether they&apos;re talking about philandering playwrights or humorous newspaper columnists, Marlon and Jake prove that truth really can be stranger than fiction.

Select titles mentioned in this episode:

 - Personal Memoirs by Ulysses Grant
 - Palimpsest by Gore Vidal
 - The Night of the Gun by David Carr
 - Act One by Moss Hart
 - Once in a Lifetime by Moss Hart and George S. Kaufman
 - The Man Who Came to Dinner by Moss Hart and George S. Kaufman
 - Angela’s Ashes by Frank McCourt
 - Living to Tell the Tale by Gabriel García Márquez
 - Rabbit Series (Rabbit, Run, Rabbit Redux, Rabbit Is Rich and Rabbit
   At Rest) by John Updike
 - The Maples Stories by John Updike
 - The Stories of John Cheever by John Cheever
 - Jane Eyre by Charlotte Brontë
 - Pride and Prejudice by Jane Austen
 - At Wit’s End by Erma Bombeck
 - If Life is a Bowl of Cherries by Erma Bombeck</itunes:summary>
      <itunes:subtitle>This week Marlon and Jake delve into the very real lives of very dead writers. From Gore Vidal to Frank McCourt, Ulysses S. Grant to Gabriel García Márquez, they discuss how memory compares to history and whether the trustworthiness of a memoir really matters if the book is a compelling read. Their discussion about WASPy realism leads them to debate whether John Cheever or John Updike is the better writer, and Marlon poses the scandalous question of whether Jane Austen lacked passion (gasp!). Whether they&apos;re talking about philandering playwrights or humorous newspaper columnists, Marlon and Jake prove that truth really can be stranger than fiction.

Select titles mentioned in this episode:

 - Personal Memoirs by Ulysses Grant
 - Palimpsest by Gore Vidal
 - The Night of the Gun by David Carr
 - Act One by Moss Hart
 - Once in a Lifetime by Moss Hart and George S. Kaufman
 - The Man Who Came to Dinner by Moss Hart and George S. Kaufman
 - Angela’s Ashes by Frank McCourt
 - Living to Tell the Tale by Gabriel García Márquez
 - Rabbit Series (Rabbit, Run, Rabbit Redux, Rabbit Is Rich and Rabbit
   At Rest) by John Updike
 - The Maples Stories by John Updike
 - The Stories of John Cheever by John Cheever
 - Jane Eyre by Charlotte Brontë
 - Pride and Prejudice by Jane Austen
 - At Wit’s End by Erma Bombeck
 - If Life is a Bowl of Cherries by Erma Bombeck</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ffab1eac-e707-4360-8b52-42ea48a29f13</guid>
      <title>Myths, Legends and Fables</title>
      <description><![CDATA[<p>This week Marlon and Jake go back in time-way, way back-and revisit the myths and legends that have terrified and tantalized us for centuries. Gods and monsters. The powerful and the petty. The shape-shifting and the rampantly naked. From ancient Greece and Africa to Jamaica and Ireland, Marlon and Jake explore the world's myths and legends-how they persist and how we absorb, sanitize and subvert them.  Whether it's Jason and the Golden Fleece, the trickster Anansi, or the non-consenting kiss in Sleeping Beauty, Marlon and Jake get real about fairy tales and folklore. And for all Black Leopard, Red Wolf fans, tune in to learn more about which of these traditions influenced Marlon's epic fantasy and how he's turning the wicked witch trope on its head in the trilogy's next novel!</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>The Greek Myths</li>
<li>The Labors of Hercules</li>
<li>Jason and the Golden Fleece</li>
<li>Daedelus and Icarus</li>
<li>Bullfinch's Mythology</li>
<li>African Myths of Origin</li>
<li>Anansi the Spider</li>
<li>Apep and Ra</li>
<li>Black Heart Man</li>
<li>Rolling Calf</li>
<li>Sukuyan</li>
<li>The Complete Grimm's Fairy Tales</li>
<li>Snow White</li>
<li>Rapunzel</li>
<li>Sleeping Beauty</li>
<li>Hansel and Gretel</li>
<li>The Twelve Dancing Princesses</li>
<li>The Little Mermaid</li>
<li>The Little Match Girl</li>
<li>Hans Christian Andersen's Fairy Tales</li>
<li>Irish Fairy and Folk Tales by William Butler Yeats</li>
</ul>
]]></description>
      <pubDate>Mon, 10 Feb 2020 05:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>This week Marlon and Jake go back in time-way, way back-and revisit the myths and legends that have terrified and tantalized us for centuries. Gods and monsters. The powerful and the petty. The shape-shifting and the rampantly naked. From ancient Greece and Africa to Jamaica and Ireland, Marlon and Jake explore the world's myths and legends-how they persist and how we absorb, sanitize and subvert them.  Whether it's Jason and the Golden Fleece, the trickster Anansi, or the non-consenting kiss in Sleeping Beauty, Marlon and Jake get real about fairy tales and folklore. And for all Black Leopard, Red Wolf fans, tune in to learn more about which of these traditions influenced Marlon's epic fantasy and how he's turning the wicked witch trope on its head in the trilogy's next novel!</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>The Greek Myths</li>
<li>The Labors of Hercules</li>
<li>Jason and the Golden Fleece</li>
<li>Daedelus and Icarus</li>
<li>Bullfinch's Mythology</li>
<li>African Myths of Origin</li>
<li>Anansi the Spider</li>
<li>Apep and Ra</li>
<li>Black Heart Man</li>
<li>Rolling Calf</li>
<li>Sukuyan</li>
<li>The Complete Grimm's Fairy Tales</li>
<li>Snow White</li>
<li>Rapunzel</li>
<li>Sleeping Beauty</li>
<li>Hansel and Gretel</li>
<li>The Twelve Dancing Princesses</li>
<li>The Little Mermaid</li>
<li>The Little Match Girl</li>
<li>Hans Christian Andersen's Fairy Tales</li>
<li>Irish Fairy and Folk Tales by William Butler Yeats</li>
</ul>
]]></content:encoded>
      <enclosure length="43203411" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/4bcd4f18-69ad-42d2-8bcd-dfe9fcef4d92/audio/6884f158-b0c6-44b0-a4fd-440105bf2b2b/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Myths, Legends and Fables</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/4bcd4f18-69ad-42d2-8bcd-dfe9fcef4d92/3000x3000/1580936873-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:44:25</itunes:duration>
      <itunes:summary>This week Marlon and Jake go back in time-way, way back-and revisit the myths and legends that have terrified and tantalized us for centuries. Gods and monsters. The powerful and the petty. The shape-shifting and the rampantly naked. From ancient Greece and Africa to Jamaica and Ireland, Marlon and Jake explore the world&apos;s myths and legends-how they persist and how we absorb, sanitize and subvert them.  Whether it&apos;s Jason and the Golden Fleece, the trickster Anansi, or the non-consenting kiss in Sleeping Beauty, Marlon and Jake get real about fairy tales and folklore. And for all Black Leopard, Red Wolf fans, tune in to learn more about which of these traditions influenced Marlon&apos;s epic fantasy and how he&apos;s turning the wicked witch trope on its head in the trilogy&apos;s next novel!

Select titles mentioned in this episode:

 - The Greek Myths
 - The Labors of Hercules
 - Jason and the Golden Fleece
 - Daedelus and Icarus
 - Bullfinch&apos;s Mythology
 - African Myths of Origin
 - Anansi the Spider
 - Apep and Ra
 - Black Heart Man
 - Rolling Calf
 - Sukuyan
 - The Complete Grimm&apos;s Fairy Tales
 - Snow White
 - Rapunzel
 - Sleeping Beauty
 - Hansel and Gretel
 - The Twelve Dancing Princesses
 - The Little Mermaid
 - The Little Match Girl
 - Hans Christian Andersen&apos;s Fairy Tales
 - Irish Fairy and Folk Tales by William Butler Yeats</itunes:summary>
      <itunes:subtitle>This week Marlon and Jake go back in time-way, way back-and revisit the myths and legends that have terrified and tantalized us for centuries. Gods and monsters. The powerful and the petty. The shape-shifting and the rampantly naked. From ancient Greece and Africa to Jamaica and Ireland, Marlon and Jake explore the world&apos;s myths and legends-how they persist and how we absorb, sanitize and subvert them.  Whether it&apos;s Jason and the Golden Fleece, the trickster Anansi, or the non-consenting kiss in Sleeping Beauty, Marlon and Jake get real about fairy tales and folklore. And for all Black Leopard, Red Wolf fans, tune in to learn more about which of these traditions influenced Marlon&apos;s epic fantasy and how he&apos;s turning the wicked witch trope on its head in the trilogy&apos;s next novel!

Select titles mentioned in this episode:

 - The Greek Myths
 - The Labors of Hercules
 - Jason and the Golden Fleece
 - Daedelus and Icarus
 - Bullfinch&apos;s Mythology
 - African Myths of Origin
 - Anansi the Spider
 - Apep and Ra
 - Black Heart Man
 - Rolling Calf
 - Sukuyan
 - The Complete Grimm&apos;s Fairy Tales
 - Snow White
 - Rapunzel
 - Sleeping Beauty
 - Hansel and Gretel
 - The Twelve Dancing Princesses
 - The Little Mermaid
 - The Little Match Girl
 - Hans Christian Andersen&apos;s Fairy Tales
 - Irish Fairy and Folk Tales by William Butler Yeats</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">be850236-a6bd-4661-9424-df4bfb32c968</guid>
      <title>Epic Fantasy</title>
      <description><![CDATA[<p>This week Marlon and Jake venture into fantasy: the imagined worlds of dead writers—from quests and dragons to magic carpets and pregnant kings. As they dive into the works of the giants of traditional fantasy, J.R.R. Tolkien and C.S. Lewis, they discuss the influence both writers had on Marlon's own fantasy epic, Black Leopard, Red Wolf, which was inspired by the epic traditions of Africa and writers like D.O. Fagunwa and Amos Tutuola. They debate how reading fantasy as a child differs from reading it as an adult, wonder why there aren't more female characters, and lament how fantasy is still mostly read by boys and men. From The Hobbit to Ursula K. Le Guin, the two have some very real takes on the make-believe. So tune in.</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>The Arabian Nights: Tales of 1,001 Nights</li>
<li>A Wrinkle in Time by Madeline L'Engle</li>
<li>The Lord of the Rings by J.R.R. Tolkien</li>
<li>The Lion, The Witch, and the Wardrobe by C.S. Lewis</li>
<li>The Bloody Chamber by Angela Carter</li>
<li>The Gormenghast Trilogy by Mervyn Peake</li>
<li>The Longships by Frans G. Bengtsson</li>
<li>My Life in the Bush of Ghosts by Amos Tutuola</li>
<li>Forest of a Thousand Daemons by D.O. Fagunwa</li>
<li>The Lake Goddess by Flora Nwapa</li>
<li>The Sagas of the Icelanders</li>
<li>A Princess of Mars by Edgar Rice Burroughs</li>
<li>The Legend of Sigurd and Gudrún by J.R.R. Tolkien</li>
<li>Beowulf by J.R.R. Tolkien</li>
<li>Out of the Silent Planet by C.S. Lewis</li>
<li>The Left Hand of Darkness by Ursula K. Le Guin</li>
<li>The Earthsea Trilogy by Ursula K. Le Guin</li>
<li>Dune by Frank Herbert</li>
<li>Black Leopard, Red Wolf by Marlon James</li>
</ul>
]]></description>
      <pubDate>Mon, 3 Feb 2020 05:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>This week Marlon and Jake venture into fantasy: the imagined worlds of dead writers—from quests and dragons to magic carpets and pregnant kings. As they dive into the works of the giants of traditional fantasy, J.R.R. Tolkien and C.S. Lewis, they discuss the influence both writers had on Marlon's own fantasy epic, Black Leopard, Red Wolf, which was inspired by the epic traditions of Africa and writers like D.O. Fagunwa and Amos Tutuola. They debate how reading fantasy as a child differs from reading it as an adult, wonder why there aren't more female characters, and lament how fantasy is still mostly read by boys and men. From The Hobbit to Ursula K. Le Guin, the two have some very real takes on the make-believe. So tune in.</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>The Arabian Nights: Tales of 1,001 Nights</li>
<li>A Wrinkle in Time by Madeline L'Engle</li>
<li>The Lord of the Rings by J.R.R. Tolkien</li>
<li>The Lion, The Witch, and the Wardrobe by C.S. Lewis</li>
<li>The Bloody Chamber by Angela Carter</li>
<li>The Gormenghast Trilogy by Mervyn Peake</li>
<li>The Longships by Frans G. Bengtsson</li>
<li>My Life in the Bush of Ghosts by Amos Tutuola</li>
<li>Forest of a Thousand Daemons by D.O. Fagunwa</li>
<li>The Lake Goddess by Flora Nwapa</li>
<li>The Sagas of the Icelanders</li>
<li>A Princess of Mars by Edgar Rice Burroughs</li>
<li>The Legend of Sigurd and Gudrún by J.R.R. Tolkien</li>
<li>Beowulf by J.R.R. Tolkien</li>
<li>Out of the Silent Planet by C.S. Lewis</li>
<li>The Left Hand of Darkness by Ursula K. Le Guin</li>
<li>The Earthsea Trilogy by Ursula K. Le Guin</li>
<li>Dune by Frank Herbert</li>
<li>Black Leopard, Red Wolf by Marlon James</li>
</ul>
]]></content:encoded>
      <enclosure length="40744557" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/71fccc10-792a-425c-b4cf-6ddfee843747/audio/67811fde-ed8b-4c91-abea-ebbdd348aa34/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Epic Fantasy</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/71fccc10-792a-425c-b4cf-6ddfee843747/3000x3000/1580421981-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:41:50</itunes:duration>
      <itunes:summary>This week Marlon and Jake venture into fantasy: the imagined worlds of dead writers—from quests and dragons to magic carpets and pregnant kings. As they dive into the works of the giants of traditional fantasy, J.R.R. Tolkien and C.S. Lewis, they discuss the influence both writers had on Marlon&apos;s own fantasy epic, Black Leopard, Red Wolf, which was inspired by the epic traditions of Africa and writers like D.O. Fagunwa and Amos Tutuola. They debate how reading fantasy as a child differs from reading it as an adult, wonder why there aren&apos;t more female characters, and lament how fantasy is still mostly read by boys and men. From The Hobbit to Ursula K. Le Guin, the two have some very real takes on the make-believe. So tune in.

Select titles mentioned in this episode:

 - The Arabian Nights: Tales of 1,001 Nights
 - A Wrinkle in Time by Madeline L&apos;Engle
 - The Lord of the Rings by J.R.R. Tolkien
 - The Lion, The Witch, and the Wardrobe by C.S. Lewis
 - The Bloody Chamber by Angela Carter
 - The Gormenghast Trilogy by Mervyn Peake
 - The Longships by Frans G. Bengtsson
 - My Life in the Bush of Ghosts by Amos Tutuola
 - Forest of a Thousand Daemons by D.O. Fagunwa
 - The Lake Goddess by Flora Nwapa
 - The Sagas of the Icelanders
 - A Princess of Mars by Edgar Rice Burroughs
 - The Legend of Sigurd and Gudrún by J.R.R. Tolkien
 - Beowulf by J.R.R. Tolkien
 - Out of the Silent Planet by C.S. Lewis
 - The Left Hand of Darkness by Ursula K. Le Guin
 - The Earthsea Trilogy by Ursula K. Le Guin
 - Dune by Frank Herbert
 - Black Leopard, Red Wolf by Marlon James</itunes:summary>
      <itunes:subtitle>This week Marlon and Jake venture into fantasy: the imagined worlds of dead writers—from quests and dragons to magic carpets and pregnant kings. As they dive into the works of the giants of traditional fantasy, J.R.R. Tolkien and C.S. Lewis, they discuss the influence both writers had on Marlon&apos;s own fantasy epic, Black Leopard, Red Wolf, which was inspired by the epic traditions of Africa and writers like D.O. Fagunwa and Amos Tutuola. They debate how reading fantasy as a child differs from reading it as an adult, wonder why there aren&apos;t more female characters, and lament how fantasy is still mostly read by boys and men. From The Hobbit to Ursula K. Le Guin, the two have some very real takes on the make-believe. So tune in.

Select titles mentioned in this episode:

 - The Arabian Nights: Tales of 1,001 Nights
 - A Wrinkle in Time by Madeline L&apos;Engle
 - The Lord of the Rings by J.R.R. Tolkien
 - The Lion, The Witch, and the Wardrobe by C.S. Lewis
 - The Bloody Chamber by Angela Carter
 - The Gormenghast Trilogy by Mervyn Peake
 - The Longships by Frans G. Bengtsson
 - My Life in the Bush of Ghosts by Amos Tutuola
 - Forest of a Thousand Daemons by D.O. Fagunwa
 - The Lake Goddess by Flora Nwapa
 - The Sagas of the Icelanders
 - A Princess of Mars by Edgar Rice Burroughs
 - The Legend of Sigurd and Gudrún by J.R.R. Tolkien
 - Beowulf by J.R.R. Tolkien
 - Out of the Silent Planet by C.S. Lewis
 - The Left Hand of Darkness by Ursula K. Le Guin
 - The Earthsea Trilogy by Ursula K. Le Guin
 - Dune by Frank Herbert
 - Black Leopard, Red Wolf by Marlon James</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">289693ca-3005-480e-bc40-d8e5cac97340</guid>
      <title>Dead Authors for a Desert Island</title>
      <description><![CDATA[<p>Marlon and Jake are back-this time to discuss which dead author they'd take with them to a desert island to reread over and over again-as well as which ones they'd happily leave lost at sea.  From the Jamaica of Wide Sargasso Sea to the lonely New England of Shirley Jackson, Marlon and Jake get fired up over the books they vehemently love and the ones they equally hate.  Marlon explores his complicated love for James Clavell and the underappreciated wisdom of Pride &amp; Prejudice's Charlotte Lucas, while Jake (unsuccessfully) attempts to convince Marlon that Agatha Christie is, in fact, not overrated.  One thing they actually agree on?? That would be their passionate disdain for Wuthering Heights-and it's not pretty-so Emily Bronte lovers, consider yourself warned!</p>
<p>Included Titles:</p>
<ul>
<li>Wide Sargasso Sea by Jean Rhys</li>
<li>Jane Eyre by Charlotte Bronte</li>
<li>Pride and Prejudice by Jane Austen</li>
<li>Death Comes to Pemberley by P.D. James</li>
<li>We Have Always Lived in the Castle by Shirley Jackson</li>
<li>Great Expectations by Charles Dickens</li>
<li>A Man for All Seasons by Robert Bolt</li>
<li>Wuthering Heights by Emily Bronte</li>
<li>Jude the Obscure by Thomas Hardy</li>
<li>The Glass Menagerie by Tennessee Williams</li>
<li>Alice in Wonderland by Lewis Carroll</li>
<li>Raising Demons by Shirley Jackson</li>
<li>Shogun by James Clavell</li>
<li>Tai-Pan by James Clavell</li>
<li>And Then There Were None by Agatha Christie</li>
<li>The Moonstone by Wilkie Collins</li>
</ul>
]]></description>
      <pubDate>Mon, 27 Jan 2020 06:01:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon and Jake are back-this time to discuss which dead author they'd take with them to a desert island to reread over and over again-as well as which ones they'd happily leave lost at sea.  From the Jamaica of Wide Sargasso Sea to the lonely New England of Shirley Jackson, Marlon and Jake get fired up over the books they vehemently love and the ones they equally hate.  Marlon explores his complicated love for James Clavell and the underappreciated wisdom of Pride &amp; Prejudice's Charlotte Lucas, while Jake (unsuccessfully) attempts to convince Marlon that Agatha Christie is, in fact, not overrated.  One thing they actually agree on?? That would be their passionate disdain for Wuthering Heights-and it's not pretty-so Emily Bronte lovers, consider yourself warned!</p>
<p>Included Titles:</p>
<ul>
<li>Wide Sargasso Sea by Jean Rhys</li>
<li>Jane Eyre by Charlotte Bronte</li>
<li>Pride and Prejudice by Jane Austen</li>
<li>Death Comes to Pemberley by P.D. James</li>
<li>We Have Always Lived in the Castle by Shirley Jackson</li>
<li>Great Expectations by Charles Dickens</li>
<li>A Man for All Seasons by Robert Bolt</li>
<li>Wuthering Heights by Emily Bronte</li>
<li>Jude the Obscure by Thomas Hardy</li>
<li>The Glass Menagerie by Tennessee Williams</li>
<li>Alice in Wonderland by Lewis Carroll</li>
<li>Raising Demons by Shirley Jackson</li>
<li>Shogun by James Clavell</li>
<li>Tai-Pan by James Clavell</li>
<li>And Then There Were None by Agatha Christie</li>
<li>The Moonstone by Wilkie Collins</li>
</ul>
]]></content:encoded>
      <enclosure length="44812136" type="audio/mpeg" url="https://cdn.simplecast.com/audio/327b8f1d-54e8-4f1a-9271-0550e5e49c65/episodes/545c80c9-9c8c-4f73-ab51-68386a38c802/audio/87a21bb2-e42d-40ec-a87d-58aecf3cdc72/default_tc.mp3?aid=rss_feed&amp;feed=edQh_7xR"/>
      <itunes:title>Dead Authors for a Desert Island</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/545c80c9-9c8c-4f73-ab51-68386a38c802/3000x3000/1579878106-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:46:05</itunes:duration>
      <itunes:summary>Marlon and Jake are back-this time to discuss which dead author they&apos;d take with them to a desert island to reread over and over again-as well as which ones they&apos;d happily leave lost at sea.  From the Jamaica of Wide Sargasso Sea to the lonely New England of Shirley Jackson, Marlon and Jake get fired up over the books they vehemently love and the ones they equally hate.  Marlon explores his complicated love for James Clavell and the underappreciated wisdom of Pride &amp; Prejudice&apos;s Charlotte Lucas, while Jake (unsuccessfully) attempts to convince Marlon that Agatha Christie is, in fact, not overrated.  One thing they actually agree on? That would be their passionate disdain for Wuthering Heights-and it&apos;s not pretty-so Emily Bronte lovers, consider yourselves warned!

Included Titles:

 - Wide Sargasso Sea by Jean Rhys
 - Jane Eyre by Charlotte Bronte
 - Pride and Prejudice by Jane Austen
 - Death Comes to Pemberley by P.D. James
 - We Have Always Lived in the Castle by Shirley Jackson
 - Great Expectations by Charles Dickens
 - A Man for All Seasons by Robert Bolt
 - Wuthering Heights by Emily Bronte
 - Jude the Obscure by Thomas Hardy
 - The Glass Menagerie by Tennessee Williams
 - Alice in Wonderland by Lewis Carroll
 - Raising Demons by Shirley Jackson
 - Shogun by James Clavell
 - Tai-Pan by James Clavell
 - And Then There Were None by Agatha Christie
 - The Moonstone by Wilkie Collins</itunes:summary>
      <itunes:subtitle>Marlon and Jake are back-this time to discuss which dead author they&apos;d take with them to a desert island to reread over and over again-as well as which ones they&apos;d happily leave lost at sea.  From the Jamaica of Wide Sargasso Sea to the lonely New England of Shirley Jackson, Marlon and Jake get fired up over the books they vehemently love and the ones they equally hate.  Marlon explores his complicated love for James Clavell and the underappreciated wisdom of Pride &amp; Prejudice&apos;s Charlotte Lucas, while Jake (unsuccessfully) attempts to convince Marlon that Agatha Christie is, in fact, not overrated.  One thing they actually agree on? That would be their passionate disdain for Wuthering Heights-and it&apos;s not pretty-so Emily Bronte lovers, consider yourselves warned!

Included Titles:

 - Wide Sargasso Sea by Jean Rhys
 - Jane Eyre by Charlotte Bronte
 - Pride and Prejudice by Jane Austen
 - Death Comes to Pemberley by P.D. James
 - We Have Always Lived in the Castle by Shirley Jackson
 - Great Expectations by Charles Dickens
 - A Man for All Seasons by Robert Bolt
 - Wuthering Heights by Emily Bronte
 - Jude the Obscure by Thomas Hardy
 - The Glass Menagerie by Tennessee Williams
 - Alice in Wonderland by Lewis Carroll
 - Raising Demons by Shirley Jackson
 - Shogun by James Clavell
 - Tai-Pan by James Clavell
 - And Then There Were None by Agatha Christie
 - The Moonstone by Wilkie Collins</itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bed2edb4-a63f-4962-a939-e79041cd9a8f</guid>
      <title>Literary Grudge Match</title>
      <description><![CDATA[<p>Marlon and Jake kick off the first episode by taking on some literary giants in a grudge match for the ages. This time it's Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they're talking about racism or Edith Wharton's snobbery, colonialism or Hugh Grant's hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you've definitely never come across before.</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>The Palliser Novels by Anthony Trollope</li>
<li>The Warden by Anthony Trollope</li>
<li>A Tale of Two Cities by Charles Dickens</li>
<li>Bleak House by Charles Dickens</li>
<li>Great Expectations by Charles Dickens</li>
<li>Little Dorrit by Charles Dickens</li>
<li>The Old Curiosity Shop by Charles Dickens</li>
<li>David Copperfield by Charles Dickens</li>
<li>Little Women by Louisa May Alcott</li>
<li>Little House on the Prairie by Laura Ingalls Wilder</li>
<li>Lorna Doone by R. D. Blackmore</li>
<li>Oliver Twist by Charles Dickens</li>
<li>Maurice by E. M. Forster</li>
<li>Stuart Little by E.B. White</li>
<li>The Grapes of Wrath by John Steinbeck</li>
<li>East of Eden by John Steinbeck</li>
<li>Travels with Charley by John Steinbeck</li>
<li>The Great Gatsby by F. Scott Fitzgerald</li>
<li>Nick Adams Stories by Ernest Hemingway</li>
<li>The Short Stories of Ernest Hemingway by Ernest Hemingway</li>
<li>Invisible Cities by Italo Calvino</li>
</ul>
]]></description>
      <pubDate>Mon, 27 Jan 2020 06:00:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon and Jake kick off the first episode by taking on some literary giants in a grudge match for the ages. This time it's Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they're talking about racism or Edith Wharton's snobbery, colonialism or Hugh Grant's hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you've definitely never come across before.</p>
<p>Select titles mentioned in this episode:</p>
<ul>
<li>The Palliser Novels by Anthony Trollope</li>
<li>The Warden by Anthony Trollope</li>
<li>A Tale of Two Cities by Charles Dickens</li>
<li>Bleak House by Charles Dickens</li>
<li>Great Expectations by Charles Dickens</li>
<li>Little Dorrit by Charles Dickens</li>
<li>The Old Curiosity Shop by Charles Dickens</li>
<li>David Copperfield by Charles Dickens</li>
<li>Little Women by Louisa May Alcott</li>
<li>Little House on the Prairie by Laura Ingalls Wilder</li>
<li>Lorna Doone by R. D. Blackmore</li>
<li>Oliver Twist by Charles Dickens</li>
<li>Maurice by E. M. Forster</li>
<li>Stuart Little by E.B. White</li>
<li>The Grapes of Wrath by John Steinbeck</li>
<li>East of Eden by John Steinbeck</li>
<li>Travels with Charley by John Steinbeck</li>
<li>The Great Gatsby by F. Scott Fitzgerald</li>
<li>Nick Adams Stories by Ernest Hemingway</li>
<li>The Short Stories of Ernest Hemingway by Ernest Hemingway</li>
<li>Invisible Cities by Italo Calvino</li>
</ul>
]]></content:encoded>
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      <itunes:title>Literary Grudge Match</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/dfc2f29c-d2d4-4679-824d-3e575e68f625/3000x3000/1579806685-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:43:12</itunes:duration>
      <itunes:summary>Marlon and Jake kick off the first episode by taking on some literary giants in a grudge match for the ages. This time it&apos;s Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they&apos;re talking about racism or Edith Wharton&apos;s snobbery, colonialism or Hugh Grant&apos;s hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you&apos;ve definitely never come across before.

Select titles mentioned in this episode: 

 - The Palliser Novels by Anthony Trollope
 - The Warden by Anthony Trollope
 - A Tale of Two Cities by Charles Dickens
 - Bleak House by Charles Dickens
 - Great Expectations by Charles Dickens
 - Little Dorrit by Charles Dickens
 - The Old Curiosity Shop by Charles Dickens
 - David Copperfield by Charles Dickens
 - Little Women by Louisa May Alcott
 - Little House on the Prairie by Laura Ingalls Wilder
 - Lorna Doone by R. D. Blackmore
 - Oliver Twist by Charles Dickens
 - Maurice by E. M. Forster
 - Stuart Little by E.B. White
 - The Grapes of Wrath by John Steinbeck
 - East of Eden by John Steinbeck
 - Travels with Charley by John Steinbeck
 - The Great Gatsby by F. Scott Fitzgerald
 - Nick Adams Stories by Ernest Hemingway
 - The Short Stories of Ernest Hemingway by Ernest Hemingway
 - Invisible Cities by Italo Calvino</itunes:summary>
      <itunes:subtitle>Marlon and Jake kick off the first episode by taking on some literary giants in a grudge match for the ages. This time it&apos;s Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they&apos;re talking about racism or Edith Wharton&apos;s snobbery, colonialism or Hugh Grant&apos;s hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you&apos;ve definitely never come across before.

Select titles mentioned in this episode: 

 - The Palliser Novels by Anthony Trollope
 - The Warden by Anthony Trollope
 - A Tale of Two Cities by Charles Dickens
 - Bleak House by Charles Dickens
 - Great Expectations by Charles Dickens
 - Little Dorrit by Charles Dickens
 - The Old Curiosity Shop by Charles Dickens
 - David Copperfield by Charles Dickens
 - Little Women by Louisa May Alcott
 - Little House on the Prairie by Laura Ingalls Wilder
 - Lorna Doone by R. D. Blackmore
 - Oliver Twist by Charles Dickens
 - Maurice by E. M. Forster
 - Stuart Little by E.B. White
 - The Grapes of Wrath by John Steinbeck
 - East of Eden by John Steinbeck
 - Travels with Charley by John Steinbeck
 - The Great Gatsby by F. Scott Fitzgerald
 - Nick Adams Stories by Ernest Hemingway
 - The Short Stories of Ernest Hemingway by Ernest Hemingway
 - Invisible Cities by Italo Calvino</itunes:subtitle>
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      <title>Marlon and Jake Read Dead People Trailer</title>
      <description><![CDATA[<p>Marlon and Jake Read Dead People is a podcast hosted by the Man Booker Prize-winning and internationally bestselling author Marlon James and his editor, Jake Morrissey, Executive Editor at Riverhead Books.</p>
<p>In each episode, Marlon and Jake talk about authors—specifically dead authors.  Authors they like.  Authors they hate.  Great books, terrible books, and books they love that you’d never expect them to. As a writer and an editor, Marlon and Jake have read thousands of books between them, and they’re not shy in expressing their opinions about them. Sometimes they’ll agree, sometimes they won’t, but, in every episode, they’ll tell you what they think—uncensored and with no holds barred.  (That’s why the authors have to be dead.)  So listen along to hear about the spectacularly good, the hilariously bad, and the brutally honest.</p>
]]></description>
      <pubDate>Wed, 18 Dec 2019 17:10:00 +0000</pubDate>
      <author>wereaddeadpeople@penguinrandomhouse.com (Marlon James &amp; Jake Morrissey)</author>
      <link>https://www.readitforward.com/deadpeoplepod/</link>
      <content:encoded><![CDATA[<p>Marlon and Jake Read Dead People is a podcast hosted by the Man Booker Prize-winning and internationally bestselling author Marlon James and his editor, Jake Morrissey, Executive Editor at Riverhead Books.</p>
<p>In each episode, Marlon and Jake talk about authors—specifically dead authors.  Authors they like.  Authors they hate.  Great books, terrible books, and books they love that you’d never expect them to. As a writer and an editor, Marlon and Jake have read thousands of books between them, and they’re not shy in expressing their opinions about them. Sometimes they’ll agree, sometimes they won’t, but, in every episode, they’ll tell you what they think—uncensored and with no holds barred.  (That’s why the authors have to be dead.)  So listen along to hear about the spectacularly good, the hilariously bad, and the brutally honest.</p>
]]></content:encoded>
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      <itunes:title>Marlon and Jake Read Dead People Trailer</itunes:title>
      <itunes:author>Marlon James &amp; Jake Morrissey</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/327b8f/327b8f1d-54e8-4f1a-9271-0550e5e49c65/2da34d6d-075e-45c2-9462-ff1785da69e7/3000x3000/1576689397-artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:00:55</itunes:duration>
      <itunes:summary>MARLON AND JAKE READ DEAD PEOPLE is a podcast hosted by the Man Booker Prize-winning and internationally bestselling author Marlon James and his editor, Jake Morrissey, Executive Editor at Riverhead Books. In each episode, Marlon and Jake talk about authors—specifically dead authors.  Authors they like.  Authors they hate.  Great books, terrible books, and books they love that you’d never expect them to. As a writer and an editor, Marlon and Jake have read thousands of books between them, and they’re not shy in expressing their opinions about them. Sometimes they’ll agree, sometimes they won’t, but, in every episode, they’ll tell you what they think—uncensored and with no holds barred.  (That’s why the authors have to be dead.)  So listen along to hear about the spectacularly good, the hilariously bad, and the brutally honest. </itunes:summary>
      <itunes:subtitle>MARLON AND JAKE READ DEAD PEOPLE is a podcast hosted by the Man Booker Prize-winning and internationally bestselling author Marlon James and his editor, Jake Morrissey, Executive Editor at Riverhead Books. In each episode, Marlon and Jake talk about authors—specifically dead authors.  Authors they like.  Authors they hate.  Great books, terrible books, and books they love that you’d never expect them to. As a writer and an editor, Marlon and Jake have read thousands of books between them, and they’re not shy in expressing their opinions about them. Sometimes they’ll agree, sometimes they won’t, but, in every episode, they’ll tell you what they think—uncensored and with no holds barred.  (That’s why the authors have to be dead.)  So listen along to hear about the spectacularly good, the hilariously bad, and the brutally honest. </itunes:subtitle>
      <itunes:keywords>tbr pile, authors, ebook, books, nonfiction, book, non-fiction, fiction, novel, classic literature, author, classic books, novels, librarian, good reads, library, reader, literature, book recommendations, memoir, audiobook, reading, biography, book club</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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