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    <title>...and then there was EVE</title>
    <description>Based on a one woman performative concert featuring feminine heroes. Each episode of the podcast is a new opportunity to develop each character separately through a combination of exchanges with the contributors, biographical research and the poetics of story-telling, resulting in a collection of sonic, intimate confessions.</description>
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    <pubDate>Wed, 8 Mar 2023 16:45:14 +0000</pubDate>
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      <title>...and then there was EVE</title>
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    <itunes:summary>Based on a one woman performative concert featuring feminine heroes. Each episode of the podcast is a new opportunity to develop each character separately through a combination of exchanges with the contributors, biographical research and the poetics of story-telling, resulting in a collection of sonic, intimate confessions.</itunes:summary>
    <itunes:author>Jeanna Criscitiello</itunes:author>
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      <itunes:name>Jeanna Criscitiello</itunes:name>
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      <title>Butterfly</title>
      <description><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p>
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      <pubDate>Wed, 8 Mar 2023 16:45:14 +0000</pubDate>
      <author>contact@jeannacriscitiello.com (Segolene Vanderstraten)</author>
      <link>https://and-then-there-was-eve.simplecast.com/episodes/butterfly-rn20dUHE</link>
      <content:encoded><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p>
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      <itunes:title>Butterfly</itunes:title>
      <itunes:author>Segolene Vanderstraten</itunes:author>
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      <itunes:summary>Julia Butterfly Hill is an American activist best known for saving a 180 feet redwood by living in it for 738 days.
Her story is inspirational and poetic. Metamorphosis through bravery. Learning to bend so she could fly.
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      <itunes:subtitle>Julia Butterfly Hill is an American activist best known for saving a 180 feet redwood by living in it for 738 days.
Her story is inspirational and poetic. Metamorphosis through bravery. Learning to bend so she could fly.
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      <title>Susan Sontag</title>
      <description><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p><p> </p>
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      <pubDate>Tue, 8 Mar 2022 18:44:06 +0000</pubDate>
      <author>contact@jeannacriscitiello.com (Jasper Jeurissen)</author>
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      <content:encoded><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p><p> </p>
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      <itunes:title>Susan Sontag</itunes:title>
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      <itunes:summary>There was a time when writers were stars and treated as such. They held rock-n-roll status like David Bowie and when they said something, even if it was silent it was an event. Sontag made thinking sexy. Charismatic, controversial, flawed and complex; so much about what she saw and how she saw it was emblematic of the twentieth century. Sontag is my personal hero, the kind that you hold on a pedestal from afar, the kind of idol you would be scared to meet in person! </itunes:summary>
      <itunes:subtitle>There was a time when writers were stars and treated as such. They held rock-n-roll status like David Bowie and when they said something, even if it was silent it was an event. Sontag made thinking sexy. Charismatic, controversial, flawed and complex; so much about what she saw and how she saw it was emblematic of the twentieth century. Sontag is my personal hero, the kind that you hold on a pedestal from afar, the kind of idol you would be scared to meet in person! </itunes:subtitle>
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      <title>Chantal Akerman</title>
      <description><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p><p> </p>
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      <pubDate>Mon, 18 Jan 2021 11:16:10 +0000</pubDate>
      <author>contact@jeannacriscitiello.com (Jasper Jeurissen)</author>
      <link>https://and-then-there-was-eve.simplecast.com/episodes/chantalakerman-OUg3aJbB</link>
      <content:encoded><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p><p> </p>
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      <itunes:title>Chantal Akerman</itunes:title>
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      <itunes:summary>Chantal Akerman&apos;s opus film &quot;Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles&quot; altered in real time the mundane and exposed what lies hidden under the cracks. The slow unraveling is tragic and meditative. </itunes:summary>
      <itunes:subtitle>Chantal Akerman&apos;s opus film &quot;Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles&quot; altered in real time the mundane and exposed what lies hidden under the cracks. The slow unraveling is tragic and meditative. </itunes:subtitle>
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      <title>Penelope</title>
      <description><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p><p> </p>
]]></description>
      <pubDate>Fri, 18 Dec 2020 17:23:57 +0000</pubDate>
      <author>contact@jeannacriscitiello.com (Axel Red, Jasper Jeurissen)</author>
      <link>https://and-then-there-was-eve.simplecast.com/episodes/penelope-BoDNIZ6f</link>
      <content:encoded><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p><p> </p>
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      <itunes:title>Penelope</itunes:title>
      <itunes:author>Axel Red, Jasper Jeurissen</itunes:author>
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Thank you Axel Red for sharing your hero.
</itunes:summary>
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Thank you Axel Red for sharing your hero.
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      <title>Sophie Podolski</title>
      <description><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p>
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      <pubDate>Sat, 7 Nov 2020 14:16:58 +0000</pubDate>
      <author>contact@jeannacriscitiello.com (Jasper Jeurissen)</author>
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      <content:encoded><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p>
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      <itunes:title>Sophie Podolski</itunes:title>
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      <itunes:summary>In search of “The country where everything is permitted; Where you can live drunk, thin but free&quot;

Sophie Podolski (1953–1974) Belgian artist, writer and poet. 
Thank you to Caroline Dumalin for sharing your hero.
...</itunes:summary>
      <itunes:subtitle>In search of “The country where everything is permitted; Where you can live drunk, thin but free&quot;

Sophie Podolski (1953–1974) Belgian artist, writer and poet. 
Thank you to Caroline Dumalin for sharing your hero.
...</itunes:subtitle>
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      <title>Marguerite Duras</title>
      <description><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p><p> </p>
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      <pubDate>Fri, 9 Oct 2020 11:21:12 +0000</pubDate>
      <author>contact@jeannacriscitiello.com (Valerie Mannaerts, Jasper Jeurissen)</author>
      <link>https://and-then-there-was-eve.simplecast.com/episodes/marguerite-duras-1YPn61ng</link>
      <content:encoded><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo : Serge Leblon</p><p> </p>
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      <itunes:title>Marguerite Duras</itunes:title>
      <itunes:author>Valerie Mannaerts, Jasper Jeurissen</itunes:author>
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      <itunes:summary>This is the beginning episode of my audio performance. I chose to start with Duras as her very being was about the act of writing...storytelling. Her language is personal and equally universal. This is the mark of a genius. A true hero.</itunes:summary>
      <itunes:subtitle>This is the beginning episode of my audio performance. I chose to start with Duras as her very being was about the act of writing...storytelling. Her language is personal and equally universal. This is the mark of a genius. A true hero.</itunes:subtitle>
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      <title>Introduction</title>
      <description><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo by Marie Noordbergen and Arnaud Pyvka</p><p> </p><p> </p><p> </p>
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      <pubDate>Fri, 9 Oct 2020 10:24:58 +0000</pubDate>
      <author>contact@jeannacriscitiello.com (Elisa Sednaoui, Marie Noordbergen)</author>
      <link>https://and-then-there-was-eve.simplecast.com/episodes/introduction-jT4dL6Se</link>
      <content:encoded><![CDATA[<p>Jeanna Criscitiello <strong>works with text, sound, performance, and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity</strong></p><p>Her artistic approach—rooted in the production of spoken word and text-based compositions—involves intense periods of research, closely studying a wide range of sources. Criscitiello’s work thrives on material including feminist and queer theory; Greek myths, fables and folk literature; histories of art, design, and architecture; poetry, and astrology. Distilling these inputs through the prism of her critical gaze, with a focus on the female and feminist experience, the artist creates generous live performative works and open-ended collaborations. Jeanna Criscitiello manifests her artistic enquiries onstage in both a criticism of mainstream culture as a vessel for patriarchal doctrine and a celebration of its <i>détournement</i> as a tool for deeper reflection.</p><p>For more information about the artist - jeannacriscitiello.com</p><p>Photo by Marie Noordbergen and Arnaud Pyvka</p><p> </p><p> </p><p> </p>
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      <itunes:title>Introduction</itunes:title>
      <itunes:author>Elisa Sednaoui, Marie Noordbergen</itunes:author>
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      <itunes:duration>00:03:57</itunes:duration>
      <itunes:summary>My friend the fox was crying…she was also chopping onions so I wasn’t really sure if it was because of my story or the just the onions. It’s hard to tell sometimes...</itunes:summary>
      <itunes:subtitle>My friend the fox was crying…she was also chopping onions so I wasn’t really sure if it was because of my story or the just the onions. It’s hard to tell sometimes...</itunes:subtitle>
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