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    <title>Marian Goodman Gallery</title>
    <description>Marian Goodman Gallery is pleased to launch Marian Goodman Gallery Presents: a new platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition programming—in New York, Paris, and Los Angeles—in an effort to make our exhibitions accessible to the public.</description>
    <copyright>2024 Marian Goodman Gallery</copyright>
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    <pubDate>Fri, 29 Aug 2025 18:00:00 +0000</pubDate>
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    <itunes:summary>Marian Goodman Gallery is pleased to launch Marian Goodman Gallery Presents: a new platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition programming—in New York, Paris, and Los Angeles—in an effort to make our exhibitions accessible to the public.</itunes:summary>
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      <title>As Land Remembers | Denniston Hill at Marian Goodman Gallery, curated by Ariana Faye Allensworth</title>
      <description><![CDATA[Marian Goodman Gallery presents "As Land Remembers," an exhibition about Denniston Hill, the artist residency founded by artists Julie Mehretu and Paul Pfeiffer and architectural historian Lawrence Chua. The exhibition, and this accompanying audio file, features the curator, Ariana Faye Allensworth, as well as select alumni and collaborators of Denniston Hill’s residency program including American Artist, Deborah Anzinger, william córdova, Annalee Davis, Marcela Torres, Las Nietas de Nonó, and Lorna Williams. Allensworth talks about select works on view on behalf of artists Ei Arakawa-Nash, Nancy Brooks Brody, Carolina Caycedo, Nikita Gale and julie ezelle patton. 
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      <pubDate>Fri, 29 Aug 2025 18:00:00 +0000</pubDate>
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      <itunes:title>As Land Remembers | Denniston Hill at Marian Goodman Gallery, curated by Ariana Faye Allensworth</itunes:title>
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      <itunes:summary>Marian Goodman Gallery presents &quot;As Land Remembers,&quot; an exhibition about Denniston Hill, the artist residency founded by artists Julie Mehretu and Paul Pfeiffer and architectural historian Lawrence Chua. The exhibition, and this accompanying audio file, features the curator, Ariana Faye Allensworth, as well as select alumni and collaborators of Denniston Hill’s residency program including American Artist, Deborah Anzinger, william córdova, Annalee Davis, Marcela Torres, Las Nietas de Nonó, and Lorna Williams. Allensworth talks about select works on view on behalf of artists Ei Arakawa-Nash, Nancy Brooks Brody, Carolina Caycedo, Nikita Gale and julie ezelle patton.</itunes:summary>
      <itunes:subtitle>Marian Goodman Gallery presents &quot;As Land Remembers,&quot; an exhibition about Denniston Hill, the artist residency founded by artists Julie Mehretu and Paul Pfeiffer and architectural historian Lawrence Chua. The exhibition, and this accompanying audio file, features the curator, Ariana Faye Allensworth, as well as select alumni and collaborators of Denniston Hill’s residency program including American Artist, Deborah Anzinger, william córdova, Annalee Davis, Marcela Torres, Las Nietas de Nonó, and Lorna Williams. Allensworth talks about select works on view on behalf of artists Ei Arakawa-Nash, Nancy Brooks Brody, Carolina Caycedo, Nikita Gale and julie ezelle patton.</itunes:subtitle>
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      <title>MGG Presents Steve McQueen and Hans Ulrich Obrist</title>
      <description><![CDATA[Steve MᶜQueen spoke with Hans Ulrich Obrist, Artistic Director, Serpentine, on the occasion of the exhibition, "Steve MᶜQueen: Bounty," at Galerie Marian Goodman in Paris. "Bounty," MᶜQueen's first solo exhibition in Paris since 2016, is on view till 25 July 2025. Within this hour-long discussion, MᶜQueen and Obrist explored the range of MᶜQueen’s illustrious career, including a behind-the-scenes look at many of their collaborative efforts. 
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      <pubDate>Wed, 2 Jul 2025 17:47:18 +0000</pubDate>
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      <itunes:summary>Steve MᶜQueen spoke with Hans Ulrich Obrist, Artistic Director, Serpentine, on the occasion of the exhibition, &quot;Steve MᶜQueen: Bounty,&quot; at Galerie Marian Goodman in Paris. &quot;Bounty,&quot; MᶜQueen&apos;s first solo exhibition in Paris since 2016, is on view till 25 July 2025. Within this hour-long discussion, MᶜQueen and Obrist explored the range of MᶜQueen’s illustrious career, including a behind-the-scenes look at many of their collaborative efforts.</itunes:summary>
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      <title>Tavares Strachan in conversation with Phong Bui</title>
      <description><![CDATA[<p>In this conversation, Tavares Strachan and Phong Bui, Publisher and Artistic Director of The Brooklyn Rail, discussed the application of artistic vision and knowledge into creative practice. They also explore the efficacy of art in communicating historical events and examine the historical references that make up "Starless Midnight," Strachan’s current exhibition at Marian Goodman Gallery New York.﻿</p>
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      <pubDate>Fri, 11 Apr 2025 18:15:25 +0000</pubDate>
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      <content:encoded><![CDATA[<p>In this conversation, Tavares Strachan and Phong Bui, Publisher and Artistic Director of The Brooklyn Rail, discussed the application of artistic vision and knowledge into creative practice. They also explore the efficacy of art in communicating historical events and examine the historical references that make up "Starless Midnight," Strachan’s current exhibition at Marian Goodman Gallery New York.﻿</p>
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      <itunes:title>Tavares Strachan in conversation with Phong Bui</itunes:title>
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      <description><![CDATA[Tavares Strachan spoke with Sean M. Decatur, President of the American Museum of Natural History, on the importance of curiosity in art and science, the interpretation and analysis of knowledge by scientists, storytelling, and the impact of government changes on cultural institutions. 
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      <pubDate>Fri, 11 Apr 2025 17:28:55 +0000</pubDate>
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      <itunes:title>Tavares Strachan in conversation with Sean M. Decatur</itunes:title>
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      <itunes:summary>Tavares Strachan spoke with Sean M. Decatur, President of the American Museum of Natural History, on the importance of curiosity in art and science, the interpretation and analysis of knowledge by scientists, storytelling, and the impact of government changes on cultural institutions.</itunes:summary>
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      <description><![CDATA[<p><strong>Gerard & Kelly</strong> spoke with <strong>Béatrice Grenier</strong>, curator and writer, about their exhibition at Galerie Marian Goodman in Paris. Entitled <i>Bardo</i>, the exhibition features new sets of works by the duo that collectively illustrate the hybridity and multidisciplinarity of their practice, which is rooted in an ongoing investigation of history, architecture and sexuality. in a recent conversation at <strong>Galerie Marian Goodman</strong> in Paris. <i>Bardo</i>, the first major exhibition of work devoted to the work of Gerard & Kelly in Paris, is currently on view through 8 March 2025.</p>
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      <pubDate>Tue, 4 Mar 2025 15:17:25 +0000</pubDate>
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      <content:encoded><![CDATA[<p><strong>Gerard & Kelly</strong> spoke with <strong>Béatrice Grenier</strong>, curator and writer, about their exhibition at Galerie Marian Goodman in Paris. Entitled <i>Bardo</i>, the exhibition features new sets of works by the duo that collectively illustrate the hybridity and multidisciplinarity of their practice, which is rooted in an ongoing investigation of history, architecture and sexuality. in a recent conversation at <strong>Galerie Marian Goodman</strong> in Paris. <i>Bardo</i>, the first major exhibition of work devoted to the work of Gerard & Kelly in Paris, is currently on view through 8 March 2025.</p>
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      <itunes:title>Gerard &amp; Kelly in Conversation with Béatrice Grenier</itunes:title>
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      <description><![CDATA[James Welling and Simon Baker, Director of the MEP discuss the experimentational processes of darkroom and digital photography, Welling's approach to street photography and his commitment to photographing architectural spaces. 
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      <pubDate>Thu, 13 Feb 2025 17:14:27 +0000</pubDate>
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      <itunes:title>James Welling in conversation with Simon Baker</itunes:title>
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      <itunes:summary>James Welling and Simon Baker, Director of the MEP discuss the experimentational processes of darkroom and digital photography, Welling&apos;s approach to street photography and his commitment to photographing architectural spaces.</itunes:summary>
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      <description><![CDATA[Daniel Boyd shares insights on his work through the lens of history and the perception of time in First Nation culture, to contrast to what is known and perceived of his ancestry in Western society, in a recent conversation with fellow artist and collaborator Asad Raza at Galerie Marian Goodman in Paris. 

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      <pubDate>Wed, 27 Nov 2024 19:45:05 +0000</pubDate>
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      <itunes:title>Daniel Boyd in conversation with Asad Raza</itunes:title>
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      <itunes:summary>Daniel Boyd shares insights on his work through the lens of history and the perception of time in First Nation culture, to contrast to what is known and perceived of his ancestry in Western society, in a recent conversation with fellow artist and collaborator Asad Raza at Galerie Marian Goodman in Paris. 

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      <itunes:subtitle>Daniel Boyd shares insights on his work through the lens of history and the perception of time in First Nation culture, to contrast to what is known and perceived of his ancestry in Western society, in a recent conversation with fellow artist and collaborator Asad Raza at Galerie Marian Goodman in Paris. 

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      <title>Two Poems by Daniel Boyd</title>
      <description><![CDATA[On the occasion of his solo exhibition at Galerie Marian Goodman in Paris, Daniel Boyd read two poems, "LIGHT WORK," and "Recalcitrant radiance" ahead of his conversation with Asad Rasa on Monday 14 October. 
]]></description>
      <pubDate>Sat, 26 Oct 2024 16:34:46 +0000</pubDate>
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      <itunes:summary>On the occasion of his solo exhibition at Galerie Marian Goodman in Paris, Daniel Boyd read two poems, &quot;LIGHT WORK,&quot; and &quot;Recalcitrant radiance&quot; ahead of his conversation with Asad Rasa on Monday 14 October.</itunes:summary>
      <itunes:subtitle>On the occasion of his solo exhibition at Galerie Marian Goodman in Paris, Daniel Boyd read two poems, &quot;LIGHT WORK,&quot; and &quot;Recalcitrant radiance&quot; ahead of his conversation with Asad Rasa on Monday 14 October.</itunes:subtitle>
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      <title>Andrea Fraser in conversation with Chris Dercon</title>
      <description><![CDATA[Chris Dercon, Managing Director of Fondation Cartier pour l’art contemporain, Paris, spoke with Fraser about the commodification of art, institutional critique and  her decision to return to working actively with commercial art galleries in a recent conversation at Galerie Marian Goodman in Paris.  Untitled (Video, Audio, Objects), the first solo exhibition of Andrea Fraser in France, is currently on view through 5 October 2024. 
]]></description>
      <pubDate>Wed, 25 Sep 2024 16:02:22 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
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      <itunes:title>Andrea Fraser in conversation with Chris Dercon</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
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      <itunes:duration>00:56:18</itunes:duration>
      <itunes:summary>Chris Dercon, Managing Director of Fondation Cartier pour l’art contemporain, Paris, spoke with Fraser about the commodification of art, institutional critique and  her decision to return to working actively with commercial art galleries in a recent conversation at Galerie Marian Goodman in Paris.  Untitled (Video, Audio, Objects), the first solo exhibition of Andrea Fraser in France, is currently on view through 5 October 2024.</itunes:summary>
      <itunes:subtitle>Chris Dercon, Managing Director of Fondation Cartier pour l’art contemporain, Paris, spoke with Fraser about the commodification of art, institutional critique and  her decision to return to working actively with commercial art galleries in a recent conversation at Galerie Marian Goodman in Paris.  Untitled (Video, Audio, Objects), the first solo exhibition of Andrea Fraser in France, is currently on view through 5 October 2024.</itunes:subtitle>
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      <itunes:episode>18</itunes:episode>
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      <title>Thomas Struth in conversation with Florian Ebner</title>
      <description><![CDATA[The following episode is in German. To listen along with English subtitles, please visit our website at https://www.mariangoodman.com/mgg-presents/thomas-struth-in-conversation-with-florian-ebner/

Florian Ebner, curator and head of department, Photography Cabinet of Centre Pompidou, talks with Thomas Struth on the impetus, inspiration and process behind his exhibition Nature & Politics, on view at Marian Goodman Gallery Paris through 26 July 2024. The exhibition focuses on photographs taken over the past few years at the European Organization for Nuclear Research (CERN) and the Leibniz Institute for Zoo and Wildlife Research (IZW), two of the world's most prestigious scientific research centers.

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery's exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public. 
]]></description>
      <pubDate>Tue, 2 Jul 2024 15:38:20 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/thomas-struth-in-conversation-with-florian-ebner-rgdtFgSD</link>
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      <itunes:title>Thomas Struth in conversation with Florian Ebner</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
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      <itunes:duration>00:34:47</itunes:duration>
      <itunes:summary>The following episode is in German. To listen along with English subtitles, please visit our website at https://www.mariangoodman.com/mgg-presents/thomas-struth-in-conversation-with-florian-ebner/

Florian Ebner, curator and head of department, Photography Cabinet of Centre Pompidou, talks with Thomas Struth on the impetus, inspiration and process behind his exhibition Nature &amp; Politics, on view at Marian Goodman Gallery Paris through 26 July 2024. The exhibition focuses on photographs taken over the past few years at the European Organization for Nuclear Research (CERN) and the Leibniz Institute for Zoo and Wildlife Research (IZW), two of the world&apos;s most prestigious scientific research centers.

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public.</itunes:summary>
      <itunes:subtitle>The following episode is in German. To listen along with English subtitles, please visit our website at https://www.mariangoodman.com/mgg-presents/thomas-struth-in-conversation-with-florian-ebner/

Florian Ebner, curator and head of department, Photography Cabinet of Centre Pompidou, talks with Thomas Struth on the impetus, inspiration and process behind his exhibition Nature &amp; Politics, on view at Marian Goodman Gallery Paris through 26 July 2024. The exhibition focuses on photographs taken over the past few years at the European Organization for Nuclear Research (CERN) and the Leibniz Institute for Zoo and Wildlife Research (IZW), two of the world&apos;s most prestigious scientific research centers.

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:episode>17</itunes:episode>
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      <title>Adrian Rifkin and Lisa Le Feuvre discuss &quot;Robert Smithson: Mundus Subterraneus – Early Works&quot;</title>
      <description><![CDATA[Professor Adrian Rifkin and Executive Director of the Holt/Smithson Foundation Lisa Le Feuvre discuss Robert Smithson: Mundus Subterraneus – Early Works, on view at Galerie Marian Goodman in Paris through 24 February, 2024. This exhibition focuses on Smithson’s works on paper made in the early 1960s, presenting drawings and collages that set the ground for his studies of entropy and the fall of modernism. Many of these drawings have never previously been seen. Leather-clad bikers, crumbling cities, movie stills, occult books, and erotic entanglements buzz against references to the dogmas of art history, religion, and totalitarianism. 

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery's exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public. 
]]></description>
      <pubDate>Thu, 8 Feb 2024 21:53:57 +0000</pubDate>
      <author>podcast@mariangoodman.com (Adrian Rifkin, Lisa Le Feuvre)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/adrian-rifkin-and-lisa-le-feuvre-discuss-robert-smithson-mundus-subterraneus-early-works-JDXSkkAG</link>
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      <itunes:title>Adrian Rifkin and Lisa Le Feuvre discuss &quot;Robert Smithson: Mundus Subterraneus – Early Works&quot;</itunes:title>
      <itunes:author>Adrian Rifkin, Lisa Le Feuvre</itunes:author>
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      <itunes:duration>00:30:40</itunes:duration>
      <itunes:summary>Professor Adrian Rifkin and Executive Director of the Holt/Smithson Foundation Lisa Le Feuvre discuss Robert Smithson: Mundus Subterraneus – Early Works, on view at Galerie Marian Goodman in Paris through 24 February, 2024. This exhibition focuses on Smithson’s works on paper made in the early 1960s, presenting drawings and collages that set the ground for his studies of entropy and the fall of modernism. Many of these drawings have never previously been seen. Leather-clad bikers, crumbling cities, movie stills, occult books, and erotic entanglements buzz against references to the dogmas of art history, religion, and totalitarianism. 

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public.</itunes:summary>
      <itunes:subtitle>Professor Adrian Rifkin and Executive Director of the Holt/Smithson Foundation Lisa Le Feuvre discuss Robert Smithson: Mundus Subterraneus – Early Works, on view at Galerie Marian Goodman in Paris through 24 February, 2024. This exhibition focuses on Smithson’s works on paper made in the early 1960s, presenting drawings and collages that set the ground for his studies of entropy and the fall of modernism. Many of these drawings have never previously been seen. Leather-clad bikers, crumbling cities, movie stills, occult books, and erotic entanglements buzz against references to the dogmas of art history, religion, and totalitarianism. 

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public.</itunes:subtitle>
      <itunes:keywords>marian goodman gallery, robert smithson, lisa le feuvre, galerie marian goodman, adrian rifkin</itunes:keywords>
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      <itunes:episode>16</itunes:episode>
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      <title>Beatrice Gross and Jakuta Alikavazovic pay homage to Lawrence Weiner</title>
      <description><![CDATA[In the latest episode of Marian Goodman Gallery Presents, curator Beatrice Gross and author Jakuta Alikavazovic pay homage to Lawrence Weiner during his exhibition APRÈS ICI & LÀ, which took place as Galerie Marian Goodman, Paris, in the fall of 2023.

The dialogue of their conversation is in French. To view English subtitles, please watch the video on our website, at www.mariangoodman.com/mgg-presents/hommage-lawrence-weiner

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery's exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public. 
]]></description>
      <pubDate>Fri, 19 Jan 2024 19:42:52 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/beatrice-gross-and-jakuta-alikavazovic-pay-homage-to-lawrence-weiner-KERuqef8</link>
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      <itunes:title>Beatrice Gross and Jakuta Alikavazovic pay homage to Lawrence Weiner</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
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      <itunes:duration>00:41:30</itunes:duration>
      <itunes:summary>In the latest episode of Marian Goodman Gallery Presents, curator Beatrice Gross and author Jakuta Alikavazovic pay homage to Lawrence Weiner during his exhibition APRÈS ICI &amp; LÀ, which took place as Galerie Marian Goodman, Paris, in the fall of 2023.

The dialogue of their conversation is in French. To view English subtitles, please watch the video on our website, at www.mariangoodman.com/mgg-presents/hommage-lawrence-weiner

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public.</itunes:summary>
      <itunes:subtitle>In the latest episode of Marian Goodman Gallery Presents, curator Beatrice Gross and author Jakuta Alikavazovic pay homage to Lawrence Weiner during his exhibition APRÈS ICI &amp; LÀ, which took place as Galerie Marian Goodman, Paris, in the fall of 2023.

The dialogue of their conversation is in French. To view English subtitles, please watch the video on our website, at www.mariangoodman.com/mgg-presents/hommage-lawrence-weiner

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public.</itunes:subtitle>
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      <itunes:episode>15</itunes:episode>
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      <title>Delcy Morelos in conversation with Humberto Moro</title>
      <description><![CDATA[In the latest episode of Marian Goodman Gallery Presents, Delcy Morelos speaks with Humberto Moro, Deputy Director of Program at Dia Art Foundation, about spirituality, work ethic and the materials used in her work. Morelos' exhibition El oscuro de abajo at the Galerie Marian Goodman in Paris is currently on view through 21 December 2023. 

The dialogue of their conversation is in Spanish. To view the English subtitles, please watch the video on our website, at www.mariangoodman.com/mgg-presents/delcy-morelos/ 

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery's exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public. 
]]></description>
      <pubDate>Tue, 21 Nov 2023 21:21:21 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/delcy-morelos-in-conversation-with-humberto-moro-h_UgDJNw</link>
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      <itunes:title>Delcy Morelos in conversation with Humberto Moro</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
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      <itunes:duration>00:50:04</itunes:duration>
      <itunes:summary>In the latest episode of Marian Goodman Gallery Presents, Delcy Morelos speaks with Humberto Moro, Deputy Director of Program at Dia Art Foundation, about spirituality, work ethic and the materials used in her work. Morelos&apos; exhibition El oscuro de abajo at the Galerie Marian Goodman in Paris is currently on view through 21 December 2023. 

The dialogue of their conversation is in Spanish. To view the English subtitles, please watch the video on our website, at www.mariangoodman.com/mgg-presents/delcy-morelos/ 

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public.</itunes:summary>
      <itunes:subtitle>In the latest episode of Marian Goodman Gallery Presents, Delcy Morelos speaks with Humberto Moro, Deputy Director of Program at Dia Art Foundation, about spirituality, work ethic and the materials used in her work. Morelos&apos; exhibition El oscuro de abajo at the Galerie Marian Goodman in Paris is currently on view through 21 December 2023. 

The dialogue of their conversation is in Spanish. To view the English subtitles, please watch the video on our website, at www.mariangoodman.com/mgg-presents/delcy-morelos/ 

Marian Goodman Gallery Presents is a platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery&apos;s exhibition and related programming—in New York, Paris, and Los Angeles—in an effort to make our programs accessible to the public.</itunes:subtitle>
      <itunes:keywords>marian goodman gallery, delcy morelos, installation, colombian art, dia art, earth, contemporary art, humberto moro</itunes:keywords>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:episode>14</itunes:episode>
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      <title>Richard Deacon, &quot;Between the Eyes&quot;</title>
      <description><![CDATA[Imagine coming across one of the many works of public art in streets of the city. Something catches your eye, and you want to know more about it. You may wonder what the artist intended when creating it, or what it represents.

Listen to this audio excerpt to hear Richard Deacon discuss his sculpture "Between the Eyes", which is included as part of ArtBuzz, an audio tour of Toronto’s public art.

Using your smartphone, ArtBuzz makes it easy to hear from the artists themselves as they share some of the secrets and stories behind their art. ArtBuzz is spearheaded by Media Producer/Designer, David Tarnow. 
]]></description>
      <pubDate>Fri, 12 Aug 2022 16:44:10 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/richard-deacon-between-the-eyes-L_FanTcJ</link>
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      <itunes:title>Richard Deacon, &quot;Between the Eyes&quot;</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
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      <itunes:duration>00:05:29</itunes:duration>
      <itunes:summary>Imagine coming across one of the many works of public art in streets of the city. Something catches your eye, and you want to know more about it. You may wonder what the artist intended when creating it, or what it represents.

Listen to this audio excerpt to hear Richard Deacon discuss his sculpture &quot;Between the Eyes&quot;, which is included as part of ArtBuzz, an audio tour of Toronto’s public art.

Using your smartphone, ArtBuzz makes it easy to hear from the artists themselves as they share some of the secrets and stories behind their art. ArtBuzz is spearheaded by Media Producer/Designer, David Tarnow.</itunes:summary>
      <itunes:subtitle>Imagine coming across one of the many works of public art in streets of the city. Something catches your eye, and you want to know more about it. You may wonder what the artist intended when creating it, or what it represents.

Listen to this audio excerpt to hear Richard Deacon discuss his sculpture &quot;Between the Eyes&quot;, which is included as part of ArtBuzz, an audio tour of Toronto’s public art.

Using your smartphone, ArtBuzz makes it easy to hear from the artists themselves as they share some of the secrets and stories behind their art. ArtBuzz is spearheaded by Media Producer/Designer, David Tarnow.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:episode>13</itunes:episode>
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      <title>Brooke Kamin Rapaport of Madison Square Park On Cristina Iglesias’s New Sculpture, &quot;Landscape and Memory&quot;</title>
      <description><![CDATA[Cristina Iglesias unearths the forgotten terrains and geographic history of Madison Square Park in Landscape and Memory, a newly-commissioned public art installation and her first major temporary public art project in the United States. Landscape and Memory places five bronze sculptural pools, each with intricately patterned bas reliefs that feature water gently flowing and arriving in different sequences, into the park’s Oval Lawn. These sculptural works harken back to when the Cedar Creek—now buried underground—coursed across the land where the park stands today. Building on Iglesias’ practice of unearthing the forgotten and excavating natural history, Landscape and Memory resurfaces in the imaginations of contemporary viewers the now-invisible force of this ancient waterway. The installation is on view through 4 December 2022. 

The audio tour is provided courtesy of Madison Square Park Conservancy, and led by Deputy Director and Martin Friedman Chief Curator Brooke Kamin Rapaport. 
]]></description>
      <pubDate>Fri, 15 Jul 2022 16:00:17 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/madison-square-park-cristina-iglesias-f31FQ8s_</link>
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      <itunes:title>Brooke Kamin Rapaport of Madison Square Park On Cristina Iglesias’s New Sculpture, &quot;Landscape and Memory&quot;</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/8cc0c4f3-2233-44ee-b2ff-a9b349a3ee19/ece7d0a7-5b46-4b12-a2cc-650bbca272ab/3000x3000/marian-goodman-6-27-22-iglesias-00018lr-edit.jpg?aid=rss_feed"/>
      <itunes:duration>00:05:27</itunes:duration>
      <itunes:summary>Cristina Iglesias unearths the forgotten terrains and geographic history of Madison Square Park in Landscape and Memory, a newly-commissioned public art installation and her first major temporary public art project in the United States. Landscape and Memory places five bronze sculptural pools, each with intricately patterned bas reliefs that feature water gently flowing and arriving in different sequences, into the park’s Oval Lawn. These sculptural works harken back to when the Cedar Creek—now buried underground—coursed across the land where the park stands today. Building on Iglesias’ practice of unearthing the forgotten and excavating natural history, Landscape and Memory resurfaces in the imaginations of contemporary viewers the now-invisible force of this ancient waterway. The installation is on view through 4 December 2022. 

The audio tour is provided courtesy of Madison Square Park Conservancy, and led by Deputy Director and Martin Friedman Chief Curator Brooke Kamin Rapaport.</itunes:summary>
      <itunes:subtitle>Cristina Iglesias unearths the forgotten terrains and geographic history of Madison Square Park in Landscape and Memory, a newly-commissioned public art installation and her first major temporary public art project in the United States. Landscape and Memory places five bronze sculptural pools, each with intricately patterned bas reliefs that feature water gently flowing and arriving in different sequences, into the park’s Oval Lawn. These sculptural works harken back to when the Cedar Creek—now buried underground—coursed across the land where the park stands today. Building on Iglesias’ practice of unearthing the forgotten and excavating natural history, Landscape and Memory resurfaces in the imaginations of contemporary viewers the now-invisible force of this ancient waterway. The installation is on view through 4 December 2022. 

The audio tour is provided courtesy of Madison Square Park Conservancy, and led by Deputy Director and Martin Friedman Chief Curator Brooke Kamin Rapaport.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
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      <title>Julie Mehretu in Conversation with Robin Coste Lewis</title>
      <description><![CDATA[In the latest episode of Marian Goodman Gallery Presents, Julie Mehretu speaks with poet Robin Coste Lewis about their collaboration at the Galerie Marian Goodman in Paris, currently on view through 14 May 2022.

This presentation marks the intersection between art and poetry: a new series of medium-sized paintings and two large-scale prints by Mehretu are presented in tandem with an audio recording and installation by Lewis.

The collaboration between Mehretu and Lewis also marks the culmination of a political and aesthetic friendship between the two, which grew over time and which meditates on the relationship between the history of time, mark-making, human migrations, desire and the abstract. 
]]></description>
      <pubDate>Fri, 6 May 2022 16:00:00 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/julie-mehretu-in-conversation-with-robin-coste-lewis-1lEOY_04</link>
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      <itunes:title>Julie Mehretu in Conversation with Robin Coste Lewis</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
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      <itunes:duration>00:30:55</itunes:duration>
      <itunes:summary>In the latest episode of Marian Goodman Gallery Presents, Julie Mehretu speaks with poet Robin Coste Lewis about their collaboration at the Galerie Marian Goodman in Paris, currently on view through 14 May 2022.

This presentation marks the intersection between art and poetry: a new series of medium-sized paintings and two large-scale prints by Mehretu are presented in tandem with an audio recording and installation by Lewis.

The collaboration between Mehretu and Lewis also marks the culmination of a political and aesthetic friendship between the two, which grew over time and which meditates on the relationship between the history of time, mark-making, human migrations, desire and the abstract.</itunes:summary>
      <itunes:subtitle>In the latest episode of Marian Goodman Gallery Presents, Julie Mehretu speaks with poet Robin Coste Lewis about their collaboration at the Galerie Marian Goodman in Paris, currently on view through 14 May 2022.

This presentation marks the intersection between art and poetry: a new series of medium-sized paintings and two large-scale prints by Mehretu are presented in tandem with an audio recording and installation by Lewis.

The collaboration between Mehretu and Lewis also marks the culmination of a political and aesthetic friendship between the two, which grew over time and which meditates on the relationship between the history of time, mark-making, human migrations, desire and the abstract.</itunes:subtitle>
      <itunes:keywords>robin coste lewis, julie mehretu</itunes:keywords>
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      <itunes:episode>11</itunes:episode>
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      <title>Dara Birnbaum &amp; D’ORO D’ART</title>
      <description><![CDATA[Marian Goodman Gallery invites you to celebrate the NYC launch of Arabesque by Dara Birnbaum, the first in a series of innovative works published by D’ORO D’ART. 

Dara Birnbaum was in conversation with the curators of the book, Barbara London and Valentino Catricalà, and the publisher Salvatore Dino, on 22 March 2022 at Marian Goodman Gallery New York.

For her book commissioned by D’ORO D’ART Project, Birnbaum took on the challenge of transforming her four-channel video, Arabesque (2011) into a unique, vertically-formatted single screen. Integrating the latest in software and hardware, the highly skilled designers at D’ORO D’ART successfully created a hybrid object, which is a book, a sculpture, and a video artwork all in one. 
]]></description>
      <pubDate>Fri, 1 Apr 2022 21:00:00 +0000</pubDate>
      <author>podcast@mariangoodman.com (Dara Birnbaum, Barbara London, Valentino Catricalà, Salvatore Dino)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/dara-birnbaum-doro-dart-ksgmZwKI</link>
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      <itunes:title>Dara Birnbaum &amp; D’ORO D’ART</itunes:title>
      <itunes:author>Dara Birnbaum, Barbara London, Valentino Catricalà, Salvatore Dino</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/8cc0c4f3-2233-44ee-b2ff-a9b349a3ee19/8118c239-81bb-4395-b31e-d906747e30df/3000x3000/d-oro.jpg?aid=rss_feed"/>
      <itunes:duration>00:50:02</itunes:duration>
      <itunes:summary>Marian Goodman Gallery invites you to celebrate the NYC launch of Arabesque by Dara Birnbaum, the first in a series of innovative works published by D’ORO D’ART. 

Dara Birnbaum was in conversation with the curators of the book, Barbara London and Valentino Catricalà, and the publisher Salvatore Dino, on 22 March 2022 at Marian Goodman Gallery New York.

For her book commissioned by D’ORO D’ART Project, Birnbaum took on the challenge of transforming her four-channel video, Arabesque (2011) into a unique, vertically-formatted single screen. Integrating the latest in software and hardware, the highly skilled designers at D’ORO D’ART successfully created a hybrid object, which is a book, a sculpture, and a video artwork all in one.</itunes:summary>
      <itunes:subtitle>Marian Goodman Gallery invites you to celebrate the NYC launch of Arabesque by Dara Birnbaum, the first in a series of innovative works published by D’ORO D’ART. 

Dara Birnbaum was in conversation with the curators of the book, Barbara London and Valentino Catricalà, and the publisher Salvatore Dino, on 22 March 2022 at Marian Goodman Gallery New York.

For her book commissioned by D’ORO D’ART Project, Birnbaum took on the challenge of transforming her four-channel video, Arabesque (2011) into a unique, vertically-formatted single screen. Integrating the latest in software and hardware, the highly skilled designers at D’ORO D’ART successfully created a hybrid object, which is a book, a sculpture, and a video artwork all in one.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
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      <title>Hans Ulrich Obrist on Ettore Spalletti</title>
      <description><![CDATA[A live discussion recorded on 26 January 2022, by Hans Ulrich Obrist on Ettore Spalletti (1940-2019), whose work is on view in our New York gallery through 5 March 2022.

About Hans Ulrich Obrist
Hans Ulrich Obrist (b. 1968, Zurich, Switzerland) is Artistic Director of the Serpentine Galleries in London, Senior Advisor at LUMA Arles, and Senior Artistic Advisor at The Shed in New York. Prior to this, he was the Curator of the Musée d’Art Moderne de la Ville de Paris. Since his first show World Soup (The Kitchen Show) in 1991, he has curated more than 350 shows.

About Ettore Spalletti
Ettore Spalletti (1940-2019) was born in Cappelle sul Tavo (Pescara) where he spent his whole life. He began his career when Arte Povera was revolutionizing visual culture in Italy and beyond. Spalletti developed a singular, solitary voice and a resultant body of work that exceeds any movement circumscribing an artist to regional or ideological boundaries. Spalletti's formal vocabulary has always melded and balanced painting and sculpture, form and color, interior and exterior space. 
]]></description>
      <pubDate>Fri, 28 Jan 2022 18:08:15 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/hans-ulrich-obrist-on-ettore-spalletti-5yX2MbQ3</link>
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      <itunes:title>Hans Ulrich Obrist on Ettore Spalletti</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
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      <itunes:duration>00:23:53</itunes:duration>
      <itunes:summary>A live discussion recorded on 26 January 2022, by Hans Ulrich Obrist on Ettore Spalletti (1940-2019), whose work is on view in our New York gallery through 5 March 2022.

About Hans Ulrich Obrist
Hans Ulrich Obrist (b. 1968, Zurich, Switzerland) is Artistic Director of the Serpentine Galleries in London, Senior Advisor at LUMA Arles, and Senior Artistic Advisor at The Shed in New York. Prior to this, he was the Curator of the Musée d’Art Moderne de la Ville de Paris. Since his first show World Soup (The Kitchen Show) in 1991, he has curated more than 350 shows.

About Ettore Spalletti
Ettore Spalletti (1940-2019) was born in Cappelle sul Tavo (Pescara) where he spent his whole life. He began his career when Arte Povera was revolutionizing visual culture in Italy and beyond. Spalletti developed a singular, solitary voice and a resultant body of work that exceeds any movement circumscribing an artist to regional or ideological boundaries. Spalletti&apos;s formal vocabulary has always melded and balanced painting and sculpture, form and color, interior and exterior space.</itunes:summary>
      <itunes:subtitle>A live discussion recorded on 26 January 2022, by Hans Ulrich Obrist on Ettore Spalletti (1940-2019), whose work is on view in our New York gallery through 5 March 2022.

About Hans Ulrich Obrist
Hans Ulrich Obrist (b. 1968, Zurich, Switzerland) is Artistic Director of the Serpentine Galleries in London, Senior Advisor at LUMA Arles, and Senior Artistic Advisor at The Shed in New York. Prior to this, he was the Curator of the Musée d’Art Moderne de la Ville de Paris. Since his first show World Soup (The Kitchen Show) in 1991, he has curated more than 350 shows.

About Ettore Spalletti
Ettore Spalletti (1940-2019) was born in Cappelle sul Tavo (Pescara) where he spent his whole life. He began his career when Arte Povera was revolutionizing visual culture in Italy and beyond. Spalletti developed a singular, solitary voice and a resultant body of work that exceeds any movement circumscribing an artist to regional or ideological boundaries. Spalletti&apos;s formal vocabulary has always melded and balanced painting and sculpture, form and color, interior and exterior space.</itunes:subtitle>
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      <itunes:episode>9</itunes:episode>
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      <title>William Kentridge in conversation with Denis Hirson</title>
      <description><![CDATA[An in-depth conversation between William Kentridge and author and long-time friend Denis Hirson, recently held at Galerie Marian Goodman, delves into the themes, mediums, and inspiration behind the works currently on view. 
]]></description>
      <pubDate>Thu, 4 Nov 2021 15:53:01 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/william-kentridge-in-conversation-with-denis-hirson-H8hq5Yfu</link>
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      <itunes:title>William Kentridge in conversation with Denis Hirson</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/8cc0c4f3-2233-44ee-b2ff-a9b349a3ee19/0f76ef01-5675-40f3-b918-28d01552eb2f/3000x3000/kentridge.jpg?aid=rss_feed"/>
      <itunes:duration>00:36:19</itunes:duration>
      <itunes:summary>An in-depth conversation between William Kentridge and author and long-time friend Denis Hirson, recently held at Galerie Marian Goodman, delves into the themes, mediums, and inspiration behind the works currently on view.</itunes:summary>
      <itunes:subtitle>An in-depth conversation between William Kentridge and author and long-time friend Denis Hirson, recently held at Galerie Marian Goodman, delves into the themes, mediums, and inspiration behind the works currently on view.</itunes:subtitle>
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      <itunes:episode>8</itunes:episode>
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      <title>On &quot;Pan Amicus&quot;: Tacita Dean in conversation with Jim Cuno of The Getty, Los Angeles</title>
      <description><![CDATA["Pan Amicus," Dean's new 16mm film, was commissioned by the Getty Center, Los Angeles, where she was in residency from 2014-2015. Dean speaks with Jim Cuno, the President and CEO of the J. Paul Getty Trust, about the film, which includes museum objects, and is inspired by the Greek god Pan – ‘friend and helper’ in the ‘Piper at the Gates of Dawn’ (from the book, "The Wind in the Willows"). 
]]></description>
      <pubDate>Wed, 3 Nov 2021 20:11:28 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/on-pan-amicus-tacita-dean-in-conversation-with-jim-cuno-FwHE3Wen</link>
      <enclosure length="11304820" type="audio/mpeg" url="https://cdn.simplecast.com/audio/56bf31ff-57af-48ec-a830-d7394d0302a8/episodes/bcba0080-41c0-4cfe-89b4-ec3fa93b07a7/audio/486efcdf-8b8f-4af8-b6a5-37502b2d9e7b/default_tc.mp3?aid=rss_feed&amp;feed=bmnBuxxl"/>
      <itunes:title>On &quot;Pan Amicus&quot;: Tacita Dean in conversation with Jim Cuno of The Getty, Los Angeles</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/8cc0c4f3-2233-44ee-b2ff-a9b349a3ee19/bad19134-f6fd-45dc-a90c-f126513c8d0c/3000x3000/dean2.jpg?aid=rss_feed"/>
      <itunes:duration>00:11:46</itunes:duration>
      <itunes:summary>&quot;Pan Amicus,&quot; Dean&apos;s new 16mm film, was commissioned by the Getty Center, Los Angeles, where she was in residency from 2014-2015. Dean speaks with Jim Cuno, the President and CEO of the J. Paul Getty Trust, about the film, which includes museum objects, and is inspired by the Greek god Pan – ‘friend and helper’ in the ‘Piper at the Gates of Dawn’ (from the book, &quot;The Wind in the Willows&quot;).</itunes:summary>
      <itunes:subtitle>&quot;Pan Amicus,&quot; Dean&apos;s new 16mm film, was commissioned by the Getty Center, Los Angeles, where she was in residency from 2014-2015. Dean speaks with Jim Cuno, the President and CEO of the J. Paul Getty Trust, about the film, which includes museum objects, and is inspired by the Greek god Pan – ‘friend and helper’ in the ‘Piper at the Gates of Dawn’ (from the book, &quot;The Wind in the Willows&quot;).</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
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      <title>On &quot;Monet Hates Me&quot;: Tacita Dean in conversation with Jim Cuno of The Getty, Los Angeles</title>
      <description><![CDATA[ 
]]></description>
      <pubDate>Wed, 3 Nov 2021 20:05:53 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/tacita-dean-in-conversation-with-jim-cuno-c1a7Y1_9</link>
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      <itunes:title>On &quot;Monet Hates Me&quot;: Tacita Dean in conversation with Jim Cuno of The Getty, Los Angeles</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/8cc0c4f3-2233-44ee-b2ff-a9b349a3ee19/9ab0fc7b-eb66-4eac-a72a-a84a6f489080/3000x3000/dean.jpg?aid=rss_feed"/>
      <itunes:duration>00:14:13</itunes:duration>
      <itunes:summary></itunes:summary>
      <itunes:subtitle></itunes:subtitle>
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      <itunes:episode>6</itunes:episode>
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      <title>Anri Sala in conversation with  William J. Simmons</title>
      <description><![CDATA[The latest episode of Marian Goodman Gallery Presents takes a close look at Time No Longer, the immersive film and sound installation commissioned by Anri Sala for the Buffalo Bayou Park Cistern in Houston, Texas. Sala speaks with writer and curator William J. Simmons about his approach to space as an instrument and the project’s prevailing theme: time, and how it relates to history, music, solitude and outer space. 
]]></description>
      <pubDate>Mon, 12 Jul 2021 16:00:00 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/anri-sala-in-conversation-with-william-j-simmons-xeIkN1UP</link>
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      <itunes:title>Anri Sala in conversation with  William J. Simmons</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
      <itunes:duration>00:27:32</itunes:duration>
      <itunes:summary>The latest episode of Marian Goodman Gallery Presents takes a close look at Time No Longer, the immersive film and sound installation commissioned by Anri Sala for the Buffalo Bayou Park Cistern in Houston, Texas. Sala speaks with writer and curator William J. Simmons about his approach to space as an instrument and the project’s prevailing theme: time, and how it relates to history, music, solitude and outer space.</itunes:summary>
      <itunes:subtitle>The latest episode of Marian Goodman Gallery Presents takes a close look at Time No Longer, the immersive film and sound installation commissioned by Anri Sala for the Buffalo Bayou Park Cistern in Houston, Texas. Sala speaks with writer and curator William J. Simmons about his approach to space as an instrument and the project’s prevailing theme: time, and how it relates to history, music, solitude and outer space.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
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      <title>Nan Goldin and Thora Siemsen in conversation</title>
      <description><![CDATA[In her interview with writer Thora Siemsen, Nan Goldin shares the artistic process and the inspirations behind the photographs and films featured in Memory Lost, the first solo presentation by the artist in New York in five years. Goldin reflects on Memory Lost, a new digital slideshow that recounts a life lived through a lens of drug addiction, and on her latest series of photographs, which feature Thora and were taken entirely from Goldin’s home during quarantine. She discusses Sirens, the first work she made entirely from found footage, and The Other Side, an homage to the artist’s transgender friends whom she lived with and photographed from 1972 to 2010. Learn more about the works in the exhibition, as well as Nan's political work during quarantine, in this full-length film. 
]]></description>
      <pubDate>Tue, 1 Jun 2021 04:00:00 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/nan-goldin-and-thora-siemsen-in-conversation-k_ya_prh</link>
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      <itunes:title>Nan Goldin and Thora Siemsen in conversation</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/8cc0c4f3-2233-44ee-b2ff-a9b349a3ee19/a4222b01-f519-4fe3-b1d6-06667cdf8478/3000x3000/nan-thora.jpg?aid=rss_feed"/>
      <itunes:duration>00:16:16</itunes:duration>
      <itunes:summary>In her interview with writer Thora Siemsen, Nan Goldin shares the artistic process and the inspirations behind the photographs and films featured in Memory Lost, the first solo presentation by the artist in New York in five years. Goldin reflects on Memory Lost, a new digital slideshow that recounts a life lived through a lens of drug addiction, and on her latest series of photographs, which feature Thora and were taken entirely from Goldin’s home during quarantine. She discusses Sirens, the first work she made entirely from found footage, and The Other Side, an homage to the artist’s transgender friends whom she lived with and photographed from 1972 to 2010. Learn more about the works in the exhibition, as well as Nan&apos;s political work during quarantine, in this full-length film.</itunes:summary>
      <itunes:subtitle>In her interview with writer Thora Siemsen, Nan Goldin shares the artistic process and the inspirations behind the photographs and films featured in Memory Lost, the first solo presentation by the artist in New York in five years. Goldin reflects on Memory Lost, a new digital slideshow that recounts a life lived through a lens of drug addiction, and on her latest series of photographs, which feature Thora and were taken entirely from Goldin’s home during quarantine. She discusses Sirens, the first work she made entirely from found footage, and The Other Side, an homage to the artist’s transgender friends whom she lived with and photographed from 1972 to 2010. Learn more about the works in the exhibition, as well as Nan&apos;s political work during quarantine, in this full-length film.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
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      <title>Hiroshi Sugimoto and Gabriel Orozco in conversation, Moderated by Mami Kataoka</title>
      <description><![CDATA[The artists share their thoughts on process, architecture and the Japanese aesthetic with the director of the Mori Art Museum. This conversation, celebrating the work of both artists, takes place on the occasion of Theory of Colours, our solo exhibition by Sugimoto at Galerie Marian Goodman. The conversation was recorded this Spring at the Enoura Observatory, Japan, which is part of the Odawara Art Foundation. 
]]></description>
      <pubDate>Sat, 1 May 2021 16:00:00 +0000</pubDate>
      <author>podcast@mariangoodman.com (Marian Goodman Gallery)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/hiroshi-sugimoto-and-gabriel-orozco-in-conversation-moderated-by-mami-kataoka-FDX9qbPS</link>
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      <itunes:title>Hiroshi Sugimoto and Gabriel Orozco in conversation, Moderated by Mami Kataoka</itunes:title>
      <itunes:author>Marian Goodman Gallery</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/8cc0c4f3-2233-44ee-b2ff-a9b349a3ee19/9d69a67a-4b32-4461-ba7c-8a0764ab28ec/3000x3000/mggpresents-sugimoto-orozco.jpg?aid=rss_feed"/>
      <itunes:duration>00:35:16</itunes:duration>
      <itunes:summary>The artists share their thoughts on process, architecture and the Japanese aesthetic with the director of the Mori Art Museum. This conversation, celebrating the work of both artists, takes place on the occasion of Theory of Colours, our solo exhibition by Sugimoto at Galerie Marian Goodman. The conversation was recorded this Spring at the Enoura Observatory, Japan, which is part of the Odawara Art Foundation.</itunes:summary>
      <itunes:subtitle>The artists share their thoughts on process, architecture and the Japanese aesthetic with the director of the Mori Art Museum. This conversation, celebrating the work of both artists, takes place on the occasion of Theory of Colours, our solo exhibition by Sugimoto at Galerie Marian Goodman. The conversation was recorded this Spring at the Enoura Observatory, Japan, which is part of the Odawara Art Foundation.</itunes:subtitle>
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      <title>Christian Boltanski, “Après,” Galerie Marian Goodman</title>
      <description><![CDATA[<p>Christian Boltanski on the prevailing themes behind his work and in “Après,” his solo exhibition at Galerie Marian Goodman.</p><p>This immersive exhibition includes a series of new sculptures and several video installations, designed to invoke sensory perception and memory.</p><p>Audio available in French. Visit <a href="https://www.mariangoodman.com/interview-christian-boltanski-at-galerie-marian-goodman/" target="_blank">mariangoodman.com/interview-christian-boltanski-at-galerie-marian-goodman/</a> for video with English subtitles. </p>
]]></description>
      <pubDate>Fri, 12 Feb 2021 19:00:00 +0000</pubDate>
      <author>podcast@mariangoodman.com (Christian Boltanski)</author>
      <link>https://marian-goodman-gallery-presents.simplecast.com/episodes/boltanski-apres-zN_oMuCi</link>
      <content:encoded><![CDATA[<p>Christian Boltanski on the prevailing themes behind his work and in “Après,” his solo exhibition at Galerie Marian Goodman.</p><p>This immersive exhibition includes a series of new sculptures and several video installations, designed to invoke sensory perception and memory.</p><p>Audio available in French. Visit <a href="https://www.mariangoodman.com/interview-christian-boltanski-at-galerie-marian-goodman/" target="_blank">mariangoodman.com/interview-christian-boltanski-at-galerie-marian-goodman/</a> for video with English subtitles. </p>
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      <itunes:title>Christian Boltanski, “Après,” Galerie Marian Goodman</itunes:title>
      <itunes:author>Christian Boltanski</itunes:author>
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      <itunes:duration>00:17:03</itunes:duration>
      <itunes:summary>Christian Boltanski on the prevailing themes behind his work and in “Après,” his solo exhibition at Galerie Marian Goodman.
This immersive exhibition includes a series of new sculptures and several video installations, designed to invoke sensory perception and memory.</itunes:summary>
      <itunes:subtitle>Christian Boltanski on the prevailing themes behind his work and in “Après,” his solo exhibition at Galerie Marian Goodman.
This immersive exhibition includes a series of new sculptures and several video installations, designed to invoke sensory perception and memory.</itunes:subtitle>
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      <title>Dieter Schwarz in conversation with  Philipp Kaiser</title>
      <description><![CDATA[Marian Goodman Gallery is pleased to launch Marian Goodman Gallery Presents: a new platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery’s exhibition programming—in New York, Paris, and with Marian Goodman Projects around the world—in an effort to make our exhibitions accessible to the public. Philipp Kaiser, Chief Executive Director of Artists & Programs, will host the series, beginning with a conversation with celebrated curator and longtime friend, Dieter Schwarz, surrounding the exhibition, MULTIPLES, INC.: 1965-1992, which Schwarz curated for the New York gallery. Kaiser and Schwarz will discuss the exhibition from several angles, offering new insights into the vast legacy of Multiples, Inc. 
]]></description>
      <pubDate>Mon, 1 Feb 2021 18:30:00 +0000</pubDate>
      <author>podcast@mariangoodman.com (Dieter Schwarz, Philipp Kaiser)</author>
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      <itunes:title>Dieter Schwarz in conversation with  Philipp Kaiser</itunes:title>
      <itunes:author>Dieter Schwarz, Philipp Kaiser</itunes:author>
      <itunes:duration>00:19:46</itunes:duration>
      <itunes:summary>Marian Goodman Gallery is pleased to launch Marian Goodman Gallery Presents: a new platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery’s exhibition programming—in New York, Paris, and with Marian Goodman Projects around the world—in an effort to make our exhibitions accessible to the public. Philipp Kaiser, Chief Executive Director of Artists &amp; Programs, will host the series, beginning with a conversation with celebrated curator and longtime friend, Dieter Schwarz, surrounding the exhibition, MULTIPLES, INC.: 1965-1992, which Schwarz curated for the New York gallery. Kaiser and Schwarz will discuss the exhibition from several angles, offering new insights into the vast legacy of Multiples, Inc.</itunes:summary>
      <itunes:subtitle>Marian Goodman Gallery is pleased to launch Marian Goodman Gallery Presents: a new platform featuring in-depth conversations with artists and curators alike. The aim is to complement the gallery’s exhibition programming—in New York, Paris, and with Marian Goodman Projects around the world—in an effort to make our exhibitions accessible to the public. Philipp Kaiser, Chief Executive Director of Artists &amp; Programs, will host the series, beginning with a conversation with celebrated curator and longtime friend, Dieter Schwarz, surrounding the exhibition, MULTIPLES, INC.: 1965-1992, which Schwarz curated for the New York gallery. Kaiser and Schwarz will discuss the exhibition from several angles, offering new insights into the vast legacy of Multiples, Inc.</itunes:subtitle>
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