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    <title>Nations by Artists Podcast</title>
    <description>Artists, activists, and scholars deliver a state of the nation on nations, interrogating ideas of nationhood, borders, power, and dissent. Produced in concert with the Art Museum at the University of Toronto&apos;s exhibition, Nations by Artists.</description>
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    <pubDate>Sun, 8 May 2022 18:29:33 +0000</pubDate>
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      <title>Nations by Artists Podcast</title>
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    <itunes:summary>Artists, activists, and scholars deliver a state of the nation on nations, interrogating ideas of nationhood, borders, power, and dissent. Produced in concert with the Art Museum at the University of Toronto&apos;s exhibition, Nations by Artists.</itunes:summary>
    <itunes:author>Sarah Robayo Sheridan, Mikinaak Migwans</itunes:author>
    <itunes:explicit>no</itunes:explicit>
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    <itunes:keywords>museums, activism, art activism, art galleries, art museum, contemporary art, public art</itunes:keywords>
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      <itunes:name>Art Museum at the University of Toronto</itunes:name>
      <itunes:email>artmuseum@utoronto.ca</itunes:email>
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      <title>Nations By Artists Episode 3: Archive/Counter-Archive</title>
      <description><![CDATA[<p>Artists featured in this episode: </p><ul><li>    <a href="http://www.huongngo.com/" target="_blank">Huong Ngo</a> </li><li>    <a href="https://jasminacibic.org/">Jasmina Cibic</a> </li><li>  <a href="https://www.sadiebarnette.com/" target="_blank">  Sadie Barnette</a> </li></ul><p>Further Reading</p><ul><li>Hương Ngô, “We are still here / Chúng ta vẫn ở đây / Narito pa rin kami,” for <i>When the Storm Comes</i>, a collaboration between feminist publishers Gantala Press and Bar de Force Press. <a href="https://whenthestormcomes314975986.wordpress.com/chung-toi-van-o-day-we-are-still-here-narito-pa-rin-kami/" target="_blank">https://whenthestormcomes314975986.wordpress.com/chung-toi-van-o-day-we-are-still-here-narito-pa-rin-kami/</a></li><li>Chester Alamo-Costello, “Hương Ngô – Reflecting Winds of Perception & Change,” <i>Comp Magazine,</i> 15 October 2018, <a href="https://www.thecompmagazine.com/huong-ngo/" target="_blank">https://www.thecompmagazine.com/huong-ngo/</a></li><li>Jaka Gerčar, “The Gift, And Especially The Obligation To Return It: Jasmina Cibic’ Foundation Of Endeavour (Exhibition review), <i>Membrana </i>5, no. 2 (2020), <a href="https://www.membrana.org/review/the-gift-and-especially-the-obligation-to-return-it-jasmina-cibic-foundation-of-endeavour/" target="_blank">https://www.membrana.org/review/the-gift-and-especially-the-obligation-to-return-it-jasmina-cibic-foundation-of-endeavour/</a></li><li>Anna Furman, “A Daughter’s Reclamation of Her Father’s Past,” <i>New York Times T Magazine,</i> 31 Dec 2021, <a href="https://www.nytimes.com/2021/12/31/t-magazine/sadie-barnette-fbi-drawings.html" target="_blank">https://www.nytimes.com/2021/12/31/t-magazine/sadie-barnette-fbi-drawings.html</a></li><li>Sampada Aranke, “Material Matters: Black Radical Aesthetics and the Limits of Visibility,” <i>e-flux journal 79 </i>(february 2017). <a href="https://www.e-flux.com/journal/79/94433/material-matters-black-radical-aesthetics-and-the-limits-of-visibility/" target="_blank">https://www.e-flux.com/journal/79/94433/material-matters-black-radical-aesthetics-and-the-limits-of-visibility/</a></li></ul><p>The Nations by Artists podcast is produced by Aliya Pabani and is supported in part by funding from the Social Sciences and Humanities Research Council</p><p>Graphic design by Demian DinéYazhi’</p><p>Music for episode 3 by <a href="https://zoongideewinmusic.bandcamp.com/album/bleached-wavves" target="_blank">Zoon</a> (Daniel Monkman, represented by Double Denim Management)</p>
]]></description>
      <pubDate>Sun, 8 May 2022 18:29:33 +0000</pubDate>
      <author>artmuseum@utoronto.ca (Sarah Robayo Sheridan, Mikinaak Migwans, Huong Ngo, Jasmina Cibic, Sadie Barnette)</author>
      <link>https://nations-by-artists-podcast.simplecast.com/episodes/nations-by-artists-episode-3-archive-counter-archive-pBwsuhPi</link>
      <content:encoded><![CDATA[<p>Artists featured in this episode: </p><ul><li>    <a href="http://www.huongngo.com/" target="_blank">Huong Ngo</a> </li><li>    <a href="https://jasminacibic.org/">Jasmina Cibic</a> </li><li>  <a href="https://www.sadiebarnette.com/" target="_blank">  Sadie Barnette</a> </li></ul><p>Further Reading</p><ul><li>Hương Ngô, “We are still here / Chúng ta vẫn ở đây / Narito pa rin kami,” for <i>When the Storm Comes</i>, a collaboration between feminist publishers Gantala Press and Bar de Force Press. <a href="https://whenthestormcomes314975986.wordpress.com/chung-toi-van-o-day-we-are-still-here-narito-pa-rin-kami/" target="_blank">https://whenthestormcomes314975986.wordpress.com/chung-toi-van-o-day-we-are-still-here-narito-pa-rin-kami/</a></li><li>Chester Alamo-Costello, “Hương Ngô – Reflecting Winds of Perception & Change,” <i>Comp Magazine,</i> 15 October 2018, <a href="https://www.thecompmagazine.com/huong-ngo/" target="_blank">https://www.thecompmagazine.com/huong-ngo/</a></li><li>Jaka Gerčar, “The Gift, And Especially The Obligation To Return It: Jasmina Cibic’ Foundation Of Endeavour (Exhibition review), <i>Membrana </i>5, no. 2 (2020), <a href="https://www.membrana.org/review/the-gift-and-especially-the-obligation-to-return-it-jasmina-cibic-foundation-of-endeavour/" target="_blank">https://www.membrana.org/review/the-gift-and-especially-the-obligation-to-return-it-jasmina-cibic-foundation-of-endeavour/</a></li><li>Anna Furman, “A Daughter’s Reclamation of Her Father’s Past,” <i>New York Times T Magazine,</i> 31 Dec 2021, <a href="https://www.nytimes.com/2021/12/31/t-magazine/sadie-barnette-fbi-drawings.html" target="_blank">https://www.nytimes.com/2021/12/31/t-magazine/sadie-barnette-fbi-drawings.html</a></li><li>Sampada Aranke, “Material Matters: Black Radical Aesthetics and the Limits of Visibility,” <i>e-flux journal 79 </i>(february 2017). <a href="https://www.e-flux.com/journal/79/94433/material-matters-black-radical-aesthetics-and-the-limits-of-visibility/" target="_blank">https://www.e-flux.com/journal/79/94433/material-matters-black-radical-aesthetics-and-the-limits-of-visibility/</a></li></ul><p>The Nations by Artists podcast is produced by Aliya Pabani and is supported in part by funding from the Social Sciences and Humanities Research Council</p><p>Graphic design by Demian DinéYazhi’</p><p>Music for episode 3 by <a href="https://zoongideewinmusic.bandcamp.com/album/bleached-wavves" target="_blank">Zoon</a> (Daniel Monkman, represented by Double Denim Management)</p>
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      <itunes:title>Nations By Artists Episode 3: Archive/Counter-Archive</itunes:title>
      <itunes:author>Sarah Robayo Sheridan, Mikinaak Migwans, Huong Ngo, Jasmina Cibic, Sadie Barnette</itunes:author>
      <itunes:duration>00:35:09</itunes:duration>
      <itunes:summary>The archives of the nation are centuries deep and football fields wide. But what’s inside those vaults is still tiny compared to everything that’s been cut out. Three artists take us into their own counter-archives and show us the radical potential of those gaps in the record: unsung anthems and unflown flags, a father’s image in family photos, and the echoes of a mother’s voice. Co-hosts Sarah Robayo Sheridan and Mikinaak Migwans interview artists and share stories from behind the scenes of the Nations By Artists exhibition.</itunes:summary>
      <itunes:subtitle>The archives of the nation are centuries deep and football fields wide. But what’s inside those vaults is still tiny compared to everything that’s been cut out. Three artists take us into their own counter-archives and show us the radical potential of those gaps in the record: unsung anthems and unflown flags, a father’s image in family photos, and the echoes of a mother’s voice. Co-hosts Sarah Robayo Sheridan and Mikinaak Migwans interview artists and share stories from behind the scenes of the Nations By Artists exhibition.</itunes:subtitle>
      <itunes:keywords>art activism, art museum, archive, contemporary art, nations by artist, counter archive</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:episode>3</itunes:episode>
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      <title>Nations By Artists Episode 2: Borders</title>
      <description><![CDATA[<p>Artists featured in this episode: </p><ul><li><a href="https://gregahill.com/kanata-project/ " target="_blank">Greg Hil</a></li><li><a href="https://www.alanmichelson.com/" target="_blank">Alan Michelson</a></li><li><a href="http://pablohelguera.net/2006/06/the-school-of-panamerican-unrest/" target="_blank">Pablo Helguera</a></li><li><a href="http://www.nativeartdepartment.org/" target="_blank">Native Art Department International (NADI)</a></li><li><a href="https://www.gpeterjemison.com/about" target="_blank">G. Peter Jemison</a></li></ul><p>Further Reading</p><ul><li>“Alan Michelson & Jolene Rickard on Native Sovereignty,” Dec 7, 2020, Museum of Contemporary Art Denver, https://www.youtube.com/watch?v=RSrFZX1TQk4</li><li>Joseph Heath, “The Citizenship Act of 1924” (report), OnondagaNation.org, June 7, 2018, https://www.onondaganation.org/news/2018/the-citizenship-act-of-1924/</li><li>Audra Simpson, <i>Mohawk Interruptus: Political Life Across the Borders of Settler States </i>(Duke University Press, 2014).</li><li>Pablo Helguero and Sarah Demeuse (editors), <i>School of Panamerican Unrest Anthology</i> (United States: Jorge Pinto Books, 2011).</li><li>Rebecca McGrew et al, <i>It Happened at Pomona : Art at the Edge of Los Angeles 1969-1973 </i>(Claremont, CA: Pomona College Museum of Art, 2011).</li><li>Ming Tiampo, “Gutai: Splendid Playground,” Guggenheim exhibition website, http://web.guggenheim.org/exhibitions/gutai/'</li></ul><p>Music: Cris Derksen: <i>North, 21, Sorry, Dark Dance</i> (℗©2013 Cris Derksen, represented by Latitude 45 Arts)</p><p>The Art Museum gratefully acknowledges operating support from the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council, with additional project support from the Social Sciences and Humanities Research Council.</p><p>Produced by Aliya Pabani.</p>
]]></description>
      <pubDate>Tue, 15 Mar 2022 20:10:00 +0000</pubDate>
      <author>artmuseum@utoronto.ca (Greg Hill, Alan Michelson, Pablo Helguera, Native Art Department International, NADI, G. Peter Jemison, Sarah Robayo Sheridan, Mikinaak Migwans)</author>
      <link>https://nations-by-artists-podcast.simplecast.com/episodes/nations-by-artists-episode-2-borders-TXxMRsvq</link>
      <content:encoded><![CDATA[<p>Artists featured in this episode: </p><ul><li><a href="https://gregahill.com/kanata-project/ " target="_blank">Greg Hil</a></li><li><a href="https://www.alanmichelson.com/" target="_blank">Alan Michelson</a></li><li><a href="http://pablohelguera.net/2006/06/the-school-of-panamerican-unrest/" target="_blank">Pablo Helguera</a></li><li><a href="http://www.nativeartdepartment.org/" target="_blank">Native Art Department International (NADI)</a></li><li><a href="https://www.gpeterjemison.com/about" target="_blank">G. Peter Jemison</a></li></ul><p>Further Reading</p><ul><li>“Alan Michelson & Jolene Rickard on Native Sovereignty,” Dec 7, 2020, Museum of Contemporary Art Denver, https://www.youtube.com/watch?v=RSrFZX1TQk4</li><li>Joseph Heath, “The Citizenship Act of 1924” (report), OnondagaNation.org, June 7, 2018, https://www.onondaganation.org/news/2018/the-citizenship-act-of-1924/</li><li>Audra Simpson, <i>Mohawk Interruptus: Political Life Across the Borders of Settler States </i>(Duke University Press, 2014).</li><li>Pablo Helguero and Sarah Demeuse (editors), <i>School of Panamerican Unrest Anthology</i> (United States: Jorge Pinto Books, 2011).</li><li>Rebecca McGrew et al, <i>It Happened at Pomona : Art at the Edge of Los Angeles 1969-1973 </i>(Claremont, CA: Pomona College Museum of Art, 2011).</li><li>Ming Tiampo, “Gutai: Splendid Playground,” Guggenheim exhibition website, http://web.guggenheim.org/exhibitions/gutai/'</li></ul><p>Music: Cris Derksen: <i>North, 21, Sorry, Dark Dance</i> (℗©2013 Cris Derksen, represented by Latitude 45 Arts)</p><p>The Art Museum gratefully acknowledges operating support from the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council, with additional project support from the Social Sciences and Humanities Research Council.</p><p>Produced by Aliya Pabani.</p>
]]></content:encoded>
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      <itunes:title>Nations By Artists Episode 2: Borders</itunes:title>
      <itunes:author>Greg Hill, Alan Michelson, Pablo Helguera, Native Art Department International, NADI, G. Peter Jemison, Sarah Robayo Sheridan, Mikinaak Migwans</itunes:author>
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      <itunes:duration>00:38:35</itunes:duration>
      <itunes:summary>A Pan-American road trip, a roving border office, a document refusing citizenship, and a whole mess of paper and plasterwork. These are some of the ways that artists are exploring the makings of national boundaries and making connections across territories. Co-hosts Sarah Robayo Sheridan and Mikinaak Migwans interview artists and share stories from behind the scenes of the Nations By Artists exhibition on view at the Art Museum until April 2, 2022.</itunes:summary>
      <itunes:subtitle>A Pan-American road trip, a roving border office, a document refusing citizenship, and a whole mess of paper and plasterwork. These are some of the ways that artists are exploring the makings of national boundaries and making connections across territories. Co-hosts Sarah Robayo Sheridan and Mikinaak Migwans interview artists and share stories from behind the scenes of the Nations By Artists exhibition on view at the Art Museum until April 2, 2022.</itunes:subtitle>
      <itunes:keywords>art activism, art museum, contemporary art, nations by artists</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
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      <title>Nations By Artists Episode 1: Monuments</title>
      <description><![CDATA[<p>Artists featured in this episode: </p><ul><li>Amy Lam, formerly of <a href="https://www.lifeofacraphead.com/about/" target="_blank">Life of a Craphead</a></li><li><a href="http://www.studiowillkwan.com/" target="_blank">Will Kwan</a></li><li><a href="http://www.shawnadempseyandlorrimillan.net/" target="_blank">Shawna Dempsey and Lorri Millan</a></li><li>Miran Mohar and Borut Vogelnik of <a href="https://www.irwin-nsk.org/about/" target="_blank">IRWIN</a></li></ul><p>Further reading:</p><ul><li>Vashist, Indu, <a href="https://canadianart.ca/features/eddie-and-me/" target="_blank">"Eddie and Me,"</a> <i>Canadian Art</i>, 7 December 2017.</li><li>Will Kwan, "<a href="https://radiopapesse.org/en/archive/interviews/will-kwan-flame-test" target="_blank">Will Kwan – Flame Test,</a>" 2010, in <i>Radio Papesse, </i>podcast, MP3 audio, https://radiopapesse.org/en/archive/interviews/will-kwan-flame-test.</li><li>Dempsey, Shawna., and Lorri. Millan. <i>Lesbian National Parks and Services Field Guide to North America : Flora, Fauna & Survival Skills</i>. Toronto, Ontario: Pedlar Press, 2002.</li><li>Taussig, Michael T. <i>Defacement : Public Secrecy and the Labor of the Negative</i>. Stanford, Calif: Stanford University Press, 1999.</li><li>Krečič Jela, ed. <i>The Final Countdown: Europe, Refugees, and the Left</i>. Ljubljana: IRWIN, 2017. </li></ul><p>Music: Ciel – Rain Dance (Peach Discs), Trojan Horse, Hope Breaks (Thanks for Enlightening Me), Rosebud (Mister Saturday Night), and Laibach – The Great Seal</p><p>The Art Museum gratefully acknowledges operating support from the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council, with additional project support from the Social Sciences and Humanities Research Council.</p><p>Produced by Aliya Pabani.</p>
]]></description>
      <pubDate>Tue, 8 Feb 2022 22:00:00 +0000</pubDate>
      <author>artmuseum@utoronto.ca (Amy Lam, Miran Mohar, Borut Vogelnik, Sarah Robayo Sheridan, Will Kwan, IRWIN, Mikinaak Migwans, Shawna Dempsey &amp; Lorri Millan, Life of a Craphead)</author>
      <link>https://nations-by-artists-podcast.simplecast.com/episodes/nations-by-artists-episode-1-monuments-60ZMLuHI</link>
      <content:encoded><![CDATA[<p>Artists featured in this episode: </p><ul><li>Amy Lam, formerly of <a href="https://www.lifeofacraphead.com/about/" target="_blank">Life of a Craphead</a></li><li><a href="http://www.studiowillkwan.com/" target="_blank">Will Kwan</a></li><li><a href="http://www.shawnadempseyandlorrimillan.net/" target="_blank">Shawna Dempsey and Lorri Millan</a></li><li>Miran Mohar and Borut Vogelnik of <a href="https://www.irwin-nsk.org/about/" target="_blank">IRWIN</a></li></ul><p>Further reading:</p><ul><li>Vashist, Indu, <a href="https://canadianart.ca/features/eddie-and-me/" target="_blank">"Eddie and Me,"</a> <i>Canadian Art</i>, 7 December 2017.</li><li>Will Kwan, "<a href="https://radiopapesse.org/en/archive/interviews/will-kwan-flame-test" target="_blank">Will Kwan – Flame Test,</a>" 2010, in <i>Radio Papesse, </i>podcast, MP3 audio, https://radiopapesse.org/en/archive/interviews/will-kwan-flame-test.</li><li>Dempsey, Shawna., and Lorri. Millan. <i>Lesbian National Parks and Services Field Guide to North America : Flora, Fauna & Survival Skills</i>. Toronto, Ontario: Pedlar Press, 2002.</li><li>Taussig, Michael T. <i>Defacement : Public Secrecy and the Labor of the Negative</i>. Stanford, Calif: Stanford University Press, 1999.</li><li>Krečič Jela, ed. <i>The Final Countdown: Europe, Refugees, and the Left</i>. Ljubljana: IRWIN, 2017. </li></ul><p>Music: Ciel – Rain Dance (Peach Discs), Trojan Horse, Hope Breaks (Thanks for Enlightening Me), Rosebud (Mister Saturday Night), and Laibach – The Great Seal</p><p>The Art Museum gratefully acknowledges operating support from the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council, with additional project support from the Social Sciences and Humanities Research Council.</p><p>Produced by Aliya Pabani.</p>
]]></content:encoded>
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      <itunes:title>Nations By Artists Episode 1: Monuments</itunes:title>
      <itunes:author>Amy Lam, Miran Mohar, Borut Vogelnik, Sarah Robayo Sheridan, Will Kwan, IRWIN, Mikinaak Migwans, Shawna Dempsey &amp; Lorri Millan, Life of a Craphead</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/2850780e-56ca-42f3-ad42-b7243773d4d2/e2796d05-785d-4db4-b74e-cca92383bcfd/3000x3000/nations-by-artists-logo-2022-simplecast.jpg?aid=rss_feed"/>
      <itunes:duration>00:33:12</itunes:duration>
      <itunes:summary>Statues fall and float, burned flags fly, passport offices install trampolines, and national parks reclaim their queer kin. These artists have been turning national spaces and symbols inside out and, in the process, show us what monuments are truly made of. Co-hosts Sarah Robayo Sheridan and Mikinaak Migwans interview artists and share stories from behind the scenes of the Nations By Artists exhibition at the Art Museum at the University of Toronto.
</itunes:summary>
      <itunes:subtitle>Statues fall and float, burned flags fly, passport offices install trampolines, and national parks reclaim their queer kin. These artists have been turning national spaces and symbols inside out and, in the process, show us what monuments are truly made of. Co-hosts Sarah Robayo Sheridan and Mikinaak Migwans interview artists and share stories from behind the scenes of the Nations By Artists exhibition at the Art Museum at the University of Toronto.
</itunes:subtitle>
      <itunes:keywords>public art, art activism, monuments, contemporary art</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:episode>1</itunes:episode>
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