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    <title>Caras Lindas</title>
    <description>“Caras Lindas” means beautiful faces in Spanish. It’s a popular Afro Latino song describing all the beautiful faces in Latin America. On Caras Lindas, hosts Manuel Mendez and Gyselle Garcia explore the intersection of blackness in Latinx communities by shedding light on the neglected and untold stories of Afro-Latinx people. </description>
    <copyright>2020 Caras Lindas </copyright>
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    <pubDate>Mon, 29 Nov 2021 05:00:00 +0000</pubDate>
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    <itunes:summary>“Caras Lindas” means beautiful faces in Spanish. It’s a popular Afro Latino song describing all the beautiful faces in Latin America. On Caras Lindas, hosts Manuel Mendez and Gyselle Garcia explore the intersection of blackness in Latinx communities by shedding light on the neglected and untold stories of Afro-Latinx people. </itunes:summary>
    <itunes:author>Manuel Mendez, Gyselle Garcia</itunes:author>
    <itunes:explicit>yes</itunes:explicit>
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    <itunes:keywords>afro latinx, caras lindas, community, history, latin america, manuel mendez, washington dc, black latinx</itunes:keywords>
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      <itunes:name>Manuel Mendez</itunes:name>
      <itunes:email>melazaqueama@gmail.com</itunes:email>
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      <title>Journey Mom: Natasha Rodriguez</title>
      <description><![CDATA[<p><i><strong>Notes and References</strong> </i></p><p><strong>Articles:</strong></p><p>Community And Belonging: Bridging The Americas <br /><a href="http://cdi.anacostia.si.edu/2015/04/21/community-and-belonging-bridging-the-americas/">http://cdi.anacostia.si.edu/2015/04/21/community-and-belonging-bridging-the-americas/</a></p><p>Majority of Latinos say Skin Color Impacts Opportunity in America and Shapes Daily Life<br /><a href="https://www.pewresearch.org/hispanic/2021/11/04/majority-of-latinos-say-skin-color-impacts-opportunity-in-america-and-shapes-daily-life/">https://www.pewresearch.org/hispanic/2021/11/04/majority-of-latinos-say-skin-color-impacts-opportunity-in-america-and-shapes-daily-life/</a></p><p>Latinidad Through an African American Lens <br /><a href="https://www.blacklatinasknow.org/post/latinidad-through-an-african-american-lens">https://www.blacklatinasknow.org/post/latinidad-through-an-african-american-lens</a></p><p>Enter The Post Panamax World <br /><a href="http://cdi.anacostia.si.edu/2016/06/29/enter-the-post-panamax-world/">http://cdi.anacostia.si.edu/2016/06/29/enter-the-post-panamax-world/</a></p><p>Smithsonian’s Anacostia Community Museum Exhibition Examines Connections between Metro DC Panamanians and Panama <a href="https://www.si.edu/newsdesk/releases/smithsonian-s-anacostia-community-museum-exhibition-examines-connections-between-metro-dc-p">https://www.si.edu/newsdesk/releases/smithsonian-s-anacostia-community-museum-exhibition-examines-connections-between-metro-dc-p</a></p><p>Latinos find that darker skin hurts their chances of getting ahead<br /><a href="https://www.npr.org/2021/11/04/1052593455/latinos-darker-skin-colorism-discrimination">https://www.npr.org/2021/11/04/1052593455/latinos-darker-skin-colorism-discrimination</a></p><p>Skin-Color Prejudice and Within-Group Racial Discrimination: Historical and Current Impact on Latino/a Population <a href="https://www.utep.edu/liberalarts/george-floyd/Skin-Color-Prejudice.pdf">https://www.utep.edu/liberalarts/george-floyd/Skin-Color-Prejudice.pdf</a></p><p>The Spectacle of Latinx Colorism <br /><a href="https://www.nytimes.com/2021/07/30/opinion/latino-racism-colorism-latinx.html">https://www.nytimes.com/2021/07/30/opinion/latino-racism-colorism-latinx.html</a></p><p><strong>Journey Mom articles:</strong></p><p>My Hair Speaks Volumes <br /><a href="https://journeymom.com/f/my-hair-speaks-volumes">https://journeymom.com/f/my-hair-speaks-volumes</a></p><p>Black Boy Mom<br /><a href="https://journeymom.com/f/black-boy-mama">https://journeymom.com/f/black-boy-mama</a></p><p>The Middle Child <br /><a href="https://journeymom.com/f/the-middle-child">https://journeymom.com/f/the-middle-child</a></p><p><strong>Books: </strong></p><p>Curtis, Ariana Alyce. 2018. "Identity as Profession: on Becoming an African American Panamanian Afro-Latina Anthropologist Curator." in <i>Pan African Spaces: Essays on Black Transnationalism</i>, edited by Clark, Msia Kibona, Mnyandu, Phiwokuhle, and Azalia, Loy L., 259-270. Lexington Books.</p><p>Gibbings, Julie A. Review of <i>Blacks and Blackness in Central America: Between race and place</i> ed. by Lowell Gudmundson and Justin Wolfe, and: <i>Labor and Love in Guatemala: The eve of independence</i>, by Catherine Komisaruk. <i>Journal of Colonialism and Colonial History</i>, vol. 15 no. 2, 2014. <i>Project MUSE</i>, <a href="http://doi.org/10.1353/cch.2014.0025">doi:10.1353/cch.2014.0025</a>.</p><p><strong>Oral History:</strong></p><p>Arturo Griffiths <br /><a href="https://digdc.dclibrary.org/islandora/search?type=dismax&f%5B0%5D=mods_relatedItem_host_titleInfo_title_ms%3AHistory%5C%20of%5C%20First%5C%20Latin%5C%20American%5C%20Festival%5C%20on%5C%20the%5C%20Mall%5C%3A%5C%201989%5C-1990">History of First Latin American Festival on the Mall: 1989-1990</a><br /><a href="http://hdl.handle.net/1961/dcplislandora:297084">http://hdl.handle.net/1961/dcplislandora:297084</a></p>
]]></description>
      <pubDate>Mon, 29 Nov 2021 05:00:00 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/journey-mom-natasha-rodriguez-fJX0yILp</link>
      <content:encoded><![CDATA[<p><i><strong>Notes and References</strong> </i></p><p><strong>Articles:</strong></p><p>Community And Belonging: Bridging The Americas <br /><a href="http://cdi.anacostia.si.edu/2015/04/21/community-and-belonging-bridging-the-americas/">http://cdi.anacostia.si.edu/2015/04/21/community-and-belonging-bridging-the-americas/</a></p><p>Majority of Latinos say Skin Color Impacts Opportunity in America and Shapes Daily Life<br /><a href="https://www.pewresearch.org/hispanic/2021/11/04/majority-of-latinos-say-skin-color-impacts-opportunity-in-america-and-shapes-daily-life/">https://www.pewresearch.org/hispanic/2021/11/04/majority-of-latinos-say-skin-color-impacts-opportunity-in-america-and-shapes-daily-life/</a></p><p>Latinidad Through an African American Lens <br /><a href="https://www.blacklatinasknow.org/post/latinidad-through-an-african-american-lens">https://www.blacklatinasknow.org/post/latinidad-through-an-african-american-lens</a></p><p>Enter The Post Panamax World <br /><a href="http://cdi.anacostia.si.edu/2016/06/29/enter-the-post-panamax-world/">http://cdi.anacostia.si.edu/2016/06/29/enter-the-post-panamax-world/</a></p><p>Smithsonian’s Anacostia Community Museum Exhibition Examines Connections between Metro DC Panamanians and Panama <a href="https://www.si.edu/newsdesk/releases/smithsonian-s-anacostia-community-museum-exhibition-examines-connections-between-metro-dc-p">https://www.si.edu/newsdesk/releases/smithsonian-s-anacostia-community-museum-exhibition-examines-connections-between-metro-dc-p</a></p><p>Latinos find that darker skin hurts their chances of getting ahead<br /><a href="https://www.npr.org/2021/11/04/1052593455/latinos-darker-skin-colorism-discrimination">https://www.npr.org/2021/11/04/1052593455/latinos-darker-skin-colorism-discrimination</a></p><p>Skin-Color Prejudice and Within-Group Racial Discrimination: Historical and Current Impact on Latino/a Population <a href="https://www.utep.edu/liberalarts/george-floyd/Skin-Color-Prejudice.pdf">https://www.utep.edu/liberalarts/george-floyd/Skin-Color-Prejudice.pdf</a></p><p>The Spectacle of Latinx Colorism <br /><a href="https://www.nytimes.com/2021/07/30/opinion/latino-racism-colorism-latinx.html">https://www.nytimes.com/2021/07/30/opinion/latino-racism-colorism-latinx.html</a></p><p><strong>Journey Mom articles:</strong></p><p>My Hair Speaks Volumes <br /><a href="https://journeymom.com/f/my-hair-speaks-volumes">https://journeymom.com/f/my-hair-speaks-volumes</a></p><p>Black Boy Mom<br /><a href="https://journeymom.com/f/black-boy-mama">https://journeymom.com/f/black-boy-mama</a></p><p>The Middle Child <br /><a href="https://journeymom.com/f/the-middle-child">https://journeymom.com/f/the-middle-child</a></p><p><strong>Books: </strong></p><p>Curtis, Ariana Alyce. 2018. "Identity as Profession: on Becoming an African American Panamanian Afro-Latina Anthropologist Curator." in <i>Pan African Spaces: Essays on Black Transnationalism</i>, edited by Clark, Msia Kibona, Mnyandu, Phiwokuhle, and Azalia, Loy L., 259-270. Lexington Books.</p><p>Gibbings, Julie A. Review of <i>Blacks and Blackness in Central America: Between race and place</i> ed. by Lowell Gudmundson and Justin Wolfe, and: <i>Labor and Love in Guatemala: The eve of independence</i>, by Catherine Komisaruk. <i>Journal of Colonialism and Colonial History</i>, vol. 15 no. 2, 2014. <i>Project MUSE</i>, <a href="http://doi.org/10.1353/cch.2014.0025">doi:10.1353/cch.2014.0025</a>.</p><p><strong>Oral History:</strong></p><p>Arturo Griffiths <br /><a href="https://digdc.dclibrary.org/islandora/search?type=dismax&f%5B0%5D=mods_relatedItem_host_titleInfo_title_ms%3AHistory%5C%20of%5C%20First%5C%20Latin%5C%20American%5C%20Festival%5C%20on%5C%20the%5C%20Mall%5C%3A%5C%201989%5C-1990">History of First Latin American Festival on the Mall: 1989-1990</a><br /><a href="http://hdl.handle.net/1961/dcplislandora:297084">http://hdl.handle.net/1961/dcplislandora:297084</a></p>
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      <itunes:title>Journey Mom: Natasha Rodriguez</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:40:35</itunes:duration>
      <itunes:summary>This week, we discuss global blackness, Panama and meaning of what Afrolatinidad means with Natasha Rodriguez. Natasha is a mother, travel addict, educator, DEI advocate, and storyteller.  She was born and raised in Washington, DC, yet identifies as a global citizen. Growing up in an immigrant household, Natasha realized at a young age how big the world was after traveling to her family’s native country, Panama, at the age of seven. Being raised in a multicultural home shaped her identity over the years, indirectly shaping her life’s work in diversity. </itunes:summary>
      <itunes:subtitle>This week, we discuss global blackness, Panama and meaning of what Afrolatinidad means with Natasha Rodriguez. Natasha is a mother, travel addict, educator, DEI advocate, and storyteller.  She was born and raised in Washington, DC, yet identifies as a global citizen. Growing up in an immigrant household, Natasha realized at a young age how big the world was after traveling to her family’s native country, Panama, at the age of seven. Being raised in a multicultural home shaped her identity over the years, indirectly shaping her life’s work in diversity. </itunes:subtitle>
      <itunes:keywords>afro descendants, colorism, family ancestry, afrolatinx, journey mom, black panameñas, black boy mom, traveling</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
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      <title>Nuestra Maestra: Maria Rodriguez</title>
      <description><![CDATA[This week, we discus Jean Marie Butler, 72, a classical and jazz piano teacher who performed as Maria Rodriguez with Latin groups in Washington, DC with Pepe Gonzalez . Pepe started his music career playing the electric bass in his late teens, when he formed one of the first integrated bands (between African-Americans and Hispanics) in the Washington, DC area. The band, ZAPATA, opened for many great bands such as Miles Davis, Herbie Hancock, Ramsey Lewis, Weather Report, Rashan Roland Kirk, Sly and the Family Stone, and the Isley Brothers.  In celebration of Women's History Month we honor Maria Rodriguez. She was a arranger, accompanist and composer, working with groups that included La Jazz and Maria Rodriguez Y Sus Magnificos. Maria Rodriguez performed for the Charlin Jazz Society and at D.C. Jazz Festivals, Blues Alley, a Smithsonian conference on Afro-Latin music and other places. Powered and distributed by Simplecast.]]></description>
      <pubDate>Sat, 14 Mar 2020 13:35:23 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/nuestra-maestra-maria-rodriguez-FcqY9PAX</link>
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      <itunes:title>Nuestra Maestra: Maria Rodriguez</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:41:15</itunes:duration>
      <itunes:summary>This week, we discus Jean Marie Butler, 72, a classical and jazz piano teacher who performed as Maria Rodriguez with Latin groups in Washington, DC with Pepe Gonzalez . Pepe started his music career playing the electric bass in his late teens, when he formed one of the first integrated bands (between African-Americans and Hispanics) in the Washington, DC area. The band, ZAPATA, opened for many great bands such as Miles Davis, Herbie Hancock, Ramsey Lewis, Weather Report, Rashan Roland Kirk, Sly and the Family Stone, and the Isley Brothers.  In celebration of Women&apos;s History Month we honor Maria Rodriguez. She was a arranger, accompanist and composer, working with groups that included La Jazz and Maria Rodriguez Y Sus Magnificos. Maria Rodriguez performed for the Charlin Jazz Society and at D.C. Jazz Festivals, Blues Alley, a Smithsonian conference on Afro-Latin music and other places. Powered and distributed by Simplecast.</itunes:summary>
      <itunes:subtitle>This week, we discus Jean Marie Butler, 72, a classical and jazz piano teacher who performed as Maria Rodriguez with Latin groups in Washington, DC with Pepe Gonzalez . Pepe started his music career playing the electric bass in his late teens, when he formed one of the first integrated bands (between African-Americans and Hispanics) in the Washington, DC area. The band, ZAPATA, opened for many great bands such as Miles Davis, Herbie Hancock, Ramsey Lewis, Weather Report, Rashan Roland Kirk, Sly and the Family Stone, and the Isley Brothers.  In celebration of Women&apos;s History Month we honor Maria Rodriguez. She was a arranger, accompanist and composer, working with groups that included La Jazz and Maria Rodriguez Y Sus Magnificos. Maria Rodriguez performed for the Charlin Jazz Society and at D.C. Jazz Festivals, Blues Alley, a Smithsonian conference on Afro-Latin music and other places. Powered and distributed by Simplecast.</itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>The Young Lords: A Radical History</title>
      <description><![CDATA[Today we talk with Dr. Johanna Fernandez the author of The Young Lords: A Radical History (UNC Press, February 2020), a history of the Puerto Rican counterpart of the Black Panther Party. She teaches 20th Century U.S. history and the history of social movements in the Department of History at Baruch College (CUNY). Episode track: "Abrecamino" by Leo Rua. Powered and distributed by Simplecast.]]></description>
      <pubDate>Fri, 6 Mar 2020 21:50:23 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/the-young-lords-a-radical-history-b2Xzx2Py</link>
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      <itunes:title>The Young Lords: A Radical History</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:48:21</itunes:duration>
      <itunes:summary>Today we talk with Dr. Johanna Fernandez the author of The Young Lords: A Radical History (UNC Press, February 2020), a history of the Puerto Rican counterpart of the Black Panther Party. She teaches 20th Century U.S. history and the history of social movements in the Department of History at Baruch College (CUNY). Episode track: &quot;Abrecamino&quot; by Leo Rua. Powered and distributed by Simplecast.</itunes:summary>
      <itunes:subtitle>Today we talk with Dr. Johanna Fernandez the author of The Young Lords: A Radical History (UNC Press, February 2020), a history of the Puerto Rican counterpart of the Black Panther Party. She teaches 20th Century U.S. history and the history of social movements in the Department of History at Baruch College (CUNY). Episode track: &quot;Abrecamino&quot; by Leo Rua. Powered and distributed by Simplecast.</itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Nuestra Luchita!</title>
      <description><![CDATA[La Luchita means “the hustle.” When asking a Cuban about their day it’s common to hear “aquí, en la luchita” (here, in the hustle). Calling this project "La Luchita" is a way of honoring organizers and their hustle to build a better world for all.Marley Pulido is an Afro-Habanero based in the D.C. area. He has organized programming and logistics for over 20 trips to Cuba including a Congressional Delegation. He’s in a struggle to decolonize himself through Afro-Cuban traditional knowledge. Powered and distributed by Simplecast.]]></description>
      <pubDate>Fri, 28 Feb 2020 22:07:27 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/nuestra-luchita-HG4yhTlL</link>
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      <itunes:title>Nuestra Luchita!</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:45:04</itunes:duration>
      <itunes:summary>La Luchita means “the hustle.” When asking a Cuban about their day it’s common to hear “aquí, en la luchita” (here, in the hustle). Calling this project &quot;La Luchita&quot; is a way of honoring organizers and their hustle to build a better world for all.Marley Pulido is an Afro-Habanero based in the D.C. area. He has organized programming and logistics for over 20 trips to Cuba including a Congressional Delegation. He’s in a struggle to decolonize himself through Afro-Cuban traditional knowledge. Powered and distributed by Simplecast.</itunes:summary>
      <itunes:subtitle>La Luchita means “the hustle.” When asking a Cuban about their day it’s common to hear “aquí, en la luchita” (here, in the hustle). Calling this project &quot;La Luchita&quot; is a way of honoring organizers and their hustle to build a better world for all.Marley Pulido is an Afro-Habanero based in the D.C. area. He has organized programming and logistics for over 20 trips to Cuba including a Congressional Delegation. He’s in a struggle to decolonize himself through Afro-Cuban traditional knowledge. Powered and distributed by Simplecast.</itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
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      <title>Our bridge to build</title>
      <description><![CDATA[This week we speak with Itzbeth Menjívar founder of BridgePeople LLC, a consulting firm that helps strengthen leadership teams through cultural competencies and dialogue. Originally from Panamá, Itzbeth has been building bridges through dialogue and human connection with people for over 20 years. Powered and distributed by Simplecast.]]></description>
      <pubDate>Fri, 21 Feb 2020 23:12:14 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/our-bridge-to-build-7Rju8PcP</link>
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      <itunes:title>Our bridge to build</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:44:32</itunes:duration>
      <itunes:summary>This week we speak with Itzbeth Menjívar founder of BridgePeople LLC, a consulting firm that helps strengthen leadership teams through cultural competencies and dialogue. Originally from Panamá, Itzbeth has been building bridges through dialogue and human connection with people for over 20 years. Powered and distributed by Simplecast.</itunes:summary>
      <itunes:subtitle>This week we speak with Itzbeth Menjívar founder of BridgePeople LLC, a consulting firm that helps strengthen leadership teams through cultural competencies and dialogue. Originally from Panamá, Itzbeth has been building bridges through dialogue and human connection with people for over 20 years. Powered and distributed by Simplecast.</itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Amor Negrxs</title>
      <description><![CDATA[“Love is profoundly political. Our deepest revolution will come when we understand this truth.” bell hooks, Salvation: Black People and Love
On this week’s show, we dive deep in what Black love means to us. What important challenges we face and how it impacts the African Diaspora? What is Amor Negrxs? This week we speak with Rosalyn Lake an AfroDominica, a Taekwondo champion, a scholar and an educator. We discuss our love for an African centered approach to positive youth and our activism in the African Diaspora. Powered and distributed by Simplecast.]]></description>
      <pubDate>Sun, 16 Feb 2020 20:33:15 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/amor-negrxs-Ac8lui6J</link>
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      <itunes:title>Amor Negrxs</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:44:35</itunes:duration>
      <itunes:summary>“Love is profoundly political. Our deepest revolution will come when we understand this truth.” bell hooks, Salvation: Black People and Love
On this week’s show, we dive deep in what Black love means to us. What important challenges we face and how it impacts the African Diaspora? What is Amor Negrxs? This week we speak with Rosalyn Lake an AfroDominica, a Taekwondo champion, a scholar and an educator. We discuss our love for an African centered approach to positive youth and our activism in the African Diaspora. Powered and distributed by Simplecast.</itunes:summary>
      <itunes:subtitle>“Love is profoundly political. Our deepest revolution will come when we understand this truth.” bell hooks, Salvation: Black People and Love
On this week’s show, we dive deep in what Black love means to us. What important challenges we face and how it impacts the African Diaspora? What is Amor Negrxs? This week we speak with Rosalyn Lake an AfroDominica, a Taekwondo champion, a scholar and an educator. We discuss our love for an African centered approach to positive youth and our activism in the African Diaspora. Powered and distributed by Simplecast.</itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Alma Negra y Hijo Nativo</title>
      <description><![CDATA[In this episode, Hijo Nativo and Alma Negra give their listeners a chance to get to know more about them as they share what their story is.  Interviewing each other one on one they will cover the inception of Caras Lindas, the multicultural jungle that is the DMV, hip-hop and reggae, their aliases, the driving force behind their work and what it consists of outside of the Full Service Radio booth. Powered and distributed by Simplecast.]]></description>
      <pubDate>Fri, 7 Feb 2020 22:08:35 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/alma-negra-y-hijo-nativo-biC796pn</link>
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      <itunes:title>Alma Negra y Hijo Nativo</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:43:15</itunes:duration>
      <itunes:summary>In this episode, Hijo Nativo and Alma Negra give their listeners a chance to get to know more about them as they share what their story is.  Interviewing each other one on one they will cover the inception of Caras Lindas, the multicultural jungle that is the DMV, hip-hop and reggae, their aliases, the driving force behind their work and what it consists of outside of the Full Service Radio booth. Powered and distributed by Simplecast.</itunes:summary>
      <itunes:subtitle>In this episode, Hijo Nativo and Alma Negra give their listeners a chance to get to know more about them as they share what their story is.  Interviewing each other one on one they will cover the inception of Caras Lindas, the multicultural jungle that is the DMV, hip-hop and reggae, their aliases, the driving force behind their work and what it consists of outside of the Full Service Radio booth. Powered and distributed by Simplecast.</itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Lengua Viva</title>
      <description><![CDATA[Despite growing up speaking Spanish everyday in a Spanish-speaking household, I didn’t learn to read and write in Spanish until I was 13! When I finally started to learn… it was BAD. I wrote everything phonetically AND with a Cuban accent. Many of us who are dual language learners have this experience of not fixing in your native tongue.  This week will speak with Dr. Aisha Z. Cort about her journey with Language and AfroLatinidad. Dr. Aisha Cort is the Afro-Cuban founder of Hey Dr.Cort!, a company focused on bringing language to life via the VIVA LA LENGUA online Spanish courses and cultural immersion language tours to Havana, Cuba, Oaxaca, Mexico and Barcelona, Spain. Additionally, Dr. Cort is a full-time lecturer of Spanish at Howard University in Washington, DC. Powered and distributed by Simplecast.]]></description>
      <pubDate>Fri, 31 Jan 2020 22:07:22 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/lengua-viva-BLMpRXue</link>
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      <itunes:title>Lengua Viva</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:39:33</itunes:duration>
      <itunes:summary>Despite growing up speaking Spanish everyday in a Spanish-speaking household, I didn’t learn to read and write in Spanish until I was 13! When I finally started to learn… it was BAD. I wrote everything phonetically AND with a Cuban accent. Many of us who are dual language learners have this experience of not fixing in your native tongue.  This week will speak with Dr. Aisha Z. Cort about her journey with Language and AfroLatinidad. Dr. Aisha Cort is the Afro-Cuban founder of Hey Dr.Cort!, a company focused on bringing language to life via the VIVA LA LENGUA online Spanish courses and cultural immersion language tours to Havana, Cuba, Oaxaca, Mexico and Barcelona, Spain. Additionally, Dr. Cort is a full-time lecturer of Spanish at Howard University in Washington, DC. Powered and distributed by Simplecast.</itunes:summary>
      <itunes:subtitle>Despite growing up speaking Spanish everyday in a Spanish-speaking household, I didn’t learn to read and write in Spanish until I was 13! When I finally started to learn… it was BAD. I wrote everything phonetically AND with a Cuban accent. Many of us who are dual language learners have this experience of not fixing in your native tongue.  This week will speak with Dr. Aisha Z. Cort about her journey with Language and AfroLatinidad. Dr. Aisha Cort is the Afro-Cuban founder of Hey Dr.Cort!, a company focused on bringing language to life via the VIVA LA LENGUA online Spanish courses and cultural immersion language tours to Havana, Cuba, Oaxaca, Mexico and Barcelona, Spain. Additionally, Dr. Cort is a full-time lecturer of Spanish at Howard University in Washington, DC. Powered and distributed by Simplecast.</itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>The Making of &quot;Maestrina da Favela&quot;</title>
      <description><![CDATA[Caras Lindas talks with Falani Afrika, a DC native and independent filmmaker who also enjoys working with the youth as an art educator with Guerilla Arts Inc. Falani’s current project is Maestrina da Favela, a coming-of-age documentary following the life of Afro-Brazilian, female percussionist Elem Silva between the ages of 13-22. ]]></description>
      <pubDate>Fri, 24 Jan 2020 22:11:16 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/the-making-of-maestrina-da-favela-H1TkzHyx</link>
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      <itunes:title>The Making of &quot;Maestrina da Favela&quot;</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:44:38</itunes:duration>
      <itunes:summary>Caras Lindas talks with Falani Afrika, a DC native and independent filmmaker who also enjoys working with the youth as an art educator with Guerilla Arts Inc. Falani’s current project is Maestrina da Favela, a coming-of-age documentary following the life of Afro-Brazilian, female percussionist Elem Silva between the ages of 13-22. </itunes:summary>
      <itunes:subtitle>Caras Lindas talks with Falani Afrika, a DC native and independent filmmaker who also enjoys working with the youth as an art educator with Guerilla Arts Inc. Falani’s current project is Maestrina da Favela, a coming-of-age documentary following the life of Afro-Brazilian, female percussionist Elem Silva between the ages of 13-22. </itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:season>1</itunes:season>
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      <title>Memories of Francisco Rigores</title>
      <description><![CDATA[This week we remember Legendary Cuban Rumba Singer and Director of the Cuban Folkloric Group “Los Invasores de los 80” (Invaders of the 80s) Francisco Rigores with Luci Murphy. A cultural warrior and internationalist activist D.C. native. Francisco Rigores was considered a local celebrity and master of Afro-Cuban music and dance. Rigores lived in the Adams Morgan, Mount Pleasant & the Columbia Heights neighborhoods over the past four decades. Powered and distributed by Simplecast.]]></description>
      <pubDate>Sun, 19 Jan 2020 19:17:31 +0000</pubDate>
      <author>melazaqueama@gmail.com (Manuel Mendez)</author>
      <link>https://caraslindas.simplecast.com/episodes/francisco-rigores-uAYE39Jg</link>
      <enclosure length="38542169" type="audio/mpeg" url="https://cdn.simplecast.com/audio/abfdbb/abfdbbfe-0028-48ac-a796-f85a1cb6dcc4/59af4610-7511-4d09-814a-caecfd8c967c/01-17-20-caras-lindas_tc.mp3?aid=rss_feed&amp;feed=XNj58Zst"/>
      <itunes:title>Memories of Francisco Rigores</itunes:title>
      <itunes:author>Manuel Mendez</itunes:author>
      <itunes:duration>00:40:09</itunes:duration>
      <itunes:summary>This week we remember Legendary Cuban Rumba Singer and Director of the Cuban Folkloric Group “Los Invasores de los 80” (Invaders of the 80s) Francisco Rigores with Luci Murphy. A cultural warrior and internationalist activist D.C. native. Francisco Rigores was considered a local celebrity and master of Afro-Cuban music and dance. Rigores lived in the Adams Morgan, Mount Pleasant &amp; the Columbia Heights neighborhoods over the past four decades. Powered and distributed by Simplecast.</itunes:summary>
      <itunes:subtitle>This week we remember Legendary Cuban Rumba Singer and Director of the Cuban Folkloric Group “Los Invasores de los 80” (Invaders of the 80s) Francisco Rigores with Luci Murphy. A cultural warrior and internationalist activist D.C. native. Francisco Rigores was considered a local celebrity and master of Afro-Cuban music and dance. Rigores lived in the Adams Morgan, Mount Pleasant &amp; the Columbia Heights neighborhoods over the past four decades. Powered and distributed by Simplecast.</itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:season>1</itunes:season>
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