https://simplecast.com New Books in Postcolonial Studies This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠⁠newbooksnetwork.com⁠⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠⁠https://newbooksnetwork.substack.com/⁠⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork en Sun, 4 Oct 2026 08:00:00 +0000 Sun, 4 Oct 2026 08:00:20 +0000 https://new-books-in-postcolonial-studies.simplecast.com New Books in Postcolonial Studies https://image.simplecastcdn.com/images/c13bf595-88bc-4bfe-95c5-9d2efff41f30/827d7c29-c5d7-4b45-a618-566577f221c2/3000x3000/20f424a454a4cfbd5f3cd4bf50a12298.jpeg?aid=rss_feed https://new-books-in-postcolonial-studies.simplecast.com episodic This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠⁠newbooksnetwork.com⁠⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠⁠https://newbooksnetwork.substack.com/⁠⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Marshall Poe false https://feeds.simplecast.com/WhSl89b_ New Books Network marshallpoe@newbooksnetwork.com a4ed5eb4-998e-45be-b299-859f069457fe Ecotexts in the Postcolonial Francosphere with Nsah Mala, Richard Watts and Giulia Champion Through a postcolonial lens, Ecotexts in the Postcolonial Francosphere (Liverpool, 2025) explores the various ways in which francophone writers, visual artists and activists are responding to the global climate and environmental crises threatening the Earth today.The volume covers most of the francosphere: Africa, the Caribbean, the Indian Ocean, South America and Polynesia. As well as discussing a range of environmental issues, from soil erosion to nuclear testing, it also considers ways in which francophone writers have become ecological activists. The ecotexts discussed include graphic novels, visual narratives, and zines alongside more conventional literary texts such as novels, short stories and poetry. The book seeks to decentre Belgium and France in francophone ecocritical scholarship while engaging in current debates in the field of ecocriticism, including the afterlives of Belgian and French colonialism and neo-colonialism in relation to climate change and environmental degradation, Blue Humanities, waste and toxicity studies, critical animal and plant studies, Indigenous peoples and their cultures and knowledges, climate-environmental (in)justice, and writerly/textual activism for climate and environment. It aims to widen the geographical scope of francophone ecocriticism by discussing a wide range of eco-themes that go beyond the segmentation and compartmentalisation found in other books in the field.

Guest Nsah Mala is a poet, writer, children’s author, consultant, editor and translator, journalist-communicator, futurist and foresight practitioner, and interdisciplinary scholar working in English, French and Mbesa. Nsah currently works for the University of Cologne, Germany, as a Postdoctoral Researcher and Hub Coordinator of the UNESCO-MOST BRIDGES Coalition.His research interests include comparative literature, anglophone and francophone African literatures, public and environmental humanities, literary activism/artivism, creative writing and foresight and futures thinking. He has published widely in these areas in peer-reviewed volumes and journals, including Ecozon@, Orbis Litterarum, Electronic Green Journal, Humanities, Peripeti and ASAP/J. His ongoing projects on ‘Wetland Time’ and ‘Congo Basin Futures’ are funded by the British Academy and the Next Generation Foresight Practitioner Fellowship, respectively. Among many distinctions, he has judged the Commonwealth Short Story Prize and won the Dubai Foresight Award in the Foresight for the Planet category.

Guest Richard Watts is Associate Professor of French in the Department of French and Italian Studies, co-creator of the Environments, Cultures and Values minor, and founding director of the Translation Studies Hub at the University of Washington, Seattle. He is the author of Packaging Post/Coloniality: The Manufacture of Literary Identity in the Francophone World (Lexington Books, 2005) as well as a series of articles on the intersections of francophone postcolonial studies and the environmental humanities. He is currently completing a book project titled Reclaimed Waters that considers how the pollution, privatization and manufactured scarcity of water are rapidly altering its ostensibly stable symbolic value in literature, cinema and other forms of cultural production in the Francosphere.

Guest Giulia Champion is a Lecturer in Critical Ocean Studies at the University of Southampton. Her main research project is being developed in a monograph entitled The Political Construction of the Seabed: A Political Ethnography of the International Seabed Authority. This project explores the diplomatic processes of the United Nations body of the International Seabed Authority (ISA) and the creation of a regulatory framework it is negotiating about deep-sea mining. The work explores this through a decolonial studies lens given the ISA’s location in Jamaica and its development of regulations about a new extractive frontier on the international seabed. Her work sits across the humanities and social sciences and uses arts-based methods for participatory public and policy engagement. She also collaborates on several projects including one on decarbonisation and electrical grids in Shetland, Orkney UK and Newfoundland, Canada; on Lithium extraction in Chile, and on safe swimming and access to green and blue spaces on the Isle of Wight, UK. She is an Associated Editor for the journal Environmental Humanities. She is the co-founder of the Deep Currents Collective, a group of activists and academics which holds a United Nation observer status at the International Seabed Authority. Her work has been published in (co-)authored articles in Bulletin of Latin American Research, The Journal of Energy History, Ocean and Society, Applied Energy, The Conversation, People and Nature and Comparative Law Journal of The Pacific.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.


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]]> Sun, 4 Oct 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://new-books-in-postcolonial-studies.simplecast.com/episodes/ecotexts-in-the-postcolonial-francosphere-with-nsah-mala-richard-watts-and-giulia-champion-D1xgPW7o Through a postcolonial lens, Ecotexts in the Postcolonial Francosphere (Liverpool, 2025) explores the various ways in which francophone writers, visual artists and activists are responding to the global climate and environmental crises threatening the Earth today.The volume covers most of the francosphere: Africa, the Caribbean, the Indian Ocean, South America and Polynesia. As well as discussing a range of environmental issues, from soil erosion to nuclear testing, it also considers ways in which francophone writers have become ecological activists. The ecotexts discussed include graphic novels, visual narratives, and zines alongside more conventional literary texts such as novels, short stories and poetry. The book seeks to decentre Belgium and France in francophone ecocritical scholarship while engaging in current debates in the field of ecocriticism, including the afterlives of Belgian and French colonialism and neo-colonialism in relation to climate change and environmental degradation, Blue Humanities, waste and toxicity studies, critical animal and plant studies, Indigenous peoples and their cultures and knowledges, climate-environmental (in)justice, and writerly/textual activism for climate and environment. It aims to widen the geographical scope of francophone ecocriticism by discussing a wide range of eco-themes that go beyond the segmentation and compartmentalisation found in other books in the field.

Guest Nsah Mala is a poet, writer, children’s author, consultant, editor and translator, journalist-communicator, futurist and foresight practitioner, and interdisciplinary scholar working in English, French and Mbesa. Nsah currently works for the University of Cologne, Germany, as a Postdoctoral Researcher and Hub Coordinator of the UNESCO-MOST BRIDGES Coalition.His research interests include comparative literature, anglophone and francophone African literatures, public and environmental humanities, literary activism/artivism, creative writing and foresight and futures thinking. He has published widely in these areas in peer-reviewed volumes and journals, including Ecozon@, Orbis Litterarum, Electronic Green Journal, Humanities, Peripeti and ASAP/J. His ongoing projects on ‘Wetland Time’ and ‘Congo Basin Futures’ are funded by the British Academy and the Next Generation Foresight Practitioner Fellowship, respectively. Among many distinctions, he has judged the Commonwealth Short Story Prize and won the Dubai Foresight Award in the Foresight for the Planet category.

Guest Richard Watts is Associate Professor of French in the Department of French and Italian Studies, co-creator of the Environments, Cultures and Values minor, and founding director of the Translation Studies Hub at the University of Washington, Seattle. He is the author of Packaging Post/Coloniality: The Manufacture of Literary Identity in the Francophone World (Lexington Books, 2005) as well as a series of articles on the intersections of francophone postcolonial studies and the environmental humanities. He is currently completing a book project titled Reclaimed Waters that considers how the pollution, privatization and manufactured scarcity of water are rapidly altering its ostensibly stable symbolic value in literature, cinema and other forms of cultural production in the Francosphere.

Guest Giulia Champion is a Lecturer in Critical Ocean Studies at the University of Southampton. Her main research project is being developed in a monograph entitled The Political Construction of the Seabed: A Political Ethnography of the International Seabed Authority. This project explores the diplomatic processes of the United Nations body of the International Seabed Authority (ISA) and the creation of a regulatory framework it is negotiating about deep-sea mining. The work explores this through a decolonial studies lens given the ISA’s location in Jamaica and its development of regulations about a new extractive frontier on the international seabed. Her work sits across the humanities and social sciences and uses arts-based methods for participatory public and policy engagement. She also collaborates on several projects including one on decarbonisation and electrical grids in Shetland, Orkney UK and Newfoundland, Canada; on Lithium extraction in Chile, and on safe swimming and access to green and blue spaces on the Isle of Wight, UK. She is an Associated Editor for the journal Environmental Humanities. She is the co-founder of the Deep Currents Collective, a group of activists and academics which holds a United Nation observer status at the International Seabed Authority. Her work has been published in (co-)authored articles in Bulletin of Latin American Research, The Journal of Energy History, Ocean and Society, Applied Energy, The Conversation, People and Nature and Comparative Law Journal of The Pacific.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.


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]]> Ecotexts in the Postcolonial Francosphere with Nsah Mala, Richard Watts and Giulia Champion New Books Network 00:48:27 Through a postcolonial lens, Ecotexts in the Postcolonial Francosphere (Liverpool, 2025) explores the various ways in which francophone writers, visual artists and activists are responding to the global climate and environmental crises threatening the Earth today.The volume covers most of the francosphere: Africa, the Caribbean, the Indian Ocean, South America and Polynesia. As well as discussing a range of environmental issues, from soil erosion to nuclear testing, it also considers ways in which francophone writers have become ecological activists. The ecotexts discussed include graphic novels, visual narratives, and zines alongside more conventional literary texts such as novels, short stories and poetry. The book seeks to decentre Belgium and France in francophone ecocritical scholarship while engaging in current debates in the field of ecocriticism, including the afterlives of Belgian and French colonialism and neo-colonialism in relation to climate change and environmental degradation, Blue Humanities, waste and toxicity studies, critical animal and plant studies, Indigenous peoples and their cultures and knowledges, climate-environmental (in)justice, and writerly/textual activism for climate and environment. It aims to widen the geographical scope of francophone ecocriticism by discussing a wide range of eco-themes that go beyond the segmentation and compartmentalisation found in other books in the field. Guest Nsah Mala is a poet, writer, children’s author, consultant, editor and translator, journalist-communicator, futurist and foresight practitioner, and interdisciplinary scholar working in English, French and Mbesa. Nsah currently works for the University of Cologne, Germany, as a Postdoctoral Researcher and Hub Coordinator of the UNESCO-MOST BRIDGES Coalition.His research interests include comparative literature, anglophone and francophone African literatures, public and environmental humanities, literary activism/artivism, creative writing and foresight and futures thinking. He has published widely in these areas in peer-reviewed volumes and journals, including Ecozon@, Orbis Litterarum, Electronic Green Journal, Humanities, Peripeti and ASAP/J. His ongoing projects on ‘Wetland Time’ and ‘Congo Basin Futures’ are funded by the British Academy and the Next Generation Foresight Practitioner Fellowship, respectively. Among many distinctions, he has judged the Commonwealth Short Story Prize and won the Dubai Foresight Award in the Foresight for the Planet category. Guest Richard Watts is Associate Professor of French in the Department of French and Italian Studies, co-creator of the Environments, Cultures and Values minor, and founding director of the Translation Studies Hub at the University of Washington, Seattle. He is the author of Packaging Post/Coloniality: The Manufacture of Literary Identity in the Francophone World (Lexington Books, 2005) as well as a series of articles on the intersections of francophone postcolonial studies and the environmental humanities. He is currently completing a book project titled Reclaimed Waters that considers how the pollution, privatization and manufactured scarcity of water are rapidly altering its ostensibly stable symbolic value in literature, cinema and other forms of cultural production in the Francosphere. Guest Giulia Champion is a Lecturer in Critical Ocean Studies at the University of Southampton. Her main research project is being developed in a monograph entitled The Political Construction of the Seabed: A Political Ethnography of the International Seabed Authority. This project explores the diplomatic processes of the United Nations body of the International Seabed Authority (ISA) and the creation of a regulatory framework it is negotiating about deep-sea mining. The work explores this through a decolonial studies lens given the ISA’s location in Jamaica and its development of regulations about a new extractive frontier on the international seabed. Her work sits across the humanities and social sciences and uses arts-based methods for participatory public and policy engagement. She also collaborates on several projects including one on decarbonisation and electrical grids in Shetland, Orkney UK and Newfoundland, Canada; on Lithium extraction in Chile, and on safe swimming and access to green and blue spaces on the Isle of Wight, UK. She is an Associated Editor for the journal Environmental Humanities. She is the co-founder of the Deep Currents Collective, a group of activists and academics which holds a United Nation observer status at the International Seabed Authority. Her work has been published in (co-)authored articles in Bulletin of Latin American Research, The Journal of Energy History, Ocean and Society, Applied Energy, The Conversation, People and Nature and Comparative Law Journal of The Pacific. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Through a postcolonial lens, Ecotexts in the Postcolonial Francosphere (Liverpool, 2025) explores the various ways in which francophone writers, visual artists and activists are responding to the global climate and environmental crises threatening the Earth today.The volume covers most of the francosphere: Africa, the Caribbean, the Indian Ocean, South America and Polynesia. As well as discussing a range of environmental issues, from soil erosion to nuclear testing, it also considers ways in which francophone writers have become ecological activists. The ecotexts discussed include graphic novels, visual narratives, and zines alongside more conventional literary texts such as novels, short stories and poetry. The book seeks to decentre Belgium and France in francophone ecocritical scholarship while engaging in current debates in the field of ecocriticism, including the afterlives of Belgian and French colonialism and neo-colonialism in relation to climate change and environmental degradation, Blue Humanities, waste and toxicity studies, critical animal and plant studies, Indigenous peoples and their cultures and knowledges, climate-environmental (in)justice, and writerly/textual activism for climate and environment. It aims to widen the geographical scope of francophone ecocriticism by discussing a wide range of eco-themes that go beyond the segmentation and compartmentalisation found in other books in the field. Guest Nsah Mala is a poet, writer, children’s author, consultant, editor and translator, journalist-communicator, futurist and foresight practitioner, and interdisciplinary scholar working in English, French and Mbesa. Nsah currently works for the University of Cologne, Germany, as a Postdoctoral Researcher and Hub Coordinator of the UNESCO-MOST BRIDGES Coalition.His research interests include comparative literature, anglophone and francophone African literatures, public and environmental humanities, literary activism/artivism, creative writing and foresight and futures thinking. He has published widely in these areas in peer-reviewed volumes and journals, including Ecozon@, Orbis Litterarum, Electronic Green Journal, Humanities, Peripeti and ASAP/J. His ongoing projects on ‘Wetland Time’ and ‘Congo Basin Futures’ are funded by the British Academy and the Next Generation Foresight Practitioner Fellowship, respectively. Among many distinctions, he has judged the Commonwealth Short Story Prize and won the Dubai Foresight Award in the Foresight for the Planet category. Guest Richard Watts is Associate Professor of French in the Department of French and Italian Studies, co-creator of the Environments, Cultures and Values minor, and founding director of the Translation Studies Hub at the University of Washington, Seattle. He is the author of Packaging Post/Coloniality: The Manufacture of Literary Identity in the Francophone World (Lexington Books, 2005) as well as a series of articles on the intersections of francophone postcolonial studies and the environmental humanities. He is currently completing a book project titled Reclaimed Waters that considers how the pollution, privatization and manufactured scarcity of water are rapidly altering its ostensibly stable symbolic value in literature, cinema and other forms of cultural production in the Francosphere. Guest Giulia Champion is a Lecturer in Critical Ocean Studies at the University of Southampton. Her main research project is being developed in a monograph entitled The Political Construction of the Seabed: A Political Ethnography of the International Seabed Authority. This project explores the diplomatic processes of the United Nations body of the International Seabed Authority (ISA) and the creation of a regulatory framework it is negotiating about deep-sea mining. The work explores this through a decolonial studies lens given the ISA’s location in Jamaica and its development of regulations about a new extractive frontier on the international seabed. Her work sits across the humanities and social sciences and uses arts-based methods for participatory public and policy engagement. She also collaborates on several projects including one on decarbonisation and electrical grids in Shetland, Orkney UK and Newfoundland, Canada; on Lithium extraction in Chile, and on safe swimming and access to green and blue spaces on the Isle of Wight, UK. She is an Associated Editor for the journal Environmental Humanities. She is the co-founder of the Deep Currents Collective, a group of activists and academics which holds a United Nation observer status at the International Seabed Authority. Her work has been published in (co-)authored articles in Bulletin of Latin American Research, The Journal of Energy History, Ocean and Society, Applied Energy, The Conversation, People and Nature and Comparative Law Journal of The Pacific. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. false full 141 b294b134-3b85-482c-b2b0-213243f2429c Angela Last, "Tainted Tools: New Materialisms As a Decolonial Project" (Manchester University Press, 2026) In Tainted Tools: New Materialisms As a Decolonial Project (Manchester University Press, 2026), Angela Last offers a provocative intervention into the tense relationship between new materialist and decolonial thought. Although both seek to challenge dominant European categories and hierarchies, they are often treated as incompatible. New materialisms, in particular, have been criticised for sustaining a white, universalised vision of the human and overlooking the racialised histories embedded in the "nonhuman." 
a
The book traces these tensions to an earlier encounter between new materialist and decolonial projects forged through experimental combinations of Marx and Nietzsche. Once used to counter fascism, Stalinism and colonialism, this politically charged fusion gradually became depoliticised, leaving unresolved contradictions. Rather than reviving these early formations, the book brings their strategies into dialogue with contemporary new materialist and decolonial approaches to build greater theoretical solidarity in times of crisis.

Angela Last is a cultural geographer working at the intersection of postcolonial and science studies.  


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]]> Tue, 22 Sep 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://new-books-in-postcolonial-studies.simplecast.com/episodes/angela-last-tainted-tools-new-materialisms-as-a-decolonial-project-manchester-university-press-2026-WZLAwTx0 In Tainted Tools: New Materialisms As a Decolonial Project (Manchester University Press, 2026), Angela Last offers a provocative intervention into the tense relationship between new materialist and decolonial thought. Although both seek to challenge dominant European categories and hierarchies, they are often treated as incompatible. New materialisms, in particular, have been criticised for sustaining a white, universalised vision of the human and overlooking the racialised histories embedded in the "nonhuman." 
a
The book traces these tensions to an earlier encounter between new materialist and decolonial projects forged through experimental combinations of Marx and Nietzsche. Once used to counter fascism, Stalinism and colonialism, this politically charged fusion gradually became depoliticised, leaving unresolved contradictions. Rather than reviving these early formations, the book brings their strategies into dialogue with contemporary new materialist and decolonial approaches to build greater theoretical solidarity in times of crisis.

Angela Last is a cultural geographer working at the intersection of postcolonial and science studies.  


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]]> Angela Last, "Tainted Tools: New Materialisms As a Decolonial Project" (Manchester University Press, 2026) New Books Network 00:34:12 In Tainted Tools: New Materialisms As a Decolonial Project (Manchester University Press, 2026), Angela Last offers a provocative intervention into the tense relationship between new materialist and decolonial thought. Although both seek to challenge dominant European categories and hierarchies, they are often treated as incompatible. New materialisms, in particular, have been criticised for sustaining a white, universalised vision of the human and overlooking the racialised histories embedded in the "nonhuman." a The book traces these tensions to an earlier encounter between new materialist and decolonial projects forged through experimental combinations of Marx and Nietzsche. Once used to counter fascism, Stalinism and colonialism, this politically charged fusion gradually became depoliticised, leaving unresolved contradictions. Rather than reviving these early formations, the book brings their strategies into dialogue with contemporary new materialist and decolonial approaches to build greater theoretical solidarity in times of crisis. Angela Last is a cultural geographer working at the intersection of postcolonial and science studies. In Tainted Tools: New Materialisms As a Decolonial Project (Manchester University Press, 2026), Angela Last offers a provocative intervention into the tense relationship between new materialist and decolonial thought. Although both seek to challenge dominant European categories and hierarchies, they are often treated as incompatible. New materialisms, in particular, have been criticised for sustaining a white, universalised vision of the human and overlooking the racialised histories embedded in the "nonhuman." a The book traces these tensions to an earlier encounter between new materialist and decolonial projects forged through experimental combinations of Marx and Nietzsche. Once used to counter fascism, Stalinism and colonialism, this politically charged fusion gradually became depoliticised, leaving unresolved contradictions. Rather than reviving these early formations, the book brings their strategies into dialogue with contemporary new materialist and decolonial approaches to build greater theoretical solidarity in times of crisis. Angela Last is a cultural geographer working at the intersection of postcolonial and science studies. false full 140 9676b61f-4ac5-4daa-8143-60808ae18596 Tamara Hundorova, "Transit Culture and Postcolonial Trauma" (Academic Studies Press, 2026) Transit Culture and Postcolonial Trauma (Academic Studies Press, 2026) explores transitional post-Soviet cultural consciousness in Ukraine at the beginning of the twenty-first century. The main themes in the book are postcolonial traumas in relation to past empires and old historiographical narratives; post-totalitarian consciousness, which is characterized by sociocultural ruptures, postcolonial resentment, and intergenerational crises; and post-memory as a means of overcoming historical and familial traumas. Against the backdrop of the Chornobyl catastrophe, the book examines the meeting of different generations and views the clown Verka Serduchka as a mediator between the transition from the Soviet to the post-Soviet world. The book focuses on three significant Ukrainian novels written between the two Maidans: The Museum of Abandoned Secrets by Oksana Zabuzhko (2009), Voroshilovgrad by Serhiy Zhadan (2010), and Notes of a Ukrainian Madman by Lina Kostenko (2010).


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]]> Sat, 19 Sep 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://new-books-in-postcolonial-studies.simplecast.com/episodes/tamara-hundorova-transit-culture-and-postcolonial-trauma-academic-studies-press-2026-V0mbjDAm Transit Culture and Postcolonial Trauma (Academic Studies Press, 2026) explores transitional post-Soviet cultural consciousness in Ukraine at the beginning of the twenty-first century. The main themes in the book are postcolonial traumas in relation to past empires and old historiographical narratives; post-totalitarian consciousness, which is characterized by sociocultural ruptures, postcolonial resentment, and intergenerational crises; and post-memory as a means of overcoming historical and familial traumas. Against the backdrop of the Chornobyl catastrophe, the book examines the meeting of different generations and views the clown Verka Serduchka as a mediator between the transition from the Soviet to the post-Soviet world. The book focuses on three significant Ukrainian novels written between the two Maidans: The Museum of Abandoned Secrets by Oksana Zabuzhko (2009), Voroshilovgrad by Serhiy Zhadan (2010), and Notes of a Ukrainian Madman by Lina Kostenko (2010).


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]]> Tamara Hundorova, "Transit Culture and Postcolonial Trauma" (Academic Studies Press, 2026) New Books Network 00:46:20 Transit Culture and Postcolonial Trauma (Academic Studies Press, 2026) explores transitional post-Soviet cultural consciousness in Ukraine at the beginning of the twenty-first century. The main themes in the book are postcolonial traumas in relation to past empires and old historiographical narratives; post-totalitarian consciousness, which is characterized by sociocultural ruptures, postcolonial resentment, and intergenerational crises; and post-memory as a means of overcoming historical and familial traumas. Against the backdrop of the Chornobyl catastrophe, the book examines the meeting of different generations and views the clown Verka Serduchka as a mediator between the transition from the Soviet to the post-Soviet world. The book focuses on three significant Ukrainian novels written between the two Maidans: The Museum of Abandoned Secrets by Oksana Zabuzhko (2009), Voroshilovgrad by Serhiy Zhadan (2010), and Notes of a Ukrainian Madman by Lina Kostenko (2010). Transit Culture and Postcolonial Trauma (Academic Studies Press, 2026) explores transitional post-Soviet cultural consciousness in Ukraine at the beginning of the twenty-first century. The main themes in the book are postcolonial traumas in relation to past empires and old historiographical narratives; post-totalitarian consciousness, which is characterized by sociocultural ruptures, postcolonial resentment, and intergenerational crises; and post-memory as a means of overcoming historical and familial traumas. Against the backdrop of the Chornobyl catastrophe, the book examines the meeting of different generations and views the clown Verka Serduchka as a mediator between the transition from the Soviet to the post-Soviet world. The book focuses on three significant Ukrainian novels written between the two Maidans: The Museum of Abandoned Secrets by Oksana Zabuzhko (2009), Voroshilovgrad by Serhiy Zhadan (2010), and Notes of a Ukrainian Madman by Lina Kostenko (2010). false full 139 64271b6f-10ce-4539-a65e-7b70321ac38b Abi Bae and Hamza Hamouchene eds., "Towards Palestinian Liberation: Global Perspectives on Anti-Colonial Resistance and Solidarity" (Daraja Press, 2026) The book Towards Palestinian Liberation: Global Perspectives on Anti-Colonial Resistance & Solidarity (Daraja Press, 2026), published by Daraja Press, portrays a collection of solidarity movements around the world, highlighting the interconnectedness of global struggles with Palestine. It situates Palestine in a wider, historical decolonial liberation movement. By examining the role of economic and political interests, it critically assesses the opportunities and challenges that these movements face. This book is an amazing new addition to the critical literature on Palestine.

Abi Bae is a Korean researcher and activist currently working at the Transnational Institute. Hamza Hamouchene is a London-based Algerian researcher-activist, commentator and a founding member of Algeria Solidarity Campaign (ASC), and Environmental Justice North Africa (EJNA). 

The host of this episode is Sarah Vogelsanger. Sarah Vogelsanger is a feminist researcher and writer based in London.


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]]> Sat, 19 Sep 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (New Books Network) https://new-books-in-postcolonial-studies.simplecast.com/episodes/abi-bae-and-hamza-hamouchene-eds-towards-palestinian-liberation-global-perspectives-on-anti-colonial-resistance-and-solidarity-daraja-press-2026-x_Md9n_a The book Towards Palestinian Liberation: Global Perspectives on Anti-Colonial Resistance & Solidarity (Daraja Press, 2026), published by Daraja Press, portrays a collection of solidarity movements around the world, highlighting the interconnectedness of global struggles with Palestine. It situates Palestine in a wider, historical decolonial liberation movement. By examining the role of economic and political interests, it critically assesses the opportunities and challenges that these movements face. This book is an amazing new addition to the critical literature on Palestine.

Abi Bae is a Korean researcher and activist currently working at the Transnational Institute. Hamza Hamouchene is a London-based Algerian researcher-activist, commentator and a founding member of Algeria Solidarity Campaign (ASC), and Environmental Justice North Africa (EJNA). 

The host of this episode is Sarah Vogelsanger. Sarah Vogelsanger is a feminist researcher and writer based in London.


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]]> Abi Bae and Hamza Hamouchene eds., "Towards Palestinian Liberation: Global Perspectives on Anti-Colonial Resistance and Solidarity" (Daraja Press, 2026) New Books Network 00:42:26 The book Towards Palestinian Liberation: Global Perspectives on Anti-Colonial Resistance & Solidarity (Daraja Press, 2026), published by Daraja Press, portrays a collection of solidarity movements around the world, highlighting the interconnectedness of global struggles with Palestine. It situates Palestine in a wider, historical decolonial liberation movement. By examining the role of economic and political interests, it critically assesses the opportunities and challenges that these movements face. This book is an amazing new addition to the critical literature on Palestine. Abi Bae is a Korean researcher and activist currently working at the Transnational Institute. Hamza Hamouchene is a London-based Algerian researcher-activist, commentator and a founding member of Algeria Solidarity Campaign (ASC), and Environmental Justice North Africa (EJNA). The host of this episode is Sarah Vogelsanger. Sarah Vogelsanger is a feminist researcher and writer based in London. The book Towards Palestinian Liberation: Global Perspectives on Anti-Colonial Resistance & Solidarity (Daraja Press, 2026), published by Daraja Press, portrays a collection of solidarity movements around the world, highlighting the interconnectedness of global struggles with Palestine. It situates Palestine in a wider, historical decolonial liberation movement. By examining the role of economic and political interests, it critically assesses the opportunities and challenges that these movements face. This book is an amazing new addition to the critical literature on Palestine. Abi Bae is a Korean researcher and activist currently working at the Transnational Institute. Hamza Hamouchene is a London-based Algerian researcher-activist, commentator and a founding member of Algeria Solidarity Campaign (ASC), and Environmental Justice North Africa (EJNA). The host of this episode is Sarah Vogelsanger. Sarah Vogelsanger is a feminist researcher and writer based in London. false full 138 f839549a-9bbe-11f1-a4c4-f7f1cc94a9d8 Michael R. Griffiths, "The Death of the Author and Anticolonial Thought" (Palgrave Macmillan, 2025) The Death of the Author and Anticolonial Thought (Palgrave Macmillan, 2025) promises to transform a decades old debate in literary studies about the relation between structure and agency, form and intention by giving a detailed account—previously unstudied—of the way colonized writers have responded to, learned from, and critiqued the death of the author postulate declared by Roland Barthes in 1967. The book is a cultural history of these debates—with a particular focus on two crucial two key case studies, Martinican poet and thinker Édouard Glissant and Palestinian literary and cultural critic Edward Said, this book, then, examines the immediate emergence and intensification of such responses to the postulate of the author’s deathly absence from the text, in order to suggest that metropolitan literary theory drew both critique and engagement from scholars of black, decolonial and Global South background from both before 1967 and Barthes’s declaration and in its wake. This book provides a focused account of the early history of the way global literatures have engaged with, critiqued, and occasionally adopted the lessons and limitations of the poststructuralist critique of that most fetishized and also reviled of figures: the author.

Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.


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]]> Wed, 12 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/michael-r-griffiths-the-death-of-the-author-and-anticolonial-thought-palgrave-macmillan-2025-huOM8CgX The Death of the Author and Anticolonial Thought (Palgrave Macmillan, 2025) promises to transform a decades old debate in literary studies about the relation between structure and agency, form and intention by giving a detailed account—previously unstudied—of the way colonized writers have responded to, learned from, and critiqued the death of the author postulate declared by Roland Barthes in 1967. The book is a cultural history of these debates—with a particular focus on two crucial two key case studies, Martinican poet and thinker Édouard Glissant and Palestinian literary and cultural critic Edward Said, this book, then, examines the immediate emergence and intensification of such responses to the postulate of the author’s deathly absence from the text, in order to suggest that metropolitan literary theory drew both critique and engagement from scholars of black, decolonial and Global South background from both before 1967 and Barthes’s declaration and in its wake. This book provides a focused account of the early history of the way global literatures have engaged with, critiqued, and occasionally adopted the lessons and limitations of the poststructuralist critique of that most fetishized and also reviled of figures: the author.

Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.


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]]> Michael R. Griffiths, "The Death of the Author and Anticolonial Thought" (Palgrave Macmillan, 2025) Marshall Poe 00:47:39 The Death of the Author and Anticolonial Thought (Palgrave Macmillan, 2025) promises to transform a decades old debate in literary studies about the relation between structure and agency, form and intention by giving a detailed account—previously unstudied—of the way colonized writers have responded to, learned from, and critiqued the death of the author postulate declared by Roland Barthes in 1967. The book is a cultural history of these debates—with a particular focus on two crucial two key case studies, Martinican poet and thinker Édouard Glissant and Palestinian literary and cultural critic Edward Said, this book, then, examines the immediate emergence and intensification of such responses to the postulate of the author’s deathly absence from the text, in order to suggest that metropolitan literary theory drew both critique and engagement from scholars of black, decolonial and Global South background from both before 1967 and Barthes’s declaration and in its wake. This book provides a focused account of the early history of the way global literatures have engaged with, critiqued, and occasionally adopted the lessons and limitations of the poststructuralist critique of that most fetishized and also reviled of figures: the author. Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas. The Death of the Author and Anticolonial Thought (Palgrave Macmillan, 2025) promises to transform a decades old debate in literary studies about the relation between structure and agency, form and intention by giving a detailed account—previously unstudied—of the way colonized writers have responded to, learned from, and critiqued the death of the author postulate declared by Roland Barthes in 1967. The book is a cultural history of these debates—with a particular focus on two crucial two key case studies, Martinican poet and thinker Édouard Glissant and Palestinian literary and cultural critic Edward Said, this book, then, examines the immediate emergence and intensification of such responses to the postulate of the author’s deathly absence from the text, in order to suggest that metropolitan literary theory drew both critique and engagement from scholars of black, decolonial and Global South background from both before 1967 and Barthes’s declaration and in its wake. This book provides a focused account of the early history of the way global literatures have engaged with, critiqued, and occasionally adopted the lessons and limitations of the poststructuralist critique of that most fetishized and also reviled of figures: the author. Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas. false full 14 5cc113a2-97b5-11f1-9d23-d3af808054ea Emma Parker, "Life Writing and the End of Empire: Homecoming in Autobiographical Narratives" (Bloomsbury, 2024) Life Writing and the End of Empire: Homecoming in Autobiographical Narratives (Bloomsbury Academic, 2024) examines how autobiographical writing reflects the psychological and cultural afterlives of the British Empire. Rather than treating decolonization as a completed historical moment, Emma Parker shows how empire continues to haunt personal memory, identity, and ideas of home. Through close readings of memoirs and autobiographical texts by writers such as Penelope Lively, J. G. Ballard, Doris Lessing, and Janet Frame, the book explores how individuals who grew up in colonial settings experienced their later arrival in Britain as a complex and often disorienting “homecoming.” Many of those writers traveled to Britain in the decades following WWII, during a period of rapid decolonization. Yet when they arrived in London, they often discovered that the imperial “mother country” they had imagined from afar did not match the reality of postwar Britain. Their autobiographies reveal a profound sense of displacement, being both connected to and estranged from the imperial center.

In this episode, Ibrahim Fawzy sat down with Emma Parker to discuss the relationship between life writing and the end of the British Empire; the disorienting experience of colonial “homecoming;” and what autobiography can reveal about empire that other literary forms may conceal. They also explore colonial childhood and domestic space in the writings of Lively, Ballard, Lessing, and Frame, examining settler identity, displacement, memory, and the material afterlives of colonialism.


Emma Parker is Lecturer in Postcolonial Literature at Keele University, UK. Her research focusses on life writing, contemporary literature and colonialism. She has published articles in Critical Quarterly, Auto/Biography Studies, Life Writing, Wasafiri and Moving Worlds, and is a contributor to Documenting Trauma in Comics (2020). She is also co-editor of the collection British Culture After Empire (2022).

Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.


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]]> Fri, 7 Aug 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/emma-parker-life-writing-and-the-end-of-empire-homecoming-in-autobiographical-narratives-bloomsbury-2024-0Gs0nk4J Life Writing and the End of Empire: Homecoming in Autobiographical Narratives (Bloomsbury Academic, 2024) examines how autobiographical writing reflects the psychological and cultural afterlives of the British Empire. Rather than treating decolonization as a completed historical moment, Emma Parker shows how empire continues to haunt personal memory, identity, and ideas of home. Through close readings of memoirs and autobiographical texts by writers such as Penelope Lively, J. G. Ballard, Doris Lessing, and Janet Frame, the book explores how individuals who grew up in colonial settings experienced their later arrival in Britain as a complex and often disorienting “homecoming.” Many of those writers traveled to Britain in the decades following WWII, during a period of rapid decolonization. Yet when they arrived in London, they often discovered that the imperial “mother country” they had imagined from afar did not match the reality of postwar Britain. Their autobiographies reveal a profound sense of displacement, being both connected to and estranged from the imperial center.

In this episode, Ibrahim Fawzy sat down with Emma Parker to discuss the relationship between life writing and the end of the British Empire; the disorienting experience of colonial “homecoming;” and what autobiography can reveal about empire that other literary forms may conceal. They also explore colonial childhood and domestic space in the writings of Lively, Ballard, Lessing, and Frame, examining settler identity, displacement, memory, and the material afterlives of colonialism.


Emma Parker is Lecturer in Postcolonial Literature at Keele University, UK. Her research focusses on life writing, contemporary literature and colonialism. She has published articles in Critical Quarterly, Auto/Biography Studies, Life Writing, Wasafiri and Moving Worlds, and is a contributor to Documenting Trauma in Comics (2020). She is also co-editor of the collection British Culture After Empire (2022).

Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.


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]]> Emma Parker, "Life Writing and the End of Empire: Homecoming in Autobiographical Narratives" (Bloomsbury, 2024) Marshall Poe 00:38:03 Life Writing and the End of Empire: Homecoming in Autobiographical Narratives (Bloomsbury Academic, 2024) examines how autobiographical writing reflects the psychological and cultural afterlives of the British Empire. Rather than treating decolonization as a completed historical moment, Emma Parker shows how empire continues to haunt personal memory, identity, and ideas of home. Through close readings of memoirs and autobiographical texts by writers such as Penelope Lively, J. G. Ballard, Doris Lessing, and Janet Frame, the book explores how individuals who grew up in colonial settings experienced their later arrival in Britain as a complex and often disorienting “homecoming.” Many of those writers traveled to Britain in the decades following WWII, during a period of rapid decolonization. Yet when they arrived in London, they often discovered that the imperial “mother country” they had imagined from afar did not match the reality of postwar Britain. Their autobiographies reveal a profound sense of displacement, being both connected to and estranged from the imperial center. In this episode, Ibrahim Fawzy sat down with Emma Parker to discuss the relationship between life writing and the end of the British Empire; the disorienting experience of colonial “homecoming;” and what autobiography can reveal about empire that other literary forms may conceal. They also explore colonial childhood and domestic space in the writings of Lively, Ballard, Lessing, and Frame, examining settler identity, displacement, memory, and the material afterlives of colonialism. Emma Parker is Lecturer in Postcolonial Literature at Keele University, UK. Her research focusses on life writing, contemporary literature and colonialism. She has published articles in Critical Quarterly, Auto/Biography Studies, Life Writing, Wasafiri and Moving Worlds, and is a contributor to Documenting Trauma in Comics (2020). She is also co-editor of the collection British Culture After Empire (2022). Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Life Writing and the End of Empire: Homecoming in Autobiographical Narratives (Bloomsbury Academic, 2024) examines how autobiographical writing reflects the psychological and cultural afterlives of the British Empire. Rather than treating decolonization as a completed historical moment, Emma Parker shows how empire continues to haunt personal memory, identity, and ideas of home. Through close readings of memoirs and autobiographical texts by writers such as Penelope Lively, J. G. Ballard, Doris Lessing, and Janet Frame, the book explores how individuals who grew up in colonial settings experienced their later arrival in Britain as a complex and often disorienting “homecoming.” Many of those writers traveled to Britain in the decades following WWII, during a period of rapid decolonization. Yet when they arrived in London, they often discovered that the imperial “mother country” they had imagined from afar did not match the reality of postwar Britain. Their autobiographies reveal a profound sense of displacement, being both connected to and estranged from the imperial center. In this episode, Ibrahim Fawzy sat down with Emma Parker to discuss the relationship between life writing and the end of the British Empire; the disorienting experience of colonial “homecoming;” and what autobiography can reveal about empire that other literary forms may conceal. They also explore colonial childhood and domestic space in the writings of Lively, Ballard, Lessing, and Frame, examining settler identity, displacement, memory, and the material afterlives of colonialism. Emma Parker is Lecturer in Postcolonial Literature at Keele University, UK. Her research focusses on life writing, contemporary literature and colonialism. She has published articles in Critical Quarterly, Auto/Biography Studies, Life Writing, Wasafiri and Moving Worlds, and is a contributor to Documenting Trauma in Comics (2020). She is also co-editor of the collection British Culture After Empire (2022). Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. false full 13 1aaa9448-9bc0-11f1-8838-73bd5d1837de Tania Sengupta and Stuart King eds., "Reclaiming Colonial Architecture" (Routledge, 2024) Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB’s Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).


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]]> Tue, 9 Jun 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/tania-sengupta-and-stuart-king-eds-reclaiming-colonial-architecture-routledge-2024-1xbT9JmP Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB’s Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).


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]]> Tania Sengupta and Stuart King eds., "Reclaiming Colonial Architecture" (Routledge, 2024) Marshall Poe 00:52:34 Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB’s Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB’s Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). false full 12 2bed2978-9bc0-11f1-a2f6-471eeb280535 PJ DiPietro, "Sideways Selves Travesti and Jotería, "Struggles Across the Américas" (U Texas Press, 2025) How does coloniality shape the sociosomatic possibilities of our bodies? More importantly, how do gender-nonconforming people not only resist the limitations of that coloniality but also make, connect to, and revitalize other possibilities? How do displaced people use old and radical practices of embodiment to enact decolonial life now? In Sideways Selves: Travesti and Joetría Struggles Across the Américas (U Texas Press, 2025), PJ DiPietro listens carefully across many registers to the creative work of making and living sideways selves. Their work offers paths to decolonial worlds we may need to develop new eyes to see.


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]]> Sun, 24 May 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/pj-dipietro-sideways-selves-travesti-and-joteria-struggles-across-the-americas-u-texas-press-2025-bMwhFjzk How does coloniality shape the sociosomatic possibilities of our bodies? More importantly, how do gender-nonconforming people not only resist the limitations of that coloniality but also make, connect to, and revitalize other possibilities? How do displaced people use old and radical practices of embodiment to enact decolonial life now? In Sideways Selves: Travesti and Joetría Struggles Across the Américas (U Texas Press, 2025), PJ DiPietro listens carefully across many registers to the creative work of making and living sideways selves. Their work offers paths to decolonial worlds we may need to develop new eyes to see.


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]]> PJ DiPietro, "Sideways Selves Travesti and Jotería, "Struggles Across the Américas" (U Texas Press, 2025) Marshall Poe 01:11:42 How does coloniality shape the sociosomatic possibilities of our bodies? More importantly, how do gender-nonconforming people not only resist the limitations of that coloniality but also make, connect to, and revitalize other possibilities? How do displaced people use old and radical practices of embodiment to enact decolonial life now? In Sideways Selves: Travesti and Joetría Struggles Across the Américas (U Texas Press, 2025), PJ DiPietro listens carefully across many registers to the creative work of making and living sideways selves. Their work offers paths to decolonial worlds we may need to develop new eyes to see. How does coloniality shape the sociosomatic possibilities of our bodies? More importantly, how do gender-nonconforming people not only resist the limitations of that coloniality but also make, connect to, and revitalize other possibilities? How do displaced people use old and radical practices of embodiment to enact decolonial life now? In Sideways Selves: Travesti and Joetría Struggles Across the Américas (U Texas Press, 2025), PJ DiPietro listens carefully across many registers to the creative work of making and living sideways selves. Their work offers paths to decolonial worlds we may need to develop new eyes to see. false full 11 3af913ec-9bbf-11f1-a08a-3bf7e7886226 Asif Iqbal, "Bangladesh in Anglophone and Vernacular Literature: Cultural Imaginings of a Postcolonial Nation" (Routledge, 2025) Bangladesh in Anglophone and Vernacular Literature: Cultural Imaginings of a Postcolonial Nation (Routledge, 2025) illuminates individual and collective imaginings of postcolonial Bangladesh. It explores the emergence of Bangladesh as a nation from a variety of perspectives. The author studies the impact of Muslim nationalism on the subaltern life-worlds of East Bengal during the Partition, religious minorities and their insecurity in East Pakistan, East Pakistan’s political insurgencies, the victims of the 1971 Bangladesh Liberation War, the Indian stake in the 1971 War, and the cosmopolitan interpretations of the war. The literary and cultural texts that inform this project include contemporary Bengali novels, South Asian Anglophone literature, as well as selected visual media and digital sources. The project’s reading of these texts in conjunction with politics and history has interdisciplinary relevance.


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]]> Thu, 2 Apr 2026 08:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/asif-iqbal-bangladesh-in-anglophone-and-vernacular-literature-cultural-imaginings-of-a-postcolonial-nation-routledge-2025-x87KcpJA Bangladesh in Anglophone and Vernacular Literature: Cultural Imaginings of a Postcolonial Nation (Routledge, 2025) illuminates individual and collective imaginings of postcolonial Bangladesh. It explores the emergence of Bangladesh as a nation from a variety of perspectives. The author studies the impact of Muslim nationalism on the subaltern life-worlds of East Bengal during the Partition, religious minorities and their insecurity in East Pakistan, East Pakistan’s political insurgencies, the victims of the 1971 Bangladesh Liberation War, the Indian stake in the 1971 War, and the cosmopolitan interpretations of the war. The literary and cultural texts that inform this project include contemporary Bengali novels, South Asian Anglophone literature, as well as selected visual media and digital sources. The project’s reading of these texts in conjunction with politics and history has interdisciplinary relevance.


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]]> Asif Iqbal, "Bangladesh in Anglophone and Vernacular Literature: Cultural Imaginings of a Postcolonial Nation" (Routledge, 2025) Marshall Poe 00:32:58 Bangladesh in Anglophone and Vernacular Literature: Cultural Imaginings of a Postcolonial Nation (Routledge, 2025) illuminates individual and collective imaginings of postcolonial Bangladesh. It explores the emergence of Bangladesh as a nation from a variety of perspectives. The author studies the impact of Muslim nationalism on the subaltern life-worlds of East Bengal during the Partition, religious minorities and their insecurity in East Pakistan, East Pakistan’s political insurgencies, the victims of the 1971 Bangladesh Liberation War, the Indian stake in the 1971 War, and the cosmopolitan interpretations of the war. The literary and cultural texts that inform this project include contemporary Bengali novels, South Asian Anglophone literature, as well as selected visual media and digital sources. The project’s reading of these texts in conjunction with politics and history has interdisciplinary relevance. Bangladesh in Anglophone and Vernacular Literature: Cultural Imaginings of a Postcolonial Nation (Routledge, 2025) illuminates individual and collective imaginings of postcolonial Bangladesh. It explores the emergence of Bangladesh as a nation from a variety of perspectives. The author studies the impact of Muslim nationalism on the subaltern life-worlds of East Bengal during the Partition, religious minorities and their insecurity in East Pakistan, East Pakistan’s political insurgencies, the victims of the 1971 Bangladesh Liberation War, the Indian stake in the 1971 War, and the cosmopolitan interpretations of the war. The literary and cultural texts that inform this project include contemporary Bengali novels, South Asian Anglophone literature, as well as selected visual media and digital sources. The project’s reading of these texts in conjunction with politics and history has interdisciplinary relevance. false full 10 7ef97d48-9bbf-11f1-8b94-639aaa4e6657 Jennifer Boum Make, "Decolonial Care: Reimagining Caregiving in the French Caribbean" (Rutgers UP, 2025) Decolonial Care: Reimagining Caregiving in the French Caribbean (Rutgers UP, 2025) examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism and shows how media and narratives help develop decolonial approaches to care that sustain human life and livable environments.

Guest Jennifer Boum Make is Associate Professor of French and Francophone Studies at Georgetown University. In addition to her monograph, she has co-edited 2025’s Graphic Narratives of Resistance: Advocating for Representation and Social Justice in French-Language Bandes Dessinées. In addition to many journal articles and contributions to collected volumes, she serves on a number of editorial boards and is one of the founders of Kwazman vwa: New Paths in Caribbean literature, an online series hosting conversations with ultracontemporary Caribbean writers.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.


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]]> Wed, 4 Mar 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/jennifer-boum-make-decolonial-care-reimagining-caregiving-in-the-french-caribbean-rutgers-up-2025-JdsB9_Sy Decolonial Care: Reimagining Caregiving in the French Caribbean (Rutgers UP, 2025) examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism and shows how media and narratives help develop decolonial approaches to care that sustain human life and livable environments.

Guest Jennifer Boum Make is Associate Professor of French and Francophone Studies at Georgetown University. In addition to her monograph, she has co-edited 2025’s Graphic Narratives of Resistance: Advocating for Representation and Social Justice in French-Language Bandes Dessinées. In addition to many journal articles and contributions to collected volumes, she serves on a number of editorial boards and is one of the founders of Kwazman vwa: New Paths in Caribbean literature, an online series hosting conversations with ultracontemporary Caribbean writers.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.


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]]> Jennifer Boum Make, "Decolonial Care: Reimagining Caregiving in the French Caribbean" (Rutgers UP, 2025) Marshall Poe 00:46:22 Decolonial Care: Reimagining Caregiving in the French Caribbean (Rutgers UP, 2025) examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism and shows how media and narratives help develop decolonial approaches to care that sustain human life and livable environments. Guest Jennifer Boum Make is Associate Professor of French and Francophone Studies at Georgetown University. In addition to her monograph, she has co-edited 2025’s Graphic Narratives of Resistance: Advocating for Representation and Social Justice in French-Language Bandes Dessinées. In addition to many journal articles and contributions to collected volumes, she serves on a number of editorial boards and is one of the founders of Kwazman vwa: New Paths in Caribbean literature, an online series hosting conversations with ultracontemporary Caribbean writers. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Decolonial Care: Reimagining Caregiving in the French Caribbean (Rutgers UP, 2025) examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism and shows how media and narratives help develop decolonial approaches to care that sustain human life and livable environments. Guest Jennifer Boum Make is Associate Professor of French and Francophone Studies at Georgetown University. In addition to her monograph, she has co-edited 2025’s Graphic Narratives of Resistance: Advocating for Representation and Social Justice in French-Language Bandes Dessinées. In addition to many journal articles and contributions to collected volumes, she serves on a number of editorial boards and is one of the founders of Kwazman vwa: New Paths in Caribbean literature, an online series hosting conversations with ultracontemporary Caribbean writers. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. false full 9 998f923c-9bbf-11f1-bb84-5be545d7fa8a Sourit Bhattacharya, "Postcolonialism Now: Literature, Reading, Decolonising" (Orient BlackSwan, 2024) Postcolonialism Now: Literature, Reading, Decolonising (Orient BlackSwan, 2024) by Sourit Bhattacharya introduces a new method of decolonial reading and criticism. It critically examines the history and ongoing influence of colonialism and imperialism in postcolonial cultures and texts. The volume seeks to address the crucial question of how to read postcolonial literatures closely and comparatively, particularly through the lenses of decolonisation and anticolonialism. Through rubrics such as migration, ecology, trauma, minorities and futurity, Postcolonialism Now engages with close readings of films, graphic novels, fiction, theatre and poetry from across the globe.


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]]> Fri, 13 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/sourit-bhattacharya-postcolonialism-now-literature-reading-decolonising-orient-blackswan-2024-SnlKiuKF Postcolonialism Now: Literature, Reading, Decolonising (Orient BlackSwan, 2024) by Sourit Bhattacharya introduces a new method of decolonial reading and criticism. It critically examines the history and ongoing influence of colonialism and imperialism in postcolonial cultures and texts. The volume seeks to address the crucial question of how to read postcolonial literatures closely and comparatively, particularly through the lenses of decolonisation and anticolonialism. Through rubrics such as migration, ecology, trauma, minorities and futurity, Postcolonialism Now engages with close readings of films, graphic novels, fiction, theatre and poetry from across the globe.


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]]> Sourit Bhattacharya, "Postcolonialism Now: Literature, Reading, Decolonising" (Orient BlackSwan, 2024) Marshall Poe 00:54:39 Postcolonialism Now: Literature, Reading, Decolonising (Orient BlackSwan, 2024) by Sourit Bhattacharya introduces a new method of decolonial reading and criticism. It critically examines the history and ongoing influence of colonialism and imperialism in postcolonial cultures and texts. The volume seeks to address the crucial question of how to read postcolonial literatures closely and comparatively, particularly through the lenses of decolonisation and anticolonialism. Through rubrics such as migration, ecology, trauma, minorities and futurity, Postcolonialism Now engages with close readings of films, graphic novels, fiction, theatre and poetry from across the globe. Postcolonialism Now: Literature, Reading, Decolonising (Orient BlackSwan, 2024) by Sourit Bhattacharya introduces a new method of decolonial reading and criticism. It critically examines the history and ongoing influence of colonialism and imperialism in postcolonial cultures and texts. The volume seeks to address the crucial question of how to read postcolonial literatures closely and comparatively, particularly through the lenses of decolonisation and anticolonialism. Through rubrics such as migration, ecology, trauma, minorities and futurity, Postcolonialism Now engages with close readings of films, graphic novels, fiction, theatre and poetry from across the globe. false full 8 47aeb2f8-9bc0-11f1-a804-57ec666f7dcf Cindy Anh Nguyen, "Bibliotactics: Libraries and the Colonial Public in Vietnam" (U California Press, 2026) Libraries in French colonial Vietnam functioned as symbols of Western modernity and infrastructures of colonial knowledge. Yet Vietnamese readers pursued alternative uses of the library that exceeded imperial intentions. In Bibliotactics: Libraries and the Colonial Public in Vietnam (U California Press, 2026), Cindy Any Nguyen examines the Hanoi and Saigon state libraries in colonial and postcolonial Vietnam, uncovering the emergence of a colonial public who reimagined the political meaning and social space of the library through public critique and day-to-day practice. Comprising government bureaucrats, library personnel, journalists, and everyday library readers, this colonial public debated the role of libraries as educational resource, civilizing instrument, and literary heritage.

Moving beyond procolonial or anticolonial nationalism framings, Bibliotactics advances a relational theory of power that centers public reading culture contextualized within the library infrastructure of the colonial information order. As the first comprehensive history of the colonial and national library in Asia, this book contributes new insights into publicity, colonial and postcolonial studies, and the histories of Vietnam, libraries, and information.

Bibliotactics is available open access from Luminosa. Visit here to download a copy for free.

Cindy Anh Nguyen is Assistant Professor in the Department of Information Studies and the Digital Humanities program at the University of California, Los Angeles.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).



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]]> Fri, 6 Feb 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/cindy-anh-nguyen-bibliotactics-libraries-and-the-colonial-public-in-vietnam-u-california-press-2026-zHFdYraQ Libraries in French colonial Vietnam functioned as symbols of Western modernity and infrastructures of colonial knowledge. Yet Vietnamese readers pursued alternative uses of the library that exceeded imperial intentions. In Bibliotactics: Libraries and the Colonial Public in Vietnam (U California Press, 2026), Cindy Any Nguyen examines the Hanoi and Saigon state libraries in colonial and postcolonial Vietnam, uncovering the emergence of a colonial public who reimagined the political meaning and social space of the library through public critique and day-to-day practice. Comprising government bureaucrats, library personnel, journalists, and everyday library readers, this colonial public debated the role of libraries as educational resource, civilizing instrument, and literary heritage.

Moving beyond procolonial or anticolonial nationalism framings, Bibliotactics advances a relational theory of power that centers public reading culture contextualized within the library infrastructure of the colonial information order. As the first comprehensive history of the colonial and national library in Asia, this book contributes new insights into publicity, colonial and postcolonial studies, and the histories of Vietnam, libraries, and information.

Bibliotactics is available open access from Luminosa. Visit here to download a copy for free.

Cindy Anh Nguyen is Assistant Professor in the Department of Information Studies and the Digital Humanities program at the University of California, Los Angeles.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).



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]]> Cindy Anh Nguyen, "Bibliotactics: Libraries and the Colonial Public in Vietnam" (U California Press, 2026) Marshall Poe 00:57:23 Libraries in French colonial Vietnam functioned as symbols of Western modernity and infrastructures of colonial knowledge. Yet Vietnamese readers pursued alternative uses of the library that exceeded imperial intentions. In Bibliotactics: Libraries and the Colonial Public in Vietnam (U California Press, 2026), Cindy Any Nguyen examines the Hanoi and Saigon state libraries in colonial and postcolonial Vietnam, uncovering the emergence of a colonial public who reimagined the political meaning and social space of the library through public critique and day-to-day practice. Comprising government bureaucrats, library personnel, journalists, and everyday library readers, this colonial public debated the role of libraries as educational resource, civilizing instrument, and literary heritage. Moving beyond procolonial or anticolonial nationalism framings, Bibliotactics advances a relational theory of power that centers public reading culture contextualized within the library infrastructure of the colonial information order. As the first comprehensive history of the colonial and national library in Asia, this book contributes new insights into publicity, colonial and postcolonial studies, and the histories of Vietnam, libraries, and information. Bibliotactics is available open access from Luminosa. Visit here to download a copy for free. Cindy Anh Nguyen is Assistant Professor in the Department of Information Studies and the Digital Humanities program at the University of California, Los Angeles. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Libraries in French colonial Vietnam functioned as symbols of Western modernity and infrastructures of colonial knowledge. Yet Vietnamese readers pursued alternative uses of the library that exceeded imperial intentions. In Bibliotactics: Libraries and the Colonial Public in Vietnam (U California Press, 2026), Cindy Any Nguyen examines the Hanoi and Saigon state libraries in colonial and postcolonial Vietnam, uncovering the emergence of a colonial public who reimagined the political meaning and social space of the library through public critique and day-to-day practice. Comprising government bureaucrats, library personnel, journalists, and everyday library readers, this colonial public debated the role of libraries as educational resource, civilizing instrument, and literary heritage. Moving beyond procolonial or anticolonial nationalism framings, Bibliotactics advances a relational theory of power that centers public reading culture contextualized within the library infrastructure of the colonial information order. As the first comprehensive history of the colonial and national library in Asia, this book contributes new insights into publicity, colonial and postcolonial studies, and the histories of Vietnam, libraries, and information. Bibliotactics is available open access from Luminosa. Visit here to download a copy for free. Cindy Anh Nguyen is Assistant Professor in the Department of Information Studies and the Digital Humanities program at the University of California, Los Angeles. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). false full 7 c45e2b36-9bbf-11f1-b0bf-e37a0f1e3b9c Stephen Legg, "Spaces of Anticolonialism: Delhi's Urban Governmentalities" (U Georgia Press, 2025) Spaces of Anticolonialism: Delhi's Urban Governmentalities (U Georgia Press, 2025) is the first book-length account of anticolonialism in Delhi, as the capital of Britain's empire in India. It pioneers a spatial governmentality analysis of the networks, mobilizations, and hidden spaces of anticolonial parrhesia, or courageous speech and actions, in the two decades before independence in 1947. Reading across imperial and nationalist archives, newspapers, memoirs, oral histories, and interviews, Stephen Legg exposes subaltern geographies and struggles across both the new and old cities, which have traditionally been neglected in favor of the elite spaces of New Delhi. Presenting the dual cities as one interconnected political landscape, Legg studies Indian National Congress efforts to mobilize and marshal support between the mass movements of Civil Disobedience (1930-34) and Quit India (1942-43). The book's six chapters compare the two movements in terms of their public spaces of nonviolent anticolonialism, their problematization by violence, and their legacies. This bottom-up analysis, focused on the streets, bazaars, neighborhoods, homes, and undergrounds of the two cities, foregrounds the significance of physical and political space; it highlights the pioneering role of women in crafting these spaces; and it exposes the microtechniques that Congress used to encourage Gandhi's nonviolence and to tolerate its testing in the face of the rising popularity of the radical left. Legg's rereading of Michel Foucault's final lectures on parrhesia produces a bold new approach to questions of postcolonialism, resistance, and South Asian governmentalities. This allows anticolonialism to be read not as an outside but as a coherent and bottom-up project of self-transformation and space-making that was elite coordinated but whose sovereignty lay with a disobedient and not always nonviolent public. This book provides an innovative and restive historical geography of spaces of anticolonialism in the capital of contemporary India's 1.4 billion people.

Stephen Legg is Professor of Historical Geography at University of Nottingham
Saumya Dadoo is a Ph.D Candidate at MESAAS, Columbia University.


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]]> Fri, 23 Jan 2026 09:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/stephen-legg-spaces-of-anticolonialism-delhis-urban-governmentalities-u-georgia-press-2025-bpH566Tg Spaces of Anticolonialism: Delhi's Urban Governmentalities (U Georgia Press, 2025) is the first book-length account of anticolonialism in Delhi, as the capital of Britain's empire in India. It pioneers a spatial governmentality analysis of the networks, mobilizations, and hidden spaces of anticolonial parrhesia, or courageous speech and actions, in the two decades before independence in 1947. Reading across imperial and nationalist archives, newspapers, memoirs, oral histories, and interviews, Stephen Legg exposes subaltern geographies and struggles across both the new and old cities, which have traditionally been neglected in favor of the elite spaces of New Delhi. Presenting the dual cities as one interconnected political landscape, Legg studies Indian National Congress efforts to mobilize and marshal support between the mass movements of Civil Disobedience (1930-34) and Quit India (1942-43). The book's six chapters compare the two movements in terms of their public spaces of nonviolent anticolonialism, their problematization by violence, and their legacies. This bottom-up analysis, focused on the streets, bazaars, neighborhoods, homes, and undergrounds of the two cities, foregrounds the significance of physical and political space; it highlights the pioneering role of women in crafting these spaces; and it exposes the microtechniques that Congress used to encourage Gandhi's nonviolence and to tolerate its testing in the face of the rising popularity of the radical left. Legg's rereading of Michel Foucault's final lectures on parrhesia produces a bold new approach to questions of postcolonialism, resistance, and South Asian governmentalities. This allows anticolonialism to be read not as an outside but as a coherent and bottom-up project of self-transformation and space-making that was elite coordinated but whose sovereignty lay with a disobedient and not always nonviolent public. This book provides an innovative and restive historical geography of spaces of anticolonialism in the capital of contemporary India's 1.4 billion people.

Stephen Legg is Professor of Historical Geography at University of Nottingham
Saumya Dadoo is a Ph.D Candidate at MESAAS, Columbia University.


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]]> Stephen Legg, "Spaces of Anticolonialism: Delhi's Urban Governmentalities" (U Georgia Press, 2025) Marshall Poe 00:44:54 Spaces of Anticolonialism: Delhi's Urban Governmentalities (U Georgia Press, 2025) is the first book-length account of anticolonialism in Delhi, as the capital of Britain's empire in India. It pioneers a spatial governmentality analysis of the networks, mobilizations, and hidden spaces of anticolonial parrhesia, or courageous speech and actions, in the two decades before independence in 1947. Reading across imperial and nationalist archives, newspapers, memoirs, oral histories, and interviews, Stephen Legg exposes subaltern geographies and struggles across both the new and old cities, which have traditionally been neglected in favor of the elite spaces of New Delhi. Presenting the dual cities as one interconnected political landscape, Legg studies Indian National Congress efforts to mobilize and marshal support between the mass movements of Civil Disobedience (1930-34) and Quit India (1942-43). The book's six chapters compare the two movements in terms of their public spaces of nonviolent anticolonialism, their problematization by violence, and their legacies. This bottom-up analysis, focused on the streets, bazaars, neighborhoods, homes, and undergrounds of the two cities, foregrounds the significance of physical and political space; it highlights the pioneering role of women in crafting these spaces; and it exposes the microtechniques that Congress used to encourage Gandhi's nonviolence and to tolerate its testing in the face of the rising popularity of the radical left. Legg's rereading of Michel Foucault's final lectures on parrhesia produces a bold new approach to questions of postcolonialism, resistance, and South Asian governmentalities. This allows anticolonialism to be read not as an outside but as a coherent and bottom-up project of self-transformation and space-making that was elite coordinated but whose sovereignty lay with a disobedient and not always nonviolent public. This book provides an innovative and restive historical geography of spaces of anticolonialism in the capital of contemporary India's 1.4 billion people. Stephen Legg is Professor of Historical Geography at University of NottinghamSaumya Dadoo is a Ph.D Candidate at MESAAS, Columbia University. Spaces of Anticolonialism: Delhi's Urban Governmentalities (U Georgia Press, 2025) is the first book-length account of anticolonialism in Delhi, as the capital of Britain's empire in India. It pioneers a spatial governmentality analysis of the networks, mobilizations, and hidden spaces of anticolonial parrhesia, or courageous speech and actions, in the two decades before independence in 1947. Reading across imperial and nationalist archives, newspapers, memoirs, oral histories, and interviews, Stephen Legg exposes subaltern geographies and struggles across both the new and old cities, which have traditionally been neglected in favor of the elite spaces of New Delhi. Presenting the dual cities as one interconnected political landscape, Legg studies Indian National Congress efforts to mobilize and marshal support between the mass movements of Civil Disobedience (1930-34) and Quit India (1942-43). The book's six chapters compare the two movements in terms of their public spaces of nonviolent anticolonialism, their problematization by violence, and their legacies. This bottom-up analysis, focused on the streets, bazaars, neighborhoods, homes, and undergrounds of the two cities, foregrounds the significance of physical and political space; it highlights the pioneering role of women in crafting these spaces; and it exposes the microtechniques that Congress used to encourage Gandhi's nonviolence and to tolerate its testing in the face of the rising popularity of the radical left. Legg's rereading of Michel Foucault's final lectures on parrhesia produces a bold new approach to questions of postcolonialism, resistance, and South Asian governmentalities. This allows anticolonialism to be read not as an outside but as a coherent and bottom-up project of self-transformation and space-making that was elite coordinated but whose sovereignty lay with a disobedient and not always nonviolent public. This book provides an innovative and restive historical geography of spaces of anticolonialism in the capital of contemporary India's 1.4 billion people. Stephen Legg is Professor of Historical Geography at University of NottinghamSaumya Dadoo is a Ph.D Candidate at MESAAS, Columbia University. false full 6 fa651ce4-9bbf-11f1-ab02-4f1fe9233b0d Arnab Roy and Paul Ugor eds., "The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions" (U Alberta Press, 2025) Offering a fresh comparative lens, The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (U Alberta Press, 2025) demonstrates how postcolonial writers have transformed the Bildungsroman from an eighteenth-century European genre meant to express local concerns around childhood development into one of the most cosmopolitan literary mediums for communicating overlapping concerns about global modernity. If literature is the crucial site where people find the language to convey their social experiences, this book reveals how the Bildungsroman now functions in the global world of letters to capture and bear witness to young people's varied interactions and responses to both local and global forces enveloping and shaping their lives. Chapters explore identity, sexuality, human rights, the climate crisis, neoliberal globalization, and a host of other issues in work from a wide range of postcolonial locations across Asia, Europe, Africa, the Americas, Australia, and New Zealand. Forging productive scholarly engagements between narratology and genre theory, the volume documents the aesthetic and thematic shifts that have accompanied the Bildungsroman in the past two centuries, particularly in the context of anticolonial, liberationist, and self-determination struggles from the mid-twentieth century onwards in the global south. With a very diverse array of essays from multiple continents, The Postcolonial Bildungsroman makes a crucial intervention to the existing scholarship on this influential genre and a unique contribution to the study of world literature. Contributors: David Babcock, Sarah Brouillette, Gregory Byala, Deena Dinat, Prathim-Maya Dora-Laskey, José-Santiago Fernández-Vázquez, Ericka A. Hoagland, Elizabeth Jackson, Feroza Jussawala, Andrew David King, Aruna Krishnamurthy, Simone Puleo, Peter Ribic, Arnab Dutta Roy, Craig Smith, Antonette Talaue-Arogo, Paul Ugor, Julieann, Veronica Ulin, Rachel Ann Walsh, Maria Su Wang, Bethany Williamson, Helena Wu, Julia Wurr.

Arnab Dutta Roy is an Assistant Professor of English at Florida Gulf Coast University. His research lies at the intersection of postcolonialism, human rights theory, and modern South Asian literature, and his work has appeared or is forthcoming in journals such as Journal of Global Postcolonial Studies, South Asian Review, Comparatist, Genre, New Literary History, and others. He is the co-editor of two books on the postcolonial Bildungsroman: The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (University of Alberta Press, 2025) and The Postcolonial Bildungsroman and the Character of Place (forthcoming with University of Nebraska Press, January 2026). In addition, he has co-edited a special issue of the Journal of World Literature titled Constructing the Other: Narrative Empathy and the Ethics of Border-Crossing in World Literature. He is currently working on a monograph titled Universalisms in South Asian Literature that draws on interdisciplinary work in postcolonial theory and human rights to analyze literary responses to colonialism from South Asia. At FGCU, he teaches both graduate and undergraduate courses on world literature and postcolonial theory.

Gargi Binju is a PhD scholar at the University of Tuebingen.


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]]> Wed, 22 Oct 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/arnab-roy-and-paul-ugor-eds-the-postcolonial-bildungsroman-narratives-of-youth-representational-politics-and-aesthetic-reinventions-u-alberta-press-2025-zQA_7XVU Offering a fresh comparative lens, The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (U Alberta Press, 2025) demonstrates how postcolonial writers have transformed the Bildungsroman from an eighteenth-century European genre meant to express local concerns around childhood development into one of the most cosmopolitan literary mediums for communicating overlapping concerns about global modernity. If literature is the crucial site where people find the language to convey their social experiences, this book reveals how the Bildungsroman now functions in the global world of letters to capture and bear witness to young people's varied interactions and responses to both local and global forces enveloping and shaping their lives. Chapters explore identity, sexuality, human rights, the climate crisis, neoliberal globalization, and a host of other issues in work from a wide range of postcolonial locations across Asia, Europe, Africa, the Americas, Australia, and New Zealand. Forging productive scholarly engagements between narratology and genre theory, the volume documents the aesthetic and thematic shifts that have accompanied the Bildungsroman in the past two centuries, particularly in the context of anticolonial, liberationist, and self-determination struggles from the mid-twentieth century onwards in the global south. With a very diverse array of essays from multiple continents, The Postcolonial Bildungsroman makes a crucial intervention to the existing scholarship on this influential genre and a unique contribution to the study of world literature. Contributors: David Babcock, Sarah Brouillette, Gregory Byala, Deena Dinat, Prathim-Maya Dora-Laskey, José-Santiago Fernández-Vázquez, Ericka A. Hoagland, Elizabeth Jackson, Feroza Jussawala, Andrew David King, Aruna Krishnamurthy, Simone Puleo, Peter Ribic, Arnab Dutta Roy, Craig Smith, Antonette Talaue-Arogo, Paul Ugor, Julieann, Veronica Ulin, Rachel Ann Walsh, Maria Su Wang, Bethany Williamson, Helena Wu, Julia Wurr.

Arnab Dutta Roy is an Assistant Professor of English at Florida Gulf Coast University. His research lies at the intersection of postcolonialism, human rights theory, and modern South Asian literature, and his work has appeared or is forthcoming in journals such as Journal of Global Postcolonial Studies, South Asian Review, Comparatist, Genre, New Literary History, and others. He is the co-editor of two books on the postcolonial Bildungsroman: The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (University of Alberta Press, 2025) and The Postcolonial Bildungsroman and the Character of Place (forthcoming with University of Nebraska Press, January 2026). In addition, he has co-edited a special issue of the Journal of World Literature titled Constructing the Other: Narrative Empathy and the Ethics of Border-Crossing in World Literature. He is currently working on a monograph titled Universalisms in South Asian Literature that draws on interdisciplinary work in postcolonial theory and human rights to analyze literary responses to colonialism from South Asia. At FGCU, he teaches both graduate and undergraduate courses on world literature and postcolonial theory.

Gargi Binju is a PhD scholar at the University of Tuebingen.


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]]> Arnab Roy and Paul Ugor eds., "The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions" (U Alberta Press, 2025) Marshall Poe 00:33:04 Offering a fresh comparative lens, The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (U Alberta Press, 2025) demonstrates how postcolonial writers have transformed the Bildungsroman from an eighteenth-century European genre meant to express local concerns around childhood development into one of the most cosmopolitan literary mediums for communicating overlapping concerns about global modernity. If literature is the crucial site where people find the language to convey their social experiences, this book reveals how the Bildungsroman now functions in the global world of letters to capture and bear witness to young people's varied interactions and responses to both local and global forces enveloping and shaping their lives. Chapters explore identity, sexuality, human rights, the climate crisis, neoliberal globalization, and a host of other issues in work from a wide range of postcolonial locations across Asia, Europe, Africa, the Americas, Australia, and New Zealand. Forging productive scholarly engagements between narratology and genre theory, the volume documents the aesthetic and thematic shifts that have accompanied the Bildungsroman in the past two centuries, particularly in the context of anticolonial, liberationist, and self-determination struggles from the mid-twentieth century onwards in the global south. With a very diverse array of essays from multiple continents, The Postcolonial Bildungsroman makes a crucial intervention to the existing scholarship on this influential genre and a unique contribution to the study of world literature. Contributors: David Babcock, Sarah Brouillette, Gregory Byala, Deena Dinat, Prathim-Maya Dora-Laskey, José-Santiago Fernández-Vázquez, Ericka A. Hoagland, Elizabeth Jackson, Feroza Jussawala, Andrew David King, Aruna Krishnamurthy, Simone Puleo, Peter Ribic, Arnab Dutta Roy, Craig Smith, Antonette Talaue-Arogo, Paul Ugor, Julieann, Veronica Ulin, Rachel Ann Walsh, Maria Su Wang, Bethany Williamson, Helena Wu, Julia Wurr. Arnab Dutta Roy is an Assistant Professor of English at Florida Gulf Coast University. His research lies at the intersection of postcolonialism, human rights theory, and modern South Asian literature, and his work has appeared or is forthcoming in journals such as Journal of Global Postcolonial Studies, South Asian Review, Comparatist, Genre, New Literary History, and others. He is the co-editor of two books on the postcolonial Bildungsroman: The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (University of Alberta Press, 2025) and The Postcolonial Bildungsroman and the Character of Place (forthcoming with University of Nebraska Press, January 2026). In addition, he has co-edited a special issue of the Journal of World Literature titled Constructing the Other: Narrative Empathy and the Ethics of Border-Crossing in World Literature. He is currently working on a monograph titled Universalisms in South Asian Literature that draws on interdisciplinary work in postcolonial theory and human rights to analyze literary responses to colonialism from South Asia. At FGCU, he teaches both graduate and undergraduate courses on world literature and postcolonial theory. Gargi Binju is a PhD scholar at the University of Tuebingen. Offering a fresh comparative lens, The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (U Alberta Press, 2025) demonstrates how postcolonial writers have transformed the Bildungsroman from an eighteenth-century European genre meant to express local concerns around childhood development into one of the most cosmopolitan literary mediums for communicating overlapping concerns about global modernity. If literature is the crucial site where people find the language to convey their social experiences, this book reveals how the Bildungsroman now functions in the global world of letters to capture and bear witness to young people's varied interactions and responses to both local and global forces enveloping and shaping their lives. Chapters explore identity, sexuality, human rights, the climate crisis, neoliberal globalization, and a host of other issues in work from a wide range of postcolonial locations across Asia, Europe, Africa, the Americas, Australia, and New Zealand. Forging productive scholarly engagements between narratology and genre theory, the volume documents the aesthetic and thematic shifts that have accompanied the Bildungsroman in the past two centuries, particularly in the context of anticolonial, liberationist, and self-determination struggles from the mid-twentieth century onwards in the global south. With a very diverse array of essays from multiple continents, The Postcolonial Bildungsroman makes a crucial intervention to the existing scholarship on this influential genre and a unique contribution to the study of world literature. Contributors: David Babcock, Sarah Brouillette, Gregory Byala, Deena Dinat, Prathim-Maya Dora-Laskey, José-Santiago Fernández-Vázquez, Ericka A. Hoagland, Elizabeth Jackson, Feroza Jussawala, Andrew David King, Aruna Krishnamurthy, Simone Puleo, Peter Ribic, Arnab Dutta Roy, Craig Smith, Antonette Talaue-Arogo, Paul Ugor, Julieann, Veronica Ulin, Rachel Ann Walsh, Maria Su Wang, Bethany Williamson, Helena Wu, Julia Wurr. Arnab Dutta Roy is an Assistant Professor of English at Florida Gulf Coast University. His research lies at the intersection of postcolonialism, human rights theory, and modern South Asian literature, and his work has appeared or is forthcoming in journals such as Journal of Global Postcolonial Studies, South Asian Review, Comparatist, Genre, New Literary History, and others. He is the co-editor of two books on the postcolonial Bildungsroman: The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (University of Alberta Press, 2025) and The Postcolonial Bildungsroman and the Character of Place (forthcoming with University of Nebraska Press, January 2026). In addition, he has co-edited a special issue of the Journal of World Literature titled Constructing the Other: Narrative Empathy and the Ethics of Border-Crossing in World Literature. He is currently working on a monograph titled Universalisms in South Asian Literature that draws on interdisciplinary work in postcolonial theory and human rights to analyze literary responses to colonialism from South Asia. At FGCU, he teaches both graduate and undergraduate courses on world literature and postcolonial theory. Gargi Binju is a PhD scholar at the University of Tuebingen. false full 5 507e7f62-9bc0-11f1-9b5f-73dbb01aa3d2 j. Siguru Wahutu, "In the Shadow of the Global North: Journalism in Postcolonial Africa" (Cambridge UP, 2025) In the Shadow of the Global North: Journalism in Postcolonial Africa (Cambridge UP, 2025) unpacks the historical, cultural, and institutional forces that organize and circulate journalistic narratives in Africa to show that something complex is unfolding in the postcolonial context of global journalistic landscapes, especially the relationships between cosmopolitan and national journalistic fields.

Departing from the typical discourse about journalistic depictions of Africa, j. Siguru Wahutu turns our focus to the underexplored journalistic representations created by African journalists reporting on African countries.

In assessing news narratives and the social context within which journalists construct these narratives, Wahutu captures not only the marginalization of African narratives by African journalists but opens up an important conversation about what it means to be an African journalist, an African news organization, and African in the postcolony.


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]]> Tue, 9 Sep 2025 08:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/j-siguru-wahutu-in-the-shadow-of-the-global-north-journalism-in-postcolonial-africa-cambridge-up-2025-liJxe6T_ In the Shadow of the Global North: Journalism in Postcolonial Africa (Cambridge UP, 2025) unpacks the historical, cultural, and institutional forces that organize and circulate journalistic narratives in Africa to show that something complex is unfolding in the postcolonial context of global journalistic landscapes, especially the relationships between cosmopolitan and national journalistic fields.

Departing from the typical discourse about journalistic depictions of Africa, j. Siguru Wahutu turns our focus to the underexplored journalistic representations created by African journalists reporting on African countries.

In assessing news narratives and the social context within which journalists construct these narratives, Wahutu captures not only the marginalization of African narratives by African journalists but opens up an important conversation about what it means to be an African journalist, an African news organization, and African in the postcolony.


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]]> j. Siguru Wahutu, "In the Shadow of the Global North: Journalism in Postcolonial Africa" (Cambridge UP, 2025) Marshall Poe 01:05:14 In the Shadow of the Global North: Journalism in Postcolonial Africa (Cambridge UP, 2025) unpacks the historical, cultural, and institutional forces that organize and circulate journalistic narratives in Africa to show that something complex is unfolding in the postcolonial context of global journalistic landscapes, especially the relationships between cosmopolitan and national journalistic fields. Departing from the typical discourse about journalistic depictions of Africa, j. Siguru Wahutu turns our focus to the underexplored journalistic representations created by African journalists reporting on African countries. In assessing news narratives and the social context within which journalists construct these narratives, Wahutu captures not only the marginalization of African narratives by African journalists but opens up an important conversation about what it means to be an African journalist, an African news organization, and African in the postcolony. In the Shadow of the Global North: Journalism in Postcolonial Africa (Cambridge UP, 2025) unpacks the historical, cultural, and institutional forces that organize and circulate journalistic narratives in Africa to show that something complex is unfolding in the postcolonial context of global journalistic landscapes, especially the relationships between cosmopolitan and national journalistic fields. Departing from the typical discourse about journalistic depictions of Africa, j. Siguru Wahutu turns our focus to the underexplored journalistic representations created by African journalists reporting on African countries. In assessing news narratives and the social context within which journalists construct these narratives, Wahutu captures not only the marginalization of African narratives by African journalists but opens up an important conversation about what it means to be an African journalist, an African news organization, and African in the postcolony. false full 4 9bc92da0-9bc0-11f1-9e32-1b30472ee226 Mirca Madianou, "Technocolonialism: When Technology for Good is Harmful" (Polity, 2024) With over 300 million people in need of humanitarian assistance, and with emergencies and climate disasters becoming more common, AI and big data are being championed as forces for good and as solutions to the complex challenges of the aid sector.

Technocolonialism: When Technology for Good is Harmful (Polity, 2024) argues, however, that digital innovation engenders new forms of violence and entrenches power asymmetries between the global South and North. Dr. Madianou develops a new concept, technocolonialism, to capture how the convergence of digital developments with humanitarian structures, state power and market forces reinvigorates and reshapes colonial legacies. The concept of technocolonialism shifts the attention to the constitutive role that digital infrastructures, data and AI play in accentuating inequities between aid providers and people in need.

Drawing on ten years of research on the uses of digital technologies in humanitarian operations, Dr. Mirca Madianou examines a range of practices: from the normalization of biometric technologies and the datafication of humanitarian operations to experimentation in refugee camps, which are treated as laboratories for technological pilots. In so doing, the book opens new ground in the fields of humanitarianism and critical AI studies, and in the debates in postcolonial studies, by highlighting the fundamental role of digital technologies in reworking colonial genealogies.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 1 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/mirca-madianou-technocolonialism-when-technology-for-good-is-harmful-polity-2024-Ycv4_Prj With over 300 million people in need of humanitarian assistance, and with emergencies and climate disasters becoming more common, AI and big data are being championed as forces for good and as solutions to the complex challenges of the aid sector.

Technocolonialism: When Technology for Good is Harmful (Polity, 2024) argues, however, that digital innovation engenders new forms of violence and entrenches power asymmetries between the global South and North. Dr. Madianou develops a new concept, technocolonialism, to capture how the convergence of digital developments with humanitarian structures, state power and market forces reinvigorates and reshapes colonial legacies. The concept of technocolonialism shifts the attention to the constitutive role that digital infrastructures, data and AI play in accentuating inequities between aid providers and people in need.

Drawing on ten years of research on the uses of digital technologies in humanitarian operations, Dr. Mirca Madianou examines a range of practices: from the normalization of biometric technologies and the datafication of humanitarian operations to experimentation in refugee camps, which are treated as laboratories for technological pilots. In so doing, the book opens new ground in the fields of humanitarianism and critical AI studies, and in the debates in postcolonial studies, by highlighting the fundamental role of digital technologies in reworking colonial genealogies.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Mirca Madianou, "Technocolonialism: When Technology for Good is Harmful" (Polity, 2024) Marshall Poe 00:58:02 With over 300 million people in need of humanitarian assistance, and with emergencies and climate disasters becoming more common, AI and big data are being championed as forces for good and as solutions to the complex challenges of the aid sector. Technocolonialism: When Technology for Good is Harmful (Polity, 2024) argues, however, that digital innovation engenders new forms of violence and entrenches power asymmetries between the global South and North. Dr. Madianou develops a new concept, technocolonialism, to capture how the convergence of digital developments with humanitarian structures, state power and market forces reinvigorates and reshapes colonial legacies. The concept of technocolonialism shifts the attention to the constitutive role that digital infrastructures, data and AI play in accentuating inequities between aid providers and people in need. Drawing on ten years of research on the uses of digital technologies in humanitarian operations, Dr. Mirca Madianou examines a range of practices: from the normalization of biometric technologies and the datafication of humanitarian operations to experimentation in refugee camps, which are treated as laboratories for technological pilots. In so doing, the book opens new ground in the fields of humanitarianism and critical AI studies, and in the debates in postcolonial studies, by highlighting the fundamental role of digital technologies in reworking colonial genealogies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. With over 300 million people in need of humanitarian assistance, and with emergencies and climate disasters becoming more common, AI and big data are being championed as forces for good and as solutions to the complex challenges of the aid sector. Technocolonialism: When Technology for Good is Harmful (Polity, 2024) argues, however, that digital innovation engenders new forms of violence and entrenches power asymmetries between the global South and North. Dr. Madianou develops a new concept, technocolonialism, to capture how the convergence of digital developments with humanitarian structures, state power and market forces reinvigorates and reshapes colonial legacies. The concept of technocolonialism shifts the attention to the constitutive role that digital infrastructures, data and AI play in accentuating inequities between aid providers and people in need. Drawing on ten years of research on the uses of digital technologies in humanitarian operations, Dr. Mirca Madianou examines a range of practices: from the normalization of biometric technologies and the datafication of humanitarian operations to experimentation in refugee camps, which are treated as laboratories for technological pilots. In so doing, the book opens new ground in the fields of humanitarianism and critical AI studies, and in the debates in postcolonial studies, by highlighting the fundamental role of digital technologies in reworking colonial genealogies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 28 84140e50-9bc0-11f1-a600-2b58750f75dd Amanda Lagji, "Postcolonial Fiction and Colonial Time: Waiting for Now" (Edinburgh UP, 2023) Postcolonial Fiction and Colonial Time: Waiting for Now (Edinburgh University Press, 2022) by Dr. Amanda Lagji reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency. Drawing from critical time and postcolonial studies alike, this book argues that the temporality of waiting is an essential concept to theorise the relationship between time and power in postcolonial fiction across the long twentieth century - one that illuminates the contradictory temporalities that underlie narratives of progress, modernization and development.

The book contributes to the resurgence of interest in time within literary studies by demonstrating that waiting is also integral to postcolonial temporalities, from anticolonial nationalist movements for independence to forms of reconciliation after conflict. In addition to innovative readings of both classic and contemporary postcolonial novels, this study challenges the dominant narrative of the twentieth century as a time of acceleration and movement by arguing for the centrality of waiting to time-consciousness in the postcolonial world.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Sat, 1 Feb 2025 09:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/amanda-lagji-postcolonial-fiction-and-colonial-time-waiting-for-now-edinburgh-up-2023-0pKGRk_G Postcolonial Fiction and Colonial Time: Waiting for Now (Edinburgh University Press, 2022) by Dr. Amanda Lagji reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency. Drawing from critical time and postcolonial studies alike, this book argues that the temporality of waiting is an essential concept to theorise the relationship between time and power in postcolonial fiction across the long twentieth century - one that illuminates the contradictory temporalities that underlie narratives of progress, modernization and development.

The book contributes to the resurgence of interest in time within literary studies by demonstrating that waiting is also integral to postcolonial temporalities, from anticolonial nationalist movements for independence to forms of reconciliation after conflict. In addition to innovative readings of both classic and contemporary postcolonial novels, this study challenges the dominant narrative of the twentieth century as a time of acceleration and movement by arguing for the centrality of waiting to time-consciousness in the postcolonial world.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Amanda Lagji, "Postcolonial Fiction and Colonial Time: Waiting for Now" (Edinburgh UP, 2023) Marshall Poe 00:41:22 Postcolonial Fiction and Colonial Time: Waiting for Now (Edinburgh University Press, 2022) by Dr. Amanda Lagji reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency. Drawing from critical time and postcolonial studies alike, this book argues that the temporality of waiting is an essential concept to theorise the relationship between time and power in postcolonial fiction across the long twentieth century - one that illuminates the contradictory temporalities that underlie narratives of progress, modernization and development. The book contributes to the resurgence of interest in time within literary studies by demonstrating that waiting is also integral to postcolonial temporalities, from anticolonial nationalist movements for independence to forms of reconciliation after conflict. In addition to innovative readings of both classic and contemporary postcolonial novels, this study challenges the dominant narrative of the twentieth century as a time of acceleration and movement by arguing for the centrality of waiting to time-consciousness in the postcolonial world. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Postcolonial Fiction and Colonial Time: Waiting for Now (Edinburgh University Press, 2022) by Dr. Amanda Lagji reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency. Drawing from critical time and postcolonial studies alike, this book argues that the temporality of waiting is an essential concept to theorise the relationship between time and power in postcolonial fiction across the long twentieth century - one that illuminates the contradictory temporalities that underlie narratives of progress, modernization and development. The book contributes to the resurgence of interest in time within literary studies by demonstrating that waiting is also integral to postcolonial temporalities, from anticolonial nationalist movements for independence to forms of reconciliation after conflict. In addition to innovative readings of both classic and contemporary postcolonial novels, this study challenges the dominant narrative of the twentieth century as a time of acceleration and movement by arguing for the centrality of waiting to time-consciousness in the postcolonial world. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 26 c1bd9c1c-9bc0-11f1-99ac-8fecb8cbe341 Doyle D. Calhoun, "The Suicide Archive: Reading Resistance in the Wake of French Empire" (Duke UP, 2024) A note about content:

This episode involves discussion of suicide, specifically in the contexts of slavery, colonization and empire. Please use your discretion and take care if you decide to listen. If you or someone you know is struggling or in crisis, you are not alone. You can reach out to the National Suicide and Crisis Lifeline by dialing 988 or contact the Crisis Text Line by texting TALK to 741741. Thank you for taking care of yourself.

This episode is a conversation with Dr. Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. He is key academic staff in the Film and Screen Studies Program and a Fellow of Peterhouse. A scholar of African and Caribbean literatures and cinemas, particularly in Senegal, Dr. Calhoun’s first book, The Suicide Archive: Reading Resistance in the Wake of French Empire was published in October 2024 by Duke University Press.

“There is no good way to talk about suicide,” Calhoun says in the opening line of his book. He repeats it early on in our conversation. Studying a topic that is personally and emotionally fraught – no less in history than in the present – and is often left unaddressed in traditional archives and explored by scholars is no easy feat. And yet Calhoun does this with care and caution and respect. The Suicide Archive is a study of suicidal resistance to slavery, colonialism, and empire in the French Atlantic and Mediterranean worlds via an array of aesthetic works (novels, plays, poems, films, photography) that consider the absence of archives as an opportunity to produce new and alternative forms of historical knowledge. In doing so, Doyle provides a nuanced and compelling analysis of the aesthetic treatment of historic suicides that take us from Guadeloupe to Senegal, from Paris to Algeria and Morocco. A methodologically innovative work, the book models how we might explore the historical potential “of reading aesthetic forms as archives,” as he puts it while recognizing the importance of suicide as a form of resistance to the violence and oppression of sub-alternity.


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]]> Wed, 6 Nov 2024 09:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/doyle-d-calhoun-the-suicide-archive-reading-resistance-in-the-wake-of-french-empire-duke-up-2024-iIVRSAtG A note about content:

This episode involves discussion of suicide, specifically in the contexts of slavery, colonization and empire. Please use your discretion and take care if you decide to listen. If you or someone you know is struggling or in crisis, you are not alone. You can reach out to the National Suicide and Crisis Lifeline by dialing 988 or contact the Crisis Text Line by texting TALK to 741741. Thank you for taking care of yourself.

This episode is a conversation with Dr. Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. He is key academic staff in the Film and Screen Studies Program and a Fellow of Peterhouse. A scholar of African and Caribbean literatures and cinemas, particularly in Senegal, Dr. Calhoun’s first book, The Suicide Archive: Reading Resistance in the Wake of French Empire was published in October 2024 by Duke University Press.

“There is no good way to talk about suicide,” Calhoun says in the opening line of his book. He repeats it early on in our conversation. Studying a topic that is personally and emotionally fraught – no less in history than in the present – and is often left unaddressed in traditional archives and explored by scholars is no easy feat. And yet Calhoun does this with care and caution and respect. The Suicide Archive is a study of suicidal resistance to slavery, colonialism, and empire in the French Atlantic and Mediterranean worlds via an array of aesthetic works (novels, plays, poems, films, photography) that consider the absence of archives as an opportunity to produce new and alternative forms of historical knowledge. In doing so, Doyle provides a nuanced and compelling analysis of the aesthetic treatment of historic suicides that take us from Guadeloupe to Senegal, from Paris to Algeria and Morocco. A methodologically innovative work, the book models how we might explore the historical potential “of reading aesthetic forms as archives,” as he puts it while recognizing the importance of suicide as a form of resistance to the violence and oppression of sub-alternity.


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]]> Doyle D. Calhoun, "The Suicide Archive: Reading Resistance in the Wake of French Empire" (Duke UP, 2024) Marshall Poe 01:07:22 A note about content: This episode involves discussion of suicide, specifically in the contexts of slavery, colonization and empire. Please use your discretion and take care if you decide to listen. If you or someone you know is struggling or in crisis, you are not alone. You can reach out to the National Suicide and Crisis Lifeline by dialing 988 or contact the Crisis Text Line by texting TALK to 741741. Thank you for taking care of yourself. This episode is a conversation with Dr. Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. He is key academic staff in the Film and Screen Studies Program and a Fellow of Peterhouse. A scholar of African and Caribbean literatures and cinemas, particularly in Senegal, Dr. Calhoun’s first book, The Suicide Archive: Reading Resistance in the Wake of French Empire was published in October 2024 by Duke University Press. “There is no good way to talk about suicide,” Calhoun says in the opening line of his book. He repeats it early on in our conversation. Studying a topic that is personally and emotionally fraught – no less in history than in the present – and is often left unaddressed in traditional archives and explored by scholars is no easy feat. And yet Calhoun does this with care and caution and respect. The Suicide Archive is a study of suicidal resistance to slavery, colonialism, and empire in the French Atlantic and Mediterranean worlds via an array of aesthetic works (novels, plays, poems, films, photography) that consider the absence of archives as an opportunity to produce new and alternative forms of historical knowledge. In doing so, Doyle provides a nuanced and compelling analysis of the aesthetic treatment of historic suicides that take us from Guadeloupe to Senegal, from Paris to Algeria and Morocco. A methodologically innovative work, the book models how we might explore the historical potential “of reading aesthetic forms as archives,” as he puts it while recognizing the importance of suicide as a form of resistance to the violence and oppression of sub-alternity. A note about content: This episode involves discussion of suicide, specifically in the contexts of slavery, colonization and empire. Please use your discretion and take care if you decide to listen. If you or someone you know is struggling or in crisis, you are not alone. You can reach out to the National Suicide and Crisis Lifeline by dialing 988 or contact the Crisis Text Line by texting TALK to 741741. Thank you for taking care of yourself. This episode is a conversation with Dr. Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. He is key academic staff in the Film and Screen Studies Program and a Fellow of Peterhouse. A scholar of African and Caribbean literatures and cinemas, particularly in Senegal, Dr. Calhoun’s first book, The Suicide Archive: Reading Resistance in the Wake of French Empire was published in October 2024 by Duke University Press. “There is no good way to talk about suicide,” Calhoun says in the opening line of his book. He repeats it early on in our conversation. Studying a topic that is personally and emotionally fraught – no less in history than in the present – and is often left unaddressed in traditional archives and explored by scholars is no easy feat. And yet Calhoun does this with care and caution and respect. The Suicide Archive is a study of suicidal resistance to slavery, colonialism, and empire in the French Atlantic and Mediterranean worlds via an array of aesthetic works (novels, plays, poems, films, photography) that consider the absence of archives as an opportunity to produce new and alternative forms of historical knowledge. In doing so, Doyle provides a nuanced and compelling analysis of the aesthetic treatment of historic suicides that take us from Guadeloupe to Senegal, from Paris to Algeria and Morocco. A methodologically innovative work, the book models how we might explore the historical potential “of reading aesthetic forms as archives,” as he puts it while recognizing the importance of suicide as a form of resistance to the violence and oppression of sub-alternity. false full 137 d91516ce-9bc0-11f1-86cc-1b14d32b8b33 Chrisanthi Giotis, "Borderland: Decolonizing the Words of War" (Oxford UP, 2022) Every two seconds a person is displaced, caught in one of the more than 40 active conflicts around the world that show no sign of ending. Since 1994, there has been ongoing war in the Democratic Republic of Congo, which has uprooted millions of people and resulted in the deaths of millions more. In the West, we have entered a political era where our border policies are underpinned by unending wars. At this critical juncture, how can journalists, especially those engaged in foreign correspondence, tell these stories? How can they make connections across time and space, and across politics, economics, environments, and crucially, people? Given its colonial history, are these connections possible for the profession of foreign correspondence?

In Borderland: Decolonising the Words of War (Oxford University Press, 2022), Dr. Chrisanthi Giotis argues that decolonization is possible and necessary for the development of a truly global, public sphere. New global narratives need to meaningfully include the voices, and knowledge, of those with the least power who are caught in resource-fuelled wars. Drawing on insights from postcolonial studies, international relations, development studies, and philosophy, which are brought to life through auto-ethnographic descriptions and analysis of "behind-the-scenes" events, Giotis introduces new reporting techniques for foreign correspondents. Borderland argues that decolonized reporting techniques will help journalists—and their audiences—move beyond the sociohistorical and political myopia that prevents us from communicating and understanding the reality of a complex world.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

]]> Mon, 20 Mar 2023 08:00:00 +0000 marshallpoe@newbooksnetwork.com (Marshall Poe) https://new-books-in-postcolonial-studies.simplecast.com/episodes/chrisanthi-giotis-borderland-decolonizing-the-words-of-war-oxford-up-2022-kw6cCQzo Every two seconds a person is displaced, caught in one of the more than 40 active conflicts around the world that show no sign of ending. Since 1994, there has been ongoing war in the Democratic Republic of Congo, which has uprooted millions of people and resulted in the deaths of millions more. In the West, we have entered a political era where our border policies are underpinned by unending wars. At this critical juncture, how can journalists, especially those engaged in foreign correspondence, tell these stories? How can they make connections across time and space, and across politics, economics, environments, and crucially, people? Given its colonial history, are these connections possible for the profession of foreign correspondence?

In Borderland: Decolonising the Words of War (Oxford University Press, 2022), Dr. Chrisanthi Giotis argues that decolonization is possible and necessary for the development of a truly global, public sphere. New global narratives need to meaningfully include the voices, and knowledge, of those with the least power who are caught in resource-fuelled wars. Drawing on insights from postcolonial studies, international relations, development studies, and philosophy, which are brought to life through auto-ethnographic descriptions and analysis of "behind-the-scenes" events, Giotis introduces new reporting techniques for foreign correspondents. Borderland argues that decolonized reporting techniques will help journalists—and their audiences—move beyond the sociohistorical and political myopia that prevents us from communicating and understanding the reality of a complex world.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.


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]]> Chrisanthi Giotis, "Borderland: Decolonizing the Words of War" (Oxford UP, 2022) Marshall Poe 00:56:51 Every two seconds a person is displaced, caught in one of the more than 40 active conflicts around the world that show no sign of ending. Since 1994, there has been ongoing war in the Democratic Republic of Congo, which has uprooted millions of people and resulted in the deaths of millions more. In the West, we have entered a political era where our border policies are underpinned by unending wars. At this critical juncture, how can journalists, especially those engaged in foreign correspondence, tell these stories? How can they make connections across time and space, and across politics, economics, environments, and crucially, people? Given its colonial history, are these connections possible for the profession of foreign correspondence? In Borderland: Decolonising the Words of War (Oxford University Press, 2022), Dr. Chrisanthi Giotis argues that decolonization is possible and necessary for the development of a truly global, public sphere. New global narratives need to meaningfully include the voices, and knowledge, of those with the least power who are caught in resource-fuelled wars. Drawing on insights from postcolonial studies, international relations, development studies, and philosophy, which are brought to life through auto-ethnographic descriptions and analysis of "behind-the-scenes" events, Giotis introduces new reporting techniques for foreign correspondents. Borderland argues that decolonized reporting techniques will help journalists—and their audiences—move beyond the sociohistorical and political myopia that prevents us from communicating and understanding the reality of a complex world. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Every two seconds a person is displaced, caught in one of the more than 40 active conflicts around the world that show no sign of ending. Since 1994, there has been ongoing war in the Democratic Republic of Congo, which has uprooted millions of people and resulted in the deaths of millions more. In the West, we have entered a political era where our border policies are underpinned by unending wars. At this critical juncture, how can journalists, especially those engaged in foreign correspondence, tell these stories? How can they make connections across time and space, and across politics, economics, environments, and crucially, people? Given its colonial history, are these connections possible for the profession of foreign correspondence? In Borderland: Decolonising the Words of War (Oxford University Press, 2022), Dr. Chrisanthi Giotis argues that decolonization is possible and necessary for the development of a truly global, public sphere. New global narratives need to meaningfully include the voices, and knowledge, of those with the least power who are caught in resource-fuelled wars. Drawing on insights from postcolonial studies, international relations, development studies, and philosophy, which are brought to life through auto-ethnographic descriptions and analysis of "behind-the-scenes" events, Giotis introduces new reporting techniques for foreign correspondents. Borderland argues that decolonized reporting techniques will help journalists—and their audiences—move beyond the sociohistorical and political myopia that prevents us from communicating and understanding the reality of a complex world. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. false full 67