https://simplecast.com Popcast The Popcast is hosted by Jon Caramanica, a pop music critic for The New York Times. It covers the latest in popular music criticism, trends and news. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. © 2023 The New York Times Company en Fri, 12 Jun 2026 09:00:00 +0000 Fri, 12 Jun 2026 11:38:15 +0000 https://www.nytimes.com/column/popcast-pop-music-podcast Popcast https://image.simplecastcdn.com/images/9257fd86-22fe-4866-89a9-12c73a57a552/7d8f085e-cd8b-44c3-ada7-3da4f2256f9e/3000x3000/caeea2148c5651638ebd01c5abd91b0bca8aa3e21c6d30a32130e1fabc9aae8a4d706cc68dac63427b2af8090e5ea15cef4d57467c6bac60dc9e7870ffeeea5a.jpeg?aid=rss_feed https://www.nytimes.com/column/popcast-pop-music-podcast episodic The Popcast is hosted by Jon Caramanica, a pop music critic for The New York Times. It covers the latest in popular music criticism, trends and news. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. The New York Times false https://feeds.simplecast.com/TzbxCT1l The New York Times popcast@nytimes.com 89b64bf6-cfbc-4d67-8ad4-e08be89bfb0c How Slayyyter Became 2026’s Breakout Pop Star Slayyyter, who became one of the year's breakout stars with the release of her third studio album “Worst Girl in America” and a viral Coachella set, sat down with Joe and Jon to discuss her slow-simmer career arc, why preexisting pop-star formats didn’t hang well on her shoulders, and how mainstream pop classics and forgotten pop detritus can be equally influential.

- Watch the episode here.

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]]> Fri, 12 Jun 2026 09:00:00 +0000 popcast@nytimes.com (The New York Times) https://www.nytimes.com/column/popcast-pop-music-podcast Slayyyter, who became one of the year's breakout stars with the release of her third studio album “Worst Girl in America” and a viral Coachella set, sat down with Joe and Jon to discuss her slow-simmer career arc, why preexisting pop-star formats didn’t hang well on her shoulders, and how mainstream pop classics and forgotten pop detritus can be equally influential.

- Watch the episode here.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.


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]]> How Slayyyter Became 2026’s Breakout Pop Star The New York Times 01:00:50 Slayyyter, who became one of the year's breakout stars with the release of her third studio album “Worst Girl in America” and a viral Coachella set, sat down with Joe and Jon to discuss her slow-simmer career arc, why preexisting pop-star formats didn’t hang well on her shoulders, and how mainstream pop classics and forgotten pop detritus can be equally influential. Slayyyter, who became one of the year's breakout stars with the release of her third studio album “Worst Girl in America” and a viral Coachella set, sat down with Joe and Jon to discuss her slow-simmer career arc, why preexisting pop-star formats didn’t hang well on her shoulders, and how mainstream pop classics and forgotten pop detritus can be equally influential. pop music, slayyyter true full 570 5eadac38-6a2b-463c-8e33-1c69e8d9bf5a M.I.A. on MAGA, the Kid Cudi Tour & Bipartisan Cancellation Two decades on from the ecstatic electronic pop and rap that made her one of the most significant, ear-opening stars in music, the Sri Lankan-British singer M.I.A. returned in April with “M.I.7,” her seventh album and first in four years, documenting her latest swerve, this time toward born-again Christianity. Last week, she sued Kid Cudi for breach of contract after being removed from his tour in May following her onstage comments about “illegal” immigrants. Before filing her lawsuit, she sat down with Joe and Jon to discuss whether her legacy of incitement has been an obstacle to her legacy of art, how she’s been both welcomed and rejected by either side of the American political spectrum and her recent spiritual awakenings.

 

- Watch the episode here

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.


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]]> Fri, 5 Jun 2026 09:00:00 +0000 popcast@nytimes.com (The New York Times) https://www.nytimes.com/column/popcast-pop-music-podcast Two decades on from the ecstatic electronic pop and rap that made her one of the most significant, ear-opening stars in music, the Sri Lankan-British singer M.I.A. returned in April with “M.I.7,” her seventh album and first in four years, documenting her latest swerve, this time toward born-again Christianity. Last week, she sued Kid Cudi for breach of contract after being removed from his tour in May following her onstage comments about “illegal” immigrants. Before filing her lawsuit, she sat down with Joe and Jon to discuss whether her legacy of incitement has been an obstacle to her legacy of art, how she’s been both welcomed and rejected by either side of the American political spectrum and her recent spiritual awakenings.

 

- Watch the episode here

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.


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]]> M.I.A. on MAGA, the Kid Cudi Tour & Bipartisan Cancellation The New York Times 01:15:48 Two decades on from the ecstatic electronic pop and rap that made her one of the most significant, ear-opening stars in music, the Sri Lankan-British singer M.I.A. returned in April with “M.I.7,” her seventh album and first in four years, documenting her latest swerve, this time toward born-again Christianity. Last week, she sued Kid Cudi for breach of contract after being removed from his tour in May following her onstage comments about “illegal” immigrants. Before filing her lawsuit, she sat down with Joe and Jon to discuss whether her legacy of incitement has been an obstacle to her legacy of art, how she’s been both welcomed and rejected by either side of the American political spectrum and her recent spiritual awakenings. Two decades on from the ecstatic electronic pop and rap that made her one of the most significant, ear-opening stars in music, the Sri Lankan-British singer M.I.A. returned in April with “M.I.7,” her seventh album and first in four years, documenting her latest swerve, this time toward born-again Christianity. Last week, she sued Kid Cudi for breach of contract after being removed from his tour in May following her onstage comments about “illegal” immigrants. Before filing her lawsuit, she sat down with Joe and Jon to discuss whether her legacy of incitement has been an obstacle to her legacy of art, how she’s been both welcomed and rejected by either side of the American political spectrum and her recent spiritual awakenings. m.i.a., kid cudi, m.i.7 true full 569