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    <title>Story Grid Writers&apos; Room</title>
    <description>This is a show dedicated to helping you become a better writer using the Story Grid method, developed by Shawn Coyne. Each week this season, we analyze a scene or short story to get to the bottom of how to write scenes because to write a story that works, you must be able to write scenes that work.</description>
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    <pubDate>Wed, 2 Jun 2021 08:00:00 +0000</pubDate>
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    <itunes:author>Valerie Francis, Leslie Watts</itunes:author>
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      <title>A Wizard of Earthsea - Global Story</title>
      <description><![CDATA[<p>Get a bird’s-eye view of <i>A Wizard of Earthsea</i> while Leslie and Valerie offer a macro analysis of this fantasy origin story using Story Grid’s Editor’s Six Core Question. The 1968 story was written by Ursula K. Le Guin.</p><p><a href="https://storygrid.com/writers-room-Wizard-of-Earthsea-E6CQ/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 2 Jun 2021 08:00:00 +0000</pubDate>
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      <link>https://storygrid.com/writers-room-Wizard-of-Earthsea-E6CQ/</link>
      <content:encoded><![CDATA[<p>Get a bird’s-eye view of <i>A Wizard of Earthsea</i> while Leslie and Valerie offer a macro analysis of this fantasy origin story using Story Grid’s Editor’s Six Core Question. The 1968 story was written by Ursula K. Le Guin.</p><p><a href="https://storygrid.com/writers-room-Wizard-of-Earthsea-E6CQ/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:summary>Get a bird’s-eye view of A Wizard of Earthsea while Leslie and Valerie offer a macro analysis of this fantasy origin story using Story Grid’s Editor’s Six Core Question. The 1968 story was written by Ursula K. Le Guin.</itunes:summary>
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      <description><![CDATA[<p>This season on the <i>Story Grid Writers’ Room</i> podcast, Leslie and Valerie are doing a full Story Grid macro analysis of <i>A Wizard of Earthsea</i> by Ursula K. Le Guin. We'll review the Editor’s Six Core Questions and look at each of the acts in detail.</p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. Valerie and Leslie analyze stories and scenes to help you understand how to apply Story Grid tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-season-3-preview/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 20 Jan 2021 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
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      <itunes:title>Season Three Preview</itunes:title>
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      <itunes:summary>This season on the Story Grid Writers’ Room podcast, Leslie and Valerie are doing a full Story Grid macro analysis of A Wizard of Earthsea by Ursula K. Le Guin. We&apos;ll review the Editor’s Six Core Questions and look at each of the acts in detail.
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      <title>Gone Girl - Key Takeaways</title>
      <description><![CDATA[<p>Stay tuned to discover the final takeaways from Valerie and Leslie’s  deep study of Gillian Flynn’s 2012 novel, <i>Gone Girl</i>. Find out what they’ve learned from applying Story Grid’s Editor’s Six Core Questions and breaking down each quadrant of this compelling Psychological Thriller. </p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie will spend six episodes analyzing <i>Gone Girl</i> by Gillian Flynn to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-Takeaways/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 13 Jan 2021 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Story Grid)</author>
      <link>https://storygrid.com/writers-room-Gone-Girl-Takeaways/</link>
      <content:encoded><![CDATA[<p>Stay tuned to discover the final takeaways from Valerie and Leslie’s  deep study of Gillian Flynn’s 2012 novel, <i>Gone Girl</i>. Find out what they’ve learned from applying Story Grid’s Editor’s Six Core Questions and breaking down each quadrant of this compelling Psychological Thriller. </p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie will spend six episodes analyzing <i>Gone Girl</i> by Gillian Flynn to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-Takeaways/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:summary>Stay tuned to discover the final takeaways from Valerie and Leslie’s deep study of Gillian Flynn’s 2012 novel, Gone Girl. Find out what they’ve learned by applying Story Grid’s Editor’s Six Core Questions and breaking down each quadrant of this compelling Psychological Thriller.</itunes:summary>
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      <title>Gone Girl - Ending Payoff</title>
      <description><![CDATA[<p>Wonder how to deliver a powerful and satisfying finish to your story? On the <i>Story Grid Writer’s Room</i> podcast this week, Valerie and Leslie analyze the ending payoff of Gillian Flynn’s <i>Gone Girl</i> to unpack what makes this story work so well. </p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie take six episodes to analyze <i>Gone Girl</i> by Gillian Flynn to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-middle-build-2/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 6 Jan 2021 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
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      <content:encoded><![CDATA[<p>Wonder how to deliver a powerful and satisfying finish to your story? On the <i>Story Grid Writer’s Room</i> podcast this week, Valerie and Leslie analyze the ending payoff of Gillian Flynn’s <i>Gone Girl</i> to unpack what makes this story work so well. </p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie take six episodes to analyze <i>Gone Girl</i> by Gillian Flynn to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-middle-build-2/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:subtitle>Wonder how to deliver a powerful and satisfying finish to your story? On the Story Grid Writer’s Room podcast this week, Valerie and Leslie analyze the ending payoff of Gillian Flynn’s Gone Girl to unpack what makes this story work so well. 

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      <description><![CDATA[<p>Feeling stuck in the middle of your story? On the <i>Story Grid Writer’s Room</i> podcast this week, Valerie and Leslie analyze the middle build 2 quadrant of Gillian Flynn’s <i>Gone Girl</i> to unpack what makes this story work so well.</p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie take six episodes to analyze <i>Gone Girl</i> by Gillian Flynn to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-middle-build-2/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 30 Dec 2020 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
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      <content:encoded><![CDATA[<p>Feeling stuck in the middle of your story? On the <i>Story Grid Writer’s Room</i> podcast this week, Valerie and Leslie analyze the middle build 2 quadrant of Gillian Flynn’s <i>Gone Girl</i> to unpack what makes this story work so well.</p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie take six episodes to analyze <i>Gone Girl</i> by Gillian Flynn to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-middle-build-2/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:summary>Feeling stuck in the middle of your story? On the Story Grid Writer’s Room podcast this week, Valerie and Leslie analyze the middle build 2 quadrant of Gillian Flynn’s Gone Girl to unpack what makes this story work so well. </itunes:summary>
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      <description><![CDATA[<p>How can you keep readers turning pages through the middle build of your story? On the <i>Story Grid Writer’s Room</i> podcast this week, Valerie and Leslie find out by analyzing the middle build 1 quadrant of Gillian Flynn’s <i>Gone Girl</i>. </p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie will spend six episodes analyzing <i>Gone Girl</i> to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-middle-build-1/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 23 Dec 2020 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Frances, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-Gone-Girl-middle-build-1/</link>
      <content:encoded><![CDATA[<p>How can you keep readers turning pages through the middle build of your story? On the <i>Story Grid Writer’s Room</i> podcast this week, Valerie and Leslie find out by analyzing the middle build 1 quadrant of Gillian Flynn’s <i>Gone Girl</i>. </p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie will spend six episodes analyzing <i>Gone Girl</i> to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-middle-build-1/" target="_blank">Click here for the full show notes.</a></p>
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      <description><![CDATA[<p>What makes the opening of Gillian Flynn’s 2012 Psychological Thriller, <i>Gone Girl</i>, so compelling? On the <i>Story Grid Writer’s Room</i> podcast this week, Valerie and Leslie analyze the beginning hook to find out.</p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie will spend six episodes analyzing <i>Gone Girl</i> to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-Beginning-Hook/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 16 Dec 2020 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-Gone-Girl-Beginning-Hook/</link>
      <content:encoded><![CDATA[<p>What makes the opening of Gillian Flynn’s 2012 Psychological Thriller, <i>Gone Girl</i>, so compelling? On the <i>Story Grid Writer’s Room</i> podcast this week, Valerie and Leslie analyze the beginning hook to find out.</p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie will spend six episodes analyzing <i>Gone Girl</i> to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-Beginning-Hook/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:summary>What makes the opening of Gillian Flynn’s 2012 Psychological Thriller, Gone Girl, so compelling? On the Story Grid Writer&apos;s Room podcast this week, Valerie and Leslie analyze the beginning hook to find out.
</itunes:summary>
      <itunes:subtitle>What makes the opening of Gillian Flynn’s 2012 Psychological Thriller, Gone Girl, so compelling? On the Story Grid Writer&apos;s Room podcast this week, Valerie and Leslie analyze the beginning hook to find out.
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      <description><![CDATA[<p>Follow the clues this week to uncover the genius behind Gillian Flynn’s 2012 Psychological Thriller, <i>Gone Girl</i>. Valerie and Leslie analyze the macro story by applying Story Grid's Editor’s Six Core Questions. They identify the global genre, the conventions and obligatory moments of the genre, point of view and narrative device, objects of desire, the controlling idea, and the beginning hook, middle, build, and ending payoff.</p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie will spend six episodes analyzing <i>Gone Girl</i> by Gillian Flynn to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-E6CQ/" target="_blank">Click here for the full show notes.</a></p><p> </p>
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      <pubDate>Wed, 9 Dec 2020 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-Gone-Girl-E6CQ/</link>
      <content:encoded><![CDATA[<p>Follow the clues this week to uncover the genius behind Gillian Flynn’s 2012 Psychological Thriller, <i>Gone Girl</i>. Valerie and Leslie analyze the macro story by applying Story Grid's Editor’s Six Core Questions. They identify the global genre, the conventions and obligatory moments of the genre, point of view and narrative device, objects of desire, the controlling idea, and the beginning hook, middle, build, and ending payoff.</p><p>The <i>Story Grid Writer’s Room</i> is a show dedicated to offering a practical approach to the Story Grid method so you can put it to work. This season Valerie and Leslie will spend six episodes analyzing <i>Gone Girl</i> by Gillian Flynn to help you understand how to apply Story Grid’s macro tools to masterworks and your own story.</p><p><a href="https://storygrid.com/writers-room-Gone-Girl-E6CQ/" target="_blank">Click here for the full show notes.</a></p><p> </p>
]]></content:encoded>
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      <itunes:title>Gone Girl - Editor&apos;s Six Core Questions Analysis</itunes:title>
      <itunes:author>Valerie Francis, Leslie Watts</itunes:author>
      <itunes:duration>00:53:39</itunes:duration>
      <itunes:summary>Follow the clues this week to uncover the genius behind Gillian Flynn’s 2012 Psychological Thriller, Gone Girl. Valerie and Leslie analyze the macro story by applying Story Grid&apos;s Editor’s Six Core Questions. They identify the global genre, the conventions and obligatory moments of the genre, point of view and narrative device, objects of desire, the controlling idea, and the beginning hook, middle, build, and ending payoff.</itunes:summary>
      <itunes:subtitle>Follow the clues this week to uncover the genius behind Gillian Flynn’s 2012 Psychological Thriller, Gone Girl. Valerie and Leslie analyze the macro story by applying Story Grid&apos;s Editor’s Six Core Questions. They identify the global genre, the conventions and obligatory moments of the genre, point of view and narrative device, objects of desire, the controlling idea, and the beginning hook, middle, build, and ending payoff.</itunes:subtitle>
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      <description><![CDATA[<p>Ever since the <i>Story Grid Editor Roundtable</i> started three years ago, we've been asked to apply the Story Grid method to a novel. Well, this is it! This season we're doing a full Story Grid macro analysis of <i>Gone Girl</i> by Gillian Flynn. We'll review the Editor’s Six Core Questions in the first episode. Haven't read it yet? Grab a copy of the novel now and follow along with us on December 9, 2020, when we'll post the first episode of the new season.</p><p>To whet your appetite, we’re sharing our <i>Story Grid Editor</i> <i>Roundtable</i> analysis of the 2014 film adaptation.</p><p><a href="https://storygrid.com/editor-roundtable-gone-girl/ " target="_blank">Click here for the full show notes of this "<i>Roundtable</i> Reissue" episode.</a></p><p> </p>
]]></description>
      <pubDate>Wed, 18 Nov 2020 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-gone-girl/</link>
      <content:encoded><![CDATA[<p>Ever since the <i>Story Grid Editor Roundtable</i> started three years ago, we've been asked to apply the Story Grid method to a novel. Well, this is it! This season we're doing a full Story Grid macro analysis of <i>Gone Girl</i> by Gillian Flynn. We'll review the Editor’s Six Core Questions in the first episode. Haven't read it yet? Grab a copy of the novel now and follow along with us on December 9, 2020, when we'll post the first episode of the new season.</p><p>To whet your appetite, we’re sharing our <i>Story Grid Editor</i> <i>Roundtable</i> analysis of the 2014 film adaptation.</p><p><a href="https://storygrid.com/editor-roundtable-gone-girl/ " target="_blank">Click here for the full show notes of this "<i>Roundtable</i> Reissue" episode.</a></p><p> </p>
]]></content:encoded>
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      <itunes:title>Roundtable Reissue - Gone Girl E6CQA</itunes:title>
      <itunes:author>Valerie Francis, Leslie Watts</itunes:author>
      <itunes:duration>00:42:48</itunes:duration>
      <itunes:summary>Ever since the Story Grid Editor Roundtable started three years ago, we&apos;ve been asked to apply the Story Grid method to a novel. Well, this is it! This season we&apos;re doing a full Story Grid macro analysis of Gone Girl by Gillian Flynn. We&apos;ll review the Editor’s Six Core Questions in the first episode. Haven&apos;t read it yet? Grab a copy of the novel now and follow along with us on December 9, 2020, when we&apos;ll post the first episode of the new season. 

To whet your appetite, this is a &quot;Roundtable Reissue&quot; including our Editor&apos;s Six Core Questions analysis of the 2014 film adaptation.</itunes:summary>
      <itunes:subtitle>Ever since the Story Grid Editor Roundtable started three years ago, we&apos;ve been asked to apply the Story Grid method to a novel. Well, this is it! This season we&apos;re doing a full Story Grid macro analysis of Gone Girl by Gillian Flynn. We&apos;ll review the Editor’s Six Core Questions in the first episode. Haven&apos;t read it yet? Grab a copy of the novel now and follow along with us on December 9, 2020, when we&apos;ll post the first episode of the new season. 

To whet your appetite, this is a &quot;Roundtable Reissue&quot; including our Editor&apos;s Six Core Questions analysis of the 2014 film adaptation.</itunes:subtitle>
      <itunes:keywords>editing, revising, writing, fiction, thriller, story grid</itunes:keywords>
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      <title>Season Two Preview</title>
      <description><![CDATA[<p>Ever since the <i>Story Grid Editor Roundtable</i> podcast started three years ago, we've been asked to apply the Story Grid method to a novel. Well, this is it! This season we're doing a full Story Grid macro analysis of <i>Gone Girl</i> by Gillian Flynn. We'll review the Editor’s Six Core Questions and look at each of the acts in detail.</p><p><a href="https://storygrid.com/writers-room-season-two-preview/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 4 Nov 2020 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-season-two-preview/</link>
      <content:encoded><![CDATA[<p>Ever since the <i>Story Grid Editor Roundtable</i> podcast started three years ago, we've been asked to apply the Story Grid method to a novel. Well, this is it! This season we're doing a full Story Grid macro analysis of <i>Gone Girl</i> by Gillian Flynn. We'll review the Editor’s Six Core Questions and look at each of the acts in detail.</p><p><a href="https://storygrid.com/writers-room-season-two-preview/" target="_blank">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Season Two Preview</itunes:title>
      <itunes:author>Valerie Francis, Leslie Watts</itunes:author>
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      <itunes:summary>Ever since the  Story Grid Editor Roundtable podcast started three years ago, we&apos;ve been asked to apply the Story Grid method to a novel. Well, this is it! This season we&apos;re doing a full Story Grid macro analysis of Gone Girl by Gillian Flynn. We&apos;ll review the Editor’s Six Core Questions and look at each of the acts in detail.</itunes:summary>
      <itunes:subtitle>Ever since the  Story Grid Editor Roundtable podcast started three years ago, we&apos;ve been asked to apply the Story Grid method to a novel. Well, this is it! This season we&apos;re doing a full Story Grid macro analysis of Gone Girl by Gillian Flynn. We&apos;ll review the Editor’s Six Core Questions and look at each of the acts in detail.</itunes:subtitle>
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      <itunes:explicit>yes</itunes:explicit>
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      <title>Season One Wrap-Up</title>
      <description><![CDATA[<p>It’s a wrap! In this episode, Valerie and Leslie close out the first season of the <i>Story Grid Writer’s Room Podcast</i> with a review of takeaways and lessons learned.</p><p>This season we're analyzing scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-season-one-wrap-up/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 28 Oct 2020 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-season-one-wrap-up/</link>
      <content:encoded><![CDATA[<p>It’s a wrap! In this episode, Valerie and Leslie close out the first season of the <i>Story Grid Writer’s Room Podcast</i> with a review of takeaways and lessons learned.</p><p>This season we're analyzing scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-season-one-wrap-up/" target="_blank">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Season One Wrap-Up</itunes:title>
      <itunes:author>Valerie Francis, Leslie Watts</itunes:author>
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      <itunes:summary>It’s a wrap! In this episode, Valerie and Leslie close out the first season of the Story Grid Writer’s Room Podcast with a review of takeaways and lessons learned. </itunes:summary>
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      <description><![CDATA[<p>In the <i>Writers’ Room</i> this week, Valerie and Leslie find out whodunit and how in the Core Event of <i>The Body in the Library </i> by Agatha Christie. The 1942 Cozy Mystery features a classic "summation gathering" scene when Miss Jane Marple reveals how she discovered the killer’s identity. </p><p>We're focusing on scenes this season because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must </i>be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-body-in-the-library/" target="_blank">Click here for the full show notes.</a></p><p> </p>
]]></description>
      <pubDate>Wed, 21 Oct 2020 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-body-in-the-library/</link>
      <content:encoded><![CDATA[<p>In the <i>Writers’ Room</i> this week, Valerie and Leslie find out whodunit and how in the Core Event of <i>The Body in the Library </i> by Agatha Christie. The 1942 Cozy Mystery features a classic "summation gathering" scene when Miss Jane Marple reveals how she discovered the killer’s identity. </p><p>We're focusing on scenes this season because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must </i>be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-body-in-the-library/" target="_blank">Click here for the full show notes.</a></p><p> </p>
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      <itunes:title>Exposing the Criminal Scene - The Body in the Library</itunes:title>
      <itunes:author>Valerie Francis, Leslie Watts</itunes:author>
      <itunes:duration>00:47:33</itunes:duration>
      <itunes:summary>In the Writers’ Room this week, Valerie and Leslie find out whodunit and how in the Core Event of The Body in the Library  by Agatha Christie. The 1942 Cozy Mystery features a classic &quot;summation gathering&quot; scene when Miss Jane Marple reveals how she discovered the killer’s identity. 
</itunes:summary>
      <itunes:subtitle>In the Writers’ Room this week, Valerie and Leslie find out whodunit and how in the Core Event of The Body in the Library  by Agatha Christie. The 1942 Cozy Mystery features a classic &quot;summation gathering&quot; scene when Miss Jane Marple reveals how she discovered the killer’s identity. 
</itunes:subtitle>
      <itunes:keywords>crime story, editing, revising, writing, core event, fiction, story grid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Lightbulb Moment Scene - The Secret Life of Bees</title>
      <description><![CDATA[<p>In the <i>Writers’ Room</i> this week, Valerie and Leslie look at internal conflict and character revelation in a Turning Point scene of Sue Monk Kidd’s 2002 Worldview Story, <i>The Secret Life of Bees</i>. See how quiet moments can lead to scenes with big impact.</p><p>We're focusing on scenes this season because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works. </p><p><a href="https://storygrid.com/writers-room-secret-life-of-bees/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 14 Oct 2020 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-secret-life-of-bees/</link>
      <content:encoded><![CDATA[<p>In the <i>Writers’ Room</i> this week, Valerie and Leslie look at internal conflict and character revelation in a Turning Point scene of Sue Monk Kidd’s 2002 Worldview Story, <i>The Secret Life of Bees</i>. See how quiet moments can lead to scenes with big impact.</p><p>We're focusing on scenes this season because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works. </p><p><a href="https://storygrid.com/writers-room-secret-life-of-bees/" target="_blank">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Lightbulb Moment Scene - The Secret Life of Bees</itunes:title>
      <itunes:author>Valerie Francis, Leslie Watts</itunes:author>
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      <itunes:summary>In the Writers’ Room this week, Valerie and Leslie look at internal conflict and character revelation in a Turning Point scene of Sue Monk Kidd’s 2002 Worldview Story, The Secret Life of Bees. See how quiet moments can lead to scenes with big impact.  </itunes:summary>
      <itunes:subtitle>In the Writers’ Room this week, Valerie and Leslie look at internal conflict and character revelation in a Turning Point scene of Sue Monk Kidd’s 2002 Worldview Story, The Secret Life of Bees. See how quiet moments can lead to scenes with big impact.  </itunes:subtitle>
      <itunes:keywords>editing, scene analysis, revising, scene types, worldview, writing, fiction</itunes:keywords>
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      <title>Hero at the Mercy of the Villain - The Girl on the Train</title>
      <description><![CDATA[<p>In the <i>Writers’ Room</i> this week, Valerie and Leslie unpack the many points of conflict from different perspectives in the Core Event of <i>The Girl on the Train</i> by Paula Hawkins. The 2015 Psychological Thriller culminates in an extended Hero at the Mercy of the Villain scene that features a “Tug of War” where life hangs in the balance. Learn about unreliable narrators and shifting points of view, and don’t forget to check out the the list of progressive complications in the show notes.</p><p>This season we're analyzing scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-the-girl-on-the-train/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 7 Oct 2020 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-girl-on-the-train/</link>
      <content:encoded><![CDATA[<p>In the <i>Writers’ Room</i> this week, Valerie and Leslie unpack the many points of conflict from different perspectives in the Core Event of <i>The Girl on the Train</i> by Paula Hawkins. The 2015 Psychological Thriller culminates in an extended Hero at the Mercy of the Villain scene that features a “Tug of War” where life hangs in the balance. Learn about unreliable narrators and shifting points of view, and don’t forget to check out the the list of progressive complications in the show notes.</p><p>This season we're analyzing scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-the-girl-on-the-train/" target="_blank">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Hero at the Mercy of the Villain - The Girl on the Train</itunes:title>
      <itunes:author>Valerie Francis, Leslie Watts</itunes:author>
      <itunes:duration>00:41:24</itunes:duration>
      <itunes:summary>In the Writers’ Room this week, Valerie and Leslie unpack the many points of conflict from different perspectives in the Core Event of The Girl on the Train by Paula Hawkins. The 2015 Psychological Thriller culminates in an extended Hero at the Mercy of the Villain scene that features a “Tug of War” where life hangs in the balance. Learn about unreliable narrators and shifting points of view, and don’t forget to check out the the list of progressive complications in the show notes. </itunes:summary>
      <itunes:subtitle>In the Writers’ Room this week, Valerie and Leslie unpack the many points of conflict from different perspectives in the Core Event of The Girl on the Train by Paula Hawkins. The 2015 Psychological Thriller culminates in an extended Hero at the Mercy of the Villain scene that features a “Tug of War” where life hangs in the balance. Learn about unreliable narrators and shifting points of view, and don’t forget to check out the the list of progressive complications in the show notes. </itunes:subtitle>
      <itunes:keywords>editing, revising, writing, core event, fiction, psychological thriller, story grid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <title>&quot;I Have a Voice&quot; Scene - Performance Story</title>
      <description><![CDATA[<p>In the Writers’ Room this week, we listen closely to the “I Have a Voice” scene in the 2010 film <i>The King’s Speech</i>. The Oscar-winning story was directed by Tom Hooper from a screenplay by David Seidler. The scene in the spotlight today delivers the middle build climax of this Performance Story by “poking the bear.” But that’s not all it does. Don’t miss how the dialogue reveals character and word choice sets up conflict and conveys the theme.</p><p>This season we're analyzing scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-kings-speech/" target="_blank">Click here for the full show notes.</a> </p>
]]></description>
      <pubDate>Wed, 30 Sep 2020 08:00:06 +0000</pubDate>
      <author>tim.grahl@gmail.com (Story Grid)</author>
      <link>https://storygrid.com/writers-room-kings-speech/</link>
      <content:encoded><![CDATA[<p>In the Writers’ Room this week, we listen closely to the “I Have a Voice” scene in the 2010 film <i>The King’s Speech</i>. The Oscar-winning story was directed by Tom Hooper from a screenplay by David Seidler. The scene in the spotlight today delivers the middle build climax of this Performance Story by “poking the bear.” But that’s not all it does. Don’t miss how the dialogue reveals character and word choice sets up conflict and conveys the theme.</p><p>This season we're analyzing scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-kings-speech/" target="_blank">Click here for the full show notes.</a> </p>
]]></content:encoded>
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      <itunes:title>&quot;I Have a Voice&quot; Scene - Performance Story</itunes:title>
      <itunes:author>Story Grid</itunes:author>
      <itunes:duration>00:49:39</itunes:duration>
      <itunes:summary>In the Writers’ Room this week, we listen closely to the “I Have a Voice” scene in the 2010 film The King’s Speech. The Oscar-winning story was directed by Tom Hooper from a screenplay by David Seidler. The scene in the spotlight today delivers the middle build climax of this Performance Story by “poking the bear.” But that’s not all it does. Don’t miss how the dialogue reveals character and word choice sets up conflict and conveys the theme. </itunes:summary>
      <itunes:subtitle>In the Writers’ Room this week, we listen closely to the “I Have a Voice” scene in the 2010 film The King’s Speech. The Oscar-winning story was directed by Tom Hooper from a screenplay by David Seidler. The scene in the spotlight today delivers the middle build climax of this Performance Story by “poking the bear.” But that’s not all it does. Don’t miss how the dialogue reveals character and word choice sets up conflict and conveys the theme. </itunes:subtitle>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
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      <title>Revolution Scene in a Society Story</title>
      <description><![CDATA[<p>We slide into the Revolution Scene in the Writers’ Room this week as we analyze the 1911 novella <i>Ethan Frome</i> by Edith Wharton. We look at the difference between cautionary and tragic tales and discuss what <i>The Hunger Games</i> and <i>The Accidental Tourist</i> have in common with <i>Ethan Frome</i>.</p><p>This season we're analyzing scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-ethan-frome/" target="_blank">Click here for the full show notes. </a></p>
]]></description>
      <pubDate>Wed, 23 Sep 2020 08:00:02 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-ethan-frome/</link>
      <content:encoded><![CDATA[<p>We slide into the Revolution Scene in the Writers’ Room this week as we analyze the 1911 novella <i>Ethan Frome</i> by Edith Wharton. We look at the difference between cautionary and tragic tales and discuss what <i>The Hunger Games</i> and <i>The Accidental Tourist</i> have in common with <i>Ethan Frome</i>.</p><p>This season we're analyzing scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-ethan-frome/" target="_blank">Click here for the full show notes. </a></p>
]]></content:encoded>
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      <itunes:summary>We slide into the Revolution Scene in the Writers’ Room this week as we analyze the 1911 novella Ethan Frome by Edith Wharton. We look at the difference between cautionary and tragic tales and discuss what The Hunger Games and The Accidental Tourist have in common with Ethan Frome.</itunes:summary>
      <itunes:subtitle>We slide into the Revolution Scene in the Writers’ Room this week as we analyze the 1911 novella Ethan Frome by Edith Wharton. We look at the difference between cautionary and tragic tales and discuss what The Hunger Games and The Accidental Tourist have in common with Ethan Frome.</itunes:subtitle>
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      <description><![CDATA[<p>Don't know what to include in the sales copy for your book? How can you describe your story to appeal to the ideal reader? Shawn Coyne and Valerie Francis help you find your way in a special Toolbox episode of the Writers' Room Podcast. </p><p><a href="https://storygrid.com/writers-room-Toolbox-sales-copy/" target="_blank">Click here for more information.</a></p>
]]></description>
      <pubDate>Wed, 16 Sep 2020 08:00:08 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Shawn Coyne)</author>
      <link>https://storygrid.com/writers-room-Toolbox-sales-copy/</link>
      <content:encoded><![CDATA[<p>Don't know what to include in the sales copy for your book? How can you describe your story to appeal to the ideal reader? Shawn Coyne and Valerie Francis help you find your way in a special Toolbox episode of the Writers' Room Podcast. </p><p><a href="https://storygrid.com/writers-room-Toolbox-sales-copy/" target="_blank">Click here for more information.</a></p>
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      <itunes:summary>Don&apos;t know what to include in the sales copy for your book? How can you describe your story to appeal to the ideal reader? Shawn Coyne and Valerie Francis help you find your way in a special Toolbox episode of the Writers&apos; Room Podcast. </itunes:summary>
      <itunes:subtitle>Don&apos;t know what to include in the sales copy for your book? How can you describe your story to appeal to the ideal reader? Shawn Coyne and Valerie Francis help you find your way in a special Toolbox episode of the Writers&apos; Room Podcast. </itunes:subtitle>
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      <title>Hero at the Mercy of the Villain - Harry Potter and the Half-Blood Prince</title>
      <description><![CDATA[<p>This week we face the Hero at the Mercy of the Villain in the Writers’ Room as we analyze the core event of the 2005 novel <i>Harry Potter and the Half-Blood Prince</i> by J.K. Rowling. </p><p>But that’s not all! In addition to analyzing this excellent example of a “chase scene” in an Action Story, we discuss set pieces, emotional connections, and how to hide a character’s true motives. And don’t miss Rowling’s masterful combination of movement and POV that keeps us inside Harry’s experience without losing what’s happening in other parts of Hogwarts.</p><p>This season we're analyze a scene from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works. </p><p><a href="https://storygrid.com/writers-room-Half-Blood-Prince/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 9 Sep 2020 08:00:20 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-Half-Blood-Prince/</link>
      <content:encoded><![CDATA[<p>This week we face the Hero at the Mercy of the Villain in the Writers’ Room as we analyze the core event of the 2005 novel <i>Harry Potter and the Half-Blood Prince</i> by J.K. Rowling. </p><p>But that’s not all! In addition to analyzing this excellent example of a “chase scene” in an Action Story, we discuss set pieces, emotional connections, and how to hide a character’s true motives. And don’t miss Rowling’s masterful combination of movement and POV that keeps us inside Harry’s experience without losing what’s happening in other parts of Hogwarts.</p><p>This season we're analyze a scene from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works. </p><p><a href="https://storygrid.com/writers-room-Half-Blood-Prince/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:title>Hero at the Mercy of the Villain - Harry Potter and the Half-Blood Prince</itunes:title>
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      <description><![CDATA[<p>It’s time for the Big Showdown in the Writers’ Room this week as we analyze the 1953 short story “3:10 to Yuma” by Elmore Leonard.</p><p>This season we analyze a scene from a novel, short story or film because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-310-to-yuma/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 2 Sep 2020 08:00:08 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-310-to-yuma/</link>
      <content:encoded><![CDATA[<p>It’s time for the Big Showdown in the Writers’ Room this week as we analyze the 1953 short story “3:10 to Yuma” by Elmore Leonard.</p><p>This season we analyze a scene from a novel, short story or film because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-310-to-yuma/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:title>Big Showdown - 3:10 to Yuma</itunes:title>
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      <itunes:summary>It’s time for the Big Showdown in the Writers’ Room this week as we analyze the 1953 short story “3:10 to Yuma” by Elmore Leonard.</itunes:summary>
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      <title>The Big Choice - I Stand Here Ironing</title>
      <description><![CDATA[<p>It’s the Big Choice plus perspective in the Writers’ Room this week as we analyze the 1961 short story “ I Stand Here Ironing” by Tillie Olsen.</p><p>Each week this season, we'll analyze a scene from a novel, short story or film because scenes are the basic building blocks of stories. To write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-stand-here-ironing/" target="_blank">Click here for the show notes.</a></p>
]]></description>
      <pubDate>Wed, 26 Aug 2020 08:00:36 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-stand-here-ironing/</link>
      <content:encoded><![CDATA[<p>It’s the Big Choice plus perspective in the Writers’ Room this week as we analyze the 1961 short story “ I Stand Here Ironing” by Tillie Olsen.</p><p>Each week this season, we'll analyze a scene from a novel, short story or film because scenes are the basic building blocks of stories. To write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-stand-here-ironing/" target="_blank">Click here for the show notes.</a></p>
]]></content:encoded>
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      <itunes:title>The Big Choice - I Stand Here Ironing</itunes:title>
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      <itunes:summary>It’s the Big Choice plus perspective in the Writers’ Room this week as we analyze the 1961 short story “ I Stand Here Ironing” by Tillie Olsen.</itunes:summary>
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      <title>Victim at the Mercy of the Monster - The Tell Tale Heart</title>
      <description><![CDATA[<p>It’s the victim at the mercy of the monster this time as Valerie and Leslie analyze the 1843 Horror story “The Tell Tale Heart” by Edgar Allan Poe.</p><p>This season we're analyze a scene from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-tell-tale-heart/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 19 Aug 2020 08:00:05 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-tell-tale-heart/</link>
      <content:encoded><![CDATA[<p>It’s the victim at the mercy of the monster this time as Valerie and Leslie analyze the 1843 Horror story “The Tell Tale Heart” by Edgar Allan Poe.</p><p>This season we're analyze a scene from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must</i> be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-tell-tale-heart/" target="_blank">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Victim at the Mercy of the Monster - The Tell Tale Heart</itunes:title>
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      <itunes:duration>00:40:45</itunes:duration>
      <itunes:summary>It’s the victim at the mercy of the monster this time as Valerie and Leslie analyze the 1843 Horror story “The Tell Tale Heart” by Edgar Allan Poe.</itunes:summary>
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      <description><![CDATA[<p>What makes a great lovers meet scene? Find out when Valerie and Leslie analyze the turkey curry buffet scene in <i>Bridget Jones’s Diary</i>, the 1996 Love Story by Helen Fielding.</p><p>This season we analyze scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must </i>be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-bridget-joness-diary/" target="_blank">Click here for the full show notes. </a></p>
]]></description>
      <pubDate>Wed, 12 Aug 2020 08:00:18 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-bridget-joness-diary/</link>
      <content:encoded><![CDATA[<p>What makes a great lovers meet scene? Find out when Valerie and Leslie analyze the turkey curry buffet scene in <i>Bridget Jones’s Diary</i>, the 1996 Love Story by Helen Fielding.</p><p>This season we analyze scenes from novels, short stories and films because scenes are the basic building blocks of story. To be able to write a story that works, you <i>must </i>be able to write a scene that works.</p><p><a href="https://storygrid.com/writers-room-bridget-joness-diary/" target="_blank">Click here for the full show notes. </a></p>
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      <itunes:title>Lovers Meet Scene - Bridget Jones&apos;s Diary</itunes:title>
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      <itunes:summary>What makes a great lovers meet scene? Find out when Valerie and Leslie analyze the turkey curry buffet scene in Bridget Jones’s Diary, the 1996 Love Story by Helen Fielding.</itunes:summary>
      <itunes:subtitle>What makes a great lovers meet scene? Find out when Valerie and Leslie analyze the turkey curry buffet scene in Bridget Jones’s Diary, the 1996 Love Story by Helen Fielding.</itunes:subtitle>
      <itunes:keywords>editing, scene analysis, revising, writing, fiction, love story, story grid</itunes:keywords>
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      <description><![CDATA[<p>In this episode, Story Grid editors Valerie Francis and Leslie Watts introduce the new Story Grid Writers’ Room.</p><p>Each week this season, we analyze a scene or short story to get to the bottom of how to write scenes because to write a story that works, you must be able to write scenes that work.</p><p><a href="https://storygrid.com/writers-room-podcast-season-one/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 5 Aug 2020 08:00:07 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Fancis, Leslie Watts)</author>
      <link>https://storygrid.com/writers-room-podcast-season-one/</link>
      <content:encoded><![CDATA[<p>In this episode, Story Grid editors Valerie Francis and Leslie Watts introduce the new Story Grid Writers’ Room.</p><p>Each week this season, we analyze a scene or short story to get to the bottom of how to write scenes because to write a story that works, you must be able to write scenes that work.</p><p><a href="https://storygrid.com/writers-room-podcast-season-one/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:title>Introducing the Story Grid Writers&apos; Room</itunes:title>
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      <itunes:summary>In this episode, Story Grid editors Valerie Francis and Leslie Watts introduce the new Story Grid Writers’ Room. 
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      <description><![CDATA[<p>It’s 30 minutes of deep insight as Valerie Francis and Leslie Watts bring you a bite-size episode on analyzing a scene, with an example from <i>Marriage Story</i>.</p><p> Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers. </p><p><a href="https://storygrid.com/editor-roundtable-marriage-story-scene/" target="_blank">Click here for the show notes.</a></p>
]]></description>
      <pubDate>Wed, 29 Jul 2020 08:00:19 +0000</pubDate>
      <author>tim.grahl@gmail.com (Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-marriage-story-scene/</link>
      <content:encoded><![CDATA[<p>It’s 30 minutes of deep insight as Valerie Francis and Leslie Watts bring you a bite-size episode on analyzing a scene, with an example from <i>Marriage Story</i>.</p><p> Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers. </p><p><a href="https://storygrid.com/editor-roundtable-marriage-story-scene/" target="_blank">Click here for the show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Episode - Marriage Story Scene Analysis</itunes:title>
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      <itunes:keywords>editing, scene analysis, revising, writing, fiction, love story, story grid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <description><![CDATA[<p>Gaze into the pensieve to learn the secrets of point of view and narrative device in the 2005 novel by J.K. Rowling, <i>Harry Potter and the Half-Blood Prince</i>. The Roundtablers also discuss the 2009 film of the same name, directed by David Yates from the screenplay by Steve Kloves.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-harry-potter-half-blood-prince/" target="_blank">Click here for the full show notes</a>. </p>
]]></description>
      <pubDate>Wed, 22 Jul 2020 08:00:16 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-harry-potter-half-blood-prince/</link>
      <content:encoded><![CDATA[<p>Gaze into the pensieve to learn the secrets of point of view and narrative device in the 2005 novel by J.K. Rowling, <i>Harry Potter and the Half-Blood Prince</i>. The Roundtablers also discuss the 2009 film of the same name, directed by David Yates from the screenplay by Steve Kloves.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-harry-potter-half-blood-prince/" target="_blank">Click here for the full show notes</a>. </p>
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      <itunes:subtitle>Gaze into the pensieve to learn the secrets of point of view and narrative device in the 2005 novel by J.K. Rowling, Harry Potter and the Half-Blood Prince. The Roundtables also discuss the 2009 film of the same name, directed by David Yates from the screenplay by Steve Kloves.</itunes:subtitle>
      <itunes:keywords>editing, point of view, revising, narrative device, writing, fiction, story grid</itunes:keywords>
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      <description><![CDATA[<p>Uncover the secret to integrating framing stories with <i>The Imitation Game</i>. The 2014 film was directed by Morten Tyldum from the Oscar-winning screenplay by Graham Moore. It’s based on the 1983 biography <i>Alan Turing: The Enigma</i> by Andrew Hodges.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-imitation-game/" target="_blank">Click here for the full show notes. </a></p>
]]></description>
      <pubDate>Wed, 15 Jul 2020 08:00:05 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts)</author>
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      <content:encoded><![CDATA[<p>Uncover the secret to integrating framing stories with <i>The Imitation Game</i>. The 2014 film was directed by Morten Tyldum from the Oscar-winning screenplay by Graham Moore. It’s based on the 1983 biography <i>Alan Turing: The Enigma</i> by Andrew Hodges.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-imitation-game/" target="_blank">Click here for the full show notes. </a></p>
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      <itunes:title>Performance and Crime - The Imitation Game</itunes:title>
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      <itunes:subtitle>Uncover the secret to integrating framing stories with The Imitation Game. The 2014 film was directed by Morten Tyldum from the Oscar-winning screenplay by Graham Moore. It’s based on the 1983 biography Alan Turing: The Enigma by Andrew Hodges.</itunes:subtitle>
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      <title>Core Events - Fried Green Tomatoes</title>
      <description><![CDATA[<p>Core events, mini-plots, and nested stories are on the menu this week as the Roundtablers analyze the 1991 film <i>Fried Green Tomatoes</i>, directed by Jon Avnet from a screenplay by Fannie Flagg and Carol Sobieski, based on Flagg’s 1987 novel, <i>Fried Green Tomatoes at the Whistle Stop Cafe</i>.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-fried-green-tomatoes/" target="_blank">Click here for the complete show notes.</a></p>
]]></description>
      <pubDate>Wed, 8 Jul 2020 08:00:11 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-fried-green-tomatoes/</link>
      <content:encoded><![CDATA[<p>Core events, mini-plots, and nested stories are on the menu this week as the Roundtablers analyze the 1991 film <i>Fried Green Tomatoes</i>, directed by Jon Avnet from a screenplay by Fannie Flagg and Carol Sobieski, based on Flagg’s 1987 novel, <i>Fried Green Tomatoes at the Whistle Stop Cafe</i>.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-fried-green-tomatoes/" target="_blank">Click here for the complete show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Core Events - Fried Green Tomatoes</itunes:title>
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      <itunes:summary>Core events, mini-plots, and nested stories are on the menu this week as the Roundtablers analyze the 1991 film Fried Green Tomatoes, directed by Jon Avnet from a screenplay by Fannie Flagg and Carol Sobieski, based on Flagg’s 1987 novel, Fried Green Tomatoes at the Whistle Stop Cafe. </itunes:summary>
      <itunes:subtitle>Core events, mini-plots, and nested stories are on the menu this week as the Roundtablers analyze the 1991 film Fried Green Tomatoes, directed by Jon Avnet from a screenplay by Fannie Flagg and Carol Sobieski, based on Flagg’s 1987 novel, Fried Green Tomatoes at the Whistle Stop Cafe. </itunes:subtitle>
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      <title>Society - Ragtime</title>
      <description><![CDATA[<p>Gain a new perspective on history <i>and</i> point of view as the Roundtablers analyze E. L. Doctorow’s 1975 novel <i>Ragtime</i>. The 1981 film based on the novel was directed by Miloš Forman from a screenplay by Michael Weller and Bo Goldman.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-ragtime/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 1 Jul 2020 08:00:09 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-ragtime/</link>
      <content:encoded><![CDATA[<p>Gain a new perspective on history <i>and</i> point of view as the Roundtablers analyze E. L. Doctorow’s 1975 novel <i>Ragtime</i>. The 1981 film based on the novel was directed by Miloš Forman from a screenplay by Michael Weller and Bo Goldman.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-ragtime/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:title>Society - Ragtime</itunes:title>
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      <itunes:summary>Gain a new perspective on history and point of view as the Roundtablers analyze E. L. Doctorow’s 1975 novel Ragtime. The 1981 film based on the novel was directed by Miloš Forman from a screenplay by Michael Weller and Bo Goldman.</itunes:summary>
      <itunes:subtitle>Gain a new perspective on history and point of view as the Roundtablers analyze E. L. Doctorow’s 1975 novel Ragtime. The 1981 film based on the novel was directed by Miloš Forman from a screenplay by Michael Weller and Bo Goldman.</itunes:subtitle>
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      <description><![CDATA[<p>Make your way from coast to coast and from beginning to end as Valerie takes us through the three-act structure of Noah Baumbach’s 2019 film, <i>Marriage Story</i>.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-marriage-story/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 24 Jun 2020 08:00:15 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-marriage-story/</link>
      <content:encoded><![CDATA[<p>Make your way from coast to coast and from beginning to end as Valerie takes us through the three-act structure of Noah Baumbach’s 2019 film, <i>Marriage Story</i>.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-marriage-story/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:title>Love Story - Marriage Story</itunes:title>
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      <itunes:summary>Make your way from coast to coast and beginning to end as Valerie takes us through the three-act structure of Noah Baumbach’s 2019 film, Marriage Story.</itunes:summary>
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      <description><![CDATA[<p>Warm up and get your dancing shoes on for the Core Event of <i>Center Stage</i>. This 2000 Performance genre film was directed by Nicholas Hytner from a screenplay by Carol Heikkinen.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-center-stage/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 17 Jun 2020 08:00:26 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-center-stage/</link>
      <content:encoded><![CDATA[<p>Warm up and get your dancing shoes on for the Core Event of <i>Center Stage</i>. This 2000 Performance genre film was directed by Nicholas Hytner from a screenplay by Carol Heikkinen.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-center-stage/" target="_blank">Click here for the full show notes.</a></p>
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      <description><![CDATA[<p>It’s 20 minutes of insight this time as Kim Kessler chats with Anne Hawley about the power of past and present.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-past-and-present-2/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 10 Jun 2020 08:00:13 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-past-and-present-2/</link>
      <content:encoded><![CDATA[<p>It’s 20 minutes of insight this time as Kim Kessler chats with Anne Hawley about the power of past and present.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-past-and-present-2/" target="_blank">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Edition - Past and Present 2</itunes:title>
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      <itunes:summary>It’s 20 minutes of insight this time as Kim Kessler chats with Anne Hawley about the power of past and present.</itunes:summary>
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      <title>Worldview-Disillusionment - The Great Gatsby</title>
      <description><![CDATA[<p>This week the Roundtablers look to <i>The Great Gatsby</i>, the 1925 novel of disillusionment in love by F. Scott Fitzgerald, to find out why the story endures. The team also examines the 2013 film adaptation directed by Baz Luhrmann from a screenplay by Luhrmann and Craig Pearce.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-the-great-gatsby/" target="_blank">Click here for the full show notes. </a></p>
]]></description>
      <pubDate>Wed, 3 Jun 2020 08:00:03 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-the-great-gatsby/</link>
      <content:encoded><![CDATA[<p>This week the Roundtablers look to <i>The Great Gatsby</i>, the 1925 novel of disillusionment in love by F. Scott Fitzgerald, to find out why the story endures. The team also examines the 2013 film adaptation directed by Baz Luhrmann from a screenplay by Luhrmann and Craig Pearce.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-the-great-gatsby/" target="_blank">Click here for the full show notes. </a></p>
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      <itunes:title>Worldview-Disillusionment - The Great Gatsby</itunes:title>
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      <itunes:summary>This week the Roundtablers look to The Great Gatsby, the 1925 novel of disillusionment in love by F. Scott Fitzgerald, to find out why it endures. The team also examines the 2013 film adaptation directed by Baz Luhrmann from a screenplay by Luhrmann and Craig Pearce.</itunes:summary>
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      <title>Thriller - Baby Driver</title>
      <description><![CDATA[<p>This week, Valerie drives home the importance of a compelling middle build in the context of the film <i>Baby Driver</i>. Don’t get away without hearing the Roundtablers’ take on this 2017 film written and directed by Edgar Wright.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-baby-driver/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 27 May 2020 08:00:09 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-baby-driver/</link>
      <content:encoded><![CDATA[<p>This week, Valerie drives home the importance of a compelling middle build in the context of the film <i>Baby Driver</i>. Don’t get away without hearing the Roundtablers’ take on this 2017 film written and directed by Edgar Wright.</p><p>Each week one of the Roundtable team—Valerie Francis, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-baby-driver/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:title>Thriller - Baby Driver</itunes:title>
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      <itunes:summary>This week, Valerie drives home the importance of a compelling middle build in the context of the film Baby Driver. Don’t get away without hearing the Roundtablers’ take on this 2017 film written and directed by Edgar Wright.</itunes:summary>
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      <content:encoded><![CDATA[<p>It’s 30 minutes of insight this time as Leslie Watts and Shelley Sperry bring you a bite-size episode on Big Idea Nonfiction.</p><p>Welcome to the Bite Size Edition of the Editor Roundtable Podcast. Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-big-idea-nonfiction-shelley-sperry/" target="_blank">Click here for the full show notes.</a></p>
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      <content:encoded><![CDATA[<p>We journey to the riot-torn streets of Kano, Nigeria this week as we analyze Anne’s short story pick, “A Private Experience,” by Chimamanda Ngozi Adichie.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-a-private-experience/" target="_blank">Click here for the full show notes.</a></p>
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      <content:encoded><![CDATA[<p>The Roundtablers try to figure out what’s good storytelling and what’s just Robin Williams this week as Valerie pitches the 1993 comedy <i>Mrs. Doubtfire</i> in her quest to understand how society itself acts as a force of antagonism. The film was directed by Chris Columbus from a script by Randi Mayem Singer and Leslie Dixon, and based on the 1987 middle-grade novel <i>Alias Madam Doubtfire</i> by Anne Fine.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-mrs-doubtfire/" target="_blank">Click here for the full show notes.</a></p>
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      <itunes:summary>In a rare convergence of taste, all four Roundtablers loved this week’s story, Brooklyn, and derived masses of actionable story advice from it. This 2015 film was directed by James Crowley from a screenplay that Nick Hornby adapted from Colm Tóibín’s 2008 novel of the same name.</itunes:summary>
      <itunes:subtitle>In a rare convergence of taste, all four Roundtablers loved this week’s story, Brooklyn, and derived masses of actionable story advice from it. This 2015 film was directed by James Crowley from a screenplay that Nick Hornby adapted from Colm Tóibín’s 2008 novel of the same name.</itunes:subtitle>
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      <description><![CDATA[<p>The Roundtablers find more cloud than silver lining in this week’s entry, as Kim looks at establishing life values in your opening scenes with <i>Silver Linings Playbook, </i>both the 2008 novel by Matthew Quick and its 2012 film adaptation by David O. Russell.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us review the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-silver-linings-playbook/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 18 Mar 2020 08:00:02 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Fancis, Leslie Watts, Anne Hawley)</author>
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      <content:encoded><![CDATA[<p>The Roundtablers find more cloud than silver lining in this week’s entry, as Kim looks at establishing life values in your opening scenes with <i>Silver Linings Playbook, </i>both the 2008 novel by Matthew Quick and its 2012 film adaptation by David O. Russell.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us review the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-silver-linings-playbook/" target="_blank">Click here for the full show notes.</a></p>
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      <description><![CDATA[<p>It’s wet, it’s wild, and it’s decadent this week as Leslie leads the Roundtablers through Kelly Robson’s Nebula-award-nominated novella, “Waters of Versailles,” a status story with a fantasy historical setting in the French court of the 18th century.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-waters-of-versailles/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 11 Mar 2020 08:00:04 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts, Anne Hawley)</author>
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      <content:encoded><![CDATA[<p>It’s wet, it’s wild, and it’s decadent this week as Leslie leads the Roundtablers through Kelly Robson’s Nebula-award-nominated novella, “Waters of Versailles,” a status story with a fantasy historical setting in the French court of the 18th century.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-waters-of-versailles/" target="_blank">Click here for the full show notes.</a></p>
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      <description><![CDATA[<p>Anne's short story choice this week might be a little <i>too</i> short. Join the Roundtablers as they hash out the issue with Elizabeth Gilbert's famously reduced  "Pilgrims" (1993).</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-pilgrims/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 4 Mar 2020 09:00:07 +0000</pubDate>
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      <content:encoded><![CDATA[<p>Anne's short story choice this week might be a little <i>too</i> short. Join the Roundtablers as they hash out the issue with Elizabeth Gilbert's famously reduced  "Pilgrims" (1993).</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-pilgrims/" target="_blank">Click here for the full show notes.</a></p>
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      <content:encoded><![CDATA[<p>It’s 20 minutes of insight this time as Valerie Francis and Leslie Watts bring you a bite-size episode on character development.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-character-development/" target="_blank">Click here for the full show notes.</a> </p>
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      <content:encoded><![CDATA[<p>Valerie leads the team into the dystopian future of 2019 to examine the forces of antagonism in Ridley Scott’s 1982 science fiction noir classic, <i>Blade Runner</i>. Loosely adapted from Philip K. Dick’s 1968 novel <i>Do Androids Dream of Electric Sheep?</i>, the screenplay was written by Hampton Fancher and David Peoples.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-blade-runner/" target="_blank">Click here for the full show notes.</a></p>
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      <content:encoded><![CDATA[<p>It’s 20 minutes of deep insight this time as Anne brings you a bite-size episode on how, after writing for five decades, she has finally learned to write.</p><p>Here on the Story Grid Editor Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-Anne-learns-to-write/" target="_blank">Click here for the full show notes.</a></p>
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      <content:encoded><![CDATA[<p>It’s 20 minutes of deep insight this time as Valerie Francis and Leslie Watts bring you a bite-size episode on how to analyze a scene.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-how-to-analyze-a-scene/" target="_blank">Click here for the full show notes. </a></p>
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      <description><![CDATA[<p>It’s another wintry story this week as Leslie continues her exploration of POV and narrative device in Alice Munro’s 1999 short story “The Bear Came Over the Mountain,” and Away From Her, the 2006 Sarah Polley film adapted from it.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-bear-came-over-the-mountain/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 15 Jan 2020 09:00:05 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts, Anne Hawley)</author>
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      <content:encoded><![CDATA[<p>It’s another wintry story this week as Leslie continues her exploration of POV and narrative device in Alice Munro’s 1999 short story “The Bear Came Over the Mountain,” and Away From Her, the 2006 Sarah Polley film adapted from it.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-bear-came-over-the-mountain/" target="_blank">Click here for the full show notes.</a></p>
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      <description><![CDATA[<p>The Roundtablers take on a whole new question this week as Anne starts her study of how modern short stories work. We analyze Arna Bontemps Hemenway’s 5200-word tale of love and war, “Wolves of Karelia,” published in August, 2019 in <i>The Atlantic</i>.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-wolves-of-karelia/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 8 Jan 2020 09:00:02 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Leslie Watts, Anne Hawley)</author>
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      <content:encoded><![CDATA[<p>The Roundtablers take on a whole new question this week as Anne starts her study of how modern short stories work. We analyze Arna Bontemps Hemenway’s 5200-word tale of love and war, “Wolves of Karelia,” published in August, 2019 in <i>The Atlantic</i>.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-wolves-of-karelia/" target="_blank">Click here for the full show notes.</a></p>
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      <description><![CDATA[<p>Valerie bangs the drum this week for the importance of powerful forces of antagonism as the Roundtablers examine 2014’s <i>Whiplash,</i> written and directed by Damien Chazelle.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-whiplash/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 1 Jan 2020 09:00:03 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts, Anne Hawley)</author>
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      <content:encoded><![CDATA[<p>Valerie bangs the drum this week for the importance of powerful forces of antagonism as the Roundtablers examine 2014’s <i>Whiplash,</i> written and directed by Damien Chazelle.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-whiplash/" target="_blank">Click here for the full show notes.</a></p>
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      <description><![CDATA[<p>This week, Kim takes a close look at <i>The Guernsey Literary and Potato Peel Pie Society</i>, in order to study how a story’s life values are established in the beginning hook.</p><p>This 2018 film was directed by Mike Newell from a screenplay by Don Roos, Tom Bezucha, and Kevin Hood. It was based on the 2008 novel of the same name by Mary Ann Shaffer and Annie Barrows.</p><p>This is a show dedicated to helping you become a better writer using the Story Grid method, developed by Shawn Coyne. Each week we use a movie, a novel, or a short story to study different storytelling principles so that we can deepen our understanding of story and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-guernsey-literary-society/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 25 Dec 2019 09:00:13 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts, Anne Hawley)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week, Kim takes a close look at <i>The Guernsey Literary and Potato Peel Pie Society</i>, in order to study how a story’s life values are established in the beginning hook.</p><p>This 2018 film was directed by Mike Newell from a screenplay by Don Roos, Tom Bezucha, and Kevin Hood. It was based on the 2008 novel of the same name by Mary Ann Shaffer and Annie Barrows.</p><p>This is a show dedicated to helping you become a better writer using the Story Grid method, developed by Shawn Coyne. Each week we use a movie, a novel, or a short story to study different storytelling principles so that we can deepen our understanding of story and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-guernsey-literary-society/" target="_blank">Click here for the full show notes.</a></p>
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      <title>Worldview-Education - It&apos;s a Wonderful Life</title>
      <description><![CDATA[<p>It’s a wonderful look at Point of View and Narrative Device this week, as Leslie opens Season 6 of the podcast with <i>It’s a Wonderful Life</i>. This 1946 perennial holiday favorite was directed by Frank Capra, and written by Francis Goodrich, Albert Hackett, and Frank Capra. The screenplay was based on the short story “The Greatest Gift,” originally published as a Christmas card in 1943 by Philip Van Doren Stern.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-wonderful-life/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 18 Dec 2019 09:00:05 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-wonderful-life/</link>
      <content:encoded><![CDATA[<p>It’s a wonderful look at Point of View and Narrative Device this week, as Leslie opens Season 6 of the podcast with <i>It’s a Wonderful Life</i>. This 1946 perennial holiday favorite was directed by Frank Capra, and written by Francis Goodrich, Albert Hackett, and Frank Capra. The screenplay was based on the short story “The Greatest Gift,” originally published as a Christmas card in 1943 by Philip Van Doren Stern.</p><p>Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p><p><a href="https://storygrid.com/editor-roundtable-wonderful-life/" target="_blank">Click here for the full show notes.</a></p>
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      <description><![CDATA[<p>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 6. Join us for Episode 0, when the team bids farewell to Jarie, and Anne, Kim, Valerie, and Leslie each reveal their first movie of the season. They’ll talk about why they chose it and how their Season 6 focus will help them in their own writing.</p><p>This is a show dedicated to helping you become a better writer using the Story Grid method developed by Shawn Coyne. Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p>
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      <pubDate>Wed, 11 Dec 2019 09:00:04 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-season-6/</link>
      <content:encoded><![CDATA[<p>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 6. Join us for Episode 0, when the team bids farewell to Jarie, and Anne, Kim, Valerie, and Leslie each reveal their first movie of the season. They’ll talk about why they chose it and how their Season 6 focus will help them in their own writing.</p><p>This is a show dedicated to helping you become a better writer using the Story Grid method developed by Shawn Coyne. Each week one of the Roundtable team—Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—aims to get to the bottom of a specific story principle by analyzing a film, novel, or short story. The rest of us analyze the story according to our own chosen topics, and together we deepen our knowledge and level up our craft.</p>
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      <description><![CDATA[<p>It’s 20 minutes of deep insight this time as Kim Kessler brings you a bite-size episode on the truth behind Conventions and Obligatory Scenes.</p><p>Welcome to the Bite Size Edition of the Editor Roundtable Podcast. Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-conventions-obligatory-scenes/" target="_blank">Click here for the full show notes. </a></p>
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      <pubDate>Wed, 4 Dec 2019 14:16:24 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts, Anne Hawley)</author>
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      <content:encoded><![CDATA[<p>It’s 20 minutes of deep insight this time as Kim Kessler brings you a bite-size episode on the truth behind Conventions and Obligatory Scenes.</p><p>Welcome to the Bite Size Edition of the Editor Roundtable Podcast. Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-conventions-obligatory-scenes/" target="_blank">Click here for the full show notes. </a></p>
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      <itunes:title>Bite Size Edition - Conventions and Obligatory Scenes</itunes:title>
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      <description><![CDATA[<p>It’s 20 minutes of deep insight this time as Leslie Watts brings you a bite-size episode on how to choose your point of view.</p><p>Welcome to the Bite Size Edition of the Editor Roundtable Podcast. Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-choosing-your-pov/">Click here for the full show notes.</a> </p>
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      <pubDate>Wed, 27 Nov 2019 09:00:15 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-choosing-your-pov/</link>
      <content:encoded><![CDATA[<p>It’s 20 minutes of deep insight this time as Leslie Watts brings you a bite-size episode on how to choose your point of view.</p><p>Welcome to the Bite Size Edition of the Editor Roundtable Podcast. Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-choosing-your-pov/">Click here for the full show notes.</a> </p>
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      <itunes:summary>It’s 20 minutes of deep insight this time as Leslie Watts brings you a bite-size episode on how to choose your point of view.</itunes:summary>
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      <content:encoded><![CDATA[<p>It’s 20 minutes of chat and fun this time as Kim Kessler and new Story Grid Certified Editor Danielle Kiowski bring you a bite-size episode on what it’s like to become an editor.</p><p>Welcome to the Bite Size Edition of the Editor Roundtable Podcast. Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-becoming-an-editor/">Click here for the full show notes.</a></p>
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      <content:encoded><![CDATA[<p>It’s 20 minutes of deep insight as Valerie Francis brings you a bite-size episode on the Beginning, Middle and End of a story.</p><p>Here on the Story Grid Editor Roundtable Podcast we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-beginning-middle-end/">Click here for the full show notes.</a></p>
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      <content:encoded><![CDATA[<p>The Roundtablers work hard to discover what doesn’t quite work in this week’s story, <i>The Girl in the Book.</i> The 2015 film was written and directed by Marya Cohn. Some strong content warnings in this one, folks. </p><p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p><p><a href="https://storygrid.com/editor-roundtable-girl-in-the-book/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 16 Oct 2019 08:00:15 +0000</pubDate>
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      <content:encoded><![CDATA[<p>It’s the Live from Nashville 2019 bonus edition as Jarie—who wasn’t able to attend—interviews the rest of us about our experiences at Story Grid Live 2019, and we talk about what it was like to be with over 100 fellow story nerds live and in person.</p><p>This is a special episode, but in a typical episode, one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better. </p><p><a href="https://storygrid.com/editor-roundtable-story-grid-live/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 9 Oct 2019 08:00:02 +0000</pubDate>
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      <content:encoded><![CDATA[<p>It’s 15 minutes of Story Grid 101 this time as Anne Hawley brings you a bite-size episode on the fourth of the Editor’s Six Core Questions: Objects of Desire.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes, we bring you some shorter solo articles on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-objects-of-desire/" target="_blank">Click here for the full show notes.</a></p>
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      <pubDate>Wed, 2 Oct 2019 08:00:05 +0000</pubDate>
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      <content:encoded><![CDATA[<p>This week, genre disagreements don’t stop the team from pointe-ing out the great storytelling in <i>Black Swan</i>. This 2010 film about artistic passion was directed by Darren Aronofsky from a screenplay by Mark Heyman, Andres Heinz, and John McLaughlin.</p><p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p><p><a href="https://storygrid.com/editor-roundtable-black-swan/" target="_blank">Click here for the full show notes. </a></p>
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      <content:encoded><![CDATA[<p>It’s 15 minutes of deep insight this time as Leslie Watts brings you a bite-size episode on Cause and Effect.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-cause-and-effect/" target="_blank">Click here for the full show notes. </a></p>
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      <title>Bite Size Episode - It&apos;s Always Today</title>
      <description><![CDATA[<p>It’s 10 minutes of deep insight into the writer’s habits and mindset as Valerie brings you a bite-size episode about daily writing targets and our old friend, Resistance.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-its-always-today/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 18 Sep 2019 08:00:10 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-its-always-today/</link>
      <content:encoded><![CDATA[<p>It’s 10 minutes of deep insight into the writer’s habits and mindset as Valerie brings you a bite-size episode about daily writing targets and our old friend, Resistance.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-its-always-today/" target="_blank">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Episode - It&apos;s Always Today</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>00:08:20</itunes:duration>
      <itunes:summary>It’s 10 minutes of deep insight into the writer’s habits and mindset as Valerie brings you a bite-size episode about daily writing targets and our old friend, Resistance.</itunes:summary>
      <itunes:subtitle>It’s 10 minutes of deep insight into the writer’s habits and mindset as Valerie brings you a bite-size episode about daily writing targets and our old friend, Resistance.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, resistance, fiction, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Bite Size Episode - How to Plan A Novel</title>
      <description><![CDATA[<p>It’s 20 minutes of deep insight this time as Jarie Bolander bring you a bite-size episode on how to plan a novel.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-plan-a-novel/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 11 Sep 2019 08:00:05 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-plan-a-novel/</link>
      <content:encoded><![CDATA[<p>It’s 20 minutes of deep insight this time as Jarie Bolander bring you a bite-size episode on how to plan a novel.</p><p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p><p><a href="https://storygrid.com/editor-roundtable-plan-a-novel/" target="_blank">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Episode - How to Plan A Novel</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>00:14:46</itunes:duration>
      <itunes:summary>It’s 20 minutes of deep insight this time as Jarie Bolander bring you a bite-size episode on how to plan a novel.</itunes:summary>
      <itunes:subtitle>It’s 20 minutes of deep insight this time as Jarie Bolander bring you a bite-size episode on how to plan a novel.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, novel, fiction, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Action - The Return of the King</title>
      <description><![CDATA[<p>Leslie concludes her epic examination of the action story on an epic scale with the epic-est epic of them all, <em>The Lord of the Rings: The Return of the King</em>. This 2003 conclusion to <em>The Lord of the Rings</em> trilogy was directed by Peter Jackson from a screenplay he wrote with Fran Walsh and Philippa Boyens, based on the novel by J.R.R. Tolkien.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-return-of-the-king/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 4 Sep 2019 08:00:13 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-return-of-the-king/</link>
      <content:encoded><![CDATA[<p>Leslie concludes her epic examination of the action story on an epic scale with the epic-est epic of them all, <em>The Lord of the Rings: The Return of the King</em>. This 2003 conclusion to <em>The Lord of the Rings</em> trilogy was directed by Peter Jackson from a screenplay he wrote with Fran Walsh and Philippa Boyens, based on the novel by J.R.R. Tolkien.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-return-of-the-king/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Action - The Return of the King</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>00:55:05</itunes:duration>
      <itunes:summary>Leslie concludes her epic examination of the action story on an epic scale with the epic-est epic of them all, The Lord of the Rings: The Return of the King. This 2003 conclusion to The Lord of the Rings trilogy was directed by Peter Jackson from a screenplay he wrote with Fran Walsh and Philippa Boyens, based on the novel by J.R.R. Tolkien.</itunes:summary>
      <itunes:subtitle>Leslie concludes her epic examination of the action story on an epic scale with the epic-est epic of them all, The Lord of the Rings: The Return of the King. This 2003 conclusion to The Lord of the Rings trilogy was directed by Peter Jackson from a screenplay he wrote with Fran Walsh and Philippa Boyens, based on the novel by J.R.R. Tolkien.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, action, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Love Story - Like Water for Chocolate</title>
      <description><![CDATA[<p>Come along to Mexico and decide whether the movie or the novel is tastier, as Anne pitches <em>Like Water For Chocolate</em> in her study of novels adapted to film. The 1992 Mexican film was directed by Alfonso Arau from the screenplay Laura Esquivel adapted from her 1989 novel of the same name.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-like-water-for-chocolate/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 28 Aug 2019 08:00:04 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-like-water-for-chocolate/</link>
      <content:encoded><![CDATA[<p>Come along to Mexico and decide whether the movie or the novel is tastier, as Anne pitches <em>Like Water For Chocolate</em> in her study of novels adapted to film. The 1992 Mexican film was directed by Alfonso Arau from the screenplay Laura Esquivel adapted from her 1989 novel of the same name.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-like-water-for-chocolate/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Love Story - Like Water for Chocolate</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>00:52:06</itunes:duration>
      <itunes:summary>Come along to Mexico and decide whether the movie or the novel is tastier, as Anne pitches Like Water For Chocolate in her study of novels adapted to film. The 1992 Mexican film was directed by Alfonso Arau from the screenplay Laura Esquivel adapted from her 1989 novel of the same name.</itunes:summary>
      <itunes:subtitle>Come along to Mexico and decide whether the movie or the novel is tastier, as Anne pitches Like Water For Chocolate in her study of novels adapted to film. The 1992 Mexican film was directed by Alfonso Arau from the screenplay Laura Esquivel adapted from her 1989 novel of the same name.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, love story, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <itunes:episode>79</itunes:episode>
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      <title>Love Story - Passengers</title>
      <description><![CDATA[<p>Wake us up when it’s over! Kim continues her study of stories that don’t work this week with 2016’s <em>Passengers</em>, written by Jon Spaihts and directed by Morten Tyldum. This film had a flaw so widely perceived that several film blogs created fixes for it. We’re going to do the same.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-passengers/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 21 Aug 2019 08:00:05 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-passengers/</link>
      <content:encoded><![CDATA[<p>Wake us up when it’s over! Kim continues her study of stories that don’t work this week with 2016’s <em>Passengers</em>, written by Jon Spaihts and directed by Morten Tyldum. This film had a flaw so widely perceived that several film blogs created fixes for it. We’re going to do the same.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-passengers/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Love Story - Passengers</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>01:04:03</itunes:duration>
      <itunes:summary>Wake us up when it’s over! Kim continues her study of stories that don’t work this week with 2016’s Passengers, written by Jon Spaihts and directed by Morten Tyldum. This film had a flaw so widely perceived that several film blogs created fixes for it. We’re going to do the same.</itunes:summary>
      <itunes:subtitle>Wake us up when it’s over! Kim continues her study of stories that don’t work this week with 2016’s Passengers, written by Jon Spaihts and directed by Morten Tyldum. This film had a flaw so widely perceived that several film blogs created fixes for it. We’re going to do the same.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, love story, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
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      <title>Love Story - Crazy Rich Asians</title>
      <description><![CDATA[<p>Let’s get whisked away to Singapore to explore Modern Love with the 2018 film <em>Crazy Rich Asians</em>. This romantic comedy was written by Peter Chiarelli and Adele Lim and directed by Jon M. Chu.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-crazy-rich-asians/">Click here for the full show notes. </a></p>
]]></description>
      <pubDate>Wed, 14 Aug 2019 08:00:02 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-crazy-rich-asians/</link>
      <content:encoded><![CDATA[<p>Let’s get whisked away to Singapore to explore Modern Love with the 2018 film <em>Crazy Rich Asians</em>. This romantic comedy was written by Peter Chiarelli and Adele Lim and directed by Jon M. Chu.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-crazy-rich-asians/">Click here for the full show notes. </a></p>
]]></content:encoded>
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      <itunes:title>Love Story - Crazy Rich Asians</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>00:45:21</itunes:duration>
      <itunes:summary>Let’s get whisked away to Singapore to explore Modern Love with the 2018 film Crazy Rich Asians. This romantic comedy was written by Peter Chiarelli and Adele Lim and directed by Jon M. Chu.</itunes:summary>
      <itunes:subtitle>Let’s get whisked away to Singapore to explore Modern Love with the 2018 film Crazy Rich Asians. This romantic comedy was written by Peter Chiarelli and Adele Lim and directed by Jon M. Chu.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, love story, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <itunes:episode>77</itunes:episode>
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      <title>Psychological Thriller - The Girl on the Train</title>
      <description><![CDATA[<p>We’re all aboard this week to try to separate the truth from the lies in <em>The Girl on the Train</em>. This 2016 psychological thriller was directed by Tate Taylor from a screenplay by Erin Cressida Wilson, based on the record-breaking bestseller of the same name by Paula Hawkins.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-girl-on-the-train/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 7 Aug 2019 08:00:08 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-girl-on-the-train/</link>
      <content:encoded><![CDATA[<p>We’re all aboard this week to try to separate the truth from the lies in <em>The Girl on the Train</em>. This 2016 psychological thriller was directed by Tate Taylor from a screenplay by Erin Cressida Wilson, based on the record-breaking bestseller of the same name by Paula Hawkins.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-girl-on-the-train/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Psychological Thriller - The Girl on the Train</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>00:55:22</itunes:duration>
      <itunes:summary>We’re all aboard this week to try to separate the truth from the lies in The Girl on the Train. This 2016 psychological thriller was directed by Tate Taylor from a screenplay by Erin Cressida Wilson, based on the record-breaking bestseller of the same name by Paula Hawkins.</itunes:summary>
      <itunes:subtitle>We’re all aboard this week to try to separate the truth from the lies in The Girl on the Train. This 2016 psychological thriller was directed by Tate Taylor from a screenplay by Erin Cressida Wilson, based on the record-breaking bestseller of the same name by Paula Hawkins.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, amwriting, thriller, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
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      <title>Action - Deep Impact</title>
      <description><![CDATA[<p>It’s a disaster this week as the Leslie leads our fearless crew through <em>Deep Impact</em>. This first of two 1998 films about giant space rocks hitting the earth was written by Bruce Joel Rubin and Michael Tolkin and directed by Mimi Leder.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-deep-impact/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 31 Jul 2019 08:00:06 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-deep-impact/</link>
      <content:encoded><![CDATA[<p>It’s a disaster this week as the Leslie leads our fearless crew through <em>Deep Impact</em>. This first of two 1998 films about giant space rocks hitting the earth was written by Bruce Joel Rubin and Michael Tolkin and directed by Mimi Leder.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-deep-impact/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Action - Deep Impact</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>00:48:42</itunes:duration>
      <itunes:summary>It’s a disaster this week as the Leslie leads our fearless crew through Deep Impact. This first of two 1998 films about giant space rocks hitting the earth was written by Bruce Joel Rubin and Michael Tolkin and directed by Mimi Leder.</itunes:summary>
      <itunes:subtitle>It’s a disaster this week as the Leslie leads our fearless crew through Deep Impact. This first of two 1998 films about giant space rocks hitting the earth was written by Bruce Joel Rubin and Michael Tolkin and directed by Mimi Leder.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, action, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>75</itunes:episode>
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      <title>Worldview Adaptation - If Beale Street Could Talk</title>
      <description><![CDATA[<p>Hope, love, and injustice intersect this week in Anne’s pitch: James Baldwin’s 1973 novel <em>If Beale Street Could Talk</em>, and the 2018 film adaptation that was written and directed by Barry Jenkins.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-if-beale-street-could-talk/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 24 Jul 2019 08:00:15 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-if-beale-street-could-talk/</link>
      <content:encoded><![CDATA[<p>Hope, love, and injustice intersect this week in Anne’s pitch: James Baldwin’s 1973 novel <em>If Beale Street Could Talk</em>, and the 2018 film adaptation that was written and directed by Barry Jenkins.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-if-beale-street-could-talk/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Worldview Adaptation - If Beale Street Could Talk</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>00:59:07</itunes:duration>
      <itunes:summary>Hope, love, and injustice intersect this week in Anne’s pitch: James Baldwin’s 1973 novel If Beale Street Could Talk, and the 2018 film adaptation that was written and directed by Barry Jenkins.</itunes:summary>
      <itunes:subtitle>Hope, love, and injustice intersect this week in Anne’s pitch: James Baldwin’s 1973 novel If Beale Street Could Talk, and the 2018 film adaptation that was written and directed by Barry Jenkins.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, worldview, fiction, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
    </item>
    <item>
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      <title>Action - Jupiter Ascending</title>
      <description><![CDATA[<p>The Wachowskis once again give the Roundtablers reason to tear their hair out, this time with their 2015 failed blockbuster, Jupiter Ascending. Despite a fine cast, a promising storyline, and brilliant special effects, this story doesn’t really work. Kim leads us in trying to figure out why.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-jupiter-ascending/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 17 Jul 2019 08:00:04 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-jupiter-ascending/</link>
      <content:encoded><![CDATA[<p>The Wachowskis once again give the Roundtablers reason to tear their hair out, this time with their 2015 failed blockbuster, Jupiter Ascending. Despite a fine cast, a promising storyline, and brilliant special effects, this story doesn’t really work. Kim leads us in trying to figure out why.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-jupiter-ascending/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="45781732" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/7d3d8a20-c2d2-443e-a658-21729de5797d/505_jupiter_ascending_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Action - Jupiter Ascending</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>00:56:25</itunes:duration>
      <itunes:summary>The Wachowskis once again give the Roundtablers reason to tear their hair out, this time with their 2015 failed blockbuster, Jupiter Ascending. Despite a fine cast, a promising storyline, and brilliant special effects, this story doesn’t really work. Kim leads us in trying to figure out why.</itunes:summary>
      <itunes:subtitle>The Wachowskis once again give the Roundtablers reason to tear their hair out, this time with their 2015 failed blockbuster, Jupiter Ascending. Despite a fine cast, a promising storyline, and brilliant special effects, this story doesn’t really work. Kim leads us in trying to figure out why.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, action, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
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    <item>
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      <title>Love Story - Sense and Sensibility</title>
      <description><![CDATA[<p>The Roundtablers return to the love story this week with <em>Sense and Sensibility</em>. This Oscar-winning 1995 adaptation of Jane Austen’s 1811 novel was written by Emma Thompson and directed by Ang Lee.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-sense-and-sensibility/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 10 Jul 2019 08:00:22 +0000</pubDate>
      <author>tim.grahl@gmail.com (Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley)</author>
      <link>https://storygrid.com/editor-roundtable-sense-and-sensibility/</link>
      <content:encoded><![CDATA[<p>The Roundtablers return to the love story this week with <em>Sense and Sensibility</em>. This Oscar-winning 1995 adaptation of Jane Austen’s 1811 novel was written by Emma Thompson and directed by Ang Lee.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-sense-and-sensibility/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Love Story - Sense and Sensibility</itunes:title>
      <itunes:author>Kim Kessler, Valerie Francis, Jarie Bolander, Leslie Watts, Anne Hawley</itunes:author>
      <itunes:duration>01:06:18</itunes:duration>
      <itunes:summary>The Roundtablers return to the love story this week with Sense and Sensibility. This Oscar-winning 1995 adaptation of Jane Austen’s 1811 novel was written by Emma Thompson and directed by Ang Lee.
</itunes:summary>
      <itunes:subtitle>The Roundtablers return to the love story this week with Sense and Sensibility. This Oscar-winning 1995 adaptation of Jane Austen’s 1811 novel was written by Emma Thompson and directed by Ang Lee.
</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, lovestory, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
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      <title>Psychological Thriller - Primal Fear</title>
      <description><![CDATA[<p>The multiple personalities around the Roundtable try to puzzle out whether the 1995 thriller <em>Primal Fear</em> works, and why—or why not. This film, starring Richard Gere and Edward Norton in his first feature film role, was written by Steve Shagan and Ann Biderman, based on William Diehl’s 1993 novel of the same name. It was directed by Greg Hoblit.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-primal-fear/">Click here for the full show notes. </a></p>
]]></description>
      <pubDate>Wed, 3 Jul 2019 08:00:13 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-primal-fear/</link>
      <content:encoded><![CDATA[<p>The multiple personalities around the Roundtable try to puzzle out whether the 1995 thriller <em>Primal Fear</em> works, and why—or why not. This film, starring Richard Gere and Edward Norton in his first feature film role, was written by Steve Shagan and Ann Biderman, based on William Diehl’s 1993 novel of the same name. It was directed by Greg Hoblit.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-primal-fear/">Click here for the full show notes. </a></p>
]]></content:encoded>
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      <itunes:title>Psychological Thriller - Primal Fear</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>01:05:37</itunes:duration>
      <itunes:summary>The multiple personalities around the Roundtable try to puzzle out whether the 1995 thriller Primal Fear works, and why—or why not. This film, starring Richard Gere and Edward Norton in his first feature film role, was written by Steve Shagan and Ann Biderman, based on William Diehl’s 1993 novel of the same name. It was directed by Greg Hoblit.</itunes:summary>
      <itunes:subtitle>The multiple personalities around the Roundtable try to puzzle out whether the 1995 thriller Primal Fear works, and why—or why not. This film, starring Richard Gere and Edward Norton in his first feature film role, was written by Steve Shagan and Ann Biderman, based on William Diehl’s 1993 novel of the same name. It was directed by Greg Hoblit.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, amwriting, thriller, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
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      <title>Action - Thor: Ragnarok</title>
      <description><![CDATA[<p>We’re keeping one eye on superheroes this week as Leslie hammers home some insights about the epic-style Action story in <em>Thor: Ragnarok</em>. This 2017 Marvel blockbuster was written by Eric Pearson, Craig Kyle, and Christopher Yost, and directed by Taika Waititi.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-thor-ragnarok/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 26 Jun 2019 09:00:24 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-thor-ragnarok/</link>
      <content:encoded><![CDATA[<p>We’re keeping one eye on superheroes this week as Leslie hammers home some insights about the epic-style Action story in <em>Thor: Ragnarok</em>. This 2017 Marvel blockbuster was written by Eric Pearson, Craig Kyle, and Christopher Yost, and directed by Taika Waititi.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-thor-ragnarok/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Action - Thor: Ragnarok</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>01:02:30</itunes:duration>
      <itunes:summary>We’re keeping one eye on superheroes this week as Leslie hammers home some insights about the epic-style Action story in Thor: Ragnarok. This 2017 Marvel blockbuster was written by Eric Pearson, Craig Kyle, and Christopher Yost, and directed by Taika Waititi.</itunes:summary>
      <itunes:subtitle>We’re keeping one eye on superheroes this week as Leslie hammers home some insights about the epic-style Action story in Thor: Ragnarok. This 2017 Marvel blockbuster was written by Eric Pearson, Craig Kyle, and Christopher Yost, and directed by Taika Waititi.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, action, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
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      <title>Status Genre - A Little Princess</title>
      <description><![CDATA[<p>When the villain goes low, we go high with the classic Status Admiration story, <em>A Little Princess</em>. This 1905 novel by Frances Hodgson Burnett was most recently adapted to film in 1995 by screenwriter Richard La Gravenese and director Alfonso Cuaron.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-little-princess/">Click here for the full show notes. </a></p>
]]></description>
      <pubDate>Wed, 19 Jun 2019 09:00:17 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-little-princess/</link>
      <content:encoded><![CDATA[<p>When the villain goes low, we go high with the classic Status Admiration story, <em>A Little Princess</em>. This 1905 novel by Frances Hodgson Burnett was most recently adapted to film in 1995 by screenwriter Richard La Gravenese and director Alfonso Cuaron.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-little-princess/">Click here for the full show notes. </a></p>
]]></content:encoded>
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      <itunes:title>Status Genre - A Little Princess</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>00:55:01</itunes:duration>
      <itunes:summary>When the villain goes low, we go high with the classic Status Admiration story, A Little Princess. This 1905 novel by Frances Hodgson Burnett was most recently adapted to film in 1995 by screenwriter Richard La Gravenese and director Alfonso Cuaron.</itunes:summary>
      <itunes:subtitle>When the villain goes low, we go high with the classic Status Admiration story, A Little Princess. This 1905 novel by Frances Hodgson Burnett was most recently adapted to film in 1995 by screenwriter Richard La Gravenese and director Alfonso Cuaron.</itunes:subtitle>
      <itunes:keywords>status, editing, amrevising, fiction, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
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      <title>Special Episode - Launching the Masterwork Experiment</title>
      <description><![CDATA[<p>Welcome to the Story Grid Masterwork Experiment!</p>
<p>In this ten-episode summer series, Shawn Coyne and author Anne Hawley are breaking a great masterwork down to the beat level to find out whether an experienced writer can create a new and original story from exactly the same building blocks.</p>
<p>Episode 1 of the Masterwork Experiment introduces the masterwork and lays out the experimental protocol. Will Anne write something new and fresh? Or will she wind up with a hackneyed copy of a beloved novella? Put on your lab coat and goggles, and join us in the story lab to find out.</p>
<p>If you are a subscriber of The Story Grid Podcast, this is the same as episode 167.</p>
<p><a href="https://storygrid.com/editor-roundtable-masterwork-experiment/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Thu, 13 Jun 2019 09:00:08 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Welcome to the Story Grid Masterwork Experiment!</p>
<p>In this ten-episode summer series, Shawn Coyne and author Anne Hawley are breaking a great masterwork down to the beat level to find out whether an experienced writer can create a new and original story from exactly the same building blocks.</p>
<p>Episode 1 of the Masterwork Experiment introduces the masterwork and lays out the experimental protocol. Will Anne write something new and fresh? Or will she wind up with a hackneyed copy of a beloved novella? Put on your lab coat and goggles, and join us in the story lab to find out.</p>
<p>If you are a subscriber of The Story Grid Podcast, this is the same as episode 167.</p>
<p><a href="https://storygrid.com/editor-roundtable-masterwork-experiment/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Special Episode - Launching the Masterwork Experiment</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>00:42:29</itunes:duration>
      <itunes:summary>Special Episode - Story Grid Masterwork Experiment: Can an experienced writer build a new and original story by copying a great masterwork? Author Anne Hawley accepts the challenge from Shawn Coyne. In the first episode, they introduce the masterwork and lay out the rules of the experiment.</itunes:summary>
      <itunes:subtitle>Special Episode - Story Grid Masterwork Experiment: Can an experienced writer build a new and original story by copying a great masterwork? Author Anne Hawley accepts the challenge from Shawn Coyne. In the first episode, they introduce the masterwork and lay out the rules of the experiment.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, lovestory, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
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      <title>Bite Size Episode - Season Five Teaser Trailer</title>
      <description><![CDATA[<p>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 5. Join us for Episode 0, where Anne, Kim, Valerie, Jarie and Leslie each reveal their first movie of the season and talk about why they chose it, and how they hope studying it will help them in their own writing.</p>
<p>Each week one of the Story Grid Editors pitches a film as an example of a significant story principle and analyzes it using Story Grid tools. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-season-5/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 29 May 2019 09:00:10 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 5. Join us for Episode 0, where Anne, Kim, Valerie, Jarie and Leslie each reveal their first movie of the season and talk about why they chose it, and how they hope studying it will help them in their own writing.</p>
<p>Each week one of the Story Grid Editors pitches a film as an example of a significant story principle and analyzes it using Story Grid tools. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-season-5/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Episode - Season Five Teaser Trailer</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>00:17:11</itunes:duration>
      <itunes:summary>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 5. Join us for Episode 0, where Anne, Kim, Valerie, Jarie and Leslie each reveal their first movie of the season and talk about why they chose it, and how they hope studying it will help them in their own writing.</itunes:summary>
      <itunes:subtitle>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 5. Join us for Episode 0, where Anne, Kim, Valerie, Jarie and Leslie each reveal their first movie of the season and talk about why they chose it, and how they hope studying it will help them in their own writing.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
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      <title>Bite Size Episode - Value Shift 101</title>
      <description><![CDATA[<p>It’s 20 minutes of deep insight this time as Valerie Francis brings you a bite-size episode on Value Shift.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-value-shift-101/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 22 May 2019 09:00:15 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s 20 minutes of deep insight this time as Valerie Francis brings you a bite-size episode on Value Shift.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-value-shift-101/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="11399105" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/4d365f3a-ad55-4943-821a-16b13a13f27f/008_Value_Shift_101_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Bite Size Episode - Value Shift 101</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>00:14:22</itunes:duration>
      <itunes:summary>It’s 20 minutes of deep insight this time as Valerie Francis brings you a bite-size episode on Value Shift.</itunes:summary>
      <itunes:subtitle>It’s 20 minutes of deep insight this time as Valerie Francis brings you a bite-size episode on Value Shift.</itunes:subtitle>
      <itunes:keywords>editing, lifevalues, amrevising, fiction, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
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      <title>Bite Size Episode - Vetting Your Book Idea</title>
      <description><![CDATA[<p>It’s 20 minutes of deep insight this time as Kim Kessler bring you a bite-size episode on Vetting Your Book Idea.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-vetting-your-story/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 15 May 2019 09:00:04 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s 20 minutes of deep insight this time as Kim Kessler bring you a bite-size episode on Vetting Your Book Idea.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-vetting-your-story/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Episode - Vetting Your Book Idea</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>00:19:09</itunes:duration>
      <itunes:summary>It’s 20 minutes of deep insight this time as Kim Kessler bring you a bite-size episode on Vetting Your Book Idea.</itunes:summary>
      <itunes:subtitle>It’s 20 minutes of deep insight this time as Kim Kessler bring you a bite-size episode on Vetting Your Book Idea.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, amwriting, storyideas, storygrid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Bite Size Edition - Too Much Information</title>
      <description><![CDATA[<p>What is exposition, and why should novelists be leery of it? Turns out there's brain science behind “Show Don't Tell.” Editor Anne Hawley lays it all out in this 20-minute Bite Size Edition.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-too-much-information/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 8 May 2019 09:00:10 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>What is exposition, and why should novelists be leery of it? Turns out there's brain science behind “Show Don't Tell.” Editor Anne Hawley lays it all out in this 20-minute Bite Size Edition.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-too-much-information/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Edition - Too Much Information</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>00:24:13</itunes:duration>
      <itunes:summary>What is exposition, and why should novelists be leery of it? Turns out there&apos;s brain science behind “Show Don&apos;t Tell.” Editor Anne Hawley lays it all out in this 20-minute Bite Size Edition.</itunes:summary>
      <itunes:subtitle>What is exposition, and why should novelists be leery of it? Turns out there&apos;s brain science behind “Show Don&apos;t Tell.” Editor Anne Hawley lays it all out in this 20-minute Bite Size Edition.</itunes:subtitle>
      <itunes:keywords>exposition, editing, amrevising, fiction, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Status - Puzzle</title>
      <description><![CDATA[<p>This week, Kim and the other Roundtablers continue piecing together global internal genre stories with the 2018 independent film, <em>Puzzle</em>. The screenplay, an adaptation from a 2010 Argentinian film <em>Rompecabezas</em>, was written by Oren Moverman and directed by Marc Turtletaub.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-puzzle/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 1 May 2019 09:00:03 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week, Kim and the other Roundtablers continue piecing together global internal genre stories with the 2018 independent film, <em>Puzzle</em>. The screenplay, an adaptation from a 2010 Argentinian film <em>Rompecabezas</em>, was written by Oren Moverman and directed by Marc Turtletaub.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-puzzle/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Status - Puzzle</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
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      <itunes:summary>This week, Kim and the other Roundtablers continue piecing together global internal genre stories with the 2018 independent film, Puzzle. The screenplay, an adaptation from a 2010 Argentinian film Rompecabezas, was written by Oren Moverman and directed by Marc Turtletaub.</itunes:summary>
      <itunes:subtitle>This week, Kim and the other Roundtablers continue piecing together global internal genre stories with the 2018 independent film, Puzzle. The screenplay, an adaptation from a 2010 Argentinian film Rompecabezas, was written by Oren Moverman and directed by Marc Turtletaub.</itunes:subtitle>
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      <title>Worldview - The Queen</title>
      <description><![CDATA[<p>It’s tradition versus change as Valerie and the Roundtablers examine dramatic irony in the British historical drama <em>The Queen</em>. This 2006 film examining events surrounding the death of Princess Diana was written by Peter Morgan and directed by Stephen Frears.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-the-queen/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 24 Apr 2019 09:00:03 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s tradition versus change as Valerie and the Roundtablers examine dramatic irony in the British historical drama <em>The Queen</em>. This 2006 film examining events surrounding the death of Princess Diana was written by Peter Morgan and directed by Stephen Frears.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-the-queen/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Worldview - The Queen</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
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      <itunes:summary>It’s tradition versus change as Valerie and the Roundtablers examine dramatic irony in the British historical drama The Queen. This 2006 film examining events surrounding the death of Princess Diana was written by Peter Morgan and directed by Stephen Frears.</itunes:summary>
      <itunes:subtitle>It’s tradition versus change as Valerie and the Roundtablers examine dramatic irony in the British historical drama The Queen. This 2006 film examining events surrounding the death of Princess Diana was written by Peter Morgan and directed by Stephen Frears.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, worldview, fiction, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Crime - A Fish Called Wanda</title>
      <description><![CDATA[<p>Don’t call us stupid! Jarie and the team examine 1998’s *A Fish Called Wanda *for comedic dialogue. This heist comedy was directed by Charles Crichton from a screenplay by Charles Crichton and John Cleese.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-fish-called-wanda/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 17 Apr 2019 09:00:27 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Don’t call us stupid! Jarie and the team examine 1998’s *A Fish Called Wanda *for comedic dialogue. This heist comedy was directed by Charles Crichton from a screenplay by Charles Crichton and John Cleese.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-fish-called-wanda/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Crime - A Fish Called Wanda</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>00:53:41</itunes:duration>
      <itunes:summary>Don’t call us stupid! Jarie and the team examine 1998’s A Fish Called Wanda for comedic dialogue. This heist comedy was directed by Charles Crichton from a screenplay by Charles Crichton and John Cleese.</itunes:summary>
      <itunes:subtitle>Don’t call us stupid! Jarie and the team examine 1998’s A Fish Called Wanda for comedic dialogue. This heist comedy was directed by Charles Crichton from a screenplay by Charles Crichton and John Cleese.</itunes:subtitle>
      <itunes:keywords>editing, amrevising, crime, fiction, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Action - The Hunger Games</title>
      <description><![CDATA[<p>It’s bread, circuses, and action subgenre conventions this week as the Roundtablers look at <em>The Hunger Games</em>. This 2012 movie was written by Billy Ray, Gary Ross, and Suzanne Collins based on Collins’s novel of the same name.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-hunger-games/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 10 Apr 2019 09:00:08 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s bread, circuses, and action subgenre conventions this week as the Roundtablers look at <em>The Hunger Games</em>. This 2012 movie was written by Billy Ray, Gary Ross, and Suzanne Collins based on Collins’s novel of the same name.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-hunger-games/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Action - The Hunger Games</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>00:42:08</itunes:duration>
      <itunes:summary>It’s bread, circuses, and action subgenre conventions this week as the Roundtablers look at The Hunger Games. This 2012 movie was written by Billy Ray, Gary Ross, and Suzanne Collins based on Collins’s novel of the same name. </itunes:summary>
      <itunes:subtitle>It’s bread, circuses, and action subgenre conventions this week as the Roundtablers look at The Hunger Games. This 2012 movie was written by Billy Ray, Gary Ross, and Suzanne Collins based on Collins’s novel of the same name. </itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, action, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Love Story - Love Actually</title>
      <description><![CDATA[<p>Love is all around us this week as the Roundtablers sashay into the miniplot story structure with <em>Love Actually</em>. This 2003 all-star British romantic comedy was written and directed by Richard Curtis.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better</p>
<p><a href="https://storygrid.com/editor-roundtable-love-actually/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 3 Apr 2019 09:00:11 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Love is all around us this week as the Roundtablers sashay into the miniplot story structure with <em>Love Actually</em>. This 2003 all-star British romantic comedy was written and directed by Richard Curtis.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better</p>
<p><a href="https://storygrid.com/editor-roundtable-love-actually/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Love Story - Love Actually</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:duration>00:56:11</itunes:duration>
      <itunes:summary>Love is all around us this week as the Roundtablers sashay into the miniplot story structure with Love Actually. This 2003 all-star British romantic comedy was written and directed by Richard Curtis</itunes:summary>
      <itunes:subtitle>Love is all around us this week as the Roundtablers sashay into the miniplot story structure with Love Actually. This 2003 all-star British romantic comedy was written and directed by Richard Curtis</itunes:subtitle>
      <itunes:keywords>editing, amrevising, fiction, miniplot, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Live from Nashville</title>
      <description><![CDATA[<p>We’re in Nashville this week for Story Grid University’s second Editor Certification course. Join us for some lively interviews with the students who are about to join the exclusive club of Story Grid Certified Editors, along with our own insights and next steps.</p>
<p>In our typical episodes, one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
]]></description>
      <pubDate>Wed, 27 Mar 2019 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>We’re in Nashville this week for Story Grid University’s second Editor Certification course. Join us for some lively interviews with the students who are about to join the exclusive club of Story Grid Certified Editors, along with our own insights and next steps.</p>
<p>In our typical episodes, one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
]]></content:encoded>
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      <itunes:title>Live from Nashville</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
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      <itunes:duration>01:06:39</itunes:duration>
      <itunes:summary>We’re in Nashville this week for Story Grid University’s second Editor Certification course. Join us for some lively interviews with the students who are about to join the exclusive club of Story Grid Certified Editors, along with our own insights and next steps. </itunes:summary>
      <itunes:subtitle>We’re in Nashville this week for Story Grid University’s second Editor Certification course. Join us for some lively interviews with the students who are about to join the exclusive club of Story Grid Certified Editors, along with our own insights and next steps. </itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, story grid, am revising</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <title>Bite Size Edition - Shawn on Reading</title>
      <description><![CDATA[<p>“It’s a bitter pill to swallow, but you are not well-read enough.”</p>
<p>It’s 20 minutes of professional inspiration for writers and editors this time as the Roundtablers interview Shawn Coyne on the critical importance of reading more widely and deeply.</p>
<p>Welcome to the Bite Size Edition of the Editor Roundtable Podcast. Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne.</p>
<p>In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-shawn-on-reading/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 20 Mar 2019 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>“It’s a bitter pill to swallow, but you are not well-read enough.”</p>
<p>It’s 20 minutes of professional inspiration for writers and editors this time as the Roundtablers interview Shawn Coyne on the critical importance of reading more widely and deeply.</p>
<p>Welcome to the Bite Size Edition of the Editor Roundtable Podcast. Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne.</p>
<p>In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-shawn-on-reading/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Edition - Shawn on Reading</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/5d2a16ad-ff90-4f40-9d7c-a0464424a75e/3000x3000/1553039101artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:23:48</itunes:duration>
      <itunes:summary>“It’s a bitter pill to swallow, but you are not well-read enough.” 

It’s 20 minutes of professional inspiration for writers and editors this time as the Roundtablers interview Shawn Coyne on the critical importance of reading more widely and deeply.
</itunes:summary>
      <itunes:subtitle>“It’s a bitter pill to swallow, but you are not well-read enough.” 

It’s 20 minutes of professional inspiration for writers and editors this time as the Roundtablers interview Shawn Coyne on the critical importance of reading more widely and deeply.
</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, reading, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">bb28bac3-db7d-413c-91fd-cdeaeb996010</guid>
      <title>Redemption - A Man Called Ove</title>
      <description><![CDATA[<p>This week, the team goes global with the foreign language film <em>A Man Called Ove</em> to study Global Internal Genres. This 2015 Swedish comedy-drama was written and directed by Hannes Holm.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-man-called-ove/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 13 Mar 2019 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week, the team goes global with the foreign language film <em>A Man Called Ove</em> to study Global Internal Genres. This 2015 Swedish comedy-drama was written and directed by Hannes Holm.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-man-called-ove/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="51438501" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/8e272de9-5060-4e21-b35f-83bf053f8403/f626e49d_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Redemption - A Man Called Ove</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/8e272de9-5060-4e21-b35f-83bf053f8403/3000x3000/1552436975artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:53:28</itunes:duration>
      <itunes:summary>This week, the team goes global with the foreign language film A Man Called Ove to study Global Internal Genres. This 2015 Swedish comedy-drama was written and directed by Hannes Holm.</itunes:summary>
      <itunes:subtitle>This week, the team goes global with the foreign language film A Man Called Ove to study Global Internal Genres. This 2015 Swedish comedy-drama was written and directed by Hannes Holm.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, internal genres, redemption, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">b425680c-8d5c-4cc3-a190-8e95acb6cce0</guid>
      <title>Thriller - Rear Window</title>
      <description><![CDATA[<p>Sit in a chair and watch the suspense unfold this week as Valerie and the other Roundtablers examine <em>Rear Window</em>.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-rear-window/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 6 Mar 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Sit in a chair and watch the suspense unfold this week as Valerie and the other Roundtablers examine <em>Rear Window</em>.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-rear-window/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="48924049" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/1e127ccb-dc7e-4771-83db-be882351a554/007f90d2_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Thriller - Rear Window</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/1e127ccb-dc7e-4771-83db-be882351a554/3000x3000/1551835650artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:50:51</itunes:duration>
      <itunes:summary>Sit in a chair and watch the suspense unfold this week as Valerie and the other Roundtablers examine Rear Window. </itunes:summary>
      <itunes:subtitle>Sit in a chair and watch the suspense unfold this week as Valerie and the other Roundtablers examine Rear Window. </itunes:subtitle>
      <itunes:keywords>narrative drive, editing, am writing, fiction, am revising, thriller, suspense, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">e66ac9a9-89bf-487e-9bcb-e89716a6dc97</guid>
      <title>Crime - Fargo</title>
      <description><![CDATA[<p>You betcha the Roundtablers are going to chip away at how set and setting drive dialogue in the 1996 Coen Brothers film <em>Fargo</em>. This dark comedy was directed by Joel Coen from the script he co-wrote with Ethan Coen.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-fargo/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 27 Feb 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>You betcha the Roundtablers are going to chip away at how set and setting drive dialogue in the 1996 Coen Brothers film <em>Fargo</em>. This dark comedy was directed by Joel Coen from the script he co-wrote with Ethan Coen.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-fargo/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="47503786" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/25ca3eee-7af7-4e7d-bc51-ccbe805695c7/5a4d0b3b_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Crime - Fargo</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/25ca3eee-7af7-4e7d-bc51-ccbe805695c7/3000x3000/1550633498artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:49:23</itunes:duration>
      <itunes:summary>You betcha the Roundtablers are going to chip away at how set and setting drive dialogue in the 1996 Coen Brothers film Fargo. This dark comedy was directed by Joel Coen from the script he co-wrote with Ethan Coen.</itunes:summary>
      <itunes:subtitle>You betcha the Roundtablers are going to chip away at how set and setting drive dialogue in the 1996 Coen Brothers film Fargo. This dark comedy was directed by Joel Coen from the script he co-wrote with Ethan Coen.</itunes:subtitle>
      <itunes:keywords>crime story, editing, am writing, fiction, dialogue, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
    </item>
    <item>
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      <title>Action-Epic - The Spy Who Dumped Me</title>
      <description><![CDATA[<p>It’s international intrigue with comedy on the side on the Roundtable this week as Leslie continues to explore action plot conventions in <em>The Spy Who Dumped Me</em>. This 2018 action-epic-conspiracy film was directed by Susanna Fogel from a screenplay she wrote with David Iserson.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-spy-who-dumped-me/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 20 Feb 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s international intrigue with comedy on the side on the Roundtable this week as Leslie continues to explore action plot conventions in <em>The Spy Who Dumped Me</em>. This 2018 action-epic-conspiracy film was directed by Susanna Fogel from a screenplay she wrote with David Iserson.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-spy-who-dumped-me/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="60138318" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/922933d1-d03f-43c6-b2f1-503091905ac4/c9ba9fe4_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Action-Epic - The Spy Who Dumped Me</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/922933d1-d03f-43c6-b2f1-503091905ac4/3000x3000/1550632321artwork.jpg?aid=rss_feed"/>
      <itunes:duration>01:02:32</itunes:duration>
      <itunes:summary>It’s international intrigue with a side of comedy on the Roundtable this week as Leslie continues to explore action plot conventions in The Spy Who Dumped Me. This 2018 action-epic-conspiracy film was directed by Susanna Fogel from a screenplay she wrote with David Iserson.</itunes:summary>
      <itunes:subtitle>It’s international intrigue with a side of comedy on the Roundtable this week as Leslie continues to explore action plot conventions in The Spy Who Dumped Me. This 2018 action-epic-conspiracy film was directed by Susanna Fogel from a screenplay she wrote with David Iserson.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, action story, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">54abe888-c538-443b-9ed6-c8e911651af7</guid>
      <title>Complex Status Story - Black Mirror &quot;Bandersnatch&quot;</title>
      <description><![CDATA[<p>TV shows? Video Games? Choose Your Own Adventure? The Roundtablers take on &quot;Bandersnatch&quot; this week as Anne continues her exploration inot complex story forms. This 2018 episode of the Netflix series <em>Black Mirror</em> was written by Charlie Brooker and directed by David Slade.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-bandersnatch/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 13 Feb 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>TV shows? Video Games? Choose Your Own Adventure? The Roundtablers take on &quot;Bandersnatch&quot; this week as Anne continues her exploration inot complex story forms. This 2018 episode of the Netflix series <em>Black Mirror</em> was written by Charlie Brooker and directed by David Slade.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-bandersnatch/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="48756453" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/4071700e-53de-4982-8d93-6e4dd1d1afd0/94efb977_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Complex Status Story - Black Mirror &quot;Bandersnatch&quot;</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/4071700e-53de-4982-8d93-6e4dd1d1afd0/3000x3000/1550001864artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:50:41</itunes:duration>
      <itunes:summary>TV shows? Video Games? Choose Your Own Adventure? The Roundtablers take on Bandersnatch this week as Anne continues her exploration inot complex story forms. This 2018 episode of the Netflix series Black Mirror was written by Charlie Brooker and directed by David Slade.</itunes:summary>
      <itunes:subtitle>TV shows? Video Games? Choose Your Own Adventure? The Roundtablers take on Bandersnatch this week as Anne continues her exploration inot complex story forms. This 2018 episode of the Netflix series Black Mirror was written by Charlie Brooker and directed by David Slade.</itunes:subtitle>
      <itunes:keywords>editing, am writing, complex story form, fiction, status story, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
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    <item>
      <guid isPermaLink="false">cf46c0b6-b64e-41a4-bff9-ec06c80a5274</guid>
      <title>Worldview-Education - The Fundamentals of Caring</title>
      <description><![CDATA[<p>The fundamentals of global internal genre are under review this time as Kim pitches <em>The Fundamentals of Caring</em>,  a 2016 independent film written and directed by Rob Burnett.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-fundamentals-of-caring/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 6 Feb 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The fundamentals of global internal genre are under review this time as Kim pitches <em>The Fundamentals of Caring</em>,  a 2016 independent film written and directed by Rob Burnett.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-fundamentals-of-caring/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="57752591" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/bd4a4fa4-adf5-408c-8dfc-b8e37e7b1dae/6e666817_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Worldview-Education - The Fundamentals of Caring</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/bd4a4fa4-adf5-408c-8dfc-b8e37e7b1dae/3000x3000/1549375937artwork.jpg?aid=rss_feed"/>
      <itunes:duration>01:00:03</itunes:duration>
      <itunes:summary>The fundamentals of global internal genre are under review this time as Kim pitches The Fundamentals of Caring,  a 2016 independent film written and directed by Rob Burnett.</itunes:summary>
      <itunes:subtitle>The fundamentals of global internal genre are under review this time as Kim pitches The Fundamentals of Caring,  a 2016 independent film written and directed by Rob Burnett.</itunes:subtitle>
      <itunes:keywords>editing, am writing, am revising, fiction, worldview-education, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
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    <item>
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      <title>Dialogue - The Shawshank Redemption</title>
      <description><![CDATA[<p>Get busy living or busy dying when the editors chip away at dialogue in <em>The Shawshank Redemption</em>. This 1994 film was written and directed by Frank Darabont, based on Stephen King’s Novella <em>Rita Hayworth and Shawshank Redemption</em>.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-shawshank-redemption/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 30 Jan 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Get busy living or busy dying when the editors chip away at dialogue in <em>The Shawshank Redemption</em>. This 1994 film was written and directed by Frank Darabont, based on Stephen King’s Novella <em>Rita Hayworth and Shawshank Redemption</em>.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-shawshank-redemption/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="59074477" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/cfc91cd9-fed1-4d25-a776-a6766c0d9cae/9db574f3_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Dialogue - The Shawshank Redemption</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/cfc91cd9-fed1-4d25-a776-a6766c0d9cae/3000x3000/1548815945artwork.jpg?aid=rss_feed"/>
      <itunes:duration>01:01:28</itunes:duration>
      <itunes:summary>Get busy living or busy dying when the editors chip away at dialogue in The Shawshank Redemption. This 1994 film was written and directed by Frank Darabont, based on Stephen King’s Novella Rita Hayworth and Shawshank Redemption.</itunes:summary>
      <itunes:subtitle>Get busy living or busy dying when the editors chip away at dialogue in The Shawshank Redemption. This 1994 film was written and directed by Frank Darabont, based on Stephen King’s Novella Rita Hayworth and Shawshank Redemption.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, dialogue, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
    </item>
    <item>
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      <title>Narrative Drive - Mystery - Murder on the Orient Express</title>
      <description><![CDATA[<p>All aboard the murder train! This week, the Roundtablers set off from Istanbul with Hercule Poirot and a star-studded cast to review <em>Murder on the Orient Express</em>. This 1974 classic, based on Agatha Christie’s 1934 novel, was written by Paul Dehn and directed by Sidney Lumet.<br />
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-murder-orient-express/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 23 Jan 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>All aboard the murder train! This week, the Roundtablers set off from Istanbul with Hercule Poirot and a star-studded cast to review <em>Murder on the Orient Express</em>. This 1974 classic, based on Agatha Christie’s 1934 novel, was written by Paul Dehn and directed by Sidney Lumet.<br />
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-murder-orient-express/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Narrative Drive - Mystery - Murder on the Orient Express</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/91db0a93-645f-4e39-8546-b37cbe557b0f/3000x3000/1548182605artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:51:02</itunes:duration>
      <itunes:summary>All aboard the murder train! This week, the Roundtablers set off from Istanbul with Hercule Poirot and a star-studded cast to review Murder on the Orient Express. This 1974 classic, based on Agatha Christie’s 1934 novel, was written by Paul Dehn and directed by Sidney Lumet.</itunes:summary>
      <itunes:subtitle>All aboard the murder train! This week, the Roundtablers set off from Istanbul with Hercule Poirot and a star-studded cast to review Murder on the Orient Express. This 1974 classic, based on Agatha Christie’s 1934 novel, was written by Paul Dehn and directed by Sidney Lumet.</itunes:subtitle>
      <itunes:keywords>mystery, editing, am writing, fiction, narrative device, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
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      <title>Action Subgenre Conventions: Pirates of the Caribbean</title>
      <description><![CDATA[<p>Yo ho! The conventions of the Action story sail into port this week as Leslie invites us to examine <em>Pirates of the Caribbean: The Curse of the Black Pearl</em>. This 2003 comedy-horror-action movie was written by Ted Elliott and Terry Rossio and directed by Gore Verbinski, based on the ride at Disneyland.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-pirates-of-the-caribbean/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 16 Jan 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Yo ho! The conventions of the Action story sail into port this week as Leslie invites us to examine <em>Pirates of the Caribbean: The Curse of the Black Pearl</em>. This 2003 comedy-horror-action movie was written by Ted Elliott and Terry Rossio and directed by Gore Verbinski, based on the ride at Disneyland.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-pirates-of-the-caribbean/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Action Subgenre Conventions: Pirates of the Caribbean</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/9aaf1bab-78fc-4c93-a5b1-c7a2c7b5d065/3000x3000/1547583004artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:58:09</itunes:duration>
      <itunes:summary>Yo ho! The conventions of the Action story sail into port this week as Leslie invites us to examine Pirates of the Caribbean: The Curse of the Black Pearl. This 2003 comedy-horror-action movie was written by Ted Elliott and Terry Rossio and directed by Gore Verbinski, based on the ride at Disneyland.</itunes:summary>
      <itunes:subtitle>Yo ho! The conventions of the Action story sail into port this week as Leslie invites us to examine Pirates of the Caribbean: The Curse of the Black Pearl. This 2003 comedy-horror-action movie was written by Ted Elliott and Terry Rossio and directed by Gore Verbinski, based on the ride at Disneyland.</itunes:subtitle>
      <itunes:keywords>editing, am writing, action stories, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
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      <title>Complex Story Structure - Cloud Atlas</title>
      <description><![CDATA[<p>Things get really complicated this week as Anne pitches Cloud Atlas so we can all study complex nested story form. This 2012 film was written and directed by Lana Wachowski, Lilly Wachowski and Tom Tykwer, based on the 2004 novel by David Mitchell.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-cloud-atlas/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 9 Jan 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Things get really complicated this week as Anne pitches Cloud Atlas so we can all study complex nested story form. This 2012 film was written and directed by Lana Wachowski, Lilly Wachowski and Tom Tykwer, based on the 2004 novel by David Mitchell.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.</p>
<p><a href="https://storygrid.com/editor-roundtable-cloud-atlas/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Complex Story Structure - Cloud Atlas</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/4111de7a-d7f4-4cab-8e57-599b97a1fb27/3000x3000/1546973160artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:49:46</itunes:duration>
      <itunes:summary>Things get really complicated this week as Anne pitches Cloud Atlas so we can all study complex nested story form. This 2012 film was written and directed by Lana Wachowski, Lilly Wachowski and Tom Tykwer, based on the 2004 novel by David Mitchell.</itunes:summary>
      <itunes:subtitle>Things get really complicated this week as Anne pitches Cloud Atlas so we can all study complex nested story form. This 2012 film was written and directed by Lana Wachowski, Lilly Wachowski and Tom Tykwer, based on the 2004 novel by David Mitchell.</itunes:subtitle>
      <itunes:keywords>editing, am revising, am writing, fiction, complex story structure, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
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      <title>Bite Size Edition - Spreadsheet: The Giant Tamer</title>
      <description><![CDATA[<p>It’s 20 minutes of brain-changing inspiration this time as Anne brings you a bite-size episode on how the Story Grid spreadsheet helped her write a better novel.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne.  In these bite-size episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-bite-size-edition-Spreadsheet-the-giant-tamer/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 2 Jan 2019 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s 20 minutes of brain-changing inspiration this time as Anne brings you a bite-size episode on how the Story Grid spreadsheet helped her write a better novel.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne.  In these bite-size episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-bite-size-edition-Spreadsheet-the-giant-tamer/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Edition - Spreadsheet: The Giant Tamer</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/ed8992fb-8dd5-4f26-8391-1aff3f51fc3c/3000x3000/1545769493artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:19:39</itunes:duration>
      <itunes:summary>It’s 20 minutes of brain-changing inspiration this time as Anne brings you a bite-size episode on how the Story Grid spreadsheet helped her write a better novel.
</itunes:summary>
      <itunes:subtitle>It’s 20 minutes of brain-changing inspiration this time as Anne brings you a bite-size episode on how the Story Grid spreadsheet helped her write a better novel.
</itunes:subtitle>
      <itunes:keywords>editing, am writing, am revising, fiction, spreadsheet, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
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      <title>Bite Size Edition - Essential Action</title>
      <description><![CDATA[<p>Leslie and Anne’s Story Grid Investigation Team has been on the case, and today we uncover Essential Action, a great tool for evaluating the conflict in your scenes.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne.  In these bite-size episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-bite-size-edition-essential-action/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 26 Dec 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Leslie and Anne’s Story Grid Investigation Team has been on the case, and today we uncover Essential Action, a great tool for evaluating the conflict in your scenes.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne.  In these bite-size episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-bite-size-edition-essential-action/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Edition - Essential Action</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/a4e80c18-b2c8-4b57-bed6-974769acd442/3000x3000/1545766047artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:23:27</itunes:duration>
      <itunes:summary>Leslie and Anne’s Story Grid Investigation Team has been on the case, and today we uncover Essential Action, a great tool for evaluating the conflict in your scenes. </itunes:summary>
      <itunes:subtitle>Leslie and Anne’s Story Grid Investigation Team has been on the case, and today we uncover Essential Action, a great tool for evaluating the conflict in your scenes. </itunes:subtitle>
      <itunes:keywords>editing, am writing, am revising, fiction, essential action, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
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      <title>Season 4 Teaser Trailer</title>
      <description><![CDATA[<p>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 4. Join us for Episode 0, where Anne, Kim, Valerie, Jarie and Leslie each reveal their first movie of the season and talk about why they chose it, and how they hope studying it will help them in their own writing.</p>
<p><a href="https://storygrid.com/editor-roundtable-season-4-teaser-trailer">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 19 Dec 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 4. Join us for Episode 0, where Anne, Kim, Valerie, Jarie and Leslie each reveal their first movie of the season and talk about why they chose it, and how they hope studying it will help them in their own writing.</p>
<p><a href="https://storygrid.com/editor-roundtable-season-4-teaser-trailer">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Season 4 Teaser Trailer</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/112d1045-febc-42cf-b8e5-09f2c6638330/3000x3000/1545162176artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:17:38</itunes:duration>
      <itunes:summary>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 4. Join us for Episode 0, where Anne, Kim, Valerie, Jarie and Leslie each reveal their first movie of the season and talk about why they chose it, and how they hope studying it will help them in their own writing.</itunes:summary>
      <itunes:subtitle>Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 4. Join us for Episode 0, where Anne, Kim, Valerie, Jarie and Leslie each reveal their first movie of the season and talk about why they chose it, and how they hope studying it will help them in their own writing.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
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      <title>Bite Size Edition - Internal Genre Buffet</title>
      <description><![CDATA[<p>It’s 20 minutes of deep insight this time as Kim Kessler and Leslie Watts bring you a bite-size episode on internal genres.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these bite-size episodes, we’ll serve up some shorter discussion on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-bite-size-edition-internal-genre-buffet/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 12 Dec 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s 20 minutes of deep insight this time as Kim Kessler and Leslie Watts bring you a bite-size episode on internal genres.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these bite-size episodes, we’ll serve up some shorter discussion on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-bite-size-edition-internal-genre-buffet/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Edition - Internal Genre Buffet</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/95f19d84-7c8f-4f16-a8eb-f8a66c0615eb/3000x3000/1544588244artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:16:22</itunes:duration>
      <itunes:summary>It’s 20 minutes of deep insight this time as Kim Kessler and Leslie Watts bring you a bite-size episode on internal genres.</itunes:summary>
      <itunes:subtitle>It’s 20 minutes of deep insight this time as Kim Kessler and Leslie Watts bring you a bite-size episode on internal genres.</itunes:subtitle>
      <itunes:keywords>editing, am writing, internal genres, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
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      <title>Bite Size Edition - Thawing the Fiction Freeze</title>
      <description><![CDATA[<p>It’s 20 minutes of help for frozen writers this time as Anne brings you a bite-size episode on the direct path from story structure right down to the selection of details for a story that will engage, entice and enchant your readers.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne.<br />
In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-bite-size-edition-thawing-the-fiction-freeze/">Click here for the show notes.</a></p>
]]></description>
      <pubDate>Wed, 5 Dec 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s 20 minutes of help for frozen writers this time as Anne brings you a bite-size episode on the direct path from story structure right down to the selection of details for a story that will engage, entice and enchant your readers.</p>
<p>Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne.<br />
In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.</p>
<p><a href="https://storygrid.com/editor-roundtable-bite-size-edition-thawing-the-fiction-freeze/">Click here for the show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Bite Size Edition - Thawing the Fiction Freeze</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/097bc87e-1591-4186-a7d9-0b92ffb69714/3000x3000/1543964429artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:19:41</itunes:duration>
      <itunes:summary>It’s 20 minutes of help for frozen writers this time as Anne brings you a bite-size episode on the direct path from story structure right down to the selection of details for a story that will engage, entice and enchant your readers.
</itunes:summary>
      <itunes:subtitle>It’s 20 minutes of help for frozen writers this time as Anne brings you a bite-size episode on the direct path from story structure right down to the selection of details for a story that will engage, entice and enchant your readers.
</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
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      <title>Story Grid 101: The Five Commandments of Storytelling - Coco</title>
      <description><![CDATA[<p>We wind up Season 3 with another episode of Story Grid 101. Each of the Roundtable Editors is tackling one of the Story Grid Five Commandments for a deep dive into the fundamental structure of scene, act, and global story, using the Pixar animated feature, Coco as our model. This 2017 family favorite was written by Lee Unkrich, Jason Katz, Matthew Aldrich and Adrian Molina.</p>
<p>Each week the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—examine a specific story principle within the context of a movie.</p>
<p><a href="https://storygrid.com/editor-roundtable-coco/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 28 Nov 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>We wind up Season 3 with another episode of Story Grid 101. Each of the Roundtable Editors is tackling one of the Story Grid Five Commandments for a deep dive into the fundamental structure of scene, act, and global story, using the Pixar animated feature, Coco as our model. This 2017 family favorite was written by Lee Unkrich, Jason Katz, Matthew Aldrich and Adrian Molina.</p>
<p>Each week the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—examine a specific story principle within the context of a movie.</p>
<p><a href="https://storygrid.com/editor-roundtable-coco/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="42858952" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/a72784a2-2c5e-4b1a-aced-bafdb00318b6/c21a0121_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Story Grid 101: The Five Commandments of Storytelling - Coco</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/a72784a2-2c5e-4b1a-aced-bafdb00318b6/3000x3000/1543365533artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:44:35</itunes:duration>
      <itunes:summary>We wind up Season 3 with another episode of Story Grid 101. Each of the Roundtable Editors is tackling one of the Story Grid Five Commandments for a deep dive into the fundamental structure of scene, act, and global story, using the Pixar animated feature, Coco as our model.</itunes:summary>
      <itunes:subtitle>We wind up Season 3 with another episode of Story Grid 101. Each of the Roundtable Editors is tackling one of the Story Grid Five Commandments for a deep dive into the fundamental structure of scene, act, and global story, using the Pixar animated feature, Coco as our model.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">31a8e414-fa78-43e4-88bd-394492856ab7</guid>
      <title>Emotional Stakes - The King&apos;s Speech</title>
      <description><![CDATA[<p>The Roundtablers join King George VI behind the mic this week to examine emotional stakes in 2010’s Best Picture, <em>The King's Speech</em>, directed by Tom Hooper from David Seidler’s Oscar-winning script.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-the-kings-speech/">Click here for full show notes.</a></p>
]]></description>
      <pubDate>Wed, 21 Nov 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The Roundtablers join King George VI behind the mic this week to examine emotional stakes in 2010’s Best Picture, <em>The King's Speech</em>, directed by Tom Hooper from David Seidler’s Oscar-winning script.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-the-kings-speech/">Click here for full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Emotional Stakes - The King&apos;s Speech</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/afee7ed1-81cd-4155-8ed9-7bd0c3982fb4/3000x3000/1542761792artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:51:13</itunes:duration>
      <itunes:summary>The Roundtablers join King George VI behind the mic this week to examine emotional stakes in 2010’s Best Picture, The King&apos;s Speech, directed by Tom Hooper from David Seidler’s Oscar-winning script.</itunes:summary>
      <itunes:subtitle>The Roundtablers join King George VI behind the mic this week to examine emotional stakes in 2010’s Best Picture, The King&apos;s Speech, directed by Tom Hooper from David Seidler’s Oscar-winning script.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, emotional stakes, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
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    <item>
      <guid isPermaLink="false">5c910403-9e74-4962-81fc-01c4f44bfcf1</guid>
      <title>Nested Storytelling - Inception</title>
      <description><![CDATA[<p>Can Anne take the Roundtablers to a story within a story within a story? Find out this week as we analyze Christopher Nolan’s 2010 science fiction heist film Inception.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-inception/">Click here to read the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 14 Nov 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Can Anne take the Roundtablers to a story within a story within a story? Find out this week as we analyze Christopher Nolan’s 2010 science fiction heist film Inception.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-inception/">Click here to read the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Nested Storytelling - Inception</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/6fabf062-71a9-4469-962c-b2c245c9295a/3000x3000/1542156703artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:49:20</itunes:duration>
      <itunes:summary>Can Anne take the Roundtablers to a story within a story within a story? Find out this week as we analyze Christopher Nolan’s 2010 science fiction heist film Inception.</itunes:summary>
      <itunes:subtitle>Can Anne take the Roundtablers to a story within a story within a story? Find out this week as we analyze Christopher Nolan’s 2010 science fiction heist film Inception.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, nested storytelling, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
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      <title>Narrative Device - Jane Eyre</title>
      <description><![CDATA[<p>Join us in the wilds of Yorkshire as we examine the framing story as narrative device in the original gothic romance, <em>Jane Eyre</em>. This 2011 version was directed by Cary Fukunaga from Moira Buffini’s adaptation of Charlotte Brontë’s 1847 masterpiece.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
]]></description>
      <pubDate>Wed, 7 Nov 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Join us in the wilds of Yorkshire as we examine the framing story as narrative device in the original gothic romance, <em>Jane Eyre</em>. This 2011 version was directed by Cary Fukunaga from Moira Buffini’s adaptation of Charlotte Brontë’s 1847 masterpiece.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
]]></content:encoded>
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      <itunes:title>Narrative Device - Jane Eyre</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/d57e2eed-0c54-46f4-965a-76b38113a171/3000x3000/1541542086artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:50:04</itunes:duration>
      <itunes:summary>Join us in the wilds of Yorkshire as we examine the framing story as narrative device in the original gothic romance, Jane Eyre. This 2011 version was directed by Cary Fukunaga from Moira Buffini’s adaptation of Charlotte Brontë’s 1847 masterpiece.</itunes:summary>
      <itunes:subtitle>Join us in the wilds of Yorkshire as we examine the framing story as narrative device in the original gothic romance, Jane Eyre. This 2011 version was directed by Cary Fukunaga from Moira Buffini’s adaptation of Charlotte Brontë’s 1847 masterpiece.</itunes:subtitle>
      <itunes:keywords>editing, am writing, narrative device, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
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      <title>Narrative Drive - Get Out</title>
      <description><![CDATA[<p>It’s suspense, mystery and dramatic irony this week as the Roundtablers explore narrative drive in the context of 2017’s <em>Get Out</em>. This innovative horror movie was directed by Jordan Peele from his Oscar winning screenplay.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-get-out/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 31 Oct 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s suspense, mystery and dramatic irony this week as the Roundtablers explore narrative drive in the context of 2017’s <em>Get Out</em>. This innovative horror movie was directed by Jordan Peele from his Oscar winning screenplay.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-get-out/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Narrative Drive - Get Out</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/9c7cea4e-c99a-437a-8399-c088ace2919f/3000x3000/1540911270artwork.jpg?aid=rss_feed"/>
      <itunes:duration>01:01:12</itunes:duration>
      <itunes:summary>It’s suspense, mystery and dramatic irony this week as the Roundtablers explore 2017’s Get Out. This innovative horror movie was directed by Jordan Peele from his Oscar winning screenplay.</itunes:summary>
      <itunes:subtitle>It’s suspense, mystery and dramatic irony this week as the Roundtablers explore 2017’s Get Out. This innovative horror movie was directed by Jordan Peele from his Oscar winning screenplay.</itunes:subtitle>
      <itunes:keywords>editing, am writing, narrative drive, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
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      <title>Symbolism - The Wizard of Oz</title>
      <description><![CDATA[<p>We are off to look at symbolism this week as we analyze <em>The Wizard of Oz</em>. This iconic American classic  was written by Noel Langley, Florence Ryerson, and Edgar Allan Woolf based on L. Frank Baum’s 1900 novel The Wonderful World of Oz, and directed primarily by Victor Fleming.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
]]></description>
      <pubDate>Wed, 24 Oct 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>We are off to look at symbolism this week as we analyze <em>The Wizard of Oz</em>. This iconic American classic  was written by Noel Langley, Florence Ryerson, and Edgar Allan Woolf based on L. Frank Baum’s 1900 novel The Wonderful World of Oz, and directed primarily by Victor Fleming.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
]]></content:encoded>
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      <itunes:title>Symbolism - The Wizard of Oz</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/d917b15e-5703-4d28-9335-46026ba024fe/3000x3000/1540313162artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:53:06</itunes:duration>
      <itunes:summary>The Roundtablers are off to look at symbolism this week as they analyze The Wizard of Oz. This iconic American classic  was written by Noel Langley, Florence Ryerson, and Edgar Allan Woolf based on L. Frank Baum’s 1900 novel The Wonderful World of Oz, and directed primarily by Victor Fleming.</itunes:summary>
      <itunes:subtitle>The Roundtablers are off to look at symbolism this week as they analyze The Wizard of Oz. This iconic American classic  was written by Noel Langley, Florence Ryerson, and Edgar Allan Woolf based on L. Frank Baum’s 1900 novel The Wonderful World of Oz, and directed primarily by Victor Fleming.</itunes:subtitle>
      <itunes:keywords>editing, am writing, am revising, symbolism, fiction, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
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    <item>
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      <title>True Life Performance Story - Rudy</title>
      <description><![CDATA[<p>Put on your favorite jersey and join the Roundtablers as we analyze the 1993 film Rudy. This film was written by Angelo Pizzo and directed by David Anspaugh. It’s based on the true story of Daniel Eugene &quot;Rudy&quot; Ruettiger, a walk on to the 1974-1975 Notre Dame Football team. Jarie feels it’s a great example of how to adapt a true life story.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-rudy/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 17 Oct 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Put on your favorite jersey and join the Roundtablers as we analyze the 1993 film Rudy. This film was written by Angelo Pizzo and directed by David Anspaugh. It’s based on the true story of Daniel Eugene &quot;Rudy&quot; Ruettiger, a walk on to the 1974-1975 Notre Dame Football team. Jarie feels it’s a great example of how to adapt a true life story.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-rudy/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>True Life Performance Story - Rudy</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/8dfbe220-acc0-40f6-a1f6-e0bf12403428/3000x3000/1539723539artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:51:05</itunes:duration>
      <itunes:summary>Put on your favorite jersey and join the Roundtablers as we analyze the 1993 film Rudy. This film was written by Angelo Pizzo and directed by David Anspaugh. It’s based on the true story of Daniel Eugene &quot;Rudy&quot; Ruettiger, a walk on to the 1974-1975 Notre Dame Football team. Jarie feels it’s a great example of how to adapt a true life story.</itunes:summary>
      <itunes:subtitle>Put on your favorite jersey and join the Roundtablers as we analyze the 1993 film Rudy. This film was written by Angelo Pizzo and directed by David Anspaugh. It’s based on the true story of Daniel Eugene &quot;Rudy&quot; Ruettiger, a walk on to the 1974-1975 Notre Dame Football team. Jarie feels it’s a great example of how to adapt a true life story.</itunes:subtitle>
      <itunes:keywords>am revising, editing, am writing, fiction, performance, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
    </item>
    <item>
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      <title>Society Political in Disguise - Black Panther</title>
      <description><![CDATA[<p>This week the Roundtablers test Anne’s assertion that Ryan Coogler’s 2018 Marvel blockbuster <em>Black Panther</em> is really a Society political story and not the action movie it looks like.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-black-panther/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 10 Oct 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week the Roundtablers test Anne’s assertion that Ryan Coogler’s 2018 Marvel blockbuster <em>Black Panther</em> is really a Society political story and not the action movie it looks like.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-black-panther/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Society Political in Disguise - Black Panther</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/79fe8294-97a4-47cb-a6b3-49b873883ee0/3000x3000/1539124474artwork.jpg?aid=rss_feed"/>
      <itunes:duration>01:03:21</itunes:duration>
      <itunes:summary>This week the Roundtablers put Anne’s assertion that Ryan Coogler’s 2018 Marvel blockbuster Black Panther is really a Society political story and not the action movie it looks like.</itunes:summary>
      <itunes:subtitle>This week the Roundtablers put Anne’s assertion that Ryan Coogler’s 2018 Marvel blockbuster Black Panther is really a Society political story and not the action movie it looks like.</itunes:subtitle>
      <itunes:keywords>editing, am writing, am revising, action, fiction, society, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
    </item>
    <item>
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      <title>Worldview Maturation - About Time</title>
      <description><![CDATA[<p>The editors travel back to fundamentals this week as we analyze one of Kim’s favorites, About Time, to learn all about the an internal global genre.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to test the idea, looking at it from all angles to give authors a deeper insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-about-time/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 3 Oct 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The editors travel back to fundamentals this week as we analyze one of Kim’s favorites, About Time, to learn all about the an internal global genre.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to test the idea, looking at it from all angles to give authors a deeper insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-about-time/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="42051441" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/5305aacb-e240-42b6-b416-c4649e8de66a/ea59006a_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Worldview Maturation - About Time</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/5305aacb-e240-42b6-b416-c4649e8de66a/3000x3000/1538516184artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:43:44</itunes:duration>
      <itunes:summary>The editors travel back to fundamentals this week as we analyze one of Kim’s favorites, About Time, to learn all about the an internal global genre. </itunes:summary>
      <itunes:subtitle>The editors travel back to fundamentals this week as we analyze one of Kim’s favorites, About Time, to learn all about the an internal global genre. </itunes:subtitle>
      <itunes:keywords>editing, am writing, love story, worldview, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
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    <item>
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      <title>Progressive Complications and the Power of 10 - Waking Ned Divine</title>
      <description><![CDATA[<p>Valerie opens our eyes to the principle of Progressive Complications as we analyze the hilarious 1998 British-Irish village comedy Waking Ned Devine. This sleeper hit was written and directed by Kirk Jones.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-waking-ned-devine/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 26 Sep 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Valerie opens our eyes to the principle of Progressive Complications as we analyze the hilarious 1998 British-Irish village comedy Waking Ned Devine. This sleeper hit was written and directed by Kirk Jones.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-waking-ned-devine/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="49957531" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/354362a9-7184-4c5c-adf8-2206841d64d2/2cf57978_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Progressive Complications and the Power of 10 - Waking Ned Divine</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/354362a9-7184-4c5c-adf8-2206841d64d2/3000x3000/1537919662artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:51:58</itunes:duration>
      <itunes:summary>Valerie opens our eyes to the principle of Progressive Complications as we analyze the hilarious 1998 British-Irish village comedy Waking Ned Devine. This sleeper hit was written and directed by Kirk Jones.</itunes:summary>
      <itunes:subtitle>Valerie opens our eyes to the principle of Progressive Complications as we analyze the hilarious 1998 British-Irish village comedy Waking Ned Devine. This sleeper hit was written and directed by Kirk Jones.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, crime story, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
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    <item>
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      <title>Innovating the Love Story - Harold and Maude</title>
      <description><![CDATA[<p>Can Jarie make the case that pairing an 18-year-old boy with a 79-year-old woman is truly an innovation on the Love Story? Find out as we examine Harold and Maude, the 1971 cult black comedy directed by Hal Ashby from a script by Colin Higgins.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-harold-and-maude/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 19 Sep 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Can Jarie make the case that pairing an 18-year-old boy with a 79-year-old woman is truly an innovation on the Love Story? Find out as we examine Harold and Maude, the 1971 cult black comedy directed by Hal Ashby from a script by Colin Higgins.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-harold-and-maude/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="38927192" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/2f27c369-1e20-4159-9c14-d63a1ecb9dde/1664111b_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Innovating the Love Story - Harold and Maude</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/2f27c369-1e20-4159-9c14-d63a1ecb9dde/3000x3000/1537304117artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:40:29</itunes:duration>
      <itunes:summary>Can Jarie make the case that pairing an 18-year-old boy with a 79-year-old woman is truly an innovation on the Love Story? Find out as we examine Harold and Maude, the 1971 cult black comedy directed by Hal Ashby from a script by Colin Higgins.</itunes:summary>
      <itunes:subtitle>Can Jarie make the case that pairing an 18-year-old boy with a 79-year-old woman is truly an innovation on the Love Story? Find out as we examine Harold and Maude, the 1971 cult black comedy directed by Hal Ashby from a script by Colin Higgins.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, love story, story grid, am revising</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
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      <title>Status Sentimental and Virgin&apos;s Promise - Rocky</title>
      <description><![CDATA[<p>This week Leslie goes 15 rounds in the ring arguing that tough guy <em>Rocky</em> is a Virgin’s Promise story at heart, while the opposition brings some heavyweight counterarguments. This 1976 Best Picture was directed by John Avidsen from star Sylvester Stallone’s Oscar nominated script.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-rocky/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 12 Sep 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week Leslie goes 15 rounds in the ring arguing that tough guy <em>Rocky</em> is a Virgin’s Promise story at heart, while the opposition brings some heavyweight counterarguments. This 1976 Best Picture was directed by John Avidsen from star Sylvester Stallone’s Oscar nominated script.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-rocky/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="53100166" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/4e89e63a-2737-45a1-982a-c3cc074d729d/91635bf4_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Status Sentimental and Virgin&apos;s Promise - Rocky</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/4e89e63a-2737-45a1-982a-c3cc074d729d/3000x3000/1536682543artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:55:15</itunes:duration>
      <itunes:summary>This week Leslie goes fifteen rounds in the ring arguing that tough guy Rocky is a Virgin’s Promise story at heart, while the opposition brings some heavyweight counterarguments.</itunes:summary>
      <itunes:subtitle>This week Leslie goes fifteen rounds in the ring arguing that tough guy Rocky is a Virgin’s Promise story at heart, while the opposition brings some heavyweight counterarguments.</itunes:subtitle>
      <itunes:keywords>am revising, editing, am writing, status genre, fiction, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
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    <item>
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      <title>Genre Mashup - Adaptation</title>
      <description><![CDATA[<p>Anne Hawley pitched the 2002 meta-comedy <em>Adaptation</em> this week, as proof that you can break some big story rules and still succeed—but maybe only if you’re screenwriter Charlie Kaufmann. His wild adaptation of Susan Orlean’s nonfiction book The Orchid Thief was directed by Spike Jonze.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-adaptation/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 5 Sep 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>Anne Hawley pitched the 2002 meta-comedy <em>Adaptation</em> this week, as proof that you can break some big story rules and still succeed—but maybe only if you’re screenwriter Charlie Kaufmann. His wild adaptation of Susan Orlean’s nonfiction book The Orchid Thief was directed by Spike Jonze.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-adaptation/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="52244608" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/477dc86c-01f1-46d6-93d9-15bccb38f147/4d1f960e_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Genre Mashup - Adaptation</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/477dc86c-01f1-46d6-93d9-15bccb38f147/3000x3000/1536089901artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:54:21</itunes:duration>
      <itunes:summary>Rountable team member Anne pitched the 2002 meta-comedy Adaptation this week, as proof that you can break some big story rules and still succeed—but maybe only if you’re screenwriter Charlie Kaufmann. His wild adaptation of Susan Orlean’s nonfiction book The Orchid Thief was directed by Spike Jonze. </itunes:summary>
      <itunes:subtitle>Rountable team member Anne pitched the 2002 meta-comedy Adaptation this week, as proof that you can break some big story rules and still succeed—but maybe only if you’re screenwriter Charlie Kaufmann. His wild adaptation of Susan Orlean’s nonfiction book The Orchid Thief was directed by Spike Jonze. </itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
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    <item>
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      <title>Hero&apos;s Journey and Virgin&apos;s Promise - Song of the Sea</title>
      <description><![CDATA[<p>This week the Roundtablers succumb to the selkie’s call with <em>Song of the Sea</em>, Kim’s pick for a story that combines Virgin’s Promise and Hero’s Journey structures. This 2014 animated fantasy based on Irish myth was written by Will Collins and directed by Tomm Moore.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-song-of-the-sea/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 29 Aug 2018 13:45:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week the Roundtablers succumb to the selkie’s call with <em>Song of the Sea</em>, Kim’s pick for a story that combines Virgin’s Promise and Hero’s Journey structures. This 2014 animated fantasy based on Irish myth was written by Will Collins and directed by Tomm Moore.</p>
<p>Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-song-of-the-sea/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="48687405" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/5c289c4e-49c6-4943-976a-de761cc98dd1/c616c8b7_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Hero&apos;s Journey and Virgin&apos;s Promise - Song of the Sea</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/5c289c4e-49c6-4943-976a-de761cc98dd1/3000x3000/1535549682artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:50:39</itunes:duration>
      <itunes:summary>This week the Roundtablers succumb to the selkie’s call with Song of the Sea, Kim’s pick for a story that combines Virgin’s Promise and Hero’s Journey structures. This 2014 animated fantasy based on Irish myth was written by Will Collins and directed by Tomm Moore. </itunes:summary>
      <itunes:subtitle>This week the Roundtablers succumb to the selkie’s call with Song of the Sea, Kim’s pick for a story that combines Virgin’s Promise and Hero’s Journey structures. This 2014 animated fantasy based on Irish myth was written by Will Collins and directed by Tomm Moore. </itunes:subtitle>
      <itunes:keywords>editing, am writing, am revising, hero&apos;s journey, fiction, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">89abf819-5471-4b96-b998-c6bc26d97b71</guid>
      <title>Morality-Redemption - Manchester by the Sea</title>
      <description><![CDATA[<p>In the premiere of season three, the Roundtablers debate Valerie’s assertion that <em>Manchester by the Sea</em> exemplifies the story principle of Surprising But Inevitable Ending. This haunting 2016 Oscar winner was written and directed by Richard Lonergan.</p>
<p>Each week one of the Story Grid Editor—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-manchester-by-the-sea/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 22 Aug 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>In the premiere of season three, the Roundtablers debate Valerie’s assertion that <em>Manchester by the Sea</em> exemplifies the story principle of Surprising But Inevitable Ending. This haunting 2016 Oscar winner was written and directed by Richard Lonergan.</p>
<p>Each week one of the Story Grid Editor—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.</p>
<p><a href="https://storygrid.com/editor-roundtable-manchester-by-the-sea/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="47791318" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/0ea4e566-a55a-45a6-a8ca-78dbe657fe73/de55a3dc_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Morality-Redemption - Manchester by the Sea</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/0ea4e566-a55a-45a6-a8ca-78dbe657fe73/3000x3000/1534885123artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:51:12</itunes:duration>
      <itunes:summary>In the premiere of Season Three, the Roundtablers debate Valerie’s assertion that Manchester By The Sea exemplifies the story principle of Surprising But Inevitable Ending. This haunting 2016 Oscar winner was written and directed by Richard Lonergan. </itunes:summary>
      <itunes:subtitle>In the premiere of Season Three, the Roundtablers debate Valerie’s assertion that Manchester By The Sea exemplifies the story principle of Surprising But Inevitable Ending. This haunting 2016 Oscar winner was written and directed by Richard Lonergan. </itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, genre, story grid, redemption</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
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    <item>
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      <title>Morality-Redemption - Flight</title>
      <description><![CDATA[<p>This week the Roundtablers bring the the Morality genre in for a rough landing with <em>Flight</em>, the 2012 film by Robert Zemeckis starring Denzel Washington.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-flight/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 8 Aug 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week the Roundtablers bring the the Morality genre in for a rough landing with <em>Flight</em>, the 2012 film by Robert Zemeckis starring Denzel Washington.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-flight/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="40850197" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/5fdb58a1-88fe-49ed-9bb7-d14153ca51f4/4beb79d2_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Morality-Redemption - Flight</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/5fdb58a1-88fe-49ed-9bb7-d14153ca51f4/3000x3000/1533679247artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:42:29</itunes:duration>
      <itunes:summary>This week the Roundtablers bring the the Morality genre in for a rough landing with Flight, the 2012 film by Robert Zemeckis starring Denzel Washington. </itunes:summary>
      <itunes:subtitle>This week the Roundtablers bring the the Morality genre in for a rough landing with Flight, the 2012 film by Robert Zemeckis starring Denzel Washington. </itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, redemption, genre, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
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    <item>
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      <title>Crime - Mad Money</title>
      <description><![CDATA[<p>This week the Roundtablers sneak into the Crime genre and make off with a rather poor impression of the 2007 caper comedy <em>Mad Money</em>, written by Glenn Gers and directed by Callie Khouri.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-mad-money/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 1 Aug 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week the Roundtablers sneak into the Crime genre and make off with a rather poor impression of the 2007 caper comedy <em>Mad Money</em>, written by Glenn Gers and directed by Callie Khouri.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-mad-money/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="42835493" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/c3d70b0d-0599-4aa1-9430-da25adb7cfcb/785f5a9f_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Crime - Mad Money</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/c3d70b0d-0599-4aa1-9430-da25adb7cfcb/3000x3000/1533081921artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:44:33</itunes:duration>
      <itunes:summary>This week the Roundtablers sneak into the Crime genre and make off with a rather poor impression of the 2007 caper comedy Mad Money, written by Glenn Gers and directed by Callie Khouri.</itunes:summary>
      <itunes:subtitle>This week the Roundtablers sneak into the Crime genre and make off with a rather poor impression of the 2007 caper comedy Mad Money, written by Glenn Gers and directed by Callie Khouri.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
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    <item>
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      <title>Worldview - Arrival</title>
      <description><![CDATA[<p>The Roundtable team touches down into the Worldview genre this week with the 2016 science fiction revelation drama <em>Arrival</em>, written Eric Heisserer and Ted Chiang, based on Ted Chiang’s “The Story of Your Life” and directed by Denis Villeneuve.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-arrival/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 25 Jul 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The Roundtable team touches down into the Worldview genre this week with the 2016 science fiction revelation drama <em>Arrival</em>, written Eric Heisserer and Ted Chiang, based on Ted Chiang’s “The Story of Your Life” and directed by Denis Villeneuve.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-arrival/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="47368274" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/a6a16059-199c-44a6-be70-d4c5ed954a6e/59340b13_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Worldview - Arrival</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/a6a16059-199c-44a6-be70-d4c5ed954a6e/3000x3000/1532485368artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:49:17</itunes:duration>
      <itunes:summary>The Roundtable team touches down into the Worldview genre this week with the 2016 science fiction revelation drama Arrival, written Eric Heisserer and Ted Chiang, based on Ted Chiang’s “The Story of Your Life” and directed by Denis Villeneuve.</itunes:summary>
      <itunes:subtitle>The Roundtable team touches down into the Worldview genre this week with the 2016 science fiction revelation drama Arrival, written Eric Heisserer and Ted Chiang, based on Ted Chiang’s “The Story of Your Life” and directed by Denis Villeneuve.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, worldview genre, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
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      <title>Status - Real Women Have Curves</title>
      <description><![CDATA[<p>The Roundtablers trace the outlines of the Status genre this week with <em>Real Women Have Curves</em>, directed in 2002 by Patricia Cardoso from a script by Josefina Lopez and George LaVoo.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-real-women-have-curves/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 18 Jul 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The Roundtablers trace the outlines of the Status genre this week with <em>Real Women Have Curves</em>, directed in 2002 by Patricia Cardoso from a script by Josefina Lopez and George LaVoo.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-real-women-have-curves/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Status - Real Women Have Curves</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/fcd88b8a-0884-44ed-a482-58cb1f4f1399/3000x3000/1531869432artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:46:40</itunes:duration>
      <itunes:summary>The Roundtablers trace the outlines of the Status genre this week with Real Women Have Curves, directed in 2002 by Patricia Cardoso from a script by Josefina Lopez and George LaVoo.</itunes:summary>
      <itunes:subtitle>The Roundtablers trace the outlines of the Status genre this week with Real Women Have Curves, directed in 2002 by Patricia Cardoso from a script by Josefina Lopez and George LaVoo.</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, status genre, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
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    <item>
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      <title>Society - Selma</title>
      <description><![CDATA[<p>The Roundtable team marches into the Society genre this week with the 2014 historical drama <em>Selma</em>.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-selma/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 11 Jul 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The Roundtable team marches into the Society genre this week with the 2014 historical drama <em>Selma</em>.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-selma/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="52507486" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/0ac7c096-b0d1-41ca-aefc-466738eb01e5/7da61445_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Society - Selma</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/0ac7c096-b0d1-41ca-aefc-466738eb01e5/3000x3000/1531286987artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:54:38</itunes:duration>
      <itunes:summary>The Roundtable team marches into the Society genre this week with the 2014 historical drama Selma.</itunes:summary>
      <itunes:subtitle>The Roundtable team marches into the Society genre this week with the 2014 historical drama Selma.</itunes:subtitle>
      <itunes:keywords>society, editing, am writing, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
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    <item>
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      <title>Action - Wonder Woman</title>
      <description><![CDATA[<p>This week the Roundtablers throw the Lasso of Truth around the 2017 superhero Action movie Wonder Woman, making it tell the truth about its story, directed by Patty Jenkins with screenplay by Alan Heinberg.<br />
This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-wonder-woman/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 4 Jul 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week the Roundtablers throw the Lasso of Truth around the 2017 superhero Action movie Wonder Woman, making it tell the truth about its story, directed by Patty Jenkins with screenplay by Alan Heinberg.<br />
This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-wonder-woman/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="58699116" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/180e30bb-da97-4104-bc57-28a89025b43c/03f381c0_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Action - Wonder Woman</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/180e30bb-da97-4104-bc57-28a89025b43c/3000x3000/1530635416artwork.jpg?aid=rss_feed"/>
      <itunes:duration>01:01:05</itunes:duration>
      <itunes:summary>This week the Roundtablers throw the Lasso of Truth around the 2017 superhero Action movie Wonder Woman, making it tell the truth about its story, directed by Patty Jenkins with screenplay by Alan Heinberg. </itunes:summary>
      <itunes:subtitle>This week the Roundtablers throw the Lasso of Truth around the 2017 superhero Action movie Wonder Woman, making it tell the truth about its story, directed by Patty Jenkins with screenplay by Alan Heinberg. </itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, action, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
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    <item>
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      <title>Western - Yojimbo</title>
      <description><![CDATA[<p>It’s East meets Western this week as the Roundtable team crosses the Pacific and the decades to look at Akira Kurosawa’s 1960 samurai classic,Yojimbo.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-Yojimbo/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 27 Jun 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s East meets Western this week as the Roundtable team crosses the Pacific and the decades to look at Akira Kurosawa’s 1960 samurai classic,Yojimbo.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-Yojimbo/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="41704532" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/23d98098-1568-42c0-b767-e3d43ceb9c1e/e731d09c_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Western - Yojimbo</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/23d98098-1568-42c0-b767-e3d43ceb9c1e/3000x3000/1530069059artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:43:23</itunes:duration>
      <itunes:summary>It’s East meets Western this week as the Roundtable team crosses the Pacific and the decades to look at Akira Kurosawa’s 1960 samurai classic,Yojimbo.</itunes:summary>
      <itunes:subtitle>It’s East meets Western this week as the Roundtable team crosses the Pacific and the decades to look at Akira Kurosawa’s 1960 samurai classic,Yojimbo.</itunes:subtitle>
      <itunes:keywords>am writing, am revising, western, am editing, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
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      <title>War Story - The Hurt Locker</title>
      <description><![CDATA[<p>It’s the chaos of war this week as the Roundtable team goes into <em>The Hurt Locker</em>, Mark Boal’s Oscar-winning war drama directed by Kathryn Bigelow.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-The-Hurt-Locker/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 20 Jun 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s the chaos of war this week as the Roundtable team goes into <em>The Hurt Locker</em>, Mark Boal’s Oscar-winning war drama directed by Kathryn Bigelow.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-The-Hurt-Locker/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="46261223" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/d4d4f2dc-9ac7-4b44-8f47-27f004198e8e/f46554db_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>War Story - The Hurt Locker</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/d4d4f2dc-9ac7-4b44-8f47-27f004198e8e/3000x3000/1529463419artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:48:07</itunes:duration>
      <itunes:summary>It’s the chaos of war this week as the Roundtable team goes into The Hurt Locker, Mark Boal’s Oscar-winning war drama directed by Kathryn Bigelow.
</itunes:summary>
      <itunes:subtitle>It’s the chaos of war this week as the Roundtable team goes into The Hurt Locker, Mark Boal’s Oscar-winning war drama directed by Kathryn Bigelow.
</itunes:subtitle>
      <itunes:keywords>editing, am writing, fiction, am revising, war story, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
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      <title>Psychological Thriller - Gone Girl</title>
      <description><![CDATA[<p>This week the Roundtable team disappears into Gillian Flynn’s <em>Gone Girl</em>, and comes back with a verdict of Psychological Thriller, with an extra dose of disturbing.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-Gone-Girl/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 13 Jun 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week the Roundtable team disappears into Gillian Flynn’s <em>Gone Girl</em>, and comes back with a verdict of Psychological Thriller, with an extra dose of disturbing.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-Gone-Girl/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="40481596" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/de720e34-dec1-45ff-b923-dd0fab8f330c/aeada511_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Psychological Thriller - Gone Girl</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/de720e34-dec1-45ff-b923-dd0fab8f330c/3000x3000/1528850857artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:42:06</itunes:duration>
      <itunes:summary>This week the Roundtable team disappears into Gillian Flynn’s Gone Girl, and comes back with a verdict of Psychological Thriller, with an extra dose of disturbing.</itunes:summary>
      <itunes:subtitle>This week the Roundtable team disappears into Gillian Flynn’s Gone Girl, and comes back with a verdict of Psychological Thriller, with an extra dose of disturbing.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
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      <title>Special Episode - Story Grid 101: The Editor&apos;s Six Core Questions</title>
      <description><![CDATA[<p>It’s Story Grid 101: The Editor’s Six Core Questions. What do they mean? Why do you need them? How do they help you edit your novel? The Roundtable team stacks it all up for you in this special episode.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-story-grid-101-the-six-core-questions/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 6 Jun 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s Story Grid 101: The Editor’s Six Core Questions. What do they mean? Why do you need them? How do they help you edit your novel? The Roundtable team stacks it all up for you in this special episode.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-story-grid-101-the-six-core-questions/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="56804098" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/8bfe80fc-f99c-4343-8059-c13e44e628b8/fc483d5d_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Special Episode - Story Grid 101: The Editor&apos;s Six Core Questions</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/8bfe80fc-f99c-4343-8059-c13e44e628b8/3000x3000/1528245372artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:59:06</itunes:duration>
      <itunes:summary>It’s Story Grid 101: The Editor&apos;s Six Core Questions. What do they mean? Why do you need them? How do they help you edit your novel? The Roundtable team stacks it all up for you in this special episode.
</itunes:summary>
      <itunes:subtitle>It’s Story Grid 101: The Editor&apos;s Six Core Questions. What do they mean? Why do you need them? How do they help you edit your novel? The Roundtable team stacks it all up for you in this special episode.
</itunes:subtitle>
      <itunes:keywords>am writing, am editing, am revising, six core questions, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>bonus</itunes:episodeType>
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    <item>
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      <title>Horror - Carrie</title>
      <description><![CDATA[<p>It’s bucket-o-blood time as the Roundtable team tackles the Horror genre with Kimberly Peirce’s 2013 remake of the Stephen King classic Carrie. Screenplay by Lawrence D. Cohen and Roberto Aguirre-Sacasa.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-carrie/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 30 May 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s bucket-o-blood time as the Roundtable team tackles the Horror genre with Kimberly Peirce’s 2013 remake of the Stephen King classic Carrie. Screenplay by Lawrence D. Cohen and Roberto Aguirre-Sacasa.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-carrie/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="46071736" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/df3ae912-5504-4afd-ba8e-07a68e60751c/857b761b_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Horror - Carrie</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/df3ae912-5504-4afd-ba8e-07a68e60751c/3000x3000/1527653055artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:47:55</itunes:duration>
      <itunes:summary>It’s bucket-o-blood time as the Roundtable team tackles the Horror genre with Kimberly Peirce’s 2013 remake of the Stephen King classic Carrie. Screenplay by Stephen King and Roberto Aguirre-Sacasa.</itunes:summary>
      <itunes:subtitle>It’s bucket-o-blood time as the Roundtable team tackles the Horror genre with Kimberly Peirce’s 2013 remake of the Stephen King classic Carrie. Screenplay by Stephen King and Roberto Aguirre-Sacasa.</itunes:subtitle>
      <itunes:keywords>am writing, am editing, fiction, am revising, horror, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
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    <item>
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      <title>Love Story - Brokeback Mountain</title>
      <description><![CDATA[<p>This week we embrace the Love Story once again as we camp out on <em>Brokeback Mountain</em>, Ang Lee’s 2005 multiple-Oscar-winning masterpiece about the love affair between two cowboys in Wyoming. The screenplay is by Larry McMurtry and Diana Ossana, based on the award-winning short story by Annie Proulx.</p>
<p>This is a show dedicated to helping you to become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
]]></description>
      <pubDate>Wed, 23 May 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week we embrace the Love Story once again as we camp out on <em>Brokeback Mountain</em>, Ang Lee’s 2005 multiple-Oscar-winning masterpiece about the love affair between two cowboys in Wyoming. The screenplay is by Larry McMurtry and Diana Ossana, based on the award-winning short story by Annie Proulx.</p>
<p>This is a show dedicated to helping you to become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
]]></content:encoded>
      <enclosure length="45565629" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/a2975192-ddce-444f-b450-0fa875f2754d/8f5d8306_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Love Story - Brokeback Mountain</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/a2975192-ddce-444f-b450-0fa875f2754d/3000x3000/1527059497artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:47:24</itunes:duration>
      <itunes:summary>This week we embrace the Love Story once again as we camp out on Brokeback Mountain, Ang Lee’s 2005 multiple-Oscar-winning masterpiece about the love affair between two cowboys in Wyoming. The screenplay is by Larry McMurtry and Diana Ossana, based on the award-winning short story by Annie Proulx.</itunes:summary>
      <itunes:subtitle>This week we embrace the Love Story once again as we camp out on Brokeback Mountain, Ang Lee’s 2005 multiple-Oscar-winning masterpiece about the love affair between two cowboys in Wyoming. The screenplay is by Larry McMurtry and Diana Ossana, based on the award-winning short story by Annie Proulx.</itunes:subtitle>
      <itunes:keywords>love stories, am writing, fiction, am revising, story grid, am editing</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
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      <title>Action - Crouching Tiger, Hidden Dragon</title>
      <description><![CDATA[<p>The Roundtablers soar this week into Ang Lee’s 2003 “Wung-fu” Action + Society mashup <em>Crouching Tiger, Hidden Dragon</em>, the story of a secret young woman warrior and her attempts to be free of all her masters. The screenplay is by Hui Ling Wang, based on the 1935 Chinese Wǔxiá romance by Wáng Dù Lú.</p>
<p>This is a show dedicated to helping you become a better writer. Each week, Story Grid Certified Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-crouching-tiger-hidden-dragon/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 16 May 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The Roundtablers soar this week into Ang Lee’s 2003 “Wung-fu” Action + Society mashup <em>Crouching Tiger, Hidden Dragon</em>, the story of a secret young woman warrior and her attempts to be free of all her masters. The screenplay is by Hui Ling Wang, based on the 1935 Chinese Wǔxiá romance by Wáng Dù Lú.</p>
<p>This is a show dedicated to helping you become a better writer. Each week, Story Grid Certified Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-crouching-tiger-hidden-dragon/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="56374961" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/7b5aef19-b5ce-4344-bff3-c2019d9b8a84/e23701a8_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Action - Crouching Tiger, Hidden Dragon</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/7b5aef19-b5ce-4344-bff3-c2019d9b8a84/3000x3000/1526427426artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:58:39</itunes:duration>
      <itunes:summary>The Roundtablers soar this week into Ang Lee’s 2003 “Wung-fu” Action + Society mashup Crouching Tiger, Hidden Dragon, the story of a secret young woman warrior and her attempts to be free of all her masters. The screenplay is by Hui Ling Wang, based on the 1935 Chinese Wǔxiá romance by Wáng Dù Lú. </itunes:summary>
      <itunes:subtitle>The Roundtablers soar this week into Ang Lee’s 2003 “Wung-fu” Action + Society mashup Crouching Tiger, Hidden Dragon, the story of a secret young woman warrior and her attempts to be free of all her masters. The screenplay is by Hui Ling Wang, based on the 1935 Chinese Wǔxiá romance by Wáng Dù Lú. </itunes:subtitle>
      <itunes:keywords>action, amrevising, amediting, fiction, amwriting, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
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    <item>
      <guid isPermaLink="false">e27f807e-37b7-403e-80b3-1342058313cc</guid>
      <title>Performance-Hidden Figures</title>
      <description><![CDATA[<p>The Roundtablers lift off into the Performance genre this week with the 2015 Oscar nominee Hidden Figures, which tells the story of three remarkable African-American women and their real-life achievements in the face of racism at NASA. The screenplay is by Allison Schroeder and Theodore Melfi, based on Margot Lee Shetterly’s book.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-hidden-figures/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 9 May 2018 08:04:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The Roundtablers lift off into the Performance genre this week with the 2015 Oscar nominee Hidden Figures, which tells the story of three remarkable African-American women and their real-life achievements in the face of racism at NASA. The screenplay is by Allison Schroeder and Theodore Melfi, based on Margot Lee Shetterly’s book.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://storygrid.com/editor-roundtable-hidden-figures/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="45780022" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/cdf2d88e-9477-45e2-91ad-f1496d36ade2/58815ec5_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Performance-Hidden Figures</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/cdf2d88e-9477-45e2-91ad-f1496d36ade2/3000x3000/1525814021artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:47:37</itunes:duration>
      <itunes:summary>The Roundtablers lift off into the Performance genre this week with the 2015 Oscar nominee Hidden Figures, which tells the story of three remarkable African-American women and their real-life achievements in the face of racism at NASA. The screenplay is by Allison Schroeder and Theodore Melfi, based on Margot Lee Shetterly’s book.</itunes:summary>
      <itunes:subtitle>The Roundtablers lift off into the Performance genre this week with the 2015 Oscar nominee Hidden Figures, which tells the story of three remarkable African-American women and their real-life achievements in the face of racism at NASA. The screenplay is by Allison Schroeder and Theodore Melfi, based on Margot Lee Shetterly’s book.</itunes:subtitle>
      <itunes:keywords>editing, crime, fiction, am editing, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
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    <item>
      <guid isPermaLink="false">6fbb9ab6-a63b-4d2c-8d9e-f3f796fe66d9</guid>
      <title>Big Idea Nonfiction - In Defense of Food</title>
      <description><![CDATA[<p>This week we put food on the Roundtable as we study the 2015 Big Idea Nonfiction documentary In Defense of Food, by Edward Gray based on the book by Michael Pollan. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p><p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p><p><a href="http://www.storygrid.com/editor-roundtable-in-defense-of-food/" target="_blank">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 11 Apr 2018 08:07:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>https://storygrid.com/editor-roundtable-in-defense-of-food/</link>
      <content:encoded><![CDATA[<p>This week we put food on the Roundtable as we study the 2015 Big Idea Nonfiction documentary In Defense of Food, by Edward Gray based on the book by Michael Pollan. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p><p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p><p><a href="http://www.storygrid.com/editor-roundtable-in-defense-of-food/" target="_blank">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Big Idea Nonfiction - In Defense of Food</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/4e388fda-1e1a-42e0-92b1-558e1b5020f7/3000x3000/1523423974artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:44:01</itunes:duration>
      <itunes:summary>This week we put food on the Roundtable as we study the 2015 Big Idea Nonfiction documentary In Defense of Food, by Edward Gray based on the book by Michael Pollan. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:summary>
      <itunes:subtitle>This week we put food on the Roundtable as we study the 2015 Big Idea Nonfiction documentary In Defense of Food, by Edward Gray based on the book by Michael Pollan. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:subtitle>
      <itunes:keywords>editing, nonfiction, amwriting, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
    </item>
    <item>
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      <title>Crime - Double Indemnity</title>
      <description><![CDATA[<p>This week the Roundtable team investigates the claims of <em>Double Indemnity</em>, the 1944 film noir classic about murder and insurance fraud, with screenplay by Raymond Chandler and Billy Wilder. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://%20http://www.storygrid.com/editor-roundtable-double-indemnity/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 4 Apr 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>This week the Roundtable team investigates the claims of <em>Double Indemnity</em>, the 1944 film noir classic about murder and insurance fraud, with screenplay by Raymond Chandler and Billy Wilder. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://%20http://www.storygrid.com/editor-roundtable-double-indemnity/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="41782700" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/e80c686e-b776-4287-9ceb-ee39379b9c2f/d121a009_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Crime - Double Indemnity</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/e80c686e-b776-4287-9ceb-ee39379b9c2f/3000x3000/1522805213artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:43:27</itunes:duration>
      <itunes:summary>This week the Roundtable team investigates the claims of Double Indemnity, the 1944 film noir classic about murder and insurance fraud, with screenplay by Raymond Chandler and Billy Wilder. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.
</itunes:summary>
      <itunes:subtitle>This week the Roundtable team investigates the claims of Double Indemnity, the 1944 film noir classic about murder and insurance fraud, with screenplay by Raymond Chandler and Billy Wilder. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.
</itunes:subtitle>
      <itunes:keywords>editing, crime, am editing, fiction, am revising, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
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    <item>
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      <title>Worldview or Society - Dead Poets Society</title>
      <description><![CDATA[<p>The Roundtable team waxes lyrical over the 1989 movie Dead Poets Society, directed by Peter Weir with screenplay by Tom Schulman. What we thought was a Global Worldview Story could actually be a Society Story. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-dead-poets-society/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 28 Mar 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The Roundtable team waxes lyrical over the 1989 movie Dead Poets Society, directed by Peter Weir with screenplay by Tom Schulman. What we thought was a Global Worldview Story could actually be a Society Story. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-dead-poets-society/">Click here for the full show notes.</a></p>
]]></content:encoded>
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      <itunes:title>Worldview or Society - Dead Poets Society</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/f68ef438-d250-4605-8890-3d19b24d12e6/3000x3000/1522195342artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:46:51</itunes:duration>
      <itunes:summary>The Roundtable team waxes lyrical over the 1989 movie Dead Poets Society, directed by Peter Weir with screenplay by Tom Schulman. What we thought was a Global Worldview Story could actually be a Society Story. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:summary>
      <itunes:subtitle>The Roundtable team waxes lyrical over the 1989 movie Dead Poets Society, directed by Peter Weir with screenplay by Tom Schulman. What we thought was a Global Worldview Story could actually be a Society Story. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:subtitle>
      <itunes:keywords>editing, writing, fiction, society stories, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
    </item>
    <item>
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      <title>Western - True Grit</title>
      <description><![CDATA[<p>In this week’s episode, the team rides off across wide-open country with the 1969 Western True Grit, written by Marguerite Roberts based on Charles Portis’s bestselling 1968 novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer and editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://%20http://www.storygrid.com/editor-roundtable-true-grit/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Thu, 22 Mar 2018 08:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>In this week’s episode, the team rides off across wide-open country with the 1969 Western True Grit, written by Marguerite Roberts based on Charles Portis’s bestselling 1968 novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer and editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://%20http://www.storygrid.com/editor-roundtable-true-grit/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="54596841" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/7e58e092-4037-44d7-b704-58ad7be23c49/a6370bcd_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Western - True Grit</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/7e58e092-4037-44d7-b704-58ad7be23c49/3000x3000/1521327923artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:56:48</itunes:duration>
      <itunes:summary>In this week’s episode, the team rides off across wide-open country with the 1969 Western True Grit, written by Marguerite Roberts based on Charles Portis’s bestselling 1968 novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:summary>
      <itunes:subtitle>In this week’s episode, the team rides off across wide-open country with the 1969 Western True Grit, written by Marguerite Roberts based on Charles Portis’s bestselling 1968 novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">ef1c76d7-2b20-4e5b-9f02-e5bf7695d147</guid>
      <title>Political Thriller - Marathon Man</title>
      <description><![CDATA[<p>In this week’s episode, the team drills into the 1976 thriller Marathon Man with screenplay by William Goldman (based on his novel of the same name) and directed by John Schlesinger. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer and editor. Each week, Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-marathon-man/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 14 Mar 2018 08:22:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>In this week’s episode, the team drills into the 1976 thriller Marathon Man with screenplay by William Goldman (based on his novel of the same name) and directed by John Schlesinger. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer and editor. Each week, Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-marathon-man/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="47809234" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/3aa4784b-d5f2-48dd-a874-d2dd9e910193/969bc91f_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Political Thriller - Marathon Man</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/3aa4784b-d5f2-48dd-a874-d2dd9e910193/3000x3000/1520995624artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:49:44</itunes:duration>
      <itunes:summary>In this week’s episode, the team drills into the 1976 thriller Marathon Man, written by William Goldman based on his novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:summary>
      <itunes:subtitle>In this week’s episode, the team drills into the 1976 thriller Marathon Man, written by William Goldman based on his novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:subtitle>
      <itunes:keywords>amediting, fiction, amrevising, amwriting, thriller, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
    </item>
    <item>
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      <title>Action - Jack the Giant Slayer</title>
      <description><![CDATA[<p>The Roundtablers make the long climb up Jack the Giant Slayer, the 2013 Action-Adventure CGI extravaganza, written by Darren Lemke, Christopher McQuarrie and Dan Studney and directed by Bryan Singer. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-jack-giant-slayer/">Click here for the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 7 Mar 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The Roundtablers make the long climb up Jack the Giant Slayer, the 2013 Action-Adventure CGI extravaganza, written by Darren Lemke, Christopher McQuarrie and Dan Studney and directed by Bryan Singer. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-jack-giant-slayer/">Click here for the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="48084299" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/03c693f8-d36c-4b18-8e91-e57460507c61/4208d520_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Action - Jack the Giant Slayer</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/03c693f8-d36c-4b18-8e91-e57460507c61/3000x3000/1520396256artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:50:01</itunes:duration>
      <itunes:summary>The Roundtablers make the long climb up Jack the Giant Slayer, the 2013 Action-Adventure CGI extravaganza, written by Darren Lemke, Christopher McQuarrie and Dan Studney and directed by Bryan Singer. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT.</itunes:summary>
      <itunes:subtitle>The Roundtablers make the long climb up Jack the Giant Slayer, the 2013 Action-Adventure CGI extravaganza, written by Darren Lemke, Christopher McQuarrie and Dan Studney and directed by Bryan Singer. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
    </item>
    <item>
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      <title>Redemption - The Muppet Christmas Carol</title>
      <description><![CDATA[<p>The Roundtablers know what the Dickens they’re doing this week as they pay a ghostly visit to The Muppet Christmas Carol, the 1992 music-and-puppets version of the classic scary Morality tale, with screenplay by Jerry Juhl based on the story by Charles Dickens. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer and editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://www.storygrid.com/editor-roundtable-muppet-christmas-carol-show-notes">Click here to see the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 28 Feb 2018 09:57:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>The Roundtablers know what the Dickens they’re doing this week as they pay a ghostly visit to The Muppet Christmas Carol, the 1992 music-and-puppets version of the classic scary Morality tale, with screenplay by Jerry Juhl based on the story by Charles Dickens. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer and editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://www.storygrid.com/editor-roundtable-muppet-christmas-carol-show-notes">Click here to see the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="36551123" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/1078d1ea-cca9-4c12-8be4-e16643a2de77/9142baa3_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Redemption - The Muppet Christmas Carol</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/1078d1ea-cca9-4c12-8be4-e16643a2de77/3000x3000/1519772894artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:38:00</itunes:duration>
      <itunes:summary>The Roundtablers know what the Dickens they’re doing this week as they pay a ghostly visit to The Muppet Christmas Carol, the 1992 music-and-puppets version of the classic scary Morality tale, with screenplay by Jerry Juhl based on the story by Charles Dickens. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:summary>
      <itunes:subtitle>The Roundtablers know what the Dickens they’re doing this week as they pay a ghostly visit to The Muppet Christmas Carol, the 1992 music-and-puppets version of the classic scary Morality tale, with screenplay by Jerry Juhl based on the story by Charles Dickens. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:subtitle>
      <itunes:keywords>revision, editing, amediting, writing, fiction, redemption plot, amwriting, storygrid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">f35de5f5-f203-498f-ab6e-ceb96a007def</guid>
      <title>Society - Thelma and Louise</title>
      <description><![CDATA[<p>In this week’s episode, the team drives right up to the edge with the 1991 Society movie Thelma and Louise, Oscar-winning screenplay by Callie Khouri, directed by Ridley Scott. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://www.storygrid.com/editor-roundtable-thelma-louise-show-notes/">Click here to see the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 21 Feb 2018 13:29:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>In this week’s episode, the team drives right up to the edge with the 1991 Society movie Thelma and Louise, Oscar-winning screenplay by Callie Khouri, directed by Ridley Scott. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://www.storygrid.com/editor-roundtable-thelma-louise-show-notes/">Click here to see the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="48783083" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/bd510b82-3d7b-4061-89f1-a68a1c8b709b/fc4452e5_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Society - Thelma and Louise</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/bd510b82-3d7b-4061-89f1-a68a1c8b709b/3000x3000/1519220204artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:50:45</itunes:duration>
      <itunes:summary>In this week’s episode, the team drives right up to the edge with the 1991 Society movie Thelma and Louise, Oscar-winning screenplay by Callie Khouri, directed by Ridley Scott. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT
</itunes:summary>
      <itunes:subtitle>In this week’s episode, the team drives right up to the edge with the 1991 Society movie Thelma and Louise, Oscar-winning screenplay by Callie Khouri, directed by Ridley Scott. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT
</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">382d8f9e-bff4-4037-bb3e-a99b4d8a7c53</guid>
      <title>Brotherhood War Story - A Midnight Clear</title>
      <description><![CDATA[<p>In this week’s episode, the Roundtable goes to war with the tragically underrated 1992 Brotherhood War movie <em>A Midnight Clear</em>, written and directed by Keith Gordon, and based on the 1982 novel by William Wharton. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT.</p>
<p>This is a show dedicated to helping you become a better editor. Each week, Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions developed by Shawn Coyne.</p>
<p><a href="https://www.storygrid.com/editor-roundtable-midnight-clear-show-notes/">Click here to see the full show notes.</a></p>
]]></description>
      <pubDate>Wed, 14 Feb 2018 13:05:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>In this week’s episode, the Roundtable goes to war with the tragically underrated 1992 Brotherhood War movie <em>A Midnight Clear</em>, written and directed by Keith Gordon, and based on the 1982 novel by William Wharton. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT.</p>
<p>This is a show dedicated to helping you become a better editor. Each week, Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions developed by Shawn Coyne.</p>
<p><a href="https://www.storygrid.com/editor-roundtable-midnight-clear-show-notes/">Click here to see the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="46080137" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/ead16c8c-8e80-4aa9-a97d-d3bc888b00ed/5feba4f1_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Brotherhood War Story - A Midnight Clear</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/ead16c8c-8e80-4aa9-a97d-d3bc888b00ed/3000x3000/1518573000artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:47:56</itunes:duration>
      <itunes:summary>In this week’s episode, the Roundtable goes to war with the tragically underrated 1992 Brotherhood War movie A Midnight Clear, written and directed by Keith Gordon, and based on the 1982 novel by William Wharton. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT.</itunes:summary>
      <itunes:subtitle>In this week’s episode, the Roundtable goes to war with the tragically underrated 1992 Brotherhood War movie A Midnight Clear, written and directed by Keith Gordon, and based on the 1982 novel by William Wharton. Share your thoughts on our analysis or ask questions on Twitter @StoryGridRT.</itunes:subtitle>
      <itunes:keywords>editing, amediting, writing, fiction, war story, amwriting, story grid</itunes:keywords>
      <itunes:explicit>yes</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6fb020a2-ab54-4f30-b5f6-e7f7e500a63e</guid>
      <title>Courtship Love Story - The Bridges of Madison County</title>
      <description><![CDATA[<p>It’s love, loss and longing this week as the Roundtable team crosses The Bridges of Madison County, the 1995 film written by Richard LaGravenese from Robert James Waller’s 1992 novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer and editor. Each week, Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://www.storygrid.com/editor-roundtable-bridges-madison-county-show-notes/">Click here to see the full show notes.</a></p>
]]></description>
      <pubDate>Thu, 8 Feb 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>It’s love, loss and longing this week as the Roundtable team crosses The Bridges of Madison County, the 1995 film written by Richard LaGravenese from Robert James Waller’s 1992 novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</p>
<p>This is a show dedicated to helping you become a better writer and editor. Each week, Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the twelve Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="https://www.storygrid.com/editor-roundtable-bridges-madison-county-show-notes/">Click here to see the full show notes.</a></p>
]]></content:encoded>
      <enclosure length="56329358" type="audio/mpeg" url="https://cdn.simplecast.com/audio/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/4ca92e21-1705-4d88-8acf-375097970725/e6f63241_tc.mp3?aid=rss_feed&amp;feed=R1fswG5L"/>
      <itunes:title>Courtship Love Story - The Bridges of Madison County</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/4ca92e21-1705-4d88-8acf-375097970725/3000x3000/1518062353artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:58:37</itunes:duration>
      <itunes:summary>It’s love, loss and longing this week as the Roundtable team crosses The Bridges of Madison County, the 1995 film written by Richard LaGravenese from Robert James Waller’s 1992 novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:summary>
      <itunes:subtitle>It’s love, loss and longing this week as the Roundtable team crosses The Bridges of Madison County, the 1995 film written by Richard LaGravenese from Robert James Waller’s 1992 novel. Visit us on Twitter @StoryGridRT and let us know what you think of our analysis.</itunes:subtitle>
      <itunes:keywords>editing, love story, mediating, writing, fiction, romance, amwriting, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
    </item>
    <item>
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      <title>Status Genre - Gladiator</title>
      <description><![CDATA[<p>In this week’s episode, we examine the 2000 Status/Admiration epic Gladiator, written by David Franzoni, John Logan, and William Nicholson. Let us know what you think of our analysis. You can reach us on Twitter @StoryGridRT.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-gladiator-show-notes/">Click here to see the full show notes</a>.</p>
]]></description>
      <pubDate>Thu, 1 Feb 2018 09:00:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>In this week’s episode, we examine the 2000 Status/Admiration epic Gladiator, written by David Franzoni, John Logan, and William Nicholson. Let us know what you think of our analysis. You can reach us on Twitter @StoryGridRT.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-gladiator-show-notes/">Click here to see the full show notes</a>.</p>
]]></content:encoded>
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      <itunes:title>Status Genre - Gladiator</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
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      <itunes:duration>00:46:16</itunes:duration>
      <itunes:summary>In this week’s episode, we examine the 2000 Status/Admiration epic Gladiator, written by David Franzoni, John Logan, and William Nicholson. Let us know what you think of our analysis. You can reach us on Twitter @StoryGridRT.
</itunes:summary>
      <itunes:subtitle>In this week’s episode, we examine the 2000 Status/Admiration epic Gladiator, written by David Franzoni, John Logan, and William Nicholson. Let us know what you think of our analysis. You can reach us on Twitter @StoryGridRT.
</itunes:subtitle>
      <itunes:keywords>editing, amediting, writing, fiction, gladiator, amwriting, story grid</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:episode>4</itunes:episode>
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      <title>Thriller Genre - Hot Fuzz</title>
      <description><![CDATA[<p>In this week’s episode, the team takes a look at the 2007 British comedy thriller Hot Fuzz, written by Edgar Wright and Simon Pegg. Let us know what you think of our analysis.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-hot-fuzz-show-notes/">Check out the full show notes</a>.</p>
<p><a href="http://bit.ly/SGER-Season-Two">View the Story Grid Foolscap</a>.</p>
<p><a href="https://www.amazon.com/Hot-Fuzz-Simon-Pegg/dp/B000VK99Z6/">Watch the movie on Amazon</a>.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
]]></description>
      <pubDate>Wed, 24 Jan 2018 15:47:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>In this week’s episode, the team takes a look at the 2007 British comedy thriller Hot Fuzz, written by Edgar Wright and Simon Pegg. Let us know what you think of our analysis.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-hot-fuzz-show-notes/">Check out the full show notes</a>.</p>
<p><a href="http://bit.ly/SGER-Season-Two">View the Story Grid Foolscap</a>.</p>
<p><a href="https://www.amazon.com/Hot-Fuzz-Simon-Pegg/dp/B000VK99Z6/">Watch the movie on Amazon</a>.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
]]></content:encoded>
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      <itunes:title>Thriller Genre - Hot Fuzz</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/ded05a6c-b756-4a67-9194-944de0c4108e/3000x3000/1516809233artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:46:54</itunes:duration>
      <itunes:summary>In this week’s episode, the team takes a look at the 2007 British comedy thriller Hot Fuzz, written by Edgar Wright and Simon Pegg. Let us know what you think of our analysis.  See full show notes at storygrid.com/roundtable</itunes:summary>
      <itunes:subtitle>In this week’s episode, the team takes a look at the 2007 British comedy thriller Hot Fuzz, written by Edgar Wright and Simon Pegg. Let us know what you think of our analysis.  See full show notes at storygrid.com/roundtable</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
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      <title>Horror Genre - Alien</title>
      <description><![CDATA[<p>In this week’s episode, the team takes a look at Ridley Scott’s 1979 Horror classic Alien, written by Dan O’Bannon and Ronald Shusett. Let us know what you think of our analysis.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-alien-show-notes/">Check out the full show notes</a>.</p>
<p><a href="https://docs.google.com/spreadsheets/d/1x1Ay8PxKVuexoP8z81aCa-hwgmYLvlX64QBYr6LyYUo/edit?usp=sharing">View the Story Grid Foolscap</a>.</p>
<p><a href="https://www.amazon.com/Alien-Sigourney-Weaver/dp/B003GXJ072/">Watch the movie on Amazon</a>.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
]]></description>
      <pubDate>Wed, 24 Jan 2018 15:30:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>In this week’s episode, the team takes a look at Ridley Scott’s 1979 Horror classic Alien, written by Dan O’Bannon and Ronald Shusett. Let us know what you think of our analysis.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-alien-show-notes/">Check out the full show notes</a>.</p>
<p><a href="https://docs.google.com/spreadsheets/d/1x1Ay8PxKVuexoP8z81aCa-hwgmYLvlX64QBYr6LyYUo/edit?usp=sharing">View the Story Grid Foolscap</a>.</p>
<p><a href="https://www.amazon.com/Alien-Sigourney-Weaver/dp/B003GXJ072/">Watch the movie on Amazon</a>.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
]]></content:encoded>
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      <itunes:title>Horror Genre - Alien</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/a4bef97f-0b8b-49c4-b493-75f032140b6e/3000x3000/1516808546artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:45:01</itunes:duration>
      <itunes:summary>In this week’s episode, the team takes a look at Ridley Scott’s 1979 Horror classic Alien, written by Dan O’Bannon and Ronald Shusett. Let us know what you think of our analysis. See full show notes at storygrid.com/roundtable</itunes:summary>
      <itunes:subtitle>In this week’s episode, the team takes a look at Ridley Scott’s 1979 Horror classic Alien, written by Dan O’Bannon and Ronald Shusett. Let us know what you think of our analysis. See full show notes at storygrid.com/roundtable</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
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      <title>Performance Genre - Billy Elliot</title>
      <description><![CDATA[<p>In this week’s episode, the team takes a look at the 2000 Performance genre movie Billy Elliot, written by Lee Hall. Let us know what you think of our analysis.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-billy-elliot-show-notes/">Check out the full show notes</a>.</p>
<p><a href="https://docs.google.com/spreadsheets/d/1HGQ8AO4vOcRqsEyYs_gXrbH5PgRLI7NtnTm_fOSi9Qs/edit?usp=sharing">View the Story Grid Foolscap</a>.</p>
<p><a href="https://www.amazon.com/Billy-Elliot-Stephen-Daldry/dp/B002NQ3AAQ/">Watch the movie on Amazon</a>.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
]]></description>
      <pubDate>Wed, 24 Jan 2018 08:24:00 +0000</pubDate>
      <author>tim.grahl@gmail.com (Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts)</author>
      <link>http://storygrid.com/roundtable</link>
      <content:encoded><![CDATA[<p>In this week’s episode, the team takes a look at the 2000 Performance genre movie Billy Elliot, written by Lee Hall. Let us know what you think of our analysis.</p>
<p><a href="http://www.storygrid.com/editor-roundtable-billy-elliot-show-notes/">Check out the full show notes</a>.</p>
<p><a href="https://docs.google.com/spreadsheets/d/1HGQ8AO4vOcRqsEyYs_gXrbH5PgRLI7NtnTm_fOSi9Qs/edit?usp=sharing">View the Story Grid Foolscap</a>.</p>
<p><a href="https://www.amazon.com/Billy-Elliot-Stephen-Daldry/dp/B002NQ3AAQ/">Watch the movie on Amazon</a>.</p>
<p>This is a show dedicated to helping you become a better editor. Each week Story Grid Editors Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler and Leslie Watts analyze a film from one of the 12 Story Grid content genres and discuss it using the Editor’s Six Core Questions as developed by Shawn Coyne.</p>
]]></content:encoded>
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      <itunes:title>Performance Genre - Billy Elliot</itunes:title>
      <itunes:author>Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, and Leslie Watts</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/e1ecc0/e1ecc0df-fc4c-4672-bd15-169a5ead69ee/258af731-657c-4558-9ea9-e2a8ec09aad8/3000x3000/1516808665artwork.jpg?aid=rss_feed"/>
      <itunes:duration>00:37:27</itunes:duration>
      <itunes:summary>In this week’s episode, the team takes a look at the 2000 Performance genre movie Billy Elliot, written by Lee Hall. Let us know what you think of our analysis. View the Story Grid Foolscap and other notes at storygrid.com/roundtable</itunes:summary>
      <itunes:subtitle>In this week’s episode, the team takes a look at the 2000 Performance genre movie Billy Elliot, written by Lee Hall. Let us know what you think of our analysis. View the Story Grid Foolscap and other notes at storygrid.com/roundtable</itunes:subtitle>
      <itunes:keywords>editing, novel, amediting, writing, fiction, amwriting</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:episode>1</itunes:episode>
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