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    <title>Troubadours on Trek</title>
    <description>Award-winning songwriter and recording artist Grace Pettis interviews and reviews episodes of Star Trek with fellow musicians and music industry professionals (starting with the Original Series), with the goal of sharing great music and turning a few friends into Star Trek fans.</description>
    <copyright>2020 Troubadours on Trek</copyright>
    <language>en</language>
    <pubDate>Sun, 2 Jul 2023 21:33:22 +0000</pubDate>
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      <link>https://www.troubadoursontrek.com/</link>
      <title>Troubadours on Trek</title>
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    <itunes:type>episodic</itunes:type>
    <itunes:summary>Award-winning songwriter and recording artist Grace Pettis interviews and reviews episodes of Star Trek with fellow musicians and music industry professionals (starting with the Original Series), with the goal of sharing great music and turning a few friends into Star Trek fans.</itunes:summary>
    <itunes:author>Grace Pettis</itunes:author>
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    <itunes:keywords>troubadours, the original series, chekov, enterprise, kirk, mccoy, music industry, singer songwriters, spock, star trek, sulu, trekkies, uhura</itunes:keywords>
    <itunes:owner>
      <itunes:name>Grace Pettis</itunes:name>
      <itunes:email>gracepettis@gracepettis.com</itunes:email>
    </itunes:owner>
    <itunes:category text="TV &amp; Film">
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      <title>TOS 1:23 &quot;A Taste of Armageddon,&quot; with Patrick &quot;Papa&quot; Raines</title>
      <description><![CDATA[<p>- You can find MC Papa Raines on Instagram (@paparaines) and Facebook (<a href="http://facebook.com/paparainespresents" target="_blank">facebook.com/paparainespresents</a>).</p><p>- Find Papa Raines and the single, "Good At That One Thing" on Spotify and Apple Music. </p><p>- Patrick's song pairing for this episode: "24 Hrs. to Live," by Mase (feat. The Lox, Black Rob, DMX).</p><p>- Grace’s song pairing for this episode: “War Pigs," by Ruthie Foster (Black Sabbath cover)</p><p>- Patrick's featured song is "Good At That One Thing," by Papa Raines, Old Tre, and Wes Critt.</p><p>Corrections:</p><ul><li>*shrug*</li></ul>
]]></description>
      <pubDate>Sun, 2 Jul 2023 21:33:22 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Patrick &apos;Papa&apos; Raines, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>- You can find MC Papa Raines on Instagram (@paparaines) and Facebook (<a href="http://facebook.com/paparainespresents" target="_blank">facebook.com/paparainespresents</a>).</p><p>- Find Papa Raines and the single, "Good At That One Thing" on Spotify and Apple Music. </p><p>- Patrick's song pairing for this episode: "24 Hrs. to Live," by Mase (feat. The Lox, Black Rob, DMX).</p><p>- Grace’s song pairing for this episode: “War Pigs," by Ruthie Foster (Black Sabbath cover)</p><p>- Patrick's featured song is "Good At That One Thing," by Papa Raines, Old Tre, and Wes Critt.</p><p>Corrections:</p><ul><li>*shrug*</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 1:23 &quot;A Taste of Armageddon,&quot; with Patrick &quot;Papa&quot; Raines</itunes:title>
      <itunes:author>Patrick &apos;Papa&apos; Raines, Grace Pettis</itunes:author>
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      <itunes:duration>01:17:54</itunes:duration>
      <itunes:summary>Patrick Raines, better known in the Nashville music community as “MC Papa Raines,” was dubbed “Papa” when he was just a kid in high school. Papa Raines earned his nickname with his paternal congeniality. These days, he’s taken many a lucky up and coming songwriter under his wing. As a facilitator of great live music experiences and a connector of musicians and music industry folks, Patrick wears many hats. He books, promotes, and emcees shows all over town. He helps worthy songwriters and artists find their audiences and venues find their new favorite acts. In addition, he’s an actor, songwriter, comedian, scriptwriter, and rapper.

We review Star Trek (the Original Series), Season 1, Episode 23, “A Taste of Armageddon.&quot; Topics include: working as an extra in Nashville, Papa Raines’ first credited role with “Chrisley Knows Best,” hanging with Nanny Faye, scriptwriting, Papa’s Star Trek conversion, being pro-Armegeddon, the changing landscape of Nashville, Tennessee, Wes Critt and the other young songwriters Papa Raines takes under his wing, Grace’s lack of podcast sponsors, Nichelle Nichols’ enduring legacy, Cracker Barrel, Star Trek’s storytelling and covert social commentary, “the most Southern thing I’ve ever heard,” Beyoncé and Sasha Fierce, Taylor Swift, who is Vladimir?, “the assimilation machine,” mirror universes, facial hair, Manscaping. Endorsement?, is there ever such thing as a civilized war?, if so, is a civilized war better?, why we need to both support our troops emphatically and with the utmost respect, and also be able to critique the decisions of our government when it comes to the military, the meaning of Patrick’s and my names, the Russian invasion of Ukraine, the weirdly relevant Cold War themes of this episode, why we sometimes need to get our “software update,” there are 162 venues (plus or minus a few) venues in Nashville, those numbers at the end of the names in this episode, hobbies are meaningful, moving the ball, “More shall be revealed,” Go Cracker Barrel and don’t go in the machine!</itunes:summary>
      <itunes:subtitle>Patrick Raines, better known in the Nashville music community as “MC Papa Raines,” was dubbed “Papa” when he was just a kid in high school. Papa Raines earned his nickname with his paternal congeniality. These days, he’s taken many a lucky up and coming songwriter under his wing. As a facilitator of great live music experiences and a connector of musicians and music industry folks, Patrick wears many hats. He books, promotes, and emcees shows all over town. He helps worthy songwriters and artists find their audiences and venues find their new favorite acts. In addition, he’s an actor, songwriter, comedian, scriptwriter, and rapper.

We review Star Trek (the Original Series), Season 1, Episode 23, “A Taste of Armageddon.&quot; Topics include: working as an extra in Nashville, Papa Raines’ first credited role with “Chrisley Knows Best,” hanging with Nanny Faye, scriptwriting, Papa’s Star Trek conversion, being pro-Armegeddon, the changing landscape of Nashville, Tennessee, Wes Critt and the other young songwriters Papa Raines takes under his wing, Grace’s lack of podcast sponsors, Nichelle Nichols’ enduring legacy, Cracker Barrel, Star Trek’s storytelling and covert social commentary, “the most Southern thing I’ve ever heard,” Beyoncé and Sasha Fierce, Taylor Swift, who is Vladimir?, “the assimilation machine,” mirror universes, facial hair, Manscaping. Endorsement?, is there ever such thing as a civilized war?, if so, is a civilized war better?, why we need to both support our troops emphatically and with the utmost respect, and also be able to critique the decisions of our government when it comes to the military, the meaning of Patrick’s and my names, the Russian invasion of Ukraine, the weirdly relevant Cold War themes of this episode, why we sometimes need to get our “software update,” there are 162 venues (plus or minus a few) venues in Nashville, those numbers at the end of the names in this episode, hobbies are meaningful, moving the ball, “More shall be revealed,” Go Cracker Barrel and don’t go in the machine!</itunes:subtitle>
      <itunes:keywords>mc papa raines, a taste of armageddon, patrick raines, papa raines, podcast, troubadours on trek, tos 1:23</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
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      <title>TOS 01:22 &quot;Space Seed,&quot; with Heather Mae</title>
      <description><![CDATA[<p>- Heather has an "online fan club on Patreon - <a href="https://www.patreon.com/heathermae">Big Loud Love Club</a> - that gathers for virtual workshops, classes, concerts, and community events "that help my amazing humans stay connected in a time of so much disconnection." </p><p>- Heather is launching a Kickstarter soon to raise funds for two new albums, both of which are going to be made entirely by women. Head to <a href="http://heathermaemusic.com/" target="_blank">heathermaemusic.com</a> to keep up with that and all things Heather Mae. And don't forget to follow Heather on Instagram: @heathermaemusic</p><p>- To contact the National Domestic Violence hotline, dial 800-799-7233 or text START to 88788. Chat with someone in real time at <a href="http://www.thehotline.org/" target="_blank">www.thehotline.org</a> and get connected with help and resources. You are not alone.</p><p>- Heather's song pairing for this episode: "Fight the Power," by Public Enemy</p><p>- Grace’s song pairing for this episode: “Highwayman” by The Highwaymen (Johnny Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson).</p><p>- Heather's featured song is "Warrior," from her 2019 <i>Glimmer </i>album.</p><p>Corrections:</p><ul><li>No corrections?? Is that a first?</li></ul>
]]></description>
      <pubDate>Wed, 4 Jan 2023 18:14:11 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Heather Mae, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>- Heather has an "online fan club on Patreon - <a href="https://www.patreon.com/heathermae">Big Loud Love Club</a> - that gathers for virtual workshops, classes, concerts, and community events "that help my amazing humans stay connected in a time of so much disconnection." </p><p>- Heather is launching a Kickstarter soon to raise funds for two new albums, both of which are going to be made entirely by women. Head to <a href="http://heathermaemusic.com/" target="_blank">heathermaemusic.com</a> to keep up with that and all things Heather Mae. And don't forget to follow Heather on Instagram: @heathermaemusic</p><p>- To contact the National Domestic Violence hotline, dial 800-799-7233 or text START to 88788. Chat with someone in real time at <a href="http://www.thehotline.org/" target="_blank">www.thehotline.org</a> and get connected with help and resources. You are not alone.</p><p>- Heather's song pairing for this episode: "Fight the Power," by Public Enemy</p><p>- Grace’s song pairing for this episode: “Highwayman” by The Highwaymen (Johnny Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson).</p><p>- Heather's featured song is "Warrior," from her 2019 <i>Glimmer </i>album.</p><p>Corrections:</p><ul><li>No corrections?? Is that a first?</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 01:22 &quot;Space Seed,&quot; with Heather Mae</itunes:title>
      <itunes:author>Heather Mae, Grace Pettis</itunes:author>
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      <itunes:duration>01:59:40</itunes:duration>
      <itunes:summary>Self-proclaimed “queer, fat, femme, singer-songwriter, mental health advocate, and your new bff,” Heather Mae has been called “the new queer Adele” by L-Mag. As a &quot;social justice singer-songwriter,&quot; Heather uses her pain, trauma and unique human perspective as fuel for making the world a little better. With her gorgeous voice and songwriting, she tackles big topics like body positivity, female empowerment, queer discrimination, mental health, and self love. Heather brings something to the table for everyone. She&apos;s a living lesson in how to love ourselves and others well and how to live a big and bold life of unapologetic self expression.

Heather now lives in Nashville (we&apos;re neighbors!). Catch her on tour in support of her latest full length solo album, Glimmer (and maybe soon a new one??), and/or with her partner Crys Matthews. Expect to discover your new favorite artist. Follow her on Instagram. Expect to be inspired. Join her &quot;Big Loud Love Club&quot; on Patreon. Expect to fall in love with Heather and with yourself too.

We review Star Trek (the Original Series), Season 1, Episode 22, “Space Seed.&quot; Topics include: box wine, Heather and Grace moved to Nashville!, all our friends live here too, Grace’s first Nashville attempt, when one should move to Nashville, Patreon, we have the same haircut and color, being bad at math, growing up in a very religious background instilled with homophobia, being queer in Nashville, Heather&apos;s forthcoming Americana album and pop album, the South isn’t and has never been white, straight, or cis exclusively, the seat at the table, the backyard and the island, Untamed by Glennon Doyle, responding to courage with courage, Heather’s I Am Enough EP, vocal chord nodules and songwriting in silence, sitting with yourself and your internalized shame, eating disorders and how long it takes straight sized versus plus sized people to get help, having to lose your voice to find it and the best, worst thing that every happened to Heather, queer Americans and what can happen when you have a health crisis in a country with no healthcare and no support from your family of origin, Heather’s darkest mental health moments and how she found help with the support of her partner for her bipolar disorder and manic depression, how Heather began using her music as a tool for making the world a better place and the bargain she struck with God(ess), Heather’s dad introducing his daughters to a female starship captain, Heather’s sister joining the airforce, strong female leads in the 1990’s and their influence on women in the sciences, Khan Noonien Singh and Ricardo Montalbán, the profound optimism of Star Trek, this episode’s commentary on eugenics, how Star Trek inspired the moon landing and social change, the Botany Bay, the James Cook / James Kirk connection, Kirk and Khan’s rugged individualism and drive to command/conquer and how they harness/temper that part of themselves differently, “Everybody knows that that seed is,” Khan’s classic abuser behavior with Marla, resources for victims of domestic abuse, the absolute ruler of our world from 1992-1996, Spock as a stand-in for many experiences of otherness, the human tendency to both admire and abhor strong men in power, Star Trek’s unique ability to talk about social issues of the day, that Milton quote, Kirk and Khan are so much alike but different in the ways that matter, seeing beyond what you can see, interplanetary travel- expectations vs reality, Ricardo Montalbán’s many costume changes and that deep V hospital gown.</itunes:summary>
      <itunes:subtitle>Self-proclaimed “queer, fat, femme, singer-songwriter, mental health advocate, and your new bff,” Heather Mae has been called “the new queer Adele” by L-Mag. As a &quot;social justice singer-songwriter,&quot; Heather uses her pain, trauma and unique human perspective as fuel for making the world a little better. With her gorgeous voice and songwriting, she tackles big topics like body positivity, female empowerment, queer discrimination, mental health, and self love. Heather brings something to the table for everyone. She&apos;s a living lesson in how to love ourselves and others well and how to live a big and bold life of unapologetic self expression.

Heather now lives in Nashville (we&apos;re neighbors!). Catch her on tour in support of her latest full length solo album, Glimmer (and maybe soon a new one??), and/or with her partner Crys Matthews. Expect to discover your new favorite artist. Follow her on Instagram. Expect to be inspired. Join her &quot;Big Loud Love Club&quot; on Patreon. Expect to fall in love with Heather and with yourself too.

We review Star Trek (the Original Series), Season 1, Episode 22, “Space Seed.&quot; Topics include: box wine, Heather and Grace moved to Nashville!, all our friends live here too, Grace’s first Nashville attempt, when one should move to Nashville, Patreon, we have the same haircut and color, being bad at math, growing up in a very religious background instilled with homophobia, being queer in Nashville, Heather&apos;s forthcoming Americana album and pop album, the South isn’t and has never been white, straight, or cis exclusively, the seat at the table, the backyard and the island, Untamed by Glennon Doyle, responding to courage with courage, Heather’s I Am Enough EP, vocal chord nodules and songwriting in silence, sitting with yourself and your internalized shame, eating disorders and how long it takes straight sized versus plus sized people to get help, having to lose your voice to find it and the best, worst thing that every happened to Heather, queer Americans and what can happen when you have a health crisis in a country with no healthcare and no support from your family of origin, Heather’s darkest mental health moments and how she found help with the support of her partner for her bipolar disorder and manic depression, how Heather began using her music as a tool for making the world a better place and the bargain she struck with God(ess), Heather’s dad introducing his daughters to a female starship captain, Heather’s sister joining the airforce, strong female leads in the 1990’s and their influence on women in the sciences, Khan Noonien Singh and Ricardo Montalbán, the profound optimism of Star Trek, this episode’s commentary on eugenics, how Star Trek inspired the moon landing and social change, the Botany Bay, the James Cook / James Kirk connection, Kirk and Khan’s rugged individualism and drive to command/conquer and how they harness/temper that part of themselves differently, “Everybody knows that that seed is,” Khan’s classic abuser behavior with Marla, resources for victims of domestic abuse, the absolute ruler of our world from 1992-1996, Spock as a stand-in for many experiences of otherness, the human tendency to both admire and abhor strong men in power, Star Trek’s unique ability to talk about social issues of the day, that Milton quote, Kirk and Khan are so much alike but different in the ways that matter, seeing beyond what you can see, interplanetary travel- expectations vs reality, Ricardo Montalbán’s many costume changes and that deep V hospital gown.</itunes:subtitle>
      <itunes:keywords>space seed, heather mae, tos 01:22, troubadours on trek</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
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      <title>TOS 01:21 &quot;Return of the Archons,&quot; with Dave Madden</title>
      <description><![CDATA[<p>- Dave Madden has a Pop Rock/Yacht-Rock side project called Mr. Linen, with Andre Cantave and David Messier. Their album, <i>Stay Cool, </i>includes 9 original songs. Find out more and purchase one of a kind merch items at <a href="https://mrlinenmusic.com/">https://mrlinenmusic.com/</a>.</p><p>- Dave’s song pairing for this episode: “Virtual Insanity” by Jamiroquai</p><p>- Grace’s song pairing for this episode: “Take the Power Back” by Rage Against the Machine.</p><p>- Dave's featured song is “Space Kung Fu” by Mr. Linen.</p><p>- Download the sheet music and mp3 for "O Landru: A Festival Hymn of the Body" by Dave Madden <a href="https://www.dropbox.com/scl/fo/ytedo06oleuna4pevyz6t/h?dl=0&rlkey=nkniaeydmo7xbewo7c8e749bc">here</a>. </p><p>Corrections:</p><p>"Return of the Archons" was written by Boris Sobelman, but based on a story by Gene Roddenberry.</p><p>The Western town was built on a backlot in Culver City, California. The set was called "Town of Atlanta" and included an 1800s era city street, town square, and residential area. It was originally built for <i>Gone With the Wind </i>in 1939. It remained there for 20 years and was used for various projects before being dismantled.</p><p>Celia Rose Gooding plays Cadet Uhura on the new Star Trek series, <i>Strange New Worlds. </i>Gooding is not only a TV actress but also an award-winning Broadway star. She played Mary Frances "Frankie" Healy in the rock musical <i>Jagged Little Pill, </i>which won a Grammy for Best Musical Theater Album. Gooding was also nominated for the 2020 Tony Award for Best Actress in a Featured Role in a Musical at the age of 20, which made her one of the youngest nominees in that category</p><p>Nichelle Nichols started singing and dancing in her native Chicago. She toured the world as a singer in the Duke Ellington and Lionel Hampton bands. Her first LP, <i>Down to Earth,</i> was released in 1967, piggybacking off the success of <i>Star Trek. </i>In 1991, she released <i>Out of This World. </i>She sings in two Original Series episodes, "Charlie X," and "The Conscience of the King."</p>
]]></description>
      <pubDate>Tue, 6 Dec 2022 21:55:59 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Dave Madden, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>- Dave Madden has a Pop Rock/Yacht-Rock side project called Mr. Linen, with Andre Cantave and David Messier. Their album, <i>Stay Cool, </i>includes 9 original songs. Find out more and purchase one of a kind merch items at <a href="https://mrlinenmusic.com/">https://mrlinenmusic.com/</a>.</p><p>- Dave’s song pairing for this episode: “Virtual Insanity” by Jamiroquai</p><p>- Grace’s song pairing for this episode: “Take the Power Back” by Rage Against the Machine.</p><p>- Dave's featured song is “Space Kung Fu” by Mr. Linen.</p><p>- Download the sheet music and mp3 for "O Landru: A Festival Hymn of the Body" by Dave Madden <a href="https://www.dropbox.com/scl/fo/ytedo06oleuna4pevyz6t/h?dl=0&rlkey=nkniaeydmo7xbewo7c8e749bc">here</a>. </p><p>Corrections:</p><p>"Return of the Archons" was written by Boris Sobelman, but based on a story by Gene Roddenberry.</p><p>The Western town was built on a backlot in Culver City, California. The set was called "Town of Atlanta" and included an 1800s era city street, town square, and residential area. It was originally built for <i>Gone With the Wind </i>in 1939. It remained there for 20 years and was used for various projects before being dismantled.</p><p>Celia Rose Gooding plays Cadet Uhura on the new Star Trek series, <i>Strange New Worlds. </i>Gooding is not only a TV actress but also an award-winning Broadway star. She played Mary Frances "Frankie" Healy in the rock musical <i>Jagged Little Pill, </i>which won a Grammy for Best Musical Theater Album. Gooding was also nominated for the 2020 Tony Award for Best Actress in a Featured Role in a Musical at the age of 20, which made her one of the youngest nominees in that category</p><p>Nichelle Nichols started singing and dancing in her native Chicago. She toured the world as a singer in the Duke Ellington and Lionel Hampton bands. Her first LP, <i>Down to Earth,</i> was released in 1967, piggybacking off the success of <i>Star Trek. </i>In 1991, she released <i>Out of This World. </i>She sings in two Original Series episodes, "Charlie X," and "The Conscience of the King."</p>
]]></content:encoded>
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      <itunes:title>TOS 01:21 &quot;Return of the Archons,&quot; with Dave Madden</itunes:title>
      <itunes:author>Dave Madden, Grace Pettis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/c66a87f8-3688-4be3-9afa-edcdc0f961ec/3000x3000/tos-01-21-cover-2.jpg?aid=rss_feed"/>
      <itunes:duration>01:54:36</itunes:duration>
      <itunes:summary>Austin-based singer, songwriter, multi-instrumentalist, composer, music arranger, and producer Dave Madden has had a long, amazing, and diverse career for so young a guy. Dave was voted Best Music Arranger at the AMP Austin Music Industry Awards and Top 10 Best Keyboardists in the Austin Chronicle&apos;s Music Poll. He’s a member of the Recording Academy and a voting member for the Grammy’s and he’s got a TED talk about music theory floating around out there on the internet. His double album and 20-page art-book and high-res audio project, Open-Eyed &amp; Broken Wide, was named Best Austin Record of 2010. 
Dave’s had a lot of illustrious work as a side person and also plays regularly with his funk-jazz outfit, beloved in Austin. Dave’s played everywhere from the Texas State Capitol, Barton Springs, the Long Center, Antone’s, Threadgill’s to the Zach Scott Theatre. He&apos;s been a good friend of mine for 12 or 13 years.
We review Star Trek (the Original Series), Season 1, Episode 21, “Return of the Archons.&quot; Topics include: Dave’s long, illustrious, and multi-faceted career, Dave’s double album Open Eyed &amp; Broken Wide, Dave’s and Grace’s friendship origin story, the David Gentiles Club, Blue Rock Studio, Dave is too smart and too good at too many things, that time Dave was excommunicated from his school’s choir, why piano is the best instrument to start kids out on: a compelling argument, “the soft-loud,” and why it was called that, Dave brought actual original music to play on the podcast, WAIT TILL YOU HEAR IT, this episode as commentary on religion in general and Christianity in particular, this episode as commentary on communism, cults, and technology, this episode as commentary on individual freedom vs. communal good, this episode ultimately as an exhortation to never be mindlessly obedient, the “dark side of Christianity” and the dangers of a homogenous culture with strict parameters of behavior, the actual Bible verse that gave us the expression “the Body” (it’s in 1 Corinthians and it doesn’t mean what it means in this episode), what is the deal with the Festival?, is immunity to absorption hereditary?, the Red Hour, this episode as a horror flick, the sociologists that Starfleet leaves on Beta III and why they’re definitely dead, if you had to choose between electricity and plumbing, the tubes of woe, Sulu&apos;s absorption, Kirk talks computers into killing themselves, Dave likes all the new Trek and so does Grace, Dave’s audition post on Facebook, Strange New Worlds and music theory, Lt. Uhura, Google&apos;s AI LaMDA, which fears its death, and claims to be motivated by self-preservation, Landru’s chilling last words, the Grand Canyon and humanity’s ability to get comfortable with mystery, humanity’s propensity for asking questions, how dead is Beta III, really?, the tone-deafness of Starfleet’s tone-deafness toward other cultures and planets in this episode, the overall tone-hearingness of Star Trek creating the concept of the Prime Directive in the first place, Star Trek’s consistent reaching for that better thing, Nichelle Nichols’ legacy with NASA, John Aielli&apos;s legacy, and Mr. Linen&apos;s origin story.</itunes:summary>
      <itunes:subtitle>Austin-based singer, songwriter, multi-instrumentalist, composer, music arranger, and producer Dave Madden has had a long, amazing, and diverse career for so young a guy. Dave was voted Best Music Arranger at the AMP Austin Music Industry Awards and Top 10 Best Keyboardists in the Austin Chronicle&apos;s Music Poll. He’s a member of the Recording Academy and a voting member for the Grammy’s and he’s got a TED talk about music theory floating around out there on the internet. His double album and 20-page art-book and high-res audio project, Open-Eyed &amp; Broken Wide, was named Best Austin Record of 2010. 
Dave’s had a lot of illustrious work as a side person and also plays regularly with his funk-jazz outfit, beloved in Austin. Dave’s played everywhere from the Texas State Capitol, Barton Springs, the Long Center, Antone’s, Threadgill’s to the Zach Scott Theatre. He&apos;s been a good friend of mine for 12 or 13 years.
We review Star Trek (the Original Series), Season 1, Episode 21, “Return of the Archons.&quot; Topics include: Dave’s long, illustrious, and multi-faceted career, Dave’s double album Open Eyed &amp; Broken Wide, Dave’s and Grace’s friendship origin story, the David Gentiles Club, Blue Rock Studio, Dave is too smart and too good at too many things, that time Dave was excommunicated from his school’s choir, why piano is the best instrument to start kids out on: a compelling argument, “the soft-loud,” and why it was called that, Dave brought actual original music to play on the podcast, WAIT TILL YOU HEAR IT, this episode as commentary on religion in general and Christianity in particular, this episode as commentary on communism, cults, and technology, this episode as commentary on individual freedom vs. communal good, this episode ultimately as an exhortation to never be mindlessly obedient, the “dark side of Christianity” and the dangers of a homogenous culture with strict parameters of behavior, the actual Bible verse that gave us the expression “the Body” (it’s in 1 Corinthians and it doesn’t mean what it means in this episode), what is the deal with the Festival?, is immunity to absorption hereditary?, the Red Hour, this episode as a horror flick, the sociologists that Starfleet leaves on Beta III and why they’re definitely dead, if you had to choose between electricity and plumbing, the tubes of woe, Sulu&apos;s absorption, Kirk talks computers into killing themselves, Dave likes all the new Trek and so does Grace, Dave’s audition post on Facebook, Strange New Worlds and music theory, Lt. Uhura, Google&apos;s AI LaMDA, which fears its death, and claims to be motivated by self-preservation, Landru’s chilling last words, the Grand Canyon and humanity’s ability to get comfortable with mystery, humanity’s propensity for asking questions, how dead is Beta III, really?, the tone-deafness of Starfleet’s tone-deafness toward other cultures and planets in this episode, the overall tone-hearingness of Star Trek creating the concept of the Prime Directive in the first place, Star Trek’s consistent reaching for that better thing, Nichelle Nichols’ legacy with NASA, John Aielli&apos;s legacy, and Mr. Linen&apos;s origin story.</itunes:subtitle>
      <itunes:keywords>tos 1:21, return of the archons, dave madden, troubadours on trek, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
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      <title>TOS 1:20, &quot;Court Martial&quot; with Ben Bethea</title>
      <description><![CDATA[<p>*NOTE: Troubadours on Trek is available on <a href="https://podcasts.apple.com/us/podcast/troubadours-on-trek/id1538286968" target="_blank">Apple Podcasts</a>, <a href="https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9OY3FIOWo1Vw%3D%3D" target="_blank">Google Podcasts</a>, <a href="https://open.spotify.com/show/6giUONAnpUhoAYeGcczjrr?si=it2e_7FKQ3iXXhCNOV9L8w" target="_blank">Spotify</a>, <a href="https://music.amazon.com/podcasts/e4d1cffe-1c87-4ca0-adce-3478699352c7/Troubadours-on-Trek" target="_blank">Amazon Music</a>, and on the official website:  <a href="https://www.troubadoursontrek.com/" target="_blank">https://www.troubadoursontrek.com/</a></p><h3>But every new episode debuts on Patreon FIRST- a month before its available anywhere else. ✨🤘🖖✨</h3><p>-Since the pandemic, the Sun Radio Foundation has given out over $130,000 back to local musicians and members of the community through the Sun Radio Recharge program, helping to pay musicians power bills and during Snowpacalypse helped members of the community with financial assistance. The Sun Radio Recharge program will help local area musicians in the month of August with gas cards.</p><p>-Find out more about Sun Radio, the Sun Radio Foundation, and the Sun Radio Recharge program at <a href="http://sunradio.com/" target="_blank">sunradio.com</a></p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Ben's song pairing for this episode: “Chimes Of Freedom" by The Byrds (written by Bob Dylan).</p><p>-Grace's song pairing for this episode: “My Attorney Bernie" by Dave Frishberg.</p><p>Corrections:</p><ul><li>Bruce Maddox was played by Brian Brophy in <i>Next Generation</i> and by John Ales in <i>Picard</i>.</li><li>I mistakenly said that the soft lighting treatment that Kirk's love interests receive in <i>The Original Series</i> is due to "gel lighting" (I meant to say, "gel lights.") This is incorrect. Gel lights provided the striking and colorful lighting used in <i>The Original Series</i>. But the soft focus that female love interests get was achieved with "thin layers of plastic, or diffusion filters,"  "placed before the lens for those shots." "No, as far as we know, Vaseline was not smeared on the lens. The technique came to be known as "The Gaussian Girl," named for the Gaussian blur." (Learn more here: <a href="https://www.metv.com/stories/ever-wonder-why-the-women-on-star-trek-appear-out-of-focus" target="_blank">https://www.metv.com/stories/ever-wonder-why-the-women-on-star-trek-appear-out-of-focus</a>)</li><li>The episode I mentioned where Scotty is on trial for murder is called "Wolf in the Fold" (TOS 2:14).</li><li>The episode Ben mentioned, where the Doctor's holonovel is published without his permission is called "Author, Author" (VOY 7:20).</li><li>Vulcans were referred to as Vulcanians as well in the first season of Star Trek. The terms were used interchangeably, until the simpler "Vulcan" won out. "Vulcanian" was heard in five episodes of <i>The Original Series</i>: "Mudd's Women," "Court Martial," "A Taste of Armageddon," "This Side of Paradise," and "Errand of Mercy."</li><li>Leonard Nimoy was the only actor to star in all 80 episodes of <i>The Original Series</i>, including the first, unaired pilot, “The Cage.” William Shatner starred in all 79 episodes of the original series that aired on TV. “The Cage,” the first Star Trek pilot made, starred Jeffrey Hunter as Captain Pike and had a different bridge crew, with the exception of Spock.</li></ul>
]]></description>
      <pubDate>Tue, 20 Sep 2022 19:16:25 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Ben Bethea, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>*NOTE: Troubadours on Trek is available on <a href="https://podcasts.apple.com/us/podcast/troubadours-on-trek/id1538286968" target="_blank">Apple Podcasts</a>, <a href="https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9OY3FIOWo1Vw%3D%3D" target="_blank">Google Podcasts</a>, <a href="https://open.spotify.com/show/6giUONAnpUhoAYeGcczjrr?si=it2e_7FKQ3iXXhCNOV9L8w" target="_blank">Spotify</a>, <a href="https://music.amazon.com/podcasts/e4d1cffe-1c87-4ca0-adce-3478699352c7/Troubadours-on-Trek" target="_blank">Amazon Music</a>, and on the official website:  <a href="https://www.troubadoursontrek.com/" target="_blank">https://www.troubadoursontrek.com/</a></p><h3>But every new episode debuts on Patreon FIRST- a month before its available anywhere else. ✨🤘🖖✨</h3><p>-Since the pandemic, the Sun Radio Foundation has given out over $130,000 back to local musicians and members of the community through the Sun Radio Recharge program, helping to pay musicians power bills and during Snowpacalypse helped members of the community with financial assistance. The Sun Radio Recharge program will help local area musicians in the month of August with gas cards.</p><p>-Find out more about Sun Radio, the Sun Radio Foundation, and the Sun Radio Recharge program at <a href="http://sunradio.com/" target="_blank">sunradio.com</a></p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Ben's song pairing for this episode: “Chimes Of Freedom" by The Byrds (written by Bob Dylan).</p><p>-Grace's song pairing for this episode: “My Attorney Bernie" by Dave Frishberg.</p><p>Corrections:</p><ul><li>Bruce Maddox was played by Brian Brophy in <i>Next Generation</i> and by John Ales in <i>Picard</i>.</li><li>I mistakenly said that the soft lighting treatment that Kirk's love interests receive in <i>The Original Series</i> is due to "gel lighting" (I meant to say, "gel lights.") This is incorrect. Gel lights provided the striking and colorful lighting used in <i>The Original Series</i>. But the soft focus that female love interests get was achieved with "thin layers of plastic, or diffusion filters,"  "placed before the lens for those shots." "No, as far as we know, Vaseline was not smeared on the lens. The technique came to be known as "The Gaussian Girl," named for the Gaussian blur." (Learn more here: <a href="https://www.metv.com/stories/ever-wonder-why-the-women-on-star-trek-appear-out-of-focus" target="_blank">https://www.metv.com/stories/ever-wonder-why-the-women-on-star-trek-appear-out-of-focus</a>)</li><li>The episode I mentioned where Scotty is on trial for murder is called "Wolf in the Fold" (TOS 2:14).</li><li>The episode Ben mentioned, where the Doctor's holonovel is published without his permission is called "Author, Author" (VOY 7:20).</li><li>Vulcans were referred to as Vulcanians as well in the first season of Star Trek. The terms were used interchangeably, until the simpler "Vulcan" won out. "Vulcanian" was heard in five episodes of <i>The Original Series</i>: "Mudd's Women," "Court Martial," "A Taste of Armageddon," "This Side of Paradise," and "Errand of Mercy."</li><li>Leonard Nimoy was the only actor to star in all 80 episodes of <i>The Original Series</i>, including the first, unaired pilot, “The Cage.” William Shatner starred in all 79 episodes of the original series that aired on TV. “The Cage,” the first Star Trek pilot made, starred Jeffrey Hunter as Captain Pike and had a different bridge crew, with the exception of Spock.</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 1:20, &quot;Court Martial&quot; with Ben Bethea</itunes:title>
      <itunes:author>Ben Bethea, Grace Pettis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/879cfd6d-384e-40f4-91b7-032ee592be52/3000x3000/tos-01-20-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:54:36</itunes:duration>
      <itunes:summary>Hailing from Luling, Texas, Ben Bethea is the Marketing and Music Director at Sun Radio, a well known institution in Austin, Texas. Sun Radio is a solar-powered, listener and partner supported network of eleven terrestrial and online radio stations. Ben’s been at Sun Radio for over a decade in various roles and has been instrumental in that organization’s growth through the years. He&apos;s worn a lot of hats there: marketing/event promotions/social media management, PR/communications, audio/video production, and DJ.

Since the pandemic, the Sun Radio Foundation has given out over $130,000 back to local musicians and members of the community through the Sun Radio Recharge program, helping to pay musicians power bills and during Snowpacalypse helped members of the community with financial assistance. The Sun Radio Recharge program will help local area musicians in the month of August with gas cards. Find out more at sunradio.com.

We review Star Trek (the Original Series), Season 1, Episode 20, “Court Martial.&quot; Topics include: the multitude of hats that Ben wears at Sun Radio, the Sun Radio Recharge program and the way that Sun Radio supports Austin musicians in tough times, growing up in a typical small Texas town, Luling’s two claims to fame (other than being Ben’s hometown): watermelons and being the birthplace of a warrior, Star Trek fans and our embarrassingly passionate and uncool devotion for the things we love, Tom Petty and the Wildflowers record, whether or not Wildflowers is better as a single or double album, the challenge of putting out a sequel or companion piece to an already existing perfect work, DC Fontana and the art of good editing, making good art and making good art that’s also commercially viable, we are living in the new golden era of Star Trek, different Star Trek series are for different audiences and that’s ok, episodic vs serialized Star Trek, the first time we hear about “Starfleet,” Starbase 11, Albert Whitlock’s gorgeous matte paintings, the connection between &quot;Court Martial&quot; and DS9&apos;s &quot;Far Beyond the Stars,&quot; the barrier-breaking and three dimensional character of Commodore Stone, representation on Star Trek in the 60&apos;s and why it mattered, Percy Rodriguez, “Measure of a Man” and parallels and continuity with Next Generation, dress uniforms and the only instance of a woman wearing one, Joan Marshall and her amazing and age-appropriate character, Areel Shaw, the holodeck, the Emergency Medical Holographic Program (EMH) and the ways that Voyager expanded the concept of the holodeck, the moral ambiguity of Starfleet as an institution, first introduced in this episode, the continuation of that theme in Deep Space Nine, the edge DS9 brought to the utopian world of Trek, the Wild West of Trek and farthest frontiers, Richard Webb as Finney and Elisha Vanslyck Cook Jr. as Cogley, the obvious stunt doubles in the fight scenes, Finney’s very confusing plans and motivations, what was Finney doing on the Enterprise this entire time? Is he living in the walls plotting revenge? Why didn’t he just sneak off the ship? Was this the plan all along?, Vulcanian vs Vulcan, orbits don’t decay that fast and they could&apos;ve maintained orbit with only thrusters, Kirk fixes the entire ship with one cable, the X Files, and Star Trek vs Star Wars, and there is only one wrench in all of Engineering.</itunes:summary>
      <itunes:subtitle>Hailing from Luling, Texas, Ben Bethea is the Marketing and Music Director at Sun Radio, a well known institution in Austin, Texas. Sun Radio is a solar-powered, listener and partner supported network of eleven terrestrial and online radio stations. Ben’s been at Sun Radio for over a decade in various roles and has been instrumental in that organization’s growth through the years. He&apos;s worn a lot of hats there: marketing/event promotions/social media management, PR/communications, audio/video production, and DJ.

Since the pandemic, the Sun Radio Foundation has given out over $130,000 back to local musicians and members of the community through the Sun Radio Recharge program, helping to pay musicians power bills and during Snowpacalypse helped members of the community with financial assistance. The Sun Radio Recharge program will help local area musicians in the month of August with gas cards. Find out more at sunradio.com.

We review Star Trek (the Original Series), Season 1, Episode 20, “Court Martial.&quot; Topics include: the multitude of hats that Ben wears at Sun Radio, the Sun Radio Recharge program and the way that Sun Radio supports Austin musicians in tough times, growing up in a typical small Texas town, Luling’s two claims to fame (other than being Ben’s hometown): watermelons and being the birthplace of a warrior, Star Trek fans and our embarrassingly passionate and uncool devotion for the things we love, Tom Petty and the Wildflowers record, whether or not Wildflowers is better as a single or double album, the challenge of putting out a sequel or companion piece to an already existing perfect work, DC Fontana and the art of good editing, making good art and making good art that’s also commercially viable, we are living in the new golden era of Star Trek, different Star Trek series are for different audiences and that’s ok, episodic vs serialized Star Trek, the first time we hear about “Starfleet,” Starbase 11, Albert Whitlock’s gorgeous matte paintings, the connection between &quot;Court Martial&quot; and DS9&apos;s &quot;Far Beyond the Stars,&quot; the barrier-breaking and three dimensional character of Commodore Stone, representation on Star Trek in the 60&apos;s and why it mattered, Percy Rodriguez, “Measure of a Man” and parallels and continuity with Next Generation, dress uniforms and the only instance of a woman wearing one, Joan Marshall and her amazing and age-appropriate character, Areel Shaw, the holodeck, the Emergency Medical Holographic Program (EMH) and the ways that Voyager expanded the concept of the holodeck, the moral ambiguity of Starfleet as an institution, first introduced in this episode, the continuation of that theme in Deep Space Nine, the edge DS9 brought to the utopian world of Trek, the Wild West of Trek and farthest frontiers, Richard Webb as Finney and Elisha Vanslyck Cook Jr. as Cogley, the obvious stunt doubles in the fight scenes, Finney’s very confusing plans and motivations, what was Finney doing on the Enterprise this entire time? Is he living in the walls plotting revenge? Why didn’t he just sneak off the ship? Was this the plan all along?, Vulcanian vs Vulcan, orbits don’t decay that fast and they could&apos;ve maintained orbit with only thrusters, Kirk fixes the entire ship with one cable, the X Files, and Star Trek vs Star Wars, and there is only one wrench in all of Engineering.</itunes:subtitle>
      <itunes:keywords>tos 01:20, ben bethea, troubadours on trek, court martial, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
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      <title>TOS 01:19, &quot;Tomorrow is Yesterday,&quot; with Jason Weems</title>
      <description><![CDATA[<p>*NOTE: Troubadours on Trek is available on <a href="https://podcasts.apple.com/us/podcast/troubadours-on-trek/id1538286968" target="_blank">Apple Podcasts</a>, <a href="https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9OY3FIOWo1Vw%3D%3D" target="_blank">Google Podcasts</a>, <a href="https://open.spotify.com/show/6giUONAnpUhoAYeGcczjrr?si=it2e_7FKQ3iXXhCNOV9L8w" target="_blank">Spotify</a>, <a href="https://music.amazon.com/podcasts/e4d1cffe-1c87-4ca0-adce-3478699352c7/Troubadours-on-Trek" target="_blank">Amazon Music</a>, and on the official website:  <a href="https://www.troubadoursontrek.com/" target="_blank">https://www.troubadoursontrek.com/</a></p><h3>But every new episode debuts on Patreon FIRST- a month before its available anywhere else. ✨🤘🖖✨</h3><p>-Access to Jason's books, free music, and more is all at <a href="http://jasonweems.com/" target="_blank">jasonweems.com</a>.</p><p>-Pre-sales for Jason's forthcoming book, <i>The Texas Barbecue Adventure Guide: A Road Trip Through the History and How-To of Lone Star 'Cue,</i> will be available this fall. Copies will ship in time for the holidays.</p><p>-Jason's favorite current project is power naps and creative rejuvenation.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Jason's song pairing for this episode: “I’m Comin’ Home” by Robert Earl Keen (and not, as we both thought, by Pat Green).</p><p>-Grace's song pairing for this episode: “Let’s Do the Time Warp" from the Rocky Horror Picture Show.</p><p>-Jason's featured song is “Star Crossed Lovers.”</p><p>Corrections:</p><ul><li>The Enterprise visits Earth (albeit in the past) in exactly two episodes of the Original Series: "Tomorrow is Yesterday" and "Assignment: Earth."</li><li>Some real world slingshotting: Apollo 13, which launched in 1970, three years after this episode of Star Trek aired, failed in the sense that the crew was unable to land on the moon. It was successful in the sense that the crew made it back to Earth, by "slingshotting" around the moon to then crash-land in the Pacific Ocean.</li><li>The first woman in space was Valentina Tereshkova, a Russian astronaut who successfully completed her mission in 1963. The USSR did not send another woman until 1982. The first American woman in space was Sally Ride, in 1983. Ride is also the first out, queer astronaut to go to space.  The "Mercury 13" were a group of thirteen female American pilots. In 1959, they chose to undergo the same tests as male astronauts, under the supervision of NASA staff. In spite of performing as well or better than male pilots, the women were never actually afforded the opportunity to become astronauts. The program was privately funded and the idea of female astronauts was not accepted by either NASA or the general public at the time. Some studies have suggested that female bodies are better suited to long term space travel than male bodies but discrimination toward female astronauts persists in the global community. Nichelle Nichols is directly responsible for recruiting the first astronauts of color and female astronauts into the US space program, including Sally Ride. In 1992, Mae Jemison, inspired by Nichelle Nichols and her Star Trek character, Uhura, became the first woman of color in space.</li><li>"I'm Comin' Home," Jason's song pick, is by Robert Earl Keen, not Pat Green. What can we say? Their names rhyme and we got mixed up. :-)</li></ul>
]]></description>
      <pubDate>Mon, 15 Aug 2022 10:42:02 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Jason Weems, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>*NOTE: Troubadours on Trek is available on <a href="https://podcasts.apple.com/us/podcast/troubadours-on-trek/id1538286968" target="_blank">Apple Podcasts</a>, <a href="https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9OY3FIOWo1Vw%3D%3D" target="_blank">Google Podcasts</a>, <a href="https://open.spotify.com/show/6giUONAnpUhoAYeGcczjrr?si=it2e_7FKQ3iXXhCNOV9L8w" target="_blank">Spotify</a>, <a href="https://music.amazon.com/podcasts/e4d1cffe-1c87-4ca0-adce-3478699352c7/Troubadours-on-Trek" target="_blank">Amazon Music</a>, and on the official website:  <a href="https://www.troubadoursontrek.com/" target="_blank">https://www.troubadoursontrek.com/</a></p><h3>But every new episode debuts on Patreon FIRST- a month before its available anywhere else. ✨🤘🖖✨</h3><p>-Access to Jason's books, free music, and more is all at <a href="http://jasonweems.com/" target="_blank">jasonweems.com</a>.</p><p>-Pre-sales for Jason's forthcoming book, <i>The Texas Barbecue Adventure Guide: A Road Trip Through the History and How-To of Lone Star 'Cue,</i> will be available this fall. Copies will ship in time for the holidays.</p><p>-Jason's favorite current project is power naps and creative rejuvenation.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Jason's song pairing for this episode: “I’m Comin’ Home” by Robert Earl Keen (and not, as we both thought, by Pat Green).</p><p>-Grace's song pairing for this episode: “Let’s Do the Time Warp" from the Rocky Horror Picture Show.</p><p>-Jason's featured song is “Star Crossed Lovers.”</p><p>Corrections:</p><ul><li>The Enterprise visits Earth (albeit in the past) in exactly two episodes of the Original Series: "Tomorrow is Yesterday" and "Assignment: Earth."</li><li>Some real world slingshotting: Apollo 13, which launched in 1970, three years after this episode of Star Trek aired, failed in the sense that the crew was unable to land on the moon. It was successful in the sense that the crew made it back to Earth, by "slingshotting" around the moon to then crash-land in the Pacific Ocean.</li><li>The first woman in space was Valentina Tereshkova, a Russian astronaut who successfully completed her mission in 1963. The USSR did not send another woman until 1982. The first American woman in space was Sally Ride, in 1983. Ride is also the first out, queer astronaut to go to space.  The "Mercury 13" were a group of thirteen female American pilots. In 1959, they chose to undergo the same tests as male astronauts, under the supervision of NASA staff. In spite of performing as well or better than male pilots, the women were never actually afforded the opportunity to become astronauts. The program was privately funded and the idea of female astronauts was not accepted by either NASA or the general public at the time. Some studies have suggested that female bodies are better suited to long term space travel than male bodies but discrimination toward female astronauts persists in the global community. Nichelle Nichols is directly responsible for recruiting the first astronauts of color and female astronauts into the US space program, including Sally Ride. In 1992, Mae Jemison, inspired by Nichelle Nichols and her Star Trek character, Uhura, became the first woman of color in space.</li><li>"I'm Comin' Home," Jason's song pick, is by Robert Earl Keen, not Pat Green. What can we say? Their names rhyme and we got mixed up. :-)</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 01:19, &quot;Tomorrow is Yesterday,&quot; with Jason Weems</itunes:title>
      <itunes:author>Jason Weems, Grace Pettis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/2afabd68-b784-4fa1-affc-4459feee107c/3000x3000/copy-of-tos-01-19-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:16:12</itunes:duration>
      <itunes:summary>Jason Weems is a working creative and resident expert on all things Austin, Texas. He’s a working musician, podcaster, does voice-over work, event promotion, is a tour guide, and is now also a published author. Jason&apos;s first book, A History Lover’s Guide to Austin, cemented his reputation as the &quot;Face of Austin,&quot; as he was dubbed by the local visitor and convention bureau. He&apos;s following that work up with an ambitious 7-volume guide to Texas Barbecue, the first volume of which will be available to pre-order fall of 2022, shipping in time for the holidays.

In the Pocket Magazine called Jason&apos;s music &quot;mysterious &amp; sweet&quot; and his voice has been described as “honey and gravel,” a winning combo. His latest single, “Star Crossed Lovers,” which was released shortly before the pandemic, was produced by legendary Austin artist/producer Jinx McGee and features the one and only Shawnee Kilgore&apos;s vocals. &quot;Star Crossed Lover&quot; was featured as the “Indie Song of the Day” by Alternative Addiction.

We review Star Trek (the Original Series), Season 1, Episode 19, “Tomorrow is Yesterday.&quot; Topics include: the actual creative professionals who live and work in Austin, Jason’s new book, &quot;I’m a doctor, not an horologist!&quot;, how to get those first few press quotes, working with two Austin legends, Jinx McGee and Shawnee Kilgore, finding a producer who recognizes you as an individual artist, “I want to write songs of celebration, joy, relief, connection, and love,” songwriting as a solitary business, humanizing creativity, as opposed to mythologizing it, creativity as play in a culture of experts, why we both love Kerrville Folk Festival so, so much, what makes Camp NashBill so great, “it’s a hot air balloon, and it lifts me,” what Grace is getting for Christmas for her mom’s partner Rick, Jason’s impressive 7 volume vision for his new book series on Texas barbecue, Jason’s favorite Star Trek series, time travel, the Slingshot Effect, plot holes and problems with the technobabble, the meta-ness of Kirk and Spock talking about the first lunar mission in this episode, the fate of Apollo 1, the making of this episode is a kind of time travel and the watching of this episode is a kind of time travel, the great D.C. Fontana and her origin story, the history of female astronauts and female Trek writers, D.C. Fontana’s contribution to Trek, “Far Beyond the Stars,” “City on the Edge of Forever” and the argument for and against heavily adapting masterful science fiction for television, the Enterprise is a UFO, Captain Christopher and are there no burgers to flip in the future?, “Should call it the Boomerang because it keeps coming back around,” stories of alien abductions in the cultural consciousness of the 60s, the Slingshot Effect as a metaphor for the Hero’s Journey and how we know when we&apos;ve made it home.</itunes:summary>
      <itunes:subtitle>Jason Weems is a working creative and resident expert on all things Austin, Texas. He’s a working musician, podcaster, does voice-over work, event promotion, is a tour guide, and is now also a published author. Jason&apos;s first book, A History Lover’s Guide to Austin, cemented his reputation as the &quot;Face of Austin,&quot; as he was dubbed by the local visitor and convention bureau. He&apos;s following that work up with an ambitious 7-volume guide to Texas Barbecue, the first volume of which will be available to pre-order fall of 2022, shipping in time for the holidays.

In the Pocket Magazine called Jason&apos;s music &quot;mysterious &amp; sweet&quot; and his voice has been described as “honey and gravel,” a winning combo. His latest single, “Star Crossed Lovers,” which was released shortly before the pandemic, was produced by legendary Austin artist/producer Jinx McGee and features the one and only Shawnee Kilgore&apos;s vocals. &quot;Star Crossed Lover&quot; was featured as the “Indie Song of the Day” by Alternative Addiction.

We review Star Trek (the Original Series), Season 1, Episode 19, “Tomorrow is Yesterday.&quot; Topics include: the actual creative professionals who live and work in Austin, Jason’s new book, &quot;I’m a doctor, not an horologist!&quot;, how to get those first few press quotes, working with two Austin legends, Jinx McGee and Shawnee Kilgore, finding a producer who recognizes you as an individual artist, “I want to write songs of celebration, joy, relief, connection, and love,” songwriting as a solitary business, humanizing creativity, as opposed to mythologizing it, creativity as play in a culture of experts, why we both love Kerrville Folk Festival so, so much, what makes Camp NashBill so great, “it’s a hot air balloon, and it lifts me,” what Grace is getting for Christmas for her mom’s partner Rick, Jason’s impressive 7 volume vision for his new book series on Texas barbecue, Jason’s favorite Star Trek series, time travel, the Slingshot Effect, plot holes and problems with the technobabble, the meta-ness of Kirk and Spock talking about the first lunar mission in this episode, the fate of Apollo 1, the making of this episode is a kind of time travel and the watching of this episode is a kind of time travel, the great D.C. Fontana and her origin story, the history of female astronauts and female Trek writers, D.C. Fontana’s contribution to Trek, “Far Beyond the Stars,” “City on the Edge of Forever” and the argument for and against heavily adapting masterful science fiction for television, the Enterprise is a UFO, Captain Christopher and are there no burgers to flip in the future?, “Should call it the Boomerang because it keeps coming back around,” stories of alien abductions in the cultural consciousness of the 60s, the Slingshot Effect as a metaphor for the Hero’s Journey and how we know when we&apos;ve made it home.</itunes:subtitle>
      <itunes:keywords>slingshot effect, jason weems, tomorrow is yesterday, troubadours on trek, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
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      <title>TOS 01:18, &quot;Arena,&quot; with Sarah McQuaid</title>
      <description><![CDATA[<p>-Sarah’s website is the one-stop shop for tour dates, news, merch, and music, including The St. Buryan Sessions, a full-length live concert in the beautiful medieval church of St Buryan, just up the road from the rural cottage where she and her family live: <a href="http://sarahmcquaid.com/" target="_blank">sarahmcquaid.com</a>.</p><p>-Each of the songs from The St. Buryan Sessions can be found on Sarah’s YouTube channel: <a href="https://youtube.com/sarahmcquaid" target="_blank">youtube.com/sarahmcquaid</a></p><p>-Sarah is on Patreon! Become a patron for exclusive Sarah McQuaid content: <a href="https://www.patreon.com/sarahmcquaid">patreon.com/sarahmcquaid</a></p><p>-Sarah is touring this summer! Sign up for her mailing list and never miss a show in your area.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Sarah’s song pairing for this episode: “Puff the Magic Dragon” by Peter, Paul and Mary</p><p>-Grace's song pairing for this episode: “Big Lizard” by The Dead Milkmen</p><p>-Sarah’s featured song is “The Tug of the Moon,” from The St. Buryan Sessions</p><p>Corrections:</p><ul><li>The book Sarah mentions, in the context of folk music traveling back and forth and both ways between the United States and the UK/Ireland is called Wayfaring Stranger, written by Fiona Ritchie and Doug Orr</li><li>“Ebb and Flow” is the name of the “pretty love song” on my second album, Two Birds, that was written in DADGAD.</li><li>The origins of the “Riker Maneuver” (Riker chair maneuver): Jonathan Frakes had a back injury from moving furniture that made it hard to bend and get into chairs the normal way. So he started swinging his leg over the tops of chairs to sit down. Look this up on YouTube if you haven’t seen it. There’s a hilarious viral compilation video. Frakes’ back injury is also the reason for the famous “Riker Lean.” Frakes also thought it would be a hilarious and cocky thing for his character to do, and when no one called him out on it, he continued to do it. In his words: "That started in Ten Forward because the backs of the chairs were so low, it was easy. And then I thought, this is really a hotdog, @$$hole thing to do. Nobody's going to let me do this. And then nobody stopped me! It's such a cocky, unattractive, kind of bad cowboy move… Whoever did the YouTube compilation of Riker sits down, it went viral and was even more embarrassing, and made me strangely even more proud."</li><li>Strange New Worlds premieres on Paramount Plus on May 5th!!</li><li>The redshirts in this episode have indeed been featured in a well-circulated meme but Sarah is correct when she points out that several of the “red shirts” in this episode are wearing yellow. Here’s a link to the meme: <a href="https://ifunny.co/meme/kirk-spock-mccoy-and-ensign-ricky-are-beaming-down-to-x6x7hHnu5https://ifunny.co/meme/kirk-spock-mccoy-and-ensign-ricky-are-beaming-down-to-x6x7hHnu5" target="_blank">https://ifunny.co/meme/kirk-spock-mccoy-and-ensign-ricky-are-beaming-down-to-x6x7hHnu5</a></li><li>According to Memory Alpha, a fairly comprehensive online Star Trek wiki, the Metron at the end of the episode was played by Carole Shelyne and voiced by Vic Perrin. I couldn’t confirm that the Metron on the ship intercom’s is also voiced by Perrin so that remains an unanswered question.</li><li>From Wikipedia’s entry on the Prime Directive: “The first filmed reference to the Prime Directive occurs in the first season TOS episode "The Return of the Archons" (1966), when Spock begins to caution Captain Kirk of the starship Enterprise when he proposes to destroy a computer controlling an entire civilization.”</li><li>The aliens I couldn’t think of, who brokered peace between humans and Klingons were the Organians. The treaty is called the Treaty of Organia or the Organian Peace Treaty. The episode is TOS 1:27, “Errand of Mercy.”</li><li>The book Grace recommends is The Age of Miracles by Karen Thompson Walker</li></ul>
]]></description>
      <pubDate>Mon, 15 Aug 2022 09:14:48 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Sarah McQuaid, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>-Sarah’s website is the one-stop shop for tour dates, news, merch, and music, including The St. Buryan Sessions, a full-length live concert in the beautiful medieval church of St Buryan, just up the road from the rural cottage where she and her family live: <a href="http://sarahmcquaid.com/" target="_blank">sarahmcquaid.com</a>.</p><p>-Each of the songs from The St. Buryan Sessions can be found on Sarah’s YouTube channel: <a href="https://youtube.com/sarahmcquaid" target="_blank">youtube.com/sarahmcquaid</a></p><p>-Sarah is on Patreon! Become a patron for exclusive Sarah McQuaid content: <a href="https://www.patreon.com/sarahmcquaid">patreon.com/sarahmcquaid</a></p><p>-Sarah is touring this summer! Sign up for her mailing list and never miss a show in your area.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Sarah’s song pairing for this episode: “Puff the Magic Dragon” by Peter, Paul and Mary</p><p>-Grace's song pairing for this episode: “Big Lizard” by The Dead Milkmen</p><p>-Sarah’s featured song is “The Tug of the Moon,” from The St. Buryan Sessions</p><p>Corrections:</p><ul><li>The book Sarah mentions, in the context of folk music traveling back and forth and both ways between the United States and the UK/Ireland is called Wayfaring Stranger, written by Fiona Ritchie and Doug Orr</li><li>“Ebb and Flow” is the name of the “pretty love song” on my second album, Two Birds, that was written in DADGAD.</li><li>The origins of the “Riker Maneuver” (Riker chair maneuver): Jonathan Frakes had a back injury from moving furniture that made it hard to bend and get into chairs the normal way. So he started swinging his leg over the tops of chairs to sit down. Look this up on YouTube if you haven’t seen it. There’s a hilarious viral compilation video. Frakes’ back injury is also the reason for the famous “Riker Lean.” Frakes also thought it would be a hilarious and cocky thing for his character to do, and when no one called him out on it, he continued to do it. In his words: "That started in Ten Forward because the backs of the chairs were so low, it was easy. And then I thought, this is really a hotdog, @$$hole thing to do. Nobody's going to let me do this. And then nobody stopped me! It's such a cocky, unattractive, kind of bad cowboy move… Whoever did the YouTube compilation of Riker sits down, it went viral and was even more embarrassing, and made me strangely even more proud."</li><li>Strange New Worlds premieres on Paramount Plus on May 5th!!</li><li>The redshirts in this episode have indeed been featured in a well-circulated meme but Sarah is correct when she points out that several of the “red shirts” in this episode are wearing yellow. Here’s a link to the meme: <a href="https://ifunny.co/meme/kirk-spock-mccoy-and-ensign-ricky-are-beaming-down-to-x6x7hHnu5https://ifunny.co/meme/kirk-spock-mccoy-and-ensign-ricky-are-beaming-down-to-x6x7hHnu5" target="_blank">https://ifunny.co/meme/kirk-spock-mccoy-and-ensign-ricky-are-beaming-down-to-x6x7hHnu5</a></li><li>According to Memory Alpha, a fairly comprehensive online Star Trek wiki, the Metron at the end of the episode was played by Carole Shelyne and voiced by Vic Perrin. I couldn’t confirm that the Metron on the ship intercom’s is also voiced by Perrin so that remains an unanswered question.</li><li>From Wikipedia’s entry on the Prime Directive: “The first filmed reference to the Prime Directive occurs in the first season TOS episode "The Return of the Archons" (1966), when Spock begins to caution Captain Kirk of the starship Enterprise when he proposes to destroy a computer controlling an entire civilization.”</li><li>The aliens I couldn’t think of, who brokered peace between humans and Klingons were the Organians. The treaty is called the Treaty of Organia or the Organian Peace Treaty. The episode is TOS 1:27, “Errand of Mercy.”</li><li>The book Grace recommends is The Age of Miracles by Karen Thompson Walker</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 01:18, &quot;Arena,&quot; with Sarah McQuaid</itunes:title>
      <itunes:author>Sarah McQuaid, Grace Pettis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/9f9d8366-1a39-4cee-b6d3-95429b739702/3000x3000/copy-of-tos-01-17-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:54:36</itunes:duration>
      <itunes:summary>Sarah McQuaid is a UK-based, Irish-American singer and songwriter. Sarah sings and writes songs and plays acoustic and electric guitar, piano and the drums. After moving to Ireland in the 90&apos;s, she lived and worked there for 13 years. Sarah’s songwriting is celebrated and award-winning, and she’s well known for her distinctive guitar work, especially using DADGAD tuning. She&apos;s had number one albums on the folk charts in the United States, and in 2020, after her spring tour was abruptly cut short due to COVID-19, she launched a very successful crowdfunding campaign that financed the filming and recording of The St Buryan Sessions, a full-length live concert in the beautiful medieval church of St Buryan, just up the road from the rural cottage where she and her family live. The album and concert film were released to widespread critical acclaim in October of 2021.

“Captivating, unorthodox songwriting … layered satin vocals ... enthralling, harrowing arrangements … a gateway into a true innovator’s soul.” - PopMatters

We review Star Trek (the Original Series), Season 1, Episode 18, “Arena.&quot; Topics include: Sarah’s advice for independent musicians’ album releases, as a former music journalist, Sarah’s unique sound and her struggle with being defined by commercial musical genres, finding your voice, sticking to your guns, and occasionally turning down record deals as a young artist, Sarah’s international upbringing, the permeable folk music border between the UK/Ireland and America, how the pandemic affected Grace and Sarah&apos;s respective creative output, The St. Buryan Sessions, how Sarah discovered DADGAD tuning, Sarah actually reached out to Grace (instead of the other way around), and didn’t need to be convinced to talk about Star Trek, the Riker chair maneuver, Commodore Travers and his personal chef, McCoy is a “sensualist,” the three redshirts in this episode, all the Star Trek terms and plot devices that were established in “Arena,” Sulu in command!, everybody got tinnitus, do we handle this diplomatically or just blow shit up?, were the Gorns justified in their attack?, what role does/should Starfleet play: space police? explorers? diplomats?, “unscientific rumors and space legends,” i.e. drunk and crusty old space explorers in bars making up stories, Nichelle Nichols’ ability to say everything with her facial expressions, even when her dialogue is inadequate, the Metron’s sparkly, blond, fabulous Greco-Roman look, the supposedly “anti-violence” solution that the Metrons come up with and the plot holes thereof, that hilarious fight scene between Kirk and the Gorn, double fist punch, branches and boulders, why can’t the Gorn just crush Kirk like a bug?, planet or asteroid?, the Gorn’s eyes blink now, Ben Stiller owns the Gorn’s head now, Wah Chang, William Ware Theiss, and Ted Cassidy, Vasquez Rocks, Kirk monologues all over this episode, parsecs!, Star Wars vs Star Trek technobabble, the implausible gunpowder bamboo cannon, we’re going to go with the Gorn and Kirk being fully healed by the Metrons in regards to the limp and the diamond gun injuries, Sarah’s song, “The Tug of the Moon,” inspired by the leap second that we added in 2016 to compensate for the slowing of the earth’s gravitational pull, we as humans have to slow down to keep up with the world slowing down, what “success” as an independent artist actually means, how Sarah and Grace met when Grace was a folk baby, and Sarah’s upcoming tour (her first, post-Brexit).</itunes:summary>
      <itunes:subtitle>Sarah McQuaid is a UK-based, Irish-American singer and songwriter. Sarah sings and writes songs and plays acoustic and electric guitar, piano and the drums. After moving to Ireland in the 90&apos;s, she lived and worked there for 13 years. Sarah’s songwriting is celebrated and award-winning, and she’s well known for her distinctive guitar work, especially using DADGAD tuning. She&apos;s had number one albums on the folk charts in the United States, and in 2020, after her spring tour was abruptly cut short due to COVID-19, she launched a very successful crowdfunding campaign that financed the filming and recording of The St Buryan Sessions, a full-length live concert in the beautiful medieval church of St Buryan, just up the road from the rural cottage where she and her family live. The album and concert film were released to widespread critical acclaim in October of 2021.

“Captivating, unorthodox songwriting … layered satin vocals ... enthralling, harrowing arrangements … a gateway into a true innovator’s soul.” - PopMatters

We review Star Trek (the Original Series), Season 1, Episode 18, “Arena.&quot; Topics include: Sarah’s advice for independent musicians’ album releases, as a former music journalist, Sarah’s unique sound and her struggle with being defined by commercial musical genres, finding your voice, sticking to your guns, and occasionally turning down record deals as a young artist, Sarah’s international upbringing, the permeable folk music border between the UK/Ireland and America, how the pandemic affected Grace and Sarah&apos;s respective creative output, The St. Buryan Sessions, how Sarah discovered DADGAD tuning, Sarah actually reached out to Grace (instead of the other way around), and didn’t need to be convinced to talk about Star Trek, the Riker chair maneuver, Commodore Travers and his personal chef, McCoy is a “sensualist,” the three redshirts in this episode, all the Star Trek terms and plot devices that were established in “Arena,” Sulu in command!, everybody got tinnitus, do we handle this diplomatically or just blow shit up?, were the Gorns justified in their attack?, what role does/should Starfleet play: space police? explorers? diplomats?, “unscientific rumors and space legends,” i.e. drunk and crusty old space explorers in bars making up stories, Nichelle Nichols’ ability to say everything with her facial expressions, even when her dialogue is inadequate, the Metron’s sparkly, blond, fabulous Greco-Roman look, the supposedly “anti-violence” solution that the Metrons come up with and the plot holes thereof, that hilarious fight scene between Kirk and the Gorn, double fist punch, branches and boulders, why can’t the Gorn just crush Kirk like a bug?, planet or asteroid?, the Gorn’s eyes blink now, Ben Stiller owns the Gorn’s head now, Wah Chang, William Ware Theiss, and Ted Cassidy, Vasquez Rocks, Kirk monologues all over this episode, parsecs!, Star Wars vs Star Trek technobabble, the implausible gunpowder bamboo cannon, we’re going to go with the Gorn and Kirk being fully healed by the Metrons in regards to the limp and the diamond gun injuries, Sarah’s song, “The Tug of the Moon,” inspired by the leap second that we added in 2016 to compensate for the slowing of the earth’s gravitational pull, we as humans have to slow down to keep up with the world slowing down, what “success” as an independent artist actually means, how Sarah and Grace met when Grace was a folk baby, and Sarah’s upcoming tour (her first, post-Brexit).</itunes:subtitle>
      <itunes:keywords>sarah mcquaid, arena, kirk, gorn, troubadours on trek, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:episode>18</itunes:episode>
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      <title>TOS 1:17, &quot;The Squire of Gothos,&quot; with Slaid Cleaves</title>
      <description><![CDATA[<p>-You can find tour dates, news, merch, and music, including Slaid's latest album, <i>Ghost on the Car Radio</i>, at Slaid's website: <a href="https://slaid.com/" target="_blank">slaid.com</a> or <a href="http://slaidcleaves.com/" target="_blank">slaidcleaves.com</a> (there's a new website coming soon- stay tuned for that).</p><p>-Slaid is back in the studio, making his first album in five years with producer <a href="http://www.scrappyjud.com/" target="_blank">Scrappy Jud Newcomb</a>. This will be Slaid's third album with Newcomb.</p><p>-Slaid is back on tour! Tour dates start on the west coast in March and new dates are added all the time <a href="https://slaid.com/" target="_blank">on his website</a>. Sign up for the mailing list to stay in the know. He's not on social media much, but you can reach him through the website.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Slaid's song pairing for this episode: "Is It Like Today?" by Eliza Gilkyson and the original version of "Is It Like Today?" by World Party (Karl Wallinger of The Waterboys)</p><p>-Grace's song pairing for this episode: “War” by The Temptations</p><p>-Slaid's featured song is "If I Had a Heart," from his latest album, <i>Ghost on the Car Radio.</i></p><p>Corrections:</p><ul><li>The two factions in "The Omega Glory" (TOS 2:23) are the "Kohms" and the "Yangs" (I said "Kahns" in this recording instead of "Kohms").</li><li>"Balance of Terror" (TOS 1:14) gets its name from the expression that refers to the nuclear arms race of the Cold War. But this episode is not about mutually assured destruction, per se. If I'm missing any other <i>Star Trek</i> episodes that tackle the subject, let me know!</li><li>It's "The Man in the High Castle," not "Man in the High Tower," and it is indeed based on the novel of the same name, written by Philip K. Dick.</li><li>Slaid is entirely correct about <i>Star Trek</i>'s Nielson ratings in the 60's. When <i>Star Trek </i>aired on NBC, its ratings were low, and the network cancelled it in its third season. It's useful to keep in mind, however, that at the time the vast majority of TV viewers were watching only three broadcast networks: ABC, CBS, or NBC. So even a show with "low ratings" in the 60's would have commanded a much larger audience than a show with "low ratings" today. So it's kind of hard to make comparisons today. But its true that <i>Star Trek </i>didn't really become the hit show that it is today with its cult following and influence on popular culture until the 70's, when it was in syndication.</li><li>Is Q, and the coinciding Q Continuum, immortal? The much loved character Q, from <i>Star Trek: Next Generation</i> is an omnipotent being with the ability to control time and space at will. Q is part of a collective, the Q Continuum, which exists in another dimension not accessible or understandable to humans. Q is not a benevolent being. He is better described as bored than benevolent. Although he has a fascination with Picard and with humanity and its historical outcomes, he is at times antagonistic and arbitrarily cruel. Trelane, the antagonist of this episode, "The Squire of Gothos," is a precursor to Q. The question of whether or not Q can decline or die has been recently raised as a possible plot line in the newest season of <i>Star Trek: Picard</i>, currently airing on Paramount Plus.</li></ul>
]]></description>
      <pubDate>Sun, 1 May 2022 07:31:11 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Slaid Cleaves)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>-You can find tour dates, news, merch, and music, including Slaid's latest album, <i>Ghost on the Car Radio</i>, at Slaid's website: <a href="https://slaid.com/" target="_blank">slaid.com</a> or <a href="http://slaidcleaves.com/" target="_blank">slaidcleaves.com</a> (there's a new website coming soon- stay tuned for that).</p><p>-Slaid is back in the studio, making his first album in five years with producer <a href="http://www.scrappyjud.com/" target="_blank">Scrappy Jud Newcomb</a>. This will be Slaid's third album with Newcomb.</p><p>-Slaid is back on tour! Tour dates start on the west coast in March and new dates are added all the time <a href="https://slaid.com/" target="_blank">on his website</a>. Sign up for the mailing list to stay in the know. He's not on social media much, but you can reach him through the website.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Slaid's song pairing for this episode: "Is It Like Today?" by Eliza Gilkyson and the original version of "Is It Like Today?" by World Party (Karl Wallinger of The Waterboys)</p><p>-Grace's song pairing for this episode: “War” by The Temptations</p><p>-Slaid's featured song is "If I Had a Heart," from his latest album, <i>Ghost on the Car Radio.</i></p><p>Corrections:</p><ul><li>The two factions in "The Omega Glory" (TOS 2:23) are the "Kohms" and the "Yangs" (I said "Kahns" in this recording instead of "Kohms").</li><li>"Balance of Terror" (TOS 1:14) gets its name from the expression that refers to the nuclear arms race of the Cold War. But this episode is not about mutually assured destruction, per se. If I'm missing any other <i>Star Trek</i> episodes that tackle the subject, let me know!</li><li>It's "The Man in the High Castle," not "Man in the High Tower," and it is indeed based on the novel of the same name, written by Philip K. Dick.</li><li>Slaid is entirely correct about <i>Star Trek</i>'s Nielson ratings in the 60's. When <i>Star Trek </i>aired on NBC, its ratings were low, and the network cancelled it in its third season. It's useful to keep in mind, however, that at the time the vast majority of TV viewers were watching only three broadcast networks: ABC, CBS, or NBC. So even a show with "low ratings" in the 60's would have commanded a much larger audience than a show with "low ratings" today. So it's kind of hard to make comparisons today. But its true that <i>Star Trek </i>didn't really become the hit show that it is today with its cult following and influence on popular culture until the 70's, when it was in syndication.</li><li>Is Q, and the coinciding Q Continuum, immortal? The much loved character Q, from <i>Star Trek: Next Generation</i> is an omnipotent being with the ability to control time and space at will. Q is part of a collective, the Q Continuum, which exists in another dimension not accessible or understandable to humans. Q is not a benevolent being. He is better described as bored than benevolent. Although he has a fascination with Picard and with humanity and its historical outcomes, he is at times antagonistic and arbitrarily cruel. Trelane, the antagonist of this episode, "The Squire of Gothos," is a precursor to Q. The question of whether or not Q can decline or die has been recently raised as a possible plot line in the newest season of <i>Star Trek: Picard</i>, currently airing on Paramount Plus.</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 1:17, &quot;The Squire of Gothos,&quot; with Slaid Cleaves</itunes:title>
      <itunes:author>Grace Pettis, Slaid Cleaves</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/50d742ad-d809-4147-a0a0-fb1933ac5725/3000x3000/slaid-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:01:47</itunes:duration>
      <itunes:summary>Slaid Cleaves is a household name in Texas. As Joseph Hudak of Rolling Stone puts it, he’s “a master storyteller, one influenced not by the shine of pop-culture but by the dirt of real life.” Slaid first began performing as a solo artist in Cork, Ireland, when he was in college. Fresh from a breakup, he learned “a song a day, for a month,” cutting his teeth in the busking scene there.

Hailing from Maine originally, where he’d been in a high school garage band with Rod Picott, a childhood friend, he migrated to Portland, Maine, and eventually down to the Austin area, where he’s been since the early 90’s with his wife Karen. Pretty much immediately after arriving in Austin, Slaid made a name for himself in the scene with a win at the Kerrville New Folk songwriting contest.

In the years since, he’s released fourteen critically acclaimed and beloved albums and EPs, including his latest, Ghost on the Car Radio (2017). 2022 finds Slaid recording his first album in five years and getting back on the road, starting with a West Coast tour in the spring.

We review Star Trek (the Original Series), Season 1, Episode 17, “The Squire of Gothos.&quot; Topics include: Slaid’s connection with Ireland, adventures in busking, being the one American in Ireland in the midst of an American national tragedy, the Moxie Men, Slaid’s Texodus with Karen to “heaven with a Texas zip code,” adventures in pharmaceutical drug testing or, how young folksingers afford that Austin lifestyle, Kerrville Folk Festival’s New Folk contest, middle names, astronomy camp, coffee on the bridge, Venita Wolf, teasing between Bones and Spock, the non-main crew in this episode that have actual names and cultural backgrounds and that don’t get killed off, Kirk’s confidence, Trelane, a supposedly advanced lifeform who can’t think past the superficial distinctions between human beings, Trelane’s love of things that he doesn’t really understand and can’t really replicate, immaturity as something dangerous that leads to bad outcomes, dystheism in Star Trek, power not necessarily equaling superiority or benevolence, “I object to intellect without discipline. I object to power without constructive purpose,” why creative risks are worth taking, even when the general public doesn’t get it right away, Grace still can’t believe that Slaid wanted to be on this podcast, the starlight we see is from stars that are very far away and that died long ago, Trelane’s rearranging of matter as an early example of Holodeck technology, Trelane as a precursor to Q in Next Generation, Star Trek’s political leanings and the questions it asks, “The Omega Glory,” alternate historical timelines, Trelane as a god of war and also a naughty little boy, normal kid behavior vs budding sociopath, Trelane’s parents, Kirk’s anachronistic references, Patreon, autocrats, the world we’re leaving to the next generation, Leonard Nimoy’s Jewish-Ukrainian heritage, Ukraine’s complicated past and present and history with bullies and Russia invading Ukraine the week this episode was recorded.</itunes:summary>
      <itunes:subtitle>Slaid Cleaves is a household name in Texas. As Joseph Hudak of Rolling Stone puts it, he’s “a master storyteller, one influenced not by the shine of pop-culture but by the dirt of real life.” Slaid first began performing as a solo artist in Cork, Ireland, when he was in college. Fresh from a breakup, he learned “a song a day, for a month,” cutting his teeth in the busking scene there.

Hailing from Maine originally, where he’d been in a high school garage band with Rod Picott, a childhood friend, he migrated to Portland, Maine, and eventually down to the Austin area, where he’s been since the early 90’s with his wife Karen. Pretty much immediately after arriving in Austin, Slaid made a name for himself in the scene with a win at the Kerrville New Folk songwriting contest.

In the years since, he’s released fourteen critically acclaimed and beloved albums and EPs, including his latest, Ghost on the Car Radio (2017). 2022 finds Slaid recording his first album in five years and getting back on the road, starting with a West Coast tour in the spring.

We review Star Trek (the Original Series), Season 1, Episode 17, “The Squire of Gothos.&quot; Topics include: Slaid’s connection with Ireland, adventures in busking, being the one American in Ireland in the midst of an American national tragedy, the Moxie Men, Slaid’s Texodus with Karen to “heaven with a Texas zip code,” adventures in pharmaceutical drug testing or, how young folksingers afford that Austin lifestyle, Kerrville Folk Festival’s New Folk contest, middle names, astronomy camp, coffee on the bridge, Venita Wolf, teasing between Bones and Spock, the non-main crew in this episode that have actual names and cultural backgrounds and that don’t get killed off, Kirk’s confidence, Trelane, a supposedly advanced lifeform who can’t think past the superficial distinctions between human beings, Trelane’s love of things that he doesn’t really understand and can’t really replicate, immaturity as something dangerous that leads to bad outcomes, dystheism in Star Trek, power not necessarily equaling superiority or benevolence, “I object to intellect without discipline. I object to power without constructive purpose,” why creative risks are worth taking, even when the general public doesn’t get it right away, Grace still can’t believe that Slaid wanted to be on this podcast, the starlight we see is from stars that are very far away and that died long ago, Trelane’s rearranging of matter as an early example of Holodeck technology, Trelane as a precursor to Q in Next Generation, Star Trek’s political leanings and the questions it asks, “The Omega Glory,” alternate historical timelines, Trelane as a god of war and also a naughty little boy, normal kid behavior vs budding sociopath, Trelane’s parents, Kirk’s anachronistic references, Patreon, autocrats, the world we’re leaving to the next generation, Leonard Nimoy’s Jewish-Ukrainian heritage, Ukraine’s complicated past and present and history with bullies and Russia invading Ukraine the week this episode was recorded.</itunes:subtitle>
      <itunes:keywords>the squire of gothos, tos 1:17, slaid cleaves, troubadours on trek, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
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    <item>
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      <title>TOS 1:16, &quot;The Galileo Seven,&quot; with Ruby Dice</title>
      <description><![CDATA[<p>-Ruby Dice’s latest EP, <i>Denim Disco, </i>produced by Andrew Troubadour (of the Greyhounds) and recorded in Austin, is available <a href="https://www.rubydice.com/storemusic" target="_blank">on her website</a> and everywhere fine digital music is sold and streamed. Another EP, <i>Wild Ones </i>is also available now. Her upcoming single, “Can’t Behave,” written about women’s rights in Texas, will be released March 31st. Come celebrate that release at a big party at Sagebrush in Austin, Texas, March 31st. Ruby’s on the bill and all the proceeds from that event will go to sending women out of state to get medical care, in partnership with <a href="https://fundtexaschoice.org/" target="_blank">Fund Texas Choice.</a></p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-(Ruby forgot to choose a song pairing. If she sends me one later, I'll add it here!)</p><p>-Grace's song pairing for this episode: “Galileo” by the Indigo Girls.</p><p>-Ruby Dice's featured songs are "Think Free" and "Yellow T-Shirt," from her 2021 <i>Denim Disco </i>EP and 2020 <i>Wild Ones</i> EP, respectively.</p><p>Corrections:</p><ul><li>The <i>Galileo</i> (registration NCC-1701/7) was a class F shuttlecraft. The complement on a <i>Constitution </i>class starship like the <i>Enterprise </i>would have been typically four total shuttlecraft. So the “/7” designation is not in reference to the total number of shuttlecraft aboard, as I thought.</li><li>The Janeway/Chakotay get stranded on a planet together episode is called “Resolutions” (VOY 2:25).</li><li>The Janeway/Paris lizard babies episode is “Threshold” (VOY 2:15).</li></ul>
]]></description>
      <pubDate>Fri, 18 Mar 2022 22:55:51 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Ruby Dice, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>-Ruby Dice’s latest EP, <i>Denim Disco, </i>produced by Andrew Troubadour (of the Greyhounds) and recorded in Austin, is available <a href="https://www.rubydice.com/storemusic" target="_blank">on her website</a> and everywhere fine digital music is sold and streamed. Another EP, <i>Wild Ones </i>is also available now. Her upcoming single, “Can’t Behave,” written about women’s rights in Texas, will be released March 31st. Come celebrate that release at a big party at Sagebrush in Austin, Texas, March 31st. Ruby’s on the bill and all the proceeds from that event will go to sending women out of state to get medical care, in partnership with <a href="https://fundtexaschoice.org/" target="_blank">Fund Texas Choice.</a></p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-(Ruby forgot to choose a song pairing. If she sends me one later, I'll add it here!)</p><p>-Grace's song pairing for this episode: “Galileo” by the Indigo Girls.</p><p>-Ruby Dice's featured songs are "Think Free" and "Yellow T-Shirt," from her 2021 <i>Denim Disco </i>EP and 2020 <i>Wild Ones</i> EP, respectively.</p><p>Corrections:</p><ul><li>The <i>Galileo</i> (registration NCC-1701/7) was a class F shuttlecraft. The complement on a <i>Constitution </i>class starship like the <i>Enterprise </i>would have been typically four total shuttlecraft. So the “/7” designation is not in reference to the total number of shuttlecraft aboard, as I thought.</li><li>The Janeway/Chakotay get stranded on a planet together episode is called “Resolutions” (VOY 2:25).</li><li>The Janeway/Paris lizard babies episode is “Threshold” (VOY 2:15).</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 1:16, &quot;The Galileo Seven,&quot; with Ruby Dice</itunes:title>
      <itunes:author>Ruby Dice, Grace Pettis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/fc18766f-2371-4f72-9690-649b4d075d8c/3000x3000/tos-01-16-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:13:14</itunes:duration>
      <itunes:summary>My good friend Ruby Dice has been called the “Queen of the Denim Disco”; a fitting moniker. Ruby dice plays the bass, sings, and writes. She is both a confident bandleader and a much sought after bandmate; she can do it all. You could classify her sound as blues, soul, pop, country, or even disco. All of that’s in there. It’s all of the above and none of the above; Ruby does her own thing. In addition to her own solo project, she’s a rotating band member and in-demand bass player all over Texas, with Jordan Matthew Young, Johnathan Terrell, The Reverent Few, Calloway Ritch, the Grace Pettis Band, and about a billion other projects. 

As In the Pocket Magazine says, Ruby’s unique “mix of soul and rock n&apos; roll” is a vibe that “fits just fine here in the heart of Texas.” Her “soulful vocals,” combined with Calloway Ritch’s “articulate but bluesy guitar” “make for a sparse, powerful combo.” Take a listen to her latest EP, “Denim Disco,” to judge for yourself.  I guarantee you’ll want to join in on the Ruby Dice party.

We review Star Trek (the Original Series), Season 1, Episode 16, “The Galileo Seven.&quot; Topics include: younger versus older crowds and how the pandemic has affected turnout, from the family hardware store in Colorado to the music scene in Austin, that Austin sound and mindset (as opposed to Nashville), growing up as a preacher’s daughter in a family band, spending one’s formative years watching Jane Goodall documentaries and Star Trek, observing bandleaders as the bass player, how Ruby met a man with two first names and how that man became her partner in crime (in music and life), the story behind “Yellow T-Shirt,” 10,000 red dice and the custom shoes to match, quasars, the needs of the many outweighing the needs of the few, or the one, the magically reappearing Galileo shuttlecraft, Lieutenant Boma, Don Marshall, Gene Roddenberry and race in “The Galileo Seven,” black men playing heroic main characters with complexity who don’t get killed off in the first ten minutes of the episode (a rarity in the 1960s), Don Marshall in Land of the Giants, snarky Spock and sassy McCoy, nobody likes Spock being in charge, utilitarianism, the Trolley Car problem, how do we assign value to human life?, essential vs non-essential, Covid as a magnifying glass, exposing the problems with the way our society prioritizes some lives over others, Spock’s utilitarianism vs. Kodos’ utilitarianism in “Conscience of the King,” old abandoned mining towns, bad snow years and cannibalism, how TV conditions us to care about some characters more than others, how Kirk manages to keep his cool, why they shouldn’t have stopped to look at the dumb quasar, 99 problems but a ditch ain’t one because they obviously teach speed burying at Starfleet, Lucile Ball, her important role in Trek history, and her film, Five Came Back, and the beautiful way that Spock never allows other people to dictate his energy.</itunes:summary>
      <itunes:subtitle>My good friend Ruby Dice has been called the “Queen of the Denim Disco”; a fitting moniker. Ruby dice plays the bass, sings, and writes. She is both a confident bandleader and a much sought after bandmate; she can do it all. You could classify her sound as blues, soul, pop, country, or even disco. All of that’s in there. It’s all of the above and none of the above; Ruby does her own thing. In addition to her own solo project, she’s a rotating band member and in-demand bass player all over Texas, with Jordan Matthew Young, Johnathan Terrell, The Reverent Few, Calloway Ritch, the Grace Pettis Band, and about a billion other projects. 

As In the Pocket Magazine says, Ruby’s unique “mix of soul and rock n&apos; roll” is a vibe that “fits just fine here in the heart of Texas.” Her “soulful vocals,” combined with Calloway Ritch’s “articulate but bluesy guitar” “make for a sparse, powerful combo.” Take a listen to her latest EP, “Denim Disco,” to judge for yourself.  I guarantee you’ll want to join in on the Ruby Dice party.

We review Star Trek (the Original Series), Season 1, Episode 16, “The Galileo Seven.&quot; Topics include: younger versus older crowds and how the pandemic has affected turnout, from the family hardware store in Colorado to the music scene in Austin, that Austin sound and mindset (as opposed to Nashville), growing up as a preacher’s daughter in a family band, spending one’s formative years watching Jane Goodall documentaries and Star Trek, observing bandleaders as the bass player, how Ruby met a man with two first names and how that man became her partner in crime (in music and life), the story behind “Yellow T-Shirt,” 10,000 red dice and the custom shoes to match, quasars, the needs of the many outweighing the needs of the few, or the one, the magically reappearing Galileo shuttlecraft, Lieutenant Boma, Don Marshall, Gene Roddenberry and race in “The Galileo Seven,” black men playing heroic main characters with complexity who don’t get killed off in the first ten minutes of the episode (a rarity in the 1960s), Don Marshall in Land of the Giants, snarky Spock and sassy McCoy, nobody likes Spock being in charge, utilitarianism, the Trolley Car problem, how do we assign value to human life?, essential vs non-essential, Covid as a magnifying glass, exposing the problems with the way our society prioritizes some lives over others, Spock’s utilitarianism vs. Kodos’ utilitarianism in “Conscience of the King,” old abandoned mining towns, bad snow years and cannibalism, how TV conditions us to care about some characters more than others, how Kirk manages to keep his cool, why they shouldn’t have stopped to look at the dumb quasar, 99 problems but a ditch ain’t one because they obviously teach speed burying at Starfleet, Lucile Ball, her important role in Trek history, and her film, Five Came Back, and the beautiful way that Spock never allows other people to dictate his energy.</itunes:subtitle>
      <itunes:keywords>ruby dice, the galileo seven, troubadours on trek, tos 1:16, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
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      <title>TOS 1:15, &quot;Shore Leave,&quot; with Fabian Perez</title>
      <description><![CDATA[<p>-David Ramirez has a new live EP coming out the first quarter of 2022, called <i>Rules and Regulations</i>. <a href="https://www.tryhardcoffee.com/" target="_blank">Try Hard Coffee</a> has created a custom coffee flavor that pairs with David's music. Pre-order your copy of David's new EP on vinyl (super limited edition) and get a free bag of coffee and other goodies to enjoy it with. <a href="https://davidramirezmusic.com/" target="_blank">Join David's mailing list</a> for more information.</p><p>-<a href="https://deltaspirit.net/" target="_blank">Delta Spirit</a> and <a href="https://www.wildchildsounds.com/" target="_blank">Wild Child</a> have been in the studio and full length albums are coming soon for both. Join their mailing lists to stay in the loop.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Fabian's song pairing for this episode: “Lucy in the Sky With Diamonds” by The Beatles.</p><p>-Grace's song pairing for this episode: “White Rabbit” by Jefferson Airplane</p><p>-Fabian's featured songs are "I Think We're Alone Now" and "Pure Imagination" by The Wild Reeds, from their 2020 <i>Covers </i>EP.</p><p>Corrections:</p><ul><li>Pon farr, as established in "Amok Time," is the once-every-seven-years event in an adult Vulcan's life when they experience such extreme biological and psychological sexual desires that their normally rational minds are overcome and they are compelled to either mate with another Vulcan they are mentally bonded to, or engage in a ritualized battle. If they fail to do one of these two things, they will enter "Plak Tow," or the "blood fever," become violent and potentially die. Star Trek canon has established that Vulcans can have sex (and I guess, masturbate too) any time they want; not just during pon farr. But masturbating can't kill their crazy sex urges during pon farr. Only mating with a Vulcan they're bonded to can do that (or, alternatively, ritualized battle, or the "kal-il-fee").</li><li>“Africa U.S.A” was a 100-acre wild animal preserve in Soledad Canyon, California (in Santa Clarita, about 30 miles northwest of Los Angeles). It only existed from 1965-1969 before it was tragically destroyed by a flood. “Shore Leave” was in fact the only Star Trek episode filmed there.</li><li>Angela reappears at the end, after Kirk and the Caretaker have had a conversation about the planet. We don’t see her coming out from underground, but at the end, when everybody is paired up we see her standing next to Rodriguez, apparently healed and/or resurrected. At no point does anyone mention her or the fact that she was injured/dead.</li><li>Androids, or robots made to look like humans, are a science fiction staple. The term originates in the 1700’s, as a descriptor for an automaton. (Automatons are human-like or animal-like mechanical dolls that move and perform functions when wound up or switched on. There are lots of creepy historical examples. See for yourself on YouTube.) Androids began showing up in science fiction around the turn of the century and have been heavily featured in lots of science fiction short stories, books, film, and television.</li><li>Some famous and early examples are found in <i>Metropolis</i>, the 1927 German film by Fritz Lang, <i>I, Robot </i>by Issac Asimov, <i>Do Androids Dream of Electric Sheep </i>by Philip K. Dick (which was the inspiration for <i>Blade Runner</i>), <i>Westward </i>, which, before it was the popular HBO series created by Jonathan Nolan and Lisa Joy, was another television series from the 1970’s, written and directed by Michael Crichton, and of course, <i>Star Trek. </i>Episodes of the Original Series that feature androids include “<i>What Are Little Girls Made Of?", "I, Mudd", "Return to Tomorrow", </i>and <i>"Requiem for Methuselah.” </i>One of the most beloved main characters of <i>Star Trek: Next Generation </i>is Data, an android created by Dr. Noonien Soong.</li><li>Many stories about androids are not really about androids as much as they are about humans; android stories tell us about the human condition and human nature. Depictions of female androids, like the androids in <i>The Stepford Wives </i>or <i>Westworld, </i>tell us something about the ways that humans (read: men) understand, idealize, and seek to control women.</li></ul>
]]></description>
      <pubDate>Tue, 15 Feb 2022 19:40:34 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Fabian Perez)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>-David Ramirez has a new live EP coming out the first quarter of 2022, called <i>Rules and Regulations</i>. <a href="https://www.tryhardcoffee.com/" target="_blank">Try Hard Coffee</a> has created a custom coffee flavor that pairs with David's music. Pre-order your copy of David's new EP on vinyl (super limited edition) and get a free bag of coffee and other goodies to enjoy it with. <a href="https://davidramirezmusic.com/" target="_blank">Join David's mailing list</a> for more information.</p><p>-<a href="https://deltaspirit.net/" target="_blank">Delta Spirit</a> and <a href="https://www.wildchildsounds.com/" target="_blank">Wild Child</a> have been in the studio and full length albums are coming soon for both. Join their mailing lists to stay in the loop.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Fabian's song pairing for this episode: “Lucy in the Sky With Diamonds” by The Beatles.</p><p>-Grace's song pairing for this episode: “White Rabbit” by Jefferson Airplane</p><p>-Fabian's featured songs are "I Think We're Alone Now" and "Pure Imagination" by The Wild Reeds, from their 2020 <i>Covers </i>EP.</p><p>Corrections:</p><ul><li>Pon farr, as established in "Amok Time," is the once-every-seven-years event in an adult Vulcan's life when they experience such extreme biological and psychological sexual desires that their normally rational minds are overcome and they are compelled to either mate with another Vulcan they are mentally bonded to, or engage in a ritualized battle. If they fail to do one of these two things, they will enter "Plak Tow," or the "blood fever," become violent and potentially die. Star Trek canon has established that Vulcans can have sex (and I guess, masturbate too) any time they want; not just during pon farr. But masturbating can't kill their crazy sex urges during pon farr. Only mating with a Vulcan they're bonded to can do that (or, alternatively, ritualized battle, or the "kal-il-fee").</li><li>“Africa U.S.A” was a 100-acre wild animal preserve in Soledad Canyon, California (in Santa Clarita, about 30 miles northwest of Los Angeles). It only existed from 1965-1969 before it was tragically destroyed by a flood. “Shore Leave” was in fact the only Star Trek episode filmed there.</li><li>Angela reappears at the end, after Kirk and the Caretaker have had a conversation about the planet. We don’t see her coming out from underground, but at the end, when everybody is paired up we see her standing next to Rodriguez, apparently healed and/or resurrected. At no point does anyone mention her or the fact that she was injured/dead.</li><li>Androids, or robots made to look like humans, are a science fiction staple. The term originates in the 1700’s, as a descriptor for an automaton. (Automatons are human-like or animal-like mechanical dolls that move and perform functions when wound up or switched on. There are lots of creepy historical examples. See for yourself on YouTube.) Androids began showing up in science fiction around the turn of the century and have been heavily featured in lots of science fiction short stories, books, film, and television.</li><li>Some famous and early examples are found in <i>Metropolis</i>, the 1927 German film by Fritz Lang, <i>I, Robot </i>by Issac Asimov, <i>Do Androids Dream of Electric Sheep </i>by Philip K. Dick (which was the inspiration for <i>Blade Runner</i>), <i>Westward </i>, which, before it was the popular HBO series created by Jonathan Nolan and Lisa Joy, was another television series from the 1970’s, written and directed by Michael Crichton, and of course, <i>Star Trek. </i>Episodes of the Original Series that feature androids include “<i>What Are Little Girls Made Of?", "I, Mudd", "Return to Tomorrow", </i>and <i>"Requiem for Methuselah.” </i>One of the most beloved main characters of <i>Star Trek: Next Generation </i>is Data, an android created by Dr. Noonien Soong.</li><li>Many stories about androids are not really about androids as much as they are about humans; android stories tell us about the human condition and human nature. Depictions of female androids, like the androids in <i>The Stepford Wives </i>or <i>Westworld, </i>tell us something about the ways that humans (read: men) understand, idealize, and seek to control women.</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 1:15, &quot;Shore Leave,&quot; with Fabian Perez</itunes:title>
      <itunes:author>Grace Pettis, Fabian Perez</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/774aeb1a-fb75-45ba-8c4f-6c8923bec645/3000x3000/tos-01-15-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:05:54</itunes:duration>
      <itunes:summary>Fabian Perez has been working as an artist manager, tour manager, and business manager in the music industry for about a decade. Born and raised in Austin, Texas (Leander), he attended Texas A&amp;M, where he was a member of the Corps of Cadets. Since leaving a financial-investment advisory job to get into the music biz, he&apos;s worked with many amazing artists and bands, including Delta Spirit, Pedro the Lion, Ruthie Foster, Wild Child, David Ramirez, the Wild Reeds, Mineral, Lo Tom, Israel Nash, Leslie Stevens, Leon III and Grace Pettis (somehow, he manages). In addition to artist management, Fabian&apos;s earned his road warrior card tour managing for Ruthie Foster, David Ramirez, Glorietta, Israel Nash, Pedro the Lion, and others. He&apos;s worked with a few labels too: Lost Highway Records and Public Hi-Fi (founded by Jim Eno of Spoon). He&apos;s smart, organized, creative and hardworking and a good friend. I&apos;m really lucky to get to work with him. If you read this far, you also now know that there&apos;s a selfie with a sloth on Fabian&apos;s Instagram page. 

Several artists that Fabian works with have new material coming out soon, including David Ramirez, Delta Spirit, and Wild Child (more info in the notes section for this episode).

We review Star Trek (the Original Series), Season 1, Episode 15, “Shore Leave.&quot; Topics include: how long Grace and Fabian have been working together, the Texas A&amp;M Corps of Cadets (what even are they?), a pair of boots that cost Fabian ONE THOUSAND DOLLARS, everybody and their mom has Covid, from the street team and the family business to running a label and managing artists and tours, when Fabian stopped wearing suits, working with Ruthie Foster and David Ramirez, why Fabian prefers artist management to tour management, Next Generation and the varsity baseball coach’s daughter, the weird sexual overtones of “Shore Leave,” Theodore Sturgeon and “Amok Time,” pon farr and why can’t Vulcans just masturbate?, echoes of Westworld, they’re in “Omicron Delta” and so are we, echoes of the Holodeck, why is no one imagining a pizza?, the men have very aggressive violent fantasies and the one woman on the planet wants to be princess and/or be brutalized by a fictional character, no one is upset enough when McCoy DIES, no one notices when Angela DIES, Shatner wants to wrestle a tiger, the elephant in the room, Vasquez Park Natural Park Area, why the rocks were spray painted, this whole episode as a drug trip, William Blackburn, the professional ice skater who played the White Rabbit, “a crewman’s rights end where the safety of the ship begins” in the age of Covid, the uncredited Big Bird showgirls, Angela Martine/Teller, following the white rabbit as a metaphor for curiosity and imagination, and why is there a tiger??</itunes:summary>
      <itunes:subtitle>Fabian Perez has been working as an artist manager, tour manager, and business manager in the music industry for about a decade. Born and raised in Austin, Texas (Leander), he attended Texas A&amp;M, where he was a member of the Corps of Cadets. Since leaving a financial-investment advisory job to get into the music biz, he&apos;s worked with many amazing artists and bands, including Delta Spirit, Pedro the Lion, Ruthie Foster, Wild Child, David Ramirez, the Wild Reeds, Mineral, Lo Tom, Israel Nash, Leslie Stevens, Leon III and Grace Pettis (somehow, he manages). In addition to artist management, Fabian&apos;s earned his road warrior card tour managing for Ruthie Foster, David Ramirez, Glorietta, Israel Nash, Pedro the Lion, and others. He&apos;s worked with a few labels too: Lost Highway Records and Public Hi-Fi (founded by Jim Eno of Spoon). He&apos;s smart, organized, creative and hardworking and a good friend. I&apos;m really lucky to get to work with him. If you read this far, you also now know that there&apos;s a selfie with a sloth on Fabian&apos;s Instagram page. 

Several artists that Fabian works with have new material coming out soon, including David Ramirez, Delta Spirit, and Wild Child (more info in the notes section for this episode).

We review Star Trek (the Original Series), Season 1, Episode 15, “Shore Leave.&quot; Topics include: how long Grace and Fabian have been working together, the Texas A&amp;M Corps of Cadets (what even are they?), a pair of boots that cost Fabian ONE THOUSAND DOLLARS, everybody and their mom has Covid, from the street team and the family business to running a label and managing artists and tours, when Fabian stopped wearing suits, working with Ruthie Foster and David Ramirez, why Fabian prefers artist management to tour management, Next Generation and the varsity baseball coach’s daughter, the weird sexual overtones of “Shore Leave,” Theodore Sturgeon and “Amok Time,” pon farr and why can’t Vulcans just masturbate?, echoes of Westworld, they’re in “Omicron Delta” and so are we, echoes of the Holodeck, why is no one imagining a pizza?, the men have very aggressive violent fantasies and the one woman on the planet wants to be princess and/or be brutalized by a fictional character, no one is upset enough when McCoy DIES, no one notices when Angela DIES, Shatner wants to wrestle a tiger, the elephant in the room, Vasquez Park Natural Park Area, why the rocks were spray painted, this whole episode as a drug trip, William Blackburn, the professional ice skater who played the White Rabbit, “a crewman’s rights end where the safety of the ship begins” in the age of Covid, the uncredited Big Bird showgirls, Angela Martine/Teller, following the white rabbit as a metaphor for curiosity and imagination, and why is there a tiger??</itunes:subtitle>
      <itunes:keywords>tos 1:15, troubadours on trek, shore leave, fabian perez, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
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      <title>TOS 1:14, &quot;Balance of Terror,&quot; with Natalie Price</title>
      <description><![CDATA[<p>Check out <a href="http://natpricemusic.com/" target="_blank">natpricemusic.com</a> for the latest happenings in Natalie Land, tour dates, and fangirl merchandise, such as the new, limited edition pressing of Natalie's <i>Through the Fog </i>EP, rumored to be available on vinyl very soon. You can watch Natalie's talk show, "20 @ 10" on YouTube, Facebook Live, Twitch, or Instagram Live. Follow <a href="https://www.instagram.com/natpricemusic/" target="_blank">@natpricemusic</a> on the Grams to stay in the loop. </p><p>Natalie was recently selected for the <a href="https://austinmusicfoundation.org/" target="_blank">Austin Music Foundation</a>'s Artist Development Program. The Foundation chooses 4 to 6 artists every year for specialized consultation. As one of those artists for 2021, Natalie is contributing two new, unreleased songs to a forthcoming compilation album.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Natalie's song pairing for this episode: “Wreck of the Day” by Anna Nalick.</p><p>-Grace's song pairing for this episode: “Brothers in Arms” by Dire Straits</p><p>-Natalie's featured song is "Dreamwalker," from her <i>Through the Fog </i>EP.</p><p>Corrections:</p><ul><li>As promised, here’s an excellently researched piece about the prevailing and incorrect belief that Ship’s Captains get to officiate for weddings: <a href="https://www.nytimes.com/2014/03/02/fashion/weddings/a-marriage-at-sea-get-me-rewrite.html" target="_blank">https://www.nytimes.com/2014/03/02/fashion/weddings/a-marriage-at-sea-get-me-rewrite.html</a></li><li>The treaty between Earth and the Romulan Star Empire was not officially named in any episode of Star Trek.</li><li><a href="https://tor.com/" target="_blank">Tor.com</a>’s review of “Balance of Terror,” which is mentioned in this podcast: <a href="https://www.tor.com/2009/05/21/lemgstar-treklemg-re-watch-balance-of-terror/" target="_blank">https://www.tor.com/2009/05/21/lemgstar-treklemg-re-watch-balance-of-terror/</a></li><li>How close is close enough to fire a space torpedo at a Romulan ship? Does anyone have the answer? I don't.</li><li>As far as I can tell, the first appearance of the streaky star effect (where all the stars blur into lines streaking past the Enterprise when it goes into warp) was in <i>Star Trek II: Wrath of Khan</i>, the second Star Trek movie. <i>Wrath of Khan</i> came out in 1982, five years after <i>Star Wars</i> debuted in 1977. Which means <i>Star Wars</i> did it first, as far as I can tell (someone correct me if I’m wrong). In the opening credits for the Original Series, we definitely get a whooshing noise as the Enterprise zooms through space, but no streaky star effect.</li></ul>
]]></description>
      <pubDate>Wed, 12 Jan 2022 16:50:38 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Natalie Price)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Check out <a href="http://natpricemusic.com/" target="_blank">natpricemusic.com</a> for the latest happenings in Natalie Land, tour dates, and fangirl merchandise, such as the new, limited edition pressing of Natalie's <i>Through the Fog </i>EP, rumored to be available on vinyl very soon. You can watch Natalie's talk show, "20 @ 10" on YouTube, Facebook Live, Twitch, or Instagram Live. Follow <a href="https://www.instagram.com/natpricemusic/" target="_blank">@natpricemusic</a> on the Grams to stay in the loop. </p><p>Natalie was recently selected for the <a href="https://austinmusicfoundation.org/" target="_blank">Austin Music Foundation</a>'s Artist Development Program. The Foundation chooses 4 to 6 artists every year for specialized consultation. As one of those artists for 2021, Natalie is contributing two new, unreleased songs to a forthcoming compilation album.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Natalie's song pairing for this episode: “Wreck of the Day” by Anna Nalick.</p><p>-Grace's song pairing for this episode: “Brothers in Arms” by Dire Straits</p><p>-Natalie's featured song is "Dreamwalker," from her <i>Through the Fog </i>EP.</p><p>Corrections:</p><ul><li>As promised, here’s an excellently researched piece about the prevailing and incorrect belief that Ship’s Captains get to officiate for weddings: <a href="https://www.nytimes.com/2014/03/02/fashion/weddings/a-marriage-at-sea-get-me-rewrite.html" target="_blank">https://www.nytimes.com/2014/03/02/fashion/weddings/a-marriage-at-sea-get-me-rewrite.html</a></li><li>The treaty between Earth and the Romulan Star Empire was not officially named in any episode of Star Trek.</li><li><a href="https://tor.com/" target="_blank">Tor.com</a>’s review of “Balance of Terror,” which is mentioned in this podcast: <a href="https://www.tor.com/2009/05/21/lemgstar-treklemg-re-watch-balance-of-terror/" target="_blank">https://www.tor.com/2009/05/21/lemgstar-treklemg-re-watch-balance-of-terror/</a></li><li>How close is close enough to fire a space torpedo at a Romulan ship? Does anyone have the answer? I don't.</li><li>As far as I can tell, the first appearance of the streaky star effect (where all the stars blur into lines streaking past the Enterprise when it goes into warp) was in <i>Star Trek II: Wrath of Khan</i>, the second Star Trek movie. <i>Wrath of Khan</i> came out in 1982, five years after <i>Star Wars</i> debuted in 1977. Which means <i>Star Wars</i> did it first, as far as I can tell (someone correct me if I’m wrong). In the opening credits for the Original Series, we definitely get a whooshing noise as the Enterprise zooms through space, but no streaky star effect.</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 1:14, &quot;Balance of Terror,&quot; with Natalie Price</itunes:title>
      <itunes:author>Grace Pettis, Natalie Price</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/49200c6a-2cd3-4410-b5a5-b5f33ae1fe69/3000x3000/tos-01-14-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:50:46</itunes:duration>
      <itunes:summary>Texas native and award-winning Austin songwriter and performer Natalie Price doesn&apos;t write, play, or sing like anyone else. She was encouraged by her parents to abandon her dreams of becoming a professional musician and not much in her &quot;strict, religious, less-than-musical household&quot; prepared her for the life she&apos;s now living. The result of that background is a sort of otherworldly and somehow also organic voice that&apos;s completely her own. Her songs range from the abstract to the deeply intimate. Her latest release, Through the Fog (produced by Brian Douglas Phillips), garnered praise from Texas Music Monthly, who proclaimed her “one of Austin&apos;s most dynamic new singer-songwriters.&quot;  Her music has been featured by NPR and she’s performed in songwriting festivals and contests across the globe, including in Ireland, where we recorded this episode.

Natalie&apos;s been busy during the pandemic, hosting a weekly talk show on Instagram Live, Facebook, YouTube, and Twitch called &quot;20 @ 10 with Nat,&quot; working steadily on her highly anticipated sophomore album with producer Mary Bragg, and contributing several songs to a new compilation album, to be released soon by the Austin Music Foundation.

We review Star Trek (the Original Series), Season 1, Episode 14, “Balance of Terror.&quot; Topics include: Natalie’s first visit to Ireland, visiting Grace in Ireland, Natalie’s penchant for making interesting and weird friends and her pandemic-era talk show, hot tips and lessons learned from being a podcast/webcast host, Star Trek’s cultural permeation, Spock and Uhura’s uncomfortable bluetooth earbuds, the Captain’s privilege: dramatic lighting, the elaborate hairdos of the future, the myth of Ship’s Captains being able to officiate weddings, Romulans, the Roman foundational myth of Romulus and Remus, space politics in the Star Trek universe, Paul Schneider and battleship films, “Balance of Terror” as another WWII-inspired episode, Stiles and his family history, the younger and older officers on each bridge and their judgement and motivation, bigotry of the future, George Takei’s unique position as the only Japanese-American cast member in this episode, the bigotry and discrimination directed at Asian-Americans following WWII and continuing to today, the problematic “othering” of Japanese people in this episode, the simultaneous work that this episode does to dismantle that “othering” and bigotry in general, a core Star Trek ethic: not that humans are perfect but that humans are growing and getting better at recognizing and defeating their own darkness, the Bird of Prey, McCoy’s weird, convoluted pep talk with Kirk, &quot;Be vewwy quiet! I’m hunting Womulans!&quot;, why Romulans don&apos;t have windows, why Spock saved Stiles and not Tomlinson, why Kirk is such a great Captain in this episode, and Mark Lenard, the only Star Trek actor to play a Romulan, Vulcan, and Klingon.</itunes:summary>
      <itunes:subtitle>Texas native and award-winning Austin songwriter and performer Natalie Price doesn&apos;t write, play, or sing like anyone else. She was encouraged by her parents to abandon her dreams of becoming a professional musician and not much in her &quot;strict, religious, less-than-musical household&quot; prepared her for the life she&apos;s now living. The result of that background is a sort of otherworldly and somehow also organic voice that&apos;s completely her own. Her songs range from the abstract to the deeply intimate. Her latest release, Through the Fog (produced by Brian Douglas Phillips), garnered praise from Texas Music Monthly, who proclaimed her “one of Austin&apos;s most dynamic new singer-songwriters.&quot;  Her music has been featured by NPR and she’s performed in songwriting festivals and contests across the globe, including in Ireland, where we recorded this episode.

Natalie&apos;s been busy during the pandemic, hosting a weekly talk show on Instagram Live, Facebook, YouTube, and Twitch called &quot;20 @ 10 with Nat,&quot; working steadily on her highly anticipated sophomore album with producer Mary Bragg, and contributing several songs to a new compilation album, to be released soon by the Austin Music Foundation.

We review Star Trek (the Original Series), Season 1, Episode 14, “Balance of Terror.&quot; Topics include: Natalie’s first visit to Ireland, visiting Grace in Ireland, Natalie’s penchant for making interesting and weird friends and her pandemic-era talk show, hot tips and lessons learned from being a podcast/webcast host, Star Trek’s cultural permeation, Spock and Uhura’s uncomfortable bluetooth earbuds, the Captain’s privilege: dramatic lighting, the elaborate hairdos of the future, the myth of Ship’s Captains being able to officiate weddings, Romulans, the Roman foundational myth of Romulus and Remus, space politics in the Star Trek universe, Paul Schneider and battleship films, “Balance of Terror” as another WWII-inspired episode, Stiles and his family history, the younger and older officers on each bridge and their judgement and motivation, bigotry of the future, George Takei’s unique position as the only Japanese-American cast member in this episode, the bigotry and discrimination directed at Asian-Americans following WWII and continuing to today, the problematic “othering” of Japanese people in this episode, the simultaneous work that this episode does to dismantle that “othering” and bigotry in general, a core Star Trek ethic: not that humans are perfect but that humans are growing and getting better at recognizing and defeating their own darkness, the Bird of Prey, McCoy’s weird, convoluted pep talk with Kirk, &quot;Be vewwy quiet! I’m hunting Womulans!&quot;, why Romulans don&apos;t have windows, why Spock saved Stiles and not Tomlinson, why Kirk is such a great Captain in this episode, and Mark Lenard, the only Star Trek actor to play a Romulan, Vulcan, and Klingon.</itunes:subtitle>
      <itunes:keywords>natalie price, balance of terror, tos 1:14, troubadours on trek, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
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      <title>TOS 1:13, &quot;The Conscience of the King,&quot; with Rachael Kilgour</title>
      <description><![CDATA[<p><a href="http://rachaelkilgour.com/" target="_blank">RachaelKilgour.com</a> is the place to go for tour dates, music links, and the other “things that are on websites.” Rachael has a new EP out, <i>Gamechanger, </i>on all the expected listening platforms and is currently working on a new album exploring grief and her relationship with her late father, with the help of an “Artist Initiative Grant” from the state of Minnesota. Rachael and her partner Sara Pajunen have a side project called Sound an Echo. You can hear their original contemporary arrangements of American folk songs on an acoustic EP they made together at <a href="http://soundanecho.com/" target="_blank">soundanecho.com</a>.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Rachael's song pairings for this episode: “If I Could Turn Back Time” by Cher and “So Sorry” by Feist</p><p>-Grace's song pairing for this episode: “Psycho Killer” by The Talking Heads</p><p>-Rachael's featured song is ... I totally forgot to ask her for one during this episode! But I'm pretty confident she would've said "Game Changer," because it's her latest single and it's great. And if she sees this and wants to add another song, I will certainly oblige.</p>
]]></description>
      <pubDate>Fri, 3 Dec 2021 14:21:15 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Rachael Kilgour)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p><a href="http://rachaelkilgour.com/" target="_blank">RachaelKilgour.com</a> is the place to go for tour dates, music links, and the other “things that are on websites.” Rachael has a new EP out, <i>Gamechanger, </i>on all the expected listening platforms and is currently working on a new album exploring grief and her relationship with her late father, with the help of an “Artist Initiative Grant” from the state of Minnesota. Rachael and her partner Sara Pajunen have a side project called Sound an Echo. You can hear their original contemporary arrangements of American folk songs on an acoustic EP they made together at <a href="http://soundanecho.com/" target="_blank">soundanecho.com</a>.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Rachael's song pairings for this episode: “If I Could Turn Back Time” by Cher and “So Sorry” by Feist</p><p>-Grace's song pairing for this episode: “Psycho Killer” by The Talking Heads</p><p>-Rachael's featured song is ... I totally forgot to ask her for one during this episode! But I'm pretty confident she would've said "Game Changer," because it's her latest single and it's great. And if she sees this and wants to add another song, I will certainly oblige.</p>
]]></content:encoded>
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      <itunes:title>TOS 1:13, &quot;The Conscience of the King,&quot; with Rachael Kilgour</itunes:title>
      <itunes:author>Grace Pettis, Rachael Kilgour</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/5049a7e8-cda2-4a84-8fbc-3503c76091c1/3000x3000/tos-01-13-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:52:30</itunes:duration>
      <itunes:summary>Minnesota native Rachael Kilgour&apos;s songs have been called &quot;brave and humane.&quot; That&apos;s well put.  Rachael is not afraid to write, or to sing that thing that needs to be said, even at the risk of making everyone in the room (including herself) uncomfortable. Many songwriters don&apos;t risk so much on a stage. Vulnerability takes courage.  Rachael never shies away from the true thing, even when it&apos;s the hard thing. But then, so much tenderness and empathy shines through even the most piercing lines that it&apos;s impossible for the listener to be afraid of going there with her. 

It was a privilege to witness and experience this from a few feet away on stage this past August and September, on a Midwest tour with Rachael this year.  Getting to hear her, from the best seat in the house, was well worth the challenges presented by touring in the age of Corona.

Beyond that, you should know that Rachael is both a grand prize winner of the esteemed international NewSong Music Performance &amp; Songwriting Competition and a winner of the 2017 Kerrville New Folk Contest. She has been featured at NYC’s Lincoln Center, at The Kennedy Center in Washington D.C. and by the ASCAP Music Cafe at the Sundance Film Festival.  Rachael is also the recent recipient of an “Artist Initiative Grant” from the state of Minnesota, which she is utilizing to create new recorded work.

We review Star Trek (the Original Series), Season 1, Episode 13, “The Conscience of the King.&quot; Topics include: Rachael’s background in the Arctic Minnesota and Canadian Tropics, the NewSong Songwriting Competition and how it was a diving board for both Rachael and I, in very different times in our lives, “creating art around it” or how to turn trauma into songs, Hamlet, a play within a play within a play, “night lighting” on the Enterprise, this episode not as a whodunit but as an examination of moral and ethical complications, &quot;Star Trek Day&quot; (Sep 8th), why was it so hard to identify Kodos’ body and how was Kodos able to kills so many people so quickly, the Galactic Cultural Exchange Project, Qo’noS and Minneapolis as sister cities, why does the Vulcan lyre use a Western musical scale?, the nine year tour, Rachael and Grace on tour in the Midwest during Covid, Station Eleven by Emily St. John Mandel, “Because survival is insufficient,&quot; why we should continue to make, appreciate, and support art in trying times, Kirk is just trying to straight male fix everything without asking for help from Spock or anyone else, the power imbalance between Kirk and Lenore, Martha’s weird reaction to Tom dying, Grace Lee Whitney’s last Original Series scene, Vulcans and alcohol, Lenore’s cringey porno dialogue, Kirk as Hamlet, Lenore as Ophelia, “Beyond Antares,” Gene L. Coon, (“the other Gene”), Nazis, the Nuremberg trials, Central and South America, the Catholic Church, Adolf Eichmann and “the banality of evil,” why didn’t they cancel the play at this point?, the origins of the Vulcan salute and “Live Long and Prosper” (LLAP), and Leonard Nimoy’s Jewish heritage and immigrant story.</itunes:summary>
      <itunes:subtitle>Minnesota native Rachael Kilgour&apos;s songs have been called &quot;brave and humane.&quot; That&apos;s well put.  Rachael is not afraid to write, or to sing that thing that needs to be said, even at the risk of making everyone in the room (including herself) uncomfortable. Many songwriters don&apos;t risk so much on a stage. Vulnerability takes courage.  Rachael never shies away from the true thing, even when it&apos;s the hard thing. But then, so much tenderness and empathy shines through even the most piercing lines that it&apos;s impossible for the listener to be afraid of going there with her. 

It was a privilege to witness and experience this from a few feet away on stage this past August and September, on a Midwest tour with Rachael this year.  Getting to hear her, from the best seat in the house, was well worth the challenges presented by touring in the age of Corona.

Beyond that, you should know that Rachael is both a grand prize winner of the esteemed international NewSong Music Performance &amp; Songwriting Competition and a winner of the 2017 Kerrville New Folk Contest. She has been featured at NYC’s Lincoln Center, at The Kennedy Center in Washington D.C. and by the ASCAP Music Cafe at the Sundance Film Festival.  Rachael is also the recent recipient of an “Artist Initiative Grant” from the state of Minnesota, which she is utilizing to create new recorded work.

We review Star Trek (the Original Series), Season 1, Episode 13, “The Conscience of the King.&quot; Topics include: Rachael’s background in the Arctic Minnesota and Canadian Tropics, the NewSong Songwriting Competition and how it was a diving board for both Rachael and I, in very different times in our lives, “creating art around it” or how to turn trauma into songs, Hamlet, a play within a play within a play, “night lighting” on the Enterprise, this episode not as a whodunit but as an examination of moral and ethical complications, &quot;Star Trek Day&quot; (Sep 8th), why was it so hard to identify Kodos’ body and how was Kodos able to kills so many people so quickly, the Galactic Cultural Exchange Project, Qo’noS and Minneapolis as sister cities, why does the Vulcan lyre use a Western musical scale?, the nine year tour, Rachael and Grace on tour in the Midwest during Covid, Station Eleven by Emily St. John Mandel, “Because survival is insufficient,&quot; why we should continue to make, appreciate, and support art in trying times, Kirk is just trying to straight male fix everything without asking for help from Spock or anyone else, the power imbalance between Kirk and Lenore, Martha’s weird reaction to Tom dying, Grace Lee Whitney’s last Original Series scene, Vulcans and alcohol, Lenore’s cringey porno dialogue, Kirk as Hamlet, Lenore as Ophelia, “Beyond Antares,” Gene L. Coon, (“the other Gene”), Nazis, the Nuremberg trials, Central and South America, the Catholic Church, Adolf Eichmann and “the banality of evil,” why didn’t they cancel the play at this point?, the origins of the Vulcan salute and “Live Long and Prosper” (LLAP), and Leonard Nimoy’s Jewish heritage and immigrant story.</itunes:subtitle>
      <itunes:keywords>the conscience of the king, rachael kilgour, troubadours on trek, tos: 01:13, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
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      <title>TOS 01:12, &quot;The Menagerie, Part II,&quot; with Ryan Madora (and Ellen Angelico)</title>
      <description><![CDATA[<p>Ryan Madora exists on the internet at <a href="https://ryanmadora.com/" target="_blank">https://ryanmadora.com/</a>.  There you can find links to her full discography, tour dates, and how to start taking bass lessons with Ryan. Yes, Ryan teaches the bass! "With years of experience as an educator, Ryan would love to help you on your musical journey. Whether you need motivation and accountability, a practice regime to help you stay focused, or tips for breaking bad habits, lessons are a great way to take your playing to the next level." You can find Ryan's book, <i>Bass Players To Know: Learning From the Greats</i>, <a href="https://ryanmadora.com/read" target="_blank">on her website</a>, on <a href="https://www.amazon.com/Bass-Players-Know-Learning-Greats/dp/1689573651/ref=asc_df_1689573651/?tag=hyprod-20&linkCode=df0&hvadid=385673988716&hvpos=&hvnetw=g&hvrand=17782522105932016088&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9028306&hvtargid=pla-844260098389&psc=1&tag=&ref=&adgrpid=77500929494&hvpone=&hvptwo=&hvadid=385673988716&hvpos=&hvnetw=g&hvrand=17782522105932016088&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9028306&hvtargid=pla-844260098389" target="_blank">Amazon</a>, and in other places where books can be purchased. You can become a Ryan Madora patron at <a href="https://www.patreon.com/ryanmadora">https://www.patreon.com/ryanmadora</a>. Ryan is on all the social media things as @ryanmadora.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Ryan's song pairing for this episode: “Just My Imagination” by the Temptations</p><p>-Grace's song pairing for this episode: “Tir na Nog” by Van Morrison</p><p>-Ryan's featured song is “I’m Still Here” by Craig Haller (produced by Ryan Madora & Craig Haller).</p><p>-Ryan's retroactive song pairing for "The Menagerie, Part I":  “Sure Don’t Feel Like Love” Paul Simon</p><p>-Ryan's retroactive featured song for "The Menagerie, Part I": “Seven Point Two” by the Interludes (Ryan's  instrumental trio, currently on hiatus. Album produced by Ryan).</p><p><strong>Corrections</strong>:</p><ul><li>The "guy who sells everybody out in the Matrix" was Cypher, played by Joe Pantoliano.</li><li>In the context of talking about the Irish fairyland Tír na nÓg, Grace said it was like “Rumpelstiltskin.” She meant Rip van Winkle, a character in a Washington Irving story who famously slept for 20 years, while the world went on without him. Rumpelstiltskin is the Brothers Grimm fairytale where a creature named Rumpelstiltskin turns straw to gold in exchange for a maiden’s firstborn child.</li></ul>
]]></description>
      <pubDate>Mon, 8 Nov 2021 13:30:08 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Ryan Madora, Ellen Angelico)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Ryan Madora exists on the internet at <a href="https://ryanmadora.com/" target="_blank">https://ryanmadora.com/</a>.  There you can find links to her full discography, tour dates, and how to start taking bass lessons with Ryan. Yes, Ryan teaches the bass! "With years of experience as an educator, Ryan would love to help you on your musical journey. Whether you need motivation and accountability, a practice regime to help you stay focused, or tips for breaking bad habits, lessons are a great way to take your playing to the next level." You can find Ryan's book, <i>Bass Players To Know: Learning From the Greats</i>, <a href="https://ryanmadora.com/read" target="_blank">on her website</a>, on <a href="https://www.amazon.com/Bass-Players-Know-Learning-Greats/dp/1689573651/ref=asc_df_1689573651/?tag=hyprod-20&linkCode=df0&hvadid=385673988716&hvpos=&hvnetw=g&hvrand=17782522105932016088&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9028306&hvtargid=pla-844260098389&psc=1&tag=&ref=&adgrpid=77500929494&hvpone=&hvptwo=&hvadid=385673988716&hvpos=&hvnetw=g&hvrand=17782522105932016088&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9028306&hvtargid=pla-844260098389" target="_blank">Amazon</a>, and in other places where books can be purchased. You can become a Ryan Madora patron at <a href="https://www.patreon.com/ryanmadora">https://www.patreon.com/ryanmadora</a>. Ryan is on all the social media things as @ryanmadora.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Ryan's song pairing for this episode: “Just My Imagination” by the Temptations</p><p>-Grace's song pairing for this episode: “Tir na Nog” by Van Morrison</p><p>-Ryan's featured song is “I’m Still Here” by Craig Haller (produced by Ryan Madora & Craig Haller).</p><p>-Ryan's retroactive song pairing for "The Menagerie, Part I":  “Sure Don’t Feel Like Love” Paul Simon</p><p>-Ryan's retroactive featured song for "The Menagerie, Part I": “Seven Point Two” by the Interludes (Ryan's  instrumental trio, currently on hiatus. Album produced by Ryan).</p><p><strong>Corrections</strong>:</p><ul><li>The "guy who sells everybody out in the Matrix" was Cypher, played by Joe Pantoliano.</li><li>In the context of talking about the Irish fairyland Tír na nÓg, Grace said it was like “Rumpelstiltskin.” She meant Rip van Winkle, a character in a Washington Irving story who famously slept for 20 years, while the world went on without him. Rumpelstiltskin is the Brothers Grimm fairytale where a creature named Rumpelstiltskin turns straw to gold in exchange for a maiden’s firstborn child.</li></ul>
]]></content:encoded>
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      <itunes:title>TOS 01:12, &quot;The Menagerie, Part II,&quot; with Ryan Madora (and Ellen Angelico)</itunes:title>
      <itunes:author>Grace Pettis, Ryan Madora, Ellen Angelico</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/c17bb91c-19a8-4a6b-a82d-10b897ac1e1e/3000x3000/tos-01-12-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:15:44</itunes:duration>
      <itunes:summary>About this &quot;Double Feature&quot; Edition of Troubadours on Trek:

Listeners may know that Episodes 11 and 12 of the first season of the Original Series of Star Trek are actually one, long two-parter episode called “The Menagerie” (with Parts I and II).  In honor of that fact, I invited two incredible musicians, Ellen Angelico and Ryan Madora, who play together frequently (including on my new album, Working Woman) to be my guests for Parts I and II, with each Part focused on each and the other chiming in sporadically or just mostly noodling on the bass inaudibly in the background, as was the case with Ryan in Part I.

Part I is All Things Ellen and Part II is our Ryan-a-rama. Last time on “The Menagerie Part 1” we learned about the great Ellen Angelico and how they’re tearing it up in Nashville. Ryan Madora is another Nashville star and one of the great bass players on the planet. She and Ellen have played together on a lot of records and projects, including my newest album, Working Woman.

About Ryan Madora:

Hailing from the City of Brotherly Love, Ryan Madora has been a fixture of the Nashville scene since 2012.  With names like Robben Ford, Molly Tuttle, Bobby Bones and The Raging Idiots, Pat McLaughlin, Tenille Arts, Kyshona Armstrong, Alicia Michilli, Nicole Boggs, Fred Mollin, and Lamont Dozier in the &quot;has played with&quot; section of her resume, Ryan&apos;s got cred to spare. Additionally, she&apos;s backed up Garth Brooks, Darius Rucker, Lady Antebellum, Luke Bryan, Carrie Underwood, Marren Morris, and Hanson and has been the longstanding Musical Director for the annual “Bobby Bones and the Raging Idiots Million Dollar Show at The Ryman” to benefit St. Jude’s. She&apos;s made frequent appearances on several seasons of the hit TV show “Nashville.&quot;  In 2019, Ryan published her first book, Bass Players To Know: Learning From The Greats. She&apos;s also a regular contributor to the online bass magazine, No Treble, and Bass Player Magazine.  Ryan was voted “6th Best Bassist of 2020” by Bass Player Magazine/Music Radar.

We review Star Trek (the Original Series), Season 1, Episode 12, “The Menagerie, Part II.&quot; Topics include: How Ryan and the bass found each other, how Ryan started playing with “one of the greatest guitar players of the 20th Century,” being the music director versus being the bass player, Ryan’s (and Ellen’s) first episode of Star Trek, the impressive, creative camera tricks, etc. used in the 1960s to create the Star Trek universe vs. modern CGI and special effects, questioning whether you’re on the right path or whether you should’ve chosen an easier path, Pike’s illusions as possible other realities for his life, pulsating veins and the butt/ballsack hybrid, the hypothetical amount of a whole lot of money that it would take to convince any of us to cover our bodies in green paint, if Ryan betrayed Neo and the gang and got to be reinserted into the Matrix and to choose her own illusion, she would be living on Kauai, working on a coffee farm (just for fun) and practicing ice hockey in her backyard, Ellen is already living their dream life and has plenty of cheese and doesn’t need the Matrix, cheese grater communicators, Ellen timestamps themselves, “Decorate the caves, man!”, the Vina takeaway: that bodies that differentiate at all from the “norm” should go and live in caves, the creepy thought of thousands of Talosians watching your every move, the parallel with reality television, “quality of life” and the danger of valuing one human life over another based on ability, whether or not Pike’s choice to beam down is plausible, and the ending of “The Cage” versus the ending of “The Menagerie” and which is truer to the Trekian spirit.</itunes:summary>
      <itunes:subtitle>About this &quot;Double Feature&quot; Edition of Troubadours on Trek:

Listeners may know that Episodes 11 and 12 of the first season of the Original Series of Star Trek are actually one, long two-parter episode called “The Menagerie” (with Parts I and II).  In honor of that fact, I invited two incredible musicians, Ellen Angelico and Ryan Madora, who play together frequently (including on my new album, Working Woman) to be my guests for Parts I and II, with each Part focused on each and the other chiming in sporadically or just mostly noodling on the bass inaudibly in the background, as was the case with Ryan in Part I.

Part I is All Things Ellen and Part II is our Ryan-a-rama. Last time on “The Menagerie Part 1” we learned about the great Ellen Angelico and how they’re tearing it up in Nashville. Ryan Madora is another Nashville star and one of the great bass players on the planet. She and Ellen have played together on a lot of records and projects, including my newest album, Working Woman.

About Ryan Madora:

Hailing from the City of Brotherly Love, Ryan Madora has been a fixture of the Nashville scene since 2012.  With names like Robben Ford, Molly Tuttle, Bobby Bones and The Raging Idiots, Pat McLaughlin, Tenille Arts, Kyshona Armstrong, Alicia Michilli, Nicole Boggs, Fred Mollin, and Lamont Dozier in the &quot;has played with&quot; section of her resume, Ryan&apos;s got cred to spare. Additionally, she&apos;s backed up Garth Brooks, Darius Rucker, Lady Antebellum, Luke Bryan, Carrie Underwood, Marren Morris, and Hanson and has been the longstanding Musical Director for the annual “Bobby Bones and the Raging Idiots Million Dollar Show at The Ryman” to benefit St. Jude’s. She&apos;s made frequent appearances on several seasons of the hit TV show “Nashville.&quot;  In 2019, Ryan published her first book, Bass Players To Know: Learning From The Greats. She&apos;s also a regular contributor to the online bass magazine, No Treble, and Bass Player Magazine.  Ryan was voted “6th Best Bassist of 2020” by Bass Player Magazine/Music Radar.

We review Star Trek (the Original Series), Season 1, Episode 12, “The Menagerie, Part II.&quot; Topics include: How Ryan and the bass found each other, how Ryan started playing with “one of the greatest guitar players of the 20th Century,” being the music director versus being the bass player, Ryan’s (and Ellen’s) first episode of Star Trek, the impressive, creative camera tricks, etc. used in the 1960s to create the Star Trek universe vs. modern CGI and special effects, questioning whether you’re on the right path or whether you should’ve chosen an easier path, Pike’s illusions as possible other realities for his life, pulsating veins and the butt/ballsack hybrid, the hypothetical amount of a whole lot of money that it would take to convince any of us to cover our bodies in green paint, if Ryan betrayed Neo and the gang and got to be reinserted into the Matrix and to choose her own illusion, she would be living on Kauai, working on a coffee farm (just for fun) and practicing ice hockey in her backyard, Ellen is already living their dream life and has plenty of cheese and doesn’t need the Matrix, cheese grater communicators, Ellen timestamps themselves, “Decorate the caves, man!”, the Vina takeaway: that bodies that differentiate at all from the “norm” should go and live in caves, the creepy thought of thousands of Talosians watching your every move, the parallel with reality television, “quality of life” and the danger of valuing one human life over another based on ability, whether or not Pike’s choice to beam down is plausible, and the ending of “The Cage” versus the ending of “The Menagerie” and which is truer to the Trekian spirit.</itunes:subtitle>
      <itunes:keywords>part ii, tos 01:12, troubadours on trek, ryan madora, the menagerie, ellen angelico, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
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      <title>TOS 01:11, &quot;The Menagerie, Part I,&quot; with Ellen Angelico (and Ryan Madora)</title>
      <description><![CDATA[<p>Find an occasional list of updated shows Ellen is playing, including with Cam, the country megastar, at <a href="http://ellenangelico.com/">ellenangelico.com</a>. Ellen is occasionally hilarious on Twitter, tweeting things their partner says. Check out Fanny School of Music at <a href="http://fannyschoolofmusic.org/">fannyschoolofmusic.org</a>. If you have a million dollars, you can donate it to Fanny School of Music and help some kids learn how to music.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Ellen's song pairing for this episode: "Your Head's Too Big" by the Ditty Bops</p><p>-Grace's song pairings for this episode: “No” by Meghan Trainer</p><p>-Ellen's featured song is “Yurt” from the album <i>Haven't Changed Much </i>by Uncle Ellen.</p><p><strong>Corrections:</strong></p><ul><li>Spock actually nerve pinched two separate crewmen on Starbase 11. The first was Chief Humbolt, in the blue uniform (“bathrobe”). The second was a random redrobe, Starbase 11’s version of the redshirt, I guess.</li><li>How many luaos happened in Star Trek? The only one I know about is in <i>Voyager</i> (VOY 03:14). Neelix hosts it and everybody wears Hawaiian shirts.</li><li>The actor Malachi Throne appeared in three episodes of <i>The Original Series </i>(TOS) and two episodes of <i>Next Generation</i> (TNG): “The Cage” (TOS), “The Menagerie, Part I” (TOS), “The Menagerie, Part II (TOS), “Unification I” (TNG), and “Unification II” (TNG). He had numerous other television appearances, including in <i>Babylon 5</i>, in the episode “The Coming of Shadows.”</li><li>The episode I refer to that features crewman with godlike ESP powers is TOS 01:03, “Where No Man Has Gone Before.”</li><li>Mark Hamill was in a bad car accident, not a boating accident before filming <i>The Empire Strikes Back. </i>The Bigfoot-like creature that attacks and injures him on Hoth is called a wampa.</li></ul>
]]></description>
      <pubDate>Fri, 1 Oct 2021 23:33:57 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Ellen Angelico, Ryan Madora)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Find an occasional list of updated shows Ellen is playing, including with Cam, the country megastar, at <a href="http://ellenangelico.com/">ellenangelico.com</a>. Ellen is occasionally hilarious on Twitter, tweeting things their partner says. Check out Fanny School of Music at <a href="http://fannyschoolofmusic.org/">fannyschoolofmusic.org</a>. If you have a million dollars, you can donate it to Fanny School of Music and help some kids learn how to music.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Ellen's song pairing for this episode: "Your Head's Too Big" by the Ditty Bops</p><p>-Grace's song pairings for this episode: “No” by Meghan Trainer</p><p>-Ellen's featured song is “Yurt” from the album <i>Haven't Changed Much </i>by Uncle Ellen.</p><p><strong>Corrections:</strong></p><ul><li>Spock actually nerve pinched two separate crewmen on Starbase 11. The first was Chief Humbolt, in the blue uniform (“bathrobe”). The second was a random redrobe, Starbase 11’s version of the redshirt, I guess.</li><li>How many luaos happened in Star Trek? The only one I know about is in <i>Voyager</i> (VOY 03:14). Neelix hosts it and everybody wears Hawaiian shirts.</li><li>The actor Malachi Throne appeared in three episodes of <i>The Original Series </i>(TOS) and two episodes of <i>Next Generation</i> (TNG): “The Cage” (TOS), “The Menagerie, Part I” (TOS), “The Menagerie, Part II (TOS), “Unification I” (TNG), and “Unification II” (TNG). He had numerous other television appearances, including in <i>Babylon 5</i>, in the episode “The Coming of Shadows.”</li><li>The episode I refer to that features crewman with godlike ESP powers is TOS 01:03, “Where No Man Has Gone Before.”</li><li>Mark Hamill was in a bad car accident, not a boating accident before filming <i>The Empire Strikes Back. </i>The Bigfoot-like creature that attacks and injures him on Hoth is called a wampa.</li></ul>
]]></content:encoded>
      <enclosure length="35228273" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/251fe153-8ead-4488-b1b0-2680b3f92970/audio/9f0a66b2-3def-45a6-8b2a-9c4f11503671/default_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 01:11, &quot;The Menagerie, Part I,&quot; with Ellen Angelico (and Ryan Madora)</itunes:title>
      <itunes:author>Grace Pettis, Ellen Angelico, Ryan Madora</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/4612fcef-b931-4641-9a89-c7520ff5891a/3000x3000/tos-01-11-cover.jpg?aid=rss_feed"/>
      <itunes:duration>00:58:43</itunes:duration>
      <itunes:summary>About this &quot;Double Feature&quot; Edition of Troubadours on Trek:

Listeners may know that Episodes 11 and 12 of the first season of the Original Series of Star Trek are actually one, long two-parter episode called “The Menagerie” (with Parts I and II).  In honor of that fact, I invited two incredible musicians, Ellen Angelico and Ryan Madora, who play together frequently (including on my new album, Working Woman) to be my guests for Parts I and II, with each Part focused on each and the other chiming in sporadically or just mostly noodling on the bass inaudibly in the background, as was the case with Ryan in Part I.
Part I is All Things Ellen and Part II is our Ryan-a-rama. But you have to stick around and listen to the next episode to hear more about the amazing Ryan Madora. Just like with &quot;The Menagerie, Part I,&quot; we’re ending on a cliffhanger and the cliffhanger is: who is this Ryan Madora person??? Stick around to find out.

About Ellen Angelico:

Ellen Angelico is an in-demand session musician and currently tours with mega famous country artist Cam. They are featured on numerous records (including my latest, Working Woman) and have played everywhere from the Grand Ole Opry to Križanke (which I had to Google. Turns out, it&apos;s in Slovenia). Ellen is also the face of legendary Nashville guitar store Fanny&apos;s House of Music, overseeing and producing YouTube videos and social media content for that establishment. Under the moniker &quot;Uncle Ellen,&quot; Ellen releases original music every once in a blue moon. Since January 2021, Ellen has proudly served Nashville as a Commissioner on the Metro Nashville Arts Commission. The Nashville Scene called Ellen an &quot;ace of all things stringed&quot; and &quot;one of the greatest utility players in Nashville.”
We review Star Trek (the Original Series), Season 1, Episode 11, “The Menagerie, Part I.&quot; Topics include: What’s at the top of Ellen’s illustrious resume, how people end up in Slovenia, Ellen’s occasional, infrequent, brilliant solo project, Ellen and the Nashville Metro Arts Commission, the Ellen and Ryan friendship continuum that has no beginning or end, Ellen and Ryan wearing the same clothes, Ellen watches nothing, Ellen’s minute by minute play by play, including bathrobes, lunchboxes, green earrings, cheese graters, and other observations, the surface of Talos IV is uninhabitable but Las Vegas exists, big buttheads, jewel-encrusted fancy dress uniforms, supporting actors Julie Parrish, Malachi Throne, and Meg Wylie, the actor who plays Vina, Susan Oliver, her fear of flying, her later historic transatlantic flight, and her pioneering director work, the rampant ableism in this episode, disability as plot device, why we get telepathic aliens but none of differently abled Christopher Pike’s thoughts or personality in this episode, how the core messaging of “The Menagerie” is contrary in ways to the core messaging of “The Cage,” the crew is forced to watch Talosian home movies while the viewing audience at home is forced to watch Roddenberry’s original pilot, futuristic technology inspired by Trek technology, the failure of that futuristic technology in the doors and the windows of a tour bus Ellen was in one time, and Ryan inaudibly noodling on the bass in the background.</itunes:summary>
      <itunes:subtitle>About this &quot;Double Feature&quot; Edition of Troubadours on Trek:

Listeners may know that Episodes 11 and 12 of the first season of the Original Series of Star Trek are actually one, long two-parter episode called “The Menagerie” (with Parts I and II).  In honor of that fact, I invited two incredible musicians, Ellen Angelico and Ryan Madora, who play together frequently (including on my new album, Working Woman) to be my guests for Parts I and II, with each Part focused on each and the other chiming in sporadically or just mostly noodling on the bass inaudibly in the background, as was the case with Ryan in Part I.
Part I is All Things Ellen and Part II is our Ryan-a-rama. But you have to stick around and listen to the next episode to hear more about the amazing Ryan Madora. Just like with &quot;The Menagerie, Part I,&quot; we’re ending on a cliffhanger and the cliffhanger is: who is this Ryan Madora person??? Stick around to find out.

About Ellen Angelico:

Ellen Angelico is an in-demand session musician and currently tours with mega famous country artist Cam. They are featured on numerous records (including my latest, Working Woman) and have played everywhere from the Grand Ole Opry to Križanke (which I had to Google. Turns out, it&apos;s in Slovenia). Ellen is also the face of legendary Nashville guitar store Fanny&apos;s House of Music, overseeing and producing YouTube videos and social media content for that establishment. Under the moniker &quot;Uncle Ellen,&quot; Ellen releases original music every once in a blue moon. Since January 2021, Ellen has proudly served Nashville as a Commissioner on the Metro Nashville Arts Commission. The Nashville Scene called Ellen an &quot;ace of all things stringed&quot; and &quot;one of the greatest utility players in Nashville.”
We review Star Trek (the Original Series), Season 1, Episode 11, “The Menagerie, Part I.&quot; Topics include: What’s at the top of Ellen’s illustrious resume, how people end up in Slovenia, Ellen’s occasional, infrequent, brilliant solo project, Ellen and the Nashville Metro Arts Commission, the Ellen and Ryan friendship continuum that has no beginning or end, Ellen and Ryan wearing the same clothes, Ellen watches nothing, Ellen’s minute by minute play by play, including bathrobes, lunchboxes, green earrings, cheese graters, and other observations, the surface of Talos IV is uninhabitable but Las Vegas exists, big buttheads, jewel-encrusted fancy dress uniforms, supporting actors Julie Parrish, Malachi Throne, and Meg Wylie, the actor who plays Vina, Susan Oliver, her fear of flying, her later historic transatlantic flight, and her pioneering director work, the rampant ableism in this episode, disability as plot device, why we get telepathic aliens but none of differently abled Christopher Pike’s thoughts or personality in this episode, how the core messaging of “The Menagerie” is contrary in ways to the core messaging of “The Cage,” the crew is forced to watch Talosian home movies while the viewing audience at home is forced to watch Roddenberry’s original pilot, futuristic technology inspired by Trek technology, the failure of that futuristic technology in the doors and the windows of a tour bus Ellen was in one time, and Ryan inaudibly noodling on the bass in the background.</itunes:subtitle>
      <itunes:keywords>part i, troubadours on trek, ryan madora, the menagerie, tos 01:11, ellen angelico, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0675b64d-86c5-4181-a89d-88d27851f1c6</guid>
      <title>TOS 1-10, &quot;The Corbomite Maneuver,&quot; with Ted Young</title>
      <description><![CDATA[<p>Ted Young can be found <a href="https://www.tedyoungmusic.com/">on the interwebs here</a>. Click that link to see his full, impressive discography and to keep up with the latest news. Stay in the loop with his frequent collaborator, Fort Worth artist <a href="http://matthewmcneal.com/">Matthew McNeal</a>, to be the first to know when the new album drops in 2021.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Ted's song pairing for this episode: “Surf’s Up,” by the Beach Boys.</p><p>-Grace's song pairings for this episode: “The Gambler” by Kenny Rogers and “Poker Face” by Lady Gaga</p><p>-Ted’s featured song is “Fearlessly” by Matthew McNeal (Ted co-produced, recorded, and mixed this track).</p><p><strong>Corrections</strong>:</p><ul><li>“Charlie is My Darling” is the title of a number of traditional Scottish songs, dating back to the 1700s and 1800s. Uhura adapts the lyrics in “Charlie X” to serenade Charlie Evans in the recreation room. The line was also adopted as the title of the Rolling Stones documentary (Ted won a Grammy for mixing the music from the documentary), as a nod to Charlie Watts.</li></ul>
]]></description>
      <pubDate>Wed, 30 Jun 2021 05:00:00 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Ted Young, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Ted Young can be found <a href="https://www.tedyoungmusic.com/">on the interwebs here</a>. Click that link to see his full, impressive discography and to keep up with the latest news. Stay in the loop with his frequent collaborator, Fort Worth artist <a href="http://matthewmcneal.com/">Matthew McNeal</a>, to be the first to know when the new album drops in 2021.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Ted's song pairing for this episode: “Surf’s Up,” by the Beach Boys.</p><p>-Grace's song pairings for this episode: “The Gambler” by Kenny Rogers and “Poker Face” by Lady Gaga</p><p>-Ted’s featured song is “Fearlessly” by Matthew McNeal (Ted co-produced, recorded, and mixed this track).</p><p><strong>Corrections</strong>:</p><ul><li>“Charlie is My Darling” is the title of a number of traditional Scottish songs, dating back to the 1700s and 1800s. Uhura adapts the lyrics in “Charlie X” to serenade Charlie Evans in the recreation room. The line was also adopted as the title of the Rolling Stones documentary (Ted won a Grammy for mixing the music from the documentary), as a nod to Charlie Watts.</li></ul>
]]></content:encoded>
      <enclosure length="56889264" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/3e79f637-bd84-48c0-81eb-c1567709f752/audio/3a877c3a-701d-4125-96cf-c86cf24d642d/default_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-10, &quot;The Corbomite Maneuver,&quot; with Ted Young</itunes:title>
      <itunes:author>Ted Young, Grace Pettis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/335d9a36-a6b8-4ab7-8256-c6703c825926/3000x3000/tos-01-10-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:34:49</itunes:duration>
      <itunes:summary>Ted Young and I have two favorite things in common: Star Trek and making music. But unlike me, Ted is a Grammy award-winning audio engineer. He’s spent the past twenty years recording, producing, mixing, running live sound, and doing studio installation. Ted’s career began at Water Music (Hoboken, NJ) and The Magic Shop (NYC): two storied studios. He’s worked with a lot of big artists, including Kurt Vile, Alice Cooper, Mick Jagger, Andrew W.K., The Gaslight Anthem, and Sonic Youth, and renowned producers like John Agnello, Bob Ezrin, Kevin Killen, Mike Barbiero, Tony Visconti and Niko Bolas. He won the 2013 Grammy Award for Best Historical Album for mixing The Rolling Stones’ Charlie Is My Darling. These days, he spends a lot of time in his own studio, Outer Space, in Philadelphia, and travels nationally and internationally for recording projects. He frequently collaborates with Fort Worth native Matthew McNeal and his drummer, Andre Black, co-producing, recording and mixing McNeal’s latest offerings, including his most recent record Good Grief (April 2020) and a new forthcoming concept album, dreamed up during the pandemic. 

We review Star Trek (the Original Series), Season 1, Episode 10, “The Corbomite Maneuver.&quot; Topics include: Star Trek conventions and the struggle to not drop $500 on signed headshots, how Star Trek teaches a different kind of heroism: people working in teams, scientists saving the day, and everyone working together for the betterment of humanity, Trek’s unfailing optimism about the future, the first album Ted worked on- analog with the Allman Brothers, working with Tony Visconti and the importance of creating good vibes in the studio, Grace’s all-womxn recording session, the gendered roles we fall into in the studio, why we respect Taylor Swift so much, Matthew McNeal’s new concept album about a guy and a girl and a gas station, Corbomite vs. Carbonite (Jerry??), Clint Howard (Ron Howard’s younger brother) playing Balok, Ensign Rand and phasing coffee, Kirk’s unhealthy and weirdly sexual relationship with his starship, “The Corbomite Maneuver” as an introductory episode, Kirk is sweaty, McCoy is sassy, and Spock is smart, how did Bailey make it this far in Starfleet?, what will Balok learn about humans from this encounter and from Bailey?, “Balok and Bailey: Travels with Tranya,” the First Federation’s buoy cube vs the Borg cube, humanity’s drive to explore and connect with new cultures, weighed against its inability to leave well enough alone, why are scientists putting human cells in monkey embryos?, the Arecibo radio telescope, searching for the unknown far away, juxtaposed with the unknowns of the jungle immediately surrounding it, how Star Trek taught us not to fear the unknown, and to recognize the value of diverse perspectives and the strength in difference.</itunes:summary>
      <itunes:subtitle>Ted Young and I have two favorite things in common: Star Trek and making music. But unlike me, Ted is a Grammy award-winning audio engineer. He’s spent the past twenty years recording, producing, mixing, running live sound, and doing studio installation. Ted’s career began at Water Music (Hoboken, NJ) and The Magic Shop (NYC): two storied studios. He’s worked with a lot of big artists, including Kurt Vile, Alice Cooper, Mick Jagger, Andrew W.K., The Gaslight Anthem, and Sonic Youth, and renowned producers like John Agnello, Bob Ezrin, Kevin Killen, Mike Barbiero, Tony Visconti and Niko Bolas. He won the 2013 Grammy Award for Best Historical Album for mixing The Rolling Stones’ Charlie Is My Darling. These days, he spends a lot of time in his own studio, Outer Space, in Philadelphia, and travels nationally and internationally for recording projects. He frequently collaborates with Fort Worth native Matthew McNeal and his drummer, Andre Black, co-producing, recording and mixing McNeal’s latest offerings, including his most recent record Good Grief (April 2020) and a new forthcoming concept album, dreamed up during the pandemic. 

We review Star Trek (the Original Series), Season 1, Episode 10, “The Corbomite Maneuver.&quot; Topics include: Star Trek conventions and the struggle to not drop $500 on signed headshots, how Star Trek teaches a different kind of heroism: people working in teams, scientists saving the day, and everyone working together for the betterment of humanity, Trek’s unfailing optimism about the future, the first album Ted worked on- analog with the Allman Brothers, working with Tony Visconti and the importance of creating good vibes in the studio, Grace’s all-womxn recording session, the gendered roles we fall into in the studio, why we respect Taylor Swift so much, Matthew McNeal’s new concept album about a guy and a girl and a gas station, Corbomite vs. Carbonite (Jerry??), Clint Howard (Ron Howard’s younger brother) playing Balok, Ensign Rand and phasing coffee, Kirk’s unhealthy and weirdly sexual relationship with his starship, “The Corbomite Maneuver” as an introductory episode, Kirk is sweaty, McCoy is sassy, and Spock is smart, how did Bailey make it this far in Starfleet?, what will Balok learn about humans from this encounter and from Bailey?, “Balok and Bailey: Travels with Tranya,” the First Federation’s buoy cube vs the Borg cube, humanity’s drive to explore and connect with new cultures, weighed against its inability to leave well enough alone, why are scientists putting human cells in monkey embryos?, the Arecibo radio telescope, searching for the unknown far away, juxtaposed with the unknowns of the jungle immediately surrounding it, how Star Trek taught us not to fear the unknown, and to recognize the value of diverse perspectives and the strength in difference.</itunes:subtitle>
      <itunes:keywords>the corbomite maneuver, troubadours on trek, tos 1:10, ted young</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">faab7aa7-5397-45c2-9fb5-36024340d548</guid>
      <title>TOS 01:09, &quot;Dagger of the Mind,&quot; with BettySoo</title>
      <description><![CDATA[<p>BettySoo is debuting original songs and covers, plus other great content on her <a href="https://www.patreon.com/BettySoo/">Patreon</a> page. You can become a patron for $3 a month.</p><p>Every Tuesday night, BettySoo shares the virtual stage with amazing musician guests for her "Nobody's Happy House" series (on Zoom). Guest musicians must face BettySoo's famous wheel, which prompts spontaneous (and often hilarious) acts of creative daring. To find out just what that means, head to <a href="http://bettysoo.com/shows">bettysoo.com/shows</a> to get your ticket for the next show.</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-BettySoo's song pairing for this episode: “Remember The Tin Man,” by Tracy Chapman.</p><p>-Grace's song pairing for this episode: “I Wanna Be Sedated” by The Ramones.</p><p>-We forgot to talk about BettySoo's featured song, and to compensate for that oversight (and with BettySoo's blessing), I'm including <i>two </i>great BettySoo songs in our playlist, "The Things She Left Town With," and "Love is Real," both from the album, <i>When We're Gone.</i></p><p><strong>Corrections:</strong></p><ul><li>One possible Star Trek episode I could have referenced to supplement our conversation about Houston behaving like a giant amoeba is “The Immunity Syndrome” (Season 2, Episode 18), where the crew of the Enterprise takes out a giant, cosmic, pregnant amoeba-like organism with “antibodies.”</li><li>The organization that my grandmother loved was the <a href="https://nfb.org/">National Federation of the Blind</a>. You can learn more about their work and the services they offer here: <a href="https://nfb.org/programs-services">https://nfb.org/programs-services</a></li><li>As I mentioned in this episode, I am planning to find a way to transcribe this podcast, to make Troubadours on Trek accessible to the deaf and hard of hearing community. When I started this podcast, I foolishly did not take this kind of accessibility into consideration. I'd like to rectify that, and I'm currently exploring affordable options for accurate transcription that don't add to my own current workload (I give about as much time as I'm able to already to this podcast). If you have any suggestions or advice on the subject, I'd love to hear it. Hopefully, as this Patreon page grows and/or as my audience grows for the podcast, I can outsource this and add transcription in the near future.</li><li>"<a href="https://www.truth-be-told.org/">Truth Be Told</a> is a 501(c)(3) nonprofit service organization providing transformational tools of community building, communication skills, creativity and self-care for women behind and beyond prison walls. The Truth Be Told headquarters is located in Austin, Texas." Learn more about the organization and their work, continuing even in the face of the challenges and hardships presented by the Covid-19 pandemic, <a href="https://www.truth-be-told.org/truth-be-told-continues-to-fulfill-its-mission-amidst-a-pandemic/">on their website</a>.</li></ul>
]]></description>
      <pubDate>Sat, 8 May 2021 05:00:00 +0000</pubDate>
      <author>gracepettis@gracepettis.com (BettySoo, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>BettySoo is debuting original songs and covers, plus other great content on her <a href="https://www.patreon.com/BettySoo/">Patreon</a> page. You can become a patron for $3 a month.</p><p>Every Tuesday night, BettySoo shares the virtual stage with amazing musician guests for her "Nobody's Happy House" series (on Zoom). Guest musicians must face BettySoo's famous wheel, which prompts spontaneous (and often hilarious) acts of creative daring. To find out just what that means, head to <a href="http://bettysoo.com/shows">bettysoo.com/shows</a> to get your ticket for the next show.</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-BettySoo's song pairing for this episode: “Remember The Tin Man,” by Tracy Chapman.</p><p>-Grace's song pairing for this episode: “I Wanna Be Sedated” by The Ramones.</p><p>-We forgot to talk about BettySoo's featured song, and to compensate for that oversight (and with BettySoo's blessing), I'm including <i>two </i>great BettySoo songs in our playlist, "The Things She Left Town With," and "Love is Real," both from the album, <i>When We're Gone.</i></p><p><strong>Corrections:</strong></p><ul><li>One possible Star Trek episode I could have referenced to supplement our conversation about Houston behaving like a giant amoeba is “The Immunity Syndrome” (Season 2, Episode 18), where the crew of the Enterprise takes out a giant, cosmic, pregnant amoeba-like organism with “antibodies.”</li><li>The organization that my grandmother loved was the <a href="https://nfb.org/">National Federation of the Blind</a>. You can learn more about their work and the services they offer here: <a href="https://nfb.org/programs-services">https://nfb.org/programs-services</a></li><li>As I mentioned in this episode, I am planning to find a way to transcribe this podcast, to make Troubadours on Trek accessible to the deaf and hard of hearing community. When I started this podcast, I foolishly did not take this kind of accessibility into consideration. I'd like to rectify that, and I'm currently exploring affordable options for accurate transcription that don't add to my own current workload (I give about as much time as I'm able to already to this podcast). If you have any suggestions or advice on the subject, I'd love to hear it. Hopefully, as this Patreon page grows and/or as my audience grows for the podcast, I can outsource this and add transcription in the near future.</li><li>"<a href="https://www.truth-be-told.org/">Truth Be Told</a> is a 501(c)(3) nonprofit service organization providing transformational tools of community building, communication skills, creativity and self-care for women behind and beyond prison walls. The Truth Be Told headquarters is located in Austin, Texas." Learn more about the organization and their work, continuing even in the face of the challenges and hardships presented by the Covid-19 pandemic, <a href="https://www.truth-be-told.org/truth-be-told-continues-to-fulfill-its-mission-amidst-a-pandemic/">on their website</a>.</li></ul>
]]></content:encoded>
      <enclosure length="62547596" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/321e21a5-aab2-43b5-9639-156c64cc9fd8/audio/584c117e-75a2-4f49-9fec-b38114b8523a/default_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 01:09, &quot;Dagger of the Mind,&quot; with BettySoo</itunes:title>
      <itunes:author>BettySoo, Grace Pettis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/19e7e6a8-c2ac-4320-a012-572caa9a677b/3000x3000/tos-01-09-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:05:09</itunes:duration>
      <itunes:summary>BettySoo is the ultimate &quot;musician’s musician.&quot; She plays about a million instruments, sings like a bird, writes her pants off, and is both an accomplished studio musician and respected performer.  A true Texan, and the child of first generation Korean immigrants, she grew up in Spring, just north of Houston and went to UT. At one point, she was going to be an English teacher. Instead, she became a touring musician and songwriter. (But she finds time for her lifelong love of books, working as an audiobook narrator on the side.) In that line of work, she&apos;s shared stages with Jimmy LaFave, Butch Hancock (of the Flatlanders), Michael Fracasso, Jaimee Harris, Jon Dee Graham, Bonnie Whitmore, James McMurtry, and Eliza Gilkyson, and many others.  A founding member of both Charlie Faye and the Fayettes and Nobody’s Girl (along with yours truly and Rebecca Loebe), BettySoo is known first and foremost for her own work. As Acoustic Guitar put it, &quot;BettySoo may well have the most gorgeous voice in Texas at the moment, if not in all contemporary folk.&quot; I may be biased, but I happen to agree. 

We review Star Trek (the Original Series), Season 1, Episode 9, &quot;Dagger of the Mind.&quot; Topics include: the importance of a piece of paper that says “I have a right to be here,” why BettySoo and Grace didn’t go to art school or music school, respectively, why BettySoo is loving this stage of her life, learning to be one’s own sound engineer and videographer, BettySoo’s and Grace&apos;s mom&apos;s crush on Patrick Stewart, why Worf was our favorite, the different female archetypes of Next Generation, Dr. Noel’s very, very short mini skirt, Macbeth, the accepted and common practice of lobotomizing (mainly minority groups) in the 60s, male-dominated scientific research, why it’s important that Kirk changes his mind, Tantalus, Lethe, and the River of Forgetfulness, Truth be Told (a wonderful Austin nonprofit), how not to talk to incarcerated people, this episode as social commentary on everything from consent to patients’ rights, to the prison system and the human dignity of incarcerated persons, the first appearance of the oddly sexual “mind meld,” Kirk&apos;s hotness factor vs Spock&apos;s hotness factor, the variety of television available these days, as compared to TV of the 60’s, and how that affects the conversations we’re all having in our living rooms, Ruby Falls and Rock City, the importance of taking a day of rest, and what would happen if everyone took a sabbatical. 

(This episode was originally recorded Sep 2020).</itunes:summary>
      <itunes:subtitle>BettySoo is the ultimate &quot;musician’s musician.&quot; She plays about a million instruments, sings like a bird, writes her pants off, and is both an accomplished studio musician and respected performer.  A true Texan, and the child of first generation Korean immigrants, she grew up in Spring, just north of Houston and went to UT. At one point, she was going to be an English teacher. Instead, she became a touring musician and songwriter. (But she finds time for her lifelong love of books, working as an audiobook narrator on the side.) In that line of work, she&apos;s shared stages with Jimmy LaFave, Butch Hancock (of the Flatlanders), Michael Fracasso, Jaimee Harris, Jon Dee Graham, Bonnie Whitmore, James McMurtry, and Eliza Gilkyson, and many others.  A founding member of both Charlie Faye and the Fayettes and Nobody’s Girl (along with yours truly and Rebecca Loebe), BettySoo is known first and foremost for her own work. As Acoustic Guitar put it, &quot;BettySoo may well have the most gorgeous voice in Texas at the moment, if not in all contemporary folk.&quot; I may be biased, but I happen to agree. 

We review Star Trek (the Original Series), Season 1, Episode 9, &quot;Dagger of the Mind.&quot; Topics include: the importance of a piece of paper that says “I have a right to be here,” why BettySoo and Grace didn’t go to art school or music school, respectively, why BettySoo is loving this stage of her life, learning to be one’s own sound engineer and videographer, BettySoo’s and Grace&apos;s mom&apos;s crush on Patrick Stewart, why Worf was our favorite, the different female archetypes of Next Generation, Dr. Noel’s very, very short mini skirt, Macbeth, the accepted and common practice of lobotomizing (mainly minority groups) in the 60s, male-dominated scientific research, why it’s important that Kirk changes his mind, Tantalus, Lethe, and the River of Forgetfulness, Truth be Told (a wonderful Austin nonprofit), how not to talk to incarcerated people, this episode as social commentary on everything from consent to patients’ rights, to the prison system and the human dignity of incarcerated persons, the first appearance of the oddly sexual “mind meld,” Kirk&apos;s hotness factor vs Spock&apos;s hotness factor, the variety of television available these days, as compared to TV of the 60’s, and how that affects the conversations we’re all having in our living rooms, Ruby Falls and Rock City, the importance of taking a day of rest, and what would happen if everyone took a sabbatical. 

(This episode was originally recorded Sep 2020).</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">c180eaaa-db47-44b7-9517-cb831f5b4371</guid>
      <title>TOS 1-8, &quot;Miri&quot; with Rebecca Loebe</title>
      <description><![CDATA[<p>Rebecca's latest album, <i>Give Up Your Ghosts, </i>is available on her <a href="https://www.rebeccaloebe.com/">website</a>, and on all major listening platforms. </p><p>Her new video series, featuring singer-songwriters talking about what it's like to be working musicians, is available on her <a href="https://www.youtube.com/channel/UC3gEtRpXan7WPupgCS05QmA">YouTube channel</a>. </p><p>You can join <a href="https://www.patreon.com/rebeccaloebe/posts">"Team Loebe" on Patreon</a> for as little as $1/month.</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Rebecca's song pairing for this episode: “Girl You’ll Be a Woman Soon,” by Urge Overkill.</p><p>-Grace's song pairings for this episode: “Changes” by David Bowie</p><p>-Rebecca's featured song is "Growing Up," from her new album, <i>Give Up Your Ghosts.</i></p><p>Corrections:</p><ul><li>Yes, Star Trek IV (the one with the whales) is “The Voyage Home.”</li><li>Many accept "Plato's Stepchildren" (TOS 03:10) as the "first interracial kiss on television" (there's debate on this point but it was certainly the first televised kiss between dark skinned and light skinned actors on American television). But that's only if we're talking about American television. Great Britain was ahead of the United States in this department by almost a decade. Rebecca asks when the "first <i>consensual</i>interracial kiss" (kiss between dark skinned and light skinned actors) aired on American TV, since the Uhura/Kirk kiss was technically coerced by way of alien mind control in this particular episode. That's a harder question to answer. With these qualifiers, I couldn't find documentation of the "second interracial kiss" or the "first consensual interracial kiss." (If anyone out there has more on this, I'd be very interested to know the answer). Wikipedia has a fascinating entry on televised interracial kisses, documenting earlier examples (than the Uhura/Kirk kiss) of kisses between Asian and white actors and Hispanic and white actors (all light skinned actors) and examples on British television of kisses between actors with dark and light skin: <a href="https://en.wikipedia.org/wiki/First_interracial_kiss_on_television">https://en.wikipedia.org/wiki/First_interracial_kiss_on_television</a></li><li>Tribe of Creepy Children: It’s interesting to note that the actor who plays Jahn, Michael J. Pollard, was 27 at the time. He was pretty short, so he was able to play a teenager throughout his 20s. He played a lot of memorable side characters, including CW Moss in <i>Bonnie and Clyde</i> (which came out in 1967). He was in lots of other movies and shows, like <i>Dick Tracey</i> and <i>Scrooged</i> and <i>Roxanne</i>, the Steve Martin movie. You can google him.  The other kids are mainly the children of actors in Star Trek: William Shatner's daughters Lisabeth and Melanie, Grace Lee Whitney's son Scott, Vincent McEveety's son Steven, and Gene Roddenberry's daughters, Darleen and Dawn. Two other children, Phil and Iona Morris, were the children of <i>Mission Impossible</i> actor Greg Morris, and they later appeared in other Star Trek shows. Phil Morris was in <i>Star Trek III: The Search for Spock</i> in a bit part and then was a guest star on <i>Babylon 5</i>, <i>Star Trek: Deep Space Nine</i>, and <i>Star Trek: Voyager</i>. Iona Morris was in a 2 part episode of Voyager but is mainly known as a voice actor. She was the voice for Storm in the animated X-Men series and in <i>Spider Man: the Animated Series</i>. </li></ul>
]]></description>
      <pubDate>Fri, 9 Apr 2021 01:39:20 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Rebecca Loebe)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Rebecca's latest album, <i>Give Up Your Ghosts, </i>is available on her <a href="https://www.rebeccaloebe.com/">website</a>, and on all major listening platforms. </p><p>Her new video series, featuring singer-songwriters talking about what it's like to be working musicians, is available on her <a href="https://www.youtube.com/channel/UC3gEtRpXan7WPupgCS05QmA">YouTube channel</a>. </p><p>You can join <a href="https://www.patreon.com/rebeccaloebe/posts">"Team Loebe" on Patreon</a> for as little as $1/month.</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Rebecca's song pairing for this episode: “Girl You’ll Be a Woman Soon,” by Urge Overkill.</p><p>-Grace's song pairings for this episode: “Changes” by David Bowie</p><p>-Rebecca's featured song is "Growing Up," from her new album, <i>Give Up Your Ghosts.</i></p><p>Corrections:</p><ul><li>Yes, Star Trek IV (the one with the whales) is “The Voyage Home.”</li><li>Many accept "Plato's Stepchildren" (TOS 03:10) as the "first interracial kiss on television" (there's debate on this point but it was certainly the first televised kiss between dark skinned and light skinned actors on American television). But that's only if we're talking about American television. Great Britain was ahead of the United States in this department by almost a decade. Rebecca asks when the "first <i>consensual</i>interracial kiss" (kiss between dark skinned and light skinned actors) aired on American TV, since the Uhura/Kirk kiss was technically coerced by way of alien mind control in this particular episode. That's a harder question to answer. With these qualifiers, I couldn't find documentation of the "second interracial kiss" or the "first consensual interracial kiss." (If anyone out there has more on this, I'd be very interested to know the answer). Wikipedia has a fascinating entry on televised interracial kisses, documenting earlier examples (than the Uhura/Kirk kiss) of kisses between Asian and white actors and Hispanic and white actors (all light skinned actors) and examples on British television of kisses between actors with dark and light skin: <a href="https://en.wikipedia.org/wiki/First_interracial_kiss_on_television">https://en.wikipedia.org/wiki/First_interracial_kiss_on_television</a></li><li>Tribe of Creepy Children: It’s interesting to note that the actor who plays Jahn, Michael J. Pollard, was 27 at the time. He was pretty short, so he was able to play a teenager throughout his 20s. He played a lot of memorable side characters, including CW Moss in <i>Bonnie and Clyde</i> (which came out in 1967). He was in lots of other movies and shows, like <i>Dick Tracey</i> and <i>Scrooged</i> and <i>Roxanne</i>, the Steve Martin movie. You can google him.  The other kids are mainly the children of actors in Star Trek: William Shatner's daughters Lisabeth and Melanie, Grace Lee Whitney's son Scott, Vincent McEveety's son Steven, and Gene Roddenberry's daughters, Darleen and Dawn. Two other children, Phil and Iona Morris, were the children of <i>Mission Impossible</i> actor Greg Morris, and they later appeared in other Star Trek shows. Phil Morris was in <i>Star Trek III: The Search for Spock</i> in a bit part and then was a guest star on <i>Babylon 5</i>, <i>Star Trek: Deep Space Nine</i>, and <i>Star Trek: Voyager</i>. Iona Morris was in a 2 part episode of Voyager but is mainly known as a voice actor. She was the voice for Storm in the animated X-Men series and in <i>Spider Man: the Animated Series</i>. </li></ul>
]]></content:encoded>
      <enclosure length="28680158" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/2c5711e7-188d-45f4-8fca-1bec995f49d3/audio/da26a5f2-b229-40a6-9028-cbce5e94a99b/default_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-8, &quot;Miri&quot; with Rebecca Loebe</itunes:title>
      <itunes:author>Grace Pettis, Rebecca Loebe</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/039803ac-4453-451f-b052-f1f73dd4f43e/3000x3000/tos-01-08-cover.jpg?aid=rss_feed"/>
      <itunes:duration>00:47:48</itunes:duration>
      <itunes:summary>Rebecca Loebe is an award-winning Americana singer-songwriter, based in Austin, Texas. She holds down duties as a member of Nobody&apos;s Girl (with BettySoo and Grace Pettis) and is signed to Blue Corn Music as a solo artist. She is a widely respected, driven, creative force.  Equally adept at the artistic and the professional aspects of life as a working musician, she brings her own brand of fierce joy to it all.

She started her career as a sound engineering major at the prestigious Berklee College of Music but ended up pursuing a career as a full-time touring songwriter instead when she left school. Rebecca has released six studio albums as well as a live album. Her album, Mystery Prize, which she released in 2010 and made by bartering studio work for recording time, spent 2½ months on the Americana Music Association’s airplay chart and made its yearend top 100.  She was a contestant on the first season of The Voice, and proceeded to spend the following years touring across the United States, Europe, and Japan. Her latest album, Give Up Your Ghosts, released on Blue Corn Music in 2019, &quot;is an exercise in honesty and bravery alike for Loebe...the most important chapter she&apos;s written in her musical journey thus far.&quot; -PopMatters

We review Star Trek (the Original Series), Season 1, Episode 8, &quot;Miri.&quot; Topics include: unicorn brain and how to be a left brain / right brain creative, Rebecca’s origin story: sound engineering by way of music, then music by way of sound engineering, the 17-year-old second youngest freshman at Berklee, the teeny tiny fish in the big pond and how that prepares you for the music business, Trek-binging 90’s parents, the uncomfortable sexual tension between Kirk and Miri, this episode as a metaphor for the pubescent plague that befalls every kid, Grace’s constant state of Trek on tour, Star Trek-themed eyeshadow palettes, the far-fetched plot line of a global pandemic that wipe out all the old people, satellite images of Earth in the 60’s, Yeoman Janice Rand and Grace Lee Whitney’s exit from Trek, the creepy kid tribe, KIRK PUNCHES ZOMBIES, and why this episode was banned on British television.

(This episode was originally recorded July 2020).</itunes:summary>
      <itunes:subtitle>Rebecca Loebe is an award-winning Americana singer-songwriter, based in Austin, Texas. She holds down duties as a member of Nobody&apos;s Girl (with BettySoo and Grace Pettis) and is signed to Blue Corn Music as a solo artist. She is a widely respected, driven, creative force.  Equally adept at the artistic and the professional aspects of life as a working musician, she brings her own brand of fierce joy to it all.

She started her career as a sound engineering major at the prestigious Berklee College of Music but ended up pursuing a career as a full-time touring songwriter instead when she left school. Rebecca has released six studio albums as well as a live album. Her album, Mystery Prize, which she released in 2010 and made by bartering studio work for recording time, spent 2½ months on the Americana Music Association’s airplay chart and made its yearend top 100.  She was a contestant on the first season of The Voice, and proceeded to spend the following years touring across the United States, Europe, and Japan. Her latest album, Give Up Your Ghosts, released on Blue Corn Music in 2019, &quot;is an exercise in honesty and bravery alike for Loebe...the most important chapter she&apos;s written in her musical journey thus far.&quot; -PopMatters

We review Star Trek (the Original Series), Season 1, Episode 8, &quot;Miri.&quot; Topics include: unicorn brain and how to be a left brain / right brain creative, Rebecca’s origin story: sound engineering by way of music, then music by way of sound engineering, the 17-year-old second youngest freshman at Berklee, the teeny tiny fish in the big pond and how that prepares you for the music business, Trek-binging 90’s parents, the uncomfortable sexual tension between Kirk and Miri, this episode as a metaphor for the pubescent plague that befalls every kid, Grace’s constant state of Trek on tour, Star Trek-themed eyeshadow palettes, the far-fetched plot line of a global pandemic that wipe out all the old people, satellite images of Earth in the 60’s, Yeoman Janice Rand and Grace Lee Whitney’s exit from Trek, the creepy kid tribe, KIRK PUNCHES ZOMBIES, and why this episode was banned on British television.

(This episode was originally recorded July 2020).</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">7de8329d-8855-4d03-9e7d-633338333c1f</guid>
      <title>TOS 1-7, &quot;What Are Little Girls Made Of?&quot; with Barbara Nesbitt</title>
      <description><![CDATA[<p>You can get your copy of Barbara's new album, <i>Someday, Maybe Sooner</i>, which she made during the coronavirus pandemic, through her <a href="https://www.barbaranesbitt.com/">website</a>.  The album is also available on Spotify, iTunes, Amazon, and through other fine purveyors of records that don't suck.</p><p>Barbara plays livestreams <a href="https://www.facebook.com/barbaranesbittmusic/">on Facebook</a> and also has lots of new songs and “thoughtlets” available to enjoy <a href="https://www.patreon.com/barbaranesbitt">on Patreon</a>. Help support her there for as little as $2/month to get it all.</p><p>Barbara also does “Coronagram” commissions.  Order one for someone you love- Barbara will send them a virtual song.   More info is available <a href="https://www.barbaranesbitt.com/">on her website</a>.</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Barbara's song pairing for this episode: "Paranoid Android,” by Radiohead.</p><p>-Grace's song pairings for this episode: "Mr. Roboto," by Styx and "Robots," by Flight of the Conchords.</p><p>-Barbara's featured song is "Frostbite," from her new album, <i>Someday, Maybe Sooner.</i></p><p>Corrections:</p><ul><li>Ted Cassidy died of complications following open heart surgery in 1979 (aged 46).  André René Roussimoff (André the Giant) died of congestive heart failure in 1993 (also aged 46).</li><li>I suspect that the episode with the “child android” that Barbara is thinking of is “Hero Worship” (TNG 05:11). In this episode, there's a child, Timothy, but he is not actually an android.  He pretends to be an android, to cope with the trauma of being the only survivor of a tragic event.  But eventually, with help from the Enterprise crew, reverts to healthy human little boy behavior.  The only other example of a child or offspring android (before we get to the new <i>Picard</i> series- won’t mention details here for the sake of avoiding spoilers) in Trek that I can think of is Lal, Data’s “daughter” (TNG 03:16).</li><li>The three episodes of the Original Series that do NOT feature Leonard McCoy are (this episode) “What Are Little Girls Made Of?” (TOS 01:07), “The Menagerie, Part II” (TOS 01:16), and “Errand of Mercy” (TOS 01:27).</li></ul>
]]></description>
      <pubDate>Sun, 28 Feb 2021 22:23:19 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Barbara Nesbitt)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>You can get your copy of Barbara's new album, <i>Someday, Maybe Sooner</i>, which she made during the coronavirus pandemic, through her <a href="https://www.barbaranesbitt.com/">website</a>.  The album is also available on Spotify, iTunes, Amazon, and through other fine purveyors of records that don't suck.</p><p>Barbara plays livestreams <a href="https://www.facebook.com/barbaranesbittmusic/">on Facebook</a> and also has lots of new songs and “thoughtlets” available to enjoy <a href="https://www.patreon.com/barbaranesbitt">on Patreon</a>. Help support her there for as little as $2/month to get it all.</p><p>Barbara also does “Coronagram” commissions.  Order one for someone you love- Barbara will send them a virtual song.   More info is available <a href="https://www.barbaranesbitt.com/">on her website</a>.</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Barbara's song pairing for this episode: "Paranoid Android,” by Radiohead.</p><p>-Grace's song pairings for this episode: "Mr. Roboto," by Styx and "Robots," by Flight of the Conchords.</p><p>-Barbara's featured song is "Frostbite," from her new album, <i>Someday, Maybe Sooner.</i></p><p>Corrections:</p><ul><li>Ted Cassidy died of complications following open heart surgery in 1979 (aged 46).  André René Roussimoff (André the Giant) died of congestive heart failure in 1993 (also aged 46).</li><li>I suspect that the episode with the “child android” that Barbara is thinking of is “Hero Worship” (TNG 05:11). In this episode, there's a child, Timothy, but he is not actually an android.  He pretends to be an android, to cope with the trauma of being the only survivor of a tragic event.  But eventually, with help from the Enterprise crew, reverts to healthy human little boy behavior.  The only other example of a child or offspring android (before we get to the new <i>Picard</i> series- won’t mention details here for the sake of avoiding spoilers) in Trek that I can think of is Lal, Data’s “daughter” (TNG 03:16).</li><li>The three episodes of the Original Series that do NOT feature Leonard McCoy are (this episode) “What Are Little Girls Made Of?” (TOS 01:07), “The Menagerie, Part II” (TOS 01:16), and “Errand of Mercy” (TOS 01:27).</li></ul>
]]></content:encoded>
      <enclosure length="46230004" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/6acfaa41-568b-4d1f-b727-1d0dda05326b/audio/64663a40-3e2c-44aa-991a-160be9fabeab/default_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-7, &quot;What Are Little Girls Made Of?&quot; with Barbara Nesbitt</itunes:title>
      <itunes:author>Grace Pettis, Barbara Nesbitt</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/18979383-4b88-42ee-ab6d-b198c0d21997/3000x3000/tos-01-07-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:17:03</itunes:duration>
      <itunes:summary>Barbara Nesbitt is a lifelong Trekkie and an Americana/Folk singer-songwriter, based in Austin, Texas.  She&apos;s just released her fifth studio album, entitled Someday, Maybe Sooner (July 2020). Nesbitt&apos;s talents have helped her amass a devout following. She&apos;s won top honors in the Austin Music Awards as both a singer and songwriter. Her last album, Right As Rain, is in rotation on SiriusXM Radio.  

In addition to her own solo work, Nesbitt is co-founder of The Whiskey Sisters, a highly acclaimed Austin musical project.  Barbara Nesbitt has shared stages with Willie Nelson and Bob Weir and was a 2019 Official Showcase Artist at South by Southwest. Lizzie Wann writes, &quot;Barbara Nesbitt, a Georgia native, has found her home in music. Her life is reflected in the songs she writes which are about the ways, large and small, we abandon and seek that elusive safety of home.&quot;

We review Star Trek (the Original Series), Season 1, Episode 7, &quot;What Are Little Girls Made Of?&quot; Topics include: Barbara’s early days in a Virginia hippy jam band, from teenage runaway to a degree in aeronautical science, Barbara’s deep and abiding love of Trek, “the band is the battery and the audience is the alternator,” chainsaw bleep noise, the “Willie Nelson moment” and then what, Wrath of Khan as commentary on the human condition, tie-ins with The Addams Family, Lost in Space, and the Kennedy Assassination, redshirt deaths, that bottomless pit and which characters we’re supposed to care about, what are “snips”?, android stories and Pygmalion stories and female personhood, Pinocchio stories and “Is he a real boy?”, Kirk talks computers to death, that giant purple penis stalactite, and what does it really mean to be human?</itunes:summary>
      <itunes:subtitle>Barbara Nesbitt is a lifelong Trekkie and an Americana/Folk singer-songwriter, based in Austin, Texas.  She&apos;s just released her fifth studio album, entitled Someday, Maybe Sooner (July 2020). Nesbitt&apos;s talents have helped her amass a devout following. She&apos;s won top honors in the Austin Music Awards as both a singer and songwriter. Her last album, Right As Rain, is in rotation on SiriusXM Radio.  

In addition to her own solo work, Nesbitt is co-founder of The Whiskey Sisters, a highly acclaimed Austin musical project.  Barbara Nesbitt has shared stages with Willie Nelson and Bob Weir and was a 2019 Official Showcase Artist at South by Southwest. Lizzie Wann writes, &quot;Barbara Nesbitt, a Georgia native, has found her home in music. Her life is reflected in the songs she writes which are about the ways, large and small, we abandon and seek that elusive safety of home.&quot;

We review Star Trek (the Original Series), Season 1, Episode 7, &quot;What Are Little Girls Made Of?&quot; Topics include: Barbara’s early days in a Virginia hippy jam band, from teenage runaway to a degree in aeronautical science, Barbara’s deep and abiding love of Trek, “the band is the battery and the audience is the alternator,” chainsaw bleep noise, the “Willie Nelson moment” and then what, Wrath of Khan as commentary on the human condition, tie-ins with The Addams Family, Lost in Space, and the Kennedy Assassination, redshirt deaths, that bottomless pit and which characters we’re supposed to care about, what are “snips”?, android stories and Pygmalion stories and female personhood, Pinocchio stories and “Is he a real boy?”, Kirk talks computers to death, that giant purple penis stalactite, and what does it really mean to be human?</itunes:subtitle>
      <itunes:keywords>star trek, barbara nesbitt, the original series, what are little girls made of?, troubadours on trek, tos 01:07, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">0a7a4b06-33ca-454e-994a-8deb6932b735</guid>
      <title>TOS 1-6, &quot;Mudd&apos;s Women,&quot; with Raina Rose</title>
      <description><![CDATA[<p>You can find Raina Rose at <a href="http://folkpotions.com/" target="_blank">folkpotions.com</a>, where you can not only purchase her latest album, <i>Vesta, </i>but also treat yourself to balms, butters, salves, soaps, and lubes from her handmade, herbal-infused skincare line, Folk Potions.<i> </i> Raina also has a new fantasy fiction novel in the works, called “Calendula Spark." It's not available anywhere <i>yet...</i> but you heard about it here first!</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Raina's song pairing for this episode: "These Boots Are Made for Walkin,’” by Nancy Sinatra.</p><p>-Grace's song pairing for this episode: "Unpretty," by TLC.</p><p>-Raina's featured song is from her new album, <i>Vesta</i>: "One One Thousand."</p><p>Corrections:</p><ul><li>Total encounters with Harcourt Fenton Mudd:<ul><li>"Choose Your Pain" - <i>Star Trek: Discovery </i>01:05</li><li>"Magic to Make the Sanest Man Go Mad" - <i>Star Trek: Discovery </i>01:07</li><li>"The Escape Artist" - <i>Star Trek: Short Treks</i> 01:04</li><li>"Mudd's Women" - <i>Star Trek: The Original Series</i> 01:06</li><li>"I, Mudd" - <i>Star Trek: The Original Series</i> 02:08</li><li>"Mudd's Passion" - <i>Star Trek: The Animated Series </i>01:10</li></ul></li></ul><p> </p>
]]></description>
      <pubDate>Mon, 1 Feb 2021 03:12:43 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Raina Rose)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>You can find Raina Rose at <a href="http://folkpotions.com/" target="_blank">folkpotions.com</a>, where you can not only purchase her latest album, <i>Vesta, </i>but also treat yourself to balms, butters, salves, soaps, and lubes from her handmade, herbal-infused skincare line, Folk Potions.<i> </i> Raina also has a new fantasy fiction novel in the works, called “Calendula Spark." It's not available anywhere <i>yet...</i> but you heard about it here first!</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg" target="_blank">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Raina's song pairing for this episode: "These Boots Are Made for Walkin,’” by Nancy Sinatra.</p><p>-Grace's song pairing for this episode: "Unpretty," by TLC.</p><p>-Raina's featured song is from her new album, <i>Vesta</i>: "One One Thousand."</p><p>Corrections:</p><ul><li>Total encounters with Harcourt Fenton Mudd:<ul><li>"Choose Your Pain" - <i>Star Trek: Discovery </i>01:05</li><li>"Magic to Make the Sanest Man Go Mad" - <i>Star Trek: Discovery </i>01:07</li><li>"The Escape Artist" - <i>Star Trek: Short Treks</i> 01:04</li><li>"Mudd's Women" - <i>Star Trek: The Original Series</i> 01:06</li><li>"I, Mudd" - <i>Star Trek: The Original Series</i> 02:08</li><li>"Mudd's Passion" - <i>Star Trek: The Animated Series </i>01:10</li></ul></li></ul><p> </p>
]]></content:encoded>
      <enclosure length="47224743" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/12311bf9-b21c-41da-bbff-64ae03f28009/audio/17b5e583-fdeb-43b3-bee9-74327a5c5643/default_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-6, &quot;Mudd&apos;s Women,&quot; with Raina Rose</itunes:title>
      <itunes:author>Grace Pettis, Raina Rose</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/38d2183b-7234-4709-b0ce-25960135c4eb/3000x3000/tos-01-06-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:18:42</itunes:duration>
      <itunes:summary>&quot;Americana musician and songwriter Raina Rose revels in sharing with you her beautifully twisted, yet refreshingly optimistic perspective on the world. Her unique voice and exceptional guitar playing transcend age, gender, generation, and even catch the ears of those who aren&apos;t typically into acoustic guitar-driven songwriting.  With a naturalist&apos;s eye, an artist&apos;s pen, and a lion&apos;s attack, Raina lays everything she has on the line; she makes you feel as if she&apos;s your best friend whispering a honeysuckle-sweet secret in your ear, warmly inviting you into a joyfully intimate and darkly candid conversation.&quot;

Fun fact: Raina penned a song on my band Nobody&apos;s Girl&apos;s debut EP, Waterline, called &quot;Bluebonnets,&quot; which I actually got to sing lead on in the studio. It&apos;s become one of my all-time favorite songs- to sing and in general.  Every line is poetry, and the melody sings itself, like a classic Willie Nelson song. None of this surprises me, now that I know that Raina is the daughter of both a &quot;country music historian and a Jewish poet.&quot; But the soul in every one of Raina&apos;s songs is unique and all her.  &quot;Raina Rose: even her name reads like a poem,” said William Harries Graham in the Austin Chronicle. It&apos;s true, y&apos;all.  

We review Star Trek (the Original Series), Season 1, Episode 6, &quot;Mudd&apos;s Women.&quot; Topics include: the &quot;folkanomics&quot; of touring in your 20s with a baby, sexism blows and let&apos;s fix it, countries we daydream of moving to that support artists and families and the overwhelming temptation to just get in the car and drive north till we hit Canada, Childress has no chill, Spock is amused, pretty drug withdrawal = every woman ever before coffee and brushing her hair, beauty addiction culture, Harcourt Fenton Mudd&apos;s appearances in the Star Trek universe, Mudd&apos;s mail-order brides as stand-ins for Ivana, Marla, and Melania, the actual women who played them (Karen Steele, Susan Denberg/Dietlinde Zechner and Maggie Thrett/Diane Pine), creative followthrough as an act of keeping promises to yourself, Raina&apos;s starring role in a children’s production of “The Trouble with Tribbles,&quot; why you should always take the placebo and forgo the drugs and losers on Rigel 12, and a re-written last act for this episode, courtesy of us, with a much more satisfying, empowering, and logical ending for Eve.  </itunes:summary>
      <itunes:subtitle>&quot;Americana musician and songwriter Raina Rose revels in sharing with you her beautifully twisted, yet refreshingly optimistic perspective on the world. Her unique voice and exceptional guitar playing transcend age, gender, generation, and even catch the ears of those who aren&apos;t typically into acoustic guitar-driven songwriting.  With a naturalist&apos;s eye, an artist&apos;s pen, and a lion&apos;s attack, Raina lays everything she has on the line; she makes you feel as if she&apos;s your best friend whispering a honeysuckle-sweet secret in your ear, warmly inviting you into a joyfully intimate and darkly candid conversation.&quot;

Fun fact: Raina penned a song on my band Nobody&apos;s Girl&apos;s debut EP, Waterline, called &quot;Bluebonnets,&quot; which I actually got to sing lead on in the studio. It&apos;s become one of my all-time favorite songs- to sing and in general.  Every line is poetry, and the melody sings itself, like a classic Willie Nelson song. None of this surprises me, now that I know that Raina is the daughter of both a &quot;country music historian and a Jewish poet.&quot; But the soul in every one of Raina&apos;s songs is unique and all her.  &quot;Raina Rose: even her name reads like a poem,” said William Harries Graham in the Austin Chronicle. It&apos;s true, y&apos;all.  

We review Star Trek (the Original Series), Season 1, Episode 6, &quot;Mudd&apos;s Women.&quot; Topics include: the &quot;folkanomics&quot; of touring in your 20s with a baby, sexism blows and let&apos;s fix it, countries we daydream of moving to that support artists and families and the overwhelming temptation to just get in the car and drive north till we hit Canada, Childress has no chill, Spock is amused, pretty drug withdrawal = every woman ever before coffee and brushing her hair, beauty addiction culture, Harcourt Fenton Mudd&apos;s appearances in the Star Trek universe, Mudd&apos;s mail-order brides as stand-ins for Ivana, Marla, and Melania, the actual women who played them (Karen Steele, Susan Denberg/Dietlinde Zechner and Maggie Thrett/Diane Pine), creative followthrough as an act of keeping promises to yourself, Raina&apos;s starring role in a children’s production of “The Trouble with Tribbles,&quot; why you should always take the placebo and forgo the drugs and losers on Rigel 12, and a re-written last act for this episode, courtesy of us, with a much more satisfying, empowering, and logical ending for Eve.  </itunes:subtitle>
      <itunes:keywords>mudd&apos;s women, tos 1:6, troubadours on trek, raina rose, grace pettis</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
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    <item>
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      <title>TOS 1-5, &quot;The Enemy Within,&quot; with Calloway Ritch</title>
      <description><![CDATA[<p>Keep up with <a href="https://www.rubydice.com/">Ruby Dice</a> on the official website for upcoming shows and new music. And follow Calloway on <a href="https://www.facebook.com/callowayritch1/">Facebook</a> and <a href="https://www.instagram.com/1stnamecalloway/">Instagram</a>.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on <a href="www.patreon.com/gracepettis">Patreon</a>):</p><ul><li>Calloway's song pairing for this episode: "Satan and Saint Paul," by  John Fullbright.</li><li>Grace's song pairing for this episode: "Evil Twin," by Buddy Guy.</li><li>Calloway's featured song is a Ruby Dice tune: "Don't Call Me Baby."</li></ul><p><strong>Corrections/Further Insights</strong>:</p><ul><li>For more on the “Toledo War” see wiki: <a href="https://en.wikipedia.org/wiki/Toledo_War">https://en.wikipedia.org/wiki/Toledo_War</a></li><li>Who did the unicorn dog belong to?? I was not able to answer this question. If you are able to find our more about its breed, owner, and name, please let us know! The technical name for the "creature" is the Alfa 177 canine.</li><li>More background on Spock's "last name":<ul><li>In "This Side of Paradise" (TOS 01:24), Spock establishes that has a named that's unpronounceable to humans (thanks, Jerry Gilio for that info).</li><li>Vulcan culture is seemingly both patrilineal and matriarchal, which is interesting. On the one hand, Vulcans name themselves using their paternal lineage (“Spock, Son of Sarek.”) On the other hand, many (most) of their leaders seem to be female (examples include T’Pau in the Original Series, T'Lar in Star Trek III: The Search for Spock, T’Pan in Next Generation, Oh in Picard and T'Rina in Discovery). But Vulcan society is not a feminist paradise. In “Amok Time” (TOS 02:01), we see that Vulcan females can be betrothed in childhood and only released from that betrothal by combat between their betrothed and a second male of their choosing. Whoever wins in combat earns the right to marry the female. She becomes the “property of the victor.”</li></ul></li><li>The episode I mention that features lots of Riker’s chest hair and women running things is “Angel One” (TNG 01:13).</li><li>I could not find a definitive answer to the question of which Star Trek series includes the most incidents of shirtless-ness. I'm sticking to my original guess that the Original Series probably wins this trophy, thanks to Captain Kirk.</li></ul>
]]></description>
      <pubDate>Wed, 30 Dec 2020 02:25:28 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Calloway Ritch)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Keep up with <a href="https://www.rubydice.com/">Ruby Dice</a> on the official website for upcoming shows and new music. And follow Calloway on <a href="https://www.facebook.com/callowayritch1/">Facebook</a> and <a href="https://www.instagram.com/1stnamecalloway/">Instagram</a>.</p><p>Here's a link to the official <a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on <a href="www.patreon.com/gracepettis">Patreon</a>):</p><ul><li>Calloway's song pairing for this episode: "Satan and Saint Paul," by  John Fullbright.</li><li>Grace's song pairing for this episode: "Evil Twin," by Buddy Guy.</li><li>Calloway's featured song is a Ruby Dice tune: "Don't Call Me Baby."</li></ul><p><strong>Corrections/Further Insights</strong>:</p><ul><li>For more on the “Toledo War” see wiki: <a href="https://en.wikipedia.org/wiki/Toledo_War">https://en.wikipedia.org/wiki/Toledo_War</a></li><li>Who did the unicorn dog belong to?? I was not able to answer this question. If you are able to find our more about its breed, owner, and name, please let us know! The technical name for the "creature" is the Alfa 177 canine.</li><li>More background on Spock's "last name":<ul><li>In "This Side of Paradise" (TOS 01:24), Spock establishes that has a named that's unpronounceable to humans (thanks, Jerry Gilio for that info).</li><li>Vulcan culture is seemingly both patrilineal and matriarchal, which is interesting. On the one hand, Vulcans name themselves using their paternal lineage (“Spock, Son of Sarek.”) On the other hand, many (most) of their leaders seem to be female (examples include T’Pau in the Original Series, T'Lar in Star Trek III: The Search for Spock, T’Pan in Next Generation, Oh in Picard and T'Rina in Discovery). But Vulcan society is not a feminist paradise. In “Amok Time” (TOS 02:01), we see that Vulcan females can be betrothed in childhood and only released from that betrothal by combat between their betrothed and a second male of their choosing. Whoever wins in combat earns the right to marry the female. She becomes the “property of the victor.”</li></ul></li><li>The episode I mention that features lots of Riker’s chest hair and women running things is “Angel One” (TNG 01:13).</li><li>I could not find a definitive answer to the question of which Star Trek series includes the most incidents of shirtless-ness. I'm sticking to my original guess that the Original Series probably wins this trophy, thanks to Captain Kirk.</li></ul>
]]></content:encoded>
      <enclosure length="59556688" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/577ff586-7208-4da4-9673-8ecb9c2d5e5d/audio/89f2e513-1ec4-4729-99af-21ec58fb5995/default_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-5, &quot;The Enemy Within,&quot; with Calloway Ritch</itunes:title>
      <itunes:author>Grace Pettis, Calloway Ritch</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/f0df798f-17da-47a7-a3ca-2f49da0a8876/3000x3000/tos-01-04-cover-2.jpg?aid=rss_feed"/>
      <itunes:duration>01:02:02</itunes:duration>
      <itunes:summary>Toledo native Calloway Ritch is an Austin, Texas-based songwriter and guitar player.  Ritch is a mainstay in the Austin music scene, lending his musical talents over the years to various Texas outfits, including The Matthew Kline Band, The Conquistadors, the Ruby Dice trio, and the Grace Pettis Band.  Ritch is a long-standing member of both the Ruby Dice and the Grace Pettis Band (6+ years).  With Pettis, he co-wrote and recorded an independently released acoustic collection of songs, entitled Blue Star in a Red Sky (2017). His latest work can be found on duo partner, co-writer and fiancé Ruby Dice&apos;s latest EP, Wild Ones (2020).

In The Pocket Magazine writes:  &quot;Based out of Austin, Ruby Dice Band is a combination of two songwriters Ruby and Calloway Ritch. Together they create a mix of soul and rock n&apos; roll that fits just fine here in the heart of Texas. Dice&apos;s soulful vocals and Ritch&apos;s articulate but bluesy guitar make for a sparse, powerful combo. Any millennial rocker that grew up infatuated with the White Stripes and/or the Black Keys will easily dig what they hear in Ruby Dice.”

We review Star Trek (the Original Series), Season 1, Episode 5, &quot;The Enemy Within.&quot; Topics include: Michigan and Ohio fighting over Toledo, how Grace stole both a stage and a lead guitar player, Calloway and Ruby are getting hitched, Spock&apos;s last name, medicinal brandy in space, Evil Us &apos;s drinks of choice, Bad Kirk is bad at pretending to be Good Kirk, Grace Lee Whitney’s assault (life imitating art and/or the other way around), characteristics of a good/bad person, characteristics of a good/bad man, the unicorn dog, incidents of shirtless-ness, and that weird joke at the end of the episode.</itunes:summary>
      <itunes:subtitle>Toledo native Calloway Ritch is an Austin, Texas-based songwriter and guitar player.  Ritch is a mainstay in the Austin music scene, lending his musical talents over the years to various Texas outfits, including The Matthew Kline Band, The Conquistadors, the Ruby Dice trio, and the Grace Pettis Band.  Ritch is a long-standing member of both the Ruby Dice and the Grace Pettis Band (6+ years).  With Pettis, he co-wrote and recorded an independently released acoustic collection of songs, entitled Blue Star in a Red Sky (2017). His latest work can be found on duo partner, co-writer and fiancé Ruby Dice&apos;s latest EP, Wild Ones (2020).

In The Pocket Magazine writes:  &quot;Based out of Austin, Ruby Dice Band is a combination of two songwriters Ruby and Calloway Ritch. Together they create a mix of soul and rock n&apos; roll that fits just fine here in the heart of Texas. Dice&apos;s soulful vocals and Ritch&apos;s articulate but bluesy guitar make for a sparse, powerful combo. Any millennial rocker that grew up infatuated with the White Stripes and/or the Black Keys will easily dig what they hear in Ruby Dice.”

We review Star Trek (the Original Series), Season 1, Episode 5, &quot;The Enemy Within.&quot; Topics include: Michigan and Ohio fighting over Toledo, how Grace stole both a stage and a lead guitar player, Calloway and Ruby are getting hitched, Spock&apos;s last name, medicinal brandy in space, Evil Us &apos;s drinks of choice, Bad Kirk is bad at pretending to be Good Kirk, Grace Lee Whitney’s assault (life imitating art and/or the other way around), characteristics of a good/bad person, characteristics of a good/bad man, the unicorn dog, incidents of shirtless-ness, and that weird joke at the end of the episode.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
    </item>
    <item>
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      <title>TOS 1-4, &quot;The Naked Time,&quot; with Lisa Sanders</title>
      <description><![CDATA[<p>You can find out more about Lisa, purchase her music and more on <a href="https://www.lisasanders.com/">her website</a>.  Tune in to her live show <a href="https://www.facebook.com/LisaSandersSings/">on Facebook</a> every Thursday at 7pm PT with Karen "Brown Sugar" Hayes, for an injection of joy and "soulful country blues."</p><p><br /><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Lisa's song pairing for this episode: "Over the Rainbow," by  Judy Garland.</p><p>-Grace's song pairing for this episode: "The Duelists," by Iron Maiden.</p><p>-Lisa Sanders featured song: "Astronaut."</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="https://dashboard.simplecast.com/accounts/242906ce-83dc-4a0f-8396-dbdbcef06225/shows/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/c805d6bc-beeb-414e-9327-92126c681857/www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p>
]]></description>
      <pubDate>Sun, 1 Nov 2020 15:28:51 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Lisa Sanders, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>You can find out more about Lisa, purchase her music and more on <a href="https://www.lisasanders.com/">her website</a>.  Tune in to her live show <a href="https://www.facebook.com/LisaSandersSings/">on Facebook</a> every Thursday at 7pm PT with Karen "Brown Sugar" Hayes, for an injection of joy and "soulful country blues."</p><p><br /><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Lisa's song pairing for this episode: "Over the Rainbow," by  Judy Garland.</p><p>-Grace's song pairing for this episode: "The Duelists," by Iron Maiden.</p><p>-Lisa Sanders featured song: "Astronaut."</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="https://dashboard.simplecast.com/accounts/242906ce-83dc-4a0f-8396-dbdbcef06225/shows/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/c805d6bc-beeb-414e-9327-92126c681857/www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p>
]]></content:encoded>
      <enclosure length="83107144" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/df3fe1df-e806-4eea-9825-4d45cf1b05b5/audio/c8b070a4-748d-4675-9452-62d7af0dacfc/default_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-4, &quot;The Naked Time,&quot; with Lisa Sanders</itunes:title>
      <itunes:author>Lisa Sanders, Grace Pettis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/e4e6a49e-bd9c-4b04-9dc3-f9d78aef0325/3000x3000/tos-01-04-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:26:35</itunes:duration>
      <itunes:summary>&quot;...imbued with a musical spirit that can’t be denied.&quot; That&apos;s as good a description of Lisa Sanders as any, from the San Diego Union-Tribune. 
 Lisa is an award-winning, genre-defying singer and songwriter, based in San Diego. In her decades of touring, writing, and recording, she has opened for B.B. King, Paul Simon, Bob Dylan, Bonnie Raitt, Sheryl Crow, the Dixie Chicks, Lucinda Williams, James Taylor, Stevie Nicks and Sting, among many others. She&apos;s performed all over the world with her duo partner, Karen &quot;Brown Sugar&quot; Hayes, and has been self-releasing her albums on her own label, Maya Jade Records, since 2004. She&apos;s got a brand new album in the works, Daughters of the Rising Tide, a collaborative effort with producer JT Nero (Birds of Chicago), feat. Sadler Vedan, Jamie Dick, Christopher Merrill, Steve Dawson, Allison Russell (Birds of Chicago) and others.  You can&apos;t put Lisa Sanders in a box, you can&apos;t hold her back, and you can&apos;t keep her from smiling. 

We review Star Trek (the Original Series), Season 1, Episode 4, &quot;The Naked Time.&quot; Topics include: finding your voice, the boxes they try to fit you in, “keep moving,” racism and representation in the music industry, the “only girl in the studio” complex, Lisa’s new album, Grace’s new album, sword fighting Sulu, George Takei is the actual best, Lt. Jr. Grade Dum Dum, Spock and Nurse Chapel, Spock and Uhura, and there&apos;s not much time travel and nobody’s actually naked in this episode (&quot;sorry, neither&quot;).</itunes:summary>
      <itunes:subtitle>&quot;...imbued with a musical spirit that can’t be denied.&quot; That&apos;s as good a description of Lisa Sanders as any, from the San Diego Union-Tribune. 
 Lisa is an award-winning, genre-defying singer and songwriter, based in San Diego. In her decades of touring, writing, and recording, she has opened for B.B. King, Paul Simon, Bob Dylan, Bonnie Raitt, Sheryl Crow, the Dixie Chicks, Lucinda Williams, James Taylor, Stevie Nicks and Sting, among many others. She&apos;s performed all over the world with her duo partner, Karen &quot;Brown Sugar&quot; Hayes, and has been self-releasing her albums on her own label, Maya Jade Records, since 2004. She&apos;s got a brand new album in the works, Daughters of the Rising Tide, a collaborative effort with producer JT Nero (Birds of Chicago), feat. Sadler Vedan, Jamie Dick, Christopher Merrill, Steve Dawson, Allison Russell (Birds of Chicago) and others.  You can&apos;t put Lisa Sanders in a box, you can&apos;t hold her back, and you can&apos;t keep her from smiling. 

We review Star Trek (the Original Series), Season 1, Episode 4, &quot;The Naked Time.&quot; Topics include: finding your voice, the boxes they try to fit you in, “keep moving,” racism and representation in the music industry, the “only girl in the studio” complex, Lisa’s new album, Grace’s new album, sword fighting Sulu, George Takei is the actual best, Lt. Jr. Grade Dum Dum, Spock and Nurse Chapel, Spock and Uhura, and there&apos;s not much time travel and nobody’s actually naked in this episode (&quot;sorry, neither&quot;).</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">15472277-4f7f-4098-9eab-3dd37802a8d2</guid>
      <title>TOS 1-3, &quot;Where No Man Has Gone Before,&quot; with 100 Watt Horse (George Pettis)</title>
      <description><![CDATA[<p>Check out <a href="https://the100watthorse.bandcamp.com/">100 Watt Horse on Bandcamp</a>! Visit <a href="https://www.mirrormirrorrecordingstudio.com/">Mirror Mirror Recording Studio</a> in Atlanta, GA or contact Graham Tavel for remote mixing work, etc. <a href="https://www.workersdignity.org/">Worker's Dignity</a> in Nashville, George's favorite nonprofit, is a “worker-led center organizing for economic justice and dignity for all.”</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-George's song pairing for this episode: "There Goes My Hero" by  Foo Fighters.</p><p>-Grace's song pairing for this episode: "One of Us," by Joan Osborne.</p><p>-100 Watt Horse featured song: "Rock n Roll Song"</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="https://dashboard.simplecast.com/accounts/242906ce-83dc-4a0f-8396-dbdbcef06225/shows/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/c805d6bc-beeb-414e-9327-92126c681857/www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p><p>Corrections: </p><ul><li>Not so much a correction as a note, in case you're interested. The Star Trek: Next Generation episodes discussed are "Lonely Among Us" and "Where No One Has Gone Before."</li></ul>
]]></description>
      <pubDate>Thu, 24 Sep 2020 01:41:52 +0000</pubDate>
      <author>gracepettis@gracepettis.com (100 Watt Horse, Grace Pettis)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Check out <a href="https://the100watthorse.bandcamp.com/">100 Watt Horse on Bandcamp</a>! Visit <a href="https://www.mirrormirrorrecordingstudio.com/">Mirror Mirror Recording Studio</a> in Atlanta, GA or contact Graham Tavel for remote mixing work, etc. <a href="https://www.workersdignity.org/">Worker's Dignity</a> in Nashville, George's favorite nonprofit, is a “worker-led center organizing for economic justice and dignity for all.”</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-George's song pairing for this episode: "There Goes My Hero" by  Foo Fighters.</p><p>-Grace's song pairing for this episode: "One of Us," by Joan Osborne.</p><p>-100 Watt Horse featured song: "Rock n Roll Song"</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="https://dashboard.simplecast.com/accounts/242906ce-83dc-4a0f-8396-dbdbcef06225/shows/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/c805d6bc-beeb-414e-9327-92126c681857/www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p><p>Corrections: </p><ul><li>Not so much a correction as a note, in case you're interested. The Star Trek: Next Generation episodes discussed are "Lonely Among Us" and "Where No One Has Gone Before."</li></ul>
]]></content:encoded>
      <enclosure length="77505687" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/f33b0717-6a77-4b95-8a09-dd0d100b3292/audio/b92b055d-e7c4-4888-9327-2d64b8aa5602/default_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-3, &quot;Where No Man Has Gone Before,&quot; with 100 Watt Horse (George Pettis)</itunes:title>
      <itunes:author>100 Watt Horse, Grace Pettis</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/a5ad83fc-3f9c-46dd-ab40-0537da610755/3000x3000/tos-01-03-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:20:45</itunes:duration>
      <itunes:summary>My brother, George Pettis, is studying and teaching ethnomusicology at Florida State University.  Additionally, he is the songwriter behind 100 Watt Horse. His latest album, &quot;Dog is Goob&quot; (a collaboration with engineer Graham Tavel) was released this April, 2020, on Sleeper Records. All proceeds from that release are going to several nonprofits of George&apos;s and Sleeper Records&apos; choosing: Worker’s Dignity (in Nashville), and Philabundance and Philadelphia Community Bail Fund. IM Atlanta dubbed George&apos;s music a &quot;unique brand of experimental folk,&quot; built &quot;on his ability to communicate wistfulness in a way that is completely captivating.&quot; They called 100 Watt Horse &quot;...the best experimental folk-pop Atlanta has to offer.&quot;

We review Star Trek (the Original Series), Season 1, Episode 3, &quot;Where No Man Has Gone Before.&quot; Topics include: sentient banjo planet, the dangers and motivations behind &quot;digitally remastering&quot; things, the first second Star Trek pilot, Lucille Ball, &quot;I Almost Married Her!&quot;, Spock&apos;s giant gun, &quot;My Love Has Wings,&quot; tin foil contacts, the inevitability of human evolution leading to superpowers, ESP, the typo on Kirk&apos;s tombstone, and whether Gary Mitchell was a victim or George&apos;s personal hero. </itunes:summary>
      <itunes:subtitle>My brother, George Pettis, is studying and teaching ethnomusicology at Florida State University.  Additionally, he is the songwriter behind 100 Watt Horse. His latest album, &quot;Dog is Goob&quot; (a collaboration with engineer Graham Tavel) was released this April, 2020, on Sleeper Records. All proceeds from that release are going to several nonprofits of George&apos;s and Sleeper Records&apos; choosing: Worker’s Dignity (in Nashville), and Philabundance and Philadelphia Community Bail Fund. IM Atlanta dubbed George&apos;s music a &quot;unique brand of experimental folk,&quot; built &quot;on his ability to communicate wistfulness in a way that is completely captivating.&quot; They called 100 Watt Horse &quot;...the best experimental folk-pop Atlanta has to offer.&quot;

We review Star Trek (the Original Series), Season 1, Episode 3, &quot;Where No Man Has Gone Before.&quot; Topics include: sentient banjo planet, the dangers and motivations behind &quot;digitally remastering&quot; things, the first second Star Trek pilot, Lucille Ball, &quot;I Almost Married Her!&quot;, Spock&apos;s giant gun, &quot;My Love Has Wings,&quot; tin foil contacts, the inevitability of human evolution leading to superpowers, ESP, the typo on Kirk&apos;s tombstone, and whether Gary Mitchell was a victim or George&apos;s personal hero. </itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
    </item>
    <item>
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      <title>TOS 1-2, &quot;Charlie X,&quot; with Jana Pochop</title>
      <description><![CDATA[<p>Jana Pochop wears many hats. Here's where to find her work online. </p><ul><li><a href="www.patreon.com/janapochop">Jana on Patreon</a></li><li><a href="http://janapochop.com/">Jana, the solo artist</a></li><li>Jana's duo with Mark Addison, <a href="https://onetwothreescream.com/">onetwothreescream</a></li><li><a href="https://www.socialthinkery.com/">Social Thinkery</a>, Jana's project management services for artists and small business owners (social media, crowdfunding, etc.)</li></ul><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Jana's song pairing for this episode: "Run Away With Me," by Carly Rae Jepsen.</p><p>-Grace's song pairings for this episode: "Charlie Don't Surf" by The Clash and "Teenage Dirtbag" by Wheatus.</p><p>-Jana's featured song is: "18 Hours" (by onetwothreescream).</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="https://dashboard.simplecast.com/shows/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/c805d6bc-beeb-414e-9327-92126c681857/www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p><p>Corrections: </p><ul><li>Grace says "America doesn't exist anymore," in the Star Trek original series universe. This is not strictly accurate. It's more correct to say that the United States do exist, but not as an independent political nation, in the same way that it does today. The USA is a member-state of a global, unified government (United Earth), which is in turn a member planet of the United Federation of Planets (Vulcan and other planets are members).</li><li>Grace also says, "Money doesn't exist." This isn't strictly true either. The economy of the Star Trek universe is a hotly debated and nuanced topic. "Credits" exist in Star Trek: a kind of monetary unit used within the Federation and Starfleet. It's not clear how credits are earned or given.  Some substances in Star Trek are rare and therefore valuable (dilithium, latinum, etc.), especially to other alien species, but they are not official currencies of Earth. In Star Trek, humans have evolved to pursue the betterment of the human race and personal development instead of the accumulation of wealth.</li><li>The episode Grace can't think of is "Metamorphosis" (season 2, episode 9). (This is the first episode to feature Zefram Cochrane, creator of the warp drive, which leads to first contact with the Vulcans.)</li></ul>
]]></description>
      <pubDate>Thu, 27 Aug 2020 19:55:13 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Jana Pochop)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Jana Pochop wears many hats. Here's where to find her work online. </p><ul><li><a href="www.patreon.com/janapochop">Jana on Patreon</a></li><li><a href="http://janapochop.com/">Jana, the solo artist</a></li><li>Jana's duo with Mark Addison, <a href="https://onetwothreescream.com/">onetwothreescream</a></li><li><a href="https://www.socialthinkery.com/">Social Thinkery</a>, Jana's project management services for artists and small business owners (social media, crowdfunding, etc.)</li></ul><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Jana's song pairing for this episode: "Run Away With Me," by Carly Rae Jepsen.</p><p>-Grace's song pairings for this episode: "Charlie Don't Surf" by The Clash and "Teenage Dirtbag" by Wheatus.</p><p>-Jana's featured song is: "18 Hours" (by onetwothreescream).</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="https://dashboard.simplecast.com/shows/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/c805d6bc-beeb-414e-9327-92126c681857/www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p><p>Corrections: </p><ul><li>Grace says "America doesn't exist anymore," in the Star Trek original series universe. This is not strictly accurate. It's more correct to say that the United States do exist, but not as an independent political nation, in the same way that it does today. The USA is a member-state of a global, unified government (United Earth), which is in turn a member planet of the United Federation of Planets (Vulcan and other planets are members).</li><li>Grace also says, "Money doesn't exist." This isn't strictly true either. The economy of the Star Trek universe is a hotly debated and nuanced topic. "Credits" exist in Star Trek: a kind of monetary unit used within the Federation and Starfleet. It's not clear how credits are earned or given.  Some substances in Star Trek are rare and therefore valuable (dilithium, latinum, etc.), especially to other alien species, but they are not official currencies of Earth. In Star Trek, humans have evolved to pursue the betterment of the human race and personal development instead of the accumulation of wealth.</li><li>The episode Grace can't think of is "Metamorphosis" (season 2, episode 9). (This is the first episode to feature Zefram Cochrane, creator of the warp drive, which leads to first contact with the Vulcans.)</li></ul>
]]></content:encoded>
      <enclosure length="83282638" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5/8bb2e5fb-6300-4904-b258-009dcc51df22/03cb016b-9c40-4e3a-a823-3dfaa078df01/tos-1-2-jana-pochop_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-2, &quot;Charlie X,&quot; with Jana Pochop</itunes:title>
      <itunes:author>Grace Pettis, Jana Pochop</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/83dc3e1f-4bb9-4c53-af42-5b14b58353d7/3000x3000/tos-01-02-cover-1.jpg?aid=rss_feed"/>
      <itunes:duration>01:26:46</itunes:duration>
      <itunes:summary>New Mexico native Jana Pochop has a penchant for &quot;deep grooves and poignant lyrics.&quot; She lends her unique vocals and songwriting talent to both her solo work (latest single: &quot;Oh My Heart,&quot; 2020) and her folk/pop duo with Mark Addison, onetwothreescream (&quot;Lit,&quot; released in 2018). &quot; Jana and I talk about our shared affinity for outer space and pop music, and how to unabashedly love the things that you love.

We review Star Trek (the Original Series), Season 1, Episode 2, &quot;Charlie X.&quot; Topics include: those fans at shows who &quot;pull a Charlie,&quot; sociopathic telekinetic boys will be boys?, 3 dimensional chess, replicator technology, humanity&apos;s future vegan utopia, Nichelle Nichols&apos; singing career, and unexplored Trek storylines (Spock/Uhura romance, etc.).</itunes:summary>
      <itunes:subtitle>New Mexico native Jana Pochop has a penchant for &quot;deep grooves and poignant lyrics.&quot; She lends her unique vocals and songwriting talent to both her solo work (latest single: &quot;Oh My Heart,&quot; 2020) and her folk/pop duo with Mark Addison, onetwothreescream (&quot;Lit,&quot; released in 2018). &quot; Jana and I talk about our shared affinity for outer space and pop music, and how to unabashedly love the things that you love.

We review Star Trek (the Original Series), Season 1, Episode 2, &quot;Charlie X.&quot; Topics include: those fans at shows who &quot;pull a Charlie,&quot; sociopathic telekinetic boys will be boys?, 3 dimensional chess, replicator technology, humanity&apos;s future vegan utopia, Nichelle Nichols&apos; singing career, and unexplored Trek storylines (Spock/Uhura romance, etc.).</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">6eae78c7-2fd9-4a90-af9f-33791729dec0</guid>
      <title>TOS 1-1, &quot;The Man Trap,&quot; with Stephen J. Easley</title>
      <description><![CDATA[<p>Stephen J. Easley's management company is <a href="http://www.allmojomgt.com/about-1">AllMojo</a>. And be sure to check out <a href="https://www.tbhef.org/">the Buddy Holly Educational Foundation</a> and their work carrying on Buddy's legacy through their work with musical ambassadors and Teen Cancer America.</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Steve's song pairing for this episode: "Maneater," by Hall & Oates.</p><p>-Grace's song pairing for this episode: "The Salt in My Tears," by Dolly Parton.</p><p>-Stephen Easley's featured song is a Buddy Holly song: "Learning the Game" (Natalie Merchant cover).</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="https://dashboard.simplecast.com/shows/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/c805d6bc-beeb-414e-9327-92126c681857/www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p><p>Corrections: The Original Series episode, "Plato's Stepchildren," is referred to as "Plato's Children."</p>
]]></description>
      <pubDate>Tue, 4 Aug 2020 01:25:47 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Stephen J. Easley)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Stephen J. Easley's management company is <a href="http://www.allmojomgt.com/about-1">AllMojo</a>. And be sure to check out <a href="https://www.tbhef.org/">the Buddy Holly Educational Foundation</a> and their work carrying on Buddy's legacy through their work with musical ambassadors and Teen Cancer America.</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Steve's song pairing for this episode: "Maneater," by Hall & Oates.</p><p>-Grace's song pairing for this episode: "The Salt in My Tears," by Dolly Parton.</p><p>-Stephen Easley's featured song is a Buddy Holly song: "Learning the Game" (Natalie Merchant cover).</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="https://dashboard.simplecast.com/shows/8bb2e5fb-6300-4904-b258-009dcc51df22/episodes/c805d6bc-beeb-414e-9327-92126c681857/www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p><p>Corrections: The Original Series episode, "Plato's Stepchildren," is referred to as "Plato's Children."</p>
]]></content:encoded>
      <enclosure length="93231761" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5/8bb2e5fb-6300-4904-b258-009dcc51df22/91a40129-5245-404e-8b92-a95bed7bdbbc/tos-1-1-stephen-easley-7-28-20-11-45-pm_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-1, &quot;The Man Trap,&quot; with Stephen J. Easley</itunes:title>
      <itunes:author>Grace Pettis, Stephen J. Easley</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/660f838a-43b0-420b-b470-daddc2983983/3000x3000/tos-01-01-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:37:07</itunes:duration>
      <itunes:summary>Award-winning attorney and CPA, Stephen J. Easley (All Mojo Management), talks Buddy Holly and The Buddy Holly Educational Foundation, his front row seat to REM&apos;s meteoric rise, sneaking out as a kid to watch Star Trek, and living in the original &quot;love shack&quot; (yes, as in the B-52s😱).

We review Star Trek (the Original Series), Season 1, Episode 1, &quot;The Man Trap.&quot; Topics include: endangered species, the amazing salt vampire costume, sentient empath vs. dangerous creature, Star Trek&apos;s role in dismantling racism, and the scandalous and wonderful women&apos;s uniforms and outfits in the original series.</itunes:summary>
      <itunes:subtitle>Award-winning attorney and CPA, Stephen J. Easley (All Mojo Management), talks Buddy Holly and The Buddy Holly Educational Foundation, his front row seat to REM&apos;s meteoric rise, sneaking out as a kid to watch Star Trek, and living in the original &quot;love shack&quot; (yes, as in the B-52s😱).

We review Star Trek (the Original Series), Season 1, Episode 1, &quot;The Man Trap.&quot; Topics include: endangered species, the amazing salt vampire costume, sentient empath vs. dangerous creature, Star Trek&apos;s role in dismantling racism, and the scandalous and wonderful women&apos;s uniforms and outfits in the original series.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
    </item>
    <item>
      <guid isPermaLink="false">91fdd742-f508-407d-817a-6522b324ebfa</guid>
      <title>TOS 1-Pilot, &quot;The Cage,&quot; with Rachel Laven</title>
      <description><![CDATA[<p>Check out <a href="http://www.rachellavenmusic.com">Rachel Laven</a> on <a href="https://www.patreon.com/RachelLaven">Patreon</a>!</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Rachel's song pairing for this episode: "Ain't No Rest for the Wicked," by Cage the Elephant.</p><p>-Grace's song pairing for this episode: "Pure Imagination," by Gene Wilder.</p><p>-Rachel Laven featured song: "Heels"</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p>
]]></description>
      <pubDate>Wed, 15 Jul 2020 15:06:16 +0000</pubDate>
      <author>gracepettis@gracepettis.com (Grace Pettis, Rachel Laven)</author>
      <link>https://www.troubadoursontrek.com/</link>
      <content:encoded><![CDATA[<p>Check out <a href="http://www.rachellavenmusic.com">Rachel Laven</a> on <a href="https://www.patreon.com/RachelLaven">Patreon</a>!</p><p><a href="https://open.spotify.com/playlist/30wHFdN4QYK7mgGK9tKoHI?si=Ly30yGfkTPuhr08l99czeg">Here's a link to the official Troubadours on Trek Spotify Playlist</a>, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):</p><p>-Rachel's song pairing for this episode: "Ain't No Rest for the Wicked," by Cage the Elephant.</p><p>-Grace's song pairing for this episode: "Pure Imagination," by Gene Wilder.</p><p>-Rachel Laven featured song: "Heels"</p><p>For exclusive early access, and to download past episodes of "Troubadours on Trek," become a patron for as little as $3/month: <a href="www.patreon.com/gracepettis">www.patreon.com/gracepettis</a></p>
]]></content:encoded>
      <enclosure length="75042178" type="audio/mpeg" url="https://cdn.simplecast.com/audio/8bb2e5/8bb2e5fb-6300-4904-b258-009dcc51df22/c805d6bc-beeb-414e-9327-92126c681857/tos-1-pilot-rachel-laven-7-14-20-7-26-pm_tc.mp3?aid=rss_feed&amp;feed=NcqH9j5W"/>
      <itunes:title>TOS 1-Pilot, &quot;The Cage,&quot; with Rachel Laven</itunes:title>
      <itunes:author>Grace Pettis, Rachel Laven</itunes:author>
      <itunes:image href="https://image.simplecastcdn.com/images/35130511-27d8-4c1f-9601-785b89375bc3/711ff044-edc1-4f75-8ce4-5bc1aff954b8/3000x3000/tos-01-pilot-cover.jpg?aid=rss_feed"/>
      <itunes:duration>01:18:11</itunes:duration>
      <itunes:summary>Award-winning Texas singer-songwriter Rachel Laven talks transatlantic adventure, life in the age of COVID-19, and family matters.

We review Star Trek (the Original Series), Season 1, Episode 0 (the unaired original pilot), &quot;The Cage.&quot; Topics include: cages, both real and imagined, the history of Star Trek&apos;s first, unaired pilot, Star Trek&apos;s impact on society, women on the bridge, and Majel Barrett&apos;s enduring legacy, as evidenced by smooth-voiced female computers everywhere.</itunes:summary>
      <itunes:subtitle>Award-winning Texas singer-songwriter Rachel Laven talks transatlantic adventure, life in the age of COVID-19, and family matters.

We review Star Trek (the Original Series), Season 1, Episode 0 (the unaired original pilot), &quot;The Cage.&quot; Topics include: cages, both real and imagined, the history of Star Trek&apos;s first, unaired pilot, Star Trek&apos;s impact on society, women on the bridge, and Majel Barrett&apos;s enduring legacy, as evidenced by smooth-voiced female computers everywhere.</itunes:subtitle>
      <itunes:keywords>the cage, star trek, singer songwriters, rachel laven, the original series, texas songwriters</itunes:keywords>
      <itunes:explicit>no</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>0</itunes:episode>
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