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    <title>Writers and Writings</title>
    <description>A show about writers, writings, and a little bit of everything else. I’m Aaron Cline Hanbury, and in each episode, I speak with a writer of some variety about his or her work. Or maybe someone else’s work. The point is to chase what’s interesting and good, to find out how writers write, what they learn in the process, and what we can learn, too.</description>
    <copyright>Aaron Cline Hanbury</copyright>
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    <pubDate>Tue, 12 Apr 2022 07:00:00 +0000</pubDate>
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    <itunes:summary>A show about writers, writings, and a little bit of everything else. I’m Aaron Cline Hanbury, and in each episode, I speak with a writer of some variety about his or her work. Or maybe someone else’s work. The point is to chase what’s interesting and good, to find out how writers write, what they learn in the process, and what we can learn, too.</itunes:summary>
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      <itunes:name>Aaron Cline Hanbury</itunes:name>
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      <title>19. To Read Like a Saint | Talking about spiritual reading with Jessica Hooten Wilson</title>
      <description><![CDATA[<p>She calls it reading iconically. Which is to say, Jessica Hooten Wilson approaches literature like an icon, an object that itself can be beautiful but points toward something else. That’s what she writes about in<i> The Scandal of Holiness</i>, it’s really what she’s been writing about for years, and that’s what we talked about for today’s conversation. </p>
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      <pubDate>Tue, 12 Apr 2022 07:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury, Jessica Hooten Wilson)</author>
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      <content:encoded><![CDATA[<p>She calls it reading iconically. Which is to say, Jessica Hooten Wilson approaches literature like an icon, an object that itself can be beautiful but points toward something else. That’s what she writes about in<i> The Scandal of Holiness</i>, it’s really what she’s been writing about for years, and that’s what we talked about for today’s conversation. </p>
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      <itunes:title>19. To Read Like a Saint | Talking about spiritual reading with Jessica Hooten Wilson</itunes:title>
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      <itunes:summary>She calls it reading iconically. Which is to say, Jessica Hooten Wilson approaches literature like an icon, an object that itself can be beautiful but points toward something else. That’s what she writes about in The Scandal of Holiness, it’s really what she’s been writing about for years, and that’s what we talked about for today’s conversation. </itunes:summary>
      <itunes:subtitle>She calls it reading iconically. Which is to say, Jessica Hooten Wilson approaches literature like an icon, an object that itself can be beautiful but points toward something else. That’s what she writes about in The Scandal of Holiness, it’s really what she’s been writing about for years, and that’s what we talked about for today’s conversation. </itunes:subtitle>
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      <title>18. Yes, You Can Live More than One Life | Talking about the reading lives we live with Arnold Weinstein</title>
      <description><![CDATA[<p>From the introduction of his new book: “We enter the bookstore, see all the books arrayed there, and think: so many books, so little time; but the truth goes the other way: books do not take time, they give time. They enable us to see the dimensions of life, a gift and a vision that are unavailable to us as we live day to day.” And that’s what we’re talking about today. </p>
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      <pubDate>Tue, 29 Mar 2022 21:08:04 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury, Arnold Weinstein)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>From the introduction of his new book: “We enter the bookstore, see all the books arrayed there, and think: so many books, so little time; but the truth goes the other way: books do not take time, they give time. They enable us to see the dimensions of life, a gift and a vision that are unavailable to us as we live day to day.” And that’s what we’re talking about today. </p>
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      <itunes:title>18. Yes, You Can Live More than One Life | Talking about the reading lives we live with Arnold Weinstein</itunes:title>
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      <itunes:summary>From the introduction of his new book: “We enter the bookstore, see all the books arrayed there, and think: so many books, so little time; but the truth goes the other way: books do not take time, they give time. They enable us to see the dimensions of life, a gift and a vision that are unavailable to us as we live day to day.” And that’s what we’re talking about today. </itunes:summary>
      <itunes:subtitle>From the introduction of his new book: “We enter the bookstore, see all the books arrayed there, and think: so many books, so little time; but the truth goes the other way: books do not take time, they give time. They enable us to see the dimensions of life, a gift and a vision that are unavailable to us as we live day to day.” And that’s what we’re talking about today. </itunes:subtitle>
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      <title>17. A Most Iconic Writing Tool | Talking about a the life and times of the typewriter with Martyn Lyons</title>
      <description><![CDATA[<p>Maybe, when you fantasize about your writing life, you picture a quill pen and scrolling parchment. But probably not. More than likely, you think about the machine that still stars in almost every novel and film about writers: the typewriter. In a new book, historian Martyn Lyons looks at the relatively short life of the typewriter and how its most famous users approached their work on the famed machines.</p>
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      <pubDate>Tue, 22 Mar 2022 07:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Martyn Lyons, Aaron Cline Hanbury)</author>
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      <content:encoded><![CDATA[<p>Maybe, when you fantasize about your writing life, you picture a quill pen and scrolling parchment. But probably not. More than likely, you think about the machine that still stars in almost every novel and film about writers: the typewriter. In a new book, historian Martyn Lyons looks at the relatively short life of the typewriter and how its most famous users approached their work on the famed machines.</p>
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      <itunes:title>17. A Most Iconic Writing Tool | Talking about a the life and times of the typewriter with Martyn Lyons</itunes:title>
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      <itunes:summary>Maybe, when you fantasize about your writing life, you picture a quill pen and scrolling parchment. But probably not. More than likely, you think about the machine that still stars in almost every novel and film about writers: the typewriter. In a new book, historian Martyn Lyons looks at the relatively short life of the typewriter and how its most famous users approached their work on the famed machines. </itunes:summary>
      <itunes:subtitle>Maybe, when you fantasize about your writing life, you picture a quill pen and scrolling parchment. But probably not. More than likely, you think about the machine that still stars in almost every novel and film about writers: the typewriter. In a new book, historian Martyn Lyons looks at the relatively short life of the typewriter and how its most famous users approached their work on the famed machines. </itunes:subtitle>
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      <title>16. Read a Lot, Work Hard | Talking about reading and writing with Karen Swallow Prior</title>
      <description><![CDATA[<p>Romanticism gave the writing world its share of luminaries. Poe, Dickinson, Wadsworth. But despite its good reads, the movement also left us some poor assumptions about the nature of writing itself. You know, ideas about those uncontrollable moods of inspiration that end in a great novel. The reality of writing is a lot more, well, unromantic. And simpler.</p>
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      <pubDate>Tue, 15 Mar 2022 14:48:38 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury, Karen Swallow Prior)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>Romanticism gave the writing world its share of luminaries. Poe, Dickinson, Wadsworth. But despite its good reads, the movement also left us some poor assumptions about the nature of writing itself. You know, ideas about those uncontrollable moods of inspiration that end in a great novel. The reality of writing is a lot more, well, unromantic. And simpler.</p>
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      <itunes:title>16. Read a Lot, Work Hard | Talking about reading and writing with Karen Swallow Prior</itunes:title>
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      <itunes:summary>Romanticism gave the writing world its share of luminaries. Poe, Dickinson, Wadsworth. But despite its good reads, the movement also left us some poor assumptions about the nature of writing itself. You know, ideas about those uncontrollable moods of inspiration that end in a great novel. The reality of writing is a lot more, well, unromantic. And simpler. </itunes:summary>
      <itunes:subtitle>Romanticism gave the writing world its share of luminaries. Poe, Dickinson, Wadsworth. But despite its good reads, the movement also left us some poor assumptions about the nature of writing itself. You know, ideas about those uncontrollable moods of inspiration that end in a great novel. The reality of writing is a lot more, well, unromantic. And simpler. </itunes:subtitle>
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      <title>15. The Point of Magazine Making | Talking about editing and magazines (and editing magazines) with The Point’s Jon Baskin</title>
      <description><![CDATA[<p>I like them. I work on them, and I read them. Because there’s a certain magic to the way a magazine is more than just words or just pictures. It’s not just an aesthetic: a magazine can host a whole conversation, bringing ideas big and small, conflicting and complementary into view. That’s what good magazines do. Good magazines like <i>The Point</i>. But it’s not easy. Just ask the magazine’s founding editor. </p>
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      <pubDate>Tue, 8 Mar 2022 08:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury, Jon Baskin)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>I like them. I work on them, and I read them. Because there’s a certain magic to the way a magazine is more than just words or just pictures. It’s not just an aesthetic: a magazine can host a whole conversation, bringing ideas big and small, conflicting and complementary into view. That’s what good magazines do. Good magazines like <i>The Point</i>. But it’s not easy. Just ask the magazine’s founding editor. </p>
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      <itunes:title>15. The Point of Magazine Making | Talking about editing and magazines (and editing magazines) with The Point’s Jon Baskin</itunes:title>
      <itunes:author>Aaron Cline Hanbury, Jon Baskin</itunes:author>
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      <itunes:summary>I like them. I work on them, and I read them. Because there’s a certain magic to the way a magazine is more than just words or just pictures. It’s not just an aesthetic: a magazine can host a whole conversation, bringing ideas big and small, conflicting and complementary into view. That’s what good magazines do. Good magazines like The Point. But it’s not easy. Just ask the magazine’s founding editor. 
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      <itunes:subtitle>I like them. I work on them, and I read them. Because there’s a certain magic to the way a magazine is more than just words or just pictures. It’s not just an aesthetic: a magazine can host a whole conversation, bringing ideas big and small, conflicting and complementary into view. That’s what good magazines do. Good magazines like The Point. But it’s not easy. Just ask the magazine’s founding editor. 
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      <title>14. Highbrow Comics Take Blue Collar Work | Talking about words and pictures (or pictures and words) with cartoonist Grant Snider</title>
      <description><![CDATA[<p>Picture this: Drawing and writing a full-page, stand-alone comic strip every week, doing commissioned illustrations for children’s books, and publishing more comics in places like the <i>New Yorker</i>, all while working your day job as an orthodontist — and being a father of five. It’s hard to imagine, but actually easy to picture. Because that’s Grant Snider.<br /> </p>
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      <pubDate>Tue, 1 Mar 2022 08:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury, Grant Snider)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>Picture this: Drawing and writing a full-page, stand-alone comic strip every week, doing commissioned illustrations for children’s books, and publishing more comics in places like the <i>New Yorker</i>, all while working your day job as an orthodontist — and being a father of five. It’s hard to imagine, but actually easy to picture. Because that’s Grant Snider.<br /> </p>
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      <itunes:title>14. Highbrow Comics Take Blue Collar Work | Talking about words and pictures (or pictures and words) with cartoonist Grant Snider</itunes:title>
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      <itunes:duration>00:39:02</itunes:duration>
      <itunes:summary>Picture this: Drawing and writing a full-page, stand-alone comic strip every week, doing commissioned illustrations for children’s books, and publishing more comics in places like the New Yorker, all while working your day job as an orthodontist — and being a father of five. It’s hard to imagine, but actually easy to picture. Because that’s Grant Snider.</itunes:summary>
      <itunes:subtitle>Picture this: Drawing and writing a full-page, stand-alone comic strip every week, doing commissioned illustrations for children’s books, and publishing more comics in places like the New Yorker, all while working your day job as an orthodontist — and being a father of five. It’s hard to imagine, but actually easy to picture. Because that’s Grant Snider.</itunes:subtitle>
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      <title>13. For Whom Clarity Is King | Talking about writing and life’s big questions with Os Guinness</title>
      <description><![CDATA[<p>There’s a saying that goes like this: The unexamined life is not worth living. Socrates, right? As often as that idea gets batted around, though, the big questions about life — why are we here? what really matters? — seem mainly to go ignored. That’s what the preeminent social critic Os Guinness writes about in his newest book. Which highlights another interesting phenomenon: Searching for answers to the deepest questions almost always centers around reading and, yep, writing.</p>
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      <pubDate>Tue, 22 Feb 2022 08:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury, Os Guinness)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>There’s a saying that goes like this: The unexamined life is not worth living. Socrates, right? As often as that idea gets batted around, though, the big questions about life — why are we here? what really matters? — seem mainly to go ignored. That’s what the preeminent social critic Os Guinness writes about in his newest book. Which highlights another interesting phenomenon: Searching for answers to the deepest questions almost always centers around reading and, yep, writing.</p>
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      <itunes:title>13. For Whom Clarity Is King | Talking about writing and life’s big questions with Os Guinness</itunes:title>
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      <itunes:summary>There’s a saying that goes like this: The unexamined life is not worth living. Socrates, right? As often as that idea gets batted around, though, the big questions about life — why are we here? what really matters? — seem mainly to go ignored. That’s what the preeminent social critic Os Guinness writes about in his newest book. Which highlights another interesting phenomenon: Searching for answers to the deepest questions almost always centers around reading and, yep, writing. </itunes:summary>
      <itunes:subtitle>There’s a saying that goes like this: The unexamined life is not worth living. Socrates, right? As often as that idea gets batted around, though, the big questions about life — why are we here? what really matters? — seem mainly to go ignored. That’s what the preeminent social critic Os Guinness writes about in his newest book. Which highlights another interesting phenomenon: Searching for answers to the deepest questions almost always centers around reading and, yep, writing. </itunes:subtitle>
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      <title>12. Writing the Way Home | Talking about leaving and (maybe) returning with Grace Olmstead</title>
      <description><![CDATA[<p>We really only have two choices: We either go home or we go somewhere else. For a good percentage of educated, upwardly mobile Americans, the default choice seems to be to leave. But why? And, more importantly, what are we leaving behind?</p>
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      <pubDate>Tue, 15 Feb 2022 08:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>We really only have two choices: We either go home or we go somewhere else. For a good percentage of educated, upwardly mobile Americans, the default choice seems to be to leave. But why? And, more importantly, what are we leaving behind?</p>
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      <itunes:title>12. Writing the Way Home | Talking about leaving and (maybe) returning with Grace Olmstead</itunes:title>
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      <itunes:summary>We really only have two choices: We either go home or we go somewhere else. For a good percentage of educated, upwardly mobile Americans, the default choice seems to be to leave. But why? And, more importantly, what are we leaving behind?</itunes:summary>
      <itunes:subtitle>We really only have two choices: We either go home or we go somewhere else. For a good percentage of educated, upwardly mobile Americans, the default choice seems to be to leave. But why? And, more importantly, what are we leaving behind?</itunes:subtitle>
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      <title>11. What the Great Books Do (and Don’t Do) | Talking about the reading life with Roosevelt Montás</title>
      <description><![CDATA[<p>In the pages of America’s papers and magazines, Roosevelt Montás has stirred up a debate. These so-called great books, what do they really offer society? And to *which part* of society, exactly?</p>
]]></description>
      <pubDate>Tue, 8 Feb 2022 20:34:17 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>In the pages of America’s papers and magazines, Roosevelt Montás has stirred up a debate. These so-called great books, what do they really offer society? And to *which part* of society, exactly?</p>
]]></content:encoded>
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      <itunes:title>11. What the Great Books Do (and Don’t Do) | Talking about the reading life with Roosevelt Montás</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
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      <itunes:summary>In the pages of America’s papers and magazines, Roosevelt Montás has stirred up a debate. These so-called great books, what do they really offer society? And to *which part* of society, exactly?</itunes:summary>
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      <itunes:explicit>no</itunes:explicit>
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      <title>10. The Quieter Virtue of Reading Wendell Berry | Talking about the great Kentucky writer with Jeffrey Bilbro and Jack Baker</title>
      <description><![CDATA[<p>You meet two kinds of readers: Those with a cultish devotion to the writing of Wendell Berry and those who haven’t read it (or read it carefully). Okay, both of those are extremes. But barely.</p>
]]></description>
      <pubDate>Tue, 21 Dec 2021 04:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>You meet two kinds of readers: Those with a cultish devotion to the writing of Wendell Berry and those who haven’t read it (or read it carefully). Okay, both of those are extremes. But barely.</p>
]]></content:encoded>
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      <itunes:title>10. The Quieter Virtue of Reading Wendell Berry | Talking about the great Kentucky writer with Jeffrey Bilbro and Jack Baker</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
      <itunes:duration>00:41:39</itunes:duration>
      <itunes:summary>You meet two kinds of readers: Those with a cultish devotion to the writing of Wendell Berry and those who haven’t read it (or read it carefully). Okay, both of those are extremes. But barely.</itunes:summary>
      <itunes:subtitle>You meet two kinds of readers: Those with a cultish devotion to the writing of Wendell Berry and those who haven’t read it (or read it carefully). Okay, both of those are extremes. But barely.</itunes:subtitle>
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      <title>09. Write Your Book from a Point of View (and Know What You’re Getting into) | Talking about writing with an agenda, pernicious algorithms, and the other side of publishing a book with Courtney Maum</title>
      <description><![CDATA[<p>You’ll hear writers claim to write in order to discover something. Or just to emote. You don’t hear as much about — not with fiction, at least, and not outside scare quotes — storytelling with an agenda, with something to say. But some things need to be said — for example, the preferential algorithm life is dumb — and said in a way that doesn’t just instruct but fires the imagination.</p>
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      <pubDate>Tue, 14 Dec 2021 03:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>You’ll hear writers claim to write in order to discover something. Or just to emote. You don’t hear as much about — not with fiction, at least, and not outside scare quotes — storytelling with an agenda, with something to say. But some things need to be said — for example, the preferential algorithm life is dumb — and said in a way that doesn’t just instruct but fires the imagination.</p>
]]></content:encoded>
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      <itunes:title>09. Write Your Book from a Point of View (and Know What You’re Getting into) | Talking about writing with an agenda, pernicious algorithms, and the other side of publishing a book with Courtney Maum</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
      <itunes:duration>00:39:36</itunes:duration>
      <itunes:summary>You’ll hear writers claim to write in order to discover something. Or just to emote. You don’t hear as much about — not with fiction, at least, and not outside scare quotes — storytelling with an agenda, with something to say. But some things need to be said — for example, the preferential algorithm life is dumb — and said in a way that doesn’t just instruct but fires the imagination.</itunes:summary>
      <itunes:subtitle>You’ll hear writers claim to write in order to discover something. Or just to emote. You don’t hear as much about — not with fiction, at least, and not outside scare quotes — storytelling with an agenda, with something to say. But some things need to be said — for example, the preferential algorithm life is dumb — and said in a way that doesn’t just instruct but fires the imagination.</itunes:subtitle>
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      <title>08. The Book Is Done. The Story Isn’t | Talking about chronic illness and really personal writing with Ross Douthat</title>
      <description><![CDATA[<p>Books end, of course, and most fiction stories, too. But real-life stories don’t. For a writer — particularly the memoirist — this poses questions about where and how a literary project begins and ends. </p>
]]></description>
      <pubDate>Tue, 16 Nov 2021 03:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>Books end, of course, and most fiction stories, too. But real-life stories don’t. For a writer — particularly the memoirist — this poses questions about where and how a literary project begins and ends. </p>
]]></content:encoded>
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      <itunes:title>08. The Book Is Done. The Story Isn’t | Talking about chronic illness and really personal writing with Ross Douthat</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
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      <itunes:summary>Books end, of course, and most fiction stories, too. But real-life stories don’t. For a writer — particularly the memoirist — this poses questions about where and how a literary project begins and ends.  </itunes:summary>
      <itunes:subtitle>Books end, of course, and most fiction stories, too. But real-life stories don’t. For a writer — particularly the memoirist — this poses questions about where and how a literary project begins and ends.  </itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
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      <title>07. Welcome to the Unwieldy, Uncomfortable World of Southern Food (Writing) | Talking about the South, its history, cuisine, and future, with John T. Edge</title>
      <description><![CDATA[<p>To talk about food — or to write about it — is to discuss nearly every part of our culture. Geography. History. Economics and politics, too. So when you talk to the author of one of the most acclaimed food histories in recent memory, yeah, you talk about nearly everything. </p>
]]></description>
      <pubDate>Tue, 9 Nov 2021 09:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>To talk about food — or to write about it — is to discuss nearly every part of our culture. Geography. History. Economics and politics, too. So when you talk to the author of one of the most acclaimed food histories in recent memory, yeah, you talk about nearly everything. </p>
]]></content:encoded>
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      <itunes:title>07. Welcome to the Unwieldy, Uncomfortable World of Southern Food (Writing) | Talking about the South, its history, cuisine, and future, with John T. Edge</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
      <itunes:duration>00:40:19</itunes:duration>
      <itunes:summary>To talk about food — or to write about it — is to discuss nearly every part of our culture. Geography. History. Economics and politics, too. So when you talk to the author of one of the most acclaimed food histories in recent memory, yeah, you talk about nearly everything. </itunes:summary>
      <itunes:subtitle>To talk about food — or to write about it — is to discuss nearly every part of our culture. Geography. History. Economics and politics, too. So when you talk to the author of one of the most acclaimed food histories in recent memory, yeah, you talk about nearly everything. </itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
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      <title>06. G.K. Chesterton Can Give You Your Life Back | Talking about tragedy, fairy tales, and the prince of paradox with Alison Milbank and Craig Sanders</title>
      <description><![CDATA[<p>In the fog of his dad’s suicide, my friend Craig tried to get lost in G.K. Chesterton’s nightmare, The Man Who Was Thursday. Instead, he found his way back to reality.</p>
]]></description>
      <pubDate>Tue, 2 Nov 2021 03:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>In the fog of his dad’s suicide, my friend Craig tried to get lost in G.K. Chesterton’s nightmare, The Man Who Was Thursday. Instead, he found his way back to reality.</p>
]]></content:encoded>
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      <itunes:title>06. G.K. Chesterton Can Give You Your Life Back | Talking about tragedy, fairy tales, and the prince of paradox with Alison Milbank and Craig Sanders</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
      <itunes:duration>00:45:05</itunes:duration>
      <itunes:summary>In the fog of his dad’s suicide, my friend Craig tried to get lost in G.K. Chesterton’s nightmare, The Man Who Was Thursday. Instead, he found his way back to reality.</itunes:summary>
      <itunes:subtitle>In the fog of his dad’s suicide, my friend Craig tried to get lost in G.K. Chesterton’s nightmare, The Man Who Was Thursday. Instead, he found his way back to reality.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
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      <itunes:season>2</itunes:season>
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      <title>05. Say What You Mean, Mean What You Say | Talking about words with Marilyn McEntyre</title>
      <description><![CDATA[<p>On TV, only nerds worry about vocabulary and definitions. To fix the crises of truth and trust around us — which is to say, to learn to talk to one another — we all need to become word nerds.<br /> </p><p> </p>
]]></description>
      <pubDate>Tue, 6 Jul 2021 07:10:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>On TV, only nerds worry about vocabulary and definitions. To fix the crises of truth and trust around us — which is to say, to learn to talk to one another — we all need to become word nerds.<br /> </p><p> </p>
]]></content:encoded>
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      <itunes:title>05. Say What You Mean, Mean What You Say | Talking about words with Marilyn McEntyre</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
      <itunes:duration>00:20:12</itunes:duration>
      <itunes:summary>On TV, only nerds worry about vocabulary and definitions. To fix the crises of truth and trust around us — which is to say, to learn to talk to one another — we all need to become word nerds.</itunes:summary>
      <itunes:subtitle>On TV, only nerds worry about vocabulary and definitions. To fix the crises of truth and trust around us — which is to say, to learn to talk to one another — we all need to become word nerds.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
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      <title>04. This Is That, Only Different | Talking about allusion with Lydia Millet</title>
      <description><![CDATA[<p>The fun of reading, at least part of it, is the way one book you read plays in your head with other books you’ve read. Just try <i>A Children’s Bible </i>by Lydia Millet. (And then listen to me talk to her about it.)<br /> </p><p> </p>
]]></description>
      <pubDate>Tue, 6 Jul 2021 07:05:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>The fun of reading, at least part of it, is the way one book you read plays in your head with other books you’ve read. Just try <i>A Children’s Bible </i>by Lydia Millet. (And then listen to me talk to her about it.)<br /> </p><p> </p>
]]></content:encoded>
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      <itunes:title>04. This Is That, Only Different | Talking about allusion with Lydia Millet</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
      <itunes:duration>00:26:05</itunes:duration>
      <itunes:summary>The fun of reading, at least part of it, is the way one book you read plays in your head with other books you’ve read. Just try A Children’s Bible by Lydia Millet. (And then listen to me talk to her about it.)</itunes:summary>
      <itunes:subtitle>The fun of reading, at least part of it, is the way one book you read plays in your head with other books you’ve read. Just try A Children’s Bible by Lydia Millet. (And then listen to me talk to her about it.)</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
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      <title>03. In Which I Learn about James Weldon Johnson | Talking with Noelle Morissette and Shana L. Redmond</title>
      <description><![CDATA[<p>You know “Lift Every Voice and Sing.” I did, too. What I didn’t know was the man — who happens to share with me a hometown — behind the Black national anthem.<br /> </p><p> </p>
]]></description>
      <pubDate>Tue, 6 Jul 2021 07:00:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>You know “Lift Every Voice and Sing.” I did, too. What I didn’t know was the man — who happens to share with me a hometown — behind the Black national anthem.<br /> </p><p> </p>
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      <itunes:title>03. In Which I Learn about James Weldon Johnson | Talking with Noelle Morissette and Shana L. Redmond</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
      <itunes:duration>00:40:34</itunes:duration>
      <itunes:summary>You know “Lift Every Voice and Sing.” I did, too. What I didn’t know was the man — who happens to share with me a hometown — behind the Black national anthem.</itunes:summary>
      <itunes:subtitle>You know “Lift Every Voice and Sing.” I did, too. What I didn’t know was the man — who happens to share with me a hometown — behind the Black national anthem.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
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      <title>02. And Then There’s *Writing* | Talking about the craft of writing (and reading) with James K.A. Smith</title>
      <description><![CDATA[<p>Up until now, the writing of James K.A. Smith has mirrored his teaching. Ideas translated for this audience or that. But with <i>On the Road with Saint Augustine</i>, he’s doing something different.<br /> </p><p> </p><p> </p>
]]></description>
      <pubDate>Tue, 6 Jul 2021 06:55:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>Up until now, the writing of James K.A. Smith has mirrored his teaching. Ideas translated for this audience or that. But with <i>On the Road with Saint Augustine</i>, he’s doing something different.<br /> </p><p> </p><p> </p>
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      <itunes:title>02. And Then There’s *Writing* | Talking about the craft of writing (and reading) with James K.A. Smith</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
      <itunes:duration>00:26:41</itunes:duration>
      <itunes:summary>Up until now, the writing of James K.A. Smith has mirrored his teaching. Ideas translated for this audience or that. But with On the Road with Saint Augustine, he’s doing something different.</itunes:summary>
      <itunes:subtitle>Up until now, the writing of James K.A. Smith has mirrored his teaching. Ideas translated for this audience or that. But with On the Road with Saint Augustine, he’s doing something different.</itunes:subtitle>
      <itunes:explicit>no</itunes:explicit>
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      <title>01. You Never Write Enough. But They Do. | Talking about writing practice with Cameron Alexander Lawrence and Dave Harrity</title>
      <description><![CDATA[<p>No writer writes enough. That’s why these two poets initiated an aggressive, substantial project to write an original poem every day.</p>
]]></description>
      <pubDate>Tue, 6 Jul 2021 06:50:00 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
      <link>http://www.writersandwritings.com</link>
      <content:encoded><![CDATA[<p>No writer writes enough. That’s why these two poets initiated an aggressive, substantial project to write an original poem every day.</p>
]]></content:encoded>
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      <itunes:title>01. You Never Write Enough. But They Do. | Talking about writing practice with Cameron Alexander Lawrence and Dave Harrity</itunes:title>
      <itunes:author>Aaron Cline Hanbury</itunes:author>
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      <itunes:summary>No writer writes enough. That’s why these two poets initiated an aggressive, substantial project to write an original poem every day.</itunes:summary>
      <itunes:subtitle>No writer writes enough. That’s why these two poets initiated an aggressive, substantial project to write an original poem every day.</itunes:subtitle>
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      <pubDate>Wed, 7 Apr 2021 18:18:26 +0000</pubDate>
      <author>aaron@writersandwritings.com (Aaron Cline Hanbury)</author>
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